All language subtitles for Mahogany.1975 -eng-fr.en.hi

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[audience chattering]

(announcer)
AND NOW, MAHOGANY GIVES TO YOU

THE KABUKI FINALE.

[audience applauding]

?[Japanese music playing]

[audience applauding
and cheering]

[gong sounding]

[audience cheering wildly]

[inaudible]

YOU HAVE MADE IT, CARA MIA.

YOU HAVE MADE IT.
IT'S FANTASTIC.

YOU'RE THE BIGGEST.
THE BIGGEST, THE BIGGEST.

YOU'RE REALLY A SUCCESS.

SUCCESS!

NOW YOU HAVE EVERYTHING.

AND NOW YOU HAVE EVERYONE.

SUCCESS.

AND WE ARE ALL HERE
TO SHARE IT WITH YOU.

OH, WE GOT OFFERS
FROM PARIS AND LONDON,

AND YOU'RE GONNA MAKE
SO MUCH MONEY, MONEY, MONEY.

OH, BUT THIS IS
ONLY THE BEGINNING.

I'M SO HAPPY FOR YOU, TRACY.

REALLY, TRACY,
I'M SO HAPPY FOR YOU.

[crowd cheering]

[scratching]

(instructor)
I THOUGHT I ASKED YOU

TO SKETCH
A SIMPLE COCKTAIL DRESS.

[bell ringing]

OK, CLASS.
THE ASSIGNMENT FOR NEXT WEEK IS A BASIC SWIMSUIT, OK?

[all grumbling]

AND THAT MEANS NO SEQUINS,
NO RHINESTONES, AND NO OSTRICH FEATHERS.

[girls talking and laughing]

?[Do You Know Where
You're Going To? by Diana Ross playing]

? DO YOU KNOW WHERE
YOU'RE GOING TO? ?

? DO YOU LIKE THE THINGS
THAT LIFE IS SHOWING YOU? ?

? WHERE ARE YOU GOING TO? ?

? DO YOU KNOW? ?

? DO YOU GET
WHAT YOU'RE HOPING FOR? ?

? WHEN YOU LOOK BEHIND YOU
THERE'S NO OPEN DOORS ?

? WHAT ARE YOU HOPING FOR? ?

? DO YOU KNOW? ?

? ONCE WE WERE
STANDING STILL IN TIME ?

? CHASIN' THE FANTASIES
THAT FILLED OUR MINDS ?

? YOU KNEW HOW I LOVED YOU
BUT MY SPIRIT WAS FREE ?

? LAUGHIN' AT THE QUESTIONS
THAT YOU ONCE ASKED OF ME ?

? DO YOU KNOW WHERE
YOU'RE GOING TO? ?

? DO YOU LIKE THE THINGS
THAT LIFE IS SHOWING YOU? ?

? WHERE ARE YOU GOING TO? ?

? DO YOU KNOW? ?

[train rumbling]

HEY, MISTER,
WANNA BUY A PIECE OF ASS?

COME ON, SUCKER,
YOU WANT SOME BOOTY?

YEAH, YOU.
I'M TALKING TO YOU.

WHO, ME?
COME ON.

WHAT, ARE YOU ON SOME SHIT?
WHAT YOU WANT?

YOU GOT SOME MONEY?

WELL, I GUESS YOU
CAN'T PLEASE EVERYBODY.

AIN'T THAT A BITCH?
GODDAMN WHORE.

SHIT.

IF IT WEREN'T FOR BAD LUCK,
I WOULDN'T HAVE NO LUCK AT ALL.

HEY, NOW. HEY, BROTHER.
WAIT A MINUTE NOW, BROTHER.

NOW, THE POINT IS,

THEY'RE PUTTING UP PROJECTS
WITH BARS ON THE WINDOWS

TO KEEP PEOPLE FROM
PUSHING EACH OTHER OUT.

NOW THE SOUTHSIDE
BLOCK ASSOCIATION

IS SENDING SOME
PEOPLE OVER HERE

ALL DAY WEDNESDAY,
AT THE OAKEN WALL SCHOOL.

10 MINUTES OF YOUR TIME
MIGHT JUST HELP YOU SAVE YOUR HOUSE.

BECAUSE NOW I CAN SEE WE GOT
SOMEBODY WHO'S HIP TO HOME IMPROVEMENTS.

WE GOT A MIGHTY
DELUXE FIXTURE PASSING BY RIGHT NOW.

EXCUSE ME, YOUNG LADY.
BUT ARE YOU GONNA TAKE A FEW MINUTES OUT

TO DO SOMETHING ABOUT KEEPING
THAT APARTMENT FROM BEING BULLDOZED?

WHAT DO YOU GOTTA DO
THAT'S MORE IMPORTANT

THAN STOPPING
SOME HONKY LANDLORD

FROM THROWING YOU
OUT ON YOUR BEHIND?

HOW'D YOU LIKE TO COME HOME
ONE DAY FROM WORK

AND FIND A BIG HOLE
WHERE YOUR HOUSE WAS?

IT COULDN'T BE
WORSE THAN COMING HOME AND FIND SOME JACKASS

BLOWING AT ME
THROUGH A BULLHORN.

WHAT?
AT 11:00 AT NIGHT.

WAIT A MINUTE NOW, WAIT.

LOOK, I'M COLD AND TIRED, OK?

NOW, WAIT NOW.
LOOK, MAYBE IT'S NOT IMPORTANT TO YOU

BUT WHAT ABOUT
MRS. JOHNSON UP THERE?

WHAT'S MRS. JOHNSON GONNA DO
WHEN SHE'S OUT ON THE STREET?

PROBABLY SOMETHING
A DAMN SIGHT SMARTER THAN

RIDING AROUND ON A CAR
LIKE A STANDUP-COMIC CHEERLEADER.

[yelling]
HEY, CUT THAT SQUEAKING SOUND, YOU CLOWNS!

[laughing and hooting]

(Brian)
A LEAN TO THE LEFT, LEAN TO THE RIGHT.

KEEP ON TRUCKING,
THE TOWEL'S IN SIGHT.

[laughing and jeering]

[women chattering]

[sewing machines whirring]

TRACY. JESUS!
[laughing]

YOU JUST ALMOST MADE ME
SEW A ZIPPER ON THIS SLEEVE.

THE KIND OF WOMEN
THAT WEAR THIS JUNK

COULD USE
A ZIPPER IN THE SLEEVE.

WHAT'S THAT YOU GOT THERE?

AS IF I DIDN'T KNOW.

TA-DA.

HONEY.

YOU'RE GETTING TOO
GOOD FOR MY VOCABULARY.

COME ON, AUNT FLORENCE.
WHAT DO YOU SAY?

IT'LL ONLY TAKE
YOU A COUPLE OF DAYS TO DO THE SAMPLES.

PAY MY RATE?

MINUS 25%.
JUST FOR A RELATIVE.

FLORENCE,
YOU'RE WORKING OVERTIME IN THE JAW DEPARTMENT.

GIVE ME A COUPLE OF DAYS.
OK.

THEY'RE GOOD, CHILD.
BETTER THAN GOOD.

OH, THANK YOU, AUNT FLORENCE.

I LOVE YOU.

NOW GET OUT OF HERE AND...

YOU'RE COSTING ME MONEY.

THE SLUMLORDS JACK
THE RENTS UP SO HIGH

THAT NOBODY CAN
AFFORD TO PAY.

THEN THEY GET
THE BUILDINGS CONDEMNED BECAUSE NOBODY LIVES IN THEM.

AND THE NEXT DAY,
THEY TURN RIGHT AROUND

AND THEY SELL THE LAND
TO THE CITY TO PUT UP PROJECTS.

YOU'RE LUCKY
SOMEBODY'S FUMIGATING THIS RAT HOLE FOR YOU!

[construction workers
laughing]

COME ON NOW, BRIAN.

YOU KNOW THAT'S HOW
WE ALWAYS BLOW IT.

[jeering]

WELL, LOOK AT THAT.

THERE'S A PROGRAM
IN THIS CITY

THAT'S BEING NEGLECTED
BY THE VERY SAME

PEOPLE THAT IT WAS
BEING CREATED FOR.

THERE'S HOUSES,
NOT VERY DIFFERENT FROM THESE,

HUNDREDS OF THEM,
THAT CAN BE BOUGHT FOR ONE DOLLAR.

DOES ANYBODY KNOW THAT?

(crowd)
NO!

NO!
BECAUSE NOBODY'S GOT YOU HIP TO WHAT'S HAPPENING.

[truck horn blowing]

HEY,
MAN, CAN YOU MOVE YOUR VAN UP THERE, PLEASE?

NOW, HOW ABOUT IT?
WILL YOU JOIN US?

RIGHT ON.

OK, WHO ELSE?

OK, FINE.

ALL RIGHT, WHO ELSE?
WHO ELSE'LL JOIN US?

[people talking]

[everyone laughing]

OK, FOLKS. LET'S...

[everyone cheers]

[Tracy laughing loudly]

[crowd laughing]

[everyone shouting]

[hooting]

HEY...

[police siren approaching]

[tires screeching]

[siren blaring]

[traffic rumbling]

I'M AFRAID TO ASK,
BUT ARE YOU TRACY CHAMBERS?

AFRAID SO.

I'M AFRAID YOU'RE
BRIAN WALKER, WHICH MAKES US BOTH AFRAID, HUH?

GOOD THING WE'RE
NEAR A POLICE STATION.

YOU WITH THE LEGAL AID?

NOPE. I'M SORT OF
WITH THE MILK FUND.

HEY, I KNOW YOU.

LISTEN. ABOUT THIS
BAIL I JUST SPRANG FOR...

WELL, WHY DID YOU DO IT
IF YOU'RE NOT WITH THE LEGAL AID?

BECAUSE,

I'M THE ONE WHO TURNED THAT
TRUMPET OF YOURS INTO A HORN OF PLENTY.

GODDAMN!
YOU MEAN I JUST SPENT

THE NIGHT IN JAIL
ALL BECAUSE OF YOU?

LOOK, I KNOW I'M IN
TROUBLE BUT I'LL BE IN

MORE TROUBLE
UNLESS YOU COUGH UP $100

BEFORE THOSE COPS
CASH THAT BUM CHECK I GAVE THEM.

YOU WROTE A...
YOU WROTE A BUM CHECK?

I DIDN'T
ACCOUNT FOR JAILBIRDS IN MY BUDGET THIS MONTH.

WHERE ARE WE GOING?

YOU'RE GOING HOME.
I'M GONNA SCRAPE UP $100.

HOME, NOTHING.
I'M GOING TO WORK,

IF I HAVEN'T
ALREADY LOST MY JOB.

HEY,
YOU REALLY DID TIPTOE OUT ON A LIMB FOR ME, DIDN'T YOU?

WELL, I FELT GUILTY,
THAT'S ALL.

THAT'S ALL?

THAT'S ALL.

I'LL TELL YOU WHAT.

WHY DON'T I
COME BY TONIGHT WITH THE MONEY

AND SEE IF WE CAN
COME UP WITH SOMETHING

WE CAN FEEL
GUILTY ABOUT TOGETHER?

LOOK, JACK, I DON'T
THINK YOU GET THE SIGNALS.

I JUST WANNA
BRING YOU YOUR CASH

AND TELL YOU HOW
MUCH I APPRECIATE--

YOU CAN CARRY IT ON
YOUR BACK IN NICKELS

AND I WOULDN'T
LET YOU IN THE DOOR.

HEY, WAIT A MINUTE.
I JUST WANTED, I--

STICK IT IN THE MAILBOX!

THE REASON I'M LATE,
MISS EVANS--

BRING YOUR PAD.

YES, MA'AM.

TRACY, I DON'T KNOW
HOW THEY FELT ABOUT YOU

BEING LATE WHEN
YOU WERE A SALESGIRL,

BUT I EXPECT MY
SECRETARIES TO BE PUNCTUAL.

I'M SORRY, MISS EVANS.
I HAD A CLASS LAST NIGHT--

WE HAVE SO MUCH
CHRISTMAS STUFF TO DO

BEFORE MR. McAVOY
DESCENDS UPON US FROM ROME.

SEAN McAVOY?
YOU'VE GOT SEAN McAVOY?

I DIDN'T THINK WE
COULD AFFORD HIS LENS CAP.

TRACY, I THOUGHT WE'D AGREED
THAT IF THOSE NIGHT SCHOOL COURSES

BEGAN TO AFFECT YOUR WORK,
YOU'D GIVE THEM UP.

IT'S ON MY OWN TIME,
MISS EVANS.

THERE ARE 6,000
EMPLOYEES IN THIS STORE

THAT HAVE TO
STAND BEHIND COUNTERS ALL DAY LONG.

NOW, I SUGGEST YOU
LET THE PROMOTION TO THE DISPLAY DEPARTMENT

SATISFY ANY CREATIVE URGE
YOU MAY THINK YOU HAVE.

DO I MAKE MYSELF CLEAR,
MY DEAR?

(Sean)
TURN--TURN--TURN YOUR BACK TO ME.

(Sean)
LOOK OVER YOUR SHOULDER. SHOW THE DRESS MORE.

HIDE THAT SEAM.

OK. GOOD, GOOD. OK.

BUT BRING YOUR
RIGHT SHOULDER FORWARD.

NO, THE RIGHT SHOULDER.
THAT'S YOUR LEFT SHOULDER.

YOUR OTHER RIGHT SHOULDER,
DARLING.

OK. SMILE.

NO. NOT SO BROAD,
HONEY. IT'S A SEXY SMILE.

[camera clicking]
GOOD. THAT'S BEAUTIFUL.

FINE.
YOU OUGHT TO BE IN NEW YORK.

GOOD, GOOD. HOLD IT, HOLD IT.
HOLD IT.

WET YOUR LIPS.

GOOD. GOOD.
NOW TURN--TURN AROUND.

GOOD. FINE.
NOW LOOK AT ME OVER THAT WAY.

GOOD, THAT'S FABULOUS.

GREAT.

OK, SUCK IN YOUR GUT.

[breathing in deeply]

HOLD IT.

SMILE.

THAT'S GOOD. FABULOUS.
NOW MOVE INTO THAT...

COME UP TO THAT TELESCOPE.
GOOD.

KIND OF LOOK
THROUGH IT JUST ONCE AS IF YOU KIND OF CARE.

YEAH, LIKE THAT.

[camera clicking away]

OK.
TURN AROUND BACK AGAIN NOW.

TURN YOUR BACK TO US.

THAT'S RIGHT.
NOW HOLD ON TO THE SIDES OF THE... YEAH, THAT'S GOOD.

REALLY STROKE
THAT THING, DARLING.

STROKE IT. GOOD.

GREAT. PUT YOUR
FINGERS RIGHT INSIDE.

THAT'S NICE. HOLD IT.

TAKE A DEEP BREATH.
ARCH YOUR BACK.

SHOW US YOUR
TITS AND SAY "SHIT."

[camera clicking]
SHIT.

GOOD.

IT'S TOO HORNY, HONEY.

IT'S STILL TOO HORNY.
BE A LITTLE BIT MORE VIRGINAL, LIKE YOU'VE NEVER BEEN HAD.

YOU HAVE BEEN HAD.

ALL RIGHT. TRY LOOKING
A LITTLE MORE PENSIVE.

AH--AH, TRY LOOKING
A LITTLE MORE SAD.

TRY SAYING "SHIT."

SHIT.

THANK YOU.

[exhaling]

WELL, OK! OK!

THIS IS MORE LIKE IT.

COME ON, DARLING.

STEP UP HERE.
LET ME TAKE A LOOK AT YOU

BEFORE WE PUT YOU
IN SOME CLOTHES.

WHEREVER YOU GOT
THIS ONE,

TRY TO GET 6 MORE LIKE IT AND
WE CAN REALLY GET STARTED.

WHEREVER I GOT...

[chuckling]

OH, THIS IS MY SECRETARY.

OH, CHRIST.

MR. McAVOY, TRACY CHAMBERS.

I KNOW YOU'RE TIRED,
BUT I THINK YOU'RE FABULOUS--

TRACY, WOULD YOU
PLEASE GET SOME CHAIRS FOR THE MODELS, DEAR?

YES, MA'AM.

WOULD YOU LIKE A CUP
OF COFFEE, MR. McAVOY? FETCH HIM ONE, PLEASE.

(Tracy)
YES, MA'AM.

?[radio playing]

(man singing)
? 1390 ?

(women singing)
? WVON! ?

[coins clinking]

(announcer)
HI, THIS IS E. RODNEY JONES,

COMING YOUR WAY FROM WVON,
THE MIGHTY 1390, CHICAGOLAND'S BLACK GIANT.

[coins pouring out]

I--I CARRIED THEM ALL
THE WAY UP THE STAIRS ON MY BACK.

AREN'T YOU GONNA LET ME IN?

NO, I'M NOT.

I JUST WANTED TO COME IN
TO INVITE YOU TO LUNCH.

YOU CAN INVITE
ME FROM OUT THERE.

OK. MISS CHAMBERS,

MAY I REQUEST
THE PLEASURE OF YOUR COMPANY FOR LUNCHEON?

MR. WALKER,

MISS CHAMBERS
WILL BE DELIGHTED TO ACCEPT YOUR INVITATION.

BE DOWN IN 2 SECONDS.

[both grunting]

THERE'S DEFINITELY SOMETHING
YOU'RE NOT TELLING ME ABOUT YOURSELF.

[Tracy giggling]

I GOT THE DISTINCT
IMPRESSION THE OTHER NIGHT THAT POLITICS BORED YOU.

IT DID, THE OTHER NIGHT.

SOMETHING TELLS ME
THERE'S MORE TO YOU THAN THAT.

OH, I DON'T KNOW.
NOT A WHOLE LOT. LISTEN.

NOT SINCE I
LEFT THE LAW FIRM.

[exclaiming]

GOT YOU THAT TIME. ONE MORE.

YOU'RE A LAWYER, HUH?

IT'S SO EXCITING.
WHAT DO YOU DO NOW?

I MEAN, FOR A LIVING.

WHAT YOU'VE
BEEN SEEING ME DO.

FOR A LIVING?

I'M ALIVE,
IF THAT'S WHAT YOU MEAN.

[both grunting]

[giggling]

GAME'S OVER.

IF YOU'RE REALLY
INTERESTED IN WHAT

I'M ALL ABOUT,
COME ON, I'LL SHOW YOU.

COME ON.

MY CONSTITUENCY.

BUT THERE'S NO ONE HERE.

NOT ANYMORE.

IT WASN'T MUCH,
BUT IT WAS A NEIGHBORHOOD.

I GREW UP HERE.

SO WHAT HAPPENED TO IT?

SAME THING THAT'S
HAPPENING TO YOURS.

IT GOT ALL ITS
GUTS SUCKED OUT OF IT.

SOMETHING'S
HAPPENING DOWN HERE.

SOMETHING'S
HAPPENING EVERYWHERE.

COUPLE OF YEARS BACK,
IT LOOKED LIKE THINGS WERE GONNA CHANGE.

BUT NOT ONLY JUST
FOR BLACK PEOPLE,

BUT FOR
EVERYBODY IN THE WORLD THAT'S BEEN RIPPED OFF,

PUSHED AROUND OR
JUST BORN UNLUCKY.

SOMETHING'S GONE.
SOMETHING...

SOME KIND OF
FEELING FOR EACH OTHER.

IT'S HARD TO
FEEL FOR EACH OTHER

WHEN YOU CAN
BARELY KEEP YOURSELF UP.

UP OR OUT?

THAT'S WHAT YOU
REALLY WANNA DO, ISN'T IT? GET OUT?

OUT OF HERE?
YOU'RE DAMN RIGHT I DO.

AND I'M GONNA DO IT, TOO.

IS THERE ANYTHING
WRONG WITH THAT?

I'VE BEEN
AROUND AND I CAN SEE

THERE'S A MUCH
BETTER LIFE THAN THIS.

AND I WANT IT. DON'T YOU?

OF COURSE I DO, TRACY,
AND I CAN UNDERSTAND YOUR WANTING TO SPLIT.

BUT MOST OF
THESE PEOPLE

DON'T STAND A CHANCE IN
HELL OF GOING WITH YOU.

SOMEBODY'S GOTTA
STAY AND DO THE MARCHING

AND THE POLITICKING
AND THE FIGHTING

TO MAKE THIS
A BETTER PLACE TO LIVE.

AND THAT'S YOU?

THAT'S ME.

[camera clicking rapidly]

MAKING LIKE A CLOTHES HANGER
SEEMS LIKE A SILLY WAY TO EARN A LIVING TO ME.

WHAT ARE YOU, MISS CHAMBERS,
AN UNDERACHIEVER?

NO, I'M AN ACHIEVER,
ALL RIGHT.

IT'S JUST THAT I'D
RATHER DO IT MAKING CLOTHES, NOT BY WEARING THEM.

DID YOU MAKE THAT?
YES, I DID.

ME AND MY TAILORING
DEPARTMENT RIGHT HERE.

WELL, I'M IMPRESSED.
THANK YOU.

YOU'VE IMPRESSED ME.
THANK YOU.

WHAT ARE YOU
GONNA DO WITH IT?

I'M GONNA SELL IT.

THIS AND A WHOLE
COLLECTION MORE.

IN CHICAGO?

(Florence)
WHAT'S WRONG WITH CHICAGO?

NOTHING.

NOTHING A TRIP TO
EUROPE WOULDN'T CURE.

THIS IS A LONG
WAY FROM EUROPE.

DON'T I KNOW IT?
BUT YOU'D LOVE IT IN ROME.

AND WHY IS THAT?

BECAUSE IN ROME,
MISS CHAMBERS,

THEY DON'T SEND
THEIR PRETTY THINGS OUT TO GET COFFEE.

SHE DON'T KNOW
NOTHING ABOUT NO ROME.

I KNOW IT.

THEY'D LIKE THAT BEST OF ALL.

WHAT DO YOU MEAN BY THAT?

I DON'T KNOW.
YOUR GLOW. YOUR INNOCENCE.

ROME IS LIKE A RICH OLD LADY.

SHE COVERS HER WRINKLES UP
WITH THINGS THAT SHINE.

?[music playing]

THINK YOU KNOW HOW TO SHINE?

WHAT?
CAN YOU DANCE? CAN YOU MOVE?

COME ON. YOU'RE
WEARING THE DRESS. MOVE!

OK!

GOOD.

(Sean)
GOOD! GOOD!

[camera clicking]

MOVE?
YEAH.

THAT'S RIGHT.
STAND UP STRAIGHT!

KEEP MOVING FOR ME.

GOOD. GOOD.

DON'T SLOUCH YOUR BACK,
KEEP IT STRAIGHT.

GOOD. GOOD!

USE YOUR ARMS.
ARMS UP. ARMS UP.

OK. WHEN YOU GET
TO THE PAPER, TURN.

TURN.

TURN?

[whooping]

WHAT'S GOING ON?

(Sean)
THAT'S GOOD. TURN! YEAH!

(Linda)
WHAT'S GOING ON HERE?

[music stopping]

I'LL TELL YOU, MRS. EVANS.

I'VE BEEN LOOKING AT GIRLS
FOR 2 DAYS NOW,

AND I DON'T CARE
WHAT MISS CHAMBERS DOES FOR A LIVING.

I SAY SHE'S A MODEL
AND SHE'S THE RIGHT MODEL FOR THIS LAYOUT.

OH, I'M SORRY, MR. McAVOY,
BUT THAT'S OUT OF THE QUESTION.

ARE YOU TRYING TO
TELL ME MY BUSINESS, MRS. EVANS?

NO, NOTHING LIKE THAT.
IT'S JUST THAT...

WELL,
WE'RE DEALING WITH AN AGENCY

THAT MAINTAINS
A RATHER CONSERVATIVE POLICY.

WHO ARE YOU TRYING
TO SHIT, MRS. EVANS?

MY HANDS ARE TIED,
MR. McAVOY.

PLEASE.
YOU REALLY MUSTN'T TRY TO MAKE ME FEEL GUILTY

ABOUT SOMEBODY ELSE'S WAY
OF DOING BUSINESS.

I PERSONALLY
FEEL VERY DIFFERENT.

AND YOU STILL DON'T KNOW
WHAT'S WRONG WITH CHICAGO?

(Sean)
ALL RIGHT, TRACY, TRACY. I NEED ANOTHER GIRL.

GET ME THE GIRL
IN THE ORANGE COAT.

OK. COATS OFF, PLEASE.

TAKE YOUR COAT OFF.
TAKE YOUR COAT OFF.

JERRY, GET LOST.

SUSAN, GET LOST.

KARL,
LET'S KILL THE UMBRELLAS.

OK. GIRL IN THE YELLOW DRESS,
MOVE OVER TO THE RIGHT.

HURRY UP.
WE'RE GETTING SOME LIGHT.

OK. LOOK ALIVE.

I CAN'T SEE YOUR FACE,
DARLING, IN THE WHITE HAT.

OK, MUCH BETTER. SHE'S GOOD.

GET LOST, DARLING.
COME ON. COME ON DOWN HERE.

COME ON, TRACY.
OK, GIRLS, LOSE THE COATS.

GIRL IN THE WHITE DRESS,
LOOK ALIVE.

I DON'T SEE YOU.
I DON'T... GOOD.

(Sean)
OK, GIRLS, LOOK ALIVE. LOSE THE COATS.

GIRL IN THE WHITE DRESS,
WIPE THAT SMILE OFF YOUR FACE.

CHECK IT OUT.

(Brian)
WHAT'S GOING ON?

HEY, WE CAN GO AND EAT
IN ABOUT 10 MINUTES, OK?

SORRY I HAD TO DRAG YOU
ALL THE WAY DOWN HERE.

IS THAT THE DUDE YOU
WERE TELLING ME ABOUT?

UH-UH. WATCH HIM MOVE.

HE'S LIKE
A DANCER OR SOMETHING.

[Tracy chuckling]

(Tracy)
HE USED TO BE A COMBAT PHOTOGRAPHER.

BET YOU CAN'T
UNDERSTAND THAT.

(Brian)
HE MIGHT BE AGAIN

IF HE HANGS
AROUND HERE VERY LONG.

(Sean)
TRACY!

OK.

(Tracy)
YOU WANT ME UPSTAIRS?

I GOTTA HAVE HER IN THIS SHOT.
OK.

[train rumbling]

HI. WANT TO COME AND TAKE
A PHOTOGRAPH FOR ME FOR A MAGAZINE?

TRACY, THANKS.

OK. HOLD THAT.

HOW MUCH ARE
THESE MODELS MAKING?

$60 AN HOUR, $70.

HOW MUCH YOU GONNA
GIVE THE OLD LADY?

I DON'T KNOW,
BUT THAT'S NOT THE POINT.

THIS IS FASHION STUFF,
NOT POLITICS.

EVERYTHING'S POLITICS, HONEY.

MAYBE TO YOU, BRIAN,
BUT NOT TO ME.

THIS IS MY WORLD
YOU'RE LOOKING AT NOW.

WITH A LITTLE COLOR FROM MINE
THROWN IN FOR EFFECT, HUH?

WHAT ARE YOU TALKING ABOUT?

[coughing]

GOOD.

[clicking]

HE SEEMS PRETTY FOND OF YOU.

HAS HE OFFERED TO SHOW YOU
HIS DARKROOM, YET?

LOOK,
MAYBE I'D BETTER MEET YOU IN THE RESTAURANT, OK?

TRACY, I HAVE
A PLANE TO CATCH TONIGHT.

YOU BETTER GET OVER THERE.
I THINK HE NEEDS ANOTHER NIGGER.

WHO THE HELL DO YOU
THINK YOU'RE TALKING TO?

I'M SORRY.
I JUST DON'T LIKE TO SEE YOU

SUCKED INTO SOME
KIND OF A RIP-OFF.

WHAT RIP-OFF?

THIS WHOLE GODDAMN
THING'S A RIP-OFF.

THIS IS MY JOB, BRIAN.

THIS IS WHAT THE BIG
DREAM IS ALL ABOUT?

COME ON, TRACY.

I'M WORKING WITH
MR. SEAN McAVOY.

I DON'T THINK YOU UNDERSTAND
WHAT THAT MEANS TO SOMEBODY LIKE ME.

BABY, I DON'T
UNDERSTAND THIS WHOLE TRIP.

MAKING CLOTHES
FOR RICH PEOPLE TO LOOK AT IN A MAGAZINE?

YOU THINK ANY OF
THIS CRAP MEANS ANYTHING TO THESE PEOPLE AROUND HERE?

IT MEANS SOMETHING TO ME.

HEY,
LISTEN, AS LONG AS EVERYTHING IS WORKING OUT FOR YOU.

BRIAN,
I'M FROM DOWN HERE, TOO. ARE YOU FORGETTING THAT?

I'M JUST WONDERING
IF MAYBE YOU ARE.

ONE THING I CAN'T FORGET,
AND THAT'S HOW MANY TIMES

I'VE BEEN TOLD
WHAT I CAN'T DO, WHERE I CAN'T GO,

AND WHY I CAN'T BE DIFFERENT
FROM ANYBODY ELSE.

BECAUSE THAT'S ALL
I'VE HAD TO KEEP TRACK OF ALL MY LIFE FROM EVERYBODY.

AND I'M HOPING THAT
JUST THIS ONCE,

I CAN FORGET THAT I HEARD
IT COMING FROM YOU.

DOES IT REALLY
MAKE A DIFFERENCE WHAT I SAY TO YOU, TRACY?

EXCEPT MAYBE "GOODBYE"?

AND YOU'D LIKE TO
HEAR THAT, WOULDN'T YOU?

TRACY,
I HAVE A PLANE TO CATCH.

LOOK, BRIAN, PLEASE.

I CANNOT GET
INTO THIS RIGHT NOW.

BABY,
YOU CAN'T GET INTO IT EVER.

(Sean)
TRACY!

GOODBYE, TRACY.

BRIAN.
(Sean) TRACY, DARLING?

WHAT? WHAT IS IT?

NOTHING. THAT'LL DO FINE.
JUST LIKE THAT.

[traffic rumbling]

DON'T LET HIM FORGET THAT.

DON'T LOOK SO DISTRAUGHT.
I'LL GET THE IDEA YOU'RE SORRY TO SEE ME GO.

LISTEN.
YOU'RE GOING TO HAVE TO SAY

GOODBYE TO YOUR
FRIENDS SOON ANYWAY,

BECAUSE YOU'RE
COMING TO ROME.

NO, I'M NOT.

YOU KNOW I'M
NOT AND I DO, TOO.

SO QUIT SAYING THAT.

LOOK, TRACY.
THERE'S SOMETHING

YOU OUGHT TO FIND OUT
ABOUT ME RIGHT AWAY.

I'M ASSAULTED BY FAR
TOO MANY SATISFACTIONS

TO LET A REALLY
GOOD OBSESSION SLIP THROUGH MY FINGERS.

YOU'RE COMING TO ROME.

YOU'LL BE HEARING FROM ME.

SEAN,
IT'S BEEN A GREAT EXPERIENCE.

(designer)
YOU KNOW HOW GOOD IT IS. I KNOW HOW GOOD IT IS.

BUT THIS IS CHICAGO,
NOT PARIS.

YOU DON'T MAKE IT HERE,
YOU END UP HERE.

TRACY, WHAT DID HE SAY?

WHAT DID WHO SAY?

THE DOCTOR.
WHO?

HE SAID EVERYTHING'S
ALL RIGHT, MISS EVANS. EVERYTHING'S FINE, THANK YOU.

THEN YOU HAVE GROUNDS
FOR A MALPRACTICE SUIT.

I DON'T KNOW WHAT YOU MEAN.

THE DOCTOR JUST PHONED.

YOU LEFT YOUR SKETCH
BOOK IN HIS OFFICE.

I'D LIKE TO
KEEP YOU ON, TRACY, BUT WE HAVE TO LET YOU GO.

(Tracy)
THIS IS DONE. RED. FABULOUS.

SLACKS SUIT. SIMPLE.

FABULOUS LENGTH IN THE SKIRT,
YOU SEE?

THAT'S NICE.

THAT'S A VERY NICE TOUCH.

FINE CUT.
THAT'S NICE.

YOU'VE GOT AN EYE,
I'LL SAY THAT FOR YOU.

BUT YOU CAN'T USE THEM.

NOT REALLY.
I'LL TELL YOU WHAT.

MY SECRETARY JUST QUIT.
CAN YOU TAKE SHORTHAND?

MISTER, I'M A DESIGNER.

I KNOW YOU
HAVEN'T SEEN THEM BEFORE

BUT THEY'RE
CALLED DOLMAN SLEEVES.

DOLMAN SLEEVE?
WHAT THE HELL IS A DOLMAN SLEEVE?

MISTER, WHAT'S YOUR NAME?
IF YOU EVER GET IN THE FASHION BUSINESS,

BE SURE AND
GIVE ME A CALL, OK?

HEY, BRIAN WALKER.

YOU AN ALDERMAN, MAN?

NOT YET,
BUT I MIGHT GET THERE IF I HAD A COUPLE OF VOTES.

GET ME A JOB,
GIVE YOU A VOTE.

I'LL GIVE IT A TRY.
WHAT'S YOUR GIG?

[people chattering]

WHAT YOU GOT THERE, MARJORIE?

GUY'S GIVING THEM AWAY
OVER THERE AT THE DOOR.

WELL,
LET'S JUST GET BACK TO WORK GIVING AWAY MONEY

TO THESE PEOPLE WHO
SAY THEY CAN'T FIND JOBS.

(Marjorie)
OK.

HE IS KIND OF CUTE, THOUGH.

LOOK HERE, BROTHER.
I'M A LATHE OPERATOR.

CAN YOU DO
ANYTHING ABOUT THAT?

NO, BUT I'LL CHECK
ON IT IF YOU'LL LEAVE

YOUR NAME WITH
ONE OF MY PEOPLE.

HERE. PUT ONE OF
THESE BUTTONS ON, OK?

(Tracy)
I'M A WIDOW FROM THE SOUTH SIDE.

YES.

MY OLD MAN LEFT
ME WITH 6 KIDS.

THE HEAT'S BEEN
OFF FOR A WEEK.

[chuckling]
WELL...

NOW THE KIDS GOT A FLU.

WHAT'RE YOU GONNA DO
ABOUT THAT?

WELL...

HAVE YOU SPOKEN
WITH YOUR LANDLORD, MADAM?

LANDLORD NOTHING.
I WANT MY OLD MAN BACK.

[people chuckling]

AN ATTRACTIVE YOUNG
LADY SUCH AS YOURSELF

SHOULDN'T HAVE MUCH
TROUBLE WITH THAT.

HOWEVER, THIS HEAT ISSUE
IS ANOTHER--ANOTHER MATTER ALTOGETHER.

HAVE YOU SPOKEN WITH YOUR...

[chuckling]

BLOCK ASSOCIATION?

WELL, UH...

PROBABLY NOT, RIGHT?

BECAUSE YOU DON'T
HAVE A BLOCK ASSOCIATION ON YOUR STREET. DO YOU?

DO YOU?
THAT'S RIGHT. I MEAN, NO.

I...

I KNEW IT WHEN I--
WHEN I--WHEN I LOOKED AT YOU.

I KNEW IT. I COULD TELL.

WELL, AS YOUR ALDERMAN

IN THIS WARD, MY FIRST ACT

WOULD BE TO
ORGANIZE BLOCK ASSOCIATIONS

WHERE THEY
DON'T ALREADY EXIST.

ALL RIGHT.
ALL RIGHT.

AND ONCE THEY DO EXIST,

USE THEM TO EXPRESS THE NEEDS
OF THE COMMUNITY IN THE CITY COUNCIL.

[everyone cheering]

THAT'S WHAT WE NEED.
ALL RIGHT.

(Tracy)
WELL, THAT'S GREAT.

YOU STILL DIDN'T TELL
ME WHAT YOU'RE GONNA

DO ABOUT GETTING
MY OLD MAN BACK.

[all laughing]

BECAUSE I SURE DO
NEED MY OLD MAN.

'CAUSE I CAN'T GET
ALONG WITHOUT MY OLD MAN.

AIN'T NONE OF US CAN GET ON
WITHOUT OUR OLD MAN.

WHAT ABOUT YOU?

[all cheering]

WE ALL NEED OUR OLD MAN!

HELP ME GET MY OLD MAN BACK!

WELL, IF YOU JUST GO
WAIT OUTSIDE THIS DOOR FOR A COUPLE OF MINUTES

AND WE'LL FIGURE OUT A WAY
TO HANDLE THAT ONE, OK?

WE JUST WANT TO
GET SOME MONEY HERE

FROM THIS
UNEMPLOYMENT OFFICE HERE.

GIVE ME MY JOB.
YOU KNOW WHAT I MEAN?

WELL,
IF YOU JUST GO OUTSIDE FOR--

YES, I'LL MEET YOU OUTSIDE.

[all laughing]

I'LL MEET YOU,
TOO, IF YOU GET ME A JOB.

YOU ARE OUTRAGEOUS.
DO YOU KNOW THAT?

I MEAN, DID YOU HAVE TO SMEAR
THOSE STICKERS ON EVERY STOP SIGN

FROM THE RESTAURANT TO HERE?
YOU'RE CRAZY!

IT'S SHOW BIZ!

YOU GOTTA GIVE
THEM SOME PIZZAZZ!

SHOW THEM YOUR CHARM!

? PEOPLE STOP THAT SIGHIN'
AND GET OUT AND VOTE FOR BRIAN ?

? I SAID,
PEOPLE STOP THAT SIGHIN' ?

? AND GET OUT AND
VOTE FOR BRIAN ?

[whooping]

? PEOPLE STOP THAT SIGHIN'
AND GET OUT AND VOTE FOR BRIAN ?

? I SAID,
PEOPLE STOP THAT SIGHIN' ?

? AND GET OUT AND
VOTE FOR BRIAN ?

? I SAID,
PEOPLE STOP THAT SIGHIN' ?

? AND GET OUT
AND VOTE FOR... ?

[whispering]
? BRIAN ?

[humming softly]

[chuckling]

I'VE MISSED YOU, TRACY.

I'VE MISSED YOU, TOO.

(Wil)
VOTE FOR BRIAN WALKER FOR ALDERMAN.

HERE YOU ARE, MADAM.

VOTE FOR BRIAN WALKER.

[blowing whistle]

(Brian)
LISTEN TO THIS.

"LOOKING OUT FOR
ONLY NUMBER ONE BRINGS ON DISINTEGRATION.

"IT'S BY PULLING TOGETHER
WE FEEL OUR POWER AND OUR STRENGTH."

IT'S A NEW TAG FOR
THE P.T.A. LUNCHEON.

WHAT DO YOU THINK ABOUT THAT?

LOOK, BRIAN,
WHAT DO YOU GET AT THE P.T.A.?

WOMEN, RIGHT?
MM-HMM.

THAT'S A LITTLE HOKEY.
TALK ABOUT SOMETHING THAT'S DOWN TO EARTH,

LIKE, "GOOD POLITICS IS LIKE
GOOD SEX!

IF YOU'RE ONLY FOR YOURSELF,
YOU'RE GONNA BE BY YOURSELF!"

THEN FLASH THAT
GRAND PIANO OF YOURS YOU CALL A SMILE.

HOW'S THAT?
PIZZAZZ?

PIZZAZZ!

[kissing]

YOU WANT TO
MEET A CONGRESSMAN?

WE'RE GONNA HAVE DINNER
WITH A CONGRESSMAN TOMORROW NIGHT.

YOU KNOW WEDNESDAY NIGHT'S
MY CLASS NIGHT, BRIAN.

BUT THIS CAT'S A CONGRESSMAN.
HIS WIFE WILL BE THERE.

YOU'VE GOTTA HELP ME, TRACY.
PLEASE.

SURE, BRIAN.

THAT'LL BE JUST FINE.

[typewriter clicking]
GOODBYE.

WELL, THE MINUTE YOU
GET THE PERMIT, CALL.

[phone ringing]

NO, DON'T CALL ME, CALL WIL.
OK.

PLEASE, I CANNOT
ANSWER ANOTHER TELEPHONE.

OK. ALL RIGHT.

YES.
BRIAN WALKER'S HEADQUARTERS. MAY I HELP YOU?

THE PRINTER DID
NOT CALL BACK.

YOU'LL HAVE TO
TAKE CARE OF IT. I'M LATE.

OK.

HELLO.
HEY.

GOODBYE.
OH, HANG ON.

I HAVE
AN APPOINTMENT DOWNTOWN.

I HAVE TO GET MY
DRESS FROM AUNT FLORENCE.

AND I...
AND I GOTTA GET MY PORTFOLIO.

I'LL SEE YOU LATER.
6:00 ON THE NOSE. THESE PEOPLE ARE IMPORTANT.

WHAT ARE YOU TALKING ABOUT?

THE DINNER.

INDEPENDENT DEMOCRATS.

OH, NO, BRIAN, NOT TONIGHT.

HONEY, YOU'RE THE ONE WHO
SET IT UP FOR ME.

I KNOW. FOR YOU, NOT FOR ME.
WE'VE BEEN THROUGH THIS.

I'M TRYING TO GET READY
FOR MY DESIGN CLASS SHOW THIS THURSDAY.

THURSDAY IS
ALMOST A WEEK AWAY.

I KNOW.
BUT EVERY DESIGNER IN TOWN IS GONNA BE THERE.

AND I WANNA MAKE SURE
NOT ONE LOOSE THREAD IS SHOWING.

WHAT'S THE BIG DEAL?

THEY'VE ALL SAID
NO TO YOU, ANYWAY.

I JUST MEAN, YOU
SHOULDN'T GET YOURSELF SO--

THANKS FOR THE ENCOURAGEMENT.

TRACY, YOU DON'T UNDERSTAND.

THIS DINNER IS
REALLY IMPORTANT.

AND WHAT I'M
DOING ISN'T, RIGHT?

WHAT YOU'RE DOING
IS GETTING TO BE

A PAIN IN THE ASS,
IF YOU REALLY WANNA KNOW.

YOU GOT YOURSELF
INVOLVED IN SOMETHING

THAT'S REALLY
MEANINGFUL HERE.

YEAH, YOUR CAREER.

SOMEHOW YOU SEEM TO BE
FORGETTING ABOUT MINE.

I CAN'T FORGET
ABOUT SOMETHING THAT NEVER EXISTED, TRACY.

DON'T YOU THINK
IT'S ABOUT TIME YOU FACED UP TO IT?

FORGET YOU, BRIAN.

TRACY, 6:00. PLEASE.

[door shutting]

[train rumbling in distance]

[phone ringing]

HELLO.

WHAT?

YES.

Y-YES.

YES.

NEVER IN MY LIFE,
AS I WAS TELLING SIGNORE McAVOY,

HAVE I SEEN SUCH
SIGNIFICANT TEETH EXPRESSED IN

SUCH A LOVELY FACE.

TRACY, DARLING,
I HAVE A VERY IMPORTANT QUESTION FOR YOU.

DO YOU HAVE A FEAR OF FLYING?

(woman)
GOOD NIGHT, WIL.

GOOD NIGHT.

HAS BRIAN LEFT?
JUST MISSED HIM.

I'M SUPPOSED TO
STICK YOU IN A CAB

AND SHOOT YOU
OVER TO THE DRAKE. HE'S WAITING FOR YOU.

I'VE ALREADY GOT A CAB,
BUT I'M NOT GOING TO THE DRAKE.

I'M GOING AWAY.
I'M GOING TO ROME.

TO ROME?

DOES BRIAN KNOW?

WELL, HE WILL,
WHEN YOU TELL HIM.

WHY CAN'T YOU
TELL HIM YOURSELF?

I TRIED TO TELL HIM.
I'VE BEEN TRYING TO TELL HIM ALL ALONG.

LADY,
THE AIRPORT TRAFFIC IS MURDER AT THIS TIME OF NIGHT.

(Tracy)
OK.

DO YOU LOVE HIM?

WHAT DO YOU THINK?

I THINK THAT'S
WHAT I'LL TELL HIM.

TAKE CARE OF HIM, WIL.

[horn honking]

[horn honking]

? DO YOU KNOW WHERE
YOU'RE GOING TO? ?

? DO YOU LIKE THE THINGS
THAT LIFE IS SHOWING YOU? ?

? WHERE ARE YOU GOING TO? ?

? DO YOU KNOW? ?

? DO YOU GET
WHAT YOU'RE HOPING FOR? ?

? WHEN YOU LOOK BEHIND YOU
THERE'S NO OPEN DOORS ?

? WHAT ARE YOU HOPING FOR? ?

? DO YOU KNOW? ?

? ONCE WE WERE
STANDING STILL IN TIME ?

? CHASIN' THE FANTASIES
THAT FILLED OUR MINDS ?

? YOU KNEW HOW I LOVED YOU
BUT MY SPIRIT WAS FREE ?

? LAUGHIN' AT THE QUESTIONS
THAT YOU ONCE ASKED OF ME ?

? DO YOU KNOW WHERE
YOU'RE GOING TO? ?

? DO YOU LIKE THE THINGS
THAT LIFE IS SHOWING YOU? ?

? WHERE ARE YOU GOING TO? ?

? DO YOU KNOW? ?

? DO YOU GET
WHAT YOU'RE HOPING FOR? ?

? WHEN YOU LOOK BEHIND
YOU THERE'S NO OPEN DOORS ?

? WHAT ARE YOU HOPING FOR? ?

? DO YOU KNOW? ?

[people chattering]

HOW MUCH?

HOW MUCH?

[inaudible]

HUH?

[truck revving]

[inaudible]

[engine starting]

[traffic rumbling]

HEY, BROTHER, ARE YOU...

YOU AIN'T NO BROTHER.

?[jazz music playing faintly]

[doorbell buzzing]

[elevator door shutting]

?[jazz music playing loudly]

YOU DID TAKE ME SERIOUSLY.
BEAUTIFUL.

MY LAST DUCHESS.

CRYSTAL.

MY, GOD. SHE'S MAGNIFICENT.

HMM.

SHE'S BEEN ON EVERY
COVER IN NEW YORK.

AND UNDER EVERY
COVER IN ROME.

MOSTLY THOSE OF MY FRIENDS.

I'VE NEVER SEEN ANY OF
THESE PICTURES BEFORE.

NOBODY HAS.

THIS IS MY PRIVATE SHRINE.

WHAT'S THIS ALL ABOUT HERE?

WELL, YOU'RE ONLY YOUNG ONCE.

BUT YOU CAN BE
IMMATURE FOREVER.

UNDO YOUR TOP BUTTON.

YOU WANNA COMPARE ME TO HER?

NOT TO HER, TO IT. CRYSTAL.

I GIVE ALL MY CREATIONS
THE NAMES OF INANIMATE OBJECTS.

AND WHAT YOU GONNA CALL ME?
COAT HANGER?

NO, THERE'S ONLY ONE WORD
THAT DESCRIBES RICH AND DARK,

BEAUTIFUL AND RARE.

I'M GONNA CALL YOU

MAHOGANY.

MAHOGANY?

I'M NOT SURE I LIKE IT.

WELL, YOU'LL BE
THE ONLY ONE THAT DOESN'T BY THE TIME I'M THROUGH.

PROVIDING I CAN GET
THAT FRIGGING AGENCY TO BACK YOU.

WHAT? WHAT AGENCY?

GIUSEPPE'S
ENTHUSIASM AND MY REPUTATION

MAY HAVE GOT YOU IN THE DOOR,
BUT A PERSONAL AUDIENCE WITH GAVINA

IS THE ONLY THING
THAT'S GONNA GET YOU IN.

GIUSEPPE? WHO'S GIUSEPPE?

HE'S THE GUY WHO
CALLED YOU IN CHICAGO. HE WORKS FOR THE AGENCY.

BUT EVERYTHING'S
GOTTA BE PERFECT.

I'LL DO SOME SHOTS OF YOU
IN SOME GALITZINE ORIGINALS.

THE PRINCESS IS
A FRIEND OF MINE. THERE WON'T BE ANY PROBLEM.

I HAVE MY OWN ORIGINALS,
SEAN, REMEMBER?

I'M GONNA BE A DESIGNER.

AND SO YOU SHALL BE,
MY DARLING, BUT LET'S NOT TRY TO RUN

UNTIL WE'VE
LEARNED HOW TO STROLL DOWN A WALKWAY.

SIGNORE McAVOY,
SIGNORINA MAHOGANY.

BUON GIORNO.
WELCOME TO THE GAVINA AGENCY.

MOLTO BELLA!

I WAS TELLING
SIGNORE McAVOY--

COME ON, GIUSEPPE.
LET'S CUT THE CRAP AND GET THIS OVER WITH.

SEAN, IT'S OK.
I'M IN NO BIG HURRY.

I'M SORRY, TRACY.
BUT THIS WHOLE ROUTINE JUST BUGS THE HELL OUT OF ME.

RIGHT THIS WAY,
SIGNORINA.

SEAN, WHAT ABOUT YOU?

I'LL MEET YOU LATER.

I MIGHT SAY
SOMETHING TO UPSET THOSE...

[exclaiming]

GOOD LUCK.
OK.

(Giuseppe)
GAVINA IS FASHION IN ROME.

NO GAVINA. NO NOTHING.

I'M TAKING MAXIMUM PLEASURE

IN INTRODUCING TO YOU
THE CHARMING MAHOGANY.

[paper rustling]

WOULD YOU TAKE YOUR CAPE OFF
AND TURN AROUND, PLEASE?

(man #1)
THERE ARE NOT MANY VOLUMES

ON THE BOOKSHELF,
IF YOU GET MY MEANING.

(man #2)
YES. BUT THE SMILE. SHE IS DIVINISSIMA.

(fashion executive)
WE'RE SELLING PERFUME,

NOT DENTURE CREAM,
MICHELANGELO!

(Giuseppe)
PERSONALLY, FOR MYSELF,

I FIND THAT
SIGNORINA MAHOGANY'S ASSETS

ARE SOMETHING
MORE SIGNIFICANT

THAN A PAIR OF
SILICONE LOAVES.

YES. BUT WE ALL
KNOW THAT YOU'RE NOT

A BREAD MAN.
DON'T WE, GIUSEPPE?

WELL, WHO ARE WE
SELLING THIS PERFUME TO IN THE FIRST PLACE?

WEIGHTLIFTERS?

(fashion executive)
THE POINT IS, GIUSEPPE,

SHE MIGHT BE GOOD FOR
GUCCI ADVERTISING OR MAGAZINES,

BUT FOR TELEVISION,
WE NEED MORE OF THAT... YOU UNDERSTAND?

OF COURSE,
THERE ARE COSMETIC ALTERATIONS AVAILABLE.

COSMETIC ALTERATIONS.
WHAT ABOUT LEGS?

WHAT ABOUT LEGS?

I DON'T HAVE ANY
OF THOSE, EITHER.

(fashion executive)
I BEG YOUR PARDON?

THERE'S ONE OTHER
THING THAT I DON'T HAVE.

BUT IF I GET
AROUND TO A LITTLE

COSMETIC ALTERATION,
I'LL BE SURE

AND BRING IT OVER FOR EACH
AND EVERY ONE OF YOU TO KISS IT.

GOOD DAY, GENTLEMEN.

SIGNORINA MAHOGANY.

COME ON. THEY DON'T WANT
A HUMAN BEING. THEY WANT A DUMMY.

OR, BETTER STILL,
A COUPLE OF BASKETBALLS THAT SMILE.

EVEN SHE CAN HANDLE THAT.

GO AHEAD, HONEY.
WHY DON'T YOU TAKE OVER?

(Gavina)
WELL, I'D LOVE TO DO IT.

BUT THEN I'D HAVE TO
TRUST THESE IDIOTS

TO RUN THIS
PLACE WHILE I'M AWAY.

I AM GAVINA.

WHEN CAN YOU START?

(Obelo)
? HEY TAKE A LOOK AT THE MAN ?

? HE GOT A GOOD WOMAN ?

? AND HE LOSE HER
'CAUSE HE'S SUCH A FOOL ?

[humming]

MAN, DO WE HAVE TO LISTEN
TO THAT SHIT ALL DAY?

[continuing to hum]

WHAT'S IT SAYING TODAY, MAN?

I CAN'T FIND
ANYTHING IN THIS EDITION.

ACCORDING TO
THE GALLUP POLLS,

INDEPENDENTS AIN'T DOING TOO
WELL IN MICHIGAN.

YEAH, I SEE.

WOW!

FAR OUT.

I GUESS, UH...

I GUESS MICHIGAN ALWAYS WAS
A TOUGH NUT TO CRACK, HUH?

[Obelo humming again]

? TAKE A LOOK AT THE MAN ?

? HE GOT A GOOD WOMAN ?

? AND HE LOSE HER
'CAUSE HE'S SUCH A FOOL ?

[Tracy laughing]

[cars honking]

[camera clicking]

(Sean)
TIRED NOW?

(Tracy)
TIRED? ARE YOU KIDDING?

EXCUSE ME, SIR.
TAKE THIS ONE.

[driver shouting in Italian]

MAYBE WE SHOULD TRY
SOMETHING DIFFERENT.

I LOVE IT!

AREN'T YOU GETTING
JUST A LITTLE SICK OF IT?

NOT YET.

COULDN'T YOU
MANAGE TO GET JUST A LITTLE SICK OF IT?

NOPE.

I BET YOU COULD.

KITCHY-KOO.

[screaming]

[camera clicking]

[water splashing]

[traffic buzzing]

(Carlotta)
LOOK HOW MAGNIFICENT YOU ARE.

I DIDN'T KNOW THIS
WOULD BE OUT THIS MONTH.

I GOT THE COVER FOR YOU
FROM VOGUE AND ELLE COMING UP.

AND ALL THESE KINDS OF THINGS
I'M DOING FOR YOU.

THAT'S WHAT YOU GET
THOSE COMMISSIONS FOR, CARISSIMA.

YOU LIKE THAT ONE?

OH! I LOVE IT.

LOOK AT THIS.
LOOK AT YOUR LEG IN THIS ONE.

ISN'T IT BEAUTIFUL?

YOU KNOW,
THESE PICTURES ARE BEAUTIFUL, IF I DO SAY SO MYSELF.

YOU ALWAYS SAY SO YOURSELF.

[chuckling]
LOOK.

HERE.

?[jazz music playing]

[kissing]

WHAT ARE YOU LOOKING AT?

THAT GLEAM.

THE GLEAM OF MAHOGANY.

OH.

MAHOGANY.
MM-HMM.

I WISH YOU WOULD
LET EVERYBODY ELSE CALL ME THAT AND NOT YOU.

DOES THAT MEAN
YOU ARE GRANTING ME A PRIVILEGE OR

DENYING ME ONE?

I OWE YOU EVERYTHING, SEAN.

THIS IS NOT US, SEAN.

I'M SORRY.

DOES THAT HURT YOU?
WHAT DO YOU THINK?

I DON'T WANT TO HURT YOU.

IT'S JUST NOT
NECESSARY TO PROVE ANY--

TO WHAT? TO WHAT?

YOU'VE BEEN LISTENING TO
A LITTLE GIRLISH CHATTER FROM CARLOTTA?

THAT BITCH.

WHAT DOES SHE KNOW?

WHAT DOES SHE KNOW,
THAT BITCH?

I UNDERSTAND
THE NEEDS OF A WOMAN.

[beads clinking]

I UNDERSTAND
THE NEEDS OF A WOMAN.

SEAN.

SEAN.

I'M MORE OF A MAN
THAN SHE'LL EVER HAVE.

I KNOW YOU ARE.

OK.

I KNOW YOU ARE.
OK.

HEY, LOOK, MAN.
MOST OF THESE CATS LIVE IN CICERO ANYWAY,

SO IF YOU
WANT TO SKIP THIS ONE...

NO, IT'S ALL RIGHT.

[microphone screeching]

IF THAT'S THE ONLY
STATIC I GET FROM YOU GUYS, I GUESS I AM PRETTY LUCKY?

[laughing]

YEAH, WELL.

UH,

MY NAME IS BRIAN WALKER
AND I'M RUNNING FOR ALDERMAN IN THIS WARD.

YEAH. AND YOU BETTER
KEEP ON RUNNING, BUDDY.

(all laughing)
YEAH.

NOW, THIS WARD HAS
BEEN IN THE HANDS OF

A CORRUPT MACHINE
FOR THE LAST 20 YEARS.

[train bell ringing]

[microphone screeching]

NOW, THIS WARD HAS
BEEN IN THE HANDS OF

A CORRUPT MACHINE
FOR THE LAST 20 YEARS.

[food splattering
on windscreen]

YOU WANT TO GO UPSIDE
THESE MOTHERS' HEADS?

NO, NO, NO, WAIT A MINUTE.
JUST BE COOL.

I KNOW HOW TO HANDLE IT.

ALL YOU GOT TO
DO IS SHOW THEM A LITTLE CHARM, PIZZAZZ.

YOU KNOW WHAT I MEAN?

[all jeering and laughing]

[splatter]

[all laughing]

YOU KNOW, I USED TO WORK IN
A FACTORY LIKE THIS ALL THROUGH HIGH SCHOOL.

IT DON'T LOOK LIKE
THINGS HAVE CHANGED MUCH.

I REMEMBER THE FOOD BEING
SO BAD THAT

EVEN PIGS WOULDN'T EAT IT.

AND THE WAY IT'S
BEING THROWN AROUND TODAY,

IT LOOKS
LIKE THEY STILL WON'T.

[clanging]

[all shouting]

[breathing deeply]

IT DOESN'T MATTER, SEAN.

DO YOU HEAR ME?
IT DOESN'T MATTER.

LOOK AT ME.

SEAN, IT'S NOT
THE ONLY THING IN THE WORLD.

[people talking in Italian]

ANDREW,
TELL THEM TO TAKE IT EASY WITH THAT FRIGGING MINERVA.

[chattering continues]

WE'RE JUST ABOUT
READY TO SHOOT, DARLING, SHOULDN'T YOU BE DRESSED?

I AM DRESSED.

I MEAN, IN THE PROPER ATTIRE,
WHICH YOU WERE GIVEN, FOR EXAMPLE.

WELL, I JUST
THOUGHT IT WOULDN'T MATTER IF I WORE SOMETHING OF MINE.

YOU THOUGHT?

(Tracy)
YES.

I'M GETTING OFF.

IT'S A GREAT WAY TO
GET SOME EXPOSURE.

EXPOSURE?

YES, SEAN. FOR MY DESIGNS.

I GOTTA START
SHOWING MY DESIGNS SOMETIMES.

BUT IT'S ALL WRONG, DARLING.

IT'S WRONG FOR THE SEQUENCE.

I WANT TO WEAR IT.

I WANT THE EXPOSURE.

EXPOSURE? OK.

[sighing]

[ripping]
[slapping]

IS THAT ENOUGH
EXPOSURE FOR YOU?

[audience applauding]

(announcer)
THE SHOW CONTINUES WITH MARIALAURA,

WHO WEARS A VOLUMINOUS
BUT SLINKY SILK JERSEY DRESS

IN PEPPERMINT GREEN.

COUNTESS FERRINI,
WILL YOU OPEN THE BIDDING

WITH 2 MILLION?
A GREAT START.

I HAVE 2.5 MILLION. MORE?

ONCE, TWICE. SOLD.

FOR 2.5 MILLION LIRA.

[audience applauding]

LADIES AND GENTLEMEN,
LET ME REMIND YOU, PLEASE, AGAIN

THAT EVERY BID GOES TO
THE FOUNDATION OF ORPHAN CHILDREN.

SO, DON'T LET US BE CHILDISH
ABOUT OUR BIDDING, HUH?

OUR NEXT CREATION,
WORN BY BARBARA

IS A FLOUNCE
PRINTED CHIFFON DRESS IN LIGHT PINK AND GREEN.

(announcer)
AND THIS TIME WE WILL BEGIN WITH 3 MILLION LIRA.

DO I HEAR 3 MILLION?

[models chattering]

(announcer)
DO I HEAR HALF?

3.5 MILLION.

3.5 MILLION ONCE,
3.5 MILLION TWICE, SOLD.

(Carlotta)
HELLO, PRINCESS GALITZINE.

HELLO, CARLOTTA.

OH, MAHOGANY.

I'M SO GLAD YOU
COULD TURN OUT FOR THIS WONDERFUL CHARITY.

YES. MAHOGANY'S SCHEDULE
HAS BEEN VERY TIGHT, BUT--

BUT OF COURSE I WOULDN'T
HAVE MISSED IT FOR THE WORLD.

I KNOW, DARLING.
THANK YOU, THANK YOU.

(announcer)
GOING ONCE, GOING TWICE, SOLD...

(model)
EXCUSE ME.

I WONDER IF I'M
DOING THE RIGHT THING?

ONE NEVER KNOWS
UNTIL ONE HAS DONE ALL THE WRONG THINGS, CARA MIA.

(announcer)
DANKA WEARS A BROWN PRINTED JERSEY DRESS,

BIKINI TOP, SHAWL, AND SKIRT.

LADY HAMPTON
OFFERS 2 MILLION.

DO I HEAR 2.5? I HAVE 2.5.

DO I HEAR 3 MILLION?
3 MILLION.

3 MILLION ONCE.

3.5 MILLION.

ONCE, TWICE.

SOLD TO THIS
GENTLEMAN FOR 3.5 MILLION.

[audience clapping]

THANK YOU.

AND NOW, THE LOVELY MARTINE.

MARTINE WEARS
A SOFT CHIFFON DRESS OF ORANGE AND GOLD.

BARONESSA VON BURGER
HAS OFFERED 2 MILLION.

WHO OFFERS MORE?

CAN I HAVE 3 MILLION?
I HAVE 3 MILLION.

ONCE, TWICE. SOLD.

SOLD TO THIS
LADY FOR 3 MILLION.

CHARLOTTA WEARS AN EVENING
CHIFFON SEA-PRINT DRESS.

I'M OFFERED 3 MILLION,
4 MILLION.

5 MILLION LIRA.

5 MILLION ONCE,
5 MILLION TWICE.

BE CAREFUL WITH THAT POWDER,
YOU OLD BITCH.

SOLD TO PRINCIPESSA GUERINI
FOR 5 MILLION LIRA.

AND NOW,
FOR OUR FINAL PRESENTATION,

MODELED BY
THE BEAUTIFUL MAHOGANY,

PRINCESS GALITZINE'S
IDEA OF CLASSIC SIMPLICITY.

A WHITE SILK JERSEY DRESS.

MAHO--

[audience gasping]

[stuttering]
DO I HAVE AN OPENING BID?

YES, SIR.

(Sean)
500 LIRA.

YOU MEAN 500,000 LIRA, SIR.

I SAID, 500 LIRA.

[audience laughing]

LADIES AND GENTLEMEN, PLEASE.

I HAVE UH...

I HAVE 500 LIRA.

(man #1)
1,000 LIRA.

[audience laughing louder]

PLEASE, LADIES AND GENTLEMEN,
I'M SURE THAT WE CAN DO BETTER THAN THAT.

(man #2)
1,500.

SOMEBODY SAYS MORE? 1,500.

[audience laughing
and jeering]

20 MILLION LIRA.

[announcer coughing]

20 MILLION LIRA TWICE.

SOLD TO CHRISTIAN ROSETTI.

[audience applauding]

[people talking]

(Sean)
TRACY.

I'D LIKE YOU TO
MEET YOUR BENEFACTOR.

MR. CHRISTIAN ROSETTI.
MAHOGANY.

THANK YOU.

WOULD YOU TAKE
CARE OF THIS FOR ME, PLEASE?

OH, CERTAINLY.

WOULD YOU LIKE TO
THROW IN A DRINK WITH ME AS PART OF THE BARGAIN?

MISTER, I'VE WAITED
A LONG TIME FOR THIS NIGHT.

THIS IS MY FIRST SALE.

YOU COULD HAVE
WHATEVER YOU WANT.

I WILL JUST TAKE
A DRINK FOR NOW.

YOU LOOK
BEAUTIFUL IN THIS, TOO.

THANK YOU.

[speaking Italian]

THANK YOU.
THANK YOU.

HOW COME YOU MADE THAT DRESS?

AND HOW DID YOU
KNOW I MADE IT?

BY THE WAY YOU WORE IT.

ISN'T BEING
RICH AND BEAUTIFUL ENOUGH FOR YOU?

I'M NOT RICH.

AND BEAUTY IS IN
THE EYE OF THE BEHOLDER.

I'VE GOT NEWS FOR YOU.
SO IS BEING RICH.

[laughing]

I WANT TO TALK TO YOU.

WE HAVE NOTHING
TO TALK ABOUT.

JUST 5 MINUTES?

SEAN, I'M BUSY!

IT'S PERFECTLY
ALL RIGHT, MAHOGANY.

I KNOW WE'LL MEET AGAIN.

HE KNOWS YOU'LL MEET AGAIN.

[whistling]

IT BETTER BE NO
LATER THAN THIS WEEKEND.

HE'S NOT EXACTLY A KID.

LISTEN. I'M SORRY.

JUST LET ME DRIVE YOU HOME.

LET ME JUST SHOW
YOU HOW SORRY I CAN BE FOR ABOUT 5 MINUTES, OKAY?

SEAN, I DON'T WANT
TO SEE YOU SORRY.

I DON'T WANT TO
SEE YOU ANYTHING.

IN FACT,
I DON'T WANT TO SEE YOU!

HOW ABOUT THE PARTY?

YOU ARE THE GUEST OF HONOR.

I'LL BE THERE.
OK.

NOW, I GOTTA GO.
I'VE HAD ENOUGH OF YOU FOR ONE NIGHT.

(Tracy)
OH, CARLOTTA, YOU ARE KIDDING?

NO. I HAD 3 WORDS
AND ONE DRINK WITH THE MAN.

[coins clinking]

WAIT A MINUTE. HOLD ON.

HOLD ON, HOLD ON.

[shouting with joy]

WHAT ARE YOU DOING--

WHAT ARE YOU DOING HERE?

I WAS JUST IN
THE NEIGHBORHOOD AND I THOUGHT I'D DROP BY.

[exclaiming]

ISN'T THAT BEAUTIFUL?

THE ANCIENT RUINS OF ROME.

HERE THEY CALL THEM RUINS,
BACK HOME THEY CALL THEM SLUMS.

RIGHT.

[chuckling]

IN CHICAGO WE TEAR THEM DOWN
AND HERE WE PAY TO SEE THEM.

TOO MUCH.

HOW'D YOU COME OUT, BRIAN?

I LOST.

I'M SORRY.

DON'T BE SORRY. BE HAPPY.

I GOT ENOUGH
SUPPORT BEHIND ME NOW

THAT I CAN TAKE
A CRACK AT SOMETHING MUCH BIGGER THAN ALDERMAN.

THANKS TO YOU.

I MEAN,
I JUST COULD MAKE IT, BUT I NEED YOU.

WILL YOU HELP ME?

HEY.

COME ON,
DRINK YOUR CHAMPAGNE.

[glasses clinking]

CHEERS.

[church bell ringing outside]

YOU HAVE TO.
YOU HAVE TO.

LOOKS GOOD?

IF HE DOESN'T EAT SPAGHETTI.

[all chuckling]

YOU LOOK FABULOUS.

YEAH. LOOK. HOW MUCH IS THIS?

HOW MUCH?

FOR YOU, SIGNORINA MAHOGANY,
57,000.

WHAT?

LIRA, NOT DOLLARS.
DON'T LET THEM KNOW YOU ARE A DUMMY HERE.

ACT LIKE YOU'VE
BEEN HERE FOR A WHILE.

WELL, OK, BUT...

THAT'S FINE.
THAT'S WONDERFUL.

I'VE HEARD OF INFLATION,
BUT THIS IS RIDICULOUS. I MEAN, TRACY, COME ON.

IT'S GONNA TO BE
THE SAME THING IN THE STATES

IF YOU DON'T GET
ELECTED AT SOMETHING.

[Tracy laughing]

(Brian)
TRACY. COME ON.

I FEEL LIKE
AN OLD SISSY WALKING AROUND WITH THIS THING.

WOULD YOU PLEASE
HOLD THIS THING?

EVERYBODY'S LOOKING.
I THINK EVERYBODY'S LOOKING AT ME.

(Tracy)
COME ON. DON'T BE RIDICULOUS. ALL RIGHT?

BOY, DO YOU LOOK CONTINENTAL.

YOU FINE DEVIL, YOU.

(Brian)
FOR THAT KIND OF BREAD, YOU COULD BUY 2 CONTINENTALS.

(Tracy)
GOD. NO JOKES LIKE THAT AT THE PARTY TONIGHT, OK?

I GOT TO LIVE IN THIS TOWN.

YEAH, THE PARTY.

YOU SURE YOU DON'T WANT TO GO
SOMEWHERE ALONE?

BRIAN, I TOLD YOU,
YOU'LL LOVE IT!

IT'S A WHOLE NEW THING HERE!

[mimicking Tracy]
"IT'S A WHOLE NEW THING HERE."

NOW YOU'RE
SOUNDING LIKE A SISSY.

[Tracy speaking in Italian]

[waiter speaking in Italian]

WHAT DO YOU WANT, LADY?
SOME WINE?

SI, SI, SIGNORE.

OK, FINE.

BENE, BENE.
MUCCHIO GRAZIE. GRAZIE.

[both laughing]

THAT SHIT'S HEAVY.

REALLY HEAVY.

?[music playing]

[people chattering
and laughing]

NO, NO, NO, NO THANKS. OK.

I'LL TRY AND GET
YOU HIS NUMBER, OK?

HOW'RE YOU DOING?

HI.

OK. I'LL SEE YOU.

I'M SORRY I LEFT YOU ALONE
SO MUCH BY YOURSELF.

UH, WHO WAS THAT?

A MODEL. WANTS THE NAME
OF MY HAIRDRESSER. NEEDS A CUT.

IT'S A SHAME TO CUT
OFF ALL THAT HAIR.

HE'S UP FOR A PART IN
A SPAGHETTI WESTERN.

HE NEEDS THE BREAD.
HE?

[chuckling]
HE, YES.

SHIT!

HI THERE, KIDS.
YOU HAVING FUN?

I SEE YOU GOT YOURSELF
QUITE A LITTLE ZOO GOING HERE.

HEAR THAT, TRACY?
BRIAN IS UNHAPPY WITH YOUR SURROUNDINGS.

HE'S NEVER HAPPY
WITH ANY SURROUNDINGS.

HE'S INTO
MAKING THINGS BETTER.

THAT'S WHY I LOVE HIM.

(Sean)
IS THAT SO?

TELL ME,
BRIAN, HOW'D YOU GO ABOUT MAKING THIS PARTY BETTER?

WE ALL DO SO WANT
TO SHOW YOU A GOOD TIME, YOU KNOW.

YOU MIGHT START
BY STICKING LABELS ON ALL YOUR GUESTS

WHEN THEY COME
THROUGH YOUR DOOR.

MIGHT BE EASIER TO
TELL WHO IS WHAT.

BRIAN, PEOPLE
AREN'T INTO LABELS HERE.

I WAS JUST
TALKING ABOUT THE KIND

YOU STICK ON YOUR TOE,
LIKE IN THE MORGUE. YOU KNOW.

WELL, BRIAN,
EVEN IF A FEW OF MY GUESTS ARE SLIGHTLY CADAVEROUS

YOU SHOULDN'T
SPEAK ILL OF THE DEAD.

AFTER ALL,
EVERYTHING HAS A SOUL, FOR GOD'S SAKE.

EXCEPT, OF COURSE,
INANIMATE OBJECTS,

UPON WHICH I'M
AN EMINENT AUTHORITY.

IS THAT SO?

OH, YEAH. YEAH.

I'M A--I'M A
COMPULSIVE COLLECTOR.

A REGULAR FETISHIST,
YOU MIGHT SAY.

AS A MATTER OF TRUE FACT,
I HAVE A PARTICULAR COLLECTION

I'D LIKE TO SHOW YOU.
WHAT DO YOU SAY?

TRACY'S SEEN THEM BEFORE.
I'M SURE SHE WON'T MIND.

YOU DON'T MIND.
DO YOU, DARLING?

YOU CAN DO WITHOUT
THIS FABULOUS MAN

FOR A FEW MINUTES
WHILE YOU MINGLE

WITH SOME OF YOUR
CHARMING GUESTS.

AFTER ALL,
THEY ARE HERE TO SEE YOU.

WHAT DO YOU SAY?

COME ON, BRIAN. COME ON.

? FIRE ?

? PUT OUT THIS FIRE ?

? MAMA TOLD ME
NOT TO FALL IN LOVE ?

? FIRE, PUT OUT THIS FIRE ?

? MY MAMA TOLD ME
NOT TO FALL IN LOVE ?

WATCH YOUR HEAD, CHAMP.

WHEN THE PRESSURES
OF MY WORLD GET TOO HEAVY,

THIS IS WHERE I COME TO RELAX.

YOU LIKE IT?

[clearing throat]

IT'S SOMETHING...
SOMETHING TO LOOK AT.

[door sliding shut]

EVER BEEN IN A WAR?

NEVER A DECLARED ONE, NO.

OH, YEAH?

THAT SURPRISES ME.

HOW DO YOU FIGURE?

WELL, YOU LOOK LIKE
A PASSIONATE MAN, OLD BUDDY.

A PASSIONATE MAN
WHO'S CERTAINLY SAID "I LOVE YOU" TO SOMEONE.

OH, YEAH.
IS THAT YOUR IDEA OF WAR?

OH, NO, IT'S NOT MY IDEA.

MY IDEAS ARE A LOT
LESS COMPLICATED.

TAKE A GUN, FOR EXAMPLE.

AN INANIMATE OBJECT AND YET

WHAT IN THE WORLD IS
MORE STRAIGHTFORWARD THAN A GUN?

WOULDN'T YOU AGREE THAT A GUN
IS DIRECT AND STRAIGHTFORWARD?

[fumbling]

I CERTAINLY, UH,

WOULD AGREE THAT
A GUN IS STRAIGHTFORWARD.

NO DECEIT, YEAH?

NO HYPOCRISY, YEAH? IN A GUN?

PEOPLE MAY DECEIVE,

OUTWIT, AND HUMILIATE.

A GUN SIMPLY
BLOWS A HEAD OFF.

OH, LISTEN.

[chuckling]

I DIDN'T REALIZE
I WAS POINTING THIS THING AT YOU.

MY SAINTS ARE
A CAMERA AND A GUN.

THEY ARE BOTH
FIERCELY TRUTHFUL.

IF YOU DON'T AGREE...

IF YOU DON'T AGREE,
YOU JUST SAY SO. OK?

[chuckling]

[whistling]

[crashing]

[chuckling]

[Sean grunting]

[crowd chattering
in background]

(Sean)
LOOK AT THE BIRDIE.

[breathing heavily]

[both struggling]

[gun clicking]

[both grunting]

WHAT ARE YOU TRYING TO DO?
KILL ME?

[chuckling maniacally]

BYE-BYE, FELLA.

[Sean continuing to laugh]

BYE-BYE, FELLA.

[door opening]

[chattering]

I'M LEAVING.
I JUST GOTTA GO.

THIS IS YOUR LIFE, NOT MINE.

I'VE GOT TO GO.

WHAT'S THE MATTER?

BRIAN, DON'T JUST WALK
OUT ON ME. AT LEAST--

I CAN'T LIVE IT!

BRIAN,
DON'T YOU KNOW WHO I AM?

?[Let's Go Back To Day One
by The Undisputed Truth playing]

[people laughing and shouting]

[people clapping]

? HEY, HEY, LET'S GO BACK ?

? LET'S GO BACK TO DAY ONE ?

? HEY, HEY, LET'S GO BACK ?

? LET'S GO BACK TO DAY ONE ?

? HEY, HEY, LET'S GO BACK ?

? LETS' GO BACK TO-- ?

WHAT ARE YOU DOING?

WELL, I WAS
WAITING ON YOU FOR HOURS.

NOW I'M JUST
WAITING FOR A CAB.

GOOD.

IT'S LATE.

DON'T TELL ME, BRIAN.
IT JUST DOESN'T MATTER BECAUSE

I GOT A WHOLE LOT OF
STUFF TO DO AND ANYBODY

CAN TELL THAT YOU'RE
NOT ENJOYING YOUR TRIP.

IT'S YOUR TRIP
I'M NOT ENJOYING.

[pouring drink]

YOU KNOW WHAT, BRIAN?
YOU DON'T NEVER CHANGE.

I'VE BEEN HEARING
THAT SAME CRAP FROM YOU EVER SINCE WE MET.

WHY THE HELL DID
YOU COME HERE ANYWAY?

TO SEE A GIRL
NAMED TRACY CHAMBERS.

I GUESS I JUST FOUND
A DIFFERENT PERSON.

YOU SURE DID.

YOU KNOW WHAT YOU FOUND?

YOU FOUND A SUCCESS, BRIAN.

I'M A SUCCESS!
AND YOU CAN'T STAND IT!

ME! MAHOGANY!

YOU MAY THINK
YOU'RE A SUCCESS, BABY, BUT YOU'RE ALL ALONE.

ARE YOU KIDDING?
DID YOU SEE THOSE PEOPLE?

THEY LOVE ME.

THEY ALL LOVE ME.
THE MEN LOVE ME, THE WOMEN LOVE ME.

MAHOGANY.

THEY DON'T LOVE YOU.
THEY LOVE SOME KIND OF

CARTOON CHARACTER
THAT MADMAN MADE UP IN HIS SLEEP.

FREAK OF THE MONTH!
THAT'S WHAT THEY LOVE!

FREAK.

TRACY, LOOK. IF YOU STAY HERE

YOU ARE IN FOR
A LOT OF TROUBLE.

THE ONLY TROUBLE
I'VE EVER HAD, BRIAN, IS FROM YOU.

YOU COME LIMPING
OVER HERE SAYING:

"TRACY, I LOVE YOU.
I NEED YOU."

SURE YOU NEED ME.
YOU WANT TO KNOW WHY?

BECAUSE I'M A WINNER!

I'M A WINNER, BABY!

THESE PEOPLE LOVE ME
AND YOU CAN'T STAND IT.

'CAUSE NOBODY LOVES YOU.
OH.

I THOUGHT SOMEBODY DID.

WELL, NOBODY DOES.
AND YOU WANNA TO KNOW WHY?

'CAUSE YOU ARE A LOSER.

[screaming]

[shouting]
YOU'RE A LOSER!

AND I'M GOING TO
BE BIGGER, EVEN.

I'M GOING TO BE
A BIGGER SUCCESS THAN YOU CAN EVER SEE!

HOW DO YOU LIKE THAT?

LET ME TELL YOU SOMETHING
AND DON'T YOU EVER FORGET IT.

SUCCESS IS NOTHING

WITHOUT SOMEONE YOU
LOVE TO SHARE IT WITH.

IF YOU EVER BECOME
TRACY CHAMBERS AGAIN,

YOU KNOW WHERE I'LL BE.

GO ON, GET OUT OF HERE
WITH YOUR GODDAMN PHILOSOPHIES!

AND YOUR JUDGMENTS!
WHO THE HELL DO YOU THINK YOU ARE?

YOU ARE A LOSER, BRIAN!
YOU AIN'T SHIT!

AND I HATE YOU!
I HATE YOU, I HATE YOU.

YOU'RE A GODDAMN LOSER!

AND I HATE YOU!

I HATE YOU, I HATE YOU!

I HATE YOU.

[sobbing]

(Sean)
CUT!

ALL RIGHT. CUT. GODDAMN IT!

THAT'S RIGHT.
MESS UP THE CAR.

(Tracy)
WHAT?

I SAID, "THAT'S IT.
MESS UP THE CAR."

SEAN, PLEASE.
LOOK, I'M TIRED.

CAN'T WE FINISH THIS
WITHOUT TALKING, OR SOMETHING?

ARE YOU REFERRING
TO THIS COMMERCIAL,

OR TO OUR RELATIONSHIP,
DARLING?

SEAN, PLEASE.
MOVE OVER, I'M COMING IN.

SEAN, PLEASE.
MOVE OVER, I'M COMING IN.

[traffic buzzing]

[people chattering in Italian]

(man)
WHAT'S HER PROBLEM?

WELL, YOU LOOK LIKE
DEATH WARMED OVER THIS MORNING.

I SUPPOSE YOU'RE
DOING IT ON PURPOSE?

DOING WHAT ON PURPOSE?

SEAN, CAN WE DO
THIS SOME OTHER TIME?

I'D REALLY LIKE
TO COOL IT TODAY.

YOU'D LIKE TO COOL
IT WITH ME FOREVER.

YOU'D LIKE TO GO AWAY WITH...
WHAT'S HIS NAME?

WOULDN'T YOU? WOULDN'T YOU?
WOULDN'T YOU?

SEAN, ARE YOU ALL RIGHT?
WHY?

DON'T I LOOK ALL RIGHT?
YOU DON'T!

YOU LOOK LIKE
DEATH WARMED OVER.

I DON'T CARE!

LOOK AT THE BIRDIE.

YOU PUT QUITE A DENT IN
THE FRONT OF THAT CAR.

DO YOU KNOW
THAT'S COMING OUT OF YOUR PAYCHECK?

YOU BETTER HAVE YOUR
EYES CHECKED.

I THINK THE FLASHBULBS ARE
REALLY RUINING YOUR EYES.

YOU'RE NOT PRETTY
WHEN YOU MAKE THAT FACE. I DON'T GIVE A SHIT.

SEAN, THE CAR'S MOVING.

SO WHAT?

THE CAR'S MOVING!

I'M DOING THE DRIVING.

I'M TAKING THE PICTURES, OK?

YOU FRIGHTENED? I'M NOT.

BUT THEN,
I'M TAKING THE PICTURES.

WHAT'S THE MATTER WITH YOU?
ARE YOU CRAZY?

[tires screeching]

OK. OK.

LET'S SEE IT, HONEY.
LET'S SEE DEATH.

I'VE SEEN ALL KINDS
OF LIFE ON THAT FACE.

STOP IT, SEAN. NOW, STOP IT!

YOU ARE JUST GOING
TOO FAR THIS TIME!

NOW, STOP IT!

[tires screeching]

CAN YOU HOLD IT FOR ME HERE?

THAT'S GREAT.

[engine revving]

LET'S SEE YOU, DARLING!
LET'S SEE DEATH!

STOP IT, SEAN. STOP IT!
YOU ARE GOING TOO FAR!

THIS WAY, DARLING.
TURN THIS WAY.

LOOK OVER HERE. THAT'S GREAT!

[car speeding]

IT'S ALL FOR EFFECT.
GET OVER ON YOUR SIDE!

OK. SEAN, I'M POSING NOW!

TAKE A FRIGGING PICTURE!
COME ON!

THAT'S NICE.

(Sean)
DARN IT!

IT'S LOCKED, SEAN!
THE STEERING WHEEL IS LOCKED.

WE'RE GONNA CRASH,
GOD DAMN IT!

IT'S THE END OF THE ROAD!

(Sean)
MESS UP THE CAR!

[both screaming]

[car crashing]

?[music playing on radio]

(Tracy)
HE WANTED TO SEE DEATH AND THAT'S WHAT HE SAW.

(Carlotta)
YES, HE DID. HE SURE DID.

HE'S BETTER OFF DEAD.

NOBODY'S BETTER
OFF DEAD, CARLOTTA.

NO MORE.

HOW'D I GET OUT
OF THE HOSPITAL?

MY GRANDFATHER BUILT IT.

I CONVINCED THEM
I WOULD TAKE BETTER CARE OF YOU.

CARLOTTA,
DON'T YOU HAVE AN APPOINTMENT WITH THE LAWYERS?

NO, TOMORROW, CHRISTIAN.

BUT I COULD TAKE
CARE OF IT TODAY SINCE IT WAS MY IDEA.

I'M GOING.
I'LL SEE YOU IN A DAY OR 2.

SEE YOU, CARLOTTA.

WHAT WAS THAT ALL ABOUT?

OH, NOTHING. JUST A LITTLE
DEAL I'M PUTTING TOGETHER THAT SHE'S A PART OF.

HOW DO YOU LIKE IT HERE?

I HAVE MY OWN APARTMENT.
YOU KNOW THAT.

I THOUGHT THIS WOULD
BE MORE COMFORTABLE.

[whispering]
WHAT'S THE CATCH?

WHAT DO YOU THINK?

IN THE SHAPE I'M IN,
YOU GOTTA BE KIDDING.

[chuckling]

YOU WILL GET BETTER.

PUT YOUR HEAD THERE.

LOOK.

THIS IS A PART OF THE PLACE
YOU COULD NEVER SEE FROM YOUR WINDOW.

IT'S A LONG WAYS
FROM 41st AND ELLIS.

WHAT DID YOU SAY?

NOTHING.

(Tracy)
HOW DO YOU LIKE LIVING IN THE PARK?

I'VE NEVER
KNOWN ANYTHING ELSE.

I REALLY FEEL STUPID
BEING PUSHED AROUND LIKE THIS.

I CAN WALK.
I REALLY CAN WALK, YOU KNOW.

I KNOW YOU CAN.

AND THE DOCTOR WILL
BE HERE IN A FEW DAYS TO MAKE IT OFFICIAL.

BUON GIORNO.

[speaking in Italian]

PRESENTING
THE LATEST ACQUISITION

OF THE EVER-EXPANDING
ROSETTI EMPIRE.

TRACY OF CHICAGO,
INCORPORATED.

OR MAYBE "MAHOGANY CREATIONS"
HAS A BETTER RING TO IT.

YES. YES.

OOPS! OH, GOD.

A GOOD DEAL DEPENDS ON
BOTH PARTIES GETTING WHAT THEY DESIRE MOST.

(Tracy)
I DON'T KNOW

WHAT THE HELL'S
WRONG WITH YOU PEOPLE!

DON'T GIVE ME THAT
"NON CAPISCO" SHIT!

YOU COULD UNDERSTAND
ENGLISH MIGHTY WELL WHEN I BOUGHT THEM.

NOW YOU GET
A REPAIRMAN OVER HERE RIGHT AWAY.

RIGHT NOW, DO YOU HEAR ME?
NOW!

[sewing machines whirring]

NO! NO! NO!

THAT REQUIRES...
THAT REQUIRES A DOUBLE STITCH!

DUE, DUE.
DON'T YOU UNDERSTAND?

NON CAPISCO, NON CAPISCO!

HEY, YOU! COME OVER HERE!

RIGHT NOW! HURRY UP!

I WANT YOU TO TELL
HER TO DO IT OR GET OUT! DO YOU UNDERSTAND?

THEY UNDERSTAND
YOU WELL ENOUGH.

YOU SEE, IT'S LIKE WITH DOGS.

IT'S THE TONE, NOT THE WORDS.

I DON'T HAVE TIME
TO BE AN ANIMAL TRAINER, CHRISTIAN.

I UNDERSTAND.

BUT YOU SEE,
THEY DON'T LIKE--

I'M NOT PAYING THEM TO LIKE!
I'M PAYING THEM TO WORK!

CORRECTION.

I'M PAYING THEM TO WORK.

IT'S INSANE, BUT I LOVE IT.

[voices buzzing]

TRACY, COME ON, LET'S GO.

(Carlotta)
WE GOT OFFERS FROM PARIS AND LONDON

AND YOU'RE GONNA
MAKE SO MUCH MONEY

MONEY, MONEY.

SUCCESS.

BUT THIS IS
ONLY THE BEGINNING.

OH, I'M SO HAPPY FOR YOU,
TRACY.

TRACY.

BUT I'M HAPPY FOR YOU.

TRACY.

[crowd applauding
and cheering]

[shouting in Italian]

(Brian)
NOTHING.

DON'T YOU EVER FORGET IT.
NOTHING...

(Christian)
BRAVO, MAHOGANY.

IT WAS GREAT.
I'M VERY, VERY PROUD OF YOU.

I WANT TO GO HOME.
NO, NO, NO.

THIS IS IMPOSSIBLE
WITH THE PRESS

AND ALL THE BUYERS
WAITING FOR YOU OUTSIDE.

THIS IS BIG MONEY
I AM TALKING ABOUT. DON'T YOU UNDERSTAND?

ACTUALLY,
GOING HOME IS NOT A BAD IDEA.

MAHOGANY.

[door shutting]

IT LEAVES YOU LIMP,
DOESN'T IT?

ALL THAT HEAT IT
TOOK TO MAKE IT.

AND NOW YOU ARE COLD.

I KNOW THE FEELING.

I'VE BEEN COLD FOR WEEKS,
TRACY.

WAITING.

WAITING FOR YOU
TO SLIP IN MY ROOM SOME NIGHT AND WARM ME.

DRINK?

GO ON UP.
I'LL BRING IT TO YOU.

TRACY.

MY ROOM.

[footsteps]

[glasses clinking]

[cork popping]

TAKE OFF YOUR DRESS.

[rustling]

[sighing]

YOU WOULD DO IT,
WOULDN'T YOU?

A DEAL'S A DEAL.

IT'S TIME FOR ME
TO PAY UP, RIGHT?

[banging]

WELL,

WHERE DO YOU WANT
TO GO FROM HERE? DO YOU KNOW?

WHEN I SAID I
WANTED TO GO HOME, I DIDN'T MEAN TO THE VILLA.

I WANT TO GO HOME.

I GUESS I WILL HAVE
TO MAKE ARRANGEMENTS

FOR A TICKET FOR
YOU IN THE MORNING.

THANK YOU.

[exhaling]

I'M SORRY, CHRISTIAN.

[door shutting]

(Brian)
THE POLLS SAY WE'RE WAY BEHIND.

BUT THAT DON'T BOTHER ME
BECAUSE POLLS DON'T ELECT PEOPLE.

PEOPLE ELECT PEOPLE.

RIGHT.

[crowd cheering]

NOW, MY OPPONENT
HAS SERVED 5 TERMS IN WASHINGTON.

HE BELIEVES THAT CORRUPTION
IS THE NATURE OF THE BEAST.

BUT LET ME TELL
YOU SOMETHING.

CORRUPTION IS NOT
THE NATURE OF THE BEAST.

CORRUPTION IS THE BEAST
THAT FEEDS ON NATURE.

[crowd clapping and cheering]

WE WANT TO BEAT
BACK THE BEAST AND

GET ON WITH THE WORK
OF GOOD GOVERNMENT.

THAT'S WHY I'M
ASKING YOU TO SEND ME

TO THE CONGRESS OF
THE UNITED STATES OF AMERICA.

YEAH.
BUT WHAT YOU GOING TO DO ABOUT HIGH PRICES?

HIGH PRICES,
I DON'T KNOW HOW MUCH I CAN DO.

BUT I GUARANTEE YOU,
IF YOU ELECT ME

I WILL TRY TO
MUSTER UP ENOUGH SUPPORT

SO THAT WE CAN STOP
THE POWER MERCHANTS

FROM TRODDING ALL
OVER THE LITTLE PEOPLE.

[crowd cheering]

(man #1)
HOW LONG IS THAT GOING TO TAKE?

I STILL CAN'T AFFORD
TO PUT FOOD ON MY TABLE.

IT HAS TO TAKE A LITTLE TIME.

YOU CAN'T DO THESE
THINGS OVERNIGHT.

(man #2)
HOW IN THE HELL LONG IS A LITTLE TIME?

YOU POLITICIANS ARE
ALWAYS SAYING THAT!

(all)
THAT'S RIGHT!

(Tracy)
I'M A WIDOW FROM THE SOUTH SIDE.

WHO SAID THAT?

(Wil)
WHO SAID WHAT?

(Tracy)
MY OLD MAN LEFT ME WITH 6 KIDS.

THE HEAT'S BEEN
OFF FOR A WEEK AND THEY ALL GOT THE FLU.

WHAT ARE YOU GOING
TO DO ABOUT THAT?

(all)
YEAH!

WHO SAID THAT?
WILL THE LADY WHO SAID THAT

PLEASE STEP...
I CAN'T SEE WHO SAID THAT.

PLEASE,
LET THE LADY WHO SAID THAT STEP FORWARD. PLEASE.

(Tracy)
MR. WALKER, WHEN YOU ARE ELECTED

WHAT ARE YOU GOING
TO DO TO HELP ME?

(all)
YEAH.

DO YOU WANT ME TO HELP YOU
WITH YOUR LANDLORD, LADY?

(Tracy)
HELL, NO! I WANT YOU TO GET ME MY OLD MAN BACK!

WELL, MADAM, IF YOU REALLY
WANT YOUR OLD MAN BACK

ARE YOU PREPARED
TO STAND BY HIM

WHEN THE
GOING'S GETTING ROUGH?

YES!

MADAM, WOULD YOU BE WILLING
TO PUT YOUR IMAGINATION TO WORK

ON BEHALF OF
THE CAUSE HE'S FIGHTING FOR?

YES!

MADAM, WOULD YOU
LOVE AND CHERISH HIM

FOR THE REST OF YOUR LIFE?

(Tracy)
YES!

MADAM--
YES!

IF YOU'RE
WILLING TO DO ALL THAT

I GUARANTEE YOU
I'LL GET YOU YOUR OLD MAN BACK.

THEN, MISTER, YOU GOT MY VOTE.

[crowd cheering]

? YOU KNEW HOW I LOVED YOU
BUT MY SPIRIT WAS FREE ?

? LAUGHING AT THE QUESTIONS
THAT YOU ONCE ASKED OF ME ?

? DO YOU KNOW
WHERE YOU'RE GOING TO? ?

? DO YOU LIKE THE THINGS
THAT LIFE IS SHOWING YOU? ?

? WHERE ARE YOU GOING TO? ?

? DO YOU KNOW? ?

? NOW LOOKING BACK AT ALL
WE PLANNED ?

? WE LET SO MANY DREAMS
JUST SLIP THROUGH OUR HANDS ?

? WHY MUST WE
WAIT SO LONG BEFORE WE SEE ?

? HOW SAD THE ANSWERS TO
THOSE QUESTIONS CAN BE ?

? DO YOU GET
WHAT YOU'RE HOPING FOR? ?

? WHEN YOU LOOK BEHIND YOU
THERE'S NO OPEN DOORS ?

? WHAT ARE YOU HOPING FOR? ?

? DO YOU KNOW? ?

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