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- Depending on your type of production,
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and sometimes the budget you have,
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you may want to consider
working with union talent.
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SAG-AFTRA is an American labor union
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that represents actors and performers
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in film and television, radio,
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video games, and broadcast journalism.
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There are special contracts and rules
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you must follow in order to use
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union talent in your production.
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So why would you want to use them?
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In general your union actors
tend to have more experience.
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They're required to have
a certain amount of on-set
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time before they can get their
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SAG-AFTRA card, but not all the time.
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Sometimes they're only on one production
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that's SAG-AFTRA eligible before
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they actually get their card.
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So does that mean
they're more experienced?
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Not necessarily.
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But in general, they do
have more experience.
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When you open your production
to SAG-AFTRA talent,
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this will increase your pool of
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potential experienced actors.
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When you use union talent,
this actually will work
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to ensure that you have reasonable
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working conditions on set.
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With independent film a lot times you're
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working really long days
with very few breaks.
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But when you use union talent, you're
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required to take those breaks and
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your hours are regulated by contract.
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When you use union talent, a lot of people
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will consider your
production professional.
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It's an industry standard to use
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SAG-AFTRA talent in your productions.
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If you want to have them taken seriously.
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That said, I don't
believe that non-union is
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the same thing as non-professional.
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I was a non-union actor for many years
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and I didn't consider myself to be a
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non-professional actor.
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So when should you consider union talent?
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Well first you want to
evaluate your goals.
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Are you making films as a career?
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Do you want to work with a famous
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name actor in your production?
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You want to think about your budget.
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Can you afford to work with
less experienced actors?
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That might sound odd,
but when you're using
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less experienced talent,
you're going to be doing
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more takes and taking up more time,
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and therefore that means more
money making your production.
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And you want to think about your needs.
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Do you need a lot of older
actors in your production?
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SAG-AFTRA actors tend to skew older
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because of the experience
that's required to become one.
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Do you have a large cast?
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Do you just need to look at a larger pool
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of actors that includes
union and non-union talent?
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Or do you want to hire
a specific union actor
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for your film?
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Here's a picture of some
of the actors we used
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in a fantasy web series I produced
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called The Broken Continent.
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We needed over 65 of them, so we needed
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a good mix of ages and types.
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So we went with union
and non-union actors.
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In the next movie, I'll give you some
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resources for finding union talent.
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For more information on SAG-AFTRA
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casting and contacts, visit
their website at sagaftra.org.
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