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00:00:01,967 --> 00:00:03,633
Narrator:
THEY'RE WATCHING YOU.
2
00:00:03,633 --> 00:00:07,033
MORE THAN 4,000 SATELLITES
CIRCLE THE EARTH.
3
00:00:07,033 --> 00:00:10,667
EVERY DAY, THEY UNCOVER NEW,
MYSTERIOUS PHENOMENA
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00:00:10,667 --> 00:00:12,100
THAT DEFY EXPLANATION.
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00:00:12,100 --> 00:00:15,500
[ BEEPING, DISTORTED MUSIC ]
6
00:00:15,500 --> 00:00:17,533
SATELLITES TRACK
A MYSTERY MEGABEAST
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00:00:17,533 --> 00:00:19,900
IN THE TEXAS BADLANDS...
8
00:00:19,900 --> 00:00:22,167
THEY'RE HUGE!
9
00:00:22,167 --> 00:00:24,333
THESE ARE THE FOOTPRINTS
OF A MONSTER.
10
00:00:24,333 --> 00:00:28,233
...SIGNS FROM SPACE
OF THE SORCERER'S KING...
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00:00:28,233 --> 00:00:30,100
ARTHUR PULLS
THE SWORD OVER HIS HEAD
12
00:00:30,100 --> 00:00:32,933
TO PROVE THAT HE IS
THE RIGHTFUL KING.
13
00:00:32,933 --> 00:00:35,500
...AND A VANISHING VILLAGE.
14
00:00:35,500 --> 00:00:39,500
SATELLITES SPY ON THE
TERROR TYRANT KIM JONG-UN.
15
00:00:39,500 --> 00:00:41,067
THIS VILLAGE
HAS LITERALLY BEEN
16
00:00:41,067 --> 00:00:43,733
WIPED OFF THE FACE
OF THE EARTH.
17
00:00:43,733 --> 00:00:45,367
BAFFLING PHENOMENA.
18
00:00:45,367 --> 00:00:46,967
MYSTERIES FROM SPACE.
19
00:00:46,967 --> 00:00:48,867
WHAT ON EARTH ARE THEY?
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00:00:48,867 --> 00:00:51,100
-- Captions by VITAC --
www.vitac.com
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00:00:51,100 --> 00:00:53,400
[ BEEPING ]
[ CAMERA SHUTTER CLICKING ]
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00:00:53,400 --> 00:00:55,133
[ WHIRRING ]
23
00:00:55,133 --> 00:00:59,133
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
24
00:00:59,133 --> 00:01:00,967
**
25
00:01:00,967 --> 00:01:05,067
[ FREQUENCY WARBLING ]
26
00:01:05,067 --> 00:01:06,733
[ WHIRRING ]
27
00:01:06,733 --> 00:01:09,667
JUNE 2014.
28
00:01:09,667 --> 00:01:14,900
AERIAL CAMERAS CAPTURE
A RIVERBED IN SOUTH TEXAS.
29
00:01:14,900 --> 00:01:17,067
NOTHING UNUSUAL.
30
00:01:17,067 --> 00:01:21,333
BUT WHEN THE SAME RIVER IS
PHOTOGRAPHED THE FOLLOWING DAY,
31
00:01:21,333 --> 00:01:24,067
SOMETHING APPEARS IN THE MUD.
32
00:01:24,067 --> 00:01:25,867
THESE SPOTS ARE
VERY OUT OF PLACE.
33
00:01:25,867 --> 00:01:28,733
LIKE THEY DON'T BELONG THERE.
34
00:01:28,733 --> 00:01:32,200
THEY COULD ALMOST BE LIKE
REALLY LARGE FOOTPRINTS.
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00:01:32,200 --> 00:01:33,667
THEY'RE HUGE!
36
00:01:33,667 --> 00:01:35,233
[ SUSPENSEFUL CHORD STRIKES ]
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00:01:35,233 --> 00:01:37,333
THESE ARE THE FOOTPRINTS
OF A MONSTER.
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00:01:37,333 --> 00:01:38,733
[ SUSPENSEFUL MUSIC PLAYS ]
39
00:01:38,733 --> 00:01:42,767
Narrator:
ZOOLOGIST ROLAND KAYS
STUDIES THE IMAGE.
40
00:01:42,767 --> 00:01:45,367
HE BELIEVES THAT THE BEAST
THAT LEFT THESE PRINTS
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00:01:45,367 --> 00:01:48,300
WALKS ON TWO LEGS.
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00:01:48,300 --> 00:01:50,067
BASED ON THE PATTERN,
IT LOOKS LIKE THEY'RE CREATED
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00:01:50,067 --> 00:01:51,433
BY A BIPEDAL CREATURE,
44
00:01:51,433 --> 00:01:53,967
BUT IT'S GOTTA BE SOMETHING
WAY BIGGER THAN A HUMAN.
45
00:01:53,967 --> 00:01:55,833
**
46
00:01:55,833 --> 00:01:57,967
IT'S POSSIBLE THAT THESE
FOOTPRINTS ARE ACTUALLY
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00:01:57,967 --> 00:02:01,333
MAYBE BEARS STANDING UP ON HIND
LEGS OR SOMETHING LIKE THAT.
48
00:02:01,333 --> 00:02:02,533
[ RUMBLING ]
49
00:02:02,533 --> 00:02:04,333
Narrator:
BUT EVEN THE BIGGEST BLACK BEARS
50
00:02:04,333 --> 00:02:06,900
CREATE PRINTS
JUST 9 INCHES LONG,
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00:02:06,900 --> 00:02:09,067
TOO SMALL TO BE SEEN FROM SPACE.
52
00:02:09,067 --> 00:02:11,100
**
53
00:02:11,100 --> 00:02:12,867
SO THE QUESTION IS:
WHAT CAUSED THEM?
54
00:02:12,867 --> 00:02:14,100
WHAT LEFT THEM THERE?
55
00:02:14,100 --> 00:02:17,200
[ EERIE MUSIC PLAYS ]
56
00:02:17,200 --> 00:02:19,200
**
57
00:02:19,200 --> 00:02:20,767
Narrator:
THE IMAGE COMES TO THE ATTENTION
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00:02:20,767 --> 00:02:23,500
OF WILDLIFE TRACKER
BALDEMAR GALVAN.
59
00:02:23,500 --> 00:02:28,433
**
60
00:02:28,433 --> 00:02:30,800
GALVAN ANALYZES THE FOOTPRINT
IN THE PICTURE
61
00:02:30,800 --> 00:02:33,700
IN AN EFFORT
TO RECONSTRUCT THE SCENE.
62
00:02:33,700 --> 00:02:36,667
IT LOOKS LIKE IT WAS ACTUALLY
COMING OUT OF THE FOREST
63
00:02:36,667 --> 00:02:39,367
RIGHT THROUGH HERE,
64
00:02:39,367 --> 00:02:43,867
AND IT PROBABLY SAW SOMETHING
AROUND THIS AREA RIGHT UP HERE.
65
00:02:43,867 --> 00:02:45,833
Narrator:
THE SHAPE AND THE PATTERN
OF THE FOOTPRINTS
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00:02:45,833 --> 00:02:49,500
ARE UNLIKE ANYTHING
HE HAS COME ACROSS.
67
00:02:49,500 --> 00:02:51,533
Galvan:
IT RAISES A LOT OF QUESTIONS.
68
00:02:51,533 --> 00:02:53,500
HE'S WALKING
FORWARD LIKE THIS,
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00:02:53,500 --> 00:02:55,667
THEN ALL OF A SUDDEN,
FROM HERE,
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00:02:55,667 --> 00:02:59,533
HE JUST STARTS PICKING UP SPEED,
LIKE HE'S ACTUALLY RUNNING.
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00:02:59,533 --> 00:03:01,500
IT'S VERY, VERY FASCINATING.
72
00:03:01,500 --> 00:03:04,200
**
73
00:03:04,200 --> 00:03:06,833
Narrator:
BUT THERE'S ONLY SO MUCH
INFORMATION TO BE GLEANED
74
00:03:06,833 --> 00:03:10,233
FROM THE IMAGE.
75
00:03:10,233 --> 00:03:14,200
I HAVE TO GO DOWN OVER THERE AND
JUST CHECK IT OUT FOR MYSELF.
76
00:03:14,200 --> 00:03:19,500
IF I MISIDENTIFY SOMETHING,
MY REPUTATION IS GONE.
77
00:03:19,500 --> 00:03:22,500
[ SUSPENSEFUL MUSIC PLAYS ]
78
00:03:22,500 --> 00:03:25,300
**
79
00:03:25,300 --> 00:03:28,400
Narrator:
HE AND HIS PARTNER HEAD
400 MILES TO THE STRETCH
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00:03:28,400 --> 00:03:31,067
OF THE BLANCO RIVER
WHICH IS CAPTURED IN THE IMAGE.
81
00:03:31,067 --> 00:03:34,333
**
82
00:03:34,333 --> 00:03:36,767
IN THE AREA, THERE HAVE
BEEN SEVERAL REPORTS
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00:03:36,767 --> 00:03:41,167
OF STRANGE SOUNDS, AND SIGHTINGS
OF UNUSUAL CREATURES.
84
00:03:41,167 --> 00:03:43,467
**
85
00:03:43,467 --> 00:03:46,200
GALVAN STOPS OFF TO SPEAK
TO SOME WITNESSES.
86
00:03:46,200 --> 00:03:47,633
HE KNEW I WASN'T.
87
00:03:47,633 --> 00:03:49,133
TELL ME EXACTLY
WHAT YOU HEARD.
88
00:03:49,133 --> 00:03:50,967
IT WAS A WEIRD SOUND.
89
00:03:50,967 --> 00:03:54,533
I'D SAY IT WAS ABOUT 9-FOOT
TALL AND IT WAS ALL HAIRY.
90
00:03:54,533 --> 00:03:56,167
IT WAS COVERED IN HAIR.
91
00:03:56,167 --> 00:03:58,800
THERE WAS NOTHING
THAT WASN'T HAIR.
92
00:03:58,800 --> 00:04:00,500
I DID NOT SEE THE FACE.
93
00:04:00,500 --> 00:04:02,067
IT WOULD HAVE TO HAVE
BEEN ANOTHER
94
00:04:02,067 --> 00:04:04,633
COUPLE FEET TALLER THAN ME.
-WOW.
95
00:04:04,633 --> 00:04:09,067
AND I'M KIND OF LIKE SPELLBOUND:
"WHAT THE HECK WAS THAT?"
96
00:04:09,067 --> 00:04:12,100
Narrator:
COULD REPORTED SIGHTINGS
LIKE THESE HAVE ANYTHING TO DO
97
00:04:12,100 --> 00:04:14,700
WITH THE GIANT FOOTPRINTS
IN THE SATELLITE IMAGE?
98
00:04:14,700 --> 00:04:16,300
**
99
00:04:16,300 --> 00:04:18,267
[ LIGHTNING CRASHING,
RAIN POURING ]
100
00:04:18,267 --> 00:04:20,333
THE ANIMAL DESCRIBED
IN THE REPORTS
101
00:04:20,333 --> 00:04:24,533
DOES RESEMBLE A LARGE BEAST
KNOWN TO HAVE EXISTED.
102
00:04:24,533 --> 00:04:26,100
THIS THING SOUNDS LIKE
A CREATURE CALLED
103
00:04:26,100 --> 00:04:28,833
GIGANTOPITHECUS,
WHICH WAS ACTUALLY REAL.
104
00:04:28,833 --> 00:04:31,733
THIS THING WAS 10 FEET TALL,
IT WEIGHED 1,200 POUNDS,
105
00:04:31,733 --> 00:04:34,067
AND IT WAS RELATED
TO ORANGUTANS.
106
00:04:34,067 --> 00:04:37,233
IT'S THE LARGEST APE
THAT SCIENTISTS KNOW ABOUT.
107
00:04:37,233 --> 00:04:38,467
[ BIRDS TWEETING ]
108
00:04:38,467 --> 00:04:41,500
SO JUST IMAGINE LIKE
A GIANT ORANGUTAN
109
00:04:41,500 --> 00:04:43,367
WANDERING AROUND THE EARTH.
110
00:04:43,367 --> 00:04:47,067
[ OMINOUS MUSIC PLAYS ]
111
00:04:47,067 --> 00:04:48,333
Narrator:
BUT SCIENTISTS BELIEVE
112
00:04:48,333 --> 00:04:51,733
GIGANTOPITHECUS DIED OUT
THOUSANDS OF YEARS AGO.
113
00:04:51,733 --> 00:04:53,633
[ EERIE MUSIC PLAYS ]
[ CAMERA SHUTTER CLICKS ]
114
00:04:53,633 --> 00:04:55,133
WHEN IT COMES TO THE PICTURES,
115
00:04:55,133 --> 00:04:56,667
IT'S ALWAYS BLURRY
[ SHUTTER CLICKS ]
116
00:04:56,667 --> 00:04:58,267
OR DIFFICULT TO SEE,
117
00:04:58,267 --> 00:05:01,800
SO THE CONCRETE
EVIDENCE IS NOT THERE.
118
00:05:01,800 --> 00:05:05,933
PEOPLE HAVE BEEN LOOKING
FOR BIGFOOT FOR DECADES.
119
00:05:05,933 --> 00:05:09,233
IF WE HAVEN'T FOUND
INCONTROVERTIBLE EVIDENCE YET,
120
00:05:09,233 --> 00:05:10,833
DOES IT REALLY EXIST?
121
00:05:10,833 --> 00:05:13,500
[ SUSPENSEFUL MUSIC PLAYS ]
122
00:05:13,500 --> 00:05:16,400
**
123
00:05:16,400 --> 00:05:19,467
Narrator:
MATCHING THE SATELLITE
IMAGE WITH HIS GPS,
124
00:05:19,467 --> 00:05:21,367
GALVAN FINDS THE SECTION
OF RIVER
125
00:05:21,367 --> 00:05:24,267
WHERE THE PRINTS WERE CAPTURED.
126
00:05:24,267 --> 00:05:26,633
THE FOOTPRINTS SHOULD BE
RIGHT UP AHEAD.
127
00:05:26,633 --> 00:05:29,967
THIS IS AS FAR AS WE CAN GO
WITH THE VEHICLE.
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00:05:29,967 --> 00:05:31,833
[ KEYS JINGLING ]
[SPEAKS INDISTINCTLY] BLANCO.
129
00:05:31,833 --> 00:05:40,467
**
130
00:05:40,467 --> 00:05:43,700
Narrator:
THIS STRETCH OF RIVER
IS ISOLATED AND ROCKY.
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00:05:43,700 --> 00:05:45,833
[ STONES RATTLING ]
132
00:05:45,833 --> 00:05:47,367
**
133
00:05:47,367 --> 00:05:52,500
THE PRINTS ARE NOT AT ALL
WHAT GALVAN WAS EXPECTING.
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00:05:52,500 --> 00:05:55,733
WOW. THIS IS AMAZING,
135
00:05:55,733 --> 00:05:57,900
BREATHTAKING.
136
00:05:57,900 --> 00:06:00,967
[ SUSPENSEFUL CHORD STRIKES ]
137
00:06:00,967 --> 00:06:04,733
**
138
00:06:04,733 --> 00:06:08,700
GALVAN'S MONSTER HUNT
TAKES A STRANGE TURN.
139
00:06:08,700 --> 00:06:16,567
[ SUSPENSEFUL MUSIC CLIMBS ]
140
00:06:16,567 --> 00:06:18,433
THEY'RE NOT FRESH
AT ALL.
141
00:06:18,433 --> 00:06:21,133
THESE TRACKS HAVE BEEN
HERE FOR A VERY,
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00:06:21,133 --> 00:06:25,633
VERY LONG TIME,
FOR A VERY LONG TIME.
143
00:06:25,633 --> 00:06:28,067
THIS ANIMAL IS WAY BIGGER
THAN I EXPECTED.
144
00:06:28,067 --> 00:06:30,933
[ SINISTER MUSIC PLAYS ]
145
00:06:30,933 --> 00:06:33,067
THIS ONE HERE IS LIKE
146
00:06:33,067 --> 00:06:35,700
5 FEET LONG
AND 4-FOOT ACROSS.
147
00:06:35,700 --> 00:06:39,433
**
148
00:06:39,433 --> 00:06:40,633
UP CLOSE,
[ SHUTTER CLICKS ]
149
00:06:40,633 --> 00:06:44,900
GALVAN REALIZES
THIS IS NO TWO-LEGGED BEAST.
150
00:06:44,900 --> 00:06:47,900
THIS MONSTER WALKS ON FOUR LEGS.
151
00:06:47,900 --> 00:06:49,867
THE PRINTS ARE GIGANTIC.
152
00:06:49,867 --> 00:06:53,533
THIS THING IS IMMENSELY
BIG AND HEAVY.
153
00:06:53,533 --> 00:06:55,067
I DON'T KNOW THE SPECIES
OF THE ANIMAL
154
00:06:55,067 --> 00:06:57,233
THAT MADE THESE TRACKS,
BUT ALL THAT I KNOW:
155
00:06:57,233 --> 00:07:00,167
IT'S A HUGE ANIMAL.
156
00:07:00,167 --> 00:07:03,067
MANY TIMES BIGGER
THAN THE BIGGEST ELEPHANT,
157
00:07:03,067 --> 00:07:04,833
THERE IS ONLY ONE
KIND OF CREATURE
158
00:07:04,833 --> 00:07:07,967
THAT COULD POSSIBLY LEAVE
FOOTPRINTS LIKE THIS.
159
00:07:07,967 --> 00:07:11,633
[ EERIE MUSIC CLIMBS ]
160
00:07:11,633 --> 00:07:13,833
THIS IS ANOTHER MYSTERY
THAT WE HAVE HERE.
161
00:07:13,833 --> 00:07:22,067
**
162
00:07:22,067 --> 00:07:25,200
THE ANIMALS THAT MADE
THESE TRACKS,
163
00:07:25,200 --> 00:07:28,067
THESE ARE
PREHISTORIC ANIMALS,
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00:07:28,067 --> 00:07:29,700
LIKE THE DINOSAURS.
165
00:07:29,700 --> 00:07:31,100
**
166
00:07:31,100 --> 00:07:32,900
[ OMINOUS CHORD STRIKES ]
167
00:07:32,900 --> 00:07:35,100
[ WHIRRING ]
168
00:07:35,100 --> 00:07:36,133
COMING UP...
169
00:07:36,133 --> 00:07:37,800
REVEALED FROM ABOVE,
170
00:07:37,800 --> 00:07:40,233
THE HORROR
OF THE JUNGLE GHOST CITY...
171
00:07:40,233 --> 00:07:42,567
SOMETHING DISASTROUS
HAPPENED TO ANGKOR,
172
00:07:42,567 --> 00:07:44,633
BUT WHAT WAS IT?
173
00:07:44,633 --> 00:07:47,900
...AND GALVAN'S
TEXAS MONSTER HUNT.
174
00:07:47,900 --> 00:07:51,200
THIS HERD OF DINOSAURS
WOULDN'T HAVE BEEN ALONE.
175
00:07:51,200 --> 00:07:53,633
IT JUST SHOWS THAT THERE'S
A TON OF STUFF OUT THERE
176
00:07:53,633 --> 00:07:55,067
WE HAVE NOT
DISCOVERED YET.
177
00:07:55,067 --> 00:07:57,233
[ SUSPENSEFUL CHORD STRIKES ]
178
00:07:57,233 --> 00:07:59,400
[ WHIRRING ]
179
00:08:01,667 --> 00:08:04,200
[ WHIRRING ]
180
00:08:04,200 --> 00:08:06,333
[ SUSPENSEFUL MUSIC PLAYS ]
181
00:08:06,333 --> 00:08:08,900
Narrator:
WILDLIFE TRACKER
BALDEMAR GALVAN
182
00:08:08,900 --> 00:08:11,867
IS ON THE TRAIL OF A MYSTERY
MEGABEAST IN TEXAS,
183
00:08:11,867 --> 00:08:14,100
WHOSE PRINTS WERE
SNAPPED FROM SPACE.
184
00:08:14,100 --> 00:08:17,467
**
185
00:08:17,467 --> 00:08:20,600
ARRIVING AT THE SITE,
HE'S AMAZED AT WHAT HE SEES...
186
00:08:20,600 --> 00:08:24,200
[ EERIE MUSIC PLAYS ]
187
00:08:24,200 --> 00:08:27,433
...DINOSAUR FOOTPRINTS.
188
00:08:27,433 --> 00:08:30,433
I DON'T KNOW WHAT KIND
OF DINOSAUR MADE THESE TRACKS.
189
00:08:30,433 --> 00:08:32,967
ALL THAT I KNOW:
IT'S A HUGE ANIMAL.
190
00:08:32,967 --> 00:08:37,400
[ SINISTER MUSIC PLAYS ]
191
00:08:37,400 --> 00:08:39,833
SO, WHAT DO WE
GOT HERE?
192
00:08:39,833 --> 00:08:44,200
Narrator:
PHOTOGRAPHS ARE SENT TO A TEAM
OF EXPERTS FOR ANALYSIS.
193
00:08:44,200 --> 00:08:46,933
SO HOW LONG IS ONE OF THESE
AS A GIVEN TRACK HERE?
194
00:08:46,933 --> 00:08:51,767
THEY'RE ABOUT 3 FEET ACROSS
AND ABOUT 3 FEET LONG.
195
00:08:51,767 --> 00:08:55,067
EXAMINATION OF THE ANIMAL'S
GAIT, THE SIZE OF THE PRINTS,
196
00:08:55,067 --> 00:08:56,667
AND THE SHAPE OF THE FEET
197
00:08:56,667 --> 00:09:00,267
LEADS THE SCIENTIST
TO AN EXTRAORDINARY CONCLUSION.
198
00:09:00,267 --> 00:09:02,167
THESE ARE
SAUROPOD TRACKS.
199
00:09:02,167 --> 00:09:04,667
[ CREATURE WARBLING ]
[ THUDDING HEAVILY ]
200
00:09:04,667 --> 00:09:07,067
SAUROPODS WERE
THE LARGEST DINOSAURS
201
00:09:07,067 --> 00:09:08,767
-[ROARING]
-EVER TO HAVE ROAM THE EARTH.
202
00:09:08,767 --> 00:09:10,300
**
203
00:09:10,300 --> 00:09:13,267
THIS MONSTER HERBIVORE
WAS 100 FEET LONG,
204
00:09:13,267 --> 00:09:14,633
STOOD 60 FEET HIGH,
205
00:09:14,633 --> 00:09:18,300
WITH A NECK SIX TIMES LONGER
THAN A GIRAFFE'S.
206
00:09:18,300 --> 00:09:21,067
IT WEIGHED OVER 60 TONS.
207
00:09:21,067 --> 00:09:22,200
[ ROARING ]
208
00:09:22,200 --> 00:09:23,767
COULD YOU IMAGINE
A HERD OF THESE
209
00:09:23,767 --> 00:09:26,500
THUNDERING THROUGH
YOUR NEIGHBORHOOD?
210
00:09:26,500 --> 00:09:30,600
Schuttler:
EVEN THOUGH THEY WERE GIGANTIC,
THEY WERE ACTUALLY VEGETARIANS.
211
00:09:30,600 --> 00:09:35,833
THEY'D WALK TOGETHER IN GROUPS,
ROAMING AROUND IN TEXAS.
212
00:09:35,833 --> 00:09:38,133
Narrator:
FURTHER ANALYSIS
OF THE RIVERBED REVEALS
213
00:09:38,133 --> 00:09:41,600
OVER 90 INDIVIDUAL TRACKS.
214
00:09:41,600 --> 00:09:44,833
YOU COULD IMAGINE THEM COMING
DOWN TO THIS RIVERBED,
215
00:09:44,833 --> 00:09:46,500
PERHAPS TO GET
SOMETHING TO DRINK.
216
00:09:46,500 --> 00:09:49,100
[ RUMBLING ]
217
00:09:49,100 --> 00:09:51,667
-[SCREECHING]
-SAUROPODS WERE SO MASSIVE,
218
00:09:51,667 --> 00:09:52,967
[ SCREECHING ]
219
00:09:52,967 --> 00:09:57,100
ONLY THE MIGHTY T. REX DARED
TO TAKE THEM ON.
220
00:09:57,100 --> 00:09:58,933
AN AMBUSH PREDATOR,
221
00:09:58,933 --> 00:10:01,467
THE T. REX WOULD CHOOSE
LOCATIONS LIKE RIVERBANKS
222
00:10:01,467 --> 00:10:04,833
TO MOUNT AN ATTACK.
223
00:10:04,833 --> 00:10:07,667
Kourounis:
THIS HERD OF DINOSAURS
WOULDN'T HAVE BEEN ALONE.
224
00:10:07,667 --> 00:10:10,633
THERE WOULD'VE BEEN PREDATORS
HIDING IN THE BUSHES AND TREES.
225
00:10:10,633 --> 00:10:12,167
**
226
00:10:12,167 --> 00:10:13,767
-[ROARING]
-[WAILS]
227
00:10:13,767 --> 00:10:17,333
[ EERIE MUSIC PLAYS ]
228
00:10:17,333 --> 00:10:19,467
THE TEAM STUDIES
THE LOCAL GEOLOGY
229
00:10:19,467 --> 00:10:22,967
TO GUESS WHEN THESE PRINTS
MIGHT'VE BEEN MADE.
230
00:10:22,967 --> 00:10:26,033
THE GEOLOGY ON IT SHOWS
THAT THEY ARE
231
00:10:26,033 --> 00:10:27,833
ABOUT 100 MILLION
YEARS OLD.
232
00:10:27,833 --> 00:10:29,533
[ SUSPENSEFUL MUSIC PLAYS ]
233
00:10:29,533 --> 00:10:30,800
THESE TRACKS WERE MADE
234
00:10:30,800 --> 00:10:33,433
WHEN TEXAS WAS ALIVE
WITH DINOSAURS...
235
00:10:33,433 --> 00:10:35,467
[ PIERCING CRIES ]
236
00:10:35,467 --> 00:10:38,467
-[SCREECH]
-...THE CRETACEOUS PERIOD.
237
00:10:38,467 --> 00:10:40,333
100 MILLION YEARS AGO,
NORTH AMERICA LOOKED
238
00:10:40,333 --> 00:10:41,733
NOTHING LIKE IT DOES TODAY.
239
00:10:41,733 --> 00:10:43,267
-[SCREECHING]
-IT WAS LUSH. IT WAS GREEN.
240
00:10:43,267 --> 00:10:45,167
IT WAS WARM.
241
00:10:45,167 --> 00:10:47,533
THIS WAS DINOSAUR TERRITORY.
242
00:10:47,533 --> 00:10:50,300
Narrator:
THE FOSSILIZED TRACKS
HAVE BEEN BURIED UNDER MUD
243
00:10:50,300 --> 00:10:52,833
FOR COUNTLESS MILLENNIA.
244
00:10:52,833 --> 00:10:54,100
ONE DAY, THIS IS SORT OF JUST
245
00:10:54,100 --> 00:10:56,267
ANOTHER BORING
LANDSCAPE IN AMERICA.
246
00:10:56,267 --> 00:10:59,233
THE NEXT, A FLOOD COMES THROUGH
AND EXPOSES THESE TRACKS.
247
00:10:59,233 --> 00:11:01,067
**
248
00:11:01,067 --> 00:11:04,200
Narrator:
A GIANT DINOSAUR,
SEEN FROM SPACE.
249
00:11:04,200 --> 00:11:06,300
BUT THE REAL PUZZLE REMAINS:
250
00:11:06,300 --> 00:11:09,100
WHAT'S A VEGETARIAN DOING
IN TEXAS?
251
00:11:09,100 --> 00:11:11,567
THIS JUST SHOWS THAT THERE'S
A TON OF STUFF OUT THERE
252
00:11:11,567 --> 00:11:13,067
WE HAVE NOT DISCOVERED YET.
253
00:11:13,067 --> 00:11:15,167
**
254
00:11:15,167 --> 00:11:19,600
[ WHIRRING ]
255
00:11:19,600 --> 00:11:21,733
Narrator: JUNE 2012.
256
00:11:21,733 --> 00:11:25,367
A SATELLITE PASSES OVER THE
DENSE JUNGLES OF CAMBODIA.
257
00:11:25,367 --> 00:11:28,700
**
258
00:11:28,700 --> 00:11:30,733
BELOW IS ANGKOR,
259
00:11:30,733 --> 00:11:34,533
AN ANCIENT SITE SO MYSTERIOUS,
ARCHAEOLOGISTS ARE TURNING
260
00:11:34,533 --> 00:11:36,600
TO REVOLUTIONARY
AERIAL TECHNOLOGY
261
00:11:36,600 --> 00:11:39,300
TO UNLOCK ITS SECRETS.
262
00:11:39,300 --> 00:11:42,067
ANGKOR'S BEEN THIS...
ENIGMA FOR CENTURIES
263
00:11:42,067 --> 00:11:44,467
BECAUSE YOU HAVE
ALL THESE TEMPLES
264
00:11:44,467 --> 00:11:47,967
DOTTED AROUND THE LANDSCAPE,
NO REAL DISCERNIBLE PATTERN.
265
00:11:47,967 --> 00:11:50,400
**
266
00:11:50,400 --> 00:11:52,200
Narrator:
FROM THIS EERIE PLACE,
267
00:11:52,200 --> 00:11:55,633
KINGS ONCE RULED
OVER THE KHMER EMPIRE,
268
00:11:55,633 --> 00:11:59,433
SO POWERFUL, ITS FOUNDER WAS
DECLARED KING OF THE WORLD.
269
00:11:59,433 --> 00:12:02,500
**
270
00:12:02,500 --> 00:12:05,167
BUT SOMETHING HAS ALWAYS
PUZZLED HISTORIANS.
271
00:12:05,167 --> 00:12:08,867
**
272
00:12:08,867 --> 00:12:10,867
WHY IS IT HERE?
273
00:12:10,867 --> 00:12:12,767
GREAT CIVILIZATIONS
OF THE ANCIENT WORLD
274
00:12:12,767 --> 00:12:16,333
WERE BUILT AROUND WATER,
GROWING UP BY MIGHTY RIVERS,
275
00:12:16,333 --> 00:12:18,967
LIKE THE NILE, EUPHRATES,
AND THE TIBER.
276
00:12:18,967 --> 00:12:22,367
[ ROMANTIC TUNE SWEEPS ]
277
00:12:22,367 --> 00:12:25,867
THE WEIRD BUILDINGS HERE
ARE BREATHTAKING,
278
00:12:25,867 --> 00:12:27,367
BUT THEY'RE
IN THE MIDDLE OF DENSE,
279
00:12:27,367 --> 00:12:29,633
ALMOST IMPENETRABLE JUNGLE.
280
00:12:29,633 --> 00:12:31,700
**
281
00:12:31,700 --> 00:12:36,733
WHY IS THIS CITY HERE,
AND WHAT HAPPENED TO IT?
282
00:12:36,733 --> 00:12:43,800
AS FAST AS THE KHMER
CIVILIZATION ROSE, IT FELL.
283
00:12:43,800 --> 00:12:45,867
THE TEMPLES WERE ABANDONED.
284
00:12:45,867 --> 00:12:48,967
THE JUNGLE JUST COVERED
OVER EVERYTHING.
285
00:12:48,967 --> 00:12:51,633
[ BIRDS CHIRPING,
INSECTS BUZZING ]
286
00:12:51,633 --> 00:12:53,933
**
287
00:12:53,933 --> 00:12:55,633
Narrator:
HOW DID THIS CITY WORK,
288
00:12:55,633 --> 00:12:59,833
AND WHY WAS IT ABANDONED
600 YEARS AGO?
289
00:12:59,833 --> 00:13:03,800
TO FIND OUT, ARCHAEOLOGISTS
FROM THE UNIVERSITY OF SYDNEY
290
00:13:03,800 --> 00:13:05,067
HAVE EQUIPPED HELICOPTERS
291
00:13:05,067 --> 00:13:07,633
WITH AN ULTRAVIOLET LIGHT
DETECTION SYSTEM,
292
00:13:07,633 --> 00:13:09,100
KNOWN AS LIDAR.
293
00:13:09,100 --> 00:13:11,367
[ ROTORS WHIRRING ]
294
00:13:11,367 --> 00:13:14,600
LIDAR IS LIKE TAKING
AN X-RAY OF THE GROUND.
295
00:13:14,600 --> 00:13:17,433
YOU'RE ABLE TO REALLY GET
A SENSE OF WHAT'S GOING ON,
296
00:13:17,433 --> 00:13:20,300
TO A GREAT DEGREE OF DETAIL.
297
00:13:20,300 --> 00:13:22,333
**
298
00:13:22,333 --> 00:13:25,200
Narrator:
THE LIDAR ALLOWS
THE AIRBORNE ARCHAEOLOGISTS
299
00:13:25,200 --> 00:13:28,067
TO SEE ANGKOR
AND THE SURROUNDING JUNGLE
300
00:13:28,067 --> 00:13:29,900
LIKE THEY'VE NEVER
SEEN IT BEFORE.
301
00:13:29,900 --> 00:13:32,400
**
302
00:13:32,400 --> 00:13:35,067
WHAT THEY FIND AMAZES THEM.
303
00:13:35,067 --> 00:13:38,667
IT'S, I THINK,
ONE OF THE MOST EXCITING
304
00:13:38,667 --> 00:13:40,500
NEW DISCOVERIES IN ARCHEOLOGY.
305
00:13:40,500 --> 00:13:43,600
[ WHIRRING ]
306
00:13:43,600 --> 00:13:44,900
Narrator:
COMING UP...
307
00:13:44,900 --> 00:13:48,267
SATELLITES SPY ON NORTH KOREA'S
DERANGED DICTATOR.
308
00:13:48,267 --> 00:13:49,733
[ ANTHEM PLAYS ]
[ APPLAUSE ]
309
00:13:49,733 --> 00:13:52,967
IF YOU CROSS KIM JONG-UN,
HE'S GONNA WIPE OUT
310
00:13:52,967 --> 00:13:55,267
ALL TRACES
OF YOUR EXISTENCE.
311
00:13:55,267 --> 00:13:59,300
AND, REVEALED FROM THE SKIES,
THE SECRET JUNGLE MEGALOPOLIS.
312
00:13:59,300 --> 00:14:01,233
THIS DISCOVERY
ISN'T JUST BIG.
313
00:14:01,233 --> 00:14:03,633
IT REWRITES
THE HISTORY BOOKS.
314
00:14:03,633 --> 00:14:06,200
[ WHIRRING ]
315
00:14:08,067 --> 00:14:10,633
[ WHIRRING ]
316
00:14:10,633 --> 00:14:12,800
[ SUSPENSEFUL MUSIC PLAYS ]
317
00:14:12,800 --> 00:14:15,533
Narrator:
DEEP IN THE JUNGLE,
ARCHAEOLOGISTS ARE USING
318
00:14:15,533 --> 00:14:18,167
CHOPPERS ARMED
WITH X-RAY LIDAR CAMERAS
319
00:14:18,167 --> 00:14:22,167
TO STUDY THE MYSTERIOUS
ANCIENT RUINS OF ANGKOR.
320
00:14:22,167 --> 00:14:23,400
THEY HOPE TO FIND OUT
321
00:14:23,400 --> 00:14:25,067
[ EERIE MUSIC PLAYS ]
WHY THE CITY IS HERE
322
00:14:25,067 --> 00:14:26,900
AND WHY IT WAS ABANDONED.
323
00:14:26,900 --> 00:14:28,867
WHAT THEY SEE SHOCKS THEM...
324
00:14:28,867 --> 00:14:30,467
[ WHIRRING ]
325
00:14:30,467 --> 00:14:33,733
...A TRULY GIGANTIC MEGACITY,
HIDDEN FROM VIEW,
326
00:14:33,733 --> 00:14:37,067
COVERING HUNDREDS
OF SQUARE MILES.
327
00:14:37,067 --> 00:14:39,733
THIS ISN'T JUST
SCATTERED TEMPLES.
328
00:14:39,733 --> 00:14:42,367
IN FACT, THERE WERE
THOUSANDS OF HOUSEHOLDS
329
00:14:42,367 --> 00:14:46,067
AND THIS WHOLE THING STRETCHED
OUT FOR HUNDREDS OF MILES.
330
00:14:46,067 --> 00:14:47,667
[ BEEPING ]
Narrator: A LOST WORLD.
331
00:14:47,667 --> 00:14:52,067
AN ANCIENT MEGALOPOLIS ON PAR
WITH SPRAWLING MODERN CITIES.
332
00:14:52,067 --> 00:14:53,800
**
333
00:14:53,800 --> 00:14:55,633
WE KNEW THE CITY WAS BIG.
334
00:14:55,633 --> 00:14:58,300
BUT WE DIDN'T REALIZE
HOW BIG IT WAS.
335
00:14:58,300 --> 00:15:02,967
THIS DISCOVERY ISN'T JUST BIG,
IT REWRITES THE HISTORY BOOKS
336
00:15:02,967 --> 00:15:04,900
OF HUMAN CIVILIZATION.
337
00:15:04,900 --> 00:15:08,067
**
338
00:15:08,067 --> 00:15:10,633
Narrator:
THE X-RAY EYES IN THE SKY REVEAL
339
00:15:10,633 --> 00:15:14,400
A CITY, AND CIVILIZATION,
MORE ADVANCED AND SOPHISTICATED
340
00:15:14,400 --> 00:15:16,800
THAN ARCHAEOLOGISTS
EVER IMAGINED.
341
00:15:16,800 --> 00:15:19,433
[ BIRDS TWEETING ]
342
00:15:19,433 --> 00:15:23,300
BUT THE IMAGES
ALSO LEAVE THEM BAFFLED.
343
00:15:23,300 --> 00:15:26,067
WHY WAS THIS MEGACITY
EATEN BY THE JUNGLE,
344
00:15:26,067 --> 00:15:29,167
ITS BUILDINGS STRANGLED
BY THE TREES?
345
00:15:29,167 --> 00:15:32,633
THREE-QUARTERS OF A MILLION
PEOPLE THAT LIVED HERE
346
00:15:32,633 --> 00:15:37,233
IN THE ANGKOR AREA,
AND THEY'RE ALL GONE.
347
00:15:37,233 --> 00:15:40,333
[ BIRDS TWEETING ]
348
00:15:40,333 --> 00:15:43,833
WHAT CAUSED A CITY OF THIS SIZE
TO BE ABANDONED SO QUICKLY?
349
00:15:43,833 --> 00:15:45,933
[ BEEPING ]
350
00:15:45,933 --> 00:15:49,800
Narrator:
INVESTIGATORS STUDY
THE LIDAR IMAGES FOR CLUES.
351
00:15:49,800 --> 00:15:55,400
THEY REVEAL A GRID OF LINES
RUNNING ACROSS THE ENTIRE CITY.
352
00:15:55,400 --> 00:15:57,500
ANALYSIS SUGGESTS
THEY ARE THE REMNANTS
353
00:15:57,500 --> 00:16:00,433
OF A HIGHLY ADVANCED
WATER SYSTEM.
354
00:16:00,433 --> 00:16:02,467
IT'S A NETWORK OF WATER CHANNELS
355
00:16:02,467 --> 00:16:04,500
THAT FORM THE LIFEBLOOD
OF THE CITY.
356
00:16:04,500 --> 00:16:05,867
[ BEEPING ]
357
00:16:05,867 --> 00:16:09,433
WATER IS THE KEY TO LIFE
AND WHAT THE KHMER CIVILIZATION
358
00:16:09,433 --> 00:16:14,767
WERE ABLE TO DO WAS HARNESS
WATER IN ALL SORTS OF WAYS.
359
00:16:14,767 --> 00:16:17,600
TO THINK THAT THIS COMPLEX
ENGINEERING FEAT WAS ACHIEVED
360
00:16:17,600 --> 00:16:23,733
OVER 600 YEARS AGO REALLY SHOWS
HOW COMPLEX THE SOCIETY WAS.
361
00:16:23,733 --> 00:16:27,667
Narrator:
THE LIDAR IMAGES REVEAL,
AT LAST, THE INCREDIBLE STORY
362
00:16:27,667 --> 00:16:31,067
OF HOW THIS REMARKABLE
JUNGLE CITY WAS CREATED.
363
00:16:31,067 --> 00:16:32,700
[ BIRDS TWEETING ]
364
00:16:32,700 --> 00:16:36,100
A WATER ENGINEERING SYSTEM
OF SUCH SOPHISTICATION,
365
00:16:36,100 --> 00:16:37,467
IT WOULD'VE CALLED
FOR TECHNIQUES
366
00:16:37,467 --> 00:16:40,500
LIKE THOSE USED TODAY
IN THE DUTCH NETHERLANDS.
367
00:16:40,500 --> 00:16:45,767
**
368
00:16:45,767 --> 00:16:51,967
INCREDIBLY, THAT'S HOW THIS
JUNGLE CITY MANAGED TO THRIVE.
369
00:16:51,967 --> 00:16:55,100
BUT DID THE WATER CHANNELS
THAT BROUGHT LIFE
370
00:16:55,100 --> 00:16:57,233
ALSO BRING DEATH?
371
00:16:57,233 --> 00:16:59,900
**
372
00:16:59,900 --> 00:17:02,767
IF YOU'RE FACED WITH A WATER
SYSTEM THAT'S FAILING,
373
00:17:02,767 --> 00:17:05,067
YOU HAVE A FEW OPTIONS.
374
00:17:05,067 --> 00:17:07,867
ONE IS GO SOMEPLACE ELSE,
375
00:17:07,867 --> 00:17:12,500
AND THE OTHER IS
TO TRY TO MODIFY IT.
376
00:17:12,500 --> 00:17:14,700
Narrator:
THE HUMID JUNGLES
OF SOUTHEAST ASIA
377
00:17:14,700 --> 00:17:16,633
ARE A BREEDING GROUND
FOR PARASITES
378
00:17:16,633 --> 00:17:20,100
AND VIRULENT
WATERBORNE DISEASES.
379
00:17:20,100 --> 00:17:22,067
COULD IT HAVE BEEN
SOME MEGAPLAGUE
380
00:17:22,067 --> 00:17:24,833
THAT JUST WIPED EVERYTHING OUT?
381
00:17:24,833 --> 00:17:27,800
Narrator:
HISTORY TELLS US THAT LIVING
CLOSE TO STAGNANT WATER
382
00:17:27,800 --> 00:17:29,100
CAN BE DEADLY.
383
00:17:29,100 --> 00:17:32,100
[ MELANCHOLY TUNE PLAYS ]
384
00:17:32,100 --> 00:17:33,900
WATERBORNE PLAGUES,
LIKE CHOLERA,
385
00:17:33,900 --> 00:17:37,267
HAVE KILLED HUNDREDS
OF MILLIONS OF PEOPLE.
386
00:17:37,267 --> 00:17:41,067
WITH ANGKOR, WHAT YOU'VE GOT IS
VERY LARGE NUMBERS OF PEOPLE
387
00:17:41,067 --> 00:17:42,667
LIVING VERY CLOSE
TO ONE ANOTHER
388
00:17:42,667 --> 00:17:46,433
AND SO THEY'RE VERY
VULNERABLE TO DISEASE.
389
00:17:46,433 --> 00:17:48,333
Narrator:
BUT DISEASE WAS
A CONSTANT THREAT
390
00:17:48,333 --> 00:17:50,600
AND SCOURGE
IN THE ANCIENT WORLD.
391
00:17:50,600 --> 00:17:53,367
POPULATIONS WERE USED TO
DEALING WITH IT AND RECOVERING.
392
00:17:53,367 --> 00:17:55,867
**
393
00:17:55,867 --> 00:17:58,267
[ SINISTER MUSIC PLAYS ]
[ BIRDS CHIRPING ]
394
00:17:58,267 --> 00:17:59,767
Horton:
IT'S ONE OF THOSE EXPLANATIONS.
395
00:17:59,767 --> 00:18:03,067
WE CAN SAY, "WELL, LET'S NOT
RULE IT OUT, BUT, AT THIS STAGE,
396
00:18:03,067 --> 00:18:06,867
WE HAVE NO EVIDENCE
TO SUPPORT THAT."
397
00:18:06,867 --> 00:18:11,333
Narrator:
ARCHAEOLOGISTS RETURN TO THE
LIDAR IMAGES OF THE CITY'S DAMS.
398
00:18:11,333 --> 00:18:13,100
THEY NOTICE SOMETHING UNUSUAL.
399
00:18:13,100 --> 00:18:14,500
[ SUSPENSEFUL MUSIC PLAYS ]
[ PINGING ]
400
00:18:14,500 --> 00:18:17,400
[ WHIRRING ]
401
00:18:17,400 --> 00:18:19,133
SOME OF THE DAMS
HAVE BEEN BREACHED
402
00:18:19,133 --> 00:18:20,933
IN KEY AREAS,
WHICH COULD'VE LED
403
00:18:20,933 --> 00:18:24,567
TO CATASTROPHIC FLOODING
OF THE CITY.
404
00:18:24,567 --> 00:18:28,467
Narrator:
IS THE DAMAGE THE RESULT
OF DECAY, OR VIOLENCE?
405
00:18:28,467 --> 00:18:30,367
ATTACKING WATER MANAGEMENT
INFRASTRUCTURE
406
00:18:30,367 --> 00:18:35,100
IS A GOOD WAY TO GO BECAUSE,
WITHOUT WATER, THERE'S NO LIFE.
407
00:18:35,100 --> 00:18:36,400
**
408
00:18:36,400 --> 00:18:38,067
Narrator:
HISTORICAL TEXTS OF THE REGION
409
00:18:38,067 --> 00:18:40,667
YIELD A POSSIBLE CLUE.
410
00:18:40,667 --> 00:18:44,867
THERE IS RECORD
OF A MILITARY CAMPAIGN
411
00:18:44,867 --> 00:18:49,400
FROM WHAT'S NOW MODERN THAILAND
INTO THE KHMER AREA.
412
00:18:49,400 --> 00:18:50,767
[ NEIGHING ]
413
00:18:50,767 --> 00:18:52,100
Narrator:
600 YEARS AGO,
414
00:18:52,100 --> 00:18:56,767
THE EMPIRE OF THE KHMER
IS OVERSHADOWED BY ANOTHER:
415
00:18:56,767 --> 00:18:59,167
THE SIAMESE KINGDOM
OF AYUTTHAYA,
416
00:18:59,167 --> 00:19:02,433
WHOSE WARRIORS INVADE
THE GREAT CITY OF ANGKOR.
417
00:19:02,433 --> 00:19:04,867
100,000 PRISONERS ARE TAKEN,
418
00:19:04,867 --> 00:19:06,633
THE CITY OCCUPIED AND PILLAGED
419
00:19:06,633 --> 00:19:08,367
[ SUSPENSEFUL MUSIC CLIMBS ]
FOR 7 TERRIBLE MONTHS.
420
00:19:08,367 --> 00:19:09,467
[ SUSPENSEFUL CHORD STRIKES ]
421
00:19:09,467 --> 00:19:10,900
[ BIRDS CHIRPING ]
422
00:19:10,900 --> 00:19:14,233
BUT WHEN ARCHAEOLOGISTS ATTEMPT
TO DATE THE BREACHED DAMS,
423
00:19:14,233 --> 00:19:18,633
IT SEEMS THEY COLLAPSED
BEFORE THE CITY WAS ATTACKED.
424
00:19:18,633 --> 00:19:21,900
CLEARLY, SOMETHING DISASTROUS
HAD ALREADY HAPPENED TO ANGKOR,
425
00:19:21,900 --> 00:19:22,767
BUT WHAT WAS IT?
426
00:19:22,767 --> 00:19:26,167
[ CLANKING ]
427
00:19:26,167 --> 00:19:28,967
Narrator:
ARCHAEOLOGIST MARK HORTON
HAS SPENT 20 YEARS
428
00:19:28,967 --> 00:19:31,733
STUDYING ABANDONED
ANCIENT CITIES.
429
00:19:31,733 --> 00:19:37,233
HE DISCOVERS POSSIBLE EVIDENCE
IN CLIMATE RECORDS OF THE AREA.
430
00:19:37,233 --> 00:19:39,567
ITS COLLAPSE HAS SEEDS,
I THINK,
431
00:19:39,567 --> 00:19:44,500
IN ENVIRONMENTAL FACTORS,
RATHER THAN MILITARY ONES.
432
00:19:44,500 --> 00:19:47,067
Narrator:
THE SO-CALLED MEDIEVAL
WARM PERIOD
433
00:19:47,067 --> 00:19:51,367
WAS A TIME WHEN EARTH WAS HOT,
POSSIBLY MUCH HOTTER THAN TODAY,
434
00:19:51,367 --> 00:19:54,433
BAKED DRY AT TIMES,
BUT ALSO, IN THIS REGION,
435
00:19:54,433 --> 00:19:56,900
SUBJECT TO TROPICAL DOWNPOURS.
436
00:19:56,900 --> 00:20:00,467
FOR OVER 150 YEARS,
THE CITY WAS WRACKED
437
00:20:00,467 --> 00:20:05,533
WITH THIS EXTREME WEATHER,
FROM CRAZY MONSOONS TO DROUGHT.
438
00:20:05,533 --> 00:20:08,733
LIKE HURRICANE KATRINA
COMES IN, DESTROYS EVERYTHING.
439
00:20:08,733 --> 00:20:09,900
REBUILD. A DROUGHT.
440
00:20:09,900 --> 00:20:11,467
YOU CAN'T EVEN GROW CROPS.
441
00:20:11,467 --> 00:20:13,333
AS SOON AS YOU GET
THROUGH THAT PERIOD,
442
00:20:13,333 --> 00:20:14,900
[striking palm]
A NEW HURRICANE KATRINA
443
00:20:14,900 --> 00:20:18,033
COMES IN, WIPES EVERYTHING OUT.
444
00:20:18,033 --> 00:20:22,800
IT WOULD FEEL LIKE THE WHOLE
WORLD WAS COMING TO AN END.
445
00:20:22,800 --> 00:20:25,933
FINALLY, YOU'RE JUST GONNA SAY,
"SCREW IT. LET'S LEAVE."
446
00:20:25,933 --> 00:20:27,033
[ WHIRRING ]
447
00:20:27,033 --> 00:20:28,667
Narrator:
BUT A CIVILIZATION CAPABLE
448
00:20:28,667 --> 00:20:30,533
OF BUILDING A COMPLEX MEGACITY
449
00:20:30,533 --> 00:20:35,467
COULD SURELY REBUILD AFTER
STORMS, NO MATTER HOW VIOLENT.
450
00:20:35,467 --> 00:20:38,733
DESPITE RECENT DISCOVERIES,
ANGKOR WAT IS A PLACE
451
00:20:38,733 --> 00:20:41,100
THAT STILL HIDES
ITS SECRETS WELL.
452
00:20:41,100 --> 00:20:43,000
**
453
00:20:43,000 --> 00:20:46,233
[ WHIRRING ]
454
00:20:46,233 --> 00:20:47,300
COMING UP...
455
00:20:47,300 --> 00:20:49,300
A MYSTERY MOUND
IN THE LOST REALM
456
00:20:49,300 --> 00:20:50,600
OF KING ARTHUR...
457
00:20:50,600 --> 00:20:53,133
NOBODY KNOWS EXACTLY WHAT
THIS ROUND FORMATION IS
458
00:20:53,133 --> 00:20:55,033
OR WHO BUILT IT
OR WHAT IT WAS FOR.
459
00:20:55,033 --> 00:20:57,167
[ APPLAUSE ]
...AND MADMAN KIM JONG-UN
460
00:20:57,167 --> 00:20:59,267
GOES CRAZY.
461
00:20:59,267 --> 00:21:02,167
SEEING A VILLAGE
COMPLETELY GONE
462
00:21:02,167 --> 00:21:03,667
IS FRIGHTENING FOR ANYONE.
463
00:21:03,667 --> 00:21:06,300
THEY WOULD'VE BEEN
OBLITERATED.
464
00:21:06,300 --> 00:21:09,067
[ WHIRRING ]
465
00:21:10,633 --> 00:21:15,400
[ WHIRRING ]
466
00:21:15,400 --> 00:21:18,067
Narrator:
AUGUST 2015.
467
00:21:18,067 --> 00:21:21,767
A U.S. SATELLITE SPIES
A VILLAGE IN NORTH KOREA.
468
00:21:21,767 --> 00:21:23,467
[ EERIE MUSIC PLAYS ]
469
00:21:23,467 --> 00:21:26,133
A YEAR LATER, WHEN IT FLIES
OVER THE SAME AREA...
470
00:21:26,133 --> 00:21:28,533
**
471
00:21:28,533 --> 00:21:31,867
...IT'S LIKE A NUCLEAR BOMB
HAS DESTROYED IT.
472
00:21:31,867 --> 00:21:34,400
IT LOOKS AS IF THIS VILLAGE
HAS LITERALLY BEEN
473
00:21:34,400 --> 00:21:38,700
WIPED OFF THE FACE OF THE EARTH,
LIKE SOMEBODY ERASED IT.
474
00:21:38,700 --> 00:21:43,367
SEEING A VILLAGE COMPLETELY GONE
IS FRIGHTENING FOR ANYONE.
475
00:21:43,367 --> 00:21:45,833
**
476
00:21:45,833 --> 00:21:48,167
COULD THERE HAVE BEEN PEOPLE
HERE WHEN THIS HAPPENED?
477
00:21:48,167 --> 00:21:50,100
IF SO, THAT WOULD BE DISASTROUS
478
00:21:50,100 --> 00:21:52,700
BECAUSE THEY WOULD'VE
BEEN OBLITERATED.
479
00:21:52,700 --> 00:21:55,067
[ OMINOUS CHORD STRIKES ]
480
00:21:55,067 --> 00:21:56,967
**
481
00:21:56,967 --> 00:22:00,100
Narrator:
COMMUNIST NORTH KOREA
IS PERHAPS THE MOST SECRETIVE,
482
00:22:00,100 --> 00:22:02,633
ISOLATED COUNTRY IN THE WORLD.
483
00:22:02,633 --> 00:22:05,533
THERE'S VERY FEW PEOPLE
THAT HAVE BEEN INTO NORTH KOREA
484
00:22:05,533 --> 00:22:09,333
AND ARE ABLE TO GET
INFORMATION AND GET IT OUT.
485
00:22:09,333 --> 00:22:13,633
BECAUSE THEY'RE SO CLOSED
AND BECAUSE THEY'RE SO CENSORED,
486
00:22:13,633 --> 00:22:16,500
WE REALLY ON IMAGERY FROM ABOVE
487
00:22:16,500 --> 00:22:20,200
TO TELL US WHAT'S GOING ON
IN NORTH KOREA.
488
00:22:20,200 --> 00:22:25,433
Narrator:
ANALYSTS SCOUR THE IMAGE FOR
CLUES AS TO WHAT HAPPENED HERE.
489
00:22:25,433 --> 00:22:28,700
YOU CAN SEE THE REMAINS OF SOME
BUILDINGS THAT WERE HERE
490
00:22:28,700 --> 00:22:33,067
AND THERE'S EVEN QUITE
A BIT OF DEBRIS LEFT OVER.
491
00:22:33,067 --> 00:22:35,233
SATELLITE ANALYST
AMANDA MARCHETTI
492
00:22:35,233 --> 00:22:38,900
TAKES A CLOSER LOOK, TO CHECK
FOR SIGNS OF A NATURAL DISASTER.
493
00:22:38,900 --> 00:22:42,167
**
494
00:22:42,167 --> 00:22:43,800
AS I LOOK
AT THE SATELLITE IMAGERY
495
00:22:43,800 --> 00:22:47,600
WE HAVE OF THE SURROUNDING AREA,
NOTHING ELSE WAS AFFECTED.
496
00:22:47,600 --> 00:22:49,300
[ EXPLOSION ]
497
00:22:49,300 --> 00:22:51,067
SO WHAT I'M MOST FEARFUL OF
498
00:22:51,067 --> 00:22:53,533
IS THAT THIS WAS
CAUSED BY HUMANS.
499
00:22:53,533 --> 00:22:55,667
[ OMINOUS CHORD STRIKES ]
500
00:22:55,667 --> 00:22:58,067
Narrator:
ANALYSIS SUGGESTS THAT
WHATEVER HAPPENED HERE
501
00:22:58,067 --> 00:23:01,333
WAS AN ACT OF DELIBERATE
DESTRUCTION.
502
00:23:01,333 --> 00:23:04,133
EACH BUILDING IS
DESTROYED PERFECTLY.
503
00:23:04,133 --> 00:23:08,833
IT'S PINPOINT DESTRUCTION,
LIKE A SURGICAL MILITARY STRIKE.
504
00:23:08,833 --> 00:23:13,067
Narrator:
EVIDENCE POINTS TO A CRIMINAL
ACT OF STATE-SANCTIONED TERROR.
505
00:23:13,067 --> 00:23:14,833
[ ANTHEM PLAYS ]
[ APPLAUSE ]
506
00:23:14,833 --> 00:23:18,067
THE IMPOVERISHED COUNTRY
IS RULED BY KIM JONG-UN,
507
00:23:18,067 --> 00:23:20,667
CHAIRMAN OF THE
WORKERS' PARTY OF KOREA.
508
00:23:20,667 --> 00:23:23,433
KIM JONG-UN,
HE'S A MADMAN.
509
00:23:23,433 --> 00:23:27,467
KIM JONG-UN HAS THREATENED
TO BEAT AMERICA LIKE A RABID DOG
510
00:23:27,467 --> 00:23:31,400
AND TO REDUCE IT
TO ASHES AND DARKNESS.
511
00:23:31,400 --> 00:23:33,633
THEY'VE GOT ATOMIC WEAPONS.
512
00:23:33,633 --> 00:23:35,067
THEY'VE GOT MISSILES.
513
00:23:35,067 --> 00:23:38,600
THEY HAVE CHEMICAL
AND BIOLOGICAL WEAPONS.
514
00:23:38,600 --> 00:23:41,633
Narrator:
ANALYSTS BELIEVE THE DICTATOR
IS EASILY CAPABLE
515
00:23:41,633 --> 00:23:44,600
OF TESTING WEAPONS
ON HIS OWN PEOPLE.
516
00:23:44,600 --> 00:23:46,367
I WOULDN'T BE SURPRISED
IF THEY WERE TESTING
517
00:23:46,367 --> 00:23:48,233
TARGETED SURGICAL-STRIKE
MUNITIONS
518
00:23:48,233 --> 00:23:52,367
ON AN OCCUPIED VILLAGE,
JUST TO PROVE THAT THEY WORK.
519
00:23:52,367 --> 00:23:55,433
Narrator:
BUT WHEN MARCHETTI STUDIES
PREVIOUS SATELLITE IMAGES,
520
00:23:55,433 --> 00:23:57,500
SHE NOTICES SOMETHING STRANGE.
521
00:23:57,500 --> 00:23:59,767
**
522
00:23:59,767 --> 00:24:04,267
HERE'S BEAUTIFUL STRUCTURES
AND MONUMENTS AND FEATURES
523
00:24:04,267 --> 00:24:06,700
THAT JUST LOOK LIKE
THEY WERE DESIGNED
524
00:24:06,700 --> 00:24:10,400
TO ATTRACT PEOPLE TO COME.
525
00:24:10,400 --> 00:24:12,533
Narrator:
ACCORDING TO THE
SOCIALIST GOVERNMENT,
526
00:24:12,533 --> 00:24:16,900
THE PEOPLE OF NORTH KOREA ARE
DELIRIOUSLY HAPPY AND FULFILLED,
527
00:24:16,900 --> 00:24:19,467
MUCH MORE SO THAN THE POOR,
OPPRESSED MASSES
528
00:24:19,467 --> 00:24:21,700
OF THE CAPITALIST WEST.
529
00:24:21,700 --> 00:24:25,433
TO PROVE IT, THEY HAVE BUILT
THEIR OWN SOCIALIST THEME PARK.
530
00:24:25,433 --> 00:24:28,833
**
531
00:24:28,833 --> 00:24:32,567
THIS IS ACTUALLY SORT OF
A NORTH KOREAN DISNEYLAND,
532
00:24:32,567 --> 00:24:35,067
YOU KNOW, FOCUSING
ON THE HISTORY OF NORTH KOREA
533
00:24:35,067 --> 00:24:38,467
AND, OF COURSE, THE MIGHT
OF THEIR GREAT LEADER.
534
00:24:38,467 --> 00:24:40,367
KIM'S UNCLE IS GIVEN THE JOB
535
00:24:40,367 --> 00:24:43,800
OF BUILDING THIS
COMMUNIST DISNEYLAND.
536
00:24:43,800 --> 00:24:48,067
BY WESTERN STANDARDS,
IT IS TRULY DREADFUL,
537
00:24:48,067 --> 00:24:51,167
BUT THE NORTH KOREAN COMMUNISTS
CONSIDER IT A SUCCESS.
538
00:24:51,167 --> 00:24:54,333
[ APPLAUSE ]
539
00:24:54,333 --> 00:25:00,300
KIM JONG-UN BEGINS TO SEE THE
MAN WHO BUILT IT AS A THREAT.
540
00:25:00,300 --> 00:25:02,833
KIM JONG-UN IS KNOWN
FOR HIS PARANOIA
541
00:25:02,833 --> 00:25:05,200
AND HE FELT THREATENED
542
00:25:05,200 --> 00:25:07,867
THAT HE WOULD SOMEHOW
OVERTAKE HIS POWER.
543
00:25:07,867 --> 00:25:09,300
[ CHEERING AND APPLAUSE ]
544
00:25:09,300 --> 00:25:11,833
Narrator:
KIM JONG-UN, LIKE OTHER
COMMUNIST DICTATORS,
545
00:25:11,833 --> 00:25:13,833
RULES BY TERROR.
546
00:25:13,833 --> 00:25:18,267
THE SMALLEST PERCEIVED INSULT
CAN RESULT IN EXECUTION.
547
00:25:18,267 --> 00:25:20,467
FOR CALLING HIM SHORT AND FAT,
548
00:25:20,467 --> 00:25:24,233
THE AMERICAN PRESIDENT
HAS BEEN SENTENCED TO DEATH.
549
00:25:24,233 --> 00:25:27,200
KIM'S UNCLE IS,
IN THE WORDS OF THE DICTATOR,
550
00:25:27,200 --> 00:25:30,567
"DESPICABLE HUMAN SCUM,
WORSE THAN A DOG,
551
00:25:30,567 --> 00:25:33,100
AND HE IS SENTENCED TO DEATH."
552
00:25:33,100 --> 00:25:37,933
HE SIGNS THE ORDER TO HAVE
HIS OWN UNCLE EXECUTED.
553
00:25:37,933 --> 00:25:43,067
[ APPLAUSE ]
IT'S ABSOLUTELY ATROCIOUS.
554
00:25:43,067 --> 00:25:44,900
Narrator:
AS WELL AS KILLING HIS UNCLE,
555
00:25:44,900 --> 00:25:48,167
KIM JONG SETS OUT TO ERASE
ALL MEMORY OF HIM.
556
00:25:48,167 --> 00:25:50,333
**
557
00:25:50,333 --> 00:25:52,667
HE EXECUTES HIS UNCLE'S FAMILY.
558
00:25:52,667 --> 00:25:55,500
HE ERASES
HIS DIGITAL SIGNATURE.
559
00:25:55,500 --> 00:25:59,100
HE HAS ALL RECORDS
OF HIS UNCLE REMOVED.
560
00:25:59,100 --> 00:26:02,333
Narrator:
THE SATELLITE REVEALS
WHAT HAPPENED NEXT.
561
00:26:02,333 --> 00:26:04,733
HIS UNCLE'S SOCIALIST FUN PARK?
562
00:26:04,733 --> 00:26:06,567
THAT, TOO, WOULD HAVE TO GO.
563
00:26:06,567 --> 00:26:07,900
[ OMINOUS CHORD STRIKES ]
564
00:26:07,900 --> 00:26:09,700
**
565
00:26:09,700 --> 00:26:12,333
KIM JONG-UN BELIEVES
THAT THIS PLACE
566
00:26:12,333 --> 00:26:16,067
IS A PHYSICAL REPRESENTATION
OF HIS FORMER UNCLE.
567
00:26:16,067 --> 00:26:18,333
HE WOULD DRIVE PAST,
ALMOST EVERY DAY,
568
00:26:18,333 --> 00:26:20,867
THIS LITTLE
NORTH KOREAN DISNEYLAND
569
00:26:20,867 --> 00:26:22,367
THAT HIS UNCLE HAD BUILT,
570
00:26:22,367 --> 00:26:25,300
AND SO IT WAS THE OBVIOUS
DECISION: RAZE IT.
571
00:26:25,300 --> 00:26:27,833
**
572
00:26:27,833 --> 00:26:30,933
Narrator:
THE COMMUNIST SYSTEM HERE
HAS GIVEN ABSOLUTE POWER,
573
00:26:30,933 --> 00:26:32,200
NOT TO THE PEOPLE,
574
00:26:32,200 --> 00:26:36,700
BUT TO A TYRANT WHO RULES
WITH SHOCKING BRUTALITY.
575
00:26:36,700 --> 00:26:38,967
IF YOU CROSS KIM JONG-UN,
576
00:26:38,967 --> 00:26:42,100
HE'S GONNA WIPE OUT
ALL TRACES OF YOUR EXISTENCE.
577
00:26:42,100 --> 00:26:44,433
[ MELANCHOLY TUNE PLAYS ]
578
00:26:44,433 --> 00:26:47,233
[ WHIRRING ]
579
00:26:47,233 --> 00:26:48,233
Narrator:
COMING UP...
580
00:26:48,233 --> 00:26:49,767
THE PRINCESS, THE MONSTER,
581
00:26:49,767 --> 00:26:52,533
AND THE BRIDGE BUILT
BY MONKEY GODS...
582
00:26:52,533 --> 00:26:55,267
THE EVIL, 10-HEADED
MONSTER RAVANA
583
00:26:55,267 --> 00:26:58,367
TAKES HER TO THIS
FARAWAY ISLAND.
584
00:26:58,367 --> 00:27:00,867
...AND THE REAL KING ARTHUR.
585
00:27:00,867 --> 00:27:03,100
HE PUT HIS FOOT
INTO THE FOOTPRINT,
586
00:27:03,100 --> 00:27:05,700
LITERALLY TOOK
A SWORD FROM A STONE.
587
00:27:05,700 --> 00:27:07,067
[ SUSPENSEFUL CHORDS STRIKING ]
588
00:27:07,067 --> 00:27:09,800
[ WHIRRING ]
589
00:27:11,333 --> 00:27:16,567
[ WHIRRING ]
590
00:27:16,567 --> 00:27:19,300
[ SUSPENSEFUL MUSIC PLAYS ]
Narrator: 2014.
591
00:27:19,300 --> 00:27:23,267
A NASA SATELLITE PASSING
OVER STIRLING CASTLE IN SCOTLAND
592
00:27:23,267 --> 00:27:26,067
CAPTURES AN OCTAGONAL SHAPE
SET INTO THE EARTH.
593
00:27:26,067 --> 00:27:28,533
**
594
00:27:28,533 --> 00:27:31,200
IT LOOKS LIKE SOMEONE'S TAKEN
A GIANT ORNATE STAMP
595
00:27:31,200 --> 00:27:34,667
AND PUNCHED IT INTO THE GROUND.
596
00:27:34,667 --> 00:27:36,633
IT LOOKS TO ME LIKE
AN ORNAMENTAL GARDEN,
597
00:27:36,633 --> 00:27:40,133
BUT, THERE ARE NO BUSHES
OR OTHER PLANT LIFE.
598
00:27:40,133 --> 00:27:41,600
IT'S A LITTLE BIT STRANGE.
599
00:27:41,600 --> 00:27:43,733
[ EERIE MUSIC PLAYS ]
600
00:27:43,733 --> 00:27:46,700
Narrator:
ARCHAEOLOGISTS CALL THIS SITE
THE KING'S KNOT
601
00:27:46,700 --> 00:27:50,833
AND BELIEVE IT'S WHAT'S LEFT
OF A 17th-CENTURY ROYAL GARDEN.
602
00:27:50,833 --> 00:27:53,767
**
603
00:27:53,767 --> 00:27:58,667
BUT HISTORIAN ANDREW GOUGH HAS
COME ACROSS A 1983 AERIAL IMAGE
604
00:27:58,667 --> 00:28:03,300
THAT SUGGESTS THIS SHAPE
IS NOT WHAT IT SEEMS.
605
00:28:03,300 --> 00:28:08,200
IT'S NOT JUST ABOUT NICE,
ORNAMENTAL GARDEN.
606
00:28:08,200 --> 00:28:11,400
IT'S A MESSAGE IN THE GROUND.
607
00:28:11,400 --> 00:28:15,367
**
608
00:28:15,367 --> 00:28:17,633
Narrator:
GOUGH THINKS THIS ROYAL
GARDEN IS HIDING
609
00:28:17,633 --> 00:28:19,767
AN INCREDIBLE ANCIENT SECRET.
610
00:28:19,767 --> 00:28:22,067
**
611
00:28:22,067 --> 00:28:24,633
WHAT REALLY STRIKES ME
ARE THESE THREE LINES,
612
00:28:24,633 --> 00:28:26,700
THESE THREE DITCHES.
613
00:28:26,700 --> 00:28:29,800
**
614
00:28:29,800 --> 00:28:32,500
THEY CLEARLY PREDATE
THE 17th-CENTURY DESIGN
615
00:28:32,500 --> 00:28:35,233
THAT IS THE KING'S KNOT.
616
00:28:35,233 --> 00:28:37,633
Narrator:
BESIDE THE SHAPE IS A HILL,
617
00:28:37,633 --> 00:28:42,100
ON WHICH FORTS AND CASTLES HAVE
STOOD FOR HUNDREDS OF YEARS.
618
00:28:42,100 --> 00:28:44,767
THIS IS OBVIOUSLY
A VERY COMPLICATED SITE,
619
00:28:44,767 --> 00:28:48,067
WITH LOTS OF LAYERS
OF HISTORY IN IT.
620
00:28:48,067 --> 00:28:52,233
SO WHAT I'M WONDERING IS:
WHAT IS BURIED UNDERNEATH IT?
621
00:28:52,233 --> 00:28:54,767
**
622
00:28:54,767 --> 00:28:58,100
Narrator:
TO FIND OUT, GOUGH SETS OUT
TO EXAMINE THE SITE.
623
00:28:58,100 --> 00:29:02,733
**
624
00:29:02,733 --> 00:29:07,400
HE DRIVES 400 MILES NORTH
FROM LONDON TO STIRLING CASTLE,
625
00:29:07,400 --> 00:29:12,533
ONE OF THE GRANDEST
AND MOST IMPORTANT IN SCOTLAND.
626
00:29:12,533 --> 00:29:15,533
WHAT A HISTORICAL PLACE.
627
00:29:15,533 --> 00:29:18,267
WILLIAM WALLACE, "BRAVEHEART,"
FOUGHT HERE.
628
00:29:18,267 --> 00:29:22,767
ROBERT THE BRUCE ALSO FOUGHT,
AND WON, AGAINST THE ENGLISH.
629
00:29:22,767 --> 00:29:26,233
YOU CAN SEE WHY ROYALTY
HAVE LIVED HERE
630
00:29:26,233 --> 00:29:29,367
AND, WHEN YOU HAVE ROYALTY,
YOU HAVE TREASURE.
631
00:29:29,367 --> 00:29:37,133
**
632
00:29:37,133 --> 00:29:41,867
Narrator:
AT THE KING'S KNOT, GOUGH IS
STRUCK BY THE SIZE OF THE MOUND.
633
00:29:41,867 --> 00:29:43,100
[ WIND WHIPPING ]
IT'S REALLY ELEVATED,
634
00:29:43,100 --> 00:29:45,900
MAYBE 10 FEET OR MORE,
635
00:29:45,900 --> 00:29:48,700
MUCH BIGGER [panting]
THAN I THOUGHT IT WAS.
636
00:29:48,700 --> 00:29:57,867
**
637
00:29:57,867 --> 00:30:00,567
Narrator:
AS HE SURVEYS THE SITE,
HE IDENTIFIES
638
00:30:00,567 --> 00:30:05,100
THE SAME THREE DITCHES
HE SAW IN THE AERIAL PHOTO.
639
00:30:05,100 --> 00:30:07,400
Gough:
YOU SEE THOSE SORT OF
LUMPS OVER THERE?
640
00:30:07,400 --> 00:30:09,067
IT'S KIND OF GOING IN A CIRCLE.
641
00:30:09,067 --> 00:30:11,733
IT'S CUTTING
THROUGH THE SQUARE.
642
00:30:11,733 --> 00:30:14,100
Narrator:
THIS IS NO GARDEN.
643
00:30:14,100 --> 00:30:18,400
IN THESE DITCHES, GOUGH SEES
THE ECHOES OF AN ANCIENT HENGE,
644
00:30:18,400 --> 00:30:21,533
A CIRCULAR EARTHWORK
MADE UP OF DITCHES AND BANKS,
645
00:30:21,533 --> 00:30:25,000
DATING BACK
AS FAR AS THE STONE AGE.
646
00:30:25,000 --> 00:30:28,067
IF THIS IS A HENGE,
THOSE ARE NEOLITHIC.
647
00:30:28,067 --> 00:30:30,167
I MEAN, THOSE ARE THOUSANDS
OF YEARS OLD.
648
00:30:30,167 --> 00:30:33,600
**
649
00:30:33,600 --> 00:30:35,867
WHAT'S SO EXCITING ABOUT THAT
IS THERE MAY HAVE BEEN
650
00:30:35,867 --> 00:30:38,700
AN ANCIENT MONUMENT
RIGHT WHERE I'M STANDING NOW.
651
00:30:38,700 --> 00:30:43,700
**
652
00:30:43,700 --> 00:30:46,433
Narrator:
GOUGH'S HUNCH MAY BE CORRECT.
653
00:30:46,433 --> 00:30:49,000
ARCHAEOLOGISTS FROM THE
UNIVERSITY OF GLASGOW
654
00:30:49,000 --> 00:30:51,367
RECENTLY CONDUCTED
A GEOPHYSICAL SURVEY
655
00:30:51,367 --> 00:30:52,633
OF THE KING'S KNOT.
656
00:30:52,633 --> 00:30:55,400
**
657
00:30:55,400 --> 00:30:58,333
IT APPEARS THERE IS
SOMETHING BURIED HERE,
658
00:30:58,333 --> 00:31:00,433
DEEP UNDERGROUND.
659
00:31:00,433 --> 00:31:04,300
WHAT THEY FOUND,
USING GROUND-PENETRATING RADAR,
660
00:31:04,300 --> 00:31:05,967
IT'S REMARKABLE.
661
00:31:05,967 --> 00:31:09,867
APPARENTLY, ANOMALOUS STONE
CIRCULAR STRUCTURES
662
00:31:09,867 --> 00:31:12,400
UNDERNEATH THE KING'S KNOT.
663
00:31:12,400 --> 00:31:14,467
THESE CIRCULAR STRUCTURES
HAVE BEEN BUILT
664
00:31:14,467 --> 00:31:19,067
UPON LAYER AFTER LAYER
AND GO BACK TO THE IRON AGE.
665
00:31:19,067 --> 00:31:20,533
THE REALLY INTERESTING THING,
THOUGH, IS,
666
00:31:20,533 --> 00:31:21,967
IN THE VERY CENTER OF THE SITE
667
00:31:21,967 --> 00:31:24,567
IS PROBABLY THE OLDEST PART
OF THE FORMATION.
668
00:31:24,567 --> 00:31:27,600
**
669
00:31:27,600 --> 00:31:32,233
Narrator:
A WIDE, RAISED, ANCIENT,
CIRCULAR STONE STRUCTURE
670
00:31:32,233 --> 00:31:34,600
LYING NEXT TO A CASTLE
671
00:31:34,600 --> 00:31:38,233
OCCUPIED BY KINGS
SINCE THE EARLY MIDDLE AGES.
672
00:31:38,233 --> 00:31:40,700
WHAT SOME OF THE HISTORIANS
ARE NOW SAYING
673
00:31:40,700 --> 00:31:46,067
IS THAT THESE ANOMALOUS
CIRCULAR STONE OBJECTS
674
00:31:46,067 --> 00:31:47,700
[ ICE RATTLING NEARBY ]
ARE NONE OTHER
675
00:31:47,700 --> 00:31:50,533
THAN THE ROUND TABLE
OF KING ARTHUR,
676
00:31:50,533 --> 00:31:52,300
HERE IN SCOTLAND.
677
00:31:52,300 --> 00:31:55,433
[ SUSPENSEFUL MUSIC CLIMBS ]
678
00:31:55,433 --> 00:31:56,933
**
679
00:31:56,933 --> 00:31:58,833
[ OWL HOOTS ]
OUR KNOWLEDGE OF THE ROUND TABLE
680
00:31:58,833 --> 00:32:01,467
DATES BACK 1,000 YEARS.
681
00:32:01,467 --> 00:32:04,433
HISTORICAL ACCOUNTS SAY
THE WIZARD MERLIN CREATES IT
682
00:32:04,433 --> 00:32:09,500
IN IMITATION OF THE TABLE USED
BY CHRIST AT THE LAST SUPPER.
683
00:32:09,500 --> 00:32:11,667
THE TABLE HAS 12 SEATS:
684
00:32:11,667 --> 00:32:14,600
ONE LEFT EMPTY
FOR THE MISSING JUDAS.
685
00:32:14,600 --> 00:32:15,900
IT WILL REMAIN EMPTY
686
00:32:15,900 --> 00:32:18,267
UNTIL A KNIGHT RETURNS
WITH THE HOLY GRAIL.
687
00:32:18,267 --> 00:32:20,567
[ NEIGHING ]
688
00:32:20,567 --> 00:32:23,567
MERLIN ERECTS THE ROUND TABLE
AT CAMELOT,
689
00:32:23,567 --> 00:32:27,533
THE MIGHTY FORTRESS WHERE ARTHUR
AND HIS KNIGHTS HOLD COURT.
690
00:32:27,533 --> 00:32:30,833
CAMELOT AND THE ROUND TABLE
691
00:32:30,833 --> 00:32:35,100
FIRST APPEAR, REALLY,
FROM THE 12th CENTURY.
692
00:32:35,100 --> 00:32:37,533
THE IDEA OF THE ROUND TABLE
IS A FASCINATING ONE:
693
00:32:37,533 --> 00:32:41,367
THAT EVERYONE IS EQUAL AROUND
THIS GREAT CIRCULAR TEMPLE.
694
00:32:41,367 --> 00:32:43,433
**
695
00:32:43,433 --> 00:32:44,967
Narrator:
IN THE EARLIEST TEXTS,
696
00:32:44,967 --> 00:32:47,967
ARTHUR IS DESCRIBED
AS A MONSTER-SLAYER,
697
00:32:47,967 --> 00:32:52,233
LEADING A SMALL GROUP
OF SUPERHUMAN HEROES.
698
00:32:52,233 --> 00:32:55,600
BUT THE REAL IDENTITY OF ARTHUR
AND THE LOCATION OF CAMELOT
699
00:32:55,600 --> 00:32:57,533
IS DISPUTED.
700
00:32:57,533 --> 00:33:01,600
MOST HISTORIANS BELIEVE
KING ARTHUR WAS ENGLISH.
701
00:33:01,600 --> 00:33:06,133
PEOPLE IN CORNWALL LIKE TO THINK
THEY HAVE THE REAL KING ARTHUR.
702
00:33:06,133 --> 00:33:08,133
Narrator:
HUNDREDS OF MILES
SOUTH OF STIRLING
703
00:33:08,133 --> 00:33:10,500
IS THE MEDIEVAL CASTLE
OF TINTAGEL,
704
00:33:10,500 --> 00:33:14,067
WHICH SOME CLAIM IS
KING ARTHUR'S BIRTHPLACE,
705
00:33:14,067 --> 00:33:17,500
BUT NO ONE HAS YET FOUND
CAMELOT AND THE ROUND TABLE.
706
00:33:17,500 --> 00:33:21,367
**
707
00:33:21,367 --> 00:33:22,733
GOUGH HAS NOW DISCOVERED
708
00:33:22,733 --> 00:33:25,667
A 14th-CENTURY
MEDIEVAL SCOTTISH POEM
709
00:33:25,667 --> 00:33:28,333
THAT HE THINKS PROVIDES
MORE EVIDENCE.
710
00:33:28,333 --> 00:33:32,067
THE FIRST LINE TALKS ABOUT
BENEATH THE CASTLE,
711
00:33:32,067 --> 00:33:34,700
BENEATH STIRLING CASTLE.
712
00:33:34,700 --> 00:33:38,067
THE SECOND LINE REFERENCES
THE ROUND TABLE
713
00:33:38,067 --> 00:33:39,767
[chuckle]
BELOW STIRLING CASTLE.
714
00:33:39,767 --> 00:33:47,833
**
715
00:33:47,833 --> 00:33:51,267
Narrator:
WHAT'S MORE, GOUGH LEARNS
OF AN ANCIENT HILLFORT,
716
00:33:51,267 --> 00:33:54,533
59 MILES FROM THE KING'S KNOT
AT STIRLING CASTLE,
717
00:33:54,533 --> 00:33:58,567
WHICH HAS BEEN LINKED
TO THE KING ARTHUR LEGEND.
718
00:33:58,567 --> 00:34:01,533
THIS LAND, ACCORDING
TO ANCIENT SCOTTISH TEXTS,
719
00:34:01,533 --> 00:34:04,300
WAS ONCE RULED
BY A GREAT WARLORD.
720
00:34:04,300 --> 00:34:05,600
HIS NAME?
721
00:34:05,600 --> 00:34:08,133
ARTHUR.
722
00:34:08,133 --> 00:34:11,633
GOUGH ARRANGES TO MEET
SCOTTISH HISTORIAN ADAM ARDREY
723
00:34:11,633 --> 00:34:13,200
AT THE SITE.
724
00:34:13,200 --> 00:34:15,267
FANTASTIC VIEWS
UP HERE.
725
00:34:15,267 --> 00:34:16,900
I CAN'T WAIT TO SEE WHAT
YOU'RE GONNA SHOW ME.
726
00:34:16,900 --> 00:34:19,700
**
727
00:34:19,700 --> 00:34:22,800
[ MELANCHOLY TUNE PLAYS ]
728
00:34:22,800 --> 00:34:26,433
ON TOP OF THIS HILLSIDE IS
A STONE WHICH, ARDREY BELIEVES,
729
00:34:26,433 --> 00:34:31,067
GAVE RISE TO ONE OF THE MOST
FAMOUS ARTHURIAN LEGENDS.
730
00:34:31,067 --> 00:34:32,600
THIS IS THE STONE
OF DUNADD
731
00:34:32,600 --> 00:34:35,533
AND IT WAS HERE
-WOW!
732
00:34:35,533 --> 00:34:36,867
IN ABOUT 574
THAT ARTHUR,
733
00:34:36,867 --> 00:34:39,233
THE ONLY
HISTORICAL ARTHUR,
734
00:34:39,233 --> 00:34:42,967
LITERALLY TOOK A SWORD
FROM A STONE.
735
00:34:42,967 --> 00:34:44,300
ACCORDING TO LEGEND,
736
00:34:44,300 --> 00:34:48,233
ARTHUR PULLS THE MAGIC SWORD
EXCALIBUR FROM A STONE.
737
00:34:48,233 --> 00:34:51,567
ARDREY BELIEVES IT WAS
A REAL STONE, A REAL SWORD,
738
00:34:51,567 --> 00:34:53,067
AND A REAL MAN:
739
00:34:53,067 --> 00:34:57,167
A 6th-CENTURY SCOTTISH WARLORD
CALLED ARTUR mac AEDAN.
740
00:34:57,167 --> 00:34:59,367
HE PUT HIS FOOT
INTO THE FOOTPRINT
741
00:34:59,367 --> 00:35:01,700
AND WAS GIVEN
A SWORD TO HOLD
742
00:35:01,700 --> 00:35:05,133
AND, WHEN HE STEPPED OUT OF THE
FOOTPRINT, HOLDING THE SWORD,
743
00:35:05,133 --> 00:35:08,200
HE LITERALLY TOOK
A SWORD FROM A STONE.
744
00:35:08,200 --> 00:35:09,267
[ BLADE SLICES ]
745
00:35:09,267 --> 00:35:10,667
ARTHUR STANDS ON THE STONE,
746
00:35:10,667 --> 00:35:12,333
PULLS THE STONE OVER HIS HEAD,
747
00:35:12,333 --> 00:35:15,867
TO PROVE THAT HE IS
THE RIGHTFUL KING.
748
00:35:15,867 --> 00:35:18,767
Narrator:
AND THERE ARE MORE
HISTORICAL CLUES IN THE AREA.
749
00:35:18,767 --> 00:35:20,700
[ EERIE MUSIC PLAYS ]
750
00:35:20,700 --> 00:35:24,967
GOUGH LEARNS THAT 95 MILES
TO THE EAST IS ANOTHER STONE,
751
00:35:24,967 --> 00:35:26,767
THIS ONE DATING
FROM THE 8th CENTURY,
752
00:35:26,767 --> 00:35:30,600
DEPICTING A WOMAN
BEING SAVAGED BY BEASTS.
753
00:35:30,600 --> 00:35:35,233
Rose:
SHE WAS TORN TO DEATH
BY A PACK OF WILD DOGS.
754
00:35:35,233 --> 00:35:38,067
THIS GRISLY SCENE IS SAID TO BE
PORTRAYED ON THE STONE
755
00:35:38,067 --> 00:35:40,433
AS HER MEMORIAL.
756
00:35:40,433 --> 00:35:42,433
Narrator:
THIS, ACCORDING TO ONE ACCOUNT,
757
00:35:42,433 --> 00:35:45,267
WAS THE FATE OF KING ARTHUR'S
WIFE GUINEVERE
758
00:35:45,267 --> 00:35:47,467
WHEN HE LEARNED
OF HER LOVE FOR LANCELOT.
759
00:35:47,467 --> 00:35:48,667
[ EERIE MUSIC CLIMBS ]
760
00:35:48,667 --> 00:35:49,833
[ SNARLING ]
761
00:35:49,833 --> 00:35:53,833
[ MELANCHOLY TUNE PLAYS ]
762
00:35:53,833 --> 00:35:55,400
BACK AT THE KING'S KNOT,
763
00:35:55,400 --> 00:35:57,400
GOUGH REFLECTS
ON THE AERIAL IMAGE
764
00:35:57,400 --> 00:35:58,967
AND THE SUPPORTING
EVIDENCE THAT,
765
00:35:58,967 --> 00:36:03,467
BURIED HERE,
IS ARTHUR'S ROUND TABLE.
766
00:36:03,467 --> 00:36:08,600
I HAD NO IDEA THERE WAS SO MUCH
EVIDENCE FOR ARTHUR IN SCOTLAND.
767
00:36:08,600 --> 00:36:12,533
THERE ARE MANY PLACES ASSOCIATED
WITH KING ARTHUR IN SCOTLAND,
768
00:36:12,533 --> 00:36:15,800
SO IT'S NOT IMPOSSIBLE
THAT KING ARTHUR
769
00:36:15,800 --> 00:36:18,400
HAS BEEN GIVEN
A SCOTTISH IDENTITY
770
00:36:18,400 --> 00:36:22,667
THAT'S THEN BEEN REFLECTED
AT STIRLING CASTLE.
771
00:36:22,667 --> 00:36:26,333
Gough:
IS THE ROUND TABLE BENEATH ME?
772
00:36:26,333 --> 00:36:28,533
NOW, I'M THINKIN'
773
00:36:28,533 --> 00:36:30,133
THIS COULD BE IT.
774
00:36:30,133 --> 00:36:34,167
THIS COULD BE THE REALM
OF KING ARTHUR, AFTER ALL.
775
00:36:34,167 --> 00:36:36,667
**
776
00:36:36,667 --> 00:36:40,267
Narrator:
UNTIL ARCHAEOLOGISTS FULLY
EXCAVATE THE KING'S KNOT,
777
00:36:40,267 --> 00:36:43,133
THE MYSTERY OF WHAT
REALLY LIES BENEATH HERE
778
00:36:43,133 --> 00:36:45,367
WILL REMAIN JUST THAT.
779
00:36:45,367 --> 00:36:48,567
[ WHIRRING ]
780
00:36:48,567 --> 00:36:49,767
COMING UP...
781
00:36:49,767 --> 00:36:53,567
SEEN FROM SPACE, A HIDDEN
BRIDGE BENEATH THE WAVES.
782
00:36:53,567 --> 00:36:55,833
AND THE BUILDERS
ARE EVEN STRANGER.
783
00:36:55,833 --> 00:36:58,533
A WHOLE ARMY
OF SEMIDIVINE MONKEYS.
784
00:36:58,533 --> 00:37:00,500
[ SUSPENSEFUL MUSIC PLAYS ]
785
00:37:00,500 --> 00:37:02,600
[ WHIRRING ]
786
00:37:04,833 --> 00:37:09,067
[ WHIRRING ]
787
00:37:09,067 --> 00:37:11,300
Narrator: MAY 2012.
788
00:37:11,300 --> 00:37:13,133
A NASA SATELLITE PASSES
789
00:37:13,133 --> 00:37:16,700
OVER THE SHALLOW WATERS
OF THE INDIAN OCEAN.
790
00:37:16,700 --> 00:37:20,400
IT SENDS BACK IMAGES OF A CHAIN
OF LARGELY SUBMERGED OBJECTS
791
00:37:20,400 --> 00:37:22,733
RUNNING BETWEEN SRI LANKA
AND INDIA.
792
00:37:22,733 --> 00:37:24,267
**
793
00:37:24,267 --> 00:37:27,567
LOOKS LIKE A STRING OF PEARLS
BETWEEN TWO ISLANDS.
794
00:37:27,567 --> 00:37:31,167
IT LOOKS TO ME
LIKE A ROCKY JETTY,
795
00:37:31,167 --> 00:37:34,867
BUT, THIS THING LOOKS
PRETTY BIG.
796
00:37:34,867 --> 00:37:37,633
Narrator:
ON CLOSER ANALYSIS
OF THE SATELLITE IMAGE,
797
00:37:37,633 --> 00:37:42,133
INVESTIGATORS CALCULATE THE LINE
OF ROCKS IS OVER 30 MILES LONG.
798
00:37:42,133 --> 00:37:44,267
**
799
00:37:44,267 --> 00:37:46,967
WHAT MAKES THE IMAGE
ESPECIALLY INTRIGUING
800
00:37:46,967 --> 00:37:49,567
IS THAT THE ROCKS ARE
IN AN AREA OF SEA MENTIONED
801
00:37:49,567 --> 00:37:52,833
IN AN ANCIENT HINDU POEM.
802
00:37:52,833 --> 00:37:56,967
A POEM WHICH ALSO REFERS
TO A MAGIC BRIDGE.
803
00:37:56,967 --> 00:38:03,100
THERE ARE HINDU LEGENDS THAT THE
GOD RAMA PLACED A BRIDGE HERE,
804
00:38:03,100 --> 00:38:06,767
CONNECTING INDIA TO SRI LANKA.
805
00:38:06,767 --> 00:38:10,500
THE HINDU POEM "RAMAYANA"
TELLS AN EPIC STORY
806
00:38:10,500 --> 00:38:13,567
IN WHICH LORD RAMA BATTLES
TO RESCUE HIS WIFE
807
00:38:13,567 --> 00:38:15,400
FROM THE MANY-HEADED RAVANA.
808
00:38:15,400 --> 00:38:17,333
[ SINISTER MUSIC PLAYS ]
809
00:38:17,333 --> 00:38:20,067
THE EVIL, 10-HEADED
MONSTER RAVANA
810
00:38:20,067 --> 00:38:23,833
CAPTURES HER AND TAKES HER
TO THIS FARAWAY ISLAND.
811
00:38:23,833 --> 00:38:27,167
[ EERIE MUSIC PLAYS ]
812
00:38:27,167 --> 00:38:30,200
Narrator:
LORD RAMA ENLISTS
THE HELP OF A MAGIC ARMY
813
00:38:30,200 --> 00:38:33,067
TO BUILD A BRIDGE
LONG ENOUGH TO REACH HER.
814
00:38:33,067 --> 00:38:35,833
A WHOLE ARMY
OF SEMIDIVINE MONKEYS
815
00:38:35,833 --> 00:38:37,733
BUILD THIS CHAIN OF ISLANDS,
816
00:38:37,733 --> 00:38:43,267
CARRYING STONES
TO CREATE A LAND BRIDGE.
817
00:38:43,267 --> 00:38:45,967
Narrator:
THE STONES IN THE SATELLITE
IMAGE ARE SITTING ON SOMETHING
818
00:38:45,967 --> 00:38:50,967
OCEANOGRAPHERS CALL
A SHOAL, OR SANDBAR.
819
00:38:50,967 --> 00:38:54,267
THESE OCCUR IN AN AREA
WHERE THERE ARE SHALLOW WATERS
820
00:38:54,267 --> 00:38:57,900
AND SAND COULD ACCUMULATE
BETWEEN THE TWO LAND MASSES.
821
00:38:57,900 --> 00:39:01,067
Narrator:
THE SANDBAR MAY BE NATURAL.
822
00:39:01,067 --> 00:39:04,533
BUT WHAT'S SITTING
ON TOP OF IT IS NOT.
823
00:39:04,533 --> 00:39:06,200
THIS ISN'T JUST
A SIMPLE SANDBAR.
824
00:39:06,200 --> 00:39:11,333
THERE'S OBJECTS IN HERE THAT
HAVEN'T BEEN ERODED AWAY.
825
00:39:11,333 --> 00:39:14,067
THERE ARE STONES THAT HAVE
BEEN BROUGHT FROM AFAR
826
00:39:14,067 --> 00:39:18,867
AND SET ON TOP OF OUR
SANDBAR ISLAND CHAIN.
827
00:39:18,867 --> 00:39:20,800
**
828
00:39:20,800 --> 00:39:25,400
Narrator:
HOW THESE STONES GOT HERE
IS A MYSTERY.
829
00:39:25,400 --> 00:39:28,367
AND WHEN A TEAM OF GEOLOGISTS
DATE THE STONES,
830
00:39:28,367 --> 00:39:31,267
THE MYSTERY DEEPENS.
831
00:39:31,267 --> 00:39:36,333
THE ROCKS ON TOP OF THE SAND
ACTUALLY PREDATE THE SAND.
832
00:39:36,333 --> 00:39:38,767
SO THERE'S MORE TO THE STORY.
833
00:39:38,767 --> 00:39:43,633
Narrator:
SCIENTIFIC ANALYSIS REVEALS THE
ROCKS ARE 7,000 YEARS OLD,
834
00:39:43,633 --> 00:39:49,100
BUT ARE SITTING ON TOP OF SAND
THAT IS ONLY 4,000 YEARS OLD.
835
00:39:49,100 --> 00:39:52,367
THESE RESULTS SUGGEST THE
STRUCTURE IN THE SATELLITE IMAGE
836
00:39:52,367 --> 00:39:54,933
ISN'T NATURAL,
BUT BUILT BY HUMANS.
837
00:39:54,933 --> 00:40:00,367
OR, ACCORDING TO SACRED TEXTS,
DEMIGOD MONKEYS.
838
00:40:00,367 --> 00:40:03,767
IT'S POSSIBLE
THAT ANCIENT PEOPLE
839
00:40:03,767 --> 00:40:09,300
TRANSPORTED STONES IN TO COVER
AREAS, TO MAKE THEM HIGHER
840
00:40:09,300 --> 00:40:13,500
AND MAKE IT MORE PASSABLE,
TO KEEP THE BRIDGE INTACT.
841
00:40:13,500 --> 00:40:16,467
[ SINISTER MUSIC PLAYS ]
842
00:40:16,467 --> 00:40:19,233
Narrator:
SOME SCHOLARS BELIEVE
THE ANCIENT TEXTS REFER
843
00:40:19,233 --> 00:40:22,633
TO A TIME 5,000 YEARS AGO.
844
00:40:22,633 --> 00:40:25,867
AT THIS POINT IN HISTORY,
BUILDING SUCH A LONG BRIDGE
845
00:40:25,867 --> 00:40:29,400
WOULD'VE BEEN A SUPERHUMAN
ACHIEVEMENT.
846
00:40:29,400 --> 00:40:34,033
HOW COULD HUMANS, SO LONG AGO,
BUILD SUCH STRUCTURES?
847
00:40:34,033 --> 00:40:36,167
BUT WE ACTUALLY KNOW
THAT THEY CAN.
848
00:40:36,167 --> 00:40:38,600
[ SUSPENSEFUL MUSIC PLAYS ]
849
00:40:38,600 --> 00:40:41,533
THE PYRAMIDS OF EGYPT
THAT ARE 4,500 YEARS OLD,
850
00:40:41,533 --> 00:40:44,933
GIGANTIC STRUCTURES.
851
00:40:44,933 --> 00:40:48,300
AND EVEN PLACES TODAY IN TURKEY,
ANCIENT ANATOLIA,
852
00:40:48,300 --> 00:40:50,067
LIKE GOBEKLI TEPE,
853
00:40:50,067 --> 00:40:54,333
HUGE TEMPLE STRUCTURES,
20 FEET AND HIGHER,
854
00:40:54,333 --> 00:40:58,300
AND WE KNOW WE CAN SECURELY
DATE THESE, AT GOBEKLI TEPE,
855
00:40:58,300 --> 00:41:00,967
TO 11,000 YEARS AGO.
856
00:41:00,967 --> 00:41:03,100
[ BIRDS CHIRPING, CAWING ]
857
00:41:03,100 --> 00:41:04,900
Narrator:
IN INDIA AND SRI LANKA,
858
00:41:04,900 --> 00:41:07,967
POWERFUL ANCIENT DYNASTIES
RULED THE LAND,
859
00:41:07,967 --> 00:41:10,500
CAPABLE OF MOBILIZING
THOUSANDS TO BUILD
860
00:41:10,500 --> 00:41:15,167
INCREDIBLE, GRAND PALACES AND
MYSTERIOUS RELIGIOUS MONUMENTS.
861
00:41:15,167 --> 00:41:20,233
WE SHOULD NEVER UNDERESTIMATE
PEOPLE OF THE PAST.
862
00:41:20,233 --> 00:41:22,433
THEY ACTUALLY WERE
VERY CLEVER ENGINEERS
863
00:41:22,433 --> 00:41:24,100
AND THEY CERTAINLY
WOULD'VE FOUND THE WAY
864
00:41:24,100 --> 00:41:27,900
TO MAINTAIN THIS CONNECTION
USING OTHER STONES
865
00:41:27,900 --> 00:41:29,200
AND BRING THEM IN
TO ACTUALLY MAKE
866
00:41:29,200 --> 00:41:32,833
SOME TYPE OF A BRIDGE
BETWEEN SRI LANKA AND INDIA.
867
00:41:32,833 --> 00:41:34,133
**
868
00:41:34,133 --> 00:41:37,300
NOW, A TEAM
OF INDIAN ARCHAEOLOGISTS ARE
869
00:41:37,300 --> 00:41:41,067
ABOUT TO EMBARK ON THE
FIRST-EVER UNDERWATER EXPEDITION
870
00:41:41,067 --> 00:41:44,167
TO EXPLORE
THIS MYSTERY STRUCTURE.
871
00:41:44,167 --> 00:41:47,667
IF ARCHAEOLOGICAL INVESTIGATION
ACTUALLY FINDS
872
00:41:47,667 --> 00:41:53,933
THAT THESE CHAINS OF ISLANDS
WAS, INDEED, MADE BY HUMANS,
873
00:41:53,933 --> 00:41:57,333
IT REALLY COULD CHANGE
OUR UNDERSTANDING
874
00:41:57,333 --> 00:42:00,367
OF ANCIENT PEOPLES
AND TIMES AND TECHNOLOGIES.
875
00:42:00,367 --> 00:42:03,400
[ SUSPENSEFUL MUSIC CLIMBS ]
66396
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