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00:00:01,967 --> 00:00:03,633
Narrator:
THEY'RE WATCHING YOU.
2
00:00:03,633 --> 00:00:07,467
MORE THAN 4,000 SATELLITES
CIRCLE THE EARTH.
3
00:00:07,467 --> 00:00:10,667
EVERY DAY, THEY UNCOVER NEW,
MYSTERIOUS PHENOMENA
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00:00:10,667 --> 00:00:12,100
THAT DEFY EXPLANATION.
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00:00:12,100 --> 00:00:15,800
[ BEEPING, DISTORTED MUSIC ]
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00:00:15,800 --> 00:00:19,633
LABYRINTHS, CODES, AND WITCHES
IN THE HEART OF ENGLAND...
7
00:00:19,633 --> 00:00:21,867
I WAS STRUCK IMMEDIATELY
BY THE SYMBOLISM.
8
00:00:21,867 --> 00:00:24,567
ONE, MAYBE TWO,
I'VE RECOGNIZED.
9
00:00:24,567 --> 00:00:28,167
...THE MYSTERIOUS HEALING POWERS
OF THE LAKE FROM MARS...
10
00:00:28,167 --> 00:00:29,233
WHAT IS THIS?
11
00:00:29,233 --> 00:00:31,667
AM I LOOKING AT
AN ALIEN LANDSCAPE?
12
00:00:31,667 --> 00:00:33,100
NO.
THIS IS RIGHT HERE.
13
00:00:33,100 --> 00:00:35,833
...AND THE TREASURE SHIP
THAT APPEARS FROM NOWHERE.
14
00:00:35,833 --> 00:00:38,367
THIS SHIP IS RUMORED
TO HAVE BEEN TAKEN OVER
15
00:00:38,367 --> 00:00:39,367
BY HORDES
16
00:00:39,367 --> 00:00:43,200
OF CANNIBAL RATS.
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00:00:43,200 --> 00:00:44,733
BAFFLING PHENOMENA.
18
00:00:44,733 --> 00:00:46,833
MYSTERIES FROM SPACE.
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00:00:46,833 --> 00:00:48,233
WHAT ON EARTH ARE THEY?
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00:00:48,233 --> 00:00:50,467
-- Captions by VITAC --
www.vitac.com
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[ BEEPING ]
[ CAMERA SHUTTER CLICKING ]
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00:00:52,767 --> 00:00:54,500
[ WHIRRING ]
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00:00:54,500 --> 00:00:58,500
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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00:00:58,500 --> 00:01:00,333
**
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00:01:00,333 --> 00:01:04,400
[ FREQUENCY WARBLES ]
[ WHIRRING ]
26
00:01:04,400 --> 00:01:05,667
[ BEEPING ]
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00:01:05,667 --> 00:01:07,167
NORTHAMPTONSHIRE, ENGLAND.
28
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[ HEARTBEAT ]
[ WHIRRING ]
29
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IN THE SPRING OF 1944,
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00:01:12,933 --> 00:01:14,633
A RECONNAISSANCE PLANE
PHOTOGRAPHS
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A SET OF CONCENTRIC CIRCLES
32
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SEEMINGLY ETCHED
INTO THE GROUND.
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00:01:19,200 --> 00:01:23,267
OVER 70 YEARS LATER,
THE GRAINY IMAGE STILL BAFFLES.
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00:01:23,267 --> 00:01:24,233
IT LOOKS REALLY ODD.
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00:01:24,233 --> 00:01:25,667
IT'S REALLY QUITE INTRIGUING.
36
00:01:25,667 --> 00:01:29,067
WHY WOULD THERE BE THESE ALMOST
PERFECT CONCENTRIC CIRCLES
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00:01:29,067 --> 00:01:31,200
IN THE MIDDLE OF THE LANDSCAPE?
38
00:01:31,200 --> 00:01:33,500
Gough:
THIS IS SO WEIRD.
39
00:01:33,500 --> 00:01:36,800
IT REMINDS ME OF CROP MARKS.
40
00:01:36,800 --> 00:01:39,867
EXCEPT THERE ARE NO CROPS
TO MAKE THE MARK IN.
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00:01:39,867 --> 00:01:42,333
IT'S ALMOST AS THOUGH
IT'S BEEN INSCRIBED
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INTO THE GROUND ITSELF.
43
00:01:43,800 --> 00:01:48,133
[ SUSPENSEFUL MUSIC PLAYS ]
44
00:01:48,133 --> 00:01:52,100
Narrator:
INVESTIGATORS BELIEVE IT LOOKS
LIKE A GIANT SYMBOL.
45
00:01:52,100 --> 00:01:55,300
BUT, IF SO,
WHAT COULD IT MEAN?
46
00:01:55,300 --> 00:01:56,700
YOU HAVE TO RECOGNIZE
IMMEDIATELY THAT
47
00:01:56,700 --> 00:01:58,833
IT'S A WARTIME IMAGE
48
00:01:58,833 --> 00:02:01,867
AND IF IT WAS TAKEN THEN
AND IT WAS TAKEN FROM THE AIR,
49
00:02:01,867 --> 00:02:03,100
WHO TOOK IT?
50
00:02:03,100 --> 00:02:06,733
**
51
00:02:06,733 --> 00:02:10,800
Narrator:
WARTIME MAPS REVEAL
SEVERAL RAF AIRFIELDS NEARBY,
52
00:02:10,800 --> 00:02:13,200
BUT THERE'S NO OBVIOUS
REASON AN ALLIED PLANE
53
00:02:13,200 --> 00:02:15,967
WOULD PHOTOGRAPH
ITS OWN BACKYARD.
54
00:02:15,967 --> 00:02:18,467
SUSPICION FALLS ON THE ENEMY.
55
00:02:18,467 --> 00:02:21,533
EVEN IN 1944, THE LUFTWAFFE
WAS CARRYING OUT
56
00:02:21,533 --> 00:02:23,900
PHOTO RECONNAISSANCE MISSIONS
OVER THE UNITED KINGDOM
57
00:02:23,900 --> 00:02:27,133
ON A REGULAR BASIS.
58
00:02:27,133 --> 00:02:30,133
Narrator:
JUST 30 MILES TO THE SOUTH
OF THE MYSTERIOUS CIRCLES
59
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LIES BLETCHLEY PARK,
[ CAMERA SHUTTER CLICKS ]
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THE CENTER FOR ALLIED
CODEBREAKING.
61
00:02:35,700 --> 00:02:38,367
HERE, CRYPTOGRAPHERS BUILT
THE MACHINE WHICH CRACKED
62
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THE NAZIS' SUPPOSEDLY
UNBREAKABLE ENIGMA CODE.
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00:02:43,400 --> 00:02:46,567
THE FACT THAT THEY WERE UP
THERE, PHOTOGRAPHING THIS SPOT,
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00:02:46,567 --> 00:02:49,700
DANGEROUSLY CLOSE
TO BLETCHLEY PARK,
65
00:02:49,700 --> 00:02:52,600
IT CERTAINLY INDICATES
THAT THE GERMANS KNEW
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00:02:52,600 --> 00:02:56,467
THAT SOMETHING WAS UP THERE AND
THAT THEY WERE LOOKING FOR IT.
67
00:02:56,467 --> 00:03:00,267
Narrator:
INVESTIGATORS CONSIDER IF THIS
GIANT SYMBOL COULD BE A MARKER,
68
00:03:00,267 --> 00:03:05,333
CARVED BY NAZI SPIES TO GUIDE
ENEMY BOMBERS TOWARDS BLETCHLEY.
69
00:03:05,333 --> 00:03:06,933
DURING THE SECOND WORLD WAR,
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00:03:06,933 --> 00:03:08,600
ALMOST EVERY NATION INVOLVED
71
00:03:08,600 --> 00:03:10,767
HAD CONCERNS
OF FIFTH-COLUMN ACTIVITY,
72
00:03:10,767 --> 00:03:13,667
MEANING THAT THERE WOULD BE
A COHORT OF PEOPLE
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LIVING WITHIN THE COUNTRY THAT
WERE HELPING THE ENEMY DIRECTLY,
74
00:03:16,400 --> 00:03:19,067
AND THAT WAS CERTAINLY
THE CASE IN THE UNITED KINGDOM.
75
00:03:19,067 --> 00:03:20,867
[ BIRDS CHIRPING ]
76
00:03:20,867 --> 00:03:22,767
WE DO KNOW THAT NAZI
SYMPATHIZERS
77
00:03:22,767 --> 00:03:24,067
DURING THE SECOND WORLD WAR
78
00:03:24,067 --> 00:03:26,400
WOULD USE CERTAIN MARKINGS
IN THE LANDSCAPE
79
00:03:26,400 --> 00:03:29,300
TO KIND OF TIP OFF THE NAZIS.
80
00:03:29,300 --> 00:03:33,333
Narrator:
BUT THE CIRCULAR FORMATION
IS 390 FEET WIDE,
81
00:03:33,333 --> 00:03:36,633
SURELY TOO BIG TO BE
A CLANDESTINE SYMBOL.
82
00:03:36,633 --> 00:03:38,633
EVEN CREATING THIS TYPE OF THING
83
00:03:38,633 --> 00:03:42,100
WOULD CERTAINLY ATTRACT
A LOT OF ATTENTION.
84
00:03:42,100 --> 00:03:46,700
Narrator:
HISTORIAN ANDREW GOUGH DOESN'T
BUY THE LUFTWAFFE THEORY.
85
00:03:46,700 --> 00:03:49,633
HE CHECKS WITH AN ARCHIVE
IN WASHINGTON, D.C.
86
00:03:49,633 --> 00:03:53,767
WHAT THEY TELL HIM
CONFIRMS HIS HUNCH.
87
00:03:53,767 --> 00:03:55,300
I'VE DONE SOME RESEARCH
88
00:03:55,300 --> 00:03:58,367
AND, ACTUALLY, IT TURNS OUT
THAT THIS PHOTO,
89
00:03:58,367 --> 00:04:00,967
IT WASN'T TAKEN
BY THE GERMANS AT ALL.
90
00:04:00,967 --> 00:04:04,367
IT WAS PROBABLY TAKEN
BY A U.S. PILOT.
91
00:04:04,367 --> 00:04:07,533
I DON'T THINK THIS IS THE WORK
OF THE FIFTH-COLUMNIST.
92
00:04:07,533 --> 00:04:09,200
IT LOOKS MORE ANCIENT THAN THAT.
93
00:04:09,200 --> 00:04:13,800
I'M WONDERING IF THIS IS SOME
SORT OF PREHISTORIC SITE.
94
00:04:13,800 --> 00:04:18,900
Narrator:
GOUGH KNOWS CIRCLES WERE COMMON
SYMBOLS IN PREHISTORIC BRITAIN.
95
00:04:18,900 --> 00:04:21,867
PEOPLE OFTEN BUILT
CIRCULAR STRUCTURES.
96
00:04:21,867 --> 00:04:24,133
NOT JUST THE WELL-KNOWN
STONE CIRCLES,
97
00:04:24,133 --> 00:04:28,100
BUT YOU ALSO HAVE
HENGE MONUMENTS.
98
00:04:28,100 --> 00:04:31,667
IT'S CLEARLY UBIQUITOUS
IN PREHISTORIC LIFE
99
00:04:31,667 --> 00:04:34,933
THAT PEOPLE WERE
OBSESSED WITH CIRCLES.
100
00:04:34,933 --> 00:04:38,233
Narrator:
BUT GOUGH'S CLOSER INSPECTION OF
THE AERIAL RECONNAISSANCE IMAGE
101
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REVEALS EVIDENCE THAT
THE BAFFLING CIRCULAR SYMBOL
102
00:04:41,167 --> 00:04:45,133
MAY HAVE BEEN CREATED
MORE RECENTLY.
103
00:04:45,133 --> 00:04:48,567
TO THE SOUTH, ANDREW PINPOINTS
A CROSS-SHAPED BUILDING
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WHICH HE DISCOVERS WAS BUILT
FOR A MYSTERIOUS TUDOR NOBLEMAN:
105
00:04:52,233 --> 00:04:55,267
SIR THOMAS TRESHAM,
WHO ALSO OWNED THE LAND
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00:04:55,267 --> 00:04:57,133
WHERE THE CIRCULAR
FORMATION IS FOUND.
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00:04:57,133 --> 00:05:00,100
**
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HE HEADS FOR NORTHAMPTONSHIRE
TO INVESTIGATE.
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00:05:02,700 --> 00:05:11,833
**
110
00:05:11,833 --> 00:05:12,767
LOOK AT THIS THING.
111
00:05:12,767 --> 00:05:14,067
IT'S LIKE IT'S BEEN TELEPORTED.
112
00:05:14,067 --> 00:05:16,367
IT'S LIKE IT'S BEEN
BURNT TO THE GROUND,
113
00:05:16,367 --> 00:05:17,800
BUT THERE'S NO SCORCH MARKS.
114
00:05:17,800 --> 00:05:19,333
WHAT IS IT DOING HERE?
115
00:05:19,333 --> 00:05:21,400
**
116
00:05:21,400 --> 00:05:23,667
Narrator:
AS THE SIZE OF THE
BUILDING SUGGESTS,
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00:05:23,667 --> 00:05:26,867
THOMAS TRESHAM WAS A MAN
WITH BIG AMBITIONS.
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HE WAS ONE OF THE WEALTHIEST
LANDOWNERS IN NORTHAMPTONSHIRE
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00:05:29,733 --> 00:05:32,900
AND WAS LOATHED AND FEARED
BY HIS PEASANTS.
120
00:05:32,900 --> 00:05:35,467
HE HAD A PRETTY BAD REPUTATION
AMONGST THE LOCALS.
121
00:05:35,467 --> 00:05:38,500
THERE WAS A RIOT THAT TOOK
PLACE OUTSIDE OF HIS HOUSE
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00:05:38,500 --> 00:05:41,367
AND, APPARENTLY,
SOME HEDGES WERE DESTROYED.
123
00:05:41,367 --> 00:05:44,067
SIR THOMAS TRESHAM WAS
SO ANGERED BY THIS
124
00:05:44,067 --> 00:05:46,333
THAT HE ENDED UP EXECUTING
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00:05:46,333 --> 00:05:48,967
50 OF THE PEOPLE
WHO PERPETRATED THIS ATTACK.
126
00:05:48,967 --> 00:05:50,900
CAN YOU IMAGINE THAT,
KILLING 50 PEOPLE
127
00:05:50,900 --> 00:05:52,300
JUST FOR WRECKING YOUR HEDGES?
128
00:05:52,300 --> 00:05:53,667
[ FLAMES CRACKLING ]
[ SHOUTING ]
129
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Narrator:
THIS IS A DANGEROUS TIME
TO BE ALIVE.
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THERE ARE SO MANY PLOTS
AGAINST TRESHAM'S QUEEN,
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ELIZABETH I,
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SHE NEEDS HER OWN SPYMASTER:
FRANCIS WALSINGHAM.
133
00:06:06,067 --> 00:06:07,733
HE'S KIND OF
LIKE THE NSA
134
00:06:07,733 --> 00:06:11,067
OR LIKE
AN FBI AGENT TODAY.
135
00:06:11,067 --> 00:06:14,067
WALSINGHAM EMPLOYS A TEAM
OF CRYPTOGRAPHERS.
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00:06:14,067 --> 00:06:15,667
THEY INTERCEPT CODED LETTERS
137
00:06:15,667 --> 00:06:18,467
UNCOVERING CONSPIRACIES
AGAINST THE QUEEN.
138
00:06:18,467 --> 00:06:20,933
**
139
00:06:20,933 --> 00:06:24,133
GOUGH WONDERS IF THE SYMBOLS
CARVED ONTO THIS LODGE
140
00:06:24,133 --> 00:06:26,600
COULD BE A REBEL TUDOR CODE.
141
00:06:26,600 --> 00:06:29,067
Gough:
I WAS STRUCK IMMEDIATELY
BY THE SYMBOLISM.
142
00:06:29,067 --> 00:06:30,100
IT'S SO WEIRD.
143
00:06:30,100 --> 00:06:31,533
I MEAN, YOU HAVE THESE
THREE IMAGES
144
00:06:31,533 --> 00:06:33,200
REPEATING OVER AND OVER AGAIN.
145
00:06:33,200 --> 00:06:36,067
[ FLASHBULBS EXPLODING ]
146
00:06:36,067 --> 00:06:37,800
I'VE SEEN THESE BEFORE.
147
00:06:37,800 --> 00:06:41,600
AND THEN YOU HAVE THESE
REALLY CURIOUS RELIEFS UP HERE
148
00:06:41,600 --> 00:06:45,067
AND THEY'RE IN GROUPS OF SEVEN
AND THEY JUST KEEP REPEATING.
149
00:06:45,067 --> 00:06:47,933
ONE, MAYBE TWO, I'VE RECOGNIZED.
THEY'RE CHRISTIAN SYMBOLS.
150
00:06:47,933 --> 00:06:50,067
THE REST OF THEM,
DON'T THINK SO.
151
00:06:50,067 --> 00:06:53,067
MAYBE ONE OR TWO ARE
COAT OF ARMS, BUT THE OTHERS,
152
00:06:53,067 --> 00:06:56,067
THIS IS CRAZY.
153
00:06:56,067 --> 00:06:58,767
Narrator:
IF TRESHAM'S SYMBOLS
ARE A CODED MESSAGE,
154
00:06:58,767 --> 00:07:01,767
THEN GOUGH CONSIDERS IF
THE NEARBY CONCENTRIC RINGS
155
00:07:01,767 --> 00:07:06,267
COULD BE PART
OF THE SAME SECRET CODE.
156
00:07:06,267 --> 00:07:08,433
HE CROSSES THE FIELD
TO TAKE A CLOSER LOOK.
157
00:07:08,433 --> 00:07:11,367
**
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00:07:11,367 --> 00:07:15,267
FROM GROUND LEVEL, THE CIRCULAR
PATTERN IS MORE CLEARLY DEFINED.
159
00:07:15,267 --> 00:07:17,200
SOMEONE HAS MOWED PATHWAYS,
160
00:07:17,200 --> 00:07:21,433
HIGHLIGHTING THE TUDOR
RINGS BENEATH.
161
00:07:21,433 --> 00:07:24,967
LOOKS LIKE SOME KIND OF PATH,
CURVING AROUND,
162
00:07:24,967 --> 00:07:26,333
BUT THIS IS FRESHLY CUT.
163
00:07:26,333 --> 00:07:28,300
IT'S SYMMETRICAL.
SOMEONE'S TAKING CARE OF THIS.
164
00:07:28,300 --> 00:07:32,067
SOMEONE'S LOOKING AFTER IT.
165
00:07:32,067 --> 00:07:33,500
LOOK AT THAT.
166
00:07:33,500 --> 00:07:38,067
WITH AN ENTRANCE AND AN EXIT,
THIS HAS GOT TO BE...
167
00:07:38,067 --> 00:07:40,267
[ SUSPENSEFUL MUSIC CLIMBS ]
...A LABYRINTH.
168
00:07:40,267 --> 00:07:42,933
Narrator:
GOUGH KNOWS THAT LABYRINTHS
HAD A SPECIAL PLACE
169
00:07:42,933 --> 00:07:44,467
IN THE TUDOR WORLD.
170
00:07:44,467 --> 00:07:46,533
THEY WERE USUALLY RESERVED
FOR THE INTERIORS
171
00:07:46,533 --> 00:07:50,200
OF GRAND CHURCHES
OR CATHEDRALS.
172
00:07:50,200 --> 00:07:52,900
BUT THIS LABYRINTH
IS MILES FROM ANY CHURCH,
173
00:07:52,900 --> 00:07:55,300
CARVED INTO A MEADOW.
174
00:07:55,300 --> 00:07:57,500
IT WILL NEED ALL HIS
INVESTIGATIVE SKILLS
175
00:07:57,500 --> 00:07:59,133
TO UNRAVEL THIS MYSTERY.
176
00:07:59,133 --> 00:08:01,933
[ WHIRRING ]
177
00:08:01,933 --> 00:08:03,967
[ SUSPENSEFUL MUSIC PLAYS ]
COMING UP...
178
00:08:03,967 --> 00:08:07,067
SOMETHING WEIRD HAPPENING
IN THE WILDERNESS...
179
00:08:07,067 --> 00:08:11,967
IT'S LIKE A "GHOSTBUSTERS"
MOVIE GOING OFF ON YOU.
180
00:08:11,967 --> 00:08:16,300
...AND ANDREW GOUGH SETS OUT
TO BREAK THE CODE.
181
00:08:16,300 --> 00:08:18,433
THE GUY IS OBSESSED
WITH THE NUMBER THREE.
182
00:08:18,433 --> 00:08:20,067
HE'S TRYING
TO TELL US SOMETHING,
183
00:08:20,067 --> 00:08:21,400
BUT I DON'T KNOW WHAT.
184
00:08:21,400 --> 00:08:23,400
[ FREQUENCY WARBLES ]
[ WHIRRING ]
185
00:08:25,967 --> 00:08:27,100
[ FREQUENCY WARBLES ]
186
00:08:27,100 --> 00:08:28,267
[ WHIRRING ]
187
00:08:28,267 --> 00:08:29,867
[ SUSPENSEFUL MUSIC PLAYS ]
188
00:08:29,867 --> 00:08:32,400
Narrator:
ANDREW GOUGH IS IN
NORTHAMPTONSHIRE, ENGLAND,
189
00:08:32,400 --> 00:08:35,967
INVESTING A 70-YEAR-OLD MYSTERY.
190
00:08:35,967 --> 00:08:38,267
A WARTIME AERIAL
RECONNAISSANCE PHOTOGRAPH
191
00:08:38,267 --> 00:08:40,267
OF A BAFFLING CIRCULAR SYMBOL
192
00:08:40,267 --> 00:08:42,300
HAS LED HIM
TO THE LYVEDEN ESTATE,
193
00:08:42,300 --> 00:08:45,200
WITH ITS STRANGE LABYRINTH
194
00:08:45,200 --> 00:08:48,433
AND TUDOR HUNTING LODGE
ADORNED WITH SECRET SYMBOLS.
195
00:08:48,433 --> 00:08:51,400
**
196
00:08:51,400 --> 00:08:54,900
NOW, GOUGH LEARNS IT'S NOT THE
ONLY MYSTERIOUS STRUCTURE BUILT
197
00:08:54,900 --> 00:08:57,867
FOR TYRANT SIR THOMAS TRESHAM.
198
00:08:57,867 --> 00:08:59,500
LYVEDEN WAS AMAZING.
199
00:08:59,500 --> 00:09:03,433
NOW, SOMEONE TELLS ME THERE'S
ANOTHER LODGE OF TRESHAM'S
200
00:09:03,433 --> 00:09:06,300
NOT FAR FROM HERE,
AND IT'S TRIANGULAR.
201
00:09:06,300 --> 00:09:11,067
I DON'T KNOW WHAT THAT MEANS,
BUT I'VE GOTTA CHECK IT OUT.
202
00:09:11,067 --> 00:09:12,567
Narrator:
GOUGH IMMEDIATELY CONFIRMS
203
00:09:12,567 --> 00:09:15,533
THE WALLS FORM
AN EQUILATERAL TRIANGLE
204
00:09:15,533 --> 00:09:20,067
AND ITS ARCHITECTURAL
FEATURES ARE IN TRIPLICATE.
205
00:09:20,067 --> 00:09:23,233
THERE'S THREE WINDOWS, AND EACH
OF THE WINDOWS HAS THREE PANELS.
206
00:09:23,233 --> 00:09:26,767
AND THERE'S THE NUMBER 3
RIGHT IN THE MIDDLE OF IT.
207
00:09:26,767 --> 00:09:29,600
THE GUY IS OBSESSED
WITH THE NUMBER THREE.
208
00:09:29,600 --> 00:09:31,100
HE'S TRYING TO TELL US
SOMETHING.
209
00:09:31,100 --> 00:09:34,600
**
210
00:09:34,600 --> 00:09:37,067
Narrator:
GOUGH ARRANGES TO MEET
EMILIE MURPHY,
211
00:09:37,067 --> 00:09:40,100
AN EXPERT IN TUDOR
CODES AND SYMBOLS.
212
00:09:40,100 --> 00:09:43,433
HE SUSPECTS TRESHAM'S LABYRINTH
AND HIS ECCENTRIC BUILDINGS
213
00:09:43,433 --> 00:09:46,100
MUST CARRY HIDDEN MEANINGS.
214
00:09:46,100 --> 00:09:50,733
SIR TRESHAM, IS THIS ABOUT SOME
KIND OF SECRET SOCIETY OR A CULT
215
00:09:50,733 --> 00:09:53,067
OR IS IT ACTUALLY WITCHCRAFT?
216
00:09:53,067 --> 00:09:54,633
WELL, WITCHCRAFT AND THE OCCULT
217
00:09:54,633 --> 00:09:57,800
WAS A HUGE CONCERN
FOR THE AUTHORITIES.
218
00:09:57,800 --> 00:10:02,133
FOR EXAMPLE, WHEN ELIZABETH I
WAS VISITING NORWICH IN 1578,
219
00:10:02,133 --> 00:10:04,100
THEY UNCOVERED A BODY
THAT HAD BEEN BURIED
220
00:10:04,100 --> 00:10:06,467
WITH THREE WAX FIGURES.
221
00:10:06,467 --> 00:10:08,367
ONE OF THEM WAS CLEARLY MEANT
TO REPRESENT ELIZABETH.
222
00:10:08,367 --> 00:10:10,933
IT HAD "ELIZABETH" CARVED
ONTO THE FOREHEAD.
223
00:10:10,933 --> 00:10:14,233
AND ALL OVER THE WAX FIGURES
WERE KIND OF
224
00:10:14,233 --> 00:10:16,100
WEIRD KIND OF SYMBOLS
225
00:10:16,100 --> 00:10:18,567
AND WITCHCRAFT
WAS THE CONCLUSION.
226
00:10:18,567 --> 00:10:21,767
Narrator:
GOUGH LEARNS TRESHAM SPENT
15 YEARS INCARCERATED
227
00:10:21,767 --> 00:10:25,367
IN A BRUTAL TUDOR JAIL,
NOT FOR PRACTICING WITCHCRAFT,
228
00:10:25,367 --> 00:10:27,600
BUT FOR BEING A CATHOLIC.
229
00:10:27,600 --> 00:10:28,733
WAIT. HANG ON.
230
00:10:28,733 --> 00:10:31,700
CATHOLICISM IS WORSE
THAN WITCHCRAFT?
231
00:10:31,700 --> 00:10:34,167
CATHOLICISM
WAS EVEN MORE FEARED
232
00:10:34,167 --> 00:10:35,867
BY THE GOVERNMENT
THAN WITCHCRAFT.
233
00:10:35,867 --> 00:10:37,667
-RIGHT.
-BEING CATHOLIC MEANT
234
00:10:37,667 --> 00:10:40,200
THAT YOU WERE OBEYING
A FOREIGN POWER.
235
00:10:40,200 --> 00:10:42,167
ELIZABETH WAS THE HEAD
OF THE CHURCH OF ENGLAND.
236
00:10:42,167 --> 00:10:43,333
IF YOU WERE A CATHOLIC,
237
00:10:43,333 --> 00:10:45,533
IT MEANT THAT YOU WERE
SUPPORTING THE POPE.
238
00:10:45,533 --> 00:10:47,400
Narrator:
IN THE LATE 16th CENTURY,
239
00:10:47,400 --> 00:10:49,867
ENGLAND'S CATHOLICS
WERE THE ENEMY WITHIN,
240
00:10:49,867 --> 00:10:54,133
SECRETLY PLOTTING TO BRING DOWN
THE PROTESTANT QUEEN.
241
00:10:54,133 --> 00:10:56,267
SO, TODAY, WE THINK
OF CONSPIRACY
242
00:10:56,267 --> 00:10:58,700
AS IN CODES AND PLOTS
AND THINGS LIKE THIS.
243
00:10:58,700 --> 00:11:01,300
THIS IS THE STUFF OF NOVELS
AND FANTASY FILMS.
244
00:11:01,300 --> 00:11:05,067
BUT, REALLY, AT THAT TIME,
IT WAS THE STUFF OF REALITY.
245
00:11:05,067 --> 00:11:07,933
I MEAN, YOUR RELIGION
COULD CAUSE YOUR DEATH.
246
00:11:07,933 --> 00:11:09,700
**
247
00:11:09,700 --> 00:11:11,900
Narrator:
NOW, GOUGH CAN PIECE
TOGETHER THE MEANINGS
248
00:11:11,900 --> 00:11:14,700
OF THE CODED EVIDENCE
ON THE GROUND.
249
00:11:14,700 --> 00:11:17,367
TRESHAM'S HUNTING LODGE
REPRESENTS A CRUCIFIX.
250
00:11:17,367 --> 00:11:18,467
[ EERIE MUSIC PLAYS ]
251
00:11:18,467 --> 00:11:21,267
**
252
00:11:21,267 --> 00:11:25,667
THE EMBLEM IHS IS
THE SIGNATURE OF THE JESUITS,
253
00:11:25,667 --> 00:11:28,433
THE CATHOLIC ORDER KNOWN
AS THE POPE'S FOOT SOLDIERS.
254
00:11:28,433 --> 00:11:30,700
**
255
00:11:30,700 --> 00:11:33,067
THE TRIANGULAR LODGE
IS A REPRESENTATION
256
00:11:33,067 --> 00:11:36,200
OF THE HOLY TRINITY.
257
00:11:36,200 --> 00:11:40,300
AND THE LABYRINTH IS A CODED
INVITATION TO CATHOLIC PRAYER.
258
00:11:40,300 --> 00:11:43,700
YOU OFTEN SAW THEM IN CATHOLIC
CATHEDRALS IN EUROPE.
259
00:11:43,700 --> 00:11:47,333
THEY WERE KIND OF
A MANIFESTATION OF A PILGRIMAGE
260
00:11:47,333 --> 00:11:50,833
AS A SYMBOLIC JOURNEY
OF YOUR PENANCE.
261
00:11:50,833 --> 00:11:53,467
I MEAN, TRESHAM WAS BEING VERY
BOLD IN WHAT HE WAS DOING.
262
00:11:53,467 --> 00:11:55,533
HE WAS PUTTING HIS RELIGION
OUT THERE AT A TIME
263
00:11:55,533 --> 00:11:57,667
THAT YOU COULD BE BURNED
FOR HAVING A CERTAIN BELIEF
264
00:11:57,667 --> 00:12:01,967
THAT WAS WRONG ACCORDING TO WHO
WAS ON THE THRONE AT THE TIME.
265
00:12:01,967 --> 00:12:04,233
Narrator:
THE SIGNIFICANCE OF THE
LABYRINTH COMES TO THE FORE
266
00:12:04,233 --> 00:12:06,133
WHEN INVESTIGATORS
CONFIRM THE ESTATE
267
00:12:06,133 --> 00:12:09,500
WAS STILL UNDER
CONSTRUCTION IN 1605,
268
00:12:09,500 --> 00:12:12,267
THE SAME YEAR AS THE NOTORIOUS
CATHOLIC-BACKED
269
00:12:12,267 --> 00:12:15,367
GUNPOWDER PLOT TO BLOW UP
BRITISH PARLIAMENT.
270
00:12:15,367 --> 00:12:17,833
[ FLAMES CRACKLING ]
271
00:12:17,833 --> 00:12:19,667
"REMEMBER, REMEMBER!
THE FIFTH OF NOVEMBER.
272
00:12:19,667 --> 00:12:21,467
THE GUNPOWDER,
THE TREASON, THE PLOT".
273
00:12:21,467 --> 00:12:24,733
I MEAN, THIS WAS THE PLOT THAT
WAS SUPPOSED TO KILL KING JAMES
274
00:12:24,733 --> 00:12:26,433
AND AGAIN PUT SOMEONE
ON THE THRONE
275
00:12:26,433 --> 00:12:29,633
WHO WOULD REESTABLISH
CATHOLICISM AS THE RELIGION.
276
00:12:29,633 --> 00:12:31,433
Narrator:
SO COULD THE LABYRINTH
IDENTIFIED
277
00:12:31,433 --> 00:12:33,400
IN THE WARTIME
RECONNAISSANCE IMAGE
278
00:12:33,400 --> 00:12:38,400
BE LESS OF A CALL TO PRAYER
THAN A CALL TO ARMS?
279
00:12:38,400 --> 00:12:40,167
HISTORICAL ACCOUNTS
SHED NO LIGHT
280
00:12:40,167 --> 00:12:43,467
ON THOMAS TRESHAM'S
INVOLVEMENT IN THE PLOT.
281
00:12:43,467 --> 00:12:45,800
BUT THEY DO REVEAL HIS SON
FRANCIS TRESHAM
282
00:12:45,800 --> 00:12:48,867
WAS ONE OF THE CONSPIRATORS.
283
00:12:48,867 --> 00:12:50,233
CATHOLICS DURING
THIS TIME PERIOD
284
00:12:50,233 --> 00:12:52,867
WERE TRYING TO DO EVERYTHING
THEY COULD TO OVERTHROW
285
00:12:52,867 --> 00:12:55,667
THE PROTESTANT
RULERS OF THE LAND.
286
00:12:55,667 --> 00:12:57,967
SO IS THIS SYMBOL
AN ATTEMPT AT KIND OF
287
00:12:57,967 --> 00:13:00,233
INCITING SOME TYPE
OF AN INSURRECTION
288
00:13:00,233 --> 00:13:05,067
OR IS THIS SIMPLY AN EXPRESSION
OF HIS DEVOUT CATHOLIC FAITH?
289
00:13:05,067 --> 00:13:07,900
IT'S A QUESTION WE'LL NEVER BE
ABLE TO ANSWER FOR SURE.
290
00:13:07,900 --> 00:13:09,067
[ BEEPING ]
291
00:13:09,067 --> 00:13:10,867
**
292
00:13:10,867 --> 00:13:13,667
[ WHIRRING ]
293
00:13:13,667 --> 00:13:14,800
Narrator: COMING UP...
294
00:13:14,800 --> 00:13:17,967
A GHOST SHIP HAUNTS
A CALIFORNIA BEACH.
295
00:13:17,967 --> 00:13:20,667
WHERE HAS THIS THING BEEN
FOR GOD KNOWS HOW MANY YEARS?
296
00:13:20,667 --> 00:13:23,200
[ FREQUENCY WARBLES ]
297
00:13:25,267 --> 00:13:27,100
[ FREQUENCY WARBLES ]
298
00:13:27,100 --> 00:13:28,533
[ WHIRRING ]
299
00:13:28,533 --> 00:13:30,767
Narrator:
FEBRUARY 2016.
300
00:13:30,767 --> 00:13:33,400
SAN DIEGO, CALIFORNIA.
301
00:13:33,400 --> 00:13:39,300
A MARITIME APPARITION SHOCKS
SUNSEEKERS ON CORONADO BEACH.
302
00:13:39,300 --> 00:13:44,400
A SHIP DOESN'T JUST APPEAR
OUT OF THIN AIR OVERNIGHT.
303
00:13:44,400 --> 00:13:48,167
Narrator:
SATELLITE ANALYSTS SCAN IMAGES
OF THE BEACH TAKEN PREVIOUSLY,
304
00:13:48,167 --> 00:13:52,700
BUT FIND NO CLUES TO EXPLAIN
ITS SUDDEN APPEARANCE.
305
00:13:52,700 --> 00:13:54,067
ONE MINUTE, IT'S NOT THERE,
306
00:13:54,067 --> 00:13:56,133
AND THEN, THE NEXT MINUTE,
IT'S THERE.
307
00:13:56,133 --> 00:13:59,067
Narrator:
LOCAL NEWS REPORTS SUGGEST
THE TANTALIZING POSSIBILITY
308
00:13:59,067 --> 00:14:02,367
OF TREASURE ONBOARD,
BUT THE BIGGEST MYSTERY
309
00:14:02,367 --> 00:14:04,433
IS THE SIMPLEST.
[ SUSPENSEFUL MUSIC CLIMBS ]
310
00:14:04,433 --> 00:14:05,867
HOW DID IT GET HERE?
311
00:14:05,867 --> 00:14:10,300
[ WIND WHIPPING ]
312
00:14:10,300 --> 00:14:11,767
THE NIGHT BEFORE,
313
00:14:11,767 --> 00:14:17,067
A MAJOR EL NIÑO-CLASS STORM
BATTERS CALIFORNIA'S COASTLINE.
314
00:14:17,067 --> 00:14:19,733
EL NIÑO IS A PERIODIC
WEATHER PATTERN
315
00:14:19,733 --> 00:14:23,100
THAT CAN BRING WITH IT
BIG WINDS AND RAIN,
316
00:14:23,100 --> 00:14:28,067
AND CALIFORNIA'S BEACHES WERE
PUMMELED WITH GALE-FORCE WINDS.
317
00:14:28,067 --> 00:14:30,233
Chamberlain:
IF YOU GET CAUGHT
IN THE CROSSHAIRS OF WIND
318
00:14:30,233 --> 00:14:32,433
FROM AN EL NIÑO,
THAT'S SERIOUS BUSINESS.
319
00:14:32,433 --> 00:14:35,633
THESE GALE-FORCE WINDS
MAY HAVE CRASHED THIS SHIP
320
00:14:35,633 --> 00:14:38,267
INTO THE SHORE.
321
00:14:38,267 --> 00:14:40,067
Narrator:
BUT A REVIEW OF
THE SHIPPING BULLETINS
322
00:14:40,067 --> 00:14:42,300
CASTS DOUBT ON THIS IDEA.
323
00:14:42,300 --> 00:14:44,833
THERE HAD BEEN NO REPORTS
TO THE COAST GUARD
324
00:14:44,833 --> 00:14:46,433
OF A SHIP IN DISTRESS.
325
00:14:46,433 --> 00:14:50,267
THIS BOAT IS 300 FEET LONG,
SO YOU WOULD THINK THAT,
326
00:14:50,267 --> 00:14:52,200
IF THERE WAS SOMEONE
LIVING ON IT,
327
00:14:52,200 --> 00:14:54,833
THEY WOULD'VE CALLED IN
A DISTRESS SIGNAL.
328
00:14:54,833 --> 00:14:57,633
Narrator:
THE MYSTERY DEEPENS WHEN
A DETAILED EXAMINATION
329
00:14:57,633 --> 00:15:02,233
OF THE AERIAL IMAGES REVEALS
THIS SHIP IS SERIOUSLY OLD.
330
00:15:02,233 --> 00:15:03,900
IF YOU LOOK A LITTLE CLOSER,
YOU CAN SEE THAT
331
00:15:03,900 --> 00:15:05,433
THIS IS NOT A NEW SHIP.
332
00:15:05,433 --> 00:15:08,067
IT'S BARELY HELD TOGETHER.
333
00:15:08,067 --> 00:15:11,067
IT BELONGS A BYGONE ERA,
SO THE QUESTION IS:
334
00:15:11,067 --> 00:15:13,667
WHERE HAS THIS THING BEEN
FOR GOD KNOWS HOW MANY YEARS?
335
00:15:13,667 --> 00:15:15,800
[ SUSPENSEFUL MUSIC PLAYS ]
336
00:15:15,800 --> 00:15:18,700
**
337
00:15:18,700 --> 00:15:21,500
Narrator:
INVESTIGATORS CONSIDER
THE POSSIBILITY THAT THE VESSEL
338
00:15:21,500 --> 00:15:25,833
MAY BE A PHANTOM CRAFT
ABANDONED ON THE WAVES.
339
00:15:25,833 --> 00:15:28,333
GHOST SHIPS AREN'T JUST FROM
HOLLYWOOD BLOCKBUSTERS.
340
00:15:28,333 --> 00:15:29,633
THEY'RE ACTUALLY REAL.
341
00:15:29,633 --> 00:15:31,500
**
342
00:15:31,500 --> 00:15:34,067
[ WHIRRING ]
THERE ARE LOTS OF TALES
343
00:15:34,067 --> 00:15:35,967
OF SHIPS AND OTHER VESSELS
344
00:15:35,967 --> 00:15:38,967
THAT HAVE BEEN LEFT
ABANDONED AT SEA.
345
00:15:38,967 --> 00:15:42,467
**
346
00:15:42,467 --> 00:15:45,067
Narrator:
FROM CLOSE ANALYSIS
OF THE AERIAL IMAGES,
347
00:15:45,067 --> 00:15:47,167
INVESTIGATORS CALCULATE
THE MYSTERY SHIP
348
00:15:47,167 --> 00:15:49,167
IS THE SAME LENGTH
AS THE NOTORIOUS
349
00:15:49,167 --> 00:15:51,967
RUSSIAN GHOST SHIP
THE LYUBOV ORLOVA...
350
00:15:51,967 --> 00:15:54,700
[ FREQUENCY WARBLES ]
351
00:15:54,700 --> 00:15:57,833
DESERTED IN 2013
ON ITS FINAL VOYAGE
352
00:15:57,833 --> 00:16:00,100
FROM NEWFOUNDLAND
TO THE CARIBBEAN.
353
00:16:00,100 --> 00:16:02,667
IT WAS BEING TOWED
AWAY FOR SCRAP
354
00:16:02,667 --> 00:16:05,633
AND, ALONG THE WAY,
THE TOWLINE BROKE
355
00:16:05,633 --> 00:16:10,200
AND, NOW, THIS SHIP
IS FLOATING IN THE OCEAN.
356
00:16:10,200 --> 00:16:12,733
THIS SHIP IS RUMORED
TO HAVE BEEN TAKEN OVER
357
00:16:12,733 --> 00:16:15,467
BY HORDES OF CANNIBAL RATS.
358
00:16:15,467 --> 00:16:17,267
Chamberlain:
I MEAN, THERE'S NOTHING ELSE
TO EAT, RIGHT?
359
00:16:17,267 --> 00:16:21,700
SO IMAGINE THIS GIANT SHIP
FULL OF THESE RAVENOUS HORDES
360
00:16:21,700 --> 00:16:23,367
OF CANNIBAL RATS
361
00:16:23,367 --> 00:16:27,867
APPEARING ON YOUR LOCAL BEACH,
RIGHT WHERE YOU LIVE.
362
00:16:27,867 --> 00:16:29,200
EW!
363
00:16:29,200 --> 00:16:31,067
Narrator:
BUT MANY DOUBT
THE LYUBOV ORLOVA
364
00:16:31,067 --> 00:16:33,567
COULD'VE MADE IT ALL THE WAY
TO CALIFORNIA ON ITS OWN.
365
00:16:33,567 --> 00:16:36,933
PROBLEM IS THAT
THE RUSSIAN CRUISELINER
366
00:16:36,933 --> 00:16:39,133
WAS LEFT IN THE ATLANTIC OCEAN,
367
00:16:39,133 --> 00:16:42,567
SO, UNLESS THOSE RATS HAVE SOME
NAVIGATIONAL ABILITIES
368
00:16:42,567 --> 00:16:45,300
THAT PEOPLE DON'T HAVE, IT WOULD
BE A PRETTY AMAZING FEAT
369
00:16:45,300 --> 00:16:48,500
FOR IT TO GET ALL THE WAY
TO THE PACIFIC OCEAN
370
00:16:48,500 --> 00:16:50,467
AND WASH UP IN CALIFORNIA.
371
00:16:50,467 --> 00:16:52,200
**
372
00:16:52,200 --> 00:16:56,367
Narrator:
WITH THE AID OF
THE WorldView-2 SATELLITE,
373
00:16:56,367 --> 00:16:59,600
ANALYST AMANDA MARCHETTI
USES MULTISPECTRAL ANALYSIS
374
00:16:59,600 --> 00:17:02,067
TO FURTHER PROBE THE LOCATION.
375
00:17:02,067 --> 00:17:05,767
I THINK I CAN PEER THROUGH USING
THE MULTISPECTRAL TECHNOLOGY
376
00:17:05,767 --> 00:17:09,067
TO ACTUALLY PEER
INTO THE WATER COLUMN
377
00:17:09,067 --> 00:17:13,867
AND REALLY GET A FULL VIEW
OF THE WRECKAGE.
378
00:17:13,867 --> 00:17:16,500
Narrator:
THE SATELLITE SENSORS PICK UP
SPECIFIC WAVELENGTHS
379
00:17:16,500 --> 00:17:21,333
THAT THE HUMAN EYE CAN'T SEE,
REVEALING THE INVISIBLE.
380
00:17:21,333 --> 00:17:22,767
IT'S SOMEWHAT INTACT,
381
00:17:22,767 --> 00:17:25,067
[chuckling] WHICH MEANS
IT'S PROBABLY BEEN BURIED
382
00:17:25,067 --> 00:17:27,533
FOR THE MAJORITY OF ITS TIME
ON THIS BEACH,
383
00:17:27,533 --> 00:17:30,067
BUT, BECAUSE OF THE SIGNIFICANT
EROSION THAT'S OCCURRING
384
00:17:30,067 --> 00:17:32,833
WITH THE EL NIÑO EVENT
DURING THIS TIME PERIOD,
385
00:17:32,833 --> 00:17:36,767
I CAN EASILY SEE THAT
THE WRECKAGE WAS EXPOSED
386
00:17:36,767 --> 00:17:39,233
AND, NOW, IT'S RAPIDLY
BEING BURIED AGAIN.
387
00:17:39,233 --> 00:17:41,900
Narrator:
BEFORE THE SANDS ONCE AGAIN
COVER THE WRECK,
388
00:17:41,900 --> 00:17:45,200
GROUND-LEVEL EXAMINATION
REVEALS AN IMPORTANT CLUE:
389
00:17:45,200 --> 00:17:49,667
THIS SHIP APPEARS TO BE MADE
FROM CONCRETE, NOT STEEL.
390
00:17:49,667 --> 00:17:52,167
WHEN INVESTIGATORS CROSSCHECK
THIS UNUSUAL DESIGN
391
00:17:52,167 --> 00:17:54,433
WITH RECORDS
AT THE SAN DIEGO ARCHIVES,
392
00:17:54,433 --> 00:17:57,333
THEY MAKE A BREAKTHROUGH.
393
00:17:57,333 --> 00:17:59,700
IT WAS ONE OF 12
EXPERIMENTAL VESSELS
394
00:17:59,700 --> 00:18:03,267
BUILT FOR THE U.S. QUARTERMASTER
CORPS DURING WORLD WAR I,
395
00:18:03,267 --> 00:18:06,067
WHEN STEEL WAS IN SHORT SUPPLY.
396
00:18:06,067 --> 00:18:07,267
CONCRETE IS HEAVY,
397
00:18:07,267 --> 00:18:11,200
BUT IF MOLDED CORRECTLY,
CONCRETE SHIPS DO FLOAT.
398
00:18:11,200 --> 00:18:13,567
THIS ONE STAYED IN SERVICE
FOR JUST 2 YEARS
399
00:18:13,567 --> 00:18:16,700
BEFORE IT WAS DECOMMISSIONED
AND SOLD ON.
400
00:18:16,700 --> 00:18:19,933
IT TURNS OUT THIS SHIP
IS ACTUALLY AN OIL TANKER
401
00:18:19,933 --> 00:18:24,400
THAT WAS TAKEN OVER
BY THE MOB IN THE 1930s.
402
00:18:24,400 --> 00:18:26,067
Narrator:
THE MOB ISN'T INTERESTED IN OIL.
403
00:18:26,067 --> 00:18:27,933
[ FLASHBULB EXPLODES ]
THEY RENAME THE VESSEL
404
00:18:27,933 --> 00:18:31,567
THE SS MONTE CARLO
AND LET THE GOOD TIMES ROLL.
405
00:18:31,567 --> 00:18:33,200
[ JAZZ PLAYS ]
Sanford: THIS SHIP HAD IT ALL,
406
00:18:33,200 --> 00:18:35,067
WHEN IT CAME TO ILLICIT THINGS.
407
00:18:35,067 --> 00:18:37,400
IT WAS A FLOATING CASINO,
408
00:18:37,400 --> 00:18:38,467
A BROTHEL,
409
00:18:38,467 --> 00:18:40,900
AND A SPEAKEASY.
410
00:18:40,900 --> 00:18:42,333
IT WAS A SHIP OF SIN.
411
00:18:42,333 --> 00:18:45,367
**
412
00:18:45,367 --> 00:18:48,800
Narrator:
MOB BOSSES ARE CAREFUL TO KEEP
THEIR SHIP FAR ENOUGH OFFSHORE
413
00:18:48,800 --> 00:18:50,233
TO AVOID PROSECUTION.
414
00:18:50,233 --> 00:18:53,633
[ HORN BLOWS ]
415
00:18:53,633 --> 00:18:56,067
AN INDIVIDUAL COULD TRAVEL
ON THIS SHIP,
416
00:18:56,067 --> 00:19:00,067
OUT INTO INTERNATIONAL WATERS,
AND INDULGE ALL OF THEIR VICES
417
00:19:00,067 --> 00:19:04,267
AND THEY COULD DO SO
SAFELY AND LEGALLY.
418
00:19:04,267 --> 00:19:08,533
Narrator:
IN ITS HEYDAY, 15,000 PEOPLE
VISIT THE SS MONTE CARLO
419
00:19:08,533 --> 00:19:09,733
EVERY WEEK.
420
00:19:09,733 --> 00:19:13,767
THE MOB MAKES AN ESTIMATED
$3 MILLION A YEAR.
421
00:19:13,767 --> 00:19:17,600
THE LEVEL OF DEPRAVITY GOING ON
ON THIS SHIP WAS SO GREAT
422
00:19:17,600 --> 00:19:20,100
THAT THERE WERE LOCAL
RELIGIOUS GROUPS
423
00:19:20,100 --> 00:19:22,967
WHO ACTUALLY PRAYED
FOR IT TO SINK.
424
00:19:22,967 --> 00:19:24,633
[ THUNDER CRASHES ]
425
00:19:24,633 --> 00:19:27,133
Narrator:
ON NEW YEAR'S DAY 1937,
426
00:19:27,133 --> 00:19:29,233
THOSE PRAYERS ARE ANSWERED.
427
00:19:29,233 --> 00:19:32,100
A BIG STORM BROKE THE SHIP
FREE OF ITS MOORINGS.
428
00:19:32,100 --> 00:19:35,900
IT DRIFTED OFFSHORE AND THEN
WAS PUSHED BACK INTO THE BEACH.
429
00:19:35,900 --> 00:19:38,667
Narrator:
BATTERED BY THE SURF,
THE SHIP IS ABANDONED.
430
00:19:38,667 --> 00:19:40,800
**
431
00:19:40,800 --> 00:19:42,300
THE MOB DOESN'T WANT
TO CLAIM IT
432
00:19:42,300 --> 00:19:44,267
AND THE GOVERNMENT
DOESN'T HAVE ENOUGH MONEY
433
00:19:44,267 --> 00:19:48,433
TO ACTUALLY PAY TO REMOVE IT,
SO IT JUST SAT THERE.
434
00:19:48,433 --> 00:19:52,067
Narrator:
BY 1940, THE SANDS
SWALLOW THE WRECK,
435
00:19:52,067 --> 00:19:54,867
BUT THE MIGHTY STORM
NEARLY 8 DECADES LATER
436
00:19:54,867 --> 00:19:58,833
GIVES THE SS MONTE CARLO
ANOTHER DAY IN THE SUN.
437
00:19:58,833 --> 00:20:03,833
79 YEARS AFTER IT WAS LOST,
THIS POWERFUL EL NIÑO STORM
438
00:20:03,833 --> 00:20:06,333
SCOURED THE SITE
OF WRECK OF THIS SHIP
439
00:20:06,333 --> 00:20:08,167
AND REVEALED IT ONCE AGAIN.
440
00:20:08,167 --> 00:20:09,933
**
441
00:20:09,933 --> 00:20:11,700
Narrator:
IN ONE FINAL TWIST...
442
00:20:11,700 --> 00:20:12,767
[ CAMERA SHUTTER CLICKS ]
...IT EMERGES THAT
443
00:20:12,767 --> 00:20:15,400
LOCAL TREASURE HUNTERS
RETRIEVED A HOARD
444
00:20:15,400 --> 00:20:18,500
OF SILVER COINS FROM THE WRECK
WHEN IT FIRST CAME ASHORE.
445
00:20:18,500 --> 00:20:20,800
**
446
00:20:20,800 --> 00:20:26,400
SOME PEOPLE SAY THAT THERE IS
STILL $100,000 OF SILVER COINS
447
00:20:26,400 --> 00:20:27,867
IN THE WRECKAGE OF THIS SHIP.
448
00:20:27,867 --> 00:20:30,633
AND NOW THAT IT'S UNCOVERED,
IT RAISES QUESTIONS
449
00:20:30,633 --> 00:20:32,600
ABOUT PEOPLE GOING BACK
OUT TO THE SITE
450
00:20:32,600 --> 00:20:35,067
AND DIGGING AROUND IN IT
TO FIND THE REST OF THESE COINS.
451
00:20:35,067 --> 00:20:38,000
AND, IF THEY DO FIND SOMETHING,
THE BIGGER QUESTION IS:
452
00:20:38,000 --> 00:20:39,867
WHO DOES THAT
TREASURE BELONG TO?
453
00:20:39,867 --> 00:20:43,300
[ SUSPENSEFUL MUSIC CLIMBS ]
454
00:20:43,300 --> 00:20:45,600
[ WHIRRING ]
455
00:20:45,600 --> 00:20:46,833
Narrator: COMING UP...
456
00:20:46,833 --> 00:20:50,867
A SPOOKY VILLAGE THAT DIED
AND NEVER CHANGED...
457
00:20:50,867 --> 00:20:54,433
HOW DO YOU THINK SO LITTLE
OF YOUR FELLOW HUMAN BEING
458
00:20:54,433 --> 00:20:56,033
THAT YOU WOULD DO THAT?
459
00:20:56,033 --> 00:21:00,400
...AND A MYSTERIOUS LAKE
BRINGS MARS TO PLANET EARTH.
460
00:21:00,400 --> 00:21:02,967
LOOKS LIKE SOMETHING THAT MIGHT
COME OFF OF THE COVER
461
00:21:02,967 --> 00:21:06,233
OF A SCI-FI NOVEL
DEPICTING AN ALIEN PLANET.
462
00:21:06,233 --> 00:21:09,067
[ FREQUENCY WARBLES ]
463
00:21:10,733 --> 00:21:11,900
[ FREQUENCY WARBLES ]
464
00:21:11,900 --> 00:21:13,433
[ WHIRRING ]
465
00:21:13,433 --> 00:21:16,400
[ BEEP ]
466
00:21:16,400 --> 00:21:19,733
[ WHIRRING ]
Narrator: JULY 2016.
467
00:21:19,733 --> 00:21:21,800
THE GeoEye SATELLITE PASSES
468
00:21:21,800 --> 00:21:24,567
OVER A REMOTE VALLEY
IN BRITISH COLUMBIA
469
00:21:24,567 --> 00:21:26,767
AND PHOTOGRAPHS
A DRIED-UP LAKE BED
470
00:21:26,767 --> 00:21:29,067
PEPPERED WITH HUNDREDS
OF SHIMMERING POOLS.
471
00:21:29,067 --> 00:21:31,833
[ SUSPENSEFUL MUSIC PLAYS ]
472
00:21:31,833 --> 00:21:34,633
IT'S ABSOLUTELY ASTOUNDING.
473
00:21:34,633 --> 00:21:36,933
YOU'RE LOOKING AT THIS,
GOING, "WHAT IS THIS?
474
00:21:36,933 --> 00:21:39,600
AM I LOOKING
AT AN ALIEN LANDSCAPE?"
475
00:21:39,600 --> 00:21:41,367
IT'S RIDDLED WITH CRATERS,
JUST LIKE THE MOON,
476
00:21:41,367 --> 00:21:43,167
BUT THEY'RE SMALL
AND LIGHTLY COLORED
477
00:21:43,167 --> 00:21:45,867
AND ALL KINDS OF DIFFERENT
SIZES AND SHAPES.
478
00:21:45,867 --> 00:21:48,833
Narrator:
THE DRY LAKE IS MORE
THAN 2,000 FEET LONG
479
00:21:48,833 --> 00:21:51,667
AND IS WIDER THAN
FIVE FOOTBALL FIELDS.
480
00:21:51,667 --> 00:21:55,433
WITHIN IT ARE OVER 300
GLISTENING POOLS.
481
00:21:55,433 --> 00:21:57,267
FROM A SCIENTIST PERSPECTIVE,
482
00:21:57,267 --> 00:22:00,300
THIS LAKE IS
PARTICULARLY UNUSUAL.
483
00:22:00,300 --> 00:22:05,367
TO SEE A WHITE CRUST
IS PRETTY TYPICAL,
484
00:22:05,367 --> 00:22:06,933
BUT THIS IS REALLY UNUSUAL,
485
00:22:06,933 --> 00:22:10,133
WITH THESE LITTLE CIRCULAR
DEPRESSIONS WITHIN THE LAKE.
486
00:22:10,133 --> 00:22:12,433
IT'S A LITTLE WEIRD.
487
00:22:12,433 --> 00:22:15,200
Narrator:
EXPLORER GEORGE KOUROUNIS
HAS SEEN HUNDREDS OF LAKES
488
00:22:15,200 --> 00:22:16,633
THE WORLD OVER,
489
00:22:16,633 --> 00:22:19,067
BUT NONE LIKE THIS.
490
00:22:19,067 --> 00:22:20,633
IT REMINDS ME OF A SALT LAKE,
491
00:22:20,633 --> 00:22:22,633
BUT THAT DOESN'T
EXPLAIN THESE CIRCLES.
492
00:22:22,633 --> 00:22:26,633
THERE'S SOMETHING ELSE GOING
ON HERE, SOMETHING UNIQUE.
493
00:22:26,633 --> 00:22:30,333
Narrator:
THIS LAKE LOOKS LIKE IT
SHOULDN'T EXIST ON PLANET EARTH,
494
00:22:30,333 --> 00:22:32,800
BUT, WEIRDLY, IT LOOKS
LIKE LAKES THAT EXIST --
495
00:22:32,800 --> 00:22:35,067
OR USED TO EXIST --
ON MARS.
496
00:22:35,067 --> 00:22:38,333
**
497
00:22:38,333 --> 00:22:41,833
MARS APPEARS DRY NOW,
BUT IT DOES HAVE WATER
498
00:22:41,833 --> 00:22:45,067
AND IT ONCE HAD A LOT MORE,
COVERED IN LAKES LIKE THIS ONE.
499
00:22:45,067 --> 00:22:47,700
**
500
00:22:47,700 --> 00:22:50,600
WHAT'S SITTING IN THIS LAKE
COULD PROVIDE VALUABLE CLUES
501
00:22:50,600 --> 00:22:52,200
ABOUT THE SECRETS OF MARS.
502
00:22:52,200 --> 00:22:57,333
**
503
00:22:57,333 --> 00:23:00,600
-HELLO!
-AMY!
504
00:23:00,600 --> 00:23:05,267
Narrator:
KOUROUNIS CONTACTS SPACE
RESEARCHER AMY SHIRA TEITEL.
505
00:23:05,267 --> 00:23:06,933
FROM WHAT I KNOWABOUT THIS LAKE,
506
00:23:06,933 --> 00:23:10,100
THIS MIGHT BE ANALOGOUSTO WHAT MARS USED TO BE
507
00:23:10,100 --> 00:23:11,400
WHEN IT WAS A WET PLANET,
508
00:23:11,400 --> 00:23:13,933
INSTEAD OF THE DEAD,DRY ONE WE'VE GOT NOW.
509
00:23:13,933 --> 00:23:16,633
IF WE CAN FIND ANY SIGNSOF LIFE THERE,
510
00:23:16,633 --> 00:23:18,167
THAT MIGHT HELP US UNDERSTAND
511
00:23:18,167 --> 00:23:22,400
WHETHER OR NOT THERE COULD'VEBEEN LIFE ON ANCIENT MARS.
512
00:23:22,400 --> 00:23:25,867
Narrator:
THIS STRANGE LAKE FROM MARS
SITS IN TERRITORY CONTROLLED
513
00:23:25,867 --> 00:23:28,333
BY THE INDIGENOUS
OKANOGAN PEOPLE,
514
00:23:28,333 --> 00:23:32,167
WHO REGARD THE LAKE AS SPECIAL.
515
00:23:32,167 --> 00:23:36,933
THE OKANOGAN BELIEVE THIS LAKE
HAS A LOT OF HEALING POWERS.
516
00:23:36,933 --> 00:23:38,567
Narrator:
THERE IS A LIMIT
TO WHAT CAN BE GATHERED
517
00:23:38,567 --> 00:23:40,067
FROM THE SATELLITE IMAGE,
518
00:23:40,067 --> 00:23:42,833
BUT KOUROUNIS IS CONVINCED THAT,
IF HE CAN GO ONSITE
519
00:23:42,833 --> 00:23:45,200
AND EXAMINE
THE SPOTTED LAKE UP CLOSE,
520
00:23:45,200 --> 00:23:48,467
HE MAY BE ABLE TO DETERMINE HOW
THE WEIRD CIRCLES WERE FORMED
521
00:23:48,467 --> 00:23:53,200
AND SHED LIGHT ON THE SUPPOSEDLY
MAGICAL PROPERTIES OF THE WATER.
522
00:23:53,200 --> 00:23:55,267
BUT, FIRST, HE HAS TO VISIT
THE HEADQUARTERS
523
00:23:55,267 --> 00:23:57,433
OF THE OKANOGAN NATION ALLIANCE
524
00:23:57,433 --> 00:23:59,767
TO GET PERMISSION
FROM THE ELDERS.
525
00:23:59,767 --> 00:24:02,533
OUR LEADERSHIP ARE VERY
ACTIVE IN ITS PROTECTION.
526
00:24:02,533 --> 00:24:05,500
WE LIKE TO BE INVOLVED
IN EVERYTHING
527
00:24:05,500 --> 00:24:08,100
AND IF THERE IS NOT AGREEMENT,
THERE'S NOT AGREEMENT.
528
00:24:08,100 --> 00:24:13,967
**
529
00:24:13,967 --> 00:24:15,733
Narrator:
AFTER AN ANXIOUS FEW HOURS...
530
00:24:15,733 --> 00:24:17,200
[ RING ]
...KOUROUNIS GETS THE PHONE CALL
531
00:24:17,200 --> 00:24:19,300
HE'S BEEN WAITING FOR.
532
00:24:19,300 --> 00:24:21,133
YOU HAVE
GOOD NEWS FOR ME?
533
00:24:21,133 --> 00:24:23,933
OH, THAT'S GREAT!
534
00:24:23,933 --> 00:24:27,567
KOUROUNIS HAS PERMISSION
TO GO TO THE SPOTTED LAKE.
535
00:24:27,567 --> 00:24:28,967
BUT, AS HE APPROACHES,
536
00:24:28,967 --> 00:24:31,633
IT DOESN'T APPEAR AS IT DOES
IN THE SATELLITE IMAGE.
537
00:24:31,633 --> 00:24:34,733
**
538
00:24:34,733 --> 00:24:37,633
THE WATER LEVEL HAS RISEN
SIGNIFICANTLY.
539
00:24:37,633 --> 00:24:40,167
THERE HAVE BEEN HEAVY RAINS,
BUT, FOR SOME REASON,
540
00:24:40,167 --> 00:24:42,067
THOSE RAINS HAVE NOT
DRAINED AWAY,
541
00:24:42,067 --> 00:24:43,733
AS THEY WOULD
IN MANY OTHER LAKES.
542
00:24:43,733 --> 00:24:46,533
**
543
00:24:46,533 --> 00:24:49,633
[ BEEP ]
[ ROTORS WHIRRING ]
544
00:24:49,633 --> 00:24:52,133
KOUROUNIS USES A DRONE
TO GET A BETTER LOOK
545
00:24:52,133 --> 00:24:54,333
AT THE UNEARTHLY SPOTS.
546
00:24:54,333 --> 00:24:56,100
SOMETIMES YOU JUST NEED
AN EYE IN THE SKY.
547
00:24:56,100 --> 00:24:59,833
[ SUSPENSEFUL MUSIC CLIMBS ]
548
00:24:59,833 --> 00:25:03,800
KOUROUNIS ARRANGES TO MEET
LEON LOUIS, AN OKANOGAN ELDER,
549
00:25:03,800 --> 00:25:06,200
TO FIND OUT IF THE LEGENDS
OF THIS ANCIENT PEOPLE
550
00:25:06,200 --> 00:25:08,933
CAN SHED ANY LIGHT
ON THE ORIGIN OF THE LAKE.
551
00:25:08,933 --> 00:25:10,400
Louis: OKAY.
552
00:25:10,400 --> 00:25:11,900
YOU TAKE THE TOBACCO IN YOUR
LEFT HAND, 'CAUSE THAT'S --
553
00:25:11,900 --> 00:25:15,733
Narrator:
BUT, FIRST, THEY MAKE
AN OFFERING TO THE WATERS.
554
00:25:15,733 --> 00:25:18,333
[ SPEAKING
INDIGENOUS LANGUAGE ]
555
00:25:18,333 --> 00:25:19,900
**
556
00:25:19,900 --> 00:25:21,067
GO AHEAD.
557
00:25:21,067 --> 00:25:22,500
AND I THANK YOU
FOR THE OPPORTUNITY.
558
00:25:22,500 --> 00:25:27,400
**
559
00:25:27,400 --> 00:25:29,367
Narrator:
LOUIS TELLS KOUROUNIS
THE LAKE IS PART
560
00:25:29,367 --> 00:25:31,533
OF THE OKANOGAN'S
CREATION MYTH,
561
00:25:31,533 --> 00:25:35,400
THE STORY THAT EXPLAINS HOW
THE WORLD CAME INTO BEING.
562
00:25:35,400 --> 00:25:38,067
IT IS SAID THAT COYOTE,
A GODLIKE CREATURE,
563
00:25:38,067 --> 00:25:41,533
WAS RESPONSIBLE FOR THE UNIQUE
APPEARANCE OF THE POOLS.
564
00:25:41,533 --> 00:25:43,700
THEY WERE FORMED WHEN HE
DROPPED SOME BUFFALO MEAT
565
00:25:43,700 --> 00:25:46,067
AND BONES INTO THE LAKE.
566
00:25:46,067 --> 00:25:48,267
IT STARTED TO BOIL.
567
00:25:48,267 --> 00:25:50,900
AND SO,
WHEN IT STARTED TO BOIL,
568
00:25:50,900 --> 00:25:54,633
ALL THAT BROTH CAME UP HERE.
569
00:25:54,633 --> 00:25:56,833
AND, IF YOU'VE EVER
BOILED MEAT
570
00:25:56,833 --> 00:25:59,367
AND YOU SEE ALL
THOSE LITTLE CIRCLES,
571
00:25:59,367 --> 00:26:01,400
WELL, THIS IS THE MEDICINE
572
00:26:01,400 --> 00:26:03,133
OF THE BUFFALO.
-OH.
573
00:26:03,133 --> 00:26:05,233
THAT'S HOW THIS LAKE WAS MADE.
574
00:26:05,233 --> 00:26:06,933
Narrator:
ACCORDING TO OKANOGAN LEGEND,
575
00:26:06,933 --> 00:26:10,067
EACH COLORED POOL
HAS A UNIQUE MEDICAL POWER.
576
00:26:10,067 --> 00:26:13,233
Louis:
THERE'S 365 CIRCLES
HERE IN THIS LAKE.
577
00:26:13,233 --> 00:26:17,333
EACH CIRCLE HAS A DIFFERENT
HEALING PROPERTY TO IT.
578
00:26:17,333 --> 00:26:19,600
SO, IF YOU HAVE WARTS,
YOU MIGHT GO TO ONE TO HEAL;
579
00:26:19,600 --> 00:26:21,667
AND IF YOU HAVE A BODY ACHE
OR ANOTHER AILMENT,
580
00:26:21,667 --> 00:26:24,933
YOU MIGHT GO TO ANOTHER.
581
00:26:24,933 --> 00:26:27,667
AMONG THE MANY UNUSUAL
FEATURES OF THIS LAKE...
582
00:26:27,667 --> 00:26:28,767
[ CAMERA SHUTTER CLICKS ]
...IS THE TOPOGRAPHY,
583
00:26:28,767 --> 00:26:32,233
HOW IT LIES IN THE LANDSCAPE.
584
00:26:32,233 --> 00:26:36,400
THE KEY TO THIS LAKE
IS THAT IT'S A LAKE
585
00:26:36,400 --> 00:26:39,733
THAT REALLY DOESN'T
HAVE ANY OUTFLOW,
586
00:26:39,733 --> 00:26:41,733
EVEN IN TERMS OF GROUNDWATER.
587
00:26:41,733 --> 00:26:45,933
IT'S THE WATER THAT GETS
INTO THIS THING STAYS PUT.
588
00:26:45,933 --> 00:26:47,900
Narrator:
WHAT'S UNUSUAL ABOUT THIS LAKE
589
00:26:47,900 --> 00:26:50,367
IS THAT THERE ARE
NO STREAMS FLOWING INTO IT
590
00:26:50,367 --> 00:26:53,300
AND THERE ARE NO STREAMS
FLOWING OUT OF IT.
591
00:26:53,300 --> 00:26:56,767
THE LAKES LIES AT THE BOTTOM
OF A SEALED, HOLLOW BASIN.
592
00:26:56,767 --> 00:26:59,367
NORMALLY, THE WATER CYCLE
GOES FROM THE HILLS
593
00:26:59,367 --> 00:27:01,867
INTO STREAMS, INTO RIVERS,
INTO THE OCEAN,
594
00:27:01,867 --> 00:27:04,833
BUT, BECAUSE IT'S A CLOSED
SYSTEM IN THE CANADIAN ROCKIES,
595
00:27:04,833 --> 00:27:07,233
THE MELTWATER FROM
THE SNOWPACK IN THE WINTER
596
00:27:07,233 --> 00:27:08,533
RUNS DOWN THE HILLS,
597
00:27:08,533 --> 00:27:11,367
PICKING UP SALT ON THE WAY
INTO THE LAGOON,
598
00:27:11,367 --> 00:27:13,067
BUT THERE'S NOWHERE
FOR THE WATER TO GO,
599
00:27:13,067 --> 00:27:15,567
EXCEPT FOR THROUGH EVAPORATION.
600
00:27:15,567 --> 00:27:18,467
Narrator:
WHEN IN HIGH SUMMER,
MOST OF THE WATER EVAPORATES.
601
00:27:18,467 --> 00:27:21,067
IT LEAVES BEHIND MARTIAN-STYLE,
MULTICOLORED,
602
00:27:21,067 --> 00:27:24,133
INTENSELY SALINE, BRINE POOLS.
603
00:27:24,133 --> 00:27:26,300
SO THE REASON THEY'RE DIFFERENT
COLORS IS BECAUSE THEY'VE GOT
604
00:27:26,300 --> 00:27:29,533
DIFFERENT CONCENTRATIONS
AND MIXTURES OF SALTS.
605
00:27:29,533 --> 00:27:32,700
WHEN THE WATER RUNS OFF OF
A PARTICULAR PART OF THE HILL,
606
00:27:32,700 --> 00:27:34,800
MAYBE THERE'S A GYPSUM SALT
AND IT PULLS A LOT
607
00:27:34,800 --> 00:27:37,867
OF THAT GYPSUM SALT
INTO ONE OF THE PONDS;
608
00:27:37,867 --> 00:27:39,433
AND ANOTHER PART OF THE HILL
609
00:27:39,433 --> 00:27:41,133
HAS A DIFFERENT
KIND OF MINERAL SALT
610
00:27:41,133 --> 00:27:43,633
AND THAT'LL PULL IT
INTO A DIFFERENT POND.
611
00:27:43,633 --> 00:27:45,100
Narrator:
THE WATER FOUND IN EACH POOL
612
00:27:45,100 --> 00:27:48,133
RETAINS A DISTINCTIVE
MINERAL PROFILE.
613
00:27:48,133 --> 00:27:51,333
SOME POOLS, KOUROUNIS LEARNS,
CONTAIN EPSOM SALTS,
614
00:27:51,333 --> 00:27:54,367
WHICH TREAT RHEUMATISM
AND ARTHRITIS.
615
00:27:54,367 --> 00:27:57,167
FOR OKANOGAN HEALERS,
THE COLOR OF EACH POOL
616
00:27:57,167 --> 00:27:59,733
INDICATES WHICH MINERAL
IS PRESENT.
617
00:27:59,733 --> 00:28:02,500
FIRST NATIONS DOCTORS
WOULD'VE ACTUALLY USED THEM
618
00:28:02,500 --> 00:28:04,967
AS A PRESCRIPTION PAD.
619
00:28:04,967 --> 00:28:06,700
Narrator:
BUT THIS ISN'T
THE MOST SURPRISING THING
620
00:28:06,700 --> 00:28:08,700
ABOUT SPOTTED LAKE.
621
00:28:08,700 --> 00:28:11,333
THE WATERS HERE HAVE AMONG
THE HIGHEST CONCENTRATIONS
622
00:28:11,333 --> 00:28:14,733
OF SULFATES ANYWHERE
IN THE WORLD.
623
00:28:14,733 --> 00:28:17,600
IT'S LIKE A CHUNK OF MARS
HAS SOMEHOW BROKEN OFF
624
00:28:17,600 --> 00:28:21,300
AND TRAVELED 33 MILLION MILES.
625
00:28:21,300 --> 00:28:23,667
AND WHAT'S EXCITING IS THAT
SCIENTISTS BELIEVE
626
00:28:23,667 --> 00:28:28,267
THIS MARTIAN-TYPE LAKE COULD
CONTAIN MARTIAN-TYPE LIFE.
627
00:28:28,267 --> 00:28:30,200
ANALYSIS OF WATER
FROM SPOTTED LAKE
628
00:28:30,200 --> 00:28:34,267
REVEALS THAT TINY ORGANISMS ARE,
INDEED, LIVING IN THE POOLS.
629
00:28:34,267 --> 00:28:38,533
**
630
00:28:38,533 --> 00:28:40,500
IT'S LIKE MARS
HAS COME TO EARTH.
631
00:28:40,500 --> 00:28:42,300
[ STATIC CRACKLING ]
632
00:28:42,300 --> 00:28:47,300
AND IN THESE WEIRD HOLES ARE
CLUES TO LIFE ON THE RED PLANET.
633
00:28:47,300 --> 00:28:50,767
IT'S POSSIBLE THAT SOME KIND
OF LIFE LIKE THAT
634
00:28:50,767 --> 00:28:52,267
MIGHT BE EXISTING ON MARS,
635
00:28:52,267 --> 00:28:55,133
WHICH WOULD BE
AN INSANE DISCOVERY.
636
00:28:55,133 --> 00:28:58,100
[ WHIRRING ]
637
00:28:58,100 --> 00:28:59,400
Narrator: COMING UP...
638
00:28:59,400 --> 00:29:03,467
GHOST VILLAGE OF THE DEAD
COMES BACK FROM THE PAST...
639
00:29:03,467 --> 00:29:05,567
IT'S ALMOST LIKE
THIS IS
640
00:29:05,567 --> 00:29:07,433
LIKE A PLAGUE AREA
OR SOMETHING,
641
00:29:07,433 --> 00:29:10,833
AND NOBODY'S GONE
IN THERE FOR DECADES.
642
00:29:10,833 --> 00:29:12,767
...AND, SUDDENLY,
FROM NOWHERE,
643
00:29:12,767 --> 00:29:15,433
A 6-MILE MYSTERIOUS
SCAR IN THE DESERT.
644
00:29:15,433 --> 00:29:16,900
[ FLASHBULBS EXPLODING ]
IT'S NOT A SHAPE THAT
645
00:29:16,900 --> 00:29:18,733
YOU WOULD EXPECT TO SEE
FROM SOMETHING THAT
646
00:29:18,733 --> 00:29:20,133
OCCURRED IN NATURE.
647
00:29:20,133 --> 00:29:22,800
[ FREQUENCY WARBLES ]
[ WHIRRING ]
648
00:29:24,700 --> 00:29:25,800
[ FREQUENCY WARBLES ]
649
00:29:25,800 --> 00:29:27,067
[ WHIRRING ]
650
00:29:27,067 --> 00:29:29,367
[ SUSPENSEFUL MUSIC PLAYS ]
[ BEEPING ]
651
00:29:29,367 --> 00:29:31,767
Narrator:
NOVEMBER 2015.
652
00:29:31,767 --> 00:29:33,467
A NASA SATELLITE PASSES
653
00:29:33,467 --> 00:29:36,933
OVER THE GIBSON DESERT
IN WESTERN AUSTRALIA.
654
00:29:36,933 --> 00:29:39,267
IT SPOTS A LARGE,
CLEARLY-DEFINED SHAPE
655
00:29:39,267 --> 00:29:41,633
NOT PREVIOUSLY RECORDED.
656
00:29:41,633 --> 00:29:43,200
THIS IS A MAMMOTH SHAPE
657
00:29:43,200 --> 00:29:45,533
OUT IN THE MIDDLE
OF THE AUSTRALIAN OUTBACK.
658
00:29:45,533 --> 00:29:48,067
WHAT WOULD'VE CREATED THIS?
659
00:29:48,067 --> 00:29:50,733
JUST ONE MONTH EARLIER,
THERE WAS NO FEATURE HERE;
660
00:29:50,733 --> 00:29:53,467
AND, ONE MONTH LATER, THERE'S
THIS ODD-SHAPED FEATURE.
661
00:29:53,467 --> 00:29:56,433
THEN YOU REALIZE
IT IS 6 MILES LONG.
662
00:29:56,433 --> 00:30:00,633
[ BEEPING ]
663
00:30:00,633 --> 00:30:04,867
Narrator:
THE GIBSON DESERT EXTENDS
TO ALMOST 60,000 SQUARE MILES.
664
00:30:04,867 --> 00:30:07,233
IT'S THE FIFTH-LARGEST
DESERT IN AUSTRALIA
665
00:30:07,233 --> 00:30:11,733
AND IT'S SO INHOSPITABLE THAT
HARDLY ANYONE VENTURES HERE.
666
00:30:11,733 --> 00:30:15,967
THIS IS ONE OF THE MOST
REMOTE PLACES ON EARTH.
667
00:30:15,967 --> 00:30:19,667
THE SHAPE LOOKS LIKE IT HAS BEEN
SCORCHED INTO THE SOIL.
668
00:30:19,667 --> 00:30:22,733
INVESTIGATORS CONSIDER
IF IT COULD BE A GIANT BURN SCAR
669
00:30:22,733 --> 00:30:25,133
CAUSED BY A BUSHFIRE.
670
00:30:25,133 --> 00:30:27,600
AS THIS SATELLITE IMAGE
OF AUSTRALIA SHOWS,
671
00:30:27,600 --> 00:30:30,733
BUSHFIRES ARE COMMONPLACE
IN THE OUTBACK.
672
00:30:30,733 --> 00:30:35,433
THEY COST THE COUNTRY
AN ESTIMATED $12 BILLION A YEAR.
673
00:30:35,433 --> 00:30:37,367
THIS IS A DESERT LOCATION
674
00:30:37,367 --> 00:30:40,733
WHERE TEMPERATURES CAN EASILY
GET OVER 100°.
675
00:30:40,733 --> 00:30:42,133
WHEN YOU GET THOSE HOT
OF TEMPERATURES,
676
00:30:42,133 --> 00:30:44,267
IT DRIES OUT THE VEGETATION.
677
00:30:44,267 --> 00:30:46,833
SO IT DOESN'T TAKE ANYTHING
MORE THAN A LITTLE SPARK
678
00:30:46,833 --> 00:30:49,433
TO CREATE A FAIRLY
LARGE WILDFIRE.
679
00:30:49,433 --> 00:30:51,500
[ WHOOSHING ]
680
00:30:51,500 --> 00:30:54,200
Narrator:
CLOSER INSPECTION OF THE IMAGE
REVEALS THE BURN MARKS
681
00:30:54,200 --> 00:30:56,933
ARE UNLIKE THE RESULT
OF A TYPICAL BUSHFIRE.
682
00:30:56,933 --> 00:31:00,167
THE SHAPE IS TOO DEFINITE.
683
00:31:00,167 --> 00:31:01,567
[ EERIE MUSIC PLAYS ]
BUT THERE IS ONE TYPE OF FIRE
684
00:31:01,567 --> 00:31:04,233
THAT STRIPS AWAY EVERYTHING
IN ITS PATH:
685
00:31:04,233 --> 00:31:07,067
WHAT LOCAL EXPERTS
CALL A FIRENADO.
686
00:31:07,067 --> 00:31:09,867
[ FLAMES WHOOSHING ]
687
00:31:09,867 --> 00:31:13,400
IT IS A TORNADO MADE OF FIRE
AND IT SOUNDS LIKE IT'S MADE UP
688
00:31:13,400 --> 00:31:15,900
OR FROM AN "X-MEN" MOVIE,
BUT IT REALLY HAPPENS,
689
00:31:15,900 --> 00:31:18,200
THAT FIRE WILL START SWIRLING,
690
00:31:18,200 --> 00:31:21,467
AND I WONDER
IF THIS COULD BE A FIRENADO
691
00:31:21,467 --> 00:31:25,200
MOVING ACROSS THE LAND
AND MAKING THAT LONG SCAR.
692
00:31:25,200 --> 00:31:27,100
Narrator:
FIRENADOES CAN REACH
TEMPERATURES
693
00:31:27,100 --> 00:31:29,733
BEYOND 2,000° FAHRENHEIT
694
00:31:29,733 --> 00:31:32,533
AND CREATE WINDS SO STRONG,
THEY KNOCK OVER TREES.
695
00:31:32,533 --> 00:31:35,933
**
696
00:31:35,933 --> 00:31:38,200
Zeitler:
IT'S THE SAME CONCEPT
AS A TORNADO.
697
00:31:38,200 --> 00:31:40,133
THE DIFFERENCE IS
IS THIS IS ON FIRE.
698
00:31:40,133 --> 00:31:43,233
IT'S NOT JUST AIR MOVING
AROUND THAT MAY, SAY,
699
00:31:43,233 --> 00:31:45,600
RIP OFF A ROOF
OR BLOW DOWN A FENCE,
700
00:31:45,600 --> 00:31:47,767
BUT IT'S ACTUALLY ON FIRE,
IN ADDITION TO THE WIND,
701
00:31:47,767 --> 00:31:50,433
SO IT'S SORT OF A DUAL THREAT,
SO THEY'RE VERY DANGEROUS.
702
00:31:50,433 --> 00:31:52,533
[ SIZZLING ]
703
00:31:52,533 --> 00:31:55,633
Narrator:
REPORTS OF FIRENADOES
ARE COMMON IN AUSTRALIA,
704
00:31:55,633 --> 00:32:00,333
BUT THE SCALE OF THE BURN SCAR
DOESN'T MAKE SENSE.
705
00:32:00,333 --> 00:32:03,067
IN THIS CASE,
THE SIZE OF THE FEATURE
706
00:32:03,067 --> 00:32:05,133
WE'RE LOOKING AT ON SATELLITE
IS TOO LARGE
707
00:32:05,133 --> 00:32:07,200
FOR IT TO BE ONE OF THESE FIRE
WHIRLS OR FIRE TORNADOES.
708
00:32:07,200 --> 00:32:10,667
THEY'RE MORE OF THE SIZE OF,
SAY, HALF OF A FOOTBALL FIELD,
709
00:32:10,667 --> 00:32:12,533
50 YARDS, 50 METERS,
710
00:32:12,533 --> 00:32:15,467
AND SO THEREFORE,
IT WOULDN'T PRODUCE THAT.
711
00:32:15,467 --> 00:32:18,900
IT'S MORE A WALL OF FLAME
THAT WOULD'VE PRODUCED
712
00:32:18,900 --> 00:32:21,700
THE FEATURE WE'RE LOOKING AT.
713
00:32:21,700 --> 00:32:24,667
Narrator:
AMERICAN WEATHERMAN
SCOTT RUDLOSKY GOES BACK
714
00:32:24,667 --> 00:32:28,067
TO METEOROLOGICAL RECORDS
FOR NOVEMBER 2015.
715
00:32:28,067 --> 00:32:29,167
**
716
00:32:29,167 --> 00:32:30,933
[ LIGHTNING CRASHES ]
717
00:32:30,933 --> 00:32:33,200
WHEN WE WENT AND LOOKED
AT THE LIGHTNING DATA,
718
00:32:33,200 --> 00:32:35,633
WE FOUND THAT THERE
WAS LIGHTNING THAT OCCURRED
719
00:32:35,633 --> 00:32:37,533
RIGHT IN THE MIDDLE
OF THE BURN SCAR HERE,
720
00:32:37,533 --> 00:32:40,167
AND SO THIS IS KIND OF
A SMOKING GUN,
721
00:32:40,167 --> 00:32:43,800
IN TERMS OF WHAT COULD'VE BEEN
THE CAUSE FOR THIS BURN SCAR.
722
00:32:43,800 --> 00:32:46,467
Narrator:
SCOTT KNOWS THAT ONLY
A MEGALIGHTNING STRIKE
723
00:32:46,467 --> 00:32:48,333
COULD SET OFF SUCH A HUGE FIRE.
724
00:32:48,333 --> 00:32:49,667
MANY PEOPLE DON'T KNOW
THAT LIGHTNING BOLTS
725
00:32:49,667 --> 00:32:51,067
CAN BE REALLY MASSIVE, RIGHT?
726
00:32:51,067 --> 00:32:55,133
THEY'RE ARCING ACROSS THE SKY,
200-MILES LONG.
727
00:32:55,133 --> 00:32:58,667
THE LONGEST LIGHTNING STRIKE,
EVER, LASTED ABOUT 8 SECONDS.
728
00:32:58,667 --> 00:33:00,067
IF YOU CAN JUST IMAGINE.
729
00:33:00,067 --> 00:33:02,633
I MEAN, GOOD LORD, THE AMOUNT
OF ELECTRICAL POWER.
730
00:33:02,633 --> 00:33:05,533
IT'S LIKE A "GHOSTBUSTERS"
MOVIE GOING OFF ON YOU.
731
00:33:05,533 --> 00:33:07,067
[ LIGHTNING CRASHING ]
732
00:33:07,067 --> 00:33:09,633
Narrator:
SCOTT STARTS TO BUILD A PICTURE
OF HOW A FIREWALL
733
00:33:09,633 --> 00:33:14,267
PRODUCED BY A MEGALIGHTNING BOLT
COULD'VE CREATED THIS SHAPE.
734
00:33:14,267 --> 00:33:16,300
THE PREVAILING WINDS
ARE COMING
735
00:33:16,300 --> 00:33:19,467
FROM NORTHEAST TO SOUTHWEST
IN THIS REGION.
736
00:33:19,467 --> 00:33:22,067
THE ELEVATION IS HIGHER
UP HERE IN THE NORTH
737
00:33:22,067 --> 00:33:23,567
THAN IT IS TO THE SOUTH.
738
00:33:23,567 --> 00:33:25,500
THOSE TWO THINGS COMBINE
TO SUGGEST
739
00:33:25,500 --> 00:33:28,467
THE FIRE WOULD GROW FURTHER
IN THE SOUTH DIRECTION
740
00:33:28,467 --> 00:33:29,533
THAN IN THE NORTH DIRECTION.
741
00:33:29,533 --> 00:33:31,333
[ FLAMES CRACKLING ]
742
00:33:31,333 --> 00:33:34,833
Narrator:
BUT SCOTT STILL DOESN'T HAVE
THE COMPLETE PICTURE.
743
00:33:34,833 --> 00:33:36,500
HE KNOWS A MEGALIGHTNING STRIKE
744
00:33:36,500 --> 00:33:38,967
COULD'VE IGNITED
THE HUGE FIREWALL.
745
00:33:38,967 --> 00:33:41,867
SOMETHING ELSE MIGHT'VE
CAUSED IT TO STOP ABRUPTLY,
746
00:33:41,867 --> 00:33:45,300
TO GIVE THE SCAR
ITS KNIFE-LIKE EDGES.
747
00:33:45,300 --> 00:33:49,233
HE FINDS NEW DATA, WHICH
PROVIDES A POSSIBLE ANSWER.
748
00:33:49,233 --> 00:33:50,600
SIX HOURS LATER,
749
00:33:50,600 --> 00:33:53,067
THERE WAS A MUCH STRONGER
STORM THAT CAME THROUGH.
750
00:33:53,067 --> 00:33:54,900
[ LIGHTNING CRASHES ]
Narrator: THE SECOND STORM
751
00:33:54,900 --> 00:33:57,233
WAS ACCOMPANIED BY A BAND
OF TORRENTIAL RAIN.
752
00:33:57,233 --> 00:34:01,133
[ LIGHTNING CRASHING ]
753
00:34:01,133 --> 00:34:03,367
THIS PRODUCED
ENOUGH PRECIPITATION
754
00:34:03,367 --> 00:34:05,533
TO STOP THE FIRE IN ITS TRACKS
755
00:34:05,533 --> 00:34:08,067
AND THAT WOULD HELP
TO EXPLAIN THIS SHARP EDGE
756
00:34:08,067 --> 00:34:09,800
ON THE WESTERN SIDE
OF THE BURN SCAR.
757
00:34:09,800 --> 00:34:11,667
[ WHOOSHING ]
758
00:34:11,667 --> 00:34:15,067
Narrator:
SCOTT HAS SHOWN HOW THIS
UNNATURAL-LOOKING FEATURE
759
00:34:15,067 --> 00:34:17,167
COULD HAVE A NATURAL
EXPLANATION.
760
00:34:17,167 --> 00:34:19,833
BUT IF HIS MEGALIGHTNING-STRIKE
THEORY IS CORRECT,
761
00:34:19,833 --> 00:34:22,333
THE IMPLICATIONS ARE TERRIFYING.
762
00:34:22,333 --> 00:34:25,700
WE'RE SO LUCKY THAT THIS 6-MILE-
LONG SWATH OF DEVASTATION
763
00:34:25,700 --> 00:34:27,133
HAPPENED IN THE MIDDLE
OF THE DESERT,
764
00:34:27,133 --> 00:34:28,833
THE MIDDLE OF NOWHERE,
INSTEAD OF, SAY, NEW YORK.
765
00:34:28,833 --> 00:34:31,167
I MEAN, MANHATTAN
IS ABOUT 6 MILES LONG.
766
00:34:31,167 --> 00:34:32,567
[ LIGHTNING CRASHING ]
767
00:34:32,567 --> 00:34:35,333
40 YEARS AGO, NEW YORK'S
ENTIRE POWER GRID WENT DOWN
768
00:34:35,333 --> 00:34:36,933
DUE TO A LIGHTNING STRIKE
769
00:34:36,933 --> 00:34:39,200
AND THAT CAUSED
$300 MILLION IN DAMAGE,
770
00:34:39,200 --> 00:34:41,900
WHICH SOUNDS LIKE A LOT,
BUT REMEMBER, YEARS AGO,
771
00:34:41,900 --> 00:34:43,333
OUR LIFE WASN'T RUN
BY COMPUTERS.
772
00:34:43,333 --> 00:34:45,733
OUR CARS WEREN'T COMPUTERS.
773
00:34:45,733 --> 00:34:47,467
I CAN'T IMAGINE HOW BAD
IT WOULD BE NOW,
774
00:34:47,467 --> 00:34:50,167
TO HAVE 9 HOURS OF BLACKOUT
IN NEW YORK CITY.
775
00:34:50,167 --> 00:34:55,100
[ EERIE MUSIC PLAYS ]
[ LIGHTNING CRASHING ]
776
00:34:55,100 --> 00:34:57,733
[ WHIRRING ]
777
00:34:57,733 --> 00:34:58,800
Narrator: COMING UP...
778
00:34:58,800 --> 00:35:02,733
A HORROR VILLAGE
FROZEN IN TIME...
779
00:35:02,733 --> 00:35:04,733
REALLY STRANGE-LOOKING.
780
00:35:04,733 --> 00:35:08,700
WE MIGHT SEE THESE BUILDINGS
IN AN APOCALYPTIC MOVIE.
781
00:35:08,700 --> 00:35:10,600
[ FREQUENCY WARBLES ]
[ WHIRRING ]
782
00:35:13,333 --> 00:35:14,367
[ FREQUENCY WARBLES ]
783
00:35:14,367 --> 00:35:15,800
[ WHIRRING ]
784
00:35:15,800 --> 00:35:17,833
Narrator:
A SATELLITE FLIES
OVER THE REGION
785
00:35:17,833 --> 00:35:20,700
OF NOUVELLE-AQUITAINE
IN CENTRAL FRANCE
786
00:35:20,700 --> 00:35:23,533
AND CAPTURES A GHOSTLY IMAGE.
787
00:35:23,533 --> 00:35:25,967
IT LOOKS AS IF IT'S
A COMPLETELY ABANDONED TOWN,
788
00:35:25,967 --> 00:35:29,633
BUT NOT ONLY ABANDONED,
COMPLETELY DESTROYED.
789
00:35:29,633 --> 00:35:32,900
IT ALMOST LOOKS LIKE
THERE WAS RECENTLY A FIRE
790
00:35:32,900 --> 00:35:35,833
THAT SCOURED THROUGH HALF
OF THIS COMMUNITY,
791
00:35:35,833 --> 00:35:39,700
SCARRING IT, DESTROYING
BUILDINGS, BURNING CARS UP.
792
00:35:39,700 --> 00:35:42,500
Narrator:
BUT THERE ISN'T THE CHARRING
YOU'D EXPECT FROM A FIRE
793
00:35:42,500 --> 00:35:44,200
AND THERE ARE NO
MODERN BUILDINGS.
794
00:35:44,200 --> 00:35:48,367
[ SUSPENSEFUL MUSIC CLIMBS ]
795
00:35:48,367 --> 00:35:52,900
SATELLITE ANALYST MARK D'ANTONIO
SCOURS THE IMAGE FOR CLUES.
796
00:35:52,900 --> 00:35:56,900
IT'S ALMOST LIKE THIS IS LIKE
A PLAGUE AREA OR SOMETHING
797
00:35:56,900 --> 00:35:59,900
AND NOBODY'S GONE
IN THERE FOR DECADES.
798
00:35:59,900 --> 00:36:02,933
Narrator:
D'ANTONIO TURNS TO IMAGES
TAKEN CLOSER TO EARTH.
799
00:36:02,933 --> 00:36:05,433
**
800
00:36:05,433 --> 00:36:08,600
THERE ARE UPTURNED STROLLERS,
RUSTING CARS,
801
00:36:08,600 --> 00:36:10,467
AND BULLET HOLES
IN THE WALLS.
802
00:36:10,467 --> 00:36:12,433
D'Antonio:
IT'S REALLY STRANGE-LOOKING.
803
00:36:12,433 --> 00:36:17,967
WE MIGHT SEE THESE BUILDINGS
IN AN APOCALYPTIC MOVIE.
804
00:36:17,967 --> 00:36:20,733
Narrator:
BUT, WHEN D'ANTONIO CHECKS
HISTORIC RECORDS,
805
00:36:20,733 --> 00:36:23,400
HE DISCOVERS THIS IS
NO MOVIE SET,
806
00:36:23,400 --> 00:36:27,100
AND WHAT HAPPENED
HERE WAS VERY REAL.
807
00:36:27,100 --> 00:36:30,433
THIS IS ORADOUR-sur-GLANE,
A FRENCH VILLAGE...
808
00:36:30,433 --> 00:36:31,867
[ EERIE MUSIC PLAYS ]
...THAT CEASES TO EXIST
809
00:36:31,867 --> 00:36:35,333
ON JUNE 10, 1944.
810
00:36:35,333 --> 00:36:40,100
WHEN YOU ACTUALLY REALIZE WHAT
HAPPENED IN THIS FRENCH VILLAGE,
811
00:36:40,100 --> 00:36:42,567
WHEN YOU ACTUALLY REALIZE
THE HORRORS
812
00:36:42,567 --> 00:36:45,767
OF WHAT HISTORY REVEALS TO US,
813
00:36:45,767 --> 00:36:52,167
IT WAS MUCH MORE DEVASTATING
THAN ANY EARTHQUAKE OR FIRE.
814
00:36:52,167 --> 00:36:55,133
Narrator:
THE DETAILS OF WHAT HAPPENED
HERE ARE UNCERTAIN.
815
00:36:55,133 --> 00:36:57,967
THIS IS THE WORK
OF THE GERMAN SS
816
00:36:57,967 --> 00:37:00,500
AND WHAT BRINGS THEM HERE
IS THE FRENCH RESISTANCE.
817
00:37:00,500 --> 00:37:02,533
[ EXPLOSION ]
818
00:37:02,533 --> 00:37:05,200
THE FRENCH RESISTANCE
WOULD SABOTAGE FACTORIES
819
00:37:05,200 --> 00:37:06,900
AND THEY WOULD
SABOTAGE RAIL LINES...
820
00:37:06,900 --> 00:37:08,733
[ RAPID GUNFIRE ]
...AND THEY WOULD TRY TO SOW
821
00:37:08,733 --> 00:37:13,733
DESTRUCTION AND CHAOS INTO THE
GERMAN SYSTEM OF OCCUPATION.
822
00:37:13,733 --> 00:37:16,367
Harrison:
ONE OF THE THINGS
ABOUT THE RESISTANCE IS
823
00:37:16,367 --> 00:37:18,867
IT COULD BE ANYONE;
IT COULD BE ANYWHERE.
824
00:37:18,867 --> 00:37:22,400
SO THERE WAS THE SENSE
OF INSECURITY, OBVIOUSLY,
825
00:37:22,400 --> 00:37:23,533
AMONG THE GERMANS.
826
00:37:23,533 --> 00:37:25,233
YOU NEVER KNOW WHO'S
IN THE RESISTANCE.
827
00:37:25,233 --> 00:37:26,367
[ SUSPENSEFUL CHORD STRIKES ]
828
00:37:26,367 --> 00:37:27,767
**
829
00:37:27,767 --> 00:37:30,200
Narrator:
ONE CENTER OF RESISTANCE
ACTIVITY LIES
830
00:37:30,200 --> 00:37:33,400
25 MILES TO THE SOUTH
OF ORADOUR-sur-GLANE.
831
00:37:33,400 --> 00:37:37,633
IT HAS A VERY SIMILAR NAME:
ORADOUR-sur-VAYRES.
832
00:37:37,633 --> 00:37:39,500
FOUR DAYS AFTER D-DAY,
833
00:37:39,500 --> 00:37:43,500
SS MAJOR ADOLF DIEKMANN
IS ORDERED TO GO THERE.
834
00:37:43,500 --> 00:37:46,233
A FELLOW GERMAN OFFICER IS
SUPPOSED TO HAVE BEEN KIDNAPPED
835
00:37:46,233 --> 00:37:47,833
BY THE FRENCH RESISTANCE.
836
00:37:47,833 --> 00:37:50,200
DIEKMANN IS TOLD
TO DETAIN 30 HOSTAGES,
837
00:37:50,200 --> 00:37:53,433
AND KILL THEM,
IF THE OFFICER IS NOT RELEASED.
838
00:37:53,433 --> 00:37:56,500
HE TAKES A UNIT FROM
THE SS DAS REICH REGIMENT,
839
00:37:56,500 --> 00:37:58,567
BUT GOES TO THE WRONG PLACE,
840
00:37:58,567 --> 00:38:00,900
TO THE VILLAGE
OF ORADOUR-sur-GLANE.
841
00:38:00,900 --> 00:38:03,133
[ FILM CRACKLING ]
842
00:38:03,133 --> 00:38:05,933
HE GOES IN, DOESN'T FIND
THE GERMAN OFFICER
843
00:38:05,933 --> 00:38:07,300
THAT HE'S LOOKING FOR,
844
00:38:07,300 --> 00:38:09,633
AND DECIDES TO RAZE
THE VILLAGE ANYWAY.
845
00:38:09,633 --> 00:38:12,233
[ EXPLOSION ]
THE SS WAS NOT IN THE BUSINESS
846
00:38:12,233 --> 00:38:13,567
OF TAKING PRISONERS.
847
00:38:13,567 --> 00:38:16,667
THEY WERE IN THE BUSINESS
OF KILLING PEOPLE.
848
00:38:16,667 --> 00:38:19,533
Narrator:
AT 2:00, THE SS ARRIVES.
849
00:38:19,533 --> 00:38:23,067
EVERYONE IS ROUNDED UP
AND TAKEN TO THE VILLAGE SQUARE.
850
00:38:23,067 --> 00:38:26,233
THE WOMEN AND CHILDREN
ARE LOCKED INTO THE CHURCH.
851
00:38:26,233 --> 00:38:29,233
197 MEN ARE FORCED INTO BARNS,
852
00:38:29,233 --> 00:38:32,400
WHERE MACHINE GUNNERS
ARE WAITING.
853
00:38:32,400 --> 00:38:34,233
THE GERMANS AIM FOR THE LEGS,
854
00:38:34,233 --> 00:38:37,067
THEN DOUSE THE WOUNDED
IN GASOLINE.
855
00:38:37,067 --> 00:38:40,467
THE IDEA THAT YOU WOULD
SHOOT PEOPLE IN THE LEGS
856
00:38:40,467 --> 00:38:43,500
AND THEN BURN THEM ALIVE
SO THEY COULDN'T RUN AWAY,
857
00:38:43,500 --> 00:38:45,533
IT'S OBVIOUSLY THE OUTCOME
858
00:38:45,533 --> 00:38:47,800
OF HAVING AN INCREDIBLY
TWISTED,
859
00:38:47,800 --> 00:38:52,067
FANATICAL,
MEDIEVALLY CRUEL MIND.
860
00:38:52,067 --> 00:38:53,700
Narrator:
THE CHURCH IS PACKED.
861
00:38:53,700 --> 00:38:56,533
THE TRAPPED WOMEN AND CHILDREN
ARE TERRIFIED.
862
00:38:56,533 --> 00:39:00,567
Carter:
I CAN ONLY IMAGINE
THE SCREAMS, THE CRIES,
863
00:39:00,567 --> 00:39:03,467
CHILDREN HUDDLED UP AGAINST
THEIR MOTHER, YOU KNOW,
864
00:39:03,467 --> 00:39:06,067
WONDERING WHAT WAS
GOING TO HAPPEN NEXT.
865
00:39:06,067 --> 00:39:08,900
Narrator:
THEN, THE SOLDIERS DETONATE
A LARGE INCENDIARY BOMB.
866
00:39:08,900 --> 00:39:10,533
[ EXPLOSION ]
867
00:39:10,533 --> 00:39:16,200
THE ENSUING INFERNO KILLS
240 WOMEN AND 205 CHILDREN.
868
00:39:16,200 --> 00:39:21,333
HOW DO YOU THINK SO LITTLE
OF YOUR FELLOW HUMAN BEING
869
00:39:21,333 --> 00:39:23,700
THAT YOU WOULD DO THAT?
870
00:39:23,700 --> 00:39:27,433
Narrator:
THERE ARE NO MASSACRES
ON THE SAME SCALE IN FRANCE.
871
00:39:27,433 --> 00:39:29,900
THE SS COMMIT THE MOST
SHOCKING CRIMES,
872
00:39:29,900 --> 00:39:32,867
BUT MOST OF THE SLAUGHTER
TAKES PLACE IN THE EAST.
873
00:39:32,867 --> 00:39:36,200
THE NAZIS AIM TO EXTERMINATE
EUROPE'S JEWISH POPULATION
874
00:39:36,200 --> 00:39:40,067
AND ALL WHO THEY CONSIDER
TO BE RACIALLY INFERIOR.
875
00:39:40,067 --> 00:39:43,400
WE TYPICALLY TEND TO ASSOCIATE
THESE SORT OF ACTIONS
876
00:39:43,400 --> 00:39:46,833
AS REPRISAL ACTIONS
ON THE RUSSIAN FRONT.
877
00:39:46,833 --> 00:39:48,333
THIS IS WHAT MAKES IT
MORE SURPRISING,
878
00:39:48,333 --> 00:39:52,100
BECAUSE THE MOTIVATION BEHIND IT
IS INCREDIBLY PERPLEXING
879
00:39:52,100 --> 00:39:53,833
AND INCREDIBLY MYSTERIOUS.
880
00:39:53,833 --> 00:39:55,700
SO WHY DID THEY DO IT?
881
00:39:55,700 --> 00:39:57,067
IN MY CAREER AS AN HISTORIAN,
882
00:39:57,067 --> 00:40:00,200
I HAVE FOUND MYSELF STUDYING
A NUMBER OF INCIDENTS
883
00:40:00,200 --> 00:40:02,200
THAT LOOK A LOT LIKE
ORADOUR-sur-GLANE
884
00:40:02,200 --> 00:40:04,367
AND WHAT I HAVE FOUND IS THAT
THERE ARE CIRCUMSTANCES
885
00:40:04,367 --> 00:40:06,767
THAT REMAIN CONSTANT
THROUGH EACH OF THEM,
886
00:40:06,767 --> 00:40:10,667
AND THAT IS THAT THEY TENDED TO
DO IT WHEN NO ONE WAS LOOKING.
887
00:40:10,667 --> 00:40:12,967
THEY DID IT UNDER CIRCUMSTANCES
WHERE THEY COULD THEN
888
00:40:12,967 --> 00:40:15,067
QUICKLY SLIP AWAY
FROM THE SCENE OF THE CRIME
889
00:40:15,067 --> 00:40:19,267
AND THEREBY ESCAPE THE
CONSEQUENCES OF THEIR ACTIVITY.
890
00:40:19,267 --> 00:40:21,300
Narrator:
AS THE ALLIED ARMIES APPROACH,
891
00:40:21,300 --> 00:40:24,533
GERMAN OFFICERS FEAR THAT THEY
WILL BE HELD ACCOUNTABLE.
892
00:40:24,533 --> 00:40:26,700
IN AN APPARENT EFFORT
TO DISTANCE HIMSELF
893
00:40:26,700 --> 00:40:29,367
FROM THE MASSACRE,
DIEKMANN'S SENIOR OFFICER,
894
00:40:29,367 --> 00:40:32,500
SYLVESTER STADLER,
ORDERS A COURT MARTIAL,
895
00:40:32,500 --> 00:40:35,833
BUT DIEKMANN DIES
BEFORE HE CAN STAND TRIAL.
896
00:40:35,833 --> 00:40:38,867
Harrison:
HE WAS IN FACT KILLED IN BATTLE.
897
00:40:38,867 --> 00:40:41,900
HE WASN'T THERE TO BE PART
OF AN INVESTIGATION.
898
00:40:41,900 --> 00:40:46,733
THAT WOULD HAVE TO WAIT
TO AFTER WORLD WAR II.
899
00:40:46,733 --> 00:40:48,733
Narrator:
AFTER THE WAR,
THERE ARE SEVERAL TRIALS,
900
00:40:48,733 --> 00:40:50,800
BUT NONE ARE CONCLUSIVE.
901
00:40:50,800 --> 00:40:53,667
THE BIGGEST,
IN BORDEAUX, IN 1953,
902
00:40:53,667 --> 00:40:57,533
INCLUDED JUST 21 OF THE 66
SURVIVING SOLDIERS
903
00:40:57,533 --> 00:40:59,467
WHO TOOK PART IN THE MASSACRE.
904
00:40:59,467 --> 00:41:01,367
[ MELANCHOLY TUNE PLAYS ]
905
00:41:01,367 --> 00:41:05,867
THOUGH CONVICTED, NONE SERVED
MORE THAN 5 YEARS IN PRISON.
906
00:41:05,867 --> 00:41:08,867
THE SENIOR SS OFFICERS
INVOLVED WERE NEVER TRIED.
907
00:41:08,867 --> 00:41:11,267
**
908
00:41:11,267 --> 00:41:13,200
ONE OF THE SADDEST FACTS
ABOUT ORADOUR
909
00:41:13,200 --> 00:41:14,633
IS THAT, OVER MANY DECADES,
910
00:41:14,633 --> 00:41:17,333
THERE HAVE BEEN ATTEMPTS
TO BRING THOSE WHO COMMITTED
911
00:41:17,333 --> 00:41:20,167
THIS REALLY FOUL CRIME
TO JUSTICE,
912
00:41:20,167 --> 00:41:23,067
BUT, AS IS SO OFTEN THE WAY
WITH THESE NAZI WAR CRIMINALS,
913
00:41:23,067 --> 00:41:27,067
IT APPEARS THAT THE PERPETRATORS
HAVE GOT AWAY WITH IT.
914
00:41:27,067 --> 00:41:28,733
Narrator:
THE FRENCH BURY THEIR DEAD,
915
00:41:28,733 --> 00:41:31,067
BUT, AS THE SATELLITE
IMAGE SHOWS,
916
00:41:31,067 --> 00:41:33,133
THEY DECIDE THAT
ORADOUR-sur-GLANE
917
00:41:33,133 --> 00:41:35,533
SHOULD REMAIN AS THE SS LEFT IT.
918
00:41:35,533 --> 00:41:37,900
AFTER THE WAR,
PRESIDENT CHARLES de GAULLE
919
00:41:37,900 --> 00:41:40,400
DECLARES THIS A MEMORIAL SITE
920
00:41:40,400 --> 00:41:43,933
AS A HAUNTING REMINDER
OF THE SECOND WORLD WAR
921
00:41:43,933 --> 00:41:45,567
AND THE BRUTALITIES
THAT WERE WAGED
922
00:41:45,567 --> 00:41:47,633
AGAINST THE FRENCH POPULATION.
923
00:41:47,633 --> 00:41:52,467
Narrator:
THIS VILLAGE, FROZEN IN TIME,
REMAINS A POTENT IMAGE.
924
00:41:52,467 --> 00:41:54,500
IT'S IMPORTANT FOR A MEMORIAL,
925
00:41:54,500 --> 00:41:57,733
LIKE THE VILLAGE HAS BEEN
TURNED INTO, TO EXIST,
926
00:41:57,733 --> 00:42:00,833
A MEMORIAL THAT WARNS US
THAT THIS IS THE KIND OF THING
927
00:42:00,833 --> 00:42:02,067
THAT CAN HAPPEN IN WARFARE.
928
00:42:02,067 --> 00:42:04,067
**
73524
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