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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,393 --> 00:00:04,395 CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT 3 00:00:06,180 --> 00:00:09,574 ♪ I COULD TELL BY YOUR VOICE 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:09,618 --> 00:00:10,880 ♪ ON THE ANSWERPHONE 6 00:00:10,923 --> 00:00:14,188 ♪ IT WAS BAD, DIDN'T GET BACK STRAIGHTAWAY ♪ 7 00:00:14,231 --> 00:00:16,712 ♪ CARRIED ON WITH WHAT I WAS DOIN' ♪ 8 00:00:16,755 --> 00:00:19,541 ♪ FOR ANOTHER 5 MINUTES 9 00:00:21,238 --> 00:00:25,677 [LEFT ALONE AMONG THE LIVING CONTINUES] 10 00:00:30,813 --> 00:00:32,510 Olly, narrating: AS FAR BACK AS I CAN REMEMBER, 11 00:00:32,554 --> 00:00:33,859 I ALWAYS WANTED TO BE A WRITER. 12 00:00:33,903 --> 00:00:37,907 FROM THE BEGINNING, I KNEW IT WASN'T GONNA BE EASY. 13 00:00:37,950 --> 00:00:42,085 MY FIRST MEMORY IS CLIMBING OUT OF A BOX 14 00:00:42,129 --> 00:00:43,565 AND SEEING TWO GIANTS, 15 00:00:43,608 --> 00:00:46,307 WHO CLAIMED TO BE MY PARENTS. 16 00:00:46,350 --> 00:00:47,699 THEY WERE SO UNLIKE ME. 17 00:00:47,743 --> 00:00:50,441 THEY WANTED ME TO READ PICTURE BOOKS. 18 00:00:50,485 --> 00:00:51,399 I LIKED NOVELS. 19 00:00:51,442 --> 00:00:52,574 Woman: READY? GO! 20 00:00:52,617 --> 00:00:54,619 Olly: THEY WERE COMPETITIVE, I WASN'T. 21 00:00:54,663 --> 00:00:56,360 AAH! DAD! 22 00:00:56,404 --> 00:00:58,275 THINGS WEREN'T WORKING OUT. 23 00:00:58,319 --> 00:00:59,624 DAD! 24 00:01:00,321 --> 00:01:02,671 AND THEN, I MET MURRAY. 25 00:01:02,714 --> 00:01:06,109 HE ENCOURAGED ME NOT TO GIVE IN. 26 00:01:06,153 --> 00:01:08,503 HE APPRECIATED MY WORK. 27 00:01:08,546 --> 00:01:10,070 [LAUGHING] 28 00:01:10,113 --> 00:01:12,202 IT DIDN'T MATTER THAT A YEAR LATER I FOUND OUT 29 00:01:12,246 --> 00:01:13,812 MURRAY COULDN'T ACTUALLY READ 30 00:01:13,856 --> 00:01:18,817 BECAUSE, BY THEN, WE WERE INSEPARABLE. 31 00:01:19,731 --> 00:01:22,604 WELL, UNTIL I GOT INTO UNIVERSITY TO STUDY ENGLISH, 32 00:01:22,647 --> 00:01:24,736 AND...MURRAY DIDN'T. 33 00:01:24,780 --> 00:01:28,218 ♪ I COULD TELL BY YOUR FACE ♪ 34 00:01:28,262 --> 00:01:29,263 ♪ WHEN YOU GOT HOME... 35 00:01:29,306 --> 00:01:30,568 Olly: AT UNIVERSITY, I MET JAMES. 36 00:01:30,612 --> 00:01:32,266 HE INTRODUCED ME TO COLLEGE LIFE... 37 00:01:32,309 --> 00:01:33,441 ♪ ...STRAIGHT AWAY, CARRIED ON ♪ 38 00:01:33,484 --> 00:01:35,007 ♪ I THOUGHT THINGS WERE NORMAL... ♪ 39 00:01:35,051 --> 00:01:38,402 AND TO THE WOMEN'S LITERARY SOCIETY. 40 00:01:40,709 --> 00:01:42,363 MURRAY CAME TO ONE PARTY, 41 00:01:42,406 --> 00:01:45,061 BUT HE FOUND IT DIFFICULT TO FIT IN. 42 00:01:45,105 --> 00:01:49,109 HE AND JAMES DIDN'T REALLY SEE EYE TO EYE. 43 00:01:50,501 --> 00:01:51,981 RRAAAH! 44 00:01:52,024 --> 00:01:55,027 [SHOUTING, INDISTINCT] 45 00:01:55,071 --> 00:01:56,116 SORRY. 46 00:01:56,159 --> 00:02:00,729 ♪ ...LEFT BEHIND AMONG THE LIVING ♪ 47 00:02:02,383 --> 00:02:03,601 WAIT. 48 00:02:03,645 --> 00:02:04,733 Olly: AFTER THAT NIGHT, 49 00:02:04,776 --> 00:02:05,864 MURRAY AND I DRIFTED APART. 50 00:02:05,908 --> 00:02:08,128 YOU JUST HAVE FUN WITH YOUR NEW FRIENDS. 51 00:02:08,171 --> 00:02:11,043 Olly: I GRADUATED WITH A FIRST-CLASS DEGREE 52 00:02:11,087 --> 00:02:13,611 IN ENGLISH LITERATURE AND STARTED WRITING. 53 00:02:13,655 --> 00:02:15,135 WITHIN A MONTH, I'D FINISHED 54 00:02:15,178 --> 00:02:17,180 THE FIRST TWO CHAPTERS OF MY NOVEL, 55 00:02:17,224 --> 00:02:19,574 AND I SENT THEM TO A BIG-TIME PUBLISHER, 56 00:02:19,617 --> 00:02:20,923 AND A WEEK LATER, HE CALLED. 57 00:02:20,966 --> 00:02:24,535 I'M NOT GOING TO SUGARCOAT THIS. 58 00:02:25,623 --> 00:02:29,845 THESE ARE THE TWO BEST OPENING CHAPTERS 59 00:02:29,888 --> 00:02:31,716 I HAVE READ IN MY ENTIRE LIFE. 60 00:02:31,760 --> 00:02:34,806 Olly: THEN HE SAID SOMETHING WHICH MESSED UP MY LIFE. 61 00:02:34,850 --> 00:02:36,895 I'D LIKE TO GIVE YOU AN ADVANCE. 62 00:02:36,939 --> 00:02:39,028 50,000? 63 00:02:39,071 --> 00:02:40,595 FIF... 64 00:02:40,638 --> 00:02:41,770 50,000. 65 00:02:41,813 --> 00:02:43,728 Olly: THE ADVANCE DESTROYED MY CONFIDENCE. 66 00:02:43,772 --> 00:02:46,209 MY INSPIRATION VANISHED. 67 00:02:46,253 --> 00:02:47,776 AND THIS WASN'T JUST WRITER'S BLOCK. 68 00:02:47,819 --> 00:02:49,734 THE FEAR SPREAD TO AREAS OF LIFE 69 00:02:49,778 --> 00:02:50,866 UNCONNECTED TO WRITING. 70 00:02:50,909 --> 00:02:52,084 I'M SORRY. CAN I GET A...A DRINK? 71 00:02:52,128 --> 00:02:53,695 Olly: I COULD NO LONGER GET SERVED AT BARS. 72 00:02:53,738 --> 00:02:55,131 JUST A... 73 00:02:55,175 --> 00:02:58,352 URINATING IN THE PRESENCE OF STRANGERS BECAME AN ISSUE. 74 00:02:58,613 --> 00:03:00,876 WOMEN CEASED TO NOTICE ME. 75 00:03:00,919 --> 00:03:02,269 [LAUGHING] 76 00:03:02,312 --> 00:03:04,401 THEN THE PUBLISHER FOUND OUT ABOUT MY WRITER'S BLOCK 77 00:03:04,445 --> 00:03:06,534 AND CANCELED THE ADVANCE. 78 00:03:06,577 --> 00:03:08,797 I HAD NOTHING. 79 00:03:08,840 --> 00:03:10,886 EXCUSE ME? UM... 80 00:03:10,929 --> 00:03:12,453 DO YOU HAVE ANYTHING IN LONDON 81 00:03:12,496 --> 00:03:14,585 AT AROUND A £20 A WEEK FLAT? 82 00:03:14,629 --> 00:03:15,804 NO CHANCE, MATE. 83 00:03:15,847 --> 00:03:17,109 Olly: AND THAT'S WHEN MY ORIGINAL BEST MATE 84 00:03:17,153 --> 00:03:19,329 WALKED BACK INTO MY LIFE. 85 00:03:19,373 --> 00:03:20,591 [LAUGHING] 86 00:03:20,635 --> 00:03:22,289 MURRAY LET ME STAY IN HIS SPARE ROOM FOR FREE, 87 00:03:22,332 --> 00:03:25,248 BUT I STILL COULDN'T WRITE. 88 00:03:25,292 --> 00:03:27,685 THE DREAM WAS OVER. 89 00:03:29,948 --> 00:03:31,820 AFTER 12 MONTHS OF FAILURE, 90 00:03:31,863 --> 00:03:33,169 I HAD TO ADMIT DEFEAT 91 00:03:33,213 --> 00:03:34,736 AND TAKE A JOB IN PUBLISHING I DIDN'T REALLY WANT. 92 00:03:34,779 --> 00:03:38,783 EXCEPT ALL THOSE JOBS WERE TAKEN BY PEOPLE WHO DID WANT THEM. 93 00:03:38,827 --> 00:03:43,571 SO I HAD TO TAKE A JOB THAT NO ONE WANTED, 94 00:03:43,614 --> 00:03:44,833 WHICH IS HOW I ENDED UP HERE, 95 00:03:44,876 --> 00:03:48,140 P.A. TO THE EDITOR OF WOMEN'S SELF-HELP BOOKS. 96 00:03:48,184 --> 00:03:50,447 I CAME TO TEMP FOR A WEEK. 97 00:03:50,491 --> 00:03:53,885 THAT WAS 3 YEARS AGO. 98 00:03:53,929 --> 00:03:55,626 AND THE FACT IS, IT'S A NOTHING JOB 99 00:03:55,670 --> 00:03:59,413 IN A NOWHERE COMPANY ON A DEAD END STREET IN HELL. 100 00:04:00,588 --> 00:04:02,416 SO THAT'S ME. 101 00:04:02,459 --> 00:04:03,634 WHAT ABOUT YOU? 102 00:04:03,678 --> 00:04:05,070 HOW'S WORK EXPERIENCE? 103 00:04:05,114 --> 00:04:08,378 UH...UH... IT'S GREAT. 104 00:04:09,901 --> 00:04:11,033 CAN I GO NOW? 105 00:04:11,076 --> 00:04:12,426 OH, YEAH. 106 00:04:12,469 --> 00:04:13,514 ABSOLUTELY. 107 00:04:13,557 --> 00:04:16,038 JUST WANTED TO MAKE YOU FEEL AT HOME. 108 00:04:16,952 --> 00:04:20,390 [TELEPHONE RINGS] 109 00:04:21,522 --> 00:04:23,611 [RING] 110 00:04:23,654 --> 00:04:25,917 GOOD AFTERNOON. WOMEN'S SELF-HELP. 111 00:04:25,961 --> 00:04:26,962 UH, YES, MAY I PLEASE SPEAK 112 00:04:27,005 --> 00:04:28,964 WITH THE BIG PUSSY THAT WORKS THERE? 113 00:04:29,007 --> 00:04:30,879 WHO SHALL I SAY IS CALLING? 114 00:04:30,922 --> 00:04:32,837 SKINNY FREAK, IT'S MUZZ. 115 00:04:32,881 --> 00:04:33,882 SURELY, NO. 116 00:04:33,925 --> 00:04:34,970 WE STILL ON FOR TONIGHT? 117 00:04:35,013 --> 00:04:36,493 WHY? WHAT'S HAPPENING TONIGHT? 118 00:04:36,537 --> 00:04:37,755 WE'RE GETTING DRUNK. 119 00:04:37,799 --> 00:04:38,930 OH, I CAN'T. 120 00:04:38,974 --> 00:04:39,975 I'VE GOTTA GO TO JAMES'S ENGAGEMENT PARTY. 121 00:04:40,018 --> 00:04:43,848 OH, JAMES, YEAH, THAT'LL BE FUN. 122 00:04:44,719 --> 00:04:47,548 I'VE GOTTA GO. I'LL CALL YOU BACK. 123 00:04:49,506 --> 00:04:51,639 [TELEPHONE RINGS] 124 00:04:51,682 --> 00:04:53,380 GOOD AFTERNOON. WOMEN'S SELF-HELP. 125 00:04:53,423 --> 00:04:55,469 YEAH, IT'S ME. I WAS JUST WONDERING, 126 00:04:55,512 --> 00:04:56,992 ARE YOU GOING TO SPEND THE ENTIRE DAY 127 00:04:57,035 --> 00:04:58,341 ORGANIZING YOUR SOCIAL LIFE, 128 00:04:58,385 --> 00:04:59,995 OR ARE YOU GOING TO TRANSFORM 129 00:05:00,038 --> 00:05:00,996 SOME OF THAT ENERGY INTO PRODUCTIVITY? 130 00:05:01,039 --> 00:05:03,041 WHAT WOULD YOU LIKE ME TO DO? 131 00:05:03,085 --> 00:05:04,739 UM, WHAT DO I PAY YOU FOR? 132 00:05:04,782 --> 00:05:05,957 TAKE MESSAGES? 133 00:05:06,001 --> 00:05:08,133 MY MESSAGE BOOK, IF IT'S NOT TO MUCH TROUBLE. 134 00:05:08,177 --> 00:05:09,831 THERE'S ONLY ONE, ACTUALLY. 135 00:05:09,874 --> 00:05:11,049 READ IT ON THE PHONE? 136 00:05:11,093 --> 00:05:14,009 HAVE YOU NOT HEARD OF PERSONAL INTERACTION? 137 00:05:15,924 --> 00:05:18,840 [RING] 138 00:05:18,883 --> 00:05:20,363 GOOD AFTERNOON. WOMEN'S SELF-HELP. 139 00:05:20,407 --> 00:05:22,017 I THOUGHT JAMES WAS IN NEW YORK 140 00:05:22,060 --> 00:05:23,758 WITH SOME WANKY CITY JOB. 141 00:05:23,801 --> 00:05:25,063 YEAH, THAT'S RIGHT. 142 00:05:25,107 --> 00:05:26,108 SO WHY IS HE HERE? 143 00:05:26,151 --> 00:05:26,891 I THOUGHT I'VE ALREADY TOLD YOU THIS. 144 00:05:26,935 --> 00:05:28,066 HE'S GETTING MARRIED, 145 00:05:28,110 --> 00:05:29,111 IT'S HIS ENGAGEMENT PARTY, 146 00:05:29,154 --> 00:05:30,199 AND HE ASKED ME ALONG. 147 00:05:30,242 --> 00:05:32,332 I'M JUST CHECKING. 148 00:05:32,897 --> 00:05:35,465 LOOK, I'VE REALLY GOT TO GO. 149 00:05:36,205 --> 00:05:37,380 NO, YOU CAN'T COME. 150 00:05:37,424 --> 00:05:38,990 YOU DON'T THINK YOUR BEST MATE'S GOOD ENOUGH 151 00:05:39,034 --> 00:05:41,950 NOW THAT CAPTAIN AMERICA'S BACK IN TOWN. 152 00:05:42,298 --> 00:05:44,126 GOOD-BYE. 153 00:05:45,606 --> 00:05:46,955 [SPEED DIALING] 154 00:05:46,998 --> 00:05:47,956 [RING] 155 00:05:47,999 --> 00:05:49,697 GOOD AFTERNOON. WOMEN'S SELF-HELP. 156 00:05:49,740 --> 00:05:52,743 PLE-HE-HEASE LET ME COME! 157 00:05:52,787 --> 00:05:54,397 GOOD-BYE. 158 00:05:54,441 --> 00:05:55,920 UH! 159 00:05:58,967 --> 00:06:00,882 RIGHT, THEN, UM... 160 00:06:00,925 --> 00:06:02,753 WHERE WERE WE? 161 00:06:04,451 --> 00:06:05,930 [TYPING] 162 00:06:09,847 --> 00:06:10,979 DANA? 163 00:06:11,022 --> 00:06:12,589 WHAT? 164 00:06:19,466 --> 00:06:20,728 WHAT THE HELL'S HE WANT? 165 00:06:20,771 --> 00:06:22,512 HE JUST WANTS YOU TO RETURN HIS CALL. 166 00:06:22,556 --> 00:06:24,471 NO, I'M FAR TOO BUSY. 167 00:06:26,124 --> 00:06:28,039 IS IT OK IF I GO ON TIME TODAY? 168 00:06:28,083 --> 00:06:29,737 AN OLD FRIEND'S GETTING MARRIED, 169 00:06:29,780 --> 00:06:32,827 AND HIS ENGAGEMENT PARTY STARTS AT 7:00. 170 00:06:33,480 --> 00:06:34,481 SO? 171 00:06:34,524 --> 00:06:37,397 WELL, HE MIGHT GET UPSET IF I'M LATE. 172 00:06:38,746 --> 00:06:41,096 WE'VE GOT TO KEEP OUR DUCKS IN A ROW. 173 00:06:41,139 --> 00:06:43,838 AND DON'T YOU THINK MY HUSBAND GETS UPSET 174 00:06:43,881 --> 00:06:44,839 WHEN I WORK LATE? 175 00:06:44,882 --> 00:06:46,449 WELL, I'VE NEVER MET YOUR HUSBAND, 176 00:06:46,493 --> 00:06:48,016 BUT I'M SURE HE'S GUTTED. 177 00:06:48,059 --> 00:06:50,714 I WOULD BE IF I WAS YOUR HUSBAND. 178 00:06:50,758 --> 00:06:52,803 I MEAN, I'D BE GUTTED ABOUT YOU WORKING LATE, 179 00:06:52,847 --> 00:06:53,935 NOT ABOUT BEING YOUR HUSBAND. 180 00:06:53,978 --> 00:06:56,067 I'D LOVE TO BE YOUR HUSBAND. 181 00:06:56,111 --> 00:06:57,895 I'LL JUST... 182 00:06:57,939 --> 00:07:01,769 SETTLE FOR BEING YOUR ASSISTANT. 183 00:07:05,555 --> 00:07:09,429 [SHOUT OUT LOUDS' HURRY UP LET'S GOPLAYING] 184 00:07:14,477 --> 00:07:17,611 ♪ YOU'RE A LIE, IT'S TRUE 185 00:07:17,654 --> 00:07:23,486 ♪ I DON'T BELIEVE A THING... ♪ 186 00:07:23,530 --> 00:07:25,749 I ONLY HAVE 10. WOULD THAT BE ALL RIGHT? 187 00:07:25,793 --> 00:07:26,707 WHAT DOES THAT SAY? 188 00:07:26,750 --> 00:07:28,796 WELL, I HAVE MONEY-- EXACT MONEY. 189 00:07:28,839 --> 00:07:29,666 EXACTLY £10. 190 00:07:29,710 --> 00:07:30,928 IF IT TURNS OUT YOU'RE FAKE, 191 00:07:30,972 --> 00:07:34,018 THEY'LL TAKE IT OUT OF ME WAGES. 192 00:07:39,937 --> 00:07:42,549 I PREFER THE TUBE ANYWAY. 193 00:07:43,463 --> 00:07:45,900 ♪ COME ON 194 00:07:45,943 --> 00:07:51,471 ♪ LOVE IS ALL WE'VE GOT 195 00:07:52,036 --> 00:07:55,083 GENTLY, GENTLY, BOY. 196 00:07:55,779 --> 00:07:59,391 YOU ARE GENTLY, GENTLY BOY. 197 00:07:59,435 --> 00:08:00,436 [BELCHES] 198 00:08:00,480 --> 00:08:03,178 [WARNING BEEPING] 199 00:08:06,573 --> 00:08:09,706 OOH! SORRY, SORRY. 200 00:08:12,883 --> 00:08:14,624 I'M SO SORRY. 201 00:08:18,149 --> 00:08:19,194 BOLLOCKS. 202 00:08:19,237 --> 00:08:20,282 BOLLOCKS! 203 00:08:20,325 --> 00:08:21,588 BOLLOCKS! 204 00:08:21,631 --> 00:08:24,242 GO ON! SHOO! 205 00:08:32,207 --> 00:08:33,208 WHEW. 206 00:08:33,251 --> 00:08:35,906 JUST IN TIME. 207 00:08:36,994 --> 00:08:38,213 [BAND PLAYING JAZZ] 208 00:08:38,256 --> 00:08:39,344 SORRY. 209 00:08:39,388 --> 00:08:40,650 OH, SORRY. 210 00:08:40,694 --> 00:08:41,956 CAREFUL. 211 00:08:41,999 --> 00:08:44,088 [GUESTS GASP] 212 00:08:44,132 --> 00:08:46,482 HOLD THAT. 213 00:08:48,615 --> 00:08:51,966 WHAT HAPPENED? YOU'RE COVERED IN SHIT. 214 00:08:52,009 --> 00:08:53,445 IT'S FINE! IT'S FINE! 215 00:08:53,489 --> 00:08:55,665 HEY, IT'S GOOD TO SEE YOU, JAMES. 216 00:08:55,709 --> 00:08:59,190 YOU'RE JUST WHAT I IMAGINED A WRITER TO LOOK LIKE. 217 00:08:59,234 --> 00:09:00,409 YEAH. 218 00:09:00,452 --> 00:09:01,671 I'M SURPRISED THOSE STAIRS DON'T KILL ANYONE. 219 00:09:01,715 --> 00:09:03,934 YEAH. WELL, NOT EVERYBODY COMES IN BACKWARDS. 220 00:09:03,978 --> 00:09:06,110 HEY! HEY! 221 00:09:06,154 --> 00:09:07,851 SO WHEN DO I GET TO MEET THE BRIDE? 222 00:09:07,895 --> 00:09:10,288 LET'S GET YOU CLEANED UP FIRST. 223 00:09:11,333 --> 00:09:13,683 SO, WHAT'S HAPPENING IN THE LAND OF OLLY? 224 00:09:13,727 --> 00:09:14,815 THE LAST I HEARD, 225 00:09:14,858 --> 00:09:16,207 YOU WERE ON YOUR WAY TO A PULITZER PRIZE 226 00:09:16,251 --> 00:09:19,123 AND A MALIBU BEACH HOUSE AND A COKE HABIT. 227 00:09:20,385 --> 00:09:22,649 WOW. YOU'VE GOT A GOLF SIMULATOR? 228 00:09:22,692 --> 00:09:25,477 SARAH HATES IT, CLUTTERING UP HER FLAT. 229 00:09:25,521 --> 00:09:27,175 I WOULDN'T MIND SOME OF THAT CLUTTER. 230 00:09:27,218 --> 00:09:29,264 WOW. SO THIS IS HERFLAT? 231 00:09:29,307 --> 00:09:31,092 YEAH. DADDY'S LOADED. 232 00:09:31,135 --> 00:09:32,572 SO YOU'RE GETTIN' MARRIED. 233 00:09:32,615 --> 00:09:34,574 THAT'S SO GROWN UP. 234 00:09:35,444 --> 00:09:36,619 I KNOW. 235 00:09:36,663 --> 00:09:38,621 IT JUST FELT LIKE THE RIGHT TIME, YOU KNOW? 236 00:09:38,665 --> 00:09:39,535 SHE'S AMAZING. 237 00:09:39,579 --> 00:09:41,189 WELL, SHE'D HAVE TO BE. 238 00:09:41,232 --> 00:09:42,277 [CHUCKLING] 239 00:09:42,320 --> 00:09:44,801 WHERE'S THE ZIP? 240 00:09:44,845 --> 00:09:45,889 ON THE SIDE. 241 00:09:45,933 --> 00:09:51,242 I'M PRESUMING THESE, UH, AREN'T YOURS? 242 00:09:51,286 --> 00:09:52,374 GOOD. 243 00:09:52,417 --> 00:09:53,636 LOOK, OLLY, I KNOW I HAVEN'T BEEN THE... 244 00:09:53,680 --> 00:09:56,030 THE GREATEST FRIEND TO YOU OVER THE LAST FEW YEARS. 245 00:09:56,073 --> 00:09:56,900 IT TAKES TWO. 246 00:09:56,944 --> 00:09:57,858 WELL, I SHOULD HAVE REPLIED 247 00:09:57,901 --> 00:09:59,337 TO AT LEAST ONE OF YOUR E-MAILS. 248 00:09:59,381 --> 00:10:00,295 HEY. 249 00:10:00,338 --> 00:10:02,558 BUT I WANT TO MAKE IT UP TO YOU. 250 00:10:02,602 --> 00:10:05,430 WOULD YOU CONSIDER BEING MY BEST MAN? 251 00:10:05,735 --> 00:10:07,302 YOU'RE KIDDIN', RIGHT? 252 00:10:07,345 --> 00:10:08,303 SERIOUSLY. 253 00:10:08,346 --> 00:10:10,305 YOU'D WRITE A BLOODY FUNNY SPEECH. 254 00:10:11,045 --> 00:10:12,873 I WOULD? 255 00:10:13,525 --> 00:10:18,182 YOU KNOW, THE FUNNY THING ABOUT JAMES... 256 00:10:19,270 --> 00:10:22,273 [SMATTERING OF APPLAUSE] 257 00:10:26,495 --> 00:10:27,757 OLLY? 258 00:10:27,801 --> 00:10:29,541 HUH? 259 00:10:31,413 --> 00:10:32,544 JUST HAVE TO THINK ABOUT IT. 260 00:10:32,588 --> 00:10:36,287 I MEAN, YOU KNOW, IF YOU DECIDE YOU CAN'T. 261 00:10:36,679 --> 00:10:39,334 AH. YOU REMEMBER CHRIS. 262 00:10:39,377 --> 00:10:40,814 YEAH, HE WAS IN THE POWERS WITH YOU. 263 00:10:40,857 --> 00:10:42,903 YEAH, SAME MEASUREMENT, TWO YEARS. 264 00:10:42,946 --> 00:10:45,906 CHRIS! REMEMBER OLLY? 265 00:10:45,949 --> 00:10:46,907 I CERTAINLY DO. 266 00:10:46,950 --> 00:10:48,648 YOU'RE ONE OF THE SUCCESSFUL ONES. 267 00:10:48,691 --> 00:10:50,084 WELL... 268 00:10:50,127 --> 00:10:51,259 GOOD TO SEE YOU. 269 00:10:51,302 --> 00:10:53,261 OH, I, UH, READ YOUR BOOK. 270 00:10:53,304 --> 00:10:54,262 FANTASTIC. 271 00:10:54,305 --> 00:10:58,179 THANKS. WHICH BIT DID YOU LIKE? 272 00:10:58,222 --> 00:11:01,225 THE, UH... THE BEGINNING WAS GOOD, 273 00:11:01,269 --> 00:11:02,313 AND THE, UH... 274 00:11:02,357 --> 00:11:04,315 OH, THE BIT WITH THE-- WELL, ALL OF IT. 275 00:11:04,359 --> 00:11:07,144 HAVE YOU EVER SEEN A 30 MILLIMETER SHELL 276 00:11:07,188 --> 00:11:08,798 HIT A RABBIT? 277 00:11:09,233 --> 00:11:10,060 NEVER. 278 00:11:10,104 --> 00:11:11,105 SORRY SIGHT, I CAN TELL YOU. 279 00:11:11,148 --> 00:11:12,889 SEE, IT'S THE EARS-- BOOM. 280 00:11:12,933 --> 00:11:14,064 WHEN THEY GO, OH! 281 00:11:14,108 --> 00:11:16,458 OLLY, I COULDN'T STEAL CHRIS FOR A MOMENT? 282 00:11:16,501 --> 00:11:17,807 OH, GO ON. 283 00:11:17,851 --> 00:11:20,723 WELL, SEE YOU LATER, OLLY-GATOR. 284 00:11:20,767 --> 00:11:21,811 HA HA! 285 00:11:21,855 --> 00:11:24,945 I MADE 500K IN BONUSES ALONE LAST YEAR. 286 00:11:24,988 --> 00:11:26,468 SHIPPED THE WHOLE LOT OFFSHORE. 287 00:11:26,511 --> 00:11:29,601 NICE LITTLE HAVEN IN BELIZE. 288 00:11:29,645 --> 00:11:30,385 SAY NO MORE. 289 00:11:30,428 --> 00:11:32,300 SO, UH, WHAT DO YOU DO? 290 00:11:32,343 --> 00:11:34,041 I'M A TAX INSPECTOR. 291 00:11:34,084 --> 00:11:35,433 [COUGH] 292 00:11:35,477 --> 00:11:38,349 MM, SUSAN, DARLING. 293 00:11:48,925 --> 00:11:51,928 SHE'S A BEAUTY. 294 00:11:53,582 --> 00:11:55,149 NO, I MEAN THE GOLFING SIMULATOR, 295 00:11:55,192 --> 00:11:56,803 NOT YOUR WIFE. 296 00:11:57,194 --> 00:11:59,501 ALTHOUGH YOU'RE VERY BEAUTIFUL, TOO. 297 00:11:59,544 --> 00:12:00,807 COME ON THEN, TIGER. 298 00:12:00,850 --> 00:12:02,373 LET'S SEE YOUR DRIVE. 299 00:12:02,417 --> 00:12:04,288 JESUS! 300 00:12:04,332 --> 00:12:06,160 FORE! 301 00:12:10,425 --> 00:12:11,382 OH. 302 00:12:11,426 --> 00:12:13,341 NEED TO WATCH THAT FOLLOW-THROUGH. 303 00:12:13,384 --> 00:12:14,472 [LAUGHING] 304 00:12:14,516 --> 00:12:15,299 CLASSIC. 305 00:12:15,343 --> 00:12:17,301 IT'S ALL RIGHT. IT'S MINE. 306 00:12:18,520 --> 00:12:20,217 THIS IS MR. AND MRS. BARKER, 307 00:12:20,261 --> 00:12:21,262 SOON TO BE MY IN-LAWS. 308 00:12:21,305 --> 00:12:23,873 THIS IS OLLY, POTENTIAL BEST MAN. 309 00:12:23,917 --> 00:12:25,701 WELL, IT'S CLEAR YOU'RE NOT A GOLFER, 310 00:12:25,745 --> 00:12:26,702 SO WHAT DO YOU DO? 311 00:12:26,746 --> 00:12:27,659 OLLY'S A WRITER. 312 00:12:27,703 --> 00:12:28,573 OH? WHAT DO YOU WRITE? 313 00:12:28,617 --> 00:12:30,532 WOULD I KNOW ANY OF YOUR WORK? 314 00:12:30,575 --> 00:12:32,360 WELL, UH, ASK CHRIS. 315 00:12:32,403 --> 00:12:34,797 HE'S READ ONE OF MY BOOKS. 316 00:12:34,841 --> 00:12:37,495 I'M JUST GONNA... EXCUSE ME. 317 00:12:45,025 --> 00:12:46,591 WHO ARE YOU LOOKING FOR? 318 00:12:46,635 --> 00:12:49,681 AH, I JUST THOUGHT I SAW SOMEONE I RECOGNIZED. 319 00:12:49,725 --> 00:12:50,595 NO, YOU DIDN'T. 320 00:12:50,639 --> 00:12:51,640 YOU WERE JUST PRETENDING 321 00:12:51,683 --> 00:12:53,294 BECAUSE YOU HAD NO ONE TO TALK TO... 322 00:12:53,337 --> 00:12:55,296 LIKE NOW. 323 00:12:59,387 --> 00:13:02,346 ARE YOU IN THE HABIT OF BUYING WOMEN'S TROUSERS? 324 00:13:02,390 --> 00:13:05,001 WHAT WOULD MAKE YOU SAY A THING LIKE THAT? 325 00:13:05,045 --> 00:13:07,308 BECAUSE I HAVE THE SAME PAIR. 326 00:13:07,351 --> 00:13:08,613 LOVELY CUT. 327 00:13:08,657 --> 00:13:10,354 SADLY, I ONLY BORROWED THESE FROM JAMES BECAUSE-- 328 00:13:10,398 --> 00:13:12,182 THEY'RE MY BLOODY TROUSERS, 329 00:13:12,226 --> 00:13:13,401 AND YOU'VE RIPPED THEM! 330 00:13:13,444 --> 00:13:14,315 NO, I DON'T THINK SO. 331 00:13:14,358 --> 00:13:16,012 NO, HE GOT THEM FROM UPSTAIRS. 332 00:13:16,056 --> 00:13:17,405 I LIVE HERE WITH SARAH. 333 00:13:17,448 --> 00:13:18,798 WHO THE HELL ARE YOU? 334 00:13:18,841 --> 00:13:19,886 OLLY. 335 00:13:19,929 --> 00:13:21,931 [LAUGHING] 336 00:13:21,975 --> 00:13:25,021 OLLY, THE BEST MAN? 337 00:13:26,283 --> 00:13:27,545 JAMES SAID YOU WERE FUNNY, 338 00:13:27,589 --> 00:13:29,417 BUT I THOUGHT HE MEANT FUNNY, HA HA. 339 00:13:29,460 --> 00:13:30,635 WHERE IS HE? 340 00:13:30,679 --> 00:13:31,985 HE'S, UH... 341 00:13:32,028 --> 00:13:33,029 PLEASURE TO MEET YOU. 342 00:13:33,073 --> 00:13:35,205 HOPEFULLY MEET AGAIN SOON. 343 00:13:35,249 --> 00:13:36,554 YOU WILL. 344 00:13:36,598 --> 00:13:37,860 I WILL? 345 00:13:37,904 --> 00:13:39,035 I'M THE MAID OF HONOR, 346 00:13:39,079 --> 00:13:42,386 AND DON'T YOU DARE LEAVE WITH MY TROUSERS. 347 00:13:43,213 --> 00:13:45,781 [CELL PHONE RINGS] 348 00:13:46,477 --> 00:13:49,176 [RING] 349 00:13:49,480 --> 00:13:50,307 WHO'S THIS? 350 00:13:50,351 --> 00:13:51,395 OH, YOU WON'T REMEMBER ME. 351 00:13:51,439 --> 00:13:52,483 I'M JUST THE GUY YOU USED TO LIVE WITH. 352 00:13:52,527 --> 00:13:53,920 MURRAY, AM I GLAD TO HEAR YOUR VOICE. 353 00:13:53,963 --> 00:13:56,052 OH, SURE. I CAN TELL YOU'RE HAVING A LAUGH 354 00:13:56,096 --> 00:13:57,575 WITH YOUR NEW, OLD BEST MATE 355 00:13:57,619 --> 00:13:59,099 WHILE I'M STUCK AT WORK. 356 00:13:59,142 --> 00:14:00,274 Olly: TRUST ME. I'M NOT. 357 00:14:00,317 --> 00:14:02,406 AND YOU'RE NOT AT WORK. YOU'RE IN THE PUB. 358 00:14:02,450 --> 00:14:04,017 HAS HE THROWN ANYONE OUT YET? 359 00:14:04,060 --> 00:14:05,192 NO, BUT STRANGELY ENOUGH, 360 00:14:05,235 --> 00:14:07,411 NO ONE HAS THROWN UP ON HIM YET. 361 00:14:07,455 --> 00:14:08,935 LOOK, THE TRUTH IS 362 00:14:08,978 --> 00:14:10,327 I FELL DOWN THE STAIRS, 363 00:14:10,371 --> 00:14:12,025 I NEARLY DECAPITATED THE FATHER OF THE BRIDE, 364 00:14:12,068 --> 00:14:13,548 AND, AS FOR THE BRIDESMAID, 365 00:14:13,591 --> 00:14:15,028 LET'S JUST SAY SHE COULD GIVE SYLVIA PLATH 366 00:14:15,071 --> 00:14:16,551 A RUN FOR HER MONEY AT THE CRAZY GAMES. 367 00:14:16,594 --> 00:14:18,814 WELL, I CAN'T SAY I DIDN'T WARN YOU. 368 00:14:18,858 --> 00:14:21,425 I CAN'T WAIT TO MEET THE BRIDE. 369 00:14:24,951 --> 00:14:26,866 I GOTTA GO. 370 00:14:30,173 --> 00:14:32,175 PLEASE TELL ME YOU'RE NOT MARRYING JAMES. 371 00:14:32,219 --> 00:14:34,438 WOULD IT BE SUCH A BAD THING IF I WAS? 372 00:14:34,482 --> 00:14:36,527 IT'S NOT ALWAYS A GREAT IDEA 373 00:14:36,571 --> 00:14:39,487 TO SLOG OFF THE BRIDE'S ENTIRE FAMILY 374 00:14:39,530 --> 00:14:40,575 AT HER OWN PARTY. 375 00:14:40,618 --> 00:14:42,620 MMM...I THINK YOU LEFT HER MOTHER OUT. 376 00:14:42,664 --> 00:14:43,970 I WAS JUST COMIN' TO HER. 377 00:14:44,013 --> 00:14:45,536 NICE TO MEET YOU, 378 00:14:45,580 --> 00:14:48,409 AND, NO, I'M NOT MARRYING JAMES. 379 00:14:48,452 --> 00:14:51,716 I'M OLLY, PROVISIONAL BEST MAN. 380 00:14:53,327 --> 00:14:55,068 WOULD YOU LIKE TO GO FOR A WALK? 381 00:14:55,111 --> 00:14:57,331 WHERE TO? 382 00:14:57,374 --> 00:14:59,899 I HEAR THE OTHER CORNER'S BEAUTIFUL 383 00:14:59,942 --> 00:15:01,291 THIS TIME OF YEAR. 384 00:15:01,335 --> 00:15:03,119 OK. 385 00:15:03,163 --> 00:15:04,860 YEAH? 386 00:15:09,604 --> 00:15:11,649 SO ARE YOU THE BEST MAN OR NOT? 387 00:15:11,693 --> 00:15:12,912 HAVEN'T QUITE DECIDED. 388 00:15:12,955 --> 00:15:16,480 WHY? IS THERE SOMETHING WRONG WITH THE GROOM? 389 00:15:16,524 --> 00:15:17,786 JAMES? NO. 390 00:15:17,829 --> 00:15:19,483 NO, NOT AT ALL. 391 00:15:19,527 --> 00:15:21,703 SO, WHAT THEN? 392 00:15:22,617 --> 00:15:25,576 BEING BEST MAN IS A HUGE RESPONSIBILITY. 393 00:15:25,620 --> 00:15:29,189 HE'S THE GROOM'S PRODUCT GUARANTEE. 394 00:15:30,059 --> 00:15:32,322 I DON'T KNOW IF I COULD WRITE A FUNNY SPEECH. 395 00:15:32,366 --> 00:15:36,283 OH, IT DOESN'T NECESSARILY HAVE TO BE FUNNY. 396 00:15:36,326 --> 00:15:38,502 WHAT ELSE AM I GONNA DO, GRITTY? 397 00:15:38,546 --> 00:15:40,591 [LAUGHING] 398 00:15:41,418 --> 00:15:43,594 WELL, I HOPE YOU ARE BEST MAN. 399 00:15:43,638 --> 00:15:44,639 WHY? 400 00:15:44,682 --> 00:15:46,597 'CAUSE I'D LIKE TO GET TO KNOW YOU. 401 00:15:48,686 --> 00:15:50,906 HERE WE ARE. 402 00:15:50,950 --> 00:15:51,907 YOU'RE RIGHT. 403 00:15:51,951 --> 00:15:54,736 IT'S BEAUTIFUL. 404 00:15:54,779 --> 00:15:58,087 THANKS. I GROUTED MOST OF IT MYSELF. 405 00:16:05,051 --> 00:16:07,183 WHAT AN AMAZING VIEW. 406 00:16:07,227 --> 00:16:09,142 YEAH. 407 00:16:18,760 --> 00:16:20,153 I SHOULD GO. 408 00:16:20,196 --> 00:16:21,328 YEAH. 409 00:16:21,371 --> 00:16:22,590 IT WAS REALLY GREAT. 410 00:16:22,633 --> 00:16:24,374 LIKEWISE. 411 00:16:31,642 --> 00:16:33,514 I CAN'T WAIT TO SEE YOU. 412 00:16:33,557 --> 00:16:34,689 HA HA. 413 00:16:34,732 --> 00:16:36,212 SO, YOU HAVING A NICE TIME? 414 00:16:36,256 --> 00:16:39,563 YOUR BEST MAN IS HAVING THE BEST TIME. 415 00:16:39,607 --> 00:16:40,956 BEST MAN? 416 00:16:41,000 --> 00:16:42,088 CAN'T BELIEVE I EVEN NEEDED TIME TO THINK ABOUT IT. 417 00:16:42,131 --> 00:16:43,480 OH, THAT'S GREAT. 418 00:16:43,524 --> 00:16:46,266 JAMES, I MET SOMEONE. 419 00:16:46,309 --> 00:16:47,310 CHRIST, YOU MOVE FAST. 420 00:16:47,354 --> 00:16:48,703 WHAT'S HER NAME? 421 00:16:48,746 --> 00:16:51,053 I DON'T KNOW, BUT REST ASSURED, 422 00:16:51,097 --> 00:16:52,228 SHE'S NOT THE BRIDE. 423 00:16:52,272 --> 00:16:53,577 THAT'S A RELIEF. 424 00:16:53,621 --> 00:16:55,666 DO YOU BELIEVE IN LOVE AT FIRST SIGHT? 425 00:16:55,710 --> 00:16:57,668 AFTER ENOUGH CHAMPAGNE. 426 00:16:59,105 --> 00:17:00,932 WHERE IS SHE? 427 00:17:03,065 --> 00:17:04,675 THERE. 428 00:17:05,676 --> 00:17:07,374 OH, GOD. BECKA? 429 00:17:07,417 --> 00:17:08,810 I DIDN'T GET HER NAME. 430 00:17:08,853 --> 00:17:10,725 THE ONE IN THE BLACK, 431 00:17:10,768 --> 00:17:11,943 STANDING NEXT TO SARAH, 432 00:17:11,987 --> 00:17:13,858 MY FIANCEÉE, IN WHITE? 433 00:17:13,902 --> 00:17:16,644 YEAH, THAT'S RIGHT, YEAH. 434 00:17:16,687 --> 00:17:18,646 REALLY? 435 00:17:18,689 --> 00:17:19,821 WELL, SHE MUST HAVE BEEN 436 00:17:19,864 --> 00:17:22,084 UNCHARACTERISTICALLY NICE WITH YOU. 437 00:17:22,128 --> 00:17:22,998 ABOUT HER TROUSERS, 438 00:17:23,042 --> 00:17:24,086 SHE GAVE ME A REAL BOLLOCKING. 439 00:17:24,130 --> 00:17:26,480 WELL, ON SECOND THOUGHT, MAYBE IT'S... 440 00:17:26,523 --> 00:17:27,742 NO, I'M JUST BEING CRUEL. 441 00:17:27,785 --> 00:17:28,612 SHE'S PERFECT FOR YOU. 442 00:17:28,656 --> 00:17:30,310 NO, I DON'T KNOW. 443 00:17:30,353 --> 00:17:31,354 YOU JUST MET HER. 444 00:17:31,398 --> 00:17:32,399 I'LL SEE WHAT I CAN DO. 445 00:17:32,442 --> 00:17:35,793 NO, NO, NO, DON'T YOU DARE. NO, NO. 446 00:17:35,837 --> 00:17:37,099 RELAX. 447 00:17:37,143 --> 00:17:38,970 RELAX. I'M JUST GOING TO INTRODUCE YOU TO SARAH. 448 00:17:39,014 --> 00:17:40,407 IT'LL BE FINE. 449 00:17:40,450 --> 00:17:42,626 OK, BUT DON'T SAY ANYTHING ABOUT WHAT I SAID BEFORE... 450 00:17:42,670 --> 00:17:45,803 TO BECKA. NOT EVEN TO SARAH. 451 00:17:45,847 --> 00:17:47,501 OK. 452 00:17:55,683 --> 00:17:56,727 HEY. 453 00:17:56,771 --> 00:17:57,772 HI. 454 00:17:57,815 --> 00:17:59,600 OLLY, THIS IS MY WIFE-TO-BE, SARAH. 455 00:17:59,643 --> 00:18:00,514 GREAT TO MEET YOU. 456 00:18:00,557 --> 00:18:01,732 OH, WE'VE MET, ACTUALLY. 457 00:18:01,776 --> 00:18:02,864 YEAH, THAT'S RIGHT. 458 00:18:02,907 --> 00:18:05,084 ON THE BALCONY. 459 00:18:07,651 --> 00:18:10,089 I BELIEVE YOU KNOW BECKA. 460 00:18:10,132 --> 00:18:11,177 HEY, YOU. 461 00:18:11,220 --> 00:18:13,570 HEY, FRIENDLESS, THIEVING TRANSVESTITE. 462 00:18:13,614 --> 00:18:14,789 BECKA! 463 00:18:14,832 --> 00:18:16,747 [JAMES LAUGHING] 464 00:18:16,791 --> 00:18:18,271 SHE LIKES YOU. 465 00:18:18,880 --> 00:18:21,143 CHEERS. 466 00:18:21,187 --> 00:18:23,232 WE SHOULD ALL HAVE A DRINK VERY SOON. 467 00:18:23,276 --> 00:18:25,147 I'D LOVE THAT. ALL RIGHT. 468 00:18:25,191 --> 00:18:26,235 OK. 469 00:18:26,279 --> 00:18:27,454 AND I'LL SEE WHAT I CAN DO WITH BECKA. 470 00:18:27,497 --> 00:18:28,803 YOU KNOW, I TALKED TO HER A LITTLE MORE, 471 00:18:28,846 --> 00:18:31,675 AND I THINK THAT OLD LOVE AT FIRST SIGHT THING 472 00:18:31,719 --> 00:18:32,894 IS JUST A CLICHEÉ. 473 00:18:32,937 --> 00:18:35,592 GOOD MAN. 474 00:18:50,738 --> 00:18:52,696 HEY! OLLY! 475 00:18:54,785 --> 00:18:56,135 OLLY! 476 00:18:56,178 --> 00:18:57,440 HEY, STAN. 477 00:18:57,484 --> 00:18:58,224 HEY. 478 00:18:58,267 --> 00:18:59,703 I'VE GOT THE LATEST ISSUE 479 00:18:59,747 --> 00:19:02,750 OF STRIPPED N WHIPPED FOR MURRAY. 480 00:19:04,795 --> 00:19:05,709 THANKS, MAN. THANKS. 481 00:19:05,753 --> 00:19:07,537 YOU DON'T HAVE A BAG, DO YOU? 482 00:19:07,581 --> 00:19:10,453 YEAH, I'VE GOT ONE. 483 00:19:13,282 --> 00:19:14,327 HERE YOU GO. 484 00:19:14,370 --> 00:19:17,025 THANKS. SEE YOU LATER. 485 00:19:17,068 --> 00:19:18,940 SEE YOU AROUND, MATE. 486 00:19:37,741 --> 00:19:38,786 DO YOU KNOW WHAT TIME IT IS? 487 00:19:38,829 --> 00:19:42,006 UH, IT'S LIKE 10:30 OR SOMETHING. 488 00:19:42,050 --> 00:19:44,052 I KNOW WHAT TIME IT IS. 489 00:19:44,095 --> 00:19:45,532 OH. 490 00:19:45,575 --> 00:19:46,794 DO YOU THINK THIS IS FUNNY? 491 00:19:46,837 --> 00:19:51,625 MURRAY, YOU'RE BEHAVING LIKE A JEALOUS LOVER. 492 00:19:53,148 --> 00:19:53,931 HOW WOULD YOU FEEL 493 00:19:53,975 --> 00:19:55,063 IF I'D SUDDENLY FOUND A... 494 00:19:55,106 --> 00:19:56,673 A NEW, OLD BEST FRIEND? 495 00:19:56,717 --> 00:19:58,675 GUTTED, IF I WAS 10. 496 00:19:58,719 --> 00:20:00,590 HELLO, KITTY. 497 00:20:02,592 --> 00:20:04,768 WHAT EVER HAPPENED TO THE OLD TRADITION OF, UH... 498 00:20:04,812 --> 00:20:06,466 YOU KNOW, HIDING THEM UNDER THE BED? 499 00:20:06,509 --> 00:20:07,815 WHY WOULD I DO THAT? 500 00:20:07,858 --> 00:20:10,252 I'M A PROUD SUBSCRIBER TO STRIPPED N WHIPPED. 501 00:20:10,296 --> 00:20:12,820 WHY ARE YOU SO PERKY? 502 00:20:12,863 --> 00:20:14,778 YOU HAD A GOOD TIME. 503 00:20:15,431 --> 00:20:16,824 YOU MET SOMEONE. 504 00:20:16,867 --> 00:20:17,738 NO. 505 00:20:17,781 --> 00:20:19,000 YOU DID. 506 00:20:19,043 --> 00:20:20,697 NO, I'VE GOT--I'VE GOT A GIFT FOR THESE THINGS. 507 00:20:20,741 --> 00:20:21,785 CALL IT NOW... 508 00:20:21,829 --> 00:20:22,917 CALL IT INTUITION. 509 00:20:22,960 --> 00:20:24,266 CALL IT BLOODY ANNOYING. 510 00:20:24,310 --> 00:20:25,398 ALL RIGHT, CALL IT WHAT YOU LIKE, 511 00:20:25,441 --> 00:20:27,269 BUT YOU'VE FALLEN BIG-TIME. 512 00:20:27,313 --> 00:20:28,314 WHO IS SHE? 513 00:20:28,357 --> 00:20:30,794 THE BRIDE. 514 00:20:31,665 --> 00:20:33,057 HO HO HO, BABY. 515 00:20:33,101 --> 00:20:34,842 THIS JUST GETS BETTER AND BETTER. 516 00:20:34,885 --> 00:20:36,974 NOW, LOOK, I HAVE TO FORGET THE WHOLE THING, 517 00:20:37,018 --> 00:20:37,845 HAVEN'T I? 518 00:20:37,888 --> 00:20:39,020 ARE YOU CRAZY? 519 00:20:39,063 --> 00:20:40,848 NO, LOOK, LOOK, JAMES DOESN'T DESERVE HER. 520 00:20:40,891 --> 00:20:41,849 HE'S A TWAT. 521 00:20:41,892 --> 00:20:43,546 LOOK, THE POINT IS, I--I... 522 00:20:43,590 --> 00:20:45,809 WHY WOULD I HURT MY BEST FR-- 523 00:20:45,853 --> 00:20:47,158 SECOND-BEST FRIEND? 524 00:20:47,202 --> 00:20:48,986 NO, I THINK A BIT OF PAIN IS JUST WHAT JAMES NEEDS 525 00:20:49,030 --> 00:20:50,292 TO GROW SPIRITUALLY. 526 00:20:50,336 --> 00:20:51,293 I SHOULD KNOW. 527 00:20:51,337 --> 00:20:52,512 YOU'RE TWISTED. 528 00:20:52,555 --> 00:20:54,818 HMM, MAYBE. 529 00:20:56,429 --> 00:20:58,561 LOOK, I FEEL I HAVE TO STAY AWAY 530 00:20:58,605 --> 00:20:59,432 FROM THE BRIDE ALTOGETHER. 531 00:20:59,475 --> 00:21:00,911 IT'S THE RIGHT THING TO DO. 532 00:21:00,955 --> 00:21:02,043 LOOK, HE'S SMITTEN. 533 00:21:02,086 --> 00:21:03,305 HE DOESN'T KNOW WHAT HE WANTS. I MEAN... 534 00:21:03,349 --> 00:21:04,088 MURRAY, HAND. 535 00:21:04,132 --> 00:21:06,613 BUT I'M-- HAND, MURRAY. 536 00:21:07,353 --> 00:21:09,050 YOUR ONE HOUR OF SELF-EXPRESSION 537 00:21:09,093 --> 00:21:11,966 HAS LEFT US IN NO DOUBT AS TO YOUR FEELINGS. 538 00:21:12,009 --> 00:21:13,141 WHAT DO YOU THINK? 539 00:21:13,184 --> 00:21:14,577 I THINK YOU'VE BOTH BEEN PRETTY PERSUASIVE, 540 00:21:14,621 --> 00:21:15,796 BUT IF TANIA HAD BEEN GETTING MARRIED TO SOMEONE ELSE, 541 00:21:15,839 --> 00:21:16,927 AND I DIDN'T BREAK IT UP, 542 00:21:16,971 --> 00:21:19,930 THEN WE WOULDN'T BE TOGETHER TODAY. 543 00:21:19,974 --> 00:21:21,018 SEE? 544 00:21:21,062 --> 00:21:22,368 BUT HAVING SAID THAT, 545 00:21:22,411 --> 00:21:23,412 I WOULDN'T HAVE BROKEN UP A PERFECTLY HAPPY COUPLE 546 00:21:23,456 --> 00:21:25,458 JUST BECAUSE I FANCIED ONE OF THEM. 547 00:21:25,501 --> 00:21:26,894 TOUCHEÉ. 548 00:21:26,937 --> 00:21:27,938 BOLLOCKS. 549 00:21:27,982 --> 00:21:29,505 Graham: I TEND TO AGREE WITH HARRY, 550 00:21:29,549 --> 00:21:30,680 BUT FOR TOTALLY DIFFERENT REASONS. 551 00:21:30,724 --> 00:21:33,161 YOU CAN'T BREAK UP A PERFECTLY HAPPY COUPLE 552 00:21:33,204 --> 00:21:34,336 JUST 'CAUSE YOU FANCY ONE OF THEM. 553 00:21:34,380 --> 00:21:35,946 THAT'S WHAT HARRY JUST SAID. 554 00:21:35,990 --> 00:21:37,513 DID HE? 555 00:21:37,557 --> 00:21:38,645 YEAH. YEAH. 556 00:21:38,688 --> 00:21:39,689 THIS KEEPS ON HAPPENING TO ME IN COURT. 557 00:21:39,733 --> 00:21:43,040 I THINK I'M GOING TO GET DISBARRED. 558 00:21:43,084 --> 00:21:46,261 I WAS ONCE IN LOVE WITH THIS GIRL. 559 00:21:46,305 --> 00:21:47,436 SUSAN. 560 00:21:47,480 --> 00:21:48,437 SUSAN. SUSAN. 561 00:21:48,481 --> 00:21:49,917 IF I HAD DONE SOMETHING ABOUT IT, 562 00:21:49,960 --> 00:21:50,831 I PROBABLY WOULDN'T BE 563 00:21:50,874 --> 00:21:53,660 THIS SAD, DESPERATE BARRISTER 564 00:21:53,703 --> 00:21:55,836 WITH A BUNCH OF LOSER FRIENDS-- 565 00:21:55,879 --> 00:21:57,054 NO DISRESPECT INTENDED, 566 00:21:57,098 --> 00:22:01,189 BUT I THINK I AGREE WITH MURRAY ON THIS ONE. 567 00:22:01,232 --> 00:22:02,756 WELL, THAT'S ONE ALL. 568 00:22:02,799 --> 00:22:04,540 SO TANIA'S GOT THE DECIDING VOTE. 569 00:22:04,584 --> 00:22:06,847 WELL, I'M SURE YOU ALL KNOW WHAT I THINK. 570 00:22:06,890 --> 00:22:07,848 OH, SHE'S A WOMAN. 571 00:22:07,891 --> 00:22:08,979 SHE DOESN'T KNOW WHAT SHE THINKS. 572 00:22:09,023 --> 00:22:10,329 HARRY'S RIGHT WHEN HE SAYS 573 00:22:10,372 --> 00:22:11,852 YOU CAN'T GO SPLITTING UP A PERFECTLY HAPPY COUPLE 574 00:22:11,895 --> 00:22:12,940 FOR NO GOOD REASON. 575 00:22:12,983 --> 00:22:13,810 OH, YOU CAN'T BELIEVE A WORD SHE SAYS! 576 00:22:13,854 --> 00:22:15,203 IT'S JUST, "LA LA LA LA LA!" 577 00:22:15,246 --> 00:22:16,552 [SPEAKING GIBBERISH] 578 00:22:16,596 --> 00:22:20,077 BUT SOMETIMES... 579 00:22:20,121 --> 00:22:21,644 WELL, SOMETIMES IT'S BETTER TO DO 580 00:22:21,688 --> 00:22:22,689 WHAT YOUR HEART TELLS YOU 581 00:22:22,732 --> 00:22:25,909 RATHER THAN WHAT YOU THINK IS RIGHT. 582 00:22:25,953 --> 00:22:27,955 I VOTE WITH MURRAY. 583 00:22:31,262 --> 00:22:32,568 SHE KNOWS. 584 00:22:32,612 --> 00:22:33,308 SHE KNOWS. 585 00:22:33,352 --> 00:22:34,570 GAME OF POOL? YEAH. 586 00:22:34,614 --> 00:22:37,181 I DON'T CARE WHAT YOU THINK. 587 00:22:37,225 --> 00:22:38,095 I HAVE TO AVOID HER. 588 00:22:38,139 --> 00:22:39,706 OLLY, YOU NEED A RELATIONSHIP. 589 00:22:39,749 --> 00:22:41,011 YEAH, LIKE YOU'D KNOW. 590 00:22:41,055 --> 00:22:42,099 YOUR LAST GIRLFRIEND 591 00:22:42,143 --> 00:22:43,449 LOCKED YOU IN A CUPBOARD FOR TWO DAYS 592 00:22:43,492 --> 00:22:44,275 AND THEN DUMPED YOU. 593 00:22:44,319 --> 00:22:45,929 MMM, AND IT WAS FANTASTIC. 594 00:22:45,973 --> 00:22:47,191 Woman: MURRAY. 595 00:22:47,235 --> 00:22:48,323 HMM. 596 00:22:48,367 --> 00:22:51,457 LOOK, OLLY, MAYBE JAMES HAS CHANGED, OK? 597 00:22:51,500 --> 00:22:53,502 BUT IF I CAN TELL THAT HE'S STILL SLEEPING AROUND, 598 00:22:53,546 --> 00:22:55,025 NEITHER HELL NOR HIGH WATER'S 599 00:22:55,069 --> 00:22:56,287 GONNA KEEP ME FROM MY PATH. 600 00:22:56,331 --> 00:22:58,246 MURRAY, YOU'RE GOIN' ALL FUNDAMENTALIST ON ME. 601 00:22:58,289 --> 00:22:59,813 THIS ISN'T GONNA BE LIKE THAT EPISODE 602 00:22:59,856 --> 00:23:00,727 WITH KYLIE, IS IT? 603 00:23:00,770 --> 00:23:04,121 [DANCE MUSIC PLAYING] 604 00:23:04,600 --> 00:23:05,775 SHE STILL WRITES. 605 00:23:05,819 --> 00:23:07,473 LAWYERS' LETTERS DON'T COUNT. 606 00:23:07,516 --> 00:23:09,170 Woman: MURRAY, BABY, HOW YOU DOING? 607 00:23:09,213 --> 00:23:10,432 Murray: HI, HONEY. 608 00:23:10,476 --> 00:23:11,346 I LOVE YOU. 609 00:23:11,390 --> 00:23:12,608 ANYWAY, HOW ARE YOU GONNA KNOW 610 00:23:12,652 --> 00:23:14,262 THAT JAMES HASN'T CHANGED? 611 00:23:14,305 --> 00:23:15,959 'CAUSE I SEE THINGS. 612 00:23:16,003 --> 00:23:17,134 YEAH, WELL, YOU USED TO CLAIM 613 00:23:17,178 --> 00:23:19,441 YOU COULD SEE DEAD PEOPLE. 614 00:23:19,485 --> 00:23:21,400 I STILL CAN. 615 00:23:23,706 --> 00:23:25,404 OH, COME HERE, KITTY. 616 00:23:26,274 --> 00:23:27,536 [DOOR BUZZER] 617 00:23:27,580 --> 00:23:29,103 WELL, THAT COULD BE HER NOW, 618 00:23:29,146 --> 00:23:32,062 BEGGING, ACHING FOR YOU. 619 00:23:32,106 --> 00:23:34,935 I'LL BE IN THE KITCHEN IF YOU NEED ME. 620 00:23:37,198 --> 00:23:38,939 Sarah: ♪ TA-DA 621 00:23:38,982 --> 00:23:40,027 ♪ TA-DA 622 00:23:40,070 --> 00:23:41,202 HEY. HI. 623 00:23:41,245 --> 00:23:42,464 JUST SEEN A SHOW, HEADING OFF FOR A DRINK, 624 00:23:42,508 --> 00:23:44,118 REALIZED WE WERE WALKING RIGHT PAST YOUR DOOR. 625 00:23:44,161 --> 00:23:45,989 THE JOYS OF LIVING IN SOHO, HUH? 626 00:23:46,033 --> 00:23:47,121 SO WILL YOU JOIN US? 627 00:23:47,164 --> 00:23:48,862 I CAN'T. I'VE, UM... 628 00:23:48,905 --> 00:23:51,081 I'VE GOT TO DE-WORM THE CAT. 629 00:23:51,125 --> 00:23:52,779 OH. MM. 630 00:23:52,822 --> 00:23:54,520 OH, NO, IT'S OK, MATE. I'VE GOT IT. 631 00:23:54,563 --> 00:23:56,130 YEAH, YOU GO AND HAVE A GOOD TIME. 632 00:23:56,173 --> 00:23:57,523 I'LL TAKE CARE OF IT. 633 00:23:57,566 --> 00:23:58,872 HI, JAMES! 634 00:23:58,915 --> 00:24:00,482 MM, MURRAY. 635 00:24:00,526 --> 00:24:01,701 I'LL SEE YOU. 636 00:24:01,744 --> 00:24:02,789 [CAT YOWLS] 637 00:24:02,832 --> 00:24:04,530 WELL, I THINK THAT MEANS YOU'RE FREE. 638 00:24:04,573 --> 00:24:07,446 MAYBE A QUICK ONE THEN. 639 00:24:07,489 --> 00:24:08,316 GOOD. GOOD MAN. 640 00:24:08,359 --> 00:24:10,492 I KNOW THIS GREAT PUB. 641 00:24:10,536 --> 00:24:13,800 WE USED TO GIVE OUR CAT A PILL FOR WORMS. 642 00:24:13,843 --> 00:24:16,324 IT'S A CHRONIC CASE. 643 00:24:17,325 --> 00:24:18,674 SO HOW DID YOU GUYS MEET? 644 00:24:18,718 --> 00:24:20,023 OH. OH. 645 00:24:20,067 --> 00:24:22,939 DID YOU READ ABOUT THAT SUBWAY CRASH LAST SUMMER? 646 00:24:22,983 --> 00:24:24,071 NO. 647 00:24:24,114 --> 00:24:24,811 WELL, IT WASN'T BIG, EXCEPT IN NEW YORK, 648 00:24:24,854 --> 00:24:26,769 BUT IT WAS BLOODY SCARY. 649 00:24:26,813 --> 00:24:27,988 BLOODY SCARY. 650 00:24:28,031 --> 00:24:29,119 AND I WAS THERE IN NEW YORK JUST FOR A WEEK, 651 00:24:29,163 --> 00:24:31,121 AND I WAS ON THAT SAME SUBWAY, 652 00:24:31,165 --> 00:24:33,210 AND I GOT FLATTENED BY A 300-POUND MAN, 653 00:24:33,254 --> 00:24:35,648 WHO DECIDED MY LAP WAS A GOOD CRUSH ZONE. 654 00:24:35,691 --> 00:24:37,432 THAT'S RIGHT. I WENT TO THE HOSPITAL, 655 00:24:37,476 --> 00:24:39,390 AND WHO WAS IN THE NEXT DOOR ROOM? 656 00:24:39,434 --> 00:24:40,783 NO. 657 00:24:40,827 --> 00:24:41,828 WE WERE THERE FOR A WEEK, 658 00:24:41,871 --> 00:24:43,307 AND WE TALKED ABOUT EVERYTHING. 659 00:24:43,351 --> 00:24:44,526 YOU KNOW, FILMS THAT I LOVE. 660 00:24:44,570 --> 00:24:46,136 James: THAT I'D MISSED. 661 00:24:46,180 --> 00:24:47,050 MY FAVORITE BOOKS... 662 00:24:47,094 --> 00:24:48,269 THAT I HADN'T READ. 663 00:24:48,312 --> 00:24:49,575 GREAT SPORTING MOMENTS, WHICH I HADN'T SEEN. 664 00:24:49,618 --> 00:24:51,185 YEAH, YEP. 665 00:24:52,055 --> 00:24:55,319 WAIT FOR ME AT THE BAR. 666 00:24:55,363 --> 00:24:57,147 HI! 667 00:24:57,191 --> 00:24:58,018 HI. 668 00:24:58,061 --> 00:24:59,062 THE NAME'S SEAN, 669 00:24:59,106 --> 00:25:00,411 AND I OWN THE PLACE. 670 00:25:00,455 --> 00:25:01,195 JUST WANT TO CHECK THAT EVERYTHING'S SATISFACTORY. 671 00:25:01,238 --> 00:25:02,457 YES, IT'S GREAT. 672 00:25:02,501 --> 00:25:03,763 UH, SHH, SHH. 673 00:25:03,806 --> 00:25:05,025 Sarah: ...SO KIND, AND HE REALLY LOOKED AFTER ME. 674 00:25:05,068 --> 00:25:06,200 James: AND ON THE DAY YOU WERE GETTING OUT... 675 00:25:06,243 --> 00:25:07,418 HE PROPOSED, 676 00:25:07,462 --> 00:25:09,769 AND I FOOLISHLY SAID YES. 677 00:25:09,812 --> 00:25:10,900 IT'S CRAZY. 678 00:25:10,944 --> 00:25:12,032 [GAGGING] 679 00:25:12,075 --> 00:25:13,163 LOOK, WE'VE BEEN WAITING FOR 15 MINUTES-- 680 00:25:13,207 --> 00:25:14,077 EXCUSE ME, LOOK, 681 00:25:14,121 --> 00:25:16,079 IT'S A VERY BUSY BAR. 682 00:25:16,123 --> 00:25:17,603 BUT IF YOU WANT THIS KIND OF ATMOSPHERE, 683 00:25:17,646 --> 00:25:18,821 STICK AROUND. RIGHT? 684 00:25:18,865 --> 00:25:19,692 EXCUSE ME. 685 00:25:19,735 --> 00:25:21,476 [TELEPHONE RINGS] 686 00:25:21,520 --> 00:25:22,608 HELLO. PASTICHE. 687 00:25:22,651 --> 00:25:24,087 UH, HI, YES, I'D LIKE TO TALK 688 00:25:24,131 --> 00:25:25,088 TO A CUSTOMER OF YOURS. 689 00:25:25,132 --> 00:25:26,525 UM, HE'S CALLED JAMES. 690 00:25:26,568 --> 00:25:28,570 HE'S THE TALL PRAT IN THE SUIT 691 00:25:28,614 --> 00:25:29,615 BY THOSE SHELVES. 692 00:25:29,658 --> 00:25:32,226 YOU MEAN THAT GUY OVER THERE? 693 00:25:34,881 --> 00:25:37,144 YEAH. 694 00:25:37,187 --> 00:25:39,015 THANKS. 695 00:25:45,065 --> 00:25:46,153 Man: ARE YOU JAMES? 696 00:25:46,196 --> 00:25:47,284 YES. 697 00:25:47,328 --> 00:25:49,330 CALL FOR YOU AT THE BAR. 698 00:25:51,462 --> 00:25:53,247 EXCUSE ME. 699 00:25:57,773 --> 00:25:59,122 THANKS. HELLO? 700 00:25:59,166 --> 00:26:03,039 SORRY I LIED ABOUT WHO I WAS AT THE ENGAGEMENT PARTY. 701 00:26:03,083 --> 00:26:04,345 FORGET IT. 702 00:26:04,388 --> 00:26:05,476 I JUST WANTED TO KNOW WHAT YOU THOUGHT OF JAMES, 703 00:26:05,520 --> 00:26:07,609 YOU KNOW, BEFORE YOU KNEW WHO I WAS. 704 00:26:07,653 --> 00:26:09,132 OH, YOU WANTED THE OPINION OF A MAN 705 00:26:09,176 --> 00:26:12,179 WHO HAD INSULTED YOUR ENTIRE FAMILY. 706 00:26:12,222 --> 00:26:14,094 YOU'RE RIGHT. 707 00:26:14,137 --> 00:26:15,878 WHAT WAS I THINKING? 708 00:26:15,922 --> 00:26:18,315 WELL, HE'S GREAT. 709 00:26:18,359 --> 00:26:19,534 YEAH. 710 00:26:19,578 --> 00:26:21,231 YEAH, I GUESS WE WERE JUST DESTINED TO MEET. 711 00:26:21,275 --> 00:26:24,583 IT'S FUNNY HOW THINGS WORK OUT. 712 00:26:24,626 --> 00:26:26,454 ISN'T IT? 713 00:26:26,497 --> 00:26:27,890 JUDITH? THAT'S A VERY PRETTY NAME. 714 00:26:27,934 --> 00:26:29,631 THAT'S A LOVELY DRESS YOU HAVE ON. 715 00:26:29,675 --> 00:26:30,458 THANKS. 716 00:26:30,501 --> 00:26:32,373 SEE YOU AROUND MAYBE. 717 00:26:42,078 --> 00:26:43,036 HEY. 718 00:26:43,079 --> 00:26:44,298 SO WERE YOU IN NEW YORK FOR WORK? 719 00:26:44,341 --> 00:26:46,735 UH-HUH. I WORK FOR A COMPANY THAT TESTS FILMS. 720 00:26:46,779 --> 00:26:48,781 SHE'S A DIRECTOR'S WORST NIGHTMARE. 721 00:26:48,824 --> 00:26:50,652 THAT IS SO UNTRUE. 722 00:26:50,696 --> 00:26:51,697 ALL WE DO IS ANALYZE 723 00:26:51,740 --> 00:26:53,089 WHAT AN AUDIENCE FEELS ABOUT A FILM. 724 00:26:53,133 --> 00:26:56,005 THAT'S WHY SO MANY FILMS HAVE THEIR ENDINGS CHANGED. 725 00:26:56,049 --> 00:26:59,008 JAMES, YOU'VE NEVER EVEN SEEN ONE, OK? 726 00:26:59,052 --> 00:27:01,141 HE HAS NO INTEREST IN FILMS AT ALL. 727 00:27:01,184 --> 00:27:02,185 OH, COME ON. 728 00:27:02,229 --> 00:27:04,361 I CRIED AT THE END OF TOP GUN. 729 00:27:04,405 --> 00:27:05,667 YOU LOVE FILM. 730 00:27:05,711 --> 00:27:06,886 HE LOVES FILMS. 731 00:27:06,929 --> 00:27:07,887 YEAH. 732 00:27:07,930 --> 00:27:09,018 WHY DON'T YOU BOTH 733 00:27:09,062 --> 00:27:10,280 COME TO A TEST-SCREENING TOMORROW, HUH? 734 00:27:10,324 --> 00:27:12,369 I CAN'T. I'M WORKING LATE. 735 00:27:12,413 --> 00:27:13,719 OLLY? 736 00:27:13,762 --> 00:27:14,763 I'D LOVE TO, 737 00:27:14,807 --> 00:27:18,158 BUT I REALLY HAVE TO FINISH THIS... 738 00:27:18,201 --> 00:27:19,159 THING I'M WRITING. 739 00:27:19,202 --> 00:27:22,031 THIS IS FROM THAT LADY OVER THERE. 740 00:27:22,075 --> 00:27:25,295 SHE SAYS, "THANKS FOR EVERYTHING." 741 00:27:28,211 --> 00:27:29,212 THAT'S STRANGE. 742 00:27:29,256 --> 00:27:31,650 MAYBE SHE THINKS YOU'RE SOMEONE ELSE. 743 00:27:31,693 --> 00:27:32,563 WHAT'S THE DRINK? 744 00:27:32,607 --> 00:27:35,044 Man: A SLOW, COMFORTABLE SCREW. 745 00:27:35,088 --> 00:27:36,785 IT'S LOVELY. 746 00:27:43,226 --> 00:27:46,665 IT'S NICE. 747 00:27:52,975 --> 00:27:54,281 Olly: MORNIN'. 748 00:27:54,324 --> 00:27:55,848 YEAH, MORNING. 749 00:27:55,891 --> 00:27:58,154 HOW WAS YOUR LATE-NIGHT DRINK? 750 00:27:58,198 --> 00:28:00,287 OH, NOT EXCITING. I WAS TOO TIRED. 751 00:28:00,330 --> 00:28:02,419 YEAH. YOU MIND IF I... 752 00:28:02,463 --> 00:28:03,377 THANK YOU. 753 00:28:03,420 --> 00:28:04,987 SO, SAME OLD JAMES? 754 00:28:05,031 --> 00:28:07,642 STILL ARROGANT, DECEITFUL, AND SLUTTISH? 755 00:28:07,686 --> 00:28:09,731 YOU PICKED THAT ALL UP FROM THE DOOR? 756 00:28:09,775 --> 00:28:10,950 YOU KNOW, YOU'RE IN LOVE WITH A GIRL 757 00:28:10,993 --> 00:28:12,299 WHO'S MARRYING A WOMANIZER. I MEAN, 758 00:28:12,342 --> 00:28:15,389 WHAT KIND OF MATE WOULD I BE IF I DIDN'T WARN YOU? 759 00:28:15,432 --> 00:28:16,433 OK, YOU'VE WARNED ME. 760 00:28:16,477 --> 00:28:19,741 THIS WILL BE A MARRIAGE OF MISERY 761 00:28:19,785 --> 00:28:20,742 AND LIES, 762 00:28:20,786 --> 00:28:22,265 AND YOU CAN STOP IT. 763 00:28:22,309 --> 00:28:24,137 MM. BACK OFF. 764 00:28:24,180 --> 00:28:25,399 OOH! 765 00:28:25,442 --> 00:28:27,140 WHAT'S THIS? 766 00:28:27,183 --> 00:28:28,881 UM, SHE MENTIONED A FILM SCREENING. 767 00:28:28,924 --> 00:28:31,622 I SAID NO, BUT SHE GAVE ME HER NUMBER ANYWAY. 768 00:28:31,666 --> 00:28:32,841 YOU SAID NO? 769 00:28:32,885 --> 00:28:35,061 IT'S JUST TOO PAINFUL. I CAN'T SEE HER AGAIN. 770 00:28:35,104 --> 00:28:35,801 I KNOW. 771 00:28:35,844 --> 00:28:38,151 WHAT ARE YOU DOING? 772 00:28:38,194 --> 00:28:39,718 [DIALING] WHAT? 773 00:28:39,761 --> 00:28:41,763 NO! GIVE ME THAT. 774 00:28:41,807 --> 00:28:42,721 MURRAY! 775 00:28:42,764 --> 00:28:44,287 MURRAY! MURRAY! 776 00:28:44,331 --> 00:28:46,333 MURRAY! MURRAY! 777 00:28:46,376 --> 00:28:47,247 OPEN THE DOOR! 778 00:28:47,290 --> 00:28:49,728 [MURRAY TALKING ON TELEPHONE] 779 00:28:49,771 --> 00:28:53,514 [HUSHED] YOU ARE SO FUCKING DEAD. 780 00:29:00,434 --> 00:29:02,958 ODEON HAYMARKET, 8 P.M. 781 00:29:03,002 --> 00:29:05,395 YOU ARE GONNA PHONE HER UP 782 00:29:05,439 --> 00:29:08,747 AND CANCEL...NOW. 783 00:29:14,840 --> 00:29:16,842 HA! MEMORY REDIAL? 784 00:29:16,885 --> 00:29:19,105 [PRESSING BUTTONS] 785 00:29:19,148 --> 00:29:21,368 NO, SORRY. THAT'S GONE, TOO. 786 00:29:21,411 --> 00:29:22,935 YEAH, SO THAT'S HAPPENED. 787 00:29:22,978 --> 00:29:23,849 YEAH. 788 00:29:23,892 --> 00:29:24,980 LOOK, YOU CAN'T LET HER DOWN! 789 00:29:25,024 --> 00:29:28,114 I MEAN, SHE'S GONNA WAIT OUTSIDE FOR YOU. 790 00:29:31,465 --> 00:29:34,381 ODEON HAYMARKET, 8 P.M. 791 00:29:36,383 --> 00:29:40,256 [BOYS WILL BE BOYS BY THE ORDINARY BOYS PLAYING] 792 00:29:46,393 --> 00:29:51,528 ♪ I'VE HAD NIGHTS I WILL NEVER FORGET ♪ 793 00:29:52,878 --> 00:29:58,144 ♪ I'VE HAD NIGHTS I WILL ALWAYS REGRET ♪ 794 00:29:59,580 --> 00:30:01,277 ♪ BUT I CAN TAKE IT ON THE CHIN ♪ 795 00:30:01,321 --> 00:30:04,672 ♪ AND SAY, BOYS WILL BE BOYS ♪ 796 00:30:04,715 --> 00:30:06,369 [KISS] 797 00:30:06,413 --> 00:30:11,244 ♪ THERE'S BEEN GIRLS THAT HAVE STOLEN OUR HEARTS ♪ 798 00:30:13,159 --> 00:30:17,816 ♪ BUT THEIR ARMS SIMPLY COULDN'T BE PRIED APART ♪ 799 00:30:19,339 --> 00:30:23,343 ♪ WHOEVER LETS US IN'LL SAY, BOYS WILL BE BOYS ♪ 800 00:30:23,386 --> 00:30:26,999 ♪ BOYS WILL BE BOYS TILL THE END ♪ 801 00:30:29,915 --> 00:30:31,177 GOD, I NEED A DRINK. 802 00:30:31,220 --> 00:30:32,439 WHAT HAPPENED? 803 00:30:32,482 --> 00:30:33,396 IT WAS AWFUL. 804 00:30:33,440 --> 00:30:34,571 I FINALLY PLUCKED UP THE COURAGE 805 00:30:34,615 --> 00:30:37,052 TO ASK OUT THIS WOMAN I'VE BEEN DEFENDING. 806 00:30:37,096 --> 00:30:38,706 AND SHE SAID NO. 807 00:30:38,749 --> 00:30:39,446 NO. 808 00:30:39,489 --> 00:30:41,578 NO, SHE SAID YES, 809 00:30:41,622 --> 00:30:45,408 AND THEN I LOST THE CASE. 810 00:30:46,192 --> 00:30:50,457 SHE MIGHT BE OUT IN 4 YEARS WITH GOOD BEHAVIOR. 811 00:30:51,240 --> 00:30:52,502 MIKE, A DRINK. 812 00:30:52,546 --> 00:30:53,677 Becka: SO SOMEONE ON THE TUBE 813 00:30:53,721 --> 00:30:55,027 YOU'VE NEVER MET BEFORE 814 00:30:55,070 --> 00:30:56,289 KISSED YOUR COLLAR 815 00:30:56,332 --> 00:30:57,377 AND SPRAYED PERFUME ON YOU, 816 00:30:57,420 --> 00:31:00,206 AND YOU THINK IT MIGHT HAVE BEEN A MAN? 817 00:31:00,249 --> 00:31:01,903 [SNIFFING] YES. 818 00:31:01,947 --> 00:31:04,471 ARE YOU HAVING AN AFFAIR? 819 00:31:05,472 --> 00:31:07,517 SARAH... 820 00:31:07,561 --> 00:31:10,216 WE'RE GETTING MARRIED IN A WEEK. 821 00:31:10,259 --> 00:31:11,391 WHY? 822 00:31:11,434 --> 00:31:13,088 WHY WOULD I HAVE AN AFFAIR? 823 00:31:13,132 --> 00:31:14,046 I DON'T KNOW. 824 00:31:14,089 --> 00:31:16,265 I JUST THINK IT'S REALLY STRANGE. 825 00:31:16,309 --> 00:31:18,659 OH, BABY. 826 00:31:19,486 --> 00:31:20,487 OLLY. 827 00:31:20,530 --> 00:31:21,749 OLLY, YOU BETTER GET YOUR SKATES ON. 828 00:31:21,792 --> 00:31:22,881 YOU'LL BE LATE FOR SARAH. 829 00:31:22,924 --> 00:31:23,969 YOU'RE MEETING SARAH? 830 00:31:24,012 --> 00:31:24,839 Olly: JUST AT WORK. 831 00:31:24,883 --> 00:31:26,145 THEY'RE GOING TO THE CINEMA. 832 00:31:26,188 --> 00:31:27,973 BUT I THOUGHT YOU WEREN'T GONNA SEE HER ANYMORE. 833 00:31:28,016 --> 00:31:29,539 UH-UH-UH-UH! YOU HAVE TO GO. 834 00:31:29,583 --> 00:31:30,671 GO! GOOD LUCK. 835 00:31:30,714 --> 00:31:34,109 OH, MURRAY, I'VE GOT A LETTER FROM KYLIE. 836 00:31:34,153 --> 00:31:34,980 AH. 837 00:31:35,023 --> 00:31:36,329 SHE'S WON ANOTHER 50 MILES 838 00:31:36,372 --> 00:31:37,808 TO YOUR EXCLUSION ZONE. 839 00:31:37,852 --> 00:31:39,941 MIKE, ANOTHER DRINK. 840 00:31:39,985 --> 00:31:42,683 THAT'S GONNA MAKE IT CHALLENGING. 841 00:31:42,726 --> 00:31:46,643 Woman, in film: ♪ AMAZING GRACE 842 00:31:46,687 --> 00:31:52,258 ♪ HOW SWEET THE SOUND 843 00:31:52,301 --> 00:31:55,348 ♪ THAT SAVED A WRETCH-- 844 00:31:55,391 --> 00:31:56,740 Man: STOP THE WEDDING! 845 00:31:56,784 --> 00:31:58,525 [GUESTS GASP] 846 00:32:00,005 --> 00:32:04,531 GRETCHEN, YOU CAN'T LEAVE ME AND LITTLE DAVY THIS WAY. 847 00:32:04,574 --> 00:32:06,707 HE NEEDS YOU. 848 00:32:07,490 --> 00:32:08,535 I NEED YOU. 849 00:32:08,578 --> 00:32:11,451 Gretchen: YOU DO? 850 00:32:11,494 --> 00:32:14,410 I LOVE YOU, GRETCHEN. 851 00:32:14,454 --> 00:32:17,326 DAVY LOVES YOU, TOO. 852 00:32:17,370 --> 00:32:18,501 [ARF] 853 00:32:18,545 --> 00:32:21,809 I LOVE YOU, TOO. 854 00:32:22,462 --> 00:32:24,203 [APPLAUSE AND CHEERING] 855 00:32:24,246 --> 00:32:27,946 [ORGAN PLAYS, WOMAN SINGS] 856 00:32:30,513 --> 00:32:33,473 Man: IF YOU COULD ALL TAKE THE QUESTIONNAIRE 857 00:32:33,516 --> 00:32:36,911 AND, UM, FILL IT IN BEFORE YOU LEAVE. 858 00:32:38,478 --> 00:32:40,915 SO WHO LIKED THE FILM? 859 00:32:43,787 --> 00:32:45,789 DISLIKED THE FILM? 860 00:32:47,835 --> 00:32:50,838 OK. WHY DON'T WE START TALKING ABOUT GORDON? 861 00:32:50,881 --> 00:32:54,102 ANYONE HAVE ANY THOUGHTS OR FEELINGS ABOUT GORDON? 862 00:32:54,146 --> 00:32:55,712 COME ON. 863 00:32:55,756 --> 00:32:56,757 ANYONE? 864 00:32:56,800 --> 00:32:58,193 ELLEN, WHAT DID YOU THINK OF GORDON? 865 00:32:58,237 --> 00:32:59,586 GORDON WAS A SKATEBOARDING CHAMPION, 866 00:32:59,629 --> 00:33:02,719 AND DAVY WAS A COMEDY-PERFORMING DOG. 867 00:33:02,763 --> 00:33:04,025 HOW DID THEY MEET? 868 00:33:04,069 --> 00:33:05,157 INTERESTING. 869 00:33:05,200 --> 00:33:08,769 ANYONE ELSE HAVE ANY THOUGHTS ABOUT THAT? 870 00:33:10,684 --> 00:33:12,425 OLLY? 871 00:33:13,774 --> 00:33:15,297 UH... 872 00:33:15,341 --> 00:33:17,908 PERHAPS THEY MET AT A... 873 00:33:17,952 --> 00:33:20,215 CANINE SKATEBOARDING COMEDY CONVENTION. 874 00:33:20,259 --> 00:33:25,177 [PERFECT LOVE SONG BY DIVINE COMEDY PLAYING] 875 00:33:25,525 --> 00:33:27,527 SO LET'S JUMP TO THE ENDING. 876 00:33:27,570 --> 00:33:29,181 ANYONE HAVE ANY THOUGHTS OR FEELINGS 877 00:33:29,224 --> 00:33:30,617 ON THE ENDING? JIM? 878 00:33:30,660 --> 00:33:34,708 NO? UH, HOW ABOUT ZIGGY? 879 00:33:34,751 --> 00:33:36,666 YEAH. 880 00:33:36,710 --> 00:33:38,103 OLLY? 881 00:33:38,146 --> 00:33:44,283 I WOULD HAVE LIKED TO HAVE SEEN DAVY SPEAK, 882 00:33:44,326 --> 00:33:47,286 JUST A FEW WORDS LIKE, "I LOVE YOU." 883 00:33:47,329 --> 00:33:51,116 ♪ ...AND HOLD ONTO EACH OTHER ♪ 884 00:33:51,159 --> 00:33:53,074 UM, ANYONE ELSE WOULD'VE LIKED THAT? 885 00:33:53,118 --> 00:33:56,860 ♪ SO WE DON'T FALL DOWN 886 00:33:58,471 --> 00:33:59,254 HI, OLLY. 887 00:33:59,298 --> 00:34:02,083 THE DIRECTOR IS SO EXCITED 888 00:34:02,127 --> 00:34:03,650 ABOUT DAVY BEING ABLE TO TALK. 889 00:34:03,693 --> 00:34:04,477 NO. 890 00:34:04,520 --> 00:34:06,261 HE WANTED ME TO THANK YOU. 891 00:34:06,305 --> 00:34:07,958 YEAH. 892 00:34:08,002 --> 00:34:09,612 OH! 893 00:34:09,656 --> 00:34:12,615 [LAUGHING] 894 00:34:12,659 --> 00:34:13,747 OLLY, HERE. 895 00:34:13,790 --> 00:34:16,228 ARE YOU OK? 896 00:34:17,055 --> 00:34:19,753 YOU HAVE WARM HANDS. 897 00:34:19,796 --> 00:34:22,495 THANK YOU. 898 00:34:23,757 --> 00:34:24,888 YOU'RE TOTALLY SOAKED. 899 00:34:24,932 --> 00:34:26,977 OH, IT'S ONLY MY BACK. 900 00:34:27,021 --> 00:34:29,067 MY FOOT WAS ALREADY WET. 901 00:34:29,110 --> 00:34:31,156 MY FRONT IS TOO DRY, 902 00:34:31,199 --> 00:34:33,810 SO IT KIND OF EVENS THINGS UP. 903 00:34:33,854 --> 00:34:34,724 OH, CHECK THIS ONE OUT. 904 00:34:34,768 --> 00:34:36,683 "HOW WOULD YOU RATE THE FILM?" 905 00:34:36,726 --> 00:34:37,988 "VERY POOR." 906 00:34:38,032 --> 00:34:41,035 "WOULD YOU RECOMMEND THIS FILM TO YOUR FRIENDS?" 907 00:34:41,079 --> 00:34:42,167 "YES, DEFINITELY." 908 00:34:42,210 --> 00:34:44,995 I MEAN, WHO'D BE HIS FRIEND? 909 00:34:45,039 --> 00:34:47,302 DEFINITE MODEL PSYCHOSIS. 910 00:34:47,346 --> 00:34:50,088 I CAN SEE WHY JAMES ASKED YOU TO BE BEST MAN. 911 00:34:50,131 --> 00:34:53,613 YOU ARE DEFINITELY EASY TO BE WITH. 912 00:34:53,656 --> 00:34:56,485 YOU'RE VERY SWEET. 913 00:34:59,053 --> 00:35:00,141 I HAD A LOVELY NIGHT, 914 00:35:00,185 --> 00:35:02,274 AND, UH, APART FROM THE PUDDLE, 915 00:35:02,317 --> 00:35:04,972 I HAD A REALLY GREAT TIME. 916 00:35:05,015 --> 00:35:07,105 ME, TOO. 917 00:35:07,496 --> 00:35:09,933 APART FROM THE PUDDLE. 918 00:35:12,893 --> 00:35:13,633 GOOD-BYE. 919 00:35:13,676 --> 00:35:16,288 GOOD NIGHT. 920 00:35:22,424 --> 00:35:23,208 [TYPING] 921 00:35:23,251 --> 00:35:24,731 "BEST MAN SPEECH. 922 00:35:24,774 --> 00:35:27,734 "WHEN I FIRST MET JAMES..." 923 00:35:30,519 --> 00:35:32,347 ERUDITE. 924 00:35:33,696 --> 00:35:35,481 OK, FUNNY, FUNNY... 925 00:35:35,524 --> 00:35:37,831 OK, FUNNY-- I CAN DO THIS. 926 00:35:50,583 --> 00:35:52,062 [RING] 927 00:35:52,106 --> 00:35:54,717 GOOD AFTERNOON. WOMEN'S SELF-HELP. 928 00:35:54,761 --> 00:35:55,675 SO WE'RE GOING SHOPPING 929 00:35:55,718 --> 00:35:56,850 AT SELFRIDGES THIS AFTERNOON. 930 00:35:56,893 --> 00:35:58,678 AH, I'D LOVE TO, BUT I HAVE TO WORK. 931 00:35:58,721 --> 00:36:00,158 YOU'VE REALLY CHANGED, MATE. 932 00:36:00,201 --> 00:36:01,550 ONE WEEK AS THE BEST MAN, 933 00:36:01,594 --> 00:36:03,552 AND SUDDENLY YOU CARE ABOUT YOUR CRAP, NO-HOPE JOB. 934 00:36:03,596 --> 00:36:04,858 NO, I DON'T. 935 00:36:04,901 --> 00:36:05,772 YOU DO. 936 00:36:05,815 --> 00:36:07,817 YOU KNOW I HATE MY JOB. 937 00:36:11,038 --> 00:36:12,692 LIFE. 938 00:36:12,735 --> 00:36:13,519 THEN COME. 939 00:36:13,562 --> 00:36:15,825 I'LL TRY MY BEST, OK? BYE. 940 00:36:16,826 --> 00:36:18,741 UH, I'VE GOT A POWER LUNCH 941 00:36:18,785 --> 00:36:19,873 FOLLOWED BY A BACK-TO-BACK, 942 00:36:19,916 --> 00:36:21,744 SO I WON'T BE BACK HERE TILL ABOUT 5:00. 943 00:36:21,788 --> 00:36:23,877 AND UNLESS ANYTHING URGENT TURNS UP, 944 00:36:23,920 --> 00:36:25,008 I'M AFRAID I'M UNAVAILABLE, 945 00:36:25,052 --> 00:36:26,271 BUT, REMEMBER, WHEN I'M NOT HERE, 946 00:36:26,314 --> 00:36:28,186 YOU ARE MISSION CRITICAL. 947 00:36:28,229 --> 00:36:29,970 YES? 948 00:36:46,552 --> 00:36:48,815 [BEEP BEEP] 949 00:36:53,080 --> 00:36:54,777 [BEEP] 950 00:37:01,001 --> 00:37:03,003 [SERIES OF BEEPS] 951 00:37:03,046 --> 00:37:05,875 [BEEPING CONTINUOUSLY] 952 00:37:16,756 --> 00:37:18,018 EXCUSE ME! 953 00:37:18,061 --> 00:37:19,280 EXCUSE ME! 954 00:37:19,324 --> 00:37:20,847 AAH! 955 00:37:29,812 --> 00:37:31,684 OLLY? 956 00:37:32,293 --> 00:37:32,946 SARAH. 957 00:37:32,989 --> 00:37:35,340 THIS IS A COINCIDENCE. 958 00:37:35,383 --> 00:37:36,515 HUGE COINCIDENCE, 959 00:37:36,558 --> 00:37:37,951 SINCE IT'S 3:00 IN THE SPORTS DEPARTMENT, 960 00:37:37,994 --> 00:37:41,476 AND YOUR FLATMATE SAID TO MEET YOU HERE AT 3:00. 961 00:37:41,520 --> 00:37:42,477 HE DID? 962 00:37:42,521 --> 00:37:44,653 HE DID, YES. 963 00:37:44,697 --> 00:37:45,524 HE DID. 964 00:37:45,567 --> 00:37:47,917 HE IS A SWEETIE, THAT MURRAY. 965 00:37:47,961 --> 00:37:49,615 YOU OK? 966 00:37:49,658 --> 00:37:50,616 JUST A SPOT OF SHOPPING. 967 00:37:50,659 --> 00:37:52,966 WELL, THANKS FOR AGREEING TO HELP. 968 00:37:53,009 --> 00:37:53,923 NO PROBLEM. 969 00:37:53,967 --> 00:37:55,969 SO HOW CAN I HELP EXACTLY? 970 00:37:56,012 --> 00:37:58,885 OH, IT'S THIS DUMB WEDDING LIST. 971 00:37:58,928 --> 00:38:00,234 JAMES HAS BEEN SO BUSY AT WORK, 972 00:38:00,278 --> 00:38:03,759 AND I WAS SCARED IT WAS BECOMING TOO GIRLY, AND... 973 00:38:03,803 --> 00:38:05,935 YOU DO FORGET THE FIRST TIME WE MET 974 00:38:05,979 --> 00:38:08,286 I WASWEARING WOMEN'S TROUSERS. 975 00:38:08,329 --> 00:38:10,026 YOU WERE. 976 00:38:14,944 --> 00:38:16,076 OI, STAN, HOW'S IT GOIN'? 977 00:38:16,119 --> 00:38:17,599 HANGIN' IN THERE, MATE. HANGIN' IN THERE. 978 00:38:17,643 --> 00:38:18,992 I NEED TO GET SOMETHING FROM YOU. 979 00:38:19,035 --> 00:38:20,472 ALWAYS A PLEASURE, NEVER A PAIN. 980 00:38:20,515 --> 00:38:22,517 YEAH. AND I GOTTA USE THE PHONE AS WELL. 981 00:38:22,561 --> 00:38:24,824 YEAH, SURE. THERE'S A CUPPER. 982 00:38:24,867 --> 00:38:27,870 James: BECAUSE OF THE NEGATIVE EQUITY, 983 00:38:27,914 --> 00:38:29,132 OUR YEAR-ON-YEAR TURNOVER 984 00:38:29,176 --> 00:38:31,613 FOR THE RDB INVESTMENT LOANS, OF COURSE, IS... 985 00:38:31,657 --> 00:38:33,920 Cell phone, chiming: YOU HAVE A CALL. 986 00:38:33,963 --> 00:38:35,748 THAT'S ME. SORRY. 987 00:38:35,791 --> 00:38:37,097 [CHIMING] 988 00:38:37,140 --> 00:38:37,837 YOU HAVE A CALL. 989 00:38:37,880 --> 00:38:39,491 IT'S PROBABLY NEW YORK. 990 00:38:39,534 --> 00:38:41,971 [NEW YORK ACCENT] YEAH, WHERE DO YOU WANT THE OSTRICH DELIVERED? 991 00:38:42,015 --> 00:38:42,798 OSTRICH? 992 00:38:42,842 --> 00:38:43,712 WHAT ARE YOU TALKING ABOUT? 993 00:38:43,756 --> 00:38:44,713 UH, YEAH, I GOT IT RIGHT HERE. 994 00:38:44,757 --> 00:38:46,019 IT'S A FRIENDLY OSTRICH, YOU KNOW, 995 00:38:46,062 --> 00:38:47,760 AND THEY TEND NOT TO BE SO FRIENDLY. 996 00:38:47,803 --> 00:38:52,330 I THINK YOU'VE GOT THE WRONG NUMBER. 997 00:38:54,984 --> 00:38:56,551 OH. 998 00:38:56,595 --> 00:38:59,119 THANKS, ROSE. 999 00:39:00,425 --> 00:39:02,514 [CHIMING] ♪ RING RING RING 1000 00:39:02,557 --> 00:39:03,906 YOU HAVE A CALL. 1001 00:39:03,950 --> 00:39:06,387 SORRY. REALLY SORRY. 1002 00:39:06,431 --> 00:39:07,083 YES? 1003 00:39:07,127 --> 00:39:08,955 UH, MR. JAMES COLYNS? 1004 00:39:08,998 --> 00:39:10,217 YES. 1005 00:39:10,260 --> 00:39:11,914 I DON'T HAVE TIME FOR THIS KIND OF CRAP, MAN. 1006 00:39:11,958 --> 00:39:13,176 FUCK OFF. 1007 00:39:13,220 --> 00:39:15,527 Stan: AS MANY AS YOU WANT, MATE. 1008 00:39:15,570 --> 00:39:18,094 BROKERS. 1009 00:39:18,138 --> 00:39:19,139 HA. 1010 00:39:19,182 --> 00:39:21,663 [CHIMING] ♪ RING RING 1011 00:39:21,707 --> 00:39:22,969 OH, FOR GOD'S SAKE. 1012 00:39:23,012 --> 00:39:25,145 ♪ RING RING 1013 00:39:26,712 --> 00:39:28,104 Recording: THE PERSON YOU ARE CALLING 1014 00:39:28,148 --> 00:39:29,062 IS NOT AVAILABLE. 1015 00:39:29,105 --> 00:39:31,934 PLEASE HANG UP AND TRY AGAIN-- 1016 00:39:31,978 --> 00:39:33,066 IT'S RIDICULOUS. 1017 00:39:33,109 --> 00:39:34,067 I WISH WE COULD JUST DUMP 1018 00:39:34,110 --> 00:39:35,721 THE WHOLE WEDDING LIST ALTOGETHER. 1019 00:39:35,764 --> 00:39:37,897 WE REALLY DON'T NEED ANYTHING. 1020 00:39:37,940 --> 00:39:40,073 I MEAN, I LOVE THE ROMANTIC IMAGE 1021 00:39:40,116 --> 00:39:41,248 OF THE WEDDING, BUT.... 1022 00:39:41,291 --> 00:39:43,337 THE REALITY IS A NIGHTMARE. 1023 00:39:43,381 --> 00:39:46,340 MARRIAGE SHOULD BE ABOUT LOVE AND RESPECT, 1024 00:39:46,384 --> 00:39:50,126 NOT PRESENTS AND A GOOD SHOW. 1025 00:39:50,431 --> 00:39:52,738 OH, IT'S OVER THIS WAY. 1026 00:39:52,781 --> 00:39:54,957 BUT YOU AND JAMES ARE IN LOVE. 1027 00:39:55,001 --> 00:39:55,828 IT'S THAT SIMPLE. 1028 00:39:55,871 --> 00:39:57,525 WELL, IF IT'S THAT SIMPLE, 1029 00:39:57,569 --> 00:39:58,526 WHAT ABOUT YOU AND BECKA? 1030 00:39:58,570 --> 00:40:01,224 JAMES SAID HE'S NEVER SEEN ANYONE 1031 00:40:01,268 --> 00:40:02,922 QUITE SO SMITTEN. 1032 00:40:02,965 --> 00:40:04,227 IT WAS DARK, 1033 00:40:04,271 --> 00:40:06,012 AND WE HAD A QUICK CONVERSATION. 1034 00:40:06,055 --> 00:40:07,927 I THINK I HAD A CONCUSSION. 1035 00:40:07,970 --> 00:40:11,800 BECKA HAS HAD A FEW BAD RELATIONSHIPS, 1036 00:40:11,844 --> 00:40:14,542 BUT DEEP DOWN, SHE'S A VERY GOOD PERSON. 1037 00:40:14,586 --> 00:40:16,849 NO, I'M NOT SAYING I WON'T LIKE HER AS A FRIEND. 1038 00:40:16,892 --> 00:40:19,982 IT'S JUST THAT ROMANTICALLY IT'S NOT GONNA HAPPEN. 1039 00:40:20,026 --> 00:40:21,854 THERE WAS NO LIGHTNING BOLT. 1040 00:40:21,897 --> 00:40:23,116 WELL, ACTUALLY, THERE WAS, 1041 00:40:23,159 --> 00:40:26,424 BUT IT WAS THE KIND YOU FIND IN HORROR MOVIES. 1042 00:40:26,989 --> 00:40:30,123 WELL, IT DOESN'T ALWAYS HAPPEN LIKE THAT. 1043 00:40:30,166 --> 00:40:33,039 YOU DON'T THINK SO? 1044 00:40:33,343 --> 00:40:34,606 WHEN YOU GROW UP, FALLING IN LOVE 1045 00:40:34,649 --> 00:40:36,564 BECOMES MORE ABOUT FINDING SOMEONE 1046 00:40:36,608 --> 00:40:38,566 WHOSE STRENGTHS MATCH YOUR WEAKNESSES, 1047 00:40:38,610 --> 00:40:41,177 WHO YOU CAN SPEND SUNDAY EVENINGS WITH, 1048 00:40:41,221 --> 00:40:43,963 WHO YOU DON'T MIND LYING NEXT TO EVERY NIGHT, 1049 00:40:44,006 --> 00:40:46,139 IF ONLY BECAUSE IT'S INFINITELY MORE BEARABLE 1050 00:40:46,182 --> 00:40:47,880 THAN BEING ON YOUR OWN. 1051 00:40:47,923 --> 00:40:50,012 NO, IT DOESN'T. 1052 00:40:50,056 --> 00:40:51,318 WHAT DO YOU KNOW? 1053 00:40:51,361 --> 00:40:53,581 I'VE BEEN IN LOVE. 1054 00:40:53,625 --> 00:40:54,495 YOU HAVE? 1055 00:40:54,539 --> 00:40:57,237 WHAT WAS IT LIKE? 1056 00:41:04,157 --> 00:41:05,985 SOME PEOPLE SAY THAT 1057 00:41:06,028 --> 00:41:09,336 THE GROUND FALLS AWAY BENEATH YOU. 1058 00:41:09,379 --> 00:41:11,077 BUT, WITH ME, IT WAS AS IF 1059 00:41:11,120 --> 00:41:14,428 I SUDDENLY KNEW THE GROUND WAS THERE. 1060 00:41:14,472 --> 00:41:16,125 AS THOUGH I COULD FEEL THE ENTIRE PLANET 1061 00:41:16,169 --> 00:41:20,478 RIGHT THERE BENEATH THE SOLES OF MY FEET. 1062 00:41:23,655 --> 00:41:25,221 ALTHOUGH, I FELT THE SAME WAY 1063 00:41:25,265 --> 00:41:27,746 WHEN I WENT UP THE EMPIRE STATE BUILDING. 1064 00:41:27,789 --> 00:41:29,225 WHAT HAPPENED? 1065 00:41:29,269 --> 00:41:30,183 I THREW UP. 1066 00:41:30,226 --> 00:41:32,359 CAN'T STAND HEIGHTS. 1067 00:41:32,402 --> 00:41:33,926 NO. 1068 00:41:33,969 --> 00:41:36,581 I MEAN WITH THE GIRL. 1069 00:41:39,192 --> 00:41:42,151 Woman: SARAH BARKER. 1070 00:41:46,068 --> 00:41:48,201 [DOORBELL RINGS] 1071 00:41:55,034 --> 00:41:56,078 YES? 1072 00:41:56,122 --> 00:41:57,166 HELLO. 1073 00:41:57,210 --> 00:41:58,385 I'M FROM MICHAEL MIRKEN ESTATE AGENTS. 1074 00:41:58,428 --> 00:41:59,821 JAMES ASKED ME TO VALUE THE FLAT. 1075 00:41:59,865 --> 00:42:02,563 I DON'T THINK SO. 1076 00:42:05,261 --> 00:42:07,002 HAVE YOU GOT ANY I.D.? 1077 00:42:07,046 --> 00:42:08,221 VERY CLEVER. 1078 00:42:08,264 --> 00:42:09,135 I COULD BE ANYONE. 1079 00:42:09,178 --> 00:42:10,179 YOU KNOW, AND IT'S DESPICABLE 1080 00:42:10,223 --> 00:42:12,791 WHAT PEOPLE GET UP TO THESE DAYS. 1081 00:42:12,834 --> 00:42:14,227 WHAT ARE YOU TALKING ABOUT? 1082 00:42:14,270 --> 00:42:16,795 GOSH, I COULD BE A THIEF 1083 00:42:16,838 --> 00:42:18,057 OR A MUGGER 1084 00:42:18,100 --> 00:42:20,842 OR A SEXUAL DEVIANT. 1085 00:42:24,498 --> 00:42:27,240 LOOKING AT YOU, I VERY MUCH DOUBT THAT, 1086 00:42:27,283 --> 00:42:28,284 BUT THERE'S ALWAYS HOPE. 1087 00:42:28,328 --> 00:42:30,069 SO JAMES IS SELLING THE FLAT, IS HE? 1088 00:42:30,112 --> 00:42:31,200 NICE OF HIM TO TELL ME. 1089 00:42:31,244 --> 00:42:32,332 HE HASN'T TOLD YOU? 1090 00:42:32,375 --> 00:42:33,638 WELL, I JUST SPOKE TO HIM ON HIS MOBILE. 1091 00:42:33,681 --> 00:42:35,161 DO YOU WANT TO GIVE HIM A BELL? 1092 00:42:35,204 --> 00:42:37,946 HAVE YOU THOUGHT ABOUT YOUR LIST AT ALL? 1093 00:42:37,990 --> 00:42:40,253 YES, I DO HAVE A FEW IDEAS. 1094 00:42:40,296 --> 00:42:41,428 OH, GOOD. 1095 00:42:41,471 --> 00:42:42,255 WELL, IF YOU'D JUST LIKE TO COME THIS WAY, 1096 00:42:42,298 --> 00:42:44,910 WE'LL GIVE YOU A FEW... 1097 00:42:51,046 --> 00:42:52,613 I DO. 1098 00:42:57,705 --> 00:42:58,924 OLLY. 1099 00:42:58,967 --> 00:43:00,665 DANA? 1100 00:43:00,708 --> 00:43:02,014 WHAT ARE YOU DOING HERE? 1101 00:43:02,057 --> 00:43:03,624 Woman: WHAT COLOR DO YOU WANT THE BRIDESMAIDS IN? 1102 00:43:03,668 --> 00:43:05,191 UH, THERE ARE NO BRIDESMAIDS. 1103 00:43:05,234 --> 00:43:07,410 THERE'S NO GROOM, THERE'S NO WEDDING. 1104 00:43:07,454 --> 00:43:10,326 THIS ISN'T EVEN THE BRIDAL DEPARTMENT. 1105 00:43:10,370 --> 00:43:11,763 WHAT'S HAPPENED? 1106 00:43:11,806 --> 00:43:13,286 IS IT OFF? 1107 00:43:13,329 --> 00:43:15,244 SHE'S ALREADY MARRIED. 1108 00:43:15,288 --> 00:43:16,681 THAT IS ENOUGH, OLLY! 1109 00:43:16,724 --> 00:43:18,421 I AM IN A MEETING! 1110 00:43:18,465 --> 00:43:19,640 A MEETING? 1111 00:43:19,684 --> 00:43:20,510 YES. 1112 00:43:20,554 --> 00:43:21,642 NOW, ONE OF US 1113 00:43:21,686 --> 00:43:25,603 IS BEGINNING TO LOOK PRETTY STUPID HERE. 1114 00:43:28,823 --> 00:43:29,868 WELL... 1115 00:43:29,911 --> 00:43:32,479 SEE YOU BACK AT THE OFFICE. 1116 00:43:32,522 --> 00:43:34,263 WHAT?! 1117 00:43:34,307 --> 00:43:37,179 SO THIS IS THE SECOND STUNNING BEDROOM, 1118 00:43:37,223 --> 00:43:40,008 BOASTING CONTEMPORARY LIVING. 1119 00:43:40,313 --> 00:43:42,532 HAPPY, ARE THEY, JAMES AND SARAH? 1120 00:43:42,576 --> 00:43:45,187 WHAT'S THAT GOT TO DO WITH THE VALUE OF THE PROPERTY? 1121 00:43:45,231 --> 00:43:46,580 YOU'D BE SURPRISED. 1122 00:43:46,624 --> 00:43:49,322 EN SUITEBATHROOM, HIS AND HER TOILETS. 1123 00:43:49,365 --> 00:43:51,411 THAT'S A BIDET. 1124 00:43:51,933 --> 00:43:52,804 OH. 1125 00:43:52,847 --> 00:43:55,371 SO A FRENCH TOILET. 1126 00:43:55,720 --> 00:43:58,200 OH, AND WALL-MOUNTED MANACLES. 1127 00:43:58,244 --> 00:44:01,421 SO, NOT HAPPY THEN? 1128 00:44:01,464 --> 00:44:02,422 IF YOU WANT MY OPINION, 1129 00:44:02,465 --> 00:44:04,467 ACTUALLY, NO, THEY'RE NOT. 1130 00:44:05,251 --> 00:44:08,384 AND THOSE ARE TOWEL RAILS. 1131 00:44:08,428 --> 00:44:09,429 HMM. 1132 00:44:09,472 --> 00:44:11,300 FANTASTIC... 1133 00:44:11,344 --> 00:44:12,824 FLAT. 1134 00:44:19,744 --> 00:44:20,875 THIRD BEDROOM? 1135 00:44:20,919 --> 00:44:22,660 WALK-IN CUPBOARD. 1136 00:44:22,703 --> 00:44:23,878 CUPBOARD? 1137 00:44:23,922 --> 00:44:24,618 HMM. 1138 00:44:24,662 --> 00:44:26,794 ARE YOU AN ARIES? 1139 00:44:26,838 --> 00:44:27,926 ARE YOU AN ESTATE AGENT, 1140 00:44:27,969 --> 00:44:29,884 OR A CHEAP ASTROLOGER? 1141 00:44:29,928 --> 00:44:31,973 YOU KNOW, LEAVE NO STONE UNTURNED. 1142 00:44:32,017 --> 00:44:34,323 I MEAN, KNOWLEDGE IS POWER. 1143 00:44:34,367 --> 00:44:37,413 THAT'S BERT AND ERNIE-- SESAME STREET. 1144 00:44:39,154 --> 00:44:41,330 OH, MY FEET. 1145 00:44:41,374 --> 00:44:43,071 OH. 1146 00:44:45,291 --> 00:44:48,163 OH, WILL YOU JUST DROP THE BAGS RIGHT THERE? 1147 00:44:48,207 --> 00:44:51,297 THANK YOU. YOU'RE AN ANGEL, OLLY. 1148 00:44:51,993 --> 00:44:54,039 OH, I SEE YOU BROUGHT THE CHARMING BEST MAN 1149 00:44:54,082 --> 00:44:55,040 HOME WITH YOU. 1150 00:44:55,083 --> 00:44:56,694 SPOT OF SHOPPING WITH THE TOP GIRL? 1151 00:44:56,737 --> 00:44:57,825 HI. 1152 00:44:57,869 --> 00:44:59,348 I DIDN'T KNOW YOU WERE SELLING THE FLAT. 1153 00:44:59,392 --> 00:45:00,436 SELLING THE FLAT? 1154 00:45:00,480 --> 00:45:01,437 THE ESTATE AGENT. 1155 00:45:01,481 --> 00:45:03,396 THE REALTOR, HE'S STILL HERE. 1156 00:45:03,439 --> 00:45:04,702 I'M SO CONFUSED. 1157 00:45:04,745 --> 00:45:08,357 JAMES HAS ORGANIZED EVALUATION FOR THIS FLAT. 1158 00:45:08,401 --> 00:45:09,532 HE NEVER SAID ANYTHING TO ME. 1159 00:45:09,576 --> 00:45:12,100 BECKA, ARE YOU SURE HE'S AN ESTATE AGENT? 1160 00:45:12,144 --> 00:45:14,146 YEAH, I THINK SO. 1161 00:45:14,189 --> 00:45:16,278 I LEFT HIM THROUGH THERE. 1162 00:45:16,322 --> 00:45:18,367 WOULD YOU GO DO SOMETHING? 1163 00:45:18,411 --> 00:45:20,326 YEAH, I'LL GO. 1164 00:45:22,502 --> 00:45:23,285 TONY? 1165 00:45:23,329 --> 00:45:24,460 YEAH, RIGHT, JIM. 1166 00:45:24,504 --> 00:45:26,724 YOU WAIT HERE. 1167 00:45:38,387 --> 00:45:39,867 Sarah: THIS IS SO CREEPY. 1168 00:45:39,911 --> 00:45:40,955 WE SHOULD CALL THE POLICE. 1169 00:45:40,999 --> 00:45:42,783 Becka: ACTUALLY, HE SEEMED QUITE NICE. 1170 00:45:42,827 --> 00:45:43,697 Olly: NICE? 1171 00:45:43,741 --> 00:45:45,177 Sarah: WHAT DID HE WANT? 1172 00:45:45,220 --> 00:45:46,482 AAH. 1173 00:45:46,526 --> 00:45:47,614 I DON'T KNOW. HE KEPT ASKING ALL THESE QUESTIONS 1174 00:45:47,657 --> 00:45:50,008 ABOUT THE FLAT, ABOUT WHO I LIVED WITH. 1175 00:45:50,051 --> 00:45:51,357 IN FACT, I THINK HE ASKED ME MORE QUESTIONS 1176 00:45:51,400 --> 00:45:53,838 IN THE TIME HE WAS HERE THAN MY LAST BOYFRIEND DID 1177 00:45:53,881 --> 00:45:56,014 DURING AN ENTIRE TWO-YEAR ORDEAL. 1178 00:45:56,057 --> 00:45:57,015 Sarah: REALLY? 1179 00:45:57,058 --> 00:45:58,233 WHAT DID HE LOOK LIKE? 1180 00:45:58,277 --> 00:45:59,191 KINDA CUTE. 1181 00:45:59,234 --> 00:46:01,236 HE HAD THIS CHEEKY, YOUNG FACE, 1182 00:46:01,280 --> 00:46:02,368 AND HE ATE ALL OUR BISCUITS. 1183 00:46:02,411 --> 00:46:03,499 ALL RIGHT, I'M GOING INSIDE. 1184 00:46:03,543 --> 00:46:04,805 I'M GONNA CALL JAMES. 1185 00:46:04,849 --> 00:46:06,372 OK. 1186 00:46:06,981 --> 00:46:09,462 YEAH, LET'S GO. 1187 00:46:09,505 --> 00:46:10,593 OH, NO. 1188 00:46:10,637 --> 00:46:12,160 AAH! 1189 00:46:13,553 --> 00:46:14,380 IT'S OK. 1190 00:46:14,423 --> 00:46:16,469 UM, I'M OFF THE TELLY, 1191 00:46:16,512 --> 00:46:18,819 SO, YEAH. 1192 00:46:21,430 --> 00:46:23,737 WOULD YOU TYPE THIS UP FOR ME, PLEASE? 1193 00:46:23,781 --> 00:46:25,347 YEAH, SURE. 1194 00:46:36,358 --> 00:46:38,360 THIS LETTER IS FIRING ME. 1195 00:46:38,404 --> 00:46:39,709 YES, AND WHEN YOU FINISH, 1196 00:46:39,753 --> 00:46:41,059 BRING IT THROUGH FOR ME TO SIGN. 1197 00:46:41,102 --> 00:46:45,411 I'M NOT GONNA TYPE UP MY OWN DISMISSAL LETTER. 1198 00:46:45,454 --> 00:46:46,586 WELL, WHO ELSE CAN DO IT? 1199 00:46:46,629 --> 00:46:49,241 I CAN'T DO IT MYSELF. HOW WOULD THAT LOOK? 1200 00:46:50,198 --> 00:46:52,548 IS THIS BECAUSE I CAUGHT YOU TRYING ON A DRESS 1201 00:46:52,592 --> 00:46:54,072 FOR A FICTITIOUS WEDDING? 1202 00:46:54,115 --> 00:46:56,248 ARE YOU EVEN MARRIED? 1203 00:46:56,291 --> 00:46:58,598 DO YOU EVEN HAVE A HUSBAND? 1204 00:46:59,251 --> 00:47:03,298 YOU HAVE RECENTLY MADE AN UNOFFICIAL EXCURSION, 1205 00:47:03,342 --> 00:47:04,560 WHICH IS SPECIFICALLY AGAINST 1206 00:47:04,604 --> 00:47:05,779 THE TERMS OF YOUR CONTR-- 1207 00:47:05,823 --> 00:47:08,477 THIS IS FROM A CATALOG. 1208 00:47:08,521 --> 00:47:10,610 YOU'VE BEEN LYING ABOUT BEING MARRIED 1209 00:47:10,653 --> 00:47:12,307 FOR 3 YEARS? 1210 00:47:12,351 --> 00:47:13,265 YOU'RE FIRED, OLLY. 1211 00:47:13,308 --> 00:47:15,354 ALL THOSE POINTLESS LATE NIGHTS? 1212 00:47:15,397 --> 00:47:16,790 I KNEW YOU'D TAKE THIS PERSONALLY. 1213 00:47:16,834 --> 00:47:18,357 MAKING ME FEEL GUILTY? 1214 00:47:18,400 --> 00:47:19,575 CONTROL YOURSELF. MANAGE YOUR ANGER. 1215 00:47:19,619 --> 00:47:21,664 YOU DIDN'T EVEN HAVE A HUSBAND TO GO HOME TO. 1216 00:47:21,708 --> 00:47:24,624 YOU'RE FIRED! FIRED, FIRED, FIRED! 1217 00:47:24,667 --> 00:47:25,843 SECURITY! 1218 00:47:25,886 --> 00:47:27,496 ENDLESSLY PHOTOCOPYING MANAGEMENT DOCUMENTS, 1219 00:47:27,540 --> 00:47:30,369 DETAILING THE WORK ETHIC OF THE DEPARTMENT! 1220 00:47:30,412 --> 00:47:32,110 THAT'S ME AND YOU! 1221 00:47:32,153 --> 00:47:33,067 OUT! 1222 00:47:33,111 --> 00:47:34,416 YOU KNOW WHAT REALLY GETS TO ME? 1223 00:47:34,460 --> 00:47:35,330 NO! 1224 00:47:35,374 --> 00:47:37,680 YOU EVEN SPELLED MY NAME WRONG. 1225 00:47:37,724 --> 00:47:40,074 [SNAPS PENCIL] 1226 00:47:42,947 --> 00:47:44,122 I'M SO SORRY. 1227 00:47:44,165 --> 00:47:45,558 WHO ARE YOU? 1228 00:47:45,601 --> 00:47:46,689 SECURITY. LET ME HELP YOU. 1229 00:47:46,733 --> 00:47:48,430 PLEASE DON'T HIT ME AGAIN! 1230 00:47:48,474 --> 00:47:49,475 I DIDN'T HIT YOU. 1231 00:47:49,518 --> 00:47:50,302 JUST LEAVE ME ALONE! 1232 00:47:50,345 --> 00:47:51,999 LOOK, IT WAS AN ACCIDENT. 1233 00:47:52,043 --> 00:47:54,654 I'M SURE--OHH! 1234 00:47:56,134 --> 00:47:58,310 YOU KNOW, I REALIZED SOMETHING ABOUT JAMES TODAY. 1235 00:47:58,353 --> 00:47:59,485 HE'S GOT NO FRIENDS. 1236 00:47:59,528 --> 00:48:01,835 HE'S ENTIRELY FRIENDLESS, APART FROM YOU, 1237 00:48:01,879 --> 00:48:03,228 AND YOU'RE SOMEONE ELSE'S FRIEND. 1238 00:48:03,271 --> 00:48:05,621 AH, HE'S GOT CHRIS, WHO'S ORGANIZING THE STAG PARTY. 1239 00:48:05,665 --> 00:48:06,927 THEY WERE IN THE POWERS TOGETHER. 1240 00:48:06,971 --> 00:48:08,581 UH-HUH, AND APART FROM POWER CHRIS? 1241 00:48:08,624 --> 00:48:10,670 PROBABLY GOT A BUNCH IN AMERICA, 1242 00:48:10,713 --> 00:48:12,454 COMING OVER FOR THE WEDDING. 1243 00:48:12,498 --> 00:48:13,891 HOW MANY? 1244 00:48:13,934 --> 00:48:17,416 OK, TWO, BUT HE WANTED TO KEEP IT SMALL. 1245 00:48:17,459 --> 00:48:18,504 [CHUCKLES] 1246 00:48:18,547 --> 00:48:19,722 WELL, SURELY, SARAH SHOULD BE MARRYING 1247 00:48:19,766 --> 00:48:20,723 A MORE POPULAR GUY. 1248 00:48:20,767 --> 00:48:21,855 Tania: YOU CAN'T CONDEMN A GUY 1249 00:48:21,899 --> 00:48:23,596 JUST 'CAUSE HE HASN'T GOT MANY FRIENDS. 1250 00:48:23,639 --> 00:48:24,727 Graham: ACTUALLY, UH, YOU CAN. 1251 00:48:24,771 --> 00:48:27,165 CASE OF BRIDGES VS. BRIDGES. 1252 00:48:27,208 --> 00:48:29,428 UH, THE HUSBAND LOST HIS HOUSE AND LAND 1253 00:48:29,471 --> 00:48:32,213 DUE TO A DISTINCT LACK OF FRIENDS. 1254 00:48:32,257 --> 00:48:33,432 AH! 1255 00:48:33,475 --> 00:48:34,389 NOW WHY CAN'T I 1256 00:48:34,433 --> 00:48:36,478 REMEMBER THAT STUFF IN COURT? 1257 00:48:36,522 --> 00:48:38,567 BECKA, I DON'T KNOW WHAT TO DO. 1258 00:48:38,611 --> 00:48:41,875 I DON'T KNOW WITH JAMES AND THE WHOLE BAR 1259 00:48:41,919 --> 00:48:43,094 AND THE PERFUME. 1260 00:48:43,137 --> 00:48:45,835 I MEAN, SHOULD I BE READING MORE INTO THIS? 1261 00:48:45,879 --> 00:48:47,185 I DON'T KNOW. 1262 00:48:47,228 --> 00:48:48,490 I TRIED TO GET A HOLD OF HIM ALL DAY ON HIS CELL, 1263 00:48:48,534 --> 00:48:50,971 AND HE'S NOT PICKING UP. 1264 00:48:51,015 --> 00:48:55,106 THIS IS BECOMING REALLY HARD. 1265 00:48:58,936 --> 00:49:00,763 WHAT'S THAT? 1266 00:49:04,767 --> 00:49:06,682 THESE AREN'T MINE. 1267 00:49:06,726 --> 00:49:08,510 WELL, I CAN TELL YOU, THEY'RE NOT MINE, EITHER. 1268 00:49:08,554 --> 00:49:09,337 WHAT ARE THEY? 1269 00:49:09,381 --> 00:49:12,514 IT'S MISSING...ITS BIT 1270 00:49:12,558 --> 00:49:15,039 WHERE IT SHOULD BE. 1271 00:49:15,604 --> 00:49:18,129 WHAT THE HELL IS GOING ON HERE? 1272 00:49:19,652 --> 00:49:20,522 SARAH... 1273 00:49:20,566 --> 00:49:22,481 ARE YOU SELLING MY APARTMENT? 1274 00:49:22,524 --> 00:49:23,743 HA! NO. 1275 00:49:23,786 --> 00:49:25,353 WHY? 1276 00:49:25,788 --> 00:49:27,877 ARE YOU SEEING SOMEONE? 1277 00:49:27,921 --> 00:49:28,922 OF COURSE NOT. 1278 00:49:28,966 --> 00:49:30,619 SARAH, WE'VE GOT TO BE AT THE THEATER 1279 00:49:30,663 --> 00:49:31,490 IN 20 MINUTES. 1280 00:49:31,533 --> 00:49:32,534 I KNOW. 1281 00:49:32,578 --> 00:49:35,146 HAVE YOU BEEN DRINKING? 1282 00:49:35,624 --> 00:49:36,408 ONE. 1283 00:49:36,451 --> 00:49:37,713 JUST NOW. WHAT IS THIS? 1284 00:49:37,757 --> 00:49:39,541 YOU'RE BEHAVING VERY STRANGELY. 1285 00:49:39,585 --> 00:49:40,716 WHAT ARE THESE? 1286 00:49:40,760 --> 00:49:42,501 WELL, THEY'RE A PAIR OF CROTCHLESS PANTIES. 1287 00:49:42,544 --> 00:49:43,937 I KNOW WHAT THEY ARE. 1288 00:49:43,981 --> 00:49:45,243 WHY DO YOU HAVE THEM? 1289 00:49:45,286 --> 00:49:46,766 I DON'T. 1290 00:49:46,809 --> 00:49:47,985 [WHISPERING] You have. 1291 00:49:48,028 --> 00:49:49,160 WHY ARE YOU DOING THIS? 1292 00:49:49,203 --> 00:49:50,204 DOING WHAT? I... 1293 00:49:50,248 --> 00:49:51,901 IT WAS A TOUGH DAY AT WORK, 1294 00:49:51,945 --> 00:49:53,251 AND I NEEDED A DRINK. 1295 00:49:53,294 --> 00:49:55,731 WHY WAS YOUR CELL PHONE TURNED OFF ALL AFTERNOON? 1296 00:49:55,775 --> 00:49:58,082 BECAUSE I WAS GETTING REALLY WEIRD CALLS. 1297 00:49:58,125 --> 00:49:59,126 CALLS? 1298 00:49:59,170 --> 00:50:01,215 YES. CALLS ABOUT-- ABOUT AN OSTRICH. 1299 00:50:01,563 --> 00:50:04,088 WHAT ARE YOU INSINUATING ANYWAY? 1300 00:50:04,131 --> 00:50:07,178 THIS FEELS LIKE SOME KIND OF INQUISITION. 1301 00:50:07,221 --> 00:50:08,614 GIVE ME YOUR PHONE. 1302 00:50:08,657 --> 00:50:10,268 AH, RIGHT. 1303 00:50:10,311 --> 00:50:11,573 IF I GIVE YOU THIS PHONE, 1304 00:50:11,617 --> 00:50:14,794 HOW CAN I EVER TRUST YOU TRUST ME... 1305 00:50:16,187 --> 00:50:17,057 EVER AGAIN? 1306 00:50:17,101 --> 00:50:18,493 IF YOU DON'T GIVE ME THE PHONE, 1307 00:50:18,537 --> 00:50:19,886 I WON'T TRUST YOU ANYWAY. 1308 00:50:19,929 --> 00:50:22,367 MM. WELL, WHAT'S IT GONNA BE THEN? 1309 00:50:22,410 --> 00:50:24,760 HERE. GIVE ME THE PHONE. 1310 00:50:25,587 --> 00:50:28,677 SO THIS OSTRICH PERSON WAS YOUR LAST PHONE CALL, 1311 00:50:28,721 --> 00:50:29,765 IS THAT RIGHT? 1312 00:50:29,809 --> 00:50:31,941 [DIALING] 1313 00:50:31,985 --> 00:50:33,552 MISSED. MM-HMM. 1314 00:50:33,595 --> 00:50:35,945 [TELEPHONE RINGS BY PLAYING TUNE] 1315 00:50:35,989 --> 00:50:37,556 HELLO. NIGHT MOVES. 1316 00:50:37,599 --> 00:50:38,774 HI. WHAT DO YOU SELL? 1317 00:50:38,818 --> 00:50:42,126 UH, WE SELL ADULT VIDEOS AND SEX TOYS. 1318 00:50:42,909 --> 00:50:44,780 WELL, IT SEEMS THAT MY FIANCEÉE 1319 00:50:44,824 --> 00:50:45,955 WANTS TO CHECK ON AN ORDER. 1320 00:50:45,999 --> 00:50:47,566 HOLD ON ONE SECOND. 1321 00:50:47,609 --> 00:50:49,350 I'M GOING OUT. BECKA? 1322 00:50:49,394 --> 00:50:50,830 YES? 1323 00:50:52,484 --> 00:50:53,572 YEAH, WE GOT A SPECIAL ON, MATE. 1324 00:50:53,615 --> 00:50:54,964 UH, RABBIT DILDOS. 1325 00:50:55,008 --> 00:50:56,140 GOD. 1326 00:50:56,183 --> 00:50:57,271 WHAT ABOUT THE THEATER? 1327 00:50:57,315 --> 00:51:00,709 GO WITH YOUR FRIEND FROM THE BAR, JAMES, 1328 00:51:00,753 --> 00:51:03,060 OR THE OSTRICH! 1329 00:51:05,714 --> 00:51:06,933 RIGHT. 1330 00:51:06,976 --> 00:51:09,805 [BREATHE ME BY SIA PLAYING] 1331 00:51:09,849 --> 00:51:12,373 Sarah: HE IS SUCH A FUCKING ASSHOLE. 1332 00:51:12,417 --> 00:51:14,245 I MEAN, COMING IN THERE LATE, 1333 00:51:14,288 --> 00:51:15,681 NOT HAVING HIS PHONE TURNED ON? 1334 00:51:15,724 --> 00:51:18,205 YOU KNOW, WHAT-- WHAT'S HE THINKING? 1335 00:51:18,249 --> 00:51:19,250 WHAT'S HE FEELING? 1336 00:51:19,293 --> 00:51:21,121 WHY ISN'T HE TRYING TO REASSURE ME? 1337 00:51:21,165 --> 00:51:22,122 BECAUSE HE'S A MAN, 1338 00:51:22,166 --> 00:51:23,689 AND MEN ARE CRAP WITH EMPATHY, 1339 00:51:23,732 --> 00:51:24,864 CRAP WITH EMOTION, 1340 00:51:24,907 --> 00:51:26,474 AND ONLY REALLY GOOD AT PRETENDING TO WORK 1341 00:51:26,518 --> 00:51:28,085 AND LYING. 1342 00:51:28,128 --> 00:51:29,869 WAS THAT A LITTLE HARSH? 1343 00:51:29,912 --> 00:51:31,653 I DON'T THINK SO. 1344 00:51:31,697 --> 00:51:33,873 BECKA, BUT NOT ALL MEN ARE LIKE THAT. 1345 00:51:33,916 --> 00:51:35,657 TRUST ME, UNDERNEATH, THEY ARE. 1346 00:51:35,701 --> 00:51:36,658 OLLY ISN'T. 1347 00:51:36,702 --> 00:51:37,964 I WAS TALKING ABOUT MEN. 1348 00:51:38,007 --> 00:51:41,010 HE MIGHT KNOW WHAT'S GOING ON WITH JAMES. 1349 00:51:41,054 --> 00:51:42,055 OH, PLEASE. 1350 00:51:42,099 --> 00:51:44,666 HE'S A PRETTY PERCEPTIVE, SMART GUY. 1351 00:51:44,710 --> 00:51:46,146 HE'S A KLUTZ. 1352 00:51:46,190 --> 00:51:47,147 HE'S NOT. 1353 00:51:47,191 --> 00:51:50,498 WELL, HE IS, BUT HE'S A CUTE KLUTZ. 1354 00:51:53,632 --> 00:51:58,767 Sia: ♪ ...AND BREATHE ME 1355 00:52:01,161 --> 00:52:03,163 MM, THIS'LL CHEER YOU UP. 1356 00:52:03,207 --> 00:52:04,643 DANA FIRED ME TODAY. 1357 00:52:04,686 --> 00:52:06,166 SHE FIRED YOU? 1358 00:52:06,210 --> 00:52:07,254 WHY? 1359 00:52:07,298 --> 00:52:09,213 FOR MY UNAUTHORIZED TRIP TO SELFRIDGES. 1360 00:52:09,256 --> 00:52:09,996 OLLY, I'M SORRY. 1361 00:52:10,039 --> 00:52:11,258 Olly: IT'S MY OWN FAULT. 1362 00:52:11,302 --> 00:52:12,433 I CHOSE TO LEAVE. 1363 00:52:12,477 --> 00:52:13,652 WHO IS IT WHO SAID, 1364 00:52:13,695 --> 00:52:15,393 "GETTING FIRED IS NATURE'S WAY 1365 00:52:15,436 --> 00:52:17,046 "OF TELLING YOU YOU HAD THE WRONG JOB 1366 00:52:17,090 --> 00:52:18,396 IN THE FIRST PLACE"? 1367 00:52:18,439 --> 00:52:19,745 SHE CAN'T DO THAT TO YOU. 1368 00:52:19,788 --> 00:52:21,355 IT'S ILLEGAL. 1369 00:52:21,921 --> 00:52:24,532 I THINK I'M GONNA PAY HER A VISIT. 1370 00:52:24,576 --> 00:52:25,316 GRAHAM... 1371 00:52:25,359 --> 00:52:26,752 NO, OLLY, IT'S ILLEGAL. 1372 00:52:26,795 --> 00:52:28,493 GRAHAM, IT'S A HUGE RELIEF. 1373 00:52:28,536 --> 00:52:29,755 NOW I HAVE THIS STRANGE FEELING 1374 00:52:29,798 --> 00:52:31,452 THAT SOMETHING GOOD'S GONNA COME OUT OF IT. 1375 00:52:31,496 --> 00:52:34,716 YEAH, LIKE POVERTY AND HOMELESSNESS. 1376 00:52:34,760 --> 00:52:36,065 [LAUGHING] 1377 00:52:36,109 --> 00:52:37,502 WHICH IS NOT GOOD IF YOU'RE TRYING TO PULL SARAH. 1378 00:52:37,545 --> 00:52:39,286 I'M NOT TRYING TO PULL SARAH. 1379 00:52:39,330 --> 00:52:40,548 [CELL PHONE RINGS] 1380 00:52:40,592 --> 00:52:41,723 SORRY. 1381 00:52:41,767 --> 00:52:44,770 [RING] 1382 00:52:44,813 --> 00:52:46,467 HELLO? 1383 00:52:46,511 --> 00:52:47,555 SARAH! 1384 00:52:47,599 --> 00:52:48,600 OH-HO. 1385 00:52:48,643 --> 00:52:50,906 SHH. 1386 00:52:50,950 --> 00:52:52,778 UM...WAIT A SECOND. 1387 00:52:52,821 --> 00:52:55,911 SHE WANTS TO ASK ME SOME STUFF ABOUT JAMES TONIGHT. 1388 00:52:55,955 --> 00:52:56,999 DO I GO? 1389 00:52:57,043 --> 00:52:58,175 YES. 1390 00:52:58,218 --> 00:52:59,263 Graham: WELL, IT'S NOT AS IF YOU'RE TRYING 1391 00:52:59,306 --> 00:53:00,481 TO PULL HER, IS IT? 1392 00:53:00,525 --> 00:53:03,005 [LAUGHING] 1393 00:53:04,181 --> 00:53:06,835 OK, WHERE AND WHEN? 1394 00:53:09,447 --> 00:53:10,491 HEY, GUYS. 1395 00:53:10,535 --> 00:53:11,710 HI, OLLY. 1396 00:53:11,753 --> 00:53:13,886 SIT DOWN. 1397 00:53:14,974 --> 00:53:16,105 THANKS FOR COMING. 1398 00:53:16,149 --> 00:53:18,804 LOOK, I'M HAVING A LOT OF DOUBTS RIGHT NOW 1399 00:53:18,847 --> 00:53:20,284 ABOUT MY WHOLE WEDDING, 1400 00:53:20,327 --> 00:53:24,766 AND I FEEL LIKE I DON'T REALLY KNOW WHO JAMES IS ANYMORE, 1401 00:53:24,810 --> 00:53:26,942 AND THESE... 1402 00:53:26,986 --> 00:53:29,075 THESE WEIRD THINGS KEEP HAPPENING. 1403 00:53:29,118 --> 00:53:30,294 LET'S JUST CUT TO THE CHASE. 1404 00:53:30,337 --> 00:53:32,078 IS JAMES HAVING AN AFFAIR? 1405 00:53:32,121 --> 00:53:33,645 NO. 1406 00:53:33,688 --> 00:53:34,950 OF COURSE NOT. 1407 00:53:34,994 --> 00:53:37,692 THERE'S PROBABLY SOME REALLY SIMPLE EXPLANATION. 1408 00:53:37,736 --> 00:53:39,041 HAS HE HAD AN AFFAIR BEFORE? 1409 00:53:39,085 --> 00:53:41,000 HE HAD A CERTAIN REPUTATION IN COLLEGE, 1410 00:53:41,043 --> 00:53:42,044 BUT THAT WAS WAY BACK. 1411 00:53:42,088 --> 00:53:43,872 JAMES WANTS TO MARRY YOU. 1412 00:53:43,916 --> 00:53:45,047 THAT'S WHAT MATTERS. 1413 00:53:45,091 --> 00:53:47,963 WHY DON'T I FEEL THAT'S ALL THAT MATTERS? 1414 00:53:48,007 --> 00:53:49,704 WHAT ABOUT WHAT I WANT? 1415 00:53:49,748 --> 00:53:52,881 WHAT DOYOU WANT? 1416 00:53:56,407 --> 00:53:59,236 [CELL PHONE RINGS] 1417 00:53:59,932 --> 00:54:01,542 [RING] 1418 00:54:01,586 --> 00:54:03,152 HELLO. 1419 00:54:04,763 --> 00:54:05,807 MURRAY? 1420 00:54:05,851 --> 00:54:07,505 MURRAY? 1421 00:54:07,548 --> 00:54:08,462 OK. 1422 00:54:08,506 --> 00:54:11,770 WHY-- WHY IS HE CALLING YOU? 1423 00:54:11,813 --> 00:54:12,510 REALLY? 1424 00:54:12,553 --> 00:54:14,033 WHAT'S HE SAYING? 1425 00:54:14,076 --> 00:54:15,817 BYE. 1426 00:54:21,214 --> 00:54:24,261 YOU'RE MAKING ME VERY NERVOUS. 1427 00:54:26,001 --> 00:54:30,005 UM, MURRAY LET ME INTO A LITTLE SECRET. 1428 00:54:30,049 --> 00:54:30,919 A SECRET THAT I THINK 1429 00:54:30,963 --> 00:54:32,530 YOU SHOULD HAVE TOLD ME ABOUT. 1430 00:54:32,573 --> 00:54:35,446 DO YOU KNOW WHAT IT MIGHT BE? 1431 00:54:35,489 --> 00:54:36,403 YEAH. 1432 00:54:36,447 --> 00:54:37,535 I DON'T WANT YOU TO SAY ANYTHING. 1433 00:54:37,578 --> 00:54:39,885 I WANT YOU TO COME WITH US. 1434 00:54:40,973 --> 00:54:43,845 YOU KNOW THAT MURRAY. I MEAN, HE'S... 1435 00:54:49,242 --> 00:54:51,375 OLLY? 1436 00:54:52,027 --> 00:54:52,854 HERE WE ARE. 1437 00:54:52,898 --> 00:54:53,942 THIS IS MY HOUSE. 1438 00:54:53,986 --> 00:54:55,683 NOT A WORD. 1439 00:54:56,162 --> 00:54:57,859 SHH. 1440 00:55:10,959 --> 00:55:14,267 SURPRISE! SURPRISE! 1441 00:55:14,311 --> 00:55:16,051 [CHEERING] 1442 00:55:16,095 --> 00:55:18,097 HAPPY BIRTHDAY, OLLY! 1443 00:55:25,583 --> 00:55:27,628 HEY, GUY, HAPPY BIRTHDAY. 1444 00:55:27,672 --> 00:55:28,934 GET OVER HERE, MATE. 1445 00:55:28,977 --> 00:55:30,022 THANKS. 1446 00:55:30,065 --> 00:55:31,023 HAPPY BIRTHDAY, MATE. 1447 00:55:31,066 --> 00:55:32,329 [LAUGHING] 1448 00:55:32,372 --> 00:55:34,243 THANKS. 1449 00:55:34,287 --> 00:55:36,289 MURRAY, YOU IDIOT, IT'S NOT MY BIRTHDAY. 1450 00:55:36,333 --> 00:55:39,031 WE ALL KNOW THAT, BUT SARAH DOESN'T. 1451 00:55:39,074 --> 00:55:40,032 ALL SHE KNOWS IS 1452 00:55:40,075 --> 00:55:41,686 YOU'RE ONE HECK OF A POPULAR GUY. 1453 00:55:41,729 --> 00:55:44,515 HI. I'M SARAH. 1454 00:55:44,558 --> 00:55:45,733 WHO ARE ALL THESE PEOPLE? 1455 00:55:45,777 --> 00:55:47,126 THEY'RE REGULAR PEOPLE, THEY'RE OUR PEOPLE. 1456 00:55:47,169 --> 00:55:50,303 YOU KNOW, PIMPS, PROSTITUTES, THIEVES. 1457 00:55:50,347 --> 00:55:53,001 PUT THE VASE DOWN. 1458 00:55:54,829 --> 00:55:55,787 SURPRISE. 1459 00:55:55,830 --> 00:55:57,354 UNBELIEVABLE. 1460 00:55:57,397 --> 00:56:00,226 OH, IT'S ALWAYS FANTASTIC TO... 1461 00:56:00,269 --> 00:56:02,010 TO MEET SOMEONE OUT OF THE FIELD, 1462 00:56:02,054 --> 00:56:03,229 SO TO SPEAK. 1463 00:56:03,272 --> 00:56:04,099 UM...BECKA. 1464 00:56:04,143 --> 00:56:06,275 THIS IS OLLY. OLLY, BECKA. 1465 00:56:06,319 --> 00:56:08,060 WE ALREADY KNOW EACH OTHER. 1466 00:56:08,103 --> 00:56:09,278 THAT'S EVEN MORE UNBELIEVABLE. 1467 00:56:09,322 --> 00:56:10,410 WHAT ARE THE CHANCES OF THAT? 1468 00:56:10,454 --> 00:56:13,021 UH, SO WHAT CAN I GET YOU, BEER, WINE? 1469 00:56:13,065 --> 00:56:13,979 Becka: NO, THANKS. 1470 00:56:14,022 --> 00:56:15,328 CAN WE HAVE SOME MUSIC, PLEASE? 1471 00:56:15,372 --> 00:56:18,549 [JERK IT OUT BY CAESARS PLAYING] 1472 00:56:19,941 --> 00:56:22,944 THIS IS ONE OF MY FAVORITES! 1473 00:56:22,988 --> 00:56:25,120 LIKE TO DANCE? 1474 00:56:25,164 --> 00:56:27,209 I'M QUITE THE DANCER. 1475 00:56:27,253 --> 00:56:31,083 I'VE BEEN TOLD I GOT THE MOVES. 1476 00:56:32,345 --> 00:56:34,565 ♪ I'LL BE RUNNIN' CIRCLES AROUND YOU ♪ 1477 00:56:34,608 --> 00:56:37,959 ♪ SOONER THAN YOU KNOW 1478 00:56:38,743 --> 00:56:42,703 ♪ A LITTLE OFF CENTER AND I'M OUT OF TUNE... ♪ 1479 00:56:42,747 --> 00:56:44,749 WHAT HAPPENED TO YOU? 1480 00:56:44,792 --> 00:56:45,619 WHAT'S THAT? 1481 00:56:45,663 --> 00:56:47,186 AT THE FLAT, WHERE'D YOU GO? 1482 00:56:47,229 --> 00:56:49,710 IT WAS A FANTASTIC FLAT. 1483 00:56:49,754 --> 00:56:51,669 WELL, WHERE DID YOU GO? 1484 00:56:51,712 --> 00:56:52,757 THIS IS WONDERFUL. 1485 00:56:52,800 --> 00:56:55,107 WHAT A GREAT BUNCH OF FRIENDS YOU HAVE. 1486 00:56:55,150 --> 00:56:56,064 YEAH. 1487 00:56:56,108 --> 00:56:59,328 I HAVEN'T SEEN THEM... FOR YEARS. 1488 00:56:59,372 --> 00:57:01,635 BIG ISSUE? 1489 00:57:01,679 --> 00:57:03,550 ♪ ...THEN YOU JERK IT OUT 1490 00:57:03,594 --> 00:57:04,508 OH, UH, YES. 1491 00:57:04,551 --> 00:57:07,380 I NEVER HAD A SURPRISE PARTY. 1492 00:57:07,424 --> 00:57:09,513 IT'S MY FIRST. 1493 00:57:09,556 --> 00:57:10,992 ♪ SHUT UP, HUSH YOUR MOUTH ♪ 1494 00:57:11,036 --> 00:57:12,429 DO YOU MIND IF I DANCE WITH THE BIRTHDAY BOY? 1495 00:57:12,472 --> 00:57:14,822 IT'S JUST THAT HE'S THE ONLY MAN IN THE ROOM 1496 00:57:14,866 --> 00:57:16,041 WHO CAN REALLY CUT THE MUSTARD. 1497 00:57:16,084 --> 00:57:17,259 ♪ NO, I CAN'T HEAR NOTHING 1498 00:57:17,303 --> 00:57:21,350 ♪ 'CAUSE I GOT MY HEAD UP IN THE CLOUDS ♪ 1499 00:57:21,394 --> 00:57:23,875 YOU DIDN'T TELL ME SHE WAS SO GORGEOUS. 1500 00:57:23,918 --> 00:57:25,485 I CAN'T BELIEVE YOU'RE IN ON THIS. 1501 00:57:25,529 --> 00:57:26,791 [LAUGHING] 1502 00:57:26,834 --> 00:57:29,141 ♪ CHASING CARS UP AND DOWN THE AVENUE ♪ 1503 00:57:29,184 --> 00:57:31,970 ♪ BUT THAT'S OK 1504 00:57:32,013 --> 00:57:36,148 ♪ BECAUSE IT'S EASY ONCE YOU KNOW HOW IT'S DONE ♪ 1505 00:57:36,191 --> 00:57:39,194 ♪ YOU CAN'T STOP NOW, IT'S ALREADY BEGUN ♪ 1506 00:57:39,238 --> 00:57:43,982 ♪ YOU FEEL IT RUNNIN' THROUGH YOUR BONES ♪ 1507 00:57:44,025 --> 00:57:47,376 [SLOWER SONG PLAYING] 1508 00:57:57,038 --> 00:57:59,258 [LAUGHING] 1509 00:58:03,654 --> 00:58:05,656 LET'S DO THIS ABOUT JAMES. 1510 00:58:05,699 --> 00:58:06,787 MM-MMM. YES. 1511 00:58:06,831 --> 00:58:08,006 YES. MMM! 1512 00:58:08,049 --> 00:58:09,529 "PLEASE PUT THE CROSS 1513 00:58:09,573 --> 00:58:11,662 "NEXT TO EACH OF THE WORDS AND PHRASES BELOW 1514 00:58:11,705 --> 00:58:15,970 "THAT YOU THINK DESCRIBES THE FILM/JAMES 1515 00:58:16,014 --> 00:58:18,364 "THAT YOU'VE JUST SEEN. 1516 00:58:18,407 --> 00:58:20,453 ENTERTAINING." 1517 00:58:20,497 --> 00:58:22,977 SOMETIMES. 1518 00:58:23,804 --> 00:58:26,503 "LEAVES YOU FEELING GOOD." 1519 00:58:28,374 --> 00:58:29,854 NO. 1520 00:58:29,897 --> 00:58:32,073 "WELL-ACTED." 1521 00:58:32,813 --> 00:58:35,512 I'M NOT CONVINCED. 1522 00:58:37,557 --> 00:58:38,993 UH-UH. 1523 00:58:39,037 --> 00:58:39,951 [LAUGHING] 1524 00:58:39,994 --> 00:58:42,344 "BORING/DULL." 1525 00:58:42,388 --> 00:58:43,041 YES. 1526 00:58:43,084 --> 00:58:44,564 TOO WORK-FOCUSED. 1527 00:58:44,608 --> 00:58:46,044 I'M GONNA WRITE THAT IN. 1528 00:58:46,087 --> 00:58:49,482 THERE'S NO CATEGORY FOR THAT. 1529 00:58:49,526 --> 00:58:53,791 "DIFFERENT/ORIGINAL." 1530 00:58:54,226 --> 00:58:56,054 NO. NO. 1531 00:58:56,097 --> 00:58:57,708 "GOOD ACTION." 1532 00:59:00,014 --> 00:59:00,798 HMM. 1533 00:59:00,841 --> 00:59:02,060 YES, I GUESS. 1534 00:59:02,103 --> 00:59:03,061 YES? OH. 1535 00:59:03,104 --> 00:59:06,325 "NOT FUNNY ENOUGH." 1536 00:59:06,978 --> 00:59:08,196 YES. 1537 00:59:08,240 --> 00:59:10,590 "CONFUSING." 1538 00:59:11,896 --> 00:59:14,202 VERY. 1539 00:59:14,725 --> 00:59:16,378 "BELIEVABLE." 1540 00:59:16,422 --> 00:59:18,685 NO. 1541 00:59:24,909 --> 00:59:28,347 "NOT MY KIND OF FILM." 1542 00:59:36,573 --> 00:59:41,142 HE CANNOT BE DESCRIBED AS A BOX OFFICE SUCCESS. 1543 00:59:42,883 --> 00:59:44,537 OHH, BECKA. 1544 00:59:44,581 --> 00:59:46,713 OHH... 1545 00:59:50,456 --> 00:59:51,892 OK, GUYS, BYE-BYE. 1546 00:59:51,936 --> 00:59:54,242 NICE PARTY. TAKE CARE. 1547 00:59:56,593 --> 00:59:57,594 OLLY. 1548 00:59:57,637 --> 00:59:58,290 SARAH. 1549 00:59:58,333 --> 00:59:59,247 HAVE YOU SEEN BECKA? 1550 00:59:59,291 --> 01:00:02,729 NO. SHE MUST HAVE LEFT. 1551 01:00:03,382 --> 01:00:05,776 GUESS SHE WAS PRETTY DRUNK. 1552 01:00:14,828 --> 01:00:16,395 GOOD NIGHT. 1553 01:00:21,966 --> 01:00:24,055 I HAD A GREAT TIME. 1554 01:00:24,098 --> 01:00:25,926 YEAH. ME, TOO. 1555 01:00:52,474 --> 01:00:54,215 [TELEPHONE RINGS] 1556 01:00:54,259 --> 01:00:56,217 [RING] 1557 01:00:56,261 --> 01:00:58,393 [RING] 1558 01:01:03,442 --> 01:01:04,835 HELLO? 1559 01:01:05,618 --> 01:01:07,359 OLLY, SARAH'S GONNA CALL OFF THE WEDDING. 1560 01:01:07,402 --> 01:01:09,187 I DON'T KNOW WHAT TO DO. I... 1561 01:01:09,230 --> 01:01:10,275 I CAN'T LOSE HER. 1562 01:01:10,318 --> 01:01:11,319 I LOVE HER, YOU KNOW. 1563 01:01:11,363 --> 01:01:12,190 YOU'VE GOT TO HELP ME. 1564 01:01:12,233 --> 01:01:14,322 SORRY. I CAN'T, AND I WON'T. 1565 01:01:14,366 --> 01:01:16,324 Olly: MURRAY, GET OFF THE PHONE. 1566 01:01:16,368 --> 01:01:17,282 [CHUCKLING] 1567 01:01:17,325 --> 01:01:20,328 JAMES, YEAH, OF COURSE I'LL HELP. 1568 01:01:20,372 --> 01:01:21,634 CAN YOU MEET ME? 1569 01:01:21,678 --> 01:01:22,679 UH... 1570 01:01:22,722 --> 01:01:24,289 YEAH, OK. 1571 01:01:24,332 --> 01:01:24,985 WHEN? 1572 01:01:25,029 --> 01:01:28,728 UM...AFTER WORK TODAY. 1573 01:01:28,772 --> 01:01:30,295 YEAH. 1574 01:01:36,170 --> 01:01:37,998 CAN YOU BELIEVE IT? 1575 01:01:38,042 --> 01:01:41,001 IT'S OFFICIAL. 1576 01:01:41,785 --> 01:01:43,308 I'M A GENIUS. 1577 01:01:43,351 --> 01:01:46,137 WAIT. YOU DID THIS? 1578 01:01:46,180 --> 01:01:47,268 WELL, IF THEY WERE SO IN LOVE, 1579 01:01:47,312 --> 01:01:48,530 THEN HOW COME A FEW LITTLE COMPLICATIONS 1580 01:01:48,574 --> 01:01:49,575 SPLIT THEM UP? 1581 01:01:49,618 --> 01:01:50,619 WHAT DID YOU DO? 1582 01:01:50,663 --> 01:01:51,708 LOOK, IT'S OBVIOUS. 1583 01:01:51,751 --> 01:01:52,796 JAMES IS A SHAG-AHOLIC. 1584 01:01:52,839 --> 01:01:53,840 I JUST COULDN'T CATCH HIM ON THE JOB. 1585 01:01:53,884 --> 01:01:54,928 WELL, THAT'S NO REASON TO... 1586 01:01:54,972 --> 01:01:56,451 OLLY, YOU'RE AN AMAZING PERSON. 1587 01:01:56,495 --> 01:01:58,062 YOU'RE A SPECIAL PERSON. 1588 01:01:58,105 --> 01:01:59,193 STOP THE PERFORMANCE. 1589 01:01:59,237 --> 01:02:00,194 THIS ISN'T A PERFORMANCE. 1590 01:02:00,238 --> 01:02:01,369 THIS IS THE REAL MUZZ. 1591 01:02:01,413 --> 01:02:04,416 OLLY, YOU DESERVE THE BEST, 1592 01:02:04,459 --> 01:02:05,634 AND SARAH IS THE BEST. 1593 01:02:05,678 --> 01:02:07,245 AND IF YOU'RE IN LOVE WITH HER, 1594 01:02:07,288 --> 01:02:08,289 AND I KNOW YOU ARE, 1595 01:02:08,333 --> 01:02:09,595 THEN ALL I'VE DONE IS GIVEN HER SPACE 1596 01:02:09,638 --> 01:02:12,076 TO SEE HOW FANTASTIC YOU ARE. 1597 01:02:12,119 --> 01:02:13,686 WHAT WERE YOU THINKIN'? 1598 01:02:13,730 --> 01:02:15,862 JAMES LOVES SARAH, AND I'M HIS BEST MAN. 1599 01:02:15,906 --> 01:02:17,211 IT'S NOT ABOUT YOU AND ME. 1600 01:02:17,255 --> 01:02:18,386 WELL, I WAS THINKING OF YOU, 1601 01:02:18,430 --> 01:02:20,040 AND IF THAT'S WRONG, WELL, THEN I'LL LEAVE. 1602 01:02:20,084 --> 01:02:22,739 BOLLOCKS. GO ON. GO THEN. 1603 01:02:23,304 --> 01:02:24,653 OK, SO I BLOODY HATE JAMES, 1604 01:02:24,697 --> 01:02:28,483 AND THIS HAS BEEN A VERY CATHARTIC PROCESS FOR ME. 1605 01:02:30,572 --> 01:02:31,835 BECKA. 1606 01:02:31,878 --> 01:02:37,318 MURRAY, DID YOU ORGANIZE THE CROTCHLESS PANTIES? 1607 01:02:37,362 --> 01:02:38,537 YES. 1608 01:02:38,580 --> 01:02:40,974 AND THE SLOW, COMFORTABLE SCREW? 1609 01:02:41,018 --> 01:02:42,497 YES. 1610 01:02:42,541 --> 01:02:44,543 AND THE OSTRICH? 1611 01:02:46,458 --> 01:02:47,241 YES. 1612 01:02:47,285 --> 01:02:49,417 I'VE HAD ENOUGH OF THIS. 1613 01:02:49,461 --> 01:02:50,462 I HAVE TO GO. 1614 01:02:50,505 --> 01:02:53,900 SUIT YOURSELF. I'VE DONE IT FOR YOU. 1615 01:02:55,336 --> 01:02:56,337 WHO WAS THE MAN ON THE TUBE 1616 01:02:56,381 --> 01:02:58,644 WITH THE PERFUME AND THE LIPSTICK? 1617 01:02:59,471 --> 01:03:00,907 ME. 1618 01:03:01,473 --> 01:03:05,303 YOU HAVE BEEN A NAUGHTY... 1619 01:03:05,346 --> 01:03:08,045 NAUGHTY BOY. 1620 01:03:08,088 --> 01:03:09,611 I HAVE. 1621 01:03:14,312 --> 01:03:15,617 OLLY. HEY. 1622 01:03:15,661 --> 01:03:16,836 THANKS FOR COMIN'. 1623 01:03:16,880 --> 01:03:18,098 YOU ALL RIGHT? 1624 01:03:18,142 --> 01:03:19,578 OH, MAN. 1625 01:03:19,621 --> 01:03:22,276 SO WHY DID YOU AND SARAH FALL IN LOVE IN THE FIRST PLACE? 1626 01:03:22,320 --> 01:03:23,495 I DON'T KNOW. 1627 01:03:23,538 --> 01:03:25,802 I'M GOOD-LOOKING. 1628 01:03:26,193 --> 01:03:27,194 I'M CHARMING. 1629 01:03:27,238 --> 01:03:28,587 BUT SHE WAS INJURED, 1630 01:03:28,630 --> 01:03:30,415 AND YOU LOOKED AFTER HER, RIGHT? 1631 01:03:30,458 --> 01:03:31,546 YEAH, YEAH. 1632 01:03:31,590 --> 01:03:33,070 BUT SHE'S NOT INJURED NOW. 1633 01:03:33,113 --> 01:03:34,419 WHICH MEANS... 1634 01:03:34,462 --> 01:03:37,726 YOU'RE NOT SUGGESTING I GET HER INJURED, ARE YOU? 1635 01:03:39,032 --> 01:03:39,946 NO. 1636 01:03:39,990 --> 01:03:42,166 IN NEW YORK, YOU CARED ABOUT HER. 1637 01:03:42,209 --> 01:03:44,342 YOU SHOWED HER THAT YOU LOVED HER, RIGHT? 1638 01:03:44,385 --> 01:03:47,214 WHEN WAS THE LAST TIME YOU DID THAT? 1639 01:03:47,258 --> 01:03:48,737 UH... 1640 01:03:48,781 --> 01:03:50,087 YOU KNOW, YOU GOTTA THINK LIKE BOGART IN CASABLANCA, 1641 01:03:50,130 --> 01:03:52,567 GABLE IN GONE WITH THE WIND. 1642 01:03:54,047 --> 01:03:56,006 NO. 1643 01:03:56,049 --> 01:03:57,703 TOM CRUISE IN TOP GUN? 1644 01:03:57,746 --> 01:03:59,009 YEAH. YES, I'M WITH YOU. 1645 01:03:59,052 --> 01:04:01,881 SO WHAT DOES CRUISE DO WHEN GOOSE BANGS HIS HEAD? 1646 01:04:01,925 --> 01:04:04,057 WELL, HE WASHES OUT OF TOP GUN, 1647 01:04:04,101 --> 01:04:05,537 AND THE ICEMAN WINS. 1648 01:04:05,580 --> 01:04:06,494 WHAT ABOUT THE GIRL? 1649 01:04:06,538 --> 01:04:08,322 WELL, HE GOES BACK TO THE SHIP, 1650 01:04:08,366 --> 01:04:10,368 AND HE HAS THIS REALLY COOL DOGFIGHT 1651 01:04:10,411 --> 01:04:12,413 WHERE HE KILLS A COUPLE OF RUSKIES. 1652 01:04:12,457 --> 01:04:14,502 WHAT'S THIS GOT TO DO WITH SARAH? 1653 01:04:14,546 --> 01:04:16,461 HE LEAVES THE GIRL. 1654 01:04:16,504 --> 01:04:17,723 BUT SARAH'S LEAVING ME. 1655 01:04:17,766 --> 01:04:21,118 YEAH, BUT HE LOVES THE GIRL, BUT HE LEAVES HER. 1656 01:04:21,683 --> 01:04:22,641 WHAT? 1657 01:04:22,684 --> 01:04:24,599 YOU'RE CRACKING UP. 1658 01:04:24,643 --> 01:04:25,600 GOD. 1659 01:04:25,644 --> 01:04:28,429 SARAH'S NOT SURE THAT YOU LOVE HER. 1660 01:04:28,473 --> 01:04:29,256 OH. 1661 01:04:29,300 --> 01:04:30,214 OF COURSE, I DO. 1662 01:04:30,257 --> 01:04:33,043 OK, BUT SHE DOESN'T BELIEVE IT. 1663 01:04:33,086 --> 01:04:34,131 WHY NOT? 1664 01:04:34,174 --> 01:04:36,785 BECAUSE YOU'RE NOT SEEING HER FOR HER, 1665 01:04:36,829 --> 01:04:38,004 AS AN INDIVIDUAL. 1666 01:04:38,048 --> 01:04:39,136 OH, GOD. 1667 01:04:39,179 --> 01:04:40,833 HOW DO I DO THAT? 1668 01:04:40,877 --> 01:04:42,052 YOU LEAVE, 1669 01:04:42,095 --> 01:04:43,531 NOT BECAUSE YOU DON'T LOVE HER, 1670 01:04:43,575 --> 01:04:44,532 WHICH, FOR THE RECORD, 1671 01:04:44,576 --> 01:04:46,273 YOU DO MORE THAN ANY MAN EVER DID. 1672 01:04:46,317 --> 01:04:49,320 BECAUSE YOU CAN'T LIVE WITH EVEN THE POSSIBILITY 1673 01:04:49,363 --> 01:04:51,583 THAT SHE DOESN'T FEEL THE SAME. 1674 01:04:51,626 --> 01:04:54,978 BEFORE YOU GO, YOU WRITE HER A LETTER. 1675 01:04:55,021 --> 01:04:55,761 YES. 1676 01:04:55,804 --> 01:04:56,849 A LETTER WHICH TELLS HER 1677 01:04:56,893 --> 01:04:58,982 EVERYTHING SHE WANTS TO HEAR AND MORE. 1678 01:04:59,025 --> 01:05:00,418 I DELIVER IT. 1679 01:05:00,461 --> 01:05:01,593 YES, SHE READS IT. 1680 01:05:01,636 --> 01:05:03,247 JUST IN TIME FOR HER TO RACE TO THE AIRPORT 1681 01:05:03,290 --> 01:05:05,727 AND STOP YOU GETTING ON THE PLANE. 1682 01:05:05,771 --> 01:05:07,381 DO YOU THINK IT'LL WORK? 1683 01:05:07,425 --> 01:05:09,601 WELL, YOU ONLY KNOW HOW MUCH YOU LOVE SOMEONE 1684 01:05:09,644 --> 01:05:11,733 WHEN YOU LOSE THEM. 1685 01:05:12,691 --> 01:05:14,736 YOU'RE A GENIUS. 1686 01:05:15,563 --> 01:05:16,608 NOW GO WRITE IT. 1687 01:05:16,651 --> 01:05:18,479 MMM, YES. 1688 01:05:18,523 --> 01:05:20,046 YES. 1689 01:05:20,090 --> 01:05:21,395 James: "DEAR..." 1690 01:05:21,439 --> 01:05:22,527 Olly: "SARAH." 1691 01:05:22,570 --> 01:05:24,529 "DEAR SARAH..." 1692 01:05:28,489 --> 01:05:32,537 HOW WOULD YOU NORMALLY START A LETTER? 1693 01:05:33,364 --> 01:05:36,323 "FOLLOWING UP PREVIOUS CONVERSATION ON THE 16th..." 1694 01:05:36,367 --> 01:05:38,891 NO, YOU'RE NOT EXTENDING HER OVERDRAFT. 1695 01:05:38,935 --> 01:05:41,459 "UH, DEAR SARAH... 1696 01:05:41,502 --> 01:05:43,983 "NOW THAT I KNOW YOU DON'T LOVE ME, 1697 01:05:44,027 --> 01:05:46,290 "I HAVE DECIDED TO LEAVE TOWN. 1698 01:05:46,333 --> 01:05:48,640 "I ONLY WANT YOU TO BE HAPPY. 1699 01:05:48,683 --> 01:05:51,382 "BEFORE I GO, I JUST WANT TO SAY..." 1700 01:05:51,425 --> 01:05:53,340 AT WHICH POINT, YOU TELL HER HOW MUCH YOU LOVE HER. 1701 01:05:53,384 --> 01:05:56,387 ARE YOU SURE YOU DON'T WANT TO WRITE THIS? 1702 01:05:56,430 --> 01:05:58,606 LOOK, I HAVE A CONFESSION. 1703 01:05:59,390 --> 01:06:00,957 I'M NOT REALLY A WRITER. 1704 01:06:01,000 --> 01:06:03,133 LOOK, I'M JUST A P.A., OK? 1705 01:06:03,176 --> 01:06:05,048 YOU'RE NOT A WRITER? 1706 01:06:05,091 --> 01:06:06,484 NO. 1707 01:06:06,527 --> 01:06:08,573 SO YOU DECEIVED ME. 1708 01:06:09,617 --> 01:06:11,576 WELL, WHAT ABOUT MY BEST MAN SPEECH? 1709 01:06:11,619 --> 01:06:15,188 IT'S HARDLY RELEVANT AT THE MOMENT, 1710 01:06:15,232 --> 01:06:16,102 BUT, UH... 1711 01:06:16,146 --> 01:06:19,279 FOR THE RECORD, IT'S NOT GOOD. 1712 01:06:20,454 --> 01:06:22,674 SO WHAT DO WE DO? 1713 01:06:22,717 --> 01:06:23,631 LOOK AT ME. 1714 01:06:23,675 --> 01:06:25,503 LOOK AT ME. RELAX YOUR JAW. 1715 01:06:25,546 --> 01:06:28,723 NOW, WHAT FIRST ATTRACTED YOU TO SARAH? 1716 01:06:28,767 --> 01:06:29,420 BE HONEST. 1717 01:06:29,463 --> 01:06:30,638 HER FATHER'S MONEY. 1718 01:06:30,682 --> 01:06:33,728 THAT'S A JOKE, RIGHT? 1719 01:06:34,642 --> 01:06:36,166 YEAH. 1720 01:06:36,209 --> 01:06:38,385 HONESTLY... 1721 01:06:38,777 --> 01:06:40,909 I FOUND HER TO BE BEAUTIFUL. 1722 01:06:40,953 --> 01:06:43,303 SHE'S A BEAUTIFUL PERSON, YES. 1723 01:06:43,347 --> 01:06:45,610 MAYBE A LITTLE MORE SOULFUL. 1724 01:06:45,653 --> 01:06:46,698 I LIKE... 1725 01:06:46,741 --> 01:06:48,787 THE SMELL OF HER HAIR. 1726 01:06:48,830 --> 01:06:50,180 EVEN MORE SOULFUL. 1727 01:06:50,223 --> 01:06:52,617 I LOVE THE SMELL OF HER HAIR. 1728 01:06:52,660 --> 01:06:53,792 NO, YOU SAY YOU LIKE THE SMELL OF HER HAIR, 1729 01:06:53,835 --> 01:06:55,228 WHAT YOU'RE REALLY SAYING IS 1730 01:06:55,272 --> 01:06:56,577 THAT YOU LIKE HER SHAMPOO 1731 01:06:56,621 --> 01:06:58,666 COUPLED WITH THE FACT THAT SHE USES IT REGULARLY. 1732 01:06:58,710 --> 01:07:00,059 I CAN'T DO THIS. 1733 01:07:00,103 --> 01:07:02,801 COME ON! THERE'S TONS OF THINGS TO LIKE ABOUT SARAH. 1734 01:07:02,844 --> 01:07:04,237 SUCH AS? 1735 01:07:04,281 --> 01:07:05,804 I'M NOT THE ONE WHO'S SUPPOSED TO BE IN LOVE WITH HER. 1736 01:07:05,847 --> 01:07:06,631 YOU ARE. 1737 01:07:06,674 --> 01:07:08,676 PRETEND YOU ARE. 1738 01:07:10,069 --> 01:07:11,723 YEAH. 1739 01:07:15,727 --> 01:07:17,772 WHAT ABOUT WHEN SHE TAKES OFF HER SHOES 1740 01:07:17,816 --> 01:07:18,599 AND WIGGLES HER TOES? 1741 01:07:18,643 --> 01:07:21,776 I'VE NEVER NOTICED, BUT... 1742 01:07:21,820 --> 01:07:23,561 THAT'S GOOD. 1743 01:07:23,604 --> 01:07:25,867 WHAT ABOUT WHEN SHE'S UP RUNNING 1744 01:07:25,911 --> 01:07:27,086 ONE OF HER DISCUSSION GROUPS, 1745 01:07:27,130 --> 01:07:28,783 AND SHE LOOKS LIKE SHE OWNS THE WHOLE WORLD? 1746 01:07:28,827 --> 01:07:30,263 I'VE NEVER BEEN TO ONE. 1747 01:07:30,307 --> 01:07:33,092 OR THE WAY HER HIPS MOVE WHEN SHE DANCES? 1748 01:07:33,136 --> 01:07:35,007 OH, YEAH, I LOVE THAT. 1749 01:07:35,051 --> 01:07:36,661 OR HER WARM HANDS? 1750 01:07:36,704 --> 01:07:38,576 ALTHOUGH SOMETIMES THEY CAN GET A BIT SWEATY. 1751 01:07:38,619 --> 01:07:40,839 OK, BUT DON'T WRITE THAT LAST BIT. 1752 01:07:40,882 --> 01:07:41,709 RIGHT. 1753 01:07:41,753 --> 01:07:42,754 WHAT ABOUT THE WAY WHEN SHE-- 1754 01:07:42,797 --> 01:07:44,451 SLOW DOWN, SLOW DOWN. 1755 01:07:44,495 --> 01:07:47,237 NO, NO, YOU DO IT. 1756 01:07:48,064 --> 01:07:49,935 NO, I... 1757 01:07:51,850 --> 01:07:53,286 PLEASE. 1758 01:08:04,558 --> 01:08:06,473 WHAT ABOUT THE WAY SHE CAN ARGUE 1759 01:08:06,517 --> 01:08:08,127 ABOUT ABSOLUTELY NOTHING 1760 01:08:08,171 --> 01:08:11,217 AND STILL WIN YOU 'ROUND TO HER POINT OF VIEW? 1761 01:08:11,261 --> 01:08:14,002 LOOK, I'M JUST GONNA POP OUT FOR COFFEE. 1762 01:08:14,046 --> 01:08:15,003 ARE YOU... 1763 01:08:15,047 --> 01:08:16,048 NO, YOU GO. 1764 01:08:16,092 --> 01:08:17,223 BE RIGHT BACK. OK? 1765 01:08:17,267 --> 01:08:18,094 The Polyphonic Spree: ♪ LIGHT AND DAY 1766 01:08:18,137 --> 01:08:21,662 ♪ IS MORE THAN YOU'LL SAY ♪ 1767 01:08:21,706 --> 01:08:25,753 ♪ 'CAUSE ALL MY FEELINGS 1768 01:08:25,797 --> 01:08:31,542 ♪ ARE MORE THAN I CAN LET BY ♪ 1769 01:08:31,585 --> 01:08:33,805 ♪ OR NOT 1770 01:08:33,848 --> 01:08:37,374 ♪ MORE THAN YOU'VE GOT 1771 01:08:37,417 --> 01:08:41,465 ♪ JUST FOLLOW THE DAY 1772 01:08:41,943 --> 01:08:43,728 ♪ FOLLOW THE DAY 1773 01:08:43,771 --> 01:08:44,816 FINISHED! 1774 01:08:44,859 --> 01:08:46,383 ♪ AND REACH FOR THE SUN 1775 01:08:46,426 --> 01:08:48,167 I THINK YOU'LL LIKE IT. 1776 01:08:48,211 --> 01:08:49,734 YEAH, I'LL SEE YOU. 1777 01:08:49,777 --> 01:08:52,258 ALL RIGHT. BYE. 1778 01:08:56,871 --> 01:08:57,655 EXCUSE ME? 1779 01:08:57,698 --> 01:09:00,048 YES, WHAT CAN I GET YOU? 1780 01:09:00,092 --> 01:09:03,356 UM...TAP WATER. 1781 01:09:03,400 --> 01:09:04,401 OK. 1782 01:09:04,444 --> 01:09:07,447 ♪ ONE MORE, YOU'RE NUTS 1783 01:09:07,491 --> 01:09:11,756 ♪ JUST FOLLOW THE SEASONS AND FIND THE TIME ♪ 1784 01:09:11,799 --> 01:09:14,846 ♪ REACH FOR THE BRIGHT SIDE ♪ 1785 01:09:14,889 --> 01:09:15,977 [URINATING] 1786 01:09:16,021 --> 01:09:19,764 ♪ YOU DON'T SEE ME FLYIN' TO THE RED ♪ 1787 01:09:19,807 --> 01:09:22,984 ♪ ONE MORE, YOU'RE NUTS 1788 01:09:23,028 --> 01:09:24,638 ♪ JUST FOLLOW THE DAY... 1789 01:09:24,682 --> 01:09:26,901 OLLY, THIS IS WONDERFUL. 1790 01:09:26,945 --> 01:09:29,121 IT'S REALLY VERY TENDER. 1791 01:09:29,165 --> 01:09:30,775 ♪ REACH FOR THE SUN 1792 01:09:30,818 --> 01:09:33,734 IT'S ALL YOURS NOW. 1793 01:09:34,953 --> 01:09:36,824 THANKS, OLLY. 1794 01:09:37,738 --> 01:09:38,696 SHE WILL. 1795 01:09:38,739 --> 01:09:41,786 ♪ FOLLOW THE DAY 1796 01:09:42,352 --> 01:09:43,527 ♪ FOLLOW THE DAY 1797 01:09:43,570 --> 01:09:45,964 ♪ AND REACH FOR THE SUN 1798 01:09:46,007 --> 01:09:48,184 DON'T WORRY. IT'S IN SAFE HANDS. 1799 01:09:48,227 --> 01:09:51,578 HERE. TAKE THE CAR. 1800 01:09:51,622 --> 01:09:52,753 REALLY? 1801 01:09:52,797 --> 01:09:54,407 YOU'RE THE BEST MAN IN MY COURT. 1802 01:09:54,451 --> 01:09:56,235 GO ON. GO, GO, GO, GO, GO. 1803 01:09:56,279 --> 01:10:00,021 ♪ REACH FOR THE BRIGHT SIDE ♪ 1804 01:10:00,065 --> 01:10:04,809 ♪ YOU DON'T SEE ME FLYING TO THE RED ♪ 1805 01:10:04,852 --> 01:10:07,855 ♪ ONE MORE, YOU'RE NUTS 1806 01:10:07,899 --> 01:10:11,729 ♪ JUST FOLLOW THE DAY 1807 01:10:11,772 --> 01:10:13,383 ♪ FOLLOW THE DAY 1808 01:10:13,426 --> 01:10:16,560 ♪ AND REACH FOR THE SUN 1809 01:10:16,603 --> 01:10:18,779 [RINGS DOORBELL] 1810 01:10:21,869 --> 01:10:22,914 HEY. 1811 01:10:22,957 --> 01:10:24,220 HI. 1812 01:10:24,263 --> 01:10:27,397 WHAT ARE YOU DOING HERE? 1813 01:10:27,440 --> 01:10:29,921 LETTER FROM JAMES. 1814 01:10:30,661 --> 01:10:32,837 OH, I SEE. 1815 01:10:47,808 --> 01:10:49,680 SHALL I MAKE SOME COFFEE? 1816 01:10:49,723 --> 01:10:50,898 WOULD YOU MIND? 1817 01:10:50,942 --> 01:10:52,552 NO. 1818 01:10:57,862 --> 01:10:59,907 OH. 1819 01:11:04,999 --> 01:11:05,913 HERE YOU GO. 1820 01:11:05,957 --> 01:11:08,307 THANKS. 1821 01:11:18,099 --> 01:11:21,015 OH, I'M IN SHOCK. 1822 01:11:21,059 --> 01:11:22,147 I HAD NO IDEA. 1823 01:11:22,190 --> 01:11:23,844 I CAN'T BELIEVE THIS IS THE SAME PERSON. 1824 01:11:23,888 --> 01:11:26,412 WELL, SOMETIMES WRITING BRINGS OUT THE, YOU KNOW, 1825 01:11:26,456 --> 01:11:28,327 DIFFERENT SIDE IN SOMEONE. 1826 01:11:28,371 --> 01:11:30,024 DO YOU KNOW WHERE HE IS? 1827 01:11:30,068 --> 01:11:31,548 YEAH, HE, UH... 1828 01:11:31,591 --> 01:11:33,941 HE MENTIONED SOMETHING ABOUT, UM... 1829 01:11:33,985 --> 01:11:36,901 A FLIGHT TO NEW YORK EARLY THIS MORNING. 1830 01:11:36,944 --> 01:11:37,597 NO. 1831 01:11:37,641 --> 01:11:39,599 WE HAVE TO STOP HIM. 1832 01:11:50,175 --> 01:11:51,872 COME ON! 1833 01:11:58,270 --> 01:11:59,184 THERE HE IS. 1834 01:11:59,227 --> 01:12:01,099 JAMES! JAMES! 1835 01:12:01,142 --> 01:12:02,579 JAMES! 1836 01:12:02,622 --> 01:12:03,884 JAMES! 1837 01:12:03,928 --> 01:12:04,798 SARAH! 1838 01:12:04,842 --> 01:12:06,191 OH, MY GOD, I GOT YOUR LETTER. 1839 01:12:06,234 --> 01:12:07,714 I WAS GONNA GET ON THE PLANE. 1840 01:12:07,758 --> 01:12:11,283 I DON'T WANT YOU TO LEAVE. I WANT TO M-- 1841 01:12:20,423 --> 01:12:21,598 James: OLLY! 1842 01:12:21,641 --> 01:12:23,513 OLLY! 1843 01:12:25,993 --> 01:12:27,081 CAR KEYS. 1844 01:12:27,125 --> 01:12:28,996 COME ON. 1845 01:12:29,040 --> 01:12:30,520 THANKS. 1846 01:12:31,347 --> 01:12:35,046 [PAIN ON PAINBY FEEDER PLAYING] 1847 01:12:41,400 --> 01:12:43,184 ♪ STAY 1848 01:12:43,228 --> 01:12:45,535 ♪ FOR LIFE 1849 01:12:45,578 --> 01:12:48,407 ♪ FOR LIFE 1850 01:12:48,451 --> 01:12:51,323 ♪ ALL YOU DISCOVER 1851 01:12:51,367 --> 01:12:52,759 ♪ STAY 1852 01:12:52,803 --> 01:12:55,066 ♪ FOR LIFE 1853 01:12:55,109 --> 01:12:57,024 ♪ FOR LIFE 1854 01:12:57,068 --> 01:12:59,897 ♪ THIS MOMENT TOGETHER 1855 01:12:59,940 --> 01:13:03,988 ♪ TO HEAL YOURSELF 1856 01:13:04,031 --> 01:13:06,904 ♪ LOVE CAN HEAL 1857 01:13:06,947 --> 01:13:11,865 ♪ CAN'T WATCH YOU FALL 1858 01:13:11,909 --> 01:13:14,738 I DID THE RIGHT THING, DIDN'T I? 1859 01:13:14,781 --> 01:13:17,567 ♪ PAIN ON PAIN... 1860 01:13:17,610 --> 01:13:19,960 I'M NOT SURE. 1861 01:13:25,575 --> 01:13:28,316 BEHOLD THE SYMBOL OF WEDLOCK-- 1862 01:13:28,360 --> 01:13:30,449 THE PERFECT CIRCLE OF LOVE, 1863 01:13:30,493 --> 01:13:33,931 THE UNBROKEN UNION OF THIS MAN 1864 01:13:33,974 --> 01:13:35,846 AND THIS WOMAN, 1865 01:13:35,889 --> 01:13:37,543 UNITED HERE TODAY. 1866 01:13:37,587 --> 01:13:39,415 MAY YOU BOTH REMAIN FAITHFUL 1867 01:13:39,458 --> 01:13:42,026 TO THE SYMBOL OF TRUE... 1868 01:13:42,069 --> 01:13:43,462 Sorry. 1869 01:13:43,506 --> 01:13:45,116 UM...HM! HI. 1870 01:13:45,159 --> 01:13:46,117 UH, OLLY? 1871 01:13:46,160 --> 01:13:47,466 COULD I HAVE A WORD? 1872 01:13:47,510 --> 01:13:50,556 OBVIOUSLY WHEN YOU'VE FINISHED THE REHEARSAL. 1873 01:13:51,252 --> 01:13:53,037 Sorry. 1874 01:13:53,603 --> 01:13:56,214 WHY IS HE AT MY REHEARSAL? 1875 01:13:59,522 --> 01:14:02,655 AND YOUR DEEJAY FOR TONIGHT, MUZZA MC. 1876 01:14:02,699 --> 01:14:03,656 WELL? 1877 01:14:03,700 --> 01:14:05,745 DO YOU WANT TO KNOW WHY I'M HERE? 1878 01:14:05,789 --> 01:14:06,485 NOT REALLY. 1879 01:14:06,529 --> 01:14:07,704 'CAUSE I KNOW SOMETHING. 1880 01:14:07,747 --> 01:14:09,096 I KNEW YOU'D BEEN PLOTTING. 1881 01:14:09,140 --> 01:14:11,708 SOMETHING THE BRIDE WOULD NOT WANT TO HEAR. 1882 01:14:11,751 --> 01:14:12,752 STOP RIGHT THERE. 1883 01:14:12,796 --> 01:14:14,014 SOMETHING THAT WOULD MAKE IT CERTAIN 1884 01:14:14,058 --> 01:14:15,363 SHE'D NOT WANT TO MARRY THE GROOM. 1885 01:14:15,407 --> 01:14:16,669 I DON'T WANT TO HEAR IT. 1886 01:14:16,713 --> 01:14:20,368 LIKE THE FACT THAT HE SHAGGED SOMEONE RECENTLY. 1887 01:14:20,412 --> 01:14:21,674 [AMPLIFIED] FUCK-- 1888 01:14:21,718 --> 01:14:22,980 [FEEDBACK] 1889 01:14:23,023 --> 01:14:24,721 SORRY. 1890 01:14:27,637 --> 01:14:29,552 YOU'RE LYING. WHO THEN? 1891 01:14:29,595 --> 01:14:30,509 I CAN'T SAY. 1892 01:14:30,553 --> 01:14:32,076 I KNOW YOU'RE DOING THIS FOR ME, 1893 01:14:32,119 --> 01:14:33,512 BUT I DON'T WANT TO HEAR IT ANYMORE. 1894 01:14:33,556 --> 01:14:34,687 I DON'T KNOW WHERE YOU'VE BEEN 1895 01:14:34,731 --> 01:14:36,994 FOR THE LAST 24 HOURS, BUT IT'S BEEN BLISS, 1896 01:14:37,037 --> 01:14:39,387 SO JUST LEAVE ME ALONE. 1897 01:14:41,259 --> 01:14:43,783 WELL, ENJOY THE HAPPY DAY... 1898 01:14:44,088 --> 01:14:46,525 'CAUSE YOU'RE ON YOUR OWN. 1899 01:15:05,109 --> 01:15:08,373 [SIGH] 1900 01:15:10,244 --> 01:15:11,898 YOU OK? 1901 01:15:13,291 --> 01:15:15,859 I'M SORRY, UM... 1902 01:15:16,381 --> 01:15:18,122 I WAS JUST... 1903 01:15:18,644 --> 01:15:21,299 NERVES, HUH? 1904 01:15:21,865 --> 01:15:23,170 KIND OF. 1905 01:15:23,214 --> 01:15:25,042 I'LL, UH... 1906 01:15:25,390 --> 01:15:28,088 STAY A SECOND. 1907 01:15:33,485 --> 01:15:37,315 IT'S BEAUTIFUL WOOD THEY USE IN THESE BOOTHS. 1908 01:15:40,971 --> 01:15:42,146 OLLY, UM... 1909 01:15:42,189 --> 01:15:45,584 DO YOU HAVE ANYTHING YOU WANT TO TELL ME? 1910 01:15:45,628 --> 01:15:48,587 OF COURSE NOT. 1911 01:15:49,545 --> 01:15:52,243 ANYTHING AT ALL? 1912 01:15:54,158 --> 01:15:56,421 NO. 1913 01:16:01,513 --> 01:16:03,297 PROMISE? 1914 01:16:05,212 --> 01:16:07,693 YEAH, I PROMISE. 1915 01:16:20,924 --> 01:16:23,579 OK, UH, DO YOU WANT THE GOOD NEWS 1916 01:16:23,622 --> 01:16:25,755 OR THE BAD NEWS? 1917 01:16:25,798 --> 01:16:27,104 BAD NEWS. 1918 01:16:27,147 --> 01:16:27,887 RIGHT, UH... 1919 01:16:27,931 --> 01:16:30,890 WELL, YOU'RE STILL FIRED. 1920 01:16:30,934 --> 01:16:32,588 SORRY. 1921 01:16:33,066 --> 01:16:34,328 THE GOOD NEWS? 1922 01:16:34,372 --> 01:16:36,113 I'VE GOT A DATE... 1923 01:16:36,156 --> 01:16:37,984 WITH DANA! 1924 01:16:40,204 --> 01:16:41,771 YEAH. 1925 01:16:43,207 --> 01:16:44,991 UH? HMM? 1926 01:16:45,035 --> 01:16:46,210 GOOD NEWS. 1927 01:16:46,253 --> 01:16:47,211 YES, GOOD NEWS. 1928 01:16:47,254 --> 01:16:48,212 YES, GREAT NEWS. 1929 01:16:48,255 --> 01:16:48,995 HUH? 1930 01:16:49,039 --> 01:16:50,606 SHE'S LOVELY, ISN'T SHE? 1931 01:16:50,649 --> 01:16:52,172 SHE'S CERTAINLY... 1932 01:16:52,216 --> 01:16:53,478 SO TELL ME, WHAT'S SHE LIKE? 1933 01:16:53,521 --> 01:16:55,001 WHAT'S SHE LIKE? 1934 01:16:55,045 --> 01:16:56,220 UH... 1935 01:16:56,263 --> 01:16:57,264 YOU HAVEN'T HAD A THING WITH HER, HAVE YOU? 1936 01:16:57,308 --> 01:16:58,135 NO, NO, NO. 1937 01:16:58,178 --> 01:16:59,179 OK. OK. 1938 01:16:59,223 --> 01:16:59,963 LOOK, I GOTTA GO. 1939 01:17:00,006 --> 01:17:01,355 WELL, HAVE A GREAT STAG. 1940 01:17:01,399 --> 01:17:02,748 WHOO-HOO! 1941 01:17:02,792 --> 01:17:04,184 COME ON! 1942 01:17:04,924 --> 01:17:07,144 COME ON, OLLY! GET IN THE GAME! 1943 01:17:07,187 --> 01:17:08,798 [LAGER 'N' LIME PLAYING] 1944 01:17:08,841 --> 01:17:10,147 COME ON ALREADY, OLLY! 1945 01:17:10,190 --> 01:17:13,237 LET'S GET THESE SUCKERS MOVIN'! 1946 01:17:18,416 --> 01:17:21,332 [LAUGHTER] 1947 01:17:21,375 --> 01:17:22,376 James: COME ON, OLLY! 1948 01:17:22,420 --> 01:17:23,639 YOU'RE RIGHT! 1949 01:17:23,682 --> 01:17:25,379 WHOO! WHOO! 1950 01:17:25,423 --> 01:17:26,467 WHOO! 1951 01:17:26,511 --> 01:17:29,383 WHOO-HOO-HOO! 1952 01:17:32,343 --> 01:17:33,518 SO IT'S GREAT, EH? 1953 01:17:33,561 --> 01:17:34,606 YEAH, YEAH. 1954 01:17:34,650 --> 01:17:35,868 NOW, LOOK, STRICTLY SPEAKING, 1955 01:17:35,912 --> 01:17:37,870 THIS IS A NO-ALCOHOL VENUE, 1956 01:17:37,914 --> 01:17:39,045 BUT I'VE SNUCK IN... 1957 01:17:39,089 --> 01:17:42,092 A LITTLE SOMETHING. 1958 01:17:42,483 --> 01:17:44,572 WHOA! WHOA! 1959 01:17:45,095 --> 01:17:47,924 All: ♪ DADDY WON, DADDY WON, DADDY WON ♪ 1960 01:17:47,967 --> 01:17:50,883 ♪ DADDY WON, DADDY WON, DADDY WON ♪ 1961 01:17:50,927 --> 01:17:51,928 ♪ DADDY WON 1962 01:17:51,971 --> 01:17:53,277 ♪ DADDY WON 1963 01:17:53,320 --> 01:17:54,757 HEY, HEY! WHOO! 1964 01:17:54,800 --> 01:17:55,758 OH! 1965 01:17:55,801 --> 01:17:57,107 OH. 1966 01:17:57,150 --> 01:17:59,675 YOU'VE BEEN DRINKING ALCOHOL IN AN UNLICENSED AREA. 1967 01:17:59,718 --> 01:18:01,459 WHO'S THE GROOM? 1968 01:18:01,502 --> 01:18:03,461 HE IS. HE IS. 1969 01:18:03,504 --> 01:18:04,505 I AM, YEAH. 1970 01:18:04,549 --> 01:18:07,421 I SUGGEST YOU COME QUIETLY, SIR. 1971 01:18:07,770 --> 01:18:09,162 [DANCE MUSIC PLAYING] 1972 01:18:09,206 --> 01:18:13,036 [LAUGHTER, SHOUTING] 1973 01:18:38,626 --> 01:18:39,932 OLLY, COME ON! 1974 01:18:39,976 --> 01:18:41,281 YOU'RE MISSING THE BEST OF IT. 1975 01:18:41,325 --> 01:18:42,369 IT'S KIND OF TRAGIC, 1976 01:18:42,413 --> 01:18:43,414 BUT I'M JUST NOT REALLY INTO IT. 1977 01:18:43,457 --> 01:18:45,068 AH, I GET IT. PUBLICLY DISCIPLINED, 1978 01:18:45,111 --> 01:18:46,722 PRIVATELY, PRETTY SEXY, EH? 1979 01:18:46,765 --> 01:18:48,419 JAMES? 1980 01:18:48,898 --> 01:18:50,595 YOU HAVEN'T... 1981 01:18:51,509 --> 01:18:52,597 SLEPT WITH ANYONE 1982 01:18:52,640 --> 01:18:55,382 SINCE YOU'VE BEEN WITH SARAH, HAVE YOU? 1983 01:18:55,426 --> 01:18:57,080 SLEPT WITH? 1984 01:18:57,602 --> 01:18:59,125 NO. 1985 01:19:00,823 --> 01:19:04,348 [LAUGHING] 1986 01:19:05,741 --> 01:19:07,133 I SHAGGED FOR 24 HOURS 1987 01:19:07,177 --> 01:19:09,570 WHEN SARAH WENT TO HER SCREENING IN LIVERPOOL, THOUGH. 1988 01:19:09,614 --> 01:19:11,790 NO. YEAH. 1989 01:19:13,487 --> 01:19:14,184 YEAH. 1990 01:19:14,227 --> 01:19:15,272 SO WHAT IF I DID? 1991 01:19:15,315 --> 01:19:16,273 OLLY, YOU'RE A SWEET GUY, 1992 01:19:16,316 --> 01:19:17,448 BUT YOU'RE MISSING THE POINT. 1993 01:19:17,491 --> 01:19:19,145 THESE THINGS HAPPEN IN RELATIONSHIPS. 1994 01:19:19,189 --> 01:19:21,147 BUT THEY SHOULDN'T. 1995 01:19:21,191 --> 01:19:22,235 OH, COME ON. 1996 01:19:22,279 --> 01:19:23,759 SARAH WOULD BE THE FIRST TO ADMIT 1997 01:19:23,802 --> 01:19:24,977 THAT SHE CAN'T GIVE ME EVERYTHING I NEED. 1998 01:19:25,021 --> 01:19:26,718 SHE'S FROM GOOD STOCK, SHE'S INTELLIGENT, 1999 01:19:26,762 --> 01:19:27,937 SHE'S NOT BAD LOOKING, 2000 01:19:27,980 --> 01:19:30,156 BUT, COME ON, YOU KNOW ME. 2001 01:19:30,200 --> 01:19:30,896 YOU KNOW ME. 2002 01:19:30,940 --> 01:19:32,985 I'M NOT A ONE-WOMAN MAN. 2003 01:19:33,029 --> 01:19:34,378 SHE DESERVES BETTER. 2004 01:19:34,421 --> 01:19:35,988 SO, WHAT? YOU'RE GONNA TELL HER? 2005 01:19:36,032 --> 01:19:37,207 YOU'RE GONNA MAKE HER MISERABLE? 2006 01:19:37,250 --> 01:19:38,469 YOU'RE GONNA MAKE ME BEG FOR FORGIVENESS? 2007 01:19:38,512 --> 01:19:40,340 COME ON, OLLY. HMM? 2008 01:19:40,384 --> 01:19:42,995 YOU'RE MY BEST MAN, THIS IS MY STAG NIGHT, 2009 01:19:43,039 --> 01:19:44,344 I'M GETTING MARRIED TOMORROW. 2010 01:19:44,388 --> 01:19:47,565 I MEAN, JUST RELAX, HAVE A GOOD TIME. 2011 01:19:47,608 --> 01:19:50,698 AND YOU CAN BE FIRST WITH THE STRIPPER AFTER ME. 2012 01:19:50,742 --> 01:19:52,700 YOU KNOW, THERE WAS A TIME WHEN I THOUGHT 2013 01:19:52,744 --> 01:19:55,703 THAT DOIN' NOTHIN' WAS THE RIGHT THING, 2014 01:19:55,747 --> 01:19:58,445 BUT NOT ANYMORE. 2015 01:19:58,489 --> 01:19:59,925 I HAVE TO GO. 2016 01:19:59,969 --> 01:20:02,188 OH, RIGHT, SO YOU WRITE A LETTER TO SARAH, 2017 01:20:02,232 --> 01:20:03,059 A PONCY LETTER, 2018 01:20:03,102 --> 01:20:04,712 AND SHE FALLS FOR IT. 2019 01:20:04,756 --> 01:20:05,844 BIG DEAL. 2020 01:20:05,888 --> 01:20:07,367 YOU'RE PATHETIC, OLLY, DO YOU KNOW THAT? 2021 01:20:07,411 --> 01:20:08,499 YOU TALK ABOUT LYING, 2022 01:20:08,542 --> 01:20:10,457 AND YOU'RE NOT EVEN A BLOODY WRITER, 2023 01:20:10,501 --> 01:20:12,590 WHICH IS THE ONE REASON WHY I HIRED YOU. 2024 01:20:12,633 --> 01:20:13,809 HIRED ME? 2025 01:20:13,852 --> 01:20:14,810 YEAH. 2026 01:20:14,853 --> 01:20:17,943 YEAH, WELL, YOU KNOW WHAT I MEAN. 2027 01:20:17,987 --> 01:20:19,597 YEAH. 2028 01:20:19,640 --> 01:20:23,383 YEAH, I KNOW EXACTLY WHAT YOU MEAN. 2029 01:20:25,603 --> 01:20:26,647 OLLY... 2030 01:20:26,691 --> 01:20:29,085 YOU WOULDN'T DARE. 2031 01:20:29,128 --> 01:20:30,608 OLLY! 2032 01:20:35,134 --> 01:20:37,789 [CHURCH BELLS CHIMING] 2033 01:20:37,833 --> 01:20:39,225 HEY, HEY. 2034 01:20:39,269 --> 01:20:41,445 HOO-HAH! 2035 01:20:41,488 --> 01:20:44,056 OLLY? 2036 01:20:48,539 --> 01:20:50,410 [EQUIPMENT HUMMING] 2037 01:20:50,454 --> 01:20:53,152 [MAINTENANCE MAN WHISTLING] 2038 01:20:53,979 --> 01:20:54,893 HEY! 2039 01:20:54,937 --> 01:20:57,026 HEY! H-- 2040 01:20:57,069 --> 01:20:57,896 HELLO! 2041 01:20:57,940 --> 01:20:59,028 [WHISTLING] 2042 01:20:59,071 --> 01:21:00,464 HELLO! 2043 01:21:05,556 --> 01:21:07,558 OH, NO. 2044 01:21:07,601 --> 01:21:08,689 OH, NOT AGAIN! 2045 01:21:08,733 --> 01:21:10,561 NO, NO, PLEASE! PLEASE DON'T GO! 2046 01:21:10,604 --> 01:21:12,998 WHAT IS IT WITH YOU PERVERTS? 2047 01:21:13,042 --> 01:21:15,871 CITY FINANCE DOESN'T HAVE THE SAME THRILLS ANYMORE? 2048 01:21:15,914 --> 01:21:17,394 WHAT? LOOK, NO, NO, NO, 2049 01:21:17,437 --> 01:21:18,438 I'VE BEEN ASSAULTED AND PUT HERE. 2050 01:21:18,482 --> 01:21:20,484 YEAH. YEAH, THAT'S WHAT THEY ALL SAY, 2051 01:21:20,527 --> 01:21:21,964 DOWN TO THE RUBBER SUIT. 2052 01:21:22,007 --> 01:21:24,140 NO, I MEAN, UNDO ME, PLEASE. 2053 01:21:24,183 --> 01:21:26,838 THAT'S DISGUSTING. 2054 01:21:26,882 --> 01:21:28,622 NO, NO, NO, I MEAN MY HANDS. 2055 01:21:28,666 --> 01:21:29,536 I'M CUFFED. 2056 01:21:29,580 --> 01:21:31,234 MATE, WHAT DO YOU TAKE ME FOR? 2057 01:21:31,277 --> 01:21:33,671 THOSE ARE ONLY PRETEND CUFFS. 2058 01:21:33,714 --> 01:21:34,977 THEY ARE? 2059 01:21:35,020 --> 01:21:40,025 AH, THEY SHOULD PUT THE REAL ONES ON YOU, MATE. 2060 01:21:40,069 --> 01:21:41,505 HA HA! 2061 01:21:42,636 --> 01:21:43,681 HA HA HA! 2062 01:21:43,724 --> 01:21:45,596 YEAH. 2063 01:21:45,639 --> 01:21:48,207 [CHURCH BELLS CHIMING] 2064 01:21:48,251 --> 01:21:50,427 Can you smell alcohol? 2065 01:21:50,470 --> 01:21:52,168 Jesus! 2066 01:21:54,126 --> 01:21:55,127 MUZZ, IT'S ME. 2067 01:21:55,171 --> 01:21:56,520 OLLY, I'M SO GLAD YOU'VE CALLED ME. 2068 01:21:56,563 --> 01:21:58,739 WELL, YOU WERE RIGHT ABOUT JAMES. I'M SORRY. 2069 01:21:58,783 --> 01:21:59,653 NO, YOU WERE RIGHT. 2070 01:21:59,697 --> 01:22:00,785 LOOK, I MADE UP ALL THE STUFF 2071 01:22:00,828 --> 01:22:01,829 ABOUT JAMES SHAGGING. 2072 01:22:01,873 --> 01:22:03,483 I'M THE ZEN MASTER OF GRUDGE-BEARING, 2073 01:22:03,527 --> 01:22:05,572 BUT JAMES IS NOT THE UTTER PRAT 2074 01:22:05,616 --> 01:22:06,573 THAT I THOUGHT HE WAS. 2075 01:22:06,617 --> 01:22:08,358 NO, HE IS. HE WAS SHAGGING. 2076 01:22:08,401 --> 01:22:09,968 NO, LOOK, I HAVE TO GROW UP. 2077 01:22:10,012 --> 01:22:11,491 LOOK, PLEASE, MURRAY... 2078 01:22:11,535 --> 01:22:14,364 SARAH CAN'T MARRY JAMES. 2079 01:22:14,407 --> 01:22:16,279 SHE CAN'T? 2080 01:22:16,322 --> 01:22:17,758 NO. YOU'RE RIGHT. 2081 01:22:17,802 --> 01:22:19,325 HE IS AN UTTER PRAT. 2082 01:22:19,369 --> 01:22:20,631 HE IS? 2083 01:22:20,674 --> 01:22:21,632 YES. 2084 01:22:21,675 --> 01:22:24,026 ARE YOU GOING TO RUIN JAMES' DAY? 2085 01:22:24,069 --> 01:22:25,244 YES. 2086 01:22:25,288 --> 01:22:26,158 I LOVE HER. 2087 01:22:26,202 --> 01:22:27,551 YOU'VE GOT TO HELP ME, MURRAY. 2088 01:22:27,594 --> 01:22:29,118 I'LL DO IT. 2089 01:22:47,179 --> 01:22:48,964 SAY, HOW LONG TO GET ME TO RICHMOND? 2090 01:22:49,007 --> 01:22:50,878 RICHMOND? ABOUT AN HOUR, IF YOU'RE LUCKY. 2091 01:22:50,922 --> 01:22:52,576 SHOOT, I'VE ONLY GOT HALF AN HOUR. 2092 01:22:52,619 --> 01:22:54,708 HALF-HOUR? IF I WAS YOU, MATE, 2093 01:22:54,752 --> 01:22:56,058 I WOULD SWIM. 2094 01:22:56,101 --> 01:22:57,755 HEY. 2095 01:22:58,016 --> 01:23:00,018 Minister: IF ANYONE KNOWS OF ANY REASON 2096 01:23:00,062 --> 01:23:03,587 WHY THESE TWO MAY NOT BE JOINED TOGETHER TODAY, 2097 01:23:03,630 --> 01:23:05,284 LET THEM SPEAK NOW 2098 01:23:05,328 --> 01:23:09,419 OR FOREVER HOLD THEIR PEACE. 2099 01:23:10,681 --> 01:23:11,856 WHAT WAS THAT?! 2100 01:23:11,899 --> 01:23:13,989 [GUESTS GASP] 2101 01:23:14,554 --> 01:23:17,688 SOMEONE SAID SOMETHING. 2102 01:23:17,731 --> 01:23:18,819 DID THEY? 2103 01:23:18,863 --> 01:23:19,733 YES. 2104 01:23:19,777 --> 01:23:22,171 IF YOU'VE GOT ANYTHING TO SAY, 2105 01:23:22,214 --> 01:23:24,695 PERHAPS YOU'D LIKE TO SHARE IT WITH US. 2106 01:23:25,652 --> 01:23:27,306 [MAN CLEARS THROAT] 2107 01:23:27,350 --> 01:23:30,831 I WAS TALKING TO MY WIFE. 2108 01:23:30,875 --> 01:23:32,311 EXCUSE ME. 2109 01:23:32,355 --> 01:23:35,053 YOU WERE TALKING TO YOUR WIFE? 2110 01:23:35,097 --> 01:23:36,533 WHAT WAS SO INTERESTING 2111 01:23:36,576 --> 01:23:40,406 THAT YOU THOUGHT IT WAS WORTH INTERRUPTING A WEDDING FOR? 2112 01:23:40,450 --> 01:23:41,581 I-- 2113 01:23:41,625 --> 01:23:44,193 NO, STAND UP, PLEASE, SO WE CAN ALL HEAR. 2114 01:23:45,672 --> 01:23:48,197 I SAID, WOULDN'T IT BE FUNNY 2115 01:23:48,240 --> 01:23:52,940 IF SOMEONE DID ACTUALLY SAY SOMETHING? 2116 01:23:52,984 --> 01:23:56,292 I THINK WE CAN ALL SEE THE IRONY THERE. 2117 01:23:56,335 --> 01:23:58,816 CAN'T WE? 2118 01:23:58,859 --> 01:24:02,602 Stellastarr: ♪ I'LL RUN AWAY WITH YOU ♪ 2119 01:24:02,646 --> 01:24:06,432 ♪ WE CAN BUILD A GOLD MINE ♪ 2120 01:24:06,476 --> 01:24:09,000 WELL, UH, CARRY ON, YOUR HONOR. 2121 01:24:09,827 --> 01:24:10,697 UM... 2122 01:24:10,741 --> 01:24:13,700 ♪ I'LL BE THE TRUTH FOR YOU ♪ 2123 01:24:15,311 --> 01:24:18,923 ♪ HOME LIFE, NO LIFE... 2124 01:24:19,880 --> 01:24:22,709 Minister: WE'LL TRY AGAIN. SORRY. 2125 01:24:22,753 --> 01:24:25,451 IF ANYONE KNOWS OF ANY, UH... 2126 01:24:25,495 --> 01:24:27,975 UM, JUST TO DOUBLE-CHECK... 2127 01:24:28,585 --> 01:24:30,413 JAMES AND SARAH, 2128 01:24:30,456 --> 01:24:32,284 YOU'RE BOTH... 2129 01:24:32,328 --> 01:24:35,766 UH, HAPPY TO CARRY ON? 2130 01:24:35,809 --> 01:24:36,593 WE'RE FINE. 2131 01:24:36,636 --> 01:24:37,942 I'M FINE. 2132 01:24:37,985 --> 01:24:40,727 THANK YOU, MURRAY. 2133 01:24:41,815 --> 01:24:43,121 ♪ WE CAN BUILD OUR OWN WORLD ♪ 2134 01:24:43,165 --> 01:24:45,428 I, JAMES EDWARD COLYNS... 2135 01:24:45,471 --> 01:24:48,866 ♪ WE CAN RUN AWAY FROM OURSELVES ♪ 2136 01:24:48,909 --> 01:24:52,261 ♪ IF WE KNEW WHO WE WERE ♪ 2137 01:24:54,176 --> 01:24:56,439 NO! 2138 01:24:56,482 --> 01:24:57,396 JOHN? 2139 01:24:57,440 --> 01:24:59,398 WHO THE BLOODY HELL ARE YOU? 2140 01:25:00,443 --> 01:25:02,140 SHIT. SORRY. 2141 01:25:02,184 --> 01:25:04,273 IT'S...WRONG CHURCH. 2142 01:25:05,926 --> 01:25:06,753 WHO'S JOHN? 2143 01:25:06,797 --> 01:25:08,668 ♪ LIVIN' WITHOUT YOU 2144 01:25:08,712 --> 01:25:10,496 ♪ BLUE EYES 2145 01:25:10,540 --> 01:25:11,628 ♪ BLUE HAIR 2146 01:25:11,671 --> 01:25:14,631 ♪ NOT GONNA LEAVE HERE WITHOUT YOU ♪ 2147 01:25:14,674 --> 01:25:16,067 MUST BE. 2148 01:25:16,633 --> 01:25:20,245 I, SARAH MARIE BARKER... 2149 01:25:20,289 --> 01:25:21,812 AAH! 2150 01:25:21,855 --> 01:25:23,422 AAH! 2151 01:25:23,466 --> 01:25:24,249 AAH! 2152 01:25:24,293 --> 01:25:26,904 AAH! OH! OH! 2153 01:25:26,947 --> 01:25:29,820 OH! AH! 2154 01:25:29,863 --> 01:25:32,039 OH, DAMN. 2155 01:25:34,868 --> 01:25:36,609 OHH! OH! 2156 01:25:36,653 --> 01:25:38,045 OH, IT'S MY HEART! 2157 01:25:38,089 --> 01:25:41,745 [GASPING] 2158 01:25:42,441 --> 01:25:43,877 OHH! AAH! AAH! 2159 01:25:43,921 --> 01:25:45,749 OH! AAH! AAH! 2160 01:25:45,792 --> 01:25:47,925 AAH! AAH! 2161 01:25:47,968 --> 01:25:50,275 OH! OH! OHH! 2162 01:25:50,319 --> 01:25:52,799 OH! OH! OH! 2163 01:25:52,843 --> 01:25:53,974 UH! 2164 01:25:54,018 --> 01:25:54,975 Man: SOMEBODY SHOULD DO SOMETHING FOR HIM. 2165 01:25:55,019 --> 01:25:56,151 James: GET THAT CLOWN OUT OF HERE! 2166 01:25:56,194 --> 01:25:57,804 CAN WE GET ON WITH IT, PLEASE? 2167 01:25:57,848 --> 01:26:00,155 IF, UH, SOMEONE HAS... 2168 01:26:00,198 --> 01:26:01,808 YES, WE'VE DONE THIS BIT. 2169 01:26:01,852 --> 01:26:03,462 SORRY, SORRY. 2170 01:26:04,855 --> 01:26:06,204 WHAT'S HAPPENED TO YOU? 2171 01:26:06,248 --> 01:26:07,771 JOURNEY WAS A NIGHTMARE. 2172 01:26:07,814 --> 01:26:08,728 AM I TOO LATE? 2173 01:26:08,772 --> 01:26:10,252 NO, IT'S WORTH A SHOT. 2174 01:26:10,295 --> 01:26:12,819 IT'S A TOUGH CROWD IN THERE. 2175 01:26:12,863 --> 01:26:13,864 WISH ME LUCK. 2176 01:26:13,907 --> 01:26:15,605 GO, MAN, GO. 2177 01:26:18,521 --> 01:26:19,696 HAVE I MISSED THE PART WHERE YOU ASK 2178 01:26:19,739 --> 01:26:21,306 IF ANYONE'S GOT SOMETHING TO SAY? 2179 01:26:21,350 --> 01:26:23,439 YES, BUT WE CAN GO BACK IF YOU LIKE. 2180 01:26:23,482 --> 01:26:25,267 WE'RE GETTING GOOD AT IT. 2181 01:26:25,310 --> 01:26:26,268 OLLY? 2182 01:26:26,311 --> 01:26:28,792 I NEED TO SPEAK TO YOU IN PRIVATE. 2183 01:26:28,835 --> 01:26:34,101 OLLY, YOU ARE MAKING A HUGE TIT OF YOURSELF. 2184 01:26:35,190 --> 01:26:37,322 I LOVE YOU, SARAH. 2185 01:26:37,366 --> 01:26:38,323 I'VE BEEN IN LOVE WITH YOU-- 2186 01:26:38,367 --> 01:26:39,933 WHY HAVEN'T YOU SAID THIS BEFORE? 2187 01:26:39,977 --> 01:26:41,239 I THOUGHT JAMES WAS IN LOVE WITH YOU. 2188 01:26:41,283 --> 01:26:42,893 I THOUGHT HE WAS THE BETTER MAN, 2189 01:26:42,936 --> 01:26:44,808 BUT HE'S NOT. 2190 01:26:45,983 --> 01:26:47,811 JAMES IS NOT RIGHT FOR YOU. 2191 01:26:47,854 --> 01:26:50,074 HOW DO YOU KNOW? 2192 01:26:51,945 --> 01:26:53,208 BECAUSE... 2193 01:26:53,251 --> 01:26:56,776 I KNOW WHAT IT FEELS LIKE TO REALLY BE IN LOVE. 2194 01:26:57,342 --> 01:26:59,257 IT FEELS AS IF ALL THE CHAOS 2195 01:26:59,301 --> 01:27:00,215 AND STRANGENESS OF THE WORLD 2196 01:27:00,258 --> 01:27:02,565 MAKES COMPLETE AND UTTER SENSE... 2197 01:27:02,608 --> 01:27:05,959 FOR THE SIMPLE REASON THAT YOU'RE IN IT. 2198 01:27:07,570 --> 01:27:08,788 WH-- 2199 01:27:08,832 --> 01:27:11,008 YOU WROTE THE LETTER? 2200 01:27:17,797 --> 01:27:19,582 WHY? 2201 01:27:22,759 --> 01:27:25,109 BECAUSE I DIDN'T KNOW HE'D BEEN CHEATING ON YOU. 2202 01:27:25,152 --> 01:27:27,416 [GUESTS GASP] 2203 01:27:27,459 --> 01:27:30,462 THAT'S RIDICULOUS. 2204 01:27:31,115 --> 01:27:33,291 WHO? 2205 01:27:33,335 --> 01:27:34,423 YOU?! 2206 01:27:34,466 --> 01:27:35,293 GOD, NO. 2207 01:27:35,337 --> 01:27:36,686 BUT I THINK IT MIGHT BE HER, 2208 01:27:36,729 --> 01:27:38,253 HIS SECRETARY. 2209 01:27:38,296 --> 01:27:39,906 BUT I DIDN'T TELL ANYONE. 2210 01:27:39,950 --> 01:27:40,994 SHUT UP. JUST SHUT UP. 2211 01:27:41,038 --> 01:27:45,738 SHE'S A TWISTED BITCH, AND SHE'S LYING. 2212 01:27:45,782 --> 01:27:47,871 WHAT ABOUT ME? 2213 01:27:47,914 --> 01:27:48,785 FUCK OFF. 2214 01:27:48,828 --> 01:27:50,003 JAMES, DON'T! 2215 01:27:50,047 --> 01:27:51,004 GET OFF ME! 2216 01:27:51,048 --> 01:27:52,005 OLLY, YOU... 2217 01:27:52,049 --> 01:27:53,485 OOH! OOH! 2218 01:28:28,041 --> 01:28:30,479 Minister: IF ANYONE KNOWS OF ANY LAWFUL IMPEDIMENT 2219 01:28:30,522 --> 01:28:32,785 WHY THESE TWO MAY NOT BE MARRIED, 2220 01:28:32,829 --> 01:28:38,313 LET THEM SPEAK NOW OR FOREVER HOLD THEIR PEACE. 2221 01:28:45,189 --> 01:28:48,758 THANK GOD FOR THAT. 2222 01:28:53,328 --> 01:28:58,071 WILT THOU HAVE THIS WOMAN FOR THY WEDDED WIFE? 2223 01:28:59,899 --> 01:29:01,901 SO LET'S RAISE OUR GLASSES 2224 01:29:01,945 --> 01:29:03,903 TO MURRAY AND BECKA. 2225 01:29:03,947 --> 01:29:06,210 Belle and Sebastian: ♪ IF YOU FIND YOURSELF 2226 01:29:06,253 --> 01:29:07,646 ♪ CAUGHT IN LOVE 2227 01:29:07,690 --> 01:29:11,171 ♪ SAY A PRAYER TO THE MAN ABOVE ♪ 2228 01:29:11,215 --> 01:29:14,261 ♪ THANK HIM FOR EVERYTHING YOU KNOW ♪ 2229 01:29:14,305 --> 01:29:15,393 ♪ YOU SHOULD THANK HIM 2230 01:29:15,437 --> 01:29:18,396 ♪ FOR EVERY BREATH YOU BLOW ♪ 2231 01:29:18,440 --> 01:29:21,704 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2232 01:29:21,747 --> 01:29:24,968 ♪ SAY A PRAYER TO THE MAN ABOVE ♪ 2233 01:29:25,011 --> 01:29:28,232 ♪ THANK HIM FOR EVERY DAY YOU PASS ♪ 2234 01:29:28,275 --> 01:29:29,233 ♪ YOU SHOULD THANK HIM 2235 01:29:29,276 --> 01:29:32,541 ♪ FOR SAVING YOUR SORRY ASS ♪ 2236 01:29:32,584 --> 01:29:35,065 ♪ IF YOU'RE SINGLE, BUT LOOKIN' OUT ♪ 2237 01:29:35,108 --> 01:29:38,721 ♪ YOU MUST RAISE YOUR PRAYER TO A SHOUT ♪ 2238 01:29:38,764 --> 01:29:41,506 ♪ ANOTHER PARTNER MUST BE FOUND ♪ 2239 01:29:41,550 --> 01:29:44,770 ♪ SOMEONE TO TAKE YOUR LIFE BEYOND ♪ 2240 01:29:44,814 --> 01:29:48,818 ♪ ANOTHER TV "I LOVE 1999" ♪ 2241 01:29:48,861 --> 01:29:52,561 ♪ JUST ONE MORE BOX OF CHEAPO WINE ♪ 2242 01:29:53,953 --> 01:29:56,652 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2243 01:29:56,695 --> 01:30:00,438 ♪ SAY A PRAYER TO THE MAN ABOVE ♪ 2244 01:30:00,482 --> 01:30:03,354 ♪ BUT IF YOU DON'T LISTEN TO THE VOICES ♪ 2245 01:30:03,398 --> 01:30:07,402 ♪ THEN, MY FRIEND, YOU'LL SOON RUN OUR OF CHOICES ♪ 2246 01:30:07,445 --> 01:30:09,229 ♪ WHAT A PITY IT WOULD BE ♪ 2247 01:30:09,273 --> 01:30:12,668 ♪ 'CAUSE YOU TALK OF FREEDOM, DON'T YOU SEE? ♪ 2248 01:30:12,711 --> 01:30:17,063 ♪ THE ONLY FREEDOM THAT YOU'LL EVER REALLY KNOW ♪ 2249 01:30:17,107 --> 01:30:20,589 ♪ IS WRITTEN IN BOOKS FROM LONG AGO ♪ 2250 01:30:20,632 --> 01:30:24,462 ♪ GIVE UP YOUR WILL TO HIM THAT LOVES YOU ♪ 2251 01:30:24,506 --> 01:30:25,898 ♪ THINGS WILL CHANGE 2252 01:30:25,942 --> 01:30:28,379 ♪ I'M NOT SAYING OVERNIGHT 2253 01:30:28,423 --> 01:30:30,468 ♪ YOU'VE GOTTA START SOMEWHERE ♪ 2254 01:30:30,512 --> 01:30:31,556 [DOG BARKING] 2255 01:30:31,600 --> 01:30:33,732 STOP THE WEDDING! 2256 01:30:34,951 --> 01:30:40,217 GRETCHEN, YOU CAN'T LEAVE ME AND LITTLE DAVY THIS WAY. 2257 01:30:40,260 --> 01:30:43,002 HE NEEDS YOU. 2258 01:30:43,525 --> 01:30:45,483 INEED YOU. 2259 01:30:45,527 --> 01:30:48,094 YOU DO? 2260 01:30:48,138 --> 01:30:50,053 I LOVE YOU, GRETCHEN. 2261 01:30:50,096 --> 01:30:51,620 I LOVE YOU, TOO. 2262 01:30:51,663 --> 01:30:53,622 DAVY LOVES YOU, TOO 2263 01:30:53,665 --> 01:30:55,537 I LOVE YOU, TOO. 2264 01:30:55,580 --> 01:30:57,756 ♪ ...SHED A TEAR FOR THE ONE YOU LOVE ♪ 2265 01:30:57,800 --> 01:31:01,499 ♪ TELL YOUR BOSS THAT YOU'VE GONE AWAY ♪ 2266 01:31:01,543 --> 01:31:05,329 ♪ AND DOWN YOUR TOOLS FOR A HOLIDAY ♪ 2267 01:31:05,372 --> 01:31:09,159 ♪ BUT IF YOU'RE GOIN' OFF TO WAR ♪ 2268 01:31:09,202 --> 01:31:11,030 ♪ THEN I WISH YOU WELL 2269 01:31:11,074 --> 01:31:12,945 ♪ BUT DON'T BE SORE 2270 01:31:12,989 --> 01:31:15,078 ♪ IF I CHEER THE OTHER TEAM 2271 01:31:15,121 --> 01:31:19,082 ♪ 'CAUSE KILLING PEOPLE'S NOT MY SCENE ♪ 2272 01:31:19,125 --> 01:31:22,912 ♪ I PREFER TO GIVE THE INHABITANTS A SAY ♪ 2273 01:31:22,955 --> 01:31:26,959 ♪ BEFORE YOU BLOW THEIR TOWN AWAY ♪ 2274 01:31:27,003 --> 01:31:29,092 ♪ I LIKE TO WATCH THEM PLAY 2275 01:31:29,135 --> 01:31:30,485 ♪ I LIKE TO MARVEL 2276 01:31:30,528 --> 01:31:37,230 ♪ AT THE RANDOM BEAUTY OF A SIMPLE VILLAGE GIRL ♪ 2277 01:31:37,274 --> 01:31:41,060 ♪ WHY SHOULD SHE BE THE ONE WHO'S KILLED? ♪ 2278 01:31:42,235 --> 01:31:44,020 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2279 01:31:44,063 --> 01:31:46,239 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2280 01:31:46,283 --> 01:31:47,980 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2281 01:31:48,024 --> 01:31:49,634 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2282 01:31:49,678 --> 01:31:51,157 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2283 01:31:51,201 --> 01:31:52,898 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2284 01:31:52,942 --> 01:31:54,509 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2285 01:31:54,552 --> 01:31:57,033 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2286 01:31:57,076 --> 01:31:58,208 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2287 01:31:58,251 --> 01:32:00,123 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2288 01:32:00,166 --> 01:32:01,951 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2289 01:32:01,994 --> 01:32:03,779 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2290 01:32:03,822 --> 01:32:05,302 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2291 01:32:05,345 --> 01:32:07,478 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2292 01:32:07,522 --> 01:32:11,177 ♪ IF YOU FIND YOURSELF CAUGHT IN LOVE ♪ 2293 01:32:14,354 --> 01:32:15,355 [INSTRUMENTAL MUSIC PLAYING] 138486