All language subtitles for 508541_01_03 - Casting union actors.en

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These are the user uploaded subtitles that are being translated: 1 00:00:00,007 --> 00:00:02,005 - Depending on your type of production, 2 00:00:02,005 --> 00:00:03,009 and sometimes the budget you have, 3 00:00:03,009 --> 00:00:07,001 you may want to consider working with union talent. 4 00:00:07,001 --> 00:00:09,005 SAG-AFTRA is an American labor union 5 00:00:09,005 --> 00:00:11,003 that represents actors and performers 6 00:00:11,003 --> 00:00:13,006 in film and television, radio, 7 00:00:13,006 --> 00:00:16,002 video games, and broadcast journalism. 8 00:00:16,002 --> 00:00:17,008 There are special contracts and rules 9 00:00:17,008 --> 00:00:19,002 you must follow in order to use 10 00:00:19,002 --> 00:00:21,002 union talent in your production. 11 00:00:21,002 --> 00:00:23,004 So why would you want to use them? 12 00:00:23,004 --> 00:00:28,003 In general your union actors tend to have more experience. 13 00:00:28,003 --> 00:00:31,003 They're required to have a certain amount of on-set 14 00:00:31,003 --> 00:00:32,006 time before they can get their 15 00:00:32,006 --> 00:00:36,001 SAG-AFTRA card, but not all the time. 16 00:00:36,001 --> 00:00:38,000 Sometimes they're only on one production 17 00:00:38,000 --> 00:00:39,006 that's SAG-AFTRA eligible before 18 00:00:39,006 --> 00:00:41,000 they actually get their card. 19 00:00:41,000 --> 00:00:43,001 So does that mean they're more experienced? 20 00:00:43,001 --> 00:00:44,008 Not necessarily. 21 00:00:44,008 --> 00:00:47,009 But in general, they do have more experience. 22 00:00:47,009 --> 00:00:49,009 When you open your production to SAG-AFTRA talent, 23 00:00:49,009 --> 00:00:51,005 this will increase your pool of 24 00:00:51,005 --> 00:00:53,005 potential experienced actors. 25 00:00:53,005 --> 00:00:56,001 When you use union talent, this actually will work 26 00:00:56,001 --> 00:00:57,005 to ensure that you have reasonable 27 00:00:57,005 --> 00:00:59,006 working conditions on set. 28 00:00:59,006 --> 00:01:01,003 With independent film a lot times you're 29 00:01:01,003 --> 00:01:04,002 working really long days with very few breaks. 30 00:01:04,002 --> 00:01:06,000 But when you use union talent, you're 31 00:01:06,000 --> 00:01:08,001 required to take those breaks and 32 00:01:08,001 --> 00:01:12,001 your hours are regulated by contract. 33 00:01:12,001 --> 00:01:14,002 When you use union talent, a lot of people 34 00:01:14,002 --> 00:01:17,002 will consider your production professional. 35 00:01:17,002 --> 00:01:18,009 It's an industry standard to use 36 00:01:18,009 --> 00:01:21,001 SAG-AFTRA talent in your productions. 37 00:01:21,001 --> 00:01:23,007 If you want to have them taken seriously. 38 00:01:23,007 --> 00:01:26,004 That said, I don't believe that non-union is 39 00:01:26,004 --> 00:01:29,004 the same thing as non-professional. 40 00:01:29,004 --> 00:01:31,005 I was a non-union actor for many years 41 00:01:31,005 --> 00:01:33,001 and I didn't consider myself to be a 42 00:01:33,001 --> 00:01:35,007 non-professional actor. 43 00:01:35,007 --> 00:01:38,000 So when should you consider union talent? 44 00:01:38,000 --> 00:01:40,002 Well first you want to evaluate your goals. 45 00:01:40,002 --> 00:01:42,009 Are you making films as a career? 46 00:01:42,009 --> 00:01:44,000 Do you want to work with a famous 47 00:01:44,000 --> 00:01:46,004 name actor in your production? 48 00:01:46,004 --> 00:01:48,002 You want to think about your budget. 49 00:01:48,002 --> 00:01:51,004 Can you afford to work with less experienced actors? 50 00:01:51,004 --> 00:01:53,005 That might sound odd, but when you're using 51 00:01:53,005 --> 00:01:56,003 less experienced talent, you're going to be doing 52 00:01:56,003 --> 00:01:59,005 more takes and taking up more time, 53 00:01:59,005 --> 00:02:03,002 and therefore that means more money making your production. 54 00:02:03,002 --> 00:02:05,002 And you want to think about your needs. 55 00:02:05,002 --> 00:02:08,004 Do you need a lot of older actors in your production? 56 00:02:08,004 --> 00:02:10,007 SAG-AFTRA actors tend to skew older 57 00:02:10,007 --> 00:02:14,002 because of the experience that's required to become one. 58 00:02:14,002 --> 00:02:15,008 Do you have a large cast? 59 00:02:15,008 --> 00:02:17,007 Do you just need to look at a larger pool 60 00:02:17,007 --> 00:02:21,001 of actors that includes union and non-union talent? 61 00:02:21,001 --> 00:02:23,004 Or do you want to hire a specific union actor 62 00:02:23,004 --> 00:02:25,003 for your film? 63 00:02:25,003 --> 00:02:26,009 Here's a picture of some of the actors we used 64 00:02:26,009 --> 00:02:28,003 in a fantasy web series I produced 65 00:02:28,003 --> 00:02:29,008 called The Broken Continent. 66 00:02:29,008 --> 00:02:32,000 We needed over 65 of them, so we needed 67 00:02:32,000 --> 00:02:34,005 a good mix of ages and types. 68 00:02:34,005 --> 00:02:38,002 So we went with union and non-union actors. 69 00:02:38,002 --> 00:02:39,005 In the next movie, I'll give you some 70 00:02:39,005 --> 00:02:42,004 resources for finding union talent. 71 00:02:42,004 --> 00:02:44,001 For more information on SAG-AFTRA 72 00:02:44,001 --> 00:02:48,003 casting and contacts, visit their website at sagaftra.org. 5580

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