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1
00:00:02,133 --> 00:00:03,867
Narrator:
THEY'RE WATCHING YOU.
2
00:00:03,867 --> 00:00:07,367
MORE THAN 4,000 SATELLITES
CIRCLE THE EARTH.
3
00:00:07,367 --> 00:00:09,267
EVERY DAY, THEY UNCOVER NEW,
4
00:00:09,267 --> 00:00:12,267
MYSTERIOUS PHENOMENA
THAT DEFY EXPLANATION.
5
00:00:12,267 --> 00:00:15,467
[ BEEPING, DISTORTED MUSIC ]
6
00:00:15,467 --> 00:00:18,300
DEATH AND TREASURE
AT THE TEMPLE OF DOOM.
7
00:00:18,300 --> 00:00:22,267
THIS WOULD HAVE BEEN AN
INCREDIBLY BLOODY, GORY EVENT.
8
00:00:22,267 --> 00:00:26,233
Narrator: THE MASSIVE MESSAGE
AT THE TOP OF THE WORLD.
9
00:00:26,233 --> 00:00:28,800
Kourounis: I ACTUALLY HAVE SEEN
SOMETHING LIKE THIS.
10
00:00:28,800 --> 00:00:30,233
ON THE SURFACE OF MARS,
11
00:00:30,233 --> 00:00:34,800
THERE ARE PATTERNS THAT
SOME SAY ARE A BINARY CODE.
12
00:00:34,800 --> 00:00:39,033
Narrator:
AND THE SECRET ISLAND OF TERROR
RIGHT NEXT TO MANHATTAN.
13
00:00:39,033 --> 00:00:42,167
WHAT HAPPENED ON THIS ISLAND
THAT CAUSED
14
00:00:42,167 --> 00:00:44,100
EVERYONE TO STAY AWAY
FROM IT?
15
00:00:46,867 --> 00:00:48,733
Narrator: BAFFLING PHENOMENA.
16
00:00:48,733 --> 00:00:50,933
MYSTERIES FROM SPACE.
17
00:00:50,933 --> 00:00:52,800
WHAT ON EARTH ARE THEY?
18
00:00:52,800 --> 00:00:54,233
[ BEEPING ]
19
00:00:54,233 --> 00:00:56,300
[ CAMERA SHUTTER CLICKING ]
20
00:00:56,300 --> 00:00:58,033
[ WHIRRING ]
21
00:00:58,033 --> 00:01:02,300
**
22
00:01:02,300 --> 00:01:03,767
[ FREQUENCY WARBLES ]
23
00:01:03,767 --> 00:01:06,767
-- Captions by VITAC --
www.vitac.com
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00:01:06,767 --> 00:01:09,767
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
25
00:01:09,767 --> 00:01:12,167
JUNE 2012.
26
00:01:12,167 --> 00:01:17,767
A WorldView-2 SATELLITE PASSES
OVER THE NEPEÑA VALLEY, PERU.
27
00:01:17,767 --> 00:01:20,567
200 MILES NORTH
OF THE CAPITAL, LIMA,
28
00:01:20,567 --> 00:01:23,433
IT CAPTURES
A STRANGE-LOOKING HILL.
29
00:01:23,433 --> 00:01:26,533
THERE'S THIS CARPET OF GREEN,
30
00:01:26,533 --> 00:01:31,533
AND THEN SUDDENLY,
THIS SANDY-LOOKING MOUND.
31
00:01:31,533 --> 00:01:33,500
IT ALMOST SEEMS THAT A VOLCANO
32
00:01:33,500 --> 00:01:37,900
HAS APPEARED
IN SOMEONE'S BACKYARD.
33
00:01:37,900 --> 00:01:40,733
Narrator: BUT THIS IS NOT
A NATURAL STRUCTURE.
34
00:01:40,733 --> 00:01:42,767
SOMEONE BUILT IT.
35
00:01:42,767 --> 00:01:44,200
THIS IS AN AMAZING IMAGE.
36
00:01:44,200 --> 00:01:49,467
IT LOOKS LIKE A SACRED PLACE,
SOME KIND OF MASSIVE SHRINE.
37
00:01:49,467 --> 00:01:52,933
Narrator:
THE STRANGE OBJECT SITS IN
THE LAND OF THE INCAS --
38
00:01:52,933 --> 00:01:55,967
ONE OF THE NEW WORLD'S
MOST POWERFUL, BLOODTHIRSTY,
39
00:01:55,967 --> 00:01:58,367
AND WEALTHY PEOPLES.
40
00:01:58,367 --> 00:02:02,233
AND WHERE THERE IS AN INCA SITE,
THERE IS OFTEN TREASURE.
41
00:02:02,233 --> 00:02:05,933
Hoffman: PERU IS AN
ARCHAEOLOGIST'S DREAM.
42
00:02:05,933 --> 00:02:09,500
THERE ARE THINGS LONG LOST,
LONG BURIED.
43
00:02:12,667 --> 00:02:14,733
[ HORNS HONKING ]
44
00:02:14,733 --> 00:02:18,533
Narrator:
THE IMAGE COMES TO THE ATTENTION
OF ALEXEI VRANICH.
45
00:02:18,533 --> 00:02:23,433
HE'S A SPECIALIST IN
ANCIENT PERUVIAN ARTIFACTS.
46
00:02:23,433 --> 00:02:26,133
HE CHECKS THE SITE'S LOCATION.
47
00:02:26,133 --> 00:02:30,067
IT'S AN AREA RICH
IN INCAN TREASURE.
48
00:02:30,067 --> 00:02:31,800
Vranich: IF YOU SEE SOMETHING
LIKE THIS IN THIS VALLEY,
49
00:02:31,800 --> 00:02:34,067
IT'S GONNA BE SIGNIFICANT.
50
00:02:34,067 --> 00:02:38,233
THERE'S A CHANCE OF HAVING
SOME VERY AMAZING FINDS.
51
00:02:38,233 --> 00:02:40,500
IT'S ABSOLUTELY FASCINATING
FROM A SATELLITE IMAGE,
52
00:02:40,500 --> 00:02:42,533
BUT WE CAN'T TELL
EVERYTHING FROM THAT.
53
00:02:42,533 --> 00:02:45,833
WE ACTUALLY
HAVE TO GO ON SITE.
54
00:02:45,833 --> 00:02:48,533
Narrator: IF VRANICH GOES AHEAD
WITH THE EXPEDITION,
55
00:02:48,533 --> 00:02:51,800
HE'LL BE HEADING DEEP
INTO BANDIT COUNTRY.
56
00:02:51,800 --> 00:02:54,300
PERU HAS LONG BEEN THE CENTER
57
00:02:54,300 --> 00:02:58,567
FOR THE BLACK MARKET
IN TRADING IN ANTIQUITIES.
58
00:02:58,567 --> 00:03:01,733
THERE'S GOLD IN THOSE HILLS,
AND EVERYONE KNOWS IT.
59
00:03:01,733 --> 00:03:03,067
[ SIREN WAILS,
RAPID GUNFIRE ]
60
00:03:03,067 --> 00:03:04,833
BUT THERE'S MANY SHOOT OUTS
BETWEEN THE AUTHORITIES
61
00:03:04,833 --> 00:03:06,400
AND THE GOLD DIGGERS.
62
00:03:06,400 --> 00:03:14,300
**
63
00:03:14,300 --> 00:03:16,567
Narrator: VRANICH FINDS OUT
HE'S NOT THE ONLY ONE
64
00:03:16,567 --> 00:03:18,233
INTERESTED IN THE MOUND.
65
00:03:18,233 --> 00:03:20,267
SOMEONE ELSE HAS
BRAVED THE BANDITS
66
00:03:20,267 --> 00:03:23,533
AND HAS REPORTEDLY MADE
SOME IMPORTANT DISCOVERIES.
67
00:03:25,633 --> 00:03:31,067
VRANICH HEADS NORTH
FROM LIMA AND BACK IN TIME.
68
00:03:31,067 --> 00:03:33,633
Horton: THE INCAS ARE AMERICA'S
FIRST GREAT EMPIRE
69
00:03:33,633 --> 00:03:36,567
WITH A HUGE TERRITORY THAT
EXTENDED ALMOST TO THE CARIBBEAN
70
00:03:36,567 --> 00:03:41,500
IN THE NORTH RIGHT DOWN
TO ARGENTINA IN THE SOUTH.
71
00:03:41,500 --> 00:03:44,333
THEY'RE ABLE TO BRING
IN PRECIOUS COMMODITIES,
72
00:03:44,333 --> 00:03:48,833
PRECIOUS STONES,
GOLD IN HUGE QUANTITIES,
73
00:03:48,833 --> 00:03:53,600
AND WERE SPECTACULARLY RICH.
74
00:03:53,600 --> 00:03:57,367
Narrator:
SEVEN HOURS' HARD DRIVING
BRINGS VRANICH FACE-TO-FACE
75
00:03:57,367 --> 00:03:59,067
WITH THE STRUCTURE.
76
00:03:59,067 --> 00:04:01,067
Vranich:
I'VE SEEN A LOT OF MOUNDS,
77
00:04:01,067 --> 00:04:03,733
BUT THIS ONE'S JUST
A LITTLE BIT UNIQUE.
78
00:04:03,733 --> 00:04:06,667
THE LOCAL PEOPLE HAVE ACTUALLY
PUT "LA HUAKA" ON TOP OF IT.
79
00:04:06,667 --> 00:04:08,800
MEANING THAT IT'S
A SACRED LOCATION.
80
00:04:08,800 --> 00:04:14,267
**
81
00:04:14,267 --> 00:04:16,333
IT'S FREAKIN' HUGE.
82
00:04:16,333 --> 00:04:21,467
WE GOT A 40-, 50-FEET TALL
PLATFORM MAYBE 300 FEET WIDE.
83
00:04:21,467 --> 00:04:24,333
WHAT EXACTLY IS INSIDE OF IT,
OR WHAT DOES IT MEAN?
84
00:04:24,333 --> 00:04:25,433
THAT'S SOMETHING
WE HAVE TO CHECK OUT
85
00:04:25,433 --> 00:04:28,900
AND GET A LITTLE BIT CLOSER.
86
00:04:28,900 --> 00:04:30,933
Maca: THIS IS A GOOD EXAMPLE
OF A MAN-MADE STRUCTURE
87
00:04:30,933 --> 00:04:33,567
USING LOTS OF RESOURCES,
LOTS OF PEOPLE TO BUILD IT.
88
00:04:33,567 --> 00:04:38,500
SO THIS MEANS IT WAS ASSOCIATED
WITH SOMETHING REALLY IMPORTANT.
89
00:04:38,500 --> 00:04:41,733
Narrator:
VRANICH HAS TRACKED DOWN
ANTHROPOLOGIST BOB BENFER.
90
00:04:41,733 --> 00:04:43,333
HOWDY, BOB.
ALEXEI VRANICH.
91
00:04:43,333 --> 00:04:44,500
HELLO.
92
00:04:44,500 --> 00:04:46,100
BENFER HAS BEEN STUDYING
THE ANCIENT PERUVIANS
93
00:04:46,100 --> 00:04:48,200
FOR OVER 30 YEARS.
94
00:04:48,200 --> 00:04:49,800
VRANICH IS INTERESTED TO KNOW
95
00:04:49,800 --> 00:04:52,933
WHAT PROFESSOR BENFER
HAS FOUND OUT ABOUT THE MOUND.
96
00:04:54,900 --> 00:04:59,467
BENFER HAS CARBON-DATED THE SITE
USING RELICS HE DISCOVERED HERE.
97
00:04:59,467 --> 00:05:02,100
THE REMAINS ARE FROM
THE 16th CENTURY,
98
00:05:02,100 --> 00:05:05,167
WHEN THE INCA EMPIRE
WAS AT ITS HEIGHT.
99
00:05:05,167 --> 00:05:08,267
BUT THERE'S SOMETHING ELSE.
100
00:05:08,267 --> 00:05:10,100
IF THE DATING IS CORRECT,
101
00:05:10,100 --> 00:05:12,267
IT COINCIDES WITH
AN INCREDIBLE SERIES
102
00:05:12,267 --> 00:05:14,367
OF ASTRONOMICAL EVENTS.
103
00:05:17,067 --> 00:05:19,467
Benfer: THERE WERE FOUR TOTAL
SOLAR ECLIPSES
104
00:05:19,467 --> 00:05:23,100
BETWEEN 1527 AND 1543.
105
00:05:23,100 --> 00:05:25,833
THERE REALLY ARE NORMALLY
ONLY ONE SOLAR ECLIPSE
106
00:05:25,833 --> 00:05:28,433
EVERY 360 YEARS.
107
00:05:28,433 --> 00:05:30,967
SO I DON'T KNOW IF ANYONE
ON THE PLANET HAS EVER SEEN
108
00:05:30,967 --> 00:05:32,833
THAT MANY
TOTAL SOLAR ECLIPSES
109
00:05:32,833 --> 00:05:36,567
IN SUCH A SHORT TIME.
110
00:05:36,567 --> 00:05:39,300
THE INCAS
WERE SUN WORSHIPPERS.
111
00:05:39,300 --> 00:05:42,733
THE EMPEROR OR "SAPA" CLAIMED
DESCENT FROM THE SUN GOD
112
00:05:42,733 --> 00:05:46,433
INTI HIMSELF.
113
00:05:46,433 --> 00:05:48,767
INCAN HIGH PRIEST
ASTRONOMERS CAREFULLY
114
00:05:48,767 --> 00:05:53,867
CHARTED THE CHANGING PASSAGE
OF THEIR SUN GOD ACROSS THE SKY.
115
00:05:53,867 --> 00:05:57,067
THEY INVESTED THE HEAVENS WITH
HOLY MEANING AND SIGNIFICANCE...
116
00:05:57,067 --> 00:05:58,700
[ THUNDER BOOMING ]
...BUILDING THEIR TEMPLES
117
00:05:58,700 --> 00:06:01,633
IN ALIGNMENT
WITH THE SUN AND STARS.
118
00:06:03,867 --> 00:06:06,533
FOUR SOLAR ECLIPSES
IN QUICK SUCCESSION
119
00:06:06,533 --> 00:06:09,633
MAY WELL HAVE CAUSED
REAL PANIC AMONG THE INCAS.
120
00:06:12,300 --> 00:06:14,167
Krueger: JUST IMAGINE
WHAT KIND OF FEELINGS
121
00:06:14,167 --> 00:06:17,300
THAT WOULD EVOKE IN
A PERSON EXPERIENCING THAT.
122
00:06:19,833 --> 00:06:21,867
BECAUSE THERE WERE NO
SCIENTIFIC EXPLANATIONS
123
00:06:21,867 --> 00:06:23,667
FOR WHAT WAS HAPPENING,
124
00:06:23,667 --> 00:06:25,500
IT SURELY WOULD HAVE
BEEN EXPERIENCED
125
00:06:25,500 --> 00:06:29,133
AS SOME TYPE OF AN OTHERWORLDLY
OR CATACLYSMIC EVENT
126
00:06:29,133 --> 00:06:30,933
HAPPENING IN THEIR MIDST.
127
00:06:33,200 --> 00:06:35,133
Narrator:
VRANICH BELIEVES IF THIS SITE
128
00:06:35,133 --> 00:06:37,767
DOES HAVE SOME
ASTRONOMICAL SIGNIFICANCE,
129
00:06:37,767 --> 00:06:40,800
THEN IT SHOULD ALIGN
WITH THE RISING SUN.
130
00:06:40,800 --> 00:06:43,233
MOST LIKELY
AROUND THE SOLSTICE.
131
00:06:47,400 --> 00:06:49,467
SOLAR RECORDS GIVE HIM
A POSITION
132
00:06:49,467 --> 00:06:53,733
FOR THE SUN IN THE 1500s.
133
00:06:53,733 --> 00:06:56,467
Vranich: WHAT I'M LOOKING FOR
IS ANY SIGNIFICANT ALIGNMENT
134
00:06:56,467 --> 00:06:58,100
WITH SOMETHING
IN THE LANDSCAPE.
135
00:06:58,100 --> 00:07:00,500
SPECIFICALLY
WITH THE SUMMER SOLSTICE.
136
00:07:00,500 --> 00:07:02,567
THIS IS NORTH.
137
00:07:02,567 --> 00:07:05,533
WE KNOW THAT THE SOLSTICE
500 YEARS AGO
138
00:07:05,533 --> 00:07:08,500
WOULD HAVE COME UP
AT AROUND 294.
139
00:07:08,500 --> 00:07:11,200
LOOKING OUT ACROSS THE LANDSCAPE
ALONG THIS COMPASS LINE,
140
00:07:11,200 --> 00:07:13,067
YOU REALLY CAN TELL
THERE'S NOTHING
141
00:07:13,067 --> 00:07:16,233
THAT SIGNIFICANT
IN THE DISTANCE
142
00:07:16,233 --> 00:07:19,700
THAT WOULD REALLY DRAW ATTENTION
IN THE PAST ON THAT DATE.
143
00:07:19,700 --> 00:07:21,067
THERE REALLY MUST BE
ANOTHER REASON
144
00:07:21,067 --> 00:07:24,233
WHY THAT IT WAS PLACED HERE.
145
00:07:24,233 --> 00:07:28,067
Narrator: BUT THE MOUND SERVES
NO OBVIOUS PRACTICAL PURPOSE.
146
00:07:28,067 --> 00:07:31,700
THIS SUGGESTS IT IS, IN SOME
WAY, MYSTICAL OR RELIGIOUS,
147
00:07:31,700 --> 00:07:36,933
AND FOR THE INCAS, THAT OFTEN
MEANT TERRIFYING BLOOD RITUALS.
148
00:07:36,933 --> 00:07:41,067
TO MAINTAIN A RELATIONSHIP
WITH THEIR GODS,
149
00:07:41,067 --> 00:07:45,500
THE PERUVIAN ANCIENTS MADE
A VARIETY OF OFFERINGS.
150
00:07:45,500 --> 00:07:48,300
THIS TOOK THE FORM
OF SIMPLE PRAYERS,
151
00:07:48,300 --> 00:07:50,700
BUT ALSO ANIMAL OFFERINGS,
152
00:07:50,700 --> 00:07:54,600
AND THE ULTIMATE SACRIFICE
OF ALL.
153
00:07:56,700 --> 00:07:59,233
HUMAN BEINGS.
154
00:08:01,333 --> 00:08:03,633
Narrator:
ON THE DEATH OF A SUN KING,
155
00:08:03,633 --> 00:08:05,967
MANY CHILDREN AND EVEN BABIES
156
00:08:05,967 --> 00:08:09,100
WERE SACRIFICED
TO THE SUN GOD.
157
00:08:09,100 --> 00:08:11,733
IS THIS A MOUND OF TERROR?
158
00:08:14,200 --> 00:08:15,633
COMING UP...
159
00:08:15,633 --> 00:08:19,400
THE MYSTERIOUS, HI-TECH DISHES
ON AMERICA'S DOORSTEP.
160
00:08:19,400 --> 00:08:21,367
Baker:
I DON'T BELIEVE FOR ONE SECOND
161
00:08:21,367 --> 00:08:23,967
THAT THAT'S
AN INNOCENT FACILITY.
162
00:08:23,967 --> 00:08:26,200
Narrator:
AND A YOUNG, SACRIFICIAL VICTIM
163
00:08:26,200 --> 00:08:29,067
COMES BACK FROM THE DEAD.
164
00:08:29,067 --> 00:08:32,667
SO THEY ACTUALLY FOUND
THIS ROPE AROUND HER NECK
165
00:08:32,667 --> 00:08:34,567
WHEN THEY EXCAVATED HER.
YEAH.
166
00:08:38,933 --> 00:08:43,733
**
167
00:08:43,733 --> 00:08:47,533
Narrator:
ARCHAEOLOGIST ALEXEI VRANICH
IS EXPLORING A VOLCANO-SHAPED,
168
00:08:47,533 --> 00:08:50,567
MAN-MADE MOUND
PHOTOGRAPHED FROM SPACE.
169
00:08:54,400 --> 00:08:57,700
HE'S LOOKING AROUND
THE AREA FOR CLUES.
170
00:08:57,700 --> 00:09:00,133
HE LEARNS OF
ANOTHER SITE NEARBY
171
00:09:00,133 --> 00:09:01,567
WHERE EVIDENCE
HAS BEEN UNCOVERED
172
00:09:01,567 --> 00:09:05,400
OF THE MOST CRUEL
AND GRUESOME KILLINGS.
173
00:09:05,400 --> 00:09:08,067
IT'S CALLED "EL BRUJO,"
OR THE WIZARD,
174
00:09:08,067 --> 00:09:11,400
AND IT'S
A HUGELY SACRED SITE.
175
00:09:11,400 --> 00:09:14,233
THIS COULD HOLD INFORMATION,
OR AT LEAST A FEW MORE CLUES,
176
00:09:14,233 --> 00:09:17,067
ON THE ROLE OF SACRIFICE
IN ANDEAN RELIGION.
177
00:09:19,333 --> 00:09:21,200
Narrator:
ENGRAVINGS HAVE BEEN DISCOVERED
178
00:09:21,200 --> 00:09:24,067
DEPICTING SCENES
OF BLOODY TERROR.
179
00:09:27,467 --> 00:09:30,167
Vranich:
THIS IS ABSOLUTELY INCREDIBLE.
180
00:09:30,167 --> 00:09:34,367
THERE'S AN ENTIRE LINE OF PEOPLE
THAT HAVE BEEN TIED TOGETHER.
181
00:09:34,367 --> 00:09:36,800
IT'S A ROPE GOING FROM
ONE INDIVIDUAL
182
00:09:36,800 --> 00:09:38,833
TO ANOTHER AROUND THEIR NECK.
183
00:09:38,833 --> 00:09:40,433
AND THEY'RE BEING LED
IN THIS DIRECTION,
184
00:09:40,433 --> 00:09:43,167
PERHAPS BEING LED
TO THEIR OWN SACRIFICE
185
00:09:43,167 --> 00:09:45,233
AFTER HAVING BEEN
DEFEATED IN BATTLE.
186
00:09:49,067 --> 00:09:51,067
Narrator:
COULD THIS SITE PROVIDE CLUES
187
00:09:51,067 --> 00:09:53,267
TO THE PURPOSE
OF THE MYSTERY MOUND?
188
00:09:55,367 --> 00:10:00,900
ONE OF THE ARCHAEOLOGISTS
DIGGING HERE IS AUGUSTO BAZAN.
189
00:10:00,900 --> 00:10:03,067
HOWDY.
I'M ALEXEI.
190
00:10:03,067 --> 00:10:04,833
IT LOOKS LIKE
THE GRUESOME SCENES
191
00:10:04,833 --> 00:10:09,033
DEPICTED IN THE CARVING
HAPPENED FOR REAL.
192
00:10:09,033 --> 00:10:11,100
OH, MY.
193
00:10:11,100 --> 00:10:14,567
TWO PIECES OF POTTERY...
194
00:10:14,567 --> 00:10:15,633
AND THAT'S A KNIFE.
195
00:10:36,967 --> 00:10:39,400
HE'S SIMILAR TO THE PEOPLE
ON THE MURAL WE SAW.
196
00:10:39,400 --> 00:10:40,700
-EXACTLY.
-THEY'RE NAKED.
197
00:10:40,700 --> 00:10:42,067
THEY HAVE A ROPE
AROUND THE NECK.
198
00:10:42,067 --> 00:10:45,367
HE'S ABOUT THE CUT THE --
PROBABLY THE JUGULAR.
199
00:10:52,033 --> 00:10:53,400
THE BLOOD
WOULD HAVE COME OUT,
200
00:10:53,400 --> 00:10:54,967
AND IT WOULD HAVE
DRAINED INTO THE CUP.
201
00:10:54,967 --> 00:10:55,933
YEAH.
202
00:10:58,933 --> 00:11:01,400
WAS THIS THE ONLY WAY
THAT PEOPLE WERE SACRIFICED?
203
00:11:05,400 --> 00:11:09,667
**
204
00:11:09,667 --> 00:11:12,500
Vranich: THIS LOOKS LIKE
A VERY YOUNG INDIVIDUAL.
205
00:11:12,500 --> 00:11:15,500
DO WE HAVE ANY CLUES
ON HOW OR WHY SHE DIED?
206
00:11:15,500 --> 00:11:16,800
Bazan: SURE.
207
00:11:23,867 --> 00:11:27,533
SO THEY ACTUALLY FOUND
THIS ROPE AROUND HER NECK
208
00:11:27,533 --> 00:11:29,233
WHEN THEY EXCAVATED HER?
-YEAH.
209
00:11:29,233 --> 00:11:31,267
THAT'S SOLID EVIDENCE.
210
00:11:34,867 --> 00:11:37,433
THE OFFERING OF HUMAN BEINGS
TO THEIR GODS
211
00:11:37,433 --> 00:11:40,500
WAS A BRUTAL INCA RITUAL.
212
00:11:42,733 --> 00:11:45,533
HEADS WERE CHOPPED OFF.
213
00:11:45,533 --> 00:11:49,067
BLOOD
SPURTED ALL OVER THE LAND
214
00:11:49,067 --> 00:11:53,367
TO REJUVENATE
IN HONOR OF THE GODS.
215
00:11:55,333 --> 00:11:57,833
Narrator: AS SHOCKING AS
THE HUMAN SACRIFICE
216
00:11:57,833 --> 00:12:01,533
IS THE NUMBER OF VICTIMS.
217
00:12:01,533 --> 00:12:05,400
Hoffman: IN 1527,
OVER 4,000 CONCUBINES,
218
00:12:05,400 --> 00:12:08,300
SLAVES, SERVANTS
WERE ALL SACRIFICED
219
00:12:08,300 --> 00:12:11,400
SO THAT THEY COULD JOIN
THEIR RULER IN THE AFTERLIFE.
220
00:12:14,067 --> 00:12:17,133
Narrator:
THE EVIDENCE SUGGESTS TO VRANICH
THAT THE STRANGE MOUND
221
00:12:17,133 --> 00:12:20,600
MAY WELL HAVE BEEN
A MAJOR SACRIFICIAL SITE.
222
00:12:20,600 --> 00:12:24,767
BUT WHAT TERRIFYING GOD
WERE THEY TRYING TO APPEASE?
223
00:12:24,767 --> 00:12:27,633
VRANICH THINKS ITS SHAPE
IS A CLUE.
224
00:12:27,633 --> 00:12:31,533
THIS THING
LOOKS LIKE A VOLCANO.
225
00:12:31,533 --> 00:12:34,533
THE AREA IS INSIDE
THE RING OF FIRE --
226
00:12:34,533 --> 00:12:37,100
A REGION KNOWN FOR
ITS MASSIVE VOLCANOES
227
00:12:37,100 --> 00:12:39,667
AND DEVASTATING EARTHQUAKES.
228
00:12:39,667 --> 00:12:43,467
IN THE PAST 12,000 YEARS,
ALL BUT 3 OF THE WORLD'S
229
00:12:43,467 --> 00:12:46,900
BIGGEST VOLCANIC
ERUPTIONS HAPPENED HERE.
230
00:12:46,900 --> 00:12:50,667
A SEARCH OF INCA RECORDS REVEALS
THAT VOLCANIC ACTIVITY
231
00:12:50,667 --> 00:12:55,600
COINCIDES WITH A GREAT
INCREASE IN HUMAN SACRIFICES.
232
00:12:55,600 --> 00:12:57,300
Hunt: ALL OVER THE WORLD,
233
00:12:57,300 --> 00:13:02,433
VOLCANOES ARE WORSHIPPED
AS LIVING CREATURES.
234
00:13:02,433 --> 00:13:07,900
WHEN THE MAGNA FLOWS,
IT EVEN LOOKS LIKE A SERPENT,
235
00:13:07,900 --> 00:13:09,767
AND IT'S POWERFUL STUFF.
236
00:13:12,067 --> 00:13:14,900
IT MAKES YOU WONDER IF THAT
VOLCANO-SHAPED SITE
237
00:13:14,900 --> 00:13:17,633
HAS ANYTHING TO DO WITH THAT.
238
00:13:17,633 --> 00:13:19,467
IS IT POSSIBLE THAT
THEY FORMED IT
239
00:13:19,467 --> 00:13:22,633
IN A WAY
TO REPLICATE A VOLCANO?
240
00:13:22,633 --> 00:13:25,200
YOU CAN THINK ABOUT PERHAPS
THE FIRE IN THE MIDDLE
241
00:13:25,200 --> 00:13:28,133
CREATING SMOKE COULD
HAVE MADE THIS EFFECT.
242
00:13:31,567 --> 00:13:35,633
Narrator:
VRANICH BELIEVES THIS IS
AN INCAN SACRIFICIAL SITE.
243
00:13:35,633 --> 00:13:40,700
BENEATH THIS HILL, HE EXPECTS
TO FIND BODIES AND TREASURE.
244
00:13:40,700 --> 00:13:45,167
Vranich: PRETTY CLEAR THAT
THE SITE IS SIGNIFICANT.
245
00:13:45,167 --> 00:13:47,600
IT'S A TEMPLE OF SOME SORTS.
246
00:13:47,600 --> 00:13:50,600
HAVE EVIDENCE OF RITUAL
THAT'S GOING ON.
247
00:13:50,600 --> 00:13:52,600
THERE'S STILL SO MUCH
TO UNCOVER HERE.
248
00:13:52,600 --> 00:13:53,933
WE'RE GONNA HAVE TO WAIT
FOR ADDITIONAL
249
00:13:53,933 --> 00:13:55,900
ARCHAEOLOGICAL EXCAVATIONS.
250
00:13:55,900 --> 00:14:02,267
**
251
00:14:02,267 --> 00:14:03,433
Narrator: COMING UP...
252
00:14:03,433 --> 00:14:07,233
A DEADLY EPIDEMIC
THREATENS NEW YORK CITY.
253
00:14:07,233 --> 00:14:09,667
Odell:
SHE'S KNOWN TO HAVE KILLED
AT LEAST THREE PEOPLE,
254
00:14:09,667 --> 00:14:12,500
SOME BELIEVE UPWARDS TO 50.
255
00:14:12,500 --> 00:14:16,733
WE'RE TALKING ABOUT
A MAJOR SERIAL KILLER HERE.
256
00:14:16,733 --> 00:14:21,567
Narrator: ...AND COMMUNISTS,
CARTELS, AND A NEW COLD WAR.
257
00:14:21,567 --> 00:14:25,133
THESE GUYS ARE SOME OF THESE
MOST DANGEROUS PEOPLE
258
00:14:25,133 --> 00:14:26,233
ON THE PLANET.
259
00:14:30,767 --> 00:14:35,400
**
260
00:14:35,400 --> 00:14:38,600
Narrator: MARCH 2016.
261
00:14:38,600 --> 00:14:44,400
A WorldView-3 SATELLITE ORBITS
HIGH OVER CENTRAL AMERICA.
262
00:14:44,400 --> 00:14:47,867
AS IT PASSES MANAGUA,
NICARAGUA'S CAPITAL CITY,
263
00:14:47,867 --> 00:14:51,233
IT PHOTOGRAPHS A SECURE,
HIGH-TECH COMPOUND.
264
00:14:54,267 --> 00:14:56,967
INSIDE, THERE IS A GIANT
SATELLITE DISH
265
00:14:56,967 --> 00:14:59,333
AND FOUR OTHER LARGE DISHES.
266
00:15:01,867 --> 00:15:04,933
Munoz: THIS ISN'T SOMETHING THAT
YOU CAN KIND OF PUT TOGETHER
267
00:15:04,933 --> 00:15:08,633
FROM A TRIP TO RADIO SHACK
AND HOME DEPOT.
268
00:15:08,633 --> 00:15:10,067
Pappalardo:
THESE DISHES ARE BIG.
269
00:15:10,067 --> 00:15:12,100
THEY'RE REALLY POWERFUL.
270
00:15:12,100 --> 00:15:16,800
THE BIGGER THE DISH, THE MORE
INFORMATION IT CAN SOAK UP.
271
00:15:16,800 --> 00:15:20,700
Narrator:
WHAT PUZZLES ANALYSTS IS THAT,
ACCORDING TO OFFICIAL RECORDS,
272
00:15:20,700 --> 00:15:22,433
THE NICARAGUANS DID NOT BUILD
273
00:15:22,433 --> 00:15:25,233
AND DO NOT CONTROL
ANY COMMUNICATION CENTER
274
00:15:25,233 --> 00:15:27,067
AT THIS SITE.
275
00:15:27,067 --> 00:15:31,067
SO, WHO BUILT IT, AND WHAT
ARE THEY USING IT FOR?
276
00:15:31,067 --> 00:15:33,367
Baker:
I DON'T BELIEVE FOR ONE SECOND
277
00:15:33,367 --> 00:15:35,600
THAT
THAT'S AN INNOCENT FACILITY.
278
00:15:35,600 --> 00:15:40,967
**
279
00:15:40,967 --> 00:15:42,733
Narrator:
THE IMAGE COMES TO THE ATTENTION
280
00:15:42,733 --> 00:15:46,733
OF FORMER CIA OPERATIVE
LINDSAY MORAN.
281
00:15:46,733 --> 00:15:49,400
THIS AREA HAS
A TURBULENT HISTORY.
282
00:15:49,400 --> 00:15:53,067
REVOLUTION, THE SANDINISTA,
THE CONTRAS,
283
00:15:53,067 --> 00:15:57,067
AND MORE RECENTLY,
THE NARCOS.
284
00:15:57,067 --> 00:16:00,967
Moran: WHAT'S WORRYING ABOUT
THE HOMEGROWN SATELLITE STATION
285
00:16:00,967 --> 00:16:05,800
IS THAT A LARGE DEGREE
OF DRUG CARTEL ACTIVITY
286
00:16:05,800 --> 00:16:08,767
HAS SEEPED INTO NICARAGUA.
287
00:16:08,767 --> 00:16:11,600
Narrator:
NICARAGUA IS PART OF WHAT
DRUG-ENFORCEMENT AGENTS
288
00:16:11,600 --> 00:16:14,467
CALL THE COCAINE CORRIDOR.
289
00:16:14,467 --> 00:16:17,700
80% OF THE COCAINE THAT
COMES INTO THE UNITED STATES
290
00:16:17,700 --> 00:16:21,167
PASSES THROUGH NICARAGUA.
291
00:16:21,167 --> 00:16:23,833
Narrator: THE MONEY GENERATED
IS EXTRAORDINARY.
292
00:16:23,833 --> 00:16:26,100
THE OPERATION RUN
BY PABLO ESCOBAR
293
00:16:26,100 --> 00:16:29,333
WAS GENERATING
$20 BILLION A YEAR.
294
00:16:29,333 --> 00:16:33,067
ESCOBAR ALONE WAS ONE OF
THE RICHEST MEN IN THE WORLD.
295
00:16:33,067 --> 00:16:35,967
THE CARTELS ARE IMMENSELY
WEALTHY, WELL-CONNECTED,
296
00:16:35,967 --> 00:16:37,833
AND WELL-ORGANIZED,
297
00:16:37,833 --> 00:16:39,800
DEPLOYING SOME OF
THE LATEST TECHNOLOGY
298
00:16:39,800 --> 00:16:43,967
IN ARMS AND COMMUNICATIONS.
299
00:16:43,967 --> 00:16:48,567
DRUG CARTELS HAVE ENORMOUS
AMOUNTS OF MONEY.
300
00:16:48,567 --> 00:16:51,467
SOME OF THEM HAVE EVEN
BUILT SMALL SUBMARINES
301
00:16:51,467 --> 00:16:55,733
TO MOVE THEIR NARCOTICS
INTO THE UNITED STATES.
302
00:16:55,733 --> 00:16:58,200
THEY WOULD TAKE THEM ACROSS
THE CHANNELS OVER TO FLORIDA.
303
00:16:58,200 --> 00:17:01,200
THE IDEA THAT THEY WOULD BE
BUILDING INFRASTRUCTURE
304
00:17:01,200 --> 00:17:03,700
TO FURTHER THEIR
SMUGGLING OPERATION
305
00:17:03,700 --> 00:17:05,567
IS NOT FAR-FETCHED.
306
00:17:07,700 --> 00:17:10,567
Narrator: INVESTIGATORS FEAR
THAT THIS SATELLITE ARRAY
307
00:17:10,567 --> 00:17:14,200
MAY BELONG TO A CARTEL DESCRIBED
BY THE U.S. GOVERNMENT
308
00:17:14,200 --> 00:17:16,533
AS THE MOST
TECHNOLOGICALLY ADVANCED,
309
00:17:16,533 --> 00:17:19,867
SOPHISTICATED, EFFICIENT,
VIOLENT, RUTHLESS,
310
00:17:19,867 --> 00:17:21,600
AND DANGEROUS IN EXISTENCE.
311
00:17:21,600 --> 00:17:23,400
[ RAPID GUNFIRE,
ALARM BLARING ]
312
00:17:23,400 --> 00:17:27,733
THEY ARE CALLED LOS ZETAS,
OR THE Z's.
313
00:17:27,733 --> 00:17:31,133
LOS ZETAS WERE FORMED
FROM SPECIAL OPERATIONS UNITS
314
00:17:31,133 --> 00:17:33,933
WITHIN THE MEXICAN MILITARY
THAT BECAME SO CORRUPT,
315
00:17:33,933 --> 00:17:36,567
THEY FIGURED IT WAS EASIER JUST
TO BECOME A CARTEL THEMSELVES.
316
00:17:36,567 --> 00:17:39,167
[ SIREN WAILS ]
317
00:17:39,167 --> 00:17:42,933
THEY RECRUIT YOUNG KIDS.
THEY BURN PEOPLE ALIVE.
318
00:17:42,933 --> 00:17:44,700
THEY PUT 'EM IN VATS OF ACID.
319
00:17:44,700 --> 00:17:50,567
LOS ZETAS ARE SOME OF THE MOST
DANGEROUS PEOPLE ON THE PLANET.
320
00:17:50,567 --> 00:17:54,800
Narrator: CARLO MUNOZ IS
AN EXPERT ON THE CARTELS.
321
00:17:54,800 --> 00:17:57,533
ALTHOUGH LOS ZETAS USE
LOTS OF HIGH-TECH,
322
00:17:57,533 --> 00:18:01,633
HE BELIEVES EVEN THEY COULD NOT
BUILD A FACILITY THIS ADVANCED.
323
00:18:01,633 --> 00:18:03,833
I HAVE YET TO SEE
ANY CARTEL CONDUCT
324
00:18:03,833 --> 00:18:05,767
THE KIND OF INTELLIGENCE
OPERATION
325
00:18:05,767 --> 00:18:07,700
THAT THIS NOTE INDICATES.
326
00:18:07,700 --> 00:18:12,067
THIS IS A PROFESSIONAL,
ALMOST GOVERNMENT-TYPE FACILITY.
327
00:18:14,833 --> 00:18:18,467
Narrator:
INVESTIGATIONS ON THE GROUND
OFFER MORE CLUES.
328
00:18:18,467 --> 00:18:20,500
LOCAL RESIDENTS NEAR
THE BASE REPORT
329
00:18:20,500 --> 00:18:23,467
THE PRESENCE
OF FOREIGNERS.
330
00:18:23,467 --> 00:18:26,900
Munoz: WHEN YOU SPEAK TO THE
LOCALS AROUND THIS INSTALLATION,
331
00:18:26,900 --> 00:18:28,767
THEY SAY THAT THE
PERSONNEL BASED THERE
332
00:18:28,767 --> 00:18:32,200
ALL SPEAK FLUENT RUSSIAN.
333
00:18:32,200 --> 00:18:35,900
Baker: YOU'VE GOT A RUSSIAN
SATELLITE FACILITY.
334
00:18:35,900 --> 00:18:38,100
THEN YOU'VE GOT TO FIGURE OUT
WHAT'S ITS PURPOSE,
335
00:18:38,100 --> 00:18:41,133
WHY IS IT THERE?
336
00:18:41,133 --> 00:18:42,367
Narrator: IN THE 1970s,
337
00:18:42,367 --> 00:18:44,767
WHILE THE U.S.
BACKED THE CONTRAS,
338
00:18:44,767 --> 00:18:48,067
RUSSIAN SOVIETS BACKED
THE LEFT-WING SANDINISTAS,
339
00:18:48,067 --> 00:18:51,900
DRAWING NICARAGUA
INTO THE COMMUNIST BLOC.
340
00:18:51,900 --> 00:18:55,133
NICARAGUA'S A VERY WELL-KNOWN
PAWN IN THE CHESS GAME
341
00:18:55,133 --> 00:18:57,333
BETWEEN THE UNITED STATES
AND THE SOVIET UNION
342
00:18:57,333 --> 00:18:59,567
THROUGHOUT THE ENTIRETY
OF THE COLD WAR.
343
00:19:02,967 --> 00:19:05,967
THERE'S BEEN A FAIRLY
SIGNIFICANT RELATIONSHIP
344
00:19:05,967 --> 00:19:09,633
BETWEEN RUSSIA AND NICARAGUA.
345
00:19:09,633 --> 00:19:13,100
Narrator:
IT'S A RELATIONSHIP, IT SEEMS,
THAT VLADIMIR PUTIN,
346
00:19:13,100 --> 00:19:18,467
HIMSELF A FORMER KGB AGENT,
WANTS TO KEEP ALIVE.
347
00:19:18,467 --> 00:19:22,100
REPORTS OF PEOPLE SPEAKING
RUSSIAN SUGGEST THIS IS,
348
00:19:22,100 --> 00:19:24,467
INDEED, A RUSSIAN BASE.
349
00:19:24,467 --> 00:19:26,900
AND A RUSSIAN BASE
SO CLOSE TO THE U.S.
350
00:19:26,900 --> 00:19:30,567
RAISES OBVIOUS CONCERNS.
351
00:19:30,567 --> 00:19:32,867
Baker: FOR VLADIMIR PUTIN,
THE COLD WAR NEVER ENDED,
352
00:19:32,867 --> 00:19:36,533
SO THE IDEA THAT
THEY WOULD CONTINUE
353
00:19:36,533 --> 00:19:38,600
TO TRY TO INFLUENCE
THE LEADERSHIP
354
00:19:38,600 --> 00:19:41,733
IN A PLACE LIKE NICARAGUA
MAKES PERFECT SENSE.
355
00:19:41,733 --> 00:19:43,667
[ CAMERA SHUTTER CLICKS ]
356
00:19:43,667 --> 00:19:46,367
IT'S LIKE THE COLD WAR
RESURGENT AGAIN,
357
00:19:46,367 --> 00:19:50,900
AND VLADIMIR PUTIN IS
RIGHT AT OUR BACK DOOR.
358
00:19:50,900 --> 00:19:56,733
Narrator:
CONCERN GROWS WHEN INVESTIGATORS
ANALYZE THE IMAGE MORE CLOSELY.
359
00:19:56,733 --> 00:20:02,567
THIS DISH IS POINTING STRAIGHT
AT THE U.S. EMBASSY IN MANAGUA.
360
00:20:02,567 --> 00:20:05,367
Narrator: ALARMINGLY,
THE SATELLITE COMPOUND
361
00:20:05,367 --> 00:20:08,233
IS ONLY A MILE AND A HALF
FROM THE EMBASSY.
362
00:20:11,700 --> 00:20:13,567
Pappalardo: HAVING A DISH
THIS POWERFUL
363
00:20:13,567 --> 00:20:15,500
AIMED AT A TARGET LIKE
THE U.S. EMBASSY,
364
00:20:15,500 --> 00:20:16,767
THAT MEANS THAT THIS THING
365
00:20:16,767 --> 00:20:18,700
COULD BE COLLECTING
A LOT OF INFORMATION
366
00:20:18,700 --> 00:20:21,400
COMING IN AND OUT
OF THAT BUILDING.
367
00:20:21,400 --> 00:20:24,167
SO, IT'S A SECURITY RISK.
368
00:20:24,167 --> 00:20:27,767
AND TO MAKE MATTERS EVEN WORSE,
THE RUSSIANS OWN IT.
369
00:20:29,867 --> 00:20:33,733
Narrator:
THE NICARAGUAN GOVERNMENT
HAS NOW RELEASED A STATEMENT.
370
00:20:33,733 --> 00:20:37,467
THEY SAY THE FACILITY
IS A GPS SYSTEM,
371
00:20:37,467 --> 00:20:40,067
BUT THE SYSTEM KNOWN
AS GLONASS HAPPENS
372
00:20:40,067 --> 00:20:42,833
TO HAVE BEEN DEVELOPED
BY THE RUSSIAN MILITARY
373
00:20:42,833 --> 00:20:46,067
AND IS NOW USED BY
THE RUSSIAN GOVERNMENT.
374
00:20:46,067 --> 00:20:48,767
THIS DOES CREATE
A FEASIBLE EXPLANATION
375
00:20:48,767 --> 00:20:51,067
AS TO WHY
RUSSIAN-SPEAKING PERSONNEL
376
00:20:51,067 --> 00:20:55,733
ARE IN AND OUT OF THIS
FACILITY 24 HOURS A DAY.
377
00:20:55,733 --> 00:20:58,967
Narrator: GLONASS HAS ITS
ORIGINS IN THE SOVIET UNION
378
00:20:58,967 --> 00:21:00,833
AS A GUIDANCE SYSTEM
FOR BALLISTIC,
379
00:21:00,833 --> 00:21:04,067
MISSILE-CARRYING SUBMARINES.
380
00:21:04,067 --> 00:21:06,300
Baker:
THERE IS NO DOUBT IN MY MIND
381
00:21:06,300 --> 00:21:09,933
THAT THE RUSSIANS ARE USING
THAT FOR INTEL COLLECTION.
382
00:21:09,933 --> 00:21:15,667
IT WOULD BE INSANELY NAIVE
TO THINK OTHERWISE.
383
00:21:15,667 --> 00:21:18,467
Narrator:
THE SECURE BASE CAPTURED
IN THIS SATELLITE IMAGE
384
00:21:18,467 --> 00:21:20,933
REMAINS A PLACE
OF EXTREME INTEREST
385
00:21:20,933 --> 00:21:23,533
TO U.S. INTELLIGENCE OBSERVERS.
386
00:21:23,533 --> 00:21:25,300
Pappalardo:
THE TRUTH IS THAT WE DON'T KNOW
WHAT THIS FACILITY
387
00:21:25,300 --> 00:21:27,133
IS BEING USED FOR.
388
00:21:27,133 --> 00:21:29,267
THE COVER STORY
JUST REALLY DOESN'T WASH.
389
00:21:29,267 --> 00:21:35,100
**
390
00:21:35,100 --> 00:21:36,233
Narrator: COMING UP...
391
00:21:36,233 --> 00:21:38,867
THE CODE AT THE END
OF THE WORLD.
392
00:21:38,867 --> 00:21:43,667
WHY WOULD SOMEONE COME AND DIG
THESE VERTICAL LINES LIKE THIS?
393
00:21:43,667 --> 00:21:48,067
Narrator:
AND A DEATH STAR WEAPON
UNLEASHES HELL IN THE DESERT.
394
00:21:48,067 --> 00:21:50,400
THIS IS SCIENCE-FICTION
LEVEL TECHNOLOGY.
395
00:21:50,400 --> 00:21:52,500
THE KIND OF THING THAT YOU
WOULD EXPECT TO SEE
396
00:21:52,500 --> 00:21:55,667
IN SOME "STAR WARS" MOVIE.
397
00:22:03,500 --> 00:22:06,667
Narrator: MARCH 2017.
398
00:22:06,667 --> 00:22:09,967
BANKS ISLAND, NORTHERN CANADA.
399
00:22:09,967 --> 00:22:12,800
A NASA RESEARCH AIRCRAFT SPOTS
WEIRD MARKINGS
400
00:22:12,800 --> 00:22:15,733
SEEMINGLY CARVED
INTO THE SEA ICE.
401
00:22:15,733 --> 00:22:18,067
Kourounis: I'VE NEVER SEEN
ANYTHING LIKE THIS BEFORE.
402
00:22:18,067 --> 00:22:19,533
THAT IS BIZARRE.
403
00:22:19,533 --> 00:22:22,900
Chamberlain: IT SEEMS LIKE IT
MUST BE MAN-MADE,
404
00:22:22,900 --> 00:22:24,233
BUT WHY WOULD SOMEONE COME
405
00:22:24,233 --> 00:22:27,367
AND DIG THESE VERTICAL
LINES LIKE THIS?
406
00:22:27,367 --> 00:22:30,433
[ WIND WHISTLING ]
407
00:22:30,433 --> 00:22:32,167
Narrator: MEASUREMENTS OF
THE MARKINGS REVEAL
408
00:22:32,167 --> 00:22:33,867
THAT THEY ARE
ON A HUGE SCALE,
409
00:22:33,867 --> 00:22:36,467
OVER 2,000 YARDS LONG.
410
00:22:36,467 --> 00:22:38,833
THIS IS NOT JUST A BLIP
ON THE RADAR.
411
00:22:38,833 --> 00:22:40,267
THIS IS SOMETHING
THAT HAS HAPPENED
412
00:22:40,267 --> 00:22:44,833
OVER A REALLY LONG STRETCH.
413
00:22:44,833 --> 00:22:47,500
Narrator: ANALYSTS CHECK
HISTORICAL RECORDS.
414
00:22:47,500 --> 00:22:49,067
THE ARCTIC HAS, IN THE PAST,
415
00:22:49,067 --> 00:22:53,867
BEEN THE SCENE OF SOME
UNUSUAL INDUSTRIAL ACTIVITY.
416
00:22:53,867 --> 00:22:56,933
SINCE THE ARRIVAL OF
THE REFRIGERATOR IN THE 1930s,
417
00:22:56,933 --> 00:22:58,967
WE TAKE ICE FOR GRANTED.
418
00:22:58,967 --> 00:23:04,067
BUT ONCE UPON A TIME, IT WAS
SEEN AS A VALUABLE COMMODITY.
419
00:23:04,067 --> 00:23:08,400
Sanford:
AT ONE POINT, WE HARVESTED
MASSIVE BLOCKS OF ICE
420
00:23:08,400 --> 00:23:09,733
AND SHIPPED THEM --
421
00:23:09,733 --> 00:23:14,600
THESE THINGS WEIGHING TONS --
ALL THE WAY TO INDIA.
422
00:23:14,600 --> 00:23:18,367
Narrator: IN ITS HEYDAY, THE
AMERICAN ICE INDUSTRY IS HUGE,
423
00:23:18,367 --> 00:23:23,800
EMPLOYING OVER 90,000 PEOPLE AND
WORTH HALF A BILLION DOLLARS.
424
00:23:23,800 --> 00:23:27,233
VAST ICE HOUSES ARE BUILT
ALL ALONG THE HUDSON RIVER,
425
00:23:27,233 --> 00:23:30,733
AND U.S. ICE IS MARKETED
AS A LUXURY PRODUCT.
426
00:23:33,067 --> 00:23:38,133
IF YOU WERE A MULTI-MILLIONAIRE
AND HAD A PALACE IN THE BAHAMAS,
427
00:23:38,133 --> 00:23:40,467
AND YOU WANTED ICE
FOR YOUR PIÑA COLADA,
428
00:23:40,467 --> 00:23:41,867
HOW ARE YOU GONNA GET IT?
429
00:23:41,867 --> 00:23:45,533
WELL, YOU WOULD HIRE SOMEONE
TO TAKE A BOAT UP TO THE ARCTIC,
430
00:23:45,533 --> 00:23:48,733
CHOP AWAY HUGE CHUNKS OF ICE,
AND BRING IT DOWN TO YOU.
431
00:23:48,733 --> 00:23:50,400
OF COURSE, MOST OF IT
WOULD BE MELTED
432
00:23:50,400 --> 00:23:53,200
BY THE TIME IT GOT TO YOU,
BUT YOU STILL WOULD HAVE ENOUGH
433
00:23:53,200 --> 00:23:56,333
TO SATISFY YOUR CARVING
FOR THAT COLD DRINK.
434
00:23:56,333 --> 00:23:59,133
Sanford:
IS ICE HARVESTING COMING BACK?
435
00:23:59,133 --> 00:24:02,233
ARE PEOPLE GOING TO BE WILLING
TO PAY FOR ANCIENT ICE CUBES
436
00:24:02,233 --> 00:24:04,267
IN THEIR DRINKS?
437
00:24:04,267 --> 00:24:06,467
Narrator: BUT THERE'S A PROBLEM
WITH THIS THEORY.
438
00:24:06,467 --> 00:24:11,067
THE ICE IN THE SATELLITE IMAGE
IS SEA ICE, NOT FRESHWATER ICE.
439
00:24:11,067 --> 00:24:14,100
SEA ICE IS FROZEN SEA WATER.
440
00:24:14,100 --> 00:24:16,633
FROZEN SEA WATER
IS NOT REALLY IDEAL
441
00:24:16,633 --> 00:24:17,933
FOR PUTTING INTO YOUR DRINK
442
00:24:17,933 --> 00:24:22,300
UNLESS YOU REALLY LIKE
AN EXTRA-SALTY MARGARITA.
443
00:24:22,300 --> 00:24:26,633
TODAY, A FEW PREMIUM BRAND
VODKAS STILL USE NATURAL ICE,
444
00:24:26,633 --> 00:24:28,933
BUT THEY HARVEST IT
IN THE RUSSIAN MOUNTAINS,
445
00:24:28,933 --> 00:24:30,700
NOT THE CANADIAN ARCTIC.
446
00:24:33,167 --> 00:24:38,067
ANALYSTS FOCUS ON THE REPEATED
VISUAL MOTIFS IN THE IMAGE.
447
00:24:38,067 --> 00:24:39,600
SOME ARE REMINDED OF MARKINGS
448
00:24:39,600 --> 00:24:43,467
FOUND IN AN EVEN MORE
INHOSPITABLE LOCATION.
449
00:24:43,467 --> 00:24:46,133
I ACTUALLY HAVE SEEN
SOMETHING LIKE THIS.
450
00:24:46,133 --> 00:24:47,633
ON THE SURFACE OF MARS,
451
00:24:47,633 --> 00:24:52,967
THERE ARE PATTERNS THAT
SOME SAY ARE A BINARY COD.
452
00:24:52,967 --> 00:24:56,367
Narrator:
SCIENTISTS DISCOVER THE STRANGE
SURFACE MARKINGS ON MARS
453
00:24:56,367 --> 00:24:58,800
IN 2016.
454
00:24:58,800 --> 00:25:01,067
LIKE THE MYSTERIOUS
PATTERN IN THE ARCTIC,
455
00:25:01,067 --> 00:25:03,600
THEY'RE HIGHLY REGULAR.
456
00:25:03,600 --> 00:25:07,567
IT LOOKS TO SOME LIKE A SIGNAL
OR A MESSAGE OF SOME KIND.
457
00:25:09,933 --> 00:25:11,500
BUT THIS IS MARS.
458
00:25:11,500 --> 00:25:14,733
WHO OR WHAT COULD
HAVE PUT IT HERE?
459
00:25:14,733 --> 00:25:17,767
IF THIS IS SOME
INTERPLANETARY MESSAGE,
460
00:25:17,767 --> 00:25:21,067
IT'S STILL TO BE DECODED.
461
00:25:21,067 --> 00:25:22,767
D'Antonio: WHAT THEY FOUND
WAS IT SAID, "BLEAH."
462
00:25:22,767 --> 00:25:24,233
IT MADE NO SENSE.
463
00:25:24,233 --> 00:25:25,667
THERE WAS NOTHING TO IT.
464
00:25:25,667 --> 00:25:27,067
I THINK THE SAME THING
WILL HAPPEN HERE.
465
00:25:27,067 --> 00:25:28,567
IF THEY TRY TO DECODE THIS
AND TURN IT
466
00:25:28,567 --> 00:25:30,667
INTO SOME TYPE
OF BINARY MESSAGE,
467
00:25:30,667 --> 00:25:32,433
THEY'RE GONNA GET
THE SAME KIND OF RESPONSE.
468
00:25:34,667 --> 00:25:38,267
Narrator:
EXPERTS SWITCH THEIR FOCUS
TO THE NATURAL WORLD.
469
00:25:38,267 --> 00:25:40,633
THEY FIND OTHER EXAMPLES
OF THIS PHENOMENON
470
00:25:40,633 --> 00:25:43,633
DOTTED ACROSS
THE POLAR REGIONS.
471
00:25:43,633 --> 00:25:48,300
IT'S A HIGHLY UNUSUAL PROCESS
CALLED FINGER RAFTING.
472
00:25:48,300 --> 00:25:50,167
NORMALLY, WHEN YOU HAVE
TWO PIECES OF ICE
473
00:25:50,167 --> 00:25:52,767
CRASHING INTO EACH OTHER,
THEY'LL CREATE RIDGES
474
00:25:52,767 --> 00:25:55,500
WHERE THE EDGES BUMP UP
AGAINST EACH OTHER.
475
00:25:55,500 --> 00:25:59,167
BUT EVERY NOW AND THEN, WHEN
THE CONDITIONS ARE JUST RIGHT,
476
00:25:59,167 --> 00:26:01,567
THE ICE WILL INTERLOCK,
477
00:26:01,567 --> 00:26:03,933
AND YOU'LL GET
THESE FINGERS OF ICE
478
00:26:03,933 --> 00:26:08,067
LAYERING ON TOP OF EACH OTHER
AND INTERLOCKING.
479
00:26:08,067 --> 00:26:10,733
Narrator:
FINGER RAFTING ONLY OCCURS
WHEN TWO SHEETS
480
00:26:10,733 --> 00:26:13,967
OF NEWLY FORMED ICE COLLIDE.
481
00:26:13,967 --> 00:26:17,733
THESE BLOCKS ARE THIN ENOUGH
TO BEND WITHOUT SHATTERING.
482
00:26:17,733 --> 00:26:20,067
THE SHEETS SLIDE OVER
AND UNDER EACH OTHER,
483
00:26:20,067 --> 00:26:22,200
CREATING THE FINGER-LIKE
PATTERN.
484
00:26:24,500 --> 00:26:28,433
Sanford:
THIS PATTERN LOOKS MAN-MADE,
BUT IT'S TOTALLY NATURAL,
485
00:26:28,433 --> 00:26:32,800
AND IT'S ONE OF THOSE THINGS,
WHEN SEEN FROM ABOVE,
486
00:26:32,800 --> 00:26:38,067
THAT JUST MAKES ME APPRECIATE
THE BEAUTY AND POWER OF NATURE.
487
00:26:38,067 --> 00:26:44,467
**
488
00:26:44,467 --> 00:26:45,567
Narrator: COMING UP...
489
00:26:45,567 --> 00:26:48,067
A SPOOKY SYMBOL
IN THE DESERT ANALYSTS
490
00:26:48,067 --> 00:26:50,133
ARE STILL TRYING TO EXPLAIN.
491
00:26:50,133 --> 00:26:51,233
THIS ONE'S A MYSTERY TO ME.
492
00:26:51,233 --> 00:26:53,100
I CAN'T EVEN TELL YOU
WHAT IT IS.
493
00:26:53,100 --> 00:26:55,400
Narrator: AND NEW YORK'S
SECRET ISLAND OF TERROR.
494
00:26:55,400 --> 00:26:56,700
[ BIRD CHIRPING ]
495
00:26:56,700 --> 00:26:59,100
Sanford:
HOW MANY PEOPLE DIED HERE?
496
00:26:59,100 --> 00:27:01,700
THERE IS BLOOD AND DEATH
ON THIS ISLAND.
497
00:27:07,733 --> 00:27:12,233
**
498
00:27:12,233 --> 00:27:15,233
Narrator: APRIL 2016.
499
00:27:15,233 --> 00:27:18,067
A GeoEye-1 SATELLITE PASSING
OVER THE SAHARA
500
00:27:18,067 --> 00:27:19,567
IN SOUTHERN ALGERIA
501
00:27:19,567 --> 00:27:22,133
CAPTURES THESE MARKINGS
ON THE DESERT FLOOR.
502
00:27:25,700 --> 00:27:29,400
THE IMAGE HAS BAFFLED EXPERTS
SINCE ITS DISCOVERY.
503
00:27:29,400 --> 00:27:33,067
IT CONTINUES TO BE
A MYSTERY TO THIS DAY.
504
00:27:33,067 --> 00:27:35,100
Bellinger:
IT LOOKS LIKE A COMPASS.
505
00:27:35,100 --> 00:27:37,133
I'M WONDERING WHAT ON EARTH
IT'S DOING OUT HERE
506
00:27:37,133 --> 00:27:38,700
IN THE MIDDLE OF THE DESERT.
507
00:27:38,700 --> 00:27:40,667
THIS THING IS TRULY BIZARRE.
508
00:27:40,667 --> 00:27:45,533
I'VE DONE A LOT OF DIGGING
TO FIND OUT WHAT THIS THING IS.
509
00:27:45,533 --> 00:27:48,633
AND SO FAR,
I HAVE COME UP EMPTY.
510
00:27:48,633 --> 00:27:51,167
Narrator: SCALE ANALYSIS REVEALS
THE MYSTERY PATTERN
511
00:27:51,167 --> 00:27:54,667
IS ALMOST TWICE THE SIZE
OF A FOOTBALL FIELD.
512
00:27:54,667 --> 00:27:56,600
Pappalardo:
IT'S OBVIOUSLY MAN-MADE.
513
00:27:56,600 --> 00:27:58,133
IT'S GOT DEFINITE SHAPE.
514
00:27:58,133 --> 00:28:00,200
IT SHOULD HAVE
A DEFINITE FUNCTION,
515
00:28:00,200 --> 00:28:03,067
BUT WHO KNOWS WHAT IT IS?
516
00:28:03,067 --> 00:28:05,467
Narrator: SATELLITE ANALYSTS
SEARCH THE AREA RIGHT AROUND
517
00:28:05,467 --> 00:28:07,067
THE BIZARRE SYMBOL.
518
00:28:07,067 --> 00:28:12,400
IT STANDS ALONE -- NO SIGNS OF
ANY MODERN STRUCTURES OR LIFE.
519
00:28:12,400 --> 00:28:15,433
THE LOCATION OF THE SYMBOL
SUGGESTS IT MAY HAVE SOME LINK
520
00:28:15,433 --> 00:28:18,467
TO AN ANCIENT CIVILIZATION.
521
00:28:18,467 --> 00:28:20,967
Gough:
THE SHAPE IS REMINISCENT OF
A COLLECTION OF BURIAL SITES
522
00:28:20,967 --> 00:28:22,800
KNOWN AS KEYHOLE TOMBS
523
00:28:22,800 --> 00:28:27,167
THAT ARE LOCATED CONSPICUOUSLY
CLOSE TO THIS SYMBOL.
524
00:28:27,167 --> 00:28:30,700
Narrator:
SCIENTISTS HAVE DISCOVERED
OVER 600 FUNERARY MONUMENTS
525
00:28:30,700 --> 00:28:34,567
SHAPED LIKE KEYHOLES
IN THE SAHARA DESERT.
526
00:28:34,567 --> 00:28:38,433
THE OLDEST DATE BACK
TO 3600 B.C.,
527
00:28:38,433 --> 00:28:42,767
2,000 YEARS BEFORE THE GREAT
PYRAMID IN EGYPT IS BUILT.
528
00:28:45,233 --> 00:28:47,867
ARCHAEOLOGISTS VENTURING INSIDE
HAVE DISCOVERED
529
00:28:47,867 --> 00:28:51,067
CEREMONIAL VESSELS
AND STONE AGE WEAPONS.
530
00:28:55,300 --> 00:28:57,600
THESE STRUCTURES
ALL FACE EAST --
531
00:28:57,600 --> 00:29:00,267
APPARENTLY POINTING
TO THE RISING SUN.
532
00:29:04,433 --> 00:29:06,900
ARCHAEOLOGIST KAREN BELLINGER
CROSS-CHECKS
533
00:29:06,900 --> 00:29:10,500
THE IMAGE WITH A SERIES
OF SATELLITE FLYOVERS.
534
00:29:10,500 --> 00:29:13,067
SHE SPOTS SOMETHING MISSING
IN ALL THE PICTURES
535
00:29:13,067 --> 00:29:15,567
THAT THROWS THE TOMB
THEORY INTO DOUBT.
536
00:29:17,700 --> 00:29:21,400
Bellinger: WHEN WE LOOK AT
IMAGES OF THIS STRUCTURE
537
00:29:21,400 --> 00:29:23,267
TAKEN AT DIFFERENT TIMES
OF DAY
538
00:29:23,267 --> 00:29:25,067
AND ON DIFFERENT DAYS
OF THE YEAR,
539
00:29:25,067 --> 00:29:27,733
WE NEVER SEE A SHADOW.
540
00:29:27,733 --> 00:29:29,600
THAT INDICATES THAT IT
DOESN'T HAVE ANY KIND OF
541
00:29:29,600 --> 00:29:30,833
THREE-DIMENSIONAL PROFILE.
542
00:29:30,833 --> 00:29:34,300
IT CANNOT BE
CONSTRUCTED OF STONE.
543
00:29:34,300 --> 00:29:37,067
Narrator: INVESTIGATORS
WIDEN THE SEARCH AREA.
544
00:29:37,067 --> 00:29:41,967
THE NEAREST SIGN OF CIVILIZATION
IS SOMETHING UNEXPECTED.
545
00:29:41,967 --> 00:29:44,367
A DESERT AIRPORT.
546
00:29:44,367 --> 00:29:48,267
BUT WHAT'S AN AIRPORT
DOING IN THE DESERT?
547
00:29:48,267 --> 00:29:51,933
THE AIRPORT WAS PART
OF A PROGRAM RUN BY NASA
548
00:29:51,933 --> 00:29:55,367
TO MAINTAIN SECONDARY
LANDING ZONES FOR SPACECRAFT
549
00:29:55,367 --> 00:29:57,400
RE-ENTERING
THE EARTH'S ATMOSPHERE.
550
00:30:00,933 --> 00:30:03,600
Narrator: SPACE FLIGHT REMAINS
ONE OF THE MOST DANGEROUS
551
00:30:03,600 --> 00:30:06,267
AND COMPLEX
SCIENTIFIC ENDEAVORS.
552
00:30:10,733 --> 00:30:14,500
COUNTLESS THINGS CAN GO WRONG,
AND SPACE SHUTTLES CAN BE FORCED
553
00:30:14,500 --> 00:30:16,167
TO RE-ENTER EARTH'S ATMOSPHERE
554
00:30:16,167 --> 00:30:18,533
FOR ANY NUMBER OF REASONS.
555
00:30:18,533 --> 00:30:22,867
AND IN ANY NUMBER OF PLACES.
556
00:30:22,867 --> 00:30:24,967
TO COPE WITH FORCED RE-ENTRIES,
557
00:30:24,967 --> 00:30:27,667
NASA HAS ESTABLISHED
33 EMERGENCY
558
00:30:27,667 --> 00:30:29,900
LANDING SITES
ALL OVER THE WORLD,
559
00:30:29,900 --> 00:30:35,233
OFTEN LOCATED FAR AWAY
FROM POPULATED AREAS.
560
00:30:35,233 --> 00:30:38,100
Capps:
IF THIS WERE A SIGN POST FOR AN
EMERGENCY SPACE SHUTTLE LANDING,
561
00:30:38,100 --> 00:30:39,667
YOU'RE HURTLING DOWN
TO THE GROUND,
562
00:30:39,667 --> 00:30:40,967
YOUR SYSTEMS ARE FAILING,
563
00:30:40,967 --> 00:30:42,733
AND THAT'S WHY YOU'RE
VISUALLY NAVIGATING.
564
00:30:42,733 --> 00:30:46,867
MAN, I BET YOU WOULD BE
HAPPY TO SEE THIS THING.
565
00:30:46,867 --> 00:30:51,533
Narrator:
BUT A CHECK OF THE OTHER SHUTTLE
LANDING SITES REVEALS A PROBLEM.
566
00:30:51,533 --> 00:30:54,833
Kourounis: THIS SYMBOL IS
NOT SEEN AT ANY OF THE OTHER
567
00:30:54,833 --> 00:30:57,300
SPACE SHUTTLE
EMERGENCY LANDING SITES,
568
00:30:57,300 --> 00:31:02,067
SO ODDS ARE THAT'S
PROBABLY NOT THE ANSWER.
569
00:31:02,067 --> 00:31:06,367
Narrator:
ANALYSTS LOOK BACK AT HISTORICAL
SATELLITE IMAGES OF THE REGION.
570
00:31:06,367 --> 00:31:10,900
THEY DISCOVER THE MYSTERY
STRUCTURE APPEARS IN 2000.
571
00:31:10,900 --> 00:31:12,800
THEY LEARN THAT
AROUND THIS TIME,
572
00:31:12,800 --> 00:31:14,167
THE EMERGENCY LANDING SITE
573
00:31:14,167 --> 00:31:17,500
IS HEAVILY UPGRADED
FOR MILITARY USE.
574
00:31:17,500 --> 00:31:20,200
Munoz: LOOKING AT THE IMAGE,
THE KIND OF DISTINCT MARKINGS
575
00:31:20,200 --> 00:31:24,967
THAT IT HAS, IT COULD VERY WELL
SERVE AS A LARGE TARGET.
576
00:31:24,967 --> 00:31:28,100
Narrator: IT HAS RECENTLY BEEN
REVEALED THAT THE U.S. MILITARY
577
00:31:28,100 --> 00:31:30,400
IS USING ISOLATED
DESERT LOCATIONS
578
00:31:30,400 --> 00:31:33,100
TO TEST A REVOLUTIONARY
NEW WEAPON...
579
00:31:35,400 --> 00:31:37,667
A SUPER POWERFUL LASER.
580
00:31:40,367 --> 00:31:43,300
INVISIBLE LASERS
ARE ABLE TO DESTROY
581
00:31:43,300 --> 00:31:47,600
A FAST-MOVING TARGET
AT FAST DISTANCES.
582
00:31:47,600 --> 00:31:51,433
THESE LASERS ARE
INCREDIBLY POWERFUL.
583
00:31:51,433 --> 00:31:54,300
Narrator: A SINGLE BEAM FROM
THIS MINIATURE DEATH STAR
584
00:31:54,300 --> 00:31:57,733
IS MORE POWERFUL
THAN A CRUISE MISSILE.
585
00:31:57,733 --> 00:32:00,167
THE LASERS TRAVEL
AT THE SPEED OF LIGHT,
586
00:32:00,167 --> 00:32:04,167
50,000 TIMES FASTER
THAN AN ICBM.
587
00:32:04,167 --> 00:32:07,700
IT'S LIKE FRYING AN ANT
WITH A MAGNIFYING GLASS.
588
00:32:07,700 --> 00:32:10,667
THIS SINGLE RAY OF ENERGY
BEING FOCUSED
589
00:32:10,667 --> 00:32:12,633
ON ONE PARTICULAR TARGET.
590
00:32:12,633 --> 00:32:15,267
IN THIS CASE, SUNLIGHT.
591
00:32:15,267 --> 00:32:20,967
NOW TAKE THAT ANALOGY
AND EXPOUND IT BY 10 MILLION,
592
00:32:20,967 --> 00:32:23,133
AND THAT IS LASERS.
593
00:32:25,367 --> 00:32:27,700
THIS IS SCIENCE-FICTION
LEVEL TECHNOLOGY --
594
00:32:27,700 --> 00:32:29,400
THE KIND OF THING
THAT YOU WOULD EXPECT
595
00:32:29,400 --> 00:32:32,533
TO SEE IN SOME "STAR WARS"
MOVIE.
596
00:32:32,533 --> 00:32:35,733
BUT IN ACTUALITY,
THEY'RE USING THEM NOW.
597
00:32:35,733 --> 00:32:40,933
**
598
00:32:40,933 --> 00:32:43,633
Narrator: MILITARY DATA
DISCLOSES THAT THE TECHNOLOGY
599
00:32:43,633 --> 00:32:46,200
IS STILL AT TEST STAGE.
600
00:32:46,200 --> 00:32:50,667
THIS SUPER DEADLY WEAPON
IS UNPREDICTABLE.
601
00:32:50,667 --> 00:32:54,133
YOU DO WANT A LARGE,
UNPOPULATED SPACE
602
00:32:54,133 --> 00:32:56,800
WITH A RELATIVELY
LARGE TARGET TO AIM AT
603
00:32:56,800 --> 00:32:58,833
WHEN TESTING THESE
TYPE OF WEAPONS.
604
00:32:58,833 --> 00:33:00,900
'CAUSE YOU REALLY DON'T KNOW
WHAT COULD HAPPEN
605
00:33:00,900 --> 00:33:03,433
IF THINGS DO GO WRONG.
606
00:33:07,500 --> 00:33:11,200
BUT WHEN INVESTIGATORS ANALYZE
THE SATELLITE IMAGE IN CLOSE-UP,
607
00:33:11,200 --> 00:33:13,333
THERE'S SOMETHING MISSING.
608
00:33:13,333 --> 00:33:16,667
IF THIS WERE A TEST SITE
FOR LASERS OR SOME OTHER WEAPON,
609
00:33:16,667 --> 00:33:18,900
THERE WOULD BE BURN MARKS.
610
00:33:18,900 --> 00:33:21,433
THE OBVIOUS PROBLEM WITH THAT
IS THAT IT LOOKS PRISTINE.
611
00:33:21,433 --> 00:33:23,100
IT LOOKS LIKE IT'S FINE.
612
00:33:23,100 --> 00:33:25,967
IT DOESN'T LOOK LIKE IT'S EVER
BEEN DISTURBED IN ANY WAY.
613
00:33:30,267 --> 00:33:33,600
Narrator: CARLO MUNOZ TAKES
A CLOSER LOOK AT THE IMAGE.
614
00:33:33,600 --> 00:33:35,267
HE COMPARES IT
WITH ANOTHER SYMBOL
615
00:33:35,267 --> 00:33:38,933
FORMED IN THE SAHARAN SANDS.
616
00:33:38,933 --> 00:33:42,367
IN NEIGHBORING NIGER, THERE IS
A SIMILAR SITE WITH MARKINGS
617
00:33:42,367 --> 00:33:46,167
THAT BASICALLY
REPRESENT AN AIRCRAFT.
618
00:33:46,167 --> 00:33:48,433
THOSE MARKINGS ARE A MEMORIAL.
619
00:33:51,767 --> 00:33:55,133
Narrator:
THIS SYMBOL MARKS THE SITE
OF A PLANE CRASH.
620
00:33:55,133 --> 00:33:59,167
IN 2003,
A BOEING 737 CAME DOWN,
621
00:33:59,167 --> 00:34:03,900
KILLING ALL BUT 1
OF ITS 102 PASSENGERS.
622
00:34:03,900 --> 00:34:06,067
THAT'S CLEARLY NOT THE PURPOSE
OF THIS SYMBOL
623
00:34:06,067 --> 00:34:07,867
IN THIS SATELLITE IMAGE.
624
00:34:07,867 --> 00:34:10,700
IF IT'S SOME SORT OF MEMORIAL,
BUT WE DON'T KNOW ABOUT IT,
625
00:34:10,700 --> 00:34:13,300
THEN IT'S NOT MUCH
OF A MEMORIAL.
626
00:34:13,300 --> 00:34:15,567
Narrator: ANALYSTS ARE STILL
TRYING TO EXPLAIN
627
00:34:15,567 --> 00:34:19,200
AND DECODE THE IMAGE
IN THE DESERT SEEN FROM SPACE.
628
00:34:19,200 --> 00:34:22,233
IT'S GONNA REMAIN A MYSTERY
FOR QUITE SOME TIME, I THINK.
629
00:34:24,767 --> 00:34:26,367
Narrator:
STILL TO COME,
630
00:34:26,367 --> 00:34:29,600
THE HOSPITAL FROM HELL
ON A NEW YORK ISLAND.
631
00:34:29,600 --> 00:34:34,733
IMAGINE A WHOLE HOSPITAL FULL
OF PEOPLE GOING COLD TURKEY.
632
00:34:34,733 --> 00:34:36,867
IT'S HORRIFYING TO THINK ABOUT.
633
00:34:42,467 --> 00:34:45,933
**
634
00:34:45,933 --> 00:34:49,633
Narrator: NEW YORK CITY.
635
00:34:49,633 --> 00:34:51,900
AUGUST 1968.
636
00:34:51,900 --> 00:34:55,167
THE CORONA SATELLITE PHOTOGRAPHS
AN ISLAND IN THE EAST RIVER
637
00:34:55,167 --> 00:34:57,567
CLOSE TO BROOKLYN.
638
00:34:57,567 --> 00:35:00,133
IT SHOWS WHAT APPEARS TO BE
A FUNCTIONING ISLAND
639
00:35:00,133 --> 00:35:03,600
WITH SEVERAL BUILDINGS.
640
00:35:03,600 --> 00:35:06,567
BUT OVER 40 YEARS LATER
IN 2010,
641
00:35:06,567 --> 00:35:08,767
AN AERIAL PHOTOGRAPH
OF THE SAME AREA
642
00:35:08,767 --> 00:35:12,433
REVEALS NOTHING BUT ABANDONED,
OVERGROWN RUINS.
643
00:35:16,133 --> 00:35:17,600
Sanford:
IN A PLACE LIKE NEW YORK CITY,
644
00:35:17,600 --> 00:35:20,767
TO SEE SOMETHING THAT'S
CRUMBLING AND FALLING APART
645
00:35:20,767 --> 00:35:22,667
IS JUST REALLY OUT OF PLACE.
646
00:35:22,667 --> 00:35:24,300
Carter:
WHAT HAPPENED ON THIS ISLAND
647
00:35:24,300 --> 00:35:27,967
THAT CAUSED EVERYONE
TO STAY AWAY FROM IT?
648
00:35:31,667 --> 00:35:36,067
Narrator:
JOURNALIST DAVE MOSHER IS A NEW
YORKER WHO LIVES IN MANHATTAN.
649
00:35:36,067 --> 00:35:37,967
ALTHOUGH
HE KNOWS THE CITY WELL,
650
00:35:37,967 --> 00:35:39,933
UNTIL HE SEES
THE SATELLITE IMAGE,
651
00:35:39,933 --> 00:35:44,333
HE HAS NO IDEA THAT
THE ISLAND EVEN EXISTS.
652
00:35:44,333 --> 00:35:47,100
SO WHEN I TALK TO OTHER
NEW YORKERS ABOUT THIS ISLAND,
653
00:35:47,100 --> 00:35:49,933
FEW PEOPLE SEEM TO REALLY KNOW
WHAT IT IS OR WHAT IT'S ABOUT.
654
00:35:49,933 --> 00:35:52,333
WE'VE HEARD STORIES ABOUT
A WOMAN BEING BROUGHT THERE
655
00:35:52,333 --> 00:35:56,433
FOR SOME DISEASE, BUT BEYOND
THAT, IT'S SORT OF A MYSTERY.
656
00:35:56,433 --> 00:35:58,567
ALL I DO KNOW IS THAT
YOU'RE NOT SUPPOSED TO GO THERE.
657
00:35:58,567 --> 00:36:01,967
IT'S COMPLETELY OFF-LIMITS.
658
00:36:01,967 --> 00:36:03,700
Narrator:
FOR OVER 50 YEARS,
659
00:36:03,700 --> 00:36:06,300
THE ISLAND KNOWN
AS NORTH BROTHER ISLAND
660
00:36:06,300 --> 00:36:08,800
HAS BEEN UNINHABITED
AND IMPOSSIBLE TO REACH
661
00:36:08,800 --> 00:36:10,800
BY REGULAR TRANSPORT.
662
00:36:10,800 --> 00:36:13,667
Mosher:
SO AFTER A BUNCH OF PHONE CALLS,
I FINALLY GOT PERMISSION
663
00:36:13,667 --> 00:36:15,800
TO GO TO NORTH BROTHER ISLAND.
664
00:36:15,800 --> 00:36:17,067
AND NOT ONLY THAT,
665
00:36:17,067 --> 00:36:19,267
I FOUND SOMEONE
WHO'S WILLING TO TAKE US THERE.
666
00:36:19,267 --> 00:36:22,067
[ HORN BLOWS ]
667
00:36:22,067 --> 00:36:24,567
Narrator: MOSHER'S BOAT
APPROACHES THE ISLAND,
668
00:36:24,567 --> 00:36:27,800
BUT THE ORIGINAL DOCK
IS CRUMBLING AWAY.
669
00:36:27,800 --> 00:36:30,433
THE SKIPPER IS FORCED
TO BEACH THE BOAT.
670
00:36:34,800 --> 00:36:38,367
FROM GROUND LEVEL, THE ISLAND
LOOKS EVEN MORE WEIRD
671
00:36:38,367 --> 00:36:40,067
AND SINISTER.
672
00:36:40,067 --> 00:36:42,867
Mosher:
THIS IS SUPER CREEPY.
673
00:36:42,867 --> 00:36:46,833
I FEEL LIKE I AM WALKING THROUGH
A POST-APOCALYPTIC WORLD.
674
00:36:46,833 --> 00:36:50,733
EVERYTHING IS JUST
COMPLETELY OVERGROWN.
675
00:36:50,733 --> 00:36:54,333
NOBODY'S LIVED HERE
IN WHAT SEEMS LIKE DECADES.
676
00:36:54,333 --> 00:36:57,867
Narrator:
THERE'S NO OBVIOUS CLUE AS
TO WHAT TOOK PLACE ON THE ISLAND
677
00:36:57,867 --> 00:37:00,367
UNTIL DAVE MOSHER SPOTS
SOMETHING.
678
00:37:00,367 --> 00:37:01,567
Mosher: CHECK THIS OUT.
679
00:37:01,567 --> 00:37:04,733
RIGHT OVER THERE, I CAN
SEE THAT IT SAYS RIKERS.
680
00:37:04,733 --> 00:37:06,100
THIS MEANS IT'S RIKERS ISLAND.
681
00:37:06,100 --> 00:37:09,200
THIS IS THE FAMOUS PRISON
OUTSIDE OF NEW YORK CITY.
682
00:37:09,200 --> 00:37:12,933
Narrator:
THE PROXIMITY OF RIKERS ISLAND,
NEW YORK'S BIGGEST JAIL,
683
00:37:12,933 --> 00:37:14,900
SUGGESTS THAT
NORTH BROTHER ISLAND
684
00:37:14,900 --> 00:37:17,633
MIGHT ALSO HAVE BEEN A PRISON.
685
00:37:17,633 --> 00:37:21,700
BUT A PRISON OF A
PARTICULARLY GRUESOME KIND.
686
00:37:21,700 --> 00:37:24,867
OH, WOW, WHAT IS THIS?
687
00:37:24,867 --> 00:37:27,533
IT LOOKS LIKE A CERTIFICATE
OF SOME KIND.
688
00:37:27,533 --> 00:37:29,067
IT SAYS "PASTEUR."
689
00:37:29,067 --> 00:37:31,233
I CAN'T READ THE LAST PART.
690
00:37:31,233 --> 00:37:35,833
DEPARTMENT OF HOSPITALS,
CITY OF NEW YORK.
691
00:37:35,833 --> 00:37:39,267
Narrator:
NORTH BROTHER ISLAND WAS
NO ORDINARY PRISON HOSPITAL.
692
00:37:39,267 --> 00:37:43,267
IT WAS USED TO LOCK AWAY THOSE
WITH DEADLY, INCURABLE DISEASES.
693
00:37:43,267 --> 00:37:47,133
THIS WAS AN ISLAND
OF PLAGUE CARRIERS.
694
00:37:47,133 --> 00:37:49,367
THE MOST FAMOUS INMATE
WAS AN IRISH COOK
695
00:37:49,367 --> 00:37:52,533
WHO IMMIGRATED TO THE U.S.
IN 1883.
696
00:37:52,533 --> 00:37:54,767
HER NAME WAS MARY MALLON,
697
00:37:54,767 --> 00:37:59,067
BUT NEW YORKERS
CALLED HER TYPHOID MARY.
698
00:37:59,067 --> 00:38:01,600
SHE'S KNOWN TO HAVE KILLED
AT LEAST THREE PEOPLE.
699
00:38:01,600 --> 00:38:05,067
SOME BELIEVE UPWARDS TO 50.
700
00:38:05,067 --> 00:38:06,600
Narrator: IN THE EARLY 1900s,
701
00:38:06,600 --> 00:38:09,567
TYPHOID IS ONE OF NEW YORK'S
BIGGEST KILLERS,
702
00:38:09,567 --> 00:38:12,933
AND MARY MALLON
IS AN ANGEL OF DEATH.
703
00:38:12,933 --> 00:38:16,767
SHE SPREADS THE KILLER DISEASE,
BUT SHOWS NO SYMPTOMS HERSELF.
704
00:38:16,767 --> 00:38:18,333
Odell: SHE WORKED AS A COOK.
705
00:38:18,333 --> 00:38:21,767
I MEAN, WHAT'S A MORE PERFECT
WAY TO SPREAD A DISEASE
706
00:38:21,767 --> 00:38:24,533
THAN TOUCHING PEOPLE'S FOOD?
707
00:38:24,533 --> 00:38:30,600
Narrator:
A TRAIL OF INFECTED AND DEAD
PEOPLE LEADS TO MARY MALLON.
708
00:38:30,600 --> 00:38:33,400
SHE IS ARRESTED AND FORCED
TO LIVE THE REST OF HER LIFE
709
00:38:33,400 --> 00:38:36,067
SHUT WAY ON THIS ISLAND.
710
00:38:36,067 --> 00:38:37,733
IT'S ACTUALLY INCREDIBLY SAD.
711
00:38:37,733 --> 00:38:40,733
THIS WOMAN, SHE DIDN'T MEAN
TO CONTRACT TYPHOID.
712
00:38:40,733 --> 00:38:44,667
WE JUST HAD NO OTHER WAY
OF TREATING HER.
713
00:38:44,667 --> 00:38:47,733
Narrator: TYPHOID MARY LIVES
FOR THREE LONG DECADES,
714
00:38:47,733 --> 00:38:50,933
ISOLATED AND ALONE.
715
00:38:50,933 --> 00:38:57,867
SHE DIES IN 1938, BUT THE
BUILDINGS HERE ARE MORE RECENT.
716
00:38:57,867 --> 00:39:00,700
Mosher: JUST BY LOOKING
AT THE BRICKWORK HERE,
717
00:39:00,700 --> 00:39:02,933
THIS IS NOT FROM THE TIME
OF TYPHOID MARY,
718
00:39:02,933 --> 00:39:05,067
WHICH IS PRETTY
SURPRISING TO ME.
719
00:39:05,067 --> 00:39:07,400
WHAT'S THIS OVER HERE?
720
00:39:07,400 --> 00:39:10,533
LOOKS LIKE A MAILBOX.
721
00:39:10,533 --> 00:39:12,300
OH, HEY.
722
00:39:12,300 --> 00:39:14,533
THERE YOU GO.
1941.
723
00:39:14,533 --> 00:39:18,067
SO WE DEFINITELY KNOW
THIS BUILDING WAS ERECTED
724
00:39:18,067 --> 00:39:21,733
AFTER TYPHOID MARY DIED.
725
00:39:21,733 --> 00:39:24,600
Chamberlain:
THIS BUILDING WAS KNOWN
AS THE TUBERCULOSIS PAVILION,
726
00:39:24,600 --> 00:39:29,700
AND IT WAS BUILT IN 1941 TO
HOUSE AND TREAT T.B. PATIENTS
727
00:39:29,700 --> 00:39:32,433
FROM ALL OVER THE CITY.
728
00:39:32,433 --> 00:39:35,533
Narrator: AT THE TIME, THERE'S
NO KNOWN CURE FOR T.B.,
729
00:39:35,533 --> 00:39:38,200
APART FROM REST
AND CONFINEMENT.
730
00:39:38,200 --> 00:39:40,733
THE RICH GO TO CLINICS
IN THE MOUNTAINS.
731
00:39:40,733 --> 00:39:43,233
THE POOR ARE DESTINED
TO CHANCE THEIR LUCK
732
00:39:43,233 --> 00:39:45,933
COOPED UP
ON NORTH BROTHER ISLAND.
733
00:39:45,933 --> 00:39:48,067
IN FACT, AMONG
THE WORKING CLASS,
734
00:39:48,067 --> 00:39:53,433
40% OF DEATHS WERE
ATTRIBUTED TO TUBERCULOSIS.
735
00:39:53,433 --> 00:39:58,167
Narrator: WORK ON THE T.B.
FACILITY BEGINS IN 1941,
736
00:39:58,167 --> 00:40:00,733
BUT WHEN CONSTRUCTION
FINISHES TWO YEARS LATER,
737
00:40:00,733 --> 00:40:03,267
THE FIRST ANTIBIOTICS
HAVE APPEARED,
738
00:40:03,267 --> 00:40:05,500
AND THE SANITARIUM
IS REDUNDANT.
739
00:40:08,000 --> 00:40:12,167
IT IS NEVER FINISHED
OR OCCUPIED.
740
00:40:12,167 --> 00:40:14,333
BUT AS MOSHER WANDERS
AROUND THE BUILDING,
741
00:40:14,333 --> 00:40:16,533
IT'S OBVIOUS THAT
IT WAS BOTH OCCUPIED
742
00:40:16,533 --> 00:40:19,233
AND FURNISHED
WITH MEDICAL EQUIPMENT.
743
00:40:19,233 --> 00:40:22,500
YOU CAN SEE RIGHT HERE,
THERE'S A WEIGHING SCALE.
744
00:40:22,500 --> 00:40:26,233
SOMETHING LIKE THIS SUGGESTS
A MEDICAL PURPOSE OF SOME KIND.
745
00:40:26,233 --> 00:40:28,933
Narrator: DISTURBINGLY,
THERE APPEAR TO BE METAL GRATES
746
00:40:28,933 --> 00:40:31,100
COVERING SOME OF THE WINDOWS.
747
00:40:31,100 --> 00:40:34,400
SO THIS LOOKS LIKE SOME
KIND OF PRISON ALMOST.
748
00:40:34,400 --> 00:40:38,500
I SEE THESE GRATES THAT YOU
WOULD SHUT AND LOCK
749
00:40:38,500 --> 00:40:39,933
TO KEEP SOMETHING
INSIDE OF HERE
750
00:40:39,933 --> 00:40:42,300
OR MAYBE TO KEEP
SOMEBODY OUT OF HERE.
751
00:40:42,300 --> 00:40:44,833
Narrator: MOSHER'S GUT INSTINCT
IS CORRECT.
752
00:40:44,833 --> 00:40:47,867
THE HOSPITAL IS REVIVED
IN THE EARLY 1950s
753
00:40:47,867 --> 00:40:50,467
TO TREAT A NEW KIND OF PLAGUE.
754
00:40:50,467 --> 00:40:54,167
Woman:
I DIDN'T FEEL SO GOOD WHENI CAME HOME HIGH THAT NIGHT.
755
00:40:54,167 --> 00:40:56,033
MY DAD KNEW SOMETHING WASWRONG,
756
00:40:56,033 --> 00:40:57,467
BUT HE DIDN'T KNOW WHAT.
757
00:40:57,467 --> 00:40:59,467
IT BECAME A DRUG
TREATMENT CENTER,
758
00:40:59,467 --> 00:41:02,300
A PLACE FOR PEOPLE
WHO WERE ADDICTED TO HEROIN,
759
00:41:02,300 --> 00:41:03,533
BUT YOU CAN IMAGINE.
760
00:41:03,533 --> 00:41:06,067
THIS WAS NOT LIKE THE DRUG
TREATMENT CENTERS TODAY.
761
00:41:06,067 --> 00:41:08,867
THERE IS NO WALK
IN THE PARK HERE.
762
00:41:08,867 --> 00:41:12,533
Narrator: THE HOSPITAL HAS BEDS
FOR 150 ADDICTS.
763
00:41:12,533 --> 00:41:15,400
IT'S LIKE A NIGHTMARE.
764
00:41:15,400 --> 00:41:19,533
INMATES PROSTITUTE THEMSELVES
TO GUARDS FOR DRUGS.
765
00:41:19,533 --> 00:41:23,800
SEVERAL DIE TRYING TO SWIM
TO THE MAINLAND.
766
00:41:23,800 --> 00:41:25,667
FEW ESCAPE.
767
00:41:25,667 --> 00:41:29,133
ONE TEENAGER IS
RETURNED 17 TIMES.
768
00:41:29,133 --> 00:41:34,300
IMAGINE A WHOLE HOSPITAL
FULL OF PEOPLE GOING COLD TURKEY
769
00:41:34,300 --> 00:41:36,767
PROBABLY IN NOT
GREAT CONDITIONS.
770
00:41:36,767 --> 00:41:39,467
IT'S HORRIFYING TO THINK ABOUT.
771
00:41:39,467 --> 00:41:44,933
Narrator: AFTER 11 YEARS,
IT CLOSES IN 1963.
772
00:41:44,933 --> 00:41:47,800
THERE WERE PLANS TO TURN
THE ISLAND INTO A CASINO,
773
00:41:47,800 --> 00:41:50,100
A MOVIE STUDIO,
AND AMUSEMENT PARK,
774
00:41:50,100 --> 00:41:52,633
BUT NONE OF THEM
EVER CAME TO FRUITION.
775
00:41:52,633 --> 00:41:56,667
THIS ISLAND JUST HAS
A DARK, DARK HISTORY.
776
00:41:56,667 --> 00:41:59,300
HOW MANY PEOPLE DIED HERE?
777
00:41:59,300 --> 00:42:02,167
THERE IS BLOOD AND DEATH
ON THIS ISLAND.
62038
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