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These are the user uploaded subtitles that are being translated: 1 00:00:02,133 --> 00:00:03,867 Narrator: THEY'RE WATCHING YOU. 2 00:00:03,867 --> 00:00:07,367 MORE THAN 4,000 SATELLITES CIRCLE THE EARTH. 3 00:00:07,367 --> 00:00:09,267 EVERY DAY, THEY UNCOVER NEW, 4 00:00:09,267 --> 00:00:12,267 MYSTERIOUS PHENOMENA THAT DEFY EXPLANATION. 5 00:00:12,267 --> 00:00:15,467 [ BEEPING, DISTORTED MUSIC ] 6 00:00:15,467 --> 00:00:18,300 DEATH AND TREASURE AT THE TEMPLE OF DOOM. 7 00:00:18,300 --> 00:00:22,267 THIS WOULD HAVE BEEN AN INCREDIBLY BLOODY, GORY EVENT. 8 00:00:22,267 --> 00:00:26,233 Narrator: THE MASSIVE MESSAGE AT THE TOP OF THE WORLD. 9 00:00:26,233 --> 00:00:28,800 Kourounis: I ACTUALLY HAVE SEEN SOMETHING LIKE THIS. 10 00:00:28,800 --> 00:00:30,233 ON THE SURFACE OF MARS, 11 00:00:30,233 --> 00:00:34,800 THERE ARE PATTERNS THAT SOME SAY ARE A BINARY CODE. 12 00:00:34,800 --> 00:00:39,033 Narrator: AND THE SECRET ISLAND OF TERROR RIGHT NEXT TO MANHATTAN. 13 00:00:39,033 --> 00:00:42,167 WHAT HAPPENED ON THIS ISLAND THAT CAUSED 14 00:00:42,167 --> 00:00:44,100 EVERYONE TO STAY AWAY FROM IT? 15 00:00:46,867 --> 00:00:48,733 Narrator: BAFFLING PHENOMENA. 16 00:00:48,733 --> 00:00:50,933 MYSTERIES FROM SPACE. 17 00:00:50,933 --> 00:00:52,800 WHAT ON EARTH ARE THEY? 18 00:00:52,800 --> 00:00:54,233 [ BEEPING ] 19 00:00:54,233 --> 00:00:56,300 [ CAMERA SHUTTER CLICKING ] 20 00:00:56,300 --> 00:00:58,033 [ WHIRRING ] 21 00:00:58,033 --> 00:01:02,300 ** 22 00:01:02,300 --> 00:01:03,767 [ FREQUENCY WARBLES ] 23 00:01:03,767 --> 00:01:06,767 -- Captions by VITAC -- www.vitac.com 24 00:01:06,767 --> 00:01:09,767 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 25 00:01:09,767 --> 00:01:12,167 JUNE 2012. 26 00:01:12,167 --> 00:01:17,767 A WorldView-2 SATELLITE PASSES OVER THE NEPEÑA VALLEY, PERU. 27 00:01:17,767 --> 00:01:20,567 200 MILES NORTH OF THE CAPITAL, LIMA, 28 00:01:20,567 --> 00:01:23,433 IT CAPTURES A STRANGE-LOOKING HILL. 29 00:01:23,433 --> 00:01:26,533 THERE'S THIS CARPET OF GREEN, 30 00:01:26,533 --> 00:01:31,533 AND THEN SUDDENLY, THIS SANDY-LOOKING MOUND. 31 00:01:31,533 --> 00:01:33,500 IT ALMOST SEEMS THAT A VOLCANO 32 00:01:33,500 --> 00:01:37,900 HAS APPEARED IN SOMEONE'S BACKYARD. 33 00:01:37,900 --> 00:01:40,733 Narrator: BUT THIS IS NOT A NATURAL STRUCTURE. 34 00:01:40,733 --> 00:01:42,767 SOMEONE BUILT IT. 35 00:01:42,767 --> 00:01:44,200 THIS IS AN AMAZING IMAGE. 36 00:01:44,200 --> 00:01:49,467 IT LOOKS LIKE A SACRED PLACE, SOME KIND OF MASSIVE SHRINE. 37 00:01:49,467 --> 00:01:52,933 Narrator: THE STRANGE OBJECT SITS IN THE LAND OF THE INCAS -- 38 00:01:52,933 --> 00:01:55,967 ONE OF THE NEW WORLD'S MOST POWERFUL, BLOODTHIRSTY, 39 00:01:55,967 --> 00:01:58,367 AND WEALTHY PEOPLES. 40 00:01:58,367 --> 00:02:02,233 AND WHERE THERE IS AN INCA SITE, THERE IS OFTEN TREASURE. 41 00:02:02,233 --> 00:02:05,933 Hoffman: PERU IS AN ARCHAEOLOGIST'S DREAM. 42 00:02:05,933 --> 00:02:09,500 THERE ARE THINGS LONG LOST, LONG BURIED. 43 00:02:12,667 --> 00:02:14,733 [ HORNS HONKING ] 44 00:02:14,733 --> 00:02:18,533 Narrator: THE IMAGE COMES TO THE ATTENTION OF ALEXEI VRANICH. 45 00:02:18,533 --> 00:02:23,433 HE'S A SPECIALIST IN ANCIENT PERUVIAN ARTIFACTS. 46 00:02:23,433 --> 00:02:26,133 HE CHECKS THE SITE'S LOCATION. 47 00:02:26,133 --> 00:02:30,067 IT'S AN AREA RICH IN INCAN TREASURE. 48 00:02:30,067 --> 00:02:31,800 Vranich: IF YOU SEE SOMETHING LIKE THIS IN THIS VALLEY, 49 00:02:31,800 --> 00:02:34,067 IT'S GONNA BE SIGNIFICANT. 50 00:02:34,067 --> 00:02:38,233 THERE'S A CHANCE OF HAVING SOME VERY AMAZING FINDS. 51 00:02:38,233 --> 00:02:40,500 IT'S ABSOLUTELY FASCINATING FROM A SATELLITE IMAGE, 52 00:02:40,500 --> 00:02:42,533 BUT WE CAN'T TELL EVERYTHING FROM THAT. 53 00:02:42,533 --> 00:02:45,833 WE ACTUALLY HAVE TO GO ON SITE. 54 00:02:45,833 --> 00:02:48,533 Narrator: IF VRANICH GOES AHEAD WITH THE EXPEDITION, 55 00:02:48,533 --> 00:02:51,800 HE'LL BE HEADING DEEP INTO BANDIT COUNTRY. 56 00:02:51,800 --> 00:02:54,300 PERU HAS LONG BEEN THE CENTER 57 00:02:54,300 --> 00:02:58,567 FOR THE BLACK MARKET IN TRADING IN ANTIQUITIES. 58 00:02:58,567 --> 00:03:01,733 THERE'S GOLD IN THOSE HILLS, AND EVERYONE KNOWS IT. 59 00:03:01,733 --> 00:03:03,067 [ SIREN WAILS, RAPID GUNFIRE ] 60 00:03:03,067 --> 00:03:04,833 BUT THERE'S MANY SHOOT OUTS BETWEEN THE AUTHORITIES 61 00:03:04,833 --> 00:03:06,400 AND THE GOLD DIGGERS. 62 00:03:06,400 --> 00:03:14,300 ** 63 00:03:14,300 --> 00:03:16,567 Narrator: VRANICH FINDS OUT HE'S NOT THE ONLY ONE 64 00:03:16,567 --> 00:03:18,233 INTERESTED IN THE MOUND. 65 00:03:18,233 --> 00:03:20,267 SOMEONE ELSE HAS BRAVED THE BANDITS 66 00:03:20,267 --> 00:03:23,533 AND HAS REPORTEDLY MADE SOME IMPORTANT DISCOVERIES. 67 00:03:25,633 --> 00:03:31,067 VRANICH HEADS NORTH FROM LIMA AND BACK IN TIME. 68 00:03:31,067 --> 00:03:33,633 Horton: THE INCAS ARE AMERICA'S FIRST GREAT EMPIRE 69 00:03:33,633 --> 00:03:36,567 WITH A HUGE TERRITORY THAT EXTENDED ALMOST TO THE CARIBBEAN 70 00:03:36,567 --> 00:03:41,500 IN THE NORTH RIGHT DOWN TO ARGENTINA IN THE SOUTH. 71 00:03:41,500 --> 00:03:44,333 THEY'RE ABLE TO BRING IN PRECIOUS COMMODITIES, 72 00:03:44,333 --> 00:03:48,833 PRECIOUS STONES, GOLD IN HUGE QUANTITIES, 73 00:03:48,833 --> 00:03:53,600 AND WERE SPECTACULARLY RICH. 74 00:03:53,600 --> 00:03:57,367 Narrator: SEVEN HOURS' HARD DRIVING BRINGS VRANICH FACE-TO-FACE 75 00:03:57,367 --> 00:03:59,067 WITH THE STRUCTURE. 76 00:03:59,067 --> 00:04:01,067 Vranich: I'VE SEEN A LOT OF MOUNDS, 77 00:04:01,067 --> 00:04:03,733 BUT THIS ONE'S JUST A LITTLE BIT UNIQUE. 78 00:04:03,733 --> 00:04:06,667 THE LOCAL PEOPLE HAVE ACTUALLY PUT "LA HUAKA" ON TOP OF IT. 79 00:04:06,667 --> 00:04:08,800 MEANING THAT IT'S A SACRED LOCATION. 80 00:04:08,800 --> 00:04:14,267 ** 81 00:04:14,267 --> 00:04:16,333 IT'S FREAKIN' HUGE. 82 00:04:16,333 --> 00:04:21,467 WE GOT A 40-, 50-FEET TALL PLATFORM MAYBE 300 FEET WIDE. 83 00:04:21,467 --> 00:04:24,333 WHAT EXACTLY IS INSIDE OF IT, OR WHAT DOES IT MEAN? 84 00:04:24,333 --> 00:04:25,433 THAT'S SOMETHING WE HAVE TO CHECK OUT 85 00:04:25,433 --> 00:04:28,900 AND GET A LITTLE BIT CLOSER. 86 00:04:28,900 --> 00:04:30,933 Maca: THIS IS A GOOD EXAMPLE OF A MAN-MADE STRUCTURE 87 00:04:30,933 --> 00:04:33,567 USING LOTS OF RESOURCES, LOTS OF PEOPLE TO BUILD IT. 88 00:04:33,567 --> 00:04:38,500 SO THIS MEANS IT WAS ASSOCIATED WITH SOMETHING REALLY IMPORTANT. 89 00:04:38,500 --> 00:04:41,733 Narrator: VRANICH HAS TRACKED DOWN ANTHROPOLOGIST BOB BENFER. 90 00:04:41,733 --> 00:04:43,333 HOWDY, BOB. ALEXEI VRANICH. 91 00:04:43,333 --> 00:04:44,500 HELLO. 92 00:04:44,500 --> 00:04:46,100 BENFER HAS BEEN STUDYING THE ANCIENT PERUVIANS 93 00:04:46,100 --> 00:04:48,200 FOR OVER 30 YEARS. 94 00:04:48,200 --> 00:04:49,800 VRANICH IS INTERESTED TO KNOW 95 00:04:49,800 --> 00:04:52,933 WHAT PROFESSOR BENFER HAS FOUND OUT ABOUT THE MOUND. 96 00:04:54,900 --> 00:04:59,467 BENFER HAS CARBON-DATED THE SITE USING RELICS HE DISCOVERED HERE. 97 00:04:59,467 --> 00:05:02,100 THE REMAINS ARE FROM THE 16th CENTURY, 98 00:05:02,100 --> 00:05:05,167 WHEN THE INCA EMPIRE WAS AT ITS HEIGHT. 99 00:05:05,167 --> 00:05:08,267 BUT THERE'S SOMETHING ELSE. 100 00:05:08,267 --> 00:05:10,100 IF THE DATING IS CORRECT, 101 00:05:10,100 --> 00:05:12,267 IT COINCIDES WITH AN INCREDIBLE SERIES 102 00:05:12,267 --> 00:05:14,367 OF ASTRONOMICAL EVENTS. 103 00:05:17,067 --> 00:05:19,467 Benfer: THERE WERE FOUR TOTAL SOLAR ECLIPSES 104 00:05:19,467 --> 00:05:23,100 BETWEEN 1527 AND 1543. 105 00:05:23,100 --> 00:05:25,833 THERE REALLY ARE NORMALLY ONLY ONE SOLAR ECLIPSE 106 00:05:25,833 --> 00:05:28,433 EVERY 360 YEARS. 107 00:05:28,433 --> 00:05:30,967 SO I DON'T KNOW IF ANYONE ON THE PLANET HAS EVER SEEN 108 00:05:30,967 --> 00:05:32,833 THAT MANY TOTAL SOLAR ECLIPSES 109 00:05:32,833 --> 00:05:36,567 IN SUCH A SHORT TIME. 110 00:05:36,567 --> 00:05:39,300 THE INCAS WERE SUN WORSHIPPERS. 111 00:05:39,300 --> 00:05:42,733 THE EMPEROR OR "SAPA" CLAIMED DESCENT FROM THE SUN GOD 112 00:05:42,733 --> 00:05:46,433 INTI HIMSELF. 113 00:05:46,433 --> 00:05:48,767 INCAN HIGH PRIEST ASTRONOMERS CAREFULLY 114 00:05:48,767 --> 00:05:53,867 CHARTED THE CHANGING PASSAGE OF THEIR SUN GOD ACROSS THE SKY. 115 00:05:53,867 --> 00:05:57,067 THEY INVESTED THE HEAVENS WITH HOLY MEANING AND SIGNIFICANCE... 116 00:05:57,067 --> 00:05:58,700 [ THUNDER BOOMING ] ...BUILDING THEIR TEMPLES 117 00:05:58,700 --> 00:06:01,633 IN ALIGNMENT WITH THE SUN AND STARS. 118 00:06:03,867 --> 00:06:06,533 FOUR SOLAR ECLIPSES IN QUICK SUCCESSION 119 00:06:06,533 --> 00:06:09,633 MAY WELL HAVE CAUSED REAL PANIC AMONG THE INCAS. 120 00:06:12,300 --> 00:06:14,167 Krueger: JUST IMAGINE WHAT KIND OF FEELINGS 121 00:06:14,167 --> 00:06:17,300 THAT WOULD EVOKE IN A PERSON EXPERIENCING THAT. 122 00:06:19,833 --> 00:06:21,867 BECAUSE THERE WERE NO SCIENTIFIC EXPLANATIONS 123 00:06:21,867 --> 00:06:23,667 FOR WHAT WAS HAPPENING, 124 00:06:23,667 --> 00:06:25,500 IT SURELY WOULD HAVE BEEN EXPERIENCED 125 00:06:25,500 --> 00:06:29,133 AS SOME TYPE OF AN OTHERWORLDLY OR CATACLYSMIC EVENT 126 00:06:29,133 --> 00:06:30,933 HAPPENING IN THEIR MIDST. 127 00:06:33,200 --> 00:06:35,133 Narrator: VRANICH BELIEVES IF THIS SITE 128 00:06:35,133 --> 00:06:37,767 DOES HAVE SOME ASTRONOMICAL SIGNIFICANCE, 129 00:06:37,767 --> 00:06:40,800 THEN IT SHOULD ALIGN WITH THE RISING SUN. 130 00:06:40,800 --> 00:06:43,233 MOST LIKELY AROUND THE SOLSTICE. 131 00:06:47,400 --> 00:06:49,467 SOLAR RECORDS GIVE HIM A POSITION 132 00:06:49,467 --> 00:06:53,733 FOR THE SUN IN THE 1500s. 133 00:06:53,733 --> 00:06:56,467 Vranich: WHAT I'M LOOKING FOR IS ANY SIGNIFICANT ALIGNMENT 134 00:06:56,467 --> 00:06:58,100 WITH SOMETHING IN THE LANDSCAPE. 135 00:06:58,100 --> 00:07:00,500 SPECIFICALLY WITH THE SUMMER SOLSTICE. 136 00:07:00,500 --> 00:07:02,567 THIS IS NORTH. 137 00:07:02,567 --> 00:07:05,533 WE KNOW THAT THE SOLSTICE 500 YEARS AGO 138 00:07:05,533 --> 00:07:08,500 WOULD HAVE COME UP AT AROUND 294. 139 00:07:08,500 --> 00:07:11,200 LOOKING OUT ACROSS THE LANDSCAPE ALONG THIS COMPASS LINE, 140 00:07:11,200 --> 00:07:13,067 YOU REALLY CAN TELL THERE'S NOTHING 141 00:07:13,067 --> 00:07:16,233 THAT SIGNIFICANT IN THE DISTANCE 142 00:07:16,233 --> 00:07:19,700 THAT WOULD REALLY DRAW ATTENTION IN THE PAST ON THAT DATE. 143 00:07:19,700 --> 00:07:21,067 THERE REALLY MUST BE ANOTHER REASON 144 00:07:21,067 --> 00:07:24,233 WHY THAT IT WAS PLACED HERE. 145 00:07:24,233 --> 00:07:28,067 Narrator: BUT THE MOUND SERVES NO OBVIOUS PRACTICAL PURPOSE. 146 00:07:28,067 --> 00:07:31,700 THIS SUGGESTS IT IS, IN SOME WAY, MYSTICAL OR RELIGIOUS, 147 00:07:31,700 --> 00:07:36,933 AND FOR THE INCAS, THAT OFTEN MEANT TERRIFYING BLOOD RITUALS. 148 00:07:36,933 --> 00:07:41,067 TO MAINTAIN A RELATIONSHIP WITH THEIR GODS, 149 00:07:41,067 --> 00:07:45,500 THE PERUVIAN ANCIENTS MADE A VARIETY OF OFFERINGS. 150 00:07:45,500 --> 00:07:48,300 THIS TOOK THE FORM OF SIMPLE PRAYERS, 151 00:07:48,300 --> 00:07:50,700 BUT ALSO ANIMAL OFFERINGS, 152 00:07:50,700 --> 00:07:54,600 AND THE ULTIMATE SACRIFICE OF ALL. 153 00:07:56,700 --> 00:07:59,233 HUMAN BEINGS. 154 00:08:01,333 --> 00:08:03,633 Narrator: ON THE DEATH OF A SUN KING, 155 00:08:03,633 --> 00:08:05,967 MANY CHILDREN AND EVEN BABIES 156 00:08:05,967 --> 00:08:09,100 WERE SACRIFICED TO THE SUN GOD. 157 00:08:09,100 --> 00:08:11,733 IS THIS A MOUND OF TERROR? 158 00:08:14,200 --> 00:08:15,633 COMING UP... 159 00:08:15,633 --> 00:08:19,400 THE MYSTERIOUS, HI-TECH DISHES ON AMERICA'S DOORSTEP. 160 00:08:19,400 --> 00:08:21,367 Baker: I DON'T BELIEVE FOR ONE SECOND 161 00:08:21,367 --> 00:08:23,967 THAT THAT'S AN INNOCENT FACILITY. 162 00:08:23,967 --> 00:08:26,200 Narrator: AND A YOUNG, SACRIFICIAL VICTIM 163 00:08:26,200 --> 00:08:29,067 COMES BACK FROM THE DEAD. 164 00:08:29,067 --> 00:08:32,667 SO THEY ACTUALLY FOUND THIS ROPE AROUND HER NECK 165 00:08:32,667 --> 00:08:34,567 WHEN THEY EXCAVATED HER. YEAH. 166 00:08:38,933 --> 00:08:43,733 ** 167 00:08:43,733 --> 00:08:47,533 Narrator: ARCHAEOLOGIST ALEXEI VRANICH IS EXPLORING A VOLCANO-SHAPED, 168 00:08:47,533 --> 00:08:50,567 MAN-MADE MOUND PHOTOGRAPHED FROM SPACE. 169 00:08:54,400 --> 00:08:57,700 HE'S LOOKING AROUND THE AREA FOR CLUES. 170 00:08:57,700 --> 00:09:00,133 HE LEARNS OF ANOTHER SITE NEARBY 171 00:09:00,133 --> 00:09:01,567 WHERE EVIDENCE HAS BEEN UNCOVERED 172 00:09:01,567 --> 00:09:05,400 OF THE MOST CRUEL AND GRUESOME KILLINGS. 173 00:09:05,400 --> 00:09:08,067 IT'S CALLED "EL BRUJO," OR THE WIZARD, 174 00:09:08,067 --> 00:09:11,400 AND IT'S A HUGELY SACRED SITE. 175 00:09:11,400 --> 00:09:14,233 THIS COULD HOLD INFORMATION, OR AT LEAST A FEW MORE CLUES, 176 00:09:14,233 --> 00:09:17,067 ON THE ROLE OF SACRIFICE IN ANDEAN RELIGION. 177 00:09:19,333 --> 00:09:21,200 Narrator: ENGRAVINGS HAVE BEEN DISCOVERED 178 00:09:21,200 --> 00:09:24,067 DEPICTING SCENES OF BLOODY TERROR. 179 00:09:27,467 --> 00:09:30,167 Vranich: THIS IS ABSOLUTELY INCREDIBLE. 180 00:09:30,167 --> 00:09:34,367 THERE'S AN ENTIRE LINE OF PEOPLE THAT HAVE BEEN TIED TOGETHER. 181 00:09:34,367 --> 00:09:36,800 IT'S A ROPE GOING FROM ONE INDIVIDUAL 182 00:09:36,800 --> 00:09:38,833 TO ANOTHER AROUND THEIR NECK. 183 00:09:38,833 --> 00:09:40,433 AND THEY'RE BEING LED IN THIS DIRECTION, 184 00:09:40,433 --> 00:09:43,167 PERHAPS BEING LED TO THEIR OWN SACRIFICE 185 00:09:43,167 --> 00:09:45,233 AFTER HAVING BEEN DEFEATED IN BATTLE. 186 00:09:49,067 --> 00:09:51,067 Narrator: COULD THIS SITE PROVIDE CLUES 187 00:09:51,067 --> 00:09:53,267 TO THE PURPOSE OF THE MYSTERY MOUND? 188 00:09:55,367 --> 00:10:00,900 ONE OF THE ARCHAEOLOGISTS DIGGING HERE IS AUGUSTO BAZAN. 189 00:10:00,900 --> 00:10:03,067 HOWDY. I'M ALEXEI. 190 00:10:03,067 --> 00:10:04,833 IT LOOKS LIKE THE GRUESOME SCENES 191 00:10:04,833 --> 00:10:09,033 DEPICTED IN THE CARVING HAPPENED FOR REAL. 192 00:10:09,033 --> 00:10:11,100 OH, MY. 193 00:10:11,100 --> 00:10:14,567 TWO PIECES OF POTTERY... 194 00:10:14,567 --> 00:10:15,633 AND THAT'S A KNIFE. 195 00:10:36,967 --> 00:10:39,400 HE'S SIMILAR TO THE PEOPLE ON THE MURAL WE SAW. 196 00:10:39,400 --> 00:10:40,700 -EXACTLY. -THEY'RE NAKED. 197 00:10:40,700 --> 00:10:42,067 THEY HAVE A ROPE AROUND THE NECK. 198 00:10:42,067 --> 00:10:45,367 HE'S ABOUT THE CUT THE -- PROBABLY THE JUGULAR. 199 00:10:52,033 --> 00:10:53,400 THE BLOOD WOULD HAVE COME OUT, 200 00:10:53,400 --> 00:10:54,967 AND IT WOULD HAVE DRAINED INTO THE CUP. 201 00:10:54,967 --> 00:10:55,933 YEAH. 202 00:10:58,933 --> 00:11:01,400 WAS THIS THE ONLY WAY THAT PEOPLE WERE SACRIFICED? 203 00:11:05,400 --> 00:11:09,667 ** 204 00:11:09,667 --> 00:11:12,500 Vranich: THIS LOOKS LIKE A VERY YOUNG INDIVIDUAL. 205 00:11:12,500 --> 00:11:15,500 DO WE HAVE ANY CLUES ON HOW OR WHY SHE DIED? 206 00:11:15,500 --> 00:11:16,800 Bazan: SURE. 207 00:11:23,867 --> 00:11:27,533 SO THEY ACTUALLY FOUND THIS ROPE AROUND HER NECK 208 00:11:27,533 --> 00:11:29,233 WHEN THEY EXCAVATED HER? -YEAH. 209 00:11:29,233 --> 00:11:31,267 THAT'S SOLID EVIDENCE. 210 00:11:34,867 --> 00:11:37,433 THE OFFERING OF HUMAN BEINGS TO THEIR GODS 211 00:11:37,433 --> 00:11:40,500 WAS A BRUTAL INCA RITUAL. 212 00:11:42,733 --> 00:11:45,533 HEADS WERE CHOPPED OFF. 213 00:11:45,533 --> 00:11:49,067 BLOOD SPURTED ALL OVER THE LAND 214 00:11:49,067 --> 00:11:53,367 TO REJUVENATE IN HONOR OF THE GODS. 215 00:11:55,333 --> 00:11:57,833 Narrator: AS SHOCKING AS THE HUMAN SACRIFICE 216 00:11:57,833 --> 00:12:01,533 IS THE NUMBER OF VICTIMS. 217 00:12:01,533 --> 00:12:05,400 Hoffman: IN 1527, OVER 4,000 CONCUBINES, 218 00:12:05,400 --> 00:12:08,300 SLAVES, SERVANTS WERE ALL SACRIFICED 219 00:12:08,300 --> 00:12:11,400 SO THAT THEY COULD JOIN THEIR RULER IN THE AFTERLIFE. 220 00:12:14,067 --> 00:12:17,133 Narrator: THE EVIDENCE SUGGESTS TO VRANICH THAT THE STRANGE MOUND 221 00:12:17,133 --> 00:12:20,600 MAY WELL HAVE BEEN A MAJOR SACRIFICIAL SITE. 222 00:12:20,600 --> 00:12:24,767 BUT WHAT TERRIFYING GOD WERE THEY TRYING TO APPEASE? 223 00:12:24,767 --> 00:12:27,633 VRANICH THINKS ITS SHAPE IS A CLUE. 224 00:12:27,633 --> 00:12:31,533 THIS THING LOOKS LIKE A VOLCANO. 225 00:12:31,533 --> 00:12:34,533 THE AREA IS INSIDE THE RING OF FIRE -- 226 00:12:34,533 --> 00:12:37,100 A REGION KNOWN FOR ITS MASSIVE VOLCANOES 227 00:12:37,100 --> 00:12:39,667 AND DEVASTATING EARTHQUAKES. 228 00:12:39,667 --> 00:12:43,467 IN THE PAST 12,000 YEARS, ALL BUT 3 OF THE WORLD'S 229 00:12:43,467 --> 00:12:46,900 BIGGEST VOLCANIC ERUPTIONS HAPPENED HERE. 230 00:12:46,900 --> 00:12:50,667 A SEARCH OF INCA RECORDS REVEALS THAT VOLCANIC ACTIVITY 231 00:12:50,667 --> 00:12:55,600 COINCIDES WITH A GREAT INCREASE IN HUMAN SACRIFICES. 232 00:12:55,600 --> 00:12:57,300 Hunt: ALL OVER THE WORLD, 233 00:12:57,300 --> 00:13:02,433 VOLCANOES ARE WORSHIPPED AS LIVING CREATURES. 234 00:13:02,433 --> 00:13:07,900 WHEN THE MAGNA FLOWS, IT EVEN LOOKS LIKE A SERPENT, 235 00:13:07,900 --> 00:13:09,767 AND IT'S POWERFUL STUFF. 236 00:13:12,067 --> 00:13:14,900 IT MAKES YOU WONDER IF THAT VOLCANO-SHAPED SITE 237 00:13:14,900 --> 00:13:17,633 HAS ANYTHING TO DO WITH THAT. 238 00:13:17,633 --> 00:13:19,467 IS IT POSSIBLE THAT THEY FORMED IT 239 00:13:19,467 --> 00:13:22,633 IN A WAY TO REPLICATE A VOLCANO? 240 00:13:22,633 --> 00:13:25,200 YOU CAN THINK ABOUT PERHAPS THE FIRE IN THE MIDDLE 241 00:13:25,200 --> 00:13:28,133 CREATING SMOKE COULD HAVE MADE THIS EFFECT. 242 00:13:31,567 --> 00:13:35,633 Narrator: VRANICH BELIEVES THIS IS AN INCAN SACRIFICIAL SITE. 243 00:13:35,633 --> 00:13:40,700 BENEATH THIS HILL, HE EXPECTS TO FIND BODIES AND TREASURE. 244 00:13:40,700 --> 00:13:45,167 Vranich: PRETTY CLEAR THAT THE SITE IS SIGNIFICANT. 245 00:13:45,167 --> 00:13:47,600 IT'S A TEMPLE OF SOME SORTS. 246 00:13:47,600 --> 00:13:50,600 HAVE EVIDENCE OF RITUAL THAT'S GOING ON. 247 00:13:50,600 --> 00:13:52,600 THERE'S STILL SO MUCH TO UNCOVER HERE. 248 00:13:52,600 --> 00:13:53,933 WE'RE GONNA HAVE TO WAIT FOR ADDITIONAL 249 00:13:53,933 --> 00:13:55,900 ARCHAEOLOGICAL EXCAVATIONS. 250 00:13:55,900 --> 00:14:02,267 ** 251 00:14:02,267 --> 00:14:03,433 Narrator: COMING UP... 252 00:14:03,433 --> 00:14:07,233 A DEADLY EPIDEMIC THREATENS NEW YORK CITY. 253 00:14:07,233 --> 00:14:09,667 Odell: SHE'S KNOWN TO HAVE KILLED AT LEAST THREE PEOPLE, 254 00:14:09,667 --> 00:14:12,500 SOME BELIEVE UPWARDS TO 50. 255 00:14:12,500 --> 00:14:16,733 WE'RE TALKING ABOUT A MAJOR SERIAL KILLER HERE. 256 00:14:16,733 --> 00:14:21,567 Narrator: ...AND COMMUNISTS, CARTELS, AND A NEW COLD WAR. 257 00:14:21,567 --> 00:14:25,133 THESE GUYS ARE SOME OF THESE MOST DANGEROUS PEOPLE 258 00:14:25,133 --> 00:14:26,233 ON THE PLANET. 259 00:14:30,767 --> 00:14:35,400 ** 260 00:14:35,400 --> 00:14:38,600 Narrator: MARCH 2016. 261 00:14:38,600 --> 00:14:44,400 A WorldView-3 SATELLITE ORBITS HIGH OVER CENTRAL AMERICA. 262 00:14:44,400 --> 00:14:47,867 AS IT PASSES MANAGUA, NICARAGUA'S CAPITAL CITY, 263 00:14:47,867 --> 00:14:51,233 IT PHOTOGRAPHS A SECURE, HIGH-TECH COMPOUND. 264 00:14:54,267 --> 00:14:56,967 INSIDE, THERE IS A GIANT SATELLITE DISH 265 00:14:56,967 --> 00:14:59,333 AND FOUR OTHER LARGE DISHES. 266 00:15:01,867 --> 00:15:04,933 Munoz: THIS ISN'T SOMETHING THAT YOU CAN KIND OF PUT TOGETHER 267 00:15:04,933 --> 00:15:08,633 FROM A TRIP TO RADIO SHACK AND HOME DEPOT. 268 00:15:08,633 --> 00:15:10,067 Pappalardo: THESE DISHES ARE BIG. 269 00:15:10,067 --> 00:15:12,100 THEY'RE REALLY POWERFUL. 270 00:15:12,100 --> 00:15:16,800 THE BIGGER THE DISH, THE MORE INFORMATION IT CAN SOAK UP. 271 00:15:16,800 --> 00:15:20,700 Narrator: WHAT PUZZLES ANALYSTS IS THAT, ACCORDING TO OFFICIAL RECORDS, 272 00:15:20,700 --> 00:15:22,433 THE NICARAGUANS DID NOT BUILD 273 00:15:22,433 --> 00:15:25,233 AND DO NOT CONTROL ANY COMMUNICATION CENTER 274 00:15:25,233 --> 00:15:27,067 AT THIS SITE. 275 00:15:27,067 --> 00:15:31,067 SO, WHO BUILT IT, AND WHAT ARE THEY USING IT FOR? 276 00:15:31,067 --> 00:15:33,367 Baker: I DON'T BELIEVE FOR ONE SECOND 277 00:15:33,367 --> 00:15:35,600 THAT THAT'S AN INNOCENT FACILITY. 278 00:15:35,600 --> 00:15:40,967 ** 279 00:15:40,967 --> 00:15:42,733 Narrator: THE IMAGE COMES TO THE ATTENTION 280 00:15:42,733 --> 00:15:46,733 OF FORMER CIA OPERATIVE LINDSAY MORAN. 281 00:15:46,733 --> 00:15:49,400 THIS AREA HAS A TURBULENT HISTORY. 282 00:15:49,400 --> 00:15:53,067 REVOLUTION, THE SANDINISTA, THE CONTRAS, 283 00:15:53,067 --> 00:15:57,067 AND MORE RECENTLY, THE NARCOS. 284 00:15:57,067 --> 00:16:00,967 Moran: WHAT'S WORRYING ABOUT THE HOMEGROWN SATELLITE STATION 285 00:16:00,967 --> 00:16:05,800 IS THAT A LARGE DEGREE OF DRUG CARTEL ACTIVITY 286 00:16:05,800 --> 00:16:08,767 HAS SEEPED INTO NICARAGUA. 287 00:16:08,767 --> 00:16:11,600 Narrator: NICARAGUA IS PART OF WHAT DRUG-ENFORCEMENT AGENTS 288 00:16:11,600 --> 00:16:14,467 CALL THE COCAINE CORRIDOR. 289 00:16:14,467 --> 00:16:17,700 80% OF THE COCAINE THAT COMES INTO THE UNITED STATES 290 00:16:17,700 --> 00:16:21,167 PASSES THROUGH NICARAGUA. 291 00:16:21,167 --> 00:16:23,833 Narrator: THE MONEY GENERATED IS EXTRAORDINARY. 292 00:16:23,833 --> 00:16:26,100 THE OPERATION RUN BY PABLO ESCOBAR 293 00:16:26,100 --> 00:16:29,333 WAS GENERATING $20 BILLION A YEAR. 294 00:16:29,333 --> 00:16:33,067 ESCOBAR ALONE WAS ONE OF THE RICHEST MEN IN THE WORLD. 295 00:16:33,067 --> 00:16:35,967 THE CARTELS ARE IMMENSELY WEALTHY, WELL-CONNECTED, 296 00:16:35,967 --> 00:16:37,833 AND WELL-ORGANIZED, 297 00:16:37,833 --> 00:16:39,800 DEPLOYING SOME OF THE LATEST TECHNOLOGY 298 00:16:39,800 --> 00:16:43,967 IN ARMS AND COMMUNICATIONS. 299 00:16:43,967 --> 00:16:48,567 DRUG CARTELS HAVE ENORMOUS AMOUNTS OF MONEY. 300 00:16:48,567 --> 00:16:51,467 SOME OF THEM HAVE EVEN BUILT SMALL SUBMARINES 301 00:16:51,467 --> 00:16:55,733 TO MOVE THEIR NARCOTICS INTO THE UNITED STATES. 302 00:16:55,733 --> 00:16:58,200 THEY WOULD TAKE THEM ACROSS THE CHANNELS OVER TO FLORIDA. 303 00:16:58,200 --> 00:17:01,200 THE IDEA THAT THEY WOULD BE BUILDING INFRASTRUCTURE 304 00:17:01,200 --> 00:17:03,700 TO FURTHER THEIR SMUGGLING OPERATION 305 00:17:03,700 --> 00:17:05,567 IS NOT FAR-FETCHED. 306 00:17:07,700 --> 00:17:10,567 Narrator: INVESTIGATORS FEAR THAT THIS SATELLITE ARRAY 307 00:17:10,567 --> 00:17:14,200 MAY BELONG TO A CARTEL DESCRIBED BY THE U.S. GOVERNMENT 308 00:17:14,200 --> 00:17:16,533 AS THE MOST TECHNOLOGICALLY ADVANCED, 309 00:17:16,533 --> 00:17:19,867 SOPHISTICATED, EFFICIENT, VIOLENT, RUTHLESS, 310 00:17:19,867 --> 00:17:21,600 AND DANGEROUS IN EXISTENCE. 311 00:17:21,600 --> 00:17:23,400 [ RAPID GUNFIRE, ALARM BLARING ] 312 00:17:23,400 --> 00:17:27,733 THEY ARE CALLED LOS ZETAS, OR THE Z's. 313 00:17:27,733 --> 00:17:31,133 LOS ZETAS WERE FORMED FROM SPECIAL OPERATIONS UNITS 314 00:17:31,133 --> 00:17:33,933 WITHIN THE MEXICAN MILITARY THAT BECAME SO CORRUPT, 315 00:17:33,933 --> 00:17:36,567 THEY FIGURED IT WAS EASIER JUST TO BECOME A CARTEL THEMSELVES. 316 00:17:36,567 --> 00:17:39,167 [ SIREN WAILS ] 317 00:17:39,167 --> 00:17:42,933 THEY RECRUIT YOUNG KIDS. THEY BURN PEOPLE ALIVE. 318 00:17:42,933 --> 00:17:44,700 THEY PUT 'EM IN VATS OF ACID. 319 00:17:44,700 --> 00:17:50,567 LOS ZETAS ARE SOME OF THE MOST DANGEROUS PEOPLE ON THE PLANET. 320 00:17:50,567 --> 00:17:54,800 Narrator: CARLO MUNOZ IS AN EXPERT ON THE CARTELS. 321 00:17:54,800 --> 00:17:57,533 ALTHOUGH LOS ZETAS USE LOTS OF HIGH-TECH, 322 00:17:57,533 --> 00:18:01,633 HE BELIEVES EVEN THEY COULD NOT BUILD A FACILITY THIS ADVANCED. 323 00:18:01,633 --> 00:18:03,833 I HAVE YET TO SEE ANY CARTEL CONDUCT 324 00:18:03,833 --> 00:18:05,767 THE KIND OF INTELLIGENCE OPERATION 325 00:18:05,767 --> 00:18:07,700 THAT THIS NOTE INDICATES. 326 00:18:07,700 --> 00:18:12,067 THIS IS A PROFESSIONAL, ALMOST GOVERNMENT-TYPE FACILITY. 327 00:18:14,833 --> 00:18:18,467 Narrator: INVESTIGATIONS ON THE GROUND OFFER MORE CLUES. 328 00:18:18,467 --> 00:18:20,500 LOCAL RESIDENTS NEAR THE BASE REPORT 329 00:18:20,500 --> 00:18:23,467 THE PRESENCE OF FOREIGNERS. 330 00:18:23,467 --> 00:18:26,900 Munoz: WHEN YOU SPEAK TO THE LOCALS AROUND THIS INSTALLATION, 331 00:18:26,900 --> 00:18:28,767 THEY SAY THAT THE PERSONNEL BASED THERE 332 00:18:28,767 --> 00:18:32,200 ALL SPEAK FLUENT RUSSIAN. 333 00:18:32,200 --> 00:18:35,900 Baker: YOU'VE GOT A RUSSIAN SATELLITE FACILITY. 334 00:18:35,900 --> 00:18:38,100 THEN YOU'VE GOT TO FIGURE OUT WHAT'S ITS PURPOSE, 335 00:18:38,100 --> 00:18:41,133 WHY IS IT THERE? 336 00:18:41,133 --> 00:18:42,367 Narrator: IN THE 1970s, 337 00:18:42,367 --> 00:18:44,767 WHILE THE U.S. BACKED THE CONTRAS, 338 00:18:44,767 --> 00:18:48,067 RUSSIAN SOVIETS BACKED THE LEFT-WING SANDINISTAS, 339 00:18:48,067 --> 00:18:51,900 DRAWING NICARAGUA INTO THE COMMUNIST BLOC. 340 00:18:51,900 --> 00:18:55,133 NICARAGUA'S A VERY WELL-KNOWN PAWN IN THE CHESS GAME 341 00:18:55,133 --> 00:18:57,333 BETWEEN THE UNITED STATES AND THE SOVIET UNION 342 00:18:57,333 --> 00:18:59,567 THROUGHOUT THE ENTIRETY OF THE COLD WAR. 343 00:19:02,967 --> 00:19:05,967 THERE'S BEEN A FAIRLY SIGNIFICANT RELATIONSHIP 344 00:19:05,967 --> 00:19:09,633 BETWEEN RUSSIA AND NICARAGUA. 345 00:19:09,633 --> 00:19:13,100 Narrator: IT'S A RELATIONSHIP, IT SEEMS, THAT VLADIMIR PUTIN, 346 00:19:13,100 --> 00:19:18,467 HIMSELF A FORMER KGB AGENT, WANTS TO KEEP ALIVE. 347 00:19:18,467 --> 00:19:22,100 REPORTS OF PEOPLE SPEAKING RUSSIAN SUGGEST THIS IS, 348 00:19:22,100 --> 00:19:24,467 INDEED, A RUSSIAN BASE. 349 00:19:24,467 --> 00:19:26,900 AND A RUSSIAN BASE SO CLOSE TO THE U.S. 350 00:19:26,900 --> 00:19:30,567 RAISES OBVIOUS CONCERNS. 351 00:19:30,567 --> 00:19:32,867 Baker: FOR VLADIMIR PUTIN, THE COLD WAR NEVER ENDED, 352 00:19:32,867 --> 00:19:36,533 SO THE IDEA THAT THEY WOULD CONTINUE 353 00:19:36,533 --> 00:19:38,600 TO TRY TO INFLUENCE THE LEADERSHIP 354 00:19:38,600 --> 00:19:41,733 IN A PLACE LIKE NICARAGUA MAKES PERFECT SENSE. 355 00:19:41,733 --> 00:19:43,667 [ CAMERA SHUTTER CLICKS ] 356 00:19:43,667 --> 00:19:46,367 IT'S LIKE THE COLD WAR RESURGENT AGAIN, 357 00:19:46,367 --> 00:19:50,900 AND VLADIMIR PUTIN IS RIGHT AT OUR BACK DOOR. 358 00:19:50,900 --> 00:19:56,733 Narrator: CONCERN GROWS WHEN INVESTIGATORS ANALYZE THE IMAGE MORE CLOSELY. 359 00:19:56,733 --> 00:20:02,567 THIS DISH IS POINTING STRAIGHT AT THE U.S. EMBASSY IN MANAGUA. 360 00:20:02,567 --> 00:20:05,367 Narrator: ALARMINGLY, THE SATELLITE COMPOUND 361 00:20:05,367 --> 00:20:08,233 IS ONLY A MILE AND A HALF FROM THE EMBASSY. 362 00:20:11,700 --> 00:20:13,567 Pappalardo: HAVING A DISH THIS POWERFUL 363 00:20:13,567 --> 00:20:15,500 AIMED AT A TARGET LIKE THE U.S. EMBASSY, 364 00:20:15,500 --> 00:20:16,767 THAT MEANS THAT THIS THING 365 00:20:16,767 --> 00:20:18,700 COULD BE COLLECTING A LOT OF INFORMATION 366 00:20:18,700 --> 00:20:21,400 COMING IN AND OUT OF THAT BUILDING. 367 00:20:21,400 --> 00:20:24,167 SO, IT'S A SECURITY RISK. 368 00:20:24,167 --> 00:20:27,767 AND TO MAKE MATTERS EVEN WORSE, THE RUSSIANS OWN IT. 369 00:20:29,867 --> 00:20:33,733 Narrator: THE NICARAGUAN GOVERNMENT HAS NOW RELEASED A STATEMENT. 370 00:20:33,733 --> 00:20:37,467 THEY SAY THE FACILITY IS A GPS SYSTEM, 371 00:20:37,467 --> 00:20:40,067 BUT THE SYSTEM KNOWN AS GLONASS HAPPENS 372 00:20:40,067 --> 00:20:42,833 TO HAVE BEEN DEVELOPED BY THE RUSSIAN MILITARY 373 00:20:42,833 --> 00:20:46,067 AND IS NOW USED BY THE RUSSIAN GOVERNMENT. 374 00:20:46,067 --> 00:20:48,767 THIS DOES CREATE A FEASIBLE EXPLANATION 375 00:20:48,767 --> 00:20:51,067 AS TO WHY RUSSIAN-SPEAKING PERSONNEL 376 00:20:51,067 --> 00:20:55,733 ARE IN AND OUT OF THIS FACILITY 24 HOURS A DAY. 377 00:20:55,733 --> 00:20:58,967 Narrator: GLONASS HAS ITS ORIGINS IN THE SOVIET UNION 378 00:20:58,967 --> 00:21:00,833 AS A GUIDANCE SYSTEM FOR BALLISTIC, 379 00:21:00,833 --> 00:21:04,067 MISSILE-CARRYING SUBMARINES. 380 00:21:04,067 --> 00:21:06,300 Baker: THERE IS NO DOUBT IN MY MIND 381 00:21:06,300 --> 00:21:09,933 THAT THE RUSSIANS ARE USING THAT FOR INTEL COLLECTION. 382 00:21:09,933 --> 00:21:15,667 IT WOULD BE INSANELY NAIVE TO THINK OTHERWISE. 383 00:21:15,667 --> 00:21:18,467 Narrator: THE SECURE BASE CAPTURED IN THIS SATELLITE IMAGE 384 00:21:18,467 --> 00:21:20,933 REMAINS A PLACE OF EXTREME INTEREST 385 00:21:20,933 --> 00:21:23,533 TO U.S. INTELLIGENCE OBSERVERS. 386 00:21:23,533 --> 00:21:25,300 Pappalardo: THE TRUTH IS THAT WE DON'T KNOW WHAT THIS FACILITY 387 00:21:25,300 --> 00:21:27,133 IS BEING USED FOR. 388 00:21:27,133 --> 00:21:29,267 THE COVER STORY JUST REALLY DOESN'T WASH. 389 00:21:29,267 --> 00:21:35,100 ** 390 00:21:35,100 --> 00:21:36,233 Narrator: COMING UP... 391 00:21:36,233 --> 00:21:38,867 THE CODE AT THE END OF THE WORLD. 392 00:21:38,867 --> 00:21:43,667 WHY WOULD SOMEONE COME AND DIG THESE VERTICAL LINES LIKE THIS? 393 00:21:43,667 --> 00:21:48,067 Narrator: AND A DEATH STAR WEAPON UNLEASHES HELL IN THE DESERT. 394 00:21:48,067 --> 00:21:50,400 THIS IS SCIENCE-FICTION LEVEL TECHNOLOGY. 395 00:21:50,400 --> 00:21:52,500 THE KIND OF THING THAT YOU WOULD EXPECT TO SEE 396 00:21:52,500 --> 00:21:55,667 IN SOME "STAR WARS" MOVIE. 397 00:22:03,500 --> 00:22:06,667 Narrator: MARCH 2017. 398 00:22:06,667 --> 00:22:09,967 BANKS ISLAND, NORTHERN CANADA. 399 00:22:09,967 --> 00:22:12,800 A NASA RESEARCH AIRCRAFT SPOTS WEIRD MARKINGS 400 00:22:12,800 --> 00:22:15,733 SEEMINGLY CARVED INTO THE SEA ICE. 401 00:22:15,733 --> 00:22:18,067 Kourounis: I'VE NEVER SEEN ANYTHING LIKE THIS BEFORE. 402 00:22:18,067 --> 00:22:19,533 THAT IS BIZARRE. 403 00:22:19,533 --> 00:22:22,900 Chamberlain: IT SEEMS LIKE IT MUST BE MAN-MADE, 404 00:22:22,900 --> 00:22:24,233 BUT WHY WOULD SOMEONE COME 405 00:22:24,233 --> 00:22:27,367 AND DIG THESE VERTICAL LINES LIKE THIS? 406 00:22:27,367 --> 00:22:30,433 [ WIND WHISTLING ] 407 00:22:30,433 --> 00:22:32,167 Narrator: MEASUREMENTS OF THE MARKINGS REVEAL 408 00:22:32,167 --> 00:22:33,867 THAT THEY ARE ON A HUGE SCALE, 409 00:22:33,867 --> 00:22:36,467 OVER 2,000 YARDS LONG. 410 00:22:36,467 --> 00:22:38,833 THIS IS NOT JUST A BLIP ON THE RADAR. 411 00:22:38,833 --> 00:22:40,267 THIS IS SOMETHING THAT HAS HAPPENED 412 00:22:40,267 --> 00:22:44,833 OVER A REALLY LONG STRETCH. 413 00:22:44,833 --> 00:22:47,500 Narrator: ANALYSTS CHECK HISTORICAL RECORDS. 414 00:22:47,500 --> 00:22:49,067 THE ARCTIC HAS, IN THE PAST, 415 00:22:49,067 --> 00:22:53,867 BEEN THE SCENE OF SOME UNUSUAL INDUSTRIAL ACTIVITY. 416 00:22:53,867 --> 00:22:56,933 SINCE THE ARRIVAL OF THE REFRIGERATOR IN THE 1930s, 417 00:22:56,933 --> 00:22:58,967 WE TAKE ICE FOR GRANTED. 418 00:22:58,967 --> 00:23:04,067 BUT ONCE UPON A TIME, IT WAS SEEN AS A VALUABLE COMMODITY. 419 00:23:04,067 --> 00:23:08,400 Sanford: AT ONE POINT, WE HARVESTED MASSIVE BLOCKS OF ICE 420 00:23:08,400 --> 00:23:09,733 AND SHIPPED THEM -- 421 00:23:09,733 --> 00:23:14,600 THESE THINGS WEIGHING TONS -- ALL THE WAY TO INDIA. 422 00:23:14,600 --> 00:23:18,367 Narrator: IN ITS HEYDAY, THE AMERICAN ICE INDUSTRY IS HUGE, 423 00:23:18,367 --> 00:23:23,800 EMPLOYING OVER 90,000 PEOPLE AND WORTH HALF A BILLION DOLLARS. 424 00:23:23,800 --> 00:23:27,233 VAST ICE HOUSES ARE BUILT ALL ALONG THE HUDSON RIVER, 425 00:23:27,233 --> 00:23:30,733 AND U.S. ICE IS MARKETED AS A LUXURY PRODUCT. 426 00:23:33,067 --> 00:23:38,133 IF YOU WERE A MULTI-MILLIONAIRE AND HAD A PALACE IN THE BAHAMAS, 427 00:23:38,133 --> 00:23:40,467 AND YOU WANTED ICE FOR YOUR PIÑA COLADA, 428 00:23:40,467 --> 00:23:41,867 HOW ARE YOU GONNA GET IT? 429 00:23:41,867 --> 00:23:45,533 WELL, YOU WOULD HIRE SOMEONE TO TAKE A BOAT UP TO THE ARCTIC, 430 00:23:45,533 --> 00:23:48,733 CHOP AWAY HUGE CHUNKS OF ICE, AND BRING IT DOWN TO YOU. 431 00:23:48,733 --> 00:23:50,400 OF COURSE, MOST OF IT WOULD BE MELTED 432 00:23:50,400 --> 00:23:53,200 BY THE TIME IT GOT TO YOU, BUT YOU STILL WOULD HAVE ENOUGH 433 00:23:53,200 --> 00:23:56,333 TO SATISFY YOUR CARVING FOR THAT COLD DRINK. 434 00:23:56,333 --> 00:23:59,133 Sanford: IS ICE HARVESTING COMING BACK? 435 00:23:59,133 --> 00:24:02,233 ARE PEOPLE GOING TO BE WILLING TO PAY FOR ANCIENT ICE CUBES 436 00:24:02,233 --> 00:24:04,267 IN THEIR DRINKS? 437 00:24:04,267 --> 00:24:06,467 Narrator: BUT THERE'S A PROBLEM WITH THIS THEORY. 438 00:24:06,467 --> 00:24:11,067 THE ICE IN THE SATELLITE IMAGE IS SEA ICE, NOT FRESHWATER ICE. 439 00:24:11,067 --> 00:24:14,100 SEA ICE IS FROZEN SEA WATER. 440 00:24:14,100 --> 00:24:16,633 FROZEN SEA WATER IS NOT REALLY IDEAL 441 00:24:16,633 --> 00:24:17,933 FOR PUTTING INTO YOUR DRINK 442 00:24:17,933 --> 00:24:22,300 UNLESS YOU REALLY LIKE AN EXTRA-SALTY MARGARITA. 443 00:24:22,300 --> 00:24:26,633 TODAY, A FEW PREMIUM BRAND VODKAS STILL USE NATURAL ICE, 444 00:24:26,633 --> 00:24:28,933 BUT THEY HARVEST IT IN THE RUSSIAN MOUNTAINS, 445 00:24:28,933 --> 00:24:30,700 NOT THE CANADIAN ARCTIC. 446 00:24:33,167 --> 00:24:38,067 ANALYSTS FOCUS ON THE REPEATED VISUAL MOTIFS IN THE IMAGE. 447 00:24:38,067 --> 00:24:39,600 SOME ARE REMINDED OF MARKINGS 448 00:24:39,600 --> 00:24:43,467 FOUND IN AN EVEN MORE INHOSPITABLE LOCATION. 449 00:24:43,467 --> 00:24:46,133 I ACTUALLY HAVE SEEN SOMETHING LIKE THIS. 450 00:24:46,133 --> 00:24:47,633 ON THE SURFACE OF MARS, 451 00:24:47,633 --> 00:24:52,967 THERE ARE PATTERNS THAT SOME SAY ARE A BINARY COD. 452 00:24:52,967 --> 00:24:56,367 Narrator: SCIENTISTS DISCOVER THE STRANGE SURFACE MARKINGS ON MARS 453 00:24:56,367 --> 00:24:58,800 IN 2016. 454 00:24:58,800 --> 00:25:01,067 LIKE THE MYSTERIOUS PATTERN IN THE ARCTIC, 455 00:25:01,067 --> 00:25:03,600 THEY'RE HIGHLY REGULAR. 456 00:25:03,600 --> 00:25:07,567 IT LOOKS TO SOME LIKE A SIGNAL OR A MESSAGE OF SOME KIND. 457 00:25:09,933 --> 00:25:11,500 BUT THIS IS MARS. 458 00:25:11,500 --> 00:25:14,733 WHO OR WHAT COULD HAVE PUT IT HERE? 459 00:25:14,733 --> 00:25:17,767 IF THIS IS SOME INTERPLANETARY MESSAGE, 460 00:25:17,767 --> 00:25:21,067 IT'S STILL TO BE DECODED. 461 00:25:21,067 --> 00:25:22,767 D'Antonio: WHAT THEY FOUND WAS IT SAID, "BLEAH." 462 00:25:22,767 --> 00:25:24,233 IT MADE NO SENSE. 463 00:25:24,233 --> 00:25:25,667 THERE WAS NOTHING TO IT. 464 00:25:25,667 --> 00:25:27,067 I THINK THE SAME THING WILL HAPPEN HERE. 465 00:25:27,067 --> 00:25:28,567 IF THEY TRY TO DECODE THIS AND TURN IT 466 00:25:28,567 --> 00:25:30,667 INTO SOME TYPE OF BINARY MESSAGE, 467 00:25:30,667 --> 00:25:32,433 THEY'RE GONNA GET THE SAME KIND OF RESPONSE. 468 00:25:34,667 --> 00:25:38,267 Narrator: EXPERTS SWITCH THEIR FOCUS TO THE NATURAL WORLD. 469 00:25:38,267 --> 00:25:40,633 THEY FIND OTHER EXAMPLES OF THIS PHENOMENON 470 00:25:40,633 --> 00:25:43,633 DOTTED ACROSS THE POLAR REGIONS. 471 00:25:43,633 --> 00:25:48,300 IT'S A HIGHLY UNUSUAL PROCESS CALLED FINGER RAFTING. 472 00:25:48,300 --> 00:25:50,167 NORMALLY, WHEN YOU HAVE TWO PIECES OF ICE 473 00:25:50,167 --> 00:25:52,767 CRASHING INTO EACH OTHER, THEY'LL CREATE RIDGES 474 00:25:52,767 --> 00:25:55,500 WHERE THE EDGES BUMP UP AGAINST EACH OTHER. 475 00:25:55,500 --> 00:25:59,167 BUT EVERY NOW AND THEN, WHEN THE CONDITIONS ARE JUST RIGHT, 476 00:25:59,167 --> 00:26:01,567 THE ICE WILL INTERLOCK, 477 00:26:01,567 --> 00:26:03,933 AND YOU'LL GET THESE FINGERS OF ICE 478 00:26:03,933 --> 00:26:08,067 LAYERING ON TOP OF EACH OTHER AND INTERLOCKING. 479 00:26:08,067 --> 00:26:10,733 Narrator: FINGER RAFTING ONLY OCCURS WHEN TWO SHEETS 480 00:26:10,733 --> 00:26:13,967 OF NEWLY FORMED ICE COLLIDE. 481 00:26:13,967 --> 00:26:17,733 THESE BLOCKS ARE THIN ENOUGH TO BEND WITHOUT SHATTERING. 482 00:26:17,733 --> 00:26:20,067 THE SHEETS SLIDE OVER AND UNDER EACH OTHER, 483 00:26:20,067 --> 00:26:22,200 CREATING THE FINGER-LIKE PATTERN. 484 00:26:24,500 --> 00:26:28,433 Sanford: THIS PATTERN LOOKS MAN-MADE, BUT IT'S TOTALLY NATURAL, 485 00:26:28,433 --> 00:26:32,800 AND IT'S ONE OF THOSE THINGS, WHEN SEEN FROM ABOVE, 486 00:26:32,800 --> 00:26:38,067 THAT JUST MAKES ME APPRECIATE THE BEAUTY AND POWER OF NATURE. 487 00:26:38,067 --> 00:26:44,467 ** 488 00:26:44,467 --> 00:26:45,567 Narrator: COMING UP... 489 00:26:45,567 --> 00:26:48,067 A SPOOKY SYMBOL IN THE DESERT ANALYSTS 490 00:26:48,067 --> 00:26:50,133 ARE STILL TRYING TO EXPLAIN. 491 00:26:50,133 --> 00:26:51,233 THIS ONE'S A MYSTERY TO ME. 492 00:26:51,233 --> 00:26:53,100 I CAN'T EVEN TELL YOU WHAT IT IS. 493 00:26:53,100 --> 00:26:55,400 Narrator: AND NEW YORK'S SECRET ISLAND OF TERROR. 494 00:26:55,400 --> 00:26:56,700 [ BIRD CHIRPING ] 495 00:26:56,700 --> 00:26:59,100 Sanford: HOW MANY PEOPLE DIED HERE? 496 00:26:59,100 --> 00:27:01,700 THERE IS BLOOD AND DEATH ON THIS ISLAND. 497 00:27:07,733 --> 00:27:12,233 ** 498 00:27:12,233 --> 00:27:15,233 Narrator: APRIL 2016. 499 00:27:15,233 --> 00:27:18,067 A GeoEye-1 SATELLITE PASSING OVER THE SAHARA 500 00:27:18,067 --> 00:27:19,567 IN SOUTHERN ALGERIA 501 00:27:19,567 --> 00:27:22,133 CAPTURES THESE MARKINGS ON THE DESERT FLOOR. 502 00:27:25,700 --> 00:27:29,400 THE IMAGE HAS BAFFLED EXPERTS SINCE ITS DISCOVERY. 503 00:27:29,400 --> 00:27:33,067 IT CONTINUES TO BE A MYSTERY TO THIS DAY. 504 00:27:33,067 --> 00:27:35,100 Bellinger: IT LOOKS LIKE A COMPASS. 505 00:27:35,100 --> 00:27:37,133 I'M WONDERING WHAT ON EARTH IT'S DOING OUT HERE 506 00:27:37,133 --> 00:27:38,700 IN THE MIDDLE OF THE DESERT. 507 00:27:38,700 --> 00:27:40,667 THIS THING IS TRULY BIZARRE. 508 00:27:40,667 --> 00:27:45,533 I'VE DONE A LOT OF DIGGING TO FIND OUT WHAT THIS THING IS. 509 00:27:45,533 --> 00:27:48,633 AND SO FAR, I HAVE COME UP EMPTY. 510 00:27:48,633 --> 00:27:51,167 Narrator: SCALE ANALYSIS REVEALS THE MYSTERY PATTERN 511 00:27:51,167 --> 00:27:54,667 IS ALMOST TWICE THE SIZE OF A FOOTBALL FIELD. 512 00:27:54,667 --> 00:27:56,600 Pappalardo: IT'S OBVIOUSLY MAN-MADE. 513 00:27:56,600 --> 00:27:58,133 IT'S GOT DEFINITE SHAPE. 514 00:27:58,133 --> 00:28:00,200 IT SHOULD HAVE A DEFINITE FUNCTION, 515 00:28:00,200 --> 00:28:03,067 BUT WHO KNOWS WHAT IT IS? 516 00:28:03,067 --> 00:28:05,467 Narrator: SATELLITE ANALYSTS SEARCH THE AREA RIGHT AROUND 517 00:28:05,467 --> 00:28:07,067 THE BIZARRE SYMBOL. 518 00:28:07,067 --> 00:28:12,400 IT STANDS ALONE -- NO SIGNS OF ANY MODERN STRUCTURES OR LIFE. 519 00:28:12,400 --> 00:28:15,433 THE LOCATION OF THE SYMBOL SUGGESTS IT MAY HAVE SOME LINK 520 00:28:15,433 --> 00:28:18,467 TO AN ANCIENT CIVILIZATION. 521 00:28:18,467 --> 00:28:20,967 Gough: THE SHAPE IS REMINISCENT OF A COLLECTION OF BURIAL SITES 522 00:28:20,967 --> 00:28:22,800 KNOWN AS KEYHOLE TOMBS 523 00:28:22,800 --> 00:28:27,167 THAT ARE LOCATED CONSPICUOUSLY CLOSE TO THIS SYMBOL. 524 00:28:27,167 --> 00:28:30,700 Narrator: SCIENTISTS HAVE DISCOVERED OVER 600 FUNERARY MONUMENTS 525 00:28:30,700 --> 00:28:34,567 SHAPED LIKE KEYHOLES IN THE SAHARA DESERT. 526 00:28:34,567 --> 00:28:38,433 THE OLDEST DATE BACK TO 3600 B.C., 527 00:28:38,433 --> 00:28:42,767 2,000 YEARS BEFORE THE GREAT PYRAMID IN EGYPT IS BUILT. 528 00:28:45,233 --> 00:28:47,867 ARCHAEOLOGISTS VENTURING INSIDE HAVE DISCOVERED 529 00:28:47,867 --> 00:28:51,067 CEREMONIAL VESSELS AND STONE AGE WEAPONS. 530 00:28:55,300 --> 00:28:57,600 THESE STRUCTURES ALL FACE EAST -- 531 00:28:57,600 --> 00:29:00,267 APPARENTLY POINTING TO THE RISING SUN. 532 00:29:04,433 --> 00:29:06,900 ARCHAEOLOGIST KAREN BELLINGER CROSS-CHECKS 533 00:29:06,900 --> 00:29:10,500 THE IMAGE WITH A SERIES OF SATELLITE FLYOVERS. 534 00:29:10,500 --> 00:29:13,067 SHE SPOTS SOMETHING MISSING IN ALL THE PICTURES 535 00:29:13,067 --> 00:29:15,567 THAT THROWS THE TOMB THEORY INTO DOUBT. 536 00:29:17,700 --> 00:29:21,400 Bellinger: WHEN WE LOOK AT IMAGES OF THIS STRUCTURE 537 00:29:21,400 --> 00:29:23,267 TAKEN AT DIFFERENT TIMES OF DAY 538 00:29:23,267 --> 00:29:25,067 AND ON DIFFERENT DAYS OF THE YEAR, 539 00:29:25,067 --> 00:29:27,733 WE NEVER SEE A SHADOW. 540 00:29:27,733 --> 00:29:29,600 THAT INDICATES THAT IT DOESN'T HAVE ANY KIND OF 541 00:29:29,600 --> 00:29:30,833 THREE-DIMENSIONAL PROFILE. 542 00:29:30,833 --> 00:29:34,300 IT CANNOT BE CONSTRUCTED OF STONE. 543 00:29:34,300 --> 00:29:37,067 Narrator: INVESTIGATORS WIDEN THE SEARCH AREA. 544 00:29:37,067 --> 00:29:41,967 THE NEAREST SIGN OF CIVILIZATION IS SOMETHING UNEXPECTED. 545 00:29:41,967 --> 00:29:44,367 A DESERT AIRPORT. 546 00:29:44,367 --> 00:29:48,267 BUT WHAT'S AN AIRPORT DOING IN THE DESERT? 547 00:29:48,267 --> 00:29:51,933 THE AIRPORT WAS PART OF A PROGRAM RUN BY NASA 548 00:29:51,933 --> 00:29:55,367 TO MAINTAIN SECONDARY LANDING ZONES FOR SPACECRAFT 549 00:29:55,367 --> 00:29:57,400 RE-ENTERING THE EARTH'S ATMOSPHERE. 550 00:30:00,933 --> 00:30:03,600 Narrator: SPACE FLIGHT REMAINS ONE OF THE MOST DANGEROUS 551 00:30:03,600 --> 00:30:06,267 AND COMPLEX SCIENTIFIC ENDEAVORS. 552 00:30:10,733 --> 00:30:14,500 COUNTLESS THINGS CAN GO WRONG, AND SPACE SHUTTLES CAN BE FORCED 553 00:30:14,500 --> 00:30:16,167 TO RE-ENTER EARTH'S ATMOSPHERE 554 00:30:16,167 --> 00:30:18,533 FOR ANY NUMBER OF REASONS. 555 00:30:18,533 --> 00:30:22,867 AND IN ANY NUMBER OF PLACES. 556 00:30:22,867 --> 00:30:24,967 TO COPE WITH FORCED RE-ENTRIES, 557 00:30:24,967 --> 00:30:27,667 NASA HAS ESTABLISHED 33 EMERGENCY 558 00:30:27,667 --> 00:30:29,900 LANDING SITES ALL OVER THE WORLD, 559 00:30:29,900 --> 00:30:35,233 OFTEN LOCATED FAR AWAY FROM POPULATED AREAS. 560 00:30:35,233 --> 00:30:38,100 Capps: IF THIS WERE A SIGN POST FOR AN EMERGENCY SPACE SHUTTLE LANDING, 561 00:30:38,100 --> 00:30:39,667 YOU'RE HURTLING DOWN TO THE GROUND, 562 00:30:39,667 --> 00:30:40,967 YOUR SYSTEMS ARE FAILING, 563 00:30:40,967 --> 00:30:42,733 AND THAT'S WHY YOU'RE VISUALLY NAVIGATING. 564 00:30:42,733 --> 00:30:46,867 MAN, I BET YOU WOULD BE HAPPY TO SEE THIS THING. 565 00:30:46,867 --> 00:30:51,533 Narrator: BUT A CHECK OF THE OTHER SHUTTLE LANDING SITES REVEALS A PROBLEM. 566 00:30:51,533 --> 00:30:54,833 Kourounis: THIS SYMBOL IS NOT SEEN AT ANY OF THE OTHER 567 00:30:54,833 --> 00:30:57,300 SPACE SHUTTLE EMERGENCY LANDING SITES, 568 00:30:57,300 --> 00:31:02,067 SO ODDS ARE THAT'S PROBABLY NOT THE ANSWER. 569 00:31:02,067 --> 00:31:06,367 Narrator: ANALYSTS LOOK BACK AT HISTORICAL SATELLITE IMAGES OF THE REGION. 570 00:31:06,367 --> 00:31:10,900 THEY DISCOVER THE MYSTERY STRUCTURE APPEARS IN 2000. 571 00:31:10,900 --> 00:31:12,800 THEY LEARN THAT AROUND THIS TIME, 572 00:31:12,800 --> 00:31:14,167 THE EMERGENCY LANDING SITE 573 00:31:14,167 --> 00:31:17,500 IS HEAVILY UPGRADED FOR MILITARY USE. 574 00:31:17,500 --> 00:31:20,200 Munoz: LOOKING AT THE IMAGE, THE KIND OF DISTINCT MARKINGS 575 00:31:20,200 --> 00:31:24,967 THAT IT HAS, IT COULD VERY WELL SERVE AS A LARGE TARGET. 576 00:31:24,967 --> 00:31:28,100 Narrator: IT HAS RECENTLY BEEN REVEALED THAT THE U.S. MILITARY 577 00:31:28,100 --> 00:31:30,400 IS USING ISOLATED DESERT LOCATIONS 578 00:31:30,400 --> 00:31:33,100 TO TEST A REVOLUTIONARY NEW WEAPON... 579 00:31:35,400 --> 00:31:37,667 A SUPER POWERFUL LASER. 580 00:31:40,367 --> 00:31:43,300 INVISIBLE LASERS ARE ABLE TO DESTROY 581 00:31:43,300 --> 00:31:47,600 A FAST-MOVING TARGET AT FAST DISTANCES. 582 00:31:47,600 --> 00:31:51,433 THESE LASERS ARE INCREDIBLY POWERFUL. 583 00:31:51,433 --> 00:31:54,300 Narrator: A SINGLE BEAM FROM THIS MINIATURE DEATH STAR 584 00:31:54,300 --> 00:31:57,733 IS MORE POWERFUL THAN A CRUISE MISSILE. 585 00:31:57,733 --> 00:32:00,167 THE LASERS TRAVEL AT THE SPEED OF LIGHT, 586 00:32:00,167 --> 00:32:04,167 50,000 TIMES FASTER THAN AN ICBM. 587 00:32:04,167 --> 00:32:07,700 IT'S LIKE FRYING AN ANT WITH A MAGNIFYING GLASS. 588 00:32:07,700 --> 00:32:10,667 THIS SINGLE RAY OF ENERGY BEING FOCUSED 589 00:32:10,667 --> 00:32:12,633 ON ONE PARTICULAR TARGET. 590 00:32:12,633 --> 00:32:15,267 IN THIS CASE, SUNLIGHT. 591 00:32:15,267 --> 00:32:20,967 NOW TAKE THAT ANALOGY AND EXPOUND IT BY 10 MILLION, 592 00:32:20,967 --> 00:32:23,133 AND THAT IS LASERS. 593 00:32:25,367 --> 00:32:27,700 THIS IS SCIENCE-FICTION LEVEL TECHNOLOGY -- 594 00:32:27,700 --> 00:32:29,400 THE KIND OF THING THAT YOU WOULD EXPECT 595 00:32:29,400 --> 00:32:32,533 TO SEE IN SOME "STAR WARS" MOVIE. 596 00:32:32,533 --> 00:32:35,733 BUT IN ACTUALITY, THEY'RE USING THEM NOW. 597 00:32:35,733 --> 00:32:40,933 ** 598 00:32:40,933 --> 00:32:43,633 Narrator: MILITARY DATA DISCLOSES THAT THE TECHNOLOGY 599 00:32:43,633 --> 00:32:46,200 IS STILL AT TEST STAGE. 600 00:32:46,200 --> 00:32:50,667 THIS SUPER DEADLY WEAPON IS UNPREDICTABLE. 601 00:32:50,667 --> 00:32:54,133 YOU DO WANT A LARGE, UNPOPULATED SPACE 602 00:32:54,133 --> 00:32:56,800 WITH A RELATIVELY LARGE TARGET TO AIM AT 603 00:32:56,800 --> 00:32:58,833 WHEN TESTING THESE TYPE OF WEAPONS. 604 00:32:58,833 --> 00:33:00,900 'CAUSE YOU REALLY DON'T KNOW WHAT COULD HAPPEN 605 00:33:00,900 --> 00:33:03,433 IF THINGS DO GO WRONG. 606 00:33:07,500 --> 00:33:11,200 BUT WHEN INVESTIGATORS ANALYZE THE SATELLITE IMAGE IN CLOSE-UP, 607 00:33:11,200 --> 00:33:13,333 THERE'S SOMETHING MISSING. 608 00:33:13,333 --> 00:33:16,667 IF THIS WERE A TEST SITE FOR LASERS OR SOME OTHER WEAPON, 609 00:33:16,667 --> 00:33:18,900 THERE WOULD BE BURN MARKS. 610 00:33:18,900 --> 00:33:21,433 THE OBVIOUS PROBLEM WITH THAT IS THAT IT LOOKS PRISTINE. 611 00:33:21,433 --> 00:33:23,100 IT LOOKS LIKE IT'S FINE. 612 00:33:23,100 --> 00:33:25,967 IT DOESN'T LOOK LIKE IT'S EVER BEEN DISTURBED IN ANY WAY. 613 00:33:30,267 --> 00:33:33,600 Narrator: CARLO MUNOZ TAKES A CLOSER LOOK AT THE IMAGE. 614 00:33:33,600 --> 00:33:35,267 HE COMPARES IT WITH ANOTHER SYMBOL 615 00:33:35,267 --> 00:33:38,933 FORMED IN THE SAHARAN SANDS. 616 00:33:38,933 --> 00:33:42,367 IN NEIGHBORING NIGER, THERE IS A SIMILAR SITE WITH MARKINGS 617 00:33:42,367 --> 00:33:46,167 THAT BASICALLY REPRESENT AN AIRCRAFT. 618 00:33:46,167 --> 00:33:48,433 THOSE MARKINGS ARE A MEMORIAL. 619 00:33:51,767 --> 00:33:55,133 Narrator: THIS SYMBOL MARKS THE SITE OF A PLANE CRASH. 620 00:33:55,133 --> 00:33:59,167 IN 2003, A BOEING 737 CAME DOWN, 621 00:33:59,167 --> 00:34:03,900 KILLING ALL BUT 1 OF ITS 102 PASSENGERS. 622 00:34:03,900 --> 00:34:06,067 THAT'S CLEARLY NOT THE PURPOSE OF THIS SYMBOL 623 00:34:06,067 --> 00:34:07,867 IN THIS SATELLITE IMAGE. 624 00:34:07,867 --> 00:34:10,700 IF IT'S SOME SORT OF MEMORIAL, BUT WE DON'T KNOW ABOUT IT, 625 00:34:10,700 --> 00:34:13,300 THEN IT'S NOT MUCH OF A MEMORIAL. 626 00:34:13,300 --> 00:34:15,567 Narrator: ANALYSTS ARE STILL TRYING TO EXPLAIN 627 00:34:15,567 --> 00:34:19,200 AND DECODE THE IMAGE IN THE DESERT SEEN FROM SPACE. 628 00:34:19,200 --> 00:34:22,233 IT'S GONNA REMAIN A MYSTERY FOR QUITE SOME TIME, I THINK. 629 00:34:24,767 --> 00:34:26,367 Narrator: STILL TO COME, 630 00:34:26,367 --> 00:34:29,600 THE HOSPITAL FROM HELL ON A NEW YORK ISLAND. 631 00:34:29,600 --> 00:34:34,733 IMAGINE A WHOLE HOSPITAL FULL OF PEOPLE GOING COLD TURKEY. 632 00:34:34,733 --> 00:34:36,867 IT'S HORRIFYING TO THINK ABOUT. 633 00:34:42,467 --> 00:34:45,933 ** 634 00:34:45,933 --> 00:34:49,633 Narrator: NEW YORK CITY. 635 00:34:49,633 --> 00:34:51,900 AUGUST 1968. 636 00:34:51,900 --> 00:34:55,167 THE CORONA SATELLITE PHOTOGRAPHS AN ISLAND IN THE EAST RIVER 637 00:34:55,167 --> 00:34:57,567 CLOSE TO BROOKLYN. 638 00:34:57,567 --> 00:35:00,133 IT SHOWS WHAT APPEARS TO BE A FUNCTIONING ISLAND 639 00:35:00,133 --> 00:35:03,600 WITH SEVERAL BUILDINGS. 640 00:35:03,600 --> 00:35:06,567 BUT OVER 40 YEARS LATER IN 2010, 641 00:35:06,567 --> 00:35:08,767 AN AERIAL PHOTOGRAPH OF THE SAME AREA 642 00:35:08,767 --> 00:35:12,433 REVEALS NOTHING BUT ABANDONED, OVERGROWN RUINS. 643 00:35:16,133 --> 00:35:17,600 Sanford: IN A PLACE LIKE NEW YORK CITY, 644 00:35:17,600 --> 00:35:20,767 TO SEE SOMETHING THAT'S CRUMBLING AND FALLING APART 645 00:35:20,767 --> 00:35:22,667 IS JUST REALLY OUT OF PLACE. 646 00:35:22,667 --> 00:35:24,300 Carter: WHAT HAPPENED ON THIS ISLAND 647 00:35:24,300 --> 00:35:27,967 THAT CAUSED EVERYONE TO STAY AWAY FROM IT? 648 00:35:31,667 --> 00:35:36,067 Narrator: JOURNALIST DAVE MOSHER IS A NEW YORKER WHO LIVES IN MANHATTAN. 649 00:35:36,067 --> 00:35:37,967 ALTHOUGH HE KNOWS THE CITY WELL, 650 00:35:37,967 --> 00:35:39,933 UNTIL HE SEES THE SATELLITE IMAGE, 651 00:35:39,933 --> 00:35:44,333 HE HAS NO IDEA THAT THE ISLAND EVEN EXISTS. 652 00:35:44,333 --> 00:35:47,100 SO WHEN I TALK TO OTHER NEW YORKERS ABOUT THIS ISLAND, 653 00:35:47,100 --> 00:35:49,933 FEW PEOPLE SEEM TO REALLY KNOW WHAT IT IS OR WHAT IT'S ABOUT. 654 00:35:49,933 --> 00:35:52,333 WE'VE HEARD STORIES ABOUT A WOMAN BEING BROUGHT THERE 655 00:35:52,333 --> 00:35:56,433 FOR SOME DISEASE, BUT BEYOND THAT, IT'S SORT OF A MYSTERY. 656 00:35:56,433 --> 00:35:58,567 ALL I DO KNOW IS THAT YOU'RE NOT SUPPOSED TO GO THERE. 657 00:35:58,567 --> 00:36:01,967 IT'S COMPLETELY OFF-LIMITS. 658 00:36:01,967 --> 00:36:03,700 Narrator: FOR OVER 50 YEARS, 659 00:36:03,700 --> 00:36:06,300 THE ISLAND KNOWN AS NORTH BROTHER ISLAND 660 00:36:06,300 --> 00:36:08,800 HAS BEEN UNINHABITED AND IMPOSSIBLE TO REACH 661 00:36:08,800 --> 00:36:10,800 BY REGULAR TRANSPORT. 662 00:36:10,800 --> 00:36:13,667 Mosher: SO AFTER A BUNCH OF PHONE CALLS, I FINALLY GOT PERMISSION 663 00:36:13,667 --> 00:36:15,800 TO GO TO NORTH BROTHER ISLAND. 664 00:36:15,800 --> 00:36:17,067 AND NOT ONLY THAT, 665 00:36:17,067 --> 00:36:19,267 I FOUND SOMEONE WHO'S WILLING TO TAKE US THERE. 666 00:36:19,267 --> 00:36:22,067 [ HORN BLOWS ] 667 00:36:22,067 --> 00:36:24,567 Narrator: MOSHER'S BOAT APPROACHES THE ISLAND, 668 00:36:24,567 --> 00:36:27,800 BUT THE ORIGINAL DOCK IS CRUMBLING AWAY. 669 00:36:27,800 --> 00:36:30,433 THE SKIPPER IS FORCED TO BEACH THE BOAT. 670 00:36:34,800 --> 00:36:38,367 FROM GROUND LEVEL, THE ISLAND LOOKS EVEN MORE WEIRD 671 00:36:38,367 --> 00:36:40,067 AND SINISTER. 672 00:36:40,067 --> 00:36:42,867 Mosher: THIS IS SUPER CREEPY. 673 00:36:42,867 --> 00:36:46,833 I FEEL LIKE I AM WALKING THROUGH A POST-APOCALYPTIC WORLD. 674 00:36:46,833 --> 00:36:50,733 EVERYTHING IS JUST COMPLETELY OVERGROWN. 675 00:36:50,733 --> 00:36:54,333 NOBODY'S LIVED HERE IN WHAT SEEMS LIKE DECADES. 676 00:36:54,333 --> 00:36:57,867 Narrator: THERE'S NO OBVIOUS CLUE AS TO WHAT TOOK PLACE ON THE ISLAND 677 00:36:57,867 --> 00:37:00,367 UNTIL DAVE MOSHER SPOTS SOMETHING. 678 00:37:00,367 --> 00:37:01,567 Mosher: CHECK THIS OUT. 679 00:37:01,567 --> 00:37:04,733 RIGHT OVER THERE, I CAN SEE THAT IT SAYS RIKERS. 680 00:37:04,733 --> 00:37:06,100 THIS MEANS IT'S RIKERS ISLAND. 681 00:37:06,100 --> 00:37:09,200 THIS IS THE FAMOUS PRISON OUTSIDE OF NEW YORK CITY. 682 00:37:09,200 --> 00:37:12,933 Narrator: THE PROXIMITY OF RIKERS ISLAND, NEW YORK'S BIGGEST JAIL, 683 00:37:12,933 --> 00:37:14,900 SUGGESTS THAT NORTH BROTHER ISLAND 684 00:37:14,900 --> 00:37:17,633 MIGHT ALSO HAVE BEEN A PRISON. 685 00:37:17,633 --> 00:37:21,700 BUT A PRISON OF A PARTICULARLY GRUESOME KIND. 686 00:37:21,700 --> 00:37:24,867 OH, WOW, WHAT IS THIS? 687 00:37:24,867 --> 00:37:27,533 IT LOOKS LIKE A CERTIFICATE OF SOME KIND. 688 00:37:27,533 --> 00:37:29,067 IT SAYS "PASTEUR." 689 00:37:29,067 --> 00:37:31,233 I CAN'T READ THE LAST PART. 690 00:37:31,233 --> 00:37:35,833 DEPARTMENT OF HOSPITALS, CITY OF NEW YORK. 691 00:37:35,833 --> 00:37:39,267 Narrator: NORTH BROTHER ISLAND WAS NO ORDINARY PRISON HOSPITAL. 692 00:37:39,267 --> 00:37:43,267 IT WAS USED TO LOCK AWAY THOSE WITH DEADLY, INCURABLE DISEASES. 693 00:37:43,267 --> 00:37:47,133 THIS WAS AN ISLAND OF PLAGUE CARRIERS. 694 00:37:47,133 --> 00:37:49,367 THE MOST FAMOUS INMATE WAS AN IRISH COOK 695 00:37:49,367 --> 00:37:52,533 WHO IMMIGRATED TO THE U.S. IN 1883. 696 00:37:52,533 --> 00:37:54,767 HER NAME WAS MARY MALLON, 697 00:37:54,767 --> 00:37:59,067 BUT NEW YORKERS CALLED HER TYPHOID MARY. 698 00:37:59,067 --> 00:38:01,600 SHE'S KNOWN TO HAVE KILLED AT LEAST THREE PEOPLE. 699 00:38:01,600 --> 00:38:05,067 SOME BELIEVE UPWARDS TO 50. 700 00:38:05,067 --> 00:38:06,600 Narrator: IN THE EARLY 1900s, 701 00:38:06,600 --> 00:38:09,567 TYPHOID IS ONE OF NEW YORK'S BIGGEST KILLERS, 702 00:38:09,567 --> 00:38:12,933 AND MARY MALLON IS AN ANGEL OF DEATH. 703 00:38:12,933 --> 00:38:16,767 SHE SPREADS THE KILLER DISEASE, BUT SHOWS NO SYMPTOMS HERSELF. 704 00:38:16,767 --> 00:38:18,333 Odell: SHE WORKED AS A COOK. 705 00:38:18,333 --> 00:38:21,767 I MEAN, WHAT'S A MORE PERFECT WAY TO SPREAD A DISEASE 706 00:38:21,767 --> 00:38:24,533 THAN TOUCHING PEOPLE'S FOOD? 707 00:38:24,533 --> 00:38:30,600 Narrator: A TRAIL OF INFECTED AND DEAD PEOPLE LEADS TO MARY MALLON. 708 00:38:30,600 --> 00:38:33,400 SHE IS ARRESTED AND FORCED TO LIVE THE REST OF HER LIFE 709 00:38:33,400 --> 00:38:36,067 SHUT WAY ON THIS ISLAND. 710 00:38:36,067 --> 00:38:37,733 IT'S ACTUALLY INCREDIBLY SAD. 711 00:38:37,733 --> 00:38:40,733 THIS WOMAN, SHE DIDN'T MEAN TO CONTRACT TYPHOID. 712 00:38:40,733 --> 00:38:44,667 WE JUST HAD NO OTHER WAY OF TREATING HER. 713 00:38:44,667 --> 00:38:47,733 Narrator: TYPHOID MARY LIVES FOR THREE LONG DECADES, 714 00:38:47,733 --> 00:38:50,933 ISOLATED AND ALONE. 715 00:38:50,933 --> 00:38:57,867 SHE DIES IN 1938, BUT THE BUILDINGS HERE ARE MORE RECENT. 716 00:38:57,867 --> 00:39:00,700 Mosher: JUST BY LOOKING AT THE BRICKWORK HERE, 717 00:39:00,700 --> 00:39:02,933 THIS IS NOT FROM THE TIME OF TYPHOID MARY, 718 00:39:02,933 --> 00:39:05,067 WHICH IS PRETTY SURPRISING TO ME. 719 00:39:05,067 --> 00:39:07,400 WHAT'S THIS OVER HERE? 720 00:39:07,400 --> 00:39:10,533 LOOKS LIKE A MAILBOX. 721 00:39:10,533 --> 00:39:12,300 OH, HEY. 722 00:39:12,300 --> 00:39:14,533 THERE YOU GO. 1941. 723 00:39:14,533 --> 00:39:18,067 SO WE DEFINITELY KNOW THIS BUILDING WAS ERECTED 724 00:39:18,067 --> 00:39:21,733 AFTER TYPHOID MARY DIED. 725 00:39:21,733 --> 00:39:24,600 Chamberlain: THIS BUILDING WAS KNOWN AS THE TUBERCULOSIS PAVILION, 726 00:39:24,600 --> 00:39:29,700 AND IT WAS BUILT IN 1941 TO HOUSE AND TREAT T.B. PATIENTS 727 00:39:29,700 --> 00:39:32,433 FROM ALL OVER THE CITY. 728 00:39:32,433 --> 00:39:35,533 Narrator: AT THE TIME, THERE'S NO KNOWN CURE FOR T.B., 729 00:39:35,533 --> 00:39:38,200 APART FROM REST AND CONFINEMENT. 730 00:39:38,200 --> 00:39:40,733 THE RICH GO TO CLINICS IN THE MOUNTAINS. 731 00:39:40,733 --> 00:39:43,233 THE POOR ARE DESTINED TO CHANCE THEIR LUCK 732 00:39:43,233 --> 00:39:45,933 COOPED UP ON NORTH BROTHER ISLAND. 733 00:39:45,933 --> 00:39:48,067 IN FACT, AMONG THE WORKING CLASS, 734 00:39:48,067 --> 00:39:53,433 40% OF DEATHS WERE ATTRIBUTED TO TUBERCULOSIS. 735 00:39:53,433 --> 00:39:58,167 Narrator: WORK ON THE T.B. FACILITY BEGINS IN 1941, 736 00:39:58,167 --> 00:40:00,733 BUT WHEN CONSTRUCTION FINISHES TWO YEARS LATER, 737 00:40:00,733 --> 00:40:03,267 THE FIRST ANTIBIOTICS HAVE APPEARED, 738 00:40:03,267 --> 00:40:05,500 AND THE SANITARIUM IS REDUNDANT. 739 00:40:08,000 --> 00:40:12,167 IT IS NEVER FINISHED OR OCCUPIED. 740 00:40:12,167 --> 00:40:14,333 BUT AS MOSHER WANDERS AROUND THE BUILDING, 741 00:40:14,333 --> 00:40:16,533 IT'S OBVIOUS THAT IT WAS BOTH OCCUPIED 742 00:40:16,533 --> 00:40:19,233 AND FURNISHED WITH MEDICAL EQUIPMENT. 743 00:40:19,233 --> 00:40:22,500 YOU CAN SEE RIGHT HERE, THERE'S A WEIGHING SCALE. 744 00:40:22,500 --> 00:40:26,233 SOMETHING LIKE THIS SUGGESTS A MEDICAL PURPOSE OF SOME KIND. 745 00:40:26,233 --> 00:40:28,933 Narrator: DISTURBINGLY, THERE APPEAR TO BE METAL GRATES 746 00:40:28,933 --> 00:40:31,100 COVERING SOME OF THE WINDOWS. 747 00:40:31,100 --> 00:40:34,400 SO THIS LOOKS LIKE SOME KIND OF PRISON ALMOST. 748 00:40:34,400 --> 00:40:38,500 I SEE THESE GRATES THAT YOU WOULD SHUT AND LOCK 749 00:40:38,500 --> 00:40:39,933 TO KEEP SOMETHING INSIDE OF HERE 750 00:40:39,933 --> 00:40:42,300 OR MAYBE TO KEEP SOMEBODY OUT OF HERE. 751 00:40:42,300 --> 00:40:44,833 Narrator: MOSHER'S GUT INSTINCT IS CORRECT. 752 00:40:44,833 --> 00:40:47,867 THE HOSPITAL IS REVIVED IN THE EARLY 1950s 753 00:40:47,867 --> 00:40:50,467 TO TREAT A NEW KIND OF PLAGUE. 754 00:40:50,467 --> 00:40:54,167 Woman: I DIDN'T FEEL SO GOOD WHEN I CAME HOME HIGH THAT NIGHT. 755 00:40:54,167 --> 00:40:56,033 MY DAD KNEW SOMETHING WAS WRONG, 756 00:40:56,033 --> 00:40:57,467 BUT HE DIDN'T KNOW WHAT. 757 00:40:57,467 --> 00:40:59,467 IT BECAME A DRUG TREATMENT CENTER, 758 00:40:59,467 --> 00:41:02,300 A PLACE FOR PEOPLE WHO WERE ADDICTED TO HEROIN, 759 00:41:02,300 --> 00:41:03,533 BUT YOU CAN IMAGINE. 760 00:41:03,533 --> 00:41:06,067 THIS WAS NOT LIKE THE DRUG TREATMENT CENTERS TODAY. 761 00:41:06,067 --> 00:41:08,867 THERE IS NO WALK IN THE PARK HERE. 762 00:41:08,867 --> 00:41:12,533 Narrator: THE HOSPITAL HAS BEDS FOR 150 ADDICTS. 763 00:41:12,533 --> 00:41:15,400 IT'S LIKE A NIGHTMARE. 764 00:41:15,400 --> 00:41:19,533 INMATES PROSTITUTE THEMSELVES TO GUARDS FOR DRUGS. 765 00:41:19,533 --> 00:41:23,800 SEVERAL DIE TRYING TO SWIM TO THE MAINLAND. 766 00:41:23,800 --> 00:41:25,667 FEW ESCAPE. 767 00:41:25,667 --> 00:41:29,133 ONE TEENAGER IS RETURNED 17 TIMES. 768 00:41:29,133 --> 00:41:34,300 IMAGINE A WHOLE HOSPITAL FULL OF PEOPLE GOING COLD TURKEY 769 00:41:34,300 --> 00:41:36,767 PROBABLY IN NOT GREAT CONDITIONS. 770 00:41:36,767 --> 00:41:39,467 IT'S HORRIFYING TO THINK ABOUT. 771 00:41:39,467 --> 00:41:44,933 Narrator: AFTER 11 YEARS, IT CLOSES IN 1963. 772 00:41:44,933 --> 00:41:47,800 THERE WERE PLANS TO TURN THE ISLAND INTO A CASINO, 773 00:41:47,800 --> 00:41:50,100 A MOVIE STUDIO, AND AMUSEMENT PARK, 774 00:41:50,100 --> 00:41:52,633 BUT NONE OF THEM EVER CAME TO FRUITION. 775 00:41:52,633 --> 00:41:56,667 THIS ISLAND JUST HAS A DARK, DARK HISTORY. 776 00:41:56,667 --> 00:41:59,300 HOW MANY PEOPLE DIED HERE? 777 00:41:59,300 --> 00:42:02,167 THERE IS BLOOD AND DEATH ON THIS ISLAND. 62038

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