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These are the user uploaded subtitles that are being translated: 1 00:00:01,233 --> 00:00:02,400 Narrator: THEY'RE WATCHING YOU. 2 00:00:02,400 --> 00:00:06,400 MORE THAN 4,000 SATELLITES CIRCLE THE EARTH. 3 00:00:06,400 --> 00:00:09,467 EVERY DAY, THEY UNCOVER NEW, MYSTERIOUS PHENOMENA 4 00:00:09,467 --> 00:00:11,300 THAT DEFY EXPLANATION. 5 00:00:11,300 --> 00:00:13,933 [ BEEPING, DISTORTED MUSIC ] 6 00:00:13,933 --> 00:00:15,967 A PARANORMAL EYE IN THE SWAMP. 7 00:00:16,867 --> 00:00:19,000 SOMETHING REALLY ODD IS GOING ON IN THIS AREA. 8 00:00:19,000 --> 00:00:20,533 IT'S STRAIGHT OUT OF THE TWILIGHT ZONE. 9 00:00:21,800 --> 00:00:25,133 Narrator: STRANGE CREATURES AMONG THE TERROR STONES. 10 00:00:25,133 --> 00:00:26,367 IT LOOKS LIKE A FORTRESS. 11 00:00:27,367 --> 00:00:28,600 A FORTRESS OF FANGS. 12 00:00:29,400 --> 00:00:31,900 Narrator: AND A TRIP TO HELL WITH THE GODDESS OF LOVE. 13 00:00:32,567 --> 00:00:34,533 BY THE TIME SHE GETS DOWN THERE 14 00:00:34,533 --> 00:00:37,167 SHE'S COMPLETELY NAKED, STRIPPED OF ALL OF HER POWER. 15 00:00:38,433 --> 00:00:39,967 Narrator: BAFFLING PHENOMENA. 16 00:00:39,967 --> 00:00:41,633 MYSTERIES FROM SPACE. 17 00:00:41,633 --> 00:00:43,400 WHAT ON EARTH ARE THEY? 18 00:00:43,400 --> 00:00:45,700 -- Captions by VITAC -- www.vitac.com 19 00:00:45,700 --> 00:00:48,000 [ BEEPING ] [ CAMERA SHUTTER CLICKING ] 20 00:00:48,000 --> 00:00:49,733 [ WHIRRING ] 21 00:00:49,733 --> 00:00:53,733 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 22 00:00:53,733 --> 00:00:55,500 ** 23 00:00:55,500 --> 00:01:01,133 [ FREQUENCY WARBLES ] [ WHIRRING ] 24 00:01:01,133 --> 00:01:04,067 A WorldView SATELLITE PASSING OVER ARGENTINA 25 00:01:04,067 --> 00:01:06,433 CAPTURES A DISC SLICED INTO THE EARTH, 26 00:01:07,433 --> 00:01:09,467 AND INSIDE IT, A SECOND DISC. 27 00:01:11,133 --> 00:01:13,400 GOOD GRIEF. THIS IS UNUSUAL. 28 00:01:13,400 --> 00:01:16,767 IT'S A NEARLY CIRCULAR ISLAND WITHIN A NEARLY CIRCULAR LAKE. 29 00:01:17,333 --> 00:01:19,233 IT'S ALMOST AS IF SOME TYPE OF LIKE AN EYE 30 00:01:19,233 --> 00:01:20,700 IS LOOKING UP AT YOU. 31 00:01:20,700 --> 00:01:22,100 WHO KNOWS WHAT COULD BE UNDERNEATH? 32 00:01:22,900 --> 00:01:24,367 I CAN IMAGINE HOW SOME PEOPLE WOULD THINK 33 00:01:24,367 --> 00:01:26,467 THAT THIS WOULD BE A PORTAL TO ANOTHER WORLD. 34 00:01:26,467 --> 00:01:30,667 ** 35 00:01:30,667 --> 00:01:32,667 Narrator: THE "EYE" FIRST COMES TO THE ATTENTION 36 00:01:32,667 --> 00:01:35,233 OF FILM DIRECTOR SERGIO NEUSPILLER, 37 00:01:35,233 --> 00:01:38,233 HUNTING FOR A HORROR MOVIE LOCATION IN AN AREA RIFE 38 00:01:38,233 --> 00:01:40,367 WITH REPORTS OF PARANORMAL ACTIVITY. 39 00:01:53,133 --> 00:01:56,067 THE REPORTS OF PARANORMAL EVENTS ARE ALL LOCATED 40 00:01:56,067 --> 00:01:57,767 IN ONE AREA OF SWAMPLAND. 41 00:01:59,200 --> 00:02:01,867 WHEN NEUSPILLER STUDIES SATELLITE IMAGES OF THE SWAMP 42 00:02:02,433 --> 00:02:03,833 THIS IS WHAT HE FINDS. 43 00:02:05,133 --> 00:02:06,700 RIGHT IN THE MIDDLE OF ALL OF THESE DIFFERENT 44 00:02:06,700 --> 00:02:09,633 STRANGE REPORTS IS THE "EYE." 45 00:02:21,400 --> 00:02:23,700 Narrator: THE "EYE" IS CARVED INTO A REMOTE, 46 00:02:23,700 --> 00:02:25,700 UNINHABITED ISLAND IN THE SWAMP. 47 00:02:26,900 --> 00:02:30,500 THE TERRAIN IS INHOSPITABLE, THE SITE DIFFICULT TO REACH. 48 00:02:31,800 --> 00:02:34,933 THIS WHOLE AREA IS SURROUNDED BY SWAMPY MARSHLAND, 49 00:02:34,933 --> 00:02:36,667 AND TREACHEROUS CANALS. 50 00:02:36,667 --> 00:02:38,600 OVERGROWN RIVER INLETS. 51 00:02:38,600 --> 00:02:40,067 NOBODY LIVES HERE. 52 00:02:40,067 --> 00:02:42,067 NOBODY WANTS TO LIVE HERE. 53 00:02:42,067 --> 00:02:44,767 Narrator: SCIENTISTS ARE DIVIDED ON HOW SOMETHING LIKE THIS 54 00:02:44,767 --> 00:02:46,800 CAN COME TO EXIST. 55 00:02:47,600 --> 00:02:49,600 I DON'T IMMEDIATELY SUPPOSE 56 00:02:49,600 --> 00:02:52,067 THAT THIS IS SOMETHING CREATED BY HUMAN BEINGS. 57 00:02:52,700 --> 00:02:55,867 I WONDER COULD THIS BE FORMED THROUGH A NATURAL PROCESS 58 00:02:55,867 --> 00:02:57,467 AS A NATURAL PHENOMENON. 59 00:02:58,367 --> 00:03:02,133 Narrator: IMAGE ANALYST AMANDA MARCHETTI IS AMONG THOSE WHO DISAGREE. 60 00:03:03,367 --> 00:03:05,733 Marchetti: PERFECT CIRCLE IN A GIANT SWAMP? 61 00:03:05,733 --> 00:03:07,467 THAT DOESN'T MAKE ANY SENSE. 62 00:03:07,467 --> 00:03:09,400 THERE'S NO WAY THAT IT COULD NOT HAVE BEEN CREATED 63 00:03:09,400 --> 00:03:10,667 WITHOUT HUMAN ENGINEERING. 64 00:03:11,600 --> 00:03:14,667 SO IT BEGS THE QUESTION -- WHAT'S THE PURPOSE 65 00:03:14,667 --> 00:03:17,333 AND HOW DID THEY DO IT? 66 00:03:17,333 --> 00:03:19,733 Narrator: ALTHOUGH THERE'S NO HUMAN SETTLEMENT HERE, 67 00:03:19,733 --> 00:03:21,567 NEUSPILLER LEARNED THERE'S A HISTORY 68 00:03:21,567 --> 00:03:23,467 OF MILITARY ACTIVITY IN THE REGION. 69 00:03:24,067 --> 00:03:27,233 Neuspiller: WE WERE TOLD... 70 00:03:38,067 --> 00:03:41,233 MILITARY TESTING CAN CREATE STRANGE FEATURES 71 00:03:41,233 --> 00:03:42,300 IN THE LANDSCAPE, 72 00:03:42,300 --> 00:03:45,133 BUT NOTHING LIKE THIS. 73 00:03:45,133 --> 00:03:46,600 Narrator: FOR HIS MOVIE, 74 00:03:46,600 --> 00:03:49,933 NEUSPILLER WANTS TO FIND OUT MORE ABOUT THE PARANORMAL "EYE" 75 00:03:49,933 --> 00:03:53,633 AND THE REPORTS OF WEIRD HAPPENINGS AROUND IT. 76 00:03:53,633 --> 00:03:56,567 HE DECIDES TO HEAD TO THE REMOTE SITE TO INVESTIGATE. 77 00:04:05,500 --> 00:04:06,967 THE "EYE" IS IN THE MIDDLE 78 00:04:06,967 --> 00:04:09,533 OF HUNDREDS OF SQUARE MILES OF SWAMPLAND. 79 00:04:10,533 --> 00:04:12,233 THIS PLACE ISN'T JUST REMOTE, 80 00:04:12,233 --> 00:04:14,467 IT'S WELL DEFENDED BY NATURAL HAZARDS. 81 00:04:15,100 --> 00:04:16,433 Kourounis: THIS PLACE IS TREACHEROUS. 82 00:04:16,433 --> 00:04:19,433 THERE ARE ALLIGATORS, VICIOUS BUGS. 83 00:04:19,433 --> 00:04:22,133 THIS IS NOT GOING TO BE EASY. 84 00:04:22,133 --> 00:04:23,900 Narrator: NEUSPILLER MUST PICK OUT A ROUTE 85 00:04:23,900 --> 00:04:25,900 THROUGH A WINDING LABYRINTH OF STREAMS 86 00:04:25,900 --> 00:04:28,700 AND RIVERS SWOLLEN BY RECENT HEAVY RAINS. 87 00:04:46,500 --> 00:04:48,300 A FEW HOURS INTO THE JOURNEY, 88 00:04:48,300 --> 00:04:52,200 NEUSPILLER ENTERS AN AREA LOCALS CALL THE GHOST ZONE. 89 00:04:54,200 --> 00:04:57,333 THIS IS WHERE THE STORIES OF PARANORMAL EVENTS BEGIN. 90 00:04:58,867 --> 00:05:01,900 ONE CENTERS ON THE DISAPPEARANCE OF A YOUNG CHILD. 91 00:05:12,533 --> 00:05:14,633 SOMETHING REALLY ODD IS GOING ON IN THIS AREA. 92 00:05:14,633 --> 00:05:17,567 IT'S STRAIGHT OUT OF "THE TWILIGHT ZONE." 93 00:05:18,100 --> 00:05:20,800 Narrator: AS THEY PUSH DEEPER INTO THE GHOST ZONE, 94 00:05:20,800 --> 00:05:22,567 THE RIVER NARROWS. 95 00:05:22,567 --> 00:05:24,167 WOW. 96 00:05:41,700 --> 00:05:44,167 Narrator: IT'S NOT LONG BEFORE NEUSPILLER IS CONFRONTED 97 00:05:44,167 --> 00:05:45,500 BY A BAFFLING SIGHT -- 98 00:05:47,233 --> 00:05:51,067 A GRAVEYARD OF RUSTING, ABANDONED SHIPS. 99 00:05:53,067 --> 00:05:54,667 Neuspiller: [ SPEAKING SPANISH ] 100 00:06:04,067 --> 00:06:06,967 Narrator: THE SIZE OF THE VESSELS PUZZLES NEUSPILLER. 101 00:06:22,467 --> 00:06:24,533 SOME OF THESE BOATS ARE OVER 30 FEET LONG 102 00:06:24,533 --> 00:06:26,833 BUT THE RIVER IS SUPER TWISTY AND NARROW 103 00:06:26,833 --> 00:06:29,167 SO IT'S HARD TO IMAGINE HOW THESE LONG BOATS 104 00:06:29,167 --> 00:06:30,633 GOT DOWN SUCH A TWISTY RIVER. 105 00:06:32,067 --> 00:06:35,567 Narrator: THE SHIP GRAVEYARD SUGGESTS FORCES CONTINUALLY SHIFT 106 00:06:35,567 --> 00:06:37,633 THE WATERWAYS AROUND THE "EYE." 107 00:06:38,800 --> 00:06:40,267 THE WATER CHANNELS IN THIS SWAMP 108 00:06:40,267 --> 00:06:43,733 ARE CONSTANTLY CHANGING, WHICH BEGS THE QUESTION -- 109 00:06:43,733 --> 00:06:48,067 HOW IS THIS EYE ABLE TO KEEP ITS NEAR PERFECT CIRCULAR SHAPE? 110 00:06:49,500 --> 00:06:51,267 Narrator: SEVERAL MILES DOWNRIVER, 111 00:06:51,267 --> 00:06:53,600 THEY'RE NOW CLOSE TO THE PARANORMAL "EYE." 112 00:06:55,067 --> 00:06:56,233 BUT THE NARROWING WATERWAY 113 00:06:56,233 --> 00:06:58,533 BECOMES THICK WITH GRASS AND SILT, 114 00:06:58,533 --> 00:07:00,633 MAKING IT IMPASSABLE. 115 00:07:02,067 --> 00:07:05,367 THEY ARE FORCED TO ABANDON THEIR BOAT AND PROCEED ON FOOT. 116 00:07:09,067 --> 00:07:10,567 WE ARE ENTERING THE ISLAND. 117 00:07:10,567 --> 00:07:12,700 THIS IS THE ISLAND CONTAINING THE "EYE." 118 00:07:13,667 --> 00:07:15,200 Narrator: IN THE DENSE VEGETATION 119 00:07:15,200 --> 00:07:16,633 IT'S TOUGH TO KNOW WHERE THEY ARE. 120 00:07:17,567 --> 00:07:21,233 THEY RELY ON CROSS-REFERENCING THE SATELLITE IMAGE WITH GPS. 121 00:07:30,967 --> 00:07:35,067 SEEN FROM ABOVE, THIS AREA HAS THE APPEARANCE OF FIRM GROUND 122 00:07:36,233 --> 00:07:40,100 BUT NEUSPILLER DISCOVERS THE SWAMP CAN EASILY SWALLOW YOU UP. 123 00:07:54,133 --> 00:08:00,233 ** 124 00:08:00,233 --> 00:08:02,500 EVENTUALLY, THEY COME FACE TO FACE 125 00:08:02,500 --> 00:08:04,767 WITH WHAT THEY SAW ON THE SATELLITE IMAGE. 126 00:08:04,767 --> 00:08:07,233 ** 127 00:08:07,233 --> 00:08:09,200 Neuspiller: [SPEAKING SPANISH] 128 00:08:20,133 --> 00:08:23,833 Narrator: CHECKING THEIR GPS, THEY NOTICE SOMETHING PERPLEXING. 129 00:08:37,933 --> 00:08:39,233 THE MYSTERY DEEPENS. 130 00:08:39,767 --> 00:08:41,400 THE "EYE" SEEMS TO MOVE. 131 00:08:42,400 --> 00:08:45,100 WHY IS THE ISLAND WITHIN THE LAKE MOVING AROUND? 132 00:08:49,500 --> 00:08:52,367 Narrator: COMING UP... FREAKS IN THE STONE FOREST. 133 00:08:53,067 --> 00:08:56,800 Sanford: THEY'RE COVERED IN LONG HAIR, AND WITH RED EYES. 134 00:08:56,800 --> 00:08:59,500 AND THEY HAVE SUPERNATURAL POWERS. 135 00:08:59,500 --> 00:09:01,733 Narrator: AND DEEP IN THE HAUNTED SWAMP, 136 00:09:01,733 --> 00:09:04,200 WHAT MYSTERY FORCE IS CONTROLLING THE "EYE"? 137 00:09:05,067 --> 00:09:06,700 I CAN ACTUALLY WATCH IT MOVE 138 00:09:07,533 --> 00:09:11,467 AS IF IT'S FOLLOWING A PATTERN AROUND THE LAKE. 139 00:09:11,467 --> 00:09:14,900 ** 140 00:09:20,200 --> 00:09:22,767 Narrator: HORROR FILM DIRECTOR SERGIO NEUSPILLER 141 00:09:22,767 --> 00:09:25,900 IS INVESTIGATING REPORTS OF PARANORMAL ACTIVITY 142 00:09:25,900 --> 00:09:29,267 AROUND A MYSTERIOUS "EYE" DEEP IN AN ARGENTINEAN SWAMP. 143 00:09:34,067 --> 00:09:37,067 HE HAS FINALLY REACHED THE EYE-SHAPED PIECE OF SWAMP. 144 00:09:37,967 --> 00:09:39,767 HE DISCOVERS THAT IT'S MOVING. 145 00:09:45,400 --> 00:09:48,867 Narrator: SATELLITE IMAGE ANALYSIS CONFIRMS NEUSPILLER'S DISCOVERY. 146 00:09:49,967 --> 00:09:52,467 Marchetti: AS I GO THROUGH THE HISTORICAL IMAGERY, 147 00:09:52,467 --> 00:09:54,967 I CAN ACTUALLY WATCH IT MOVE 148 00:09:54,967 --> 00:09:58,533 AS IF IT'S FOLLOWING A PATTERN AROUND THE LAKE. 149 00:10:00,433 --> 00:10:03,500 Narrator: THE HISTORICAL IMAGES SHOW THE "EYE" HAS BEEN HERE 150 00:10:03,500 --> 00:10:06,100 AND MOVING FOR 20 YEARS. 151 00:10:06,100 --> 00:10:08,733 EVERY DAY THE ISLAND WAS IN A DIFFERENT POSITION. 152 00:10:09,400 --> 00:10:11,733 I BELIEVE THERE'S SOMETHING THAT'S ACTUALLY 153 00:10:11,733 --> 00:10:14,167 PULLING THE ISLAND AROUND THE LAKE. 154 00:10:21,267 --> 00:10:24,200 Narrator: NEUSPILLER CLIMBS ONTO THE "EYE" TO INVESTIGATE. 155 00:10:38,800 --> 00:10:41,467 THE "EYE" APPEARS TO BE A FLOATING DISC 156 00:10:41,467 --> 00:10:42,700 COVERED IN VEGETATION. 157 00:10:43,600 --> 00:10:46,533 NEUSPILLER LOOKS FOR CLUES AS TO HOW IT WAS FORMED. 158 00:11:00,367 --> 00:11:02,200 NEUSPILLER CAN FIND NO EVIDENCE 159 00:11:02,200 --> 00:11:03,533 THAT THE "EYE" IS MAN-MADE. 160 00:11:05,067 --> 00:11:08,400 BUT IF IT'S NATURAL, WHY IS IT SO SYMMETRICAL? 161 00:11:08,400 --> 00:11:10,433 AND WHY DOES IT FLOAT? 162 00:11:18,433 --> 00:11:22,267 METHANE GAS IS PRODUCED BY DECOMPOSING ORGANIC MATERIAL, 163 00:11:22,267 --> 00:11:24,300 AND IS LIGHTER THAN AIR. 164 00:11:33,600 --> 00:11:36,633 FLOATING ISLANDS DO EXIST ELSEWHERE IN SOUTH AMERICA. 165 00:11:37,433 --> 00:11:40,600 WE DO KNOW THAT UP IN PERU IN LAKE TITICACA 166 00:11:40,600 --> 00:11:42,567 THERE ARE THESE UNIQUE STRUCTURES 167 00:11:42,567 --> 00:11:44,200 CREATED BY THE URU PEOPLE. 168 00:11:44,200 --> 00:11:47,967 THEY'RE ACTUALLY REEDS THAT ARE WOVEN TOGETHER TO FORM ISLANDS 169 00:11:47,967 --> 00:11:51,167 AND PEOPLE WILL ACTUALLY LIVE ON THESE FLOATING ISLANDS 170 00:11:51,167 --> 00:11:52,967 IN THE MIDDLE OF THE LAKE. 171 00:11:52,967 --> 00:11:55,833 Narrator: BUT THERE'S A BIG DIFFERENCE BETWEEN THE ISLANDS IN PERU 172 00:11:55,833 --> 00:11:57,500 AND THE "EYE" IN THE MIDDLE OF THE SWAMP. 173 00:12:00,233 --> 00:12:04,233 THESE FLOATING ISLANDS IN PERU REQUIRE REGULAR MAINTENANCE 174 00:12:04,233 --> 00:12:05,900 SO THAT THEY CAN KEEP THEIR SHAPE 175 00:12:05,900 --> 00:12:08,100 BECAUSE IT WILL DETERIORATE OVER TIME. 176 00:12:08,567 --> 00:12:13,100 BUT THIS FORMATION IN ARGENTINA, THERE'S REALLY NOBODY AROUND, 177 00:12:13,100 --> 00:12:15,600 SO HOW WOULD IT KEEP ITS SHAPE OVER TIME? 178 00:12:16,967 --> 00:12:20,167 Narrator: NEUSPILLER NOTICES SOMETHING STRANGE ABOUT THE WATER. 179 00:12:25,733 --> 00:12:29,633 THE WATER AROUND THE "EYE," IT'S VERY COLD AND VERY CLEAR. 180 00:12:29,633 --> 00:12:33,500 THAT'S TOTALLY DIFFERENT FROM THE SURROUNDING SWAMPY WATER. 181 00:12:33,500 --> 00:12:34,767 WHAT COULD CAUSE THAT? 182 00:12:36,333 --> 00:12:39,467 Narrator: SOME EXPERTS SUGGEST THAT THE COLD WATER MIGHT INDICATE 183 00:12:39,467 --> 00:12:42,200 THAT SOMETHING IS COMING UP FROM BENEATH THE EARTH, 184 00:12:42,200 --> 00:12:44,600 PERHAPS FROM SOME SUBTERRANEAN LAKE, 185 00:12:44,600 --> 00:12:46,500 CREATING CURRENTS THAT FORM THE "EYE." 186 00:12:49,367 --> 00:12:51,667 IT'S NOT STAGNANT WATER, IT'S NOT WATER 187 00:12:51,667 --> 00:12:54,667 THAT IS ACCUMULATING SEDIMENT AND BUILDING VEGETATION 188 00:12:54,667 --> 00:12:56,300 AND IN-FILLING THE LAKE. 189 00:12:56,300 --> 00:12:58,300 IT'S WATER THAT'S ON THE MOVE. 190 00:12:59,433 --> 00:13:01,667 Narrator: BUT THIS DOESN'T LOOK TO NEUSPILLER LIKE WATER 191 00:13:01,667 --> 00:13:03,700 THAT'S MOVING. 192 00:13:18,833 --> 00:13:21,933 NEUSPILLER CAN FIND NO SATISFACTORY EXPLANATION 193 00:13:21,933 --> 00:13:25,333 FOR THE "EYE" OR THE REPORTS OF PARANORMAL EVENTS AROUND IT. 194 00:13:27,067 --> 00:13:29,533 ALL THIS DATA IS INVALUABLE, 195 00:13:29,533 --> 00:13:31,833 BUT IT'S GONNA TAKE MANY MORE TRIPS OUT TO THE ISLAND 196 00:13:31,833 --> 00:13:33,933 TO DETERMINE THE TRUTH BEHIND THIS MYSTERY. 197 00:13:36,133 --> 00:13:37,833 Narrator: ONE THING IS FOR SURE, 198 00:13:37,833 --> 00:13:40,633 THE "EYE" MAKES A GREAT SETTING FOR A HORROR MOVIE. 199 00:13:51,533 --> 00:13:56,067 ** 200 00:13:56,067 --> 00:13:57,500 Narrator: COMING UP... 201 00:13:57,500 --> 00:14:01,133 BAFFLING SHAPES IN THE DESERT AND DOORS TO THE UNDERWORLD. 202 00:14:01,133 --> 00:14:03,633 PERHAPS THESE GATES MARK A PLACE OF WORSHIP 203 00:14:03,633 --> 00:14:05,967 AND HUMAN SACRIFICE. 204 00:14:05,967 --> 00:14:09,300 Narrator: AND WHAT COULD BE HIDING DEEP INSIDE THE TERROR STONES? 205 00:14:10,200 --> 00:14:13,833 Sanford: MAYBE THERE ARE PEOPLE THERE THAT WE JUST HAVEN'T FOUND YET. 206 00:14:13,833 --> 00:14:17,533 ** 207 00:14:23,133 --> 00:14:26,200 Narrator: A SATELLITE IMAGE TAKEN 480 MILES 208 00:14:26,200 --> 00:14:28,700 ABOVE A REMOTE PART OF MADAGASCAR 209 00:14:28,700 --> 00:14:31,667 REVEALS A CURIOUS MAZE OF CRISSCROSSED LINES 210 00:14:31,667 --> 00:14:32,933 DISSECTING THE LANDSCAPE. 211 00:14:34,200 --> 00:14:36,300 Chamberlain: FROM A DISTANCE IT KIND OF LOOKS 212 00:14:36,300 --> 00:14:38,567 BIZARRELY LIKE ELEPHANT SKIN! 213 00:14:38,567 --> 00:14:41,433 YOU'VE GOT ALL THESE LINES THAT ARE CONNECTING WITH EACH OTHER, 214 00:14:41,433 --> 00:14:43,433 SORT OF MAKING GEOMETRIC PATTERNS. 215 00:14:44,733 --> 00:14:46,833 Narrator: CLOSER ANALYSIS OF THE AERIAL IMAGE 216 00:14:46,833 --> 00:14:49,500 REVEALS SOMETHING MUCH MORE FORBIDDING -- 217 00:14:49,500 --> 00:14:52,333 AN INHOSPITABLE, EVEN DEADLY LANDSCAPE. 218 00:14:53,433 --> 00:14:54,633 WHOA. 219 00:14:54,633 --> 00:14:57,300 THESE ARE WHITE ROCKS THAT LOOK LIKE TREES. 220 00:14:57,300 --> 00:14:59,833 Sanford: IT SEEMS LIKE AN ALIEN LANDSCAPE, 221 00:14:59,833 --> 00:15:02,333 AND WHEN YOU LOOK AT IT, IT LOOKS LIKE A FORTRESS. 222 00:15:03,067 --> 00:15:04,600 A FORTRESS OF FANGS. 223 00:15:06,300 --> 00:15:10,200 IT'S JUST CRUELLY BEAUTIFUL WITH ALL THESE SPIKES 224 00:15:10,200 --> 00:15:13,767 HEADING UPWARD LIKE SOMETHING OUT OF "GAME OF THRONES." 225 00:15:15,367 --> 00:15:18,133 Narrator: LOCALS CALL THE SITE TSINGY DE BEMARAHA. 226 00:15:19,300 --> 00:15:20,967 IT'S ONE OF THE MOST DANGEROUS, 227 00:15:20,967 --> 00:15:23,933 REMOTE, AND UNEXPLORED PLACES ON EARTH. 228 00:15:25,233 --> 00:15:27,867 INVESTIGATORS EXAMINE WHAT FORCES CREATED 229 00:15:27,867 --> 00:15:29,100 THIS ALIEN LANDSCAPE. 230 00:15:31,533 --> 00:15:34,233 THE WORD "TSINGY," THE NAME OF THIS FOREST, 231 00:15:34,233 --> 00:15:36,667 COMES FROM WORDS THAT MEAN 232 00:15:36,667 --> 00:15:39,267 "ONE CANNOT WALK BAREFOOT." 233 00:15:39,267 --> 00:15:41,300 AND IT LOOKS MENACING FROM THE OUTSIDE, 234 00:15:41,300 --> 00:15:44,400 BUT IF YOU'RE GOING IN THERE, YOU COULD BE RIPPED TO SHREDS. 235 00:15:44,400 --> 00:15:47,333 I MEAN, THIS STUFF IS SHARP LIKE GLASS. 236 00:15:47,333 --> 00:15:49,433 ONE SLIP AND YOU'RE SLICED. 237 00:15:51,133 --> 00:15:54,200 Narrator: GEOLOGISTS REFER TO THESE GIANT STONE SHARDS 238 00:15:54,200 --> 00:15:56,433 AS KARST FORMATIONS, 239 00:15:56,433 --> 00:15:59,433 HIGHLY UNUSUAL STRUCTURES FASHIONED BY ACID RAIN 240 00:15:59,433 --> 00:16:02,500 EATING AWAY AT ROCKS TO CREATE A FANTASY LANDSCAPE. 241 00:16:05,267 --> 00:16:08,867 THIS LAYER OF LIMESTONE IS 1,000 FEET THICK 242 00:16:08,867 --> 00:16:11,100 AND IT FORMED OVER MILLIONS OF YEARS 243 00:16:11,100 --> 00:16:13,600 AS RAINWATER WOULD PERCOLATE DOWN 244 00:16:13,600 --> 00:16:15,533 THROUGH THOSE FRACTURES AND CRACKS 245 00:16:15,533 --> 00:16:18,367 AND IT WOULD START TO DISSOLVE AWAY THE LIMESTONE. 246 00:16:18,367 --> 00:16:22,067 AND IT'S REALLY THE PROCESS OF WIND AND WATER DISSOLVING AWAY 247 00:16:22,067 --> 00:16:25,867 THIS ROCK HAS CREATED THIS LABYRINTH OF SPIRES. 248 00:16:27,400 --> 00:16:31,400 Narrator: WHAT CREATURES LIVE WITHIN THIS MAZE OF RAZOR-SHARP SPIKES? 249 00:16:32,400 --> 00:16:35,167 GEOLOGIC RECORDS REVEAL THE ISLAND OF MADAGASCAR 250 00:16:35,167 --> 00:16:37,067 HAS BEEN CUT OFF FROM THE REST OF THE WORLD 251 00:16:37,067 --> 00:16:39,667 FOR 165 MILLION YEARS. 252 00:16:41,467 --> 00:16:44,633 THIS ISOLATION MEANS THE CREATURES HERE HAVE EVOLVED IN 253 00:16:44,633 --> 00:16:46,600 TO STRANGE AND UNIQUE FORMS. 254 00:16:47,767 --> 00:16:51,267 THESE GIANT STONE WALLS AND SPIRES ARE A SANCTUARY 255 00:16:51,267 --> 00:16:52,933 IN THIS LAND OF THE FREAKS. 256 00:16:53,633 --> 00:16:55,433 THIS ECOSYSTEM IS ONE OF 257 00:16:55,433 --> 00:16:58,067 THE MOST SPECIAL PLACES ON OUR PLANET. 258 00:16:58,067 --> 00:17:00,333 SOME PEOPLE HAVE SAID THAT MADAGASCAR SHOULD BE 259 00:17:00,333 --> 00:17:02,167 AN EIGHTH CONTINENT, 260 00:17:02,167 --> 00:17:06,933 BECAUSE MOST OF THE SPECIES IN MADAGASCAR ONLY EXIST THERE. 261 00:17:07,433 --> 00:17:11,167 AND THEN HALF OF THOSE IN THIS ROCKY BIOFORTRESS 262 00:17:11,167 --> 00:17:12,467 ONLY EXIST THERE. 263 00:17:14,067 --> 00:17:18,500 MADAGASCAR ITSELF IS HOME TO SO MANY ENDEMIC SPECIES 264 00:17:18,500 --> 00:17:21,933 AND THIS PLACE IS ISOLATED WITHIN THAT ISOLATION. 265 00:17:22,867 --> 00:17:25,967 Narrator: SOME OF THE CREATURES RECENTLY DISCOVERED HERE ARE SMALL. 266 00:17:26,700 --> 00:17:28,900 SOME MUCH BIGGER. 267 00:17:28,900 --> 00:17:31,800 EXPERTS CAN ONLY SPECULATE AS TO WHAT ELSE LURKS 268 00:17:31,800 --> 00:17:35,800 IN THIS LARGELY UNEXPLORED 600-SQUARE-MILE MAZE. 269 00:17:36,700 --> 00:17:41,333 THERE IS NO TELLING HOW MANY NEW CREATURES LIVE IN THIS AREA. 270 00:17:42,533 --> 00:17:44,133 Sanford: ANIMALS HAVE BEEN EVOLVING THERE 271 00:17:44,133 --> 00:17:47,933 FOR THOUSANDS UPON THOUSANDS OF YEARS. 272 00:17:47,933 --> 00:17:50,433 MAYBE THERE ARE PEOPLE THERE, TOO, 273 00:17:50,433 --> 00:17:51,867 THAT WE JUST HAVEN'T FOUND YET. 274 00:17:53,433 --> 00:17:55,500 Narrator: SCIENTISTS BELIEVE THERE ARE STILL OVER 275 00:17:55,500 --> 00:17:57,833 100 UNDISCOVERED TRIBES ON EARTH. 276 00:17:59,233 --> 00:18:01,233 IF ONE WANTED TO STAY HIDDEN, 277 00:18:01,233 --> 00:18:03,600 THE IMPENETRABLE TSINGY STONE FOREST 278 00:18:03,600 --> 00:18:05,267 IS THE PERFECT NATURAL HIDEOUT. 279 00:18:06,367 --> 00:18:10,133 THIS AREA HAS THESE TALL SPIKES AND DEEP FISSURES. 280 00:18:10,133 --> 00:18:11,867 IF THERE ARE PEOPLE IN THERE, 281 00:18:11,867 --> 00:18:13,867 YOU MIGHT NOT BE ABLE TO SEE THEM 282 00:18:13,867 --> 00:18:15,467 UNLESS YOU WERE RIGHT ON TOP OF THEM. 283 00:18:16,967 --> 00:18:19,267 Narrator: LOCALS LIVING NEAR THE STONE FOREST 284 00:18:19,267 --> 00:18:21,333 TELL OF CAVERN-DWELLING HUMANOIDS 285 00:18:21,333 --> 00:18:23,400 EMERGING AT NIGHT TO SEARCH FOR FOOD. 286 00:18:24,900 --> 00:18:27,533 THEY CLAIM THEY VENTURE INTO NEARBY VILLAGES 287 00:18:27,533 --> 00:18:29,567 AND ABDUCT CHILDREN. 288 00:18:29,567 --> 00:18:32,233 THEY CALL THEM THE KALANORO. 289 00:18:32,233 --> 00:18:34,200 THEY'RE THOUGHT TO BE PYGMY PEOPLE. 290 00:18:34,200 --> 00:18:37,167 YOU GET LOTS OF DIFFERENT STORIES FROM LOCAL PEOPLE 291 00:18:37,167 --> 00:18:38,800 AND LOTS OF DIFFERENT LEGENDS ABOUT THEM. 292 00:18:40,267 --> 00:18:42,833 Narrator: ACCORDING TO FOLK HERE, KALANORO PREY 293 00:18:42,833 --> 00:18:45,067 ON ANIMALS MUCH LARGER THAN THEMSELVES. 294 00:18:46,367 --> 00:18:48,467 THEY THEN LEAVE THE CARCASSES TO FESTER 295 00:18:48,467 --> 00:18:50,800 BEFORE RETURNING TO FEAST ON THE MAGGOTS. 296 00:18:51,833 --> 00:18:54,967 Sanford: THEY'RE TWO-FOOT TALL, COVERED IN LONG HAIR, 297 00:18:54,967 --> 00:18:58,467 LONG FINGERNAILS, AND WITH RED EYES. 298 00:18:58,467 --> 00:19:01,967 AND LEGEND HAS IT THAT THEY HAVE SUPERNATURAL POWERS. 299 00:19:03,167 --> 00:19:07,067 Narrator: THIS FORTRESS OF FREAKS MAY HAVE BEEN CARVED BY NATURE, 300 00:19:07,067 --> 00:19:09,067 BUT HISTORIANS CONSIDER HOW IT COULD HAVE BEEN 301 00:19:09,067 --> 00:19:11,667 PUT TO TERRIFYING USE BY MADAGASCAR'S 302 00:19:11,667 --> 00:19:14,967 MOST NOTORIOUS MONARCH, QUEEN RANAVALONA. 303 00:19:15,967 --> 00:19:19,567 THIS QUEEN IS ONE OF THE MOST WICKED VILLAINS IN HISTORY. 304 00:19:19,567 --> 00:19:23,300 SHE IS RIGHT UP THERE WITH CALIGULA AND VLAD THE IMPALER 305 00:19:23,300 --> 00:19:25,233 FOR SHEER BLOODTHIRSTINESS. 306 00:19:26,067 --> 00:19:29,300 Narrator: RANAVALONA WAS CROWNED IN 1829, 307 00:19:29,300 --> 00:19:33,233 AND HER NICKNAME WAS "THE CRUEL" FOR A VERY GOOD REASON. 308 00:19:33,233 --> 00:19:36,967 SHE RELEASED A REIGN OF TERROR ON HER OWN PEOPLE, 309 00:19:36,967 --> 00:19:39,267 AND SHE WAS NOT ONLY KILLING THEM, 310 00:19:39,267 --> 00:19:42,067 SHE WAS DOING IT IN AN EXTREMELY TORTUROUS WAY. 311 00:19:44,300 --> 00:19:46,700 SHE WOULD THROW SOMEONE OFF OF A CEREMONIAL CLIFF 312 00:19:46,700 --> 00:19:48,700 OR BOIL SOMEONE ALIVE. 313 00:19:48,700 --> 00:19:50,667 BEHEADING, THAT WAS JUST RUN OF THE MILL. 314 00:19:51,767 --> 00:19:55,267 Narrator: IN 1849, RANAVALONA THE CRUEL TOSSED 315 00:19:55,267 --> 00:19:59,633 14 CHRISTIANS MISSIONARIES OFF A 150-FOOT HIGH CLIFF. 316 00:20:01,433 --> 00:20:03,767 NOT CONTENT WITH SIMPLE EXECUTIONS, 317 00:20:03,767 --> 00:20:06,300 THE EVIL QUEEN WOULD ALSO TOY WITH HER VICTIMS. 318 00:20:07,667 --> 00:20:11,100 TO GET AN IDEA OF HOW CRUEL THIS WOMAN COULD BE, 319 00:20:11,633 --> 00:20:13,433 WHEN SHE THREW PEOPLE OF THE CLIFF, 320 00:20:13,433 --> 00:20:16,933 SHE WOULD CATCH THEM RIGHT BEFORE THEY COMPLETED THEIR FALL 321 00:20:16,933 --> 00:20:18,767 SO THEY FELT SAFE, 322 00:20:18,767 --> 00:20:20,800 AND THEN SHE'D DROP THEM AGAIN. 323 00:20:21,667 --> 00:20:24,133 Narrator: DO THE TERROR STONES CONCEAL THE REMAINS 324 00:20:24,133 --> 00:20:26,500 OF RANAVALONA'S MANY VICTIMS, 325 00:20:26,500 --> 00:20:28,300 OR SOMETHING EVEN MORE TERRIFYING? 326 00:20:29,733 --> 00:20:31,767 UNTIL EXPLORERS DARE TO VENTURE 327 00:20:31,767 --> 00:20:34,167 INTO THE HEART OF THE TSINGY FOREST, 328 00:20:34,167 --> 00:20:36,500 THE HIDDEN DEPTHS OF THIS FEARSOME LABYRINTH 329 00:20:36,500 --> 00:20:38,600 WILL REMAIN A MYSTERY. 330 00:20:38,600 --> 00:20:41,567 ANYTHING COULD BE IN THERE JUST WAITING TO BE 331 00:20:41,567 --> 00:20:44,033 DISCOVERED AMONG THESE VAST CANYONS. 332 00:20:44,033 --> 00:20:47,300 ** 333 00:20:49,867 --> 00:20:51,067 Narrator: COMING UP... 334 00:20:51,067 --> 00:20:53,467 SOMETHING WEIRD IN THE WATERS OFF MARYLAND. 335 00:20:54,267 --> 00:20:57,200 Carter: COULD YOU IMAGINE THE U.S. GOVERNMENT'S INVOLVED 336 00:20:57,200 --> 00:21:01,800 IN EXPERIMENTING ON THE PEOPLE THAT ARE DEFENDING THEIR NATION? 337 00:21:02,567 --> 00:21:06,100 Narrator: AND THE DEVIL DOES A DEAL WITH THE GODDESS OF LOVE. 338 00:21:06,100 --> 00:21:09,967 SHE WANTS TO EXTEND HER REALM TO INCLUDE DEATH ITSELF. 339 00:21:09,967 --> 00:21:12,833 ** 340 00:21:19,067 --> 00:21:22,500 Narrator: APRIL 2017. 341 00:21:22,500 --> 00:21:25,300 AS A SATELLITE PASSES OVER SAUDI ARABIA, 342 00:21:25,300 --> 00:21:27,367 IT CAPTURES AN IMAGE OF WHAT APPEARS TO BE 343 00:21:27,367 --> 00:21:30,467 A PATH OR A TRACK ON THE SIDE OF A VOLCANO. 344 00:21:30,467 --> 00:21:33,367 ** 345 00:21:33,367 --> 00:21:36,433 IT LOOKS LIKE AN ENTRANCE OF SOME SORT, 346 00:21:36,433 --> 00:21:39,900 APPARENTLY LEADING INTO THE EARTH ITSELF. 347 00:21:40,667 --> 00:21:42,800 Brand: JUST LOOKING AT THE SATELLITE IMAGE 348 00:21:42,800 --> 00:21:46,633 TELLS ME THAT IT'S VERY UNLIKELY THAT THEY'RE NATURAL. 349 00:21:46,633 --> 00:21:49,233 IT'S ALMOST CERTAIN THAT THESE ARE MAN-MADE. 350 00:21:49,233 --> 00:21:51,067 THE WEIRD THING IS THIS IS ON THE SIDE OF A MOUNTAIN, 351 00:21:51,067 --> 00:21:52,300 IT'S A VOLCANO, 352 00:21:52,300 --> 00:21:54,833 SO WHO'S BUILDING THIS ON THE SIDE OF VOLCANO? 353 00:21:56,700 --> 00:21:59,300 Narrator: ANALYSTS DISCOVER MORE STRANGE EDIFICES 354 00:21:59,300 --> 00:22:01,133 ON THE OPPOSITE SIDE OF THE VOLCANO. 355 00:22:02,833 --> 00:22:06,233 SCALE ANALYSIS REVEALS THESE GATE-LIKE STRUCTURES 356 00:22:06,233 --> 00:22:08,200 ARE MORE THAN 500 YARDS LONG. 357 00:22:08,833 --> 00:22:12,133 THAT'S FOUR TIMES THE HEIGHT OF THE GREAT PYRAMID OF GIZA. 358 00:22:12,133 --> 00:22:13,967 THEY'RE LONG, THEY'RE BIG. 359 00:22:13,967 --> 00:22:16,100 TO EVEN NOTICE THESE FROM OUTER SPACE 360 00:22:16,100 --> 00:22:17,733 SAYS SOMETHING ABOUT THEIR SIZE. 361 00:22:18,467 --> 00:22:22,067 Narrator: THE KINGDOM OF SAUDI ARABIA IS A VAST DESERT COUNTRY, 362 00:22:22,067 --> 00:22:23,967 DIFFICULT AND DANGEROUS TO EXPLORE. 363 00:22:24,800 --> 00:22:27,067 THE GOVERNMENT IS HOSTILE TO OUTSIDERS, 364 00:22:27,067 --> 00:22:29,200 AND ACCESS TO THE SITE IS HIGHLY RESTRICTED. 365 00:22:30,133 --> 00:22:32,867 THE CURRENT SITUATION WILL NOT ALLOW ARCHAEOLOGISTS 366 00:22:32,867 --> 00:22:34,167 TO GO THERE ON THE GROUND 367 00:22:34,167 --> 00:22:36,433 SO ALL WE HAVE ARE SATELLITE IMAGES 368 00:22:36,433 --> 00:22:38,400 TO SPECULATE WHAT THESE FEATURES WERE. 369 00:22:40,200 --> 00:22:42,633 Narrator: HUNDREDS OF BILLIONS OF DOLLARS ARE BEING POURED 370 00:22:42,633 --> 00:22:45,233 INTO HUGE NEW CONSTRUCTION PROJECTS IN SAUDI. 371 00:22:46,067 --> 00:22:48,367 YET INVESTIGATORS DISMISS ANY IDEA 372 00:22:48,367 --> 00:22:51,467 THAT THESE STRUCTURES ARE PART OF SOME MODERN DESERT MEGACITY. 373 00:22:52,600 --> 00:22:56,067 THIS CERTAINLY DOESN'T LOOK LIKE A MODERN BUILDING SITE. 374 00:22:56,067 --> 00:22:59,600 YOU DON'T REALLY SEE MACHINERY, YOU DON'T SEE INFRASTRUCTURE. 375 00:23:01,533 --> 00:23:04,667 Altaweel: THESE WALLS LOOK ERODED, THEY'RE NOT PERFECTLY STRAIGHT, 376 00:23:04,667 --> 00:23:06,467 THEY'RE FALLING APART IN PLACES. 377 00:23:06,467 --> 00:23:09,300 THAT TELLS US THIS IS SOMETHING ANCIENT, NOT MODERN. 378 00:23:10,567 --> 00:23:14,067 Narrator: SATELLITE ARCHAEOLOGIST MARK ALTAWEEL HAS SPENT TWO 379 00:23:14,067 --> 00:23:17,067 DECADES STUDYING ANCIENT SITES ACROSS THE MIDDLE EAST. 380 00:23:17,067 --> 00:23:20,767 ** 381 00:23:20,767 --> 00:23:23,833 HE COMPARES THE MASSIVE STONE STRUCTURES TO THE BUILDINGS 382 00:23:23,833 --> 00:23:26,167 OF A MYSTERIOUS AND POWERFUL CIVILIZATION 383 00:23:26,167 --> 00:23:28,900 THAT RULED THIS REGION BEFORE THE BIRTH OF CHRIST. 384 00:23:30,967 --> 00:23:33,967 Altaweel: WHEN I SEE STONE STRUCTURES IN THE MIDDLE OF THE DESERT, 385 00:23:33,967 --> 00:23:35,433 I THINK OF THE NABATAEANS. 386 00:23:35,433 --> 00:23:40,133 THESE WERE PEOPLE WHO BUILT THESE FABULOUS STONE STRUCTURES 387 00:23:40,133 --> 00:23:42,300 IN THE MIDDLE OF THE DESERT ABOUT 2,000 YEARS AGO. 388 00:23:42,300 --> 00:23:46,667 THEY WERE VERY ADEPT AT CREATING LARGE CITIES LIKE PETRA. 389 00:23:48,367 --> 00:23:51,733 Narrator: THE NABATAEANS USED MOUNTAINOUS PLACES LIKE VOLCANOS 390 00:23:51,733 --> 00:23:53,100 FOR RITUALISTIC WORSHIP. 391 00:23:54,067 --> 00:23:57,733 THE LOCAL NABATAEANS BELIEVED THAT HILLTOPS WERE SACRED, 392 00:23:57,733 --> 00:23:59,867 AND THEIR PRIESTS USED THEM 393 00:23:59,867 --> 00:24:01,167 TO BASICALLY COMMUNICATE 394 00:24:01,167 --> 00:24:03,200 BETWEEN HEAVEN AND EARTH. 395 00:24:05,133 --> 00:24:08,467 Narrator: IF THESE STRUCTURES ARE RELIGIOUS, HISTORICAL EVIDENCE 396 00:24:08,467 --> 00:24:11,133 SUGGESTS THEY COULD HAVE SERVED A SINISTER PURPOSE. 397 00:24:14,500 --> 00:24:16,100 Pepper: THERE'S A NABATAEAN INSCRIPTION 398 00:24:16,100 --> 00:24:18,867 THAT DESCRIBES CONSECRATING A YOUNG MAN 399 00:24:18,867 --> 00:24:20,633 JUST BEFORE IMMOLATING HIM. 400 00:24:20,633 --> 00:24:22,300 THAT MEANS SETTING HIM ON FIRE. 401 00:24:22,800 --> 00:24:24,933 BUT YOU'VE GOTTA WONDER, COULD THAT ALSO HAVE MEANT 402 00:24:24,933 --> 00:24:26,933 THROWING HIM INTO A VOLCANO? 403 00:24:26,933 --> 00:24:29,633 PERHAPS THE NABATAEANS BUILT THESE GATES TO HOUSE 404 00:24:29,633 --> 00:24:32,500 THE DIVINE STONES TO MARK A PLACE OF WORSHIP 405 00:24:32,500 --> 00:24:35,067 AND HUMAN SACRIFICE. 406 00:24:35,067 --> 00:24:37,667 Narrator: BUT CLOSER ANALYSIS OF THE STRUCTURES IN THE IMAGE 407 00:24:37,667 --> 00:24:41,067 SUGGEST THAT THEY PRE-DATE THE ERA OF THE MIGHTY NABATAEANS. 408 00:24:42,467 --> 00:24:44,667 THE NABATAEANS WOULD HAVE HAD THE TECHNICAL SKILL 409 00:24:44,667 --> 00:24:46,600 AND THE DRIVE TO BUILD ON HIGH GROUND, 410 00:24:47,267 --> 00:24:50,567 BUT THESE STRUCTURES LOOK OLDER AND CERTAINLY LESS COMPLEX. 411 00:24:51,867 --> 00:24:54,100 Narrator: INVESTIGATORS SEARCH FURTHER BACK THROUGH 412 00:24:54,100 --> 00:24:55,767 THE REGION'S HISTORY, 413 00:24:55,767 --> 00:24:58,300 AND LEARN OF A POWERFUL NEIGHBORING CIVILIZATION 414 00:24:58,300 --> 00:25:01,867 CAPABLE OF BUILDING THESE MASSIVE STRUCTURES -- 415 00:25:01,867 --> 00:25:04,067 THE SUMERIANS. 416 00:25:04,067 --> 00:25:07,733 THE SUMERIANS ARE PROBABLY THE OLDEST CIVILIZATION ON EARTH 417 00:25:07,733 --> 00:25:10,600 DATING BACK ALMOST FOUR MILLENNIA B.C. 418 00:25:10,600 --> 00:25:12,167 Altaweel: THEY ESTABLISHED THE FIRST CITIES, 419 00:25:12,167 --> 00:25:14,667 THE FIRST LAWS, THE FIRST WRITING. 420 00:25:14,667 --> 00:25:18,100 ALL THESE THINGS ARE IMMENSELY IMPORTANT FOR OUR MODERN WORLD. 421 00:25:18,100 --> 00:25:19,300 IN FACT, THEY'RE THE ONES THAT CAME UP 422 00:25:19,300 --> 00:25:21,467 WITH THE 60-SECOND MINUTE AND THE HOUR. 423 00:25:23,067 --> 00:25:26,233 Narrator: THE SUMERIANS WERE FAMED FOR THE SCALE AND AMBITION 424 00:25:26,233 --> 00:25:27,733 OF THEIR CONSTRUCTION PROJECTS. 425 00:25:28,667 --> 00:25:31,267 Altaweel: THEY BUILT MASSIVE STRUCTURES CALLED ZIGGURATS 426 00:25:31,267 --> 00:25:33,400 THAT WERE ESSENTIALLY STEPPED TOWERS 427 00:25:33,400 --> 00:25:35,100 THAT BECAME IMPORTANT TEMPLES. 428 00:25:36,067 --> 00:25:37,533 Narrator: SOME OBSERVERS SPECULATE 429 00:25:37,533 --> 00:25:40,367 THAT THESE GATE-SHAPED STRUCTURES MIGHT BE LINKED 430 00:25:40,367 --> 00:25:41,633 TO THE SUMERIANS' BELIEF 431 00:25:41,633 --> 00:25:43,833 IN A SUBTERRANEAN LAND OF THE DEAD. 432 00:25:44,567 --> 00:25:47,767 THESE GATES MARK THE SPACE BETWEEN THESE TWO WORLDS 433 00:25:48,300 --> 00:25:50,300 WHERE YOU GO FROM ONE TO THE NEXT. 434 00:25:50,300 --> 00:25:52,500 Altaweel: THE SUMERIANS BELIEVED THAT ONCE YOU DIED 435 00:25:52,500 --> 00:25:54,067 YOU GO TO THIS UNDERWORLD. 436 00:25:54,067 --> 00:25:55,767 THEY LIVED THERE AS GHOSTS. 437 00:25:55,767 --> 00:25:58,367 THEIR FAMILIES HAD TO ACTUALLY BRING FOOD AND DRINK. 438 00:25:58,367 --> 00:26:01,967 AND IF THEY DIDN'T BRING FOOD TO THEIR DEAD RELATIVES, 439 00:26:01,967 --> 00:26:05,133 THE DEAD ANCESTORS MAY ACTUALLY COME BACK AND HAUNT THE LIVING. 440 00:26:05,133 --> 00:26:07,667 ** 441 00:26:07,667 --> 00:26:10,933 Narrator: INTO THE REALM OF THE DEAD, ACCORDING TO THE SUMERIANS, 442 00:26:10,933 --> 00:26:12,333 ENTERS INANNA, 443 00:26:12,333 --> 00:26:14,667 THE IMMENSELY POWERFUL AND FIERCE GODDESS 444 00:26:14,667 --> 00:26:16,067 OF BEAUTY AND SEX. 445 00:26:16,733 --> 00:26:19,233 SHE MAKES IT HER MISSION TO CONQUER THE UNDERWORLD. 446 00:26:20,267 --> 00:26:24,233 SHE WANTS TO EXTEND HER REALM TO INCLUDE DEATH ITSELF. 447 00:26:24,233 --> 00:26:28,167 TO DO THAT, SHE HAS TO TRAVEL THROUGH THE SEVEN GATES 448 00:26:28,167 --> 00:26:29,800 TO GET TO HELL. 449 00:26:29,800 --> 00:26:32,233 AND AS SHE TRAVELS THROUGH EACH GATE, 450 00:26:32,233 --> 00:26:34,800 SHE HAS TO GIVE UP AN ARTICLE OF CLOTHING 451 00:26:34,800 --> 00:26:36,900 AND BY THE TIME SHE GETS DOWN THERE, 452 00:26:36,900 --> 00:26:39,667 SHE'S COMPLETELY NAKED, STRIPPED OF ALL OF HER POWER. 453 00:26:40,800 --> 00:26:43,467 Narrator: SHE STANDS NAKED BEFORE THE DEVIL, 454 00:26:43,467 --> 00:26:45,500 AND WITH THE DEVIL SHE MAKES A PACT. 455 00:26:47,067 --> 00:26:49,067 THE ONLY WAY FOR HER TO GET OUT OF THERE 456 00:26:49,067 --> 00:26:51,233 IS TO TRADE WITH SOMEBODY ELSE. 457 00:26:51,233 --> 00:26:53,567 SHE DECIDES THE PERFECT CANDIDATE 458 00:26:53,567 --> 00:26:55,633 IS HER CHEATING HUSBAND. 459 00:26:55,633 --> 00:26:58,067 Rose: SHE CHOSE HIM BECAUSE HE NEVER MOURNED HER PASSING. 460 00:26:58,733 --> 00:27:02,733 HE IS SAID TO HAVE TAKEN HER THRONE AND KICKED BACK 461 00:27:02,733 --> 00:27:04,600 WITH A BUNCH OF SLAVE GIRLS. 462 00:27:04,600 --> 00:27:07,567 ONCE HER HUSBAND ENTERS THE UNDERWORLD, SHE IS FREE TO GO. 463 00:27:08,267 --> 00:27:13,067 SO THE MORAL OF THE STORY IS HELL TRULY IS A WOMAN SCORNED. 464 00:27:15,500 --> 00:27:18,067 Narrator: WITHOUT TO BEING ABLE TO INVESTIGATE THE REMOTE SITE 465 00:27:18,067 --> 00:27:20,800 CLOSE UP, IT'S IMPOSSIBLE TO CONFIRM 466 00:27:20,800 --> 00:27:23,900 IF IT WAS THE SUMERIANS OR ANOTHER ANCIENT CIVILIZATION 467 00:27:23,900 --> 00:27:26,100 WHO BUILT THESE MYSTERIOUS STRUCTURES 468 00:27:26,100 --> 00:27:28,400 ON THE SIDE OF A REMOTE SAUDI VOLCANO. 469 00:27:30,433 --> 00:27:32,800 Rose: IT WOULD TAKE QUITE A LOT OF EFFORT TO BUILD THESE 470 00:27:32,800 --> 00:27:34,633 AND WE DON'T REALLY EVEN KNOW WHAT THEY ARE 471 00:27:34,633 --> 00:27:36,900 OR WHY THEY WERE BUILT. 472 00:27:36,900 --> 00:27:40,867 Narrator: FOR NOW, THE GATES OF HELL REMAIN FIRMLY CLOSED. 473 00:27:40,867 --> 00:27:44,100 ** 474 00:27:47,067 --> 00:27:48,533 COMING UP... 475 00:27:48,533 --> 00:27:52,067 THE SCI-FI CRIME-FIGHTING WEAPON OF THE FUTURE. 476 00:27:52,067 --> 00:27:53,833 IT DOESN'T MATTER WHICH WAY YOU RUN, 477 00:27:53,833 --> 00:27:56,167 IT'S GOING TO FOLLOW YOU. 478 00:27:56,167 --> 00:28:00,067 Narrator: AND SUSPICIOUS US MILITARY ACTIVITY SEEN FROM SPACE. 479 00:28:00,733 --> 00:28:04,767 THE U.S. GOVERNMENT IS DEVELOPING DRUGS 480 00:28:04,767 --> 00:28:06,100 THAT THEY HOPE WILL MAKE 481 00:28:06,100 --> 00:28:10,200 U.S. SOLDIERS SORT OF SUPERHUMAN FIGHTING MACHINES. 482 00:28:10,200 --> 00:28:13,133 ** 483 00:28:18,967 --> 00:28:20,833 Narrator: THE CHESAPEAKE BAY, MARYLAND. 484 00:28:22,500 --> 00:28:26,600 SATELLITE IMAGES TAKEN OVER 15 YEARS REVEAL AN ISLAND, 485 00:28:26,600 --> 00:28:28,333 SEEMING TO EMERGE FROM THE SEA. 486 00:28:29,367 --> 00:28:33,067 WHAT STARTED OUT AS A VERY SMALL LANDMASS 487 00:28:33,067 --> 00:28:35,667 BECAME LARGER AND LARGER AND LARGER. 488 00:28:35,667 --> 00:28:40,067 IT'S 10 TIMES BIGGER THAN IT WAS UNTIL VERY RECENTLY. 489 00:28:40,067 --> 00:28:41,667 WHAT IN THE WORLD IS GOING ON HERE? 490 00:28:42,433 --> 00:28:45,400 Narrator: THE SEA LEVEL HASN'T DROPPED IN THE CHESAPEAKE BAY, 491 00:28:45,400 --> 00:28:47,867 AND THERE'S NO VOLCANIC ACTIVITY IN THE AREA. 492 00:28:48,667 --> 00:28:51,433 THE ISLAND APPEARS TO HAVE BEEN RECLAIMED FROM THE OCEAN. 493 00:28:52,400 --> 00:28:54,400 WHY WOULD YOU DO THAT AT THAT EXPENSE, 494 00:28:54,400 --> 00:28:56,067 AT THAT COST, AT THAT LOCATION. 495 00:28:56,067 --> 00:28:58,067 IT'S A COMPLETE MYSTERY. 496 00:28:59,267 --> 00:29:03,400 Narrator: IN 1994, THE U.S. ARMY MAKES A SURPRISING ANNOUNCEMENT. 497 00:29:04,467 --> 00:29:06,567 Carter: THE U.S. ARMY CORPS OF ENGINEERS 498 00:29:06,567 --> 00:29:09,500 ARE BEHIND THE REBUILDING OF THIS ISLAND. 499 00:29:09,500 --> 00:29:12,233 THEY HELP WITH THE FORWARD OPERATING BASES, 500 00:29:12,233 --> 00:29:15,067 THE COMBAT OUTPOSTS, THINGS OF THAT NATURE. 501 00:29:15,967 --> 00:29:19,167 SO, WHY THEY WOULD BE BUILDING AN ISLAND IN THE MIDDLE 502 00:29:19,167 --> 00:29:22,400 OF THE CHESAPEAKE BAY IS KIND OF INTERESTING. 503 00:29:23,300 --> 00:29:25,967 Narrator: ANALYSIS OF THE MOST RECENT SATELLITE IMAGE 504 00:29:25,967 --> 00:29:28,933 REVEALS THAT THE ISLAND HAS BEEN BROKEN INTO SECTORS 505 00:29:28,933 --> 00:29:30,767 BUT HAS NO SIGNIFICANT STRUCTURES. 506 00:29:31,600 --> 00:29:35,700 THERE APPEAR TO BE SOME VERY INTERESTING LAND FORMATIONS 507 00:29:35,700 --> 00:29:37,067 THAT ARE BEING BUILT UP, 508 00:29:37,067 --> 00:29:40,067 THESE CURVED SECTIONS AND THESE CIRCULAR SECTIONS, 509 00:29:40,067 --> 00:29:43,733 THAT DON'T HAVE AN IMMEDIATE, OBVIOUS USE. 510 00:29:43,733 --> 00:29:46,467 BUT IT SEEMS AS IF THEY'RE NOT PUTTING ANY BUILDINGS UP. 511 00:29:47,467 --> 00:29:49,133 SO YOU WOULD THINK THAT IF SOMEBODY WAS GOING TO 512 00:29:49,133 --> 00:29:50,567 RECLAIM THIS LAND, 513 00:29:50,567 --> 00:29:51,867 THAT THERE WOULD BE SOMETHING ON IT, 514 00:29:51,867 --> 00:29:53,867 THAT THEY WOULD DO IT FOR SOME PURPOSE. 515 00:29:53,867 --> 00:29:54,900 BUT THERE'S NOTHING. 516 00:29:54,900 --> 00:29:58,200 IT'S JUST AN EMPTY SPACE OF LAND 517 00:29:58,200 --> 00:29:59,800 IN THE MIDDLE OF THE CHESAPEAKE BAY. 518 00:30:01,767 --> 00:30:03,867 Narrator: THE ARMY'S ANNOUNCEMENT ABOUT ITS ACTIVITIES 519 00:30:03,867 --> 00:30:05,600 ON THE ISLAND BAFFLES OBSERVERS. 520 00:30:07,167 --> 00:30:10,867 PROBABLY THE STRANGEST THING WAS THE EXPLANATION. 521 00:30:10,867 --> 00:30:14,300 THE U.S. ARMY SAID WELL, IT'S A BIRD SANCTUARY. 522 00:30:15,200 --> 00:30:17,700 I DON'T THINK A LOT OF PEOPLE ACTUALLY BUY THAT STORY. 523 00:30:18,533 --> 00:30:22,267 THIS RESPONSE SEEMS A BIT JAGGED AND HARD TO SWALLOW. 524 00:30:22,933 --> 00:30:24,867 Howard: IT CERTAINLY SEEMS TO BE TREMENDOUS EXPENSE 525 00:30:24,867 --> 00:30:27,433 TO GO TO TO BUILD A WILDLIFE SANCTUARY. 526 00:30:27,433 --> 00:30:29,800 THE COST PER ACRE OF DOING THAT KIND OF WORK 527 00:30:29,800 --> 00:30:31,167 HAS TO REACH INTO THE TENS, 528 00:30:31,167 --> 00:30:33,733 PERHAPS EVEN OVER $100,000 AN ACRE. 529 00:30:35,300 --> 00:30:38,833 Narrator: THEN, IN 2012, AN INVESTIGATIVE REPORTER 530 00:30:38,833 --> 00:30:41,367 FORCES THE U.S. GOVERNMENT TO RELEASE DOCUMENTS 531 00:30:41,367 --> 00:30:44,167 WHICH REVEAL THE CHESAPEAKE BAY'S DARK HISTORY. 532 00:30:45,067 --> 00:30:47,367 Carter: DOCUMENTS ARE DECLASSIFIED BY THE U.S. ARMY 533 00:30:47,367 --> 00:30:48,967 AND THE UNITED STATES GOVERNMENT 534 00:30:48,967 --> 00:30:52,467 THAT SHOW IN THIS AREA OF THE CHESAPEAKE BAY, 535 00:30:52,467 --> 00:30:55,333 THERE WERE EXPERIMENTS ON U.S. SOLDIERS, 536 00:30:55,333 --> 00:30:58,733 7,000 OF WHICH WERE SUBJECTED 537 00:30:58,733 --> 00:31:02,500 TO THE MOST BIZARRE EXPERIMENTATION. 538 00:31:03,067 --> 00:31:05,833 Narrator: THE DECLASSIFIED DOCUMENTS CONTAIN INFORMATION 539 00:31:05,833 --> 00:31:07,867 ABOUT EDGEWOOD ARSENAL, 540 00:31:07,867 --> 00:31:10,800 A LARGE MILITARY INSTALLATION 43 MILES 541 00:31:10,800 --> 00:31:12,167 TO THE NORTH OF THE NEW ISLAND. 542 00:31:13,533 --> 00:31:17,700 BETWEEN 1948 AND 1975, IT WAS THE CENTER 543 00:31:17,700 --> 00:31:19,733 OF A SECRET U.S. ARMY PROGRAM 544 00:31:19,733 --> 00:31:21,900 DUBBED OPERATION DELIRIUM. 545 00:31:22,833 --> 00:31:28,400 OPERATION DELIRIUM WAS A U.S. DEPARTMENT OF DEFENSE PROGRAM 546 00:31:28,400 --> 00:31:34,600 TO TEST CHEMICAL AGENTS ON OUR OWN TROOPS 547 00:31:34,600 --> 00:31:36,167 AND SEE WHAT HAPPENED. 548 00:31:36,167 --> 00:31:38,767 Man: ENLISTED VOLUNTEERS WERE ASKED TO TAKE PART 549 00:31:38,767 --> 00:31:40,433 IN A CAREFULLY CONTROLLED TEST. 550 00:31:41,067 --> 00:31:43,867 EACH OF THE VOLUNTEERS RECEIVED A MINUTE DOSE 551 00:31:43,867 --> 00:31:45,733 OF THE PSYCHOCHEMICAL IN COFFEE. 552 00:31:46,333 --> 00:31:49,700 IT WAS KEPT UNDERCOVER BECAUSE OF COURSE THEY KNEW, 553 00:31:49,700 --> 00:31:52,167 YOU KNOW LOOK, THESE ARE HUMAN EXPERIMENTS! 554 00:31:52,167 --> 00:31:56,133 Man: JUST A SMALL QUANTITY OF LSD IS SUFFICIENT TO UPSET 555 00:31:56,133 --> 00:31:59,400 THE NORMAL PHYSICAL AND EMOTIONAL BEHAVIOR PATTERN. 556 00:31:59,400 --> 00:32:02,333 THEY NO LONGER BEHAVE LIKE WELL-DISCIPLINED TROOPS. 557 00:32:03,067 --> 00:32:07,933 THE DRUGS THEY USED RANGED FROM LSD TO TEAR GAS 558 00:32:07,933 --> 00:32:09,633 TO NERVE AGENTS. 559 00:32:09,633 --> 00:32:14,300 COULD YOU IMAGINE IF TODAY SOMEBODY FOUND OUT 560 00:32:14,300 --> 00:32:17,233 THAT THE U.S. GOVERNMENT WAS INVOLVED 561 00:32:17,233 --> 00:32:20,467 IN EXPERIMENTING ON THE PEOPLE 562 00:32:20,467 --> 00:32:22,300 THAT ARE DEFENDING THEIR NATION? 563 00:32:22,300 --> 00:32:26,600 THAT THEY'RE ACTUALLY USING THEM FOR CHEMICAL EXPERIMENTATION? 564 00:32:26,600 --> 00:32:29,133 Man: THE AGENT PRODUCED SEVERE IRRITATION OF THE EYES, 565 00:32:29,133 --> 00:32:30,700 NOSE, THROAT, AND LUNGS, 566 00:32:30,700 --> 00:32:33,733 HEAVY, LABORED BREATHING, AND SEARING CHEST PAINS. 567 00:32:35,067 --> 00:32:37,667 Narrator: THE CHESAPEAKE BAY ISLAND RAISES FEARS 568 00:32:37,667 --> 00:32:40,067 THAT THE U.S. MILITARY IS ONCE AGAIN 569 00:32:40,067 --> 00:32:42,100 EXPERIMENTING ON ITS OWN TROOPS. 570 00:32:42,600 --> 00:32:44,067 WE DO KNOW THAT TODAY 571 00:32:44,067 --> 00:32:48,333 THE U.S. GOVERNMENT IS DEVELOPING DRUGS 572 00:32:48,333 --> 00:32:50,700 THAT THEY HOPE WILL MAKE U.S. SOLDIERS 573 00:32:50,700 --> 00:32:54,167 SORT OF SUPERHUMAN FIGHTING MACHINES. 574 00:32:54,167 --> 00:32:58,067 THAT WILL MAKE THEM, FOR EXAMPLE, NOT NEED SO MUCH SLEEP, 575 00:32:58,067 --> 00:33:01,267 NOT NEED TO EAT, NOT FEEL AS MUCH FEAR. 576 00:33:02,067 --> 00:33:03,467 Morgan: IF I WENT OUT AND RENTED A BOAT 577 00:33:03,467 --> 00:33:06,167 AND TOOK THAT BOAT RIGHT UP TO THE ISLAND AND PUT IT ASHORE, 578 00:33:06,167 --> 00:33:09,367 THEN GOT UP AND STARTED TO WALK AROUND, WOULD NO ONE CARE? 579 00:33:09,367 --> 00:33:11,933 WOULD I BE GREETED ONLY BY FLOCKS OF BIRDS? 580 00:33:11,933 --> 00:33:15,633 OR WOULD I BE GREETED WITH MEN CARRYING BLACK RIFLES IN UNIFORM 581 00:33:15,633 --> 00:33:18,067 THAT WOULD WANT TO KNOW WHAT THE HELL I WAS DOING THERE? 582 00:33:18,067 --> 00:33:23,433 Narrator: IN 2017, A PROJECT MANAGER AT THE U.S. OPERATION COMMAND 583 00:33:23,433 --> 00:33:25,633 ADMITTED THAT THE MILITARY IS CONSIDERING 584 00:33:25,633 --> 00:33:27,400 USING PERFORMANCE-ENHANCING DRUGS 585 00:33:27,400 --> 00:33:30,433 TO INCREASE SOLDIERS' ABILITIES TO TOLERATE PAIN 586 00:33:30,433 --> 00:33:33,467 AND RECOVER FROM INJURIES. 587 00:33:33,467 --> 00:33:36,333 THE CONCERN IS THAT THIS IS ONLY THE BEGINNING. 588 00:33:36,333 --> 00:33:41,233 OFTEN GOVERNMENTS WILL STOP AT NOTHING TO INCREASE 589 00:33:41,233 --> 00:33:45,100 THE LIKELIHOOD THAT THEY CAN TRIUMPH OVER THE ADVERSARY. 590 00:33:46,800 --> 00:33:49,967 Narrator: SUSPICIONS ARE FUELED WHEN A FEDERAL REPORT FINDS 591 00:33:49,967 --> 00:33:52,833 THAT THE CHESAPEAKE BAY IS, IN SOME PLACES, 592 00:33:52,833 --> 00:33:56,533 SEVERELY CONTAMINATED WITH TOXIC CHEMICALS, 593 00:33:56,533 --> 00:34:01,567 AND IT'S DOING STRANGE THINGS TO THE LOCAL WILDLIFE. 594 00:34:01,567 --> 00:34:06,067 IT'S BEEN RECENTLY DISCOVERED THAT FISH IN THE CHESAPEAKE BAY 595 00:34:06,067 --> 00:34:11,200 HAVE DEVELOPED STRANGE BIOLOGICAL DEFORMATIONS, 596 00:34:11,200 --> 00:34:15,100 SOMETHING THAT'S QUITE ABNORMAL FOR THAT AREA. 597 00:34:15,100 --> 00:34:18,733 Narrator: IT'S IMPOSSIBLE TO SAY WHERE THIS CONTAMINATION COMES FROM, 598 00:34:18,733 --> 00:34:22,200 AND IT MAY HAVE NOTHING TO DO WITH U.S. MILITARY TESTS. 599 00:34:22,200 --> 00:34:25,133 BUT THE PAST STILL HAUNTS THE CHESAPEAKE BAY, 600 00:34:25,133 --> 00:34:27,233 AND THE ISLAND KEEPS ON GROWING. 601 00:34:27,233 --> 00:34:29,967 WE STILL DON'T KNOW FOR CERTAIN WHAT'S GOING ON, 602 00:34:29,967 --> 00:34:33,133 BUT THE ARMY MAINTAINS THAT IT'S BUILDING A BIRD SANCTUARY. 603 00:34:37,367 --> 00:34:38,633 Narrator: COMING UP... 604 00:34:38,633 --> 00:34:41,800 AN EYE IN THE SKY HUNTS KILLERS ON THE GROUND. 605 00:34:41,800 --> 00:34:43,900 Capps: NOT ONLY WAS THERE A WITNESS IN THIS CRIME, 606 00:34:43,900 --> 00:34:47,567 THERE WAS A WITNESS WHO SAW THE WHOLE THING FROM 10,000 FEET. 607 00:34:47,567 --> 00:34:51,533 ** 608 00:34:57,367 --> 00:34:59,633 Narrator: AMERICA'S CITIES ARE IN CRISIS. 609 00:34:59,633 --> 00:35:01,433 HANDS BEHIND YOUR BACK! 610 00:35:01,433 --> 00:35:03,167 GUN CRIME IS RAMPANT. 611 00:35:03,167 --> 00:35:05,167 THE MURDER RATE SPIRALING OUT OF CONTROL. 612 00:35:07,800 --> 00:35:11,500 IT'S NO SECRET THAT CRIME IS ABSOLUTELY EPIDEMIC 613 00:35:11,500 --> 00:35:12,733 THROUGHOUT AMERICA. 614 00:35:12,733 --> 00:35:14,767 IT'S EVERYWHERE. 615 00:35:15,467 --> 00:35:18,067 Narrator: OVER 1 MILLION VIOLENT CRIMES TAKE PLACE 616 00:35:18,067 --> 00:35:19,333 IN AMERICA EVERY YEAR. 617 00:35:20,167 --> 00:35:22,267 THE POLICE CAN SOLVE LESS THAN HALF OF THEM. 618 00:35:23,700 --> 00:35:25,367 Capps: IMAGINE YOU'RE A HOMICIDE DETECTIVE. 619 00:35:25,367 --> 00:35:26,433 YOU'VE GOT A DEAD BODY. 620 00:35:26,433 --> 00:35:27,933 YOU HAVE NO WITNESSES. 621 00:35:27,933 --> 00:35:29,533 NO MOTIVE. NO WEAPON. 622 00:35:29,533 --> 00:35:31,800 YOU HAVE NO IDEA WHY THIS BODY IS THERE. 623 00:35:31,800 --> 00:35:33,967 YOU'RE STUCK. THERE'S NO PLACE TO GO. 624 00:35:36,067 --> 00:35:38,733 Narrator: BUT COPS ARE USING REVOLUTIONARY TECHNOLOGY 625 00:35:38,733 --> 00:35:40,100 TO SOLVE THE CRISIS. 626 00:35:41,433 --> 00:35:43,100 AN EYE IN THE SKY. 627 00:35:43,100 --> 00:35:45,600 A SYSTEM OF AIRBORNE CAMERAS THAT CAPTURE 628 00:35:45,600 --> 00:35:48,067 AND RECORD EVERYTHING ON THE STREETS BELOW. 629 00:35:49,833 --> 00:35:51,133 IT'S LIKE THE "ENEMY OF THE STATE" MOVIE. 630 00:35:51,133 --> 00:35:53,367 WHEREVER YOU GO, THERE IS SOMEBODY LOOKING DOWN AT YOU 631 00:35:53,367 --> 00:35:54,633 AND CAN FOLLOW YOU. 632 00:35:54,633 --> 00:35:56,333 AND THIS IS THE FUTURE WE'RE WALKING INTO. 633 00:35:57,467 --> 00:35:58,967 Narrator: THE SYSTEM HAS BEEN DEVELOPED 634 00:35:58,967 --> 00:36:01,567 BY ELECTRONICS ENGINEER ROSS McNUTT. 635 00:36:02,933 --> 00:36:06,167 McNutt: OUR OBJECTIVE IS TO REDUCE CRIME IN A MAJOR CITY. 636 00:36:06,167 --> 00:36:09,333 WE DO THAT BY SOLVING WHAT WOULD OTHERWISE BY UNSOLVABLE CRIMES. 637 00:36:11,067 --> 00:36:12,867 Narrator: IN PREPARATION FOR BEING ROLLED OUT 638 00:36:12,867 --> 00:36:14,900 ACROSS SEVERAL U.S. CITIES, 639 00:36:14,900 --> 00:36:17,300 McNUTT IS TESTING HIS SCI-FI TECH 640 00:36:17,300 --> 00:36:20,933 IN ONE OF NORTH AMERICA'S MOST VIOLENT HOTSPOTS -- 641 00:36:20,933 --> 00:36:24,300 JUAREZ, ON THE BORDER BETWEEN TEXAS AND MEXICO. 642 00:36:25,833 --> 00:36:29,100 JUAREZ IS ONE OF THE MOST DANGEROUS PLACES ON EARTH. 643 00:36:29,100 --> 00:36:31,133 IT'S BASICALLY A LAWLESS LAND. 644 00:36:33,300 --> 00:36:35,700 Carter: JUAREZ IS A BATTLEGROUND FOR THE DRUG CARTELS. 645 00:36:35,700 --> 00:36:38,167 THE CRIME RATE IN JUAREZ SKYROCKETED 646 00:36:38,167 --> 00:36:41,367 AND 95% REMAINED UNSOLVED. 647 00:36:42,067 --> 00:36:44,233 Narrator: POLICE RECEIVE A REPORT OF A MURDER 648 00:36:44,233 --> 00:36:46,100 IN THE CENTER OF THE CITY. 649 00:36:46,100 --> 00:36:48,533 JUST MINUTES LATER, McNUTT GETS THE CALL. 650 00:36:49,467 --> 00:36:51,533 MAN FOUND IN AN ALLEY WAS SHOT. 651 00:36:51,533 --> 00:36:53,567 NO WITNESSES. 652 00:36:55,800 --> 00:36:58,367 Narrator: McNUTT TURNS TO HIS BANK OF VIDEO SCREENS, 653 00:36:58,867 --> 00:37:01,233 WHICH RELAY FOOTAGE FROM 12 CAMERAS 654 00:37:01,233 --> 00:37:02,533 ATTACHED TO AN AIRCRAFT 655 00:37:02,533 --> 00:37:06,467 FLYING 10,000 FEET ABOVE THE CITY. 656 00:37:06,467 --> 00:37:09,533 IT'S THIS MASSIVE LIKE BUG EYE OF CAMERA ARRAYS 657 00:37:09,533 --> 00:37:10,800 THAT THEY JUST CIRCLE THE CITY. 658 00:37:12,133 --> 00:37:13,633 OUR CAMERA SYSTEM IS THE EQUIVALENT 659 00:37:13,633 --> 00:37:15,900 OF ABOUT 800 VIDEO CAMERAS AT ONCE. 660 00:37:15,900 --> 00:37:17,867 WE TAKE A PICTURE EVERY SINGLE SECOND. 661 00:37:18,667 --> 00:37:21,133 EVERY MINUTE YOU HAVE 60 OF THESE IMAGES, 662 00:37:21,133 --> 00:37:23,567 AND EVERYTHING THAT'S CAPTURED ON THERE IS MOVING. 663 00:37:23,567 --> 00:37:26,367 YOU'VE GOT A REAL-TIME MOVING IMAGE OF THE ENTIRE CITY 664 00:37:26,367 --> 00:37:28,167 AND YOU CAN ZOOM IN ON ANY ONE PORTION. 665 00:37:29,600 --> 00:37:34,333 Narrator: THE 192 MILLION-PIXEL SYSTEM CAN COVER A VAST 666 00:37:34,333 --> 00:37:35,733 30-SQUARE-MILE AREA. 667 00:37:37,100 --> 00:37:40,533 COMPUTERS ON THE PLANE STABILIZE THE IMAGES AND STITCH THEM 668 00:37:40,533 --> 00:37:42,100 TOGETHER TO PROVIDE McNUTT 669 00:37:42,100 --> 00:37:44,867 WITH A CONTINUOUS BIRD'S EYE VIEW OF THE CITY BELOW. 670 00:37:47,167 --> 00:37:49,967 WE TAKE THE IMAGES AND IN ABOUT THREE TO FIVE SECONDS, 671 00:37:49,967 --> 00:37:52,133 THAT IMAGE IS AVAILABLE ON THE GROUND, 672 00:37:52,133 --> 00:37:54,400 AND IT'S UPDATED EVERY SINGLE SECOND. 673 00:37:54,400 --> 00:37:56,267 Pappalardo: THESE IMAGES OVERLAP A LITTLE BIT. 674 00:37:56,267 --> 00:37:58,067 THE ALGORITHM KNOWS WHERE THE OVERLAP IS 675 00:37:58,067 --> 00:38:00,133 SO IT CAN CREATE ONE SEAMLESS IMAGE 676 00:38:00,133 --> 00:38:02,467 FROM ALL THESE DISPARATE VIDEO FEEDS. 677 00:38:04,167 --> 00:38:08,067 Narrator: McNUTT REWINDS TIME TO JUST BEFORE THE MURDER TAKES PLACE. 678 00:38:12,833 --> 00:38:14,700 McNutt: RIGHT HERE WE HAVE THREE CARS 679 00:38:14,700 --> 00:38:16,833 AND THE SHOOTER ON FOOT. 680 00:38:16,833 --> 00:38:18,700 THIS IS THEIR LAST PRE-MURDER MEETING. 681 00:38:19,500 --> 00:38:21,833 THEY'RE ACTUALLY GONNA KILL A PERSON RIGHT HERE IN THIS ALLEY. 682 00:38:23,733 --> 00:38:25,700 Narrator: THE KILLER TURNS INTO THE ALLEYWAY. 683 00:38:26,567 --> 00:38:28,633 THE VICTIM DOES NOT MOVE. 684 00:38:28,633 --> 00:38:30,267 IT LOOKS LIKE HE DOESN'T SEE IT COMING. 685 00:38:31,533 --> 00:38:34,433 THE MURDER IS CAPTURED ON CAMERA FROM THE SKIES. 686 00:38:36,067 --> 00:38:39,133 THERE'S YOUR VICTIM, RIGHT THERE IS THE SHOT. 687 00:38:40,700 --> 00:38:42,800 NOT ONLY WAS THERE A WITNESS TO THIS CRIME, 688 00:38:42,800 --> 00:38:44,800 THERE WAS A WITNESS WHO SAW THE WHOLE THING 689 00:38:44,800 --> 00:38:46,200 FROM 10,000 FEET IN THE AIR. 690 00:38:48,433 --> 00:38:50,067 Narrator: THE MURDERERS FLEE THE SCENE. 691 00:38:50,633 --> 00:38:52,200 THERE ARE NO COPS FOLLOWING THEM. 692 00:38:52,900 --> 00:38:55,267 THERE WAS NO CCTV IN THE ALLEYWAY. 693 00:38:56,333 --> 00:38:58,933 BUT IF THEY THINK THEY'VE GOTTEN AWAY, THEY'RE MISTAKEN. 694 00:39:00,100 --> 00:39:03,333 McNutt: BECAUSE WE RECORD A MAJOR PART OF A CITY, 695 00:39:03,333 --> 00:39:05,067 WE CAN GO BACK IN TIME 696 00:39:05,067 --> 00:39:07,467 AND SEE THE CRIME THAT OCCURRED, 697 00:39:07,467 --> 00:39:09,767 FOLLOW THE PEOPLE TO AND FROM MOST CRIME SCENES 698 00:39:09,767 --> 00:39:11,833 TO FIGURE OUT WHERE THEY CAME FROM AND WHERE THEY WENT TO. 699 00:39:13,767 --> 00:39:16,067 Narrator: McNUTT REWINDS THE FOOTAGE EVEN FURTHER. 700 00:39:16,967 --> 00:39:19,833 HE TRACKS THE KILLERS BACK TO THE HOUSES THEY CAME FROM. 701 00:39:20,700 --> 00:39:23,067 IN FACT, HE CAN TRACE EVERYWHERE THEY'VE BEEN 702 00:39:23,067 --> 00:39:24,367 FOR THE LAST FEW HOURS. 703 00:39:26,067 --> 00:39:27,233 Pappalardo: THAT'S A GAME CHANGER IN TERMS 704 00:39:27,233 --> 00:39:29,367 OF LAW ENFORCEMENT AND CITY MANAGEMENT. 705 00:39:29,367 --> 00:39:31,267 EVERYONE WANTS CRIMES TO BE SOLVED. 706 00:39:31,267 --> 00:39:33,533 YOU WANT CRIMINALS TO BE NERVOUS ABOUT GETTING CAUGHT. 707 00:39:34,767 --> 00:39:36,267 Narrator: NOW McNUTT ANALYSES 708 00:39:36,267 --> 00:39:38,400 THE MOMENTS IMMEDIATELY FOLLOWING THE MURDER. 709 00:39:39,567 --> 00:39:42,167 THE KILLERS ARE SEEN GETTING BACK INTO THEIR VEHICLES. 710 00:39:42,700 --> 00:39:44,467 McNutt: WE'RE GONNA WATCH THE SHOOTER RUN OFF, 711 00:39:45,133 --> 00:39:47,300 HE'S GONNA GET INTO THAT SECOND VEHICLE. 712 00:39:47,300 --> 00:39:50,933 WE'RE GONNA COME OVER AND FOLLOW THAT SECOND VEHICLE, 713 00:39:51,400 --> 00:39:52,700 AND FIGURE OUT WHERE HE GOES. 714 00:39:54,167 --> 00:39:55,933 Narrator: AS FAR AS THE MURDERERS CAN TELL, 715 00:39:55,933 --> 00:39:57,800 THEY'RE NOT BEING FOLLOWED. 716 00:39:57,800 --> 00:39:59,200 BUT THEY'RE CLEARLY NERVOUS. 717 00:39:59,800 --> 00:40:02,733 McNutt: THERE'S THE CAR IN FRONT PASSING ON THE LEFT, 718 00:40:02,733 --> 00:40:04,100 PASSING ON THE RIGHT, 719 00:40:04,100 --> 00:40:06,167 RUNNING THE RED LIGHT BECAUSE AFTER YOU MURDER 720 00:40:06,167 --> 00:40:08,600 SOMEBODY THE TRAFFIC LAWS DON'T TEND TO APPLY TO YOU. 721 00:40:10,433 --> 00:40:12,433 HERE WE ARE ABOUT FIVE MINUTES AFTER THE MURDER 722 00:40:12,433 --> 00:40:14,733 AND WE'VE ALREADY GOT TWO LOCATIONS 723 00:40:14,733 --> 00:40:16,133 OF WHERE THESE MURDERERS WENT TO. 724 00:40:18,033 --> 00:40:20,733 Narrator: EVERY PLACE THE KILLERS GO THEY REVEAL MORE 725 00:40:20,733 --> 00:40:23,067 ABOUT THEIR ACTIVITIES AND THEIR ACCOMPLICES. 726 00:40:24,200 --> 00:40:26,867 THE EYE IN THE SKY DOESN'T JUST TRACK THE MURDERERS. 727 00:40:27,533 --> 00:40:31,300 IT REVEALS THE HIDEOUTS OF THEIR BOSS, A NARCO KINGPIN. 728 00:40:31,300 --> 00:40:34,400 McNutt: WE'RE ABLE TO FOLLOW THEM FOR THREE AND A HALF HOURS 729 00:40:34,400 --> 00:40:35,700 AFTER THE MURDER. 730 00:40:35,700 --> 00:40:39,500 WE IDENTIFY 12 LOCATIONS, 12 VEHICLES, 731 00:40:39,500 --> 00:40:42,200 TWO CARTEL HEADQUARTERS, THE KILL SQUADS' 732 00:40:42,200 --> 00:40:45,300 OPERATING HOUSES, AND THE PERSON WHO'S PAYING THEM. 733 00:40:46,867 --> 00:40:49,100 Narrator: THE COPS MOVE IN AND MAKE THE ARRESTS. 734 00:40:50,100 --> 00:40:52,800 A CASE WHICH MIGHT HAVE TAKEN MONTHS TO INVESTIGATE 735 00:40:52,800 --> 00:40:56,300 AND MAY NEVER HAVE BEEN SOLVED IS WRAPPED UP IN HOURS. 736 00:40:56,833 --> 00:40:59,267 THE COPS DON'T JUST CATCH THE KILLERS, 737 00:40:59,267 --> 00:41:01,733 THEY BUST A DRUG CARTEL. 738 00:41:01,733 --> 00:41:03,667 ALL THAT FROM A POLICE REPORT THAT SAID, 739 00:41:03,667 --> 00:41:07,633 "MAN FOUND IN AN ALLEYWAY SHOT. NO WITNESSES." 740 00:41:07,633 --> 00:41:10,767 IF YOU'RE A CRIMINAL AND YOU'RE PLANNING 741 00:41:10,767 --> 00:41:15,200 ON COMMITTING A CRIME IN A CITY WITH AN EYE IN THE SKY, 742 00:41:15,200 --> 00:41:17,633 YOU'RE GONNA BE THINKING TWICE ABOUT THIS. 743 00:41:17,633 --> 00:41:22,067 IT DOESN'T MATTER WHICH WAY YOU RUN, IT'S GONNA FOLLOW YOU. 744 00:41:22,667 --> 00:41:25,367 Narrator: AMAZING TECHNOLOGY FOR CATCHING BAD GUYS. 745 00:41:26,067 --> 00:41:28,433 BUT MANY FEAR IT'S ALSO A POTENTIALLY 746 00:41:28,433 --> 00:41:31,833 TERRIFYING INSTRUMENT OF STATE CONTROL. 747 00:41:33,067 --> 00:41:37,067 ON THE ONE HAND, I LIKE EVERY OTHER CONCERNED CITIZEN, 748 00:41:37,067 --> 00:41:40,367 WANTS TO BE SAFE, WANTS MY CHILDREN TO BE SAFE, 749 00:41:40,367 --> 00:41:42,400 WANTS CRIMINALS TO BE CAUGHT. 750 00:41:42,400 --> 00:41:45,100 BUT AT THE SAME TIME, THERE'S ALWAYS 751 00:41:45,100 --> 00:41:49,400 THAT NAGGING SENSE OF ARE WE GOING TO LIVE 752 00:41:49,400 --> 00:41:52,067 IN A SOCIETY WHERE WE'RE BEING WATCHED ALL THE TIME. 753 00:41:53,500 --> 00:41:55,667 Capps: THIS IS A BIG STEP TOWARDS A FUTURE 754 00:41:55,667 --> 00:41:59,100 WHERE EVERY MOVEMENT YOU MAKE, EVERYTHING YOU DO IS TRACKED. 755 00:41:59,100 --> 00:42:02,067 WHICH COULD BE A UTOPIA WITHOUT CRIME, 756 00:42:02,067 --> 00:42:04,233 OR IT COULD BE BIG BROTHER IN A BIG WAY. 61364

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