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- Depending on your type of production,
and sometimes the budget you have,
you may want to consider working with union talent.
SAG-AFTRA is an American labor union
that represents actors and performers
in film and television, radio,
video games, and broadcast journalism.
There are special contracts and rules
you must follow in order to use
union talent in your production.
So why would you want to use them?
In general your union actors tend to have more experience.
They're required to have a certain amount of on-set
time before they can get their
SAG-AFTRA card, but not all the time.
Sometimes they're only on one production
that's SAG-AFTRA eligible before
they actually get their card.
So does that mean they're more experienced?
Not necessarily.
But in general, they do have more experience.
When you open your production to SAG-AFTRA talent,
this will increase your pool of
potential experienced actors.
When you use union talent, this actually will work
to ensure that you have reasonable
working conditions on set.
With independent film a lot times you're
working really long days with very few breaks.
But when you use union talent, you're
required to take those breaks and
your hours are regulated by contract.
When you use union talent, a lot of people
will consider your production professional.
It's an industry standard to use
SAG-AFTRA talent in your productions.
If you want to have them taken seriously.
That said, I don't believe that non-union is
the same thing as non-professional.
I was a non-union actor for many years
and I didn't consider myself to be a
non-professional actor.
So when should you consider union talent?
Well first you want to evaluate your goals.
Are you making films as a career?
Do you want to work with a famous
name actor in your production?
You want to think about your budget.
Can you afford to work with less experienced actors?
That might sound odd, but when you're using
less experienced talent, you're going to be doing
more takes and taking up more time,
and therefore that means more money making your production.
And you want to think about your needs.
Do you need a lot of older actors in your production?
SAG-AFTRA actors tend to skew older
because of the experience that's required to become one.
Do you have a large cast?
Do you just need to look at a larger pool
of actors that includes union and non-union talent?
Or do you want to hire a specific union actor
for your film?
Here's a picture of some of the actors we used
in a fantasy web series I produced
called The Broken Continent.
We needed over 65 of them, so we needed
a good mix of ages and types.
So we went with union and non-union actors.
In the next movie, I'll give you some
resources for finding union talent.
For more information on SAG-AFTRA
casting and contacts, visit their website at sagaftra.org.
Can't find what you're looking for?
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