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00:00:01,467 --> 00:00:03,467
Narrator:
THEY'RE WATCHING YOU.
2
00:00:03,467 --> 00:00:07,300
MORE THAN 4,000 SATELLITES
CIRCLE THE EARTH.
3
00:00:07,300 --> 00:00:10,500
EVERY DAY, THEY UNCOVER NEW
AND MYSTERIOUS PHENOMENA
4
00:00:10,500 --> 00:00:12,367
THAT DEFY EXPLANATION.
5
00:00:12,367 --> 00:00:15,100
[ BEEPING, DISTORTED MUSIC ]
6
00:00:15,100 --> 00:00:18,967
A TERRIFYING TALE OF TERROR
FROM TRANSYLVANIA.
7
00:00:18,967 --> 00:00:20,767
SOMETHING REALLY
CATASTROPHIC HAS HAPPENED.
8
00:00:20,767 --> 00:00:25,533
IF YOU SAID ANYTHING BAD
ABOUT THEM, YOU RISKED DEATH.
9
00:00:25,533 --> 00:00:29,167
Narrator: LEGENDS AND LEPROSY
ON LABYRINTH ISLAND.
10
00:00:29,167 --> 00:00:30,567
Bruce: THEY WERE PLACES
OF PERIL,
11
00:00:30,567 --> 00:00:32,200
THEY WERE PLACES OF MYSTERY,
12
00:00:32,200 --> 00:00:34,433
AND THEY WERE PLACES OF TERROR.
13
00:00:34,433 --> 00:00:38,033
Narrator: CORPSE-MUNCHING BIRDS
AND THE TEMPLES OF DOOM.
14
00:00:38,033 --> 00:00:42,867
Sanford: YOU HAVE THIS BODY
BEING STRIPPED BY THESE BIRDS,
15
00:00:42,867 --> 00:00:47,067
GRABBING THE FLESH
AND RIPPING IT FROM THE BONES.
16
00:00:47,067 --> 00:00:50,133
Narrator: AND THE POLAR PUZZLE
IN THE ANTARCTIC.
17
00:00:50,133 --> 00:00:53,333
THE NUCLEAR EXPERIMENT WENT
CATASTROPHICALLY WRONG.
18
00:00:53,333 --> 00:00:55,633
BAM -- THEY JUST SMASHED
INTO THE SIDE
19
00:00:55,633 --> 00:00:58,300
TRAVELING HUNDREDS
OF MILES PER HOUR.
20
00:00:58,300 --> 00:01:00,167
Narrator: BAFFLING PHENOMENA.
21
00:01:00,167 --> 00:01:02,333
MYSTERIES FROM SPACE.
22
00:01:02,333 --> 00:01:04,200
WHAT ON EARTH ARE THEY?
23
00:01:04,200 --> 00:01:07,200
-- Captions by VITAC --
www.vitac.com
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00:01:07,200 --> 00:01:09,267
[ BEEPING ]
[ CAMERA SHUTTER CLICKING ]
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00:01:09,267 --> 00:01:10,467
[ WHIRRING ]
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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**
28
00:01:21,967 --> 00:01:25,067
JULY 4, 2012.
29
00:01:25,067 --> 00:01:27,267
AS THE WORLDVIEW-2
SATELLITE PASSES
30
00:01:27,267 --> 00:01:31,067
OVER THE LEGENDARY REGION
OF TRANSYLVANIA IN ROMANIA,
31
00:01:31,067 --> 00:01:34,567
IT CAPTURES AN IMAGE
OF AN EXTRAORDINARY LAKE.
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00:01:34,567 --> 00:01:36,933
Mosher: I'VE SEEN A LOT
OF IMAGES OF EARTH FROM SPACE,
33
00:01:36,933 --> 00:01:38,900
AND THIS JUST LOOKS WILD.
34
00:01:38,900 --> 00:01:42,867
THIS DEEP RED,
AND THIS AQUA GREEN,
35
00:01:42,867 --> 00:01:45,400
IT KIND OF LOOKS
ALMOST MYSTICAL.
36
00:01:45,400 --> 00:01:49,067
**
37
00:01:49,067 --> 00:01:51,300
Narrator: IT'S NOT
THE FIRST TIME AERIAL IMAGES
38
00:01:51,300 --> 00:01:54,167
HAVE REVEALED COLORED LAKES,
39
00:01:54,167 --> 00:01:57,067
BUT THERE'S SOMETHING
DIFFERENT ABOUT THIS ONE.
40
00:01:57,067 --> 00:01:59,167
Phoenix: THE STRANGEST PART
ABOUT THIS PHOTOGRAPH
41
00:01:59,167 --> 00:02:04,067
IS THAT THE LAKE HAS SO MANY
DISTINCTIVE COLOR DIFFERENCES
42
00:02:04,067 --> 00:02:06,933
FROM SECTION TO SECTION
INSIDE THE SAME LAKE.
43
00:02:06,933 --> 00:02:10,700
**
44
00:02:10,700 --> 00:02:12,600
Narrator: HISTORICAL IMAGES
OF THE LAKE
45
00:02:12,600 --> 00:02:14,567
ADD TO THE MYSTERY.
46
00:02:14,567 --> 00:02:16,467
Kourounis: IF YOU WERE TO LOOK
AT DIFFERENT IMAGES
47
00:02:16,467 --> 00:02:17,833
FROM DIFFERENT TIMES,
48
00:02:17,833 --> 00:02:21,067
YOU COULD SEE THAT
THE COLORED PARTS OF THE LAKE
49
00:02:21,067 --> 00:02:24,533
ACTUALLY MOVE
AND CHANGE SLIGHTLY.
50
00:02:24,533 --> 00:02:27,367
THAT IS UNUSUAL.
51
00:02:27,367 --> 00:02:29,067
Narrator: THE IMAGE COMES
TO THE ATTENTION
52
00:02:29,067 --> 00:02:32,433
OF GEOLOGIST MARTIN PEPPER.
53
00:02:32,433 --> 00:02:36,167
THE LAKE'S SWIRLING COMBINATION
OF ORANGE, GREEN, AND GRAY
54
00:02:36,167 --> 00:02:38,233
IS UNLIKE ANYTHING HE HAS SEEN.
55
00:02:38,233 --> 00:02:41,300
**
56
00:02:41,300 --> 00:02:42,833
PEPPER TRAVELS INTO THE HEART
57
00:02:42,833 --> 00:02:47,067
OF TRANSYLVANIA'S
CARPATHIAN MOUNTAINS --
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00:02:47,067 --> 00:02:49,433
A LAND OF LEGENDS AND VAMPIRES.
59
00:02:49,433 --> 00:02:51,767
**
60
00:02:51,767 --> 00:02:54,933
HE WONDERS IF THE VAST EXPANSE
OF GRAY IN THE LAKE
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00:02:54,933 --> 00:02:58,667
COULD BE THE KEY TO UNLOCKING
ITS STRANGE APPEARANCE.
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00:02:58,667 --> 00:03:02,333
WHEN I ZOOMED IN, I COULDN'T
FIND ANY SIGNS OF LARGE BOULDERS
63
00:03:02,333 --> 00:03:03,833
OR EVEN GRAVEL,
64
00:03:03,833 --> 00:03:09,633
SO THAT LEADS ME TO BELIEVE THAT
THAT'S MOST LIKELY A MUD SLUDGE.
65
00:03:09,633 --> 00:03:12,200
Narrator: PEPPER FINDS
NO EVIDENCE OF MUDDY RIVERS
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00:03:12,200 --> 00:03:15,233
OR A LANDSLIDE RUNNING FROM
THE MOUNTAINS INTO THE LAKE.
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00:03:15,233 --> 00:03:17,600
**
68
00:03:17,600 --> 00:03:20,067
HE CONSIDERS WHAT OTHER
GEOLOGICAL FORCE
69
00:03:20,067 --> 00:03:23,767
COULD HAVE FILLED IT WITH MUD.
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00:03:23,767 --> 00:03:27,900
ONE POSSIBILITY
IS A MUD VOLCANO.
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00:03:27,900 --> 00:03:32,267
Pepper: MUD VOLCANOS COME ABOUT
WHEN YOU HAVE VOLCANIC ACTIVITY,
72
00:03:32,267 --> 00:03:33,967
AND WHEN THEY'RE STILL ACTIVE,
73
00:03:33,967 --> 00:03:36,233
YOU CAN ACTUALLY FIND
THAT SOME OF THE COLORS
74
00:03:36,233 --> 00:03:38,400
THAT COME OUT ARE
THESE EARTH TONES,
75
00:03:38,400 --> 00:03:40,900
SO OCHRES AND EVEN SOME BROWNS.
76
00:03:40,900 --> 00:03:45,067
THAT MIGHT BE EXACTLY
WHAT WE ARE LOOKING AT.
77
00:03:45,067 --> 00:03:47,767
Narrator: PEPPER LEARNS
THAT MUD VOLCANOS DO EXIST
78
00:03:47,767 --> 00:03:51,933
IN THIS PART OF ROMANIA.
79
00:03:51,933 --> 00:03:54,733
Pepper: RIGHT NOW WE'RE DRIVING
ON A MUD STONE.
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00:03:54,733 --> 00:03:57,133
SO THAT COULD BE THE VERY LAYER
81
00:03:57,133 --> 00:04:01,433
THAT ALL THESE HYDROTHERMAL
STEAMS AND VENTS AND FLUIDS
82
00:04:01,433 --> 00:04:06,200
ARE PUNCHING THROUGH
TO FORM ALL THOSE VOLCANOS.
83
00:04:06,200 --> 00:04:07,867
Narrator: BUT AS HE APPROACHES
THE LAKE
84
00:04:07,867 --> 00:04:10,400
AND STUDIES THE MUDDY
SLUDGE UP CLOSE,
85
00:04:10,400 --> 00:04:13,900
PEPPER REALIZES THAT
SOMETHING ISN'T RIGHT.
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00:04:13,900 --> 00:04:15,200
WHOA.
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00:04:15,200 --> 00:04:17,500
I MEAN, LITERALLY, IT LOOKS
LIKE THIS WHOLE THING
88
00:04:17,500 --> 00:04:20,400
HAS BEEN FILLED
WITH A GRAY SLIME.
89
00:04:20,400 --> 00:04:23,067
IT STILL MAKES NO SENSE.
90
00:04:23,067 --> 00:04:24,100
I'M GOING TO CHECK THIS OUT.
91
00:04:24,100 --> 00:04:28,100
**
92
00:04:28,100 --> 00:04:29,567
Narrator: AT THE LAKE'S EDGE,
93
00:04:29,567 --> 00:04:30,800
PEPPER'S INVESTIGATION
94
00:04:30,800 --> 00:04:32,700
TAKES A BIZARRE TWIST.
95
00:04:32,700 --> 00:04:34,700
WHAT IS THAT?
96
00:04:34,700 --> 00:04:37,767
SOME SORT OF BUILDING OUT THERE.
97
00:04:37,767 --> 00:04:40,367
WHOA.
98
00:04:40,367 --> 00:04:42,733
THAT LOOKS LIKE
ALMOST A CHURCH SPIRE.
99
00:04:42,733 --> 00:04:45,133
**
100
00:04:45,133 --> 00:04:47,533
Narrator: THE SPIRE PROTRUDES
40 FEET
101
00:04:47,533 --> 00:04:50,400
FROM THE CENTER
OF THE WEIRD LAKE.
102
00:04:50,400 --> 00:04:53,567
NOBODY JUST PUTS A CHURCH IN
THE MIDDLE OF A BODY OF WATER.
103
00:04:53,567 --> 00:04:57,867
THIS JUST GETS MORE
AND MORE BIZARRE.
104
00:04:57,867 --> 00:05:00,433
Narrator: PEPPER FEARS
THE EERIE SIGHT IS EVIDENCE
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00:05:00,433 --> 00:05:03,333
OF A DISASTER
OF EPIC PROPORTIONS.
106
00:05:03,333 --> 00:05:05,200
SO, IF THAT'S A CHURCH,
107
00:05:05,200 --> 00:05:08,967
I WONDER IF THERE'S A WHOLE TOWN
UNDERNEATH ALL THIS MUCK.
108
00:05:08,967 --> 00:05:10,867
Mosher: IT'S TOTALLY SURREAL,
BUT THEN YOU START THINKING
109
00:05:10,867 --> 00:05:12,267
ABOUT WHAT ELSE IS AROUND THERE.
110
00:05:12,267 --> 00:05:14,700
IT TELLS YOU SOMETHING REALLY
CATASTROPHIC HAS HAPPENED.
111
00:05:14,700 --> 00:05:22,567
**
112
00:05:22,567 --> 00:05:25,500
Narrator: WHEN PEPPER TAKES
A CLOSER LOOK AT THE WATER,
113
00:05:25,500 --> 00:05:28,800
HE DISCOVERS SOMETHING STRANGE.
114
00:05:28,800 --> 00:05:35,100
LOOK AT THIS.
SO THIS IS ALL MUCK.
115
00:05:35,100 --> 00:05:39,667
USUALLY, WHEN CLAY SITS, IT WILL
ACTUALLY SETTLE TO THE POINT
116
00:05:39,667 --> 00:05:40,833
WHERE YOU CAN ALMOST WALK ON IT,
117
00:05:40,833 --> 00:05:44,933
BUT THIS IS STILL
JUST A FROTHY SOUP.
118
00:05:44,933 --> 00:05:47,233
**
119
00:05:47,233 --> 00:05:48,333
THIS IS NOT NATURAL.
120
00:05:48,333 --> 00:05:50,800
I'VE EVER SEEN
ANYTHING LIKE THIS.
121
00:05:50,800 --> 00:05:53,067
Narrator:
THIS IS NO MUD VOLCANO.
122
00:05:53,067 --> 00:05:55,533
**
123
00:05:55,533 --> 00:05:58,200
TREKKING DEEPER INTO
THE BIZARRE LANDSCAPE,
124
00:05:58,200 --> 00:05:59,800
PEPPER LOCATES
THE BRIGHTLY COLORED
125
00:05:59,800 --> 00:06:03,067
WATERS IN THE SATELLITE IMAGE.
126
00:06:03,067 --> 00:06:06,133
UP CLOSE, HE CONFIRMS
HIS SUSPICION THAT THE LAKE
127
00:06:06,133 --> 00:06:09,867
AND THE DISASTER ARE MANMADE.
128
00:06:09,867 --> 00:06:11,567
Pepper: THIS WATER
IS JUST TOO GREEN
129
00:06:11,567 --> 00:06:13,700
TO BE COMPLETELY NATURAL.
130
00:06:13,700 --> 00:06:15,067
I MEAN, IT ALMOST LOOKS
LIKE SOMEBODY HIT IT
131
00:06:15,067 --> 00:06:18,067
WITH FOOD COLORING.
132
00:06:18,067 --> 00:06:20,633
Narrator: PEPPER HOPES THAT HIS
ANALYSIS OF WATER SAMPLES
133
00:06:20,633 --> 00:06:23,500
WILL SHED SOME LIGHT
ON THE MYSTERY.
134
00:06:23,500 --> 00:06:27,500
I'M NOT TAKING ANY CHANCES HERE.
135
00:06:27,500 --> 00:06:33,567
FIRST TEST KIT IS pH.
136
00:06:33,567 --> 00:06:37,067
THE TEST REVEALS WORRYING
LEVELS OF ACIDITY.
137
00:06:37,067 --> 00:06:40,833
WOW. 2.5 -- THAT IS REALLY LOW.
138
00:06:40,833 --> 00:06:42,767
THAT'S NOT NORMAL.
139
00:06:42,767 --> 00:06:44,267
Phoenix:
TYPICAL pH IS ABOUT A 7,
140
00:06:44,267 --> 00:06:47,067
SO JUST TO GIVE YOU
AN IDEA HOW OFF THAT IS.
141
00:06:47,067 --> 00:06:50,300
OUR STOMACH ACID
HAS A pH OF AROUND 2.5,
142
00:06:50,300 --> 00:06:54,167
AND THAT HAS THE JOB
OF DIGESTING OUR FOOD.
143
00:06:54,167 --> 00:06:56,767
IMAGINE WHAT THIS LAKE
WOULD DO TO YOU.
144
00:06:56,767 --> 00:07:00,533
**
145
00:07:00,533 --> 00:07:03,200
Narrator: THE SINISTER NATURE
OF THIS LAKE IS CONFIRMED
146
00:07:03,200 --> 00:07:05,133
WHEN PEPPER'S
ADDITIONAL WATER SAMPLES
147
00:07:05,133 --> 00:07:07,167
REVEAL TRACES OF METALS.
148
00:07:07,167 --> 00:07:10,367
**
149
00:07:10,367 --> 00:07:13,300
Pepper: OOH, IT'S TURNING
A NICE, BRIGHT PINK.
150
00:07:13,300 --> 00:07:17,067
SO WE DEFINITELY HAVE
MERCURY IN THE WATER.
151
00:07:17,067 --> 00:07:22,567
Narrator: PEPPER ALSO DISCOVERS
TOXIC ARSENIC AND CADMIUM.
152
00:07:22,567 --> 00:07:26,933
IF YOU CONSUME THIS, IT WILL
MAKE YOU SICK AND WILL KILL YOU.
153
00:07:26,933 --> 00:07:29,400
Narrator: THESE WATERS
AREN'T JUST WEIRD --
154
00:07:29,400 --> 00:07:30,667
THEY'RE DEADLY.
155
00:07:30,667 --> 00:07:32,900
**
156
00:07:32,900 --> 00:07:35,967
Mosher: THESE ARE HIGHLY
DANGEROUS CHEMICALS.
157
00:07:35,967 --> 00:07:37,733
SO WHERE THE HELL
ARE THEY COMING FROM?
158
00:07:37,733 --> 00:07:40,367
**
159
00:07:40,367 --> 00:07:42,800
Narrator: COMING UP,
A NUCLEAR EXPERIMENT
160
00:07:42,800 --> 00:07:45,567
GOES WRONG IN ANTARCTICA.
161
00:07:45,567 --> 00:07:48,733
Chamberlain: COULD THIS SCAR BE
A PLACE WHERE THEY DUG UP
162
00:07:48,733 --> 00:07:51,067
ALL OF THIS
RADIOACTIVE MATERIAL?
163
00:07:51,067 --> 00:07:53,200
Narrator: AND MARTIN PEPPER
DIGS UP THE TRUTH
164
00:07:53,200 --> 00:07:56,533
BEHIND THE TRANSYLVANIAN
TERROR LAKE.
165
00:07:56,533 --> 00:08:01,233
IT'S A DARK SCAR
ON THE HISTORY OF ROMANIA.
166
00:08:08,567 --> 00:08:10,200
Narrator:
GEOLOGIST MARTIN PEPPER
167
00:08:10,200 --> 00:08:12,067
HAS TRAVELED TO TRANSYLVANIA
168
00:08:12,067 --> 00:08:17,400
TO INVESTIGATE
A TOXIC, BIZARRELY COLORED LAKE.
169
00:08:17,400 --> 00:08:22,567
HE DISCOVERS A CHURCH
SWALLOWED BY THE DEADLY WATERS.
170
00:08:22,567 --> 00:08:25,300
PEPPER'S SATELLITE IMAGE
SHOWS SIGNS OF HABITATION
171
00:08:25,300 --> 00:08:28,067
IN THE WOODS
TO THE WEST OF THE LAKE.
172
00:08:28,067 --> 00:08:30,367
**
173
00:08:30,367 --> 00:08:33,533
HE HEADS THERE WITH
ROMANIAN TRANSLATOR ANDRA
174
00:08:33,533 --> 00:08:34,933
TO GATHER THE LOCAL KNOWLEDGE
175
00:08:34,933 --> 00:08:37,333
HE SUSPECTS MAY
SOLVE THE MYSTERY.
176
00:08:37,333 --> 00:08:39,933
**
177
00:08:39,933 --> 00:08:41,200
HELLO?
178
00:08:41,200 --> 00:08:42,233
[ KNOCK ON DOOR ]
179
00:08:42,233 --> 00:08:48,933
**
180
00:08:48,933 --> 00:08:51,733
HELLO.
181
00:08:51,733 --> 00:08:54,933
CAN WE ASK SOME QUESTIONS
ABOUT THE LAKE?
182
00:08:54,933 --> 00:08:56,333
Narrator: NOT EVERYBODY
IS PREPARED
183
00:08:56,333 --> 00:08:58,533
TO TALK ABOUT
WHAT HAPPENED HERE.
184
00:08:58,533 --> 00:08:59,533
THANK YOU.
185
00:08:59,533 --> 00:09:05,267
**
186
00:09:05,267 --> 00:09:06,500
HELLO.
187
00:09:06,500 --> 00:09:08,533
CAN WE ASK YOU SOME
QUESTIONS ABOUT THE LAKE?
188
00:09:08,533 --> 00:09:13,067
[ SPEAKING ROMANIAN]
189
00:09:13,067 --> 00:09:16,500
Narrator: EVENTUALLY, PEPPER IS
INVITED INTO THE HOME OF SAVA,
190
00:09:16,500 --> 00:09:20,200
A GRANDMOTHER WHO HAS LIVED
IN THE AREA ALL HER LIFE.
191
00:09:20,200 --> 00:09:23,067
COULD YOU TELL US WHAT IT WAS
LIKE HERE AT GEAMANA?
192
00:09:23,067 --> 00:09:24,933
[ SPEAKING ROMANIAN ]
193
00:09:24,933 --> 00:09:27,767
SAVA TELLS PEPPER THAT
BEFORE THE VALLEY FLOODED,
194
00:09:27,767 --> 00:09:30,233
IT SUPPORTED A THRIVING VILLAGE.
195
00:09:35,533 --> 00:09:38,067
ONE DAY ALMOST 30 YEARS AGO,
196
00:09:38,067 --> 00:09:40,100
STRANGELY COLORED
CONTAMINATED WATER
197
00:09:40,100 --> 00:09:42,267
BEGINS TO ENGULF HER HOME.
198
00:09:50,400 --> 00:09:52,833
SAVA SHOWS PEPPER A PICTURE
OF HER VILLAGE
199
00:09:52,833 --> 00:09:54,800
BEFORE THE WATERS CAME.
200
00:09:54,800 --> 00:09:57,800
[ SPEAKING ROMANIAN ]
201
00:09:57,800 --> 00:10:03,467
THIS IS THE OLD, OLD CHURCH
THAT NOW IS IN THE WATER.
202
00:10:03,467 --> 00:10:05,133
GEEZ.
203
00:10:05,133 --> 00:10:06,700
Narrator: THE IMAGE SHOWS
THE VILLAGE
204
00:10:06,700 --> 00:10:10,433
DROWNED BY HUNDREDS
OF FEET OF LIQUID POISON.
205
00:10:10,433 --> 00:10:13,400
YOU CAN SEE
HOW MANY HOUSES...
206
00:10:13,400 --> 00:10:15,100
WERE AROUND THE CHURCH,
YEAH.
207
00:10:15,100 --> 00:10:17,900
YEAH, STILL THERE,
BUT JUST THE LAYER
208
00:10:17,900 --> 00:10:21,967
OF WHAT WE'RE SEEING
TODAY IS THAT FAR.
209
00:10:21,967 --> 00:10:22,967
Kourounis: IT WOULD HAVE BEEN
210
00:10:22,967 --> 00:10:26,733
THIS CATASTROPHIC TSUNAMI
OF SLUDGE.
211
00:10:26,733 --> 00:10:28,767
IT BLOWS MY MIND.
212
00:10:28,767 --> 00:10:30,600
THERE USED TO BE A VILLAGE HERE,
213
00:10:30,600 --> 00:10:37,333
AND NOW JUST
A TOXIC LAKE OF MUCK.
214
00:10:37,333 --> 00:10:38,700
Narrator: WITH SAVA'S HELP,
215
00:10:38,700 --> 00:10:41,400
PEPPER PIECES TOGETHER
THE FULL STORY.
216
00:10:50,433 --> 00:10:52,733
Andra: ALL THIS WATER IS
BECAUSE OF THE MINE,
217
00:10:52,733 --> 00:10:57,867
AND THAT'S WHY THE VILLAGE
IS NOW DROWN IN WATER.
218
00:10:57,867 --> 00:11:01,733
**
219
00:11:01,733 --> 00:11:04,700
Narrator: COPPER MINES PRODUCE
VAST AMOUNTS OF POLLUTED WATER
220
00:11:04,700 --> 00:11:07,833
AS A BYPRODUCT OF
THE EXTRACTION PROCESS.
221
00:11:07,833 --> 00:11:09,167
Kourounis:
YOU NEED A LOT OF WATER
222
00:11:09,167 --> 00:11:10,967
AND SOME PRETTY TOXIC CHEMICALS
223
00:11:10,967 --> 00:11:12,933
TO GET THAT COPPER
OUT OF THE ORE,
224
00:11:12,933 --> 00:11:17,167
AND THERE'S ALWAYS GOING TO BE
SOME TYPE OF TOXIC LEFTOVERS,
225
00:11:17,167 --> 00:11:19,667
AND I THINK THAT'S EXACTLY
WHAT WE'RE SEEING HERE.
226
00:11:19,667 --> 00:11:22,733
Narrator: COPPER MINES USUALLY
CONTAIN THEIR TOXIC RUNOFFS
227
00:11:22,733 --> 00:11:25,100
IN POOLS CALLED
TAILING PONDS.
228
00:11:25,100 --> 00:11:28,100
**
229
00:11:28,100 --> 00:11:31,833
BUT SAVA REVEALS THAT SOMEONE
DECIDED TO SHORTCUT THIS PROCESS
230
00:11:31,833 --> 00:11:35,933
BY FLOODING THE VALLEY
AND HER VILLAGE.
231
00:11:35,933 --> 00:11:39,067
THAT SOMEONE WAS THE TYRANT
WHO RULED ROMANIA.
232
00:11:43,100 --> 00:11:48,333
[ SPEAKING ROMANIAN ]
233
00:11:48,333 --> 00:11:49,833
[ APPLAUSE ]
234
00:11:49,833 --> 00:11:53,433
Baker: NICOLAE CEAUSESCU
WAS ONE OF THE LAST
235
00:11:53,433 --> 00:11:57,633
SORT OF CLASSIC, OLD SCHOOL,
SOVIET-STYLE DICTATORS.
236
00:11:57,633 --> 00:12:03,867
CEAUSESCU'S ROMANIA WAS REALLY
SECOND ONLY TO THE SOVIET UNION
237
00:12:03,867 --> 00:12:08,400
IN THE HARSHNESS
OF THE COMMUNIST REGIME.
238
00:12:08,400 --> 00:12:12,167
Narrator: CEAUSESCU'S REGIME
BEGINS IN 1965
239
00:12:12,167 --> 00:12:15,067
AND IS CHARACTERIZED
BY INTIMIDATION, TERROR,
240
00:12:15,067 --> 00:12:16,233
AND BRUTALITY.
241
00:12:16,233 --> 00:12:19,067
Kourounis: HIS SECRET POLICE
WERE NOTORIOUS
242
00:12:19,067 --> 00:12:22,733
FOR MAKING PEOPLE DISAPPEAR
IN THE MIDDLE OF THE NIGHT
243
00:12:22,733 --> 00:12:24,400
IF YOU OPPOSED
THE GOVERNMENT.
244
00:12:24,400 --> 00:12:29,267
IF YOU SAID ANYTHING BAD
ABOUT THEM, YOU RISKED DEATH.
245
00:12:29,267 --> 00:12:32,167
Narrator: WHILE TENS OF
THOUSANDS OF HIS PEOPLE STARVE,
246
00:12:32,167 --> 00:12:34,967
CEAUSESCU STEALS HUNDREDS
OF MILLIONS OF DOLLARS
247
00:12:34,967 --> 00:12:39,067
AND PLUNDERS HIS COUNTRY'S
NATURAL RESOURCES.
248
00:12:39,067 --> 00:12:40,367
Harrison: YES, HE WAS COMMUNIST,
249
00:12:40,367 --> 00:12:43,667
BUT HE WAS ALSO DEALING
WITH THE CAPITALIST WEST,
250
00:12:43,667 --> 00:12:47,200
AND SO DEVELOPING
THESE COPPER MINES
251
00:12:47,200 --> 00:12:49,833
AND SIMILAR INDUSTRIES,
252
00:12:49,833 --> 00:12:52,400
HE KNEW HE COULD TRADE
WITH THE WEST.
253
00:12:52,400 --> 00:12:54,467
AS THE FIRST PRESIDENT
OF ROMANIA
254
00:12:54,467 --> 00:12:56,933
EVER TO VISIT
THE UNITED STATES OF AMERICA.
255
00:12:56,933 --> 00:13:05,800
SO HE WAS ESSENTIALLY TRYING TO
MILK BOTH SIDES OF THE COLD WAR.
256
00:13:05,800 --> 00:13:09,600
Narrator: MINING HELPS TO FUND
THE DICTATOR'S LAVISH LIFESTYLE,
257
00:13:09,600 --> 00:13:14,400
BUT SAVA AND HUNDREDS
LIKE HER PAY A TERRIBLE PRICE.
258
00:13:14,400 --> 00:13:18,867
IN 1977, GOVERNMENT OFFICIALS
FORCE SAVA, HER FAMILY,
259
00:13:18,867 --> 00:13:21,700
AND THEIR FELLOW VILLAGERS
TO ABANDON THEIR HOMES.
260
00:13:21,700 --> 00:13:24,300
**
261
00:13:24,300 --> 00:13:27,433
JUST WEEKS LATER, SLURRY
AND TOXIC CHEMICALS
262
00:13:27,433 --> 00:13:28,967
FROM A NEARBY COPPER MINE
263
00:13:28,967 --> 00:13:30,367
FLOW INTO THE VALLEY
264
00:13:30,367 --> 00:13:32,533
AND GRADUALLY ENGULF
THE VILLAGE.
265
00:13:32,533 --> 00:13:34,867
**
266
00:13:34,867 --> 00:13:37,667
BECAUSE OF CEAUSESCU,
SHE LOST HER HOUSE,
267
00:13:37,667 --> 00:13:41,700
HER LAND, HER FAMILY
WAS DESTROYED.
268
00:13:46,833 --> 00:13:50,800
Harrison: CONCERN FOR REGULAR
ROMANIAN CITIZENS
269
00:13:50,800 --> 00:13:55,500
WERE NOWHERE
ON HIS LIST OF PRIORITIES.
270
00:13:55,500 --> 00:13:59,767
IT'S A DARK SCAR
ON THE HISTORY OF ROMANIA.
271
00:13:59,767 --> 00:14:04,333
**
272
00:14:04,333 --> 00:14:09,067
Narrator: CEAUSESCU'S
CRUEL REGIME IS OVER.
273
00:14:09,067 --> 00:14:11,367
TODAY, NEARLY 30 YEARS LATER,
274
00:14:11,367 --> 00:14:13,567
THE MINE'S OWNERS
ARE STILL CLEANING UP
275
00:14:13,567 --> 00:14:16,967
THE MESS HE LEFT BEHIND.
276
00:14:16,967 --> 00:14:18,867
BUT THE EVIL DICTATOR
STILL HAUNTS
277
00:14:18,867 --> 00:14:22,900
THIS EERIE TRANSYLVANIAN LAKE.
278
00:14:22,900 --> 00:14:26,600
THE DECISIONS THAT
THIS NARCISSISTIC,
279
00:14:26,600 --> 00:14:29,400
POWER-OBSESSED COMMUNIST LEADER
280
00:14:29,400 --> 00:14:32,900
CEAUSESCU MADE IN THE LATE '70s
281
00:14:32,900 --> 00:14:36,700
ARE STILL AFFECTING US
DECADES LATER.
282
00:14:36,700 --> 00:14:39,733
Pepper: MEETING SAVA REALLY
BROUGHT THE GRAVITY
283
00:14:39,733 --> 00:14:42,067
OF THE WHOLE SITUATION IN.
284
00:14:42,067 --> 00:14:44,300
IT'S SAD TO SEE
HOW SUCH A REGIME
285
00:14:44,300 --> 00:14:47,233
COULD SQUASH SMALL PEOPLE
IN TINY VILLAGES
286
00:14:47,233 --> 00:14:49,200
WITHOUT A CARE FOR HUMAN LIFE.
287
00:14:49,200 --> 00:14:52,467
**
288
00:14:52,467 --> 00:14:56,500
Narrator: COMING UP, GRUESOME
DEATH RITUALS IN THE DESERT.
289
00:14:56,500 --> 00:14:58,300
THEY WOULD LAY THE BODY OUT...
290
00:14:58,300 --> 00:15:01,167
...AND THEY LEAVE IT THERE
TO STRIP THE CARCASS.
291
00:15:01,167 --> 00:15:04,633
Narrator: AND A LABYRINTH ISLAND
IN THE LAND OF LEGENDS.
292
00:15:04,633 --> 00:15:06,133
YOU LOOK AT IT AND THINK,
293
00:15:06,133 --> 00:15:08,667
"IS THIS EVEN SOMETHING
THAT'S REAL?"
294
00:15:08,667 --> 00:15:12,533
LOOKS LITERALLY LIKE
A GIANT THUMBPRINT.
295
00:15:20,333 --> 00:15:24,100
Narrator: OCTOBER 24, 2014.
296
00:15:24,100 --> 00:15:29,333
THE Geo-Eye SATELLITE PASSES
HIGH ABOVE CENTRAL IRAN.
297
00:15:29,333 --> 00:15:34,233
IT CAPTURES AN IMAGE OF TWO
STRUCTURES IN THE BARREN DESERT.
298
00:15:34,233 --> 00:15:36,067
Sanford: THESE CIRCULAR
STRUCTURES HERE,
299
00:15:36,067 --> 00:15:39,167
THEY DON'T REALLY FIT IN
IN THIS LANDSCAPE.
300
00:15:39,167 --> 00:15:42,233
I REALLY WANT TO KNOW
WHO BUILT THEM AND WHY.
301
00:15:42,233 --> 00:15:45,467
WHAT ARE THESE THINGS?
302
00:15:45,467 --> 00:15:48,867
Narrator: THE STRUCTURES' WALLS
ARE CRUMBLING AND CAST A SHADOW,
303
00:15:48,867 --> 00:15:51,933
SUGGESTING THEY ARE
ANCIENT TOWERS.
304
00:15:51,933 --> 00:15:54,700
ANALYSIS OF LOCAL GEOGRAPHY
COULD YIELD CLUES
305
00:15:54,700 --> 00:15:56,267
ABOUT THEIR PURPOSE.
306
00:15:56,267 --> 00:15:58,600
YOU CAN SEE THERE'S TWO
MOUNTAINS ON EITHER SIDE,
307
00:15:58,600 --> 00:16:01,600
SO WHAT COMES TO MIND IS THAT
THESE ARE PROBABLY FORTRESSES
308
00:16:01,600 --> 00:16:03,567
DEFENDING THESE TWO MOUNTAINS
309
00:16:03,567 --> 00:16:06,700
AND PROBABLY THE PASS
THAT GOES BETWEEN THEM.
310
00:16:06,700 --> 00:16:09,433
**
311
00:16:09,433 --> 00:16:13,267
Narrator:
IF THESE ANCIENT TOWERS
ARE GUARDING A PASS OR ROAD,
312
00:16:13,267 --> 00:16:15,300
THEY COULD BE CONNECTED
TO ONE OF IRAN'S
313
00:16:15,300 --> 00:16:18,500
MOST FAMOUS HISTORICAL LEGACIES.
314
00:16:18,500 --> 00:16:21,700
THIS PART OF IRAN IS PART OF
WHAT WE CALL THE SILK ROAD,
315
00:16:21,700 --> 00:16:27,333
WHICH WAS A MAJOR TRADING ROUTE
THAT SPANNED FROM EAST TO WEST.
316
00:16:27,333 --> 00:16:29,267
Narrator:
IN THE SECOND CENTURY, B.C.,
317
00:16:29,267 --> 00:16:31,233
AND FOR THE NEXT
THOUSAND YEARS,
318
00:16:31,233 --> 00:16:33,967
THE SILK ROAD IS THE
EAST'S MAIN TRADING ROUTE,
319
00:16:33,967 --> 00:16:38,600
STRETCHING 4,000 MILES
FROM CHINA TO INDIA, IRAN,
320
00:16:38,600 --> 00:16:40,767
AND ON TO THE MEDITERRANEAN SEA.
321
00:16:40,767 --> 00:16:45,467
**
322
00:16:45,467 --> 00:16:49,333
ON THE SILK ROAD, WE WOULD HAVE
SEEN SILKS AND GOLD AND GLASS
323
00:16:49,333 --> 00:16:52,067
AND PRECIOUS METALS AND SPICES.
324
00:16:52,067 --> 00:16:54,233
Altaweel: THE SILK ROAD GIVES US
OUR FOOD TODAY.
325
00:16:54,233 --> 00:16:55,867
THINGS LIKE PEPPER, CINNAMON --
326
00:16:55,867 --> 00:17:00,567
THOSE CAME INTO EUROPEAN TASTES
BECAUSE OF THE SILK ROAD.
327
00:17:00,567 --> 00:17:04,967
Narrator: SPICES LIKE SAFFRON
TRADE FOR $18,000 A POUND.
328
00:17:04,967 --> 00:17:08,100
RARE SILKS
FETCH FIVE TIMES THAT.
329
00:17:08,100 --> 00:17:11,733
THE ROUTE BECOMES
A MAGNET FOR BANDITS.
330
00:17:11,733 --> 00:17:15,100
WHEREVER THERE ARE RICHES
THERE ARE ALSO THIEVES.
331
00:17:15,100 --> 00:17:18,333
TRADERS WOULD NEED TO STOP
AND SAFEGUARD THEMSELVES
332
00:17:18,333 --> 00:17:21,800
AND THEIR GOODS ALONG THE WAY,
AND A WHOLE NETWORK OF DEFENSES
333
00:17:21,800 --> 00:17:24,400
REALLY GREW UP
ALONG THIS SILK ROAD.
334
00:17:24,400 --> 00:17:28,167
**
335
00:17:28,167 --> 00:17:29,900
Narrator: BUT THERE'S A PROBLEM
WITH THE THEORY
336
00:17:29,900 --> 00:17:33,800
THAT THE TWO TOWERS
ARE THE SILK ROAD FORTRESSES.
337
00:17:33,800 --> 00:17:36,200
Bellinger: THESE THINGS ARE
CLEARLY CIRCULAR,
338
00:17:36,200 --> 00:17:38,067
AND THE PERSIANS WERE KNOWN
339
00:17:38,067 --> 00:17:42,433
FOR BUILDING RECTANGULAR
DEFENSIVE FORTS.
340
00:17:42,433 --> 00:17:44,400
Narrator: IMAGE ANALYST
MARC D'ANTONIO
341
00:17:44,400 --> 00:17:47,767
STUDIES THE TWO TOWERS
AND SPOTS SOMETHING UNUSUAL.
342
00:17:47,767 --> 00:17:50,333
D'Antonio: THERE'S A LARGE AREA
UP HERE.
343
00:17:50,333 --> 00:17:52,967
IT'S FLAT, BUT IT'S ACTUALLY
SLIGHTLY SLOPED DOWN
344
00:17:52,967 --> 00:17:54,333
TOWARD THAT CENTRAL HOLE.
345
00:17:54,333 --> 00:17:56,200
NOW, THAT HOLE'S A DEPRESSION,
346
00:17:56,200 --> 00:17:58,167
AS YOU CAN TELL
BY THIS SHADOW HERE.
347
00:17:58,167 --> 00:18:03,300
IN THIS OTHER ONE,
THERE'S A BIGGER PIT.
348
00:18:03,300 --> 00:18:05,967
Narrator: ANCIENT TEXTS
FROM THE REGION CONTAIN CLUES
349
00:18:05,967 --> 00:18:07,767
AS TO THE PURPOSE
OF THESE PITS.
350
00:18:07,767 --> 00:18:10,167
**
351
00:18:10,167 --> 00:18:11,933
Hoffman: ONE OF THE MOST
INTERESTING RECORDS
352
00:18:11,933 --> 00:18:14,067
WE HAVE COMES FROM
A BABYLONIAN COURT
353
00:18:14,067 --> 00:18:16,367
FROM ABOUT 650 B.C.,
354
00:18:16,367 --> 00:18:18,400
AND IT TALKS ABOUT
THESE BEACONS THAT WERE LIT
355
00:18:18,400 --> 00:18:19,967
TO ANNOUNCE THE INAUGURATION
356
00:18:19,967 --> 00:18:22,367
OF A NEW BABYLONIAN KING.
357
00:18:22,367 --> 00:18:24,967
Narrator: FIRE BEACONS WERE USED
FOR THOUSANDS OF YEARS
358
00:18:24,967 --> 00:18:28,100
TO SEND MESSAGES
OVER LONG DISTANCES.
359
00:18:28,100 --> 00:18:30,133
Hoffman: ANYBODY WHO HAS SEEN
"THE LORD OF THE RINGS"
360
00:18:30,133 --> 00:18:32,533
FILMS REMEMBERS
THE BEACONS OF GONDOR.
361
00:18:32,533 --> 00:18:37,733
THAT COULD BE WHAT WE'RE
SEEING HERE WITH THESE TOWERS.
362
00:18:37,733 --> 00:18:41,367
Narrator: THE SHAPE OF THE PITS
IS CONSISTENT WITH FIRE BEACONS,
363
00:18:41,367 --> 00:18:44,700
BUT THE POSITION OF
THE TOWERS IS PROBLEMATIC.
364
00:18:44,700 --> 00:18:46,267
USUALLY, BEACONS
ARE MILES APART.
365
00:18:46,267 --> 00:18:48,533
SOMETHING LIKE 5, 10, 20,
30 MILES AWAY.
366
00:18:48,533 --> 00:18:51,433
SOMETHING JUST FAR ENOUGH SO YOU
CAN SEE IT ON THE HORIZON,
367
00:18:51,433 --> 00:18:54,400
WHEREAS, IN THIS CASE,
THEY'RE ACTUALLY QUITE CLOSE.
368
00:18:54,400 --> 00:18:56,567
Narrator: THE MYSTERY
OF THE TWO TOWERS DEEPENS
369
00:18:56,567 --> 00:18:59,467
WHEN SATELLITE IMAGES
REVEAL SEVERAL SIMILAR TOWERS
370
00:18:59,467 --> 00:19:01,700
SPREAD ACROSS THOUSANDS OF MILES
371
00:19:01,700 --> 00:19:04,800
IN THE NEIGHBORING COUNTRIES
OF INDIA AND UZBEKISTAN.
372
00:19:04,800 --> 00:19:08,533
**
373
00:19:08,533 --> 00:19:11,533
INVESTIGATORS PLOT
THE TOWERS' LOCATIONS.
374
00:19:11,533 --> 00:19:14,600
THE DISCOVER THE PATTERN MIRRORS
THE SPREAD OF AN ANCIENT
375
00:19:14,600 --> 00:19:17,533
AND MYSTERIOUS RELIGION.
376
00:19:17,533 --> 00:19:20,833
ZOROASTRIANISM IS ONE OF
THE WORLD'S OLDEST RELIGIONS.
377
00:19:20,833 --> 00:19:23,167
IT'S AT LEAST 3,000 YEARS OLD.
378
00:19:23,167 --> 00:19:25,300
Hoffman: WE MAY NOT BE AS
FAMILIAR WITH IT TODAY,
379
00:19:25,300 --> 00:19:27,733
BUT ZOROASTRIANISM WAS
ONE OF THE MOST POWERFUL
380
00:19:27,733 --> 00:19:29,600
AND INFLUENTIAL RELIGIONS
OF THE WORLD.
381
00:19:29,600 --> 00:19:32,167
**
382
00:19:32,167 --> 00:19:35,067
Narrator: ZOROASTRIANS BELIEVE
LIFE ON EARTH IS A WAR
383
00:19:35,067 --> 00:19:38,733
BETWEEN THE FORCES
OF GOOD AND EVIL.
384
00:19:38,733 --> 00:19:41,067
HISTORIANS THINK THESE TOWERS
WERE THE SCENE
385
00:19:41,067 --> 00:19:45,267
OF A ZOROASTRIAN DEATH RITUAL --
TO CONQUER EVIL.
386
00:19:45,267 --> 00:19:47,900
THE ZOROASTRIAN'S BURIAL
RITUAL'S REALLY IMPORTANT.
387
00:19:47,900 --> 00:19:49,800
THEY BELIEVED THE BODY
HAD REAL DANGER.
388
00:19:49,800 --> 00:19:54,067
IN FACT, THEY BELIEVED THE BODY
WOULD ABSORB THE BODY DEMON.
389
00:19:54,067 --> 00:19:56,733
AND IF IT WAS ALLOWED OUT,
IT WOULD POLLUTE THE WORLD.
390
00:19:56,733 --> 00:20:00,667
Narrator: THE DEMON IS CALLED
DRUJ I NASHUSH.
391
00:20:00,667 --> 00:20:02,433
TO PREVENT IT LEAVING THE BODY,
392
00:20:02,433 --> 00:20:05,100
ATTENDANTS WASH THE CADAVER
WITH BULL'S URINE
393
00:20:05,100 --> 00:20:06,433
AND WRAP IT IN CLOTH
394
00:20:06,433 --> 00:20:10,067
IN PREPARATION FOR ITS JOURNEY
TO ONE OF THE TOWERS.
395
00:20:10,067 --> 00:20:12,567
Horton: THEY WOULD TAKE THE
BODIES UP INTO THE TOWER,
396
00:20:12,567 --> 00:20:14,500
AND THEY WOULD LAY THE BODY OUT.
397
00:20:14,500 --> 00:20:17,100
AND THEY LEAVE IT THERE
FOR THE VULTURES TO COME
398
00:20:17,100 --> 00:20:20,933
AND STRIP THE CARCASS.
399
00:20:20,933 --> 00:20:24,167
Narrator: WITHIN MINUTES, DOZENS
OF THE GIANT CARRION-EATERS
400
00:20:24,167 --> 00:20:27,000
DESCEND ON THE CORPSE.
401
00:20:27,000 --> 00:20:30,533
Sanford: YOU HAVE THIS BODY
AT THE TOP OF A TOWER
402
00:20:30,533 --> 00:20:34,100
BEING STRIPPED BY THESE BIRDS.
403
00:20:34,100 --> 00:20:39,967
THEIR BEAKS GRABBING THE FLESH
AND RIPPING IT FROM THE BONES.
404
00:20:39,967 --> 00:20:42,633
Narrator: THE PRACTICE IS CALLED
A SKY BURIAL.
405
00:20:42,633 --> 00:20:48,167
THESE BIRDS ARE ADAPTED
TO EAT ROTTING FLESH.
406
00:20:48,167 --> 00:20:51,667
A PACK OF THEM CAN TOTALLY
DESTROY A CORPSE
407
00:20:51,667 --> 00:20:53,200
WITHIN 30 MINUTES.
408
00:20:53,200 --> 00:20:55,200
Narrator:
ONCE THE VULTURES' WORK IS DONE,
409
00:20:55,200 --> 00:20:58,800
ATTENDANTS DISPOSE OF THE BONES
IN THE BONE PIT.
410
00:20:58,800 --> 00:21:00,533
Horton: THE BONES THEMSELVES
WOULD BE WASHED DOWN
411
00:21:00,533 --> 00:21:02,767
INTO A CENTRAL CHAMBER,
412
00:21:02,767 --> 00:21:04,767
WHICH IS CLEARLY VISIBLE
ON THIS PHOTOGRAPH,
413
00:21:04,767 --> 00:21:06,800
AND THE BODIES
WOULD THEN BE LEFT
414
00:21:06,800 --> 00:21:08,833
AS BASICALLY BROKEN BONES
AT THE BOTTOM.
415
00:21:08,833 --> 00:21:11,567
**
416
00:21:11,567 --> 00:21:13,300
Narrator:
IT WAS JUST 50 YEARS AGO
417
00:21:13,300 --> 00:21:17,400
THAT THE AUTHORITIES
OUTLAWED SKY BURIALS.
418
00:21:17,400 --> 00:21:21,200
TODAY, THE TWO TOWERS STAND
AS SPECTERS TO THIS ANCIENT,
419
00:21:21,200 --> 00:21:23,200
GRISLY RITUAL.
420
00:21:23,200 --> 00:21:25,833
WHAT'S REMARKABLE HERE
IS THAT THE PRACTICE OF A
421
00:21:25,833 --> 00:21:30,100
THOUSANDS-OF-YEAR-OLD RELIGION
HAS BEEN CAPTURED FROM SPACE.
422
00:21:30,100 --> 00:21:34,633
**
423
00:21:34,633 --> 00:21:36,200
Narrator: COMING UP,
424
00:21:36,200 --> 00:21:39,067
THINGS GO WEIRD
AT THE END OF THE WORLD.
425
00:21:39,067 --> 00:21:40,467
Pappalardo: TO ME, IT LOOKS LIKE
SOMETHING LANDED THERE
426
00:21:40,467 --> 00:21:43,800
EXTREMELY QUICKLY
AND SKIDDED TO A HALT.
427
00:21:43,800 --> 00:21:47,633
Narrator: AND TIME CAPSULES
FROM AN AGE OF MONSTERS.
428
00:21:47,633 --> 00:21:49,733
Bellinger: WE REALLY DON'T KNOW
WHAT THEY WERE MADE FOR,
429
00:21:49,733 --> 00:21:53,100
POSSIBLY FOR SOME KIND
OF CELESTIAL PURPOSE.
430
00:22:00,400 --> 00:22:03,267
Narrator: NOVEMBER 2001.
431
00:22:03,267 --> 00:22:06,833
A SATELLITE ABOVE MOUNT EREBUS
IN ANTARCTICA CAPTURES
432
00:22:06,833 --> 00:22:10,900
AN UNUSUAL IMAGE
OF THE WINDSWEPT ICE SHEETS --
433
00:22:10,900 --> 00:22:12,967
A JAGGED,
SAW-SHAPED STRUCTURE
434
00:22:12,967 --> 00:22:16,233
EXTENDING FROM THE FLANKS
OF THE MOUNTAIN.
435
00:22:16,233 --> 00:22:19,400
IT LOOKS LIKE SOMETHING
HAS GONE ALONG THE GROUND
436
00:22:19,400 --> 00:22:22,933
AND SCRAPED UP WHAT'S THERE
AND KICKED UP THE SIDES.
437
00:22:22,933 --> 00:22:29,367
LIKE, A BIG GOUGE HAS BEEN TAKEN
OUT OF THE SIDE OF THE MOUNTAIN.
438
00:22:29,367 --> 00:22:33,733
Narrator: TEMPERATURES HERE
AVERAGE 1 DEGREE FAHRENHEIT.
439
00:22:33,733 --> 00:22:38,267
IN WINTER, IT STAYS DARK
FOR TWO WEEKS STRAIGHT.
440
00:22:38,267 --> 00:22:42,633
DESPITE THIS, THERE IS A HISTORY
OF HUMAN ACTIVITY IN THE AREA.
441
00:22:42,633 --> 00:22:46,633
IT'S INTERESTING TO LEARN THAT
THIS VERY STRANGE FORMATION
442
00:22:46,633 --> 00:22:48,100
IN THE ICE
443
00:22:48,100 --> 00:22:54,067
IS REALLY CLOSE TO THE AMERICAN
RESEARCH STATION AT McMURDO.
444
00:22:54,067 --> 00:22:58,067
THE U.S.-FUNDED McMURDO STATION
IS LOCATED 15 MILES
445
00:22:58,067 --> 00:22:59,467
FROM THE MYSTERY SCAR
446
00:22:59,467 --> 00:23:02,200
AND IS STAFFED
BY A TEAM OF 1,000.
447
00:23:02,200 --> 00:23:04,200
WAS THIS SCAR
ANYTHING TO DO
448
00:23:04,200 --> 00:23:05,833
WITH WHAT THE SCIENTISTS
ARE DOING?
449
00:23:09,767 --> 00:23:13,933
Narrator: McMURDO
HAS A CONTROVERSIAL PAST.
450
00:23:13,933 --> 00:23:18,267
ON MARCH 4, 1962,
SCIENTISTS FIRE UP THE FIRST
451
00:23:18,267 --> 00:23:22,533
AND ONLY NUCLEAR REACTOR
IN ANTARCTICA.
452
00:23:22,533 --> 00:23:25,833
THE AMERICAN GOVERNMENT
ACTUALLY TRIED TO PUT IN
453
00:23:25,833 --> 00:23:29,600
A NUCLEAR REACTOR
FOR POWER.
454
00:23:29,600 --> 00:23:32,433
THE U.S. HOPES THAT
THE REACTOR WILL REPLACE OIL
455
00:23:32,433 --> 00:23:35,533
AS THE STATION'S FUEL SOURCE,
EXPENSIVE AND TOUGH
456
00:23:35,533 --> 00:23:39,500
TO TRANSPORT
TO THE ISOLATED SITE.
457
00:23:39,500 --> 00:23:41,767
BUT IN THE VOLATILE
ANTARCTIC WEATHER,
458
00:23:41,767 --> 00:23:44,267
THE REACTOR CRITICALLY
MALFUNCTIONS.
459
00:23:46,233 --> 00:23:48,933
Pavelec: THE NUCLEAR EXPERIMENT
AT McMURDO STATION
460
00:23:48,933 --> 00:23:52,133
WENT CATASTROPHICALLY
WRONG.
461
00:23:52,133 --> 00:23:55,267
THOUSANDS UPON THOUSANDS
OF CUBIC FEET
462
00:23:55,267 --> 00:23:57,667
OF RADIOACTIVELY
CONTAMINATED SOIL
463
00:23:57,667 --> 00:23:59,367
HAD TO BE DUG UP,
464
00:23:59,367 --> 00:24:02,667
AND IT WAS PUT IN PROPER
CONTAINMENT STORAGE.
465
00:24:02,667 --> 00:24:07,467
Narrator: THE U.S. NAVY REMOVES
360 TONS OF RADIOACTIVE SOIL
466
00:24:07,467 --> 00:24:11,100
AND TRANSPORTS IT THOUSANDS
OF MILES BACK TO THE U.S.
467
00:24:11,100 --> 00:24:13,267
Chamberlain:
COULD THIS SCAR BE A PLACE
468
00:24:13,267 --> 00:24:16,633
WHERE THEY DUG UP ALL
OF THIS RADIOACTIVE MATERIAL?
469
00:24:18,933 --> 00:24:21,533
Narrator: BUT ANALYSTS DOUBT
THE LEAKED NUCLEAR MATERIAL
470
00:24:21,533 --> 00:24:23,533
COULD BE CONFINED
TO A LINEAR PATTERN
471
00:24:23,533 --> 00:24:26,233
LIKE THE ONE
IN THE SATELLITE IMAGE.
472
00:24:26,233 --> 00:24:27,967
Pavelec: BECAUSE OF
THE SIZE AND THE SCALE,
473
00:24:27,967 --> 00:24:31,067
IT'S PROBABLY NOT SOMETHING
THAT WAS DUG OUT.
474
00:24:31,067 --> 00:24:32,800
THERE HAS TO BE
ANOTHER EXPLANATION
475
00:24:32,800 --> 00:24:35,233
FOR THIS VERY STRANGE
FORMATION IN THE ICE.
476
00:24:38,167 --> 00:24:41,067
Narrator: AVIATION EXPERT
JOE PAPPALARDO CONSIDERS
477
00:24:41,067 --> 00:24:43,067
IF THE SCAR
COULD BEAR THE HALLMARKS
478
00:24:43,067 --> 00:24:45,100
OF AN AIRCRAFT DISASTER.
479
00:24:45,100 --> 00:24:46,533
Pappalardo: TO ME, IT LOOKS LIKE
SOMETHING LANDED THERE
480
00:24:46,533 --> 00:24:50,767
EXTREMELY QUICKLY
AND SKIDDED TO A HALT.
481
00:24:50,767 --> 00:24:52,767
MAYBE SOMETHING
HAD CRASHED HERE.
482
00:24:55,200 --> 00:24:57,133
Narrator: THE CRASH THEORY
GAINS TRACTION
483
00:24:57,133 --> 00:24:59,133
WHEN INVESTIGATORS
DISCOVER THE IMAGES
484
00:24:59,133 --> 00:25:01,633
TAKEN CLOSE TO THE SITE
OF ONE OF THE WORLD'S
485
00:25:01,633 --> 00:25:04,933
MOST CATASTROPHIC
AVIATION ACCIDENTS.
486
00:25:04,933 --> 00:25:07,267
SO, WHEN YOU THINK ABOUT
SOMETHING CRASHING
487
00:25:07,267 --> 00:25:08,700
IN THAT PART
OF THE WORLD,
488
00:25:08,700 --> 00:25:12,767
YOU THINK ABOUT THE WORST AIR
DISASTER IN NEW ZEALAND HISTORY.
489
00:25:12,767 --> 00:25:18,267
Narrator: AT 7:21 A.M.
ON NOVEMBER 28, 1979,
490
00:25:18,267 --> 00:25:22,100
AIR NEW ZEALAND FLIGHT 901
TAKES OFF FROM AUCKLAND AIRPORT
491
00:25:22,100 --> 00:25:24,400
ON A SIGHT-SEEING TOUR
OF ANTARCTICA.
492
00:25:26,833 --> 00:25:30,933
THE CREW REPORT CLEAR WEATHER
AND GOOD VISIBILITY,
493
00:25:30,933 --> 00:25:33,067
BUT AS THE PLANE
NEARS MOUNT EREBUS,
494
00:25:33,067 --> 00:25:35,667
A STRANGE AND TERRIFYING
OPTICAL ILLUSION
495
00:25:35,667 --> 00:25:39,400
KNOWN AS A "WHITEOUT"
DECEIVES THE TWO PILOTS.
496
00:25:39,400 --> 00:25:41,167
Lester:
IT'S NOT A STORM.
497
00:25:41,167 --> 00:25:45,567
IT'S SIMPLY A SITUATION WHERE
THERE'S WHITE EVERYWHERE.
498
00:25:45,567 --> 00:25:48,367
WHITE GLACIER BENEATH,
WHITE CLOUDS ABOVE,
499
00:25:48,367 --> 00:25:51,500
AND THERE'S NO WAY TO TELL
WHAT'S UP, WHAT'S DOWN,
500
00:25:51,500 --> 00:25:54,100
AND WHAT'S
IN FRONT OF YOU.
501
00:25:54,100 --> 00:25:57,900
Narrator: AT 12:49 P.M.,
THE PLANE PLOWS INTO THE ICE,
502
00:25:57,900 --> 00:26:01,800
KILLING ALL 257
PASSENGERS AND CREW.
503
00:26:04,467 --> 00:26:08,533
BAM -- THEY JUST SMASHED
INTO THE SIDE OF MOUNT EREBUS
504
00:26:08,533 --> 00:26:11,167
TRAVELING HUNDREDS
OF MILES PER HOUR.
505
00:26:11,167 --> 00:26:14,400
Pappalardo: FOR THE PILOTS,
IT MUST HAVE BEEN HORRIFYING,
506
00:26:14,400 --> 00:26:18,200
THOSE LAST FEW SECONDS,
REALIZING THAT, OUT OF NOWHERE,
507
00:26:18,200 --> 00:26:21,500
A MOUNTAINSIDE WAS LOOMING
IN THE COCKPIT WINDOW.
508
00:26:24,700 --> 00:26:27,533
Narrator: ANALYST MARC D'ANTONIO
STUDIES THE IMAGE TO SEE
509
00:26:27,533 --> 00:26:32,200
IF IT COULD BE A REMNANT OF
THE PLANE'S LONG DEBRIS TRAIL.
510
00:26:32,200 --> 00:26:34,533
HE DISCOVERS SOMETHING
ISN'T RIGHT.
511
00:26:34,533 --> 00:26:35,900
WHEN YOU FIRST
LOOK AT THIS,
512
00:26:35,900 --> 00:26:39,100
IT LOOKS AS IF SOMEBODY WAS
SCRAPING ALONG IN THE ICE
513
00:26:39,100 --> 00:26:41,500
AND MAKING THIS
GIGANTIC FURROW.
514
00:26:41,500 --> 00:26:45,133
BUT IF WE LOOK AT
THIS OBJECT OVER HERE --
515
00:26:45,133 --> 00:26:47,067
THIS LITTLE SPIRE
OF ROCK --
516
00:26:47,067 --> 00:26:49,433
YOU SEE THE SHADOW,
WHICH WAYS IT'S GOING?
517
00:26:49,433 --> 00:26:51,600
WELL, THERE, WE SEE
THE SHADOW, AS WELL.
518
00:26:51,600 --> 00:26:53,667
THIS IS AN
ELEVATED FEATURE.
519
00:26:53,667 --> 00:26:56,367
THIS IS AN ELEVATED
FEATURE, TOO.
520
00:26:56,367 --> 00:26:59,800
Narrator:
THE SHADOW INDICATES IT IS NOT
A DEPRESSION IN THE ICE,
521
00:26:59,800 --> 00:27:03,133
BUT SOMETHING RISING
ABOVE IT.
522
00:27:03,133 --> 00:27:05,267
NASA SCIENTIST
DR. KELLY BRUNT
523
00:27:05,267 --> 00:27:07,200
TRAVELS TO
THE REMOTE FEATURE.
524
00:27:10,600 --> 00:27:13,800
SHE FINDS A 7-MILE-LONG WALL
OF JAGGED ICE
525
00:27:13,800 --> 00:27:17,267
PROTRUDING FROM THE FROZEN SEAS
OF McMURDO SOUND.
526
00:27:17,267 --> 00:27:19,300
Brunt: JUST LIKE AN ICE CUBE
IN A GLASS,
527
00:27:19,300 --> 00:27:22,567
ABOUT 10% OF THE ICE
IS ABOVE THE SURFACE
528
00:27:22,567 --> 00:27:26,333
AND THE OTHER 90%
IS BELOW THE SURFACE.
529
00:27:26,333 --> 00:27:29,100
Narrator: THE MASSIVE ICE WALL
IS A RARE TYPE OF GLACIER
530
00:27:29,100 --> 00:27:31,733
CALLED AN "ICE TONGUE,"
531
00:27:31,733 --> 00:27:33,767
CREATED BY MILLIONS
OF TONS OF ICE
532
00:27:33,767 --> 00:27:35,900
FLOWING FROM THE BASE
OF MOUNT EREBUS
533
00:27:35,900 --> 00:27:37,667
INTO THE FROZEN SEAS.
534
00:27:41,067 --> 00:27:44,900
SO, THE SERRATED FEATURES WE SEE
ARE SORT OF THE SCARS LEFT
535
00:27:44,900 --> 00:27:49,833
AS THE ICE IS SHEARING
BY ROCKS OR OTHER FEATURES.
536
00:27:49,833 --> 00:27:52,733
Narrator: INSIDE THE ICE TONGUE,
THE GLACIER'S RELENTLESS,
537
00:27:52,733 --> 00:27:55,300
CRUSHING FORCES CREATE
A VAST LABYRINTH
538
00:27:55,300 --> 00:27:57,867
OF CATHEDRAL-LIKE
ICE CAVES.
539
00:27:57,867 --> 00:28:00,300
Brunt: IT'S SERENE.
IT'S QUIET.
540
00:28:00,300 --> 00:28:02,067
THE LIGHT THAT YOU SEE
ISN'T WHITE.
541
00:28:02,067 --> 00:28:03,867
IT'S ACTUALLY BLUE.
542
00:28:03,867 --> 00:28:05,967
IT'S QUITE A THING TO SEE.
543
00:28:05,967 --> 00:28:10,333
THIS ICE TONGUE IS JUST
THIS AMAZINGLY BEAUTIFUL
544
00:28:10,333 --> 00:28:12,100
ICE SCULPTURE.
545
00:28:12,100 --> 00:28:13,400
IT'S BREATHTAKING.
546
00:28:13,400 --> 00:28:16,067
I CAN'T BELIEVE THAT
THIS CAME FROM NATURE.
547
00:28:20,200 --> 00:28:23,200
Narrator: COMING UP,
DEATH AND DISFIGUREMENT
548
00:28:23,200 --> 00:28:25,167
ON A MEDITERRANEAN ISLAND.
549
00:28:25,167 --> 00:28:28,133
IT GAVE YOU HORRIBLE MARKS
ALL OVER YOUR BODY.
550
00:28:28,133 --> 00:28:32,133
IT WAS A DISEASE THAT PEOPLE
BECAME VERY TERRIFIED OF.
551
00:28:32,133 --> 00:28:35,200
Narrator: AND STRANGE SPHERES
ON A NEW ZEALAND BEACH.
552
00:28:35,200 --> 00:28:38,967
THIS CARGO ROLLED ASHORE
AND EVENTUALLY TURNED TO STONE.
553
00:28:46,900 --> 00:28:51,167
Narrator:
SEPTEMBER 13, 2016.
554
00:28:51,167 --> 00:28:54,500
SATELLITE IMAGERY REVEALS
A STRANGE PATTERN OF DOMES
555
00:28:54,500 --> 00:28:58,867
SCATTERED ACROSS KOEKOHE BEACH
ON NEW ZEALAND'S SOUTH ISLAND.
556
00:28:58,867 --> 00:29:03,233
PERFECTLY ROUND SPHERES THAT
LOOK LIKE MARBLES ON THE BEACH.
557
00:29:03,233 --> 00:29:05,733
Bellinger: I REALLY WONDER
WHAT ON EARTH THEY COULD BE.
558
00:29:05,733 --> 00:29:07,233
COULD THEY HAVE
WASHED ASHORE?
559
00:29:07,233 --> 00:29:10,633
IT'S REALLY A VERY
MYSTERIOUS IMAGE.
560
00:29:10,633 --> 00:29:13,467
Narrator: THE IMAGE
SPARKS WILD SPECULATION.
561
00:29:13,467 --> 00:29:15,967
BEACH UMBRELLAS.
562
00:29:15,967 --> 00:29:18,567
JELLYFISH WASHED ASHORE.
563
00:29:18,567 --> 00:29:21,633
GIANT TURTLE EGGS.
564
00:29:21,633 --> 00:29:25,333
CAN YOU IMAGINE THE TURTLE
THAT WOULD COME OUT OF THAT?
565
00:29:25,333 --> 00:29:28,200
Narrator: WHEN INVESTIGATORS
CONSULT HISTORICAL RECORDS,
566
00:29:28,200 --> 00:29:31,567
THEY HIT UPON A POTENTIALLY
TERRIFYING POSSIBILITY.
567
00:29:35,767 --> 00:29:40,133
A LEGACY OF NAVAL WARFARE
IN THE PACIFIC OCEAN --
568
00:29:40,133 --> 00:29:41,333
SEA MINES.
569
00:29:44,600 --> 00:29:47,133
Walters:
WHEN WE THINK OF MINES BEING
LAID IN THE SECOND WORLD WAR,
570
00:29:47,133 --> 00:29:49,300
WE TEND TO THINK OF THEM
BEING LAID IN THE ATLANTIC
571
00:29:49,300 --> 00:29:51,233
AND THE MEDITERRANEAN.
572
00:29:51,233 --> 00:29:53,567
BUT ACTUALLY, WHAT IS LESS
WELL-KNOWN IS THAT THE GERMANS
573
00:29:53,567 --> 00:29:56,967
LAID HUNDREDS OF MINES
OFF NEW ZEALAND.
574
00:29:56,967 --> 00:30:00,767
Narrator: THE U.S. NAVY ALSO
DUMPS CLOSE TO 25,000 MINES
575
00:30:00,767 --> 00:30:04,333
IN THE PACIFIC TO COUNTER
THE JAPANESE ADVANCE.
576
00:30:04,333 --> 00:30:07,067
SO, AT THE END OF THE WAR, THERE
WAS THIS HUGE CLEAN-UP OPERATION
577
00:30:07,067 --> 00:30:09,433
OF ALL THESE MINES
AND MINESWEEPING CRAFT
578
00:30:09,433 --> 00:30:15,133
WE USED TO GATHER THE MINES
IN OR EXPLODE THEM.
579
00:30:15,133 --> 00:30:17,333
Narrator: NOT ALL THE MINES
ARE RECOVERED.
580
00:30:20,333 --> 00:30:23,200
RECORDS REVEAL WARTIME MINES
LAID IN THE DEPTHS
581
00:30:23,200 --> 00:30:25,800
OF THE PACIFIC HAVE
WASHED ASHORE IN NEW ZEALAND
582
00:30:25,800 --> 00:30:27,967
DURING THE PAST DECADE.
583
00:30:27,967 --> 00:30:30,533
ARMED WITH 500 POUNDS
OF EXPLOSIVES,
584
00:30:30,533 --> 00:30:33,600
MANY STILL POSE
A DEADLY THREAT.
585
00:30:33,600 --> 00:30:36,400
COULD BE THESE MINES
POPPING BACK UP.
586
00:30:38,833 --> 00:30:41,433
Narrator: WHEN INVESTIGATORS
RE-EXAMINE THE IMAGE,
587
00:30:41,433 --> 00:30:45,567
THEY NOTICE A DETAIL WHICH
CASTS DOUBT ON THE MINE THEORY.
588
00:30:45,567 --> 00:30:48,900
WHEN YOU LOOK CAREFULLY, YOU CAN
SEE THAT THESE SPHERICAL OBJECTS
589
00:30:48,900 --> 00:30:51,767
ARE VERY VARIABLE
IN DIAMETER.
590
00:30:51,767 --> 00:30:54,067
NOW, A WORLD WAR II MINE
WILL HAVE A DIAMETER
591
00:30:54,067 --> 00:30:56,533
AROUND 4 FOOT,
SOMETHING LIKE THAT,
592
00:30:56,533 --> 00:31:00,333
WHEREAS THESE RANGE IN SIZE
FROM SMALL TO LARGE.
593
00:31:04,467 --> 00:31:06,533
Narrator: FORENSIC GEOLOGIST
SCOTT WOLTER
594
00:31:06,533 --> 00:31:09,533
RECOGNIZES SOMETHING FAMILIAR
IN THE IMAGE.
595
00:31:09,533 --> 00:31:12,500
I SAW SOMETHING VERY SIMILAR
TO THESE
596
00:31:12,500 --> 00:31:15,533
IN THE JUNGLES
IN COSTA RICA.
597
00:31:15,533 --> 00:31:16,967
AND THEY WERE
THESE LARGE --
598
00:31:16,967 --> 00:31:20,367
IN SOME CASES,
SEVERAL FEET IN DIAMETER --
599
00:31:20,367 --> 00:31:23,800
ROUND BOULDERS THAT LOOKED
LIKE BOWLING BALLS.
600
00:31:23,800 --> 00:31:25,333
Narrator: ARCHAEOLOGISTS
HAVE DISCOVERED
601
00:31:25,333 --> 00:31:27,900
MORE THAN 300 OF THESE
MYSTERIOUS BALLS
602
00:31:27,900 --> 00:31:30,767
IN THE JUNGLES
OF CENTRAL AMERICA.
603
00:31:30,767 --> 00:31:33,100
STUDIES REVEAL
THESE STONE FORMATIONS
604
00:31:33,100 --> 00:31:36,333
ARE, IN FACT,
ANCIENT SCULPTURES.
605
00:31:36,333 --> 00:31:39,900
INDIGENOUS PEOPLE IN COSTA RICA
CALL THEM "LAS BOLAS,"
606
00:31:39,900 --> 00:31:42,667
OR "THE BALLS."
607
00:31:42,667 --> 00:31:44,667
Narrator: HISTORIANS BELIEVE
THEY WERE CARVED BY
608
00:31:44,667 --> 00:31:47,933
THE DIQUIS PEOPLE
OVER 1,000 YEARS AGO.
609
00:31:47,933 --> 00:31:50,200
THEIR PURPOSE
REMAINS A MYSTERY.
610
00:31:50,200 --> 00:31:52,633
WE REALLY DON'T KNOW
WHAT THEY WERE MADE FOR.
611
00:31:52,633 --> 00:31:55,533
POSSIBLY FOR SOME KIND
OF CELESTIAL PURPOSE
612
00:31:55,533 --> 00:31:57,900
OR A SIGNPOST
TO LEAD THE WAY SOMEWHERE.
613
00:32:00,267 --> 00:32:02,867
COULD THESE HUGE,
MARBLE-LIKE STRUCTURES
614
00:32:02,867 --> 00:32:04,800
THAT WE SEE
ON THIS BEACH IN NEW ZEALAND
615
00:32:04,800 --> 00:32:07,233
BE SOMETHING SIMILAR?
616
00:32:07,233 --> 00:32:10,067
Narrator: IF THESE SPHERES
ARE ANCIENT SCULPTURES,
617
00:32:10,067 --> 00:32:13,067
THEY'RE LIKELY TO BE THE WORK
OF THE INDIGENOUS POPULATION,
618
00:32:13,067 --> 00:32:14,067
THE MAORI.
619
00:32:17,200 --> 00:32:20,600
THE MAORI ARRIVED IN NEW ZEALAND
FROM POLYNESIAN ISLANDS
620
00:32:20,600 --> 00:32:22,533
AROUND 700 YEARS AGO
621
00:32:22,533 --> 00:32:24,733
AND HAVE A STRONG TRADITION
OF STONE CARVING
622
00:32:24,733 --> 00:32:27,067
IN THEIR CULTURE.
623
00:32:27,067 --> 00:32:29,833
MAORI LEGENDS CELEBRATE
THE SPHERICAL STONES
624
00:32:29,833 --> 00:32:33,933
AND EVEN DESCRIBE HOW
THEY ARRIVE ON THE BEACH.
625
00:32:33,933 --> 00:32:36,667
Hoffman: ACCORDING TO MAORI
TRADITION, THIS IS THE CARGO
626
00:32:36,667 --> 00:32:39,867
THAT WAS ONCE PART OF
A LEGENDARY CANOE THAT CAPSIZED.
627
00:32:39,867 --> 00:32:43,533
SO, THIS CARGO ROLLED ASHORE
AND EVENTUALLY TURNED TO STONE.
628
00:32:47,600 --> 00:32:50,833
Narrator: YET, WHEN GEOLOGISTS
GET ACCESS TO THE STRANGE ORBS
629
00:32:50,833 --> 00:32:52,100
TO ANALYZE THEM,
630
00:32:52,100 --> 00:32:57,100
THEY DISCOVER THESE ARE NOT
MAN-MADE OBJECTS AT ALL.
631
00:32:57,100 --> 00:33:00,867
THESE PODS HAVE TRAVELED IN TIME
FROM THE PALEOCENE ERA --
632
00:33:00,867 --> 00:33:02,900
60 MILLION YEARS AGO.
633
00:33:05,367 --> 00:33:07,967
BACK THEN, NEW ZEALAND
WAS A VERY DIFFERENT PLACE
634
00:33:07,967 --> 00:33:10,200
TO TODAY'S LUSH PARADISE.
635
00:33:10,200 --> 00:33:12,367
[ Roars ]
636
00:33:12,367 --> 00:33:17,167
WEIRD AND TERRIFYING PREDATORS
STALK THE OCEANS.
637
00:33:17,167 --> 00:33:19,433
WHEN THEY DIE,
FRAGMENTS OF THESE ANIMALS
638
00:33:19,433 --> 00:33:23,133
AND THE PLANTS AROUND THEM
SETTLE ON THE SILTY SEA BED.
639
00:33:23,133 --> 00:33:29,967
A PIECE OF BONE MATERIAL --
A FOSSIL OR A LEAF OR A TWIG.
640
00:33:29,967 --> 00:33:33,700
Narrator:
AS THE FRAGMENTS ARE BURIED,
A UNIQUE GEOLOGICAL PROCESS
641
00:33:33,700 --> 00:33:36,200
LOCKS THEM WITHIN
A STONY PRISON.
642
00:33:36,200 --> 00:33:38,833
OVER TIME,
WHAT HAPPENS IS,
643
00:33:38,833 --> 00:33:40,367
GROUND WATER MOVES
THROUGH THE ROCK,
644
00:33:40,367 --> 00:33:43,833
IT CARRIES SOLUTIONS THAT
WILL HARDEN AROUND THE FOSSIL,
645
00:33:43,833 --> 00:33:45,400
AND THEY WILL
ACTUALLY GROW
646
00:33:45,400 --> 00:33:49,067
SIMILAR TO HOW A PEARL FORMS
INSIDE OF A CLAM SHELL.
647
00:33:49,067 --> 00:33:51,567
ONLY THESE
ARE MUCH LARGER.
648
00:33:51,567 --> 00:33:54,200
NARRATOR: GEOLOGISTS CALL
THESE FOSSILIZED SPHERES
649
00:33:54,200 --> 00:33:55,767
"CONCRETIONS."
650
00:33:55,767 --> 00:33:58,733
Argyilan: SOME SCIENTISTS
PERCEIVE THESE AS TIME CAPSULES
651
00:33:58,733 --> 00:34:02,200
GIVING US A WINDOW BACK IN TIME
TO SOME OF THE ORGANISMS
652
00:34:02,200 --> 00:34:04,700
THAT MIGHT HAVE HELPED
FACILITATE THE CREATION
653
00:34:04,700 --> 00:34:07,500
OF THESE AMAZING,
HUGE SPHERES.
654
00:34:09,600 --> 00:34:13,200
Narrator: MILLIONS OF YEARS
LATER, THESE STRANGE PODS APPEAR
655
00:34:13,200 --> 00:34:16,900
WHEN THE SOFTER ROCK OF THESE
EXPOSED CLIFF FACE WEARS AWAY.
656
00:34:19,433 --> 00:34:23,367
AS TO WHAT ANCIENT CREATURES ARE
LOCKED IN THESE TIME CAPSULES,
657
00:34:23,367 --> 00:34:24,800
WE CAN ONLY GUESS.
658
00:34:28,333 --> 00:34:32,733
COMING UP, A GIANT FINGERPRINT
IN THE MIDDLE OF THE SEA.
659
00:34:32,733 --> 00:34:37,367
IT'S AS IF SOME DEITY HAS
REACHED DOWN FROM THE HEAVENS
660
00:34:37,367 --> 00:34:43,267
AND MARKED THIS ISLAND
AS THEIR OWN.
661
00:34:50,333 --> 00:34:52,767
Narrator: A SATELLITE
PASSING OVER THE MEDITERRANEAN
662
00:34:52,767 --> 00:34:56,900
SNAPS AN IMAGE
OF A REMOTE ISLAND.
663
00:34:56,900 --> 00:34:59,633
IT IS MARKED WITH
A BIZARRE PATTERN.
664
00:34:59,633 --> 00:35:01,200
Chamberlain: YOU LOOK AT IT
AND THINK,
665
00:35:01,200 --> 00:35:03,533
"IS THIS EVEN SOMETHING
THAT'S REAL?"
666
00:35:03,533 --> 00:35:07,900
IT LOOKS, LITERALLY,
LIKE A GIANT THUMBPRINT.
667
00:35:07,900 --> 00:35:12,667
Kourounis:
IT'S AS IF SOME DEITY HAS
REACHED DOWN FROM THE HEAVENS
668
00:35:12,667 --> 00:35:17,667
AND MARKED THIS ISLAND
AS THEIR OWN.
669
00:35:17,667 --> 00:35:21,700
Narrator:
FROM ABOVE, THE DISORIENTING
DESIGN SEEMS TO OFFER A CLUE
670
00:35:21,700 --> 00:35:24,800
TO THE ISLAND'S PURPOSE.
671
00:35:24,800 --> 00:35:29,800
IT LOOKS LABYRINTHIAN,
KIND OF LIKE A MAZE.
672
00:35:29,800 --> 00:35:32,667
Narrator: HISTORIANS CONSIDER
IF THIS COULD BE A LABYRINTH
673
00:35:32,667 --> 00:35:34,967
WITH ANCIENT ORIGINS.
674
00:35:34,967 --> 00:35:36,900
WE KNOW FOR A FACT THAT
THE ANCIENT GREEKS
675
00:35:36,900 --> 00:35:40,333
COLONIZED THIS AREA
ABOUT 400 B.C.
676
00:35:40,333 --> 00:35:44,233
THERE ARE CERTAINLY MENTIONS
IN GREEK MYTHOLOGY
677
00:35:44,233 --> 00:35:46,767
OF MAZES AND LABYRINTHS.
678
00:35:46,767 --> 00:35:52,900
SO, IS THIS SITE SOME REMNANT
OF THAT CIVILIZATION?
679
00:35:52,900 --> 00:35:57,567
THE IDEA OF THE LABYRINTH
IS SOMETHING WHICH IS SEARED
680
00:35:57,567 --> 00:35:59,533
INTO GREEK MYTHOLOGY
681
00:35:59,533 --> 00:36:02,900
AND SOMETHING THAT HAS
LONG TRADITIONS.
682
00:36:02,900 --> 00:36:04,433
Bruce:
LABYRINTHS WEREN'T GAMES.
683
00:36:04,433 --> 00:36:07,467
THEY WERE PLACES OF PERIL,
THEY WERE PLACES OF MYSTERY,
684
00:36:07,467 --> 00:36:09,933
AND THEY WERE
PLACES OF TERROR.
685
00:36:09,933 --> 00:36:12,700
Narrator: GREEK MYTHOLOGY
TELLS OF A GIANT LABYRINTH
686
00:36:12,700 --> 00:36:15,300
THAT IMPRISONED
A MERCILESS BEAST --
687
00:36:15,300 --> 00:36:17,767
THE MINOTAUR.
688
00:36:17,767 --> 00:36:21,967
SO, THIS FEROCIOUS, DEADLY
HALF-MAN, HALF-BULL MONSTER
689
00:36:21,967 --> 00:36:25,933
THRIVED AT THE CENTER
OF THIS MAZE, THIS LABYRINTH.
690
00:36:25,933 --> 00:36:27,367
Narrator:
VIRGINS WERE SACRIFICED
691
00:36:27,367 --> 00:36:31,667
IN A DESPERATE ATTEMPT TO
APPEASE THE BLOODTHIRSTY BEAST.
692
00:36:31,667 --> 00:36:35,067
ONLY THE ATHENIAN HERO THESEUS
COULD SLAY THE MONSTER
693
00:36:35,067 --> 00:36:37,567
AND HALT THE MINOTAUR'S
REIGN OF TERROR.
694
00:36:41,367 --> 00:36:44,067
WHAT'S INTERESTING
ABOUT THIS MYTH IS THAT,
695
00:36:44,067 --> 00:36:47,800
IT'S ACTUALLY CENTERED
ON HISTORICAL REALITY.
696
00:36:47,800 --> 00:36:51,200
THIS ISLAND --
A GIANT LABYRINTH.
697
00:36:54,367 --> 00:36:56,633
Narrator: ARCHAEOLOGIST
JEFF ROSE TRAVELS
698
00:36:56,633 --> 00:37:00,600
TO THE UNINHABITED
MEDITERRANEAN ISLAND.
699
00:37:00,600 --> 00:37:03,500
HIS ANALYSIS OF THE STRUCTURES
IN THE SATELLITE IMAGE
700
00:37:03,500 --> 00:37:06,633
LEADS HIM TO BELIEVE
THIS ISOLATED ISLAND'S MARKINGS
701
00:37:06,633 --> 00:37:09,800
MAY BE THE WALLS
OF LONG-ABANDONED DWELLINGS.
702
00:37:09,800 --> 00:37:11,267
SO, HERE'S MY STRATEGY.
703
00:37:11,267 --> 00:37:13,567
AS SOON AS WE GET TO THE ISLAND,
I'M GOING TO START POKING AROUND
704
00:37:13,567 --> 00:37:17,333
FOR ANY KIND OF MATERIAL CULTURE
THAT I CAN FIND.
705
00:37:17,333 --> 00:37:21,367
THAT'LL START TO GIVE ME A SENSE
OF WHO OCCUPIED THE PLACE.
706
00:37:21,367 --> 00:37:24,167
Narrator: ROSE HAS A THEORY
THIS ISLAND WAS ONCE OCCUPIED
707
00:37:24,167 --> 00:37:26,233
BY A COMMUNITY OF OUTCASTS.
708
00:37:29,300 --> 00:37:34,967
IT'S POSSIBLE THAT, WHAT THIS
ISLAND IS, IS A LEPER COLONY.
709
00:37:34,967 --> 00:37:37,700
Narrator: LEPROSY WAS ONE
OF THE MOST FEARED DISEASES
710
00:37:37,700 --> 00:37:39,067
OF THE MIDDLE AGES.
711
00:37:39,067 --> 00:37:42,067
Bruce: LEPROSY WAS
A HORRIBLY DISFIGURING DISEASE.
712
00:37:42,067 --> 00:37:45,533
IT COULD CAUSE YOU TO LOSE
YOUR FINGERS AND TOES.
713
00:37:45,533 --> 00:37:49,433
IT GAVE YOU HORRIBLE MARKS
ALL OVER YOUR BODY.
714
00:37:49,433 --> 00:37:51,433
Horton: IT WAS A VERY
VISUAL DISEASE
715
00:37:51,433 --> 00:37:54,367
THAT PEOPLE BECAME
VERY TERRIFIED OF.
716
00:37:54,367 --> 00:37:57,567
LEPERS WERE NOT PEOPLE
YOU WANTED NEAR YOU.
717
00:37:57,567 --> 00:38:02,333
RATHER, YOU WANTED THEM AWAY
ON THEIR OWN ISLAND.
718
00:38:02,333 --> 00:38:04,700
Narrator: THE MEDITERRANEAN
ISLAND OF SPINALONGA
719
00:38:04,700 --> 00:38:07,967
WAS ONCE USED TO ISOLATE
LEPERS FROM THE MAINLAND.
720
00:38:10,067 --> 00:38:11,833
ROSE BELIEVES
FINGERPRINT ISLAND
721
00:38:11,833 --> 00:38:14,633
MAY HAVE BEEN BUILT
FOR A SIMILAR PURPOSE.
722
00:38:14,633 --> 00:38:16,133
Rose: YOU GET A VERY
SIMILAR LAYOUT --
723
00:38:16,133 --> 00:38:19,367
IT'S ASYMMETRICAL, THERE ARE
THESE TINY LITTLE COMPOUNDS.
724
00:38:19,367 --> 00:38:23,533
THIS LABYRINTHIAN LAYOUT
WAS MEANT TO KEEP PEOPLE IN.
725
00:38:23,533 --> 00:38:26,367
Narrator: BUT AS ROSE CLOSES
IN ON FINGERPRINT ISLAND,
726
00:38:26,367 --> 00:38:29,767
ALL IS NOT AS IT SEEMS
FROM THE SATELLITE IMAGE.
727
00:38:29,767 --> 00:38:30,767
-WHAT, IT'S THIS?
-YEAH.
728
00:38:30,767 --> 00:38:34,133
THAT'S IT?
729
00:38:34,133 --> 00:38:35,300
THESE AREN'T DWELLINGS.
730
00:38:35,300 --> 00:38:38,067
I MEAN, THERE'S A COUPLE
LITTLE STRUCTURES THERE,
731
00:38:38,067 --> 00:38:40,433
BUT THEY LOOK LIKE
TEMPORARY PLACES WITH SHADE.
732
00:38:40,433 --> 00:38:43,400
SO, I THINK WE CAN THROW
THE LEPER COLONY OUT THE WINDOW.
733
00:38:43,400 --> 00:38:46,200
I REALLY NEED TO GET A LOOK
AT THIS PLACE UP CLOSE.
734
00:38:52,167 --> 00:38:54,200
Narrator: ROSE HEADS STRAIGHT TO
THE NEAREST SECTION
735
00:38:54,200 --> 00:38:55,700
OF CRUMBLING WALL.
736
00:38:58,167 --> 00:39:01,333
Rose:
SO, IF YOU LOOK AT THE WALL,
IT DOESN'T HAVE ANY MORTAR.
737
00:39:01,333 --> 00:39:03,267
IT'S ALL DRY STONE.
738
00:39:03,267 --> 00:39:05,667
IT HASN'T BEEN
LOCKED INTO PLACE.
739
00:39:05,667 --> 00:39:07,800
THEY'RE JUST KIND OF
LUMPING GIANT ROCKS
740
00:39:07,800 --> 00:39:09,433
ON TOP OF EACH OTHER.
741
00:39:09,433 --> 00:39:12,433
Narrator: IT'S A VITAL CLUE
TO THE ISLAND'S PURPOSE.
742
00:39:12,433 --> 00:39:16,333
THIS WHOLE ISLAND, IN FACT,
IS FULL OF THESE LONG STRIPS.
743
00:39:16,333 --> 00:39:20,967
THESE ARE AGRICULTURAL FIELDS.
THESE ARE NOT DWELLINGS.
744
00:39:20,967 --> 00:39:24,500
THESE DRY, STONE WALLS
ARE NOT WEIGHT-BEARING,
745
00:39:24,500 --> 00:39:27,567
THEY'RE NOT USED
FOR STRUCTURAL PURPOSES,
746
00:39:27,567 --> 00:39:29,300
BUT RATHER,
THEIR PRIMARY PURPOSE
747
00:39:29,300 --> 00:39:33,933
IS TO CLEAR
THE GROUND OF DEBRIS.
748
00:39:33,933 --> 00:39:36,433
Narrator: ONCE THE GROUND
HAS BEEN CLEARED IN THIS WAY,
749
00:39:36,433 --> 00:39:39,200
IT'S READY FOR
GROWING CROPS.
750
00:39:39,200 --> 00:39:42,567
BUT AGRICULTURE REQUIRES WATER,
AND THE SATELLITE IMAGE
751
00:39:42,567 --> 00:39:45,633
SHOWS NO EVIDENCE
OF STREAMS OR LAKES.
752
00:39:48,333 --> 00:39:52,267
ROSE SEARCHES FOR CLUES,
AND SOON MAKES A DISCOVERY.
753
00:39:55,633 --> 00:39:57,200
Rose: YES.
754
00:39:57,200 --> 00:39:58,600
EUREKA.
755
00:39:58,600 --> 00:40:00,067
IT'S A WELL.
756
00:40:00,067 --> 00:40:01,700
NOW, IT ALL MAKES SENSE.
757
00:40:01,700 --> 00:40:03,400
THIS IS WHY THEY'RE HERE
ON THE ISLAND --
758
00:40:03,400 --> 00:40:04,567
BECAUSE THERE'S
FRESH WATER.
759
00:40:04,567 --> 00:40:06,600
THERE'S A SOURCE
OF FRESH WATER HERE.
760
00:40:10,533 --> 00:40:12,133
Narrator: THE NEXT STEP
IS TO FIGURE OUT
761
00:40:12,133 --> 00:40:14,700
WHAT THE FARMERS WERE
GROWING ON THIS ISLAND
762
00:40:14,700 --> 00:40:17,233
AND WHETHER THEY LEFT
ANY CLUES IN THE SOIL.
763
00:40:17,233 --> 00:40:18,333
Rose: YEP.
764
00:40:21,000 --> 00:40:25,067
AND THIS PRETTY MUCH
ANSWERS THE QUESTION,
765
00:40:25,067 --> 00:40:28,000
"WHAT WERE THEY
GROWING HERE?"
766
00:40:28,000 --> 00:40:31,500
THIS IS AN OLD
GRAPE VINE.
767
00:40:31,500 --> 00:40:34,933
Narrator: THE LABYRINTH SEEN
FROM SPACE IS A WEIRD VINEYARD
768
00:40:34,933 --> 00:40:37,500
DATING BACK
HUNDREDS OF YEARS.
769
00:40:37,500 --> 00:40:41,133
IT'S AN INTERESTING CHOICE
TO PUT A VINEYARD ON AN ISLAND.
770
00:40:41,133 --> 00:40:45,700
PROBABLY ONE OF THE MOST REMOTE
AND BIZARRE VINEYARDS EVER.
771
00:40:45,700 --> 00:40:47,633
THIS SOIL -- WE'RE IN
THE MEDITERRANEAN,
772
00:40:47,633 --> 00:40:49,633
THERE'S A SOURCE
OF FRESH WATER --
773
00:40:49,633 --> 00:40:52,867
IS PERFECT
FOR GROWING GRAPES.
774
00:40:52,867 --> 00:40:56,867
Narrator:
BUT FOR ROSE, THERE IS STILL
ONE PIECE OF THE PUZZLE MISSING.
775
00:40:56,867 --> 00:40:59,100
WITH SUCH PERFECT
GROWING CONDITIONS,
776
00:40:59,100 --> 00:41:01,700
WHY WAS THE VINEYARD ABANDONED,
AND WHEN?
777
00:41:04,500 --> 00:41:07,333
ROSE HOPES THE GRAPE FARMERS
OR THEIR RELATIVES
778
00:41:07,333 --> 00:41:10,067
MAY STILL BE AROUND
ON NEIGHBORING ISLANDS.
779
00:41:10,067 --> 00:41:12,167
I REALLY DON'T KNOW
MUCH ABOUT IT.
780
00:41:12,167 --> 00:41:16,200
FINALLY,
HE FINDS BOATMAN DARKO.
781
00:41:16,200 --> 00:41:19,300
DARKO'S GRANDPARENTS' STORIES
RECALL THE GRAPE FARMERS
782
00:41:19,300 --> 00:41:20,867
MAKING THE FATAL ERROR
783
00:41:20,867 --> 00:41:22,500
OF BRINGING PESTS
TO THE ISLAND
784
00:41:22,500 --> 00:41:24,533
DURING THE 1950s.
785
00:41:24,533 --> 00:41:27,100
THEY WERE THINKING TO JUST
PUT A LITTLE BIT OF RABBITS
786
00:41:27,100 --> 00:41:30,200
THEY CAN HUNT, YOU KNOW?
787
00:41:30,200 --> 00:41:34,100
THIS MINOR ACT RESULTS IN THE
VINEYARD'S TOTAL DESTRUCTION.
788
00:41:34,100 --> 00:41:38,167
THEY EXPAND -- LIKE, THOUSANDS
OF THEM ON THE SMALL ISLAND
789
00:41:38,167 --> 00:41:40,467
AND THEY EAT EVERYTHING.
790
00:41:40,467 --> 00:41:41,667
EVERYTHING.
791
00:41:41,667 --> 00:41:44,367
SO, THE REASON THE PLACE
WAS ABANDONED WAS,
792
00:41:44,367 --> 00:41:45,867
IT WAS TAKEN OVER
BY RABBITS.
793
00:41:45,867 --> 00:41:47,100
IT'S TRUE.
794
00:41:47,100 --> 00:41:48,300
IT'S UNBELIEVABLE.
795
00:41:48,300 --> 00:41:50,733
IT'S UNBELIEVABLE,
BUT IT'S TRUE.
796
00:41:50,733 --> 00:41:54,567
THE RABBITS MIGHT HAVE DESTROYED
THIS BIZARRE VINEYARD,
797
00:41:54,567 --> 00:41:56,800
BUT ITS IMPRINT REMAINS --
798
00:41:56,800 --> 00:42:00,433
A RELIC OF THE MEDITERRANEAN'S
RICH, UNIQUE HISTORY.
63335
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