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- The old acting adage of, "what's my motivation."
Is not a question that you ask
that has one simple answer.
A character's motivation
is actually made up of a couple different parts.
Once these parts are defined,
the actor is free to really make their role
in the script come alive.
The first part of motivation
is the actor's objective.
This is their goal.
What does their character ultimately want
or need from the other character in the scene?
Or in general?
Having objective
removes all self-consciousness from the actor
because it gives them something to concentrate on.
Without motivation or an objective,
people's performances come off as one dimensional
and they're just reciting their lines
and going through the script without any purpose
whatsoever.
That said, you want actors to only play one objective
for a character per scene.
You don't want to make things too complicated
because it won't come across clearly.
Simple objectives are always easier
than a complicated one.
And we'll go into more of that soon.
What the actor does to achieve their objective
is called their intention.
Here's another clip from my film
of Dice and Men.
The character Tara has a clear objective.
She wants the other character, John Francis
to respect her as a player in their weekly game.
But you'll see, there's more to her performance
than simply asking this of John Francis.
- Why do I keep dying
John Francis?
- You're the party's wizard.
It's kind of your job.
- No!
It is my job to be smarter and prettier than everyone else
and to make things blow up real good.
Look,
I just want one night.
One night
without the dying and the getting raised
and the dying again.
One night where I get to save the day
and be the hero.
- So you want me to cheat?
- No.
And no.
No.
What I want is a little inside scoop
you know?
A little extra nudge
to give me an edge.
One tiny little whispered hint
dropped carelessly from the GMs lips
into my tender perceptive ear.
- No.
(sighs)
So hurry GMs go.
- Please?
- No?
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