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>> HERE THEY COME.
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>> HERE THEY COME.
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>> Narrator: IT BEGAN AS A
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>> Narrator: IT BEGAN AS A
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SIMPLE TALE OF GOOD VERSUS EVIL
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SIMPLE TALE OF GOOD VERSUS EVIL
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AND BECAME A WORLDWIDE
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AND BECAME A WORLDWIDE
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PHENOMENON.
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PHENOMENON.
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>> Colbert: "STAR WARS" CAME
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>> Colbert: "STAR WARS" CAME
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OUT, AND WE WENT TO SCHOOL THE
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OUT, AND WE WENT TO SCHOOL THE
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NEXT DAY UNABLE TO EXPLAIN TO
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NEXT DAY UNABLE TO EXPLAIN TO
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OUR FRIENDS HOW EVERYTHING WAS
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OUR FRIENDS HOW EVERYTHING WAS
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DIFFERENT NOW.
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DIFFERENT NOW.
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>> Smith: SO MUCH OF MY
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>> Smith: SO MUCH OF MY
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CHILDHOOD WAS SPENT THINKING,
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CHILDHOOD WAS SPENT THINKING,
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DREAMING, WATCHING, PLAYING
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DREAMING, WATCHING, PLAYING
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"STAR WARS."
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"STAR WARS."
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>> Narrator: "STAR WARS" EVOLVED
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>> Narrator: "STAR WARS" EVOLVED
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INTO A SIX-CHAPTER CINEMATIC
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INTO A SIX-CHAPTER CINEMATIC
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SAGA, ONE THAT RESONATES WITH
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SAGA, ONE THAT RESONATES WITH
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SOME OF THE MOST ENDURING THEMES
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SOME OF THE MOST ENDURING THEMES
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FOUND IN LITERATURE...
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FOUND IN LITERATURE...
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MYTHOLOGY...
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MYTHOLOGY...
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RELIGION...
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RELIGION...
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AND HISTORY.
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AND HISTORY.
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>> Rather: WHAT "STAR WARS" DID
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>> Rather: WHAT "STAR WARS" DID
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WAS BRING THEM RIGHT UP TO DATE
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WAS BRING THEM RIGHT UP TO DATE
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AND REACH A NEW GENERATION.
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AND REACH A NEW GENERATION.
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>> Pelosi: IT BROKE NEW GROUND
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>> Pelosi: IT BROKE NEW GROUND
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IN TERMS OF COMMUNICATING A
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IN TERMS OF COMMUNICATING A
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MESSAGE.
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MESSAGE.
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>> HELP ME, OBI-WAN KENOBI.
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>> HELP ME, OBI-WAN KENOBI.
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>> Connelly: I WAS WITNESSING
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>> Connelly: I WAS WITNESSING
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THE CREATION OF MODERN MYTH.
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THE CREATION OF MODERN MYTH.
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>> Narrator: BUT JUST WHY IS
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>> Narrator: BUT JUST WHY IS
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"STAR WARS" CONSIDERED THE EPIC
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"STAR WARS" CONSIDERED THE EPIC
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TALE OF OUR TIME?
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TALE OF OUR TIME?
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>> Brokaw: FUTURE GENERATIONS
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>> Brokaw: FUTURE GENERATIONS
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WILL STILL BE ENTHRALLED BY IT.
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WILL STILL BE ENTHRALLED BY IT.
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>> Narrator: FIND OUT AS THE
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>> Narrator: FIND OUT AS THE
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"STAR WARS" LEGACY IS FINALLY
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"STAR WARS" LEGACY IS FINALLY
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REVEALED.
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[crowd chanting]
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[crowd chanting]
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"STAR WARS" WAS CONCEIVED BY
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"STAR WARS" WAS CONCEIVED BY
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WRITER AND DIRECTOR GEORGE
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WRITER AND DIRECTOR GEORGE
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LUCAS DURING THE EARLY 1970s,
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LUCAS DURING THE EARLY 1970s,
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A TIME OF INTENSE POLITICAL
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A TIME OF INTENSE POLITICAL
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UPHEAVAL AND SOCIAL UNREST,
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UPHEAVAL AND SOCIAL UNREST,
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ESPECIALLY IN AMERICA.
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ESPECIALLY IN AMERICA.
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>> Ellerbee: IT WAS NOT A
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>> Ellerbee: IT WAS NOT A
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HOPEFUL TIME IN AMERICA.
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HOPEFUL TIME IN AMERICA.
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WE WERE CYNICAL.
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WE WERE CYNICAL.
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WE WERE DISAPPOINTED.
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WE WERE DISAPPOINTED.
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OIL PRICES WERE THROUGH THE
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OIL PRICES WERE THROUGH THE
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ROOF.
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ROOF.
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OUR GOVERNMENT HAD LET US DOWN.
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OUR GOVERNMENT HAD LET US DOWN.
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>> Nixon: I SHALL RESIGN THE
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>> Nixon: I SHALL RESIGN THE
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PRESIDENCY EFFECTIVE AT NOON
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PRESIDENCY EFFECTIVE AT NOON
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TOMORROW.
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TOMORROW.
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>> Brokaw: AMERICA HAD BECOME
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>> Brokaw: AMERICA HAD BECOME
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UNHINGED IN A WAY, FOR GOOD OR
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UNHINGED IN A WAY, FOR GOOD OR
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FOR BAD, DEPENDING ON YOUR
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FOR BAD, DEPENDING ON YOUR
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POINT OF VIEW.
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POINT OF VIEW.
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EVERYTHING FROM DRESS TO THE
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EVERYTHING FROM DRESS TO THE
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USE OF DRUGS TO RELATIONSHIPS.
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USE OF DRUGS TO RELATIONSHIPS.
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THE CULTURE IN THIS COUNTRY HAD
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THE CULTURE IN THIS COUNTRY HAD
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BEEN TURNED UPSIDE DOWN.
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BEEN TURNED UPSIDE DOWN.
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>> Gingrich: THE COUNTRY WAS
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>> Gingrich: THE COUNTRY WAS
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DESPERATELY GROPING FOR REAL
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DESPERATELY GROPING FOR REAL
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CHANGE.
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CHANGE.
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"STAR WARS" CAME ALONG, AND IT
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"STAR WARS" CAME ALONG, AND IT
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REVALIDATED A CORE MYTHOLOGY,
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REVALIDATED A CORE MYTHOLOGY,
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THAT THERE IS GOOD AND EVIL,
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THAT THERE IS GOOD AND EVIL,
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THAT EVIL HAS TO BE DEFEATED.
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THAT EVIL HAS TO BE DEFEATED.
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>> [laughs]
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>> [laughs]
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>> Narrator: "STAR WARS" WAS
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>> Narrator: "STAR WARS" WAS
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FILLED WITH IMAGERY AND
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FILLED WITH IMAGERY AND
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CHARACTERS THAT HARKENED BACK TO
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CHARACTERS THAT HARKENED BACK TO
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MANY OF THE MOVIES AND BOOKS
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MANY OF THE MOVIES AND BOOKS
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THAT HAD CAPTIVATED GEORGE LUCAS
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THAT HAD CAPTIVATED GEORGE LUCAS
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DURING HIS CHILDHOOD IN MODESTO,
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DURING HIS CHILDHOOD IN MODESTO,
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CALIFORNIA.
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CALIFORNIA.
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AND AS THE SAGA CONTINUED TO
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AND AS THE SAGA CONTINUED TO
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UNFOLD, EACH NEW CHAPTER BECAME
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UNFOLD, EACH NEW CHAPTER BECAME
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RICHER AND DEEPER BY
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RICHER AND DEEPER BY
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INCORPORATING REFERENCES TO
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INCORPORATING REFERENCES TO
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POLITICS...
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POLITICS...
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PHILOSOPHY...
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PHILOSOPHY...
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RELIGION...
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RELIGION...
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HISTORY...
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HISTORY...
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AND MYTHOLOGY.
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AND MYTHOLOGY.
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>> Connelly: WHAT'S SO EXCITING
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>> Connelly: WHAT'S SO EXCITING
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ABOUT APPROACHING THE "STAR
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ABOUT APPROACHING THE "STAR
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WARS" CYCLE, IT'S VERY MUCH LIKE
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WARS" CYCLE, IT'S VERY MUCH LIKE
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AN ARCHAEOLOGICAL EXCAVATION.
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AN ARCHAEOLOGICAL EXCAVATION.
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ON THE SURFACE, ALL OF US CAN
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ON THE SURFACE, ALL OF US CAN
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SAY, "AH-HA, EXCALIBUR IS TO BE
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SAY, "AH-HA, EXCALIBUR IS TO BE
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SEEN IN THE LIGHT SABER."
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SEEN IN THE LIGHT SABER."
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IF YOU GO TO A DEEPER LEVEL,
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IF YOU GO TO A DEEPER LEVEL,
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YOU MAY COME TO THE ENTERING
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YOU MAY COME TO THE ENTERING
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INTO THE DEATH STAR AND SAY,
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INTO THE DEATH STAR AND SAY,
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"AH-HA, LET US REMEMBER THE
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"AH-HA, LET US REMEMBER THE
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GREEK HERO ODYSSEUS IN THE
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GREEK HERO ODYSSEUS IN THE
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UNDERWORLD."
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UNDERWORLD."
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>> THIS IS RED FIVE, I'M GOING
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>> THIS IS RED FIVE, I'M GOING
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IN.
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IN.
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>> Connelly: BUT THEN YOU CAN GO
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>> Connelly: BUT THEN YOU CAN GO
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DEEPER IN THE STRATOGRAPHIC
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DEEPER IN THE STRATOGRAPHIC
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LEVELS.
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LEVELS.
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AND WHAT'S FUN FOR ME PERSONALLY
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AND WHAT'S FUN FOR ME PERSONALLY
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IS WHEN I GET TO A POINT WHERE
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IS WHEN I GET TO A POINT WHERE
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I SAY, "DID GEORGE LUCAS MEAN
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I SAY, "DID GEORGE LUCAS MEAN
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FOR THIS CONNECTION TO BE MADE,
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FOR THIS CONNECTION TO BE MADE,
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OR AM I MAKING IT?"
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OR AM I MAKING IT?"
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AM I PARTICIPATING AS PART OF
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AM I PARTICIPATING AS PART OF
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THE POET, THE CREATOR IN SEEING
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THE POET, THE CREATOR IN SEEING
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CONNECTIONS?"
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CONNECTIONS?"
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AND THAT IS THE MYTHOLOGICAL
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AND THAT IS THE MYTHOLOGICAL
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PROCESS: EVERYONE SEES THEMSELF.
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PROCESS: EVERYONE SEES THEMSELF.
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>> Jackson: MYTHIC STORIES WERE
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>> Jackson: MYTHIC STORIES WERE
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ORIGINALLY DESIGNED AS
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ORIGINALLY DESIGNED AS
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CAUTIONARY TALES.
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CAUTIONARY TALES.
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THEY'RE STORIES WHICH INSTRUCT
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THEY'RE STORIES WHICH INSTRUCT
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US HOW WE SHOULD BEHAVE, HOW WE
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US HOW WE SHOULD BEHAVE, HOW WE
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SHOULD CONDUCT OURSELVES.
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SHOULD CONDUCT OURSELVES.
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>> ATTACHMENT LEADS TO JEALOUSY.
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>> ATTACHMENT LEADS TO JEALOUSY.
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TRAIN YOURSELF TO LET GO OF
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TRAIN YOURSELF TO LET GO OF
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EVERYTHING YOU FEAR TO LOSE.
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EVERYTHING YOU FEAR TO LOSE.
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>> Paglia: MYTHS IN EVERY
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>> Paglia: MYTHS IN EVERY
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CULTURE EMERGED OUT OF RELIGION.
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CULTURE EMERGED OUT OF RELIGION.
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THEY WERE WAYS TO MAKE SENSE
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THEY WERE WAYS TO MAKE SENSE
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OF THE UNIVERSE.
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OF THE UNIVERSE.
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THEN OVER TIME, MYTHS BEGAN TO
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THEN OVER TIME, MYTHS BEGAN TO
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ACCRUE AROUND WARRIOR FIGURES,
261
00:03:53,733 --> 00:03:53,799
ACCRUE AROUND WARRIOR FIGURES,
262
00:03:53,800 --> 00:03:55,501
HERO FIGURES.
263
00:03:55,501 --> 00:03:55,534
HERO FIGURES.
264
00:03:55,535 --> 00:03:57,069
AND I BELIEVE THAT IN ALL SIX
265
00:03:57,070 --> 00:03:57,136
AND I BELIEVE THAT IN ALL SIX
266
00:03:57,136 --> 00:03:58,537
"STAR WARS" FILMS, YOU JUST FEEL
267
00:03:58,538 --> 00:03:58,571
"STAR WARS" FILMS, YOU JUST FEEL
268
00:03:58,571 --> 00:04:00,272
THE SENSE OF THE WHOLE HISTORY
269
00:04:00,273 --> 00:04:00,306
THE SENSE OF THE WHOLE HISTORY
270
00:04:00,306 --> 00:04:01,774
OF MYTH AND ARCHETYPE.
271
00:04:01,774 --> 00:04:01,807
OF MYTH AND ARCHETYPE.
272
00:04:01,808 --> 00:04:02,909
>> Narrator: THE CONNECTION
273
00:04:02,909 --> 00:04:02,975
>> Narrator: THE CONNECTION
274
00:04:02,976 --> 00:04:04,177
BETWEEN "STAR WARS" AND
275
00:04:04,177 --> 00:04:04,243
BETWEEN "STAR WARS" AND
276
00:04:04,244 --> 00:04:06,012
MYTHOLOGY IS ALSO STRENGTHENED
277
00:04:06,012 --> 00:04:06,078
MYTHOLOGY IS ALSO STRENGTHENED
278
00:04:06,079 --> 00:04:07,647
BY THE DIRECT INFLUENCE OF
279
00:04:07,647 --> 00:04:07,713
BY THE DIRECT INFLUENCE OF
280
00:04:07,714 --> 00:04:09,449
FAMED MYTHOLOGICAL HISTORIAN
281
00:04:09,449 --> 00:04:09,515
FAMED MYTHOLOGICAL HISTORIAN
282
00:04:09,515 --> 00:04:10,716
JOSEPH CAMPBELL.
283
00:04:10,717 --> 00:04:10,783
JOSEPH CAMPBELL.
284
00:04:10,783 --> 00:04:12,084
>> Henderson: JOSEPH CAMPBELL
285
00:04:12,085 --> 00:04:12,118
>> Henderson: JOSEPH CAMPBELL
286
00:04:12,118 --> 00:04:15,988
WAS A PROFESSOR, AND HE WROTE A
287
00:04:15,989 --> 00:04:16,055
WAS A PROFESSOR, AND HE WROTE A
288
00:04:16,055 --> 00:04:18,624
VERY IMPORTANT BOOK ABOUT MYTH.
289
00:04:18,625 --> 00:04:18,658
VERY IMPORTANT BOOK ABOUT MYTH.
290
00:04:18,658 --> 00:04:21,093
AND THIS BOOK WAS USED ON
291
00:04:21,094 --> 00:04:21,160
AND THIS BOOK WAS USED ON
292
00:04:21,160 --> 00:04:23,095
COLLEGE CAMPUSES ACROSS THE
293
00:04:23,096 --> 00:04:23,129
COLLEGE CAMPUSES ACROSS THE
294
00:04:23,129 --> 00:04:24,797
COUNTRY.
295
00:04:24,797 --> 00:04:24,830
COUNTRY.
296
00:04:24,831 --> 00:04:26,799
AND THIS WAS A BOOK THAT GEORGE
297
00:04:26,799 --> 00:04:26,832
AND THIS WAS A BOOK THAT GEORGE
298
00:04:26,833 --> 00:04:28,267
LUCAS READ.
299
00:04:28,268 --> 00:04:28,301
LUCAS READ.
300
00:04:28,301 --> 00:04:31,170
IN IT, JOSEPH CAMPBELL SAID MYTH
301
00:04:31,170 --> 00:04:31,203
IN IT, JOSEPH CAMPBELL SAID MYTH
302
00:04:31,204 --> 00:04:34,106
IS A METAPHOR FOR THE EXPERIENCE
303
00:04:34,107 --> 00:04:34,140
IS A METAPHOR FOR THE EXPERIENCE
304
00:04:34,140 --> 00:04:35,207
OF LIFE.
305
00:04:35,208 --> 00:04:35,274
OF LIFE.
306
00:04:35,275 --> 00:04:36,476
>> Campbell: MYTHS AND DREAMS
307
00:04:36,476 --> 00:04:36,542
>> Campbell: MYTHS AND DREAMS
308
00:04:36,542 --> 00:04:37,476
COME FROM THE SAME PLACE.
309
00:04:37,477 --> 00:04:37,543
COME FROM THE SAME PLACE.
310
00:04:37,543 --> 00:04:40,178
THEY COME FROM REALIZATIONS OF
311
00:04:40,179 --> 00:04:40,212
THEY COME FROM REALIZATIONS OF
312
00:04:40,213 --> 00:04:43,649
SOME KIND THAT HAVE THEN TO FIND
313
00:04:43,650 --> 00:04:43,683
SOME KIND THAT HAVE THEN TO FIND
314
00:04:43,683 --> 00:04:45,818
EXPRESSION IN SYMBOLIC FORM.
315
00:04:45,818 --> 00:04:45,851
EXPRESSION IN SYMBOLIC FORM.
316
00:04:45,852 --> 00:04:46,986
>> Young: JOSEPH CAMPBELL WAS
317
00:04:46,986 --> 00:04:47,019
>> Young: JOSEPH CAMPBELL WAS
318
00:04:47,020 --> 00:04:49,489
VERY INFLUENCED BY CARL JUNG.
319
00:04:49,489 --> 00:04:49,555
VERY INFLUENCED BY CARL JUNG.
320
00:04:49,555 --> 00:04:50,989
AND JUNG'S THEORIES OF
321
00:04:50,990 --> 00:04:51,023
AND JUNG'S THEORIES OF
322
00:04:51,024 --> 00:04:53,126
PSYCHOLOGY EXPLAIN THAT WE
323
00:04:53,126 --> 00:04:53,192
PSYCHOLOGY EXPLAIN THAT WE
324
00:04:53,192 --> 00:04:55,294
PROCESS EXPERIENCE VISUALLY,
325
00:04:55,295 --> 00:04:55,328
PROCESS EXPERIENCE VISUALLY,
326
00:04:55,328 --> 00:04:56,762
THAT DEEPER THAN IDEAS OR
327
00:04:56,763 --> 00:04:56,796
THAT DEEPER THAN IDEAS OR
328
00:04:56,796 --> 00:04:58,130
FEELINGS, THERE'S A VISUAL FLOW,
329
00:04:58,131 --> 00:04:58,164
FEELINGS, THERE'S A VISUAL FLOW,
330
00:04:58,164 --> 00:04:59,665
VERY MUCH LIKE A MOVIE.
331
00:04:59,666 --> 00:04:59,699
VERY MUCH LIKE A MOVIE.
332
00:04:59,699 --> 00:05:00,933
>> Henderson: GEORGE LUCAS
333
00:05:00,933 --> 00:05:00,966
>> Henderson: GEORGE LUCAS
334
00:05:00,967 --> 00:05:02,568
STUDIED THE WORK OF JOSEPH
335
00:05:02,568 --> 00:05:02,634
STUDIED THE WORK OF JOSEPH
336
00:05:02,635 --> 00:05:05,137
CAMPBELL, AND, OF COURSE, HE
337
00:05:05,138 --> 00:05:05,204
CAMPBELL, AND, OF COURSE, HE
338
00:05:05,204 --> 00:05:06,738
WAS ALSO A FILMMAKER.
339
00:05:06,739 --> 00:05:06,772
WAS ALSO A FILMMAKER.
340
00:05:06,773 --> 00:05:09,041
AND IN THE "STAR WARS" FILMS,
341
00:05:09,042 --> 00:05:09,108
AND IN THE "STAR WARS" FILMS,
342
00:05:09,108 --> 00:05:11,043
GEORGE LUCAS HAS MADE A VERY
343
00:05:11,044 --> 00:05:11,110
GEORGE LUCAS HAS MADE A VERY
344
00:05:11,110 --> 00:05:13,946
COMPELLING USE OF ONE OF THE
345
00:05:13,946 --> 00:05:13,979
COMPELLING USE OF ONE OF THE
346
00:05:13,980 --> 00:05:15,948
MYTH FORMS, WHICH IS THE HERO'S
347
00:05:15,948 --> 00:05:16,014
MYTH FORMS, WHICH IS THE HERO'S
348
00:05:16,015 --> 00:05:17,816
JOURNEY, AND THIS IS BY FAR THE
349
00:05:17,817 --> 00:05:17,850
JOURNEY, AND THIS IS BY FAR THE
350
00:05:17,850 --> 00:05:21,320
MOST COMMONLY FOUND FORM IN THE
351
00:05:21,321 --> 00:05:21,354
MOST COMMONLY FOUND FORM IN THE
352
00:05:21,354 --> 00:05:23,489
HISTORY OF MYTHOLOGY.
353
00:05:26,826 --> 00:05:28,828
>> Young: "STAR WARS" IS WHAT'S
354
00:05:28,828 --> 00:05:28,861
>> Young: "STAR WARS" IS WHAT'S
355
00:05:28,861 --> 00:05:29,928
SOMETIMES CALLED THE HERO'S
356
00:05:29,929 --> 00:05:29,962
SOMETIMES CALLED THE HERO'S
357
00:05:29,962 --> 00:05:30,595
JOURNEY.
358
00:05:30,596 --> 00:05:30,629
JOURNEY.
359
00:05:30,630 --> 00:05:32,765
IT'S THE INITIATORY PATTERN
360
00:05:32,765 --> 00:05:32,798
IT'S THE INITIATORY PATTERN
361
00:05:32,799 --> 00:05:34,734
THAT IS A JOURNEY STORY THAT
362
00:05:34,734 --> 00:05:34,767
THAT IS A JOURNEY STORY THAT
363
00:05:34,767 --> 00:05:37,136
REPRESENTS A TRANSITION, MOVING
364
00:05:37,136 --> 00:05:37,202
REPRESENTS A TRANSITION, MOVING
365
00:05:37,203 --> 00:05:39,405
FROM ONE IDENTITY, SAY, YOUNG
366
00:05:39,405 --> 00:05:39,471
FROM ONE IDENTITY, SAY, YOUNG
367
00:05:39,472 --> 00:05:40,773
ADULTHOOD, INTO ANOTHER
368
00:05:40,773 --> 00:05:40,839
ADULTHOOD, INTO ANOTHER
369
00:05:40,840 --> 00:05:44,043
IDENTITY, SAY, FULL ADULTHOOD.
370
00:05:44,043 --> 00:05:44,109
IDENTITY, SAY, FULL ADULTHOOD.
371
00:05:44,110 --> 00:05:45,511
>> Narrator: OVER THE COURSE OF
372
00:05:45,511 --> 00:05:45,544
>> Narrator: OVER THE COURSE OF
373
00:05:45,545 --> 00:05:47,246
THE "STAR WARS" SAGA, TWO
374
00:05:47,246 --> 00:05:47,312
THE "STAR WARS" SAGA, TWO
375
00:05:47,313 --> 00:05:49,315
CHARACTERS SET OUT ON THE HERO'S
376
00:05:49,315 --> 00:05:49,348
CHARACTERS SET OUT ON THE HERO'S
377
00:05:49,349 --> 00:05:51,617
JOURNEY, ANAKIN SKYWALKER AND
378
00:05:51,617 --> 00:05:51,683
JOURNEY, ANAKIN SKYWALKER AND
379
00:05:51,684 --> 00:05:53,152
HIS SON, LUKE.
380
00:05:53,152 --> 00:05:53,218
HIS SON, LUKE.
381
00:05:53,219 --> 00:05:54,320
>> Lyden: EACH OF THEM IS
382
00:05:54,320 --> 00:05:54,386
>> Lyden: EACH OF THEM IS
383
00:05:54,387 --> 00:05:57,523
CALLED TO AN ADVENTURE.
384
00:05:57,523 --> 00:05:57,556
CALLED TO AN ADVENTURE.
385
00:05:57,557 --> 00:05:59,425
EACH OF THEM DOES NOT EXPECT
386
00:05:59,425 --> 00:05:59,458
EACH OF THEM DOES NOT EXPECT
387
00:05:59,459 --> 00:06:02,328
TO BE A HERO.
388
00:06:02,328 --> 00:06:02,394
TO BE A HERO.
389
00:06:02,395 --> 00:06:04,430
EACH OF THEM BECOMES DRAWN INTO
390
00:06:04,430 --> 00:06:04,463
EACH OF THEM BECOMES DRAWN INTO
391
00:06:04,464 --> 00:06:06,299
THIS STRUGGLE BETWEEN GOOD AND
392
00:06:06,299 --> 00:06:06,332
THIS STRUGGLE BETWEEN GOOD AND
393
00:06:06,332 --> 00:06:08,233
EVIL WHERE THEY HAVE TO CHOOSE
394
00:06:08,234 --> 00:06:08,267
EVIL WHERE THEY HAVE TO CHOOSE
395
00:06:08,267 --> 00:06:09,801
WHAT SIDE THEY WILL ALIGN
396
00:06:09,802 --> 00:06:09,868
WHAT SIDE THEY WILL ALIGN
397
00:06:09,869 --> 00:06:11,337
THEMSELVES WITH.
398
00:06:11,337 --> 00:06:11,370
THEMSELVES WITH.
399
00:06:11,371 --> 00:06:13,139
>> Narrator: FOR ANAKIN, THE
400
00:06:13,139 --> 00:06:13,172
>> Narrator: FOR ANAKIN, THE
401
00:06:13,172 --> 00:06:14,873
JOURNEY WILL BE A TRAGIC ONE,
402
00:06:14,874 --> 00:06:14,907
JOURNEY WILL BE A TRAGIC ONE,
403
00:06:14,907 --> 00:06:16,708
AS HIS ARROGANCE...
404
00:06:16,709 --> 00:06:16,775
AS HIS ARROGANCE...
405
00:06:16,776 --> 00:06:17,676
FEAR...
406
00:06:17,677 --> 00:06:17,710
FEAR...
407
00:06:17,710 --> 00:06:19,144
>> I WON'T LOSE YOU, PADME.
408
00:06:19,145 --> 00:06:19,178
>> I WON'T LOSE YOU, PADME.
409
00:06:19,178 --> 00:06:20,212
>> Narrator: AND DESIRE FOR
410
00:06:20,213 --> 00:06:20,246
>> Narrator: AND DESIRE FOR
411
00:06:20,246 --> 00:06:21,780
POWER ULTIMATELY TURN HIM FROM
412
00:06:21,781 --> 00:06:21,814
POWER ULTIMATELY TURN HIM FROM
413
00:06:21,814 --> 00:06:24,349
THE HERO'S PATH AND LEAD HIM TO
414
00:06:24,350 --> 00:06:24,383
THE HERO'S PATH AND LEAD HIM TO
415
00:06:24,384 --> 00:06:26,219
THE DARK SIDE, WHERE HE BECOMES
416
00:06:26,219 --> 00:06:26,252
THE DARK SIDE, WHERE HE BECOMES
417
00:06:26,252 --> 00:06:28,254
THE EVIL DARTH VADER.
418
00:06:28,254 --> 00:06:28,320
THE EVIL DARTH VADER.
419
00:06:28,321 --> 00:06:30,523
>> IF YOU ONLY KNEW THE POWER
420
00:06:30,523 --> 00:06:30,556
>> IF YOU ONLY KNEW THE POWER
421
00:06:30,556 --> 00:06:32,724
OF THE DARK SIDE.
422
00:06:32,725 --> 00:06:32,791
OF THE DARK SIDE.
423
00:06:32,792 --> 00:06:34,093
>> Narrator: AND LUKE'S JOURNEY
424
00:06:34,093 --> 00:06:34,159
>> Narrator: AND LUKE'S JOURNEY
425
00:06:34,160 --> 00:06:36,629
ULTIMATELY BECOMES A QUEST TO
426
00:06:36,629 --> 00:06:36,695
ULTIMATELY BECOMES A QUEST TO
427
00:06:36,696 --> 00:06:38,597
REDEEM HIS FATHER.
428
00:06:38,598 --> 00:06:38,631
REDEEM HIS FATHER.
429
00:06:38,631 --> 00:06:41,433
>> [deep mechanical breathing]
430
00:06:41,434 --> 00:06:41,467
>> [deep mechanical breathing]
431
00:06:41,467 --> 00:06:42,334
>> LUKE!
432
00:06:42,335 --> 00:06:42,368
>> LUKE!
433
00:06:42,368 --> 00:06:43,268
TAKE THESE TWO OVER TO THE
434
00:06:43,269 --> 00:06:43,302
TAKE THESE TWO OVER TO THE
435
00:06:43,302 --> 00:06:43,802
GARAGE.
436
00:06:43,803 --> 00:06:43,869
GARAGE.
437
00:06:43,870 --> 00:06:44,704
I WANT THEM CLEANED UP BEFORE
438
00:06:44,704 --> 00:06:44,737
I WANT THEM CLEANED UP BEFORE
439
00:06:44,737 --> 00:06:45,170
DINNER.
440
00:06:45,171 --> 00:06:45,237
DINNER.
441
00:06:45,238 --> 00:06:47,173
>> Henderson: LUKE STARTS OUT AS
442
00:06:47,173 --> 00:06:47,206
>> Henderson: LUKE STARTS OUT AS
443
00:06:47,206 --> 00:06:48,240
BEING NOBODY.
444
00:06:48,241 --> 00:06:48,274
BEING NOBODY.
445
00:06:48,274 --> 00:06:50,542
AND WHAT HE NEEDS IS A CALL TO
446
00:06:50,543 --> 00:06:50,576
AND WHAT HE NEEDS IS A CALL TO
447
00:06:50,576 --> 00:06:52,911
ADVENTURE TO GET HIM STARTED.
448
00:06:52,912 --> 00:06:52,978
ADVENTURE TO GET HIM STARTED.
449
00:06:52,979 --> 00:06:55,181
>> Help me, Obi-Wan Kenobi.
450
00:06:55,181 --> 00:06:55,247
>> Help me, Obi-Wan Kenobi.
451
00:06:55,248 --> 00:06:56,716
You're my only hope.
452
00:06:56,716 --> 00:06:56,749
You're my only hope.
453
00:06:56,749 --> 00:06:57,616
>> WHAT'S THIS?
454
00:06:57,617 --> 00:06:57,650
>> WHAT'S THIS?
455
00:06:57,650 --> 00:06:58,784
>> [beeping and whistling]
456
00:06:58,785 --> 00:06:58,818
>> [beeping and whistling]
457
00:06:58,818 --> 00:07:00,019
>> HE SAYS THAT HE IS THE
458
00:07:00,019 --> 00:07:00,085
>> HE SAYS THAT HE IS THE
459
00:07:00,086 --> 00:07:02,154
PROPERTY OF OBI-WAN KENOBI, A
460
00:07:02,155 --> 00:07:02,188
PROPERTY OF OBI-WAN KENOBI, A
461
00:07:02,188 --> 00:07:03,455
RESIDENT OF THESE PARTS, AND
462
00:07:03,456 --> 00:07:03,522
RESIDENT OF THESE PARTS, AND
463
00:07:03,523 --> 00:07:05,558
IT'S A PRIVATE MESSAGE FOR HIM.
464
00:07:05,558 --> 00:07:05,624
IT'S A PRIVATE MESSAGE FOR HIM.
465
00:07:05,625 --> 00:07:07,460
>> REST EASY, SON.
466
00:07:07,460 --> 00:07:07,493
>> REST EASY, SON.
467
00:07:07,493 --> 00:07:08,827
YOU'VE HAD A BUSY DAY.
468
00:07:08,828 --> 00:07:08,861
YOU'VE HAD A BUSY DAY.
469
00:07:08,861 --> 00:07:09,928
>> Young: THE CALL IS AN EVENT
470
00:07:09,929 --> 00:07:09,995
>> Young: THE CALL IS AN EVENT
471
00:07:09,996 --> 00:07:11,831
THAT PULLS US AWAY FROM FAMILIAR
472
00:07:11,831 --> 00:07:11,864
THAT PULLS US AWAY FROM FAMILIAR
473
00:07:11,864 --> 00:07:12,731
COMFORTS.
474
00:07:12,732 --> 00:07:12,798
COMFORTS.
475
00:07:12,799 --> 00:07:14,000
>> BEN?
476
00:07:14,000 --> 00:07:14,066
>> BEN?
477
00:07:14,066 --> 00:07:15,067
BEN KENOBI?
478
00:07:15,067 --> 00:07:15,100
BEN KENOBI?
479
00:07:15,101 --> 00:07:16,202
>> Young: IT PULLS US AWAY FROM
480
00:07:16,202 --> 00:07:16,235
>> Young: IT PULLS US AWAY FROM
481
00:07:16,235 --> 00:07:17,569
EVERYTHING THAT IS FAMILIAR TO
482
00:07:17,570 --> 00:07:17,603
EVERYTHING THAT IS FAMILIAR TO
483
00:07:17,603 --> 00:07:19,905
US, INCLUDING WHAT WE KNOW HOW
484
00:07:19,906 --> 00:07:19,972
US, INCLUDING WHAT WE KNOW HOW
485
00:07:19,972 --> 00:07:20,973
TO DO.
486
00:07:20,973 --> 00:07:21,006
TO DO.
487
00:07:21,007 --> 00:07:21,841
>> This is our most desperate
488
00:07:21,841 --> 00:07:21,874
>> This is our most desperate
489
00:07:21,874 --> 00:07:22,641
hour.
490
00:07:22,642 --> 00:07:22,708
hour.
491
00:07:22,708 --> 00:07:23,842
>> Young: WE'RE OUT IN A
492
00:07:23,843 --> 00:07:23,876
>> Young: WE'RE OUT IN A
493
00:07:23,876 --> 00:07:25,911
SITUATION THAT IS ENORMOUSLY
494
00:07:25,912 --> 00:07:25,945
SITUATION THAT IS ENORMOUSLY
495
00:07:25,945 --> 00:07:26,912
CHALLENGING.
496
00:07:26,913 --> 00:07:26,979
CHALLENGING.
497
00:07:26,979 --> 00:07:28,180
>> YOU MUST LEARN THE WAYS OF
498
00:07:28,181 --> 00:07:28,214
>> YOU MUST LEARN THE WAYS OF
499
00:07:28,214 --> 00:07:30,182
THE FORCE IF YOU'RE TO COME WITH
500
00:07:30,183 --> 00:07:30,216
THE FORCE IF YOU'RE TO COME WITH
501
00:07:30,216 --> 00:07:31,383
ME TO ALDERAAN.
502
00:07:31,384 --> 00:07:31,417
ME TO ALDERAAN.
503
00:07:31,417 --> 00:07:33,118
>> Jackson: LUKE FULFILLS A ROLE
504
00:07:33,119 --> 00:07:33,152
>> Jackson: LUKE FULFILLS A ROLE
505
00:07:33,152 --> 00:07:34,620
AS A MYTHIC HERO BECAUSE THEY
506
00:07:34,620 --> 00:07:34,653
AS A MYTHIC HERO BECAUSE THEY
507
00:07:34,654 --> 00:07:36,989
USUALLY START OUT AS BEING VERY
508
00:07:36,989 --> 00:07:37,022
USUALLY START OUT AS BEING VERY
509
00:07:37,023 --> 00:07:38,657
SIMPLE, SLIGHTLY INSECURE
510
00:07:38,658 --> 00:07:38,691
SIMPLE, SLIGHTLY INSECURE
511
00:07:38,691 --> 00:07:39,558
CHARACTERS.
512
00:07:39,559 --> 00:07:39,625
CHARACTERS.
513
00:07:39,625 --> 00:07:41,460
FOR EXAMPLE, CHARACTERS LIKE
514
00:07:41,461 --> 00:07:41,494
FOR EXAMPLE, CHARACTERS LIKE
515
00:07:41,494 --> 00:07:43,462
DOROTHY FROM "THE WIZARD OF OZ,"
516
00:07:43,463 --> 00:07:43,496
DOROTHY FROM "THE WIZARD OF OZ,"
517
00:07:43,496 --> 00:07:45,197
LIKE HARRY POTTER, LIKE KING
518
00:07:45,198 --> 00:07:45,264
LIKE HARRY POTTER, LIKE KING
519
00:07:45,264 --> 00:07:47,532
ARTHUR, THEY ARE WHAT'S CALLED
520
00:07:47,533 --> 00:07:47,566
ARTHUR, THEY ARE WHAT'S CALLED
521
00:07:47,567 --> 00:07:48,100
EVERYMAN.
522
00:07:48,100 --> 00:07:48,133
EVERYMAN.
523
00:07:48,134 --> 00:07:49,101
THEY'RE US.
524
00:07:49,101 --> 00:07:49,134
THEY'RE US.
525
00:07:49,135 --> 00:07:50,402
THEY HAVE THE SAME INSECURITIES
526
00:07:50,403 --> 00:07:50,469
THEY HAVE THE SAME INSECURITIES
527
00:07:50,470 --> 00:07:51,671
AND FEARS AS WE DO.
528
00:07:51,671 --> 00:07:51,737
AND FEARS AS WE DO.
529
00:07:51,737 --> 00:07:53,205
>> I CAN'T GET INVOLVED.
530
00:07:53,206 --> 00:07:53,239
>> I CAN'T GET INVOLVED.
531
00:07:53,239 --> 00:07:55,107
I'VE GOT WORK TO DO.
532
00:07:55,107 --> 00:07:55,173
I'VE GOT WORK TO DO.
533
00:07:55,174 --> 00:07:57,109
IT'S NOT THAT I LIKE THE EMPIRE.
534
00:07:57,109 --> 00:07:57,142
IT'S NOT THAT I LIKE THE EMPIRE.
535
00:07:57,143 --> 00:07:58,210
I HATE IT, BUT THERE'S NOTHING I
536
00:07:58,211 --> 00:07:58,244
I HATE IT, BUT THERE'S NOTHING I
537
00:07:58,244 --> 00:07:59,778
CAN DO ABOUT IT RIGHT NOW.
538
00:07:59,779 --> 00:07:59,845
CAN DO ABOUT IT RIGHT NOW.
539
00:07:59,846 --> 00:08:01,314
>> YOU MUST DO WHAT YOU FEEL IS
540
00:08:01,314 --> 00:08:01,347
>> YOU MUST DO WHAT YOU FEEL IS
541
00:08:01,347 --> 00:08:02,848
RIGHT, OF COURSE.
542
00:08:02,849 --> 00:08:02,882
RIGHT, OF COURSE.
543
00:08:02,882 --> 00:08:03,749
>> Young: THERE IS THE
544
00:08:03,749 --> 00:08:03,815
>> Young: THERE IS THE
545
00:08:03,816 --> 00:08:05,317
POSSIBILITY OF REJECTING THE
546
00:08:05,318 --> 00:08:05,384
POSSIBILITY OF REJECTING THE
547
00:08:05,384 --> 00:08:06,118
CALL.
548
00:08:06,118 --> 00:08:06,151
CALL.
549
00:08:06,152 --> 00:08:07,920
THAT IS, YOU SEE WHAT IS ASKED
550
00:08:07,920 --> 00:08:07,953
THAT IS, YOU SEE WHAT IS ASKED
551
00:08:07,954 --> 00:08:09,588
OF YOU, YOU SEE WHAT YOU COULD
552
00:08:09,589 --> 00:08:09,622
OF YOU, YOU SEE WHAT YOU COULD
553
00:08:09,622 --> 00:08:11,490
RISE TO AND YOU SAY, "I DON'T
554
00:08:11,491 --> 00:08:11,557
RISE TO AND YOU SAY, "I DON'T
555
00:08:11,557 --> 00:08:12,758
WANT TO GO."
556
00:08:12,758 --> 00:08:12,791
WANT TO GO."
557
00:08:12,792 --> 00:08:14,193
BUT MORE OFTEN, IT'S A KIND OF
558
00:08:14,193 --> 00:08:14,226
BUT MORE OFTEN, IT'S A KIND OF
559
00:08:14,227 --> 00:08:15,595
STRUGGLE, AND THERE'S A
560
00:08:15,595 --> 00:08:15,661
STRUGGLE, AND THERE'S A
561
00:08:15,661 --> 00:08:17,295
PREPARATORY TIME THERE, A KIND
562
00:08:17,296 --> 00:08:17,329
PREPARATORY TIME THERE, A KIND
563
00:08:17,330 --> 00:08:18,597
OF DRESS REHEARSAL WHILE A
564
00:08:18,598 --> 00:08:18,664
OF DRESS REHEARSAL WHILE A
565
00:08:18,664 --> 00:08:20,132
PERSON IS SAYING, "I'M NOT DOING
566
00:08:20,132 --> 00:08:20,198
PERSON IS SAYING, "I'M NOT DOING
567
00:08:20,199 --> 00:08:20,966
THIS."
568
00:08:20,967 --> 00:08:21,000
THIS."
569
00:08:21,000 --> 00:08:21,967
IN FACT, MENTALLY THEY'RE
570
00:08:21,968 --> 00:08:22,034
IN FACT, MENTALLY THEY'RE
571
00:08:22,034 --> 00:08:23,668
BRACING THEMSELVES.
572
00:08:23,669 --> 00:08:23,702
BRACING THEMSELVES.
573
00:08:23,703 --> 00:08:24,870
>> IF THEY TRACED THE ROBOTS
574
00:08:24,871 --> 00:08:24,904
>> IF THEY TRACED THE ROBOTS
575
00:08:24,904 --> 00:08:26,071
HERE, THEY MAY HAVE LEARNED WHO
576
00:08:26,072 --> 00:08:26,138
HERE, THEY MAY HAVE LEARNED WHO
577
00:08:26,138 --> 00:08:27,205
THEY SOLD THEM TO, AND THAT
578
00:08:27,206 --> 00:08:27,239
THEY SOLD THEM TO, AND THAT
579
00:08:27,240 --> 00:08:29,675
WOULD LEAD THEM BACK... HOME.
580
00:08:29,675 --> 00:08:29,741
WOULD LEAD THEM BACK... HOME.
581
00:08:29,742 --> 00:08:30,776
>> WAIT, LUKE!
582
00:08:30,776 --> 00:08:30,842
>> WAIT, LUKE!
583
00:08:30,843 --> 00:08:35,781
IT'S TOO DANGEROUS!
584
00:08:35,781 --> 00:08:35,847
IT'S TOO DANGEROUS!
585
00:08:35,848 --> 00:08:37,049
>> Galipeau: THE JOURNEY OF LUKE
586
00:08:37,049 --> 00:08:37,115
>> Galipeau: THE JOURNEY OF LUKE
587
00:08:37,116 --> 00:08:39,485
IS AN ARCHETYPAL JOURNEY, LIKE
588
00:08:39,485 --> 00:08:39,518
IS AN ARCHETYPAL JOURNEY, LIKE
589
00:08:39,519 --> 00:08:42,154
ODYSSEUS, FOR INSTANCE, OR EVEN
590
00:08:42,154 --> 00:08:42,220
ODYSSEUS, FOR INSTANCE, OR EVEN
591
00:08:42,221 --> 00:08:44,756
BIBLICAL FIGURES LIKE MOSES.
592
00:08:44,757 --> 00:08:44,790
BIBLICAL FIGURES LIKE MOSES.
593
00:08:44,790 --> 00:08:46,057
THEY DON'T NECESSARILY EVEN
594
00:08:46,058 --> 00:08:46,091
THEY DON'T NECESSARILY EVEN
595
00:08:46,092 --> 00:08:47,793
WANT TO DO WHAT THEY ARE CALLED
596
00:08:47,793 --> 00:08:47,826
WANT TO DO WHAT THEY ARE CALLED
597
00:08:47,827 --> 00:08:50,863
TO DO, BUT LIFE CONTRIVES TO
598
00:08:50,863 --> 00:08:50,896
TO DO, BUT LIFE CONTRIVES TO
599
00:08:50,897 --> 00:08:53,432
SEND THEM ON THE JOURNEY.
600
00:08:53,432 --> 00:08:53,465
SEND THEM ON THE JOURNEY.
601
00:08:53,466 --> 00:08:54,400
>> UNCLE OWEN?!
602
00:08:54,400 --> 00:08:54,433
>> UNCLE OWEN?!
603
00:08:54,433 --> 00:08:55,434
>> Abrams: AT THE HEART OF THE
604
00:08:55,434 --> 00:08:55,467
>> Abrams: AT THE HEART OF THE
605
00:08:55,468 --> 00:08:59,138
STORY IS SOME KID WHO IS BEING
606
00:08:59,138 --> 00:08:59,171
STORY IS SOME KID WHO IS BEING
607
00:08:59,171 --> 00:09:01,673
CALLED TO SERVICE, TO DEAL WITH
608
00:09:01,674 --> 00:09:01,707
CALLED TO SERVICE, TO DEAL WITH
609
00:09:01,707 --> 00:09:03,408
SOMETHING THAT IS SO MUCH BIGGER
610
00:09:03,409 --> 00:09:03,442
SOMETHING THAT IS SO MUCH BIGGER
611
00:09:03,442 --> 00:09:08,880
THAN HIM.
612
00:09:08,881 --> 00:09:08,914
THAN HIM.
613
00:09:08,915 --> 00:09:10,716
SUDDENLY THERE'S THIS VIOLENT,
614
00:09:10,716 --> 00:09:10,749
SUDDENLY THERE'S THIS VIOLENT,
615
00:09:10,750 --> 00:09:12,885
HEARTBREAKING MURDER OF HIS
616
00:09:12,885 --> 00:09:12,918
HEARTBREAKING MURDER OF HIS
617
00:09:12,919 --> 00:09:14,253
AUNT AND UNCLE, AND ALL OF A
618
00:09:14,253 --> 00:09:14,286
AUNT AND UNCLE, AND ALL OF A
619
00:09:14,287 --> 00:09:18,157
SUDDEN, THIS KID'S LIFE CHANGES.
620
00:09:18,157 --> 00:09:18,190
SUDDEN, THIS KID'S LIFE CHANGES.
621
00:09:18,190 --> 00:09:19,457
>> THERE'S NOTHING YOU COULD
622
00:09:19,458 --> 00:09:19,524
>> THERE'S NOTHING YOU COULD
623
00:09:19,525 --> 00:09:21,093
HAVE DONE, LUKE.
624
00:09:21,093 --> 00:09:21,159
HAVE DONE, LUKE.
625
00:09:21,160 --> 00:09:22,261
>> I WANT TO COME WITH YOU TO
626
00:09:22,261 --> 00:09:22,327
>> I WANT TO COME WITH YOU TO
627
00:09:22,328 --> 00:09:23,896
ALDERAAN.
628
00:09:23,896 --> 00:09:23,929
ALDERAAN.
629
00:09:23,930 --> 00:09:29,435
THERE'S NOTHING FOR ME HERE NOW.
630
00:09:29,435 --> 00:09:29,501
THERE'S NOTHING FOR ME HERE NOW.
631
00:09:29,502 --> 00:09:31,637
>> MOS EISLEY SPACE PORT.
632
00:09:31,637 --> 00:09:31,703
>> MOS EISLEY SPACE PORT.
633
00:09:31,704 --> 00:09:33,172
YOU WILL NEVER FIND A MORE
634
00:09:33,172 --> 00:09:33,205
YOU WILL NEVER FIND A MORE
635
00:09:33,205 --> 00:09:35,440
WRETCHED HIVE OF SCUM AND
636
00:09:35,441 --> 00:09:35,507
WRETCHED HIVE OF SCUM AND
637
00:09:35,508 --> 00:09:36,876
VILLAINY.
638
00:09:36,876 --> 00:09:36,909
VILLAINY.
639
00:09:36,909 --> 00:09:39,811
WE MUST BE CAUTIOUS.
640
00:09:39,812 --> 00:09:39,878
WE MUST BE CAUTIOUS.
641
00:09:39,879 --> 00:09:45,551
[lively music playing]
642
00:09:45,551 --> 00:09:45,617
[lively music playing]
643
00:09:45,618 --> 00:09:47,453
>> Young: THE CANTINA SCENE IS
644
00:09:47,453 --> 00:09:47,486
>> Young: THE CANTINA SCENE IS
645
00:09:47,486 --> 00:09:49,154
WHAT JOSEPH CAMPBELL REFERRED TO
646
00:09:49,155 --> 00:09:49,188
WHAT JOSEPH CAMPBELL REFERRED TO
647
00:09:49,188 --> 00:09:52,191
AS THE THRESHOLD CROSSING.
648
00:09:52,191 --> 00:09:52,257
AS THE THRESHOLD CROSSING.
649
00:09:52,258 --> 00:09:53,993
THIS IS A MOMENT WHEN YOU ARE
650
00:09:53,993 --> 00:09:54,059
THIS IS A MOMENT WHEN YOU ARE
651
00:09:54,060 --> 00:09:55,561
PROFOUNDLY AWARE THAT YOU'RE
652
00:09:55,561 --> 00:09:55,627
PROFOUNDLY AWARE THAT YOU'RE
653
00:09:55,628 --> 00:09:58,163
NOT IN KANSAS ANYMORE.
654
00:09:58,164 --> 00:09:58,197
NOT IN KANSAS ANYMORE.
655
00:09:58,197 --> 00:10:00,365
YOU ARE GOING INTO A BIZARRE
656
00:10:00,366 --> 00:10:00,399
YOU ARE GOING INTO A BIZARRE
657
00:10:00,399 --> 00:10:03,735
PLACE, AND IT'S VERY DANGEROUS.
658
00:10:03,736 --> 00:10:03,802
PLACE, AND IT'S VERY DANGEROUS.
659
00:10:03,803 --> 00:10:06,906
>> [growling gutturally]
660
00:10:06,906 --> 00:10:06,972
>> [growling gutturally]
661
00:10:06,973 --> 00:10:08,074
>> Young: AND THE CHARACTERS YOU
662
00:10:08,074 --> 00:10:08,107
>> Young: AND THE CHARACTERS YOU
663
00:10:08,107 --> 00:10:09,475
WILL BE DEALING WITH ARE NOT
664
00:10:09,475 --> 00:10:09,508
WILL BE DEALING WITH ARE NOT
665
00:10:09,508 --> 00:10:11,543
LIKE THE FOLKS BACK HOME.
666
00:10:11,544 --> 00:10:11,577
LIKE THE FOLKS BACK HOME.
667
00:10:11,577 --> 00:10:13,278
>> HE DOESN'T LIKE YOU.
668
00:10:13,279 --> 00:10:13,312
>> HE DOESN'T LIKE YOU.
669
00:10:13,312 --> 00:10:15,647
>> I'M SORRY.
670
00:10:15,648 --> 00:10:15,714
>> I'M SORRY.
671
00:10:15,715 --> 00:10:18,117
>> I DON'T LIKE YOU EITHER.
672
00:10:18,117 --> 00:10:18,183
>> I DON'T LIKE YOU EITHER.
673
00:10:18,184 --> 00:10:19,652
YOU JUST WATCH YOURSELF.
674
00:10:19,652 --> 00:10:19,718
YOU JUST WATCH YOURSELF.
675
00:10:19,719 --> 00:10:21,554
>> I'LL BE CAREFUL.
676
00:10:21,554 --> 00:10:21,620
>> I'LL BE CAREFUL.
677
00:10:21,621 --> 00:10:22,655
>> YOU'LL BE DEAD!
678
00:10:22,655 --> 00:10:22,688
>> YOU'LL BE DEAD!
679
00:10:22,688 --> 00:10:26,124
RAGH!
680
00:10:26,125 --> 00:10:26,158
RAGH!
681
00:10:26,158 --> 00:10:27,559
[blasters firing]
682
00:10:27,560 --> 00:10:27,593
[blasters firing]
683
00:10:27,593 --> 00:10:33,298
>> AAAGH!
684
00:10:33,299 --> 00:10:33,332
>> AAAGH!
685
00:10:33,332 --> 00:10:34,566
>> Whedon: LUKE SKYWALKER'S
686
00:10:34,567 --> 00:10:34,600
>> Whedon: LUKE SKYWALKER'S
687
00:10:34,600 --> 00:10:36,201
JOURNEY IS THE SIMPLE, CLASSIC
688
00:10:36,202 --> 00:10:36,268
JOURNEY IS THE SIMPLE, CLASSIC
689
00:10:36,268 --> 00:10:37,936
HERO THING OF, "I AM AN
690
00:10:37,937 --> 00:10:38,003
HERO THING OF, "I AM AN
691
00:10:38,004 --> 00:10:40,573
ADOLESCENT WHO IS ABOUT TO BREAK
692
00:10:40,573 --> 00:10:40,639
ADOLESCENT WHO IS ABOUT TO BREAK
693
00:10:40,640 --> 00:10:42,908
FROM A MUCH SMALLER VIEW OF THE
694
00:10:42,908 --> 00:10:42,941
FROM A MUCH SMALLER VIEW OF THE
695
00:10:42,942 --> 00:10:44,843
WORLD TO A MUCH LARGER ONE.
696
00:10:44,844 --> 00:10:44,910
WORLD TO A MUCH LARGER ONE.
697
00:10:44,910 --> 00:10:45,744
AND I'M GONNA GO THROUGH A
698
00:10:45,745 --> 00:10:45,778
AND I'M GONNA GO THROUGH A
699
00:10:45,778 --> 00:10:47,112
REALLY PAINFUL JOURNEY IN ORDER
700
00:10:47,113 --> 00:10:47,179
REALLY PAINFUL JOURNEY IN ORDER
701
00:10:47,179 --> 00:10:50,482
TO DO THAT."
702
00:10:50,483 --> 00:10:50,516
TO DO THAT."
703
00:10:50,516 --> 00:10:52,384
>> Lyden: JUST AS HERCULES AND
704
00:10:52,385 --> 00:10:52,418
>> Lyden: JUST AS HERCULES AND
705
00:10:52,418 --> 00:10:53,852
OTHER HEROES OF CLASSIC
706
00:10:53,853 --> 00:10:53,886
OTHER HEROES OF CLASSIC
707
00:10:53,886 --> 00:10:56,054
MYTHOLOGY HAD TO UNDERGO CERTAIN
708
00:10:56,055 --> 00:10:56,121
MYTHOLOGY HAD TO UNDERGO CERTAIN
709
00:10:56,122 --> 00:10:59,391
TASKS TO PROVE THEIR WORTH, SO
710
00:10:59,392 --> 00:10:59,425
TASKS TO PROVE THEIR WORTH, SO
711
00:10:59,425 --> 00:11:01,093
LUKE DEVELOPS AS A CHARACTER
712
00:11:01,093 --> 00:11:01,126
LUKE DEVELOPS AS A CHARACTER
713
00:11:01,127 --> 00:11:03,496
THROUGH THE TASKS HE UNDERTAKES.
714
00:11:06,532 --> 00:11:07,566
>> FOR LUCK.
715
00:11:07,566 --> 00:11:07,599
>> FOR LUCK.
716
00:11:07,600 --> 00:11:09,301
>> Lyden: HE RESCUES PRINCESS
717
00:11:09,301 --> 00:11:09,334
>> Lyden: HE RESCUES PRINCESS
718
00:11:09,335 --> 00:11:11,770
LEIA.
719
00:11:11,771 --> 00:11:11,804
LEIA.
720
00:11:11,804 --> 00:11:13,605
HE HELPS TO ATTACK THE DEATH
721
00:11:13,606 --> 00:11:13,639
HE HELPS TO ATTACK THE DEATH
722
00:11:13,639 --> 00:11:15,607
STAR, WHERE HE IS A KEY PLAYER.
723
00:11:15,608 --> 00:11:15,674
STAR, WHERE HE IS A KEY PLAYER.
724
00:11:15,675 --> 00:11:16,475
>> ARE YOU ALRIGHT?!
725
00:11:16,475 --> 00:11:16,508
>> ARE YOU ALRIGHT?!
726
00:11:16,509 --> 00:11:17,510
>> I GOT A LITTLE COOKED, BUT
727
00:11:17,510 --> 00:11:17,576
>> I GOT A LITTLE COOKED, BUT
728
00:11:17,576 --> 00:11:21,413
I'M OKAY.
729
00:11:21,414 --> 00:11:21,480
I'M OKAY.
730
00:11:21,480 --> 00:11:23,315
>> Lyden: HE'S SWEPT UP IN THE
731
00:11:23,315 --> 00:11:23,381
>> Lyden: HE'S SWEPT UP IN THE
732
00:11:23,382 --> 00:11:25,517
BATTLE ON HOTH AND IS ABLE TO
733
00:11:25,518 --> 00:11:25,551
BATTLE ON HOTH AND IS ABLE TO
734
00:11:25,551 --> 00:11:27,419
DEAL WITH THAT.
735
00:11:33,359 --> 00:11:35,160
[Chewbacca roars]
736
00:11:35,161 --> 00:11:35,227
[Chewbacca roars]
737
00:11:35,227 --> 00:11:36,695
>> AIIGH!
738
00:11:36,696 --> 00:11:36,729
>> AIIGH!
739
00:11:36,729 --> 00:11:38,063
>> Lyden: HE RESCUES HIS FRIENDS
740
00:11:38,064 --> 00:11:38,130
>> Lyden: HE RESCUES HIS FRIENDS
741
00:11:38,130 --> 00:11:39,965
FROM JABBA THE HUTT.
742
00:11:39,965 --> 00:11:40,031
FROM JABBA THE HUTT.
743
00:11:40,032 --> 00:11:41,333
>> LET'S GO, AND DON'T FORGET
744
00:11:41,333 --> 00:11:41,399
>> LET'S GO, AND DON'T FORGET
745
00:11:41,400 --> 00:11:42,067
THE DROIDS.
746
00:11:42,068 --> 00:11:42,101
THE DROIDS.
747
00:11:42,101 --> 00:11:44,303
>> WE'RE ON OUR WAY.
748
00:11:44,303 --> 00:11:44,336
>> WE'RE ON OUR WAY.
749
00:11:44,336 --> 00:11:45,303
>> Lyden: ALL OF THESE THINGS
750
00:11:45,304 --> 00:11:45,337
>> Lyden: ALL OF THESE THINGS
751
00:11:45,337 --> 00:11:47,872
ARE PART OF HIS PROVING HIMSELF.
752
00:11:47,873 --> 00:11:47,939
ARE PART OF HIS PROVING HIMSELF.
753
00:11:47,940 --> 00:11:51,343
ALTHOUGH HIS BIGGEST STRUGGLE IS
754
00:11:51,343 --> 00:11:51,409
ALTHOUGH HIS BIGGEST STRUGGLE IS
755
00:11:51,410 --> 00:11:52,878
WITH HIS OWN FATHER.
756
00:11:52,878 --> 00:11:52,911
WITH HIS OWN FATHER.
757
00:11:52,912 --> 00:11:57,349
>> HOW DID MY FATHER DIE?
758
00:11:57,349 --> 00:11:57,415
>> HOW DID MY FATHER DIE?
759
00:11:57,416 --> 00:11:59,518
>> A YOUNG JEDI NAMED DARTH
760
00:11:59,518 --> 00:11:59,584
>> A YOUNG JEDI NAMED DARTH
761
00:11:59,585 --> 00:12:01,620
VADER, HE BETRAYED AND MURDERED
762
00:12:01,620 --> 00:12:01,653
VADER, HE BETRAYED AND MURDERED
763
00:12:01,654 --> 00:12:03,155
YOUR FATHER.
764
00:12:13,866 --> 00:12:15,133
>> LUKE.
765
00:12:15,134 --> 00:12:15,167
>> LUKE.
766
00:12:15,167 --> 00:12:16,234
[deep mechanical breathing]
767
00:12:16,235 --> 00:12:16,268
[deep mechanical breathing]
768
00:12:16,268 --> 00:12:17,535
>> Paglia: THE WAY DARTH VADER
769
00:12:17,536 --> 00:12:17,569
>> Paglia: THE WAY DARTH VADER
770
00:12:17,570 --> 00:12:19,805
LOOMS AS THIS DARK, FACELESS
771
00:12:19,805 --> 00:12:19,838
LOOMS AS THIS DARK, FACELESS
772
00:12:19,839 --> 00:12:23,075
FIGURE OVER HIM IS EXACTLY THE
773
00:12:23,075 --> 00:12:23,108
FIGURE OVER HIM IS EXACTLY THE
774
00:12:23,109 --> 00:12:26,145
WAY THE DEAD FATHER OF HAMLET
775
00:12:26,145 --> 00:12:26,178
WAY THE DEAD FATHER OF HAMLET
776
00:12:26,178 --> 00:12:29,281
LOOMS IN THE PLAY "HAMLET" AS A
777
00:12:29,281 --> 00:12:29,314
LOOMS IN THE PLAY "HAMLET" AS A
778
00:12:29,315 --> 00:12:32,418
WALKING GHOST, A GHOST CLAD IN
779
00:12:32,418 --> 00:12:32,451
WALKING GHOST, A GHOST CLAD IN
780
00:12:32,451 --> 00:12:35,287
ARMOR WITH A SEPULCHRAL VOICE.
781
00:12:35,287 --> 00:12:35,320
ARMOR WITH A SEPULCHRAL VOICE.
782
00:12:35,321 --> 00:12:37,723
>> YOUR DESTINY LIES WITH ME,
783
00:12:37,723 --> 00:12:37,789
>> YOUR DESTINY LIES WITH ME,
784
00:12:37,790 --> 00:12:40,359
SKYWALKER.
785
00:12:40,359 --> 00:12:40,425
SKYWALKER.
786
00:12:40,426 --> 00:12:41,627
>> Rubino: THE STRUGGLE BETWEEN
787
00:12:41,627 --> 00:12:41,660
>> Rubino: THE STRUGGLE BETWEEN
788
00:12:41,660 --> 00:12:43,294
FATHER AND SON IS VERY PRESENT
789
00:12:43,295 --> 00:12:43,361
FATHER AND SON IS VERY PRESENT
790
00:12:43,362 --> 00:12:46,465
IN GREEK MYTH.
791
00:12:46,465 --> 00:12:46,498
IN GREEK MYTH.
792
00:12:46,499 --> 00:12:48,634
FOR EXAMPLE, ZEUS CAME TO POWER
793
00:12:48,634 --> 00:12:48,667
FOR EXAMPLE, ZEUS CAME TO POWER
794
00:12:48,667 --> 00:12:50,935
BY STRUGGLING WITH HIS FATHER,
795
00:12:50,936 --> 00:12:51,002
BY STRUGGLING WITH HIS FATHER,
796
00:12:51,003 --> 00:12:52,337
AND HIS FATHER BEFORE HIM
797
00:12:52,338 --> 00:12:52,371
AND HIS FATHER BEFORE HIM
798
00:12:52,371 --> 00:12:53,972
STRUGGLED WITH HIS FATHER.
799
00:12:53,973 --> 00:12:54,006
STRUGGLED WITH HIS FATHER.
800
00:12:54,006 --> 00:12:55,741
HIS WEAPON IS A THUNDERBOLT,
801
00:12:55,741 --> 00:12:55,807
HIS WEAPON IS A THUNDERBOLT,
802
00:12:55,808 --> 00:12:57,075
LIGHTNING.
803
00:12:57,076 --> 00:12:57,109
LIGHTNING.
804
00:12:57,109 --> 00:12:59,544
SO WHEN I SAW DARTH VADER
805
00:12:59,545 --> 00:12:59,611
SO WHEN I SAW DARTH VADER
806
00:12:59,612 --> 00:13:01,013
FIGHTING WITH LUKE SKYWALKER
807
00:13:01,013 --> 00:13:01,046
FIGHTING WITH LUKE SKYWALKER
808
00:13:01,046 --> 00:13:02,914
WITH THESE LIGHT BEAMS, I
809
00:13:02,915 --> 00:13:02,981
WITH THESE LIGHT BEAMS, I
810
00:13:02,982 --> 00:13:04,283
THOUGHT OF THE THUNDERBOLT OF
811
00:13:04,283 --> 00:13:04,316
THOUGHT OF THE THUNDERBOLT OF
812
00:13:04,316 --> 00:13:06,384
ZEUS.
813
00:13:06,385 --> 00:13:06,418
ZEUS.
814
00:13:06,418 --> 00:13:08,353
>> Galipeau: THE LUKE/VADER
815
00:13:08,354 --> 00:13:08,387
>> Galipeau: THE LUKE/VADER
816
00:13:08,387 --> 00:13:09,721
RELATIONSHIP, IT'S ACTUALLY A
817
00:13:09,722 --> 00:13:09,755
RELATIONSHIP, IT'S ACTUALLY A
818
00:13:09,755 --> 00:13:11,389
BIBLICAL THEME IN THE SENSE THAT
819
00:13:11,390 --> 00:13:11,456
BIBLICAL THEME IN THE SENSE THAT
820
00:13:11,457 --> 00:13:13,125
THE BIBLE TALKS ABOUT THE SINS
821
00:13:13,125 --> 00:13:13,158
THE BIBLE TALKS ABOUT THE SINS
822
00:13:13,159 --> 00:13:15,294
OF THE FATHERS WILL BE PASSED ON
823
00:13:15,294 --> 00:13:15,327
OF THE FATHERS WILL BE PASSED ON
824
00:13:15,327 --> 00:13:16,928
TO THE SONS AND DAUGHTERS TO THE
825
00:13:16,929 --> 00:13:16,995
TO THE SONS AND DAUGHTERS TO THE
826
00:13:16,996 --> 00:13:19,031
FIFTH AND SIXTH GENERATION.
827
00:13:19,031 --> 00:13:19,064
FIFTH AND SIXTH GENERATION.
828
00:13:19,064 --> 00:13:20,832
>> YOU ARE BEATEN.
829
00:13:20,833 --> 00:13:20,899
>> YOU ARE BEATEN.
830
00:13:20,900 --> 00:13:22,835
IT IS USELESS TO RESIST.
831
00:13:22,835 --> 00:13:22,868
IT IS USELESS TO RESIST.
832
00:13:22,868 --> 00:13:24,569
DON'T LET YOURSELF BE DESTROYED
833
00:13:24,570 --> 00:13:24,603
DON'T LET YOURSELF BE DESTROYED
834
00:13:24,603 --> 00:13:27,572
AS OBI-WAN DID.
835
00:13:27,573 --> 00:13:27,639
AS OBI-WAN DID.
836
00:13:27,640 --> 00:13:28,674
>> Mitchell: THERE'S ALWAYS A
837
00:13:28,674 --> 00:13:28,707
>> Mitchell: THERE'S ALWAYS A
838
00:13:28,707 --> 00:13:30,208
SENSE THAT, BASICALLY, EVIL IS
839
00:13:30,209 --> 00:13:30,242
SENSE THAT, BASICALLY, EVIL IS
840
00:13:30,242 --> 00:13:31,476
INESCAPABLE IN ALL OF US AND
841
00:13:31,477 --> 00:13:31,543
INESCAPABLE IN ALL OF US AND
842
00:13:31,544 --> 00:13:32,945
GUILT IS INESCAPABLE IN ALL OF
843
00:13:32,945 --> 00:13:33,011
GUILT IS INESCAPABLE IN ALL OF
844
00:13:33,012 --> 00:13:34,747
US, AND WE HAVE TO ACKNOWLEDGE
845
00:13:34,747 --> 00:13:34,780
US, AND WE HAVE TO ACKNOWLEDGE
846
00:13:34,780 --> 00:13:35,580
THAT.
847
00:13:35,581 --> 00:13:35,647
THAT.
848
00:13:35,648 --> 00:13:36,582
>> WE'LL TAKE HIM TOGETHER.
849
00:13:36,582 --> 00:13:36,615
>> WE'LL TAKE HIM TOGETHER.
850
00:13:36,615 --> 00:13:37,582
YOU GO IN SLOWLY--
851
00:13:37,583 --> 00:13:37,649
YOU GO IN SLOWLY--
852
00:13:37,650 --> 00:13:38,751
>> NO, I'M TAKING HIM NOW!
853
00:13:38,751 --> 00:13:38,784
>> NO, I'M TAKING HIM NOW!
854
00:13:38,784 --> 00:13:42,587
>> NO, ANAKIN, NO!
855
00:13:42,588 --> 00:13:42,621
>> NO, ANAKIN, NO!
856
00:13:42,621 --> 00:13:43,855
>> Mitchell: LUKE'S FATHER IS
857
00:13:43,856 --> 00:13:43,922
>> Mitchell: LUKE'S FATHER IS
858
00:13:43,923 --> 00:13:45,024
SCARRED.
859
00:13:45,024 --> 00:13:45,057
SCARRED.
860
00:13:45,057 --> 00:13:47,959
>> AAH!
861
00:13:47,960 --> 00:13:47,993
>> AAH!
862
00:13:47,993 --> 00:13:49,327
>> Mitchell: AND PASSES THE SCAR
863
00:13:49,328 --> 00:13:49,394
>> Mitchell: AND PASSES THE SCAR
864
00:13:49,395 --> 00:13:51,597
ON TO HIS SON.
865
00:13:51,597 --> 00:13:51,630
ON TO HIS SON.
866
00:13:51,630 --> 00:13:52,831
IT'S A PASSING DOWN OF THE MARK
867
00:13:52,832 --> 00:13:52,865
IT'S A PASSING DOWN OF THE MARK
868
00:13:52,865 --> 00:13:53,765
OF CAIN.
869
00:13:53,766 --> 00:13:53,799
OF CAIN.
870
00:13:53,799 --> 00:13:57,202
>> AGGGGH!!
871
00:13:57,203 --> 00:13:57,236
>> AGGGGH!!
872
00:13:57,236 --> 00:13:58,770
>> Mitchell: FINALLY, ALL THIS
873
00:13:58,771 --> 00:13:58,837
>> Mitchell: FINALLY, ALL THIS
874
00:13:58,838 --> 00:14:01,240
COMES TO REST IN LUKE SKYWALKER.
875
00:14:01,240 --> 00:14:01,273
COMES TO REST IN LUKE SKYWALKER.
876
00:14:01,273 --> 00:14:03,775
>> OBI-WAN NEVER TOLD YOU WHAT
877
00:14:03,776 --> 00:14:03,842
>> OBI-WAN NEVER TOLD YOU WHAT
878
00:14:03,843 --> 00:14:05,411
HAPPENED TO YOUR FATHER.
879
00:14:05,411 --> 00:14:05,477
HAPPENED TO YOUR FATHER.
880
00:14:05,477 --> 00:14:07,245
>> HE TOLD ME YOU KILLED HIM.
881
00:14:07,246 --> 00:14:07,312
>> HE TOLD ME YOU KILLED HIM.
882
00:14:07,313 --> 00:14:08,747
>> NO.
883
00:14:08,747 --> 00:14:08,780
>> NO.
884
00:14:08,781 --> 00:14:11,517
I AM YOUR FATHER.
885
00:14:11,517 --> 00:14:11,550
I AM YOUR FATHER.
886
00:14:11,550 --> 00:14:14,219
>> NO!!
887
00:14:14,220 --> 00:14:14,253
>> NO!!
888
00:14:14,253 --> 00:14:16,054
NO!
889
00:14:16,055 --> 00:14:16,121
NO!
890
00:14:16,121 --> 00:14:18,056
>> Mitchell: LUKE HAS TO REALIZE
891
00:14:18,057 --> 00:14:18,090
>> Mitchell: LUKE HAS TO REALIZE
892
00:14:18,090 --> 00:14:19,958
THAT HE'S A PART OF A FAMILY AND
893
00:14:19,959 --> 00:14:19,992
THAT HE'S A PART OF A FAMILY AND
894
00:14:19,992 --> 00:14:21,960
TO NOT CARRY ON THE SINS OF THE
895
00:14:21,961 --> 00:14:22,027
TO NOT CARRY ON THE SINS OF THE
896
00:14:22,027 --> 00:14:23,228
FATHER.
897
00:14:23,229 --> 00:14:23,262
FATHER.
898
00:14:23,262 --> 00:14:25,664
>> JOIN ME, AND TOGETHER WE CAN
899
00:14:25,664 --> 00:14:25,697
>> JOIN ME, AND TOGETHER WE CAN
900
00:14:25,698 --> 00:14:28,400
RULE THE GALAXY AS FATHER AND
901
00:14:28,400 --> 00:14:28,433
RULE THE GALAXY AS FATHER AND
902
00:14:28,434 --> 00:14:29,401
SON.
903
00:14:29,401 --> 00:14:29,434
SON.
904
00:14:29,435 --> 00:14:31,804
[wind whistling]
905
00:14:34,840 --> 00:14:35,874
>> Young: IN A DRAMA, THERE
906
00:14:35,875 --> 00:14:35,941
>> Young: IN A DRAMA, THERE
907
00:14:35,941 --> 00:14:37,342
WILL BE A SERIOUS BATTLE AND A
908
00:14:37,343 --> 00:14:37,409
WILL BE A SERIOUS BATTLE AND A
909
00:14:37,409 --> 00:14:39,878
SERIOUS WOUNDING.
910
00:14:39,879 --> 00:14:39,912
SERIOUS WOUNDING.
911
00:14:39,912 --> 00:14:41,146
>> UGH...
912
00:14:41,146 --> 00:14:41,179
>> UGH...
913
00:14:41,180 --> 00:14:42,247
>> Young: THROUGHOUT THE REST OF
914
00:14:42,248 --> 00:14:42,314
>> Young: THROUGHOUT THE REST OF
915
00:14:42,314 --> 00:14:43,615
THE DRAMA, THE EFFECT OF THAT
916
00:14:43,616 --> 00:14:43,682
THE DRAMA, THE EFFECT OF THAT
917
00:14:43,682 --> 00:14:46,685
WOUND WILL SHAPE THE ACTIONS OF
918
00:14:46,685 --> 00:14:46,718
WOUND WILL SHAPE THE ACTIONS OF
919
00:14:46,719 --> 00:14:48,053
THE HERO.
920
00:14:48,053 --> 00:14:48,086
THE HERO.
921
00:14:48,087 --> 00:14:48,887
>> ANAKIN!
922
00:14:48,888 --> 00:14:48,921
>> ANAKIN!
923
00:14:48,921 --> 00:14:50,355
>> Young: IT IS LETTING US KNOW
924
00:14:50,356 --> 00:14:50,389
>> Young: IT IS LETTING US KNOW
925
00:14:50,389 --> 00:14:52,157
THE DANGERS OF ADULTHOOD.
926
00:14:52,157 --> 00:14:52,190
THE DANGERS OF ADULTHOOD.
927
00:14:52,191 --> 00:14:54,326
>> LEIA...
928
00:14:54,326 --> 00:14:54,359
>> LEIA...
929
00:14:54,360 --> 00:14:55,894
>> Young: THE REAL INJURIES OF
930
00:14:55,895 --> 00:14:55,928
>> Young: THE REAL INJURIES OF
931
00:14:55,928 --> 00:14:58,430
LIFE ADD UP AS WE GO ALONG.
932
00:15:03,335 --> 00:15:06,271
THAT IS THE MAKING OF CHARACTER.
933
00:15:06,272 --> 00:15:06,338
THAT IS THE MAKING OF CHARACTER.
934
00:15:06,338 --> 00:15:07,439
>> OW.
935
00:15:07,439 --> 00:15:07,505
>> OW.
936
00:15:07,506 --> 00:15:08,907
>> Young: THAT IS WHAT MAKES US
937
00:15:08,908 --> 00:15:08,941
>> Young: THAT IS WHAT MAKES US
938
00:15:08,941 --> 00:15:11,610
HUMAN AND ADULT AND, IN A WAY,
939
00:15:11,610 --> 00:15:11,643
HUMAN AND ADULT AND, IN A WAY,
940
00:15:11,644 --> 00:15:13,078
WISE.
941
00:15:23,188 --> 00:15:25,023
[high-pitched scream]
942
00:15:25,024 --> 00:15:25,057
[high-pitched scream]
943
00:15:25,057 --> 00:15:27,559
>> [beeps]
944
00:15:35,467 --> 00:15:38,503
[beeps]
945
00:15:38,504 --> 00:15:38,570
[beeps]
946
00:15:38,570 --> 00:15:40,572
>> HELLO, THERE.
947
00:15:45,311 --> 00:15:46,412
>> Narrator: YODA.
948
00:15:46,412 --> 00:15:46,445
>> Narrator: YODA.
949
00:15:46,445 --> 00:15:48,780
>> YOU MUST UNLEARN WHAT YOU
950
00:15:48,781 --> 00:15:48,814
>> YOU MUST UNLEARN WHAT YOU
951
00:15:48,814 --> 00:15:50,248
HAVE LEARNED.
952
00:15:50,249 --> 00:15:50,315
HAVE LEARNED.
953
00:15:50,316 --> 00:15:51,383
>> Narrator: QUI-GON.
954
00:15:51,383 --> 00:15:51,416
>> Narrator: QUI-GON.
955
00:15:51,417 --> 00:15:53,519
>> FEEL, DON'T THINK.
956
00:15:53,519 --> 00:15:53,585
>> FEEL, DON'T THINK.
957
00:15:53,585 --> 00:15:55,153
USE YOUR INSTINCTS.
958
00:15:55,154 --> 00:15:55,220
USE YOUR INSTINCTS.
959
00:15:55,220 --> 00:15:56,688
>> Narrator: OBI-WAN.
960
00:15:56,689 --> 00:15:56,722
>> Narrator: OBI-WAN.
961
00:15:56,722 --> 00:15:58,490
>> REMEMBER, A JEDI CAN FEEL THE
962
00:15:58,490 --> 00:15:58,523
>> REMEMBER, A JEDI CAN FEEL THE
963
00:15:58,524 --> 00:16:00,759
FORCE FLOWING THROUGH HIM.
964
00:16:00,759 --> 00:16:00,792
FORCE FLOWING THROUGH HIM.
965
00:16:00,793 --> 00:16:01,794
>> Narrator: IN MYTHIC
966
00:16:01,794 --> 00:16:01,860
>> Narrator: IN MYTHIC
967
00:16:01,860 --> 00:16:03,695
TRADITION, THESE THREE
968
00:16:03,696 --> 00:16:03,729
TRADITION, THESE THREE
969
00:16:03,729 --> 00:16:05,297
CHARACTERS SHARE THE ROLE OF
970
00:16:05,297 --> 00:16:05,330
CHARACTERS SHARE THE ROLE OF
971
00:16:05,331 --> 00:16:06,332
MENTOR.
972
00:16:06,332 --> 00:16:06,398
MENTOR.
973
00:16:06,398 --> 00:16:08,500
>> THE FORCE WILL BE WITH YOU...
974
00:16:08,500 --> 00:16:08,533
>> THE FORCE WILL BE WITH YOU...
975
00:16:08,534 --> 00:16:11,169
ALWAYS.
976
00:16:11,170 --> 00:16:11,236
ALWAYS.
977
00:16:11,236 --> 00:16:13,304
>> Narrator: PART WIZARD...
978
00:16:13,305 --> 00:16:13,338
>> Narrator: PART WIZARD...
979
00:16:13,339 --> 00:16:15,140
PART PRIEST...
980
00:16:15,140 --> 00:16:15,173
PART PRIEST...
981
00:16:15,174 --> 00:16:16,975
PART SURROGATE PARENT...
982
00:16:16,976 --> 00:16:17,042
PART SURROGATE PARENT...
983
00:16:17,042 --> 00:16:18,977
MENTORS GIVE PHILOSOPHICAL AND
984
00:16:18,978 --> 00:16:19,011
MENTORS GIVE PHILOSOPHICAL AND
985
00:16:19,011 --> 00:16:21,413
SPIRITUAL GUIDANCE TO THE HERO.
986
00:16:21,413 --> 00:16:21,446
SPIRITUAL GUIDANCE TO THE HERO.
987
00:16:21,447 --> 00:16:23,248
>> I DON'T UNDERSTAND.
988
00:16:23,248 --> 00:16:23,314
>> I DON'T UNDERSTAND.
989
00:16:23,315 --> 00:16:24,783
>> WITH TIME AND TRAINING, ANI,
990
00:16:24,783 --> 00:16:24,816
>> WITH TIME AND TRAINING, ANI,
991
00:16:24,817 --> 00:16:26,151
YOU WILL.
992
00:16:26,151 --> 00:16:26,217
YOU WILL.
993
00:16:26,218 --> 00:16:27,519
>> Narrator: THEY OFTEN POSSESS
994
00:16:27,519 --> 00:16:27,585
>> Narrator: THEY OFTEN POSSESS
995
00:16:27,586 --> 00:16:29,154
ALMOST MAGICAL POWERS THAT
996
00:16:29,154 --> 00:16:29,187
ALMOST MAGICAL POWERS THAT
997
00:16:29,188 --> 00:16:31,423
REFLECT A LIFETIME OF STUDY,
998
00:16:31,423 --> 00:16:31,456
REFLECT A LIFETIME OF STUDY,
999
00:16:31,457 --> 00:16:33,792
DISCIPLINE, AND ACQUIRED WISDOM.
1000
00:16:33,792 --> 00:16:33,858
DISCIPLINE, AND ACQUIRED WISDOM.
1001
00:16:33,859 --> 00:16:34,860
>> LET ME SEE YOUR
1002
00:16:34,860 --> 00:16:34,893
>> LET ME SEE YOUR
1003
00:16:34,893 --> 00:16:35,793
IDENTIFICATION.
1004
00:16:35,794 --> 00:16:35,860
IDENTIFICATION.
1005
00:16:35,861 --> 00:16:37,362
>> YOU DON'T NEED TO SEE HIS
1006
00:16:37,363 --> 00:16:37,429
>> YOU DON'T NEED TO SEE HIS
1007
00:16:37,429 --> 00:16:38,730
IDENTIFICATION.
1008
00:16:38,731 --> 00:16:38,797
IDENTIFICATION.
1009
00:16:38,797 --> 00:16:39,898
>> WE DON'T NEED TO SEE HIS
1010
00:16:39,898 --> 00:16:39,964
>> WE DON'T NEED TO SEE HIS
1011
00:16:39,965 --> 00:16:41,266
IDENTIFICATION.
1012
00:16:41,266 --> 00:16:41,332
IDENTIFICATION.
1013
00:16:41,333 --> 00:16:42,434
>> THESE AREN'T THE DROIDS
1014
00:16:42,434 --> 00:16:42,500
>> THESE AREN'T THE DROIDS
1015
00:16:42,501 --> 00:16:43,735
YOU'RE LOOKING FOR.
1016
00:16:43,736 --> 00:16:43,802
YOU'RE LOOKING FOR.
1017
00:16:43,802 --> 00:16:44,903
>> THESE AREN'T THE DROIDS
1018
00:16:44,903 --> 00:16:44,969
>> THESE AREN'T THE DROIDS
1019
00:16:44,970 --> 00:16:46,271
WE'RE LOOKING FOR.
1020
00:16:46,271 --> 00:16:46,337
WE'RE LOOKING FOR.
1021
00:16:46,338 --> 00:16:49,007
>> HE CAN GO ABOUT HIS BUSINESS.
1022
00:16:49,008 --> 00:16:49,041
>> HE CAN GO ABOUT HIS BUSINESS.
1023
00:16:49,041 --> 00:16:50,342
>> YOU CAN GO ABOUT YOUR
1024
00:16:50,342 --> 00:16:50,375
>> YOU CAN GO ABOUT YOUR
1025
00:16:50,376 --> 00:16:51,276
BUSINESS.
1026
00:16:51,276 --> 00:16:51,342
BUSINESS.
1027
00:16:51,343 --> 00:16:52,977
>> MOVE ALONG.
1028
00:16:52,978 --> 00:16:53,011
>> MOVE ALONG.
1029
00:16:53,012 --> 00:16:54,179
>> MOVE ALONG.
1030
00:16:54,179 --> 00:16:54,245
>> MOVE ALONG.
1031
00:16:54,246 --> 00:16:57,082
MOVE ALONG.
1032
00:16:57,082 --> 00:16:57,148
MOVE ALONG.
1033
00:16:57,149 --> 00:16:58,550
>> Smith: OBI-WAN KENOBI, WHILE,
1034
00:16:58,550 --> 00:16:58,616
>> Smith: OBI-WAN KENOBI, WHILE,
1035
00:16:58,617 --> 00:17:00,352
YOU KNOW, THE LEAST-PLAYED-WITH
1036
00:17:00,352 --> 00:17:00,385
YOU KNOW, THE LEAST-PLAYED-WITH
1037
00:17:00,386 --> 00:17:02,287
ACTION FIGURE IN MY COLLECTION,
1038
00:17:02,287 --> 00:17:02,353
ACTION FIGURE IN MY COLLECTION,
1039
00:17:02,354 --> 00:17:04,155
WAS ESSENTIAL TO HAVE BECAUSE
1040
00:17:04,156 --> 00:17:04,189
WAS ESSENTIAL TO HAVE BECAUSE
1041
00:17:04,189 --> 00:17:05,557
YOU NEED SOMEBODY WHO'S GONNA
1042
00:17:05,557 --> 00:17:05,623
YOU NEED SOMEBODY WHO'S GONNA
1043
00:17:05,624 --> 00:17:06,825
INSTRUCT YOU IN THE WAYS OF THE
1044
00:17:06,825 --> 00:17:06,858
INSTRUCT YOU IN THE WAYS OF THE
1045
00:17:06,859 --> 00:17:07,559
FORCE.
1046
00:17:07,559 --> 00:17:07,625
FORCE.
1047
00:17:07,626 --> 00:17:08,693
>> I CAN'T UNDERSTAND HOW WE GOT
1048
00:17:08,694 --> 00:17:08,727
>> I CAN'T UNDERSTAND HOW WE GOT
1049
00:17:08,727 --> 00:17:09,561
BY THOSE TROOPS.
1050
00:17:09,561 --> 00:17:09,627
BY THOSE TROOPS.
1051
00:17:09,628 --> 00:17:11,830
>> THE FORCE CAN HAVE A STRONG
1052
00:17:11,830 --> 00:17:11,863
>> THE FORCE CAN HAVE A STRONG
1053
00:17:11,864 --> 00:17:13,866
INFLUENCE ON THE WEAK-MINDED.
1054
00:17:13,866 --> 00:17:13,899
INFLUENCE ON THE WEAK-MINDED.
1055
00:17:13,899 --> 00:17:15,267
>> Smith: WITHOUT OBI-WAN
1056
00:17:15,267 --> 00:17:15,333
>> Smith: WITHOUT OBI-WAN
1057
00:17:15,334 --> 00:17:17,069
KENOBI, LUKE SKYWALKER HAS NO
1058
00:17:17,069 --> 00:17:17,102
KENOBI, LUKE SKYWALKER HAS NO
1059
00:17:17,102 --> 00:17:18,636
IDEA ABOUT HIS ORIGINS.
1060
00:17:18,637 --> 00:17:18,670
IDEA ABOUT HIS ORIGINS.
1061
00:17:18,670 --> 00:17:19,637
>> NO, MY FATHER DIDN'T FIGHT
1062
00:17:19,638 --> 00:17:19,704
>> NO, MY FATHER DIDN'T FIGHT
1063
00:17:19,705 --> 00:17:20,272
IN THE WARS.
1064
00:17:20,272 --> 00:17:20,338
IN THE WARS.
1065
00:17:20,339 --> 00:17:21,373
HE WAS A NAVIGATOR ON A SPICE
1066
00:17:21,373 --> 00:17:21,406
HE WAS A NAVIGATOR ON A SPICE
1067
00:17:21,407 --> 00:17:22,107
FREIGHTER.
1068
00:17:22,107 --> 00:17:22,173
FREIGHTER.
1069
00:17:22,174 --> 00:17:23,375
>> THAT'S WHAT YOUR UNCLE TOLD
1070
00:17:23,375 --> 00:17:23,441
>> THAT'S WHAT YOUR UNCLE TOLD
1071
00:17:23,442 --> 00:17:24,109
YOU.
1072
00:17:24,109 --> 00:17:24,142
YOU.
1073
00:17:24,143 --> 00:17:25,110
>> Smith: HE DOESN'T KNOW THAT
1074
00:17:25,110 --> 00:17:25,176
>> Smith: HE DOESN'T KNOW THAT
1075
00:17:25,177 --> 00:17:26,378
HIS FATHER WAS A JEDI.
1076
00:17:26,378 --> 00:17:26,444
HIS FATHER WAS A JEDI.
1077
00:17:26,445 --> 00:17:27,846
>> YOU FOUGHT IN THE CLONE WARS?
1078
00:17:27,846 --> 00:17:27,879
>> YOU FOUGHT IN THE CLONE WARS?
1079
00:17:27,880 --> 00:17:29,181
>> YES.
1080
00:17:29,181 --> 00:17:29,214
>> YES.
1081
00:17:29,214 --> 00:17:30,848
I WAS ONCE A JEDI KNIGHT, THE
1082
00:17:30,849 --> 00:17:30,882
I WAS ONCE A JEDI KNIGHT, THE
1083
00:17:30,883 --> 00:17:32,184
SAME AS YOUR FATHER.
1084
00:17:32,184 --> 00:17:32,217
SAME AS YOUR FATHER.
1085
00:17:32,217 --> 00:17:33,351
>> Abrams: IN MOMENTS OF
1086
00:17:33,352 --> 00:17:33,385
>> Abrams: IN MOMENTS OF
1087
00:17:33,385 --> 00:17:36,554
ABSOLUTE DISCONNECT AND LOSS AND
1088
00:17:36,555 --> 00:17:36,588
ABSOLUTE DISCONNECT AND LOSS AND
1089
00:17:36,588 --> 00:17:39,190
CONFUSION AND FEAR,
1090
00:17:39,191 --> 00:17:39,224
CONFUSION AND FEAR,
1091
00:17:39,224 --> 00:17:41,926
THESE CHARACTERS ARRIVED THAT
1092
00:17:41,927 --> 00:17:41,960
THESE CHARACTERS ARRIVED THAT
1093
00:17:41,960 --> 00:17:44,495
GAVE PURPOSE AND CONFIDENCE TO
1094
00:17:44,496 --> 00:17:44,562
GAVE PURPOSE AND CONFIDENCE TO
1095
00:17:44,563 --> 00:17:45,931
OUR MAIN CHARACTER.
1096
00:17:45,931 --> 00:17:45,997
OUR MAIN CHARACTER.
1097
00:17:45,998 --> 00:17:47,132
>> Narrator: THE FIGURE OF THE
1098
00:17:47,132 --> 00:17:47,198
>> Narrator: THE FIGURE OF THE
1099
00:17:47,199 --> 00:17:48,667
MENTOR CONTINUES A MYTHIC
1100
00:17:48,667 --> 00:17:48,700
MENTOR CONTINUES A MYTHIC
1101
00:17:48,700 --> 00:17:49,901
TRADITION THAT SPANS FROM
1102
00:17:49,902 --> 00:17:49,935
TRADITION THAT SPANS FROM
1103
00:17:49,935 --> 00:17:51,102
GANDALF IN "THE LORD OF THE
1104
00:17:51,103 --> 00:17:51,136
GANDALF IN "THE LORD OF THE
1105
00:17:51,136 --> 00:17:53,004
RINGS" TO THE STORIES OF THE
1106
00:17:53,005 --> 00:17:53,038
RINGS" TO THE STORIES OF THE
1107
00:17:53,038 --> 00:17:55,040
ANCIENT GREEKS, LIKE HOMER'S
1108
00:17:55,040 --> 00:17:55,073
ANCIENT GREEKS, LIKE HOMER'S
1109
00:17:55,074 --> 00:17:57,409
EPIC POEM, "THE ODYSSEY."
1110
00:17:57,409 --> 00:17:57,442
EPIC POEM, "THE ODYSSEY."
1111
00:17:57,443 --> 00:17:58,777
>> Young: WHEN ODYSSEUS GOES
1112
00:17:58,777 --> 00:17:58,843
>> Young: WHEN ODYSSEUS GOES
1113
00:17:58,844 --> 00:18:00,478
OFF ON HIS LONG JOURNEYS, HE IS
1114
00:18:00,479 --> 00:18:00,545
OFF ON HIS LONG JOURNEYS, HE IS
1115
00:18:00,546 --> 00:18:02,114
CONCERNED ABOUT THE WELL-BEING
1116
00:18:02,114 --> 00:18:02,180
CONCERNED ABOUT THE WELL-BEING
1117
00:18:02,181 --> 00:18:03,849
OF HIS SON, TELEMACHUS.
1118
00:18:03,849 --> 00:18:03,915
OF HIS SON, TELEMACHUS.
1119
00:18:03,916 --> 00:18:05,651
SO HE ASKS A FAMILY FRIEND, AN
1120
00:18:05,651 --> 00:18:05,684
SO HE ASKS A FAMILY FRIEND, AN
1121
00:18:05,684 --> 00:18:08,219
OLDER FRIEND NAMED MENTOR, TO
1122
00:18:08,220 --> 00:18:08,253
OLDER FRIEND NAMED MENTOR, TO
1123
00:18:08,253 --> 00:18:10,021
LOOK IN ON HIS SON.
1124
00:18:10,022 --> 00:18:10,055
LOOK IN ON HIS SON.
1125
00:18:10,055 --> 00:18:11,656
AND FROM THIS, WE GET OUR WORD
1126
00:18:11,657 --> 00:18:11,690
AND FROM THIS, WE GET OUR WORD
1127
00:18:11,690 --> 00:18:13,391
"MENTOR."
1128
00:18:13,392 --> 00:18:13,458
"MENTOR."
1129
00:18:13,459 --> 00:18:14,860
>> Narrator: IN "STAR WARS," AS
1130
00:18:14,860 --> 00:18:14,893
>> Narrator: IN "STAR WARS," AS
1131
00:18:14,893 --> 00:18:16,194
IN MANY ANCIENT MYTHS...
1132
00:18:16,195 --> 00:18:16,228
IN MANY ANCIENT MYTHS...
1133
00:18:16,228 --> 00:18:17,128
>> I FEEL LIKE...
1134
00:18:17,129 --> 00:18:17,195
>> I FEEL LIKE...
1135
00:18:17,196 --> 00:18:18,397
>> FEEL LIKE WHAT?
1136
00:18:18,397 --> 00:18:18,463
>> FEEL LIKE WHAT?
1137
00:18:18,464 --> 00:18:19,565
>> Narrator: THE MENTOR DOES
1138
00:18:19,565 --> 00:18:19,598
>> Narrator: THE MENTOR DOES
1139
00:18:19,598 --> 00:18:20,865
NOT ALWAYS APPEAR IN WHAT SEEMS
1140
00:18:20,866 --> 00:18:20,899
NOT ALWAYS APPEAR IN WHAT SEEMS
1141
00:18:20,899 --> 00:18:21,866
A NORMAL SHAPE.
1142
00:18:21,867 --> 00:18:21,900
A NORMAL SHAPE.
1143
00:18:21,900 --> 00:18:23,835
>> I AM WONDERING, WHY ARE YOU
1144
00:18:23,836 --> 00:18:23,869
>> I AM WONDERING, WHY ARE YOU
1145
00:18:23,869 --> 00:18:24,769
HERE?
1146
00:18:24,770 --> 00:18:24,803
HERE?
1147
00:18:24,803 --> 00:18:26,004
>> Narrator: OR SIZE.
1148
00:18:26,004 --> 00:18:26,037
>> Narrator: OR SIZE.
1149
00:18:26,038 --> 00:18:28,306
>> I'M LOOKING FOR SOMEONE.
1150
00:18:28,307 --> 00:18:28,340
>> I'M LOOKING FOR SOMEONE.
1151
00:18:28,340 --> 00:18:28,940
>> LOOKING?!
1152
00:18:28,941 --> 00:18:28,974
>> LOOKING?!
1153
00:18:28,974 --> 00:18:30,408
FOUND SOMEONE, YOU HAVE, I WOULD
1154
00:18:30,409 --> 00:18:30,475
FOUND SOMEONE, YOU HAVE, I WOULD
1155
00:18:30,476 --> 00:18:31,577
SAY, HMM?
1156
00:18:31,577 --> 00:18:31,610
SAY, HMM?
1157
00:18:31,610 --> 00:18:33,111
[laughs]
1158
00:18:33,112 --> 00:18:33,145
[laughs]
1159
00:18:33,145 --> 00:18:34,479
>> RIGHT.
1160
00:18:34,480 --> 00:18:34,513
>> RIGHT.
1161
00:18:34,513 --> 00:18:35,580
>> Rubino: IN MYTHOLOGY, THE
1162
00:18:35,581 --> 00:18:35,614
>> Rubino: IN MYTHOLOGY, THE
1163
00:18:35,614 --> 00:18:37,482
STORY OF ACHILLES TELLS US THAT
1164
00:18:37,483 --> 00:18:37,516
STORY OF ACHILLES TELLS US THAT
1165
00:18:37,516 --> 00:18:39,651
HE WAS SENT TO STUDY WITH CHIRON
1166
00:18:39,651 --> 00:18:39,684
HE WAS SENT TO STUDY WITH CHIRON
1167
00:18:39,685 --> 00:18:42,054
THE CENTAUR, WHO WAS A HALF-MAN,
1168
00:18:42,054 --> 00:18:42,120
THE CENTAUR, WHO WAS A HALF-MAN,
1169
00:18:42,121 --> 00:18:43,889
HALF-HORSE BEING WHO LIVED IN
1170
00:18:43,889 --> 00:18:43,955
HALF-HORSE BEING WHO LIVED IN
1171
00:18:43,956 --> 00:18:45,791
AN ISOLATED SPOT ON MT. PELION.
1172
00:18:45,791 --> 00:18:45,824
AN ISOLATED SPOT ON MT. PELION.
1173
00:18:45,824 --> 00:18:47,892
AND ACHILLES LEARNED EVERYTHING
1174
00:18:47,893 --> 00:18:47,959
AND ACHILLES LEARNED EVERYTHING
1175
00:18:47,960 --> 00:18:49,795
HE KNEW FROM CHIRON, INCLUDING
1176
00:18:49,795 --> 00:18:49,861
HE KNEW FROM CHIRON, INCLUDING
1177
00:18:49,862 --> 00:18:51,697
NOT ONLY WARFARE BUT MUSIC,
1178
00:18:51,697 --> 00:18:51,763
NOT ONLY WARFARE BUT MUSIC,
1179
00:18:51,763 --> 00:18:52,797
SPEECH.
1180
00:18:52,798 --> 00:18:52,864
SPEECH.
1181
00:18:52,865 --> 00:18:54,333
HE GOT A COMPLETE HERO'S
1182
00:18:54,333 --> 00:18:54,366
HE GOT A COMPLETE HERO'S
1183
00:18:54,366 --> 00:18:56,134
EDUCATION FROM THIS COMPOSITE
1184
00:18:56,135 --> 00:18:56,168
EDUCATION FROM THIS COMPOSITE
1185
00:18:56,168 --> 00:18:58,403
BEING, FAR MORE STRANGE THAN
1186
00:18:58,403 --> 00:18:58,436
BEING, FAR MORE STRANGE THAN
1187
00:18:58,437 --> 00:19:00,138
YODA.
1188
00:19:00,139 --> 00:19:00,172
YODA.
1189
00:19:00,172 --> 00:19:01,806
>> YOU'RE A JEDI KNIGHT, AREN'T
1190
00:19:01,807 --> 00:19:01,840
>> YOU'RE A JEDI KNIGHT, AREN'T
1191
00:19:01,840 --> 00:19:03,942
YOU?
1192
00:19:03,942 --> 00:19:03,975
YOU?
1193
00:19:03,976 --> 00:19:05,344
>> WHAT MAKES YOU THINK THAT?
1194
00:19:05,344 --> 00:19:05,410
>> WHAT MAKES YOU THINK THAT?
1195
00:19:05,410 --> 00:19:06,878
>> I SAW YOUR LASER SWORD.
1196
00:19:06,879 --> 00:19:06,945
>> I SAW YOUR LASER SWORD.
1197
00:19:06,945 --> 00:19:08,446
ONLY JEDIS CARRY THAT KIND OF
1198
00:19:08,447 --> 00:19:08,513
ONLY JEDIS CARRY THAT KIND OF
1199
00:19:08,514 --> 00:19:09,515
WEAPON.
1200
00:19:09,515 --> 00:19:09,581
WEAPON.
1201
00:19:09,581 --> 00:19:11,349
>> Narrator: USUALLY, THE MENTOR
1202
00:19:11,350 --> 00:19:11,416
>> Narrator: USUALLY, THE MENTOR
1203
00:19:11,416 --> 00:19:13,217
PERFORMS ANOTHER IMPORTANT DUTY
1204
00:19:13,218 --> 00:19:13,251
PERFORMS ANOTHER IMPORTANT DUTY
1205
00:19:13,252 --> 00:19:14,620
EARLY IN THE HERO'S JOURNEY.
1206
00:19:14,620 --> 00:19:14,653
EARLY IN THE HERO'S JOURNEY.
1207
00:19:14,653 --> 00:19:15,720
>> I HAVE SOMETHING HERE FOR
1208
00:19:15,721 --> 00:19:15,787
>> I HAVE SOMETHING HERE FOR
1209
00:19:15,787 --> 00:19:16,587
YOU.
1210
00:19:16,588 --> 00:19:16,621
YOU.
1211
00:19:16,622 --> 00:19:17,623
>> Narrator: HE MUST PRESENT HIM
1212
00:19:17,623 --> 00:19:17,689
>> Narrator: HE MUST PRESENT HIM
1213
00:19:17,689 --> 00:19:18,790
WITH A SPECIAL GIFT.
1214
00:19:18,790 --> 00:19:18,823
WITH A SPECIAL GIFT.
1215
00:19:18,824 --> 00:19:19,891
>> YOUR FATHER WANTED YOU TO
1216
00:19:19,892 --> 00:19:19,925
>> YOUR FATHER WANTED YOU TO
1217
00:19:19,925 --> 00:19:21,159
HAVE THIS WHEN YOU WERE OLD
1218
00:19:21,160 --> 00:19:21,193
HAVE THIS WHEN YOU WERE OLD
1219
00:19:21,193 --> 00:19:21,993
ENOUGH.
1220
00:19:21,994 --> 00:19:22,027
ENOUGH.
1221
00:19:22,027 --> 00:19:23,428
>> Young: THE MOMENT IS CRUCIAL,
1222
00:19:23,428 --> 00:19:23,494
>> Young: THE MOMENT IS CRUCIAL,
1223
00:19:23,495 --> 00:19:25,163
AND IN THE STORIES, IT IS A
1224
00:19:25,164 --> 00:19:25,197
AND IN THE STORIES, IT IS A
1225
00:19:25,197 --> 00:19:27,899
SWORD OR A LIGHT SABER, OFTEN
1226
00:19:27,900 --> 00:19:27,933
SWORD OR A LIGHT SABER, OFTEN
1227
00:19:27,933 --> 00:19:29,968
SOMETHING USEFUL IN THE
1228
00:19:29,968 --> 00:19:30,001
SOMETHING USEFUL IN THE
1229
00:19:30,002 --> 00:19:31,169
STRUGGLES TO COME.
1230
00:19:31,170 --> 00:19:31,236
STRUGGLES TO COME.
1231
00:19:31,236 --> 00:19:32,337
>> WHAT IS IT?
1232
00:19:32,337 --> 00:19:32,370
>> WHAT IS IT?
1233
00:19:32,371 --> 00:19:33,538
>> IT'S YOUR FATHER'S
1234
00:19:33,539 --> 00:19:33,572
>> IT'S YOUR FATHER'S
1235
00:19:33,572 --> 00:19:35,073
LIGHT SABER.
1236
00:19:35,073 --> 00:19:35,106
LIGHT SABER.
1237
00:19:35,107 --> 00:19:36,775
THIS IS THE WEAPON OF A JEDI
1238
00:19:36,775 --> 00:19:36,808
THIS IS THE WEAPON OF A JEDI
1239
00:19:36,808 --> 00:19:37,809
KNIGHT.
1240
00:19:37,809 --> 00:19:37,842
KNIGHT.
1241
00:19:37,843 --> 00:19:39,811
NOT AS CLUMSY OR RANDOM AS A
1242
00:19:39,811 --> 00:19:39,844
NOT AS CLUMSY OR RANDOM AS A
1243
00:19:39,845 --> 00:19:41,880
BLASTER.
1244
00:19:41,880 --> 00:19:41,913
BLASTER.
1245
00:19:41,914 --> 00:19:45,450
AN ELEGANT WEAPON FOR A MORE
1246
00:19:45,450 --> 00:19:45,483
AN ELEGANT WEAPON FOR A MORE
1247
00:19:45,484 --> 00:19:46,985
CIVILIZED AGE.
1248
00:19:46,985 --> 00:19:47,051
CIVILIZED AGE.
1249
00:19:47,052 --> 00:19:48,720
>> Young: IN OUR EXPERIENCES, A
1250
00:19:48,720 --> 00:19:48,786
>> Young: IN OUR EXPERIENCES, A
1251
00:19:48,787 --> 00:19:50,922
MENTOR GIVES US A GIFT OF AN
1252
00:19:50,923 --> 00:19:50,956
MENTOR GIVES US A GIFT OF AN
1253
00:19:50,956 --> 00:19:52,824
IDEA, OF WISDOM, OF SOME
1254
00:19:52,824 --> 00:19:52,857
IDEA, OF WISDOM, OF SOME
1255
00:19:52,858 --> 00:19:53,925
DISCERNMENT.
1256
00:19:53,926 --> 00:19:53,992
DISCERNMENT.
1257
00:19:53,992 --> 00:19:57,462
>> LET GO YOUR CONSCIENCE SELF
1258
00:19:57,462 --> 00:19:57,495
>> LET GO YOUR CONSCIENCE SELF
1259
00:19:57,496 --> 00:20:01,633
AND ACT ON INSTINCT.
1260
00:20:01,633 --> 00:20:01,699
AND ACT ON INSTINCT.
1261
00:20:01,700 --> 00:20:03,001
>> Young: THE LIGHT SABER CAN
1262
00:20:03,001 --> 00:20:03,067
>> Young: THE LIGHT SABER CAN
1263
00:20:03,068 --> 00:20:04,069
CUT.
1264
00:20:04,069 --> 00:20:04,102
CUT.
1265
00:20:04,102 --> 00:20:05,570
SO CAN DISCERNMENT.
1266
00:20:05,571 --> 00:20:05,637
SO CAN DISCERNMENT.
1267
00:20:05,637 --> 00:20:07,538
THIS IS SORTING OUT LIFE.
1268
00:20:07,539 --> 00:20:07,572
THIS IS SORTING OUT LIFE.
1269
00:20:07,573 --> 00:20:08,707
>> STRETCH OUT WITH YOUR
1270
00:20:08,707 --> 00:20:08,740
>> STRETCH OUT WITH YOUR
1271
00:20:08,740 --> 00:20:09,640
FEELINGS.
1272
00:20:09,641 --> 00:20:09,707
FEELINGS.
1273
00:20:09,708 --> 00:20:10,742
>> Young: BEING ABLE TO MAKE
1274
00:20:10,742 --> 00:20:10,775
>> Young: BEING ABLE TO MAKE
1275
00:20:10,776 --> 00:20:12,344
THOSE DISTINCTIONS ALLOWS THE
1276
00:20:12,344 --> 00:20:12,377
THOSE DISTINCTIONS ALLOWS THE
1277
00:20:12,377 --> 00:20:14,278
HERO TO MOVE FORWARD IN THE
1278
00:20:14,279 --> 00:20:14,312
HERO TO MOVE FORWARD IN THE
1279
00:20:14,313 --> 00:20:15,647
STORY.
1280
00:20:15,647 --> 00:20:15,713
STORY.
1281
00:20:15,714 --> 00:20:17,182
>> Lyden: LUKE IS REMINISCENT OF
1282
00:20:17,182 --> 00:20:17,215
>> Lyden: LUKE IS REMINISCENT OF
1283
00:20:17,216 --> 00:20:19,117
KING ARTHUR IN A WAY.
1284
00:20:19,117 --> 00:20:19,183
KING ARTHUR IN A WAY.
1285
00:20:19,184 --> 00:20:21,553
KING ARTHUR IS GIVEN THE SWORD
1286
00:20:21,553 --> 00:20:21,619
KING ARTHUR IS GIVEN THE SWORD
1287
00:20:21,620 --> 00:20:24,923
EXCALIBUR AS PART OF HIS ROLE
1288
00:20:24,923 --> 00:20:24,989
EXCALIBUR AS PART OF HIS ROLE
1289
00:20:24,990 --> 00:20:26,925
TO BE KING AND TO LEAD.
1290
00:20:26,925 --> 00:20:26,958
TO BE KING AND TO LEAD.
1291
00:20:26,959 --> 00:20:29,628
SO ALSO LUKE RECEIVES HIS
1292
00:20:29,628 --> 00:20:29,661
SO ALSO LUKE RECEIVES HIS
1293
00:20:29,661 --> 00:20:31,629
FATHER'S LIGHT SABER FROM
1294
00:20:31,630 --> 00:20:31,663
FATHER'S LIGHT SABER FROM
1295
00:20:31,663 --> 00:20:33,464
OBI-WAN, AND IT'S REALLY AT THAT
1296
00:20:33,465 --> 00:20:33,531
OBI-WAN, AND IT'S REALLY AT THAT
1297
00:20:33,532 --> 00:20:35,400
POINT THAT LUKE REALIZES THERE
1298
00:20:35,400 --> 00:20:35,433
POINT THAT LUKE REALIZES THERE
1299
00:20:35,434 --> 00:20:37,369
IS SOMETHING SPECIAL ABOUT HIM.
1300
00:20:37,369 --> 00:20:37,402
IS SOMETHING SPECIAL ABOUT HIM.
1301
00:20:37,402 --> 00:20:38,469
>> YOU KNOW, I DID FEEL
1302
00:20:38,470 --> 00:20:38,536
>> YOU KNOW, I DID FEEL
1303
00:20:38,537 --> 00:20:39,304
SOMETHING.
1304
00:20:39,304 --> 00:20:39,337
SOMETHING.
1305
00:20:39,338 --> 00:20:40,572
I COULD ALMOST SEE THE REMOTE.
1306
00:20:40,572 --> 00:20:40,605
I COULD ALMOST SEE THE REMOTE.
1307
00:20:40,606 --> 00:20:41,540
>> THAT'S GOOD.
1308
00:20:41,540 --> 00:20:41,573
>> THAT'S GOOD.
1309
00:20:41,573 --> 00:20:43,041
YOU'VE TAKEN YOUR FIRST STEP
1310
00:20:43,041 --> 00:20:43,107
YOU'VE TAKEN YOUR FIRST STEP
1311
00:20:43,108 --> 00:20:46,044
INTO A LARGER WORLD.
1312
00:20:46,044 --> 00:20:46,077
INTO A LARGER WORLD.
1313
00:20:46,078 --> 00:20:47,412
>> Narrator: IN "STAR WARS,"
1314
00:20:47,412 --> 00:20:47,478
>> Narrator: IN "STAR WARS,"
1315
00:20:47,479 --> 00:20:49,314
THE LESSONS THE HERO MUST LEARN
1316
00:20:49,314 --> 00:20:49,380
THE LESSONS THE HERO MUST LEARN
1317
00:20:49,381 --> 00:20:51,383
ARE THOSE OF THE JEDI MASTER.
1318
00:20:51,383 --> 00:20:51,416
ARE THOSE OF THE JEDI MASTER.
1319
00:20:51,416 --> 00:20:54,018
>> USE YOUR FEELINGS, YOU MUST.
1320
00:20:54,019 --> 00:20:54,052
>> USE YOUR FEELINGS, YOU MUST.
1321
00:20:54,052 --> 00:20:55,119
>> Narrator: THEY COMBINE
1322
00:20:55,120 --> 00:20:55,186
>> Narrator: THEY COMBINE
1323
00:20:55,187 --> 00:20:57,856
MORALITY, SPIRITUAL FAITH, AND
1324
00:20:57,856 --> 00:20:57,922
MORALITY, SPIRITUAL FAITH, AND
1325
00:20:57,923 --> 00:21:00,558
STRICT PHYSICAL DISCIPLINE.
1326
00:21:00,559 --> 00:21:00,592
STRICT PHYSICAL DISCIPLINE.
1327
00:21:00,592 --> 00:21:01,960
>> ALL RIGHT, I'LL GIVE IT A
1328
00:21:01,960 --> 00:21:02,026
>> ALL RIGHT, I'LL GIVE IT A
1329
00:21:02,027 --> 00:21:02,594
TRY.
1330
00:21:02,594 --> 00:21:02,660
TRY.
1331
00:21:02,661 --> 00:21:03,662
>> NO!
1332
00:21:03,662 --> 00:21:03,695
>> NO!
1333
00:21:03,695 --> 00:21:04,729
TRY NOT.
1334
00:21:04,730 --> 00:21:04,763
TRY NOT.
1335
00:21:04,763 --> 00:21:08,199
DO... OR DO NOT.
1336
00:21:08,200 --> 00:21:08,233
DO... OR DO NOT.
1337
00:21:08,233 --> 00:21:10,401
THERE IS NO TRY.
1338
00:21:10,402 --> 00:21:10,435
THERE IS NO TRY.
1339
00:21:10,435 --> 00:21:11,769
>> Gingrich: ONE COULD ARGUE
1340
00:21:11,770 --> 00:21:11,803
>> Gingrich: ONE COULD ARGUE
1341
00:21:11,803 --> 00:21:12,937
THEY ARE THE JESUITS OF THIS
1342
00:21:12,938 --> 00:21:12,971
THEY ARE THE JESUITS OF THIS
1343
00:21:12,971 --> 00:21:14,038
WORLD.
1344
00:21:14,039 --> 00:21:14,072
WORLD.
1345
00:21:14,072 --> 00:21:15,139
THESE ARE THE PEOPLE WHO ARE
1346
00:21:15,140 --> 00:21:15,206
THESE ARE THE PEOPLE WHO ARE
1347
00:21:15,207 --> 00:21:17,108
THE TRUTH-BEARERS, WHO ARE THE
1348
00:21:17,109 --> 00:21:17,142
THE TRUTH-BEARERS, WHO ARE THE
1349
00:21:17,142 --> 00:21:19,043
PRIESTHOOD OF FREEDOM AND WHO
1350
00:21:19,044 --> 00:21:19,110
PRIESTHOOD OF FREEDOM AND WHO
1351
00:21:19,111 --> 00:21:20,579
GIVE THEIR LIVES IN ORDER TO
1352
00:21:20,579 --> 00:21:20,612
GIVE THEIR LIVES IN ORDER TO
1353
00:21:20,612 --> 00:21:21,579
STOP EVIL.
1354
00:21:24,249 --> 00:21:25,216
>> Wetmore, Jr.: THE JEDI
1355
00:21:25,217 --> 00:21:25,250
>> Wetmore, Jr.: THE JEDI
1356
00:21:25,250 --> 00:21:26,251
THEMSELVES ARE VERY
1357
00:21:26,251 --> 00:21:26,317
THEMSELVES ARE VERY
1358
00:21:26,318 --> 00:21:29,421
SAMURAI-LIKE.
1359
00:21:29,421 --> 00:21:29,487
SAMURAI-LIKE.
1360
00:21:29,488 --> 00:21:31,323
"JEDI" COMES FROM "JIDAI" IN
1361
00:21:31,323 --> 00:21:31,389
"JEDI" COMES FROM "JIDAI" IN
1362
00:21:31,390 --> 00:21:33,125
JAPANESE, JIDAI-GEKI, WHICH ARE
1363
00:21:33,125 --> 00:21:33,158
JAPANESE, JIDAI-GEKI, WHICH ARE
1364
00:21:33,158 --> 00:21:34,392
THE SAMURAI FILMS.
1365
00:21:34,393 --> 00:21:34,426
THE SAMURAI FILMS.
1366
00:21:34,426 --> 00:21:35,493
"JIDAI-GEKI" LITERALLY MEANS
1367
00:21:35,494 --> 00:21:35,527
"JIDAI-GEKI" LITERALLY MEANS
1368
00:21:35,527 --> 00:21:36,761
"HISTORY THING" OR "HISTORY
1369
00:21:36,762 --> 00:21:36,795
"HISTORY THING" OR "HISTORY
1370
00:21:36,795 --> 00:21:38,229
PIECE," AND THAT GETS CONTRACTED
1371
00:21:38,230 --> 00:21:38,296
PIECE," AND THAT GETS CONTRACTED
1372
00:21:38,297 --> 00:21:41,066
DOWN TO "JEDI."
1373
00:21:41,066 --> 00:21:41,132
DOWN TO "JEDI."
1374
00:21:41,133 --> 00:21:42,534
>> Narrator: IN "STAR WARS,"
1375
00:21:42,534 --> 00:21:42,600
>> Narrator: IN "STAR WARS,"
1376
00:21:42,601 --> 00:21:44,069
THE MENTOR'S MOST IMPORTANT
1377
00:21:44,069 --> 00:21:44,135
THE MENTOR'S MOST IMPORTANT
1378
00:21:44,136 --> 00:21:45,804
TEACHING CONCERNS THE SPIRITUAL
1379
00:21:45,804 --> 00:21:45,837
TEACHING CONCERNS THE SPIRITUAL
1380
00:21:45,837 --> 00:21:48,239
PHENOMENON KNOWN AS THE FORCE.
1381
00:21:48,240 --> 00:21:48,273
PHENOMENON KNOWN AS THE FORCE.
1382
00:21:48,273 --> 00:21:49,407
>> THE FORCE?
1383
00:21:49,408 --> 00:21:49,441
>> THE FORCE?
1384
00:21:49,441 --> 00:21:50,508
>> THE FORCE IS WHAT GIVES A
1385
00:21:50,509 --> 00:21:50,575
>> THE FORCE IS WHAT GIVES A
1386
00:21:50,575 --> 00:21:52,410
JEDI HIS POWER.
1387
00:21:52,411 --> 00:21:52,444
JEDI HIS POWER.
1388
00:21:52,444 --> 00:21:53,878
IT'S AN ENERGY FIELD CREATED BY
1389
00:21:53,879 --> 00:21:53,945
IT'S AN ENERGY FIELD CREATED BY
1390
00:21:53,945 --> 00:21:55,212
ALL LIVING THINGS.
1391
00:21:55,213 --> 00:21:55,246
ALL LIVING THINGS.
1392
00:21:55,247 --> 00:21:57,215
IT SURROUNDS US AND PENETRATES
1393
00:21:57,215 --> 00:21:57,248
IT SURROUNDS US AND PENETRATES
1394
00:21:57,249 --> 00:21:57,983
US.
1395
00:21:57,983 --> 00:21:58,049
US.
1396
00:21:58,050 --> 00:22:00,218
IT BINDS THE GALAXY TOGETHER.
1397
00:22:00,218 --> 00:22:00,251
IT BINDS THE GALAXY TOGETHER.
1398
00:22:00,252 --> 00:22:01,886
>> Lyden: THE IDEA OF THE FORCE
1399
00:22:01,887 --> 00:22:01,920
>> Lyden: THE IDEA OF THE FORCE
1400
00:22:01,920 --> 00:22:04,522
IS GENERAL ENOUGH THAT PEOPLE
1401
00:22:04,523 --> 00:22:04,556
IS GENERAL ENOUGH THAT PEOPLE
1402
00:22:04,556 --> 00:22:06,257
OF ANY RELIGIOUS BACKGROUND CAN
1403
00:22:06,258 --> 00:22:06,324
OF ANY RELIGIOUS BACKGROUND CAN
1404
00:22:06,325 --> 00:22:07,359
IDENTIFY WITH IT.
1405
00:22:07,359 --> 00:22:07,425
IDENTIFY WITH IT.
1406
00:22:07,426 --> 00:22:08,994
ONE CAN SEE IT AS A PERSONAL GOD
1407
00:22:08,994 --> 00:22:09,027
ONE CAN SEE IT AS A PERSONAL GOD
1408
00:22:09,027 --> 00:22:10,228
OF WESTERN RELIGION.
1409
00:22:10,228 --> 00:22:10,261
OF WESTERN RELIGION.
1410
00:22:10,262 --> 00:22:11,630
ONE CAN ASSOCIATE IT WITH A MORE
1411
00:22:11,630 --> 00:22:11,696
ONE CAN ASSOCIATE IT WITH A MORE
1412
00:22:11,697 --> 00:22:13,165
SPIRITUAL IDEAL.
1413
00:22:13,165 --> 00:22:13,198
SPIRITUAL IDEAL.
1414
00:22:13,198 --> 00:22:14,532
I THINK THE KEY THING TO
1415
00:22:14,533 --> 00:22:14,599
I THINK THE KEY THING TO
1416
00:22:14,599 --> 00:22:16,534
REMEMBER IS THAT IT MEANS ONE
1417
00:22:16,535 --> 00:22:16,568
REMEMBER IS THAT IT MEANS ONE
1418
00:22:16,568 --> 00:22:18,069
IS BELIEVING IN SOMETHING
1419
00:22:18,070 --> 00:22:18,136
IS BELIEVING IN SOMETHING
1420
00:22:18,136 --> 00:22:20,004
HIGHER, THAT EVENTS IN THE
1421
00:22:20,005 --> 00:22:20,038
HIGHER, THAT EVENTS IN THE
1422
00:22:20,038 --> 00:22:22,340
UNIVERSE ARE NOT MEANINGLESS.
1423
00:22:22,341 --> 00:22:22,374
UNIVERSE ARE NOT MEANINGLESS.
1424
00:22:22,374 --> 00:22:23,908
THERE IS A PURPOSE.
1425
00:22:23,909 --> 00:22:23,942
THERE IS A PURPOSE.
1426
00:22:23,942 --> 00:22:25,243
THERE IS A MEANING TO LIFE, AND
1427
00:22:25,243 --> 00:22:25,276
THERE IS A MEANING TO LIFE, AND
1428
00:22:25,277 --> 00:22:27,078
SOMETHING IS DIRECTING AND
1429
00:22:27,079 --> 00:22:27,145
SOMETHING IS DIRECTING AND
1430
00:22:27,145 --> 00:22:28,279
GUIDING THAT.
1431
00:22:28,280 --> 00:22:28,313
GUIDING THAT.
1432
00:22:28,313 --> 00:22:32,283
>> IT'S ENERGY SURROUNDS US AND
1433
00:22:32,284 --> 00:22:32,317
>> IT'S ENERGY SURROUNDS US AND
1434
00:22:32,317 --> 00:22:33,818
BINDS US.
1435
00:22:33,819 --> 00:22:33,852
BINDS US.
1436
00:22:33,852 --> 00:22:36,187
LUMINOUS BEINGS ARE WE, NOT THIS
1437
00:22:36,188 --> 00:22:36,254
LUMINOUS BEINGS ARE WE, NOT THIS
1438
00:22:36,254 --> 00:22:37,989
CRUDE MATTER.
1439
00:22:37,989 --> 00:22:38,022
CRUDE MATTER.
1440
00:22:38,023 --> 00:22:40,992
YOU MUST FEEL THE FORCE AROUND
1441
00:22:40,992 --> 00:22:41,058
YOU MUST FEEL THE FORCE AROUND
1442
00:22:41,059 --> 00:22:42,260
YOU.
1443
00:22:42,260 --> 00:22:42,293
YOU.
1444
00:22:42,294 --> 00:22:47,432
HERE, BETWEEN YOU, ME, THE TREE,
1445
00:22:47,432 --> 00:22:47,465
HERE, BETWEEN YOU, ME, THE TREE,
1446
00:22:47,466 --> 00:22:49,734
THE ROCK, EVERYWHERE.
1447
00:22:49,735 --> 00:22:49,768
THE ROCK, EVERYWHERE.
1448
00:22:49,768 --> 00:22:51,469
>> Jackson: IT'S A LIFE FORCE,
1449
00:22:51,470 --> 00:22:51,503
>> Jackson: IT'S A LIFE FORCE,
1450
00:22:51,503 --> 00:22:52,637
LIKE CHI.
1451
00:22:52,637 --> 00:22:52,703
LIKE CHI.
1452
00:22:52,704 --> 00:22:54,372
AND THAT IS ANOTHER VERY
1453
00:22:54,373 --> 00:22:54,439
AND THAT IS ANOTHER VERY
1454
00:22:54,439 --> 00:22:56,007
IMPORTANT ASPECT OF THESE
1455
00:22:56,007 --> 00:22:56,073
IMPORTANT ASPECT OF THESE
1456
00:22:56,074 --> 00:22:57,642
MOVIES, TO GIVE US A SENSE OF
1457
00:22:57,642 --> 00:22:57,708
MOVIES, TO GIVE US A SENSE OF
1458
00:22:57,709 --> 00:22:59,811
CONFIDENCE THAT THERE IS A WORLD
1459
00:22:59,811 --> 00:22:59,844
CONFIDENCE THAT THERE IS A WORLD
1460
00:22:59,845 --> 00:23:02,380
OUTSIDE OF OUR CONSCIOUSNESS.
1461
00:23:02,381 --> 00:23:02,447
OUTSIDE OF OUR CONSCIOUSNESS.
1462
00:23:02,447 --> 00:23:03,748
>> Narrator: IN THE "STAR WARS"
1463
00:23:03,749 --> 00:23:03,815
>> Narrator: IN THE "STAR WARS"
1464
00:23:03,815 --> 00:23:05,283
UNIVERSE, SPIRITUAL
1465
00:23:05,283 --> 00:23:05,349
UNIVERSE, SPIRITUAL
1466
00:23:05,350 --> 00:23:06,751
ENLIGHTENMENT DOES NOT COME
1467
00:23:06,752 --> 00:23:06,818
ENLIGHTENMENT DOES NOT COME
1468
00:23:06,818 --> 00:23:08,653
WITHOUT SACRIFICE.
1469
00:23:08,653 --> 00:23:08,719
WITHOUT SACRIFICE.
1470
00:23:08,720 --> 00:23:10,188
THOSE WHO SEEK THE POWER OF THE
1471
00:23:10,188 --> 00:23:10,221
THOSE WHO SEEK THE POWER OF THE
1472
00:23:10,222 --> 00:23:12,557
FORCE MUST STUDY, TRAIN, AND
1473
00:23:12,557 --> 00:23:12,590
FORCE MUST STUDY, TRAIN, AND
1474
00:23:12,591 --> 00:23:14,459
OBEY STRICT DISCIPLINES.
1475
00:23:14,459 --> 00:23:14,492
OBEY STRICT DISCIPLINES.
1476
00:23:14,493 --> 00:23:15,994
THEY MUST ALSO OVERCOME THEIR
1477
00:23:15,994 --> 00:23:16,027
THEY MUST ALSO OVERCOME THEIR
1478
00:23:16,027 --> 00:23:18,629
OWN SKEPTICISM AND SELF-DOUBT.
1479
00:23:18,630 --> 00:23:18,663
OWN SKEPTICISM AND SELF-DOUBT.
1480
00:23:18,663 --> 00:23:20,931
>> YOU WORK THE IMPOSSIBLE.
1481
00:23:20,932 --> 00:23:20,965
>> YOU WORK THE IMPOSSIBLE.
1482
00:23:20,966 --> 00:23:22,133
>> Lyden: WHEN A PERSON IS
1483
00:23:22,134 --> 00:23:22,200
>> Lyden: WHEN A PERSON IS
1484
00:23:22,200 --> 00:23:23,935
BROUGHT TO ENLIGHTENMENT, YOU
1485
00:23:23,935 --> 00:23:24,001
BROUGHT TO ENLIGHTENMENT, YOU
1486
00:23:24,002 --> 00:23:25,269
CAN'T TELL THEM WHAT TO DO.
1487
00:23:25,270 --> 00:23:25,303
CAN'T TELL THEM WHAT TO DO.
1488
00:23:25,303 --> 00:23:26,537
THEY REALLY HAVE TO FIGURE IT
1489
00:23:26,538 --> 00:23:26,571
THEY REALLY HAVE TO FIGURE IT
1490
00:23:26,571 --> 00:23:28,005
OUT FOR THEMSELVES.
1491
00:24:06,211 --> 00:24:10,048
>> I DON'T--I DON'T BELIEVE IT.
1492
00:24:10,048 --> 00:24:10,081
>> I DON'T--I DON'T BELIEVE IT.
1493
00:24:10,081 --> 00:24:14,318
>> THAT IS WHY YOU FAIL.
1494
00:24:14,319 --> 00:24:14,385
>> THAT IS WHY YOU FAIL.
1495
00:24:14,386 --> 00:24:16,020
>> YOU CAN'T WIN, DARTH.
1496
00:24:16,021 --> 00:24:16,054
>> YOU CAN'T WIN, DARTH.
1497
00:24:16,054 --> 00:24:17,955
IF YOU STRIKE ME DOWN, I SHALL
1498
00:24:17,956 --> 00:24:17,989
IF YOU STRIKE ME DOWN, I SHALL
1499
00:24:17,989 --> 00:24:19,690
BECOME MORE POWERFUL THAN YOU
1500
00:24:19,691 --> 00:24:19,757
BECOME MORE POWERFUL THAN YOU
1501
00:24:19,758 --> 00:24:22,594
CAN POSSIBLY IMAGINE.
1502
00:24:22,594 --> 00:24:22,660
CAN POSSIBLY IMAGINE.
1503
00:24:22,661 --> 00:24:23,962
>> Narrator: UNFORTUNATELY,
1504
00:24:23,962 --> 00:24:23,995
>> Narrator: UNFORTUNATELY,
1505
00:24:23,995 --> 00:24:25,663
DURING THE HERO'S JOURNEY, THE
1506
00:24:25,664 --> 00:24:25,697
DURING THE HERO'S JOURNEY, THE
1507
00:24:25,697 --> 00:24:28,332
MENTOR CANNOT STAY FOREVER.
1508
00:24:32,471 --> 00:24:33,972
>> NO!!
1509
00:24:33,972 --> 00:24:34,038
>> NO!!
1510
00:24:34,039 --> 00:24:35,874
>> Young: OUR PARENTS DIE.
1511
00:24:35,874 --> 00:24:35,940
>> Young: OUR PARENTS DIE.
1512
00:24:35,941 --> 00:24:38,143
OUR TEACHERS DIE.
1513
00:24:38,143 --> 00:24:38,176
OUR TEACHERS DIE.
1514
00:24:38,176 --> 00:24:39,877
THE LOSSES IN LIFE'S LONG
1515
00:24:39,878 --> 00:24:39,911
THE LOSSES IN LIFE'S LONG
1516
00:24:39,911 --> 00:24:41,078
JOURNEY ARE GREAT.
1517
00:24:41,079 --> 00:24:41,145
JOURNEY ARE GREAT.
1518
00:24:41,146 --> 00:24:44,082
>> RUN, LUKE, RUN!
1519
00:24:44,082 --> 00:24:44,115
>> RUN, LUKE, RUN!
1520
00:24:44,115 --> 00:24:46,050
>> Young: THE FIRST REACTION IS
1521
00:24:46,051 --> 00:24:46,084
>> Young: THE FIRST REACTION IS
1522
00:24:46,084 --> 00:24:47,985
OFTEN, "I CAN'T MAKE IT WITHOUT
1523
00:24:47,986 --> 00:24:48,019
OFTEN, "I CAN'T MAKE IT WITHOUT
1524
00:24:48,019 --> 00:24:49,153
THIS HELP."
1525
00:24:49,154 --> 00:24:49,220
THIS HELP."
1526
00:24:49,221 --> 00:24:50,989
>> I CAN'T BELIEVE HE'S GONE.
1527
00:24:50,989 --> 00:24:51,055
>> I CAN'T BELIEVE HE'S GONE.
1528
00:24:51,056 --> 00:24:52,257
>> Young: IT IS CRUCIAL THAT THE
1529
00:24:52,257 --> 00:24:52,290
>> Young: IT IS CRUCIAL THAT THE
1530
00:24:52,290 --> 00:24:55,693
HELP NOT STAY THERE.
1531
00:24:55,694 --> 00:24:55,727
HELP NOT STAY THERE.
1532
00:24:55,727 --> 00:24:57,729
>> N-O-O-O-O!!
1533
00:24:57,729 --> 00:24:57,795
>> N-O-O-O-O!!
1534
00:24:57,796 --> 00:24:59,164
>> Young: THAT THEY EITHER LEAVE
1535
00:24:59,164 --> 00:24:59,230
>> Young: THAT THEY EITHER LEAVE
1536
00:24:59,231 --> 00:25:01,166
OR DIE OR WE WOULD NEVER KNOW
1537
00:25:01,166 --> 00:25:01,199
OR DIE OR WE WOULD NEVER KNOW
1538
00:25:01,199 --> 00:25:03,067
THAT WE HAVE IN FACT TAKEN IN
1539
00:25:03,068 --> 00:25:03,101
THAT WE HAVE IN FACT TAKEN IN
1540
00:25:03,101 --> 00:25:04,969
THE TEACHING.
1541
00:25:04,970 --> 00:25:05,003
THE TEACHING.
1542
00:25:05,003 --> 00:25:06,371
>> NO MORE TRAINING DO YOU
1543
00:25:06,371 --> 00:25:06,437
>> NO MORE TRAINING DO YOU
1544
00:25:06,438 --> 00:25:07,272
REQUIRE.
1545
00:25:07,272 --> 00:25:07,338
REQUIRE.
1546
00:25:07,339 --> 00:25:09,341
ALREADY KNOW YOU THAT WHICH YOU
1547
00:25:09,341 --> 00:25:09,374
ALREADY KNOW YOU THAT WHICH YOU
1548
00:25:09,374 --> 00:25:11,776
NEED.
1549
00:25:11,776 --> 00:25:11,809
NEED.
1550
00:25:11,810 --> 00:25:13,244
>> Galipeau: AFTER PEOPLE THAT
1551
00:25:13,245 --> 00:25:13,278
>> Galipeau: AFTER PEOPLE THAT
1552
00:25:13,278 --> 00:25:15,346
WE KNOW HAVE PASSED ON, THEIR
1553
00:25:15,347 --> 00:25:15,380
WE KNOW HAVE PASSED ON, THEIR
1554
00:25:15,380 --> 00:25:16,914
SPIRIT CAN STAY WITH US.
1555
00:25:16,915 --> 00:25:16,981
SPIRIT CAN STAY WITH US.
1556
00:25:16,982 --> 00:25:19,084
"STAR WARS" STEPS RIGHT IN AND
1557
00:25:19,084 --> 00:25:19,117
"STAR WARS" STEPS RIGHT IN AND
1558
00:25:19,117 --> 00:25:20,651
PICKS UP ON THAT.
1559
00:25:20,652 --> 00:25:20,718
PICKS UP ON THAT.
1560
00:25:20,719 --> 00:25:22,821
>>USE THE FORCE, LUKE.
1561
00:25:22,821 --> 00:25:22,887
>>USE THE FORCE, LUKE.
1562
00:25:22,888 --> 00:25:23,989
>> Young: THE MENTOR IS NOW
1563
00:25:23,989 --> 00:25:24,022
>> Young: THE MENTOR IS NOW
1564
00:25:24,022 --> 00:25:27,191
WITHIN, AND I'M ABLE TO SURVIVE.
1565
00:25:27,192 --> 00:25:27,225
WITHIN, AND I'M ABLE TO SURVIVE.
1566
00:25:27,225 --> 00:25:30,328
FROM THE DEATH OF OBI-WAN...
1567
00:25:30,328 --> 00:25:30,361
FROM THE DEATH OF OBI-WAN...
1568
00:25:30,362 --> 00:25:31,429
YODA...
1569
00:25:31,429 --> 00:25:31,462
YODA...
1570
00:25:31,463 --> 00:25:32,931
QUI-GON...
1571
00:25:32,931 --> 00:25:32,997
QUI-GON...
1572
00:25:32,998 --> 00:25:35,100
"STAR WARS" REPEATEDLY SHOWS
1573
00:25:35,100 --> 00:25:35,133
"STAR WARS" REPEATEDLY SHOWS
1574
00:25:35,133 --> 00:25:37,101
THAT AS VALUABLE AS THE MENTOR
1575
00:25:37,102 --> 00:25:37,135
THAT AS VALUABLE AS THE MENTOR
1576
00:25:37,135 --> 00:25:38,903
RELATIONSHIP IS, ULTIMATELY, WE
1577
00:25:38,904 --> 00:25:38,970
RELATIONSHIP IS, ULTIMATELY, WE
1578
00:25:38,970 --> 00:25:40,204
WILL OUTLIVE IT.
1579
00:25:40,205 --> 00:25:40,271
WILL OUTLIVE IT.
1580
00:25:40,272 --> 00:25:42,274
>> REJOICE FOR THOSE AROUND YOU
1581
00:25:42,274 --> 00:25:42,307
>> REJOICE FOR THOSE AROUND YOU
1582
00:25:42,307 --> 00:25:44,742
WHO TRANSFORM INTO THE FORCE.
1583
00:25:44,743 --> 00:25:44,776
WHO TRANSFORM INTO THE FORCE.
1584
00:25:44,776 --> 00:25:46,377
MOURN THEM DO NOT.
1585
00:25:46,378 --> 00:25:46,411
MOURN THEM DO NOT.
1586
00:25:46,411 --> 00:25:48,179
MISS THEM DO NOT.
1587
00:25:48,179 --> 00:25:48,212
MISS THEM DO NOT.
1588
00:25:48,213 --> 00:25:51,649
DEATH IS A NATURAL PART OF LIFE.
1589
00:25:51,650 --> 00:25:51,683
DEATH IS A NATURAL PART OF LIFE.
1590
00:25:51,683 --> 00:25:52,850
>> Colbert: EVERYBODY WANTS A
1591
00:25:52,851 --> 00:25:52,917
>> Colbert: EVERYBODY WANTS A
1592
00:25:52,918 --> 00:25:54,653
MENTOR, AND WE GOT TO ADOPT
1593
00:25:54,653 --> 00:25:54,686
MENTOR, AND WE GOT TO ADOPT
1594
00:25:54,686 --> 00:25:56,554
OBI-WAN AS OUR MENTOR.
1595
00:25:56,555 --> 00:25:56,621
OBI-WAN AS OUR MENTOR.
1596
00:25:56,621 --> 00:25:59,190
AND THIS IS A DREAM FOR A BOY,
1597
00:25:59,190 --> 00:25:59,223
AND THIS IS A DREAM FOR A BOY,
1598
00:25:59,224 --> 00:26:00,925
THAT THEY COULD FIND SOMEONE WHO
1599
00:26:00,926 --> 00:26:00,992
THAT THEY COULD FIND SOMEONE WHO
1600
00:26:00,992 --> 00:26:02,460
THEY COULD TRUST, AND WHO WOULD
1601
00:26:02,460 --> 00:26:02,493
THEY COULD TRUST, AND WHO WOULD
1602
00:26:02,494 --> 00:26:04,262
TELL THEM WHAT IT IS THEY WILL
1603
00:26:04,262 --> 00:26:04,295
TELL THEM WHAT IT IS THEY WILL
1604
00:26:04,296 --> 00:26:05,730
DO WITH THEIR LIFE.
1605
00:26:05,730 --> 00:26:05,763
DO WITH THEIR LIFE.
1606
00:26:05,764 --> 00:26:06,931
>> YOU'VE BEEN A GOOD
1607
00:26:06,932 --> 00:26:06,965
>> YOU'VE BEEN A GOOD
1608
00:26:06,965 --> 00:26:09,000
APPRENTICE, OBI-WAN.
1609
00:26:09,000 --> 00:26:09,033
APPRENTICE, OBI-WAN.
1610
00:26:09,034 --> 00:26:10,301
AND YOU'RE A MUCH WISER MAN THAN
1611
00:26:10,302 --> 00:26:10,335
AND YOU'RE A MUCH WISER MAN THAN
1612
00:26:10,335 --> 00:26:11,669
I AM.
1613
00:26:11,670 --> 00:26:11,736
I AM.
1614
00:26:11,736 --> 00:26:13,204
>> Ellerbee: YOU NEVER OUTGROW
1615
00:26:13,204 --> 00:26:13,237
>> Ellerbee: YOU NEVER OUTGROW
1616
00:26:13,238 --> 00:26:14,772
YOUR NEED FOR A MENTOR.
1617
00:26:14,773 --> 00:26:14,839
YOUR NEED FOR A MENTOR.
1618
00:26:14,839 --> 00:26:16,373
I DON'T CARE HOW OLD YOU ARE.
1619
00:26:16,374 --> 00:26:16,407
I DON'T CARE HOW OLD YOU ARE.
1620
00:26:16,408 --> 00:26:17,942
AND THAT THEY TAKE DIFFERENT
1621
00:26:17,943 --> 00:26:18,009
AND THAT THEY TAKE DIFFERENT
1622
00:26:18,009 --> 00:26:21,846
SHAPES, DIFFERENT FORMS IS A
1623
00:26:21,846 --> 00:26:21,879
SHAPES, DIFFERENT FORMS IS A
1624
00:26:21,880 --> 00:26:24,482
GREAT REMINDER TO US IF SOMEBODY
1625
00:26:24,482 --> 00:26:24,515
GREAT REMINDER TO US IF SOMEBODY
1626
00:26:24,516 --> 00:26:26,217
STRETCHES OUT A HELPING HAND,
1627
00:26:26,217 --> 00:26:26,250
STRETCHES OUT A HELPING HAND,
1628
00:26:26,251 --> 00:26:27,685
DON'T LOOK AND SEE IF IT'S
1629
00:26:27,686 --> 00:26:27,719
DON'T LOOK AND SEE IF IT'S
1630
00:26:27,719 --> 00:26:28,653
GREEN.
1631
00:26:28,653 --> 00:26:28,686
GREEN.
1632
00:26:28,687 --> 00:26:30,755
JUST TAKE THE HAND.
1633
00:26:38,430 --> 00:26:39,631
>> AREN'T YOU A LITTLE SHORT
1634
00:26:39,631 --> 00:26:39,664
>> AREN'T YOU A LITTLE SHORT
1635
00:26:39,664 --> 00:26:41,899
FOR A STORMTROOPER?
1636
00:26:41,900 --> 00:26:41,966
FOR A STORMTROOPER?
1637
00:26:41,967 --> 00:26:42,801
>> I'M LUKE SKYWALKER.
1638
00:26:42,801 --> 00:26:42,867
>> I'M LUKE SKYWALKER.
1639
00:26:42,867 --> 00:26:43,901
I'M HERE TO RESCUE YOU.
1640
00:26:47,839 --> 00:26:48,806
>> Narrator: IN HIS FIGHT
1641
00:26:48,807 --> 00:26:48,840
>> Narrator: IN HIS FIGHT
1642
00:26:48,840 --> 00:26:51,175
AGAINST THE FORCES OF EVIL...
1643
00:26:51,176 --> 00:26:51,242
AGAINST THE FORCES OF EVIL...
1644
00:26:51,242 --> 00:26:52,710
>> AIIGH!
1645
00:26:52,711 --> 00:26:52,744
>> AIIGH!
1646
00:26:52,744 --> 00:26:53,778
>> Narrator: THE HERO NEEDS MORE
1647
00:26:53,778 --> 00:26:53,811
>> Narrator: THE HERO NEEDS MORE
1648
00:26:53,812 --> 00:26:55,346
THAN COURAGE AND THE TEACHINGS
1649
00:26:55,347 --> 00:26:55,413
THAN COURAGE AND THE TEACHINGS
1650
00:26:55,413 --> 00:26:56,514
OF A MENTOR.
1651
00:26:56,514 --> 00:26:56,547
OF A MENTOR.
1652
00:26:56,548 --> 00:26:57,415
>> LUKE, WE'RE GONNA HAVE
1653
00:26:57,415 --> 00:26:57,448
>> LUKE, WE'RE GONNA HAVE
1654
00:26:57,449 --> 00:26:58,716
COMPANY!
1655
00:26:58,717 --> 00:26:58,783
COMPANY!
1656
00:26:58,783 --> 00:27:00,251
>> GET ALONGSIDE THAT ONE.
1657
00:27:00,251 --> 00:27:00,284
>> GET ALONGSIDE THAT ONE.
1658
00:27:00,285 --> 00:27:01,519
>> Narrator: HE ALSO RELIES ON
1659
00:27:01,519 --> 00:27:01,552
>> Narrator: HE ALSO RELIES ON
1660
00:27:01,553 --> 00:27:03,254
THE HELP AND THE FRIENDSHIP
1661
00:27:03,254 --> 00:27:03,287
THE HELP AND THE FRIENDSHIP
1662
00:27:03,288 --> 00:27:04,622
OF OTHERS.
1663
00:27:04,623 --> 00:27:04,689
OF OTHERS.
1664
00:27:04,689 --> 00:27:05,556
>> Henderson: HEROES NEED TO
1665
00:27:05,557 --> 00:27:05,590
>> Henderson: HEROES NEED TO
1666
00:27:05,590 --> 00:27:06,991
START OUT WITH COMRADES.
1667
00:27:06,992 --> 00:27:07,058
START OUT WITH COMRADES.
1668
00:27:07,058 --> 00:27:08,192
THEY NEED THAT TEAMWORK.
1669
00:27:08,193 --> 00:27:08,259
THEY NEED THAT TEAMWORK.
1670
00:27:08,259 --> 00:27:09,360
THEY NEED WHAT THEY CAN LEARN
1671
00:27:09,361 --> 00:27:09,394
THEY NEED WHAT THEY CAN LEARN
1672
00:27:09,394 --> 00:27:12,463
FROM EACH OTHER.
1673
00:27:12,464 --> 00:27:12,530
FROM EACH OTHER.
1674
00:27:12,530 --> 00:27:13,330
>> I GOT HIM!
1675
00:27:13,331 --> 00:27:13,364
>> I GOT HIM!
1676
00:27:13,365 --> 00:27:14,432
>> GREAT, KID!
1677
00:27:14,432 --> 00:27:14,465
>> GREAT, KID!
1678
00:27:14,466 --> 00:27:15,967
DON'T GET COCKY!
1679
00:27:20,071 --> 00:27:21,539
>> THAT'S IT, WE DID IT!
1680
00:27:21,539 --> 00:27:21,572
>> THAT'S IT, WE DID IT!
1681
00:27:21,573 --> 00:27:22,540
>> WE DID IT!
1682
00:27:22,540 --> 00:27:22,606
>> WE DID IT!
1683
00:27:22,607 --> 00:27:24,075
[Chewbacca growls]
1684
00:27:24,075 --> 00:27:24,108
[Chewbacca growls]
1685
00:27:24,109 --> 00:27:25,477
>> Jackson: ONCE THE HERO HAS
1686
00:27:25,477 --> 00:27:25,510
>> Jackson: ONCE THE HERO HAS
1687
00:27:25,510 --> 00:27:26,844
UNDERTAKEN HIS JOURNEY, THEY
1688
00:27:26,845 --> 00:27:26,911
UNDERTAKEN HIS JOURNEY, THEY
1689
00:27:26,911 --> 00:27:28,846
PICK UP COMPANIONS ALONG THE
1690
00:27:28,847 --> 00:27:28,913
PICK UP COMPANIONS ALONG THE
1691
00:27:28,913 --> 00:27:29,847
WAY.
1692
00:27:29,848 --> 00:27:29,914
WAY.
1693
00:27:29,914 --> 00:27:31,382
DOROTHY MEETS UP WITH THE TIN
1694
00:27:31,383 --> 00:27:31,449
DOROTHY MEETS UP WITH THE TIN
1695
00:27:31,449 --> 00:27:32,817
MAN AND THE SCARECROW.
1696
00:27:32,817 --> 00:27:32,850
MAN AND THE SCARECROW.
1697
00:27:32,851 --> 00:27:34,652
FRODO HAS THE ENTIRE FELLOWSHIP
1698
00:27:34,653 --> 00:27:34,719
FRODO HAS THE ENTIRE FELLOWSHIP
1699
00:27:34,719 --> 00:27:36,554
TO TRAVEL WITH, AND LUKE HAS
1700
00:27:36,554 --> 00:27:36,587
TO TRAVEL WITH, AND LUKE HAS
1701
00:27:36,588 --> 00:27:38,823
THIS WONDERFUL MENAGERIE OF
1702
00:27:38,823 --> 00:27:38,889
THIS WONDERFUL MENAGERIE OF
1703
00:27:38,890 --> 00:27:39,924
FRIENDS.
1704
00:27:39,924 --> 00:27:39,957
FRIENDS.
1705
00:27:39,958 --> 00:27:41,292
>> Narrator: EACH "STAR WARS"
1706
00:27:41,292 --> 00:27:41,325
>> Narrator: EACH "STAR WARS"
1707
00:27:41,326 --> 00:27:43,394
TRILOGY INGENIOUSLY RE-IMAGINES
1708
00:27:43,395 --> 00:27:43,428
TRILOGY INGENIOUSLY RE-IMAGINES
1709
00:27:43,428 --> 00:27:45,029
THE ANCIENT ARCHETYPES OF THE
1710
00:27:45,030 --> 00:27:45,096
THE ANCIENT ARCHETYPES OF THE
1711
00:27:45,096 --> 00:27:46,931
WARRIOR WHO BEFRIENDS THE HERO.
1712
00:27:46,931 --> 00:27:46,964
WARRIOR WHO BEFRIENDS THE HERO.
1713
00:27:46,965 --> 00:27:48,032
>> BE CAREFUL.
1714
00:27:48,033 --> 00:27:48,066
>> BE CAREFUL.
1715
00:27:48,066 --> 00:27:48,933
>> YOU TOO.
1716
00:27:48,933 --> 00:27:48,999
>> YOU TOO.
1717
00:27:49,000 --> 00:27:50,301
>> Narrator: AND THE DAMSEL IN
1718
00:27:50,301 --> 00:27:50,367
>> Narrator: AND THE DAMSEL IN
1719
00:27:50,368 --> 00:27:51,035
DISTRESS...
1720
00:27:51,036 --> 00:27:51,102
DISTRESS...
1721
00:27:51,102 --> 00:27:52,103
>> [gasps]
1722
00:27:52,103 --> 00:27:52,136
>> [gasps]
1723
00:27:52,137 --> 00:27:53,204
>> Narrator: WHOM THE HERO MUST
1724
00:27:53,204 --> 00:27:53,270
>> Narrator: WHOM THE HERO MUST
1725
00:27:53,271 --> 00:27:55,006
PROTECT.
1726
00:27:55,006 --> 00:27:55,039
PROTECT.
1727
00:27:55,040 --> 00:27:56,408
>> THIS IS SOME RESCUE!
1728
00:27:56,408 --> 00:27:56,441
>> THIS IS SOME RESCUE!
1729
00:27:56,441 --> 00:27:57,842
WHEN YOU CAME IN HERE, DIDN'T
1730
00:27:57,842 --> 00:27:57,908
WHEN YOU CAME IN HERE, DIDN'T
1731
00:27:57,909 --> 00:27:58,843
YOU HAVE A PLAN FOR GETTING OUT?
1732
00:27:58,843 --> 00:27:58,876
YOU HAVE A PLAN FOR GETTING OUT?
1733
00:27:58,877 --> 00:28:01,379
>> HE'S THE BRAINS, SWEETHEART!
1734
00:28:01,379 --> 00:28:01,412
>> HE'S THE BRAINS, SWEETHEART!
1735
00:28:01,413 --> 00:28:02,680
>> Narrator: BUT FAR FROM BEING
1736
00:28:02,681 --> 00:28:02,747
>> Narrator: BUT FAR FROM BEING
1737
00:28:02,747 --> 00:28:04,648
HELPLESS, THE FEMALE CHARACTERS
1738
00:28:04,649 --> 00:28:04,682
HELPLESS, THE FEMALE CHARACTERS
1739
00:28:04,683 --> 00:28:06,751
OF PADME AMIDALA AND HER
1740
00:28:06,751 --> 00:28:06,784
OF PADME AMIDALA AND HER
1741
00:28:06,785 --> 00:28:08,753
DAUGHTER, LEIA ORGANA, ARE AS
1742
00:28:08,753 --> 00:28:08,819
DAUGHTER, LEIA ORGANA, ARE AS
1743
00:28:08,820 --> 00:28:12,223
COURAGEOUS AS THEY ARE CLEVER.
1744
00:28:12,223 --> 00:28:12,289
COURAGEOUS AS THEY ARE CLEVER.
1745
00:28:12,290 --> 00:28:13,758
>> [grunts]
1746
00:28:13,758 --> 00:28:13,791
>> [grunts]
1747
00:28:13,792 --> 00:28:15,126
>> [gurgles]
1748
00:28:15,126 --> 00:28:15,192
>> [gurgles]
1749
00:28:15,193 --> 00:28:16,727
>> Paglia: THE WOMEN OF THE
1750
00:28:16,728 --> 00:28:16,761
>> Paglia: THE WOMEN OF THE
1751
00:28:16,761 --> 00:28:19,730
"STAR WARS" FILMS ARE EXTREMELY
1752
00:28:19,731 --> 00:28:19,764
"STAR WARS" FILMS ARE EXTREMELY
1753
00:28:19,764 --> 00:28:20,731
ASSERTIVE.
1754
00:28:20,732 --> 00:28:20,765
ASSERTIVE.
1755
00:28:20,765 --> 00:28:21,732
>> WILL SOMEBODY GET THIS BIG
1756
00:28:21,733 --> 00:28:21,766
>> WILL SOMEBODY GET THIS BIG
1757
00:28:21,766 --> 00:28:23,400
WALKING CARPET OUT OF MY WAY?
1758
00:28:23,401 --> 00:28:23,434
WALKING CARPET OUT OF MY WAY?
1759
00:28:23,435 --> 00:28:24,669
>> Paglia: CAN WIELD WEAPONS
1760
00:28:24,669 --> 00:28:24,702
>> Paglia: CAN WIELD WEAPONS
1761
00:28:24,703 --> 00:28:25,603
WITH THE BEST OF THEM.
1762
00:28:25,603 --> 00:28:25,636
WITH THE BEST OF THEM.
1763
00:28:25,637 --> 00:28:27,238
>> YOU CALL THIS A DIPLOMATIC
1764
00:28:27,238 --> 00:28:27,271
>> YOU CALL THIS A DIPLOMATIC
1765
00:28:27,272 --> 00:28:27,872
SOLUTION?
1766
00:28:27,872 --> 00:28:27,938
SOLUTION?
1767
00:28:27,939 --> 00:28:29,140
>> NO, I CALL IT AGGRESSIVE
1768
00:28:29,140 --> 00:28:29,173
>> NO, I CALL IT AGGRESSIVE
1769
00:28:29,174 --> 00:28:30,241
NEGOTIATIONS.
1770
00:28:30,241 --> 00:28:30,274
NEGOTIATIONS.
1771
00:28:30,275 --> 00:28:31,609
>> Paglia: WE ALSO SEE THEM
1772
00:28:31,609 --> 00:28:31,675
>> Paglia: WE ALSO SEE THEM
1773
00:28:31,676 --> 00:28:33,244
PHYSICALLY AND PERSONALLY
1774
00:28:33,244 --> 00:28:33,277
PHYSICALLY AND PERSONALLY
1775
00:28:33,278 --> 00:28:35,747
EVOLVING FROM FILM TO FILM,
1776
00:28:35,747 --> 00:28:35,780
EVOLVING FROM FILM TO FILM,
1777
00:28:35,780 --> 00:28:37,948
WHICH IS ALMOST UNIQUE IN
1778
00:28:37,949 --> 00:28:37,982
WHICH IS ALMOST UNIQUE IN
1779
00:28:37,982 --> 00:28:39,750
CONTEMPORARY CULTURE, THAT IS,
1780
00:28:39,751 --> 00:28:39,784
CONTEMPORARY CULTURE, THAT IS,
1781
00:28:39,784 --> 00:28:42,153
LUCAS' ABILITY TO SPEAK TO THE
1782
00:28:42,153 --> 00:28:42,186
LUCAS' ABILITY TO SPEAK TO THE
1783
00:28:42,187 --> 00:28:44,155
EMOTIONAL NEEDS OF MEN WITHOUT
1784
00:28:44,155 --> 00:28:44,221
EMOTIONAL NEEDS OF MEN WITHOUT
1785
00:28:44,222 --> 00:28:46,057
IN ANY WAY UNDERMINING THE
1786
00:28:46,057 --> 00:28:46,123
IN ANY WAY UNDERMINING THE
1787
00:28:46,124 --> 00:28:48,593
DIGNITY AND POTENTIAL OF WOMEN.
1788
00:28:48,593 --> 00:28:48,659
DIGNITY AND POTENTIAL OF WOMEN.
1789
00:28:48,660 --> 00:28:49,961
>> I'M NOT SURE WHAT YOU WISH
1790
00:28:49,961 --> 00:28:50,027
>> I'M NOT SURE WHAT YOU WISH
1791
00:28:50,028 --> 00:28:51,696
TO ACCOMPLISH BY THIS.
1792
00:28:51,696 --> 00:28:51,729
TO ACCOMPLISH BY THIS.
1793
00:28:51,730 --> 00:28:54,232
>> I WILL TAKE BACK WHAT'S OURS.
1794
00:28:54,232 --> 00:28:54,265
>> I WILL TAKE BACK WHAT'S OURS.
1795
00:28:54,265 --> 00:28:55,299
>> Connelly: OF COURSE, GREEK
1796
00:28:55,300 --> 00:28:55,333
>> Connelly: OF COURSE, GREEK
1797
00:28:55,333 --> 00:28:57,301
TRAGEDY HAS ENORMOUSLY STRONG
1798
00:28:57,302 --> 00:28:57,335
TRAGEDY HAS ENORMOUSLY STRONG
1799
00:28:57,335 --> 00:28:58,536
WOMEN.
1800
00:28:58,536 --> 00:28:58,569
WOMEN.
1801
00:28:58,570 --> 00:29:00,872
AND GEORGE LUCAS HAS MANAGED TO
1802
00:29:00,872 --> 00:29:00,938
AND GEORGE LUCAS HAS MANAGED TO
1803
00:29:00,939 --> 00:29:02,507
CAPTURE THE STRENGTH OF THESE
1804
00:29:02,507 --> 00:29:02,540
CAPTURE THE STRENGTH OF THESE
1805
00:29:02,540 --> 00:29:03,340
WOMEN.
1806
00:29:03,341 --> 00:29:03,407
WOMEN.
1807
00:29:03,408 --> 00:29:06,144
BUT IN FACT, IT'S LAYERED.
1808
00:29:06,144 --> 00:29:06,210
BUT IN FACT, IT'S LAYERED.
1809
00:29:06,211 --> 00:29:08,079
IF YOU LOOK AT QUEEN AMIDALA,
1810
00:29:08,079 --> 00:29:08,112
IF YOU LOOK AT QUEEN AMIDALA,
1811
00:29:08,113 --> 00:29:12,717
SHE'S STRONG AND YET ROMANTIC.
1812
00:29:12,717 --> 00:29:12,750
SHE'S STRONG AND YET ROMANTIC.
1813
00:29:12,751 --> 00:29:14,085
>> Narrator: THE NAME OF PADME'S
1814
00:29:14,085 --> 00:29:14,118
>> Narrator: THE NAME OF PADME'S
1815
00:29:14,119 --> 00:29:16,788
HOME PLANET, NABOO, GIVES A CLUE
1816
00:29:16,788 --> 00:29:16,821
HOME PLANET, NABOO, GIVES A CLUE
1817
00:29:16,821 --> 00:29:18,989
TO HER INTELLECTUAL NATURE.
1818
00:29:18,990 --> 00:29:19,056
TO HER INTELLECTUAL NATURE.
1819
00:29:19,057 --> 00:29:20,858
>> Henderson: NABU WAS THE
1820
00:29:20,859 --> 00:29:20,892
>> Henderson: NABU WAS THE
1821
00:29:20,892 --> 00:29:23,261
BABYLONIAN GOD OF WISDOM.
1822
00:29:23,261 --> 00:29:23,327
BABYLONIAN GOD OF WISDOM.
1823
00:29:23,328 --> 00:29:26,898
AND SO AS QUEEN OF NABOO, PADME
1824
00:29:26,898 --> 00:29:26,931
AND SO AS QUEEN OF NABOO, PADME
1825
00:29:26,931 --> 00:29:28,899
IS THE RULER OF WISDOM, AND IN
1826
00:29:28,900 --> 00:29:28,933
IS THE RULER OF WISDOM, AND IN
1827
00:29:28,933 --> 00:29:30,868
FACT, SHE EMBODIES ALL OF THE
1828
00:29:30,869 --> 00:29:30,902
FACT, SHE EMBODIES ALL OF THE
1829
00:29:30,902 --> 00:29:33,905
FEMALE WISDOM OF THAT PARTICULAR
1830
00:29:33,905 --> 00:29:33,938
FEMALE WISDOM OF THAT PARTICULAR
1831
00:29:33,938 --> 00:29:40,444
ARCHETYPE.
1832
00:29:40,445 --> 00:29:40,478
ARCHETYPE.
1833
00:29:40,478 --> 00:29:42,713
>> OH, ANAKIN, SOMETHING
1834
00:29:42,714 --> 00:29:42,747
>> OH, ANAKIN, SOMETHING
1835
00:29:42,747 --> 00:29:45,182
WONDERFUL HAS HAPPENED.
1836
00:29:45,183 --> 00:29:45,249
WONDERFUL HAS HAPPENED.
1837
00:29:45,250 --> 00:29:47,051
I'M PREGNANT.
1838
00:29:47,051 --> 00:29:47,084
I'M PREGNANT.
1839
00:29:47,085 --> 00:29:47,985
>> Narrator: AS THE FUTURE
1840
00:29:47,986 --> 00:29:48,052
>> Narrator: AS THE FUTURE
1841
00:29:48,052 --> 00:29:50,354
MOTHER OF LEIA AND LUKE, PADME
1842
00:29:50,355 --> 00:29:50,421
MOTHER OF LEIA AND LUKE, PADME
1843
00:29:50,421 --> 00:29:51,989
EMBODIES ANOTHER FIGURE IN
1844
00:29:51,990 --> 00:29:52,056
EMBODIES ANOTHER FIGURE IN
1845
00:29:52,056 --> 00:29:53,724
CLASSIC MYTH, THAT OF THE
1846
00:29:53,725 --> 00:29:53,791
CLASSIC MYTH, THAT OF THE
1847
00:29:53,792 --> 00:29:55,460
NURTURING EARTH MOTHER.
1848
00:29:55,460 --> 00:29:55,526
NURTURING EARTH MOTHER.
1849
00:29:55,527 --> 00:29:56,628
>> Connelly: HER ENVIRONMENT IS
1850
00:29:56,628 --> 00:29:56,694
>> Connelly: HER ENVIRONMENT IS
1851
00:29:56,694 --> 00:29:59,363
GREEN, FLOURISHING, NOURISHING.
1852
00:29:59,364 --> 00:29:59,397
GREEN, FLOURISHING, NOURISHING.
1853
00:29:59,397 --> 00:30:01,732
SHE IS LOVE.
1854
00:30:01,733 --> 00:30:01,766
SHE IS LOVE.
1855
00:30:01,766 --> 00:30:04,435
SHE IS SENSIBILITIES.
1856
00:30:04,435 --> 00:30:04,468
SHE IS SENSIBILITIES.
1857
00:30:04,469 --> 00:30:06,471
SHE IS ALL OF THOSE THINGS THAT
1858
00:30:06,471 --> 00:30:06,537
SHE IS ALL OF THOSE THINGS THAT
1859
00:30:06,538 --> 00:30:08,206
LIE IN STARK CONTRAST TO
1860
00:30:08,206 --> 00:30:08,239
LIE IN STARK CONTRAST TO
1861
00:30:08,239 --> 00:30:09,707
TECHNOLOGY-DRIVEN,
1862
00:30:09,707 --> 00:30:09,740
TECHNOLOGY-DRIVEN,
1863
00:30:09,741 --> 00:30:11,743
CONTROL-DRIVEN REALMS BEYOND
1864
00:30:11,743 --> 00:30:11,809
CONTROL-DRIVEN REALMS BEYOND
1865
00:30:11,810 --> 00:30:12,610
HER.
1866
00:30:12,610 --> 00:30:12,643
HER.
1867
00:30:12,644 --> 00:30:13,645
>> Narrator: BUT PADME'S
1868
00:30:13,645 --> 00:30:13,678
>> Narrator: BUT PADME'S
1869
00:30:13,678 --> 00:30:15,079
COMPASSION AND HER LOVE FOR
1870
00:30:15,079 --> 00:30:15,112
COMPASSION AND HER LOVE FOR
1871
00:30:15,113 --> 00:30:17,081
ANAKIN ALSO LEAD TO HER
1872
00:30:17,081 --> 00:30:17,114
ANAKIN ALSO LEAD TO HER
1873
00:30:17,115 --> 00:30:19,383
DOWNFALL WHEN HER HUSBAND TURNS
1874
00:30:19,384 --> 00:30:19,450
DOWNFALL WHEN HER HUSBAND TURNS
1875
00:30:19,450 --> 00:30:21,919
TO THE DARK SIDE.
1876
00:30:21,920 --> 00:30:21,953
TO THE DARK SIDE.
1877
00:30:21,953 --> 00:30:23,087
>> Connelly: PADME IS
1878
00:30:23,087 --> 00:30:23,120
>> Connelly: PADME IS
1879
00:30:23,121 --> 00:30:24,288
BROKEN-HEARTED.
1880
00:30:24,289 --> 00:30:24,322
BROKEN-HEARTED.
1881
00:30:24,322 --> 00:30:25,656
>> [crying]
1882
00:30:25,657 --> 00:30:25,690
>> [crying]
1883
00:30:25,690 --> 00:30:27,091
>> Connelly: AND THIS IS THE
1884
00:30:27,091 --> 00:30:27,124
>> Connelly: AND THIS IS THE
1885
00:30:27,125 --> 00:30:29,293
SAME EXPERIENCE OF QUEEN DIDO OF
1886
00:30:29,294 --> 00:30:29,327
SAME EXPERIENCE OF QUEEN DIDO OF
1887
00:30:29,327 --> 00:30:32,563
CARTHAGE IN THAT SHE LOVES AND
1888
00:30:32,564 --> 00:30:32,630
CARTHAGE IN THAT SHE LOVES AND
1889
00:30:32,630 --> 00:30:35,899
SHE CRIES AND BEGS FOR HER MAN,
1890
00:30:35,900 --> 00:30:35,933
SHE CRIES AND BEGS FOR HER MAN,
1891
00:30:35,934 --> 00:30:39,370
AENEAS, TO STAY AS HE WAS.
1892
00:30:39,370 --> 00:30:39,403
AENEAS, TO STAY AS HE WAS.
1893
00:30:39,404 --> 00:30:42,039
>> YOU'VE CHANGED.
1894
00:30:42,040 --> 00:30:42,106
>> YOU'VE CHANGED.
1895
00:30:42,106 --> 00:30:45,809
I DON'T KNOW YOU ANYMORE.
1896
00:30:45,810 --> 00:30:45,843
I DON'T KNOW YOU ANYMORE.
1897
00:30:45,844 --> 00:30:47,946
ANAKIN...
1898
00:30:47,946 --> 00:30:48,012
ANAKIN...
1899
00:30:48,012 --> 00:30:50,447
YOU'RE BREAKING MY HEART.
1900
00:30:50,448 --> 00:30:50,481
YOU'RE BREAKING MY HEART.
1901
00:30:50,481 --> 00:30:51,548
>> Connelly: SO SHE'S A
1902
00:30:51,549 --> 00:30:51,582
>> Connelly: SO SHE'S A
1903
00:30:51,583 --> 00:30:52,951
MARVELOUS BLEND OF TRADITIONS,
1904
00:30:52,951 --> 00:30:52,984
MARVELOUS BLEND OF TRADITIONS,
1905
00:30:52,984 --> 00:30:54,685
OF THE COMPLEXITY OF WHAT IT IS
1906
00:30:54,686 --> 00:30:54,752
OF THE COMPLEXITY OF WHAT IT IS
1907
00:30:54,752 --> 00:30:55,819
TO BE A WOMAN.
1908
00:30:55,820 --> 00:30:55,853
TO BE A WOMAN.
1909
00:30:55,854 --> 00:30:57,222
>> OH, LUKE.
1910
00:30:57,222 --> 00:30:57,255
>> OH, LUKE.
1911
00:30:57,255 --> 00:30:59,223
[baby cries]
1912
00:30:59,224 --> 00:30:59,290
[baby cries]
1913
00:30:59,290 --> 00:31:01,025
LEIA.
1914
00:31:08,700 --> 00:31:09,867
>> Narrator: ALTHOUGH PADME
1915
00:31:09,868 --> 00:31:09,934
>> Narrator: ALTHOUGH PADME
1916
00:31:09,934 --> 00:31:12,102
AMIDALA IS A TRAGIC FIGURE, HER
1917
00:31:12,103 --> 00:31:12,136
AMIDALA IS A TRAGIC FIGURE, HER
1918
00:31:12,136 --> 00:31:15,105
QUEST FOR PEACE AND DEMOCRACY IS
1919
00:31:15,106 --> 00:31:15,139
QUEST FOR PEACE AND DEMOCRACY IS
1920
00:31:15,139 --> 00:31:16,607
FINALLY REALIZED A GENERATION
1921
00:31:16,608 --> 00:31:16,674
FINALLY REALIZED A GENERATION
1922
00:31:16,674 --> 00:31:18,509
LATER BY HER DAUGHTER, LEIA.
1923
00:31:18,509 --> 00:31:18,542
LATER BY HER DAUGHTER, LEIA.
1924
00:31:18,543 --> 00:31:20,044
>> GOVERNOR TARKIN, I SHOULD'VE
1925
00:31:20,044 --> 00:31:20,077
>> GOVERNOR TARKIN, I SHOULD'VE
1926
00:31:20,078 --> 00:31:21,579
EXPECTED TO FIND YOU HOLDING
1927
00:31:21,579 --> 00:31:21,612
EXPECTED TO FIND YOU HOLDING
1928
00:31:21,613 --> 00:31:22,680
VADER'S LEASH.
1929
00:31:22,680 --> 00:31:22,746
VADER'S LEASH.
1930
00:31:22,747 --> 00:31:24,782
I RECOGNIZED YOUR FOWL STENCH
1931
00:31:24,782 --> 00:31:24,815
I RECOGNIZED YOUR FOWL STENCH
1932
00:31:24,816 --> 00:31:27,585
WHEN I WAS BROUGHT ON BOARD.
1933
00:31:27,585 --> 00:31:27,651
WHEN I WAS BROUGHT ON BOARD.
1934
00:31:27,652 --> 00:31:29,787
>> CHARMING TO THE LAST.
1935
00:31:29,787 --> 00:31:29,853
>> CHARMING TO THE LAST.
1936
00:31:29,854 --> 00:31:30,955
>> Abrams: WHAT'S GREAT ABOUT
1937
00:31:30,955 --> 00:31:30,988
>> Abrams: WHAT'S GREAT ABOUT
1938
00:31:30,989 --> 00:31:32,156
LEIA IS THAT, FROM THE FIRST
1939
00:31:32,156 --> 00:31:32,222
LEIA IS THAT, FROM THE FIRST
1940
00:31:32,223 --> 00:31:33,757
MOMENT YOU MEET HER, WHILE SHE
1941
00:31:33,758 --> 00:31:33,791
MOMENT YOU MEET HER, WHILE SHE
1942
00:31:33,791 --> 00:31:36,927
IS DESPERATE, UM...
1943
00:31:36,928 --> 00:31:36,961
IS DESPERATE, UM...
1944
00:31:36,961 --> 00:31:38,128
SHE'S ANYTHING BUT.
1945
00:31:38,129 --> 00:31:38,162
SHE'S ANYTHING BUT.
1946
00:31:38,162 --> 00:31:39,396
SHE IS TOUGH, AND SHE'S
1947
00:31:39,397 --> 00:31:39,430
SHE IS TOUGH, AND SHE'S
1948
00:31:39,430 --> 00:31:39,963
RESOURCEFUL.
1949
00:31:39,964 --> 00:31:40,030
RESOURCEFUL.
1950
00:31:40,031 --> 00:31:40,698
>> LOOKS LIKE YOU MANAGED TO
1951
00:31:40,698 --> 00:31:40,731
>> LOOKS LIKE YOU MANAGED TO
1952
00:31:40,732 --> 00:31:41,799
CUT OFF OUR ONLY ESCAPE ROUTE.
1953
00:31:41,799 --> 00:31:41,865
CUT OFF OUR ONLY ESCAPE ROUTE.
1954
00:31:41,866 --> 00:31:42,867
>> MAYBE YOU'D LIKE IT BACK IN
1955
00:31:42,867 --> 00:31:42,900
>> MAYBE YOU'D LIKE IT BACK IN
1956
00:31:42,901 --> 00:31:45,169
YOUR CELL, YOUR HIGHNESS.
1957
00:31:45,169 --> 00:31:45,235
YOUR CELL, YOUR HIGHNESS.
1958
00:31:45,236 --> 00:31:46,503
>> Abrams: SHE DOESN'T HESITATE
1959
00:31:46,504 --> 00:31:46,537
>> Abrams: SHE DOESN'T HESITATE
1960
00:31:46,537 --> 00:31:50,307
TO DO WHAT SHE NEEDS TO DO.
1961
00:31:50,308 --> 00:31:50,341
TO DO WHAT SHE NEEDS TO DO.
1962
00:31:50,341 --> 00:31:51,975
>> WHAT THE HELL ARE YOU DOING?!
1963
00:31:51,976 --> 00:31:52,009
>> WHAT THE HELL ARE YOU DOING?!
1964
00:31:52,010 --> 00:31:52,810
>> SOMEBODY HAS TO SAVE OUR
1965
00:31:52,810 --> 00:31:52,876
>> SOMEBODY HAS TO SAVE OUR
1966
00:31:52,877 --> 00:31:56,347
SKINS.
1967
00:31:56,347 --> 00:31:56,380
SKINS.
1968
00:31:56,381 --> 00:31:58,316
INTO THE GARBAGE CHUTE, FLYBOY!
1969
00:31:58,316 --> 00:31:58,349
INTO THE GARBAGE CHUTE, FLYBOY!
1970
00:31:58,349 --> 00:31:59,350
>> Galipeau: THE PRINCESS
1971
00:31:59,350 --> 00:31:59,416
>> Galipeau: THE PRINCESS
1972
00:31:59,417 --> 00:32:01,619
ARCHETYPE IS THE YOUNG FEMININE
1973
00:32:01,619 --> 00:32:01,685
ARCHETYPE IS THE YOUNG FEMININE
1974
00:32:01,686 --> 00:32:03,721
READY TO COME INTO HERSELF AND
1975
00:32:03,721 --> 00:32:03,787
READY TO COME INTO HERSELF AND
1976
00:32:03,788 --> 00:32:05,356
BLOSSOM INTO HERSELF.
1977
00:32:05,356 --> 00:32:05,422
BLOSSOM INTO HERSELF.
1978
00:32:05,423 --> 00:32:07,091
>> YOU'RE TREMBLING.
1979
00:32:07,091 --> 00:32:07,157
>> YOU'RE TREMBLING.
1980
00:32:07,158 --> 00:32:09,860
>> I'M NOT TREMBLING.
1981
00:32:09,861 --> 00:32:09,894
>> I'M NOT TREMBLING.
1982
00:32:09,894 --> 00:32:11,695
>> YOU LIKE ME BECAUSE I'M A
1983
00:32:11,696 --> 00:32:11,729
>> YOU LIKE ME BECAUSE I'M A
1984
00:32:11,729 --> 00:32:12,896
SCOUNDREL.
1985
00:32:12,897 --> 00:32:12,930
SCOUNDREL.
1986
00:32:12,931 --> 00:32:14,232
THERE AREN'T ENOUGH SCOUNDRELS
1987
00:32:14,232 --> 00:32:14,265
THERE AREN'T ENOUGH SCOUNDRELS
1988
00:32:14,265 --> 00:32:15,532
IN YOUR LIFE.
1989
00:32:15,533 --> 00:32:15,566
IN YOUR LIFE.
1990
00:32:15,566 --> 00:32:17,634
>> I HAPPEN TO LIKE NICE MEN.
1991
00:32:17,635 --> 00:32:17,668
>> I HAPPEN TO LIKE NICE MEN.
1992
00:32:17,669 --> 00:32:19,370
>> I'M A NICE MAN.
1993
00:32:19,370 --> 00:32:19,436
>> I'M A NICE MAN.
1994
00:32:19,437 --> 00:32:22,139
>> NO, YOU'RE NOT, YOU'RE...
1995
00:32:22,140 --> 00:32:22,173
>> NO, YOU'RE NOT, YOU'RE...
1996
00:32:22,173 --> 00:32:23,274
>> Galipeau: IT'S ABOUT HER
1997
00:32:23,274 --> 00:32:23,340
>> Galipeau: IT'S ABOUT HER
1998
00:32:23,341 --> 00:32:24,809
COMING INTO HERSELF AS A WOMAN
1999
00:32:24,809 --> 00:32:24,842
COMING INTO HERSELF AS A WOMAN
2000
00:32:24,842 --> 00:32:26,710
WHO CAN BE IN RELATIONSHIP TO A
2001
00:32:26,711 --> 00:32:26,777
WHO CAN BE IN RELATIONSHIP TO A
2002
00:32:26,778 --> 00:32:28,780
MAN THAT SHE CARES ABOUT AS WELL
2003
00:32:28,780 --> 00:32:28,813
MAN THAT SHE CARES ABOUT AS WELL
2004
00:32:28,813 --> 00:32:30,981
AS DISCOVERING A RELATIONSHIP TO
2005
00:32:30,982 --> 00:32:31,015
AS DISCOVERING A RELATIONSHIP TO
2006
00:32:31,015 --> 00:32:33,617
THIS BROTHER AND TO THE FORCE.
2007
00:32:33,618 --> 00:32:33,651
THIS BROTHER AND TO THE FORCE.
2008
00:32:33,651 --> 00:32:34,885
>> THE FORCE IS STRONG IN MY
2009
00:32:34,886 --> 00:32:34,919
>> THE FORCE IS STRONG IN MY
2010
00:32:34,919 --> 00:32:36,253
FAMILY.
2011
00:32:36,254 --> 00:32:36,287
FAMILY.
2012
00:32:36,287 --> 00:32:38,188
MY FATHER HAS IT.
2013
00:32:38,189 --> 00:32:38,222
MY FATHER HAS IT.
2014
00:32:38,222 --> 00:32:41,258
I HAVE IT, AND...
2015
00:32:41,259 --> 00:32:41,292
I HAVE IT, AND...
2016
00:32:41,292 --> 00:32:43,093
MY SISTER HAS IT.
2017
00:32:43,094 --> 00:32:43,160
MY SISTER HAS IT.
2018
00:32:43,161 --> 00:32:44,629
>> Henderson: LUKE AND LEIA,
2019
00:32:44,629 --> 00:32:44,695
>> Henderson: LUKE AND LEIA,
2020
00:32:44,696 --> 00:32:46,064
THEY ARE, OF COURSE, APOLLO AND
2021
00:32:46,064 --> 00:32:46,097
THEY ARE, OF COURSE, APOLLO AND
2022
00:32:46,097 --> 00:32:48,466
ARTEMIS, THE DIVINE TWINS OF
2023
00:32:48,466 --> 00:32:48,499
ARTEMIS, THE DIVINE TWINS OF
2024
00:32:48,499 --> 00:32:50,334
MYTHOLOGY WHO COME INTO THE
2025
00:32:50,335 --> 00:32:50,368
MYTHOLOGY WHO COME INTO THE
2026
00:32:50,368 --> 00:32:51,635
WORLD, MALE AND FEMALE, TO
2027
00:32:51,636 --> 00:32:51,702
WORLD, MALE AND FEMALE, TO
2028
00:32:51,703 --> 00:32:53,438
RESTORE IT TO ORDER.
2029
00:32:53,438 --> 00:32:53,471
RESTORE IT TO ORDER.
2030
00:32:53,471 --> 00:32:54,572
>> IF I DON'T MAKE IT BACK,
2031
00:32:54,572 --> 00:32:54,638
>> IF I DON'T MAKE IT BACK,
2032
00:32:54,639 --> 00:32:55,640
YOU'RE THE ONLY HOPE FOR THE
2033
00:32:55,640 --> 00:32:55,673
YOU'RE THE ONLY HOPE FOR THE
2034
00:32:55,673 --> 00:32:56,540
ALLIANCE.
2035
00:32:56,541 --> 00:32:56,574
ALLIANCE.
2036
00:32:56,574 --> 00:32:58,108
>> LUKE, DON'T TALK THAT WAY.
2037
00:32:58,109 --> 00:32:58,142
>> LUKE, DON'T TALK THAT WAY.
2038
00:32:58,142 --> 00:33:00,077
YOU HAVE A POWER I DON'T
2039
00:33:00,078 --> 00:33:00,111
YOU HAVE A POWER I DON'T
2040
00:33:00,111 --> 00:33:02,346
UNDERSTAND AND COULD NEVER HAVE.
2041
00:33:02,347 --> 00:33:02,380
UNDERSTAND AND COULD NEVER HAVE.
2042
00:33:02,380 --> 00:33:04,281
>> YOU'RE WRONG, LEIA.
2043
00:33:04,282 --> 00:33:04,315
>> YOU'RE WRONG, LEIA.
2044
00:33:04,315 --> 00:33:07,017
YOU HAVE THAT POWER, TOO.
2045
00:33:07,018 --> 00:33:07,084
YOU HAVE THAT POWER, TOO.
2046
00:33:07,085 --> 00:33:08,753
IN TIME, YOU'LL LEARN TO USE IT
2047
00:33:08,753 --> 00:33:08,819
IN TIME, YOU'LL LEARN TO USE IT
2048
00:33:08,820 --> 00:33:09,754
AS I HAVE.
2049
00:33:09,754 --> 00:33:09,787
AS I HAVE.
2050
00:33:09,787 --> 00:33:11,622
>> Jackson: SHE'S NOT JUST A
2051
00:33:11,622 --> 00:33:11,655
>> Jackson: SHE'S NOT JUST A
2052
00:33:11,656 --> 00:33:14,091
LOVE INTEREST AS A LOT OF, YOU
2053
00:33:14,092 --> 00:33:14,125
LOVE INTEREST AS A LOT OF, YOU
2054
00:33:14,125 --> 00:33:15,292
KNOW, PRINCESSES IN THESE
2055
00:33:15,293 --> 00:33:15,326
KNOW, PRINCESSES IN THESE
2056
00:33:15,326 --> 00:33:16,126
STORIES TEND TO BE.
2057
00:33:16,127 --> 00:33:16,193
STORIES TEND TO BE.
2058
00:33:16,194 --> 00:33:17,762
SHE ACTUALLY HAS HER OWN STORY,
2059
00:33:17,762 --> 00:33:17,795
SHE ACTUALLY HAS HER OWN STORY,
2060
00:33:17,795 --> 00:33:19,096
HER OWN MYTHOLOGY.
2061
00:33:19,097 --> 00:33:19,130
HER OWN MYTHOLOGY.
2062
00:33:19,130 --> 00:33:20,664
SHE TURNS OUT TO BE A JEDI, AND
2063
00:33:20,665 --> 00:33:20,731
SHE TURNS OUT TO BE A JEDI, AND
2064
00:33:20,732 --> 00:33:22,834
THAT'S VERY MUCH A JOURNEY SHE
2065
00:33:22,834 --> 00:33:22,867
THAT'S VERY MUCH A JOURNEY SHE
2066
00:33:22,867 --> 00:33:26,470
HAS TO TAKE HERSELF.
2067
00:33:26,471 --> 00:33:26,537
HAS TO TAKE HERSELF.
2068
00:33:26,537 --> 00:33:28,372
>> CORPORAL, WE'LL COVER YOU.
2069
00:33:28,373 --> 00:33:28,406
>> CORPORAL, WE'LL COVER YOU.
2070
00:33:28,406 --> 00:33:30,207
>> ROGER, ROGER.
2071
00:33:30,208 --> 00:33:30,241
>> ROGER, ROGER.
2072
00:33:30,241 --> 00:33:31,742
>> UH-OH.
2073
00:33:31,743 --> 00:33:31,776
>> UH-OH.
2074
00:33:31,776 --> 00:33:38,382
BLAST THEM.
2075
00:33:38,383 --> 00:33:38,449
BLAST THEM.
2076
00:33:38,449 --> 00:33:40,684
>> ANAKIN SKYWALKER, MEET
2077
00:33:40,685 --> 00:33:40,751
>> ANAKIN SKYWALKER, MEET
2078
00:33:40,752 --> 00:33:42,053
OBI-WAN KENOBI.
2079
00:33:42,053 --> 00:33:42,119
OBI-WAN KENOBI.
2080
00:33:42,120 --> 00:33:43,187
>> HI.
2081
00:33:43,187 --> 00:33:43,220
>> HI.
2082
00:33:43,221 --> 00:33:44,488
>> Lyden: OBI-WAN IS AN
2083
00:33:44,489 --> 00:33:44,522
>> Lyden: OBI-WAN IS AN
2084
00:33:44,522 --> 00:33:45,589
INTERESTING CHARACTER THAT WE
2085
00:33:45,590 --> 00:33:45,656
INTERESTING CHARACTER THAT WE
2086
00:33:45,656 --> 00:33:47,557
SEE DEVELOP THROUGHOUT THE
2087
00:33:47,558 --> 00:33:47,591
SEE DEVELOP THROUGHOUT THE
2088
00:33:47,592 --> 00:33:48,326
FILMS.
2089
00:33:48,326 --> 00:33:48,392
FILMS.
2090
00:33:48,393 --> 00:33:50,395
AT THE BEGINNING HE IS CLEARLY
2091
00:33:50,395 --> 00:33:50,461
AT THE BEGINNING HE IS CLEARLY
2092
00:33:50,461 --> 00:33:53,130
SUBORDINATE TO QUI-GON JINN AS
2093
00:33:53,131 --> 00:33:53,164
SUBORDINATE TO QUI-GON JINN AS
2094
00:33:53,164 --> 00:33:55,966
A YOUNG AND VITAL JEDI.
2095
00:34:02,607 --> 00:34:05,109
BUT THEN WE SEE HIM IN MUCH MORE
2096
00:34:05,109 --> 00:34:05,142
BUT THEN WE SEE HIM IN MUCH MORE
2097
00:34:05,143 --> 00:34:06,577
OF A LEADERSHIP ROLE AS HE
2098
00:34:06,577 --> 00:34:06,610
OF A LEADERSHIP ROLE AS HE
2099
00:34:06,611 --> 00:34:09,046
BEGINS TO SCHOOL YOUNG ANAKIN.
2100
00:34:09,047 --> 00:34:09,113
BEGINS TO SCHOOL YOUNG ANAKIN.
2101
00:34:09,113 --> 00:34:10,414
>> ANAKIN!
2102
00:34:10,415 --> 00:34:10,448
>> ANAKIN!
2103
00:34:10,448 --> 00:34:11,782
>> SHE WENT INTO THE CLUB,
2104
00:34:11,783 --> 00:34:11,816
>> SHE WENT INTO THE CLUB,
2105
00:34:11,816 --> 00:34:13,017
MASTER.
2106
00:34:13,017 --> 00:34:13,050
MASTER.
2107
00:34:13,051 --> 00:34:14,118
>> PATIENCE.
2108
00:34:14,118 --> 00:34:14,151
>> PATIENCE.
2109
00:34:14,152 --> 00:34:15,586
USE THE FORCE.
2110
00:34:15,586 --> 00:34:15,619
USE THE FORCE.
2111
00:34:15,620 --> 00:34:17,054
>> I TRY, MASTER.
2112
00:34:17,055 --> 00:34:17,121
>> I TRY, MASTER.
2113
00:34:17,121 --> 00:34:18,388
>> Lyden: INCREASINGLY, THEY
2114
00:34:18,389 --> 00:34:18,422
>> Lyden: INCREASINGLY, THEY
2115
00:34:18,423 --> 00:34:20,158
DEVELOP A RELATIONSHIP LIKE
2116
00:34:20,158 --> 00:34:20,224
DEVELOP A RELATIONSHIP LIKE
2117
00:34:20,224 --> 00:34:21,225
BROTHERS.
2118
00:34:21,225 --> 00:34:21,258
BROTHERS.
2119
00:34:21,259 --> 00:34:23,060
>> YOU ARE STRONG AND WISE,
2120
00:34:23,061 --> 00:34:23,127
>> YOU ARE STRONG AND WISE,
2121
00:34:23,127 --> 00:34:24,695
ANAKIN, AND I AM VERY PROUD OF
2122
00:34:24,695 --> 00:34:24,728
ANAKIN, AND I AM VERY PROUD OF
2123
00:34:24,729 --> 00:34:25,396
YOU.
2124
00:34:25,396 --> 00:34:25,429
YOU.
2125
00:34:25,430 --> 00:34:26,431
AND YOU HAVE BECOME A FAR
2126
00:34:26,431 --> 00:34:26,464
AND YOU HAVE BECOME A FAR
2127
00:34:26,464 --> 00:34:27,932
GREATER JEDI THAN I COULD EVER
2128
00:34:27,932 --> 00:34:27,965
GREATER JEDI THAN I COULD EVER
2129
00:34:27,965 --> 00:34:28,865
HOPE TO BE.
2130
00:34:28,866 --> 00:34:28,932
HOPE TO BE.
2131
00:34:28,933 --> 00:34:29,967
>> Young: EVEN THOUGH IT'S
2132
00:34:29,967 --> 00:34:30,033
>> Young: EVEN THOUGH IT'S
2133
00:34:30,034 --> 00:34:31,402
OFTEN CALLED THE HERO'S JOURNEY,
2134
00:34:31,402 --> 00:34:31,435
OFTEN CALLED THE HERO'S JOURNEY,
2135
00:34:31,436 --> 00:34:34,605
IT IS USUALLY DONE IN GROUPS.
2136
00:34:34,605 --> 00:34:34,638
IT IS USUALLY DONE IN GROUPS.
2137
00:34:34,639 --> 00:34:35,606
>> FOLLOW HIM!
2138
00:34:35,606 --> 00:34:35,672
>> FOLLOW HIM!
2139
00:34:35,673 --> 00:34:37,641
>> WE'RE GONNA NEED SOME HELP.
2140
00:34:37,642 --> 00:34:37,708
>> WE'RE GONNA NEED SOME HELP.
2141
00:34:37,708 --> 00:34:38,675
>> THERE ISN'T TIME!
2142
00:34:38,676 --> 00:34:38,709
>> THERE ISN'T TIME!
2143
00:34:38,709 --> 00:34:39,776
>> Young: AND THIS HAS SEVERAL
2144
00:34:39,777 --> 00:34:39,810
>> Young: AND THIS HAS SEVERAL
2145
00:34:39,811 --> 00:34:40,711
IMPLICATIONS.
2146
00:34:40,711 --> 00:34:40,777
IMPLICATIONS.
2147
00:34:40,778 --> 00:34:42,079
ONE, WE NEED TO BE GOOD TEAM
2148
00:34:42,080 --> 00:34:42,146
ONE, WE NEED TO BE GOOD TEAM
2149
00:34:42,146 --> 00:34:44,214
PLAYERS, AND TEAMS ARE ALWAYS
2150
00:34:44,215 --> 00:34:44,248
PLAYERS, AND TEAMS ARE ALWAYS
2151
00:34:44,248 --> 00:34:45,148
IMPERFECT.
2152
00:34:45,149 --> 00:34:45,215
IMPERFECT.
2153
00:34:45,216 --> 00:34:46,617
>> THAT WAS SOME SHORTCUT,
2154
00:34:46,617 --> 00:34:46,650
>> THAT WAS SOME SHORTCUT,
2155
00:34:46,651 --> 00:34:47,451
ANAKIN.
2156
00:34:47,452 --> 00:34:47,518
ANAKIN.
2157
00:34:47,518 --> 00:34:48,619
HE WENT COMPLETELY THE OTHER
2158
00:34:48,619 --> 00:34:48,685
HE WENT COMPLETELY THE OTHER
2159
00:34:48,686 --> 00:34:49,620
WAY.
2160
00:34:49,620 --> 00:34:49,653
WAY.
2161
00:34:49,654 --> 00:34:50,488
ONCE AGAIN, YOU'VE PROVED--
2162
00:34:50,488 --> 00:34:50,521
ONCE AGAIN, YOU'VE PROVED--
2163
00:34:50,521 --> 00:34:53,790
>> IF YOU'LL EXCUSE ME.
2164
00:34:53,791 --> 00:34:53,824
>> IF YOU'LL EXCUSE ME.
2165
00:34:53,825 --> 00:34:55,426
>> I HATE IT WHEN HE DOES THAT.
2166
00:34:55,426 --> 00:34:55,459
>> I HATE IT WHEN HE DOES THAT.
2167
00:34:55,460 --> 00:34:56,627
>> Young: AFTER ALL, THEY'RE
2168
00:34:56,627 --> 00:34:56,660
>> Young: AFTER ALL, THEY'RE
2169
00:34:56,661 --> 00:34:57,428
PEOPLE.
2170
00:34:57,428 --> 00:34:57,461
PEOPLE.
2171
00:34:57,462 --> 00:34:58,696
SO WE HAVE TO COPE WITH THE
2172
00:34:58,696 --> 00:34:58,729
SO WE HAVE TO COPE WITH THE
2173
00:34:58,729 --> 00:35:00,163
FLAWS OF THE PEOPLE WE'RE
2174
00:35:00,164 --> 00:35:00,230
FLAWS OF THE PEOPLE WE'RE
2175
00:35:00,231 --> 00:35:01,165
WORKING WITH.
2176
00:35:01,165 --> 00:35:01,231
WORKING WITH.
2177
00:35:01,232 --> 00:35:02,366
WHETHER YOU'RE TALKING ABOUT
2178
00:35:02,366 --> 00:35:02,432
WHETHER YOU'RE TALKING ABOUT
2179
00:35:02,433 --> 00:35:03,700
JASON AND THE ARGONAUTS OR
2180
00:35:03,701 --> 00:35:03,767
JASON AND THE ARGONAUTS OR
2181
00:35:03,768 --> 00:35:05,069
FRODO AND THE FELLOWSHIP OF THE
2182
00:35:05,069 --> 00:35:05,102
FRODO AND THE FELLOWSHIP OF THE
2183
00:35:05,103 --> 00:35:07,138
RING, YOU HAVE SOME MOTLEY
2184
00:35:07,138 --> 00:35:07,171
RING, YOU HAVE SOME MOTLEY
2185
00:35:07,171 --> 00:35:10,073
CREW, SOME ODD TEAM THAT IS ABLE
2186
00:35:10,074 --> 00:35:10,107
CREW, SOME ODD TEAM THAT IS ABLE
2187
00:35:10,108 --> 00:35:12,877
TO TAKE ON TERRIBLE CHALLENGES.
2188
00:35:12,877 --> 00:35:12,910
TO TAKE ON TERRIBLE CHALLENGES.
2189
00:35:12,910 --> 00:35:14,978
SO THE TEAM IS VERY EFFECTIVE.
2190
00:35:14,979 --> 00:35:15,012
SO THE TEAM IS VERY EFFECTIVE.
2191
00:35:15,012 --> 00:35:15,812
>> IT'S THEM!
2192
00:35:15,813 --> 00:35:15,846
>> IT'S THEM!
2193
00:35:15,847 --> 00:35:17,982
BLAST THEM!
2194
00:35:17,982 --> 00:35:18,048
BLAST THEM!
2195
00:35:18,049 --> 00:35:18,983
>> GET BACK TO THE SHIP!
2196
00:35:18,983 --> 00:35:19,016
>> GET BACK TO THE SHIP!
2197
00:35:19,016 --> 00:35:19,816
>> WHERE ARE YOU GOING?
2198
00:35:19,817 --> 00:35:19,883
>> WHERE ARE YOU GOING?
2199
00:35:19,884 --> 00:35:20,517
COME BACK!
2200
00:35:20,518 --> 00:35:20,551
COME BACK!
2201
00:35:20,551 --> 00:35:21,652
>> HE CERTAINLY HAS COURAGE.
2202
00:35:21,652 --> 00:35:21,718
>> HE CERTAINLY HAS COURAGE.
2203
00:35:21,719 --> 00:35:22,686
>> WHAT GOOD WILL IT DO US IF
2204
00:35:22,687 --> 00:35:22,720
>> WHAT GOOD WILL IT DO US IF
2205
00:35:22,720 --> 00:35:23,620
HE GETS HIMSELF KILLED?
2206
00:35:23,621 --> 00:35:23,687
HE GETS HIMSELF KILLED?
2207
00:35:23,688 --> 00:35:25,990
>> [bellowing]
2208
00:35:25,990 --> 00:35:26,056
>> [bellowing]
2209
00:35:26,057 --> 00:35:27,191
>> Narrator: LUKE SKYWALKER
2210
00:35:27,191 --> 00:35:27,224
>> Narrator: LUKE SKYWALKER
2211
00:35:27,225 --> 00:35:30,361
FINDS AN UNLIKELY COMRADE...
2212
00:35:30,361 --> 00:35:30,427
FINDS AN UNLIKELY COMRADE...
2213
00:35:30,428 --> 00:35:32,062
IN THE PERSON OF HAN SOLO.
2214
00:35:32,063 --> 00:35:32,096
IN THE PERSON OF HAN SOLO.
2215
00:35:32,096 --> 00:35:32,996
>> YOU DON'T BELIEVE IN THE
2216
00:35:32,997 --> 00:35:33,063
>> YOU DON'T BELIEVE IN THE
2217
00:35:33,064 --> 00:35:33,998
FORCE, DO YOU?
2218
00:35:33,998 --> 00:35:34,064
FORCE, DO YOU?
2219
00:35:34,065 --> 00:35:35,366
>> HOKEY RELIGIONS AND ANCIENT
2220
00:35:35,366 --> 00:35:35,399
>> HOKEY RELIGIONS AND ANCIENT
2221
00:35:35,399 --> 00:35:36,633
WEAPONS ARE NO MATCH FOR A GOOD
2222
00:35:36,634 --> 00:35:36,667
WEAPONS ARE NO MATCH FOR A GOOD
2223
00:35:36,667 --> 00:35:39,002
BLASTER AT YOUR SIDE.
2224
00:35:39,003 --> 00:35:39,036
BLASTER AT YOUR SIDE.
2225
00:35:39,036 --> 00:35:40,203
>> Narrator: HAN REPRESENTS
2226
00:35:40,204 --> 00:35:40,270
>> Narrator: HAN REPRESENTS
2227
00:35:40,271 --> 00:35:41,639
ANOTHER CLASSIC ARCHETYPE.
2228
00:35:41,639 --> 00:35:41,672
ANOTHER CLASSIC ARCHETYPE.
2229
00:35:41,672 --> 00:35:43,006
>> YOU HALF-WITTED...
2230
00:35:43,007 --> 00:35:43,040
>> YOU HALF-WITTED...
2231
00:35:43,040 --> 00:35:44,541
SCRUFFY-LOOKING...
2232
00:35:44,542 --> 00:35:44,575
SCRUFFY-LOOKING...
2233
00:35:44,575 --> 00:35:45,342
NERF HERDER!
2234
00:35:45,343 --> 00:35:45,376
NERF HERDER!
2235
00:35:45,376 --> 00:35:46,343
>> Narrator: THE MERCENARY
2236
00:35:46,344 --> 00:35:46,377
>> Narrator: THE MERCENARY
2237
00:35:46,377 --> 00:35:47,111
PIRATE.
2238
00:35:47,111 --> 00:35:47,177
PIRATE.
2239
00:35:47,178 --> 00:35:48,913
>> WHO'S SCRUFFY-LOOKING?
2240
00:35:48,913 --> 00:35:48,979
>> WHO'S SCRUFFY-LOOKING?
2241
00:35:48,980 --> 00:35:50,448
>> Young: MOST WELL-SOCIALIZED
2242
00:35:50,448 --> 00:35:50,481
>> Young: MOST WELL-SOCIALIZED
2243
00:35:50,481 --> 00:35:51,982
PEOPLE WANT TO BE LIKED BY
2244
00:35:51,983 --> 00:35:52,016
PEOPLE WANT TO BE LIKED BY
2245
00:35:52,016 --> 00:35:52,916
OTHERS.
2246
00:35:52,917 --> 00:35:52,950
OTHERS.
2247
00:35:52,950 --> 00:35:53,917
>> BUT THEY'RE GONNA KILL HER!
2248
00:35:53,918 --> 00:35:53,951
>> BUT THEY'RE GONNA KILL HER!
2249
00:35:53,951 --> 00:35:55,452
>> BETTER HER THAN ME.
2250
00:35:55,453 --> 00:35:55,486
>> BETTER HER THAN ME.
2251
00:35:55,486 --> 00:35:56,653
>> Young: HAN SOLO CARES A
2252
00:35:56,654 --> 00:35:56,687
>> Young: HAN SOLO CARES A
2253
00:35:56,687 --> 00:35:57,821
LITTLE LESS ABOUT THAT.
2254
00:35:57,822 --> 00:35:57,855
LITTLE LESS ABOUT THAT.
2255
00:35:57,855 --> 00:35:59,656
HIS NAME'S "SOLO."
2256
00:35:59,657 --> 00:35:59,690
HIS NAME'S "SOLO."
2257
00:35:59,690 --> 00:36:01,124
HE'S OUT FOR HIMSELF.
2258
00:36:01,125 --> 00:36:01,158
HE'S OUT FOR HIMSELF.
2259
00:36:01,159 --> 00:36:02,026
>> SHE'S RICH.
2260
00:36:02,026 --> 00:36:02,059
>> SHE'S RICH.
2261
00:36:02,059 --> 00:36:05,028
[Chewbacca growling]
2262
00:36:05,029 --> 00:36:05,095
[Chewbacca growling]
2263
00:36:05,096 --> 00:36:06,530
>> RICH?
2264
00:36:06,531 --> 00:36:06,564
>> RICH?
2265
00:36:06,564 --> 00:36:08,098
>> MMM, RICH, POWERFUL.
2266
00:36:08,099 --> 00:36:08,132
>> MMM, RICH, POWERFUL.
2267
00:36:08,132 --> 00:36:09,099
LISTEN, IF YOU WERE TO RESCUE
2268
00:36:09,100 --> 00:36:09,133
LISTEN, IF YOU WERE TO RESCUE
2269
00:36:09,133 --> 00:36:11,168
HER, THE REWARD WOULD BE...
2270
00:36:11,169 --> 00:36:11,202
HER, THE REWARD WOULD BE...
2271
00:36:11,202 --> 00:36:12,169
>> WHAT?
2272
00:36:12,170 --> 00:36:12,203
>> WHAT?
2273
00:36:12,203 --> 00:36:13,103
>> WELL, MORE WEALTH THAN YOU
2274
00:36:13,104 --> 00:36:13,170
>> WELL, MORE WEALTH THAN YOU
2275
00:36:13,171 --> 00:36:14,238
CAN IMAGINE.
2276
00:36:14,238 --> 00:36:14,271
CAN IMAGINE.
2277
00:36:14,272 --> 00:36:15,373
>> I DON'T KNOW, I CAN IMAGINE
2278
00:36:15,373 --> 00:36:15,406
>> I DON'T KNOW, I CAN IMAGINE
2279
00:36:15,406 --> 00:36:16,206
QUITE A BIT.
2280
00:36:16,207 --> 00:36:16,240
QUITE A BIT.
2281
00:36:16,240 --> 00:36:17,574
>> Jackson: THE CHARACTER OF
2282
00:36:17,575 --> 00:36:17,608
>> Jackson: THE CHARACTER OF
2283
00:36:17,608 --> 00:36:20,110
HAN SOLO, HE STRIKES ME AS NOT
2284
00:36:20,111 --> 00:36:20,177
HAN SOLO, HE STRIKES ME AS NOT
2285
00:36:20,178 --> 00:36:21,546
BEING SO MUCH FROM ANCIENT
2286
00:36:21,546 --> 00:36:21,579
BEING SO MUCH FROM ANCIENT
2287
00:36:21,579 --> 00:36:23,747
MYTHOLOGY BUT MORE FROM--MORE
2288
00:36:23,748 --> 00:36:23,814
MYTHOLOGY BUT MORE FROM--MORE
2289
00:36:23,814 --> 00:36:25,816
LIKE A WESTERN OUTLAW.
2290
00:36:25,816 --> 00:36:25,849
LIKE A WESTERN OUTLAW.
2291
00:36:25,850 --> 00:36:28,385
>> KEEP YOUR EYES OPEN, HUH?
2292
00:36:28,386 --> 00:36:28,419
>> KEEP YOUR EYES OPEN, HUH?
2293
00:36:28,419 --> 00:36:29,653
>> Jackson: THERE'S SOMETHING
2294
00:36:29,654 --> 00:36:29,687
>> Jackson: THERE'S SOMETHING
2295
00:36:29,687 --> 00:36:30,654
SHADY ABOUT HIM.
2296
00:36:30,655 --> 00:36:30,688
SHADY ABOUT HIM.
2297
00:36:30,688 --> 00:36:31,689
>> WHY YOU SLIMY,
2298
00:36:31,689 --> 00:36:31,755
>> WHY YOU SLIMY,
2299
00:36:31,756 --> 00:36:33,324
DOUBLE-CROSSING, NO-GOOD
2300
00:36:33,324 --> 00:36:33,390
DOUBLE-CROSSING, NO-GOOD
2301
00:36:33,391 --> 00:36:34,125
SWINDLER.
2302
00:36:34,125 --> 00:36:34,158
SWINDLER.
2303
00:36:34,158 --> 00:36:35,659
YOU GOT A LOT OF GUTS COMING
2304
00:36:35,660 --> 00:36:35,693
YOU GOT A LOT OF GUTS COMING
2305
00:36:35,693 --> 00:36:36,126
HERE.
2306
00:36:36,127 --> 00:36:36,193
HERE.
2307
00:36:36,194 --> 00:36:37,395
>> Jackson: HE'S ON THE RUN FROM
2308
00:36:37,395 --> 00:36:37,428
>> Jackson: HE'S ON THE RUN FROM
2309
00:36:37,428 --> 00:36:39,196
THE LAW, BUT HE'S ESSENTIALLY
2310
00:36:39,197 --> 00:36:39,230
THE LAW, BUT HE'S ESSENTIALLY
2311
00:36:39,230 --> 00:36:40,598
GOOD.
2312
00:36:40,598 --> 00:36:40,631
GOOD.
2313
00:36:40,631 --> 00:36:41,298
>> [laughs]
2314
00:36:41,299 --> 00:36:41,332
>> [laughs]
2315
00:36:41,332 --> 00:36:43,300
HOW YA DOING, YOU OLD PIRATE?
2316
00:36:43,301 --> 00:36:43,367
HOW YA DOING, YOU OLD PIRATE?
2317
00:36:43,367 --> 00:36:44,668
SO GOOD TO SEE YOU!
2318
00:36:44,669 --> 00:36:44,735
SO GOOD TO SEE YOU!
2319
00:36:44,735 --> 00:36:46,136
>> Lyden: THE COWBOY IS ALMOST
2320
00:36:46,137 --> 00:36:46,203
>> Lyden: THE COWBOY IS ALMOST
2321
00:36:46,204 --> 00:36:49,207
ICONIC IN AMERICAN IMAGINATION
2322
00:36:49,207 --> 00:36:49,240
ICONIC IN AMERICAN IMAGINATION
2323
00:36:49,240 --> 00:36:52,009
AS SOMEONE WHO IS AN OUTSIDER,
2324
00:36:52,009 --> 00:36:52,042
AS SOMEONE WHO IS AN OUTSIDER,
2325
00:36:52,043 --> 00:36:54,678
BUT HE'S A HERO WE LOOK TO
2326
00:36:54,679 --> 00:36:54,712
BUT HE'S A HERO WE LOOK TO
2327
00:36:54,712 --> 00:36:56,146
PRECISELY BECAUSE WE VALUE THAT
2328
00:36:56,147 --> 00:36:56,180
PRECISELY BECAUSE WE VALUE THAT
2329
00:36:56,180 --> 00:36:58,148
KIND OF INDEPENDENCE,
2330
00:36:58,149 --> 00:36:58,215
KIND OF INDEPENDENCE,
2331
00:36:58,216 --> 00:37:00,218
SELF-RELIANCE, THE FACT THAT HE
2332
00:37:00,218 --> 00:37:00,251
SELF-RELIANCE, THE FACT THAT HE
2333
00:37:00,251 --> 00:37:02,119
DEPENDS ON HIMSELF AND NOBODY
2334
00:37:02,119 --> 00:37:02,152
DEPENDS ON HIMSELF AND NOBODY
2335
00:37:02,153 --> 00:37:03,487
ELSE.
2336
00:37:03,487 --> 00:37:03,520
ELSE.
2337
00:37:03,521 --> 00:37:05,589
>> [speaks alien language]
2338
00:37:05,590 --> 00:37:05,656
>> [speaks alien language]
2339
00:37:05,656 --> 00:37:06,957
>> YES, GREEDO, AS A MATTER OF
2340
00:37:06,958 --> 00:37:06,991
>> YES, GREEDO, AS A MATTER OF
2341
00:37:06,991 --> 00:37:08,158
FACT, I WAS JUST GOING TO SEE
2342
00:37:08,159 --> 00:37:08,225
FACT, I WAS JUST GOING TO SEE
2343
00:37:08,226 --> 00:37:08,960
YOUR BOSS.
2344
00:37:08,960 --> 00:37:09,026
YOUR BOSS.
2345
00:37:09,026 --> 00:37:10,427
TELL JABBA THAT I'VE GOT HIS
2346
00:37:10,428 --> 00:37:10,461
TELL JABBA THAT I'VE GOT HIS
2347
00:37:10,461 --> 00:37:11,428
MONEY.
2348
00:37:11,429 --> 00:37:11,462
MONEY.
2349
00:37:11,462 --> 00:37:13,063
>> [speaks alien language]
2350
00:37:13,064 --> 00:37:13,130
>> [speaks alien language]
2351
00:37:13,130 --> 00:37:14,431
>> Lyden: YOU HAVE THE SENSE OF
2352
00:37:14,432 --> 00:37:14,498
>> Lyden: YOU HAVE THE SENSE OF
2353
00:37:14,498 --> 00:37:16,233
A WILD WEST TOWN.
2354
00:37:16,234 --> 00:37:16,267
A WILD WEST TOWN.
2355
00:37:16,267 --> 00:37:18,302
>> I DON'T HAVE IT WITH ME.
2356
00:37:18,302 --> 00:37:18,335
>> I DON'T HAVE IT WITH ME.
2357
00:37:18,336 --> 00:37:19,437
TELL JABBA--
2358
00:37:19,437 --> 00:37:19,503
TELL JABBA--
2359
00:37:19,503 --> 00:37:21,338
>> Lyden: AND NOBODY EVEN REALLY
2360
00:37:21,339 --> 00:37:21,405
>> Lyden: AND NOBODY EVEN REALLY
2361
00:37:21,405 --> 00:37:22,973
CARES IF SOMEBODY GETS SHOT IN
2362
00:37:22,974 --> 00:37:23,040
CARES IF SOMEBODY GETS SHOT IN
2363
00:37:23,040 --> 00:37:24,775
THE BAR.
2364
00:37:24,775 --> 00:37:24,808
THE BAR.
2365
00:37:24,809 --> 00:37:28,212
>> YES, I'LL BET YOU HAVE.
2366
00:37:28,212 --> 00:37:28,245
>> YES, I'LL BET YOU HAVE.
2367
00:37:28,246 --> 00:37:29,780
>> Lyden: AS LONG AS THEY CLEAN
2368
00:37:29,780 --> 00:37:29,813
>> Lyden: AS LONG AS THEY CLEAN
2369
00:37:29,814 --> 00:37:31,782
UP THE MESS OR PAY FOR IT.
2370
00:37:31,782 --> 00:37:31,815
UP THE MESS OR PAY FOR IT.
2371
00:37:31,816 --> 00:37:33,217
>> SORRY ABOUT THE MESS.
2372
00:37:33,217 --> 00:37:33,250
>> SORRY ABOUT THE MESS.
2373
00:37:33,251 --> 00:37:34,352
>> Brokaw: I ALWAYS THOUGHT
2374
00:37:34,352 --> 00:37:34,385
>> Brokaw: I ALWAYS THOUGHT
2375
00:37:34,385 --> 00:37:35,886
"STAR WARS" WAS A WESTERN IN THE
2376
00:37:35,886 --> 00:37:35,919
"STAR WARS" WAS A WESTERN IN THE
2377
00:37:35,920 --> 00:37:36,887
FUTURE.
2378
00:37:36,887 --> 00:37:36,920
FUTURE.
2379
00:37:36,921 --> 00:37:37,421
I REALLY DID.
2380
00:37:37,421 --> 00:37:37,487
I REALLY DID.
2381
00:37:37,488 --> 00:37:39,490
I THOUGHT THAT "STAR WARS" WAS
2382
00:37:39,490 --> 00:37:39,523
I THOUGHT THAT "STAR WARS" WAS
2383
00:37:39,523 --> 00:37:42,359
THE QUINTESSENTIAL WESTERN
2384
00:37:42,360 --> 00:37:42,426
THE QUINTESSENTIAL WESTERN
2385
00:37:42,426 --> 00:37:44,361
PLAYED OUT IN A DIFFERENT
2386
00:37:44,362 --> 00:37:44,395
PLAYED OUT IN A DIFFERENT
2387
00:37:44,395 --> 00:37:46,530
UNIVERSE.
2388
00:37:46,530 --> 00:37:46,563
UNIVERSE.
2389
00:37:46,564 --> 00:37:49,066
>> RIGHT HERE, JABBA.
2390
00:37:49,066 --> 00:37:49,132
>> RIGHT HERE, JABBA.
2391
00:37:49,133 --> 00:37:50,501
YOU DIDN'T THINK I WAS GONNA
2392
00:37:50,501 --> 00:37:50,534
YOU DIDN'T THINK I WAS GONNA
2393
00:37:50,534 --> 00:37:51,067
RUN, DID YOU?
2394
00:37:51,068 --> 00:37:51,134
RUN, DID YOU?
2395
00:37:51,135 --> 00:37:52,269
>> Brokaw: YOU COULD'VE PUT
2396
00:37:52,270 --> 00:37:52,336
>> Brokaw: YOU COULD'VE PUT
2397
00:37:52,336 --> 00:37:53,537
HARRISON FORD IN A COWBOY HAT
2398
00:37:53,537 --> 00:37:53,570
HARRISON FORD IN A COWBOY HAT
2399
00:37:53,571 --> 00:37:54,705
AND PUT A STAR ON HIM, AND IT
2400
00:37:54,705 --> 00:37:54,738
AND PUT A STAR ON HIM, AND IT
2401
00:37:54,739 --> 00:37:55,840
WOULDN'T HAVE SEEMED OUT OF
2402
00:37:55,840 --> 00:37:55,906
WOULDN'T HAVE SEEMED OUT OF
2403
00:37:55,906 --> 00:37:56,539
PLACE.
2404
00:37:56,540 --> 00:37:56,573
PLACE.
2405
00:37:56,574 --> 00:37:59,710
IT WAS THAT CLASSIC GARY COOPER
2406
00:37:59,710 --> 00:37:59,776
IT WAS THAT CLASSIC GARY COOPER
2407
00:37:59,777 --> 00:38:01,912
RIDING INTO TOWN, EXCEPT IN
2408
00:38:01,912 --> 00:38:01,945
RIDING INTO TOWN, EXCEPT IN
2409
00:38:01,946 --> 00:38:04,281
THIS CASE, IT WAS HARRISON FORD
2410
00:38:04,282 --> 00:38:04,348
THIS CASE, IT WAS HARRISON FORD
2411
00:38:04,348 --> 00:38:05,549
IN A SPACESHIP.
2412
00:38:05,549 --> 00:38:05,615
IN A SPACESHIP.
2413
00:38:05,616 --> 00:38:06,917
>> Henderson: HIS HERO JOURNEY
2414
00:38:06,917 --> 00:38:06,950
>> Henderson: HIS HERO JOURNEY
2415
00:38:06,951 --> 00:38:09,086
PATH IS THAT OF THE WARRIOR AND
2416
00:38:09,086 --> 00:38:09,152
PATH IS THAT OF THE WARRIOR AND
2417
00:38:09,153 --> 00:38:10,454
THE LOVER.
2418
00:38:10,454 --> 00:38:10,487
THE LOVER.
2419
00:38:10,488 --> 00:38:12,690
HE HAS TO LEARN TO COMMIT
2420
00:38:12,690 --> 00:38:12,723
HE HAS TO LEARN TO COMMIT
2421
00:38:12,723 --> 00:38:14,257
HIMSELF TO A CAUSE OUTSIDE
2422
00:38:14,258 --> 00:38:14,291
HIMSELF TO A CAUSE OUTSIDE
2423
00:38:14,292 --> 00:38:15,526
HIMSELF, AND HE HAS TO LEARN TO
2424
00:38:15,526 --> 00:38:15,559
HIMSELF, AND HE HAS TO LEARN TO
2425
00:38:15,559 --> 00:38:16,927
OPEN HIS HEART TO LOVE.
2426
00:38:16,927 --> 00:38:16,993
OPEN HIS HEART TO LOVE.
2427
00:38:16,994 --> 00:38:21,431
[deep mechanical breathing]
2428
00:38:21,432 --> 00:38:21,465
[deep mechanical breathing]
2429
00:38:21,465 --> 00:38:22,566
>> Ellerbee: THERE ARE MANY
2430
00:38:22,566 --> 00:38:22,632
>> Ellerbee: THERE ARE MANY
2431
00:38:22,633 --> 00:38:24,267
LIKE ME WHO THINK THAT POSSIBLY
2432
00:38:24,268 --> 00:38:24,301
LIKE ME WHO THINK THAT POSSIBLY
2433
00:38:24,302 --> 00:38:26,270
ONE OF THE SEXIEST LINES EVER
2434
00:38:26,270 --> 00:38:26,336
ONE OF THE SEXIEST LINES EVER
2435
00:38:26,337 --> 00:38:29,273
SAID IN ANY MOVIE IS UTTERED BY
2436
00:38:29,273 --> 00:38:29,339
SAID IN ANY MOVIE IS UTTERED BY
2437
00:38:29,340 --> 00:38:31,108
HAN SOLO WHEN PRINCESS LEIA
2438
00:38:31,108 --> 00:38:31,141
HAN SOLO WHEN PRINCESS LEIA
2439
00:38:31,142 --> 00:38:31,909
SAYS...
2440
00:38:31,909 --> 00:38:31,975
SAYS...
2441
00:38:31,976 --> 00:38:33,077
>> I LOVE YOU.
2442
00:38:33,077 --> 00:38:33,110
>> I LOVE YOU.
2443
00:38:33,110 --> 00:38:34,111
>> Ellerbee: HE DOESN'T SAY, "I
2444
00:38:34,111 --> 00:38:34,177
>> Ellerbee: HE DOESN'T SAY, "I
2445
00:38:34,178 --> 00:38:35,179
LOVE YOU, TOO."
2446
00:38:35,179 --> 00:38:35,245
LOVE YOU, TOO."
2447
00:38:35,246 --> 00:38:35,980
HE SAYS...
2448
00:38:35,980 --> 00:38:36,013
HE SAYS...
2449
00:38:36,013 --> 00:38:37,247
>> I KNOW.
2450
00:38:37,248 --> 00:38:37,281
>> I KNOW.
2451
00:38:37,281 --> 00:38:43,754
>> Ellerbee: BE STILL, MY HEART.
2452
00:38:43,754 --> 00:38:43,787
>> Ellerbee: BE STILL, MY HEART.
2453
00:38:43,788 --> 00:38:45,456
EVERY WOMAN WHO'S EVER LOVED A
2454
00:38:45,456 --> 00:38:45,489
EVERY WOMAN WHO'S EVER LOVED A
2455
00:38:45,489 --> 00:38:47,190
BAD BOY FELL IN LOVE WITH HAN
2456
00:38:47,191 --> 00:38:47,257
BAD BOY FELL IN LOVE WITH HAN
2457
00:38:47,258 --> 00:38:48,659
SOLO AT THAT MOMENT IF THEY
2458
00:38:48,659 --> 00:38:48,725
SOLO AT THAT MOMENT IF THEY
2459
00:38:48,726 --> 00:38:49,660
HADN'T ALREADY.
2460
00:38:49,660 --> 00:38:49,693
HADN'T ALREADY.
2461
00:38:49,694 --> 00:38:51,295
[machinery whines]
2462
00:38:51,295 --> 00:38:51,328
[machinery whines]
2463
00:38:51,329 --> 00:38:52,930
[Chewbacca howling]
2464
00:38:52,930 --> 00:38:52,996
[Chewbacca howling]
2465
00:38:52,997 --> 00:38:54,198
>> Galipeau: HE BEGINS TO
2466
00:38:54,198 --> 00:38:54,264
>> Galipeau: HE BEGINS TO
2467
00:38:54,265 --> 00:38:55,633
ACTUALLY THINK OF SOMEONE ELSE
2468
00:38:55,633 --> 00:38:55,666
ACTUALLY THINK OF SOMEONE ELSE
2469
00:38:55,666 --> 00:38:57,668
AND NOT JUST HIMSELF, AND THAT'S
2470
00:38:57,668 --> 00:38:57,734
AND NOT JUST HIMSELF, AND THAT'S
2471
00:38:57,735 --> 00:38:59,837
A LESSON THAT MANY PEOPLE REALLY
2472
00:38:59,837 --> 00:38:59,903
A LESSON THAT MANY PEOPLE REALLY
2473
00:38:59,904 --> 00:39:01,372
NEED TO LEARN TO BECOME MORE
2474
00:39:01,372 --> 00:39:01,405
NEED TO LEARN TO BECOME MORE
2475
00:39:01,405 --> 00:39:02,172
WHOLE.
2476
00:39:02,173 --> 00:39:02,206
WHOLE.
2477
00:39:02,206 --> 00:39:03,373
>> DON'T MOVE!
2478
00:39:03,374 --> 00:39:03,407
>> DON'T MOVE!
2479
00:39:03,407 --> 00:39:04,374
>> Galipeau: BUT ALSO TO LEARN
2480
00:39:04,375 --> 00:39:04,408
>> Galipeau: BUT ALSO TO LEARN
2481
00:39:04,408 --> 00:39:05,942
THE ART OF RELATIONSHIP AND
2482
00:39:05,943 --> 00:39:06,009
THE ART OF RELATIONSHIP AND
2483
00:39:06,010 --> 00:39:07,745
FRIENDSHIP.
2484
00:39:07,745 --> 00:39:07,811
FRIENDSHIP.
2485
00:39:07,812 --> 00:39:09,446
>> I LOVE YOU.
2486
00:39:09,447 --> 00:39:09,480
>> I LOVE YOU.
2487
00:39:09,480 --> 00:39:14,485
>> I KNOW.
2488
00:39:14,485 --> 00:39:14,518
>> I KNOW.
2489
00:39:14,518 --> 00:39:16,386
>> Galipeau: SO IT IS REALIZING
2490
00:39:16,387 --> 00:39:16,453
>> Galipeau: SO IT IS REALIZING
2491
00:39:16,454 --> 00:39:18,589
OUR NEED FOR ONE ANOTHER THAT I
2492
00:39:18,589 --> 00:39:18,655
OUR NEED FOR ONE ANOTHER THAT I
2493
00:39:18,656 --> 00:39:20,491
THINK GETS CONVEYED IN A REALLY
2494
00:39:20,491 --> 00:39:20,557
THINK GETS CONVEYED IN A REALLY
2495
00:39:20,558 --> 00:39:21,725
PROFOUND WAY.
2496
00:39:21,726 --> 00:39:21,759
PROFOUND WAY.
2497
00:39:21,759 --> 00:39:22,392
>> YAHOO!
2498
00:39:22,393 --> 00:39:22,459
>> YAHOO!
2499
00:39:22,460 --> 00:39:24,028
[cheers and applause]
2500
00:39:24,028 --> 00:39:24,094
[cheers and applause]
2501
00:39:24,095 --> 00:39:25,563
>> MAY THE FORCE BE WITH YOU.
2502
00:39:25,563 --> 00:39:25,596
>> MAY THE FORCE BE WITH YOU.
2503
00:39:25,596 --> 00:39:27,030
>> MAY THE FORCE BE WITH US.
2504
00:39:27,031 --> 00:39:27,064
>> MAY THE FORCE BE WITH US.
2505
00:39:27,064 --> 00:39:28,031
>> MAY THE FORCE BE WITH US
2506
00:39:28,032 --> 00:39:28,065
>> MAY THE FORCE BE WITH US
2507
00:39:28,065 --> 00:39:28,665
ALL.
2508
00:39:28,666 --> 00:39:28,699
ALL.
2509
00:39:28,699 --> 00:39:30,600
>> YA-HOO!
2510
00:39:34,055 --> 00:39:35,756
>> I AM C-3PO, HUMAN/CYBORG
2511
00:39:35,756 --> 00:39:35,822
>> I AM C-3PO, HUMAN/CYBORG
2512
00:39:35,823 --> 00:39:37,457
RELATIONS, AND THIS IS MY
2513
00:39:37,458 --> 00:39:37,491
RELATIONS, AND THIS IS MY
2514
00:39:37,491 --> 00:39:38,992
COUNTERPART R2-D2.
2515
00:39:38,993 --> 00:39:39,026
COUNTERPART R2-D2.
2516
00:39:39,026 --> 00:39:39,726
>> HELLO.
2517
00:39:39,727 --> 00:39:39,760
>> HELLO.
2518
00:39:39,760 --> 00:39:43,296
[R2-D2 beeps]
2519
00:39:43,297 --> 00:39:43,330
[R2-D2 beeps]
2520
00:39:43,330 --> 00:39:44,364
>> EXCUSE ME, SIR.
2521
00:39:44,365 --> 00:39:44,398
>> EXCUSE ME, SIR.
2522
00:39:44,398 --> 00:39:45,298
>> PUT 'EM BACK TOGETHER RIGHT
2523
00:39:45,299 --> 00:39:45,332
>> PUT 'EM BACK TOGETHER RIGHT
2524
00:39:45,332 --> 00:39:45,932
NOW!
2525
00:39:45,933 --> 00:39:45,966
NOW!
2526
00:39:45,966 --> 00:39:46,666
>> MIGHT I--
2527
00:39:46,667 --> 00:39:46,733
>> MIGHT I--
2528
00:39:46,734 --> 00:39:48,035
[Chewbacca roars]
2529
00:39:48,035 --> 00:39:48,101
[Chewbacca roars]
2530
00:39:48,102 --> 00:39:49,103
>> Narrator: CALL THEM
2531
00:39:49,103 --> 00:39:49,136
>> Narrator: CALL THEM
2532
00:39:49,136 --> 00:39:49,769
SIDEKICKS...
2533
00:39:49,770 --> 00:39:49,836
SIDEKICKS...
2534
00:39:49,837 --> 00:39:51,405
>> DON'T GET TECHNICAL WITH ME.
2535
00:39:51,405 --> 00:39:51,471
>> DON'T GET TECHNICAL WITH ME.
2536
00:39:51,472 --> 00:39:52,473
>> Narrator: FOOLS...
2537
00:39:52,473 --> 00:39:52,539
>> Narrator: FOOLS...
2538
00:39:52,540 --> 00:39:54,575
OR SIMPLY CLOWNS.
2539
00:39:54,575 --> 00:39:54,608
OR SIMPLY CLOWNS.
2540
00:39:54,608 --> 00:39:56,209
DURING HIS JOURNEY, THE MYTHIC
2541
00:39:56,210 --> 00:39:56,243
DURING HIS JOURNEY, THE MYTHIC
2542
00:39:56,243 --> 00:39:57,844
HERO IS USUALLY ACCOMPANIED BY
2543
00:39:57,845 --> 00:39:57,911
HERO IS USUALLY ACCOMPANIED BY
2544
00:39:57,912 --> 00:39:59,914
ONE OR MORE FAITHFUL FOLLOWERS.
2545
00:39:59,914 --> 00:39:59,947
ONE OR MORE FAITHFUL FOLLOWERS.
2546
00:39:59,947 --> 00:40:00,847
>> THAT LITTLE DROID AND I HAVE
2547
00:40:00,848 --> 00:40:00,914
>> THAT LITTLE DROID AND I HAVE
2548
00:40:00,915 --> 00:40:01,749
BEEN THROUGH A LOT TOGETHER.
2549
00:40:01,749 --> 00:40:01,815
BEEN THROUGH A LOT TOGETHER.
2550
00:40:01,816 --> 00:40:03,050
>> Narrator: FAITHFUL IF NOT
2551
00:40:03,050 --> 00:40:03,116
>> Narrator: FAITHFUL IF NOT
2552
00:40:03,117 --> 00:40:06,653
ALWAYS VERY HELPFUL.
2553
00:40:06,654 --> 00:40:06,687
ALWAYS VERY HELPFUL.
2554
00:40:06,687 --> 00:40:08,021
>> Ellerbee: GEORGE LUCAS IS A
2555
00:40:08,022 --> 00:40:08,055
>> Ellerbee: GEORGE LUCAS IS A
2556
00:40:08,055 --> 00:40:10,090
SMART MAN TO KNOW THAT YOU
2557
00:40:10,091 --> 00:40:10,124
SMART MAN TO KNOW THAT YOU
2558
00:40:10,124 --> 00:40:11,692
COULDN'T KEEP EVERYTHING AT THE
2559
00:40:11,692 --> 00:40:11,758
COULDN'T KEEP EVERYTHING AT THE
2560
00:40:11,759 --> 00:40:14,228
FEVER PITCH OF HIGH EMOTION.
2561
00:40:14,228 --> 00:40:14,261
FEVER PITCH OF HIGH EMOTION.
2562
00:40:14,261 --> 00:40:15,095
>> THE POSSIBILITY OF
2563
00:40:15,096 --> 00:40:15,129
>> THE POSSIBILITY OF
2564
00:40:15,129 --> 00:40:16,296
SUCCESSFULLY NAVIGATING AN
2565
00:40:16,297 --> 00:40:16,330
SUCCESSFULLY NAVIGATING AN
2566
00:40:16,330 --> 00:40:17,664
ASTEROID FIELD IS APPROXIMATELY
2567
00:40:17,665 --> 00:40:17,731
ASTEROID FIELD IS APPROXIMATELY
2568
00:40:17,731 --> 00:40:19,299
3,720 to 1!
2569
00:40:19,300 --> 00:40:19,333
3,720 to 1!
2570
00:40:19,333 --> 00:40:20,600
>> NEVER TELL ME THE ODDS.
2571
00:40:20,601 --> 00:40:20,667
>> NEVER TELL ME THE ODDS.
2572
00:40:20,668 --> 00:40:21,402
>> LOOK!
2573
00:40:21,402 --> 00:40:21,468
>> LOOK!
2574
00:40:21,469 --> 00:40:22,369
>> Ellerbee: YOU HAD TO HAVE
2575
00:40:22,369 --> 00:40:22,402
>> Ellerbee: YOU HAD TO HAVE
2576
00:40:22,403 --> 00:40:23,504
COMIC RELIEF IN THERE TO MAKE
2577
00:40:23,504 --> 00:40:23,570
COMIC RELIEF IN THERE TO MAKE
2578
00:40:23,571 --> 00:40:24,939
THE CAKE RISE.
2579
00:40:24,939 --> 00:40:24,972
THE CAKE RISE.
2580
00:40:24,972 --> 00:40:25,772
[R2-D2 beeps]
2581
00:40:25,773 --> 00:40:25,839
[R2-D2 beeps]
2582
00:40:25,840 --> 00:40:26,774
>> NOW, THERE I AGREE WITH
2583
00:40:26,774 --> 00:40:26,840
>> NOW, THERE I AGREE WITH
2584
00:40:26,841 --> 00:40:27,141
YOU.
2585
00:40:27,141 --> 00:40:27,207
YOU.
2586
00:40:27,208 --> 00:40:28,309
I COULD DO WITH A TUNE-UP
2587
00:40:28,309 --> 00:40:28,375
I COULD DO WITH A TUNE-UP
2588
00:40:28,375 --> 00:40:29,142
MYSELF.
2589
00:40:29,143 --> 00:40:29,176
MYSELF.
2590
00:40:29,176 --> 00:40:30,777
>> Smith: IN R2-D2 AND C-3PO,
2591
00:40:30,778 --> 00:40:30,844
>> Smith: IN R2-D2 AND C-3PO,
2592
00:40:30,845 --> 00:40:32,413
YOU HAVE THE CLASSIC COMEDY
2593
00:40:32,413 --> 00:40:32,479
YOU HAVE THE CLASSIC COMEDY
2594
00:40:32,480 --> 00:40:34,682
TEAM, IN TERMS OF THE THIN GUY
2595
00:40:34,682 --> 00:40:34,715
TEAM, IN TERMS OF THE THIN GUY
2596
00:40:34,715 --> 00:40:35,515
AND THE FAT GUY.
2597
00:40:35,516 --> 00:40:35,582
AND THE FAT GUY.
2598
00:40:35,583 --> 00:40:36,784
IN FACT, THEY JUST BOTH HAPPEN
2599
00:40:36,784 --> 00:40:36,850
IN FACT, THEY JUST BOTH HAPPEN
2600
00:40:36,851 --> 00:40:38,719
TO BE ROBOTS.
2601
00:40:38,719 --> 00:40:38,752
TO BE ROBOTS.
2602
00:40:38,752 --> 00:40:45,425
[both speaking alien language]
2603
00:40:45,426 --> 00:40:45,459
[both speaking alien language]
2604
00:40:45,459 --> 00:40:46,693
>> Mitchell: THE DROIDS STRIKE
2605
00:40:46,694 --> 00:40:46,760
>> Mitchell: THE DROIDS STRIKE
2606
00:40:46,760 --> 00:40:48,161
ME AS GOING BACK TO ABBOTT AND
2607
00:40:48,162 --> 00:40:48,228
ME AS GOING BACK TO ABBOTT AND
2608
00:40:48,229 --> 00:40:50,598
COSTELLO OR LAUREL AND HARDY,
2609
00:40:50,598 --> 00:40:50,664
COSTELLO OR LAUREL AND HARDY,
2610
00:40:50,664 --> 00:40:52,232
THE KIND OF KNOCKABOUT STUFF OF
2611
00:40:52,233 --> 00:40:52,266
THE KIND OF KNOCKABOUT STUFF OF
2612
00:40:52,266 --> 00:40:54,034
OLD FILMS WHERE YOU NEEDED
2613
00:40:54,034 --> 00:40:54,067
OLD FILMS WHERE YOU NEEDED
2614
00:40:54,068 --> 00:40:55,602
SOMEBODY TO PROVIDE SLAPSTICK
2615
00:40:55,603 --> 00:40:55,669
SOMEBODY TO PROVIDE SLAPSTICK
2616
00:40:55,669 --> 00:40:56,503
AND RELEASE...
2617
00:40:56,504 --> 00:40:56,570
AND RELEASE...
2618
00:40:56,570 --> 00:40:57,404
>> WE'RE DOOMED.
2619
00:40:57,404 --> 00:40:57,437
>> WE'RE DOOMED.
2620
00:40:57,438 --> 00:40:58,038
>> Mitchell: AND PHYSICAL
2621
00:40:58,038 --> 00:40:58,071
>> Mitchell: AND PHYSICAL
2622
00:40:58,072 --> 00:40:59,506
COMEDY, BECAUSE THERE'S SO MUCH
2623
00:40:59,507 --> 00:40:59,573
COMEDY, BECAUSE THERE'S SO MUCH
2624
00:40:59,573 --> 00:41:02,242
AT STAKE THAT IT WOULD BE
2625
00:41:02,243 --> 00:41:02,309
AT STAKE THAT IT WOULD BE
2626
00:41:02,309 --> 00:41:03,977
OPPRESSIVE IF THERE WEREN'T SOME
2627
00:41:03,978 --> 00:41:04,044
OPPRESSIVE IF THERE WEREN'T SOME
2628
00:41:04,044 --> 00:41:05,245
KIND OF RELEASE.
2629
00:41:05,246 --> 00:41:05,312
KIND OF RELEASE.
2630
00:41:05,312 --> 00:41:06,780
>> THIS IS MADNESS.
2631
00:41:06,780 --> 00:41:06,813
>> THIS IS MADNESS.
2632
00:41:06,814 --> 00:41:09,082
>> Whedon: C-3PO AND R2-D2 GIVE
2633
00:41:09,083 --> 00:41:09,116
>> Whedon: C-3PO AND R2-D2 GIVE
2634
00:41:09,116 --> 00:41:10,417
US A LITTLE BIT OF CLASSIC
2635
00:41:10,417 --> 00:41:10,450
US A LITTLE BIT OF CLASSIC
2636
00:41:10,451 --> 00:41:11,852
BUMBLING COMEDY SHTICK.
2637
00:41:11,852 --> 00:41:11,885
BUMBLING COMEDY SHTICK.
2638
00:41:11,886 --> 00:41:13,053
THERE'S ALWAYS THE STALWART
2639
00:41:13,053 --> 00:41:13,086
THERE'S ALWAYS THE STALWART
2640
00:41:13,087 --> 00:41:14,421
HERO, AND THEN THERE'S THE GUY
2641
00:41:14,421 --> 00:41:14,454
HERO, AND THEN THERE'S THE GUY
2642
00:41:14,455 --> 00:41:15,522
NEXT TO HIM GOING, "DO WE HAVE
2643
00:41:15,523 --> 00:41:15,556
NEXT TO HIM GOING, "DO WE HAVE
2644
00:41:15,556 --> 00:41:17,724
TO GO INTO THE DARK PLACE?!"
2645
00:41:17,725 --> 00:41:17,791
TO GO INTO THE DARK PLACE?!"
2646
00:41:17,791 --> 00:41:20,994
>> I'M NOT GETTING IN THERE!
2647
00:41:20,995 --> 00:41:21,028
>> I'M NOT GETTING IN THERE!
2648
00:41:21,028 --> 00:41:26,266
I'M GOING TO REGRET THIS.
2649
00:41:26,267 --> 00:41:26,333
I'M GOING TO REGRET THIS.
2650
00:41:26,333 --> 00:41:27,634
>> Abrams: WHEN I FIRST SAW
2651
00:41:27,635 --> 00:41:27,701
>> Abrams: WHEN I FIRST SAW
2652
00:41:27,701 --> 00:41:29,235
"STAR WARS," IT WAS SO HARD TO
2653
00:41:29,236 --> 00:41:29,269
"STAR WARS," IT WAS SO HARD TO
2654
00:41:29,270 --> 00:41:30,871
RELATE TO WHAT WAS HAPPENING AT
2655
00:41:30,871 --> 00:41:30,904
RELATE TO WHAT WAS HAPPENING AT
2656
00:41:30,905 --> 00:41:32,640
THE, I MEAN, IT WAS SO NOT
2657
00:41:32,640 --> 00:41:32,673
THE, I MEAN, IT WAS SO NOT
2658
00:41:32,673 --> 00:41:34,074
WHERE I LIVE, IT'S SO NOT WHAT
2659
00:41:34,074 --> 00:41:34,140
WHERE I LIVE, IT'S SO NOT WHAT
2660
00:41:34,141 --> 00:41:34,908
I KNOW.
2661
00:41:34,909 --> 00:41:34,975
I KNOW.
2662
00:41:34,975 --> 00:41:35,976
>> OF COURSE I'M WORRIED,
2663
00:41:35,976 --> 00:41:36,009
>> OF COURSE I'M WORRIED,
2664
00:41:36,010 --> 00:41:37,177
AND YOU SHOULD BE, TOO.
2665
00:41:37,178 --> 00:41:37,244
AND YOU SHOULD BE, TOO.
2666
00:41:37,244 --> 00:41:38,511
>> Abrams: AS SOON AS YOU HAD
2667
00:41:38,512 --> 00:41:38,545
>> Abrams: AS SOON AS YOU HAD
2668
00:41:38,546 --> 00:41:40,247
THOSE TWO CHARACTERS SHOW UP,
2669
00:41:40,247 --> 00:41:40,280
THOSE TWO CHARACTERS SHOW UP,
2670
00:41:40,281 --> 00:41:42,816
IMMEDIATELY YOU'RE LAUGHING AND
2671
00:41:42,816 --> 00:41:42,882
IMMEDIATELY YOU'RE LAUGHING AND
2672
00:41:42,883 --> 00:41:44,184
YOU'RE COMFORTABLE AND YOU
2673
00:41:44,185 --> 00:41:44,251
YOU'RE COMFORTABLE AND YOU
2674
00:41:44,251 --> 00:41:45,285
THINK, NOW I KNOW WHO I AM.
2675
00:41:45,286 --> 00:41:45,352
THINK, NOW I KNOW WHO I AM.
2676
00:41:45,352 --> 00:41:46,252
NOW I KNOW I CAN FIT IN HERE.
2677
00:41:46,253 --> 00:41:46,286
NOW I KNOW I CAN FIT IN HERE.
2678
00:41:46,287 --> 00:41:47,354
I CAN LIVE HERE 'CAUSE THEY'RE
2679
00:41:47,354 --> 00:41:47,420
I CAN LIVE HERE 'CAUSE THEY'RE
2680
00:41:47,421 --> 00:41:48,555
LIKE ME.
2681
00:41:48,556 --> 00:41:48,589
LIKE ME.
2682
00:41:48,589 --> 00:41:50,057
>> MY OBTUSE LITTLE FRIEND,
2683
00:41:50,057 --> 00:41:50,090
>> MY OBTUSE LITTLE FRIEND,
2684
00:41:50,090 --> 00:41:51,458
YOU OBVIOUSLY HAVE A GREAT DEAL
2685
00:41:51,458 --> 00:41:51,491
YOU OBVIOUSLY HAVE A GREAT DEAL
2686
00:41:51,492 --> 00:41:53,527
TO LEARN ABOUT HUMAN BEHAVIOR.
2687
00:41:53,527 --> 00:41:53,560
TO LEARN ABOUT HUMAN BEHAVIOR.
2688
00:41:53,561 --> 00:41:54,795
>> Colbert: C-3PO SEEMS MORE
2689
00:41:54,795 --> 00:41:54,828
>> Colbert: C-3PO SEEMS MORE
2690
00:41:54,828 --> 00:41:55,261
LIKE US.
2691
00:41:55,262 --> 00:41:55,295
LIKE US.
2692
00:41:55,296 --> 00:41:56,630
LIKE, WHAT WOULD I DO IN THAT
2693
00:41:56,630 --> 00:41:56,663
LIKE, WHAT WOULD I DO IN THAT
2694
00:41:56,664 --> 00:41:57,431
SITUATION?
2695
00:41:57,431 --> 00:41:57,464
SITUATION?
2696
00:41:57,464 --> 00:41:58,364
I'D PROBABLY PANIC AND RUN AWAY.
2697
00:41:58,365 --> 00:41:58,398
I'D PROBABLY PANIC AND RUN AWAY.
2698
00:41:58,399 --> 00:41:59,733
AND THAT'S WHAT C-3PO DOES
2699
00:41:59,733 --> 00:41:59,799
AND THAT'S WHAT C-3PO DOES
2700
00:41:59,800 --> 00:42:02,969
ALMOST EVERY TIME.
2701
00:42:02,970 --> 00:42:03,003
ALMOST EVERY TIME.
2702
00:42:03,003 --> 00:42:04,738
>> JUST OPEN THE DOOR, YOU
2703
00:42:04,738 --> 00:42:04,771
>> JUST OPEN THE DOOR, YOU
2704
00:42:04,772 --> 00:42:05,706
STUPID LUMP!
2705
00:42:05,706 --> 00:42:05,739
STUPID LUMP!
2706
00:42:05,739 --> 00:42:08,842
>> Young: R2-D2 AND C-3PO ARE A
2707
00:42:08,842 --> 00:42:08,875
>> Young: R2-D2 AND C-3PO ARE A
2708
00:42:08,876 --> 00:42:10,844
LITTLE BESIDE THE ACTION,
2709
00:42:10,844 --> 00:42:10,910
LITTLE BESIDE THE ACTION,
2710
00:42:10,911 --> 00:42:11,745
LOOKING AT IT.
2711
00:42:11,745 --> 00:42:11,778
LOOKING AT IT.
2712
00:42:11,779 --> 00:42:13,180
SO THEY ARE WITH US.
2713
00:42:13,180 --> 00:42:13,213
SO THEY ARE WITH US.
2714
00:42:13,214 --> 00:42:14,281
THEY ARE OBSERVERS, AND THEY
2715
00:42:14,281 --> 00:42:14,347
THEY ARE OBSERVERS, AND THEY
2716
00:42:14,348 --> 00:42:16,717
ADD FRAMING AND PERSPECTIVE.
2717
00:42:16,717 --> 00:42:16,750
ADD FRAMING AND PERSPECTIVE.
2718
00:42:16,750 --> 00:42:17,617
>> NO, I DON'T THINK HE LIKES
2719
00:42:17,618 --> 00:42:17,651
>> NO, I DON'T THINK HE LIKES
2720
00:42:17,651 --> 00:42:18,551
YOU AT ALL.
2721
00:42:18,552 --> 00:42:18,618
YOU AT ALL.
2722
00:42:18,619 --> 00:42:19,553
[R2-D2 whistles]
2723
00:42:19,553 --> 00:42:19,586
[R2-D2 whistles]
2724
00:42:19,587 --> 00:42:22,656
NO, I DON'T LIKE YOU, EITHER.
2725
00:42:22,656 --> 00:42:22,689
NO, I DON'T LIKE YOU, EITHER.
2726
00:42:22,690 --> 00:42:24,825
>> Young: AND SO THEY ALSO SERVE
2727
00:42:24,825 --> 00:42:24,891
>> Young: AND SO THEY ALSO SERVE
2728
00:42:24,892 --> 00:42:28,362
AS A GREEK CHORUS.
2729
00:42:28,362 --> 00:42:28,395
AS A GREEK CHORUS.
2730
00:42:28,395 --> 00:42:30,530
>> Lyden: IN TRADITIONAL GREEK
2731
00:42:30,531 --> 00:42:30,564
>> Lyden: IN TRADITIONAL GREEK
2732
00:42:30,564 --> 00:42:31,932
DRAMA, THE ROLE OF THE GREEK
2733
00:42:31,932 --> 00:42:31,965
DRAMA, THE ROLE OF THE GREEK
2734
00:42:31,966 --> 00:42:34,101
CHORUS WAS, IN A SENSE, TO
2735
00:42:34,101 --> 00:42:34,167
CHORUS WAS, IN A SENSE, TO
2736
00:42:34,168 --> 00:42:36,570
COMMENT ON THE ACTION.
2737
00:42:36,570 --> 00:42:36,603
COMMENT ON THE ACTION.
2738
00:42:36,604 --> 00:42:38,372
THROUGHOUT "STAR WARS," WHILE
2739
00:42:38,372 --> 00:42:38,405
THROUGHOUT "STAR WARS," WHILE
2740
00:42:38,405 --> 00:42:39,939
OTHER PEOPLE ARE ACTING OUT THE
2741
00:42:39,940 --> 00:42:40,006
OTHER PEOPLE ARE ACTING OUT THE
2742
00:42:40,007 --> 00:42:40,574
SCENE...
2743
00:42:40,574 --> 00:42:40,640
SCENE...
2744
00:42:40,641 --> 00:42:41,742
>> I'M GOING THERE TO END THIS
2745
00:42:41,742 --> 00:42:41,808
>> I'M GOING THERE TO END THIS
2746
00:42:41,809 --> 00:42:42,676
WAR.
2747
00:42:42,676 --> 00:42:42,742
WAR.
2748
00:42:42,743 --> 00:42:44,745
>> Lyden: C-3PO AND R2-D2,
2749
00:42:44,745 --> 00:42:44,778
>> Lyden: C-3PO AND R2-D2,
2750
00:42:44,778 --> 00:42:46,379
THEY'RE COMMENTING ON IT.
2751
00:42:46,380 --> 00:42:46,413
THEY'RE COMMENTING ON IT.
2752
00:42:46,413 --> 00:42:48,214
>> WELL, HE IS UNDER A LOT OF
2753
00:42:48,215 --> 00:42:48,248
>> WELL, HE IS UNDER A LOT OF
2754
00:42:48,249 --> 00:42:49,817
STRESS, R-2.
2755
00:42:49,817 --> 00:42:49,850
STRESS, R-2.
2756
00:42:49,850 --> 00:42:52,586
>> Narrator: IF C-3PO AND R2-D2
2757
00:42:52,586 --> 00:42:52,652
>> Narrator: IF C-3PO AND R2-D2
2758
00:42:52,653 --> 00:42:54,221
EMBODY THE CHARACTER OF THE
2759
00:42:54,221 --> 00:42:54,254
EMBODY THE CHARACTER OF THE
2760
00:42:54,255 --> 00:42:57,324
COMIC EVERYMAN, THE AMPHIBIAN
2761
00:42:57,324 --> 00:42:57,357
COMIC EVERYMAN, THE AMPHIBIAN
2762
00:42:57,358 --> 00:43:00,227
JAR-JAR BINKS SUGGESTS ANOTHER
2763
00:43:00,227 --> 00:43:00,260
JAR-JAR BINKS SUGGESTS ANOTHER
2764
00:43:00,261 --> 00:43:01,829
TIMELESS ARCHETYPE: THE
2765
00:43:01,829 --> 00:43:01,862
TIMELESS ARCHETYPE: THE
2766
00:43:01,862 --> 00:43:06,032
CHILDLIKE INNOCENT.
2767
00:43:06,033 --> 00:43:06,066
CHILDLIKE INNOCENT.
2768
00:43:06,066 --> 00:43:09,402
>> (garbled) MY TONGUE.
2769
00:43:09,403 --> 00:43:09,436
>> (garbled) MY TONGUE.
2770
00:43:09,436 --> 00:43:10,937
>> YOU KNOW, I FIND THAT
2771
00:43:10,938 --> 00:43:10,971
>> YOU KNOW, I FIND THAT
2772
00:43:10,971 --> 00:43:12,405
JAR-JAR CREATURE TO BE A LITTLE
2773
00:43:12,406 --> 00:43:12,472
JAR-JAR CREATURE TO BE A LITTLE
2774
00:43:12,473 --> 00:43:13,941
ODD.
2775
00:43:13,941 --> 00:43:14,007
ODD.
2776
00:43:14,008 --> 00:43:15,309
>> MY TONGUE!
2777
00:43:15,309 --> 00:43:15,342
>> MY TONGUE!
2778
00:43:15,342 --> 00:43:17,510
WRENCH.
2779
00:43:17,511 --> 00:43:17,577
WRENCH.
2780
00:43:17,578 --> 00:43:18,779
>> Connelly: IF WE THINK OF
2781
00:43:18,779 --> 00:43:18,812
>> Connelly: IF WE THINK OF
2782
00:43:18,812 --> 00:43:20,313
GREEK AND ROMAN COMEDY, THERE
2783
00:43:20,314 --> 00:43:20,380
GREEK AND ROMAN COMEDY, THERE
2784
00:43:20,381 --> 00:43:21,882
IS A CHARACTER CALLED THE
2785
00:43:21,882 --> 00:43:21,915
IS A CHARACTER CALLED THE
2786
00:43:21,915 --> 00:43:24,150
PARASITE, WHO IS A JAR-JAR
2787
00:43:24,151 --> 00:43:24,217
PARASITE, WHO IS A JAR-JAR
2788
00:43:24,218 --> 00:43:26,220
BINKS KIND OF TAGALONG PERSON
2789
00:43:26,220 --> 00:43:26,286
BINKS KIND OF TAGALONG PERSON
2790
00:43:26,287 --> 00:43:27,588
THAT IS COMIC.
2791
00:43:27,588 --> 00:43:27,654
THAT IS COMIC.
2792
00:43:27,655 --> 00:43:29,323
>> NOW STAY HERE.
2793
00:43:29,323 --> 00:43:29,356
>> NOW STAY HERE.
2794
00:43:29,356 --> 00:43:31,591
AND KEEP OUT OF TROUBLE.
2795
00:43:31,592 --> 00:43:31,658
AND KEEP OUT OF TROUBLE.
2796
00:43:31,659 --> 00:43:32,493
>> HMM...
2797
00:43:32,493 --> 00:43:32,526
>> HMM...
2798
00:43:32,526 --> 00:43:36,530
AHH!
2799
00:43:36,530 --> 00:43:36,596
AHH!
2800
00:43:36,597 --> 00:43:38,031
>> [speaks alien language]
2801
00:43:38,032 --> 00:43:38,065
>> [speaks alien language]
2802
00:43:38,065 --> 00:43:38,865
>> Lyden: JAR-JAR BINKS STARTS
2803
00:43:38,866 --> 00:43:38,899
>> Lyden: JAR-JAR BINKS STARTS
2804
00:43:38,899 --> 00:43:40,800
OFF AS A RATHER SILLY CHARACTER,
2805
00:43:40,801 --> 00:43:40,867
OFF AS A RATHER SILLY CHARACTER,
2806
00:43:40,868 --> 00:43:42,936
NOT VERY RESPONSIBLE.
2807
00:43:42,936 --> 00:43:42,969
NOT VERY RESPONSIBLE.
2808
00:43:42,970 --> 00:43:43,804
>> OOPS.
2809
00:43:43,804 --> 00:43:43,870
>> OOPS.
2810
00:43:43,871 --> 00:43:45,138
[whistles innocently]
2811
00:43:45,139 --> 00:43:45,205
[whistles innocently]
2812
00:43:45,205 --> 00:43:46,773
>> Lyden: BUT GAINS INCREASING
2813
00:43:46,774 --> 00:43:46,807
>> Lyden: BUT GAINS INCREASING
2814
00:43:46,807 --> 00:43:48,208
ROLES OF RESPONSIBILITY, TO THE
2815
00:43:48,208 --> 00:43:48,241
ROLES OF RESPONSIBILITY, TO THE
2816
00:43:48,242 --> 00:43:51,144
POINT THAT HE BECOMES A MEMBER
2817
00:43:51,145 --> 00:43:51,178
POINT THAT HE BECOMES A MEMBER
2818
00:43:51,178 --> 00:43:51,711
OF THE SENATE.
2819
00:43:51,712 --> 00:43:51,778
OF THE SENATE.
2820
00:43:51,779 --> 00:43:53,447
SO WE SEE HIM IN A GENUINE
2821
00:43:53,447 --> 00:43:53,513
SO WE SEE HIM IN A GENUINE
2822
00:43:53,514 --> 00:43:55,082
LEADERSHIP ROLE.
2823
00:43:55,082 --> 00:43:55,148
LEADERSHIP ROLE.
2824
00:43:55,149 --> 00:43:57,050
IN A SENSE, HE GROWS UP IN THESE
2825
00:43:57,051 --> 00:43:57,084
IN A SENSE, HE GROWS UP IN THESE
2826
00:43:57,084 --> 00:43:59,052
FILMS, AND IF YOU THINK OF THE
2827
00:43:59,053 --> 00:43:59,086
FILMS, AND IF YOU THINK OF THE
2828
00:43:59,086 --> 00:44:00,987
CHILDREN WHO MIGHT HAVE RELATED
2829
00:44:00,988 --> 00:44:01,054
CHILDREN WHO MIGHT HAVE RELATED
2830
00:44:01,055 --> 00:44:02,623
TO HIM, THEY HAVE, IN A SENSE,
2831
00:44:02,623 --> 00:44:02,689
TO HIM, THEY HAVE, IN A SENSE,
2832
00:44:02,690 --> 00:44:04,358
GROWN UP ALONG WITH HIM.
2833
00:44:04,358 --> 00:44:04,391
GROWN UP ALONG WITH HIM.
2834
00:44:04,391 --> 00:44:06,960
[crowd shouting and cheering]
2835
00:44:06,960 --> 00:44:06,993
[crowd shouting and cheering]
2836
00:44:06,994 --> 00:44:08,428
>> Narrator: BUT NOT ALL COMIC
2837
00:44:08,429 --> 00:44:08,495
>> Narrator: BUT NOT ALL COMIC
2838
00:44:08,495 --> 00:44:10,129
CHARACTERS ARE INNOCENTS LIKE
2839
00:44:10,130 --> 00:44:10,163
CHARACTERS ARE INNOCENTS LIKE
2840
00:44:10,164 --> 00:44:14,801
JAR-JAR, R2-D2, OR C-3PO.
2841
00:44:14,802 --> 00:44:14,868
JAR-JAR, R2-D2, OR C-3PO.
2842
00:44:14,868 --> 00:44:17,170
ENTER HAN SOLO'S NEMESIS, THE
2843
00:44:17,171 --> 00:44:17,237
ENTER HAN SOLO'S NEMESIS, THE
2844
00:44:17,237 --> 00:44:19,706
GROTESQUE SPACE GANGSTER JABBA
2845
00:44:19,707 --> 00:44:19,773
GROTESQUE SPACE GANGSTER JABBA
2846
00:44:19,773 --> 00:44:21,441
THE HUTT.
2847
00:44:21,442 --> 00:44:21,475
THE HUTT.
2848
00:44:21,475 --> 00:44:23,543
>> YOU TELL THAT SLIMY PIECE OF
2849
00:44:23,544 --> 00:44:23,610
>> YOU TELL THAT SLIMY PIECE OF
2850
00:44:23,610 --> 00:44:26,446
WORM-RIDDEN FILTH HE'LL GET NO
2851
00:44:26,447 --> 00:44:26,480
WORM-RIDDEN FILTH HE'LL GET NO
2852
00:44:26,480 --> 00:44:28,982
SUCH PLEASURE FROM US!
2853
00:44:28,982 --> 00:44:29,048
SUCH PLEASURE FROM US!
2854
00:44:29,049 --> 00:44:30,283
>> Silvio: JABBA THE HUTT
2855
00:44:30,284 --> 00:44:30,350
>> Silvio: JABBA THE HUTT
2856
00:44:30,351 --> 00:44:32,152
REPRESENTS GREED AND
2857
00:44:32,152 --> 00:44:32,185
REPRESENTS GREED AND
2858
00:44:32,186 --> 00:44:33,253
EXCESSIVENESS.
2859
00:44:33,253 --> 00:44:33,286
EXCESSIVENESS.
2860
00:44:33,287 --> 00:44:34,187
AND I THINK THAT'S REPRESENTED
2861
00:44:34,188 --> 00:44:34,221
AND I THINK THAT'S REPRESENTED
2862
00:44:34,221 --> 00:44:37,090
BY HIS SHEER PHYSICAL EXCESS,
2863
00:44:37,091 --> 00:44:37,124
BY HIS SHEER PHYSICAL EXCESS,
2864
00:44:37,124 --> 00:44:38,925
HIS SHEER CORPULENCE.
2865
00:44:38,926 --> 00:44:38,992
HIS SHEER CORPULENCE.
2866
00:44:38,992 --> 00:44:41,694
>> [speaking alien language]
2867
00:44:41,695 --> 00:44:41,728
>> [speaking alien language]
2868
00:44:41,729 --> 00:44:42,796
>> UGH!
2869
00:44:42,796 --> 00:44:42,829
>> UGH!
2870
00:44:42,830 --> 00:44:44,565
>> OH, I CAN'T BEAR TO WATCH.
2871
00:44:44,565 --> 00:44:44,631
>> OH, I CAN'T BEAR TO WATCH.
2872
00:44:44,631 --> 00:44:45,732
>> Smith: I WOULD ARGUE WITH
2873
00:44:45,733 --> 00:44:45,766
>> Smith: I WOULD ARGUE WITH
2874
00:44:45,766 --> 00:44:46,433
YOU.
2875
00:44:46,433 --> 00:44:46,466
YOU.
2876
00:44:46,467 --> 00:44:47,534
JABBA IS SEXY, BECAUSE WHAT'S
2877
00:44:47,534 --> 00:44:47,567
JABBA IS SEXY, BECAUSE WHAT'S
2878
00:44:47,568 --> 00:44:49,202
SEXIER THAN THE DUDE WHO'S LIKE
2879
00:44:49,203 --> 00:44:49,236
SEXIER THAN THE DUDE WHO'S LIKE
2880
00:44:49,236 --> 00:44:50,437
RISEN TO A POSITION OF POWER
2881
00:44:50,437 --> 00:44:50,470
RISEN TO A POSITION OF POWER
2882
00:44:50,471 --> 00:44:52,206
WHERE HE CAN JUST LAY AROUND,
2883
00:44:52,206 --> 00:44:52,272
WHERE HE CAN JUST LAY AROUND,
2884
00:44:52,272 --> 00:44:53,840
YOU KNOW, AND THINGS HAPPEN IN
2885
00:44:53,841 --> 00:44:53,907
YOU KNOW, AND THINGS HAPPEN IN
2886
00:44:53,907 --> 00:44:55,008
FRONT OF HIM?
2887
00:44:55,008 --> 00:44:55,041
FRONT OF HIM?
2888
00:44:55,042 --> 00:44:56,109
AND HE'S THAT POWERFUL, AND HE'S
2889
00:44:56,110 --> 00:44:56,176
AND HE'S THAT POWERFUL, AND HE'S
2890
00:44:56,176 --> 00:44:57,810
THAT RICH, AND, YEAH, HE'S A BIT
2891
00:44:57,811 --> 00:44:57,844
THAT RICH, AND, YEAH, HE'S A BIT
2892
00:44:57,845 --> 00:45:00,480
SLOBBY, BUT I HAVE TO LIKE JABBA
2893
00:45:00,481 --> 00:45:00,514
SLOBBY, BUT I HAVE TO LIKE JABBA
2894
00:45:00,514 --> 00:45:02,249
THE HUTT 'CAUSE I'M SHAPED LIKE
2895
00:45:02,249 --> 00:45:02,282
THE HUTT 'CAUSE I'M SHAPED LIKE
2896
00:45:02,282 --> 00:45:03,549
JABBA THE HUTT.
2897
00:45:03,550 --> 00:45:03,583
JABBA THE HUTT.
2898
00:45:03,584 --> 00:45:05,185
AND WITHOUT JABBA WE'D NEVER
2899
00:45:05,185 --> 00:45:05,251
AND WITHOUT JABBA WE'D NEVER
2900
00:45:05,252 --> 00:45:06,753
GET TO SEE LEIA IN A BIKINI, SO
2901
00:45:06,754 --> 00:45:06,820
GET TO SEE LEIA IN A BIKINI, SO
2902
00:45:06,820 --> 00:45:08,755
THANK GOD FOR JABBA THE HUTT.
2903
00:45:08,756 --> 00:45:08,789
THANK GOD FOR JABBA THE HUTT.
2904
00:45:08,789 --> 00:45:10,390
>> [laughs]
2905
00:45:10,391 --> 00:45:10,457
>> [laughs]
2906
00:45:10,457 --> 00:45:11,524
>> Henderson: HE IS KIND OF A
2907
00:45:11,525 --> 00:45:11,558
>> Henderson: HE IS KIND OF A
2908
00:45:11,558 --> 00:45:13,192
MODERN DRAGON, AND WHAT DO THE
2909
00:45:13,193 --> 00:45:13,259
MODERN DRAGON, AND WHAT DO THE
2910
00:45:13,260 --> 00:45:15,195
DRAGONS OF MYTHOLOGY DO?
2911
00:45:15,195 --> 00:45:15,261
DRAGONS OF MYTHOLOGY DO?
2912
00:45:15,262 --> 00:45:18,265
THEY CAPTURE MAIDENS...
2913
00:45:18,265 --> 00:45:18,298
THEY CAPTURE MAIDENS...
2914
00:45:18,298 --> 00:45:19,632
AND THEY HOARD GOLD.
2915
00:45:19,633 --> 00:45:19,666
AND THEY HOARD GOLD.
2916
00:45:19,666 --> 00:45:21,034
AND THE DRAGONS HOLD THOSE
2917
00:45:21,034 --> 00:45:21,067
AND THE DRAGONS HOLD THOSE
2918
00:45:21,068 --> 00:45:23,737
HOSTAGE.
2919
00:45:23,737 --> 00:45:23,770
HOSTAGE.
2920
00:45:23,771 --> 00:45:25,572
>> [laughs manically]
2921
00:45:25,572 --> 00:45:25,638
>> [laughs manically]
2922
00:45:25,639 --> 00:45:26,640
>> Narrator: CHARACTERS LIKE
2923
00:45:26,640 --> 00:45:26,673
>> Narrator: CHARACTERS LIKE
2924
00:45:26,673 --> 00:45:28,274
JABBA ALSO REFLECT POTENTIALLY
2925
00:45:28,275 --> 00:45:28,308
JABBA ALSO REFLECT POTENTIALLY
2926
00:45:28,308 --> 00:45:30,043
DEADLY OBSTACLES ALONG THE
2927
00:45:30,043 --> 00:45:30,109
DEADLY OBSTACLES ALONG THE
2928
00:45:30,110 --> 00:45:32,846
HERO'S PATH...
2929
00:45:32,846 --> 00:45:32,879
HERO'S PATH...
2930
00:45:32,880 --> 00:45:34,648
OBSTACLES THAT TEST AND
2931
00:45:34,648 --> 00:45:34,681
OBSTACLES THAT TEST AND
2932
00:45:34,681 --> 00:45:37,583
STRENGTHEN HIM ON HIS JOURNEY.
2933
00:45:37,584 --> 00:45:37,617
STRENGTHEN HIM ON HIS JOURNEY.
2934
00:45:37,618 --> 00:45:39,486
>> [roars]
2935
00:45:39,486 --> 00:45:39,552
>> [roars]
2936
00:45:39,553 --> 00:45:40,754
>> Rubino: THAT'S A VERY
2937
00:45:40,754 --> 00:45:40,787
>> Rubino: THAT'S A VERY
2938
00:45:40,788 --> 00:45:42,389
PREVALENT MOTIVE IN GREEK MYTH,
2939
00:45:42,389 --> 00:45:42,455
PREVALENT MOTIVE IN GREEK MYTH,
2940
00:45:42,456 --> 00:45:44,724
THE HERO BECOMING HIMSELF BY
2941
00:45:44,725 --> 00:45:44,758
THE HERO BECOMING HIMSELF BY
2942
00:45:44,758 --> 00:45:46,593
BEING TESTED BY VARIOUS
2943
00:45:46,593 --> 00:45:46,659
BEING TESTED BY VARIOUS
2944
00:45:46,660 --> 00:45:52,866
MONSTERS.
2945
00:45:52,866 --> 00:45:52,899
MONSTERS.
2946
00:45:52,900 --> 00:45:55,302
HERCULES IS MADE TO GO THROUGH
2947
00:45:55,302 --> 00:45:55,335
HERCULES IS MADE TO GO THROUGH
2948
00:45:55,335 --> 00:45:56,869
THESE LABORS IN ORDER TO BECOME
2949
00:45:56,870 --> 00:45:56,936
THESE LABORS IN ORDER TO BECOME
2950
00:45:56,937 --> 00:45:58,939
HIMSELF.
2951
00:45:58,939 --> 00:45:58,972
HIMSELF.
2952
00:45:58,972 --> 00:45:59,872
>> [roars]
2953
00:45:59,873 --> 00:45:59,906
>> [roars]
2954
00:45:59,907 --> 00:46:01,141
>> Lyden: ANOTHER THEME IS THE
2955
00:46:01,141 --> 00:46:01,174
>> Lyden: ANOTHER THEME IS THE
2956
00:46:01,175 --> 00:46:02,709
JOURNEY INTO THE BELLY OF THE
2957
00:46:02,709 --> 00:46:02,742
JOURNEY INTO THE BELLY OF THE
2958
00:46:02,743 --> 00:46:04,845
WHALE, AS CAMPBELL CALLED IT,
2959
00:46:04,845 --> 00:46:04,878
WHALE, AS CAMPBELL CALLED IT,
2960
00:46:04,878 --> 00:46:06,946
WHICH REFERENCES JONAH BEING
2961
00:46:06,947 --> 00:46:06,980
WHICH REFERENCES JONAH BEING
2962
00:46:06,980 --> 00:46:08,514
SWALLOWED BY A BIG FISH IN THE
2963
00:46:08,515 --> 00:46:08,548
SWALLOWED BY A BIG FISH IN THE
2964
00:46:08,549 --> 00:46:13,153
BIBLE.
2965
00:46:13,153 --> 00:46:13,219
BIBLE.
2966
00:46:13,220 --> 00:46:15,121
SO ONE SEES THAT HAPPENING TO
2967
00:46:15,122 --> 00:46:15,155
SO ONE SEES THAT HAPPENING TO
2968
00:46:15,155 --> 00:46:16,856
THE HEROES THROUGHOUT "STAR
2969
00:46:16,857 --> 00:46:16,890
THE HEROES THROUGHOUT "STAR
2970
00:46:16,890 --> 00:46:18,591
WARS" AS THEY'RE SWALLOWED BY
2971
00:46:18,592 --> 00:46:18,658
WARS" AS THEY'RE SWALLOWED BY
2972
00:46:18,659 --> 00:46:20,594
LARGE ENTITIES.
2973
00:46:20,594 --> 00:46:20,660
LARGE ENTITIES.
2974
00:46:20,661 --> 00:46:22,663
IT SEEMS TO SUGGEST GOING TO
2975
00:46:22,663 --> 00:46:22,696
IT SEEMS TO SUGGEST GOING TO
2976
00:46:22,696 --> 00:46:25,865
THE DEEPEST PART OF ONESELF.
2977
00:46:25,866 --> 00:46:25,899
THE DEEPEST PART OF ONESELF.
2978
00:46:25,899 --> 00:46:27,300
SO THERE'S A MOMENT OF
2979
00:46:27,301 --> 00:46:27,334
SO THERE'S A MOMENT OF
2980
00:46:27,334 --> 00:46:28,935
DARKNESS, AND THERE'S A THREAT
2981
00:46:28,936 --> 00:46:28,969
DARKNESS, AND THERE'S A THREAT
2982
00:46:28,969 --> 00:46:30,437
TO THE SELF.
2983
00:46:30,437 --> 00:46:30,503
TO THE SELF.
2984
00:46:30,504 --> 00:46:32,072
>> THE CAVE IS COLLAPSING!
2985
00:46:32,072 --> 00:46:32,105
>> THE CAVE IS COLLAPSING!
2986
00:46:32,105 --> 00:46:33,506
>> THIS IS NO CAVE.
2987
00:46:33,507 --> 00:46:33,573
>> THIS IS NO CAVE.
2988
00:46:33,574 --> 00:46:35,208
>> WHAT?
2989
00:46:35,209 --> 00:46:35,242
>> WHAT?
2990
00:46:35,242 --> 00:46:36,509
>> Lyden: EVIL IS A MONSTROUS
2991
00:46:36,510 --> 00:46:36,576
>> Lyden: EVIL IS A MONSTROUS
2992
00:46:36,577 --> 00:46:39,146
FORCE SWALLOWING OUR HEROES.
2993
00:46:39,146 --> 00:46:39,179
FORCE SWALLOWING OUR HEROES.
2994
00:46:39,179 --> 00:46:41,080
IT'S AN EXPERIENCE OF BEING IN
2995
00:46:41,081 --> 00:46:41,147
IT'S AN EXPERIENCE OF BEING IN
2996
00:46:41,148 --> 00:46:42,883
THE BELLY OF THE WHALE.
2997
00:46:42,883 --> 00:46:42,916
THE BELLY OF THE WHALE.
2998
00:46:42,916 --> 00:46:43,883
>> Jackson: THE JOURNEY OF THE
2999
00:46:43,884 --> 00:46:43,917
>> Jackson: THE JOURNEY OF THE
3000
00:46:43,917 --> 00:46:45,351
HERO IS VERY MUCH ONE OF
3001
00:46:45,352 --> 00:46:45,385
HERO IS VERY MUCH ONE OF
3002
00:46:45,385 --> 00:46:47,420
OVERCOMING DOUBT ABOUT
3003
00:46:47,421 --> 00:46:47,487
OVERCOMING DOUBT ABOUT
3004
00:46:47,488 --> 00:46:48,689
THEMSELVES.
3005
00:46:48,689 --> 00:46:48,722
THEMSELVES.
3006
00:46:48,722 --> 00:46:49,889
>> THERE'S SOMETHING NOT RIGHT
3007
00:46:49,890 --> 00:46:49,923
>> THERE'S SOMETHING NOT RIGHT
3008
00:46:49,923 --> 00:46:53,526
HERE.
3009
00:46:53,527 --> 00:46:53,560
HERE.
3010
00:46:53,560 --> 00:46:54,894
WHAT'S IN THERE?
3011
00:46:54,895 --> 00:46:54,961
WHAT'S IN THERE?
3012
00:46:54,962 --> 00:46:57,431
>> ONLY WHAT YOU TAKE WITH YOU.
3013
00:46:57,431 --> 00:46:57,497
>> ONLY WHAT YOU TAKE WITH YOU.
3014
00:46:57,498 --> 00:46:58,699
>> Jackson: THERE'S USUALLY
3015
00:46:58,699 --> 00:46:58,765
>> Jackson: THERE'S USUALLY
3016
00:46:58,765 --> 00:47:00,166
MANY TIMES IN WHICH THEY HAVE
3017
00:47:00,167 --> 00:47:00,200
MANY TIMES IN WHICH THEY HAVE
3018
00:47:00,200 --> 00:47:02,702
TO OVERCOME THEIR WORST FEARS.
3019
00:47:02,703 --> 00:47:02,736
TO OVERCOME THEIR WORST FEARS.
3020
00:47:02,736 --> 00:47:04,070
THEY HAVE TO CONFRONT THEIR
3021
00:47:04,071 --> 00:47:04,104
THEY HAVE TO CONFRONT THEIR
3022
00:47:04,104 --> 00:47:05,605
NIGHTMARES, BASICALLY.
3023
00:47:05,606 --> 00:47:05,639
NIGHTMARES, BASICALLY.
3024
00:47:05,639 --> 00:47:07,607
[echoing growls]
3025
00:47:07,608 --> 00:47:07,641
[echoing growls]
3026
00:47:07,641 --> 00:47:09,075
>> Henderson: WE CERTAINLY HAVE
3027
00:47:09,076 --> 00:47:09,142
>> Henderson: WE CERTAINLY HAVE
3028
00:47:09,142 --> 00:47:10,910
THAT BIT OF EVIL MONSTER IN ALL
3029
00:47:10,911 --> 00:47:10,944
THAT BIT OF EVIL MONSTER IN ALL
3030
00:47:10,944 --> 00:47:12,345
OF US.
3031
00:47:12,346 --> 00:47:12,412
OF US.
3032
00:47:12,412 --> 00:47:16,549
[splashing]
3033
00:47:16,550 --> 00:47:16,583
[splashing]
3034
00:47:16,583 --> 00:47:21,254
[deep mechanical breathing]
3035
00:47:21,255 --> 00:47:21,288
[deep mechanical breathing]
3036
00:47:21,288 --> 00:47:23,723
THIS IS WHY MONSTER COMBAT IS SO
3037
00:47:23,724 --> 00:47:23,790
THIS IS WHY MONSTER COMBAT IS SO
3038
00:47:23,790 --> 00:47:25,358
PREVALENT IN THE HERO'S-JOURNEY
3039
00:47:25,359 --> 00:47:25,425
PREVALENT IN THE HERO'S-JOURNEY
3040
00:47:25,425 --> 00:47:27,326
NARRATIVE.
3041
00:47:34,902 --> 00:47:37,170
WE HAVE TO FIGHT THE MONSTERS OF
3042
00:47:37,170 --> 00:47:37,203
WE HAVE TO FIGHT THE MONSTERS OF
3043
00:47:37,204 --> 00:47:39,706
OUTSIDE CIRCUMSTANCES, BUT WE
3044
00:47:39,706 --> 00:47:39,739
OUTSIDE CIRCUMSTANCES, BUT WE
3045
00:47:39,740 --> 00:47:41,608
ALSO HAVE TO FIGHT THOSE DEMONS
3046
00:47:41,608 --> 00:47:41,641
ALSO HAVE TO FIGHT THOSE DEMONS
3047
00:47:41,642 --> 00:47:45,278
THAT COME FROM OUR OWN HEART.
3048
00:47:50,651 --> 00:47:53,186
>> Narrator: FOR EVERY HERO...
3049
00:47:53,186 --> 00:47:53,219
>> Narrator: FOR EVERY HERO...
3050
00:47:53,220 --> 00:47:56,456
THERE STANDS A VILLAIN.
3051
00:47:56,456 --> 00:47:56,522
THERE STANDS A VILLAIN.
3052
00:47:56,523 --> 00:47:59,292
FOR IF THERE IS GOOD, THERE ALSO
3053
00:47:59,293 --> 00:47:59,359
FOR IF THERE IS GOOD, THERE ALSO
3054
00:47:59,359 --> 00:48:01,294
MUST BE EVIL.
3055
00:48:04,865 --> 00:48:06,533
>> Rather: EVIL DOES EXIST.
3056
00:48:06,533 --> 00:48:06,566
>> Rather: EVIL DOES EXIST.
3057
00:48:06,567 --> 00:48:07,901
DON'T KID YOURSELF.
3058
00:48:07,901 --> 00:48:07,934
DON'T KID YOURSELF.
3059
00:48:07,935 --> 00:48:10,103
THERE'S EVIL IN THE WORLD, DEEP
3060
00:48:10,103 --> 00:48:10,136
THERE'S EVIL IN THE WORLD, DEEP
3061
00:48:10,137 --> 00:48:13,473
AND ABIDING, POWERFUL EVIL.
3062
00:48:13,473 --> 00:48:13,506
AND ABIDING, POWERFUL EVIL.
3063
00:48:13,507 --> 00:48:15,909
AND BY THE TIME YOU RECOGNIZE
3064
00:48:15,909 --> 00:48:15,942
AND BY THE TIME YOU RECOGNIZE
3065
00:48:15,943 --> 00:48:18,845
THE EVIL...
3066
00:48:18,845 --> 00:48:18,878
THE EVIL...
3067
00:48:18,879 --> 00:48:20,280
IT'S TOO LATE.
3068
00:48:20,280 --> 00:48:20,346
IT'S TOO LATE.
3069
00:48:20,347 --> 00:48:22,916
>> Narrator: IN LITERATURE...
3070
00:48:22,916 --> 00:48:22,949
>> Narrator: IN LITERATURE...
3071
00:48:22,950 --> 00:48:24,918
MYTHOLOGY...
3072
00:48:24,918 --> 00:48:24,951
MYTHOLOGY...
3073
00:48:24,952 --> 00:48:26,386
HISTORY...
3074
00:48:26,386 --> 00:48:26,452
HISTORY...
3075
00:48:26,453 --> 00:48:29,389
AND SCRIPTURE LURKS A LEGION OF
3076
00:48:29,389 --> 00:48:29,455
AND SCRIPTURE LURKS A LEGION OF
3077
00:48:29,456 --> 00:48:31,024
EVIL, TWISTED, AND DEPRAVED
3078
00:48:31,024 --> 00:48:31,057
EVIL, TWISTED, AND DEPRAVED
3079
00:48:31,058 --> 00:48:33,460
CHARACTERS.
3080
00:48:33,460 --> 00:48:33,493
CHARACTERS.
3081
00:48:33,493 --> 00:48:34,760
[deep mechanical breathing]
3082
00:48:34,761 --> 00:48:34,827
[deep mechanical breathing]
3083
00:48:34,828 --> 00:48:37,363
AMONG THEM IS DARTH VADER, THE
3084
00:48:37,364 --> 00:48:37,397
AMONG THEM IS DARTH VADER, THE
3085
00:48:37,397 --> 00:48:39,832
EMPIRE'S RUTHLESS ENFORCER.
3086
00:48:39,833 --> 00:48:39,866
EMPIRE'S RUTHLESS ENFORCER.
3087
00:48:39,866 --> 00:48:41,767
>> WE WILL DISCUSS THE LOCATION
3088
00:48:41,768 --> 00:48:41,834
>> WE WILL DISCUSS THE LOCATION
3089
00:48:41,835 --> 00:48:43,570
OF YOUR HIDDEN REBEL BASE.
3090
00:48:43,570 --> 00:48:43,636
OF YOUR HIDDEN REBEL BASE.
3091
00:48:43,637 --> 00:48:45,038
>> Narrator: AND CONFRONTING
3092
00:48:45,038 --> 00:48:45,104
>> Narrator: AND CONFRONTING
3093
00:48:45,105 --> 00:48:46,673
THIS DARK LORD OF THE SITH AND
3094
00:48:46,673 --> 00:48:46,706
THIS DARK LORD OF THE SITH AND
3095
00:48:46,707 --> 00:48:48,642
ALL THAT HE REPRESENTS IS A
3096
00:48:48,642 --> 00:48:48,675
ALL THAT HE REPRESENTS IS A
3097
00:48:48,675 --> 00:48:50,143
CRITICAL PART OF THE HERO'S
3098
00:48:50,143 --> 00:48:50,209
CRITICAL PART OF THE HERO'S
3099
00:48:50,210 --> 00:48:51,578
JOURNEY.
3100
00:48:51,578 --> 00:48:51,644
JOURNEY.
3101
00:48:51,645 --> 00:48:54,581
>> JOIN ME, AND I WILL COMPLETE
3102
00:48:54,581 --> 00:48:54,647
>> JOIN ME, AND I WILL COMPLETE
3103
00:48:54,648 --> 00:48:55,915
YOUR TRAINING.
3104
00:48:55,916 --> 00:48:55,949
YOUR TRAINING.
3105
00:48:55,949 --> 00:48:58,718
IF YOU ONLY KNEW THE POWER OF
3106
00:48:58,719 --> 00:48:58,752
IF YOU ONLY KNEW THE POWER OF
3107
00:48:58,752 --> 00:48:59,953
THE DARK SIDE.
3108
00:48:59,953 --> 00:49:00,019
THE DARK SIDE.
3109
00:49:00,020 --> 00:49:02,322
>> Paglia: DARTH VADER RADIATES
3110
00:49:02,322 --> 00:49:02,388
>> Paglia: DARTH VADER RADIATES
3111
00:49:02,389 --> 00:49:03,957
THE GLAMOUR OF EVIL.
3112
00:49:03,957 --> 00:49:03,990
THE GLAMOUR OF EVIL.
3113
00:49:03,991 --> 00:49:06,393
HE'S A VISUAL EMBLEM OF PURE
3114
00:49:06,393 --> 00:49:06,426
HE'S A VISUAL EMBLEM OF PURE
3115
00:49:06,426 --> 00:49:08,928
WILLPOWER, AND THAT IS ALWAYS
3116
00:49:08,929 --> 00:49:08,962
WILLPOWER, AND THAT IS ALWAYS
3117
00:49:08,962 --> 00:49:10,330
ATTRACTIVE.
3118
00:49:10,330 --> 00:49:10,363
ATTRACTIVE.
3119
00:49:10,364 --> 00:49:11,398
>> Mitchell: THERE'S A DARTH
3120
00:49:11,398 --> 00:49:11,464
>> Mitchell: THERE'S A DARTH
3121
00:49:11,465 --> 00:49:12,833
VADER SWAGGER.
3122
00:49:12,833 --> 00:49:12,866
VADER SWAGGER.
3123
00:49:12,866 --> 00:49:14,400
HE'S INCREDIBLY CONFIDENT.
3124
00:49:14,401 --> 00:49:14,434
HE'S INCREDIBLY CONFIDENT.
3125
00:49:14,434 --> 00:49:15,935
IN MY NEIGHBORHOOD, IN THE INNER
3126
00:49:15,936 --> 00:49:15,969
IN MY NEIGHBORHOOD, IN THE INNER
3127
00:49:15,969 --> 00:49:17,603
CITY IN DETROIT, WE ALWAYS
3128
00:49:17,604 --> 00:49:17,670
CITY IN DETROIT, WE ALWAYS
3129
00:49:17,671 --> 00:49:19,239
THOUGHT A BIG GUY WITH JAMES
3130
00:49:19,239 --> 00:49:19,305
THOUGHT A BIG GUY WITH JAMES
3131
00:49:19,306 --> 00:49:20,507
EARL JONES' VOICE WEARING ALL
3132
00:49:20,507 --> 00:49:20,573
EARL JONES' VOICE WEARING ALL
3133
00:49:20,574 --> 00:49:22,242
SHINY BLACK WAS THE BIGGEST PIMP
3134
00:49:22,242 --> 00:49:22,308
SHINY BLACK WAS THE BIGGEST PIMP
3135
00:49:22,309 --> 00:49:24,177
IN THE HISTORY OF MOTION
3136
00:49:24,177 --> 00:49:24,210
IN THE HISTORY OF MOTION
3137
00:49:24,211 --> 00:49:25,045
PICTURES.
3138
00:49:25,045 --> 00:49:25,078
PICTURES.
3139
00:49:25,078 --> 00:49:26,846
>> WHAT HAVE YOU DONE WITH THOSE
3140
00:49:26,847 --> 00:49:26,880
>> WHAT HAVE YOU DONE WITH THOSE
3141
00:49:26,880 --> 00:49:27,580
PLANS?
3142
00:49:27,581 --> 00:49:27,614
PLANS?
3143
00:49:27,614 --> 00:49:28,247
>> Mitchell: HE OWNED
3144
00:49:28,248 --> 00:49:28,314
>> Mitchell: HE OWNED
3145
00:49:28,315 --> 00:49:28,948
EVERYTHING.
3146
00:49:28,949 --> 00:49:28,982
EVERYTHING.
3147
00:49:28,982 --> 00:49:30,049
EVERYBODY WAS AFRAID OF HIM.
3148
00:49:30,050 --> 00:49:30,083
EVERYBODY WAS AFRAID OF HIM.
3149
00:49:30,083 --> 00:49:31,951
WHAT KID ISN'T SEDUCED BY THE
3150
00:49:31,952 --> 00:49:31,985
WHAT KID ISN'T SEDUCED BY THE
3151
00:49:31,985 --> 00:49:33,519
IDEA OF COMPLETE FEARLESSNESS?
3152
00:49:33,520 --> 00:49:33,553
IDEA OF COMPLETE FEARLESSNESS?
3153
00:49:33,553 --> 00:49:34,887
>> COMMANDER, TEAR THIS SHIP
3154
00:49:34,888 --> 00:49:34,954
>> COMMANDER, TEAR THIS SHIP
3155
00:49:34,955 --> 00:49:36,156
APART UNTIL YOU'VE FOUND THOSE
3156
00:49:36,156 --> 00:49:36,222
APART UNTIL YOU'VE FOUND THOSE
3157
00:49:36,223 --> 00:49:37,524
PLANS, AND BRING ME THE
3158
00:49:37,524 --> 00:49:37,557
PLANS, AND BRING ME THE
3159
00:49:37,557 --> 00:49:38,324
PASSENGERS!
3160
00:49:38,325 --> 00:49:38,358
PASSENGERS!
3161
00:49:38,358 --> 00:49:39,592
I WANT THEM ALIVE!
3162
00:49:39,593 --> 00:49:39,626
I WANT THEM ALIVE!
3163
00:49:39,626 --> 00:49:40,526
>> Wetmore, Jr.: I'D SAY "WHEN
3164
00:49:40,527 --> 00:49:40,560
>> Wetmore, Jr.: I'D SAY "WHEN
3165
00:49:40,560 --> 00:49:41,327
YOU'RE YOUNG," BUT I PROBABLY
3166
00:49:41,328 --> 00:49:41,361
YOU'RE YOUNG," BUT I PROBABLY
3167
00:49:41,361 --> 00:49:42,662
STILL FEEL THIS WAY-- DARTH
3168
00:49:42,663 --> 00:49:42,696
STILL FEEL THIS WAY-- DARTH
3169
00:49:42,696 --> 00:49:44,064
VADER IS WISH FULFILLMENT AT ITS
3170
00:49:44,064 --> 00:49:44,097
VADER IS WISH FULFILLMENT AT ITS
3171
00:49:44,097 --> 00:49:44,764
FINEST.
3172
00:49:44,765 --> 00:49:44,798
FINEST.
3173
00:49:44,798 --> 00:49:46,499
HERE'S A GUY WHO IS UNSTOPPABLE.
3174
00:49:46,500 --> 00:49:46,533
HERE'S A GUY WHO IS UNSTOPPABLE.
3175
00:49:46,533 --> 00:49:47,767
>> DON'T TRY TO FRIGHTEN US WITH
3176
00:49:47,768 --> 00:49:47,801
>> DON'T TRY TO FRIGHTEN US WITH
3177
00:49:47,801 --> 00:49:49,235
YOUR SORCERER'S WAYS, LORD
3178
00:49:49,236 --> 00:49:49,302
YOUR SORCERER'S WAYS, LORD
3179
00:49:49,302 --> 00:49:50,169
VADER.
3180
00:49:50,170 --> 00:49:50,203
VADER.
3181
00:49:50,203 --> 00:49:51,170
>> Wetmore, Jr.: HE DOESN'T EVEN
3182
00:49:51,171 --> 00:49:51,204
>> Wetmore, Jr.: HE DOESN'T EVEN
3183
00:49:51,204 --> 00:49:52,171
HAVE TO SWING A PUNCH TO TAKE
3184
00:49:52,172 --> 00:49:52,238
HAVE TO SWING A PUNCH TO TAKE
3185
00:49:52,239 --> 00:49:54,241
YOU OUT.
3186
00:49:54,241 --> 00:49:54,274
YOU OUT.
3187
00:49:54,274 --> 00:49:55,708
>> I FIND YOUR LACK OF FAITH
3188
00:49:55,709 --> 00:49:55,742
>> I FIND YOUR LACK OF FAITH
3189
00:49:55,742 --> 00:49:57,810
DISTURBING.
3190
00:49:57,811 --> 00:49:57,844
DISTURBING.
3191
00:49:57,844 --> 00:49:58,878
>> Wetmore, Jr.: PLUS, HE'S GOT
3192
00:49:58,879 --> 00:49:58,912
>> Wetmore, Jr.: PLUS, HE'S GOT
3193
00:49:58,912 --> 00:49:59,445
A CAPE.
3194
00:49:59,446 --> 00:49:59,479
A CAPE.
3195
00:49:59,479 --> 00:50:00,980
WHO DOESN'T WANT THE CAPE?
3196
00:50:00,981 --> 00:50:01,014
WHO DOESN'T WANT THE CAPE?
3197
00:50:01,014 --> 00:50:02,448
>> Ellerbee: THE SWIRLING CAPE!
3198
00:50:02,449 --> 00:50:02,515
>> Ellerbee: THE SWIRLING CAPE!
3199
00:50:02,516 --> 00:50:04,084
THAT'S A BIG PART OF IT.
3200
00:50:04,084 --> 00:50:04,117
THAT'S A BIG PART OF IT.
3201
00:50:04,117 --> 00:50:06,152
HE DRESSES COOL.
3202
00:50:06,153 --> 00:50:06,186
HE DRESSES COOL.
3203
00:50:06,186 --> 00:50:07,520
>> Young: THE DARK CHARACTERS
3204
00:50:07,521 --> 00:50:07,587
>> Young: THE DARK CHARACTERS
3205
00:50:07,587 --> 00:50:08,888
ALWAYS SEEM TO GET THE COOL
3206
00:50:08,889 --> 00:50:08,922
ALWAYS SEEM TO GET THE COOL
3207
00:50:08,922 --> 00:50:09,722
COSTUMES.
3208
00:50:09,723 --> 00:50:09,756
COSTUMES.
3209
00:50:09,756 --> 00:50:10,790
WHICH IS TO SAY, THERE IS A
3210
00:50:10,791 --> 00:50:10,824
WHICH IS TO SAY, THERE IS A
3211
00:50:10,824 --> 00:50:13,593
DRAMATIC REWARD, THERE IS AN
3212
00:50:13,593 --> 00:50:13,626
DRAMATIC REWARD, THERE IS AN
3213
00:50:13,627 --> 00:50:15,729
EXCITEMENT TO CHOOSING EVIL, TO
3214
00:50:15,729 --> 00:50:15,795
EXCITEMENT TO CHOOSING EVIL, TO
3215
00:50:15,796 --> 00:50:18,598
CHOOSING CORRUPTION.
3216
00:50:18,598 --> 00:50:18,631
CHOOSING CORRUPTION.
3217
00:50:18,632 --> 00:50:19,799
>> Narrator: WHEN VADER WAS
3218
00:50:19,800 --> 00:50:19,866
>> Narrator: WHEN VADER WAS
3219
00:50:19,866 --> 00:50:21,901
INTRODUCED IN EPISODE IV, "A
3220
00:50:21,902 --> 00:50:21,935
INTRODUCED IN EPISODE IV, "A
3221
00:50:21,935 --> 00:50:24,003
NEW HOPE," THERE WAS LITTLE TO
3222
00:50:24,004 --> 00:50:24,037
NEW HOPE," THERE WAS LITTLE TO
3223
00:50:24,037 --> 00:50:25,872
SUGGEST THAT UNDERNEATH HIS
3224
00:50:25,872 --> 00:50:25,905
SUGGEST THAT UNDERNEATH HIS
3225
00:50:25,906 --> 00:50:28,108
PROTECTIVE BLACK BODYSUIT STOOD
3226
00:50:28,108 --> 00:50:28,174
PROTECTIVE BLACK BODYSUIT STOOD
3227
00:50:28,175 --> 00:50:29,743
THE FIGURE OF A ONCE-PROUD
3228
00:50:29,743 --> 00:50:29,809
THE FIGURE OF A ONCE-PROUD
3229
00:50:29,810 --> 00:50:31,978
HERO WHOSE PERSONALITY WOULD BE
3230
00:50:31,978 --> 00:50:32,011
HERO WHOSE PERSONALITY WOULD BE
3231
00:50:32,012 --> 00:50:33,880
REVEALED AS MORE COMPLEX AND
3232
00:50:33,880 --> 00:50:33,913
REVEALED AS MORE COMPLEX AND
3233
00:50:33,914 --> 00:50:35,916
RESONANT WITH EACH NEW "STAR
3234
00:50:35,916 --> 00:50:35,949
RESONANT WITH EACH NEW "STAR
3235
00:50:35,949 --> 00:50:38,251
WARS" CHAPTER.
3236
00:50:38,251 --> 00:50:38,284
WARS" CHAPTER.
3237
00:50:38,285 --> 00:50:39,919
>> I'VE ENCOUNTERED A VERGANCE.
3238
00:50:39,920 --> 00:50:39,953
>> I'VE ENCOUNTERED A VERGANCE.
3239
00:50:39,953 --> 00:50:41,254
>> YOU REFER TO THE PROPHECY OF
3240
00:50:41,254 --> 00:50:41,287
>> YOU REFER TO THE PROPHECY OF
3241
00:50:41,288 --> 00:50:42,355
THE ONE WHO WILL BRING BALANCE
3242
00:50:42,355 --> 00:50:42,388
THE ONE WHO WILL BRING BALANCE
3243
00:50:42,389 --> 00:50:44,457
TO THE FORCE.
3244
00:50:44,458 --> 00:50:44,524
TO THE FORCE.
3245
00:50:44,524 --> 00:50:46,926
YOU BELIEVE IT'S THIS BOY?
3246
00:50:46,927 --> 00:50:46,993
YOU BELIEVE IT'S THIS BOY?
3247
00:50:46,993 --> 00:50:48,794
>> HE IS THE CHOSEN ONE.
3248
00:50:48,795 --> 00:50:48,828
>> HE IS THE CHOSEN ONE.
3249
00:50:48,829 --> 00:50:49,729
>> Narrator: AS REVEALED IN
3250
00:50:49,730 --> 00:50:49,796
>> Narrator: AS REVEALED IN
3251
00:50:49,796 --> 00:50:51,264
EPISODE I, "THE PHANTOM
3252
00:50:51,264 --> 00:50:51,297
EPISODE I, "THE PHANTOM
3253
00:50:51,298 --> 00:50:53,600
MENACE," VADER WAS BORN ANAKIN
3254
00:50:53,600 --> 00:50:53,633
MENACE," VADER WAS BORN ANAKIN
3255
00:50:53,633 --> 00:50:55,101
SKYWALKER.
3256
00:50:55,102 --> 00:50:55,135
SKYWALKER.
3257
00:50:55,135 --> 00:50:57,070
RESCUED FROM A LIFE OF SLAVERY
3258
00:50:57,070 --> 00:50:57,103
RESCUED FROM A LIFE OF SLAVERY
3259
00:50:57,104 --> 00:50:59,473
BY JEDI MASTER QUI-GON JINN,
3260
00:50:59,473 --> 00:50:59,539
BY JEDI MASTER QUI-GON JINN,
3261
00:50:59,539 --> 00:51:01,474
THE YOUNG BOY LEFT HIS HOME AND
3262
00:51:01,475 --> 00:51:01,508
THE YOUNG BOY LEFT HIS HOME AND
3263
00:51:01,508 --> 00:51:03,743
MOTHER TO FULFILL HIS DESTINY.
3264
00:51:03,744 --> 00:51:03,810
MOTHER TO FULFILL HIS DESTINY.
3265
00:51:03,810 --> 00:51:05,011
>> I WILL COME BACK AND FREE
3266
00:51:05,011 --> 00:51:05,044
>> I WILL COME BACK AND FREE
3267
00:51:05,045 --> 00:51:07,714
YOU, MOM, I PROMISE.
3268
00:51:07,714 --> 00:51:07,747
YOU, MOM, I PROMISE.
3269
00:51:07,748 --> 00:51:09,649
>> Young: HERE IS A GIFTED
3270
00:51:09,649 --> 00:51:09,682
>> Young: HERE IS A GIFTED
3271
00:51:09,683 --> 00:51:12,919
PERSON WHO GROWS UP IN AN
3272
00:51:12,919 --> 00:51:12,985
PERSON WHO GROWS UP IN AN
3273
00:51:12,986 --> 00:51:13,853
OPPRESSIVE SITUATION.
3274
00:51:13,854 --> 00:51:13,887
OPPRESSIVE SITUATION.
3275
00:51:13,887 --> 00:51:15,922
HE BEGINS LIFE AS A SLAVE WHO
3276
00:51:15,922 --> 00:51:15,988
HE BEGINS LIFE AS A SLAVE WHO
3277
00:51:15,989 --> 00:51:17,623
SUFFERS TERRIBLE LOSSES EARLY
3278
00:51:17,624 --> 00:51:17,657
SUFFERS TERRIBLE LOSSES EARLY
3279
00:51:17,657 --> 00:51:18,924
IN HIS LIFE.
3280
00:51:18,925 --> 00:51:18,991
IN HIS LIFE.
3281
00:51:18,992 --> 00:51:21,561
>> DON'T LOOK BACK.
3282
00:51:21,561 --> 00:51:21,594
>> DON'T LOOK BACK.
3283
00:51:21,595 --> 00:51:23,296
DON'T LOOK BACK.
3284
00:51:23,296 --> 00:51:23,329
DON'T LOOK BACK.
3285
00:51:23,330 --> 00:51:24,464
>> Young: HE'S WRENCHED AWAY
3286
00:51:24,464 --> 00:51:24,497
>> Young: HE'S WRENCHED AWAY
3287
00:51:24,498 --> 00:51:25,832
FROM IS MOTHER, AND IT IS THE
3288
00:51:25,832 --> 00:51:25,865
FROM IS MOTHER, AND IT IS THE
3289
00:51:25,866 --> 00:51:28,001
RAGE, STEMMING PROBABLY FROM
3290
00:51:28,001 --> 00:51:28,034
RAGE, STEMMING PROBABLY FROM
3291
00:51:28,034 --> 00:51:29,935
GRIEF AND FEAR, THAT LEADS TO
3292
00:51:29,936 --> 00:51:30,002
GRIEF AND FEAR, THAT LEADS TO
3293
00:51:30,003 --> 00:51:31,404
THE FALL OF THIS PARTICULAR
3294
00:51:31,404 --> 00:51:31,437
THE FALL OF THIS PARTICULAR
3295
00:51:31,438 --> 00:51:32,138
HERO.
3296
00:51:32,139 --> 00:51:32,205
HERO.
3297
00:51:32,205 --> 00:51:33,306
>> Galipeau: WE CAN LOOK AT
3298
00:51:33,306 --> 00:51:33,372
>> Galipeau: WE CAN LOOK AT
3299
00:51:33,373 --> 00:51:35,308
ANAKIN SKYWALKER HAVING TO DEAL
3300
00:51:35,308 --> 00:51:35,341
ANAKIN SKYWALKER HAVING TO DEAL
3301
00:51:35,342 --> 00:51:37,043
WITH THE PROBLEM OF LOSS AND
3302
00:51:37,043 --> 00:51:37,076
WITH THE PROBLEM OF LOSS AND
3303
00:51:37,077 --> 00:51:38,678
HAVING GREAT DIFFICULTIES WITH
3304
00:51:38,678 --> 00:51:38,744
HAVING GREAT DIFFICULTIES WITH
3305
00:51:38,745 --> 00:51:40,046
IT.
3306
00:51:40,046 --> 00:51:40,079
IT.
3307
00:51:40,080 --> 00:51:41,748
IT BEGINS WHEN HE LOSES HIS
3308
00:51:41,748 --> 00:51:41,781
IT BEGINS WHEN HE LOSES HIS
3309
00:51:41,782 --> 00:51:42,783
MOTHER.
3310
00:51:42,783 --> 00:51:42,849
MOTHER.
3311
00:51:42,849 --> 00:51:45,318
>> STAY WITH ME, MOM.
3312
00:51:45,318 --> 00:51:45,351
>> STAY WITH ME, MOM.
3313
00:51:45,352 --> 00:51:52,559
>> I-- I LOVE...
3314
00:51:52,559 --> 00:51:52,592
>> I-- I LOVE...
3315
00:51:52,592 --> 00:51:54,493
>> Smith: IT'S SETTING IN MOTION
3316
00:51:54,494 --> 00:51:54,560
>> Smith: IT'S SETTING IN MOTION
3317
00:51:54,561 --> 00:51:56,329
THE EVENTS THAT WILL LEAD TO HIM
3318
00:51:56,329 --> 00:51:56,362
THE EVENTS THAT WILL LEAD TO HIM
3319
00:51:56,363 --> 00:51:57,697
BEING DARTH VADER.
3320
00:51:57,697 --> 00:51:57,763
BEING DARTH VADER.
3321
00:51:57,764 --> 00:51:59,232
"I WENT TO FIND MY MOTHER, AND
3322
00:51:59,232 --> 00:51:59,265
"I WENT TO FIND MY MOTHER, AND
3323
00:51:59,266 --> 00:52:00,400
SHE WAS DEAD, SO I SLAUGHTERED
3324
00:52:00,400 --> 00:52:00,466
SHE WAS DEAD, SO I SLAUGHTERED
3325
00:52:00,467 --> 00:52:02,035
A WHOLE VILLAGE FULL OF SAND
3326
00:52:02,035 --> 00:52:02,068
A WHOLE VILLAGE FULL OF SAND
3327
00:52:02,068 --> 00:52:02,935
PEOPLE."
3328
00:52:02,936 --> 00:52:02,969
PEOPLE."
3329
00:52:02,969 --> 00:52:04,036
>> I KILLED THEM.
3330
00:52:04,037 --> 00:52:04,103
>> I KILLED THEM.
3331
00:52:04,104 --> 00:52:06,873
AND NOT JUST THE MEN, BUT THE
3332
00:52:06,873 --> 00:52:06,939
AND NOT JUST THE MEN, BUT THE
3333
00:52:06,940 --> 00:52:09,309
WOMEN...
3334
00:52:09,309 --> 00:52:09,342
WOMEN...
3335
00:52:09,342 --> 00:52:13,679
AND THE CHILDREN, TOO.
3336
00:52:13,680 --> 00:52:13,746
AND THE CHILDREN, TOO.
3337
00:52:13,747 --> 00:52:14,781
I HATE THEM!
3338
00:52:14,781 --> 00:52:14,847
I HATE THEM!
3339
00:52:14,848 --> 00:52:15,949
>> Galipeau: IT THROWS HIM INTO
3340
00:52:15,949 --> 00:52:15,982
>> Galipeau: IT THROWS HIM INTO
3341
00:52:15,982 --> 00:52:18,050
A DARK STATE, AND HE BELIEVES
3342
00:52:18,051 --> 00:52:18,117
A DARK STATE, AND HE BELIEVES
3343
00:52:18,118 --> 00:52:19,319
THAT HE COULD HAVE DONE
3344
00:52:19,319 --> 00:52:19,352
THAT HE COULD HAVE DONE
3345
00:52:19,352 --> 00:52:21,320
SOMETHING TO PREVENT IT.
3346
00:52:21,321 --> 00:52:21,354
SOMETHING TO PREVENT IT.
3347
00:52:21,354 --> 00:52:23,322
>> WHY COULDN'T I SAVE HER?
3348
00:52:23,323 --> 00:52:23,356
>> WHY COULDN'T I SAVE HER?
3349
00:52:23,356 --> 00:52:27,593
I KNOW I COULD HAVE.
3350
00:52:27,594 --> 00:52:27,627
I KNOW I COULD HAVE.
3351
00:52:27,627 --> 00:52:29,228
>> YOU'RE NOT ALL-POWERFUL.
3352
00:52:29,229 --> 00:52:29,262
>> YOU'RE NOT ALL-POWERFUL.
3353
00:52:29,262 --> 00:52:30,429
>> WELL, I SHOULD BE.
3354
00:52:30,430 --> 00:52:30,496
>> WELL, I SHOULD BE.
3355
00:52:30,497 --> 00:52:32,031
>> Galipeau: HE'S GRIPPED BY
3356
00:52:32,032 --> 00:52:32,065
>> Galipeau: HE'S GRIPPED BY
3357
00:52:32,065 --> 00:52:33,766
POWER, WHICH IS A TEMPTATION
3358
00:52:33,767 --> 00:52:33,800
POWER, WHICH IS A TEMPTATION
3359
00:52:33,800 --> 00:52:35,701
THAT LUKE IS ABLE TO AVOID.
3360
00:52:35,702 --> 00:52:35,768
THAT LUKE IS ABLE TO AVOID.
3361
00:52:35,769 --> 00:52:38,071
>> I WILL BE THE MOST POWERFUL
3362
00:52:38,071 --> 00:52:38,137
>> I WILL BE THE MOST POWERFUL
3363
00:52:38,138 --> 00:52:40,440
JEDI EVER.
3364
00:52:40,440 --> 00:52:40,473
JEDI EVER.
3365
00:52:40,473 --> 00:52:42,975
I PROMISE YOU.
3366
00:52:42,976 --> 00:52:43,042
I PROMISE YOU.
3367
00:52:43,043 --> 00:52:44,711
I WILL EVEN LEARN TO STOP PEOPLE
3368
00:52:44,711 --> 00:52:44,744
I WILL EVEN LEARN TO STOP PEOPLE
3369
00:52:44,744 --> 00:52:51,150
FROM DYING.
3370
00:52:51,151 --> 00:52:51,184
FROM DYING.
3371
00:52:51,184 --> 00:52:52,351
>> Connelly: IT HAS ALL THE
3372
00:52:52,352 --> 00:52:52,418
>> Connelly: IT HAS ALL THE
3373
00:52:52,419 --> 00:52:55,722
HALLMARKS OF A CLASSICAL EPIC.
3374
00:52:55,722 --> 00:52:55,788
HALLMARKS OF A CLASSICAL EPIC.
3375
00:52:55,789 --> 00:52:57,957
IN "THE ILIAD," ACHILLES, WHO IS
3376
00:52:57,958 --> 00:52:57,991
IN "THE ILIAD," ACHILLES, WHO IS
3377
00:52:57,991 --> 00:53:00,526
THE HERO OF THE GREEK ARMY, IS
3378
00:53:00,527 --> 00:53:00,593
THE HERO OF THE GREEK ARMY, IS
3379
00:53:00,594 --> 00:53:04,364
DODGED BY ANGER.
3380
00:53:04,364 --> 00:53:04,397
DODGED BY ANGER.
3381
00:53:04,397 --> 00:53:07,733
THE FIRST 20 BOOKS, HE'S ANGRY
3382
00:53:07,734 --> 00:53:07,800
THE FIRST 20 BOOKS, HE'S ANGRY
3383
00:53:07,801 --> 00:53:09,068
AT AGAMEMNON.
3384
00:53:09,069 --> 00:53:09,102
AT AGAMEMNON.
3385
00:53:09,102 --> 00:53:11,170
THE 22nd THROUGH 24th BOOK, HE'S
3386
00:53:11,171 --> 00:53:11,204
THE 22nd THROUGH 24th BOOK, HE'S
3387
00:53:11,204 --> 00:53:12,371
ANGRY AT HECTOR.
3388
00:53:12,372 --> 00:53:12,405
ANGRY AT HECTOR.
3389
00:53:12,405 --> 00:53:14,173
HE IS ANGRY.
3390
00:53:14,174 --> 00:53:14,207
HE IS ANGRY.
3391
00:53:14,207 --> 00:53:16,075
THIS IS EXACTLY WHAT "STAR WARS"
3392
00:53:16,076 --> 00:53:16,142
THIS IS EXACTLY WHAT "STAR WARS"
3393
00:53:16,142 --> 00:53:18,811
IS DEALING WITH, WHICH IS FEAR
3394
00:53:18,812 --> 00:53:18,845
IS DEALING WITH, WHICH IS FEAR
3395
00:53:18,845 --> 00:53:21,247
LEADS TO ANGER LEADS TO HATE
3396
00:53:21,248 --> 00:53:21,281
LEADS TO ANGER LEADS TO HATE
3397
00:53:21,281 --> 00:53:23,283
LEADS TO SUFFERING.
3398
00:53:23,283 --> 00:53:23,349
LEADS TO SUFFERING.
3399
00:53:23,350 --> 00:53:25,018
>> Hudgins: TAKE THE FIRST LINE
3400
00:53:25,018 --> 00:53:25,084
>> Hudgins: TAKE THE FIRST LINE
3401
00:53:25,085 --> 00:53:26,019
OF "THE ILIAD."
3402
00:53:26,019 --> 00:53:26,085
OF "THE ILIAD."
3403
00:53:26,086 --> 00:53:27,387
"SING, O, GODDESS, THE WRATH
3404
00:53:27,387 --> 00:53:27,453
"SING, O, GODDESS, THE WRATH
3405
00:53:27,454 --> 00:53:29,289
OF PALIUS' SON ACHILLES, WHO'S
3406
00:53:29,289 --> 00:53:29,322
OF PALIUS' SON ACHILLES, WHO'S
3407
00:53:29,322 --> 00:53:31,457
ANGER BROUGHT PAINS A
3408
00:53:31,458 --> 00:53:31,491
ANGER BROUGHT PAINS A
3409
00:53:31,491 --> 00:53:32,892
THOUSANDFOLD UPON THE
3410
00:53:32,893 --> 00:53:32,926
THOUSANDFOLD UPON THE
3411
00:53:32,926 --> 00:53:33,826
ACHAEANS."
3412
00:53:33,827 --> 00:53:33,860
ACHAEANS."
3413
00:53:33,860 --> 00:53:35,161
IF THAT'S THE LESSON OF "THE
3414
00:53:35,161 --> 00:53:35,194
IF THAT'S THE LESSON OF "THE
3415
00:53:35,195 --> 00:53:38,064
ILIAD," THAT UNBRIDLED PASSION
3416
00:53:38,064 --> 00:53:38,097
ILIAD," THAT UNBRIDLED PASSION
3417
00:53:38,098 --> 00:53:39,566
LEADS TO TRAGEDY, WHICH IT
3418
00:53:39,566 --> 00:53:39,599
LEADS TO TRAGEDY, WHICH IT
3419
00:53:39,599 --> 00:53:41,300
CERTAINLY DOES IN "THE ILIAD,"
3420
00:53:41,301 --> 00:53:41,367
CERTAINLY DOES IN "THE ILIAD,"
3421
00:53:41,368 --> 00:53:43,002
WELL, ISN'T THAT THE STORY OF
3422
00:53:43,003 --> 00:53:43,069
WELL, ISN'T THAT THE STORY OF
3423
00:53:43,069 --> 00:53:44,070
DARTH VADER?
3424
00:53:44,070 --> 00:53:44,103
DARTH VADER?
3425
00:53:44,104 --> 00:53:45,638
>> WE DO NOT GRANT YOU THE RANK
3426
00:53:45,639 --> 00:53:45,672
>> WE DO NOT GRANT YOU THE RANK
3427
00:53:45,672 --> 00:53:47,640
OF MASTER.
3428
00:53:47,641 --> 00:53:47,674
OF MASTER.
3429
00:53:47,674 --> 00:53:49,208
>> WHAT?
3430
00:53:49,209 --> 00:53:49,242
>> WHAT?
3431
00:53:49,242 --> 00:53:51,177
>> Hudgins: HE WANTS POWER.
3432
00:53:51,177 --> 00:53:51,210
>> Hudgins: HE WANTS POWER.
3433
00:53:51,211 --> 00:53:52,345
BUT HE'S KIND OF WEAK.
3434
00:53:52,345 --> 00:53:52,378
BUT HE'S KIND OF WEAK.
3435
00:53:52,379 --> 00:53:54,381
HE'S IMPATIENT.
3436
00:53:54,381 --> 00:53:54,414
HE'S IMPATIENT.
3437
00:53:54,414 --> 00:53:56,215
>> HOW CAN YOU DO THIS?
3438
00:53:56,216 --> 00:53:56,249
>> HOW CAN YOU DO THIS?
3439
00:53:56,249 --> 00:53:57,750
THIS IS OUTRAGEOUS.
3440
00:53:57,751 --> 00:53:57,817
THIS IS OUTRAGEOUS.
3441
00:53:57,817 --> 00:54:00,553
IT'S UNFAIR.
3442
00:54:00,553 --> 00:54:00,619
IT'S UNFAIR.
3443
00:54:00,620 --> 00:54:02,021
HOW YOU CAN YOU BE ON THE
3444
00:54:02,022 --> 00:54:02,055
HOW YOU CAN YOU BE ON THE
3445
00:54:02,055 --> 00:54:04,657
COUNCIL AND NOT BE A MASTER?
3446
00:54:04,658 --> 00:54:04,724
COUNCIL AND NOT BE A MASTER?
3447
00:54:04,724 --> 00:54:07,460
>> TAKE A SEAT, YOUNG SKYWALKER.
3448
00:54:07,460 --> 00:54:07,493
>> TAKE A SEAT, YOUNG SKYWALKER.
3449
00:54:07,494 --> 00:54:08,661
>> Hudgins: HE'S KIND OF LIKE A
3450
00:54:08,662 --> 00:54:08,728
>> Hudgins: HE'S KIND OF LIKE A
3451
00:54:08,728 --> 00:54:10,563
SPOILED TEENAGER.
3452
00:54:10,563 --> 00:54:10,596
SPOILED TEENAGER.
3453
00:54:10,597 --> 00:54:12,131
>> FORGIVE ME, MASTER.
3454
00:54:12,132 --> 00:54:12,165
>> FORGIVE ME, MASTER.
3455
00:54:12,165 --> 00:54:13,833
>> Smith: SOME PEOPLE WERE LIKE,
3456
00:54:13,833 --> 00:54:13,899
>> Smith: SOME PEOPLE WERE LIKE,
3457
00:54:13,900 --> 00:54:14,767
"OH, HE'S TOO WHINY.
3458
00:54:14,768 --> 00:54:14,834
"OH, HE'S TOO WHINY.
3459
00:54:14,834 --> 00:54:16,035
WHY WOULD THE GALAXY'S GREATEST
3460
00:54:16,036 --> 00:54:16,102
WHY WOULD THE GALAXY'S GREATEST
3461
00:54:16,102 --> 00:54:17,670
VILLAIN BE SOME WHINY TEENAGER?"
3462
00:54:17,671 --> 00:54:17,737
VILLAIN BE SOME WHINY TEENAGER?"
3463
00:54:17,737 --> 00:54:19,839
THAT'S WHO THE GALAXY'S GREATEST
3464
00:54:19,839 --> 00:54:19,905
THAT'S WHO THE GALAXY'S GREATEST
3465
00:54:19,906 --> 00:54:21,007
VILLAIN WOULD BE!
3466
00:54:21,007 --> 00:54:21,040
VILLAIN WOULD BE!
3467
00:54:21,041 --> 00:54:22,042
HE WOULD START AS A WHINY
3468
00:54:22,042 --> 00:54:22,108
HE WOULD START AS A WHINY
3469
00:54:22,108 --> 00:54:22,842
TEENAGER.
3470
00:54:22,842 --> 00:54:22,908
TEENAGER.
3471
00:54:22,909 --> 00:54:24,010
HE'D START AS AN EMO KID WITH
3472
00:54:24,010 --> 00:54:24,043
HE'D START AS AN EMO KID WITH
3473
00:54:24,044 --> 00:54:26,846
SOME ISSUES.
3474
00:54:26,846 --> 00:54:26,879
SOME ISSUES.
3475
00:54:26,880 --> 00:54:29,949
>> I SENSE GREAT FEAR IN YOU,
3476
00:54:29,950 --> 00:54:30,016
>> I SENSE GREAT FEAR IN YOU,
3477
00:54:30,016 --> 00:54:31,851
SKYWALKER.
3478
00:54:31,851 --> 00:54:31,917
SKYWALKER.
3479
00:54:31,918 --> 00:54:33,686
YOU HAVE HATE.
3480
00:54:33,687 --> 00:54:33,753
YOU HAVE HATE.
3481
00:54:33,753 --> 00:54:35,955
YOU HAVE ANGER.
3482
00:54:35,956 --> 00:54:35,989
YOU HAVE ANGER.
3483
00:54:35,989 --> 00:54:40,960
BUT YOU DON'T USE THEM.
3484
00:54:40,961 --> 00:54:40,994
BUT YOU DON'T USE THEM.
3485
00:54:40,994 --> 00:54:42,862
>> Narrator: AS ANAKIN CONTINUES
3486
00:54:42,862 --> 00:54:42,928
>> Narrator: AS ANAKIN CONTINUES
3487
00:54:42,929 --> 00:54:44,697
ON HIS HERO'S JOURNEY, THE ROLE
3488
00:54:44,698 --> 00:54:44,764
ON HIS HERO'S JOURNEY, THE ROLE
3489
00:54:44,764 --> 00:54:46,398
OF MENTOR IS ASSUMED BY THE
3490
00:54:46,399 --> 00:54:46,465
OF MENTOR IS ASSUMED BY THE
3491
00:54:46,466 --> 00:54:48,468
SCHEMING CHANCELLOR PALPATINE.
3492
00:54:48,468 --> 00:54:48,501
SCHEMING CHANCELLOR PALPATINE.
3493
00:54:48,501 --> 00:54:51,570
>> I HOPE YOU TRUST ME, ANAKIN.
3494
00:54:51,571 --> 00:54:51,604
>> I HOPE YOU TRUST ME, ANAKIN.
3495
00:54:51,604 --> 00:54:52,705
>> OF COURSE.
3496
00:54:52,706 --> 00:54:52,772
>> OF COURSE.
3497
00:54:52,772 --> 00:54:53,672
>> Narrator: ANAKIN'S
3498
00:54:53,673 --> 00:54:53,706
>> Narrator: ANAKIN'S
3499
00:54:53,707 --> 00:54:55,308
RELATIONSHIP WITH PALPATINE
3500
00:54:55,308 --> 00:54:55,341
RELATIONSHIP WITH PALPATINE
3501
00:54:55,342 --> 00:54:57,410
GROWS STRONGER, AND THE ROLE OF
3502
00:54:57,410 --> 00:54:57,443
GROWS STRONGER, AND THE ROLE OF
3503
00:54:57,444 --> 00:54:59,512
MYTHIC MENTOR TAKES ON A DARKER
3504
00:54:59,512 --> 00:54:59,578
MYTHIC MENTOR TAKES ON A DARKER
3505
00:54:59,579 --> 00:55:00,580
SHADE.
3506
00:55:00,580 --> 00:55:00,613
SHADE.
3507
00:55:00,613 --> 00:55:02,381
>> Connelly: THIS IS THE SAME
3508
00:55:02,382 --> 00:55:02,415
>> Connelly: THIS IS THE SAME
3509
00:55:02,415 --> 00:55:04,750
NARRATIVE ROLE AS THE SERPENT
3510
00:55:04,751 --> 00:55:04,784
NARRATIVE ROLE AS THE SERPENT
3511
00:55:04,784 --> 00:55:09,121
WITH EVE IN THE GARDEN OF EDEN.
3512
00:55:09,122 --> 00:55:09,155
WITH EVE IN THE GARDEN OF EDEN.
3513
00:55:09,155 --> 00:55:11,790
THE SERPENT SAYS, "YOU CAN HAVE
3514
00:55:11,791 --> 00:55:11,824
THE SERPENT SAYS, "YOU CAN HAVE
3515
00:55:11,825 --> 00:55:13,126
THE POWER OF GOD."
3516
00:55:13,126 --> 00:55:13,159
THE POWER OF GOD."
3517
00:55:13,159 --> 00:55:14,793
>> ONLY THROUGH ME CAN YOU
3518
00:55:14,794 --> 00:55:14,860
>> ONLY THROUGH ME CAN YOU
3519
00:55:14,861 --> 00:55:17,597
ACHIEVE A POWER GREATER THAN ANY
3520
00:55:17,597 --> 00:55:17,663
ACHIEVE A POWER GREATER THAN ANY
3521
00:55:17,664 --> 00:55:18,398
JEDI.
3522
00:55:18,398 --> 00:55:18,431
JEDI.
3523
00:55:18,431 --> 00:55:19,799
>> Connelly: AND THEN HE SAYS,
3524
00:55:19,799 --> 00:55:19,865
>> Connelly: AND THEN HE SAYS,
3525
00:55:19,866 --> 00:55:22,602
"GOD IS AFRAID OF THE POWER."
3526
00:55:22,602 --> 00:55:22,635
"GOD IS AFRAID OF THE POWER."
3527
00:55:22,635 --> 00:55:23,769
>> BE CAREFUL OF THE JEDI,
3528
00:55:23,770 --> 00:55:23,803
>> BE CAREFUL OF THE JEDI,
3529
00:55:23,803 --> 00:55:24,804
ANAKIN.
3530
00:55:24,804 --> 00:55:24,837
ANAKIN.
3531
00:55:24,838 --> 00:55:26,706
THEY SEE YOUR FUTURE.
3532
00:55:26,706 --> 00:55:26,772
THEY SEE YOUR FUTURE.
3533
00:55:26,773 --> 00:55:29,075
THEY KNOW YOUR POWER WILL BE TOO
3534
00:55:29,075 --> 00:55:29,141
THEY KNOW YOUR POWER WILL BE TOO
3535
00:55:29,142 --> 00:55:30,977
STRONG TO CONTROL.
3536
00:55:30,977 --> 00:55:31,010
STRONG TO CONTROL.
3537
00:55:31,011 --> 00:55:32,078
>> Connelly: THIS IS EXACTLY
3538
00:55:32,078 --> 00:55:32,111
>> Connelly: THIS IS EXACTLY
3539
00:55:32,112 --> 00:55:34,047
WHAT IS LAID BEFORE ANAKIN.
3540
00:55:34,047 --> 00:55:34,080
WHAT IS LAID BEFORE ANAKIN.
3541
00:55:34,080 --> 00:55:36,182
>> ANAKIN, HELP ME!
3542
00:55:36,182 --> 00:55:36,248
>> ANAKIN, HELP ME!
3543
00:55:36,249 --> 00:55:38,150
[babies crying]
3544
00:55:38,151 --> 00:55:38,184
[babies crying]
3545
00:55:38,184 --> 00:55:41,887
[screams]
3546
00:55:41,888 --> 00:55:41,921
[screams]
3547
00:55:41,921 --> 00:55:43,322
>> Narrator: ANAKIN IS ALSO
3548
00:55:43,323 --> 00:55:43,356
>> Narrator: ANAKIN IS ALSO
3549
00:55:43,356 --> 00:55:44,890
TORMENTED BY HORRIFYING
3550
00:55:44,891 --> 00:55:44,924
TORMENTED BY HORRIFYING
3551
00:55:44,924 --> 00:55:46,525
NIGHTMARES CONCERNING HIS WIFE,
3552
00:55:46,526 --> 00:55:46,559
NIGHTMARES CONCERNING HIS WIFE,
3553
00:55:46,559 --> 00:55:47,626
PADME.
3554
00:55:47,627 --> 00:55:47,660
PADME.
3555
00:55:47,660 --> 00:55:50,696
>> YOU DIE IN CHILDBIRTH.
3556
00:55:50,697 --> 00:55:50,730
>> YOU DIE IN CHILDBIRTH.
3557
00:55:50,730 --> 00:55:51,864
>> IT WAS ONLY A DREAM.
3558
00:55:51,865 --> 00:55:51,898
>> IT WAS ONLY A DREAM.
3559
00:55:51,898 --> 00:55:53,165
>> I WON'T LET THIS ONE BECOME
3560
00:55:53,166 --> 00:55:53,232
>> I WON'T LET THIS ONE BECOME
3561
00:55:53,233 --> 00:55:54,334
REAL.
3562
00:55:54,334 --> 00:55:54,367
REAL.
3563
00:55:54,367 --> 00:55:55,501
>> Galipeau: HE GETS TOO
3564
00:55:55,502 --> 00:55:55,535
>> Galipeau: HE GETS TOO
3565
00:55:55,535 --> 00:55:57,069
POSSESSED BY THE FEAR OF LOSING
3566
00:55:57,070 --> 00:55:57,103
POSSESSED BY THE FEAR OF LOSING
3567
00:55:57,103 --> 00:55:59,004
AGAIN THE MAIN WOMAN IN HIS
3568
00:55:59,005 --> 00:55:59,071
AGAIN THE MAIN WOMAN IN HIS
3569
00:55:59,072 --> 00:56:00,006
LIFE.
3570
00:56:00,006 --> 00:56:00,072
LIFE.
3571
00:56:00,073 --> 00:56:01,607
AND THAT LEADS HIM TO THE DARK
3572
00:56:01,608 --> 00:56:01,641
AND THAT LEADS HIM TO THE DARK
3573
00:56:01,641 --> 00:56:02,074
SIDE.
3574
00:56:02,075 --> 00:56:02,141
SIDE.
3575
00:56:02,142 --> 00:56:04,544
>> DARTH PLAGUEIS, HE HAD SUCH
3576
00:56:04,544 --> 00:56:04,577
>> DARTH PLAGUEIS, HE HAD SUCH
3577
00:56:04,577 --> 00:56:06,645
A KNOWLEDGE OF THE DARK SIDE.
3578
00:56:06,646 --> 00:56:06,679
A KNOWLEDGE OF THE DARK SIDE.
3579
00:56:06,679 --> 00:56:10,015
HE COULD EVEN KEEP THE ONES HE
3580
00:56:10,016 --> 00:56:10,049
HE COULD EVEN KEEP THE ONES HE
3581
00:56:10,050 --> 00:56:12,185
CARED ABOUT...
3582
00:56:12,185 --> 00:56:12,251
CARED ABOUT...
3583
00:56:12,252 --> 00:56:14,420
FROM DYING.
3584
00:56:14,421 --> 00:56:14,454
FROM DYING.
3585
00:56:14,454 --> 00:56:16,355
>> IS IT POSSIBLE TO LEARN THIS
3586
00:56:16,356 --> 00:56:16,422
>> IS IT POSSIBLE TO LEARN THIS
3587
00:56:16,423 --> 00:56:20,727
POWER?
3588
00:56:20,727 --> 00:56:20,793
POWER?
3589
00:56:20,794 --> 00:56:27,567
>> NOT FROM A JEDI.
3590
00:56:27,567 --> 00:56:27,633
>> NOT FROM A JEDI.
3591
00:56:27,634 --> 00:56:28,935
>> Silvio: IN KEEPING WITH THE
3592
00:56:28,935 --> 00:56:29,001
>> Silvio: IN KEEPING WITH THE
3593
00:56:29,002 --> 00:56:31,304
MYTHIC OVERTONES OF "STAR WARS,"
3594
00:56:31,304 --> 00:56:31,370
MYTHIC OVERTONES OF "STAR WARS,"
3595
00:56:31,371 --> 00:56:33,373
ANAKIN SUCCUMBS AND MAKES THIS
3596
00:56:33,373 --> 00:56:33,406
ANAKIN SUCCUMBS AND MAKES THIS
3597
00:56:33,406 --> 00:56:34,640
FAUSTIAN BARGAIN.
3598
00:56:34,641 --> 00:56:34,674
FAUSTIAN BARGAIN.
3599
00:56:34,674 --> 00:56:36,275
THE FAUST STORY IN ITS CLASSIC
3600
00:56:36,276 --> 00:56:36,342
THE FAUST STORY IN ITS CLASSIC
3601
00:56:36,342 --> 00:56:39,378
FORM IS THE STORY OF A MAN WHO
3602
00:56:39,379 --> 00:56:39,445
FORM IS THE STORY OF A MAN WHO
3603
00:56:39,446 --> 00:56:41,347
SELLS HIS SOUL TO THE DEVIL IN
3604
00:56:41,347 --> 00:56:41,380
SELLS HIS SOUL TO THE DEVIL IN
3605
00:56:41,381 --> 00:56:44,117
ORDER TO ACHIEVE POWER.
3606
00:56:44,117 --> 00:56:44,150
ORDER TO ACHIEVE POWER.
3607
00:56:44,150 --> 00:56:45,551
>> Narrator: ANAKIN RECEIVES HIS
3608
00:56:45,552 --> 00:56:45,585
>> Narrator: ANAKIN RECEIVES HIS
3609
00:56:45,585 --> 00:56:48,020
BAPTISM AS A DARK LORD OF THE
3610
00:56:48,021 --> 00:56:48,054
BAPTISM AS A DARK LORD OF THE
3611
00:56:48,054 --> 00:56:48,554
SITH.
3612
00:56:48,555 --> 00:56:48,621
SITH.
3613
00:56:48,621 --> 00:56:50,756
>> HENCEFORTH, YOU SHALL BE
3614
00:56:50,757 --> 00:56:50,790
>> HENCEFORTH, YOU SHALL BE
3615
00:56:50,790 --> 00:56:54,960
KNOWN AS DARTH VADER.
3616
00:56:54,961 --> 00:56:55,027
KNOWN AS DARTH VADER.
3617
00:56:55,028 --> 00:56:56,262
>> Narrator: NOW HIS STORY
3618
00:56:56,262 --> 00:56:56,295
>> Narrator: NOW HIS STORY
3619
00:56:56,296 --> 00:56:57,830
DIRECTLY PARALLELS THAT OF THE
3620
00:56:57,831 --> 00:56:57,864
DIRECTLY PARALLELS THAT OF THE
3621
00:56:57,864 --> 00:57:01,133
DEVIL HIMSELF.
3622
00:57:01,134 --> 00:57:01,200
DEVIL HIMSELF.
3623
00:57:01,201 --> 00:57:03,469
AS TOLD IN JOHN MILTON'S EPIC
3624
00:57:03,470 --> 00:57:03,503
AS TOLD IN JOHN MILTON'S EPIC
3625
00:57:03,503 --> 00:57:06,639
POEM "PARADISE LOST," LUCIFER
3626
00:57:06,639 --> 00:57:06,672
POEM "PARADISE LOST," LUCIFER
3627
00:57:06,673 --> 00:57:08,307
WAS ONCE ONE OF GOD'S MOST
3628
00:57:08,308 --> 00:57:08,341
WAS ONCE ONE OF GOD'S MOST
3629
00:57:08,341 --> 00:57:10,843
BEAUTIFUL AND FAVORED ANGELS.
3630
00:57:10,844 --> 00:57:10,910
BEAUTIFUL AND FAVORED ANGELS.
3631
00:57:10,910 --> 00:57:12,645
BUT LUCIFER'S CONCEIT AND HIS
3632
00:57:12,645 --> 00:57:12,678
BUT LUCIFER'S CONCEIT AND HIS
3633
00:57:12,679 --> 00:57:14,847
LUST FOR POWER OVER GOD CAUSED
3634
00:57:14,848 --> 00:57:14,881
LUST FOR POWER OVER GOD CAUSED
3635
00:57:14,881 --> 00:57:17,383
HIM TO WAGE WAR ON HEAVEN.
3636
00:57:17,383 --> 00:57:17,416
HIM TO WAGE WAR ON HEAVEN.
3637
00:57:17,417 --> 00:57:19,685
DEFEATED, HE WAS CAST OUT AND
3638
00:57:19,686 --> 00:57:19,752
DEFEATED, HE WAS CAST OUT AND
3639
00:57:19,752 --> 00:57:23,756
CREATED HIS OWN KINGDOM IN HELL.
3640
00:57:32,866 --> 00:57:34,400
>> Wieseltier: LIKE MILTON'S
3641
00:57:34,400 --> 00:57:34,466
>> Wieseltier: LIKE MILTON'S
3642
00:57:34,467 --> 00:57:37,136
SATAN, ANAKIN SKYWALKER IS THE--
3643
00:57:37,137 --> 00:57:37,203
SATAN, ANAKIN SKYWALKER IS THE--
3644
00:57:37,203 --> 00:57:38,671
IS THE MAN WHO CAN NOT RESIST
3645
00:57:38,671 --> 00:57:38,704
IS THE MAN WHO CAN NOT RESIST
3646
00:57:38,705 --> 00:57:40,039
THE TEMPTATION OF POWER.
3647
00:57:40,039 --> 00:57:40,105
THE TEMPTATION OF POWER.
3648
00:57:40,106 --> 00:57:41,407
>> I AM BECOMING MORE POWERFUL
3649
00:57:41,407 --> 00:57:41,440
>> I AM BECOMING MORE POWERFUL
3650
00:57:41,441 --> 00:57:43,509
THAN ANY JEDI HAS EVER DREAMED
3651
00:57:43,510 --> 00:57:43,543
THAN ANY JEDI HAS EVER DREAMED
3652
00:57:43,543 --> 00:57:45,511
OF, AND I'M DOING IT FOR YOU.
3653
00:57:45,512 --> 00:57:45,578
OF, AND I'M DOING IT FOR YOU.
3654
00:57:45,578 --> 00:57:46,478
>> Henderson: PART OF LUCIFER'S
3655
00:57:46,479 --> 00:57:46,512
>> Henderson: PART OF LUCIFER'S
3656
00:57:46,513 --> 00:57:48,882
DOWNFALL WAS HIS OWN PRIDE AND
3657
00:57:48,882 --> 00:57:48,948
DOWNFALL WAS HIS OWN PRIDE AND
3658
00:57:48,948 --> 00:57:50,115
HIS OWN ARROGANCE.
3659
00:57:50,116 --> 00:57:50,149
HIS OWN ARROGANCE.
3660
00:57:50,150 --> 00:57:51,251
>> I AM MORE POWERFUL THAN THE
3661
00:57:51,251 --> 00:57:51,284
>> I AM MORE POWERFUL THAN THE
3662
00:57:51,284 --> 00:57:52,151
CHANCELLOR.
3663
00:57:52,152 --> 00:57:52,218
CHANCELLOR.
3664
00:57:52,218 --> 00:57:54,153
I CAN OVERTHROW HIM.
3665
00:57:54,154 --> 00:57:54,187
I CAN OVERTHROW HIM.
3666
00:57:54,187 --> 00:57:56,856
AND TOGETHER, YOU AND I CAN RULE
3667
00:57:56,856 --> 00:57:56,889
AND TOGETHER, YOU AND I CAN RULE
3668
00:57:56,890 --> 00:57:58,024
THE GALAXY.
3669
00:57:58,024 --> 00:57:58,057
THE GALAXY.
3670
00:57:58,057 --> 00:57:59,792
>> Henderson: AND PRIDE ALWAYS
3671
00:57:59,792 --> 00:57:59,858
>> Henderson: AND PRIDE ALWAYS
3672
00:57:59,859 --> 00:58:01,694
GOES BEFORE A FALL.
3673
00:58:01,694 --> 00:58:01,727
GOES BEFORE A FALL.
3674
00:58:01,728 --> 00:58:03,162
>> YOU'RE GOING DOWN A PATH I
3675
00:58:03,163 --> 00:58:03,196
>> YOU'RE GOING DOWN A PATH I
3676
00:58:03,196 --> 00:58:04,964
CAN'T FOLLOW.
3677
00:58:04,964 --> 00:58:05,030
CAN'T FOLLOW.
3678
00:58:05,031 --> 00:58:06,065
STOP.
3679
00:58:06,065 --> 00:58:06,098
STOP.
3680
00:58:06,099 --> 00:58:07,767
STOP NOW! COME BACK!
3681
00:58:07,767 --> 00:58:07,800
STOP NOW! COME BACK!
3682
00:58:07,800 --> 00:58:09,434
>> YOU'RE WITH HIM!
3683
00:58:09,435 --> 00:58:09,501
>> YOU'RE WITH HIM!
3684
00:58:09,502 --> 00:58:11,303
YOU BROUGHT HIM HERE TO KILL ME!
3685
00:58:11,304 --> 00:58:11,337
YOU BROUGHT HIM HERE TO KILL ME!
3686
00:58:11,337 --> 00:58:13,172
>> NO!
3687
00:58:13,173 --> 00:58:13,239
>> NO!
3688
00:58:13,239 --> 00:58:16,175
>> LET HER GO, ANAKIN!
3689
00:58:16,176 --> 00:58:16,209
>> LET HER GO, ANAKIN!
3690
00:58:16,209 --> 00:58:17,543
>> ANAKIN...
3691
00:58:17,544 --> 00:58:17,610
>> ANAKIN...
3692
00:58:17,610 --> 00:58:21,513
>> LET... HER... GO.
3693
00:58:21,514 --> 00:58:21,547
>> LET... HER... GO.
3694
00:58:21,548 --> 00:58:22,148
>> [gasps]
3695
00:58:22,148 --> 00:58:22,181
>> [gasps]
3696
00:58:22,182 --> 00:58:23,516
>> Hudgins: LUCAS IS ALSO
3697
00:58:23,516 --> 00:58:23,582
>> Hudgins: LUCAS IS ALSO
3698
00:58:23,583 --> 00:58:25,985
HARKENING BACK TO GREEK TRAGEDY.
3699
00:58:25,985 --> 00:58:26,051
HARKENING BACK TO GREEK TRAGEDY.
3700
00:58:26,052 --> 00:58:27,787
ANAKIN LOSES PADME.
3701
00:58:27,787 --> 00:58:27,820
ANAKIN LOSES PADME.
3702
00:58:27,820 --> 00:58:29,621
HIS ATTEMPT TO SAVE HER BY GOING
3703
00:58:29,622 --> 00:58:29,655
HIS ATTEMPT TO SAVE HER BY GOING
3704
00:58:29,656 --> 00:58:30,790
OVER TO THE DARK SIDE OF THE
3705
00:58:30,790 --> 00:58:30,823
OVER TO THE DARK SIDE OF THE
3706
00:58:30,823 --> 00:58:32,724
FORCE KILLS HER.
3707
00:58:32,725 --> 00:58:32,758
FORCE KILLS HER.
3708
00:58:32,759 --> 00:58:34,627
THAT IS THE FUNDAMENTAL GREEK
3709
00:58:34,627 --> 00:58:34,693
THAT IS THE FUNDAMENTAL GREEK
3710
00:58:34,694 --> 00:58:35,528
TRAGEDY.
3711
00:58:35,528 --> 00:58:35,594
TRAGEDY.
3712
00:58:35,595 --> 00:58:39,065
>> YOU TURNED HER AGAINST ME!
3713
00:58:39,065 --> 00:58:39,098
>> YOU TURNED HER AGAINST ME!
3714
00:58:39,098 --> 00:58:42,067
>> YOU HAVE DONE THAT YOURSELF!
3715
00:58:42,068 --> 00:58:42,101
>> YOU HAVE DONE THAT YOURSELF!
3716
00:58:42,101 --> 00:58:42,901
>> Lyden: THE BATTLE BETWEEN
3717
00:58:42,902 --> 00:58:42,935
>> Lyden: THE BATTLE BETWEEN
3718
00:58:42,936 --> 00:58:45,171
OBI-WAN AND ANAKIN ON THE PLANET
3719
00:58:45,171 --> 00:58:45,237
OBI-WAN AND ANAKIN ON THE PLANET
3720
00:58:45,238 --> 00:58:47,673
MUSTAFAR HAS APOCALYPTIC
3721
00:58:47,674 --> 00:58:47,707
MUSTAFAR HAS APOCALYPTIC
3722
00:58:47,707 --> 00:58:50,276
RESONANCES TO IT.
3723
00:58:50,276 --> 00:58:50,309
RESONANCES TO IT.
3724
00:58:50,310 --> 00:58:53,079
>> UNH!
3725
00:58:53,079 --> 00:58:53,145
>> UNH!
3726
00:58:53,146 --> 00:58:55,281
>> Lyden: WE SEE LAVA AND FIRE
3727
00:58:55,281 --> 00:58:55,314
>> Lyden: WE SEE LAVA AND FIRE
3728
00:58:55,315 --> 00:58:57,884
ALL AROUND, AND THIS MIRRORS
3729
00:58:57,884 --> 00:58:57,917
ALL AROUND, AND THIS MIRRORS
3730
00:58:57,917 --> 00:58:59,418
WHAT IS HAPPENING TO ANAKIN
3731
00:58:59,419 --> 00:58:59,452
WHAT IS HAPPENING TO ANAKIN
3732
00:58:59,452 --> 00:59:00,553
INTERNALLY.
3733
00:59:00,553 --> 00:59:00,586
INTERNALLY.
3734
00:59:00,587 --> 00:59:02,188
WE REALLY HAVE DESCENDED TO
3735
00:59:02,188 --> 00:59:02,221
WE REALLY HAVE DESCENDED TO
3736
00:59:02,222 --> 00:59:04,190
HELL, BECAUSE WE'RE ABOUT TO SEE
3737
00:59:04,190 --> 00:59:04,223
HELL, BECAUSE WE'RE ABOUT TO SEE
3738
00:59:04,224 --> 00:59:08,094
ANAKIN'S OWN DAMNATION.
3739
00:59:08,094 --> 00:59:08,160
ANAKIN'S OWN DAMNATION.
3740
00:59:08,161 --> 00:59:10,830
>> [grunts]
3741
00:59:10,830 --> 00:59:10,863
>> [grunts]
3742
00:59:10,863 --> 00:59:14,266
YOU UNDERESTIMATE MY POWER.
3743
00:59:14,267 --> 00:59:14,300
YOU UNDERESTIMATE MY POWER.
3744
00:59:14,300 --> 00:59:17,269
>> DON'T TRY IT.
3745
00:59:17,270 --> 00:59:17,303
>> DON'T TRY IT.
3746
00:59:17,303 --> 00:59:19,571
>> RA-A-GH!
3747
00:59:19,572 --> 00:59:19,605
>> RA-A-GH!
3748
00:59:19,606 --> 00:59:23,643
[groaning]
3749
00:59:23,643 --> 00:59:23,676
[groaning]
3750
00:59:23,676 --> 00:59:24,643
>> Henderson: AND I LOVE WHAT
3751
00:59:24,644 --> 00:59:24,677
>> Henderson: AND I LOVE WHAT
3752
00:59:24,677 --> 00:59:25,744
GEORGE LUCAS DOES WITH THE
3753
00:59:25,745 --> 00:59:25,811
GEORGE LUCAS DOES WITH THE
3754
00:59:25,812 --> 00:59:27,480
SYMBOLISM HERE.
3755
00:59:27,480 --> 00:59:27,546
SYMBOLISM HERE.
3756
00:59:27,547 --> 00:59:29,015
>> I HATE YOU!
3757
00:59:29,015 --> 00:59:29,081
>> I HATE YOU!
3758
00:59:29,082 --> 00:59:30,650
>> Henderson: HE'S SO PASSIONATE
3759
00:59:30,650 --> 00:59:30,716
>> Henderson: HE'S SO PASSIONATE
3760
00:59:30,717 --> 00:59:32,618
THAT IT BURNS HIM AND CONSUMES
3761
00:59:32,619 --> 00:59:32,652
THAT IT BURNS HIM AND CONSUMES
3762
00:59:32,652 --> 00:59:34,387
HIM.
3763
00:59:34,387 --> 00:59:34,453
HIM.
3764
00:59:34,454 --> 00:59:37,123
>> AGGH!
3765
00:59:37,123 --> 00:59:37,189
>> AGGH!
3766
00:59:37,190 --> 00:59:38,391
>> Galipeau: THE DISMEMBERMENT
3767
00:59:38,391 --> 00:59:38,457
>> Galipeau: THE DISMEMBERMENT
3768
00:59:38,458 --> 00:59:40,760
OF ANAKIN GOES TO THE EXTENT
3769
00:59:40,760 --> 00:59:40,826
OF ANAKIN GOES TO THE EXTENT
3770
00:59:40,827 --> 00:59:42,361
SYMBOLICALLY OF HOW MUCH HE
3771
00:59:42,362 --> 00:59:42,395
SYMBOLICALLY OF HOW MUCH HE
3772
00:59:42,395 --> 00:59:44,397
REALLY LOST HIS HUMANITY.
3773
00:59:44,397 --> 00:59:44,463
REALLY LOST HIS HUMANITY.
3774
00:59:44,464 --> 00:59:46,566
HE'S BECOME CUT OFF FROM HIMSELF
3775
00:59:46,566 --> 00:59:46,632
HE'S BECOME CUT OFF FROM HIMSELF
3776
00:59:46,633 --> 00:59:48,267
BUT ALSO FROM OTHERS.
3777
00:59:48,268 --> 00:59:48,301
BUT ALSO FROM OTHERS.
3778
00:59:48,301 --> 00:59:51,203
>> [wailing]
3779
00:59:51,204 --> 00:59:51,237
>> [wailing]
3780
00:59:51,237 --> 00:59:52,404
>> Mitchell: IT ACTUALLY FEELS
3781
00:59:52,405 --> 00:59:52,471
>> Mitchell: IT ACTUALLY FEELS
3782
00:59:52,472 --> 00:59:53,673
KIND OF WAGNERIAN TO ME, THAT
3783
00:59:53,673 --> 00:59:53,739
KIND OF WAGNERIAN TO ME, THAT
3784
00:59:53,740 --> 00:59:54,941
THE PRICE OF EVIL BECOMES
3785
00:59:54,941 --> 00:59:55,007
THE PRICE OF EVIL BECOMES
3786
00:59:55,008 --> 00:59:57,577
APPARENT.
3787
00:59:57,577 --> 00:59:57,610
APPARENT.
3788
00:59:57,610 --> 00:59:59,411
>> Hudgins: THIS IS GEORGE LUCAS
3789
00:59:59,412 --> 00:59:59,445
>> Hudgins: THIS IS GEORGE LUCAS
3790
00:59:59,445 --> 01:00:02,014
LOOKING TO MYTHOLOGY,
3791
01:00:02,015 --> 01:00:02,048
LOOKING TO MYTHOLOGY,
3792
01:00:02,048 --> 01:00:03,849
SPECIFICALLY THE GREEK MYTH OF
3793
01:00:03,850 --> 01:00:03,916
SPECIFICALLY THE GREEK MYTH OF
3794
01:00:03,916 --> 01:00:04,783
NEMESIS.
3795
01:00:04,784 --> 01:00:04,850
NEMESIS.
3796
01:00:04,851 --> 01:00:07,320
THE NOTION THAT YOU ARE SOMEHOW
3797
01:00:07,320 --> 01:00:07,353
THE NOTION THAT YOU ARE SOMEHOW
3798
01:00:07,353 --> 01:00:09,788
GOING TO BE THE VICTIM OF THE
3799
01:00:09,789 --> 01:00:09,855
GOING TO BE THE VICTIM OF THE
3800
01:00:09,856 --> 01:00:11,824
THINGS THAT YOU SOW.
3801
01:00:11,824 --> 01:00:11,857
THINGS THAT YOU SOW.
3802
01:00:11,858 --> 01:00:13,860
>> Henderson: NOW ANAKIN HAS TO
3803
01:00:13,860 --> 01:00:13,893
>> Henderson: NOW ANAKIN HAS TO
3804
01:00:13,893 --> 01:00:14,960
LIVE IN HELL.
3805
01:00:14,961 --> 01:00:14,994
LIVE IN HELL.
3806
01:00:14,994 --> 01:00:16,395
AND FOR SOMEONE THAT PASSIONATE,
3807
01:00:16,396 --> 01:00:16,429
AND FOR SOMEONE THAT PASSIONATE,
3808
01:00:16,429 --> 01:00:18,597
HELL FOR HIM IS TO BECOME A
3809
01:00:18,598 --> 01:00:18,631
HELL FOR HIM IS TO BECOME A
3810
01:00:18,631 --> 01:00:21,333
MECHANICAL MONSTER...
3811
01:00:21,334 --> 01:00:21,367
MECHANICAL MONSTER...
3812
01:00:21,367 --> 01:00:24,870
TO HAVE REALLY NO HUMANITY LEFT.
3813
01:00:24,871 --> 01:00:24,904
TO HAVE REALLY NO HUMANITY LEFT.
3814
01:00:24,904 --> 01:00:30,743
>> [screaming]
3815
01:00:30,743 --> 01:00:30,776
>> [screaming]
3816
01:00:30,777 --> 01:00:32,145
>> Narrator: AS ANAKIN IS TURNED
3817
01:00:32,145 --> 01:00:32,178
>> Narrator: AS ANAKIN IS TURNED
3818
01:00:32,178 --> 01:00:34,413
INTO A HALF-MAN, HALF-MACHINE,
3819
01:00:34,414 --> 01:00:34,447
INTO A HALF-MAN, HALF-MACHINE,
3820
01:00:34,447 --> 01:00:36,382
ANOTHER CLASSIC ARCHETYPE IS
3821
01:00:36,382 --> 01:00:36,415
ANOTHER CLASSIC ARCHETYPE IS
3822
01:00:36,416 --> 01:00:38,951
EVOKED, THIS TIME FROM THE WORLD
3823
01:00:38,951 --> 01:00:39,017
EVOKED, THIS TIME FROM THE WORLD
3824
01:00:39,018 --> 01:00:40,519
OF GOTHIC HORROR.
3825
01:00:40,520 --> 01:00:40,586
OF GOTHIC HORROR.
3826
01:00:40,586 --> 01:00:41,753
>> Paglia: FINALLY, WE HAVE THE
3827
01:00:41,754 --> 01:00:41,787
>> Paglia: FINALLY, WE HAVE THE
3828
01:00:41,788 --> 01:00:43,623
ANSWER OF HOW THIS STRANGE
3829
01:00:43,623 --> 01:00:43,689
ANSWER OF HOW THIS STRANGE
3830
01:00:43,690 --> 01:00:45,525
HYBRID CREATURE WAS, IN FACT,
3831
01:00:45,525 --> 01:00:45,591
HYBRID CREATURE WAS, IN FACT,
3832
01:00:45,591 --> 01:00:47,793
CONSTRUCTED, AS A KIND OF
3833
01:00:47,794 --> 01:00:47,860
CONSTRUCTED, AS A KIND OF
3834
01:00:47,860 --> 01:00:52,064
FRANKENSTEIN'S MONSTER.
3835
01:00:52,065 --> 01:00:52,131
FRANKENSTEIN'S MONSTER.
3836
01:00:52,131 --> 01:00:55,033
>> LORD VADER...
3837
01:00:55,034 --> 01:00:55,067
>> LORD VADER...
3838
01:00:55,068 --> 01:00:57,236
CAN YOU HEAR ME?
3839
01:00:57,236 --> 01:00:57,302
CAN YOU HEAR ME?
3840
01:00:57,303 --> 01:01:00,172
[deep mechanical breathing]
3841
01:01:00,173 --> 01:01:00,206
[deep mechanical breathing]
3842
01:01:00,206 --> 01:01:02,341
>> YES, MASTER.
3843
01:01:13,903 --> 01:01:15,571
>> MASTER WINDU.
3844
01:01:15,571 --> 01:01:15,604
>> MASTER WINDU.
3845
01:01:15,605 --> 01:01:17,406
I MUST SAY, YOU'RE HERE SOONER
3846
01:01:17,407 --> 01:01:17,473
I MUST SAY, YOU'RE HERE SOONER
3847
01:01:17,473 --> 01:01:19,107
THAN EXPECTED.
3848
01:01:19,108 --> 01:01:19,141
THAN EXPECTED.
3849
01:01:19,142 --> 01:01:20,910
>> IN THE NAME OF THE GALACTIC
3850
01:01:20,910 --> 01:01:20,943
>> IN THE NAME OF THE GALACTIC
3851
01:01:20,943 --> 01:01:23,211
SENATE OF THE REPUBLIC, YOU ARE
3852
01:01:23,212 --> 01:01:23,278
SENATE OF THE REPUBLIC, YOU ARE
3853
01:01:23,279 --> 01:01:25,547
UNDER ARREST, CHANCELLOR.
3854
01:01:25,548 --> 01:01:25,581
UNDER ARREST, CHANCELLOR.
3855
01:01:25,581 --> 01:01:26,682
>> ARE YOU THREATENING ME,
3856
01:01:26,683 --> 01:01:26,716
>> ARE YOU THREATENING ME,
3857
01:01:26,716 --> 01:01:27,683
MASTER JEDI?
3858
01:01:27,684 --> 01:01:27,717
MASTER JEDI?
3859
01:01:27,717 --> 01:01:29,018
>> THE SENATE WILL DECIDE YOUR
3860
01:01:29,018 --> 01:01:29,051
>> THE SENATE WILL DECIDE YOUR
3861
01:01:29,052 --> 01:01:29,919
FATE.
3862
01:01:29,919 --> 01:01:29,952
FATE.
3863
01:01:29,952 --> 01:01:32,688
>> I AM THE SENATE.
3864
01:01:36,459 --> 01:01:37,827
>> Narrator: IF THE MYTHIC HERO
3865
01:01:37,827 --> 01:01:37,860
>> Narrator: IF THE MYTHIC HERO
3866
01:01:37,860 --> 01:01:39,328
IS A FIGURE OF FREEDOM, THE
3867
01:01:39,328 --> 01:01:39,394
IS A FIGURE OF FREEDOM, THE
3868
01:01:39,395 --> 01:01:41,597
VILLAIN HE FACES OFTEN STANDS AS
3869
01:01:41,597 --> 01:01:41,630
VILLAIN HE FACES OFTEN STANDS AS
3870
01:01:41,631 --> 01:01:45,401
A SYMBOL OF TYRANNY.
3871
01:01:45,401 --> 01:01:45,467
A SYMBOL OF TYRANNY.
3872
01:01:45,468 --> 01:01:47,203
THAT TRADITION IS CONTINUED IN
3873
01:01:47,203 --> 01:01:47,236
THAT TRADITION IS CONTINUED IN
3874
01:01:47,236 --> 01:01:48,937
THE FIRST THREE EPISODES OF THE
3875
01:01:48,938 --> 01:01:48,971
THE FIRST THREE EPISODES OF THE
3876
01:01:48,971 --> 01:01:51,206
"STAR WARS" SAGA, WHICH OFFER A
3877
01:01:51,207 --> 01:01:51,240
"STAR WARS" SAGA, WHICH OFFER A
3878
01:01:51,240 --> 01:01:53,508
DARK DRAMA OF POLITICAL INTRIGUE
3879
01:01:53,509 --> 01:01:53,542
DARK DRAMA OF POLITICAL INTRIGUE
3880
01:01:53,543 --> 01:01:54,377
AND CORRUPTION.
3881
01:01:54,377 --> 01:01:54,410
AND CORRUPTION.
3882
01:01:54,410 --> 01:01:55,978
>> BEGIN LANDING YOUR TROOPS.
3883
01:01:55,978 --> 01:01:56,044
>> BEGIN LANDING YOUR TROOPS.
3884
01:01:56,045 --> 01:01:57,946
>> IS THAT LEGAL?
3885
01:01:57,947 --> 01:01:57,980
>> IS THAT LEGAL?
3886
01:01:57,980 --> 01:02:00,215
>> I WILL MAKE IT LEGAL.
3887
01:02:00,216 --> 01:02:00,249
>> I WILL MAKE IT LEGAL.
3888
01:02:00,249 --> 01:02:01,516
>> Narrator: THE STORY DRAWS
3889
01:02:01,517 --> 01:02:01,550
>> Narrator: THE STORY DRAWS
3890
01:02:01,551 --> 01:02:02,885
FROM MORE THAN MYTH AND
3891
01:02:02,885 --> 01:02:02,951
FROM MORE THAN MYTH AND
3892
01:02:02,952 --> 01:02:03,953
LITERATURE.
3893
01:02:03,953 --> 01:02:04,019
LITERATURE.
3894
01:02:04,020 --> 01:02:05,788
IT REFLECTS A CYCLE IN OUR OWN
3895
01:02:05,788 --> 01:02:05,821
IT REFLECTS A CYCLE IN OUR OWN
3896
01:02:05,822 --> 01:02:09,892
HISTORY: THE FALL OF REPUBLICS
3897
01:02:09,892 --> 01:02:09,958
HISTORY: THE FALL OF REPUBLICS
3898
01:02:09,959 --> 01:02:14,897
AND THE RISE OF DICTATORS.
3899
01:02:14,897 --> 01:02:14,963
AND THE RISE OF DICTATORS.
3900
01:02:14,964 --> 01:02:17,333
>> HUNDREDS OF SENATORS ARE NOW
3901
01:02:17,333 --> 01:02:17,366
>> HUNDREDS OF SENATORS ARE NOW
3902
01:02:17,366 --> 01:02:18,967
UNDER THE INFLUENCE OF A SITH
3903
01:02:18,968 --> 01:02:19,034
UNDER THE INFLUENCE OF A SITH
3904
01:02:19,035 --> 01:02:22,171
LORD CALLED DARTH SIDIOUS.
3905
01:02:22,171 --> 01:02:22,204
LORD CALLED DARTH SIDIOUS.
3906
01:02:22,205 --> 01:02:23,806
>> [laughs]
3907
01:02:23,806 --> 01:02:23,872
>> [laughs]
3908
01:02:23,873 --> 01:02:25,074
>> Wetmore, Jr.: IT'S NO LONGER
3909
01:02:25,074 --> 01:02:25,140
>> Wetmore, Jr.: IT'S NO LONGER
3910
01:02:25,141 --> 01:02:26,142
JUST A SMALL BAND OF ADVENTURERS
3911
01:02:26,142 --> 01:02:26,175
JUST A SMALL BAND OF ADVENTURERS
3912
01:02:26,175 --> 01:02:27,809
HAVING FUN IN A DANGEROUS PLACE,
3913
01:02:27,810 --> 01:02:27,876
HAVING FUN IN A DANGEROUS PLACE,
3914
01:02:27,877 --> 01:02:29,511
BUT IT'S NOW GROWN INTO A SORT
3915
01:02:29,512 --> 01:02:29,545
BUT IT'S NOW GROWN INTO A SORT
3916
01:02:29,545 --> 01:02:31,346
OF A GEOPOLITICAL MELTDOWN.
3917
01:02:31,347 --> 01:02:31,380
OF A GEOPOLITICAL MELTDOWN.
3918
01:02:31,380 --> 01:02:33,081
>> Crowd: VOTE NOW! VOTE NOW!
3919
01:02:33,082 --> 01:02:33,148
>> Crowd: VOTE NOW! VOTE NOW!
3920
01:02:33,149 --> 01:02:34,083
>> ORDER!
3921
01:02:34,083 --> 01:02:34,116
>> ORDER!
3922
01:02:34,117 --> 01:02:35,251
>> Wetmore, Jr.: IT CONCERNS
3923
01:02:35,251 --> 01:02:35,284
>> Wetmore, Jr.: IT CONCERNS
3924
01:02:35,284 --> 01:02:36,785
ITSELF WITH THE CORRUPTION OF
3925
01:02:36,786 --> 01:02:36,819
ITSELF WITH THE CORRUPTION OF
3926
01:02:36,819 --> 01:02:38,253
GOVERNMENT, WITH A GOVERNMENT
3927
01:02:38,254 --> 01:02:38,320
GOVERNMENT, WITH A GOVERNMENT
3928
01:02:38,321 --> 01:02:39,622
THAT IS TRYING TO SEIZE POWER
3929
01:02:39,622 --> 01:02:39,655
THAT IS TRYING TO SEIZE POWER
3930
01:02:39,655 --> 01:02:40,722
FOR ITSELF...
3931
01:02:40,723 --> 01:02:40,789
FOR ITSELF...
3932
01:02:40,790 --> 01:02:41,991
>> I WILL BE CHANCELLOR.
3933
01:02:41,991 --> 01:02:42,057
>> I WILL BE CHANCELLOR.
3934
01:02:42,058 --> 01:02:43,159
>> Wetmore, Jr.: AND SO
3935
01:02:43,159 --> 01:02:43,225
>> Wetmore, Jr.: AND SO
3936
01:02:43,226 --> 01:02:44,260
GENERATES THESE SORT OF
3937
01:02:44,260 --> 01:02:44,326
GENERATES THESE SORT OF
3938
01:02:44,327 --> 01:02:46,896
ARTIFICIAL CRISES THAT IT CAN
3939
01:02:46,896 --> 01:02:46,929
ARTIFICIAL CRISES THAT IT CAN
3940
01:02:46,929 --> 01:02:49,164
THEN RESPOND TO, A THREAT FROM
3941
01:02:49,165 --> 01:02:49,198
THEN RESPOND TO, A THREAT FROM
3942
01:02:49,198 --> 01:02:51,166
OUTSIDE ACTUALLY BEING GENERATED
3943
01:02:51,167 --> 01:02:51,200
OUTSIDE ACTUALLY BEING GENERATED
3944
01:02:51,200 --> 01:02:52,534
FROM WITHIN.
3945
01:02:52,535 --> 01:02:52,568
FROM WITHIN.
3946
01:02:52,568 --> 01:02:54,803
>> WIPE THEM OUT.
3947
01:02:54,804 --> 01:02:54,870
>> WIPE THEM OUT.
3948
01:02:54,871 --> 01:02:56,906
ALL OF THEM.
3949
01:02:56,906 --> 01:02:56,972
ALL OF THEM.
3950
01:02:56,973 --> 01:02:58,140
>> Narrator: AT THE CENTER OF
3951
01:02:58,141 --> 01:02:58,174
>> Narrator: AT THE CENTER OF
3952
01:02:58,174 --> 01:02:59,909
THE STORY IS THE SCHEMING DARTH
3953
01:02:59,909 --> 01:02:59,975
THE STORY IS THE SCHEMING DARTH
3954
01:02:59,976 --> 01:03:01,077
SIDIOUS.
3955
01:03:01,077 --> 01:03:01,143
SIDIOUS.
3956
01:03:01,144 --> 01:03:03,079
DISGUISED AS THE KINDLY SENATOR
3957
01:03:03,079 --> 01:03:03,145
DISGUISED AS THE KINDLY SENATOR
3958
01:03:03,146 --> 01:03:04,981
PALPATINE, HE USES THE
3959
01:03:04,981 --> 01:03:05,014
PALPATINE, HE USES THE
3960
01:03:05,014 --> 01:03:07,082
REPUBLIC'S FEARS OF REBELLION
3961
01:03:07,083 --> 01:03:07,116
REPUBLIC'S FEARS OF REBELLION
3962
01:03:07,116 --> 01:03:10,552
AND WAR TO GRADUALLY SEIZE
3963
01:03:10,553 --> 01:03:10,586
AND WAR TO GRADUALLY SEIZE
3964
01:03:10,586 --> 01:03:15,190
ABSOLUTE POWER.
3965
01:03:15,191 --> 01:03:15,257
ABSOLUTE POWER.
3966
01:03:15,258 --> 01:03:16,926
>> Whedon: WE KNOW WHAT LUCAS
3967
01:03:16,926 --> 01:03:16,959
>> Whedon: WE KNOW WHAT LUCAS
3968
01:03:16,959 --> 01:03:18,293
DRAWS ON A GREAT DEAL, WHICH IS
3969
01:03:18,294 --> 01:03:18,327
DRAWS ON A GREAT DEAL, WHICH IS
3970
01:03:18,327 --> 01:03:20,796
GERMANY IN THE '30s, WHICH IS
3971
01:03:20,797 --> 01:03:20,830
GERMANY IN THE '30s, WHICH IS
3972
01:03:20,830 --> 01:03:22,298
THE SAME ANIMAL.
3973
01:03:22,298 --> 01:03:22,364
THE SAME ANIMAL.
3974
01:03:22,365 --> 01:03:23,699
[crowd cheering]
3975
01:03:23,699 --> 01:03:23,732
[crowd cheering]
3976
01:03:23,733 --> 01:03:24,934
>> SIEG!
3977
01:03:24,934 --> 01:03:25,000
>> SIEG!
3978
01:03:25,001 --> 01:03:26,569
>> Crowd: HEIL!
3979
01:03:26,569 --> 01:03:26,635
>> Crowd: HEIL!
3980
01:03:26,636 --> 01:03:27,737
>> SIEG!
3981
01:03:27,737 --> 01:03:27,803
>> SIEG!
3982
01:03:27,804 --> 01:03:28,738
>> Crowd: HEIL!
3983
01:03:28,738 --> 01:03:28,771
>> Crowd: HEIL!
3984
01:03:28,771 --> 01:03:30,005
>> Hudgins: HERE, THERE'S A
3985
01:03:30,006 --> 01:03:30,039
>> Hudgins: HERE, THERE'S A
3986
01:03:30,039 --> 01:03:31,473
VERY STRONG ANALOGY IN "STAR
3987
01:03:31,474 --> 01:03:31,507
VERY STRONG ANALOGY IN "STAR
3988
01:03:31,507 --> 01:03:32,107
WARS."
3989
01:03:32,108 --> 01:03:32,174
WARS."
3990
01:03:32,175 --> 01:03:33,543
YOU HAVE A CHANCELLOR,
3991
01:03:33,543 --> 01:03:33,576
YOU HAVE A CHANCELLOR,
3992
01:03:33,576 --> 01:03:35,110
PALPATINE, WHO WANTS
3993
01:03:35,111 --> 01:03:35,144
PALPATINE, WHO WANTS
3994
01:03:35,144 --> 01:03:36,545
EXTRAORDINARY POWERS.
3995
01:03:36,546 --> 01:03:36,579
EXTRAORDINARY POWERS.
3996
01:03:36,579 --> 01:03:37,846
WELL, THAT'S EXACTLY WHAT
3997
01:03:37,847 --> 01:03:37,880
WELL, THAT'S EXACTLY WHAT
3998
01:03:37,880 --> 01:03:40,482
CHANCELLOR HITLER REQUESTED IN
3999
01:03:40,483 --> 01:03:40,549
CHANCELLOR HITLER REQUESTED IN
4000
01:03:40,550 --> 01:03:41,817
1933.
4001
01:03:41,818 --> 01:03:41,851
1933.
4002
01:03:41,851 --> 01:03:43,185
THE SO-CALLED ENABLING ACT
4003
01:03:43,186 --> 01:03:43,219
THE SO-CALLED ENABLING ACT
4004
01:03:43,219 --> 01:03:44,720
BASICALLY SAID "YOU CAN DO
4005
01:03:44,720 --> 01:03:44,753
BASICALLY SAID "YOU CAN DO
4006
01:03:44,754 --> 01:03:46,489
PRETTY MUCH ANYTHING YOU WANT."
4007
01:03:46,489 --> 01:03:46,522
PRETTY MUCH ANYTHING YOU WANT."
4008
01:03:46,522 --> 01:03:48,290
IT'S AN EMERGENCY POWER,
4009
01:03:48,291 --> 01:03:48,324
IT'S AN EMERGENCY POWER,
4010
01:03:48,324 --> 01:03:50,025
NATURALLY, BUT OF COURSE,
4011
01:03:50,026 --> 01:03:50,092
NATURALLY, BUT OF COURSE,
4012
01:03:50,092 --> 01:03:56,264
EMERGENCY POWERS RARELY GO AWAY.
4013
01:03:56,265 --> 01:03:56,298
EMERGENCY POWERS RARELY GO AWAY.
4014
01:03:56,299 --> 01:03:57,466
>> THIS IS A CRISIS.
4015
01:03:57,466 --> 01:03:57,499
>> THIS IS A CRISIS.
4016
01:03:57,500 --> 01:03:58,767
THE SENATE MUST VOTE THE
4017
01:03:58,768 --> 01:03:58,834
THE SENATE MUST VOTE THE
4018
01:03:58,835 --> 01:04:00,670
CHANCELLOR EMERGENCY POWERS.
4019
01:04:00,670 --> 01:04:00,703
CHANCELLOR EMERGENCY POWERS.
4020
01:04:00,703 --> 01:04:02,838
HE CAN THEN APPROVE THE CREATION
4021
01:04:02,839 --> 01:04:02,905
HE CAN THEN APPROVE THE CREATION
4022
01:04:02,905 --> 01:04:05,674
OF AN ARMY.
4023
01:04:05,675 --> 01:04:05,708
OF AN ARMY.
4024
01:04:05,708 --> 01:04:07,409
>> Rather: DICTATORS ALWAYS
4025
01:04:07,410 --> 01:04:07,476
>> Rather: DICTATORS ALWAYS
4026
01:04:07,476 --> 01:04:08,944
START OUT SAYING THEY'RE GONNA
4027
01:04:08,945 --> 01:04:09,011
START OUT SAYING THEY'RE GONNA
4028
01:04:09,011 --> 01:04:10,212
HELP THE LITTLE GUY.
4029
01:04:10,213 --> 01:04:10,246
HELP THE LITTLE GUY.
4030
01:04:10,246 --> 01:04:11,480
IT'S THE BIG DADDY.
4031
01:04:11,480 --> 01:04:11,513
IT'S THE BIG DADDY.
4032
01:04:11,514 --> 01:04:14,049
"HERE IS THIS POWERFUL PERSON.
4033
01:04:14,050 --> 01:04:14,116
"HERE IS THIS POWERFUL PERSON.
4034
01:04:14,116 --> 01:04:15,750
AND HE IS COMMITTED TO TAKING
4035
01:04:15,751 --> 01:04:15,817
AND HE IS COMMITTED TO TAKING
4036
01:04:15,818 --> 01:04:16,952
CARE OF ME."
4037
01:04:16,953 --> 01:04:16,986
CARE OF ME."
4038
01:04:16,986 --> 01:04:18,954
AND THESE POWERFUL MEN WHO
4039
01:04:18,955 --> 01:04:18,988
AND THESE POWERFUL MEN WHO
4040
01:04:18,988 --> 01:04:21,123
REPRESENT REPRESSION,
4041
01:04:21,123 --> 01:04:21,156
REPRESENT REPRESSION,
4042
01:04:21,157 --> 01:04:24,593
DICTATORSHIP, AND EVIL, DO HAVE
4043
01:04:24,594 --> 01:04:24,627
DICTATORSHIP, AND EVIL, DO HAVE
4044
01:04:24,627 --> 01:04:26,028
A CHARISMA ABOUT THEM, THE
4045
01:04:26,028 --> 01:04:26,094
A CHARISMA ABOUT THEM, THE
4046
01:04:26,095 --> 01:04:27,296
CHARISMA OF POWER.
4047
01:04:27,296 --> 01:04:27,329
CHARISMA OF POWER.
4048
01:04:27,330 --> 01:04:28,864
[crowd chanting and clapping]
4049
01:04:28,865 --> 01:04:28,931
[crowd chanting and clapping]
4050
01:04:28,931 --> 01:04:30,966
SADDAM HUSSEIN HAD TERRIFIC--
4051
01:04:30,967 --> 01:04:31,000
SADDAM HUSSEIN HAD TERRIFIC--
4052
01:04:31,000 --> 01:04:32,968
WHAT THE MILITARY CALLS COMMAND
4053
01:04:32,969 --> 01:04:33,002
WHAT THE MILITARY CALLS COMMAND
4054
01:04:33,002 --> 01:04:37,873
PRESENCE: WALKED TALL, UPRIGHT,
4055
01:04:37,874 --> 01:04:37,940
PRESENCE: WALKED TALL, UPRIGHT,
4056
01:04:37,940 --> 01:04:40,309
TENDED TO DOMINATE ANY LANDSCAPE
4057
01:04:40,309 --> 01:04:40,375
TENDED TO DOMINATE ANY LANDSCAPE
4058
01:04:40,376 --> 01:04:42,611
HE OCCUPIED.
4059
01:04:42,612 --> 01:04:42,645
HE OCCUPIED.
4060
01:04:42,645 --> 01:04:45,614
HIS MESSAGE WAS "FOLLOW ME, AND
4061
01:04:45,615 --> 01:04:45,681
HIS MESSAGE WAS "FOLLOW ME, AND
4062
01:04:45,681 --> 01:04:47,582
I'LL TAKE CARE OF YOU."
4063
01:04:47,583 --> 01:04:47,616
I'LL TAKE CARE OF YOU."
4064
01:04:47,617 --> 01:04:50,753
ONE CAN SEE THE ATTRACTION.
4065
01:04:50,753 --> 01:04:50,786
ONE CAN SEE THE ATTRACTION.
4066
01:04:50,786 --> 01:04:52,020
>> NABOO'S SYSTEM HAS BEEN
4067
01:04:52,021 --> 01:04:52,054
>> NABOO'S SYSTEM HAS BEEN
4068
01:04:52,054 --> 01:04:53,588
INVADED BY THE DROID ARMIES OF
4069
01:04:53,589 --> 01:04:53,622
INVADED BY THE DROID ARMIES OF
4070
01:04:53,623 --> 01:04:54,223
THE TRADE--
4071
01:04:54,223 --> 01:04:54,256
THE TRADE--
4072
01:04:54,257 --> 01:04:57,793
>> I OBJECT, THERE IS NO PROOF!
4073
01:04:57,793 --> 01:04:57,826
>> I OBJECT, THERE IS NO PROOF!
4074
01:04:57,827 --> 01:04:59,128
>> Hudgins: YOU REALLY DO SEE
4075
01:04:59,128 --> 01:04:59,161
>> Hudgins: YOU REALLY DO SEE
4076
01:04:59,161 --> 01:05:01,062
THIS THEME, THAT IS, YOU SEE
4077
01:05:01,063 --> 01:05:01,096
THIS THEME, THAT IS, YOU SEE
4078
01:05:01,097 --> 01:05:02,798
GOVERNMENT BECOMING VERY, VERY
4079
01:05:02,798 --> 01:05:02,831
GOVERNMENT BECOMING VERY, VERY
4080
01:05:02,832 --> 01:05:04,600
MESSY, VERY, VERY CORRUPT.
4081
01:05:04,600 --> 01:05:04,633
MESSY, VERY, VERY CORRUPT.
4082
01:05:04,634 --> 01:05:06,402
AND THIS GOES BACK TO THE ROMAN
4083
01:05:06,402 --> 01:05:06,435
AND THIS GOES BACK TO THE ROMAN
4084
01:05:06,435 --> 01:05:07,235
EMPIRE.
4085
01:05:07,236 --> 01:05:07,302
EMPIRE.
4086
01:05:07,303 --> 01:05:09,171
FREE SOCIETIES, REPUBLICS, DO
4087
01:05:09,171 --> 01:05:09,237
FREE SOCIETIES, REPUBLICS, DO
4088
01:05:09,238 --> 01:05:10,505
NOT COLLAPSE FROM WITHOUT UNTIL
4089
01:05:10,506 --> 01:05:10,539
NOT COLLAPSE FROM WITHOUT UNTIL
4090
01:05:10,539 --> 01:05:11,873
THEY'VE DESTROYED THEMSELVES
4091
01:05:11,874 --> 01:05:11,907
THEY'VE DESTROYED THEMSELVES
4092
01:05:11,908 --> 01:05:14,844
WITHIN.
4093
01:05:14,844 --> 01:05:14,877
WITHIN.
4094
01:05:14,877 --> 01:05:17,579
THE MORALITY NECESSARY TO
4095
01:05:17,580 --> 01:05:17,613
THE MORALITY NECESSARY TO
4096
01:05:17,613 --> 01:05:20,048
SUPPORT A FREE SOCIETY, OF A
4097
01:05:20,049 --> 01:05:20,082
SUPPORT A FREE SOCIETY, OF A
4098
01:05:20,082 --> 01:05:22,417
REPUBLIC, HAS TO ERODE.
4099
01:05:22,418 --> 01:05:22,451
REPUBLIC, HAS TO ERODE.
4100
01:05:22,451 --> 01:05:23,518
>> Wetmore, Jr.: AND HAND IN
4101
01:05:23,519 --> 01:05:23,585
>> Wetmore, Jr.: AND HAND IN
4102
01:05:23,586 --> 01:05:24,687
HAND IN THAT, OF COURSE, IN
4103
01:05:24,687 --> 01:05:24,720
HAND IN THAT, OF COURSE, IN
4104
01:05:24,720 --> 01:05:25,854
ANCIENT ROME IS THE IDEA OF
4105
01:05:25,855 --> 01:05:25,888
ANCIENT ROME IS THE IDEA OF
4106
01:05:25,888 --> 01:05:26,855
CORRUPTION, THE SENATORS
4107
01:05:26,856 --> 01:05:26,889
CORRUPTION, THE SENATORS
4108
01:05:26,889 --> 01:05:28,156
THEMSELVES GROWING MORE
4109
01:05:28,157 --> 01:05:28,223
THEMSELVES GROWING MORE
4110
01:05:28,224 --> 01:05:29,858
CONCERNED WITH MAINTAINING THEIR
4111
01:05:29,859 --> 01:05:29,892
CONCERNED WITH MAINTAINING THEIR
4112
01:05:29,892 --> 01:05:31,326
OWN POWER AND THE SENATE SORT OF
4113
01:05:31,327 --> 01:05:31,360
OWN POWER AND THE SENATE SORT OF
4114
01:05:31,360 --> 01:05:32,894
WILLING ITSELF ALMOST OUT OF
4115
01:05:32,895 --> 01:05:32,961
WILLING ITSELF ALMOST OUT OF
4116
01:05:32,962 --> 01:05:34,330
EXISTENCE.
4117
01:05:34,330 --> 01:05:34,363
EXISTENCE.
4118
01:05:34,363 --> 01:05:35,897
>> THE SENATE IS EXPECTED TO
4119
01:05:35,898 --> 01:05:35,931
>> THE SENATE IS EXPECTED TO
4120
01:05:35,932 --> 01:05:37,800
VOTE MORE EXECUTIVE POWERS TO
4121
01:05:37,800 --> 01:05:37,833
VOTE MORE EXECUTIVE POWERS TO
4122
01:05:37,833 --> 01:05:39,367
THE CHANCELLOR TODAY.
4123
01:05:39,368 --> 01:05:39,434
THE CHANCELLOR TODAY.
4124
01:05:39,435 --> 01:05:41,236
BE CAREFUL OF YOUR FRIEND
4125
01:05:41,237 --> 01:05:41,270
BE CAREFUL OF YOUR FRIEND
4126
01:05:41,270 --> 01:05:43,005
PALPATINE.
4127
01:05:43,005 --> 01:05:43,038
PALPATINE.
4128
01:05:43,039 --> 01:05:44,340
>> Lyden: LUCAS IS SHOWING US
4129
01:05:44,340 --> 01:05:44,373
>> Lyden: LUCAS IS SHOWING US
4130
01:05:44,373 --> 01:05:46,074
DEMOCRACY IS FRAGILE.
4131
01:05:46,075 --> 01:05:46,141
DEMOCRACY IS FRAGILE.
4132
01:05:46,142 --> 01:05:48,244
IT CAN ALWAYS BE DESTROYED FROM
4133
01:05:48,244 --> 01:05:48,277
IT CAN ALWAYS BE DESTROYED FROM
4134
01:05:48,277 --> 01:05:49,544
WITHIN.
4135
01:05:49,545 --> 01:05:49,578
WITHIN.
4136
01:05:49,578 --> 01:05:51,913
>> AS MY FIRST ACT WITH THIS NEW
4137
01:05:51,914 --> 01:05:51,947
>> AS MY FIRST ACT WITH THIS NEW
4138
01:05:51,948 --> 01:05:55,885
AUTHORITY, I WILL CREATE A GRAND
4139
01:05:55,885 --> 01:05:55,918
AUTHORITY, I WILL CREATE A GRAND
4140
01:05:55,918 --> 01:05:59,354
ARMY OF THE REPUBLIC TO COUNTER
4141
01:05:59,355 --> 01:05:59,421
ARMY OF THE REPUBLIC TO COUNTER
4142
01:05:59,422 --> 01:06:00,556
THE INCREASING THREATS OF THE
4143
01:06:00,556 --> 01:06:00,622
THE INCREASING THREATS OF THE
4144
01:06:00,623 --> 01:06:01,724
SEPARATISTS.
4145
01:06:01,724 --> 01:06:01,757
SEPARATISTS.
4146
01:06:01,757 --> 01:06:03,191
>> Hudgins: PALPATINE'S PLAYING
4147
01:06:03,192 --> 01:06:03,225
>> Hudgins: PALPATINE'S PLAYING
4148
01:06:03,225 --> 01:06:04,826
BOTH SIDES BECAUSE HE KNOWS THAT
4149
01:06:04,827 --> 01:06:04,860
BOTH SIDES BECAUSE HE KNOWS THAT
4150
01:06:04,860 --> 01:06:06,928
WAR MEANS THE ACCUMULATION OF
4151
01:06:06,929 --> 01:06:06,995
WAR MEANS THE ACCUMULATION OF
4152
01:06:06,996 --> 01:06:09,832
POWER.
4153
01:06:09,832 --> 01:06:09,898
POWER.
4154
01:06:09,899 --> 01:06:11,634
AND IN A SENSE, THAT'S WHAT
4155
01:06:11,634 --> 01:06:11,667
AND IN A SENSE, THAT'S WHAT
4156
01:06:11,667 --> 01:06:13,168
HAPPENED IN ANCIENT ROME.
4157
01:06:13,169 --> 01:06:13,202
HAPPENED IN ANCIENT ROME.
4158
01:06:13,202 --> 01:06:15,470
PEOPLE LIKE JULIUS CAESAR RAISED
4159
01:06:15,471 --> 01:06:15,504
PEOPLE LIKE JULIUS CAESAR RAISED
4160
01:06:15,504 --> 01:06:16,905
ARMIES THAT BECAME PRIVATE
4161
01:06:16,906 --> 01:06:16,939
ARMIES THAT BECAME PRIVATE
4162
01:06:16,939 --> 01:06:19,374
ARMIES, AND THAT WAS REALLY WHAT
4163
01:06:19,375 --> 01:06:19,441
ARMIES, AND THAT WAS REALLY WHAT
4164
01:06:19,442 --> 01:06:21,811
LED TO THE DECLINE OF THE ROMAN
4165
01:06:21,811 --> 01:06:21,844
LED TO THE DECLINE OF THE ROMAN
4166
01:06:21,844 --> 01:06:22,845
REPUBLIC.
4167
01:06:22,845 --> 01:06:22,911
REPUBLIC.
4168
01:06:22,912 --> 01:06:26,115
[crowd cheering]
4169
01:06:26,115 --> 01:06:26,181
[crowd cheering]
4170
01:06:26,182 --> 01:06:27,283
>> Narrator: "STAR WARS"
4171
01:06:27,283 --> 01:06:27,349
>> Narrator: "STAR WARS"
4172
01:06:27,350 --> 01:06:28,751
FURTHER CONNECTS ITS GALACTIC
4173
01:06:28,751 --> 01:06:28,817
FURTHER CONNECTS ITS GALACTIC
4174
01:06:28,818 --> 01:06:30,619
REPUBLIC TO ANCIENT ROME WITH
4175
01:06:30,619 --> 01:06:30,652
REPUBLIC TO ANCIENT ROME WITH
4176
01:06:30,653 --> 01:06:32,388
SCENES LIKE THIS ONE.
4177
01:06:32,388 --> 01:06:32,421
SCENES LIKE THIS ONE.
4178
01:06:32,421 --> 01:06:35,824
[engines roaring]
4179
01:06:35,825 --> 01:06:35,858
[engines roaring]
4180
01:06:35,858 --> 01:06:37,125
>> Narrator: IN EPISODE I,
4181
01:06:37,126 --> 01:06:37,192
>> Narrator: IN EPISODE I,
4182
01:06:37,193 --> 01:06:38,561
"THE PHANTOM MENACE," THE
4183
01:06:38,561 --> 01:06:38,627
"THE PHANTOM MENACE," THE
4184
01:06:38,627 --> 01:06:40,395
POPULACE IS DISTRACTED FROM THE
4185
01:06:40,396 --> 01:06:40,429
POPULACE IS DISTRACTED FROM THE
4186
01:06:40,429 --> 01:06:42,197
GATHERING STORM OF WAR BY
4187
01:06:42,198 --> 01:06:42,231
GATHERING STORM OF WAR BY
4188
01:06:42,231 --> 01:06:44,633
SPECTACLES, LIKE THIS HIGH-SPEED
4189
01:06:44,633 --> 01:06:44,666
SPECTACLES, LIKE THIS HIGH-SPEED
4190
01:06:44,667 --> 01:06:46,935
POD RACE, REMINISCENT OF ROMAN
4191
01:06:46,936 --> 01:06:46,969
POD RACE, REMINISCENT OF ROMAN
4192
01:06:46,969 --> 01:06:50,272
CHARIOT RACES.
4193
01:06:50,272 --> 01:06:50,305
CHARIOT RACES.
4194
01:06:50,306 --> 01:06:52,775
LATER IN THE SAGA, AS PALPATINE
4195
01:06:52,775 --> 01:06:52,841
LATER IN THE SAGA, AS PALPATINE
4196
01:06:52,842 --> 01:06:54,577
CONSOLIDATES HIS POWER, THE
4197
01:06:54,577 --> 01:06:54,643
CONSOLIDATES HIS POWER, THE
4198
01:06:54,643 --> 01:06:56,478
CITIZENS INDULGE IN LURID
4199
01:06:56,479 --> 01:06:56,512
CITIZENS INDULGE IN LURID
4200
01:06:56,512 --> 01:06:58,447
RITUALS OF SACRIFICE AND
4201
01:06:58,447 --> 01:06:58,480
RITUALS OF SACRIFICE AND
4202
01:06:58,481 --> 01:07:00,316
SLAUGHTER.
4203
01:07:00,316 --> 01:07:00,382
SLAUGHTER.
4204
01:07:00,383 --> 01:07:02,385
[animal galloping and grunting]
4205
01:07:02,385 --> 01:07:02,418
[animal galloping and grunting]
4206
01:07:02,418 --> 01:07:04,119
>> Lyden: THERE IS A REFERENCE
4207
01:07:04,120 --> 01:07:04,153
>> Lyden: THERE IS A REFERENCE
4208
01:07:04,153 --> 01:07:06,488
TO GLADIATORIAL COMBAT, SUCH AS
4209
01:07:06,489 --> 01:07:06,555
TO GLADIATORIAL COMBAT, SUCH AS
4210
01:07:06,555 --> 01:07:09,124
ONE FINDS IN ANCIENT ROME.
4211
01:07:09,125 --> 01:07:09,158
ONE FINDS IN ANCIENT ROME.
4212
01:07:09,158 --> 01:07:10,959
YOU HAVE THE IDEA THAT EMPIRES
4213
01:07:10,960 --> 01:07:11,026
YOU HAVE THE IDEA THAT EMPIRES
4214
01:07:11,027 --> 01:07:15,965
CAN TURN TO THAT KIND DECADENCE.
4215
01:07:15,965 --> 01:07:15,998
CAN TURN TO THAT KIND DECADENCE.
4216
01:07:15,998 --> 01:07:19,868
[creature shrieks]
4217
01:07:19,869 --> 01:07:19,902
[creature shrieks]
4218
01:07:19,902 --> 01:07:23,038
[animal roars]
4219
01:07:23,039 --> 01:07:23,072
[animal roars]
4220
01:07:23,072 --> 01:07:27,042
[creature shrieks]
4221
01:07:27,043 --> 01:07:27,076
[creature shrieks]
4222
01:07:27,076 --> 01:07:28,143
>> Narrator: IN SHOWING THE
4223
01:07:28,144 --> 01:07:28,210
>> Narrator: IN SHOWING THE
4224
01:07:28,210 --> 01:07:30,145
FALL OF A REPUBLIC, "STAR WARS"
4225
01:07:30,146 --> 01:07:30,212
FALL OF A REPUBLIC, "STAR WARS"
4226
01:07:30,212 --> 01:07:31,880
ALSO REFLECTS THE STORY OF
4227
01:07:31,881 --> 01:07:31,914
ALSO REFLECTS THE STORY OF
4228
01:07:31,914 --> 01:07:33,782
NAPOLEON, WHO CROWNED HIMSELF
4229
01:07:33,783 --> 01:07:33,849
NAPOLEON, WHO CROWNED HIMSELF
4230
01:07:33,849 --> 01:07:36,251
EMPEROR AFTER THE HORRORS AND
4231
01:07:36,252 --> 01:07:36,318
EMPEROR AFTER THE HORRORS AND
4232
01:07:36,318 --> 01:07:38,119
CHAOS OF THE FRENCH REVOLUTION
4233
01:07:38,120 --> 01:07:38,153
CHAOS OF THE FRENCH REVOLUTION
4234
01:07:38,154 --> 01:07:39,755
BECAME TOO MUCH FOR THE FRENCH
4235
01:07:39,755 --> 01:07:39,788
BECAME TOO MUCH FOR THE FRENCH
4236
01:07:39,789 --> 01:07:41,690
PEOPLE TO BEAR.
4237
01:07:41,690 --> 01:07:41,756
PEOPLE TO BEAR.
4238
01:07:41,757 --> 01:07:43,658
EVEN EARLY AMERICAN HISTORY
4239
01:07:43,659 --> 01:07:43,692
EVEN EARLY AMERICAN HISTORY
4240
01:07:43,692 --> 01:07:45,427
OFFERS AN EXAMPLE OF HOW A
4241
01:07:45,428 --> 01:07:45,461
OFFERS AN EXAMPLE OF HOW A
4242
01:07:45,461 --> 01:07:47,129
REPUBLIC IS VULNERABLE TO THE
4243
01:07:47,129 --> 01:07:47,162
REPUBLIC IS VULNERABLE TO THE
4244
01:07:47,163 --> 01:07:48,964
AMBITIONS OF THE POWERFUL.
4245
01:07:48,964 --> 01:07:49,030
AMBITIONS OF THE POWERFUL.
4246
01:07:49,031 --> 01:07:50,032
>> Gingrich: IT'S IMPORTANT TO
4247
01:07:50,032 --> 01:07:50,065
>> Gingrich: IT'S IMPORTANT TO
4248
01:07:50,066 --> 01:07:51,167
REMEMBER THAT WASHINGTON AFTER
4249
01:07:51,167 --> 01:07:51,233
REMEMBER THAT WASHINGTON AFTER
4250
01:07:51,233 --> 01:07:52,400
THE AMERICAN REVOLUTION IS
4251
01:07:52,401 --> 01:07:52,434
THE AMERICAN REVOLUTION IS
4252
01:07:52,435 --> 01:07:54,036
OFFERED BY HIS OFFICERS TO
4253
01:07:54,036 --> 01:07:54,069
OFFERED BY HIS OFFICERS TO
4254
01:07:54,070 --> 01:07:56,338
REPLACE THE CONTINENTAL CONGRESS
4255
01:07:56,338 --> 01:07:56,404
REPLACE THE CONTINENTAL CONGRESS
4256
01:07:56,405 --> 01:07:58,039
AND ESTABLISH A DICTATORSHIP.
4257
01:07:58,040 --> 01:07:58,073
AND ESTABLISH A DICTATORSHIP.
4258
01:07:58,074 --> 01:07:59,508
AND HE SAYS TO THEM, "DO YOU
4259
01:07:59,508 --> 01:07:59,574
AND HE SAYS TO THEM, "DO YOU
4260
01:07:59,575 --> 01:08:01,443
TRULY BELIEVE THAT I LED THE
4261
01:08:01,444 --> 01:08:01,510
TRULY BELIEVE THAT I LED THE
4262
01:08:01,510 --> 01:08:03,345
REBELLION AGAINST GEORGE III IN
4263
01:08:03,345 --> 01:08:03,378
REBELLION AGAINST GEORGE III IN
4264
01:08:03,379 --> 01:08:04,880
ORDER TO BECOME GEORGE I?"
4265
01:08:04,880 --> 01:08:04,946
ORDER TO BECOME GEORGE I?"
4266
01:08:04,947 --> 01:08:06,949
AND I THINK HE WOULD FIND IN
4267
01:08:06,949 --> 01:08:06,982
AND I THINK HE WOULD FIND IN
4268
01:08:06,982 --> 01:08:09,317
"STAR WARS" A GREAT DEAL THAT
4269
01:08:09,318 --> 01:08:09,351
"STAR WARS" A GREAT DEAL THAT
4270
01:08:09,351 --> 01:08:10,885
HE WOULD HAVE AGREED WITH, AND
4271
01:08:10,886 --> 01:08:10,919
HE WOULD HAVE AGREED WITH, AND
4272
01:08:10,920 --> 01:08:12,087
A GREAT DEAL THAT HE WOULD HAVE
4273
01:08:12,088 --> 01:08:12,154
A GREAT DEAL THAT HE WOULD HAVE
4274
01:08:12,154 --> 01:08:13,321
UNDERSTOOD.
4275
01:08:13,322 --> 01:08:13,355
UNDERSTOOD.
4276
01:08:13,355 --> 01:08:14,356
>> Silvio: IT'S TESTIMONY TO
4277
01:08:14,356 --> 01:08:14,422
>> Silvio: IT'S TESTIMONY TO
4278
01:08:14,423 --> 01:08:15,357
JUST HOW SIGNIFICANT "STAR WARS"
4279
01:08:15,357 --> 01:08:15,423
JUST HOW SIGNIFICANT "STAR WARS"
4280
01:08:15,424 --> 01:08:16,958
IS THAT PEOPLE SEE OUR OWN
4281
01:08:16,959 --> 01:08:16,992
IS THAT PEOPLE SEE OUR OWN
4282
01:08:16,992 --> 01:08:18,693
SOCIETY, OUR OWN MOMENT
4283
01:08:18,694 --> 01:08:18,727
SOCIETY, OUR OWN MOMENT
4284
01:08:18,727 --> 01:08:19,961
REFLECTED IN IT.
4285
01:08:19,962 --> 01:08:19,995
REFLECTED IN IT.
4286
01:08:19,995 --> 01:08:21,997
>> ANAKIN, MY ALLEGIANCE IS TO
4287
01:08:21,997 --> 01:08:22,030
>> ANAKIN, MY ALLEGIANCE IS TO
4288
01:08:22,031 --> 01:08:24,366
THE REPUBLIC, TO DEMOCRACY!
4289
01:08:24,366 --> 01:08:24,432
THE REPUBLIC, TO DEMOCRACY!
4290
01:08:24,433 --> 01:08:27,702
>> IF YOU'RE NOT WITH ME...
4291
01:08:27,703 --> 01:08:27,736
>> IF YOU'RE NOT WITH ME...
4292
01:08:27,736 --> 01:08:29,838
THEN YOU'RE MY ENEMY.
4293
01:08:29,839 --> 01:08:29,872
THEN YOU'RE MY ENEMY.
4294
01:08:29,872 --> 01:08:31,006
>> Silvio: IN "REVENGE OF THE
4295
01:08:31,006 --> 01:08:31,039
>> Silvio: IN "REVENGE OF THE
4296
01:08:31,040 --> 01:08:32,641
SITH," WHEN WE HEAR ANAKIN SAY
4297
01:08:32,641 --> 01:08:32,674
SITH," WHEN WE HEAR ANAKIN SAY
4298
01:08:32,675 --> 01:08:34,076
YOU'RE EITHER WITH ME OR
4299
01:08:34,076 --> 01:08:34,109
YOU'RE EITHER WITH ME OR
4300
01:08:34,110 --> 01:08:35,444
AGAINST ME, IT'S ALMOST
4301
01:08:35,444 --> 01:08:35,477
AGAINST ME, IT'S ALMOST
4302
01:08:35,478 --> 01:08:37,012
IMPOSSIBLE NOT TO HEAR THAT
4303
01:08:37,012 --> 01:08:37,078
IMPOSSIBLE NOT TO HEAR THAT
4304
01:08:37,079 --> 01:08:38,547
QUOTE AND THINK OF ANOTHER VERY
4305
01:08:38,547 --> 01:08:38,613
QUOTE AND THINK OF ANOTHER VERY
4306
01:08:38,614 --> 01:08:40,449
FAMOUS QUOTE.
4307
01:08:40,449 --> 01:08:40,482
FAMOUS QUOTE.
4308
01:08:40,483 --> 01:08:43,085
>> EITHER YOU ARE WITH US OR
4309
01:08:43,085 --> 01:08:43,118
>> EITHER YOU ARE WITH US OR
4310
01:08:43,119 --> 01:08:44,987
YOU ARE WITH THE TERRORISTS.
4311
01:08:44,987 --> 01:08:45,053
YOU ARE WITH THE TERRORISTS.
4312
01:08:45,054 --> 01:08:47,056
[applause]
4313
01:08:47,056 --> 01:08:47,089
[applause]
4314
01:08:47,089 --> 01:08:48,990
>> Hudgins: SOME PEOPLE SAY THAT
4315
01:08:48,991 --> 01:08:49,024
>> Hudgins: SOME PEOPLE SAY THAT
4316
01:08:49,024 --> 01:08:50,825
THE NEW "STAR WARS" TRILOGY HAS
4317
01:08:50,826 --> 01:08:50,859
THE NEW "STAR WARS" TRILOGY HAS
4318
01:08:50,860 --> 01:08:52,261
ANALOGIES WITH IRAQ.
4319
01:08:52,261 --> 01:08:52,294
ANALOGIES WITH IRAQ.
4320
01:08:52,294 --> 01:08:53,528
AND I THINK THAT THAT'S ONLY
4321
01:08:53,529 --> 01:08:53,562
AND I THINK THAT THAT'S ONLY
4322
01:08:53,562 --> 01:08:55,297
VERY NARROWLY, BECAUSE LUCAS IS
4323
01:08:55,297 --> 01:08:55,363
VERY NARROWLY, BECAUSE LUCAS IS
4324
01:08:55,364 --> 01:08:57,566
LOOKING MUCH WIDER AT THE ROMAN
4325
01:08:57,566 --> 01:08:57,599
LOOKING MUCH WIDER AT THE ROMAN
4326
01:08:57,600 --> 01:08:59,568
REPUBLIC AND ALL REPUBLICS.
4327
01:08:59,568 --> 01:08:59,634
REPUBLIC AND ALL REPUBLICS.
4328
01:08:59,635 --> 01:09:01,103
>> Silvio: LUCAS IS TELLING A
4329
01:09:01,103 --> 01:09:01,136
>> Silvio: LUCAS IS TELLING A
4330
01:09:01,137 --> 01:09:03,839
VERY FAMILIAR HISTORICAL STORY,
4331
01:09:03,839 --> 01:09:03,872
VERY FAMILIAR HISTORICAL STORY,
4332
01:09:03,873 --> 01:09:06,475
THE STORY OF A TYRANT WHO COMES
4333
01:09:06,475 --> 01:09:06,508
THE STORY OF A TYRANT WHO COMES
4334
01:09:06,509 --> 01:09:08,544
TO POWER BY EXPLOITING
4335
01:09:08,544 --> 01:09:08,577
TO POWER BY EXPLOITING
4336
01:09:08,577 --> 01:09:10,812
CIRCUMSTANCES, BY CAPITALIZING
4337
01:09:10,813 --> 01:09:10,846
CIRCUMSTANCES, BY CAPITALIZING
4338
01:09:10,846 --> 01:09:13,014
ON FEAR, IS A STORY THAT'S BEEN
4339
01:09:13,015 --> 01:09:13,048
ON FEAR, IS A STORY THAT'S BEEN
4340
01:09:13,048 --> 01:09:16,985
TOLD AGAIN AND AGAIN AND AGAIN.
4341
01:09:16,986 --> 01:09:17,019
TOLD AGAIN AND AGAIN AND AGAIN.
4342
01:09:17,019 --> 01:09:20,122
>> [roars]
4343
01:09:20,122 --> 01:09:20,188
>> [roars]
4344
01:09:20,189 --> 01:09:21,123
>> Narrator: IN "REVENGE OF THE
4345
01:09:21,123 --> 01:09:21,156
>> Narrator: IN "REVENGE OF THE
4346
01:09:21,157 --> 01:09:23,259
SITH," THE HIDDEN EVIL WITHIN
4347
01:09:23,259 --> 01:09:23,292
SITH," THE HIDDEN EVIL WITHIN
4348
01:09:23,292 --> 01:09:26,461
PALPATINE IS MADE MANIFEST
4349
01:09:26,462 --> 01:09:26,495
PALPATINE IS MADE MANIFEST
4350
01:09:26,495 --> 01:09:28,563
DURING HIS BATTLE TO THE DEATH
4351
01:09:28,564 --> 01:09:28,630
DURING HIS BATTLE TO THE DEATH
4352
01:09:28,631 --> 01:09:35,304
WITH JEDI MASTER MACE WINDU.
4353
01:09:35,304 --> 01:09:35,370
WITH JEDI MASTER MACE WINDU.
4354
01:09:35,371 --> 01:09:38,540
>> [panicked grunting]
4355
01:09:38,541 --> 01:09:38,574
>> [panicked grunting]
4356
01:09:38,574 --> 01:09:40,876
>> I AM GOING TO END THIS ONCE
4357
01:09:40,876 --> 01:09:40,909
>> I AM GOING TO END THIS ONCE
4358
01:09:40,910 --> 01:09:42,011
AND FOR ALL.
4359
01:09:42,011 --> 01:09:42,044
AND FOR ALL.
4360
01:09:42,044 --> 01:09:44,112
>> YOU CAN'T.
4361
01:09:44,113 --> 01:09:44,146
>> YOU CAN'T.
4362
01:09:44,146 --> 01:09:46,047
HE MUST STAND TRIAL.
4363
01:09:46,048 --> 01:09:46,114
HE MUST STAND TRIAL.
4364
01:09:46,115 --> 01:09:48,050
>> HE HAS CONTROL OF THE SENATE
4365
01:09:48,050 --> 01:09:48,116
>> HE HAS CONTROL OF THE SENATE
4366
01:09:48,117 --> 01:09:49,184
AND THE COURTS.
4367
01:09:49,185 --> 01:09:49,218
AND THE COURTS.
4368
01:09:49,218 --> 01:09:50,852
HE'S TOO DANGEROUS TO BE LEFT
4369
01:09:50,853 --> 01:09:50,886
HE'S TOO DANGEROUS TO BE LEFT
4370
01:09:50,886 --> 01:09:51,486
ALIVE.
4371
01:09:51,487 --> 01:09:51,553
ALIVE.
4372
01:09:51,554 --> 01:09:52,955
>> NO.
4373
01:09:52,955 --> 01:09:52,988
>> NO.
4374
01:09:52,988 --> 01:09:55,123
NO! NO!
4375
01:09:55,124 --> 01:09:55,157
NO! NO!
4376
01:09:55,157 --> 01:09:59,294
YOU WILL DIE!
4377
01:09:59,295 --> 01:09:59,328
YOU WILL DIE!
4378
01:09:59,328 --> 01:10:01,029
>> Wetmore, Jr.: PALPATINE IS
4379
01:10:01,030 --> 01:10:01,063
>> Wetmore, Jr.: PALPATINE IS
4380
01:10:01,063 --> 01:10:02,397
NOW PHYSICALIZED EVIL.
4381
01:10:02,398 --> 01:10:02,431
NOW PHYSICALIZED EVIL.
4382
01:10:02,431 --> 01:10:03,598
HE'S UGLY AND CRUSTY AND
4383
01:10:03,599 --> 01:10:03,665
HE'S UGLY AND CRUSTY AND
4384
01:10:03,666 --> 01:10:07,036
MONSTROUS.
4385
01:10:07,036 --> 01:10:07,069
MONSTROUS.
4386
01:10:07,069 --> 01:10:08,503
>> POWER!
4387
01:10:08,504 --> 01:10:08,570
>> POWER!
4388
01:10:08,571 --> 01:10:09,872
>> Hudgins: PALPATINE BECOMES
4389
01:10:09,872 --> 01:10:09,905
>> Hudgins: PALPATINE BECOMES
4390
01:10:09,905 --> 01:10:11,239
THE EVIL EMPEROR.
4391
01:10:11,240 --> 01:10:11,273
THE EVIL EMPEROR.
4392
01:10:11,273 --> 01:10:14,142
YOU SEE THE DESIRE FOR POWER,
4393
01:10:14,143 --> 01:10:14,176
YOU SEE THE DESIRE FOR POWER,
4394
01:10:14,176 --> 01:10:15,610
THE DESIRE FOR CONTROL.
4395
01:10:15,611 --> 01:10:15,644
THE DESIRE FOR CONTROL.
4396
01:10:15,644 --> 01:10:21,149
>> POWER!
4397
01:10:21,150 --> 01:10:21,183
>> POWER!
4398
01:10:21,183 --> 01:10:22,150
>> Narrator: THE CUNNING
4399
01:10:22,151 --> 01:10:22,184
>> Narrator: THE CUNNING
4400
01:10:22,184 --> 01:10:23,418
PALPATINE EVEN USES HIS
4401
01:10:23,419 --> 01:10:23,452
PALPATINE EVEN USES HIS
4402
01:10:23,452 --> 01:10:25,220
PHYSICAL DEFORMITY TO WIN
4403
01:10:25,221 --> 01:10:25,254
PHYSICAL DEFORMITY TO WIN
4404
01:10:25,254 --> 01:10:27,589
SYMPATHY AND SUPPORT AS HE
4405
01:10:27,590 --> 01:10:27,623
SYMPATHY AND SUPPORT AS HE
4406
01:10:27,623 --> 01:10:28,790
SEIZES TOTAL POWER.
4407
01:10:28,791 --> 01:10:28,857
SEIZES TOTAL POWER.
4408
01:10:28,857 --> 01:10:31,960
>> THE ATTEMPT ON MY LIFE HAS
4409
01:10:31,961 --> 01:10:31,994
>> THE ATTEMPT ON MY LIFE HAS
4410
01:10:31,994 --> 01:10:37,666
LEFT ME SCARRED AND DEFORMED.
4411
01:10:37,666 --> 01:10:37,699
LEFT ME SCARRED AND DEFORMED.
4412
01:10:37,700 --> 01:10:42,805
BUT I ASSURE YOU, MY RESOLVE HAS
4413
01:10:42,805 --> 01:10:42,838
BUT I ASSURE YOU, MY RESOLVE HAS
4414
01:10:42,838 --> 01:10:45,574
NEVER BEEN STRONGER!
4415
01:10:45,574 --> 01:10:45,607
NEVER BEEN STRONGER!
4416
01:10:45,608 --> 01:10:46,976
[applause]
4417
01:10:46,976 --> 01:10:47,042
[applause]
4418
01:10:47,042 --> 01:10:48,309
>> Paglia: LUCAS CORRECTLY
4419
01:10:48,310 --> 01:10:48,343
>> Paglia: LUCAS CORRECTLY
4420
01:10:48,344 --> 01:10:50,579
PERCEIVES THAT POLITICS ARE
4421
01:10:50,579 --> 01:10:50,612
PERCEIVES THAT POLITICS ARE
4422
01:10:50,613 --> 01:10:52,881
CYCLICAL AND THAT THERE IS NEVER
4423
01:10:52,881 --> 01:10:52,914
CYCLICAL AND THAT THERE IS NEVER
4424
01:10:52,915 --> 01:10:55,784
A FINAL SOLUTION TO ANYTHING
4425
01:10:55,784 --> 01:10:55,817
A FINAL SOLUTION TO ANYTHING
4426
01:10:55,818 --> 01:10:57,252
INVOLVING THE CONSTRUCTION OF
4427
01:10:57,253 --> 01:10:57,286
INVOLVING THE CONSTRUCTION OF
4428
01:10:57,286 --> 01:10:58,253
HUMAN SOCIETIES, THAT THEY ARE
4429
01:10:58,254 --> 01:10:58,287
HUMAN SOCIETIES, THAT THEY ARE
4430
01:10:58,287 --> 01:11:00,322
IN CONTINUAL PROCESS OF
4431
01:11:00,322 --> 01:11:00,355
IN CONTINUAL PROCESS OF
4432
01:11:00,356 --> 01:11:02,257
CONSTRUCTION AND OF
4433
01:11:02,258 --> 01:11:02,291
CONSTRUCTION AND OF
4434
01:11:02,291 --> 01:11:05,360
SELF-DESTRUCTION.
4435
01:11:05,361 --> 01:11:05,394
SELF-DESTRUCTION.
4436
01:11:05,394 --> 01:11:06,728
>> Whedon: WHEN PALPATINE TAKES
4437
01:11:06,729 --> 01:11:06,795
>> Whedon: WHEN PALPATINE TAKES
4438
01:11:06,795 --> 01:11:08,229
OVER, IT'S THE MOST CHILLING
4439
01:11:08,230 --> 01:11:08,263
OVER, IT'S THE MOST CHILLING
4440
01:11:08,264 --> 01:11:09,965
THING I'D SEEN SINCE THE FIRST
4441
01:11:09,965 --> 01:11:09,998
THING I'D SEEN SINCE THE FIRST
4442
01:11:09,999 --> 01:11:10,899
MOVIE.
4443
01:11:10,899 --> 01:11:10,932
MOVIE.
4444
01:11:10,933 --> 01:11:13,335
I MEAN, I HAD ACTUAL DREAD IN
4445
01:11:13,335 --> 01:11:13,368
I MEAN, I HAD ACTUAL DREAD IN
4446
01:11:13,369 --> 01:11:14,703
THAT WONDERFUL SHOT...
4447
01:11:14,703 --> 01:11:14,736
THAT WONDERFUL SHOT...
4448
01:11:14,737 --> 01:11:15,738
[applause]
4449
01:11:15,738 --> 01:11:15,804
[applause]
4450
01:11:15,804 --> 01:11:16,871
WHERE THEY'RE COMING DOWN ON
4451
01:11:16,872 --> 01:11:16,905
WHERE THEY'RE COMING DOWN ON
4452
01:11:16,905 --> 01:11:20,875
HIM, AND EVERYBODY'S CHEERING.
4453
01:11:20,876 --> 01:11:20,909
HIM, AND EVERYBODY'S CHEERING.
4454
01:11:20,909 --> 01:11:22,911
>> IN ORDER TO ENSURE THE
4455
01:11:22,911 --> 01:11:22,944
>> IN ORDER TO ENSURE THE
4456
01:11:22,945 --> 01:11:24,980
SECURITY AND CONTINUING
4457
01:11:24,980 --> 01:11:25,013
SECURITY AND CONTINUING
4458
01:11:25,014 --> 01:11:28,984
STABILITY, THE REPUBLIC WILL BE
4459
01:11:28,984 --> 01:11:29,017
STABILITY, THE REPUBLIC WILL BE
4460
01:11:29,018 --> 01:11:32,988
REORGANIZED INTO THE FIRST
4461
01:11:32,988 --> 01:11:33,021
REORGANIZED INTO THE FIRST
4462
01:11:33,022 --> 01:11:36,091
GALACTIC EMPIRE!
4463
01:11:36,091 --> 01:11:36,157
GALACTIC EMPIRE!
4464
01:11:36,158 --> 01:11:37,559
[applause]
4465
01:11:37,559 --> 01:11:37,625
[applause]
4466
01:11:37,626 --> 01:11:38,827
>> Lyden: THERE IS A TIMELESS
4467
01:11:38,827 --> 01:11:38,893
>> Lyden: THERE IS A TIMELESS
4468
01:11:38,894 --> 01:11:41,096
MORAL THAT POWER CORRUPTS AND
4469
01:11:41,096 --> 01:11:41,162
MORAL THAT POWER CORRUPTS AND
4470
01:11:41,163 --> 01:11:43,064
ABSOLUTE POWER CORRUPTS
4471
01:11:43,065 --> 01:11:43,098
ABSOLUTE POWER CORRUPTS
4472
01:11:43,098 --> 01:11:44,065
ABSOLUTELY.
4473
01:11:44,066 --> 01:11:44,099
ABSOLUTELY.
4474
01:11:44,099 --> 01:11:46,568
WE HAVE TO SAFEGUARD DEMOCRACY.
4475
01:11:46,568 --> 01:11:46,601
WE HAVE TO SAFEGUARD DEMOCRACY.
4476
01:11:46,602 --> 01:11:49,571
THAT THREAT IS ALWAYS THERE.
4477
01:11:49,571 --> 01:11:49,604
THAT THREAT IS ALWAYS THERE.
4478
01:11:49,605 --> 01:11:53,175
>> SO THIS IS HOW LIBERTY DIES,
4479
01:11:53,175 --> 01:11:53,208
>> SO THIS IS HOW LIBERTY DIES,
4480
01:11:53,208 --> 01:11:55,643
WITH THUNDEROUS APPLAUSE.
4481
01:12:02,518 --> 01:12:03,452
>> LOOK AT HIM, HE'S HEADING
4482
01:12:03,452 --> 01:12:03,485
>> LOOK AT HIM, HE'S HEADING
4483
01:12:03,485 --> 01:12:04,552
FOR THAT SMALL MOON.
4484
01:12:04,553 --> 01:12:04,586
FOR THAT SMALL MOON.
4485
01:12:04,586 --> 01:12:05,286
>> I THINK I CAN GET HIM BEFORE
4486
01:12:05,287 --> 01:12:05,353
>> I THINK I CAN GET HIM BEFORE
4487
01:12:05,354 --> 01:12:06,254
HE GETS THERE.
4488
01:12:06,255 --> 01:12:06,288
HE GETS THERE.
4489
01:12:06,288 --> 01:12:08,556
HE'S ALMOST IN RANGE.
4490
01:12:08,557 --> 01:12:08,623
HE'S ALMOST IN RANGE.
4491
01:12:08,624 --> 01:12:10,926
>> THAT'S NO MOON.
4492
01:12:10,926 --> 01:12:10,992
>> THAT'S NO MOON.
4493
01:12:10,993 --> 01:12:12,728
IT'S A SPACE STATION.
4494
01:12:12,728 --> 01:12:12,761
IT'S A SPACE STATION.
4495
01:12:12,761 --> 01:12:13,828
>> IT'S TOO BIG TO BE A SPACE
4496
01:12:13,829 --> 01:12:13,862
>> IT'S TOO BIG TO BE A SPACE
4497
01:12:13,862 --> 01:12:15,363
STATION.
4498
01:12:26,141 --> 01:12:27,275
>> Narrator: IN MOST MYTHIC
4499
01:12:27,276 --> 01:12:27,309
>> Narrator: IN MOST MYTHIC
4500
01:12:27,309 --> 01:12:29,577
TALES, THE HERO AND HIS COMRADES
4501
01:12:29,578 --> 01:12:29,644
TALES, THE HERO AND HIS COMRADES
4502
01:12:29,645 --> 01:12:31,113
MUST TAKE PART IN AN EPIC
4503
01:12:31,113 --> 01:12:31,146
MUST TAKE PART IN AN EPIC
4504
01:12:31,146 --> 01:12:34,649
BATTLE.
4505
01:12:34,650 --> 01:12:34,683
BATTLE.
4506
01:12:34,683 --> 01:12:36,751
THE "STAR WARS" SAGA DRAWS ON
4507
01:12:36,752 --> 01:12:36,785
THE "STAR WARS" SAGA DRAWS ON
4508
01:12:36,785 --> 01:12:39,120
ICONIC IMAGES OF GOOD AND EVIL,
4509
01:12:39,121 --> 01:12:39,154
ICONIC IMAGES OF GOOD AND EVIL,
4510
01:12:39,154 --> 01:12:41,556
TO EVOKE A MECHANIZED EMPIRE ON
4511
01:12:41,557 --> 01:12:41,590
TO EVOKE A MECHANIZED EMPIRE ON
4512
01:12:41,590 --> 01:12:44,192
THE VERGE OF CRUSHING DEMOCRACY.
4513
01:12:44,193 --> 01:12:44,226
THE VERGE OF CRUSHING DEMOCRACY.
4514
01:12:44,226 --> 01:12:45,560
>> Henderson: IN ORDER TO MAKE
4515
01:12:45,561 --> 01:12:45,594
>> Henderson: IN ORDER TO MAKE
4516
01:12:45,594 --> 01:12:47,862
THE EMPIRE SEEM PARTICULARLY
4517
01:12:47,863 --> 01:12:47,896
THE EMPIRE SEEM PARTICULARLY
4518
01:12:47,896 --> 01:12:50,865
EVIL, LUCAS CALLS THE EMPEROR'S
4519
01:12:50,866 --> 01:12:50,899
EVIL, LUCAS CALLS THE EMPEROR'S
4520
01:12:50,899 --> 01:12:53,034
TROOPS STORMTROOPERS,
4521
01:12:53,035 --> 01:12:53,101
TROOPS STORMTROOPERS,
4522
01:12:53,102 --> 01:12:55,137
WHICH WERE, OF COURSE, HITLER'S
4523
01:12:55,137 --> 01:12:55,203
WHICH WERE, OF COURSE, HITLER'S
4524
01:12:55,204 --> 01:12:56,939
PERSONAL BODYGUARDS.
4525
01:12:56,939 --> 01:12:56,972
PERSONAL BODYGUARDS.
4526
01:12:56,972 --> 01:12:59,874
HE USES THE BLACK, WHITE AND
4527
01:12:59,875 --> 01:12:59,941
HE USES THE BLACK, WHITE AND
4528
01:12:59,942 --> 01:13:02,511
RED WHEN HE SHOWS THE EMPIRE,
4529
01:13:02,511 --> 01:13:02,544
RED WHEN HE SHOWS THE EMPIRE,
4530
01:13:02,544 --> 01:13:04,946
AND IN FACT, THOSE WERE COLORS
4531
01:13:04,947 --> 01:13:05,013
AND IN FACT, THOSE WERE COLORS
4532
01:13:05,013 --> 01:13:07,482
THAT HITLER LIKED AND USED FOR
4533
01:13:07,483 --> 01:13:07,516
THAT HITLER LIKED AND USED FOR
4534
01:13:07,516 --> 01:13:09,417
WHAT WAS CALLED THE BLOOD FLAG,
4535
01:13:09,418 --> 01:13:09,451
WHAT WAS CALLED THE BLOOD FLAG,
4536
01:13:09,451 --> 01:13:12,687
A SYMBOL OF THE THIRD REICH.
4537
01:13:12,688 --> 01:13:12,754
A SYMBOL OF THE THIRD REICH.
4538
01:13:12,755 --> 01:13:14,056
>> Brokaw: WHEN YOU LOOK AT
4539
01:13:14,056 --> 01:13:14,122
>> Brokaw: WHEN YOU LOOK AT
4540
01:13:14,123 --> 01:13:15,424
DARTH VADER WITH WHAT LOOKS
4541
01:13:15,424 --> 01:13:15,457
DARTH VADER WITH WHAT LOOKS
4542
01:13:15,457 --> 01:13:16,858
LIKE WHAT THEY CALL THE
4543
01:13:16,859 --> 01:13:16,892
LIKE WHAT THEY CALL THE
4544
01:13:16,892 --> 01:13:18,493
UPSIDE-DOWN COAL KETTLE OF THE
4545
01:13:18,494 --> 01:13:18,527
UPSIDE-DOWN COAL KETTLE OF THE
4546
01:13:18,527 --> 01:13:20,562
GERMAN HELMET, THOSE WERE VERY
4547
01:13:20,562 --> 01:13:20,595
GERMAN HELMET, THOSE WERE VERY
4548
01:13:20,596 --> 01:13:22,497
POWERFUL SYMBOLS OF EVIL IN
4549
01:13:22,498 --> 01:13:22,564
POWERFUL SYMBOLS OF EVIL IN
4550
01:13:22,564 --> 01:13:24,432
AMERICA THAT TOOK YOU INSTANTLY
4551
01:13:24,433 --> 01:13:24,499
AMERICA THAT TOOK YOU INSTANTLY
4552
01:13:24,500 --> 01:13:25,701
TO THE DARK SIDE AS SOON AS YOU
4553
01:13:25,701 --> 01:13:25,767
TO THE DARK SIDE AS SOON AS YOU
4554
01:13:25,768 --> 01:13:27,069
SAW THAT SHAPE OF THAT HELMET OR
4555
01:13:27,069 --> 01:13:27,102
SAW THAT SHAPE OF THAT HELMET OR
4556
01:13:27,102 --> 01:13:28,336
HEARD THE PHRASE
4557
01:13:28,337 --> 01:13:28,403
HEARD THE PHRASE
4558
01:13:28,403 --> 01:13:29,871
"STORMTROOPERS."
4559
01:13:29,872 --> 01:13:29,905
"STORMTROOPERS."
4560
01:13:29,905 --> 01:13:30,672
>> Galipeau: SYMBOLICALLY, THE
4561
01:13:30,672 --> 01:13:30,705
>> Galipeau: SYMBOLICALLY, THE
4562
01:13:30,706 --> 01:13:32,841
MASK REALLY REPRESENTS SOMEONE
4563
01:13:32,841 --> 01:13:32,874
MASK REALLY REPRESENTS SOMEONE
4564
01:13:32,875 --> 01:13:35,310
WHO'S LOST THEIR HUMANITY.
4565
01:13:35,310 --> 01:13:35,343
WHO'S LOST THEIR HUMANITY.
4566
01:13:35,344 --> 01:13:36,778
SO THEY ARE JUST GOING TO DO
4567
01:13:36,779 --> 01:13:36,812
SO THEY ARE JUST GOING TO DO
4568
01:13:36,812 --> 01:13:37,879
WHAT THEY'RE TOLD.
4569
01:13:37,880 --> 01:13:37,946
WHAT THEY'RE TOLD.
4570
01:13:37,946 --> 01:13:39,113
>> TO YOUR STATIONS.
4571
01:13:39,114 --> 01:13:39,147
>> TO YOUR STATIONS.
4572
01:13:39,148 --> 01:13:40,048
>> Galipeau: BUT NOT
4573
01:13:40,048 --> 01:13:40,081
>> Galipeau: BUT NOT
4574
01:13:40,082 --> 01:13:42,050
NECESSARILY WHAT'S RIGHT.
4575
01:13:42,050 --> 01:13:42,116
NECESSARILY WHAT'S RIGHT.
4576
01:13:42,117 --> 01:13:43,351
>> Narrator: IN "STAR WARS,"
4577
01:13:43,352 --> 01:13:43,418
>> Narrator: IN "STAR WARS,"
4578
01:13:43,418 --> 01:13:44,786
THE REBEL RESISTANCE AND THE
4579
01:13:44,787 --> 01:13:44,853
THE REBEL RESISTANCE AND THE
4580
01:13:44,853 --> 01:13:46,221
HEROIC GUARDIANS OF THE OLD
4581
01:13:46,221 --> 01:13:46,254
HEROIC GUARDIANS OF THE OLD
4582
01:13:46,255 --> 01:13:48,624
REPUBLIC EMBRACE DIVERSITY...
4583
01:13:48,624 --> 01:13:48,690
REPUBLIC EMBRACE DIVERSITY...
4584
01:13:48,690 --> 01:13:52,627
[Wookiees bellowing]
4585
01:13:52,628 --> 01:13:52,661
[Wookiees bellowing]
4586
01:13:52,661 --> 01:13:53,895
>> Narrator: IN CONTRAST TO THE
4587
01:13:53,896 --> 01:13:53,929
>> Narrator: IN CONTRAST TO THE
4588
01:13:53,929 --> 01:13:55,897
UNIFORMITY OF THE EMPIRE AND THE
4589
01:13:55,898 --> 01:13:55,931
UNIFORMITY OF THE EMPIRE AND THE
4590
01:13:55,931 --> 01:13:57,032
SITH.
4591
01:13:57,032 --> 01:13:57,065
SITH.
4592
01:13:57,065 --> 01:13:59,801
>> Lyden: THE EMPIRE IS STERILE
4593
01:13:59,802 --> 01:13:59,835
>> Lyden: THE EMPIRE IS STERILE
4594
01:13:59,835 --> 01:14:02,270
AND LIFELESS.
4595
01:14:02,271 --> 01:14:02,337
AND LIFELESS.
4596
01:14:02,337 --> 01:14:04,539
THERE ARE NO WOMEN IN THE EMPIRE
4597
01:14:04,540 --> 01:14:04,606
THERE ARE NO WOMEN IN THE EMPIRE
4598
01:14:04,606 --> 01:14:06,274
ANYWHERE.
4599
01:14:06,275 --> 01:14:06,341
ANYWHERE.
4600
01:14:06,341 --> 01:14:07,241
>> IF THE SCANNERS PICK UP
4601
01:14:07,242 --> 01:14:07,275
>> IF THE SCANNERS PICK UP
4602
01:14:07,276 --> 01:14:08,710
ANYTHING, REPORT IT IMMEDIATELY.
4603
01:14:08,710 --> 01:14:08,743
ANYTHING, REPORT IT IMMEDIATELY.
4604
01:14:08,744 --> 01:14:10,078
>> Lyden: AND THIS MAY BE
4605
01:14:10,078 --> 01:14:10,144
>> Lyden: AND THIS MAY BE
4606
01:14:10,145 --> 01:14:11,713
BECAUSE WOMEN ARE ASSOCIATED
4607
01:14:11,713 --> 01:14:11,779
BECAUSE WOMEN ARE ASSOCIATED
4608
01:14:11,780 --> 01:14:13,548
WITH LIFE, THE POWER OF LIFE-
4609
01:14:13,549 --> 01:14:13,615
WITH LIFE, THE POWER OF LIFE-
4610
01:14:13,615 --> 01:14:15,516
GIVING, WITH NATURE.
4611
01:14:15,517 --> 01:14:15,550
GIVING, WITH NATURE.
4612
01:14:15,551 --> 01:14:16,985
>> YOU ARE PART OF THE REBEL
4613
01:14:16,985 --> 01:14:17,018
>> YOU ARE PART OF THE REBEL
4614
01:14:17,019 --> 01:14:18,687
ALLIANCE AND A TRAITOR.
4615
01:14:18,687 --> 01:14:18,720
ALLIANCE AND A TRAITOR.
4616
01:14:18,720 --> 01:14:19,954
TAKE HER AWAY!
4617
01:14:19,955 --> 01:14:19,988
TAKE HER AWAY!
4618
01:14:19,988 --> 01:14:21,089
>> Lyden: ALL OF WHICH ARE
4619
01:14:21,089 --> 01:14:21,155
>> Lyden: ALL OF WHICH ARE
4620
01:14:21,156 --> 01:14:22,524
THINGS THAT ARE OPPOSED TO THE
4621
01:14:22,524 --> 01:14:22,557
THINGS THAT ARE OPPOSED TO THE
4622
01:14:22,558 --> 01:14:24,359
EMPIRE, AS IT IS BASED ON
4623
01:14:24,359 --> 01:14:24,425
EMPIRE, AS IT IS BASED ON
4624
01:14:24,426 --> 01:14:27,729
DEATH, DESTRUCTION AND VIOLENCE.
4625
01:14:34,937 --> 01:14:36,905
>> MASTER WINDU.
4626
01:14:36,905 --> 01:14:36,971
>> MASTER WINDU.
4627
01:14:36,972 --> 01:14:39,274
HOW PLEASANT OF YOU TO JOIN US.
4628
01:14:39,274 --> 01:14:39,307
HOW PLEASANT OF YOU TO JOIN US.
4629
01:14:39,308 --> 01:14:41,710
>> THIS PARTY'S OVER.
4630
01:14:41,710 --> 01:14:41,743
>> THIS PARTY'S OVER.
4631
01:14:41,743 --> 01:14:42,376
>> Wielseltier: IT'S THE
4632
01:14:42,377 --> 01:14:42,443
>> Wielseltier: IT'S THE
4633
01:14:42,444 --> 01:14:44,446
RESISTANCE OF THE CHAMPIONS OF
4634
01:14:44,446 --> 01:14:44,512
RESISTANCE OF THE CHAMPIONS OF
4635
01:14:44,513 --> 01:14:45,914
DIVERSITY.
4636
01:14:45,914 --> 01:14:45,947
DIVERSITY.
4637
01:14:45,948 --> 01:14:47,549
AND THEY'RE NOT JUST ETHNICALLY
4638
01:14:47,549 --> 01:14:47,582
AND THEY'RE NOT JUST ETHNICALLY
4639
01:14:47,583 --> 01:14:49,084
VARIOUS.
4640
01:14:49,084 --> 01:14:49,117
VARIOUS.
4641
01:14:49,117 --> 01:14:54,021
THEY'RE ZOOLOGICALLY VARIOUS...
4642
01:14:54,022 --> 01:14:54,088
THEY'RE ZOOLOGICALLY VARIOUS...
4643
01:14:54,089 --> 01:14:56,191
AGAINST THE ENFORCERS OF
4644
01:14:56,191 --> 01:14:56,224
AGAINST THE ENFORCERS OF
4645
01:14:56,225 --> 01:14:57,025
UNIFORMITY.
4646
01:14:57,025 --> 01:14:57,058
UNIFORMITY.
4647
01:14:57,059 --> 01:14:58,026
>> Gingrich: IN THAT SENSE, IF
4648
01:14:58,026 --> 01:14:58,092
>> Gingrich: IN THAT SENSE, IF
4649
01:14:58,093 --> 01:14:59,194
YOU GO BACK AND LOOK AT THE
4650
01:14:59,194 --> 01:14:59,260
YOU GO BACK AND LOOK AT THE
4651
01:14:59,261 --> 01:15:00,362
COLD WAR, WHERE THE UNITED
4652
01:15:00,362 --> 01:15:00,395
COLD WAR, WHERE THE UNITED
4653
01:15:00,395 --> 01:15:01,362
STATES HAD REACHED ACROSS THE
4654
01:15:01,363 --> 01:15:01,396
STATES HAD REACHED ACROSS THE
4655
01:15:01,396 --> 01:15:03,030
PLANET FROM JAPAN AND SOUTH
4656
01:15:03,031 --> 01:15:03,097
PLANET FROM JAPAN AND SOUTH
4657
01:15:03,098 --> 01:15:04,732
KOREA TO EUROPE, THERE WAS A
4658
01:15:04,733 --> 01:15:04,799
KOREA TO EUROPE, THERE WAS A
4659
01:15:04,800 --> 01:15:06,468
VERY BROAD COALITION OF PEOPLE
4660
01:15:06,468 --> 01:15:06,501
VERY BROAD COALITION OF PEOPLE
4661
01:15:06,501 --> 01:15:08,102
REPRESENTING MANY DIFFERENT
4662
01:15:08,103 --> 01:15:08,169
REPRESENTING MANY DIFFERENT
4663
01:15:08,170 --> 01:15:09,471
VALUE SYSTEMS AND STRUCTURES
4664
01:15:09,471 --> 01:15:09,504
VALUE SYSTEMS AND STRUCTURES
4665
01:15:09,504 --> 01:15:10,938
BUT WHO HAD COLLECTIVELY
4666
01:15:10,939 --> 01:15:10,972
BUT WHO HAD COLLECTIVELY
4667
01:15:10,973 --> 01:15:12,574
CONCLUDED THAT THEY DIDN'T WANT
4668
01:15:12,574 --> 01:15:12,607
CONCLUDED THAT THEY DIDN'T WANT
4669
01:15:12,608 --> 01:15:14,543
A SOVIET TYRANNY IMPOSED ON
4670
01:15:14,543 --> 01:15:14,576
A SOVIET TYRANNY IMPOSED ON
4671
01:15:14,576 --> 01:15:15,476
THEM.
4672
01:15:15,477 --> 01:15:15,510
THEM.
4673
01:15:15,510 --> 01:15:16,477
>> Silvio: MANY PEOPLE LIKE TO
4674
01:15:16,478 --> 01:15:16,544
>> Silvio: MANY PEOPLE LIKE TO
4675
01:15:16,545 --> 01:15:17,746
READ THE SOVIET UNION AS THE
4676
01:15:17,746 --> 01:15:17,812
READ THE SOVIET UNION AS THE
4677
01:15:17,813 --> 01:15:18,747
EMPIRE.
4678
01:15:18,747 --> 01:15:18,813
EMPIRE.
4679
01:15:18,814 --> 01:15:19,748
BUT I THINK THAT LUCAS WAS
4680
01:15:19,748 --> 01:15:19,781
BUT I THINK THAT LUCAS WAS
4681
01:15:19,781 --> 01:15:21,215
THINKING OF THE EMPIRE IN THE
4682
01:15:21,216 --> 01:15:21,249
THINKING OF THE EMPIRE IN THE
4683
01:15:21,250 --> 01:15:23,118
ORIGINAL FILM, "A NEW HOPE," AS
4684
01:15:23,118 --> 01:15:23,151
ORIGINAL FILM, "A NEW HOPE," AS
4685
01:15:23,151 --> 01:15:24,018
THE SYSTEM.
4686
01:15:24,019 --> 01:15:24,085
THE SYSTEM.
4687
01:15:24,086 --> 01:15:25,654
THE MAN, YOU KNOW.
4688
01:15:25,654 --> 01:15:25,720
THE MAN, YOU KNOW.
4689
01:15:25,721 --> 01:15:28,090
THE MONOLITHIC FACELESS SIDE OF
4690
01:15:28,090 --> 01:15:28,123
THE MONOLITHIC FACELESS SIDE OF
4691
01:15:28,123 --> 01:15:30,091
POWER THAT'S THREATENING TO
4692
01:15:30,092 --> 01:15:30,125
POWER THAT'S THREATENING TO
4693
01:15:30,125 --> 01:15:31,726
SQUELCH US ALL.
4694
01:15:36,465 --> 01:15:37,732
>> Young: JOSEPH CAMPBELL
4695
01:15:37,733 --> 01:15:37,766
>> Young: JOSEPH CAMPBELL
4696
01:15:37,766 --> 01:15:39,134
THOUGHT THAT PERHAPS THE GREAT
4697
01:15:39,134 --> 01:15:39,200
THOUGHT THAT PERHAPS THE GREAT
4698
01:15:39,201 --> 01:15:41,369
MORAL QUESTION OF OUR TIME IS
4699
01:15:41,370 --> 01:15:41,403
MORAL QUESTION OF OUR TIME IS
4700
01:15:41,403 --> 01:15:43,671
WILL WE LIVE FOR THE MACHINE, OR
4701
01:15:43,672 --> 01:15:43,738
WILL WE LIVE FOR THE MACHINE, OR
4702
01:15:43,739 --> 01:15:46,742
WILL WE LIVE FOR HUMANITY?
4703
01:15:46,742 --> 01:15:46,775
WILL WE LIVE FOR HUMANITY?
4704
01:15:46,775 --> 01:15:53,214
>> MAGNIFICENT, AREN'T THEY?
4705
01:15:53,215 --> 01:15:53,248
>> MAGNIFICENT, AREN'T THEY?
4706
01:15:53,248 --> 01:15:54,482
>> Young: AND HE THOUGHT THE
4707
01:15:54,483 --> 01:15:54,516
>> Young: AND HE THOUGHT THE
4708
01:15:54,516 --> 01:15:56,684
"STAR WARS" FILMS PRESENTED THIS
4709
01:15:56,685 --> 01:15:56,751
"STAR WARS" FILMS PRESENTED THIS
4710
01:15:56,752 --> 01:15:59,321
IN STARK CONTRAST.
4711
01:15:59,321 --> 01:15:59,354
IN STARK CONTRAST.
4712
01:15:59,354 --> 01:16:00,588
>> Lyden: IN "STAR WARS,"
4713
01:16:00,589 --> 01:16:00,622
>> Lyden: IN "STAR WARS,"
4714
01:16:00,622 --> 01:16:02,857
TECHNOLOGY IS SYMBOLIC OF THE
4715
01:16:02,858 --> 01:16:02,891
TECHNOLOGY IS SYMBOLIC OF THE
4716
01:16:02,891 --> 01:16:04,659
LOSS OF HUMANITY.
4717
01:16:04,660 --> 01:16:04,693
LOSS OF HUMANITY.
4718
01:16:04,693 --> 01:16:06,861
WE SEE THAT IN DARTH VADER'S
4719
01:16:06,862 --> 01:16:06,895
WE SEE THAT IN DARTH VADER'S
4720
01:16:06,895 --> 01:16:09,764
ROBOT BODY THAT DISPLACES HIS
4721
01:16:09,765 --> 01:16:09,831
ROBOT BODY THAT DISPLACES HIS
4722
01:16:09,831 --> 01:16:12,033
HUMAN EXISTENCE.
4723
01:16:12,034 --> 01:16:12,067
HUMAN EXISTENCE.
4724
01:16:12,067 --> 01:16:14,769
OR THE IMPERIAL WALKERS...
4725
01:16:14,770 --> 01:16:14,836
OR THE IMPERIAL WALKERS...
4726
01:16:14,836 --> 01:16:17,405
THE IMPERIAL CRUISERS...
4727
01:16:17,406 --> 01:16:17,439
THE IMPERIAL CRUISERS...
4728
01:16:17,439 --> 01:16:19,674
OR THE DEATH STAR ITSELF.
4729
01:16:19,675 --> 01:16:19,708
OR THE DEATH STAR ITSELF.
4730
01:16:19,708 --> 01:16:21,509
>> THIS STATION IS NOW THE
4731
01:16:21,510 --> 01:16:21,576
>> THIS STATION IS NOW THE
4732
01:16:21,576 --> 01:16:23,611
ULTIMATE POWER IN THE UNIVERSE.
4733
01:16:23,612 --> 01:16:23,678
ULTIMATE POWER IN THE UNIVERSE.
4734
01:16:23,679 --> 01:16:25,514
I SUGGEST WE USE IT.
4735
01:16:33,255 --> 01:16:34,789
>> Lyden: THE DEATH STAR LOOKS
4736
01:16:34,790 --> 01:16:34,823
>> Lyden: THE DEATH STAR LOOKS
4737
01:16:34,823 --> 01:16:36,524
LIKE A PLANET, BUT IT'S NOT.
4738
01:16:36,525 --> 01:16:36,558
LIKE A PLANET, BUT IT'S NOT.
4739
01:16:36,558 --> 01:16:37,625
IT'S A MACHINE.
4740
01:16:37,626 --> 01:16:37,659
IT'S A MACHINE.
4741
01:16:37,659 --> 01:16:38,860
>> Henderson: AND WHEN YOU GO
4742
01:16:38,860 --> 01:16:38,893
>> Henderson: AND WHEN YOU GO
4743
01:16:38,894 --> 01:16:40,528
INSIDE OF IT, IT'S HOLLOW.
4744
01:16:40,529 --> 01:16:40,595
INSIDE OF IT, IT'S HOLLOW.
4745
01:16:40,595 --> 01:16:42,063
AND SO IT SHOWS YOU THAT THE
4746
01:16:42,064 --> 01:16:42,130
AND SO IT SHOWS YOU THAT THE
4747
01:16:42,130 --> 01:16:43,531
HEART OF THAT SOCIETY IS
4748
01:16:43,532 --> 01:16:43,565
HEART OF THAT SOCIETY IS
4749
01:16:43,565 --> 01:16:44,866
COMPLETELY HOLLOW.
4750
01:16:44,866 --> 01:16:44,899
COMPLETELY HOLLOW.
4751
01:16:44,900 --> 01:16:46,334
>> CONTINUE WITH THE OPERATION.
4752
01:16:46,335 --> 01:16:46,368
>> CONTINUE WITH THE OPERATION.
4753
01:16:46,368 --> 01:16:47,535
YOU MAY FIRE WHEN READY.
4754
01:16:47,536 --> 01:16:47,602
YOU MAY FIRE WHEN READY.
4755
01:16:47,602 --> 01:16:48,703
>> WHAT?!
4756
01:16:48,704 --> 01:16:48,770
>> WHAT?!
4757
01:16:48,770 --> 01:16:50,071
>> YOU'RE FAR TOO TRUSTING.
4758
01:16:50,072 --> 01:16:50,105
>> YOU'RE FAR TOO TRUSTING.
4759
01:16:50,105 --> 01:16:51,606
DANTOOINE IS TOO REMOTE TO MAKE
4760
01:16:51,606 --> 01:16:51,672
DANTOOINE IS TOO REMOTE TO MAKE
4761
01:16:51,673 --> 01:16:53,074
AN EFFECTIVE DEMONSTRATION, BUT
4762
01:16:53,075 --> 01:16:53,108
AN EFFECTIVE DEMONSTRATION, BUT
4763
01:16:53,108 --> 01:16:53,775
DON'T WORRY.
4764
01:16:53,775 --> 01:16:53,808
DON'T WORRY.
4765
01:16:53,809 --> 01:16:55,177
WE WILL DEAL WITH YOUR REBEL
4766
01:16:55,177 --> 01:16:55,243
WE WILL DEAL WITH YOUR REBEL
4767
01:16:55,243 --> 01:16:56,911
FRIENDS SOON ENOUGH.
4768
01:16:56,912 --> 01:16:56,978
FRIENDS SOON ENOUGH.
4769
01:16:56,979 --> 01:16:59,081
>> NO.
4770
01:16:59,081 --> 01:16:59,114
>> NO.
4771
01:16:59,114 --> 01:17:01,516
>> COMMENCE PRIMARY IGNITION.
4772
01:17:01,516 --> 01:17:01,549
>> COMMENCE PRIMARY IGNITION.
4773
01:17:01,550 --> 01:17:03,318
>> Rather: AND WE ARE TORN
4774
01:17:03,318 --> 01:17:03,351
>> Rather: AND WE ARE TORN
4775
01:17:03,352 --> 01:17:04,553
ABOUT TECHNOLOGY.
4776
01:17:04,553 --> 01:17:04,619
ABOUT TECHNOLOGY.
4777
01:17:04,619 --> 01:17:06,687
WHEN HOMER WROTE ABOUT THE
4778
01:17:06,688 --> 01:17:06,721
WHEN HOMER WROTE ABOUT THE
4779
01:17:06,722 --> 01:17:08,423
ANCIENT GREEKS BATTLING, THEY
4780
01:17:08,423 --> 01:17:08,456
ANCIENT GREEKS BATTLING, THEY
4781
01:17:08,457 --> 01:17:09,991
HAD THE POWER TO DESTROY ONE
4782
01:17:09,992 --> 01:17:10,025
HAD THE POWER TO DESTROY ONE
4783
01:17:10,025 --> 01:17:10,992
ANOTHER.
4784
01:17:10,993 --> 01:17:11,059
ANOTHER.
4785
01:17:11,059 --> 01:17:12,527
BUT THEY COULD NOT DESTROY THE
4786
01:17:12,527 --> 01:17:12,560
BUT THEY COULD NOT DESTROY THE
4787
01:17:12,561 --> 01:17:14,195
WHOLE WORLD.
4788
01:17:22,938 --> 01:17:25,340
>> [laughing]
4789
01:17:25,340 --> 01:17:25,373
>> [laughing]
4790
01:17:25,374 --> 01:17:28,110
>> [grunts]
4791
01:17:28,110 --> 01:17:28,176
>> [grunts]
4792
01:17:28,176 --> 01:17:28,976
>> Ellerbee: LUCAS USES
4793
01:17:28,977 --> 01:17:29,010
>> Ellerbee: LUCAS USES
4794
01:17:29,011 --> 01:17:30,445
MACHINES TO GREAT EFFECT AND
4795
01:17:30,445 --> 01:17:30,511
MACHINES TO GREAT EFFECT AND
4796
01:17:30,512 --> 01:17:32,380
THE FACT THAT IT'S HOW HUMANS
4797
01:17:32,381 --> 01:17:32,447
THE FACT THAT IT'S HOW HUMANS
4798
01:17:32,447 --> 01:17:33,881
USE THEM THAT MAKES THE
4799
01:17:33,882 --> 01:17:33,915
USE THEM THAT MAKES THE
4800
01:17:33,915 --> 01:17:35,283
DIFFERENCE OF WHETHER IT'S GOOD
4801
01:17:35,283 --> 01:17:35,349
DIFFERENCE OF WHETHER IT'S GOOD
4802
01:17:35,350 --> 01:17:39,187
OR IT'S BAD.
4803
01:17:39,187 --> 01:17:39,220
OR IT'S BAD.
4804
01:17:39,221 --> 01:17:41,756
>> [groaning]
4805
01:17:49,831 --> 01:17:51,199
>> Ellerbee: IT'S TRUE OF OUR
4806
01:17:51,199 --> 01:17:51,265
>> Ellerbee: IT'S TRUE OF OUR
4807
01:17:51,266 --> 01:17:52,033
COMPUTERS.
4808
01:17:52,034 --> 01:17:52,100
COMPUTERS.
4809
01:17:52,100 --> 01:17:53,201
IT'S ALSO TRUE OF A GUN.
4810
01:17:53,201 --> 01:17:53,267
IT'S ALSO TRUE OF A GUN.
4811
01:17:53,268 --> 01:17:55,370
>> SO UNCIVILIZED.
4812
01:17:55,370 --> 01:17:55,403
>> SO UNCIVILIZED.
4813
01:17:55,404 --> 01:17:56,671
>> Lyden: THE REBELS OBVIOUSLY
4814
01:17:56,671 --> 01:17:56,737
>> Lyden: THE REBELS OBVIOUSLY
4815
01:17:56,738 --> 01:17:58,439
USE TECHNOLOGY, TOO.
4816
01:17:58,440 --> 01:17:58,473
USE TECHNOLOGY, TOO.
4817
01:17:58,473 --> 01:17:59,740
THEY HAVE SPACESHIPS, TOO.
4818
01:17:59,741 --> 01:17:59,774
THEY HAVE SPACESHIPS, TOO.
4819
01:17:59,775 --> 01:18:00,942
THEY'RE HAPPY TO USE IT.
4820
01:18:00,942 --> 01:18:01,008
THEY'RE HAPPY TO USE IT.
4821
01:18:01,009 --> 01:18:01,943
>> THEY'RE MOVING TO ATTACK
4822
01:18:01,943 --> 01:18:02,009
>> THEY'RE MOVING TO ATTACK
4823
01:18:02,010 --> 01:18:04,846
POSITION.
4824
01:18:04,846 --> 01:18:04,879
POSITION.
4825
01:18:04,880 --> 01:18:06,848
>> Lyden: BUT THE REBELS WIN NOT
4826
01:18:06,848 --> 01:18:06,881
>> Lyden: BUT THE REBELS WIN NOT
4827
01:18:06,882 --> 01:18:08,850
THROUGH SUPERIOR FIREPOWER BUT
4828
01:18:08,850 --> 01:18:08,916
THROUGH SUPERIOR FIREPOWER BUT
4829
01:18:08,917 --> 01:18:10,485
BECAUSE THEY TRUST IN SOMETHING
4830
01:18:10,485 --> 01:18:10,551
BECAUSE THEY TRUST IN SOMETHING
4831
01:18:10,552 --> 01:18:11,953
LARGER THAN THEMSELVES.
4832
01:18:11,953 --> 01:18:12,019
LARGER THAN THEMSELVES.
4833
01:18:12,020 --> 01:18:14,822
>> LUKE, TRUST YOUR FEELINGS.
4834
01:18:14,823 --> 01:18:14,856
>> LUKE, TRUST YOUR FEELINGS.
4835
01:18:14,856 --> 01:18:16,023
>> Lyden: AND RIGHT AT THE
4836
01:18:16,024 --> 01:18:16,057
>> Lyden: AND RIGHT AT THE
4837
01:18:16,058 --> 01:18:17,592
CONCLUSION OF EPISODE IV, "A NEW
4838
01:18:17,592 --> 01:18:17,658
CONCLUSION OF EPISODE IV, "A NEW
4839
01:18:17,659 --> 01:18:19,027
HOPE," YOU SEE THIS VERY
4840
01:18:19,027 --> 01:18:19,060
HOPE," YOU SEE THIS VERY
4841
01:18:19,061 --> 01:18:19,761
CLEARLY.
4842
01:18:19,761 --> 01:18:19,827
CLEARLY.
4843
01:18:19,828 --> 01:18:22,564
>>USE THE FORCE, LUKE.
4844
01:18:22,564 --> 01:18:22,597
>>USE THE FORCE, LUKE.
4845
01:18:22,597 --> 01:18:24,632
>> Lyden: WHERE LUKE TURNS OFF
4846
01:18:24,633 --> 01:18:24,666
>> Lyden: WHERE LUKE TURNS OFF
4847
01:18:24,666 --> 01:18:26,034
HIS TARGETING COMPUTER, DOESN'T
4848
01:18:26,034 --> 01:18:26,100
HIS TARGETING COMPUTER, DOESN'T
4849
01:18:26,101 --> 01:18:27,635
TRUST IN THE TECHNOLOGY BUT
4850
01:18:27,636 --> 01:18:27,669
TRUST IN THE TECHNOLOGY BUT
4851
01:18:27,669 --> 01:18:29,303
TRUSTS IN THE FORCE, AND THIS
4852
01:18:29,304 --> 01:18:29,337
TRUSTS IN THE FORCE, AND THIS
4853
01:18:29,337 --> 01:18:31,105
ALLOWS HIM TO DESTROY THIS HUGE
4854
01:18:31,106 --> 01:18:31,139
ALLOWS HIM TO DESTROY THIS HUGE
4855
01:18:31,139 --> 01:18:32,874
MACHINE, WHICH THE EMPIRE DID
4856
01:18:32,874 --> 01:18:32,940
MACHINE, WHICH THE EMPIRE DID
4857
01:18:32,941 --> 01:18:36,477
NOT SUSPECT.
4858
01:18:36,478 --> 01:18:36,511
NOT SUSPECT.
4859
01:18:36,511 --> 01:18:38,312
>> Abrams: THE IRONY IS THAT SO
4860
01:18:38,313 --> 01:18:38,379
>> Abrams: THE IRONY IS THAT SO
4861
01:18:38,380 --> 01:18:39,647
MUCH OF WHAT HAPPENS IN "STAR
4862
01:18:39,648 --> 01:18:39,681
MUCH OF WHAT HAPPENS IN "STAR
4863
01:18:39,681 --> 01:18:40,848
WARS" COULD NOT HAVE BEEN DONE
4864
01:18:40,849 --> 01:18:40,882
WARS" COULD NOT HAVE BEEN DONE
4865
01:18:40,882 --> 01:18:41,782
IF YOU TURNED THE MACHINES OFF.
4866
01:18:41,783 --> 01:18:41,849
IF YOU TURNED THE MACHINES OFF.
4867
01:18:41,850 --> 01:18:43,117
SO IT ENDS UP BEING ABOUT THE
4868
01:18:43,118 --> 01:18:43,151
SO IT ENDS UP BEING ABOUT THE
4869
01:18:43,151 --> 01:18:44,285
RELATIONSHIP, THE BALANCE
4870
01:18:44,286 --> 01:18:44,319
RELATIONSHIP, THE BALANCE
4871
01:18:44,319 --> 01:18:47,121
BETWEEN WHO WE ARE, WHAT OUR
4872
01:18:47,122 --> 01:18:47,155
BETWEEN WHO WE ARE, WHAT OUR
4873
01:18:47,155 --> 01:18:49,423
INTENT IS, AND THE TECHNOLOGY,
4874
01:18:49,424 --> 01:18:49,490
INTENT IS, AND THE TECHNOLOGY,
4875
01:18:49,491 --> 01:18:51,125
THE TOOLS WE USE TO REALIZE
4876
01:18:51,126 --> 01:18:51,192
THE TOOLS WE USE TO REALIZE
4877
01:18:51,193 --> 01:18:51,960
THAT INTENT.
4878
01:18:51,960 --> 01:18:52,026
THAT INTENT.
4879
01:18:52,027 --> 01:18:52,861
>> GREAT SHOT, KID!
4880
01:18:52,861 --> 01:18:52,927
>> GREAT SHOT, KID!
4881
01:18:52,928 --> 01:18:54,029
THAT WAS ONE IN A MILLION!
4882
01:18:54,029 --> 01:18:54,062
THAT WAS ONE IN A MILLION!
4883
01:18:54,062 --> 01:18:54,862
>> Abrams: I THINK THE MESSAGE
4884
01:18:54,863 --> 01:18:54,929
>> Abrams: I THINK THE MESSAGE
4885
01:18:54,930 --> 01:18:56,932
IS DON'T RELY ON THE TECHNOLOGY.
4886
01:18:56,932 --> 01:18:56,965
IS DON'T RELY ON THE TECHNOLOGY.
4887
01:18:56,965 --> 01:18:58,566
YOU KNOW, RELY ON YOURSELF.
4888
01:19:03,238 --> 01:19:04,772
>> Rather: "STAR WARS" TOUCHES
4889
01:19:04,773 --> 01:19:04,806
>> Rather: "STAR WARS" TOUCHES
4890
01:19:04,806 --> 01:19:05,973
THE ANCIENT THEME.
4891
01:19:05,974 --> 01:19:06,040
THE ANCIENT THEME.
4892
01:19:06,041 --> 01:19:07,609
IT'S BEEN REPEATED TIME AFTER
4893
01:19:07,609 --> 01:19:07,642
IT'S BEEN REPEATED TIME AFTER
4894
01:19:07,642 --> 01:19:09,877
TIME AFTER TIME WITH HISTORY.
4895
01:19:09,878 --> 01:19:09,944
TIME AFTER TIME WITH HISTORY.
4896
01:19:09,945 --> 01:19:11,613
RECOGNIZE THAT EVEN AFTER EVIL
4897
01:19:11,613 --> 01:19:11,646
RECOGNIZE THAT EVEN AFTER EVIL
4898
01:19:11,646 --> 01:19:14,515
HAS RISEN AND IS FULL-FORCE ON,
4899
01:19:14,516 --> 01:19:14,549
HAS RISEN AND IS FULL-FORCE ON,
4900
01:19:14,549 --> 01:19:16,317
THAT THE BEST THAT'S IN US IS
4901
01:19:16,318 --> 01:19:16,351
THAT THE BEST THAT'S IN US IS
4902
01:19:16,351 --> 01:19:18,419
TO RESIST THAT AND THAT ONE
4903
01:19:18,420 --> 01:19:18,453
TO RESIST THAT AND THAT ONE
4904
01:19:18,453 --> 01:19:20,421
PERSON CAN MAKE A DIFFERENCE.
4905
01:19:23,992 --> 01:19:25,426
>> YEE-HA!
4906
01:19:25,427 --> 01:19:25,493
>> YEE-HA!
4907
01:19:25,494 --> 01:19:27,128
>> [laughs]
4908
01:19:33,652 --> 01:19:35,520
[deep mechanical breathing]
4909
01:19:35,520 --> 01:19:35,586
[deep mechanical breathing]
4910
01:19:35,587 --> 01:19:36,654
>> THIS IS THE REBEL THAT
4911
01:19:36,655 --> 01:19:36,688
>> THIS IS THE REBEL THAT
4912
01:19:36,688 --> 01:19:37,689
SURRENDERED TO US.
4913
01:19:37,689 --> 01:19:37,755
SURRENDERED TO US.
4914
01:19:37,756 --> 01:19:39,124
ALTHOUGH HE DENIES IT, I BELIEVE
4915
01:19:39,124 --> 01:19:39,157
ALTHOUGH HE DENIES IT, I BELIEVE
4916
01:19:39,157 --> 01:19:40,491
THERE MAY BE MORE OF THEM, AND I
4917
01:19:40,492 --> 01:19:40,525
THERE MAY BE MORE OF THEM, AND I
4918
01:19:40,525 --> 01:19:41,959
REQUEST PERMISSION TO CONDUCT A
4919
01:19:41,960 --> 01:19:42,026
REQUEST PERMISSION TO CONDUCT A
4920
01:19:42,027 --> 01:19:44,129
FURTHER SEARCH OF THE AREA.
4921
01:19:44,129 --> 01:19:44,162
FURTHER SEARCH OF THE AREA.
4922
01:19:44,162 --> 01:19:47,031
HE WAS ARMED ONLY WITH THIS.
4923
01:19:52,571 --> 01:19:53,772
>> Young: AN IMPORTANT PART OF
4924
01:19:53,772 --> 01:19:53,805
>> Young: AN IMPORTANT PART OF
4925
01:19:53,805 --> 01:19:55,139
JOSEPH CAMPBELL'S MODEL WAS
4926
01:19:55,140 --> 01:19:55,173
JOSEPH CAMPBELL'S MODEL WAS
4927
01:19:55,173 --> 01:19:56,941
RECONCILIATION WITH FATHER.
4928
01:19:56,942 --> 01:19:56,975
RECONCILIATION WITH FATHER.
4929
01:19:56,975 --> 01:19:58,776
THAT IS, TO RECONNECT WITH ONE'S
4930
01:19:58,777 --> 01:19:58,843
THAT IS, TO RECONNECT WITH ONE'S
4931
01:19:58,844 --> 01:19:59,978
OWN FATHER PERHAPS AFTER
4932
01:19:59,978 --> 01:20:00,044
OWN FATHER PERHAPS AFTER
4933
01:20:00,045 --> 01:20:01,446
ADOLESCENT REBELLION OR PERHAPS
4934
01:20:01,446 --> 01:20:01,512
ADOLESCENT REBELLION OR PERHAPS
4935
01:20:01,513 --> 01:20:02,981
AFTER SOME FEELING OF BETRAYAL
4936
01:20:02,981 --> 01:20:03,014
AFTER SOME FEELING OF BETRAYAL
4937
01:20:03,014 --> 01:20:03,681
OR SOMETHING.
4938
01:20:03,682 --> 01:20:03,715
OR SOMETHING.
4939
01:20:03,715 --> 01:20:05,216
BUT ON A LARGER SCALE, IT'S
4940
01:20:05,217 --> 01:20:05,250
BUT ON A LARGER SCALE, IT'S
4941
01:20:05,250 --> 01:20:06,618
RECONNECTING WITH A LARGER
4942
01:20:06,618 --> 01:20:06,684
RECONNECTING WITH A LARGER
4943
01:20:06,685 --> 01:20:07,886
HUMAN FRAMEWORK.
4944
01:20:07,886 --> 01:20:07,919
HUMAN FRAMEWORK.
4945
01:20:07,919 --> 01:20:09,220
>> THE EMPEROR HAS BEEN
4946
01:20:09,221 --> 01:20:09,254
>> THE EMPEROR HAS BEEN
4947
01:20:09,254 --> 01:20:11,522
EXPECTING YOU.
4948
01:20:11,523 --> 01:20:11,556
EXPECTING YOU.
4949
01:20:11,556 --> 01:20:13,124
>> I KNOW, FATHER.
4950
01:20:13,124 --> 01:20:13,157
>> I KNOW, FATHER.
4951
01:20:13,158 --> 01:20:14,259
>> Henderson: BY "RETURN OF THE
4952
01:20:14,259 --> 01:20:14,292
>> Henderson: BY "RETURN OF THE
4953
01:20:14,292 --> 01:20:15,993
JEDI," YOU'LL NOTICE THAT LUKE
4954
01:20:15,994 --> 01:20:16,060
JEDI," YOU'LL NOTICE THAT LUKE
4955
01:20:16,061 --> 01:20:17,796
IS NOW WEARING AN ALL-BLACK
4956
01:20:17,796 --> 01:20:17,829
IS NOW WEARING AN ALL-BLACK
4957
01:20:17,829 --> 01:20:18,896
COSTUME.
4958
01:20:18,897 --> 01:20:18,930
COSTUME.
4959
01:20:18,930 --> 01:20:20,364
HE'S GONE FROM A WHITE GARMENT
4960
01:20:20,365 --> 01:20:20,431
HE'S GONE FROM A WHITE GARMENT
4961
01:20:20,432 --> 01:20:22,434
IN THE FIRST FILM,
4962
01:20:22,434 --> 01:20:22,500
IN THE FIRST FILM,
4963
01:20:22,501 --> 01:20:24,402
WHICH SHOWS HIS INNOCENCE AND
4964
01:20:24,402 --> 01:20:24,435
WHICH SHOWS HIS INNOCENCE AND
4965
01:20:24,436 --> 01:20:25,904
HIS NAIVETE.
4966
01:20:25,904 --> 01:20:25,970
HIS NAIVETE.
4967
01:20:25,971 --> 01:20:27,272
HE'S PASSED THROUGH THIS
4968
01:20:27,272 --> 01:20:27,305
HE'S PASSED THROUGH THIS
4969
01:20:27,305 --> 01:20:29,974
TREMENDOUS INITIATION PERIOD,
4970
01:20:29,975 --> 01:20:30,041
TREMENDOUS INITIATION PERIOD,
4971
01:20:30,041 --> 01:20:31,609
AND HE HAS ACCEPTED THE
4972
01:20:31,610 --> 01:20:31,643
AND HE HAS ACCEPTED THE
4973
01:20:31,643 --> 01:20:33,778
NEGATIVITY WITHIN HIMSELF, AND
4974
01:20:33,778 --> 01:20:33,811
NEGATIVITY WITHIN HIMSELF, AND
4975
01:20:33,812 --> 01:20:35,280
HE HAS FOUND A WAY TO DEAL WITH
4976
01:20:35,280 --> 01:20:35,346
HE HAS FOUND A WAY TO DEAL WITH
4977
01:20:35,347 --> 01:20:35,780
THAT.
4978
01:20:35,780 --> 01:20:35,813
THAT.
4979
01:20:35,814 --> 01:20:37,048
>> I FEEL THE CONFLICT WITHIN
4980
01:20:37,048 --> 01:20:37,081
>> I FEEL THE CONFLICT WITHIN
4981
01:20:37,082 --> 01:20:37,615
YOU.
4982
01:20:37,616 --> 01:20:37,682
YOU.
4983
01:20:37,682 --> 01:20:39,250
LET GO OF YOUR HATE!
4984
01:20:39,251 --> 01:20:39,284
LET GO OF YOUR HATE!
4985
01:20:39,284 --> 01:20:42,820
>> IT IS TOO LATE FOR ME, SON.
4986
01:20:42,821 --> 01:20:42,887
>> IT IS TOO LATE FOR ME, SON.
4987
01:20:42,888 --> 01:20:43,989
>> Lyden: AS SOON AS LUKE FINDS
4988
01:20:43,989 --> 01:20:44,055
>> Lyden: AS SOON AS LUKE FINDS
4989
01:20:44,055 --> 01:20:46,090
OUT THAT DARTH VADER IS HIS
4990
01:20:46,091 --> 01:20:46,124
OUT THAT DARTH VADER IS HIS
4991
01:20:46,124 --> 01:20:47,358
FATHER, HE HAS A FUNDAMENTAL
4992
01:20:47,359 --> 01:20:47,425
FATHER, HE HAS A FUNDAMENTAL
4993
01:20:47,425 --> 01:20:48,092
CHOICE.
4994
01:20:48,093 --> 01:20:48,159
CHOICE.
4995
01:20:48,159 --> 01:20:52,897
WHAT WILL HE DO ABOUT THIS FACT?
4996
01:20:52,898 --> 01:20:52,931
WHAT WILL HE DO ABOUT THIS FACT?
4997
01:20:52,931 --> 01:20:55,066
ON THE ONE HAND, THE EMPEROR AND
4998
01:20:55,066 --> 01:20:55,099
ON THE ONE HAND, THE EMPEROR AND
4999
01:20:55,100 --> 01:20:56,734
VADER BELIEVE THAT HE WILL BE
5000
01:20:56,735 --> 01:20:56,801
VADER BELIEVE THAT HE WILL BE
5001
01:20:56,801 --> 01:21:00,371
DRAWN TO THE DARK SIDE.
5002
01:21:00,372 --> 01:21:00,438
DRAWN TO THE DARK SIDE.
5003
01:21:00,438 --> 01:21:03,340
>> WELCOME, YOUNG SKYWALKER.
5004
01:21:03,341 --> 01:21:03,374
>> WELCOME, YOUNG SKYWALKER.
5005
01:21:03,375 --> 01:21:04,976
I'M LOOKING FORWARD TO
5006
01:21:04,976 --> 01:21:05,009
I'M LOOKING FORWARD TO
5007
01:21:05,010 --> 01:21:06,711
COMPLETING YOUR TRAINING.
5008
01:21:06,711 --> 01:21:06,744
COMPLETING YOUR TRAINING.
5009
01:21:06,745 --> 01:21:07,645
>> Lyden: ON THE OTHER HAND, HE
5010
01:21:07,646 --> 01:21:07,712
>> Lyden: ON THE OTHER HAND, HE
5011
01:21:07,712 --> 01:21:09,647
CAN DO WHAT OBI-WAN AND YODA
5012
01:21:09,648 --> 01:21:09,681
CAN DO WHAT OBI-WAN AND YODA
5013
01:21:09,681 --> 01:21:10,448
WANT.
5014
01:21:10,448 --> 01:21:10,481
WANT.
5015
01:21:10,482 --> 01:21:12,016
HE CAN PRESERVE HIMSELF FROM
5016
01:21:12,017 --> 01:21:12,050
HE CAN PRESERVE HIMSELF FROM
5017
01:21:12,050 --> 01:21:13,651
THAT ATTACHMENT TO HIS FATHER
5018
01:21:13,652 --> 01:21:13,685
THAT ATTACHMENT TO HIS FATHER
5019
01:21:13,685 --> 01:21:15,353
AND SO DESTROY VADER AND THE
5020
01:21:15,353 --> 01:21:15,386
AND SO DESTROY VADER AND THE
5021
01:21:15,387 --> 01:21:19,190
EMPEROR.
5022
01:21:19,190 --> 01:21:19,223
EMPEROR.
5023
01:21:19,224 --> 01:21:21,826
>> [laughs]
5024
01:21:21,826 --> 01:21:21,859
>> [laughs]
5025
01:21:21,860 --> 01:21:23,194
>> Lyden: BUT LUKE INVENTS A
5026
01:21:23,194 --> 01:21:23,260
>> Lyden: BUT LUKE INVENTS A
5027
01:21:23,261 --> 01:21:24,895
THIRD ALTERNATIVE.
5028
01:21:24,896 --> 01:21:24,929
THIRD ALTERNATIVE.
5029
01:21:24,930 --> 01:21:28,366
>> NEVER!
5030
01:21:28,366 --> 01:21:28,399
>> NEVER!
5031
01:21:28,400 --> 01:21:29,367
>> Lyden: HE DOES SOMETHING
5032
01:21:29,367 --> 01:21:29,400
>> Lyden: HE DOES SOMETHING
5033
01:21:29,401 --> 01:21:31,569
TOTALLY UNEXPECTED.
5034
01:21:39,544 --> 01:21:41,012
>> AGH!
5035
01:21:41,012 --> 01:21:41,045
>> AGH!
5036
01:21:41,046 --> 01:21:42,914
>> Lyden: HE GOES NOT TO KILL
5037
01:21:42,914 --> 01:21:42,947
>> Lyden: HE GOES NOT TO KILL
5038
01:21:42,948 --> 01:21:44,449
HIS FATHER, NOT TO TURN TO THE
5039
01:21:44,449 --> 01:21:44,482
HIS FATHER, NOT TO TURN TO THE
5040
01:21:44,482 --> 01:21:46,484
DARK SIDE, BUT TO TURN HIM BACK
5041
01:21:46,484 --> 01:21:46,517
DARK SIDE, BUT TO TURN HIM BACK
5042
01:21:46,518 --> 01:21:47,852
TO THE GOOD.
5043
01:21:47,852 --> 01:21:47,885
TO THE GOOD.
5044
01:21:47,886 --> 01:21:49,387
>> YOUR HATE HAS MADE YOU
5045
01:21:49,387 --> 01:21:49,453
>> YOUR HATE HAS MADE YOU
5046
01:21:49,454 --> 01:21:51,856
POWERFUL.
5047
01:21:51,856 --> 01:21:51,922
POWERFUL.
5048
01:21:51,923 --> 01:21:53,491
NOW...
5049
01:21:53,491 --> 01:21:53,557
NOW...
5050
01:21:53,558 --> 01:21:57,461
FULFILL YOUR DESTINY AND TAKE
5051
01:21:57,462 --> 01:21:57,495
FULFILL YOUR DESTINY AND TAKE
5052
01:21:57,495 --> 01:22:01,398
YOUR FATHER'S PLACE AT MY SIDE.
5053
01:22:10,542 --> 01:22:13,945
>> NEVER.
5054
01:22:13,945 --> 01:22:13,978
>> NEVER.
5055
01:22:13,979 --> 01:22:16,147
I'LL NEVER TURN TO THE DARK
5056
01:22:16,147 --> 01:22:16,180
I'LL NEVER TURN TO THE DARK
5057
01:22:16,181 --> 01:22:17,649
SIDE.
5058
01:22:17,649 --> 01:22:17,682
SIDE.
5059
01:22:17,682 --> 01:22:20,017
YOU'VE FAILED, YOUR HIGHNESS.
5060
01:22:20,018 --> 01:22:20,051
YOU'VE FAILED, YOUR HIGHNESS.
5061
01:22:20,051 --> 01:22:22,787
I AM A JEDI, LIKE MY FATHER
5062
01:22:22,787 --> 01:22:22,853
I AM A JEDI, LIKE MY FATHER
5063
01:22:22,854 --> 01:22:24,222
BEFORE ME.
5064
01:22:24,222 --> 01:22:24,255
BEFORE ME.
5065
01:22:24,255 --> 01:22:26,123
>> Lyden: LUKE SAVES EVERYTHING
5066
01:22:26,124 --> 01:22:26,157
>> Lyden: LUKE SAVES EVERYTHING
5067
01:22:26,157 --> 01:22:28,592
THROUGH HIS ATTACHMENT TO HIS
5068
01:22:28,593 --> 01:22:28,659
THROUGH HIS ATTACHMENT TO HIS
5069
01:22:28,660 --> 01:22:29,560
FATHER.
5070
01:22:29,561 --> 01:22:29,594
FATHER.
5071
01:22:29,594 --> 01:22:31,395
>> SO BE IT...
5072
01:22:31,396 --> 01:22:31,429
>> SO BE IT...
5073
01:22:31,429 --> 01:22:32,663
JEDI.
5074
01:22:32,664 --> 01:22:32,697
JEDI.
5075
01:22:32,697 --> 01:22:33,698
>> Lyden: THIS IS A VERY
5076
01:22:33,698 --> 01:22:33,764
>> Lyden: THIS IS A VERY
5077
01:22:33,765 --> 01:22:35,433
CHRISTIAN REDEMPTIVE MOMENT IN
5078
01:22:35,433 --> 01:22:35,466
CHRISTIAN REDEMPTIVE MOMENT IN
5079
01:22:35,467 --> 01:22:37,235
THE FILM.
5080
01:22:43,341 --> 01:22:45,309
THERE'S NO HATRED IN HIM, AND
5081
01:22:45,310 --> 01:22:45,343
THERE'S NO HATRED IN HIM, AND
5082
01:22:45,343 --> 01:22:46,677
IT'S THROUGH HIS OWN OFFERING
5083
01:22:46,678 --> 01:22:46,711
IT'S THROUGH HIS OWN OFFERING
5084
01:22:46,711 --> 01:22:48,212
UP OF HIMSELF...
5085
01:22:48,213 --> 01:22:48,246
UP OF HIMSELF...
5086
01:22:48,246 --> 01:22:49,947
>> FATHER, PLEASE!
5087
01:22:49,948 --> 01:22:49,981
>> FATHER, PLEASE!
5088
01:22:49,981 --> 01:22:51,048
>> Lyden: THAT HE'S ABLE TO
5089
01:22:51,049 --> 01:22:51,082
>> Lyden: THAT HE'S ABLE TO
5090
01:22:51,082 --> 01:22:54,618
BRING SALVATION TO HIS FATHER.
5091
01:22:54,619 --> 01:22:54,685
BRING SALVATION TO HIS FATHER.
5092
01:22:54,686 --> 01:22:57,789
>> [screaming]
5093
01:23:11,503 --> 01:23:12,704
>> Smith: YOU COULD KIND OF SEE
5094
01:23:12,704 --> 01:23:12,737
>> Smith: YOU COULD KIND OF SEE
5095
01:23:12,737 --> 01:23:14,004
LUKE SKYWALKER AS A MESSIANIC
5096
01:23:14,005 --> 01:23:14,071
LUKE SKYWALKER AS A MESSIANIC
5097
01:23:14,072 --> 01:23:15,640
FIGURE WHO COMES FROM HUMBLE
5098
01:23:15,640 --> 01:23:15,706
FIGURE WHO COMES FROM HUMBLE
5099
01:23:15,707 --> 01:23:17,709
ORIGINS AND RISES TO A PLACE
5100
01:23:17,709 --> 01:23:17,775
ORIGINS AND RISES TO A PLACE
5101
01:23:17,776 --> 01:23:19,177
WHERE HE REDEEMS THE FATHER.
5102
01:23:19,177 --> 01:23:19,243
WHERE HE REDEEMS THE FATHER.
5103
01:23:19,244 --> 01:23:19,978
THE FATHER'S REDEEMED THROUGH
5104
01:23:19,978 --> 01:23:20,011
THE FATHER'S REDEEMED THROUGH
5105
01:23:20,011 --> 01:23:21,178
THE SON.
5106
01:23:21,179 --> 01:23:21,245
THE SON.
5107
01:23:21,246 --> 01:23:22,447
>> LUKE...
5108
01:23:22,447 --> 01:23:22,513
>> LUKE...
5109
01:23:22,514 --> 01:23:26,684
HELP ME TAKE THIS MASK OFF.
5110
01:23:26,685 --> 01:23:26,718
HELP ME TAKE THIS MASK OFF.
5111
01:23:26,718 --> 01:23:28,920
>> BUT YOU'LL DIE.
5112
01:23:28,920 --> 01:23:28,986
>> BUT YOU'LL DIE.
5113
01:23:28,987 --> 01:23:32,623
>> NOTHING CAN STOP THAT NOW.
5114
01:23:32,624 --> 01:23:32,690
>> NOTHING CAN STOP THAT NOW.
5115
01:23:32,691 --> 01:23:33,892
>> Connelly: THE PATH TO
5116
01:23:33,892 --> 01:23:33,925
>> Connelly: THE PATH TO
5117
01:23:33,925 --> 01:23:36,160
SELF-KNOWLEDGE REQUIRES US TO
5118
01:23:36,161 --> 01:23:36,194
SELF-KNOWLEDGE REQUIRES US TO
5119
01:23:36,194 --> 01:23:37,795
UNDERSTAND WHERE WE CAME FROM.
5120
01:23:37,796 --> 01:23:37,829
UNDERSTAND WHERE WE CAME FROM.
5121
01:23:37,829 --> 01:23:39,096
IT'S THE RELATIONSHIP OF
5122
01:23:39,097 --> 01:23:39,130
IT'S THE RELATIONSHIP OF
5123
01:23:39,130 --> 01:23:40,731
ODYSSEUS TO LAERTES.
5124
01:23:40,732 --> 01:23:40,765
ODYSSEUS TO LAERTES.
5125
01:23:40,765 --> 01:23:43,467
ULTIMATELY IN THE JOURNEY HOME
5126
01:23:43,468 --> 01:23:43,501
ULTIMATELY IN THE JOURNEY HOME
5127
01:23:43,501 --> 01:23:45,202
OF "THE ODYSSEY," ODYSSEUS
5128
01:23:45,203 --> 01:23:45,269
OF "THE ODYSSEY," ODYSSEUS
5129
01:23:45,270 --> 01:23:46,838
BECOMES HIS OWN FATHER.
5130
01:23:46,838 --> 01:23:46,871
BECOMES HIS OWN FATHER.
5131
01:23:46,871 --> 01:23:48,372
AND IT IS ONLY THROUGH BECOMING
5132
01:23:48,373 --> 01:23:48,406
AND IT IS ONLY THROUGH BECOMING
5133
01:23:48,406 --> 01:23:49,974
YOUR OWN FATHER THAT YOU
5134
01:23:49,974 --> 01:23:50,007
YOUR OWN FATHER THAT YOU
5135
01:23:50,008 --> 01:23:50,908
ACTUALLY GROW UP.
5136
01:23:50,909 --> 01:23:50,975
ACTUALLY GROW UP.
5137
01:23:50,975 --> 01:23:53,010
>> JUST FOR ONCE...
5138
01:23:53,011 --> 01:23:53,077
>> JUST FOR ONCE...
5139
01:23:53,078 --> 01:23:54,879
LET ME...
5140
01:23:54,879 --> 01:23:54,912
LET ME...
5141
01:23:54,913 --> 01:23:58,750
LOOK ON YOU WITH MY OWN EYES.
5142
01:23:58,750 --> 01:23:58,816
LOOK ON YOU WITH MY OWN EYES.
5143
01:23:58,817 --> 01:24:00,251
>> Galipeau: ANAKIN WANTS TO
5144
01:24:00,251 --> 01:24:00,284
>> Galipeau: ANAKIN WANTS TO
5145
01:24:00,285 --> 01:24:02,754
SEE LUKE THROUGH HIS OWN EYES.
5146
01:24:02,754 --> 01:24:02,820
SEE LUKE THROUGH HIS OWN EYES.
5147
01:24:02,821 --> 01:24:04,522
SO HE WOULD RATHER RECOVER HIS
5148
01:24:04,522 --> 01:24:04,555
SO HE WOULD RATHER RECOVER HIS
5149
01:24:04,556 --> 01:24:06,291
HUMANITY, WHICH MEANS ALSO
5150
01:24:06,291 --> 01:24:06,357
HUMANITY, WHICH MEANS ALSO
5151
01:24:06,357 --> 01:24:08,525
FACING DEATH, TO SEE OUT OF
5152
01:24:08,526 --> 01:24:08,559
FACING DEATH, TO SEE OUT OF
5153
01:24:08,560 --> 01:24:11,529
HIMSELF AS FATHER TO SON.
5154
01:24:11,529 --> 01:24:11,562
HIMSELF AS FATHER TO SON.
5155
01:24:11,563 --> 01:24:13,565
[gas hisses]
5156
01:24:19,938 --> 01:24:21,372
>> Connelly: ONE OF MY FAVORITE
5157
01:24:21,372 --> 01:24:21,438
>> Connelly: ONE OF MY FAVORITE
5158
01:24:21,439 --> 01:24:23,174
SCENES IN "THE ILIAD" IS WHEN
5159
01:24:23,174 --> 01:24:23,207
SCENES IN "THE ILIAD" IS WHEN
5160
01:24:23,208 --> 01:24:25,009
THE GREAT HERO HECTOR TAKES HIS
5161
01:24:25,009 --> 01:24:25,042
THE GREAT HERO HECTOR TAKES HIS
5162
01:24:25,043 --> 01:24:26,177
LITTLE BABY BOY.
5163
01:24:26,177 --> 01:24:26,210
LITTLE BABY BOY.
5164
01:24:26,211 --> 01:24:27,212
HE HAS HIS HELMET DOWN.
5165
01:24:27,212 --> 01:24:27,278
HE HAS HIS HELMET DOWN.
5166
01:24:27,278 --> 01:24:28,679
HE'S ABOUT TO GO OFF TO BATTLE.
5167
01:24:28,680 --> 01:24:28,746
HE'S ABOUT TO GO OFF TO BATTLE.
5168
01:24:28,747 --> 01:24:30,115
THE BABY IS SCARED.
5169
01:24:30,115 --> 01:24:30,181
THE BABY IS SCARED.
5170
01:24:30,181 --> 01:24:31,215
HE'S LOOKING AT HIS HELMETED
5171
01:24:31,216 --> 01:24:31,282
HE'S LOOKING AT HIS HELMETED
5172
01:24:31,282 --> 01:24:32,750
FATHER, AND HE CAN'T SEE HIS
5173
01:24:32,751 --> 01:24:32,817
FATHER, AND HE CAN'T SEE HIS
5174
01:24:32,817 --> 01:24:34,752
FACE, AND THEN THE LOVELY HECTOR
5175
01:24:34,753 --> 01:24:34,786
FACE, AND THEN THE LOVELY HECTOR
5176
01:24:34,786 --> 01:24:36,220
PUSHES HIS HELMET BACK AND LOOKS
5177
01:24:36,221 --> 01:24:36,254
PUSHES HIS HELMET BACK AND LOOKS
5178
01:24:36,254 --> 01:24:38,589
ON HIS BABY SON AND KISSES HIM
5179
01:24:38,590 --> 01:24:38,656
ON HIS BABY SON AND KISSES HIM
5180
01:24:38,656 --> 01:24:41,392
AND SAYS, "MY SON, ONE DAY THE
5181
01:24:41,392 --> 01:24:41,458
AND SAYS, "MY SON, ONE DAY THE
5182
01:24:41,459 --> 01:24:43,394
TROJANS WILL SAY YOU ARE LIKE
5183
01:24:43,394 --> 01:24:43,427
TROJANS WILL SAY YOU ARE LIKE
5184
01:24:43,428 --> 01:24:44,395
ME.
5185
01:24:44,395 --> 01:24:44,428
ME.
5186
01:24:44,429 --> 01:24:45,763
YOU ARE STRONG AND THE BRAVEST
5187
01:24:45,764 --> 01:24:45,830
YOU ARE STRONG AND THE BRAVEST
5188
01:24:45,830 --> 01:24:46,831
IN BATTLE.
5189
01:24:46,831 --> 01:24:46,864
IN BATTLE.
5190
01:24:46,865 --> 01:24:48,299
AND THEN AGAIN, ONE DAY THEY
5191
01:24:48,299 --> 01:24:48,332
AND THEN AGAIN, ONE DAY THEY
5192
01:24:48,333 --> 01:24:50,368
WILL SAY, NO, HE IS GREATER THAN
5193
01:24:50,368 --> 01:24:50,401
WILL SAY, NO, HE IS GREATER THAN
5194
01:24:50,401 --> 01:24:51,869
HIS FATHER."
5195
01:24:51,870 --> 01:24:51,936
HIS FATHER."
5196
01:24:51,936 --> 01:24:58,208
>> NOW... GO, MY SON.
5197
01:24:58,209 --> 01:24:58,242
>> NOW... GO, MY SON.
5198
01:24:58,243 --> 01:25:00,144
LEAVE ME.
5199
01:25:00,145 --> 01:25:00,211
LEAVE ME.
5200
01:25:00,211 --> 01:25:01,145
>> NO.
5201
01:25:01,146 --> 01:25:01,179
>> NO.
5202
01:25:01,179 --> 01:25:02,580
YOU'RE COMING WITH ME.
5203
01:25:02,580 --> 01:25:02,646
YOU'RE COMING WITH ME.
5204
01:25:02,647 --> 01:25:04,148
I'LL NOT LEAVE YOU HERE.
5205
01:25:04,149 --> 01:25:04,182
I'LL NOT LEAVE YOU HERE.
5206
01:25:04,182 --> 01:25:06,284
I'VE GOT TO SAVE YOU.
5207
01:25:06,284 --> 01:25:06,317
I'VE GOT TO SAVE YOU.
5208
01:25:06,317 --> 01:25:10,487
>> YOU ALREADY HAVE, LUKE.
5209
01:25:21,766 --> 01:25:23,501
>> Henderson: THE LAST ACT THAT
5210
01:25:23,501 --> 01:25:23,567
>> Henderson: THE LAST ACT THAT
5211
01:25:23,568 --> 01:25:26,304
LUKE PERFORMS FOR HIS FATHER IS
5212
01:25:26,304 --> 01:25:26,337
LUKE PERFORMS FOR HIS FATHER IS
5213
01:25:26,337 --> 01:25:28,072
TO BURN ALL THAT'S LEFT OF
5214
01:25:28,072 --> 01:25:28,138
TO BURN ALL THAT'S LEFT OF
5215
01:25:28,139 --> 01:25:30,407
VADER.
5216
01:25:42,620 --> 01:25:46,890
IN EPISODE III, YOU SEE ANAKIN
5217
01:25:46,891 --> 01:25:46,957
IN EPISODE III, YOU SEE ANAKIN
5218
01:25:46,958 --> 01:25:48,893
SKYWALKER WITH HIS HUMANITY
5219
01:25:48,893 --> 01:25:48,959
SKYWALKER WITH HIS HUMANITY
5220
01:25:48,960 --> 01:25:50,861
QUITE LITERALLY AND FIGURATIVELY
5221
01:25:50,862 --> 01:25:50,895
QUITE LITERALLY AND FIGURATIVELY
5222
01:25:50,895 --> 01:25:52,263
BURNED AWAY.
5223
01:25:52,263 --> 01:25:52,296
BURNED AWAY.
5224
01:25:52,297 --> 01:25:53,898
>> [screaming]
5225
01:25:53,898 --> 01:25:53,931
>> [screaming]
5226
01:25:53,932 --> 01:25:55,633
>> Henderson: AT THE END OF
5227
01:25:55,633 --> 01:25:55,666
>> Henderson: AT THE END OF
5228
01:25:55,667 --> 01:25:58,870
EPISODE VI, YOU SEE ALL THAT
5229
01:25:58,870 --> 01:25:58,903
EPISODE VI, YOU SEE ALL THAT
5230
01:25:58,903 --> 01:26:01,605
MACHINE MAN BURNED AWAY.
5231
01:26:01,606 --> 01:26:01,639
MACHINE MAN BURNED AWAY.
5232
01:26:01,639 --> 01:26:02,640
>> Connelly: BURNING A BODY ON
5233
01:26:02,640 --> 01:26:02,706
>> Connelly: BURNING A BODY ON
5234
01:26:02,707 --> 01:26:04,975
A PYRE IS THE ULTIMATE HEROIC
5235
01:26:04,976 --> 01:26:05,042
A PYRE IS THE ULTIMATE HEROIC
5236
01:26:05,043 --> 01:26:05,710
BURIAL.
5237
01:26:05,710 --> 01:26:05,743
BURIAL.
5238
01:26:05,743 --> 01:26:07,678
IN "THE ILIAD," THE FATHER,
5239
01:26:07,679 --> 01:26:07,712
IN "THE ILIAD," THE FATHER,
5240
01:26:07,712 --> 01:26:09,246
PRIAM, TAKES THE BODY OF HECTOR
5241
01:26:09,247 --> 01:26:09,280
PRIAM, TAKES THE BODY OF HECTOR
5242
01:26:09,280 --> 01:26:10,914
BACK AND THERE IS A MASSIVE PYRE
5243
01:26:10,915 --> 01:26:10,948
BACK AND THERE IS A MASSIVE PYRE
5244
01:26:10,949 --> 01:26:11,616
BUILT.
5245
01:26:11,616 --> 01:26:11,649
BUILT.
5246
01:26:11,649 --> 01:26:13,050
AND THEN THE PEOPLE OF TROY CAN
5247
01:26:13,051 --> 01:26:13,084
AND THEN THE PEOPLE OF TROY CAN
5248
01:26:13,084 --> 01:26:14,718
MOURN HIM PROPERLY.
5249
01:26:14,719 --> 01:26:14,752
MOURN HIM PROPERLY.
5250
01:26:14,752 --> 01:26:17,187
IT BRINGS HONOR AND DISTINCTION,
5251
01:26:17,188 --> 01:26:17,254
IT BRINGS HONOR AND DISTINCTION,
5252
01:26:17,255 --> 01:26:20,191
AND THE SMOKE RISES TO THE GODS.
5253
01:26:26,180 --> 01:26:31,852
[crowd cheering]
5254
01:26:31,853 --> 01:26:31,886
[crowd cheering]
5255
01:26:31,886 --> 01:26:33,053
>> Young: IN THE "STAR WARS"
5256
01:26:33,054 --> 01:26:33,087
>> Young: IN THE "STAR WARS"
5257
01:26:33,087 --> 01:26:35,422
FILMS, WE LEARN THAT WE'RE ALL
5258
01:26:35,423 --> 01:26:35,489
FILMS, WE LEARN THAT WE'RE ALL
5259
01:26:35,490 --> 01:26:37,625
IN THIS TOGETHER AND IN A VERY
5260
01:26:37,625 --> 01:26:37,658
IN THIS TOGETHER AND IN A VERY
5261
01:26:37,659 --> 01:26:40,395
LARGE SENSE NEED TO COOPERATE
5262
01:26:40,395 --> 01:26:40,428
LARGE SENSE NEED TO COOPERATE
5263
01:26:40,428 --> 01:26:41,796
IN ORDER TO SURVIVE.
5264
01:26:41,796 --> 01:26:41,829
IN ORDER TO SURVIVE.
5265
01:26:41,829 --> 01:26:43,130
>> WE ARE NOW A PART OF THE
5266
01:26:43,131 --> 01:26:43,164
>> WE ARE NOW A PART OF THE
5267
01:26:43,164 --> 01:26:44,031
TRIBE.
5268
01:26:44,032 --> 01:26:44,065
TRIBE.
5269
01:26:44,065 --> 01:26:45,266
>> Galipeau: YOU SEE AN EMBRACE
5270
01:26:45,266 --> 01:26:45,299
>> Galipeau: YOU SEE AN EMBRACE
5271
01:26:45,300 --> 01:26:46,534
OF PEOPLE WHO CAN GET TOGETHER
5272
01:26:46,534 --> 01:26:46,600
OF PEOPLE WHO CAN GET TOGETHER
5273
01:26:46,601 --> 01:26:48,169
FOR COMMON GOALS, RATHER THAN
5274
01:26:48,169 --> 01:26:48,202
FOR COMMON GOALS, RATHER THAN
5275
01:26:48,202 --> 01:26:50,237
BELIEVE THAT THEY KNOW WHAT'S
5276
01:26:50,238 --> 01:26:50,271
BELIEVE THAT THEY KNOW WHAT'S
5277
01:26:50,271 --> 01:26:51,972
BEST FOR EVERYBODY ELSE.
5278
01:26:51,973 --> 01:26:52,006
BEST FOR EVERYBODY ELSE.
5279
01:26:52,006 --> 01:26:52,806
>> Lyden: AT THE END OF "RETURN
5280
01:26:52,807 --> 01:26:52,840
>> Lyden: AT THE END OF "RETURN
5281
01:26:52,840 --> 01:26:54,675
OF THE JEDI," LEIA AND HAN
5282
01:26:54,676 --> 01:26:54,709
OF THE JEDI," LEIA AND HAN
5283
01:26:54,709 --> 01:26:56,444
ULTIMATELY FORM A COUPLE.
5284
01:26:56,444 --> 01:26:56,510
ULTIMATELY FORM A COUPLE.
5285
01:26:56,511 --> 01:26:58,246
THEY'RE LINKED TO NATURE, LINKED
5286
01:26:58,246 --> 01:26:58,312
THEY'RE LINKED TO NATURE, LINKED
5287
01:26:58,313 --> 01:27:02,617
TO NEW LIFE, AND LIFE CAN NOW
5288
01:27:02,617 --> 01:27:02,650
TO NEW LIFE, AND LIFE CAN NOW
5289
01:27:02,650 --> 01:27:04,451
GO ON IN THE SENSE THAT THE
5290
01:27:04,452 --> 01:27:04,518
GO ON IN THE SENSE THAT THE
5291
01:27:04,519 --> 01:27:07,255
DESTRUCTIVE EMPIRE IS GONE.
5292
01:27:07,255 --> 01:27:07,288
DESTRUCTIVE EMPIRE IS GONE.
5293
01:27:07,288 --> 01:27:08,956
>> Henderson: LEIA REPRESENTS
5294
01:27:08,957 --> 01:27:08,990
>> Henderson: LEIA REPRESENTS
5295
01:27:08,990 --> 01:27:11,058
THE FEMININE FORCE WHICH NEEDS
5296
01:27:11,059 --> 01:27:11,092
THE FEMININE FORCE WHICH NEEDS
5297
01:27:11,092 --> 01:27:13,894
TO COME BACK TO THE GALAXY TO
5298
01:27:13,895 --> 01:27:13,961
TO COME BACK TO THE GALAXY TO
5299
01:27:13,962 --> 01:27:15,063
BRING IT LIFE.
5300
01:27:15,063 --> 01:27:15,096
BRING IT LIFE.
5301
01:27:15,096 --> 01:27:18,999
"STAR WARS" IS ABOUT BALANCE.
5302
01:27:19,000 --> 01:27:19,066
"STAR WARS" IS ABOUT BALANCE.
5303
01:27:19,067 --> 01:27:20,535
>> Pelosi: GEORGE LUCAS HAS A
5304
01:27:20,535 --> 01:27:20,601
>> Pelosi: GEORGE LUCAS HAS A
5305
01:27:20,602 --> 01:27:21,469
MESSAGE.
5306
01:27:21,469 --> 01:27:21,535
MESSAGE.
5307
01:27:21,536 --> 01:27:23,905
THE POWER ALWAYS BELONGS TO THE
5308
01:27:23,905 --> 01:27:23,971
THE POWER ALWAYS BELONGS TO THE
5309
01:27:23,972 --> 01:27:25,873
PEOPLE, AND THAT IS WHERE ANYONE
5310
01:27:25,873 --> 01:27:25,906
PEOPLE, AND THAT IS WHERE ANYONE
5311
01:27:25,907 --> 01:27:29,010
WHO HAS POWER DERIVES IT FROM.
5312
01:27:29,010 --> 01:27:29,043
WHO HAS POWER DERIVES IT FROM.
5313
01:27:29,043 --> 01:27:30,177
>> [roars]
5314
01:27:30,178 --> 01:27:30,211
>> [roars]
5315
01:27:30,211 --> 01:27:31,645
>> Ellerbee: NEVER THINK THAT A
5316
01:27:31,646 --> 01:27:31,712
>> Ellerbee: NEVER THINK THAT A
5317
01:27:31,713 --> 01:27:33,448
HANDFUL OF COMMITTED PEOPLE
5318
01:27:33,448 --> 01:27:33,481
HANDFUL OF COMMITTED PEOPLE
5319
01:27:33,481 --> 01:27:34,915
CANNOT CHANGE THE WORLD.
5320
01:27:34,916 --> 01:27:34,949
CANNOT CHANGE THE WORLD.
5321
01:27:34,949 --> 01:27:36,717
IN FACT, IT'S THE ONLY THING
5322
01:27:36,718 --> 01:27:36,751
IN FACT, IT'S THE ONLY THING
5323
01:27:36,751 --> 01:27:38,719
THAT EVER HAS.
5324
01:27:43,091 --> 01:27:44,292
>> Narrator: AFTER MORE THAN
5325
01:27:44,292 --> 01:27:44,358
>> Narrator: AFTER MORE THAN
5326
01:27:44,359 --> 01:27:45,993
THREE DECADES, "STAR WARS" HAS
5327
01:27:45,994 --> 01:27:46,027
THREE DECADES, "STAR WARS" HAS
5328
01:27:46,027 --> 01:27:48,162
INFLUENCED NEARLY EVERY ASPECT
5329
01:27:48,162 --> 01:27:48,195
INFLUENCED NEARLY EVERY ASPECT
5330
01:27:48,196 --> 01:27:50,464
OF POPULAR CULTURE.
5331
01:27:50,465 --> 01:27:50,531
OF POPULAR CULTURE.
5332
01:27:50,531 --> 01:27:52,099
AND AS IT DRAWS MANY OF ITS
5333
01:27:52,100 --> 01:27:52,166
AND AS IT DRAWS MANY OF ITS
5334
01:27:52,166 --> 01:27:54,101
THEMES FROM LITERATURE...
5335
01:27:54,102 --> 01:27:54,168
THEMES FROM LITERATURE...
5336
01:27:54,168 --> 01:27:55,369
MYTHOLOGY...
5337
01:27:55,370 --> 01:27:55,436
MYTHOLOGY...
5338
01:27:55,436 --> 01:27:56,804
RELIGION...
5339
01:27:56,804 --> 01:27:56,837
RELIGION...
5340
01:27:56,838 --> 01:27:59,574
AND HISTORY, THE EPIC SAGA HAS,
5341
01:27:59,574 --> 01:27:59,607
AND HISTORY, THE EPIC SAGA HAS,
5342
01:27:59,607 --> 01:28:02,109
IN TURN, CREATED A MYTHOLOGY
5343
01:28:02,110 --> 01:28:02,143
IN TURN, CREATED A MYTHOLOGY
5344
01:28:02,143 --> 01:28:03,644
ALL ITS OWN.
5345
01:28:03,645 --> 01:28:03,678
ALL ITS OWN.
5346
01:28:03,678 --> 01:28:04,812
>> Wetmore, Jr.: IT'S BECOME A
5347
01:28:04,812 --> 01:28:04,845
>> Wetmore, Jr.: IT'S BECOME A
5348
01:28:04,846 --> 01:28:05,947
CULTURAL TOUCHSTONE FOR US.
5349
01:28:05,947 --> 01:28:05,980
CULTURAL TOUCHSTONE FOR US.
5350
01:28:05,980 --> 01:28:07,481
I CAN QUOTE FROM SHAKESPEARE
5351
01:28:07,482 --> 01:28:07,515
I CAN QUOTE FROM SHAKESPEARE
5352
01:28:07,515 --> 01:28:08,949
OR DOSTOYEVSKY AND KNOW THAT
5353
01:28:08,950 --> 01:28:09,016
OR DOSTOYEVSKY AND KNOW THAT
5354
01:28:09,017 --> 01:28:10,218
SOME OF THE KIDS IN THE CLASS
5355
01:28:10,218 --> 01:28:10,284
SOME OF THE KIDS IN THE CLASS
5356
01:28:10,284 --> 01:28:11,752
WILL PROBABLY GET THE REFERENCE.
5357
01:28:11,753 --> 01:28:11,819
WILL PROBABLY GET THE REFERENCE.
5358
01:28:11,819 --> 01:28:13,487
BUT THE SECOND I MENTION "STAR
5359
01:28:13,488 --> 01:28:13,554
BUT THE SECOND I MENTION "STAR
5360
01:28:13,554 --> 01:28:14,655
WARS," THEY IMMEDIATELY KNOW
5361
01:28:14,656 --> 01:28:14,722
WARS," THEY IMMEDIATELY KNOW
5362
01:28:14,722 --> 01:28:16,123
EXACTLY WHAT I'M TALKING ABOUT.
5363
01:28:16,124 --> 01:28:16,157
EXACTLY WHAT I'M TALKING ABOUT.
5364
01:28:16,157 --> 01:28:17,124
>> THESE AREN'T THE DROIDS
5365
01:28:17,125 --> 01:28:17,191
>> THESE AREN'T THE DROIDS
5366
01:28:17,191 --> 01:28:19,660
YOU'RE LOOKING FOR.
5367
01:28:19,661 --> 01:28:19,727
YOU'RE LOOKING FOR.
5368
01:28:19,727 --> 01:28:21,295
>> Paglia: MYTHS PRE-DATE
5369
01:28:21,295 --> 01:28:21,328
>> Paglia: MYTHS PRE-DATE
5370
01:28:21,329 --> 01:28:22,396
LITERATURE.
5371
01:28:22,397 --> 01:28:22,430
LITERATURE.
5372
01:28:22,430 --> 01:28:24,098
I THINK EVERYONE ACKNOWLEDGES
5373
01:28:24,098 --> 01:28:24,131
I THINK EVERYONE ACKNOWLEDGES
5374
01:28:24,132 --> 01:28:27,301
THAT CULTURE HAS CHANGED
5375
01:28:27,301 --> 01:28:27,334
THAT CULTURE HAS CHANGED
5376
01:28:27,335 --> 01:28:28,202
RADICALLY.
5377
01:28:28,202 --> 01:28:28,268
RADICALLY.
5378
01:28:28,269 --> 01:28:29,837
AND THERE IS ABSOLUTELY NO
5379
01:28:29,837 --> 01:28:29,870
AND THERE IS ABSOLUTELY NO
5380
01:28:29,871 --> 01:28:31,839
REASON WHY A GREAT FILM SERIES
5381
01:28:31,839 --> 01:28:31,872
REASON WHY A GREAT FILM SERIES
5382
01:28:31,873 --> 01:28:33,207
OF THIS KIND CANNOT BE
5383
01:28:33,207 --> 01:28:33,273
OF THIS KIND CANNOT BE
5384
01:28:33,274 --> 01:28:34,675
CONSIDERED THE EQUIVALENT OF A
5385
01:28:34,676 --> 01:28:34,742
CONSIDERED THE EQUIVALENT OF A
5386
01:28:34,742 --> 01:28:36,410
PRINTED BOOK.
5387
01:28:36,411 --> 01:28:36,444
PRINTED BOOK.
5388
01:28:36,444 --> 01:28:37,578
>> THE FORCE IS WITH YOU,
5389
01:28:37,578 --> 01:28:37,611
>> THE FORCE IS WITH YOU,
5390
01:28:37,612 --> 01:28:39,046
YOUNG SKYWALKER.
5391
01:28:39,047 --> 01:28:39,080
YOUNG SKYWALKER.
5392
01:28:39,080 --> 01:28:41,015
>> Abrams: IT'S A VERY LITERATE
5393
01:28:41,015 --> 01:28:41,048
>> Abrams: IT'S A VERY LITERATE
5394
01:28:41,049 --> 01:28:42,316
STORY, BUT IT IS NOT A LITERAL
5395
01:28:42,316 --> 01:28:42,349
STORY, BUT IT IS NOT A LITERAL
5396
01:28:42,350 --> 01:28:43,217
STORY.
5397
01:28:43,217 --> 01:28:43,250
STORY.
5398
01:28:43,251 --> 01:28:44,852
PEOPLE ARE ABLE TO CONNECT TO
5399
01:28:44,852 --> 01:28:44,918
PEOPLE ARE ABLE TO CONNECT TO
5400
01:28:44,919 --> 01:28:46,220
IT IN THEIR OWN WAY.
5401
01:28:46,220 --> 01:28:46,286
IT IN THEIR OWN WAY.
5402
01:28:46,287 --> 01:28:47,921
>> I LOVE YOU.
5403
01:28:47,922 --> 01:28:47,955
>> I LOVE YOU.
5404
01:28:47,955 --> 01:28:49,022
>> I KNOW.
5405
01:28:49,023 --> 01:28:49,056
>> I KNOW.
5406
01:28:49,057 --> 01:28:50,291
>> Abrams: IT HAS BECOME WHAT
5407
01:28:50,291 --> 01:28:50,324
>> Abrams: IT HAS BECOME WHAT
5408
01:28:50,324 --> 01:28:51,558
THE GREEK MYTHS WERE IN THE
5409
01:28:51,559 --> 01:28:51,592
THE GREEK MYTHS WERE IN THE
5410
01:28:51,592 --> 01:28:53,327
PAST.
5411
01:28:53,327 --> 01:28:53,393
PAST.
5412
01:28:53,394 --> 01:28:54,428
>> Henderson: I THINK THE
5413
01:28:54,429 --> 01:28:54,495
>> Henderson: I THINK THE
5414
01:28:54,495 --> 01:28:56,697
LEGACY OF "STAR WARS" IS THAT
5415
01:28:56,698 --> 01:28:56,764
LEGACY OF "STAR WARS" IS THAT
5416
01:28:56,764 --> 01:28:58,999
IT HELPS US TO OPEN OUR HEARTS
5417
01:28:59,000 --> 01:28:59,033
IT HELPS US TO OPEN OUR HEARTS
5418
01:28:59,033 --> 01:29:00,968
TO THE DIMENSION OF MYSTERY IN
5419
01:29:00,968 --> 01:29:01,001
TO THE DIMENSION OF MYSTERY IN
5420
01:29:01,002 --> 01:29:02,236
OUR LIVES.
5421
01:29:02,236 --> 01:29:02,302
OUR LIVES.
5422
01:29:02,303 --> 01:29:04,872
>> USE YOUR FEELINGS, YOU MUST.
5423
01:29:04,872 --> 01:29:04,905
>> USE YOUR FEELINGS, YOU MUST.
5424
01:29:04,906 --> 01:29:06,507
>> Henderson: AND IT ALSO GIVES
5425
01:29:06,507 --> 01:29:06,540
>> Henderson: AND IT ALSO GIVES
5426
01:29:06,541 --> 01:29:08,342
US SOME GUIDANCE IN CONDUCTING
5427
01:29:08,342 --> 01:29:08,408
US SOME GUIDANCE IN CONDUCTING
5428
01:29:08,409 --> 01:29:09,977
OUR OWN HERO'S JOURNEY.
5429
01:29:09,977 --> 01:29:10,043
OUR OWN HERO'S JOURNEY.
5430
01:29:10,044 --> 01:29:12,513
>> YOU'VE FAILED, YOUR HIGHNESS.
5431
01:29:12,513 --> 01:29:12,546
>> YOU'VE FAILED, YOUR HIGHNESS.
5432
01:29:12,547 --> 01:29:14,982
I AM A JEDI, LIKE MY FATHER
5433
01:29:14,982 --> 01:29:15,015
I AM A JEDI, LIKE MY FATHER
5434
01:29:15,016 --> 01:29:16,517
BEFORE ME.
5435
01:29:16,517 --> 01:29:16,550
BEFORE ME.
5436
01:29:16,551 --> 01:29:17,418
>> Gingrich: "STAR WARS" GIVES
5437
01:29:17,418 --> 01:29:17,484
>> Gingrich: "STAR WARS" GIVES
5438
01:29:17,485 --> 01:29:19,687
YOU A FEEL FOR A WAY OF
5439
01:29:19,687 --> 01:29:19,720
YOU A FEEL FOR A WAY OF
5440
01:29:19,721 --> 01:29:21,689
STORYTELLING AND THE MORAL
5441
01:29:21,689 --> 01:29:21,722
STORYTELLING AND THE MORAL
5442
01:29:21,723 --> 01:29:23,157
PURPOSE AND VALUE OF STORIES
5443
01:29:23,157 --> 01:29:23,223
PURPOSE AND VALUE OF STORIES
5444
01:29:23,224 --> 01:29:24,425
BEING TOLD.
5445
01:29:24,425 --> 01:29:24,491
BEING TOLD.
5446
01:29:24,492 --> 01:29:26,060
YOU CAN SEE THE NATURE OF
5447
01:29:26,060 --> 01:29:26,126
YOU CAN SEE THE NATURE OF
5448
01:29:26,127 --> 01:29:28,229
TEAMWORK.
5449
01:29:28,229 --> 01:29:28,262
TEAMWORK.
5450
01:29:28,262 --> 01:29:29,129
>> YOU'RE ALL CLEAR, KID!
5451
01:29:29,130 --> 01:29:29,163
>> YOU'RE ALL CLEAR, KID!
5452
01:29:29,163 --> 01:29:30,264
NOW LET'S BLOW THIS THING AND
5453
01:29:30,264 --> 01:29:30,297
NOW LET'S BLOW THIS THING AND
5454
01:29:30,298 --> 01:29:31,065
GO HOME!
5455
01:29:31,065 --> 01:29:31,098
GO HOME!
5456
01:29:31,099 --> 01:29:31,899
>> Gingrich: THE NATURE OF
5457
01:29:31,899 --> 01:29:31,965
>> Gingrich: THE NATURE OF
5458
01:29:31,966 --> 01:29:35,169
DEFIANCE.
5459
01:29:35,169 --> 01:29:35,202
DEFIANCE.
5460
01:29:35,203 --> 01:29:36,237
>> Jackson: YOU CAN TALK ALL
5461
01:29:36,237 --> 01:29:36,270
>> Jackson: YOU CAN TALK ALL
5462
01:29:36,270 --> 01:29:37,671
YOU LIKE ABOUT HOW "STAR WARS"
5463
01:29:37,672 --> 01:29:37,705
YOU LIKE ABOUT HOW "STAR WARS"
5464
01:29:37,705 --> 01:29:39,073
HAS A BIT OF THE BIBLE AND IT
5465
01:29:39,073 --> 01:29:39,139
HAS A BIT OF THE BIBLE AND IT
5466
01:29:39,140 --> 01:29:42,776
HAS A BIT OF GREEK MYTHOLOGY,
5467
01:29:42,777 --> 01:29:42,810
HAS A BIT OF GREEK MYTHOLOGY,
5468
01:29:42,810 --> 01:29:45,078
BUT NONE OF THOSE STORIES HAVE
5469
01:29:45,079 --> 01:29:45,112
BUT NONE OF THOSE STORIES HAVE
5470
01:29:45,113 --> 01:29:47,882
R2-D2 OR C-3PO, JABBA THE HUTT,
5471
01:29:47,882 --> 01:29:47,948
R2-D2 OR C-3PO, JABBA THE HUTT,
5472
01:29:47,949 --> 01:29:51,085
THE SPACESHIPS, THE DEATH STAR.
5473
01:29:51,085 --> 01:29:51,118
THE SPACESHIPS, THE DEATH STAR.
5474
01:29:51,119 --> 01:29:53,154
TO ME, WHAT IS GREAT AND
5475
01:29:53,154 --> 01:29:53,187
TO ME, WHAT IS GREAT AND
5476
01:29:53,187 --> 01:29:54,521
WONDERFUL ABOUT "STAR WARS" IS
5477
01:29:54,522 --> 01:29:54,555
WONDERFUL ABOUT "STAR WARS" IS
5478
01:29:54,555 --> 01:29:56,790
THE SHEER BRILLIANCE OF THE
5479
01:29:56,791 --> 01:29:56,824
THE SHEER BRILLIANCE OF THE
5480
01:29:56,824 --> 01:29:58,525
IMAGINATION OF THE STUFF IN
5481
01:29:58,526 --> 01:29:58,592
IMAGINATION OF THE STUFF IN
5482
01:29:58,593 --> 01:30:00,161
"STAR WARS" THAT WE HAVE NEVER
5483
01:30:00,161 --> 01:30:00,194
"STAR WARS" THAT WE HAVE NEVER
5484
01:30:00,194 --> 01:30:01,461
SEEN BEFORE.
5485
01:30:01,462 --> 01:30:01,495
SEEN BEFORE.
5486
01:30:01,496 --> 01:30:02,263
>> I GOT HIM!
5487
01:30:02,263 --> 01:30:02,296
>> I GOT HIM!
5488
01:30:02,296 --> 01:30:03,096
>> GREAT, KID!
5489
01:30:03,097 --> 01:30:03,163
>> GREAT, KID!
5490
01:30:03,164 --> 01:30:05,533
DON'T GET COCKY!
5491
01:30:05,533 --> 01:30:05,566
DON'T GET COCKY!
5492
01:30:05,566 --> 01:30:07,901
>> FOUGHT WELL, YOU HAVE.
5493
01:30:07,902 --> 01:30:07,968
>> FOUGHT WELL, YOU HAVE.
5494
01:30:07,969 --> 01:30:11,238
>> THIS IS JUST THE BEGINNING.
5495
01:30:11,239 --> 01:30:11,272
>> THIS IS JUST THE BEGINNING.
5496
01:30:11,272 --> 01:30:12,239
>> Connelly: A HUNDRED YEARS
5497
01:30:12,240 --> 01:30:12,273
>> Connelly: A HUNDRED YEARS
5498
01:30:12,273 --> 01:30:14,241
FROM NOW, SOMEONE WILL BE
5499
01:30:14,242 --> 01:30:14,275
FROM NOW, SOMEONE WILL BE
5500
01:30:14,275 --> 01:30:15,743
SITTING HERE DISCUSSING THE
5501
01:30:15,743 --> 01:30:15,776
SITTING HERE DISCUSSING THE
5502
01:30:15,777 --> 01:30:17,745
IMPACT OF "STAR WARS," AND THEY
5503
01:30:17,745 --> 01:30:17,811
IMPACT OF "STAR WARS," AND THEY
5504
01:30:17,812 --> 01:30:19,547
WILL BE SEEING DIFFERENT THINGS
5505
01:30:19,547 --> 01:30:19,580
WILL BE SEEING DIFFERENT THINGS
5506
01:30:19,580 --> 01:30:23,183
IN IT THAN WE ARE SEEING TODAY.
5507
01:30:23,184 --> 01:30:23,250
IN IT THAN WE ARE SEEING TODAY.
5508
01:30:23,251 --> 01:30:24,452
HAS IT CHANGED THE CULTURE?
5509
01:30:24,452 --> 01:30:24,485
HAS IT CHANGED THE CULTURE?
5510
01:30:24,485 --> 01:30:26,186
ABSOLUTELY.
5511
01:30:26,187 --> 01:30:26,253
ABSOLUTELY.
5512
01:30:26,254 --> 01:30:27,788
IS IT WITH US FOREVER?
5513
01:30:27,789 --> 01:30:27,822
IS IT WITH US FOREVER?
5514
01:30:27,822 --> 01:30:29,190
YOU BET.
5515
01:30:29,190 --> 01:30:29,223
YOU BET.
5516
01:30:29,223 --> 01:30:31,191
>> REMEMBER, THE FORCE WILL BE
5517
01:30:31,192 --> 01:30:31,225
>> REMEMBER, THE FORCE WILL BE
5518
01:30:31,225 --> 01:30:33,427
WITH YOU... ALWAYS.
5519
01:30:33,461 --> 01:30:36,664
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