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These are the user uploaded subtitles that are being translated: 1 00:00:01,467 --> 00:00:03,467 Narrator: THEY'RE WATCHING YOU. 2 00:00:03,467 --> 00:00:07,300 MORE THAN 4,000 SATELLITES CIRCLE THE EARTH. 3 00:00:07,300 --> 00:00:10,500 EVERY DAY, THEY UNCOVER NEW AND MYSTERIOUS PHENOMENA 4 00:00:10,500 --> 00:00:12,367 THAT DEFY EXPLANATION. 5 00:00:12,367 --> 00:00:15,100 [ BEEPING, DISTORTED MUSIC ] 6 00:00:15,100 --> 00:00:18,967 A TERRIFYING TALE OF TERROR FROM TRANSYLVANIA. 7 00:00:18,967 --> 00:00:20,767 SOMETHING REALLY CATASTROPHIC HAS HAPPENED. 8 00:00:20,767 --> 00:00:25,533 IF YOU SAID ANYTHING BAD ABOUT THEM, YOU RISKED DEATH. 9 00:00:25,533 --> 00:00:29,167 Narrator: LEGENDS AND LEPROSY ON LABYRINTH ISLAND. 10 00:00:29,167 --> 00:00:30,567 Bruce: THEY WERE PLACES OF PERIL, 11 00:00:30,567 --> 00:00:32,200 THEY WERE PLACES OF MYSTERY, 12 00:00:32,200 --> 00:00:34,433 AND THEY WERE PLACES OF TERROR. 13 00:00:34,433 --> 00:00:38,033 Narrator: CORPSE-MUNCHING BIRDS AND THE TEMPLES OF DOOM. 14 00:00:38,033 --> 00:00:42,867 Sanford: YOU HAVE THIS BODY BEING STRIPPED BY THESE BIRDS, 15 00:00:42,867 --> 00:00:47,067 GRABBING THE FLESH AND RIPPING IT FROM THE BONES. 16 00:00:47,067 --> 00:00:50,133 Narrator: AND THE POLAR PUZZLE IN THE ANTARCTIC. 17 00:00:50,133 --> 00:00:53,333 THE NUCLEAR EXPERIMENT WENT CATASTROPHICALLY WRONG. 18 00:00:53,333 --> 00:00:55,633 BAM -- THEY JUST SMASHED INTO THE SIDE 19 00:00:55,633 --> 00:00:58,300 TRAVELING HUNDREDS OF MILES PER HOUR. 20 00:00:58,300 --> 00:01:00,167 Narrator: BAFFLING PHENOMENA. 21 00:01:00,167 --> 00:01:02,333 MYSTERIES FROM SPACE. 22 00:01:02,333 --> 00:01:04,200 WHAT ON EARTH ARE THEY? 23 00:01:04,200 --> 00:01:07,200 -- Captions by VITAC -- www.vitac.com 24 00:01:07,200 --> 00:01:09,267 [ BEEPING ] [ CAMERA SHUTTER CLICKING ] 25 00:01:09,267 --> 00:01:10,467 [ WHIRRING ] 26 00:01:10,467 --> 00:01:13,467 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 27 00:01:13,467 --> 00:01:21,967 ** 28 00:01:21,967 --> 00:01:25,067 JULY 4, 2012. 29 00:01:25,067 --> 00:01:27,267 AS THE WORLDVIEW-2 SATELLITE PASSES 30 00:01:27,267 --> 00:01:31,067 OVER THE LEGENDARY REGION OF TRANSYLVANIA IN ROMANIA, 31 00:01:31,067 --> 00:01:34,567 IT CAPTURES AN IMAGE OF AN EXTRAORDINARY LAKE. 32 00:01:34,567 --> 00:01:36,933 Mosher: I'VE SEEN A LOT OF IMAGES OF EARTH FROM SPACE, 33 00:01:36,933 --> 00:01:38,900 AND THIS JUST LOOKS WILD. 34 00:01:38,900 --> 00:01:42,867 THIS DEEP RED, AND THIS AQUA GREEN, 35 00:01:42,867 --> 00:01:45,400 IT KIND OF LOOKS ALMOST MYSTICAL. 36 00:01:45,400 --> 00:01:49,067 ** 37 00:01:49,067 --> 00:01:51,300 Narrator: IT'S NOT THE FIRST TIME AERIAL IMAGES 38 00:01:51,300 --> 00:01:54,167 HAVE REVEALED COLORED LAKES, 39 00:01:54,167 --> 00:01:57,067 BUT THERE'S SOMETHING DIFFERENT ABOUT THIS ONE. 40 00:01:57,067 --> 00:01:59,167 Phoenix: THE STRANGEST PART ABOUT THIS PHOTOGRAPH 41 00:01:59,167 --> 00:02:04,067 IS THAT THE LAKE HAS SO MANY DISTINCTIVE COLOR DIFFERENCES 42 00:02:04,067 --> 00:02:06,933 FROM SECTION TO SECTION INSIDE THE SAME LAKE. 43 00:02:06,933 --> 00:02:10,700 ** 44 00:02:10,700 --> 00:02:12,600 Narrator: HISTORICAL IMAGES OF THE LAKE 45 00:02:12,600 --> 00:02:14,567 ADD TO THE MYSTERY. 46 00:02:14,567 --> 00:02:16,467 Kourounis: IF YOU WERE TO LOOK AT DIFFERENT IMAGES 47 00:02:16,467 --> 00:02:17,833 FROM DIFFERENT TIMES, 48 00:02:17,833 --> 00:02:21,067 YOU COULD SEE THAT THE COLORED PARTS OF THE LAKE 49 00:02:21,067 --> 00:02:24,533 ACTUALLY MOVE AND CHANGE SLIGHTLY. 50 00:02:24,533 --> 00:02:27,367 THAT IS UNUSUAL. 51 00:02:27,367 --> 00:02:29,067 Narrator: THE IMAGE COMES TO THE ATTENTION 52 00:02:29,067 --> 00:02:32,433 OF GEOLOGIST MARTIN PEPPER. 53 00:02:32,433 --> 00:02:36,167 THE LAKE'S SWIRLING COMBINATION OF ORANGE, GREEN, AND GRAY 54 00:02:36,167 --> 00:02:38,233 IS UNLIKE ANYTHING HE HAS SEEN. 55 00:02:38,233 --> 00:02:41,300 ** 56 00:02:41,300 --> 00:02:42,833 PEPPER TRAVELS INTO THE HEART 57 00:02:42,833 --> 00:02:47,067 OF TRANSYLVANIA'S CARPATHIAN MOUNTAINS -- 58 00:02:47,067 --> 00:02:49,433 A LAND OF LEGENDS AND VAMPIRES. 59 00:02:49,433 --> 00:02:51,767 ** 60 00:02:51,767 --> 00:02:54,933 HE WONDERS IF THE VAST EXPANSE OF GRAY IN THE LAKE 61 00:02:54,933 --> 00:02:58,667 COULD BE THE KEY TO UNLOCKING ITS STRANGE APPEARANCE. 62 00:02:58,667 --> 00:03:02,333 WHEN I ZOOMED IN, I COULDN'T FIND ANY SIGNS OF LARGE BOULDERS 63 00:03:02,333 --> 00:03:03,833 OR EVEN GRAVEL, 64 00:03:03,833 --> 00:03:09,633 SO THAT LEADS ME TO BELIEVE THAT THAT'S MOST LIKELY A MUD SLUDGE. 65 00:03:09,633 --> 00:03:12,200 Narrator: PEPPER FINDS NO EVIDENCE OF MUDDY RIVERS 66 00:03:12,200 --> 00:03:15,233 OR A LANDSLIDE RUNNING FROM THE MOUNTAINS INTO THE LAKE. 67 00:03:15,233 --> 00:03:17,600 ** 68 00:03:17,600 --> 00:03:20,067 HE CONSIDERS WHAT OTHER GEOLOGICAL FORCE 69 00:03:20,067 --> 00:03:23,767 COULD HAVE FILLED IT WITH MUD. 70 00:03:23,767 --> 00:03:27,900 ONE POSSIBILITY IS A MUD VOLCANO. 71 00:03:27,900 --> 00:03:32,267 Pepper: MUD VOLCANOS COME ABOUT WHEN YOU HAVE VOLCANIC ACTIVITY, 72 00:03:32,267 --> 00:03:33,967 AND WHEN THEY'RE STILL ACTIVE, 73 00:03:33,967 --> 00:03:36,233 YOU CAN ACTUALLY FIND THAT SOME OF THE COLORS 74 00:03:36,233 --> 00:03:38,400 THAT COME OUT ARE THESE EARTH TONES, 75 00:03:38,400 --> 00:03:40,900 SO OCHRES AND EVEN SOME BROWNS. 76 00:03:40,900 --> 00:03:45,067 THAT MIGHT BE EXACTLY WHAT WE ARE LOOKING AT. 77 00:03:45,067 --> 00:03:47,767 Narrator: PEPPER LEARNS THAT MUD VOLCANOS DO EXIST 78 00:03:47,767 --> 00:03:51,933 IN THIS PART OF ROMANIA. 79 00:03:51,933 --> 00:03:54,733 Pepper: RIGHT NOW WE'RE DRIVING ON A MUD STONE. 80 00:03:54,733 --> 00:03:57,133 SO THAT COULD BE THE VERY LAYER 81 00:03:57,133 --> 00:04:01,433 THAT ALL THESE HYDROTHERMAL STEAMS AND VENTS AND FLUIDS 82 00:04:01,433 --> 00:04:06,200 ARE PUNCHING THROUGH TO FORM ALL THOSE VOLCANOS. 83 00:04:06,200 --> 00:04:07,867 Narrator: BUT AS HE APPROACHES THE LAKE 84 00:04:07,867 --> 00:04:10,400 AND STUDIES THE MUDDY SLUDGE UP CLOSE, 85 00:04:10,400 --> 00:04:13,900 PEPPER REALIZES THAT SOMETHING ISN'T RIGHT. 86 00:04:13,900 --> 00:04:15,200 WHOA. 87 00:04:15,200 --> 00:04:17,500 I MEAN, LITERALLY, IT LOOKS LIKE THIS WHOLE THING 88 00:04:17,500 --> 00:04:20,400 HAS BEEN FILLED WITH A GRAY SLIME. 89 00:04:20,400 --> 00:04:23,067 IT STILL MAKES NO SENSE. 90 00:04:23,067 --> 00:04:24,100 I'M GOING TO CHECK THIS OUT. 91 00:04:24,100 --> 00:04:28,100 ** 92 00:04:28,100 --> 00:04:29,567 Narrator: AT THE LAKE'S EDGE, 93 00:04:29,567 --> 00:04:30,800 PEPPER'S INVESTIGATION 94 00:04:30,800 --> 00:04:32,700 TAKES A BIZARRE TWIST. 95 00:04:32,700 --> 00:04:34,700 WHAT IS THAT? 96 00:04:34,700 --> 00:04:37,767 SOME SORT OF BUILDING OUT THERE. 97 00:04:37,767 --> 00:04:40,367 WHOA. 98 00:04:40,367 --> 00:04:42,733 THAT LOOKS LIKE ALMOST A CHURCH SPIRE. 99 00:04:42,733 --> 00:04:45,133 ** 100 00:04:45,133 --> 00:04:47,533 Narrator: THE SPIRE PROTRUDES 40 FEET 101 00:04:47,533 --> 00:04:50,400 FROM THE CENTER OF THE WEIRD LAKE. 102 00:04:50,400 --> 00:04:53,567 NOBODY JUST PUTS A CHURCH IN THE MIDDLE OF A BODY OF WATER. 103 00:04:53,567 --> 00:04:57,867 THIS JUST GETS MORE AND MORE BIZARRE. 104 00:04:57,867 --> 00:05:00,433 Narrator: PEPPER FEARS THE EERIE SIGHT IS EVIDENCE 105 00:05:00,433 --> 00:05:03,333 OF A DISASTER OF EPIC PROPORTIONS. 106 00:05:03,333 --> 00:05:05,200 SO, IF THAT'S A CHURCH, 107 00:05:05,200 --> 00:05:08,967 I WONDER IF THERE'S A WHOLE TOWN UNDERNEATH ALL THIS MUCK. 108 00:05:08,967 --> 00:05:10,867 Mosher: IT'S TOTALLY SURREAL, BUT THEN YOU START THINKING 109 00:05:10,867 --> 00:05:12,267 ABOUT WHAT ELSE IS AROUND THERE. 110 00:05:12,267 --> 00:05:14,700 IT TELLS YOU SOMETHING REALLY CATASTROPHIC HAS HAPPENED. 111 00:05:14,700 --> 00:05:22,567 ** 112 00:05:22,567 --> 00:05:25,500 Narrator: WHEN PEPPER TAKES A CLOSER LOOK AT THE WATER, 113 00:05:25,500 --> 00:05:28,800 HE DISCOVERS SOMETHING STRANGE. 114 00:05:28,800 --> 00:05:35,100 LOOK AT THIS. SO THIS IS ALL MUCK. 115 00:05:35,100 --> 00:05:39,667 USUALLY, WHEN CLAY SITS, IT WILL ACTUALLY SETTLE TO THE POINT 116 00:05:39,667 --> 00:05:40,833 WHERE YOU CAN ALMOST WALK ON IT, 117 00:05:40,833 --> 00:05:44,933 BUT THIS IS STILL JUST A FROTHY SOUP. 118 00:05:44,933 --> 00:05:47,233 ** 119 00:05:47,233 --> 00:05:48,333 THIS IS NOT NATURAL. 120 00:05:48,333 --> 00:05:50,800 I'VE EVER SEEN ANYTHING LIKE THIS. 121 00:05:50,800 --> 00:05:53,067 Narrator: THIS IS NO MUD VOLCANO. 122 00:05:53,067 --> 00:05:55,533 ** 123 00:05:55,533 --> 00:05:58,200 TREKKING DEEPER INTO THE BIZARRE LANDSCAPE, 124 00:05:58,200 --> 00:05:59,800 PEPPER LOCATES THE BRIGHTLY COLORED 125 00:05:59,800 --> 00:06:03,067 WATERS IN THE SATELLITE IMAGE. 126 00:06:03,067 --> 00:06:06,133 UP CLOSE, HE CONFIRMS HIS SUSPICION THAT THE LAKE 127 00:06:06,133 --> 00:06:09,867 AND THE DISASTER ARE MANMADE. 128 00:06:09,867 --> 00:06:11,567 Pepper: THIS WATER IS JUST TOO GREEN 129 00:06:11,567 --> 00:06:13,700 TO BE COMPLETELY NATURAL. 130 00:06:13,700 --> 00:06:15,067 I MEAN, IT ALMOST LOOKS LIKE SOMEBODY HIT IT 131 00:06:15,067 --> 00:06:18,067 WITH FOOD COLORING. 132 00:06:18,067 --> 00:06:20,633 Narrator: PEPPER HOPES THAT HIS ANALYSIS OF WATER SAMPLES 133 00:06:20,633 --> 00:06:23,500 WILL SHED SOME LIGHT ON THE MYSTERY. 134 00:06:23,500 --> 00:06:27,500 I'M NOT TAKING ANY CHANCES HERE. 135 00:06:27,500 --> 00:06:33,567 FIRST TEST KIT IS pH. 136 00:06:33,567 --> 00:06:37,067 THE TEST REVEALS WORRYING LEVELS OF ACIDITY. 137 00:06:37,067 --> 00:06:40,833 WOW. 2.5 -- THAT IS REALLY LOW. 138 00:06:40,833 --> 00:06:42,767 THAT'S NOT NORMAL. 139 00:06:42,767 --> 00:06:44,267 Phoenix: TYPICAL pH IS ABOUT A 7, 140 00:06:44,267 --> 00:06:47,067 SO JUST TO GIVE YOU AN IDEA HOW OFF THAT IS. 141 00:06:47,067 --> 00:06:50,300 OUR STOMACH ACID HAS A pH OF AROUND 2.5, 142 00:06:50,300 --> 00:06:54,167 AND THAT HAS THE JOB OF DIGESTING OUR FOOD. 143 00:06:54,167 --> 00:06:56,767 IMAGINE WHAT THIS LAKE WOULD DO TO YOU. 144 00:06:56,767 --> 00:07:00,533 ** 145 00:07:00,533 --> 00:07:03,200 Narrator: THE SINISTER NATURE OF THIS LAKE IS CONFIRMED 146 00:07:03,200 --> 00:07:05,133 WHEN PEPPER'S ADDITIONAL WATER SAMPLES 147 00:07:05,133 --> 00:07:07,167 REVEAL TRACES OF METALS. 148 00:07:07,167 --> 00:07:10,367 ** 149 00:07:10,367 --> 00:07:13,300 Pepper: OOH, IT'S TURNING A NICE, BRIGHT PINK. 150 00:07:13,300 --> 00:07:17,067 SO WE DEFINITELY HAVE MERCURY IN THE WATER. 151 00:07:17,067 --> 00:07:22,567 Narrator: PEPPER ALSO DISCOVERS TOXIC ARSENIC AND CADMIUM. 152 00:07:22,567 --> 00:07:26,933 IF YOU CONSUME THIS, IT WILL MAKE YOU SICK AND WILL KILL YOU. 153 00:07:26,933 --> 00:07:29,400 Narrator: THESE WATERS AREN'T JUST WEIRD -- 154 00:07:29,400 --> 00:07:30,667 THEY'RE DEADLY. 155 00:07:30,667 --> 00:07:32,900 ** 156 00:07:32,900 --> 00:07:35,967 Mosher: THESE ARE HIGHLY DANGEROUS CHEMICALS. 157 00:07:35,967 --> 00:07:37,733 SO WHERE THE HELL ARE THEY COMING FROM? 158 00:07:37,733 --> 00:07:40,367 ** 159 00:07:40,367 --> 00:07:42,800 Narrator: COMING UP, A NUCLEAR EXPERIMENT 160 00:07:42,800 --> 00:07:45,567 GOES WRONG IN ANTARCTICA. 161 00:07:45,567 --> 00:07:48,733 Chamberlain: COULD THIS SCAR BE A PLACE WHERE THEY DUG UP 162 00:07:48,733 --> 00:07:51,067 ALL OF THIS RADIOACTIVE MATERIAL? 163 00:07:51,067 --> 00:07:53,200 Narrator: AND MARTIN PEPPER DIGS UP THE TRUTH 164 00:07:53,200 --> 00:07:56,533 BEHIND THE TRANSYLVANIAN TERROR LAKE. 165 00:07:56,533 --> 00:08:01,233 IT'S A DARK SCAR ON THE HISTORY OF ROMANIA. 166 00:08:08,567 --> 00:08:10,200 Narrator: GEOLOGIST MARTIN PEPPER 167 00:08:10,200 --> 00:08:12,067 HAS TRAVELED TO TRANSYLVANIA 168 00:08:12,067 --> 00:08:17,400 TO INVESTIGATE A TOXIC, BIZARRELY COLORED LAKE. 169 00:08:17,400 --> 00:08:22,567 HE DISCOVERS A CHURCH SWALLOWED BY THE DEADLY WATERS. 170 00:08:22,567 --> 00:08:25,300 PEPPER'S SATELLITE IMAGE SHOWS SIGNS OF HABITATION 171 00:08:25,300 --> 00:08:28,067 IN THE WOODS TO THE WEST OF THE LAKE. 172 00:08:28,067 --> 00:08:30,367 ** 173 00:08:30,367 --> 00:08:33,533 HE HEADS THERE WITH ROMANIAN TRANSLATOR ANDRA 174 00:08:33,533 --> 00:08:34,933 TO GATHER THE LOCAL KNOWLEDGE 175 00:08:34,933 --> 00:08:37,333 HE SUSPECTS MAY SOLVE THE MYSTERY. 176 00:08:37,333 --> 00:08:39,933 ** 177 00:08:39,933 --> 00:08:41,200 HELLO? 178 00:08:41,200 --> 00:08:42,233 [ KNOCK ON DOOR ] 179 00:08:42,233 --> 00:08:48,933 ** 180 00:08:48,933 --> 00:08:51,733 HELLO. 181 00:08:51,733 --> 00:08:54,933 CAN WE ASK SOME QUESTIONS ABOUT THE LAKE? 182 00:08:54,933 --> 00:08:56,333 Narrator: NOT EVERYBODY IS PREPARED 183 00:08:56,333 --> 00:08:58,533 TO TALK ABOUT WHAT HAPPENED HERE. 184 00:08:58,533 --> 00:08:59,533 THANK YOU. 185 00:08:59,533 --> 00:09:05,267 ** 186 00:09:05,267 --> 00:09:06,500 HELLO. 187 00:09:06,500 --> 00:09:08,533 CAN WE ASK YOU SOME QUESTIONS ABOUT THE LAKE? 188 00:09:08,533 --> 00:09:13,067 [ SPEAKING ROMANIAN] 189 00:09:13,067 --> 00:09:16,500 Narrator: EVENTUALLY, PEPPER IS INVITED INTO THE HOME OF SAVA, 190 00:09:16,500 --> 00:09:20,200 A GRANDMOTHER WHO HAS LIVED IN THE AREA ALL HER LIFE. 191 00:09:20,200 --> 00:09:23,067 COULD YOU TELL US WHAT IT WAS LIKE HERE AT GEAMANA? 192 00:09:23,067 --> 00:09:24,933 [ SPEAKING ROMANIAN ] 193 00:09:24,933 --> 00:09:27,767 SAVA TELLS PEPPER THAT BEFORE THE VALLEY FLOODED, 194 00:09:27,767 --> 00:09:30,233 IT SUPPORTED A THRIVING VILLAGE. 195 00:09:35,533 --> 00:09:38,067 ONE DAY ALMOST 30 YEARS AGO, 196 00:09:38,067 --> 00:09:40,100 STRANGELY COLORED CONTAMINATED WATER 197 00:09:40,100 --> 00:09:42,267 BEGINS TO ENGULF HER HOME. 198 00:09:50,400 --> 00:09:52,833 SAVA SHOWS PEPPER A PICTURE OF HER VILLAGE 199 00:09:52,833 --> 00:09:54,800 BEFORE THE WATERS CAME. 200 00:09:54,800 --> 00:09:57,800 [ SPEAKING ROMANIAN ] 201 00:09:57,800 --> 00:10:03,467 THIS IS THE OLD, OLD CHURCH THAT NOW IS IN THE WATER. 202 00:10:03,467 --> 00:10:05,133 GEEZ. 203 00:10:05,133 --> 00:10:06,700 Narrator: THE IMAGE SHOWS THE VILLAGE 204 00:10:06,700 --> 00:10:10,433 DROWNED BY HUNDREDS OF FEET OF LIQUID POISON. 205 00:10:10,433 --> 00:10:13,400 YOU CAN SEE HOW MANY HOUSES... 206 00:10:13,400 --> 00:10:15,100 WERE AROUND THE CHURCH, YEAH. 207 00:10:15,100 --> 00:10:17,900 YEAH, STILL THERE, BUT JUST THE LAYER 208 00:10:17,900 --> 00:10:21,967 OF WHAT WE'RE SEEING TODAY IS THAT FAR. 209 00:10:21,967 --> 00:10:22,967 Kourounis: IT WOULD HAVE BEEN 210 00:10:22,967 --> 00:10:26,733 THIS CATASTROPHIC TSUNAMI OF SLUDGE. 211 00:10:26,733 --> 00:10:28,767 IT BLOWS MY MIND. 212 00:10:28,767 --> 00:10:30,600 THERE USED TO BE A VILLAGE HERE, 213 00:10:30,600 --> 00:10:37,333 AND NOW JUST A TOXIC LAKE OF MUCK. 214 00:10:37,333 --> 00:10:38,700 Narrator: WITH SAVA'S HELP, 215 00:10:38,700 --> 00:10:41,400 PEPPER PIECES TOGETHER THE FULL STORY. 216 00:10:50,433 --> 00:10:52,733 Andra: ALL THIS WATER IS BECAUSE OF THE MINE, 217 00:10:52,733 --> 00:10:57,867 AND THAT'S WHY THE VILLAGE IS NOW DROWN IN WATER. 218 00:10:57,867 --> 00:11:01,733 ** 219 00:11:01,733 --> 00:11:04,700 Narrator: COPPER MINES PRODUCE VAST AMOUNTS OF POLLUTED WATER 220 00:11:04,700 --> 00:11:07,833 AS A BYPRODUCT OF THE EXTRACTION PROCESS. 221 00:11:07,833 --> 00:11:09,167 Kourounis: YOU NEED A LOT OF WATER 222 00:11:09,167 --> 00:11:10,967 AND SOME PRETTY TOXIC CHEMICALS 223 00:11:10,967 --> 00:11:12,933 TO GET THAT COPPER OUT OF THE ORE, 224 00:11:12,933 --> 00:11:17,167 AND THERE'S ALWAYS GOING TO BE SOME TYPE OF TOXIC LEFTOVERS, 225 00:11:17,167 --> 00:11:19,667 AND I THINK THAT'S EXACTLY WHAT WE'RE SEEING HERE. 226 00:11:19,667 --> 00:11:22,733 Narrator: COPPER MINES USUALLY CONTAIN THEIR TOXIC RUNOFFS 227 00:11:22,733 --> 00:11:25,100 IN POOLS CALLED TAILING PONDS. 228 00:11:25,100 --> 00:11:28,100 ** 229 00:11:28,100 --> 00:11:31,833 BUT SAVA REVEALS THAT SOMEONE DECIDED TO SHORTCUT THIS PROCESS 230 00:11:31,833 --> 00:11:35,933 BY FLOODING THE VALLEY AND HER VILLAGE. 231 00:11:35,933 --> 00:11:39,067 THAT SOMEONE WAS THE TYRANT WHO RULED ROMANIA. 232 00:11:43,100 --> 00:11:48,333 [ SPEAKING ROMANIAN ] 233 00:11:48,333 --> 00:11:49,833 [ APPLAUSE ] 234 00:11:49,833 --> 00:11:53,433 Baker: NICOLAE CEAUSESCU WAS ONE OF THE LAST 235 00:11:53,433 --> 00:11:57,633 SORT OF CLASSIC, OLD SCHOOL, SOVIET-STYLE DICTATORS. 236 00:11:57,633 --> 00:12:03,867 CEAUSESCU'S ROMANIA WAS REALLY SECOND ONLY TO THE SOVIET UNION 237 00:12:03,867 --> 00:12:08,400 IN THE HARSHNESS OF THE COMMUNIST REGIME. 238 00:12:08,400 --> 00:12:12,167 Narrator: CEAUSESCU'S REGIME BEGINS IN 1965 239 00:12:12,167 --> 00:12:15,067 AND IS CHARACTERIZED BY INTIMIDATION, TERROR, 240 00:12:15,067 --> 00:12:16,233 AND BRUTALITY. 241 00:12:16,233 --> 00:12:19,067 Kourounis: HIS SECRET POLICE WERE NOTORIOUS 242 00:12:19,067 --> 00:12:22,733 FOR MAKING PEOPLE DISAPPEAR IN THE MIDDLE OF THE NIGHT 243 00:12:22,733 --> 00:12:24,400 IF YOU OPPOSED THE GOVERNMENT. 244 00:12:24,400 --> 00:12:29,267 IF YOU SAID ANYTHING BAD ABOUT THEM, YOU RISKED DEATH. 245 00:12:29,267 --> 00:12:32,167 Narrator: WHILE TENS OF THOUSANDS OF HIS PEOPLE STARVE, 246 00:12:32,167 --> 00:12:34,967 CEAUSESCU STEALS HUNDREDS OF MILLIONS OF DOLLARS 247 00:12:34,967 --> 00:12:39,067 AND PLUNDERS HIS COUNTRY'S NATURAL RESOURCES. 248 00:12:39,067 --> 00:12:40,367 Harrison: YES, HE WAS COMMUNIST, 249 00:12:40,367 --> 00:12:43,667 BUT HE WAS ALSO DEALING WITH THE CAPITALIST WEST, 250 00:12:43,667 --> 00:12:47,200 AND SO DEVELOPING THESE COPPER MINES 251 00:12:47,200 --> 00:12:49,833 AND SIMILAR INDUSTRIES, 252 00:12:49,833 --> 00:12:52,400 HE KNEW HE COULD TRADE WITH THE WEST. 253 00:12:52,400 --> 00:12:54,467 AS THE FIRST PRESIDENT OF ROMANIA 254 00:12:54,467 --> 00:12:56,933 EVER TO VISIT THE UNITED STATES OF AMERICA. 255 00:12:56,933 --> 00:13:05,800 SO HE WAS ESSENTIALLY TRYING TO MILK BOTH SIDES OF THE COLD WAR. 256 00:13:05,800 --> 00:13:09,600 Narrator: MINING HELPS TO FUND THE DICTATOR'S LAVISH LIFESTYLE, 257 00:13:09,600 --> 00:13:14,400 BUT SAVA AND HUNDREDS LIKE HER PAY A TERRIBLE PRICE. 258 00:13:14,400 --> 00:13:18,867 IN 1977, GOVERNMENT OFFICIALS FORCE SAVA, HER FAMILY, 259 00:13:18,867 --> 00:13:21,700 AND THEIR FELLOW VILLAGERS TO ABANDON THEIR HOMES. 260 00:13:21,700 --> 00:13:24,300 ** 261 00:13:24,300 --> 00:13:27,433 JUST WEEKS LATER, SLURRY AND TOXIC CHEMICALS 262 00:13:27,433 --> 00:13:28,967 FROM A NEARBY COPPER MINE 263 00:13:28,967 --> 00:13:30,367 FLOW INTO THE VALLEY 264 00:13:30,367 --> 00:13:32,533 AND GRADUALLY ENGULF THE VILLAGE. 265 00:13:32,533 --> 00:13:34,867 ** 266 00:13:34,867 --> 00:13:37,667 BECAUSE OF CEAUSESCU, SHE LOST HER HOUSE, 267 00:13:37,667 --> 00:13:41,700 HER LAND, HER FAMILY WAS DESTROYED. 268 00:13:46,833 --> 00:13:50,800 Harrison: CONCERN FOR REGULAR ROMANIAN CITIZENS 269 00:13:50,800 --> 00:13:55,500 WERE NOWHERE ON HIS LIST OF PRIORITIES. 270 00:13:55,500 --> 00:13:59,767 IT'S A DARK SCAR ON THE HISTORY OF ROMANIA. 271 00:13:59,767 --> 00:14:04,333 ** 272 00:14:04,333 --> 00:14:09,067 Narrator: CEAUSESCU'S CRUEL REGIME IS OVER. 273 00:14:09,067 --> 00:14:11,367 TODAY, NEARLY 30 YEARS LATER, 274 00:14:11,367 --> 00:14:13,567 THE MINE'S OWNERS ARE STILL CLEANING UP 275 00:14:13,567 --> 00:14:16,967 THE MESS HE LEFT BEHIND. 276 00:14:16,967 --> 00:14:18,867 BUT THE EVIL DICTATOR STILL HAUNTS 277 00:14:18,867 --> 00:14:22,900 THIS EERIE TRANSYLVANIAN LAKE. 278 00:14:22,900 --> 00:14:26,600 THE DECISIONS THAT THIS NARCISSISTIC, 279 00:14:26,600 --> 00:14:29,400 POWER-OBSESSED COMMUNIST LEADER 280 00:14:29,400 --> 00:14:32,900 CEAUSESCU MADE IN THE LATE '70s 281 00:14:32,900 --> 00:14:36,700 ARE STILL AFFECTING US DECADES LATER. 282 00:14:36,700 --> 00:14:39,733 Pepper: MEETING SAVA REALLY BROUGHT THE GRAVITY 283 00:14:39,733 --> 00:14:42,067 OF THE WHOLE SITUATION IN. 284 00:14:42,067 --> 00:14:44,300 IT'S SAD TO SEE HOW SUCH A REGIME 285 00:14:44,300 --> 00:14:47,233 COULD SQUASH SMALL PEOPLE IN TINY VILLAGES 286 00:14:47,233 --> 00:14:49,200 WITHOUT A CARE FOR HUMAN LIFE. 287 00:14:49,200 --> 00:14:52,467 ** 288 00:14:52,467 --> 00:14:56,500 Narrator: COMING UP, GRUESOME DEATH RITUALS IN THE DESERT. 289 00:14:56,500 --> 00:14:58,300 THEY WOULD LAY THE BODY OUT... 290 00:14:58,300 --> 00:15:01,167 ...AND THEY LEAVE IT THERE TO STRIP THE CARCASS. 291 00:15:01,167 --> 00:15:04,633 Narrator: AND A LABYRINTH ISLAND IN THE LAND OF LEGENDS. 292 00:15:04,633 --> 00:15:06,133 YOU LOOK AT IT AND THINK, 293 00:15:06,133 --> 00:15:08,667 "IS THIS EVEN SOMETHING THAT'S REAL?" 294 00:15:08,667 --> 00:15:12,533 LOOKS LITERALLY LIKE A GIANT THUMBPRINT. 295 00:15:20,333 --> 00:15:24,100 Narrator: OCTOBER 24, 2014. 296 00:15:24,100 --> 00:15:29,333 THE Geo-Eye SATELLITE PASSES HIGH ABOVE CENTRAL IRAN. 297 00:15:29,333 --> 00:15:34,233 IT CAPTURES AN IMAGE OF TWO STRUCTURES IN THE BARREN DESERT. 298 00:15:34,233 --> 00:15:36,067 Sanford: THESE CIRCULAR STRUCTURES HERE, 299 00:15:36,067 --> 00:15:39,167 THEY DON'T REALLY FIT IN IN THIS LANDSCAPE. 300 00:15:39,167 --> 00:15:42,233 I REALLY WANT TO KNOW WHO BUILT THEM AND WHY. 301 00:15:42,233 --> 00:15:45,467 WHAT ARE THESE THINGS? 302 00:15:45,467 --> 00:15:48,867 Narrator: THE STRUCTURES' WALLS ARE CRUMBLING AND CAST A SHADOW, 303 00:15:48,867 --> 00:15:51,933 SUGGESTING THEY ARE ANCIENT TOWERS. 304 00:15:51,933 --> 00:15:54,700 ANALYSIS OF LOCAL GEOGRAPHY COULD YIELD CLUES 305 00:15:54,700 --> 00:15:56,267 ABOUT THEIR PURPOSE. 306 00:15:56,267 --> 00:15:58,600 YOU CAN SEE THERE'S TWO MOUNTAINS ON EITHER SIDE, 307 00:15:58,600 --> 00:16:01,600 SO WHAT COMES TO MIND IS THAT THESE ARE PROBABLY FORTRESSES 308 00:16:01,600 --> 00:16:03,567 DEFENDING THESE TWO MOUNTAINS 309 00:16:03,567 --> 00:16:06,700 AND PROBABLY THE PASS THAT GOES BETWEEN THEM. 310 00:16:06,700 --> 00:16:09,433 ** 311 00:16:09,433 --> 00:16:13,267 Narrator: IF THESE ANCIENT TOWERS ARE GUARDING A PASS OR ROAD, 312 00:16:13,267 --> 00:16:15,300 THEY COULD BE CONNECTED TO ONE OF IRAN'S 313 00:16:15,300 --> 00:16:18,500 MOST FAMOUS HISTORICAL LEGACIES. 314 00:16:18,500 --> 00:16:21,700 THIS PART OF IRAN IS PART OF WHAT WE CALL THE SILK ROAD, 315 00:16:21,700 --> 00:16:27,333 WHICH WAS A MAJOR TRADING ROUTE THAT SPANNED FROM EAST TO WEST. 316 00:16:27,333 --> 00:16:29,267 Narrator: IN THE SECOND CENTURY, B.C., 317 00:16:29,267 --> 00:16:31,233 AND FOR THE NEXT THOUSAND YEARS, 318 00:16:31,233 --> 00:16:33,967 THE SILK ROAD IS THE EAST'S MAIN TRADING ROUTE, 319 00:16:33,967 --> 00:16:38,600 STRETCHING 4,000 MILES FROM CHINA TO INDIA, IRAN, 320 00:16:38,600 --> 00:16:40,767 AND ON TO THE MEDITERRANEAN SEA. 321 00:16:40,767 --> 00:16:45,467 ** 322 00:16:45,467 --> 00:16:49,333 ON THE SILK ROAD, WE WOULD HAVE SEEN SILKS AND GOLD AND GLASS 323 00:16:49,333 --> 00:16:52,067 AND PRECIOUS METALS AND SPICES. 324 00:16:52,067 --> 00:16:54,233 Altaweel: THE SILK ROAD GIVES US OUR FOOD TODAY. 325 00:16:54,233 --> 00:16:55,867 THINGS LIKE PEPPER, CINNAMON -- 326 00:16:55,867 --> 00:17:00,567 THOSE CAME INTO EUROPEAN TASTES BECAUSE OF THE SILK ROAD. 327 00:17:00,567 --> 00:17:04,967 Narrator: SPICES LIKE SAFFRON TRADE FOR $18,000 A POUND. 328 00:17:04,967 --> 00:17:08,100 RARE SILKS FETCH FIVE TIMES THAT. 329 00:17:08,100 --> 00:17:11,733 THE ROUTE BECOMES A MAGNET FOR BANDITS. 330 00:17:11,733 --> 00:17:15,100 WHEREVER THERE ARE RICHES THERE ARE ALSO THIEVES. 331 00:17:15,100 --> 00:17:18,333 TRADERS WOULD NEED TO STOP AND SAFEGUARD THEMSELVES 332 00:17:18,333 --> 00:17:21,800 AND THEIR GOODS ALONG THE WAY, AND A WHOLE NETWORK OF DEFENSES 333 00:17:21,800 --> 00:17:24,400 REALLY GREW UP ALONG THIS SILK ROAD. 334 00:17:24,400 --> 00:17:28,167 ** 335 00:17:28,167 --> 00:17:29,900 Narrator: BUT THERE'S A PROBLEM WITH THE THEORY 336 00:17:29,900 --> 00:17:33,800 THAT THE TWO TOWERS ARE THE SILK ROAD FORTRESSES. 337 00:17:33,800 --> 00:17:36,200 Bellinger: THESE THINGS ARE CLEARLY CIRCULAR, 338 00:17:36,200 --> 00:17:38,067 AND THE PERSIANS WERE KNOWN 339 00:17:38,067 --> 00:17:42,433 FOR BUILDING RECTANGULAR DEFENSIVE FORTS. 340 00:17:42,433 --> 00:17:44,400 Narrator: IMAGE ANALYST MARC D'ANTONIO 341 00:17:44,400 --> 00:17:47,767 STUDIES THE TWO TOWERS AND SPOTS SOMETHING UNUSUAL. 342 00:17:47,767 --> 00:17:50,333 D'Antonio: THERE'S A LARGE AREA UP HERE. 343 00:17:50,333 --> 00:17:52,967 IT'S FLAT, BUT IT'S ACTUALLY SLIGHTLY SLOPED DOWN 344 00:17:52,967 --> 00:17:54,333 TOWARD THAT CENTRAL HOLE. 345 00:17:54,333 --> 00:17:56,200 NOW, THAT HOLE'S A DEPRESSION, 346 00:17:56,200 --> 00:17:58,167 AS YOU CAN TELL BY THIS SHADOW HERE. 347 00:17:58,167 --> 00:18:03,300 IN THIS OTHER ONE, THERE'S A BIGGER PIT. 348 00:18:03,300 --> 00:18:05,967 Narrator: ANCIENT TEXTS FROM THE REGION CONTAIN CLUES 349 00:18:05,967 --> 00:18:07,767 AS TO THE PURPOSE OF THESE PITS. 350 00:18:07,767 --> 00:18:10,167 ** 351 00:18:10,167 --> 00:18:11,933 Hoffman: ONE OF THE MOST INTERESTING RECORDS 352 00:18:11,933 --> 00:18:14,067 WE HAVE COMES FROM A BABYLONIAN COURT 353 00:18:14,067 --> 00:18:16,367 FROM ABOUT 650 B.C., 354 00:18:16,367 --> 00:18:18,400 AND IT TALKS ABOUT THESE BEACONS THAT WERE LIT 355 00:18:18,400 --> 00:18:19,967 TO ANNOUNCE THE INAUGURATION 356 00:18:19,967 --> 00:18:22,367 OF A NEW BABYLONIAN KING. 357 00:18:22,367 --> 00:18:24,967 Narrator: FIRE BEACONS WERE USED FOR THOUSANDS OF YEARS 358 00:18:24,967 --> 00:18:28,100 TO SEND MESSAGES OVER LONG DISTANCES. 359 00:18:28,100 --> 00:18:30,133 Hoffman: ANYBODY WHO HAS SEEN "THE LORD OF THE RINGS" 360 00:18:30,133 --> 00:18:32,533 FILMS REMEMBERS THE BEACONS OF GONDOR. 361 00:18:32,533 --> 00:18:37,733 THAT COULD BE WHAT WE'RE SEEING HERE WITH THESE TOWERS. 362 00:18:37,733 --> 00:18:41,367 Narrator: THE SHAPE OF THE PITS IS CONSISTENT WITH FIRE BEACONS, 363 00:18:41,367 --> 00:18:44,700 BUT THE POSITION OF THE TOWERS IS PROBLEMATIC. 364 00:18:44,700 --> 00:18:46,267 USUALLY, BEACONS ARE MILES APART. 365 00:18:46,267 --> 00:18:48,533 SOMETHING LIKE 5, 10, 20, 30 MILES AWAY. 366 00:18:48,533 --> 00:18:51,433 SOMETHING JUST FAR ENOUGH SO YOU CAN SEE IT ON THE HORIZON, 367 00:18:51,433 --> 00:18:54,400 WHEREAS, IN THIS CASE, THEY'RE ACTUALLY QUITE CLOSE. 368 00:18:54,400 --> 00:18:56,567 Narrator: THE MYSTERY OF THE TWO TOWERS DEEPENS 369 00:18:56,567 --> 00:18:59,467 WHEN SATELLITE IMAGES REVEAL SEVERAL SIMILAR TOWERS 370 00:18:59,467 --> 00:19:01,700 SPREAD ACROSS THOUSANDS OF MILES 371 00:19:01,700 --> 00:19:04,800 IN THE NEIGHBORING COUNTRIES OF INDIA AND UZBEKISTAN. 372 00:19:04,800 --> 00:19:08,533 ** 373 00:19:08,533 --> 00:19:11,533 INVESTIGATORS PLOT THE TOWERS' LOCATIONS. 374 00:19:11,533 --> 00:19:14,600 THE DISCOVER THE PATTERN MIRRORS THE SPREAD OF AN ANCIENT 375 00:19:14,600 --> 00:19:17,533 AND MYSTERIOUS RELIGION. 376 00:19:17,533 --> 00:19:20,833 ZOROASTRIANISM IS ONE OF THE WORLD'S OLDEST RELIGIONS. 377 00:19:20,833 --> 00:19:23,167 IT'S AT LEAST 3,000 YEARS OLD. 378 00:19:23,167 --> 00:19:25,300 Hoffman: WE MAY NOT BE AS FAMILIAR WITH IT TODAY, 379 00:19:25,300 --> 00:19:27,733 BUT ZOROASTRIANISM WAS ONE OF THE MOST POWERFUL 380 00:19:27,733 --> 00:19:29,600 AND INFLUENTIAL RELIGIONS OF THE WORLD. 381 00:19:29,600 --> 00:19:32,167 ** 382 00:19:32,167 --> 00:19:35,067 Narrator: ZOROASTRIANS BELIEVE LIFE ON EARTH IS A WAR 383 00:19:35,067 --> 00:19:38,733 BETWEEN THE FORCES OF GOOD AND EVIL. 384 00:19:38,733 --> 00:19:41,067 HISTORIANS THINK THESE TOWERS WERE THE SCENE 385 00:19:41,067 --> 00:19:45,267 OF A ZOROASTRIAN DEATH RITUAL -- TO CONQUER EVIL. 386 00:19:45,267 --> 00:19:47,900 THE ZOROASTRIAN'S BURIAL RITUAL'S REALLY IMPORTANT. 387 00:19:47,900 --> 00:19:49,800 THEY BELIEVED THE BODY HAD REAL DANGER. 388 00:19:49,800 --> 00:19:54,067 IN FACT, THEY BELIEVED THE BODY WOULD ABSORB THE BODY DEMON. 389 00:19:54,067 --> 00:19:56,733 AND IF IT WAS ALLOWED OUT, IT WOULD POLLUTE THE WORLD. 390 00:19:56,733 --> 00:20:00,667 Narrator: THE DEMON IS CALLED DRUJ I NASHUSH. 391 00:20:00,667 --> 00:20:02,433 TO PREVENT IT LEAVING THE BODY, 392 00:20:02,433 --> 00:20:05,100 ATTENDANTS WASH THE CADAVER WITH BULL'S URINE 393 00:20:05,100 --> 00:20:06,433 AND WRAP IT IN CLOTH 394 00:20:06,433 --> 00:20:10,067 IN PREPARATION FOR ITS JOURNEY TO ONE OF THE TOWERS. 395 00:20:10,067 --> 00:20:12,567 Horton: THEY WOULD TAKE THE BODIES UP INTO THE TOWER, 396 00:20:12,567 --> 00:20:14,500 AND THEY WOULD LAY THE BODY OUT. 397 00:20:14,500 --> 00:20:17,100 AND THEY LEAVE IT THERE FOR THE VULTURES TO COME 398 00:20:17,100 --> 00:20:20,933 AND STRIP THE CARCASS. 399 00:20:20,933 --> 00:20:24,167 Narrator: WITHIN MINUTES, DOZENS OF THE GIANT CARRION-EATERS 400 00:20:24,167 --> 00:20:27,000 DESCEND ON THE CORPSE. 401 00:20:27,000 --> 00:20:30,533 Sanford: YOU HAVE THIS BODY AT THE TOP OF A TOWER 402 00:20:30,533 --> 00:20:34,100 BEING STRIPPED BY THESE BIRDS. 403 00:20:34,100 --> 00:20:39,967 THEIR BEAKS GRABBING THE FLESH AND RIPPING IT FROM THE BONES. 404 00:20:39,967 --> 00:20:42,633 Narrator: THE PRACTICE IS CALLED A SKY BURIAL. 405 00:20:42,633 --> 00:20:48,167 THESE BIRDS ARE ADAPTED TO EAT ROTTING FLESH. 406 00:20:48,167 --> 00:20:51,667 A PACK OF THEM CAN TOTALLY DESTROY A CORPSE 407 00:20:51,667 --> 00:20:53,200 WITHIN 30 MINUTES. 408 00:20:53,200 --> 00:20:55,200 Narrator: ONCE THE VULTURES' WORK IS DONE, 409 00:20:55,200 --> 00:20:58,800 ATTENDANTS DISPOSE OF THE BONES IN THE BONE PIT. 410 00:20:58,800 --> 00:21:00,533 Horton: THE BONES THEMSELVES WOULD BE WASHED DOWN 411 00:21:00,533 --> 00:21:02,767 INTO A CENTRAL CHAMBER, 412 00:21:02,767 --> 00:21:04,767 WHICH IS CLEARLY VISIBLE ON THIS PHOTOGRAPH, 413 00:21:04,767 --> 00:21:06,800 AND THE BODIES WOULD THEN BE LEFT 414 00:21:06,800 --> 00:21:08,833 AS BASICALLY BROKEN BONES AT THE BOTTOM. 415 00:21:08,833 --> 00:21:11,567 ** 416 00:21:11,567 --> 00:21:13,300 Narrator: IT WAS JUST 50 YEARS AGO 417 00:21:13,300 --> 00:21:17,400 THAT THE AUTHORITIES OUTLAWED SKY BURIALS. 418 00:21:17,400 --> 00:21:21,200 TODAY, THE TWO TOWERS STAND AS SPECTERS TO THIS ANCIENT, 419 00:21:21,200 --> 00:21:23,200 GRISLY RITUAL. 420 00:21:23,200 --> 00:21:25,833 WHAT'S REMARKABLE HERE IS THAT THE PRACTICE OF A 421 00:21:25,833 --> 00:21:30,100 THOUSANDS-OF-YEAR-OLD RELIGION HAS BEEN CAPTURED FROM SPACE. 422 00:21:30,100 --> 00:21:34,633 ** 423 00:21:34,633 --> 00:21:36,200 Narrator: COMING UP, 424 00:21:36,200 --> 00:21:39,067 THINGS GO WEIRD AT THE END OF THE WORLD. 425 00:21:39,067 --> 00:21:40,467 Pappalardo: TO ME, IT LOOKS LIKE SOMETHING LANDED THERE 426 00:21:40,467 --> 00:21:43,800 EXTREMELY QUICKLY AND SKIDDED TO A HALT. 427 00:21:43,800 --> 00:21:47,633 Narrator: AND TIME CAPSULES FROM AN AGE OF MONSTERS. 428 00:21:47,633 --> 00:21:49,733 Bellinger: WE REALLY DON'T KNOW WHAT THEY WERE MADE FOR, 429 00:21:49,733 --> 00:21:53,100 POSSIBLY FOR SOME KIND OF CELESTIAL PURPOSE. 430 00:22:00,400 --> 00:22:03,267 Narrator: NOVEMBER 2001. 431 00:22:03,267 --> 00:22:06,833 A SATELLITE ABOVE MOUNT EREBUS IN ANTARCTICA CAPTURES 432 00:22:06,833 --> 00:22:10,900 AN UNUSUAL IMAGE OF THE WINDSWEPT ICE SHEETS -- 433 00:22:10,900 --> 00:22:12,967 A JAGGED, SAW-SHAPED STRUCTURE 434 00:22:12,967 --> 00:22:16,233 EXTENDING FROM THE FLANKS OF THE MOUNTAIN. 435 00:22:16,233 --> 00:22:19,400 IT LOOKS LIKE SOMETHING HAS GONE ALONG THE GROUND 436 00:22:19,400 --> 00:22:22,933 AND SCRAPED UP WHAT'S THERE AND KICKED UP THE SIDES. 437 00:22:22,933 --> 00:22:29,367 LIKE, A BIG GOUGE HAS BEEN TAKEN OUT OF THE SIDE OF THE MOUNTAIN. 438 00:22:29,367 --> 00:22:33,733 Narrator: TEMPERATURES HERE AVERAGE 1 DEGREE FAHRENHEIT. 439 00:22:33,733 --> 00:22:38,267 IN WINTER, IT STAYS DARK FOR TWO WEEKS STRAIGHT. 440 00:22:38,267 --> 00:22:42,633 DESPITE THIS, THERE IS A HISTORY OF HUMAN ACTIVITY IN THE AREA. 441 00:22:42,633 --> 00:22:46,633 IT'S INTERESTING TO LEARN THAT THIS VERY STRANGE FORMATION 442 00:22:46,633 --> 00:22:48,100 IN THE ICE 443 00:22:48,100 --> 00:22:54,067 IS REALLY CLOSE TO THE AMERICAN RESEARCH STATION AT McMURDO. 444 00:22:54,067 --> 00:22:58,067 THE U.S.-FUNDED McMURDO STATION IS LOCATED 15 MILES 445 00:22:58,067 --> 00:22:59,467 FROM THE MYSTERY SCAR 446 00:22:59,467 --> 00:23:02,200 AND IS STAFFED BY A TEAM OF 1,000. 447 00:23:02,200 --> 00:23:04,200 WAS THIS SCAR ANYTHING TO DO 448 00:23:04,200 --> 00:23:05,833 WITH WHAT THE SCIENTISTS ARE DOING? 449 00:23:09,767 --> 00:23:13,933 Narrator: McMURDO HAS A CONTROVERSIAL PAST. 450 00:23:13,933 --> 00:23:18,267 ON MARCH 4, 1962, SCIENTISTS FIRE UP THE FIRST 451 00:23:18,267 --> 00:23:22,533 AND ONLY NUCLEAR REACTOR IN ANTARCTICA. 452 00:23:22,533 --> 00:23:25,833 THE AMERICAN GOVERNMENT ACTUALLY TRIED TO PUT IN 453 00:23:25,833 --> 00:23:29,600 A NUCLEAR REACTOR FOR POWER. 454 00:23:29,600 --> 00:23:32,433 THE U.S. HOPES THAT THE REACTOR WILL REPLACE OIL 455 00:23:32,433 --> 00:23:35,533 AS THE STATION'S FUEL SOURCE, EXPENSIVE AND TOUGH 456 00:23:35,533 --> 00:23:39,500 TO TRANSPORT TO THE ISOLATED SITE. 457 00:23:39,500 --> 00:23:41,767 BUT IN THE VOLATILE ANTARCTIC WEATHER, 458 00:23:41,767 --> 00:23:44,267 THE REACTOR CRITICALLY MALFUNCTIONS. 459 00:23:46,233 --> 00:23:48,933 Pavelec: THE NUCLEAR EXPERIMENT AT McMURDO STATION 460 00:23:48,933 --> 00:23:52,133 WENT CATASTROPHICALLY WRONG. 461 00:23:52,133 --> 00:23:55,267 THOUSANDS UPON THOUSANDS OF CUBIC FEET 462 00:23:55,267 --> 00:23:57,667 OF RADIOACTIVELY CONTAMINATED SOIL 463 00:23:57,667 --> 00:23:59,367 HAD TO BE DUG UP, 464 00:23:59,367 --> 00:24:02,667 AND IT WAS PUT IN PROPER CONTAINMENT STORAGE. 465 00:24:02,667 --> 00:24:07,467 Narrator: THE U.S. NAVY REMOVES 360 TONS OF RADIOACTIVE SOIL 466 00:24:07,467 --> 00:24:11,100 AND TRANSPORTS IT THOUSANDS OF MILES BACK TO THE U.S. 467 00:24:11,100 --> 00:24:13,267 Chamberlain: COULD THIS SCAR BE A PLACE 468 00:24:13,267 --> 00:24:16,633 WHERE THEY DUG UP ALL OF THIS RADIOACTIVE MATERIAL? 469 00:24:18,933 --> 00:24:21,533 Narrator: BUT ANALYSTS DOUBT THE LEAKED NUCLEAR MATERIAL 470 00:24:21,533 --> 00:24:23,533 COULD BE CONFINED TO A LINEAR PATTERN 471 00:24:23,533 --> 00:24:26,233 LIKE THE ONE IN THE SATELLITE IMAGE. 472 00:24:26,233 --> 00:24:27,967 Pavelec: BECAUSE OF THE SIZE AND THE SCALE, 473 00:24:27,967 --> 00:24:31,067 IT'S PROBABLY NOT SOMETHING THAT WAS DUG OUT. 474 00:24:31,067 --> 00:24:32,800 THERE HAS TO BE ANOTHER EXPLANATION 475 00:24:32,800 --> 00:24:35,233 FOR THIS VERY STRANGE FORMATION IN THE ICE. 476 00:24:38,167 --> 00:24:41,067 Narrator: AVIATION EXPERT JOE PAPPALARDO CONSIDERS 477 00:24:41,067 --> 00:24:43,067 IF THE SCAR COULD BEAR THE HALLMARKS 478 00:24:43,067 --> 00:24:45,100 OF AN AIRCRAFT DISASTER. 479 00:24:45,100 --> 00:24:46,533 Pappalardo: TO ME, IT LOOKS LIKE SOMETHING LANDED THERE 480 00:24:46,533 --> 00:24:50,767 EXTREMELY QUICKLY AND SKIDDED TO A HALT. 481 00:24:50,767 --> 00:24:52,767 MAYBE SOMETHING HAD CRASHED HERE. 482 00:24:55,200 --> 00:24:57,133 Narrator: THE CRASH THEORY GAINS TRACTION 483 00:24:57,133 --> 00:24:59,133 WHEN INVESTIGATORS DISCOVER THE IMAGES 484 00:24:59,133 --> 00:25:01,633 TAKEN CLOSE TO THE SITE OF ONE OF THE WORLD'S 485 00:25:01,633 --> 00:25:04,933 MOST CATASTROPHIC AVIATION ACCIDENTS. 486 00:25:04,933 --> 00:25:07,267 SO, WHEN YOU THINK ABOUT SOMETHING CRASHING 487 00:25:07,267 --> 00:25:08,700 IN THAT PART OF THE WORLD, 488 00:25:08,700 --> 00:25:12,767 YOU THINK ABOUT THE WORST AIR DISASTER IN NEW ZEALAND HISTORY. 489 00:25:12,767 --> 00:25:18,267 Narrator: AT 7:21 A.M. ON NOVEMBER 28, 1979, 490 00:25:18,267 --> 00:25:22,100 AIR NEW ZEALAND FLIGHT 901 TAKES OFF FROM AUCKLAND AIRPORT 491 00:25:22,100 --> 00:25:24,400 ON A SIGHT-SEEING TOUR OF ANTARCTICA. 492 00:25:26,833 --> 00:25:30,933 THE CREW REPORT CLEAR WEATHER AND GOOD VISIBILITY, 493 00:25:30,933 --> 00:25:33,067 BUT AS THE PLANE NEARS MOUNT EREBUS, 494 00:25:33,067 --> 00:25:35,667 A STRANGE AND TERRIFYING OPTICAL ILLUSION 495 00:25:35,667 --> 00:25:39,400 KNOWN AS A "WHITEOUT" DECEIVES THE TWO PILOTS. 496 00:25:39,400 --> 00:25:41,167 Lester: IT'S NOT A STORM. 497 00:25:41,167 --> 00:25:45,567 IT'S SIMPLY A SITUATION WHERE THERE'S WHITE EVERYWHERE. 498 00:25:45,567 --> 00:25:48,367 WHITE GLACIER BENEATH, WHITE CLOUDS ABOVE, 499 00:25:48,367 --> 00:25:51,500 AND THERE'S NO WAY TO TELL WHAT'S UP, WHAT'S DOWN, 500 00:25:51,500 --> 00:25:54,100 AND WHAT'S IN FRONT OF YOU. 501 00:25:54,100 --> 00:25:57,900 Narrator: AT 12:49 P.M., THE PLANE PLOWS INTO THE ICE, 502 00:25:57,900 --> 00:26:01,800 KILLING ALL 257 PASSENGERS AND CREW. 503 00:26:04,467 --> 00:26:08,533 BAM -- THEY JUST SMASHED INTO THE SIDE OF MOUNT EREBUS 504 00:26:08,533 --> 00:26:11,167 TRAVELING HUNDREDS OF MILES PER HOUR. 505 00:26:11,167 --> 00:26:14,400 Pappalardo: FOR THE PILOTS, IT MUST HAVE BEEN HORRIFYING, 506 00:26:14,400 --> 00:26:18,200 THOSE LAST FEW SECONDS, REALIZING THAT, OUT OF NOWHERE, 507 00:26:18,200 --> 00:26:21,500 A MOUNTAINSIDE WAS LOOMING IN THE COCKPIT WINDOW. 508 00:26:24,700 --> 00:26:27,533 Narrator: ANALYST MARC D'ANTONIO STUDIES THE IMAGE TO SEE 509 00:26:27,533 --> 00:26:32,200 IF IT COULD BE A REMNANT OF THE PLANE'S LONG DEBRIS TRAIL. 510 00:26:32,200 --> 00:26:34,533 HE DISCOVERS SOMETHING ISN'T RIGHT. 511 00:26:34,533 --> 00:26:35,900 WHEN YOU FIRST LOOK AT THIS, 512 00:26:35,900 --> 00:26:39,100 IT LOOKS AS IF SOMEBODY WAS SCRAPING ALONG IN THE ICE 513 00:26:39,100 --> 00:26:41,500 AND MAKING THIS GIGANTIC FURROW. 514 00:26:41,500 --> 00:26:45,133 BUT IF WE LOOK AT THIS OBJECT OVER HERE -- 515 00:26:45,133 --> 00:26:47,067 THIS LITTLE SPIRE OF ROCK -- 516 00:26:47,067 --> 00:26:49,433 YOU SEE THE SHADOW, WHICH WAYS IT'S GOING? 517 00:26:49,433 --> 00:26:51,600 WELL, THERE, WE SEE THE SHADOW, AS WELL. 518 00:26:51,600 --> 00:26:53,667 THIS IS AN ELEVATED FEATURE. 519 00:26:53,667 --> 00:26:56,367 THIS IS AN ELEVATED FEATURE, TOO. 520 00:26:56,367 --> 00:26:59,800 Narrator: THE SHADOW INDICATES IT IS NOT A DEPRESSION IN THE ICE, 521 00:26:59,800 --> 00:27:03,133 BUT SOMETHING RISING ABOVE IT. 522 00:27:03,133 --> 00:27:05,267 NASA SCIENTIST DR. KELLY BRUNT 523 00:27:05,267 --> 00:27:07,200 TRAVELS TO THE REMOTE FEATURE. 524 00:27:10,600 --> 00:27:13,800 SHE FINDS A 7-MILE-LONG WALL OF JAGGED ICE 525 00:27:13,800 --> 00:27:17,267 PROTRUDING FROM THE FROZEN SEAS OF McMURDO SOUND. 526 00:27:17,267 --> 00:27:19,300 Brunt: JUST LIKE AN ICE CUBE IN A GLASS, 527 00:27:19,300 --> 00:27:22,567 ABOUT 10% OF THE ICE IS ABOVE THE SURFACE 528 00:27:22,567 --> 00:27:26,333 AND THE OTHER 90% IS BELOW THE SURFACE. 529 00:27:26,333 --> 00:27:29,100 Narrator: THE MASSIVE ICE WALL IS A RARE TYPE OF GLACIER 530 00:27:29,100 --> 00:27:31,733 CALLED AN "ICE TONGUE," 531 00:27:31,733 --> 00:27:33,767 CREATED BY MILLIONS OF TONS OF ICE 532 00:27:33,767 --> 00:27:35,900 FLOWING FROM THE BASE OF MOUNT EREBUS 533 00:27:35,900 --> 00:27:37,667 INTO THE FROZEN SEAS. 534 00:27:41,067 --> 00:27:44,900 SO, THE SERRATED FEATURES WE SEE ARE SORT OF THE SCARS LEFT 535 00:27:44,900 --> 00:27:49,833 AS THE ICE IS SHEARING BY ROCKS OR OTHER FEATURES. 536 00:27:49,833 --> 00:27:52,733 Narrator: INSIDE THE ICE TONGUE, THE GLACIER'S RELENTLESS, 537 00:27:52,733 --> 00:27:55,300 CRUSHING FORCES CREATE A VAST LABYRINTH 538 00:27:55,300 --> 00:27:57,867 OF CATHEDRAL-LIKE ICE CAVES. 539 00:27:57,867 --> 00:28:00,300 Brunt: IT'S SERENE. IT'S QUIET. 540 00:28:00,300 --> 00:28:02,067 THE LIGHT THAT YOU SEE ISN'T WHITE. 541 00:28:02,067 --> 00:28:03,867 IT'S ACTUALLY BLUE. 542 00:28:03,867 --> 00:28:05,967 IT'S QUITE A THING TO SEE. 543 00:28:05,967 --> 00:28:10,333 THIS ICE TONGUE IS JUST THIS AMAZINGLY BEAUTIFUL 544 00:28:10,333 --> 00:28:12,100 ICE SCULPTURE. 545 00:28:12,100 --> 00:28:13,400 IT'S BREATHTAKING. 546 00:28:13,400 --> 00:28:16,067 I CAN'T BELIEVE THAT THIS CAME FROM NATURE. 547 00:28:20,200 --> 00:28:23,200 Narrator: COMING UP, DEATH AND DISFIGUREMENT 548 00:28:23,200 --> 00:28:25,167 ON A MEDITERRANEAN ISLAND. 549 00:28:25,167 --> 00:28:28,133 IT GAVE YOU HORRIBLE MARKS ALL OVER YOUR BODY. 550 00:28:28,133 --> 00:28:32,133 IT WAS A DISEASE THAT PEOPLE BECAME VERY TERRIFIED OF. 551 00:28:32,133 --> 00:28:35,200 Narrator: AND STRANGE SPHERES ON A NEW ZEALAND BEACH. 552 00:28:35,200 --> 00:28:38,967 THIS CARGO ROLLED ASHORE AND EVENTUALLY TURNED TO STONE. 553 00:28:46,900 --> 00:28:51,167 Narrator: SEPTEMBER 13, 2016. 554 00:28:51,167 --> 00:28:54,500 SATELLITE IMAGERY REVEALS A STRANGE PATTERN OF DOMES 555 00:28:54,500 --> 00:28:58,867 SCATTERED ACROSS KOEKOHE BEACH ON NEW ZEALAND'S SOUTH ISLAND. 556 00:28:58,867 --> 00:29:03,233 PERFECTLY ROUND SPHERES THAT LOOK LIKE MARBLES ON THE BEACH. 557 00:29:03,233 --> 00:29:05,733 Bellinger: I REALLY WONDER WHAT ON EARTH THEY COULD BE. 558 00:29:05,733 --> 00:29:07,233 COULD THEY HAVE WASHED ASHORE? 559 00:29:07,233 --> 00:29:10,633 IT'S REALLY A VERY MYSTERIOUS IMAGE. 560 00:29:10,633 --> 00:29:13,467 Narrator: THE IMAGE SPARKS WILD SPECULATION. 561 00:29:13,467 --> 00:29:15,967 BEACH UMBRELLAS. 562 00:29:15,967 --> 00:29:18,567 JELLYFISH WASHED ASHORE. 563 00:29:18,567 --> 00:29:21,633 GIANT TURTLE EGGS. 564 00:29:21,633 --> 00:29:25,333 CAN YOU IMAGINE THE TURTLE THAT WOULD COME OUT OF THAT? 565 00:29:25,333 --> 00:29:28,200 Narrator: WHEN INVESTIGATORS CONSULT HISTORICAL RECORDS, 566 00:29:28,200 --> 00:29:31,567 THEY HIT UPON A POTENTIALLY TERRIFYING POSSIBILITY. 567 00:29:35,767 --> 00:29:40,133 A LEGACY OF NAVAL WARFARE IN THE PACIFIC OCEAN -- 568 00:29:40,133 --> 00:29:41,333 SEA MINES. 569 00:29:44,600 --> 00:29:47,133 Walters: WHEN WE THINK OF MINES BEING LAID IN THE SECOND WORLD WAR, 570 00:29:47,133 --> 00:29:49,300 WE TEND TO THINK OF THEM BEING LAID IN THE ATLANTIC 571 00:29:49,300 --> 00:29:51,233 AND THE MEDITERRANEAN. 572 00:29:51,233 --> 00:29:53,567 BUT ACTUALLY, WHAT IS LESS WELL-KNOWN IS THAT THE GERMANS 573 00:29:53,567 --> 00:29:56,967 LAID HUNDREDS OF MINES OFF NEW ZEALAND. 574 00:29:56,967 --> 00:30:00,767 Narrator: THE U.S. NAVY ALSO DUMPS CLOSE TO 25,000 MINES 575 00:30:00,767 --> 00:30:04,333 IN THE PACIFIC TO COUNTER THE JAPANESE ADVANCE. 576 00:30:04,333 --> 00:30:07,067 SO, AT THE END OF THE WAR, THERE WAS THIS HUGE CLEAN-UP OPERATION 577 00:30:07,067 --> 00:30:09,433 OF ALL THESE MINES AND MINESWEEPING CRAFT 578 00:30:09,433 --> 00:30:15,133 WE USED TO GATHER THE MINES IN OR EXPLODE THEM. 579 00:30:15,133 --> 00:30:17,333 Narrator: NOT ALL THE MINES ARE RECOVERED. 580 00:30:20,333 --> 00:30:23,200 RECORDS REVEAL WARTIME MINES LAID IN THE DEPTHS 581 00:30:23,200 --> 00:30:25,800 OF THE PACIFIC HAVE WASHED ASHORE IN NEW ZEALAND 582 00:30:25,800 --> 00:30:27,967 DURING THE PAST DECADE. 583 00:30:27,967 --> 00:30:30,533 ARMED WITH 500 POUNDS OF EXPLOSIVES, 584 00:30:30,533 --> 00:30:33,600 MANY STILL POSE A DEADLY THREAT. 585 00:30:33,600 --> 00:30:36,400 COULD BE THESE MINES POPPING BACK UP. 586 00:30:38,833 --> 00:30:41,433 Narrator: WHEN INVESTIGATORS RE-EXAMINE THE IMAGE, 587 00:30:41,433 --> 00:30:45,567 THEY NOTICE A DETAIL WHICH CASTS DOUBT ON THE MINE THEORY. 588 00:30:45,567 --> 00:30:48,900 WHEN YOU LOOK CAREFULLY, YOU CAN SEE THAT THESE SPHERICAL OBJECTS 589 00:30:48,900 --> 00:30:51,767 ARE VERY VARIABLE IN DIAMETER. 590 00:30:51,767 --> 00:30:54,067 NOW, A WORLD WAR II MINE WILL HAVE A DIAMETER 591 00:30:54,067 --> 00:30:56,533 AROUND 4 FOOT, SOMETHING LIKE THAT, 592 00:30:56,533 --> 00:31:00,333 WHEREAS THESE RANGE IN SIZE FROM SMALL TO LARGE. 593 00:31:04,467 --> 00:31:06,533 Narrator: FORENSIC GEOLOGIST SCOTT WOLTER 594 00:31:06,533 --> 00:31:09,533 RECOGNIZES SOMETHING FAMILIAR IN THE IMAGE. 595 00:31:09,533 --> 00:31:12,500 I SAW SOMETHING VERY SIMILAR TO THESE 596 00:31:12,500 --> 00:31:15,533 IN THE JUNGLES IN COSTA RICA. 597 00:31:15,533 --> 00:31:16,967 AND THEY WERE THESE LARGE -- 598 00:31:16,967 --> 00:31:20,367 IN SOME CASES, SEVERAL FEET IN DIAMETER -- 599 00:31:20,367 --> 00:31:23,800 ROUND BOULDERS THAT LOOKED LIKE BOWLING BALLS. 600 00:31:23,800 --> 00:31:25,333 Narrator: ARCHAEOLOGISTS HAVE DISCOVERED 601 00:31:25,333 --> 00:31:27,900 MORE THAN 300 OF THESE MYSTERIOUS BALLS 602 00:31:27,900 --> 00:31:30,767 IN THE JUNGLES OF CENTRAL AMERICA. 603 00:31:30,767 --> 00:31:33,100 STUDIES REVEAL THESE STONE FORMATIONS 604 00:31:33,100 --> 00:31:36,333 ARE, IN FACT, ANCIENT SCULPTURES. 605 00:31:36,333 --> 00:31:39,900 INDIGENOUS PEOPLE IN COSTA RICA CALL THEM "LAS BOLAS," 606 00:31:39,900 --> 00:31:42,667 OR "THE BALLS." 607 00:31:42,667 --> 00:31:44,667 Narrator: HISTORIANS BELIEVE THEY WERE CARVED BY 608 00:31:44,667 --> 00:31:47,933 THE DIQUIS PEOPLE OVER 1,000 YEARS AGO. 609 00:31:47,933 --> 00:31:50,200 THEIR PURPOSE REMAINS A MYSTERY. 610 00:31:50,200 --> 00:31:52,633 WE REALLY DON'T KNOW WHAT THEY WERE MADE FOR. 611 00:31:52,633 --> 00:31:55,533 POSSIBLY FOR SOME KIND OF CELESTIAL PURPOSE 612 00:31:55,533 --> 00:31:57,900 OR A SIGNPOST TO LEAD THE WAY SOMEWHERE. 613 00:32:00,267 --> 00:32:02,867 COULD THESE HUGE, MARBLE-LIKE STRUCTURES 614 00:32:02,867 --> 00:32:04,800 THAT WE SEE ON THIS BEACH IN NEW ZEALAND 615 00:32:04,800 --> 00:32:07,233 BE SOMETHING SIMILAR? 616 00:32:07,233 --> 00:32:10,067 Narrator: IF THESE SPHERES ARE ANCIENT SCULPTURES, 617 00:32:10,067 --> 00:32:13,067 THEY'RE LIKELY TO BE THE WORK OF THE INDIGENOUS POPULATION, 618 00:32:13,067 --> 00:32:14,067 THE MAORI. 619 00:32:17,200 --> 00:32:20,600 THE MAORI ARRIVED IN NEW ZEALAND FROM POLYNESIAN ISLANDS 620 00:32:20,600 --> 00:32:22,533 AROUND 700 YEARS AGO 621 00:32:22,533 --> 00:32:24,733 AND HAVE A STRONG TRADITION OF STONE CARVING 622 00:32:24,733 --> 00:32:27,067 IN THEIR CULTURE. 623 00:32:27,067 --> 00:32:29,833 MAORI LEGENDS CELEBRATE THE SPHERICAL STONES 624 00:32:29,833 --> 00:32:33,933 AND EVEN DESCRIBE HOW THEY ARRIVE ON THE BEACH. 625 00:32:33,933 --> 00:32:36,667 Hoffman: ACCORDING TO MAORI TRADITION, THIS IS THE CARGO 626 00:32:36,667 --> 00:32:39,867 THAT WAS ONCE PART OF A LEGENDARY CANOE THAT CAPSIZED. 627 00:32:39,867 --> 00:32:43,533 SO, THIS CARGO ROLLED ASHORE AND EVENTUALLY TURNED TO STONE. 628 00:32:47,600 --> 00:32:50,833 Narrator: YET, WHEN GEOLOGISTS GET ACCESS TO THE STRANGE ORBS 629 00:32:50,833 --> 00:32:52,100 TO ANALYZE THEM, 630 00:32:52,100 --> 00:32:57,100 THEY DISCOVER THESE ARE NOT MAN-MADE OBJECTS AT ALL. 631 00:32:57,100 --> 00:33:00,867 THESE PODS HAVE TRAVELED IN TIME FROM THE PALEOCENE ERA -- 632 00:33:00,867 --> 00:33:02,900 60 MILLION YEARS AGO. 633 00:33:05,367 --> 00:33:07,967 BACK THEN, NEW ZEALAND WAS A VERY DIFFERENT PLACE 634 00:33:07,967 --> 00:33:10,200 TO TODAY'S LUSH PARADISE. 635 00:33:10,200 --> 00:33:12,367 [ Roars ] 636 00:33:12,367 --> 00:33:17,167 WEIRD AND TERRIFYING PREDATORS STALK THE OCEANS. 637 00:33:17,167 --> 00:33:19,433 WHEN THEY DIE, FRAGMENTS OF THESE ANIMALS 638 00:33:19,433 --> 00:33:23,133 AND THE PLANTS AROUND THEM SETTLE ON THE SILTY SEA BED. 639 00:33:23,133 --> 00:33:29,967 A PIECE OF BONE MATERIAL -- A FOSSIL OR A LEAF OR A TWIG. 640 00:33:29,967 --> 00:33:33,700 Narrator: AS THE FRAGMENTS ARE BURIED, A UNIQUE GEOLOGICAL PROCESS 641 00:33:33,700 --> 00:33:36,200 LOCKS THEM WITHIN A STONY PRISON. 642 00:33:36,200 --> 00:33:38,833 OVER TIME, WHAT HAPPENS IS, 643 00:33:38,833 --> 00:33:40,367 GROUND WATER MOVES THROUGH THE ROCK, 644 00:33:40,367 --> 00:33:43,833 IT CARRIES SOLUTIONS THAT WILL HARDEN AROUND THE FOSSIL, 645 00:33:43,833 --> 00:33:45,400 AND THEY WILL ACTUALLY GROW 646 00:33:45,400 --> 00:33:49,067 SIMILAR TO HOW A PEARL FORMS INSIDE OF A CLAM SHELL. 647 00:33:49,067 --> 00:33:51,567 ONLY THESE ARE MUCH LARGER. 648 00:33:51,567 --> 00:33:54,200 NARRATOR: GEOLOGISTS CALL THESE FOSSILIZED SPHERES 649 00:33:54,200 --> 00:33:55,767 "CONCRETIONS." 650 00:33:55,767 --> 00:33:58,733 Argyilan: SOME SCIENTISTS PERCEIVE THESE AS TIME CAPSULES 651 00:33:58,733 --> 00:34:02,200 GIVING US A WINDOW BACK IN TIME TO SOME OF THE ORGANISMS 652 00:34:02,200 --> 00:34:04,700 THAT MIGHT HAVE HELPED FACILITATE THE CREATION 653 00:34:04,700 --> 00:34:07,500 OF THESE AMAZING, HUGE SPHERES. 654 00:34:09,600 --> 00:34:13,200 Narrator: MILLIONS OF YEARS LATER, THESE STRANGE PODS APPEAR 655 00:34:13,200 --> 00:34:16,900 WHEN THE SOFTER ROCK OF THESE EXPOSED CLIFF FACE WEARS AWAY. 656 00:34:19,433 --> 00:34:23,367 AS TO WHAT ANCIENT CREATURES ARE LOCKED IN THESE TIME CAPSULES, 657 00:34:23,367 --> 00:34:24,800 WE CAN ONLY GUESS. 658 00:34:28,333 --> 00:34:32,733 COMING UP, A GIANT FINGERPRINT IN THE MIDDLE OF THE SEA. 659 00:34:32,733 --> 00:34:37,367 IT'S AS IF SOME DEITY HAS REACHED DOWN FROM THE HEAVENS 660 00:34:37,367 --> 00:34:43,267 AND MARKED THIS ISLAND AS THEIR OWN. 661 00:34:50,333 --> 00:34:52,767 Narrator: A SATELLITE PASSING OVER THE MEDITERRANEAN 662 00:34:52,767 --> 00:34:56,900 SNAPS AN IMAGE OF A REMOTE ISLAND. 663 00:34:56,900 --> 00:34:59,633 IT IS MARKED WITH A BIZARRE PATTERN. 664 00:34:59,633 --> 00:35:01,200 Chamberlain: YOU LOOK AT IT AND THINK, 665 00:35:01,200 --> 00:35:03,533 "IS THIS EVEN SOMETHING THAT'S REAL?" 666 00:35:03,533 --> 00:35:07,900 IT LOOKS, LITERALLY, LIKE A GIANT THUMBPRINT. 667 00:35:07,900 --> 00:35:12,667 Kourounis: IT'S AS IF SOME DEITY HAS REACHED DOWN FROM THE HEAVENS 668 00:35:12,667 --> 00:35:17,667 AND MARKED THIS ISLAND AS THEIR OWN. 669 00:35:17,667 --> 00:35:21,700 Narrator: FROM ABOVE, THE DISORIENTING DESIGN SEEMS TO OFFER A CLUE 670 00:35:21,700 --> 00:35:24,800 TO THE ISLAND'S PURPOSE. 671 00:35:24,800 --> 00:35:29,800 IT LOOKS LABYRINTHIAN, KIND OF LIKE A MAZE. 672 00:35:29,800 --> 00:35:32,667 Narrator: HISTORIANS CONSIDER IF THIS COULD BE A LABYRINTH 673 00:35:32,667 --> 00:35:34,967 WITH ANCIENT ORIGINS. 674 00:35:34,967 --> 00:35:36,900 WE KNOW FOR A FACT THAT THE ANCIENT GREEKS 675 00:35:36,900 --> 00:35:40,333 COLONIZED THIS AREA ABOUT 400 B.C. 676 00:35:40,333 --> 00:35:44,233 THERE ARE CERTAINLY MENTIONS IN GREEK MYTHOLOGY 677 00:35:44,233 --> 00:35:46,767 OF MAZES AND LABYRINTHS. 678 00:35:46,767 --> 00:35:52,900 SO, IS THIS SITE SOME REMNANT OF THAT CIVILIZATION? 679 00:35:52,900 --> 00:35:57,567 THE IDEA OF THE LABYRINTH IS SOMETHING WHICH IS SEARED 680 00:35:57,567 --> 00:35:59,533 INTO GREEK MYTHOLOGY 681 00:35:59,533 --> 00:36:02,900 AND SOMETHING THAT HAS LONG TRADITIONS. 682 00:36:02,900 --> 00:36:04,433 Bruce: LABYRINTHS WEREN'T GAMES. 683 00:36:04,433 --> 00:36:07,467 THEY WERE PLACES OF PERIL, THEY WERE PLACES OF MYSTERY, 684 00:36:07,467 --> 00:36:09,933 AND THEY WERE PLACES OF TERROR. 685 00:36:09,933 --> 00:36:12,700 Narrator: GREEK MYTHOLOGY TELLS OF A GIANT LABYRINTH 686 00:36:12,700 --> 00:36:15,300 THAT IMPRISONED A MERCILESS BEAST -- 687 00:36:15,300 --> 00:36:17,767 THE MINOTAUR. 688 00:36:17,767 --> 00:36:21,967 SO, THIS FEROCIOUS, DEADLY HALF-MAN, HALF-BULL MONSTER 689 00:36:21,967 --> 00:36:25,933 THRIVED AT THE CENTER OF THIS MAZE, THIS LABYRINTH. 690 00:36:25,933 --> 00:36:27,367 Narrator: VIRGINS WERE SACRIFICED 691 00:36:27,367 --> 00:36:31,667 IN A DESPERATE ATTEMPT TO APPEASE THE BLOODTHIRSTY BEAST. 692 00:36:31,667 --> 00:36:35,067 ONLY THE ATHENIAN HERO THESEUS COULD SLAY THE MONSTER 693 00:36:35,067 --> 00:36:37,567 AND HALT THE MINOTAUR'S REIGN OF TERROR. 694 00:36:41,367 --> 00:36:44,067 WHAT'S INTERESTING ABOUT THIS MYTH IS THAT, 695 00:36:44,067 --> 00:36:47,800 IT'S ACTUALLY CENTERED ON HISTORICAL REALITY. 696 00:36:47,800 --> 00:36:51,200 THIS ISLAND -- A GIANT LABYRINTH. 697 00:36:54,367 --> 00:36:56,633 Narrator: ARCHAEOLOGIST JEFF ROSE TRAVELS 698 00:36:56,633 --> 00:37:00,600 TO THE UNINHABITED MEDITERRANEAN ISLAND. 699 00:37:00,600 --> 00:37:03,500 HIS ANALYSIS OF THE STRUCTURES IN THE SATELLITE IMAGE 700 00:37:03,500 --> 00:37:06,633 LEADS HIM TO BELIEVE THIS ISOLATED ISLAND'S MARKINGS 701 00:37:06,633 --> 00:37:09,800 MAY BE THE WALLS OF LONG-ABANDONED DWELLINGS. 702 00:37:09,800 --> 00:37:11,267 SO, HERE'S MY STRATEGY. 703 00:37:11,267 --> 00:37:13,567 AS SOON AS WE GET TO THE ISLAND, I'M GOING TO START POKING AROUND 704 00:37:13,567 --> 00:37:17,333 FOR ANY KIND OF MATERIAL CULTURE THAT I CAN FIND. 705 00:37:17,333 --> 00:37:21,367 THAT'LL START TO GIVE ME A SENSE OF WHO OCCUPIED THE PLACE. 706 00:37:21,367 --> 00:37:24,167 Narrator: ROSE HAS A THEORY THIS ISLAND WAS ONCE OCCUPIED 707 00:37:24,167 --> 00:37:26,233 BY A COMMUNITY OF OUTCASTS. 708 00:37:29,300 --> 00:37:34,967 IT'S POSSIBLE THAT, WHAT THIS ISLAND IS, IS A LEPER COLONY. 709 00:37:34,967 --> 00:37:37,700 Narrator: LEPROSY WAS ONE OF THE MOST FEARED DISEASES 710 00:37:37,700 --> 00:37:39,067 OF THE MIDDLE AGES. 711 00:37:39,067 --> 00:37:42,067 Bruce: LEPROSY WAS A HORRIBLY DISFIGURING DISEASE. 712 00:37:42,067 --> 00:37:45,533 IT COULD CAUSE YOU TO LOSE YOUR FINGERS AND TOES. 713 00:37:45,533 --> 00:37:49,433 IT GAVE YOU HORRIBLE MARKS ALL OVER YOUR BODY. 714 00:37:49,433 --> 00:37:51,433 Horton: IT WAS A VERY VISUAL DISEASE 715 00:37:51,433 --> 00:37:54,367 THAT PEOPLE BECAME VERY TERRIFIED OF. 716 00:37:54,367 --> 00:37:57,567 LEPERS WERE NOT PEOPLE YOU WANTED NEAR YOU. 717 00:37:57,567 --> 00:38:02,333 RATHER, YOU WANTED THEM AWAY ON THEIR OWN ISLAND. 718 00:38:02,333 --> 00:38:04,700 Narrator: THE MEDITERRANEAN ISLAND OF SPINALONGA 719 00:38:04,700 --> 00:38:07,967 WAS ONCE USED TO ISOLATE LEPERS FROM THE MAINLAND. 720 00:38:10,067 --> 00:38:11,833 ROSE BELIEVES FINGERPRINT ISLAND 721 00:38:11,833 --> 00:38:14,633 MAY HAVE BEEN BUILT FOR A SIMILAR PURPOSE. 722 00:38:14,633 --> 00:38:16,133 Rose: YOU GET A VERY SIMILAR LAYOUT -- 723 00:38:16,133 --> 00:38:19,367 IT'S ASYMMETRICAL, THERE ARE THESE TINY LITTLE COMPOUNDS. 724 00:38:19,367 --> 00:38:23,533 THIS LABYRINTHIAN LAYOUT WAS MEANT TO KEEP PEOPLE IN. 725 00:38:23,533 --> 00:38:26,367 Narrator: BUT AS ROSE CLOSES IN ON FINGERPRINT ISLAND, 726 00:38:26,367 --> 00:38:29,767 ALL IS NOT AS IT SEEMS FROM THE SATELLITE IMAGE. 727 00:38:29,767 --> 00:38:30,767 -WHAT, IT'S THIS? -YEAH. 728 00:38:30,767 --> 00:38:34,133 THAT'S IT? 729 00:38:34,133 --> 00:38:35,300 THESE AREN'T DWELLINGS. 730 00:38:35,300 --> 00:38:38,067 I MEAN, THERE'S A COUPLE LITTLE STRUCTURES THERE, 731 00:38:38,067 --> 00:38:40,433 BUT THEY LOOK LIKE TEMPORARY PLACES WITH SHADE. 732 00:38:40,433 --> 00:38:43,400 SO, I THINK WE CAN THROW THE LEPER COLONY OUT THE WINDOW. 733 00:38:43,400 --> 00:38:46,200 I REALLY NEED TO GET A LOOK AT THIS PLACE UP CLOSE. 734 00:38:52,167 --> 00:38:54,200 Narrator: ROSE HEADS STRAIGHT TO THE NEAREST SECTION 735 00:38:54,200 --> 00:38:55,700 OF CRUMBLING WALL. 736 00:38:58,167 --> 00:39:01,333 Rose: SO, IF YOU LOOK AT THE WALL, IT DOESN'T HAVE ANY MORTAR. 737 00:39:01,333 --> 00:39:03,267 IT'S ALL DRY STONE. 738 00:39:03,267 --> 00:39:05,667 IT HASN'T BEEN LOCKED INTO PLACE. 739 00:39:05,667 --> 00:39:07,800 THEY'RE JUST KIND OF LUMPING GIANT ROCKS 740 00:39:07,800 --> 00:39:09,433 ON TOP OF EACH OTHER. 741 00:39:09,433 --> 00:39:12,433 Narrator: IT'S A VITAL CLUE TO THE ISLAND'S PURPOSE. 742 00:39:12,433 --> 00:39:16,333 THIS WHOLE ISLAND, IN FACT, IS FULL OF THESE LONG STRIPS. 743 00:39:16,333 --> 00:39:20,967 THESE ARE AGRICULTURAL FIELDS. THESE ARE NOT DWELLINGS. 744 00:39:20,967 --> 00:39:24,500 THESE DRY, STONE WALLS ARE NOT WEIGHT-BEARING, 745 00:39:24,500 --> 00:39:27,567 THEY'RE NOT USED FOR STRUCTURAL PURPOSES, 746 00:39:27,567 --> 00:39:29,300 BUT RATHER, THEIR PRIMARY PURPOSE 747 00:39:29,300 --> 00:39:33,933 IS TO CLEAR THE GROUND OF DEBRIS. 748 00:39:33,933 --> 00:39:36,433 Narrator: ONCE THE GROUND HAS BEEN CLEARED IN THIS WAY, 749 00:39:36,433 --> 00:39:39,200 IT'S READY FOR GROWING CROPS. 750 00:39:39,200 --> 00:39:42,567 BUT AGRICULTURE REQUIRES WATER, AND THE SATELLITE IMAGE 751 00:39:42,567 --> 00:39:45,633 SHOWS NO EVIDENCE OF STREAMS OR LAKES. 752 00:39:48,333 --> 00:39:52,267 ROSE SEARCHES FOR CLUES, AND SOON MAKES A DISCOVERY. 753 00:39:55,633 --> 00:39:57,200 Rose: YES. 754 00:39:57,200 --> 00:39:58,600 EUREKA. 755 00:39:58,600 --> 00:40:00,067 IT'S A WELL. 756 00:40:00,067 --> 00:40:01,700 NOW, IT ALL MAKES SENSE. 757 00:40:01,700 --> 00:40:03,400 THIS IS WHY THEY'RE HERE ON THE ISLAND -- 758 00:40:03,400 --> 00:40:04,567 BECAUSE THERE'S FRESH WATER. 759 00:40:04,567 --> 00:40:06,600 THERE'S A SOURCE OF FRESH WATER HERE. 760 00:40:10,533 --> 00:40:12,133 Narrator: THE NEXT STEP IS TO FIGURE OUT 761 00:40:12,133 --> 00:40:14,700 WHAT THE FARMERS WERE GROWING ON THIS ISLAND 762 00:40:14,700 --> 00:40:17,233 AND WHETHER THEY LEFT ANY CLUES IN THE SOIL. 763 00:40:17,233 --> 00:40:18,333 Rose: YEP. 764 00:40:21,000 --> 00:40:25,067 AND THIS PRETTY MUCH ANSWERS THE QUESTION, 765 00:40:25,067 --> 00:40:28,000 "WHAT WERE THEY GROWING HERE?" 766 00:40:28,000 --> 00:40:31,500 THIS IS AN OLD GRAPE VINE. 767 00:40:31,500 --> 00:40:34,933 Narrator: THE LABYRINTH SEEN FROM SPACE IS A WEIRD VINEYARD 768 00:40:34,933 --> 00:40:37,500 DATING BACK HUNDREDS OF YEARS. 769 00:40:37,500 --> 00:40:41,133 IT'S AN INTERESTING CHOICE TO PUT A VINEYARD ON AN ISLAND. 770 00:40:41,133 --> 00:40:45,700 PROBABLY ONE OF THE MOST REMOTE AND BIZARRE VINEYARDS EVER. 771 00:40:45,700 --> 00:40:47,633 THIS SOIL -- WE'RE IN THE MEDITERRANEAN, 772 00:40:47,633 --> 00:40:49,633 THERE'S A SOURCE OF FRESH WATER -- 773 00:40:49,633 --> 00:40:52,867 IS PERFECT FOR GROWING GRAPES. 774 00:40:52,867 --> 00:40:56,867 Narrator: BUT FOR ROSE, THERE IS STILL ONE PIECE OF THE PUZZLE MISSING. 775 00:40:56,867 --> 00:40:59,100 WITH SUCH PERFECT GROWING CONDITIONS, 776 00:40:59,100 --> 00:41:01,700 WHY WAS THE VINEYARD ABANDONED, AND WHEN? 777 00:41:04,500 --> 00:41:07,333 ROSE HOPES THE GRAPE FARMERS OR THEIR RELATIVES 778 00:41:07,333 --> 00:41:10,067 MAY STILL BE AROUND ON NEIGHBORING ISLANDS. 779 00:41:10,067 --> 00:41:12,167 I REALLY DON'T KNOW MUCH ABOUT IT. 780 00:41:12,167 --> 00:41:16,200 FINALLY, HE FINDS BOATMAN DARKO. 781 00:41:16,200 --> 00:41:19,300 DARKO'S GRANDPARENTS' STORIES RECALL THE GRAPE FARMERS 782 00:41:19,300 --> 00:41:20,867 MAKING THE FATAL ERROR 783 00:41:20,867 --> 00:41:22,500 OF BRINGING PESTS TO THE ISLAND 784 00:41:22,500 --> 00:41:24,533 DURING THE 1950s. 785 00:41:24,533 --> 00:41:27,100 THEY WERE THINKING TO JUST PUT A LITTLE BIT OF RABBITS 786 00:41:27,100 --> 00:41:30,200 THEY CAN HUNT, YOU KNOW? 787 00:41:30,200 --> 00:41:34,100 THIS MINOR ACT RESULTS IN THE VINEYARD'S TOTAL DESTRUCTION. 788 00:41:34,100 --> 00:41:38,167 THEY EXPAND -- LIKE, THOUSANDS OF THEM ON THE SMALL ISLAND 789 00:41:38,167 --> 00:41:40,467 AND THEY EAT EVERYTHING. 790 00:41:40,467 --> 00:41:41,667 EVERYTHING. 791 00:41:41,667 --> 00:41:44,367 SO, THE REASON THE PLACE WAS ABANDONED WAS, 792 00:41:44,367 --> 00:41:45,867 IT WAS TAKEN OVER BY RABBITS. 793 00:41:45,867 --> 00:41:47,100 IT'S TRUE. 794 00:41:47,100 --> 00:41:48,300 IT'S UNBELIEVABLE. 795 00:41:48,300 --> 00:41:50,733 IT'S UNBELIEVABLE, BUT IT'S TRUE. 796 00:41:50,733 --> 00:41:54,567 THE RABBITS MIGHT HAVE DESTROYED THIS BIZARRE VINEYARD, 797 00:41:54,567 --> 00:41:56,800 BUT ITS IMPRINT REMAINS -- 798 00:41:56,800 --> 00:42:00,433 A RELIC OF THE MEDITERRANEAN'S RICH, UNIQUE HISTORY. 63335

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