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- As a director or producer, you must always keep in mind
the particular challenges your talent is facing during
the capture of a special effect.
Are they working with a green screen
with an environment that they can't see?
Are they supposed to trade dialogue with a CGI character?
Are they reacting to an effect
that you'll put in the film later in post?
In these cases, your thorough
scene and character preparation is key.
As well as having your technical details
thoroughly worked out ahead of time
to reduce distractions and ensure their comfort
as much as possible.
Here's clips of an effect being shot
for my feature film "Of Dice and Men"
and then afterward the completed scene.
Our actors were filming late at night
in a very small space with green screen
and had to imagine a dragon flying
and then crashing in front of them.
We tried to make it so they weren't too uncomfortable
by reducing the distance they had to fall
and limited our takes.
This is good, we're going to coordinate the
watching the dragon death throes,
and then after the dragon dies,
it's, you can get up on your elbows
and be like, nice line.
- So watching the dragon death throes
down here?
- [Director] Action.
(crunching)
Dragon.
(crunching)
- That's a nice line.
- Thanks, you too.
- Yeah, well I figure, keep it simple, you know?
There's no need to gild the lily, right?
- Totally. - Yeah.
Hey, what's with the book?
- It must have come open during the fight.
- Didn't Elias say something bad would happen
if it ever got opened?
(crashing)
(dragon wailing)
- That's a nice line.
- Thanks, you too.
- Yeah, well I thought, keep it simple, you know?
Don't need to gild the lily, right?
- Totally. - Yeah.
Hey, what's with the book?
- It must have come open during the fight.
- Didn't Elias say something bad would happen
if it ever got opened?
- Most importantly, do everything you can
to not let the effect get in your talent's way.
The emotional truth of their performance,
or the lack thereof, will always shine through
the most elaborate effect.
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