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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,005 --> 00:00:02,003 - Now that you've built the foundation 2 00:00:02,003 --> 00:00:04,004 of your working with actors and non-actors 3 00:00:04,004 --> 00:00:05,009 toolbox, there's more resources 4 00:00:05,009 --> 00:00:07,009 you can explore to learn more. 5 00:00:07,009 --> 00:00:09,006 Take an acting class. 6 00:00:09,006 --> 00:00:11,002 Knowing how actors are trained will 7 00:00:11,002 --> 00:00:12,008 help you tremendously with achieving 8 00:00:12,008 --> 00:00:14,007 results with your own actors. 9 00:00:14,007 --> 00:00:17,005 Look for classes or workshops in your area. 10 00:00:17,005 --> 00:00:18,007 Read a book. 11 00:00:18,007 --> 00:00:19,009 There are tons out there that 12 00:00:19,009 --> 00:00:21,007 can help you but I highly recommend 13 00:00:21,007 --> 00:00:24,003 Directing Actors: Creating Memorable Performances 14 00:00:24,003 --> 00:00:26,000 for Film and Television by acting 15 00:00:26,000 --> 00:00:28,009 and directing coach Judith Weston. 16 00:00:28,009 --> 00:00:31,000 Be sure and check out No Film School, 17 00:00:31,000 --> 00:00:33,000 a worldwide community of filmmakers, 18 00:00:33,000 --> 00:00:34,006 producers, and creatives for articles on all 19 00:00:34,006 --> 00:00:38,003 aspects of filmmaking and working with talent. 20 00:00:38,003 --> 00:00:40,006 Similarly, Indie Tips is also a great 21 00:00:40,006 --> 00:00:42,006 resource for independent filmmakers 22 00:00:42,006 --> 00:00:45,003 and those new to the business. 23 00:00:45,003 --> 00:00:47,009 Finally, look up SAGindie for more information 24 00:00:47,009 --> 00:00:51,003 on working with SAG-AFTRA talent in your productions. 25 00:00:51,003 --> 00:00:52,009 Hopefully, this course has been 26 00:00:52,009 --> 00:00:54,006 a guide to get the best performances 27 00:00:54,006 --> 00:00:56,003 possible in your productions, whether 28 00:00:56,003 --> 00:00:58,000 you're working with seasoned actors 29 00:00:58,000 --> 00:01:00,001 or someone who's never been on camera before. 30 00:01:00,001 --> 00:01:01,008 Remember, your job as a director or 31 00:01:01,008 --> 00:01:03,006 producer is above all else to build 32 00:01:03,006 --> 00:01:06,000 a great working relationship with your talent. 33 00:01:06,000 --> 00:01:09,002 People are the most complicated equipment on your set. 34 00:01:09,002 --> 00:01:10,009 Don't get so distracted by making 35 00:01:10,009 --> 00:01:12,005 the production that you forget that 36 00:01:12,005 --> 00:01:14,003 you don't have a film or video 37 00:01:14,003 --> 00:01:16,004 without who is in front of the camera. 38 00:01:16,004 --> 00:01:18,000 I'll leave you with a quote from an 39 00:01:18,000 --> 00:01:20,005 interview with famous actress Olivia de Havilland, 40 00:01:20,005 --> 00:01:22,003 who, when asked what director got the 41 00:01:22,003 --> 00:01:25,002 best performance from her, she answered 42 00:01:25,002 --> 00:01:27,008 "They didn't get the performances out of me. 43 00:01:27,008 --> 00:01:31,001 I gave the performances to them." 44 00:01:31,001 --> 00:01:32,007 Thanks for joining me. 3329

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