Original subtitles

THIS FILM CAME TO US WITH NO NAMES ATTACHED.

Downloaded from YTS.MX

THE CLOTHING INDICATES IT WAS SHOT AROUND 1950-51.

MANY THANKS TO ERIC ROHMER AND JEAN-LUC GODARD

FOR INCLUDING IT IN THE SERIES "CHARLOTTE AND VÉRONIQUE."

Official YIFY movies site: YTS.MX

CHARLOTTE AND HER STEAK

BACKGROUND: Charlotte has not yet left her native Switzerland.

Walter introduces Clara in hopes of making Charlotte jealous.

There she is.

- Hello. - Hello, Clara.

- Clara... Charlotte. - I'm really in a hurry.

- We'll walk with you. - Fine, but I have to rush.

- What? - I thought you said something.

I'm going home. Bye.

Wait, I'll walk with you.

See you later. - Yes, see you later.

Why didn't you walk with her?

I'll see her later. She was in a hurry.

- I'm not asking you in. - I've eaten. I won't stay long.

- You'll get everything dirty. - I'll stay in the kitchen.

- My kitchen floor is clean. - I'll stand on the doormat.

I'll bring it inside.

You don't have time to cook.

I'm cold. I'm making coffee.

I'll eat a sandwich.

You could offer me coffee.

I have to cook some meat too.

I don't mind.

Want me to fix it? You have nice clothes on.

So do you.

I could move the mat over.

I'm practically done.

Pass me the salt. On the shelf on your left.

See? I come in handy.

- Want some? - I said I didn't.

- Just a little piece. - I'm not hungry.

- Got any bread? - Just enough for me.

I said I wasn't asking you to lunch.

- You didn't have to share your steak. - Here's a fork.

- You think I'm a pain? - No, why should I?

Let go. - Kiss me.

Eat. It's getting cold.

Kiss me first.

Then afterwards.

- Why don't you kiss Clara? - She's not here.

You'll see her tonight.

I don't know if she'll want to.

- Too bad. - Are you mad?

She's a hundred times better. Why bother me?

That sentence makes no sense.

What part? The beginning or the end?

The end, of course.

The beginning too.

Why do you say that?

You want me to leave?

She's not so great. I don't like her name.

Mine's even worse.

Yours is old-fashioned. Hers is pretentious.

- That's not her fault. - Of course not.

Well then?

I like you a lot.

A lot more.

I hate comparisons.

A thousand times more.

That's not a comparison. It's beyond measure.

That's not true.

Are you mad?

- Kiss me. - I'm in a hurry.

- That's no reason. - I know.

I was serious. Don't you believe me?

Sure I do.

Did you mean what you said?

Clara's prettier than you, but I hate comparisons.

They don't bother me.

What bothers you is my saying I like you better.

No, but you're lying.

Kiss me.

- Are you in a hurry? - Very much so.

- You're not making coffee? - We don't have time.

Are you cold?

Yes, but we're going out. That will warm us up.

You're trembling.

Are my hands cold?

Don't you know how much I love you?

- You're lying. - Perhaps, but I'll be faithful.

That's silly. You know I'm not.

I want to be faithful to you.

I wish I were dead so you'd think of me.

I'd think of you even less.

That's right. I don't care what you think anyway.

You're trembling.

You're sad.

Why do you always say that?

You said it earlier.

Because I don't love you, and you don't love me either,

but I'm sure you know that.

I know. But I'm not sad.

No, I know you're not.

Hurry up now.

You always make me late.

The definitive version of this film was directed by ERIC ROHMER.

WITH THE VOICES OF: