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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,967 --> 00:00:03,633 Narrator: THEY'RE WATCHING YOU. 2 00:00:03,633 --> 00:00:07,467 MORE THAN 4,000 SATELLITES CIRCLE THE EARTH. 3 00:00:07,467 --> 00:00:10,667 EVERY DAY, THEY UNCOVER NEW, MYSTERIOUS PHENOMENA 4 00:00:10,667 --> 00:00:12,100 THAT DEFY EXPLANATION. 5 00:00:12,100 --> 00:00:15,800 [ BEEPING, DISTORTED MUSIC ] 6 00:00:15,800 --> 00:00:19,633 LABYRINTHS, CODES, AND WITCHES IN THE HEART OF ENGLAND... 7 00:00:19,633 --> 00:00:21,867 I WAS STRUCK IMMEDIATELY BY THE SYMBOLISM. 8 00:00:21,867 --> 00:00:24,567 ONE, MAYBE TWO, I'VE RECOGNIZED. 9 00:00:24,567 --> 00:00:28,167 ...THE MYSTERIOUS HEALING POWERS OF THE LAKE FROM MARS... 10 00:00:28,167 --> 00:00:29,233 WHAT IS THIS? 11 00:00:29,233 --> 00:00:31,667 AM I LOOKING AT AN ALIEN LANDSCAPE? 12 00:00:31,667 --> 00:00:33,100 NO. THIS IS RIGHT HERE. 13 00:00:33,100 --> 00:00:35,833 ...AND THE TREASURE SHIP THAT APPEARS FROM NOWHERE. 14 00:00:35,833 --> 00:00:38,367 THIS SHIP IS RUMORED TO HAVE BEEN TAKEN OVER 15 00:00:38,367 --> 00:00:39,367 BY HORDES 16 00:00:39,367 --> 00:00:43,200 OF CANNIBAL RATS. 17 00:00:43,200 --> 00:00:44,733 BAFFLING PHENOMENA. 18 00:00:44,733 --> 00:00:46,833 MYSTERIES FROM SPACE. 19 00:00:46,833 --> 00:00:48,233 WHAT ON EARTH ARE THEY? 20 00:00:48,233 --> 00:00:50,467 -- Captions by VITAC -- www.vitac.com 21 00:00:50,467 --> 00:00:52,767 [ BEEPING ] [ CAMERA SHUTTER CLICKING ] 22 00:00:52,767 --> 00:00:54,500 [ WHIRRING ] 23 00:00:54,500 --> 00:00:58,500 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 24 00:00:58,500 --> 00:01:00,333 ** 25 00:01:00,333 --> 00:01:04,400 [ FREQUENCY WARBLES ] [ WHIRRING ] 26 00:01:04,400 --> 00:01:05,667 [ BEEPING ] 27 00:01:05,667 --> 00:01:07,167 NORTHAMPTONSHIRE, ENGLAND. 28 00:01:07,167 --> 00:01:10,267 [ HEARTBEAT ] [ WHIRRING ] 29 00:01:10,267 --> 00:01:12,933 IN THE SPRING OF 1944, 30 00:01:12,933 --> 00:01:14,633 A RECONNAISSANCE PLANE PHOTOGRAPHS 31 00:01:14,633 --> 00:01:16,433 A SET OF CONCENTRIC CIRCLES 32 00:01:16,433 --> 00:01:19,200 SEEMINGLY ETCHED INTO THE GROUND. 33 00:01:19,200 --> 00:01:23,267 OVER 70 YEARS LATER, THE GRAINY IMAGE STILL BAFFLES. 34 00:01:23,267 --> 00:01:24,233 IT LOOKS REALLY ODD. 35 00:01:24,233 --> 00:01:25,667 IT'S REALLY QUITE INTRIGUING. 36 00:01:25,667 --> 00:01:29,067 WHY WOULD THERE BE THESE ALMOST PERFECT CONCENTRIC CIRCLES 37 00:01:29,067 --> 00:01:31,200 IN THE MIDDLE OF THE LANDSCAPE? 38 00:01:31,200 --> 00:01:33,500 Gough: THIS IS SO WEIRD. 39 00:01:33,500 --> 00:01:36,800 IT REMINDS ME OF CROP MARKS. 40 00:01:36,800 --> 00:01:39,867 EXCEPT THERE ARE NO CROPS TO MAKE THE MARK IN. 41 00:01:39,867 --> 00:01:42,333 IT'S ALMOST AS THOUGH IT'S BEEN INSCRIBED 42 00:01:42,333 --> 00:01:43,800 INTO THE GROUND ITSELF. 43 00:01:43,800 --> 00:01:48,133 [ SUSPENSEFUL MUSIC PLAYS ] 44 00:01:48,133 --> 00:01:52,100 Narrator: INVESTIGATORS BELIEVE IT LOOKS LIKE A GIANT SYMBOL. 45 00:01:52,100 --> 00:01:55,300 BUT, IF SO, WHAT COULD IT MEAN? 46 00:01:55,300 --> 00:01:56,700 YOU HAVE TO RECOGNIZE IMMEDIATELY THAT 47 00:01:56,700 --> 00:01:58,833 IT'S A WARTIME IMAGE 48 00:01:58,833 --> 00:02:01,867 AND IF IT WAS TAKEN THEN AND IT WAS TAKEN FROM THE AIR, 49 00:02:01,867 --> 00:02:03,100 WHO TOOK IT? 50 00:02:03,100 --> 00:02:06,733 ** 51 00:02:06,733 --> 00:02:10,800 Narrator: WARTIME MAPS REVEAL SEVERAL RAF AIRFIELDS NEARBY, 52 00:02:10,800 --> 00:02:13,200 BUT THERE'S NO OBVIOUS REASON AN ALLIED PLANE 53 00:02:13,200 --> 00:02:15,967 WOULD PHOTOGRAPH ITS OWN BACKYARD. 54 00:02:15,967 --> 00:02:18,467 SUSPICION FALLS ON THE ENEMY. 55 00:02:18,467 --> 00:02:21,533 EVEN IN 1944, THE LUFTWAFFE WAS CARRYING OUT 56 00:02:21,533 --> 00:02:23,900 PHOTO RECONNAISSANCE MISSIONS OVER THE UNITED KINGDOM 57 00:02:23,900 --> 00:02:27,133 ON A REGULAR BASIS. 58 00:02:27,133 --> 00:02:30,133 Narrator: JUST 30 MILES TO THE SOUTH OF THE MYSTERIOUS CIRCLES 59 00:02:30,133 --> 00:02:31,967 LIES BLETCHLEY PARK, [ CAMERA SHUTTER CLICKS ] 60 00:02:31,967 --> 00:02:35,700 THE CENTER FOR ALLIED CODEBREAKING. 61 00:02:35,700 --> 00:02:38,367 HERE, CRYPTOGRAPHERS BUILT THE MACHINE WHICH CRACKED 62 00:02:38,367 --> 00:02:43,400 THE NAZIS' SUPPOSEDLY UNBREAKABLE ENIGMA CODE. 63 00:02:43,400 --> 00:02:46,567 THE FACT THAT THEY WERE UP THERE, PHOTOGRAPHING THIS SPOT, 64 00:02:46,567 --> 00:02:49,700 DANGEROUSLY CLOSE TO BLETCHLEY PARK, 65 00:02:49,700 --> 00:02:52,600 IT CERTAINLY INDICATES THAT THE GERMANS KNEW 66 00:02:52,600 --> 00:02:56,467 THAT SOMETHING WAS UP THERE AND THAT THEY WERE LOOKING FOR IT. 67 00:02:56,467 --> 00:03:00,267 Narrator: INVESTIGATORS CONSIDER IF THIS GIANT SYMBOL COULD BE A MARKER, 68 00:03:00,267 --> 00:03:05,333 CARVED BY NAZI SPIES TO GUIDE ENEMY BOMBERS TOWARDS BLETCHLEY. 69 00:03:05,333 --> 00:03:06,933 DURING THE SECOND WORLD WAR, 70 00:03:06,933 --> 00:03:08,600 ALMOST EVERY NATION INVOLVED 71 00:03:08,600 --> 00:03:10,767 HAD CONCERNS OF FIFTH-COLUMN ACTIVITY, 72 00:03:10,767 --> 00:03:13,667 MEANING THAT THERE WOULD BE A COHORT OF PEOPLE 73 00:03:13,667 --> 00:03:16,400 LIVING WITHIN THE COUNTRY THAT WERE HELPING THE ENEMY DIRECTLY, 74 00:03:16,400 --> 00:03:19,067 AND THAT WAS CERTAINLY THE CASE IN THE UNITED KINGDOM. 75 00:03:19,067 --> 00:03:20,867 [ BIRDS CHIRPING ] 76 00:03:20,867 --> 00:03:22,767 WE DO KNOW THAT NAZI SYMPATHIZERS 77 00:03:22,767 --> 00:03:24,067 DURING THE SECOND WORLD WAR 78 00:03:24,067 --> 00:03:26,400 WOULD USE CERTAIN MARKINGS IN THE LANDSCAPE 79 00:03:26,400 --> 00:03:29,300 TO KIND OF TIP OFF THE NAZIS. 80 00:03:29,300 --> 00:03:33,333 Narrator: BUT THE CIRCULAR FORMATION IS 390 FEET WIDE, 81 00:03:33,333 --> 00:03:36,633 SURELY TOO BIG TO BE A CLANDESTINE SYMBOL. 82 00:03:36,633 --> 00:03:38,633 EVEN CREATING THIS TYPE OF THING 83 00:03:38,633 --> 00:03:42,100 WOULD CERTAINLY ATTRACT A LOT OF ATTENTION. 84 00:03:42,100 --> 00:03:46,700 Narrator: HISTORIAN ANDREW GOUGH DOESN'T BUY THE LUFTWAFFE THEORY. 85 00:03:46,700 --> 00:03:49,633 HE CHECKS WITH AN ARCHIVE IN WASHINGTON, D.C. 86 00:03:49,633 --> 00:03:53,767 WHAT THEY TELL HIM CONFIRMS HIS HUNCH. 87 00:03:53,767 --> 00:03:55,300 I'VE DONE SOME RESEARCH 88 00:03:55,300 --> 00:03:58,367 AND, ACTUALLY, IT TURNS OUT THAT THIS PHOTO, 89 00:03:58,367 --> 00:04:00,967 IT WASN'T TAKEN BY THE GERMANS AT ALL. 90 00:04:00,967 --> 00:04:04,367 IT WAS PROBABLY TAKEN BY A U.S. PILOT. 91 00:04:04,367 --> 00:04:07,533 I DON'T THINK THIS IS THE WORK OF THE FIFTH-COLUMNIST. 92 00:04:07,533 --> 00:04:09,200 IT LOOKS MORE ANCIENT THAN THAT. 93 00:04:09,200 --> 00:04:13,800 I'M WONDERING IF THIS IS SOME SORT OF PREHISTORIC SITE. 94 00:04:13,800 --> 00:04:18,900 Narrator: GOUGH KNOWS CIRCLES WERE COMMON SYMBOLS IN PREHISTORIC BRITAIN. 95 00:04:18,900 --> 00:04:21,867 PEOPLE OFTEN BUILT CIRCULAR STRUCTURES. 96 00:04:21,867 --> 00:04:24,133 NOT JUST THE WELL-KNOWN STONE CIRCLES, 97 00:04:24,133 --> 00:04:28,100 BUT YOU ALSO HAVE HENGE MONUMENTS. 98 00:04:28,100 --> 00:04:31,667 IT'S CLEARLY UBIQUITOUS IN PREHISTORIC LIFE 99 00:04:31,667 --> 00:04:34,933 THAT PEOPLE WERE OBSESSED WITH CIRCLES. 100 00:04:34,933 --> 00:04:38,233 Narrator: BUT GOUGH'S CLOSER INSPECTION OF THE AERIAL RECONNAISSANCE IMAGE 101 00:04:38,233 --> 00:04:41,167 REVEALS EVIDENCE THAT THE BAFFLING CIRCULAR SYMBOL 102 00:04:41,167 --> 00:04:45,133 MAY HAVE BEEN CREATED MORE RECENTLY. 103 00:04:45,133 --> 00:04:48,567 TO THE SOUTH, ANDREW PINPOINTS A CROSS-SHAPED BUILDING 104 00:04:48,567 --> 00:04:52,233 WHICH HE DISCOVERS WAS BUILT FOR A MYSTERIOUS TUDOR NOBLEMAN: 105 00:04:52,233 --> 00:04:55,267 SIR THOMAS TRESHAM, WHO ALSO OWNED THE LAND 106 00:04:55,267 --> 00:04:57,133 WHERE THE CIRCULAR FORMATION IS FOUND. 107 00:04:57,133 --> 00:05:00,100 ** 108 00:05:00,100 --> 00:05:02,700 HE HEADS FOR NORTHAMPTONSHIRE TO INVESTIGATE. 109 00:05:02,700 --> 00:05:11,833 ** 110 00:05:11,833 --> 00:05:12,767 LOOK AT THIS THING. 111 00:05:12,767 --> 00:05:14,067 IT'S LIKE IT'S BEEN TELEPORTED. 112 00:05:14,067 --> 00:05:16,367 IT'S LIKE IT'S BEEN BURNT TO THE GROUND, 113 00:05:16,367 --> 00:05:17,800 BUT THERE'S NO SCORCH MARKS. 114 00:05:17,800 --> 00:05:19,333 WHAT IS IT DOING HERE? 115 00:05:19,333 --> 00:05:21,400 ** 116 00:05:21,400 --> 00:05:23,667 Narrator: AS THE SIZE OF THE BUILDING SUGGESTS, 117 00:05:23,667 --> 00:05:26,867 THOMAS TRESHAM WAS A MAN WITH BIG AMBITIONS. 118 00:05:26,867 --> 00:05:29,733 HE WAS ONE OF THE WEALTHIEST LANDOWNERS IN NORTHAMPTONSHIRE 119 00:05:29,733 --> 00:05:32,900 AND WAS LOATHED AND FEARED BY HIS PEASANTS. 120 00:05:32,900 --> 00:05:35,467 HE HAD A PRETTY BAD REPUTATION AMONGST THE LOCALS. 121 00:05:35,467 --> 00:05:38,500 THERE WAS A RIOT THAT TOOK PLACE OUTSIDE OF HIS HOUSE 122 00:05:38,500 --> 00:05:41,367 AND, APPARENTLY, SOME HEDGES WERE DESTROYED. 123 00:05:41,367 --> 00:05:44,067 SIR THOMAS TRESHAM WAS SO ANGERED BY THIS 124 00:05:44,067 --> 00:05:46,333 THAT HE ENDED UP EXECUTING 125 00:05:46,333 --> 00:05:48,967 50 OF THE PEOPLE WHO PERPETRATED THIS ATTACK. 126 00:05:48,967 --> 00:05:50,900 CAN YOU IMAGINE THAT, KILLING 50 PEOPLE 127 00:05:50,900 --> 00:05:52,300 JUST FOR WRECKING YOUR HEDGES? 128 00:05:52,300 --> 00:05:53,667 [ FLAMES CRACKLING ] [ SHOUTING ] 129 00:05:53,667 --> 00:05:56,700 Narrator: THIS IS A DANGEROUS TIME TO BE ALIVE. 130 00:05:56,700 --> 00:05:59,300 THERE ARE SO MANY PLOTS AGAINST TRESHAM'S QUEEN, 131 00:05:59,300 --> 00:06:00,667 ELIZABETH I, 132 00:06:00,667 --> 00:06:06,067 SHE NEEDS HER OWN SPYMASTER: FRANCIS WALSINGHAM. 133 00:06:06,067 --> 00:06:07,733 HE'S KIND OF LIKE THE NSA 134 00:06:07,733 --> 00:06:11,067 OR LIKE AN FBI AGENT TODAY. 135 00:06:11,067 --> 00:06:14,067 WALSINGHAM EMPLOYS A TEAM OF CRYPTOGRAPHERS. 136 00:06:14,067 --> 00:06:15,667 THEY INTERCEPT CODED LETTERS 137 00:06:15,667 --> 00:06:18,467 UNCOVERING CONSPIRACIES AGAINST THE QUEEN. 138 00:06:18,467 --> 00:06:20,933 ** 139 00:06:20,933 --> 00:06:24,133 GOUGH WONDERS IF THE SYMBOLS CARVED ONTO THIS LODGE 140 00:06:24,133 --> 00:06:26,600 COULD BE A REBEL TUDOR CODE. 141 00:06:26,600 --> 00:06:29,067 Gough: I WAS STRUCK IMMEDIATELY BY THE SYMBOLISM. 142 00:06:29,067 --> 00:06:30,100 IT'S SO WEIRD. 143 00:06:30,100 --> 00:06:31,533 I MEAN, YOU HAVE THESE THREE IMAGES 144 00:06:31,533 --> 00:06:33,200 REPEATING OVER AND OVER AGAIN. 145 00:06:33,200 --> 00:06:36,067 [ FLASHBULBS EXPLODING ] 146 00:06:36,067 --> 00:06:37,800 I'VE SEEN THESE BEFORE. 147 00:06:37,800 --> 00:06:41,600 AND THEN YOU HAVE THESE REALLY CURIOUS RELIEFS UP HERE 148 00:06:41,600 --> 00:06:45,067 AND THEY'RE IN GROUPS OF SEVEN AND THEY JUST KEEP REPEATING. 149 00:06:45,067 --> 00:06:47,933 ONE, MAYBE TWO, I'VE RECOGNIZED. THEY'RE CHRISTIAN SYMBOLS. 150 00:06:47,933 --> 00:06:50,067 THE REST OF THEM, DON'T THINK SO. 151 00:06:50,067 --> 00:06:53,067 MAYBE ONE OR TWO ARE COAT OF ARMS, BUT THE OTHERS, 152 00:06:53,067 --> 00:06:56,067 THIS IS CRAZY. 153 00:06:56,067 --> 00:06:58,767 Narrator: IF TRESHAM'S SYMBOLS ARE A CODED MESSAGE, 154 00:06:58,767 --> 00:07:01,767 THEN GOUGH CONSIDERS IF THE NEARBY CONCENTRIC RINGS 155 00:07:01,767 --> 00:07:06,267 COULD BE PART OF THE SAME SECRET CODE. 156 00:07:06,267 --> 00:07:08,433 HE CROSSES THE FIELD TO TAKE A CLOSER LOOK. 157 00:07:08,433 --> 00:07:11,367 ** 158 00:07:11,367 --> 00:07:15,267 FROM GROUND LEVEL, THE CIRCULAR PATTERN IS MORE CLEARLY DEFINED. 159 00:07:15,267 --> 00:07:17,200 SOMEONE HAS MOWED PATHWAYS, 160 00:07:17,200 --> 00:07:21,433 HIGHLIGHTING THE TUDOR RINGS BENEATH. 161 00:07:21,433 --> 00:07:24,967 LOOKS LIKE SOME KIND OF PATH, CURVING AROUND, 162 00:07:24,967 --> 00:07:26,333 BUT THIS IS FRESHLY CUT. 163 00:07:26,333 --> 00:07:28,300 IT'S SYMMETRICAL. SOMEONE'S TAKING CARE OF THIS. 164 00:07:28,300 --> 00:07:32,067 SOMEONE'S LOOKING AFTER IT. 165 00:07:32,067 --> 00:07:33,500 LOOK AT THAT. 166 00:07:33,500 --> 00:07:38,067 WITH AN ENTRANCE AND AN EXIT, THIS HAS GOT TO BE... 167 00:07:38,067 --> 00:07:40,267 [ SUSPENSEFUL MUSIC CLIMBS ] ...A LABYRINTH. 168 00:07:40,267 --> 00:07:42,933 Narrator: GOUGH KNOWS THAT LABYRINTHS HAD A SPECIAL PLACE 169 00:07:42,933 --> 00:07:44,467 IN THE TUDOR WORLD. 170 00:07:44,467 --> 00:07:46,533 THEY WERE USUALLY RESERVED FOR THE INTERIORS 171 00:07:46,533 --> 00:07:50,200 OF GRAND CHURCHES OR CATHEDRALS. 172 00:07:50,200 --> 00:07:52,900 BUT THIS LABYRINTH IS MILES FROM ANY CHURCH, 173 00:07:52,900 --> 00:07:55,300 CARVED INTO A MEADOW. 174 00:07:55,300 --> 00:07:57,500 IT WILL NEED ALL HIS INVESTIGATIVE SKILLS 175 00:07:57,500 --> 00:07:59,133 TO UNRAVEL THIS MYSTERY. 176 00:07:59,133 --> 00:08:01,933 [ WHIRRING ] 177 00:08:01,933 --> 00:08:03,967 [ SUSPENSEFUL MUSIC PLAYS ] COMING UP... 178 00:08:03,967 --> 00:08:07,067 SOMETHING WEIRD HAPPENING IN THE WILDERNESS... 179 00:08:07,067 --> 00:08:11,967 IT'S LIKE A "GHOSTBUSTERS" MOVIE GOING OFF ON YOU. 180 00:08:11,967 --> 00:08:16,300 ...AND ANDREW GOUGH SETS OUT TO BREAK THE CODE. 181 00:08:16,300 --> 00:08:18,433 THE GUY IS OBSESSED WITH THE NUMBER THREE. 182 00:08:18,433 --> 00:08:20,067 HE'S TRYING TO TELL US SOMETHING, 183 00:08:20,067 --> 00:08:21,400 BUT I DON'T KNOW WHAT. 184 00:08:21,400 --> 00:08:23,400 [ FREQUENCY WARBLES ] [ WHIRRING ] 185 00:08:25,967 --> 00:08:27,100 [ FREQUENCY WARBLES ] 186 00:08:27,100 --> 00:08:28,267 [ WHIRRING ] 187 00:08:28,267 --> 00:08:29,867 [ SUSPENSEFUL MUSIC PLAYS ] 188 00:08:29,867 --> 00:08:32,400 Narrator: ANDREW GOUGH IS IN NORTHAMPTONSHIRE, ENGLAND, 189 00:08:32,400 --> 00:08:35,967 INVESTING A 70-YEAR-OLD MYSTERY. 190 00:08:35,967 --> 00:08:38,267 A WARTIME AERIAL RECONNAISSANCE PHOTOGRAPH 191 00:08:38,267 --> 00:08:40,267 OF A BAFFLING CIRCULAR SYMBOL 192 00:08:40,267 --> 00:08:42,300 HAS LED HIM TO THE LYVEDEN ESTATE, 193 00:08:42,300 --> 00:08:45,200 WITH ITS STRANGE LABYRINTH 194 00:08:45,200 --> 00:08:48,433 AND TUDOR HUNTING LODGE ADORNED WITH SECRET SYMBOLS. 195 00:08:48,433 --> 00:08:51,400 ** 196 00:08:51,400 --> 00:08:54,900 NOW, GOUGH LEARNS IT'S NOT THE ONLY MYSTERIOUS STRUCTURE BUILT 197 00:08:54,900 --> 00:08:57,867 FOR TYRANT SIR THOMAS TRESHAM. 198 00:08:57,867 --> 00:08:59,500 LYVEDEN WAS AMAZING. 199 00:08:59,500 --> 00:09:03,433 NOW, SOMEONE TELLS ME THERE'S ANOTHER LODGE OF TRESHAM'S 200 00:09:03,433 --> 00:09:06,300 NOT FAR FROM HERE, AND IT'S TRIANGULAR. 201 00:09:06,300 --> 00:09:11,067 I DON'T KNOW WHAT THAT MEANS, BUT I'VE GOTTA CHECK IT OUT. 202 00:09:11,067 --> 00:09:12,567 Narrator: GOUGH IMMEDIATELY CONFIRMS 203 00:09:12,567 --> 00:09:15,533 THE WALLS FORM AN EQUILATERAL TRIANGLE 204 00:09:15,533 --> 00:09:20,067 AND ITS ARCHITECTURAL FEATURES ARE IN TRIPLICATE. 205 00:09:20,067 --> 00:09:23,233 THERE'S THREE WINDOWS, AND EACH OF THE WINDOWS HAS THREE PANELS. 206 00:09:23,233 --> 00:09:26,767 AND THERE'S THE NUMBER 3 RIGHT IN THE MIDDLE OF IT. 207 00:09:26,767 --> 00:09:29,600 THE GUY IS OBSESSED WITH THE NUMBER THREE. 208 00:09:29,600 --> 00:09:31,100 HE'S TRYING TO TELL US SOMETHING. 209 00:09:31,100 --> 00:09:34,600 ** 210 00:09:34,600 --> 00:09:37,067 Narrator: GOUGH ARRANGES TO MEET EMILIE MURPHY, 211 00:09:37,067 --> 00:09:40,100 AN EXPERT IN TUDOR CODES AND SYMBOLS. 212 00:09:40,100 --> 00:09:43,433 HE SUSPECTS TRESHAM'S LABYRINTH AND HIS ECCENTRIC BUILDINGS 213 00:09:43,433 --> 00:09:46,100 MUST CARRY HIDDEN MEANINGS. 214 00:09:46,100 --> 00:09:50,733 SIR TRESHAM, IS THIS ABOUT SOME KIND OF SECRET SOCIETY OR A CULT 215 00:09:50,733 --> 00:09:53,067 OR IS IT ACTUALLY WITCHCRAFT? 216 00:09:53,067 --> 00:09:54,633 WELL, WITCHCRAFT AND THE OCCULT 217 00:09:54,633 --> 00:09:57,800 WAS A HUGE CONCERN FOR THE AUTHORITIES. 218 00:09:57,800 --> 00:10:02,133 FOR EXAMPLE, WHEN ELIZABETH I WAS VISITING NORWICH IN 1578, 219 00:10:02,133 --> 00:10:04,100 THEY UNCOVERED A BODY THAT HAD BEEN BURIED 220 00:10:04,100 --> 00:10:06,467 WITH THREE WAX FIGURES. 221 00:10:06,467 --> 00:10:08,367 ONE OF THEM WAS CLEARLY MEANT TO REPRESENT ELIZABETH. 222 00:10:08,367 --> 00:10:10,933 IT HAD "ELIZABETH" CARVED ONTO THE FOREHEAD. 223 00:10:10,933 --> 00:10:14,233 AND ALL OVER THE WAX FIGURES WERE KIND OF 224 00:10:14,233 --> 00:10:16,100 WEIRD KIND OF SYMBOLS 225 00:10:16,100 --> 00:10:18,567 AND WITCHCRAFT WAS THE CONCLUSION. 226 00:10:18,567 --> 00:10:21,767 Narrator: GOUGH LEARNS TRESHAM SPENT 15 YEARS INCARCERATED 227 00:10:21,767 --> 00:10:25,367 IN A BRUTAL TUDOR JAIL, NOT FOR PRACTICING WITCHCRAFT, 228 00:10:25,367 --> 00:10:27,600 BUT FOR BEING A CATHOLIC. 229 00:10:27,600 --> 00:10:28,733 WAIT. HANG ON. 230 00:10:28,733 --> 00:10:31,700 CATHOLICISM IS WORSE THAN WITCHCRAFT? 231 00:10:31,700 --> 00:10:34,167 CATHOLICISM WAS EVEN MORE FEARED 232 00:10:34,167 --> 00:10:35,867 BY THE GOVERNMENT THAN WITCHCRAFT. 233 00:10:35,867 --> 00:10:37,667 -RIGHT. -BEING CATHOLIC MEANT 234 00:10:37,667 --> 00:10:40,200 THAT YOU WERE OBEYING A FOREIGN POWER. 235 00:10:40,200 --> 00:10:42,167 ELIZABETH WAS THE HEAD OF THE CHURCH OF ENGLAND. 236 00:10:42,167 --> 00:10:43,333 IF YOU WERE A CATHOLIC, 237 00:10:43,333 --> 00:10:45,533 IT MEANT THAT YOU WERE SUPPORTING THE POPE. 238 00:10:45,533 --> 00:10:47,400 Narrator: IN THE LATE 16th CENTURY, 239 00:10:47,400 --> 00:10:49,867 ENGLAND'S CATHOLICS WERE THE ENEMY WITHIN, 240 00:10:49,867 --> 00:10:54,133 SECRETLY PLOTTING TO BRING DOWN THE PROTESTANT QUEEN. 241 00:10:54,133 --> 00:10:56,267 SO, TODAY, WE THINK OF CONSPIRACY 242 00:10:56,267 --> 00:10:58,700 AS IN CODES AND PLOTS AND THINGS LIKE THIS. 243 00:10:58,700 --> 00:11:01,300 THIS IS THE STUFF OF NOVELS AND FANTASY FILMS. 244 00:11:01,300 --> 00:11:05,067 BUT, REALLY, AT THAT TIME, IT WAS THE STUFF OF REALITY. 245 00:11:05,067 --> 00:11:07,933 I MEAN, YOUR RELIGION COULD CAUSE YOUR DEATH. 246 00:11:07,933 --> 00:11:09,700 ** 247 00:11:09,700 --> 00:11:11,900 Narrator: NOW, GOUGH CAN PIECE TOGETHER THE MEANINGS 248 00:11:11,900 --> 00:11:14,700 OF THE CODED EVIDENCE ON THE GROUND. 249 00:11:14,700 --> 00:11:17,367 TRESHAM'S HUNTING LODGE REPRESENTS A CRUCIFIX. 250 00:11:17,367 --> 00:11:18,467 [ EERIE MUSIC PLAYS ] 251 00:11:18,467 --> 00:11:21,267 ** 252 00:11:21,267 --> 00:11:25,667 THE EMBLEM IHS IS THE SIGNATURE OF THE JESUITS, 253 00:11:25,667 --> 00:11:28,433 THE CATHOLIC ORDER KNOWN AS THE POPE'S FOOT SOLDIERS. 254 00:11:28,433 --> 00:11:30,700 ** 255 00:11:30,700 --> 00:11:33,067 THE TRIANGULAR LODGE IS A REPRESENTATION 256 00:11:33,067 --> 00:11:36,200 OF THE HOLY TRINITY. 257 00:11:36,200 --> 00:11:40,300 AND THE LABYRINTH IS A CODED INVITATION TO CATHOLIC PRAYER. 258 00:11:40,300 --> 00:11:43,700 YOU OFTEN SAW THEM IN CATHOLIC CATHEDRALS IN EUROPE. 259 00:11:43,700 --> 00:11:47,333 THEY WERE KIND OF A MANIFESTATION OF A PILGRIMAGE 260 00:11:47,333 --> 00:11:50,833 AS A SYMBOLIC JOURNEY OF YOUR PENANCE. 261 00:11:50,833 --> 00:11:53,467 I MEAN, TRESHAM WAS BEING VERY BOLD IN WHAT HE WAS DOING. 262 00:11:53,467 --> 00:11:55,533 HE WAS PUTTING HIS RELIGION OUT THERE AT A TIME 263 00:11:55,533 --> 00:11:57,667 THAT YOU COULD BE BURNED FOR HAVING A CERTAIN BELIEF 264 00:11:57,667 --> 00:12:01,967 THAT WAS WRONG ACCORDING TO WHO WAS ON THE THRONE AT THE TIME. 265 00:12:01,967 --> 00:12:04,233 Narrator: THE SIGNIFICANCE OF THE LABYRINTH COMES TO THE FORE 266 00:12:04,233 --> 00:12:06,133 WHEN INVESTIGATORS CONFIRM THE ESTATE 267 00:12:06,133 --> 00:12:09,500 WAS STILL UNDER CONSTRUCTION IN 1605, 268 00:12:09,500 --> 00:12:12,267 THE SAME YEAR AS THE NOTORIOUS CATHOLIC-BACKED 269 00:12:12,267 --> 00:12:15,367 GUNPOWDER PLOT TO BLOW UP BRITISH PARLIAMENT. 270 00:12:15,367 --> 00:12:17,833 [ FLAMES CRACKLING ] 271 00:12:17,833 --> 00:12:19,667 "REMEMBER, REMEMBER! THE FIFTH OF NOVEMBER. 272 00:12:19,667 --> 00:12:21,467 THE GUNPOWDER, THE TREASON, THE PLOT". 273 00:12:21,467 --> 00:12:24,733 I MEAN, THIS WAS THE PLOT THAT WAS SUPPOSED TO KILL KING JAMES 274 00:12:24,733 --> 00:12:26,433 AND AGAIN PUT SOMEONE ON THE THRONE 275 00:12:26,433 --> 00:12:29,633 WHO WOULD REESTABLISH CATHOLICISM AS THE RELIGION. 276 00:12:29,633 --> 00:12:31,433 Narrator: SO COULD THE LABYRINTH IDENTIFIED 277 00:12:31,433 --> 00:12:33,400 IN THE WARTIME RECONNAISSANCE IMAGE 278 00:12:33,400 --> 00:12:38,400 BE LESS OF A CALL TO PRAYER THAN A CALL TO ARMS? 279 00:12:38,400 --> 00:12:40,167 HISTORICAL ACCOUNTS SHED NO LIGHT 280 00:12:40,167 --> 00:12:43,467 ON THOMAS TRESHAM'S INVOLVEMENT IN THE PLOT. 281 00:12:43,467 --> 00:12:45,800 BUT THEY DO REVEAL HIS SON FRANCIS TRESHAM 282 00:12:45,800 --> 00:12:48,867 WAS ONE OF THE CONSPIRATORS. 283 00:12:48,867 --> 00:12:50,233 CATHOLICS DURING THIS TIME PERIOD 284 00:12:50,233 --> 00:12:52,867 WERE TRYING TO DO EVERYTHING THEY COULD TO OVERTHROW 285 00:12:52,867 --> 00:12:55,667 THE PROTESTANT RULERS OF THE LAND. 286 00:12:55,667 --> 00:12:57,967 SO IS THIS SYMBOL AN ATTEMPT AT KIND OF 287 00:12:57,967 --> 00:13:00,233 INCITING SOME TYPE OF AN INSURRECTION 288 00:13:00,233 --> 00:13:05,067 OR IS THIS SIMPLY AN EXPRESSION OF HIS DEVOUT CATHOLIC FAITH? 289 00:13:05,067 --> 00:13:07,900 IT'S A QUESTION WE'LL NEVER BE ABLE TO ANSWER FOR SURE. 290 00:13:07,900 --> 00:13:09,067 [ BEEPING ] 291 00:13:09,067 --> 00:13:10,867 ** 292 00:13:10,867 --> 00:13:13,667 [ WHIRRING ] 293 00:13:13,667 --> 00:13:14,800 Narrator: COMING UP... 294 00:13:14,800 --> 00:13:17,967 A GHOST SHIP HAUNTS A CALIFORNIA BEACH. 295 00:13:17,967 --> 00:13:20,667 WHERE HAS THIS THING BEEN FOR GOD KNOWS HOW MANY YEARS? 296 00:13:20,667 --> 00:13:23,200 [ FREQUENCY WARBLES ] 297 00:13:25,267 --> 00:13:27,100 [ FREQUENCY WARBLES ] 298 00:13:27,100 --> 00:13:28,533 [ WHIRRING ] 299 00:13:28,533 --> 00:13:30,767 Narrator: FEBRUARY 2016. 300 00:13:30,767 --> 00:13:33,400 SAN DIEGO, CALIFORNIA. 301 00:13:33,400 --> 00:13:39,300 A MARITIME APPARITION SHOCKS SUNSEEKERS ON CORONADO BEACH. 302 00:13:39,300 --> 00:13:44,400 A SHIP DOESN'T JUST APPEAR OUT OF THIN AIR OVERNIGHT. 303 00:13:44,400 --> 00:13:48,167 Narrator: SATELLITE ANALYSTS SCAN IMAGES OF THE BEACH TAKEN PREVIOUSLY, 304 00:13:48,167 --> 00:13:52,700 BUT FIND NO CLUES TO EXPLAIN ITS SUDDEN APPEARANCE. 305 00:13:52,700 --> 00:13:54,067 ONE MINUTE, IT'S NOT THERE, 306 00:13:54,067 --> 00:13:56,133 AND THEN, THE NEXT MINUTE, IT'S THERE. 307 00:13:56,133 --> 00:13:59,067 Narrator: LOCAL NEWS REPORTS SUGGEST THE TANTALIZING POSSIBILITY 308 00:13:59,067 --> 00:14:02,367 OF TREASURE ONBOARD, BUT THE BIGGEST MYSTERY 309 00:14:02,367 --> 00:14:04,433 IS THE SIMPLEST. [ SUSPENSEFUL MUSIC CLIMBS ] 310 00:14:04,433 --> 00:14:05,867 HOW DID IT GET HERE? 311 00:14:05,867 --> 00:14:10,300 [ WIND WHIPPING ] 312 00:14:10,300 --> 00:14:11,767 THE NIGHT BEFORE, 313 00:14:11,767 --> 00:14:17,067 A MAJOR EL NIÑO-CLASS STORM BATTERS CALIFORNIA'S COASTLINE. 314 00:14:17,067 --> 00:14:19,733 EL NIÑO IS A PERIODIC WEATHER PATTERN 315 00:14:19,733 --> 00:14:23,100 THAT CAN BRING WITH IT BIG WINDS AND RAIN, 316 00:14:23,100 --> 00:14:28,067 AND CALIFORNIA'S BEACHES WERE PUMMELED WITH GALE-FORCE WINDS. 317 00:14:28,067 --> 00:14:30,233 Chamberlain: IF YOU GET CAUGHT IN THE CROSSHAIRS OF WIND 318 00:14:30,233 --> 00:14:32,433 FROM AN EL NIÑO, THAT'S SERIOUS BUSINESS. 319 00:14:32,433 --> 00:14:35,633 THESE GALE-FORCE WINDS MAY HAVE CRASHED THIS SHIP 320 00:14:35,633 --> 00:14:38,267 INTO THE SHORE. 321 00:14:38,267 --> 00:14:40,067 Narrator: BUT A REVIEW OF THE SHIPPING BULLETINS 322 00:14:40,067 --> 00:14:42,300 CASTS DOUBT ON THIS IDEA. 323 00:14:42,300 --> 00:14:44,833 THERE HAD BEEN NO REPORTS TO THE COAST GUARD 324 00:14:44,833 --> 00:14:46,433 OF A SHIP IN DISTRESS. 325 00:14:46,433 --> 00:14:50,267 THIS BOAT IS 300 FEET LONG, SO YOU WOULD THINK THAT, 326 00:14:50,267 --> 00:14:52,200 IF THERE WAS SOMEONE LIVING ON IT, 327 00:14:52,200 --> 00:14:54,833 THEY WOULD'VE CALLED IN A DISTRESS SIGNAL. 328 00:14:54,833 --> 00:14:57,633 Narrator: THE MYSTERY DEEPENS WHEN A DETAILED EXAMINATION 329 00:14:57,633 --> 00:15:02,233 OF THE AERIAL IMAGES REVEALS THIS SHIP IS SERIOUSLY OLD. 330 00:15:02,233 --> 00:15:03,900 IF YOU LOOK A LITTLE CLOSER, YOU CAN SEE THAT 331 00:15:03,900 --> 00:15:05,433 THIS IS NOT A NEW SHIP. 332 00:15:05,433 --> 00:15:08,067 IT'S BARELY HELD TOGETHER. 333 00:15:08,067 --> 00:15:11,067 IT BELONGS A BYGONE ERA, SO THE QUESTION IS: 334 00:15:11,067 --> 00:15:13,667 WHERE HAS THIS THING BEEN FOR GOD KNOWS HOW MANY YEARS? 335 00:15:13,667 --> 00:15:15,800 [ SUSPENSEFUL MUSIC PLAYS ] 336 00:15:15,800 --> 00:15:18,700 ** 337 00:15:18,700 --> 00:15:21,500 Narrator: INVESTIGATORS CONSIDER THE POSSIBILITY THAT THE VESSEL 338 00:15:21,500 --> 00:15:25,833 MAY BE A PHANTOM CRAFT ABANDONED ON THE WAVES. 339 00:15:25,833 --> 00:15:28,333 GHOST SHIPS AREN'T JUST FROM HOLLYWOOD BLOCKBUSTERS. 340 00:15:28,333 --> 00:15:29,633 THEY'RE ACTUALLY REAL. 341 00:15:29,633 --> 00:15:31,500 ** 342 00:15:31,500 --> 00:15:34,067 [ WHIRRING ] THERE ARE LOTS OF TALES 343 00:15:34,067 --> 00:15:35,967 OF SHIPS AND OTHER VESSELS 344 00:15:35,967 --> 00:15:38,967 THAT HAVE BEEN LEFT ABANDONED AT SEA. 345 00:15:38,967 --> 00:15:42,467 ** 346 00:15:42,467 --> 00:15:45,067 Narrator: FROM CLOSE ANALYSIS OF THE AERIAL IMAGES, 347 00:15:45,067 --> 00:15:47,167 INVESTIGATORS CALCULATE THE MYSTERY SHIP 348 00:15:47,167 --> 00:15:49,167 IS THE SAME LENGTH AS THE NOTORIOUS 349 00:15:49,167 --> 00:15:51,967 RUSSIAN GHOST SHIP THE LYUBOV ORLOVA... 350 00:15:51,967 --> 00:15:54,700 [ FREQUENCY WARBLES ] 351 00:15:54,700 --> 00:15:57,833 DESERTED IN 2013 ON ITS FINAL VOYAGE 352 00:15:57,833 --> 00:16:00,100 FROM NEWFOUNDLAND TO THE CARIBBEAN. 353 00:16:00,100 --> 00:16:02,667 IT WAS BEING TOWED AWAY FOR SCRAP 354 00:16:02,667 --> 00:16:05,633 AND, ALONG THE WAY, THE TOWLINE BROKE 355 00:16:05,633 --> 00:16:10,200 AND, NOW, THIS SHIP IS FLOATING IN THE OCEAN. 356 00:16:10,200 --> 00:16:12,733 THIS SHIP IS RUMORED TO HAVE BEEN TAKEN OVER 357 00:16:12,733 --> 00:16:15,467 BY HORDES OF CANNIBAL RATS. 358 00:16:15,467 --> 00:16:17,267 Chamberlain: I MEAN, THERE'S NOTHING ELSE TO EAT, RIGHT? 359 00:16:17,267 --> 00:16:21,700 SO IMAGINE THIS GIANT SHIP FULL OF THESE RAVENOUS HORDES 360 00:16:21,700 --> 00:16:23,367 OF CANNIBAL RATS 361 00:16:23,367 --> 00:16:27,867 APPEARING ON YOUR LOCAL BEACH, RIGHT WHERE YOU LIVE. 362 00:16:27,867 --> 00:16:29,200 EW! 363 00:16:29,200 --> 00:16:31,067 Narrator: BUT MANY DOUBT THE LYUBOV ORLOVA 364 00:16:31,067 --> 00:16:33,567 COULD'VE MADE IT ALL THE WAY TO CALIFORNIA ON ITS OWN. 365 00:16:33,567 --> 00:16:36,933 PROBLEM IS THAT THE RUSSIAN CRUISELINER 366 00:16:36,933 --> 00:16:39,133 WAS LEFT IN THE ATLANTIC OCEAN, 367 00:16:39,133 --> 00:16:42,567 SO, UNLESS THOSE RATS HAVE SOME NAVIGATIONAL ABILITIES 368 00:16:42,567 --> 00:16:45,300 THAT PEOPLE DON'T HAVE, IT WOULD BE A PRETTY AMAZING FEAT 369 00:16:45,300 --> 00:16:48,500 FOR IT TO GET ALL THE WAY TO THE PACIFIC OCEAN 370 00:16:48,500 --> 00:16:50,467 AND WASH UP IN CALIFORNIA. 371 00:16:50,467 --> 00:16:52,200 ** 372 00:16:52,200 --> 00:16:56,367 Narrator: WITH THE AID OF THE WorldView-2 SATELLITE, 373 00:16:56,367 --> 00:16:59,600 ANALYST AMANDA MARCHETTI USES MULTISPECTRAL ANALYSIS 374 00:16:59,600 --> 00:17:02,067 TO FURTHER PROBE THE LOCATION. 375 00:17:02,067 --> 00:17:05,767 I THINK I CAN PEER THROUGH USING THE MULTISPECTRAL TECHNOLOGY 376 00:17:05,767 --> 00:17:09,067 TO ACTUALLY PEER INTO THE WATER COLUMN 377 00:17:09,067 --> 00:17:13,867 AND REALLY GET A FULL VIEW OF THE WRECKAGE. 378 00:17:13,867 --> 00:17:16,500 Narrator: THE SATELLITE SENSORS PICK UP SPECIFIC WAVELENGTHS 379 00:17:16,500 --> 00:17:21,333 THAT THE HUMAN EYE CAN'T SEE, REVEALING THE INVISIBLE. 380 00:17:21,333 --> 00:17:22,767 IT'S SOMEWHAT INTACT, 381 00:17:22,767 --> 00:17:25,067 [chuckling] WHICH MEANS IT'S PROBABLY BEEN BURIED 382 00:17:25,067 --> 00:17:27,533 FOR THE MAJORITY OF ITS TIME ON THIS BEACH, 383 00:17:27,533 --> 00:17:30,067 BUT, BECAUSE OF THE SIGNIFICANT EROSION THAT'S OCCURRING 384 00:17:30,067 --> 00:17:32,833 WITH THE EL NIÑO EVENT DURING THIS TIME PERIOD, 385 00:17:32,833 --> 00:17:36,767 I CAN EASILY SEE THAT THE WRECKAGE WAS EXPOSED 386 00:17:36,767 --> 00:17:39,233 AND, NOW, IT'S RAPIDLY BEING BURIED AGAIN. 387 00:17:39,233 --> 00:17:41,900 Narrator: BEFORE THE SANDS ONCE AGAIN COVER THE WRECK, 388 00:17:41,900 --> 00:17:45,200 GROUND-LEVEL EXAMINATION REVEALS AN IMPORTANT CLUE: 389 00:17:45,200 --> 00:17:49,667 THIS SHIP APPEARS TO BE MADE FROM CONCRETE, NOT STEEL. 390 00:17:49,667 --> 00:17:52,167 WHEN INVESTIGATORS CROSSCHECK THIS UNUSUAL DESIGN 391 00:17:52,167 --> 00:17:54,433 WITH RECORDS AT THE SAN DIEGO ARCHIVES, 392 00:17:54,433 --> 00:17:57,333 THEY MAKE A BREAKTHROUGH. 393 00:17:57,333 --> 00:17:59,700 IT WAS ONE OF 12 EXPERIMENTAL VESSELS 394 00:17:59,700 --> 00:18:03,267 BUILT FOR THE U.S. QUARTERMASTER CORPS DURING WORLD WAR I, 395 00:18:03,267 --> 00:18:06,067 WHEN STEEL WAS IN SHORT SUPPLY. 396 00:18:06,067 --> 00:18:07,267 CONCRETE IS HEAVY, 397 00:18:07,267 --> 00:18:11,200 BUT IF MOLDED CORRECTLY, CONCRETE SHIPS DO FLOAT. 398 00:18:11,200 --> 00:18:13,567 THIS ONE STAYED IN SERVICE FOR JUST 2 YEARS 399 00:18:13,567 --> 00:18:16,700 BEFORE IT WAS DECOMMISSIONED AND SOLD ON. 400 00:18:16,700 --> 00:18:19,933 IT TURNS OUT THIS SHIP IS ACTUALLY AN OIL TANKER 401 00:18:19,933 --> 00:18:24,400 THAT WAS TAKEN OVER BY THE MOB IN THE 1930s. 402 00:18:24,400 --> 00:18:26,067 Narrator: THE MOB ISN'T INTERESTED IN OIL. 403 00:18:26,067 --> 00:18:27,933 [ FLASHBULB EXPLODES ] THEY RENAME THE VESSEL 404 00:18:27,933 --> 00:18:31,567 THE SS MONTE CARLO AND LET THE GOOD TIMES ROLL. 405 00:18:31,567 --> 00:18:33,200 [ JAZZ PLAYS ] Sanford: THIS SHIP HAD IT ALL, 406 00:18:33,200 --> 00:18:35,067 WHEN IT CAME TO ILLICIT THINGS. 407 00:18:35,067 --> 00:18:37,400 IT WAS A FLOATING CASINO, 408 00:18:37,400 --> 00:18:38,467 A BROTHEL, 409 00:18:38,467 --> 00:18:40,900 AND A SPEAKEASY. 410 00:18:40,900 --> 00:18:42,333 IT WAS A SHIP OF SIN. 411 00:18:42,333 --> 00:18:45,367 ** 412 00:18:45,367 --> 00:18:48,800 Narrator: MOB BOSSES ARE CAREFUL TO KEEP THEIR SHIP FAR ENOUGH OFFSHORE 413 00:18:48,800 --> 00:18:50,233 TO AVOID PROSECUTION. 414 00:18:50,233 --> 00:18:53,633 [ HORN BLOWS ] 415 00:18:53,633 --> 00:18:56,067 AN INDIVIDUAL COULD TRAVEL ON THIS SHIP, 416 00:18:56,067 --> 00:19:00,067 OUT INTO INTERNATIONAL WATERS, AND INDULGE ALL OF THEIR VICES 417 00:19:00,067 --> 00:19:04,267 AND THEY COULD DO SO SAFELY AND LEGALLY. 418 00:19:04,267 --> 00:19:08,533 Narrator: IN ITS HEYDAY, 15,000 PEOPLE VISIT THE SS MONTE CARLO 419 00:19:08,533 --> 00:19:09,733 EVERY WEEK. 420 00:19:09,733 --> 00:19:13,767 THE MOB MAKES AN ESTIMATED $3 MILLION A YEAR. 421 00:19:13,767 --> 00:19:17,600 THE LEVEL OF DEPRAVITY GOING ON ON THIS SHIP WAS SO GREAT 422 00:19:17,600 --> 00:19:20,100 THAT THERE WERE LOCAL RELIGIOUS GROUPS 423 00:19:20,100 --> 00:19:22,967 WHO ACTUALLY PRAYED FOR IT TO SINK. 424 00:19:22,967 --> 00:19:24,633 [ THUNDER CRASHES ] 425 00:19:24,633 --> 00:19:27,133 Narrator: ON NEW YEAR'S DAY 1937, 426 00:19:27,133 --> 00:19:29,233 THOSE PRAYERS ARE ANSWERED. 427 00:19:29,233 --> 00:19:32,100 A BIG STORM BROKE THE SHIP FREE OF ITS MOORINGS. 428 00:19:32,100 --> 00:19:35,900 IT DRIFTED OFFSHORE AND THEN WAS PUSHED BACK INTO THE BEACH. 429 00:19:35,900 --> 00:19:38,667 Narrator: BATTERED BY THE SURF, THE SHIP IS ABANDONED. 430 00:19:38,667 --> 00:19:40,800 ** 431 00:19:40,800 --> 00:19:42,300 THE MOB DOESN'T WANT TO CLAIM IT 432 00:19:42,300 --> 00:19:44,267 AND THE GOVERNMENT DOESN'T HAVE ENOUGH MONEY 433 00:19:44,267 --> 00:19:48,433 TO ACTUALLY PAY TO REMOVE IT, SO IT JUST SAT THERE. 434 00:19:48,433 --> 00:19:52,067 Narrator: BY 1940, THE SANDS SWALLOW THE WRECK, 435 00:19:52,067 --> 00:19:54,867 BUT THE MIGHTY STORM NEARLY 8 DECADES LATER 436 00:19:54,867 --> 00:19:58,833 GIVES THE SS MONTE CARLO ANOTHER DAY IN THE SUN. 437 00:19:58,833 --> 00:20:03,833 79 YEARS AFTER IT WAS LOST, THIS POWERFUL EL NIÑO STORM 438 00:20:03,833 --> 00:20:06,333 SCOURED THE SITE OF WRECK OF THIS SHIP 439 00:20:06,333 --> 00:20:08,167 AND REVEALED IT ONCE AGAIN. 440 00:20:08,167 --> 00:20:09,933 ** 441 00:20:09,933 --> 00:20:11,700 Narrator: IN ONE FINAL TWIST... 442 00:20:11,700 --> 00:20:12,767 [ CAMERA SHUTTER CLICKS ] ...IT EMERGES THAT 443 00:20:12,767 --> 00:20:15,400 LOCAL TREASURE HUNTERS RETRIEVED A HOARD 444 00:20:15,400 --> 00:20:18,500 OF SILVER COINS FROM THE WRECK WHEN IT FIRST CAME ASHORE. 445 00:20:18,500 --> 00:20:20,800 ** 446 00:20:20,800 --> 00:20:26,400 SOME PEOPLE SAY THAT THERE IS STILL $100,000 OF SILVER COINS 447 00:20:26,400 --> 00:20:27,867 IN THE WRECKAGE OF THIS SHIP. 448 00:20:27,867 --> 00:20:30,633 AND NOW THAT IT'S UNCOVERED, IT RAISES QUESTIONS 449 00:20:30,633 --> 00:20:32,600 ABOUT PEOPLE GOING BACK OUT TO THE SITE 450 00:20:32,600 --> 00:20:35,067 AND DIGGING AROUND IN IT TO FIND THE REST OF THESE COINS. 451 00:20:35,067 --> 00:20:38,000 AND, IF THEY DO FIND SOMETHING, THE BIGGER QUESTION IS: 452 00:20:38,000 --> 00:20:39,867 WHO DOES THAT TREASURE BELONG TO? 453 00:20:39,867 --> 00:20:43,300 [ SUSPENSEFUL MUSIC CLIMBS ] 454 00:20:43,300 --> 00:20:45,600 [ WHIRRING ] 455 00:20:45,600 --> 00:20:46,833 Narrator: COMING UP... 456 00:20:46,833 --> 00:20:50,867 A SPOOKY VILLAGE THAT DIED AND NEVER CHANGED... 457 00:20:50,867 --> 00:20:54,433 HOW DO YOU THINK SO LITTLE OF YOUR FELLOW HUMAN BEING 458 00:20:54,433 --> 00:20:56,033 THAT YOU WOULD DO THAT? 459 00:20:56,033 --> 00:21:00,400 ...AND A MYSTERIOUS LAKE BRINGS MARS TO PLANET EARTH. 460 00:21:00,400 --> 00:21:02,967 LOOKS LIKE SOMETHING THAT MIGHT COME OFF OF THE COVER 461 00:21:02,967 --> 00:21:06,233 OF A SCI-FI NOVEL DEPICTING AN ALIEN PLANET. 462 00:21:06,233 --> 00:21:09,067 [ FREQUENCY WARBLES ] 463 00:21:10,733 --> 00:21:11,900 [ FREQUENCY WARBLES ] 464 00:21:11,900 --> 00:21:13,433 [ WHIRRING ] 465 00:21:13,433 --> 00:21:16,400 [ BEEP ] 466 00:21:16,400 --> 00:21:19,733 [ WHIRRING ] Narrator: JULY 2016. 467 00:21:19,733 --> 00:21:21,800 THE GeoEye SATELLITE PASSES 468 00:21:21,800 --> 00:21:24,567 OVER A REMOTE VALLEY IN BRITISH COLUMBIA 469 00:21:24,567 --> 00:21:26,767 AND PHOTOGRAPHS A DRIED-UP LAKE BED 470 00:21:26,767 --> 00:21:29,067 PEPPERED WITH HUNDREDS OF SHIMMERING POOLS. 471 00:21:29,067 --> 00:21:31,833 [ SUSPENSEFUL MUSIC PLAYS ] 472 00:21:31,833 --> 00:21:34,633 IT'S ABSOLUTELY ASTOUNDING. 473 00:21:34,633 --> 00:21:36,933 YOU'RE LOOKING AT THIS, GOING, "WHAT IS THIS? 474 00:21:36,933 --> 00:21:39,600 AM I LOOKING AT AN ALIEN LANDSCAPE?" 475 00:21:39,600 --> 00:21:41,367 IT'S RIDDLED WITH CRATERS, JUST LIKE THE MOON, 476 00:21:41,367 --> 00:21:43,167 BUT THEY'RE SMALL AND LIGHTLY COLORED 477 00:21:43,167 --> 00:21:45,867 AND ALL KINDS OF DIFFERENT SIZES AND SHAPES. 478 00:21:45,867 --> 00:21:48,833 Narrator: THE DRY LAKE IS MORE THAN 2,000 FEET LONG 479 00:21:48,833 --> 00:21:51,667 AND IS WIDER THAN FIVE FOOTBALL FIELDS. 480 00:21:51,667 --> 00:21:55,433 WITHIN IT ARE OVER 300 GLISTENING POOLS. 481 00:21:55,433 --> 00:21:57,267 FROM A SCIENTIST PERSPECTIVE, 482 00:21:57,267 --> 00:22:00,300 THIS LAKE IS PARTICULARLY UNUSUAL. 483 00:22:00,300 --> 00:22:05,367 TO SEE A WHITE CRUST IS PRETTY TYPICAL, 484 00:22:05,367 --> 00:22:06,933 BUT THIS IS REALLY UNUSUAL, 485 00:22:06,933 --> 00:22:10,133 WITH THESE LITTLE CIRCULAR DEPRESSIONS WITHIN THE LAKE. 486 00:22:10,133 --> 00:22:12,433 IT'S A LITTLE WEIRD. 487 00:22:12,433 --> 00:22:15,200 Narrator: EXPLORER GEORGE KOUROUNIS HAS SEEN HUNDREDS OF LAKES 488 00:22:15,200 --> 00:22:16,633 THE WORLD OVER, 489 00:22:16,633 --> 00:22:19,067 BUT NONE LIKE THIS. 490 00:22:19,067 --> 00:22:20,633 IT REMINDS ME OF A SALT LAKE, 491 00:22:20,633 --> 00:22:22,633 BUT THAT DOESN'T EXPLAIN THESE CIRCLES. 492 00:22:22,633 --> 00:22:26,633 THERE'S SOMETHING ELSE GOING ON HERE, SOMETHING UNIQUE. 493 00:22:26,633 --> 00:22:30,333 Narrator: THIS LAKE LOOKS LIKE IT SHOULDN'T EXIST ON PLANET EARTH, 494 00:22:30,333 --> 00:22:32,800 BUT, WEIRDLY, IT LOOKS LIKE LAKES THAT EXIST -- 495 00:22:32,800 --> 00:22:35,067 OR USED TO EXIST -- ON MARS. 496 00:22:35,067 --> 00:22:38,333 ** 497 00:22:38,333 --> 00:22:41,833 MARS APPEARS DRY NOW, BUT IT DOES HAVE WATER 498 00:22:41,833 --> 00:22:45,067 AND IT ONCE HAD A LOT MORE, COVERED IN LAKES LIKE THIS ONE. 499 00:22:45,067 --> 00:22:47,700 ** 500 00:22:47,700 --> 00:22:50,600 WHAT'S SITTING IN THIS LAKE COULD PROVIDE VALUABLE CLUES 501 00:22:50,600 --> 00:22:52,200 ABOUT THE SECRETS OF MARS. 502 00:22:52,200 --> 00:22:57,333 ** 503 00:22:57,333 --> 00:23:00,600 -HELLO! -AMY! 504 00:23:00,600 --> 00:23:05,267 Narrator: KOUROUNIS CONTACTS SPACE RESEARCHER AMY SHIRA TEITEL. 505 00:23:05,267 --> 00:23:06,933 FROM WHAT I KNOW ABOUT THIS LAKE, 506 00:23:06,933 --> 00:23:10,100 THIS MIGHT BE ANALOGOUS TO WHAT MARS USED TO BE 507 00:23:10,100 --> 00:23:11,400 WHEN IT WAS A WET PLANET, 508 00:23:11,400 --> 00:23:13,933 INSTEAD OF THE DEAD, DRY ONE WE'VE GOT NOW. 509 00:23:13,933 --> 00:23:16,633 IF WE CAN FIND ANY SIGNS OF LIFE THERE, 510 00:23:16,633 --> 00:23:18,167 THAT MIGHT HELP US UNDERSTAND 511 00:23:18,167 --> 00:23:22,400 WHETHER OR NOT THERE COULD'VE BEEN LIFE ON ANCIENT MARS. 512 00:23:22,400 --> 00:23:25,867 Narrator: THIS STRANGE LAKE FROM MARS SITS IN TERRITORY CONTROLLED 513 00:23:25,867 --> 00:23:28,333 BY THE INDIGENOUS OKANOGAN PEOPLE, 514 00:23:28,333 --> 00:23:32,167 WHO REGARD THE LAKE AS SPECIAL. 515 00:23:32,167 --> 00:23:36,933 THE OKANOGAN BELIEVE THIS LAKE HAS A LOT OF HEALING POWERS. 516 00:23:36,933 --> 00:23:38,567 Narrator: THERE IS A LIMIT TO WHAT CAN BE GATHERED 517 00:23:38,567 --> 00:23:40,067 FROM THE SATELLITE IMAGE, 518 00:23:40,067 --> 00:23:42,833 BUT KOUROUNIS IS CONVINCED THAT, IF HE CAN GO ONSITE 519 00:23:42,833 --> 00:23:45,200 AND EXAMINE THE SPOTTED LAKE UP CLOSE, 520 00:23:45,200 --> 00:23:48,467 HE MAY BE ABLE TO DETERMINE HOW THE WEIRD CIRCLES WERE FORMED 521 00:23:48,467 --> 00:23:53,200 AND SHED LIGHT ON THE SUPPOSEDLY MAGICAL PROPERTIES OF THE WATER. 522 00:23:53,200 --> 00:23:55,267 BUT, FIRST, HE HAS TO VISIT THE HEADQUARTERS 523 00:23:55,267 --> 00:23:57,433 OF THE OKANOGAN NATION ALLIANCE 524 00:23:57,433 --> 00:23:59,767 TO GET PERMISSION FROM THE ELDERS. 525 00:23:59,767 --> 00:24:02,533 OUR LEADERSHIP ARE VERY ACTIVE IN ITS PROTECTION. 526 00:24:02,533 --> 00:24:05,500 WE LIKE TO BE INVOLVED IN EVERYTHING 527 00:24:05,500 --> 00:24:08,100 AND IF THERE IS NOT AGREEMENT, THERE'S NOT AGREEMENT. 528 00:24:08,100 --> 00:24:13,967 ** 529 00:24:13,967 --> 00:24:15,733 Narrator: AFTER AN ANXIOUS FEW HOURS... 530 00:24:15,733 --> 00:24:17,200 [ RING ] ...KOUROUNIS GETS THE PHONE CALL 531 00:24:17,200 --> 00:24:19,300 HE'S BEEN WAITING FOR. 532 00:24:19,300 --> 00:24:21,133 YOU HAVE GOOD NEWS FOR ME? 533 00:24:21,133 --> 00:24:23,933 OH, THAT'S GREAT! 534 00:24:23,933 --> 00:24:27,567 KOUROUNIS HAS PERMISSION TO GO TO THE SPOTTED LAKE. 535 00:24:27,567 --> 00:24:28,967 BUT, AS HE APPROACHES, 536 00:24:28,967 --> 00:24:31,633 IT DOESN'T APPEAR AS IT DOES IN THE SATELLITE IMAGE. 537 00:24:31,633 --> 00:24:34,733 ** 538 00:24:34,733 --> 00:24:37,633 THE WATER LEVEL HAS RISEN SIGNIFICANTLY. 539 00:24:37,633 --> 00:24:40,167 THERE HAVE BEEN HEAVY RAINS, BUT, FOR SOME REASON, 540 00:24:40,167 --> 00:24:42,067 THOSE RAINS HAVE NOT DRAINED AWAY, 541 00:24:42,067 --> 00:24:43,733 AS THEY WOULD IN MANY OTHER LAKES. 542 00:24:43,733 --> 00:24:46,533 ** 543 00:24:46,533 --> 00:24:49,633 [ BEEP ] [ ROTORS WHIRRING ] 544 00:24:49,633 --> 00:24:52,133 KOUROUNIS USES A DRONE TO GET A BETTER LOOK 545 00:24:52,133 --> 00:24:54,333 AT THE UNEARTHLY SPOTS. 546 00:24:54,333 --> 00:24:56,100 SOMETIMES YOU JUST NEED AN EYE IN THE SKY. 547 00:24:56,100 --> 00:24:59,833 [ SUSPENSEFUL MUSIC CLIMBS ] 548 00:24:59,833 --> 00:25:03,800 KOUROUNIS ARRANGES TO MEET LEON LOUIS, AN OKANOGAN ELDER, 549 00:25:03,800 --> 00:25:06,200 TO FIND OUT IF THE LEGENDS OF THIS ANCIENT PEOPLE 550 00:25:06,200 --> 00:25:08,933 CAN SHED ANY LIGHT ON THE ORIGIN OF THE LAKE. 551 00:25:08,933 --> 00:25:10,400 Louis: OKAY. 552 00:25:10,400 --> 00:25:11,900 YOU TAKE THE TOBACCO IN YOUR LEFT HAND, 'CAUSE THAT'S -- 553 00:25:11,900 --> 00:25:15,733 Narrator: BUT, FIRST, THEY MAKE AN OFFERING TO THE WATERS. 554 00:25:15,733 --> 00:25:18,333 [ SPEAKING INDIGENOUS LANGUAGE ] 555 00:25:18,333 --> 00:25:19,900 ** 556 00:25:19,900 --> 00:25:21,067 GO AHEAD. 557 00:25:21,067 --> 00:25:22,500 AND I THANK YOU FOR THE OPPORTUNITY. 558 00:25:22,500 --> 00:25:27,400 ** 559 00:25:27,400 --> 00:25:29,367 Narrator: LOUIS TELLS KOUROUNIS THE LAKE IS PART 560 00:25:29,367 --> 00:25:31,533 OF THE OKANOGAN'S CREATION MYTH, 561 00:25:31,533 --> 00:25:35,400 THE STORY THAT EXPLAINS HOW THE WORLD CAME INTO BEING. 562 00:25:35,400 --> 00:25:38,067 IT IS SAID THAT COYOTE, A GODLIKE CREATURE, 563 00:25:38,067 --> 00:25:41,533 WAS RESPONSIBLE FOR THE UNIQUE APPEARANCE OF THE POOLS. 564 00:25:41,533 --> 00:25:43,700 THEY WERE FORMED WHEN HE DROPPED SOME BUFFALO MEAT 565 00:25:43,700 --> 00:25:46,067 AND BONES INTO THE LAKE. 566 00:25:46,067 --> 00:25:48,267 IT STARTED TO BOIL. 567 00:25:48,267 --> 00:25:50,900 AND SO, WHEN IT STARTED TO BOIL, 568 00:25:50,900 --> 00:25:54,633 ALL THAT BROTH CAME UP HERE. 569 00:25:54,633 --> 00:25:56,833 AND, IF YOU'VE EVER BOILED MEAT 570 00:25:56,833 --> 00:25:59,367 AND YOU SEE ALL THOSE LITTLE CIRCLES, 571 00:25:59,367 --> 00:26:01,400 WELL, THIS IS THE MEDICINE 572 00:26:01,400 --> 00:26:03,133 OF THE BUFFALO. -OH. 573 00:26:03,133 --> 00:26:05,233 THAT'S HOW THIS LAKE WAS MADE. 574 00:26:05,233 --> 00:26:06,933 Narrator: ACCORDING TO OKANOGAN LEGEND, 575 00:26:06,933 --> 00:26:10,067 EACH COLORED POOL HAS A UNIQUE MEDICAL POWER. 576 00:26:10,067 --> 00:26:13,233 Louis: THERE'S 365 CIRCLES HERE IN THIS LAKE. 577 00:26:13,233 --> 00:26:17,333 EACH CIRCLE HAS A DIFFERENT HEALING PROPERTY TO IT. 578 00:26:17,333 --> 00:26:19,600 SO, IF YOU HAVE WARTS, YOU MIGHT GO TO ONE TO HEAL; 579 00:26:19,600 --> 00:26:21,667 AND IF YOU HAVE A BODY ACHE OR ANOTHER AILMENT, 580 00:26:21,667 --> 00:26:24,933 YOU MIGHT GO TO ANOTHER. 581 00:26:24,933 --> 00:26:27,667 AMONG THE MANY UNUSUAL FEATURES OF THIS LAKE... 582 00:26:27,667 --> 00:26:28,767 [ CAMERA SHUTTER CLICKS ] ...IS THE TOPOGRAPHY, 583 00:26:28,767 --> 00:26:32,233 HOW IT LIES IN THE LANDSCAPE. 584 00:26:32,233 --> 00:26:36,400 THE KEY TO THIS LAKE IS THAT IT'S A LAKE 585 00:26:36,400 --> 00:26:39,733 THAT REALLY DOESN'T HAVE ANY OUTFLOW, 586 00:26:39,733 --> 00:26:41,733 EVEN IN TERMS OF GROUNDWATER. 587 00:26:41,733 --> 00:26:45,933 IT'S THE WATER THAT GETS INTO THIS THING STAYS PUT. 588 00:26:45,933 --> 00:26:47,900 Narrator: WHAT'S UNUSUAL ABOUT THIS LAKE 589 00:26:47,900 --> 00:26:50,367 IS THAT THERE ARE NO STREAMS FLOWING INTO IT 590 00:26:50,367 --> 00:26:53,300 AND THERE ARE NO STREAMS FLOWING OUT OF IT. 591 00:26:53,300 --> 00:26:56,767 THE LAKES LIES AT THE BOTTOM OF A SEALED, HOLLOW BASIN. 592 00:26:56,767 --> 00:26:59,367 NORMALLY, THE WATER CYCLE GOES FROM THE HILLS 593 00:26:59,367 --> 00:27:01,867 INTO STREAMS, INTO RIVERS, INTO THE OCEAN, 594 00:27:01,867 --> 00:27:04,833 BUT, BECAUSE IT'S A CLOSED SYSTEM IN THE CANADIAN ROCKIES, 595 00:27:04,833 --> 00:27:07,233 THE MELTWATER FROM THE SNOWPACK IN THE WINTER 596 00:27:07,233 --> 00:27:08,533 RUNS DOWN THE HILLS, 597 00:27:08,533 --> 00:27:11,367 PICKING UP SALT ON THE WAY INTO THE LAGOON, 598 00:27:11,367 --> 00:27:13,067 BUT THERE'S NOWHERE FOR THE WATER TO GO, 599 00:27:13,067 --> 00:27:15,567 EXCEPT FOR THROUGH EVAPORATION. 600 00:27:15,567 --> 00:27:18,467 Narrator: WHEN IN HIGH SUMMER, MOST OF THE WATER EVAPORATES. 601 00:27:18,467 --> 00:27:21,067 IT LEAVES BEHIND MARTIAN-STYLE, MULTICOLORED, 602 00:27:21,067 --> 00:27:24,133 INTENSELY SALINE, BRINE POOLS. 603 00:27:24,133 --> 00:27:26,300 SO THE REASON THEY'RE DIFFERENT COLORS IS BECAUSE THEY'VE GOT 604 00:27:26,300 --> 00:27:29,533 DIFFERENT CONCENTRATIONS AND MIXTURES OF SALTS. 605 00:27:29,533 --> 00:27:32,700 WHEN THE WATER RUNS OFF OF A PARTICULAR PART OF THE HILL, 606 00:27:32,700 --> 00:27:34,800 MAYBE THERE'S A GYPSUM SALT AND IT PULLS A LOT 607 00:27:34,800 --> 00:27:37,867 OF THAT GYPSUM SALT INTO ONE OF THE PONDS; 608 00:27:37,867 --> 00:27:39,433 AND ANOTHER PART OF THE HILL 609 00:27:39,433 --> 00:27:41,133 HAS A DIFFERENT KIND OF MINERAL SALT 610 00:27:41,133 --> 00:27:43,633 AND THAT'LL PULL IT INTO A DIFFERENT POND. 611 00:27:43,633 --> 00:27:45,100 Narrator: THE WATER FOUND IN EACH POOL 612 00:27:45,100 --> 00:27:48,133 RETAINS A DISTINCTIVE MINERAL PROFILE. 613 00:27:48,133 --> 00:27:51,333 SOME POOLS, KOUROUNIS LEARNS, CONTAIN EPSOM SALTS, 614 00:27:51,333 --> 00:27:54,367 WHICH TREAT RHEUMATISM AND ARTHRITIS. 615 00:27:54,367 --> 00:27:57,167 FOR OKANOGAN HEALERS, THE COLOR OF EACH POOL 616 00:27:57,167 --> 00:27:59,733 INDICATES WHICH MINERAL IS PRESENT. 617 00:27:59,733 --> 00:28:02,500 FIRST NATIONS DOCTORS WOULD'VE ACTUALLY USED THEM 618 00:28:02,500 --> 00:28:04,967 AS A PRESCRIPTION PAD. 619 00:28:04,967 --> 00:28:06,700 Narrator: BUT THIS ISN'T THE MOST SURPRISING THING 620 00:28:06,700 --> 00:28:08,700 ABOUT SPOTTED LAKE. 621 00:28:08,700 --> 00:28:11,333 THE WATERS HERE HAVE AMONG THE HIGHEST CONCENTRATIONS 622 00:28:11,333 --> 00:28:14,733 OF SULFATES ANYWHERE IN THE WORLD. 623 00:28:14,733 --> 00:28:17,600 IT'S LIKE A CHUNK OF MARS HAS SOMEHOW BROKEN OFF 624 00:28:17,600 --> 00:28:21,300 AND TRAVELED 33 MILLION MILES. 625 00:28:21,300 --> 00:28:23,667 AND WHAT'S EXCITING IS THAT SCIENTISTS BELIEVE 626 00:28:23,667 --> 00:28:28,267 THIS MARTIAN-TYPE LAKE COULD CONTAIN MARTIAN-TYPE LIFE. 627 00:28:28,267 --> 00:28:30,200 ANALYSIS OF WATER FROM SPOTTED LAKE 628 00:28:30,200 --> 00:28:34,267 REVEALS THAT TINY ORGANISMS ARE, INDEED, LIVING IN THE POOLS. 629 00:28:34,267 --> 00:28:38,533 ** 630 00:28:38,533 --> 00:28:40,500 IT'S LIKE MARS HAS COME TO EARTH. 631 00:28:40,500 --> 00:28:42,300 [ STATIC CRACKLING ] 632 00:28:42,300 --> 00:28:47,300 AND IN THESE WEIRD HOLES ARE CLUES TO LIFE ON THE RED PLANET. 633 00:28:47,300 --> 00:28:50,767 IT'S POSSIBLE THAT SOME KIND OF LIFE LIKE THAT 634 00:28:50,767 --> 00:28:52,267 MIGHT BE EXISTING ON MARS, 635 00:28:52,267 --> 00:28:55,133 WHICH WOULD BE AN INSANE DISCOVERY. 636 00:28:55,133 --> 00:28:58,100 [ WHIRRING ] 637 00:28:58,100 --> 00:28:59,400 Narrator: COMING UP... 638 00:28:59,400 --> 00:29:03,467 GHOST VILLAGE OF THE DEAD COMES BACK FROM THE PAST... 639 00:29:03,467 --> 00:29:05,567 IT'S ALMOST LIKE THIS IS 640 00:29:05,567 --> 00:29:07,433 LIKE A PLAGUE AREA OR SOMETHING, 641 00:29:07,433 --> 00:29:10,833 AND NOBODY'S GONE IN THERE FOR DECADES. 642 00:29:10,833 --> 00:29:12,767 ...AND, SUDDENLY, FROM NOWHERE, 643 00:29:12,767 --> 00:29:15,433 A 6-MILE MYSTERIOUS SCAR IN THE DESERT. 644 00:29:15,433 --> 00:29:16,900 [ FLASHBULBS EXPLODING ] IT'S NOT A SHAPE THAT 645 00:29:16,900 --> 00:29:18,733 YOU WOULD EXPECT TO SEE FROM SOMETHING THAT 646 00:29:18,733 --> 00:29:20,133 OCCURRED IN NATURE. 647 00:29:20,133 --> 00:29:22,800 [ FREQUENCY WARBLES ] [ WHIRRING ] 648 00:29:24,700 --> 00:29:25,800 [ FREQUENCY WARBLES ] 649 00:29:25,800 --> 00:29:27,067 [ WHIRRING ] 650 00:29:27,067 --> 00:29:29,367 [ SUSPENSEFUL MUSIC PLAYS ] [ BEEPING ] 651 00:29:29,367 --> 00:29:31,767 Narrator: NOVEMBER 2015. 652 00:29:31,767 --> 00:29:33,467 A NASA SATELLITE PASSES 653 00:29:33,467 --> 00:29:36,933 OVER THE GIBSON DESERT IN WESTERN AUSTRALIA. 654 00:29:36,933 --> 00:29:39,267 IT SPOTS A LARGE, CLEARLY-DEFINED SHAPE 655 00:29:39,267 --> 00:29:41,633 NOT PREVIOUSLY RECORDED. 656 00:29:41,633 --> 00:29:43,200 THIS IS A MAMMOTH SHAPE 657 00:29:43,200 --> 00:29:45,533 OUT IN THE MIDDLE OF THE AUSTRALIAN OUTBACK. 658 00:29:45,533 --> 00:29:48,067 WHAT WOULD'VE CREATED THIS? 659 00:29:48,067 --> 00:29:50,733 JUST ONE MONTH EARLIER, THERE WAS NO FEATURE HERE; 660 00:29:50,733 --> 00:29:53,467 AND, ONE MONTH LATER, THERE'S THIS ODD-SHAPED FEATURE. 661 00:29:53,467 --> 00:29:56,433 THEN YOU REALIZE IT IS 6 MILES LONG. 662 00:29:56,433 --> 00:30:00,633 [ BEEPING ] 663 00:30:00,633 --> 00:30:04,867 Narrator: THE GIBSON DESERT EXTENDS TO ALMOST 60,000 SQUARE MILES. 664 00:30:04,867 --> 00:30:07,233 IT'S THE FIFTH-LARGEST DESERT IN AUSTRALIA 665 00:30:07,233 --> 00:30:11,733 AND IT'S SO INHOSPITABLE THAT HARDLY ANYONE VENTURES HERE. 666 00:30:11,733 --> 00:30:15,967 THIS IS ONE OF THE MOST REMOTE PLACES ON EARTH. 667 00:30:15,967 --> 00:30:19,667 THE SHAPE LOOKS LIKE IT HAS BEEN SCORCHED INTO THE SOIL. 668 00:30:19,667 --> 00:30:22,733 INVESTIGATORS CONSIDER IF IT COULD BE A GIANT BURN SCAR 669 00:30:22,733 --> 00:30:25,133 CAUSED BY A BUSHFIRE. 670 00:30:25,133 --> 00:30:27,600 AS THIS SATELLITE IMAGE OF AUSTRALIA SHOWS, 671 00:30:27,600 --> 00:30:30,733 BUSHFIRES ARE COMMONPLACE IN THE OUTBACK. 672 00:30:30,733 --> 00:30:35,433 THEY COST THE COUNTRY AN ESTIMATED $12 BILLION A YEAR. 673 00:30:35,433 --> 00:30:37,367 THIS IS A DESERT LOCATION 674 00:30:37,367 --> 00:30:40,733 WHERE TEMPERATURES CAN EASILY GET OVER 100°. 675 00:30:40,733 --> 00:30:42,133 WHEN YOU GET THOSE HOT OF TEMPERATURES, 676 00:30:42,133 --> 00:30:44,267 IT DRIES OUT THE VEGETATION. 677 00:30:44,267 --> 00:30:46,833 SO IT DOESN'T TAKE ANYTHING MORE THAN A LITTLE SPARK 678 00:30:46,833 --> 00:30:49,433 TO CREATE A FAIRLY LARGE WILDFIRE. 679 00:30:49,433 --> 00:30:51,500 [ WHOOSHING ] 680 00:30:51,500 --> 00:30:54,200 Narrator: CLOSER INSPECTION OF THE IMAGE REVEALS THE BURN MARKS 681 00:30:54,200 --> 00:30:56,933 ARE UNLIKE THE RESULT OF A TYPICAL BUSHFIRE. 682 00:30:56,933 --> 00:31:00,167 THE SHAPE IS TOO DEFINITE. 683 00:31:00,167 --> 00:31:01,567 [ EERIE MUSIC PLAYS ] BUT THERE IS ONE TYPE OF FIRE 684 00:31:01,567 --> 00:31:04,233 THAT STRIPS AWAY EVERYTHING IN ITS PATH: 685 00:31:04,233 --> 00:31:07,067 WHAT LOCAL EXPERTS CALL A FIRENADO. 686 00:31:07,067 --> 00:31:09,867 [ FLAMES WHOOSHING ] 687 00:31:09,867 --> 00:31:13,400 IT IS A TORNADO MADE OF FIRE AND IT SOUNDS LIKE IT'S MADE UP 688 00:31:13,400 --> 00:31:15,900 OR FROM AN "X-MEN" MOVIE, BUT IT REALLY HAPPENS, 689 00:31:15,900 --> 00:31:18,200 THAT FIRE WILL START SWIRLING, 690 00:31:18,200 --> 00:31:21,467 AND I WONDER IF THIS COULD BE A FIRENADO 691 00:31:21,467 --> 00:31:25,200 MOVING ACROSS THE LAND AND MAKING THAT LONG SCAR. 692 00:31:25,200 --> 00:31:27,100 Narrator: FIRENADOES CAN REACH TEMPERATURES 693 00:31:27,100 --> 00:31:29,733 BEYOND 2,000° FAHRENHEIT 694 00:31:29,733 --> 00:31:32,533 AND CREATE WINDS SO STRONG, THEY KNOCK OVER TREES. 695 00:31:32,533 --> 00:31:35,933 ** 696 00:31:35,933 --> 00:31:38,200 Zeitler: IT'S THE SAME CONCEPT AS A TORNADO. 697 00:31:38,200 --> 00:31:40,133 THE DIFFERENCE IS IS THIS IS ON FIRE. 698 00:31:40,133 --> 00:31:43,233 IT'S NOT JUST AIR MOVING AROUND THAT MAY, SAY, 699 00:31:43,233 --> 00:31:45,600 RIP OFF A ROOF OR BLOW DOWN A FENCE, 700 00:31:45,600 --> 00:31:47,767 BUT IT'S ACTUALLY ON FIRE, IN ADDITION TO THE WIND, 701 00:31:47,767 --> 00:31:50,433 SO IT'S SORT OF A DUAL THREAT, SO THEY'RE VERY DANGEROUS. 702 00:31:50,433 --> 00:31:52,533 [ SIZZLING ] 703 00:31:52,533 --> 00:31:55,633 Narrator: REPORTS OF FIRENADOES ARE COMMON IN AUSTRALIA, 704 00:31:55,633 --> 00:32:00,333 BUT THE SCALE OF THE BURN SCAR DOESN'T MAKE SENSE. 705 00:32:00,333 --> 00:32:03,067 IN THIS CASE, THE SIZE OF THE FEATURE 706 00:32:03,067 --> 00:32:05,133 WE'RE LOOKING AT ON SATELLITE IS TOO LARGE 707 00:32:05,133 --> 00:32:07,200 FOR IT TO BE ONE OF THESE FIRE WHIRLS OR FIRE TORNADOES. 708 00:32:07,200 --> 00:32:10,667 THEY'RE MORE OF THE SIZE OF, SAY, HALF OF A FOOTBALL FIELD, 709 00:32:10,667 --> 00:32:12,533 50 YARDS, 50 METERS, 710 00:32:12,533 --> 00:32:15,467 AND SO THEREFORE, IT WOULDN'T PRODUCE THAT. 711 00:32:15,467 --> 00:32:18,900 IT'S MORE A WALL OF FLAME THAT WOULD'VE PRODUCED 712 00:32:18,900 --> 00:32:21,700 THE FEATURE WE'RE LOOKING AT. 713 00:32:21,700 --> 00:32:24,667 Narrator: AMERICAN WEATHERMAN SCOTT RUDLOSKY GOES BACK 714 00:32:24,667 --> 00:32:28,067 TO METEOROLOGICAL RECORDS FOR NOVEMBER 2015. 715 00:32:28,067 --> 00:32:29,167 ** 716 00:32:29,167 --> 00:32:30,933 [ LIGHTNING CRASHES ] 717 00:32:30,933 --> 00:32:33,200 WHEN WE WENT AND LOOKED AT THE LIGHTNING DATA, 718 00:32:33,200 --> 00:32:35,633 WE FOUND THAT THERE WAS LIGHTNING THAT OCCURRED 719 00:32:35,633 --> 00:32:37,533 RIGHT IN THE MIDDLE OF THE BURN SCAR HERE, 720 00:32:37,533 --> 00:32:40,167 AND SO THIS IS KIND OF A SMOKING GUN, 721 00:32:40,167 --> 00:32:43,800 IN TERMS OF WHAT COULD'VE BEEN THE CAUSE FOR THIS BURN SCAR. 722 00:32:43,800 --> 00:32:46,467 Narrator: SCOTT KNOWS THAT ONLY A MEGALIGHTNING STRIKE 723 00:32:46,467 --> 00:32:48,333 COULD SET OFF SUCH A HUGE FIRE. 724 00:32:48,333 --> 00:32:49,667 MANY PEOPLE DON'T KNOW THAT LIGHTNING BOLTS 725 00:32:49,667 --> 00:32:51,067 CAN BE REALLY MASSIVE, RIGHT? 726 00:32:51,067 --> 00:32:55,133 THEY'RE ARCING ACROSS THE SKY, 200-MILES LONG. 727 00:32:55,133 --> 00:32:58,667 THE LONGEST LIGHTNING STRIKE, EVER, LASTED ABOUT 8 SECONDS. 728 00:32:58,667 --> 00:33:00,067 IF YOU CAN JUST IMAGINE. 729 00:33:00,067 --> 00:33:02,633 I MEAN, GOOD LORD, THE AMOUNT OF ELECTRICAL POWER. 730 00:33:02,633 --> 00:33:05,533 IT'S LIKE A "GHOSTBUSTERS" MOVIE GOING OFF ON YOU. 731 00:33:05,533 --> 00:33:07,067 [ LIGHTNING CRASHING ] 732 00:33:07,067 --> 00:33:09,633 Narrator: SCOTT STARTS TO BUILD A PICTURE OF HOW A FIREWALL 733 00:33:09,633 --> 00:33:14,267 PRODUCED BY A MEGALIGHTNING BOLT COULD'VE CREATED THIS SHAPE. 734 00:33:14,267 --> 00:33:16,300 THE PREVAILING WINDS ARE COMING 735 00:33:16,300 --> 00:33:19,467 FROM NORTHEAST TO SOUTHWEST IN THIS REGION. 736 00:33:19,467 --> 00:33:22,067 THE ELEVATION IS HIGHER UP HERE IN THE NORTH 737 00:33:22,067 --> 00:33:23,567 THAN IT IS TO THE SOUTH. 738 00:33:23,567 --> 00:33:25,500 THOSE TWO THINGS COMBINE TO SUGGEST 739 00:33:25,500 --> 00:33:28,467 THE FIRE WOULD GROW FURTHER IN THE SOUTH DIRECTION 740 00:33:28,467 --> 00:33:29,533 THAN IN THE NORTH DIRECTION. 741 00:33:29,533 --> 00:33:31,333 [ FLAMES CRACKLING ] 742 00:33:31,333 --> 00:33:34,833 Narrator: BUT SCOTT STILL DOESN'T HAVE THE COMPLETE PICTURE. 743 00:33:34,833 --> 00:33:36,500 HE KNOWS A MEGALIGHTNING STRIKE 744 00:33:36,500 --> 00:33:38,967 COULD'VE IGNITED THE HUGE FIREWALL. 745 00:33:38,967 --> 00:33:41,867 SOMETHING ELSE MIGHT'VE CAUSED IT TO STOP ABRUPTLY, 746 00:33:41,867 --> 00:33:45,300 TO GIVE THE SCAR ITS KNIFE-LIKE EDGES. 747 00:33:45,300 --> 00:33:49,233 HE FINDS NEW DATA, WHICH PROVIDES A POSSIBLE ANSWER. 748 00:33:49,233 --> 00:33:50,600 SIX HOURS LATER, 749 00:33:50,600 --> 00:33:53,067 THERE WAS A MUCH STRONGER STORM THAT CAME THROUGH. 750 00:33:53,067 --> 00:33:54,900 [ LIGHTNING CRASHES ] Narrator: THE SECOND STORM 751 00:33:54,900 --> 00:33:57,233 WAS ACCOMPANIED BY A BAND OF TORRENTIAL RAIN. 752 00:33:57,233 --> 00:34:01,133 [ LIGHTNING CRASHING ] 753 00:34:01,133 --> 00:34:03,367 THIS PRODUCED ENOUGH PRECIPITATION 754 00:34:03,367 --> 00:34:05,533 TO STOP THE FIRE IN ITS TRACKS 755 00:34:05,533 --> 00:34:08,067 AND THAT WOULD HELP TO EXPLAIN THIS SHARP EDGE 756 00:34:08,067 --> 00:34:09,800 ON THE WESTERN SIDE OF THE BURN SCAR. 757 00:34:09,800 --> 00:34:11,667 [ WHOOSHING ] 758 00:34:11,667 --> 00:34:15,067 Narrator: SCOTT HAS SHOWN HOW THIS UNNATURAL-LOOKING FEATURE 759 00:34:15,067 --> 00:34:17,167 COULD HAVE A NATURAL EXPLANATION. 760 00:34:17,167 --> 00:34:19,833 BUT IF HIS MEGALIGHTNING-STRIKE THEORY IS CORRECT, 761 00:34:19,833 --> 00:34:22,333 THE IMPLICATIONS ARE TERRIFYING. 762 00:34:22,333 --> 00:34:25,700 WE'RE SO LUCKY THAT THIS 6-MILE- LONG SWATH OF DEVASTATION 763 00:34:25,700 --> 00:34:27,133 HAPPENED IN THE MIDDLE OF THE DESERT, 764 00:34:27,133 --> 00:34:28,833 THE MIDDLE OF NOWHERE, INSTEAD OF, SAY, NEW YORK. 765 00:34:28,833 --> 00:34:31,167 I MEAN, MANHATTAN IS ABOUT 6 MILES LONG. 766 00:34:31,167 --> 00:34:32,567 [ LIGHTNING CRASHING ] 767 00:34:32,567 --> 00:34:35,333 40 YEARS AGO, NEW YORK'S ENTIRE POWER GRID WENT DOWN 768 00:34:35,333 --> 00:34:36,933 DUE TO A LIGHTNING STRIKE 769 00:34:36,933 --> 00:34:39,200 AND THAT CAUSED $300 MILLION IN DAMAGE, 770 00:34:39,200 --> 00:34:41,900 WHICH SOUNDS LIKE A LOT, BUT REMEMBER, YEARS AGO, 771 00:34:41,900 --> 00:34:43,333 OUR LIFE WASN'T RUN BY COMPUTERS. 772 00:34:43,333 --> 00:34:45,733 OUR CARS WEREN'T COMPUTERS. 773 00:34:45,733 --> 00:34:47,467 I CAN'T IMAGINE HOW BAD IT WOULD BE NOW, 774 00:34:47,467 --> 00:34:50,167 TO HAVE 9 HOURS OF BLACKOUT IN NEW YORK CITY. 775 00:34:50,167 --> 00:34:55,100 [ EERIE MUSIC PLAYS ] [ LIGHTNING CRASHING ] 776 00:34:55,100 --> 00:34:57,733 [ WHIRRING ] 777 00:34:57,733 --> 00:34:58,800 Narrator: COMING UP... 778 00:34:58,800 --> 00:35:02,733 A HORROR VILLAGE FROZEN IN TIME... 779 00:35:02,733 --> 00:35:04,733 REALLY STRANGE-LOOKING. 780 00:35:04,733 --> 00:35:08,700 WE MIGHT SEE THESE BUILDINGS IN AN APOCALYPTIC MOVIE. 781 00:35:08,700 --> 00:35:10,600 [ FREQUENCY WARBLES ] [ WHIRRING ] 782 00:35:13,333 --> 00:35:14,367 [ FREQUENCY WARBLES ] 783 00:35:14,367 --> 00:35:15,800 [ WHIRRING ] 784 00:35:15,800 --> 00:35:17,833 Narrator: A SATELLITE FLIES OVER THE REGION 785 00:35:17,833 --> 00:35:20,700 OF NOUVELLE-AQUITAINE IN CENTRAL FRANCE 786 00:35:20,700 --> 00:35:23,533 AND CAPTURES A GHOSTLY IMAGE. 787 00:35:23,533 --> 00:35:25,967 IT LOOKS AS IF IT'S A COMPLETELY ABANDONED TOWN, 788 00:35:25,967 --> 00:35:29,633 BUT NOT ONLY ABANDONED, COMPLETELY DESTROYED. 789 00:35:29,633 --> 00:35:32,900 IT ALMOST LOOKS LIKE THERE WAS RECENTLY A FIRE 790 00:35:32,900 --> 00:35:35,833 THAT SCOURED THROUGH HALF OF THIS COMMUNITY, 791 00:35:35,833 --> 00:35:39,700 SCARRING IT, DESTROYING BUILDINGS, BURNING CARS UP. 792 00:35:39,700 --> 00:35:42,500 Narrator: BUT THERE ISN'T THE CHARRING YOU'D EXPECT FROM A FIRE 793 00:35:42,500 --> 00:35:44,200 AND THERE ARE NO MODERN BUILDINGS. 794 00:35:44,200 --> 00:35:48,367 [ SUSPENSEFUL MUSIC CLIMBS ] 795 00:35:48,367 --> 00:35:52,900 SATELLITE ANALYST MARK D'ANTONIO SCOURS THE IMAGE FOR CLUES. 796 00:35:52,900 --> 00:35:56,900 IT'S ALMOST LIKE THIS IS LIKE A PLAGUE AREA OR SOMETHING 797 00:35:56,900 --> 00:35:59,900 AND NOBODY'S GONE IN THERE FOR DECADES. 798 00:35:59,900 --> 00:36:02,933 Narrator: D'ANTONIO TURNS TO IMAGES TAKEN CLOSER TO EARTH. 799 00:36:02,933 --> 00:36:05,433 ** 800 00:36:05,433 --> 00:36:08,600 THERE ARE UPTURNED STROLLERS, RUSTING CARS, 801 00:36:08,600 --> 00:36:10,467 AND BULLET HOLES IN THE WALLS. 802 00:36:10,467 --> 00:36:12,433 D'Antonio: IT'S REALLY STRANGE-LOOKING. 803 00:36:12,433 --> 00:36:17,967 WE MIGHT SEE THESE BUILDINGS IN AN APOCALYPTIC MOVIE. 804 00:36:17,967 --> 00:36:20,733 Narrator: BUT, WHEN D'ANTONIO CHECKS HISTORIC RECORDS, 805 00:36:20,733 --> 00:36:23,400 HE DISCOVERS THIS IS NO MOVIE SET, 806 00:36:23,400 --> 00:36:27,100 AND WHAT HAPPENED HERE WAS VERY REAL. 807 00:36:27,100 --> 00:36:30,433 THIS IS ORADOUR-sur-GLANE, A FRENCH VILLAGE... 808 00:36:30,433 --> 00:36:31,867 [ EERIE MUSIC PLAYS ] ...THAT CEASES TO EXIST 809 00:36:31,867 --> 00:36:35,333 ON JUNE 10, 1944. 810 00:36:35,333 --> 00:36:40,100 WHEN YOU ACTUALLY REALIZE WHAT HAPPENED IN THIS FRENCH VILLAGE, 811 00:36:40,100 --> 00:36:42,567 WHEN YOU ACTUALLY REALIZE THE HORRORS 812 00:36:42,567 --> 00:36:45,767 OF WHAT HISTORY REVEALS TO US, 813 00:36:45,767 --> 00:36:52,167 IT WAS MUCH MORE DEVASTATING THAN ANY EARTHQUAKE OR FIRE. 814 00:36:52,167 --> 00:36:55,133 Narrator: THE DETAILS OF WHAT HAPPENED HERE ARE UNCERTAIN. 815 00:36:55,133 --> 00:36:57,967 THIS IS THE WORK OF THE GERMAN SS 816 00:36:57,967 --> 00:37:00,500 AND WHAT BRINGS THEM HERE IS THE FRENCH RESISTANCE. 817 00:37:00,500 --> 00:37:02,533 [ EXPLOSION ] 818 00:37:02,533 --> 00:37:05,200 THE FRENCH RESISTANCE WOULD SABOTAGE FACTORIES 819 00:37:05,200 --> 00:37:06,900 AND THEY WOULD SABOTAGE RAIL LINES... 820 00:37:06,900 --> 00:37:08,733 [ RAPID GUNFIRE ] ...AND THEY WOULD TRY TO SOW 821 00:37:08,733 --> 00:37:13,733 DESTRUCTION AND CHAOS INTO THE GERMAN SYSTEM OF OCCUPATION. 822 00:37:13,733 --> 00:37:16,367 Harrison: ONE OF THE THINGS ABOUT THE RESISTANCE IS 823 00:37:16,367 --> 00:37:18,867 IT COULD BE ANYONE; IT COULD BE ANYWHERE. 824 00:37:18,867 --> 00:37:22,400 SO THERE WAS THE SENSE OF INSECURITY, OBVIOUSLY, 825 00:37:22,400 --> 00:37:23,533 AMONG THE GERMANS. 826 00:37:23,533 --> 00:37:25,233 YOU NEVER KNOW WHO'S IN THE RESISTANCE. 827 00:37:25,233 --> 00:37:26,367 [ SUSPENSEFUL CHORD STRIKES ] 828 00:37:26,367 --> 00:37:27,767 ** 829 00:37:27,767 --> 00:37:30,200 Narrator: ONE CENTER OF RESISTANCE ACTIVITY LIES 830 00:37:30,200 --> 00:37:33,400 25 MILES TO THE SOUTH OF ORADOUR-sur-GLANE. 831 00:37:33,400 --> 00:37:37,633 IT HAS A VERY SIMILAR NAME: ORADOUR-sur-VAYRES. 832 00:37:37,633 --> 00:37:39,500 FOUR DAYS AFTER D-DAY, 833 00:37:39,500 --> 00:37:43,500 SS MAJOR ADOLF DIEKMANN IS ORDERED TO GO THERE. 834 00:37:43,500 --> 00:37:46,233 A FELLOW GERMAN OFFICER IS SUPPOSED TO HAVE BEEN KIDNAPPED 835 00:37:46,233 --> 00:37:47,833 BY THE FRENCH RESISTANCE. 836 00:37:47,833 --> 00:37:50,200 DIEKMANN IS TOLD TO DETAIN 30 HOSTAGES, 837 00:37:50,200 --> 00:37:53,433 AND KILL THEM, IF THE OFFICER IS NOT RELEASED. 838 00:37:53,433 --> 00:37:56,500 HE TAKES A UNIT FROM THE SS DAS REICH REGIMENT, 839 00:37:56,500 --> 00:37:58,567 BUT GOES TO THE WRONG PLACE, 840 00:37:58,567 --> 00:38:00,900 TO THE VILLAGE OF ORADOUR-sur-GLANE. 841 00:38:00,900 --> 00:38:03,133 [ FILM CRACKLING ] 842 00:38:03,133 --> 00:38:05,933 HE GOES IN, DOESN'T FIND THE GERMAN OFFICER 843 00:38:05,933 --> 00:38:07,300 THAT HE'S LOOKING FOR, 844 00:38:07,300 --> 00:38:09,633 AND DECIDES TO RAZE THE VILLAGE ANYWAY. 845 00:38:09,633 --> 00:38:12,233 [ EXPLOSION ] THE SS WAS NOT IN THE BUSINESS 846 00:38:12,233 --> 00:38:13,567 OF TAKING PRISONERS. 847 00:38:13,567 --> 00:38:16,667 THEY WERE IN THE BUSINESS OF KILLING PEOPLE. 848 00:38:16,667 --> 00:38:19,533 Narrator: AT 2:00, THE SS ARRIVES. 849 00:38:19,533 --> 00:38:23,067 EVERYONE IS ROUNDED UP AND TAKEN TO THE VILLAGE SQUARE. 850 00:38:23,067 --> 00:38:26,233 THE WOMEN AND CHILDREN ARE LOCKED INTO THE CHURCH. 851 00:38:26,233 --> 00:38:29,233 197 MEN ARE FORCED INTO BARNS, 852 00:38:29,233 --> 00:38:32,400 WHERE MACHINE GUNNERS ARE WAITING. 853 00:38:32,400 --> 00:38:34,233 THE GERMANS AIM FOR THE LEGS, 854 00:38:34,233 --> 00:38:37,067 THEN DOUSE THE WOUNDED IN GASOLINE. 855 00:38:37,067 --> 00:38:40,467 THE IDEA THAT YOU WOULD SHOOT PEOPLE IN THE LEGS 856 00:38:40,467 --> 00:38:43,500 AND THEN BURN THEM ALIVE SO THEY COULDN'T RUN AWAY, 857 00:38:43,500 --> 00:38:45,533 IT'S OBVIOUSLY THE OUTCOME 858 00:38:45,533 --> 00:38:47,800 OF HAVING AN INCREDIBLY TWISTED, 859 00:38:47,800 --> 00:38:52,067 FANATICAL, MEDIEVALLY CRUEL MIND. 860 00:38:52,067 --> 00:38:53,700 Narrator: THE CHURCH IS PACKED. 861 00:38:53,700 --> 00:38:56,533 THE TRAPPED WOMEN AND CHILDREN ARE TERRIFIED. 862 00:38:56,533 --> 00:39:00,567 Carter: I CAN ONLY IMAGINE THE SCREAMS, THE CRIES, 863 00:39:00,567 --> 00:39:03,467 CHILDREN HUDDLED UP AGAINST THEIR MOTHER, YOU KNOW, 864 00:39:03,467 --> 00:39:06,067 WONDERING WHAT WAS GOING TO HAPPEN NEXT. 865 00:39:06,067 --> 00:39:08,900 Narrator: THEN, THE SOLDIERS DETONATE A LARGE INCENDIARY BOMB. 866 00:39:08,900 --> 00:39:10,533 [ EXPLOSION ] 867 00:39:10,533 --> 00:39:16,200 THE ENSUING INFERNO KILLS 240 WOMEN AND 205 CHILDREN. 868 00:39:16,200 --> 00:39:21,333 HOW DO YOU THINK SO LITTLE OF YOUR FELLOW HUMAN BEING 869 00:39:21,333 --> 00:39:23,700 THAT YOU WOULD DO THAT? 870 00:39:23,700 --> 00:39:27,433 Narrator: THERE ARE NO MASSACRES ON THE SAME SCALE IN FRANCE. 871 00:39:27,433 --> 00:39:29,900 THE SS COMMIT THE MOST SHOCKING CRIMES, 872 00:39:29,900 --> 00:39:32,867 BUT MOST OF THE SLAUGHTER TAKES PLACE IN THE EAST. 873 00:39:32,867 --> 00:39:36,200 THE NAZIS AIM TO EXTERMINATE EUROPE'S JEWISH POPULATION 874 00:39:36,200 --> 00:39:40,067 AND ALL WHO THEY CONSIDER TO BE RACIALLY INFERIOR. 875 00:39:40,067 --> 00:39:43,400 WE TYPICALLY TEND TO ASSOCIATE THESE SORT OF ACTIONS 876 00:39:43,400 --> 00:39:46,833 AS REPRISAL ACTIONS ON THE RUSSIAN FRONT. 877 00:39:46,833 --> 00:39:48,333 THIS IS WHAT MAKES IT MORE SURPRISING, 878 00:39:48,333 --> 00:39:52,100 BECAUSE THE MOTIVATION BEHIND IT IS INCREDIBLY PERPLEXING 879 00:39:52,100 --> 00:39:53,833 AND INCREDIBLY MYSTERIOUS. 880 00:39:53,833 --> 00:39:55,700 SO WHY DID THEY DO IT? 881 00:39:55,700 --> 00:39:57,067 IN MY CAREER AS AN HISTORIAN, 882 00:39:57,067 --> 00:40:00,200 I HAVE FOUND MYSELF STUDYING A NUMBER OF INCIDENTS 883 00:40:00,200 --> 00:40:02,200 THAT LOOK A LOT LIKE ORADOUR-sur-GLANE 884 00:40:02,200 --> 00:40:04,367 AND WHAT I HAVE FOUND IS THAT THERE ARE CIRCUMSTANCES 885 00:40:04,367 --> 00:40:06,767 THAT REMAIN CONSTANT THROUGH EACH OF THEM, 886 00:40:06,767 --> 00:40:10,667 AND THAT IS THAT THEY TENDED TO DO IT WHEN NO ONE WAS LOOKING. 887 00:40:10,667 --> 00:40:12,967 THEY DID IT UNDER CIRCUMSTANCES WHERE THEY COULD THEN 888 00:40:12,967 --> 00:40:15,067 QUICKLY SLIP AWAY FROM THE SCENE OF THE CRIME 889 00:40:15,067 --> 00:40:19,267 AND THEREBY ESCAPE THE CONSEQUENCES OF THEIR ACTIVITY. 890 00:40:19,267 --> 00:40:21,300 Narrator: AS THE ALLIED ARMIES APPROACH, 891 00:40:21,300 --> 00:40:24,533 GERMAN OFFICERS FEAR THAT THEY WILL BE HELD ACCOUNTABLE. 892 00:40:24,533 --> 00:40:26,700 IN AN APPARENT EFFORT TO DISTANCE HIMSELF 893 00:40:26,700 --> 00:40:29,367 FROM THE MASSACRE, DIEKMANN'S SENIOR OFFICER, 894 00:40:29,367 --> 00:40:32,500 SYLVESTER STADLER, ORDERS A COURT MARTIAL, 895 00:40:32,500 --> 00:40:35,833 BUT DIEKMANN DIES BEFORE HE CAN STAND TRIAL. 896 00:40:35,833 --> 00:40:38,867 Harrison: HE WAS IN FACT KILLED IN BATTLE. 897 00:40:38,867 --> 00:40:41,900 HE WASN'T THERE TO BE PART OF AN INVESTIGATION. 898 00:40:41,900 --> 00:40:46,733 THAT WOULD HAVE TO WAIT TO AFTER WORLD WAR II. 899 00:40:46,733 --> 00:40:48,733 Narrator: AFTER THE WAR, THERE ARE SEVERAL TRIALS, 900 00:40:48,733 --> 00:40:50,800 BUT NONE ARE CONCLUSIVE. 901 00:40:50,800 --> 00:40:53,667 THE BIGGEST, IN BORDEAUX, IN 1953, 902 00:40:53,667 --> 00:40:57,533 INCLUDED JUST 21 OF THE 66 SURVIVING SOLDIERS 903 00:40:57,533 --> 00:40:59,467 WHO TOOK PART IN THE MASSACRE. 904 00:40:59,467 --> 00:41:01,367 [ MELANCHOLY TUNE PLAYS ] 905 00:41:01,367 --> 00:41:05,867 THOUGH CONVICTED, NONE SERVED MORE THAN 5 YEARS IN PRISON. 906 00:41:05,867 --> 00:41:08,867 THE SENIOR SS OFFICERS INVOLVED WERE NEVER TRIED. 907 00:41:08,867 --> 00:41:11,267 ** 908 00:41:11,267 --> 00:41:13,200 ONE OF THE SADDEST FACTS ABOUT ORADOUR 909 00:41:13,200 --> 00:41:14,633 IS THAT, OVER MANY DECADES, 910 00:41:14,633 --> 00:41:17,333 THERE HAVE BEEN ATTEMPTS TO BRING THOSE WHO COMMITTED 911 00:41:17,333 --> 00:41:20,167 THIS REALLY FOUL CRIME TO JUSTICE, 912 00:41:20,167 --> 00:41:23,067 BUT, AS IS SO OFTEN THE WAY WITH THESE NAZI WAR CRIMINALS, 913 00:41:23,067 --> 00:41:27,067 IT APPEARS THAT THE PERPETRATORS HAVE GOT AWAY WITH IT. 914 00:41:27,067 --> 00:41:28,733 Narrator: THE FRENCH BURY THEIR DEAD, 915 00:41:28,733 --> 00:41:31,067 BUT, AS THE SATELLITE IMAGE SHOWS, 916 00:41:31,067 --> 00:41:33,133 THEY DECIDE THAT ORADOUR-sur-GLANE 917 00:41:33,133 --> 00:41:35,533 SHOULD REMAIN AS THE SS LEFT IT. 918 00:41:35,533 --> 00:41:37,900 AFTER THE WAR, PRESIDENT CHARLES de GAULLE 919 00:41:37,900 --> 00:41:40,400 DECLARES THIS A MEMORIAL SITE 920 00:41:40,400 --> 00:41:43,933 AS A HAUNTING REMINDER OF THE SECOND WORLD WAR 921 00:41:43,933 --> 00:41:45,567 AND THE BRUTALITIES THAT WERE WAGED 922 00:41:45,567 --> 00:41:47,633 AGAINST THE FRENCH POPULATION. 923 00:41:47,633 --> 00:41:52,467 Narrator: THIS VILLAGE, FROZEN IN TIME, REMAINS A POTENT IMAGE. 924 00:41:52,467 --> 00:41:54,500 IT'S IMPORTANT FOR A MEMORIAL, 925 00:41:54,500 --> 00:41:57,733 LIKE THE VILLAGE HAS BEEN TURNED INTO, TO EXIST, 926 00:41:57,733 --> 00:42:00,833 A MEMORIAL THAT WARNS US THAT THIS IS THE KIND OF THING 927 00:42:00,833 --> 00:42:02,067 THAT CAN HAPPEN IN WARFARE. 928 00:42:02,067 --> 00:42:04,067 ** 73524

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