Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
- If your production schedule allows for it,
and you should make every effort for it to,
you should hold quality meetings and rehearsals
with your talent before you are on set
and the cameras roll.
Having meetings and rehearsals with your talent
isn't always possible,
especially if you have a low budget.
Or sometimes on projects like industrials
or corporate promos where you have only a one
or two day shoot to work with.
But when you can rehearse or meet with your talent,
you want to do it.
You want to make a lot of time for it in pre-production
and it has to be as high a priority
as any of your other meetings that you would have
with your DP, or your lighting technician,
or whoever.
Your talent is just as important to meet with.
Every project's going to have different time needs,
but you almost always need some type of experience
to get the actors comfortable with each other
and with you, and for you to get to know
your actors better.
If it's at all possible,
have the cast and crew meet each other ahead
of time as well.
Having people meet each other ahead of time
will only increase the comfort level with each other.
Filmmaking is a lot of hurry up and wait.
You want to encourage onset rehearsal with other actors
or even have them do it by themselves
during any downtime while you're switching out equipment.
Working with actors in small groups can be a good idea,
to concentrate on specific scenes,
or if you have limited amounts of time to get things done.
For our film Of Dice and Men,
we actually had several different types
of meetings and rehearsals.
On the left, we got together our cast and crew
ahead of time to play a game together
so they could experience the world of the film
to get a sense for it.
And then when we were ready to go through the script,
we had a rehearsal around that same table
while we did our regular read-through.
And then finally on-set,
because we had the meetings and the rehearsals
around the same table, when we actually shot the scenes
with the table later,
the actors were already familiar with it
and comfortable in their space.
Making time for proper meetings and rehearsals
will make your shoot days run much more smoothly
and will keep your talent concentrated
on their performances.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.