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All language subtitles for Broadway Melody of 1936 (1935) Jack Benny, Eleanor Powell, Robert Taylor

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These are the user uploaded subtitles that are being translated: 1 00:01:10,205 --> 00:01:14,005 ♪ Don't bring a frown to old Broadway ♪ 2 00:01:14,176 --> 00:01:17,806 ♪ You gotta clown on Broadway ♪ 3 00:01:17,979 --> 00:01:20,971 ♪ Your troubles there are out of style ♪ 4 00:01:21,149 --> 00:01:24,881 ♪ For Broadway always wears a smile ♪ 5 00:01:25,053 --> 00:01:28,284 ♪ A million lights, they flicker there ♪ 6 00:01:28,457 --> 00:01:31,916 ♪ A million hearts beat quicker there ♪ 7 00:01:32,094 --> 00:01:35,530 ♪ No skies of gray on the Great White Way ♪ 8 00:01:35,697 --> 00:01:42,694 ♪ That's the Broadway melody ♪ 9 00:01:46,208 --> 00:01:52,079 ♪ You are my lucky star ♪ 10 00:01:52,247 --> 00:01:58,243 ♪ I saw you from afar ♪ 11 00:01:58,420 --> 00:02:00,218 ♪ Two lovely eyes at me ♪ 12 00:02:00,388 --> 00:02:06,589 ♪ They were gleaming, beaming ♪ 13 00:02:06,761 --> 00:02:11,597 ♪ I was starstruck ♪ 14 00:02:11,766 --> 00:02:17,705 ♪ You're all my lucky charms ♪ 15 00:02:17,873 --> 00:02:23,937 ♪ I'm lucky in your arms ♪ 16 00:02:24,112 --> 00:02:26,843 ♪ You've opened heaven's portal ♪ 17 00:02:27,015 --> 00:02:33,011 ♪ Here on Earth for this poor mortal ♪ 18 00:02:33,188 --> 00:02:35,589 ♪ You are ♪ 19 00:02:35,757 --> 00:02:40,752 ♪ My lucky star ♪ 20 00:02:40,929 --> 00:02:46,095 ♪ You are my ♪ ♪ You are my lucky star ♪ 21 00:02:46,268 --> 00:02:51,263 ♪ I saw you ♪ ♪ I saw you from afar ♪ 22 00:02:51,439 --> 00:02:55,569 ♪ Two lovely eyes at me ♪ ♪ They were gleaming ♪ 23 00:02:55,744 --> 00:02:58,736 ♪ They were beaming ♪ 24 00:02:58,914 --> 00:03:05,445 ♪ I was starstruck ♪ 25 00:03:05,620 --> 00:03:10,615 ♪ You're all my ♪ ♪ You're all my lucky charms ♪ 26 00:03:10,792 --> 00:03:15,855 ♪ I'm lucky ♪ ♪ I'm lucky in your arms ♪ 27 00:03:16,031 --> 00:03:19,467 ♪ You've opened heaven's portal ♪ 28 00:03:19,634 --> 00:03:25,573 ♪ Here on Earth ♪ 29 00:03:25,740 --> 00:03:31,144 ♪ For this poor mortal ♪ 30 00:03:31,313 --> 00:03:34,476 ♪ You are ♪ 31 00:03:34,649 --> 00:03:40,588 ♪ My lucky ♪ 32 00:03:40,755 --> 00:03:46,387 ♪ Star ♪ 33 00:03:46,995 --> 00:03:48,360 Thank you, Miss Langford. 34 00:03:48,530 --> 00:03:51,864 Ladies and gentlemen, you have just heard Miss Frances Langford singing: 35 00:03:52,033 --> 00:03:55,264 "You Are My Lucky Star" from the forthcoming musical production... 36 00:03:55,437 --> 00:03:56,927 ...Broadway Rhythm. 37 00:03:57,105 --> 00:04:00,939 And now the Apex Brush Company again brings to you that cracked columnist... 38 00:04:01,109 --> 00:04:05,012 ...of the New York World Tribune, Bert Keeler, the voice of Broadway. 39 00:04:05,180 --> 00:04:08,081 Giving you the inside dope on what's what among the who's who. 40 00:04:08,250 --> 00:04:11,151 - Take it, Bert. - Good evening, you little scandal lovers. 41 00:04:11,319 --> 00:04:13,720 This is Bert Keeler speaking, the voice of Broadway. 42 00:04:13,888 --> 00:04:16,357 Coming to you with all the late indoor-sport results. 43 00:04:16,524 --> 00:04:17,650 And am I hot tonight. 44 00:04:19,027 --> 00:04:20,127 Flash. New York, New York. 45 00:04:20,262 --> 00:04:23,323 The Park Avenue Bradley Masons are anticipating a blessed event. 46 00:04:23,498 --> 00:04:25,592 It's a boy at the William Tuckers. 47 00:04:25,767 --> 00:04:29,635 Flash. Two dozen safety pins were ordered this morning by the Howard Van Pelts. 48 00:04:29,804 --> 00:04:31,169 Washington, D.C. 49 00:04:31,339 --> 00:04:34,536 There's a rumor that Congress, to help balance the national budget... 50 00:04:34,709 --> 00:04:36,507 ...will put a tax on all divorces. 51 00:04:36,678 --> 00:04:38,578 Are you listening, Reno? Heh, heh. 52 00:04:38,747 --> 00:04:40,909 Imagine all those lawyers going back to work. 53 00:04:41,082 --> 00:04:42,632 It's good? Flush. 54 00:04:42,651 --> 00:04:46,019 Or flash: It's quintuplets at the Tenth Avenue Angelo Pasquales. 55 00:04:46,187 --> 00:04:47,985 This is their 16th blessed event. 56 00:04:48,156 --> 00:04:50,284 Hmm, the stork must be using the spare room. 57 00:04:50,458 --> 00:04:54,019 Crash. It's a 72-pound boy at the home of the Leslie, Park Avenue, Rockfords. 58 00:04:54,195 --> 00:04:56,823 Flash: The stork left by aeroplane at midnight... 59 00:04:56,998 --> 00:05:01,367 ...for the home of the Sidney O'Hares in Baltimore-Happy landing. 60 00:05:02,904 --> 00:05:07,239 Boy. Call Bert Keeler. Tell him to see me as soon as he finishes his broadcast. 61 00:05:07,409 --> 00:05:08,934 Yes, sir. 62 00:05:14,616 --> 00:05:17,347 - Hi, chief. How'd you like the broadcast? - Rotten. 63 00:05:17,519 --> 00:05:21,353 Can't you write or talk about anything else except who's gonna have a baby? 64 00:05:21,523 --> 00:05:23,651 Why, chief, don't you like my baby talk? 65 00:05:23,825 --> 00:05:26,658 No. Your column reads like a clinical report. 66 00:05:26,828 --> 00:05:30,230 Listen to this, "The stork is flying high over the Conrad Barnums. 67 00:05:30,398 --> 00:05:32,628 A bundle of joy from heaven at the Bartons. 68 00:05:32,801 --> 00:05:35,736 A blessed event threatens the Campbells." It's old stuff. 69 00:05:35,904 --> 00:05:37,201 But the public loves babies. 70 00:05:37,372 --> 00:05:40,740 So do I, but I'm running a newspaper, not a birth forecast. 71 00:05:40,909 --> 00:05:44,607 Don't you think it gives my column a homey feeling, sort of a domestic touch? 72 00:05:44,779 --> 00:05:47,043 That's not Broadway. Now get this, Keeler. 73 00:05:47,215 --> 00:05:50,947 I want the stuff you get looking over transoms and peeking through keyholes. 74 00:05:51,119 --> 00:05:54,419 You can't get stuff through keyholes. Sometimes the people aren't home. 75 00:05:54,589 --> 00:05:56,819 Then you find out where they went and why. 76 00:05:56,991 --> 00:05:59,191 Suppose I find them and they're doing nothing wrong? 77 00:05:59,260 --> 00:06:02,127 People are always doing something wrong for a good reporter. 78 00:06:02,297 --> 00:06:05,426 I see. You want the kind of stuff that'll get me a sock in the nose. 79 00:06:05,600 --> 00:06:08,968 That's right. And you won't be making good until people hate you. 80 00:06:09,137 --> 00:06:12,129 I want everybody in this town looking for your scalp. 81 00:06:12,307 --> 00:06:14,298 Mmm, nice journalistic future I have. 82 00:06:14,476 --> 00:06:18,413 Don't worry. The minute I hear people calling you a rat, I'll raise your salary. 83 00:06:18,580 --> 00:06:21,743 All right, I'll be so big a rat you can put a saddle on me. 84 00:06:21,916 --> 00:06:24,544 Give that stork a rest. Put your nose to the ground... 85 00:06:24,719 --> 00:06:27,154 ...and dig up some news that's hot, and remember: 86 00:06:27,322 --> 00:06:30,417 One more blessed event in your column and you're through. 87 00:06:30,592 --> 00:06:35,154 Okay, chief. The only births I'll mention from now on will be on Pullmans. 88 00:06:36,798 --> 00:06:38,823 Bert, who do you think is gonna have a baby? 89 00:06:39,000 --> 00:06:40,092 - Who? - My mother. 90 00:06:40,268 --> 00:06:44,136 - From now on nobody's gonna have babies. - You can't stop my mother... 91 00:06:44,305 --> 00:06:47,104 - ...from having a baby. - I can stop it from having it in my column. 92 00:06:47,275 --> 00:06:50,939 What I'm driving at is we gotta stop watching the stork and pay attention... 93 00:06:51,112 --> 00:06:52,705 - ...to keyholes and transoms. - Why? 94 00:06:52,881 --> 00:06:56,249 Because I'll lose my job. And if I lose my job I've got to let you go. 95 00:06:56,418 --> 00:06:57,817 - Why? - Why? 96 00:06:57,986 --> 00:07:00,853 Because when I'm out of work, I don't need an assistant. 97 00:07:02,924 --> 00:07:05,120 I gotta get the lowdown on something important. 98 00:07:05,293 --> 00:07:07,921 - Well, ain't babies important? - The boss don't think so. 99 00:07:08,096 --> 00:07:11,760 We gotta dig up some dirt. What banker was seen with what chorus girl. 100 00:07:11,933 --> 00:07:13,924 Does it have to be a banker or a chorus girl? 101 00:07:14,102 --> 00:07:17,800 No, but it's gotta be somebody important who's doing something he shouldn't do. 102 00:07:22,811 --> 00:07:25,712 Hey, looks like there's something hot going on down there. 103 00:07:48,770 --> 00:07:50,795 - Thanks. - You're welcome. 104 00:07:51,072 --> 00:07:53,700 It's Bob Gordon, the guy who's producing Broadway Rhythm. 105 00:07:53,875 --> 00:07:56,105 - He's talking to a dame. - Who is she? 106 00:07:56,277 --> 00:07:57,711 I think it's Lillian Brent. 107 00:07:57,879 --> 00:07:59,278 - Lillian Brent? - Yeah. 108 00:07:59,447 --> 00:08:02,883 Say, she's got more dough than you and I will ever have. 109 00:08:03,151 --> 00:08:04,277 I'd like to help you out. 110 00:08:04,452 --> 00:08:06,443 Investing money in a show is risky business. 111 00:08:06,621 --> 00:08:08,612 - I wouldn't advise it. - I like taking chances. 112 00:08:08,790 --> 00:08:11,657 - I'd get a kick out of it. - I can't let you do it, Lillian. 113 00:08:11,826 --> 00:08:13,624 - Don't you believe in your show? - I do. 114 00:08:13,795 --> 00:08:16,595 - It's the best thing I've ever written. - That's good enough for me. 115 00:08:18,166 --> 00:08:19,565 Look... 116 00:08:20,835 --> 00:08:22,701 ...who told you that I needed money? 117 00:08:22,871 --> 00:08:24,236 What's the difference? 118 00:08:24,405 --> 00:08:28,035 Well, I just didn't want you to think I'd take advantage of our friendship. 119 00:08:28,209 --> 00:08:30,473 You haven't. You had nothing to do with it. 120 00:08:30,645 --> 00:08:34,240 I like the idea of putting money into your show and I'm going to do it. 121 00:08:34,415 --> 00:08:35,541 But... 122 00:08:35,717 --> 00:08:39,483 ...we don't have to be too brutally businesslike about it, do we? 123 00:08:39,654 --> 00:08:41,247 It's a business proposition. 124 00:08:41,589 --> 00:08:45,025 - Won't there be anything personal in it? - Mm-hm. 125 00:08:45,193 --> 00:08:47,628 - What? - Your personal check. 126 00:08:47,795 --> 00:08:49,820 Oh, Bob. 127 00:08:52,967 --> 00:08:57,131 I know the show's gonna be a great success and I want it to be, for your sake. 128 00:08:57,305 --> 00:09:00,605 But, darling, please don't become so interested in it... 129 00:09:00,775 --> 00:09:02,709 ...that you'll forget all about me? 130 00:09:03,044 --> 00:09:04,705 How could I? 131 00:09:06,948 --> 00:09:10,145 ♪ I've got a feelin' you're foolin' ♪ 132 00:09:10,318 --> 00:09:13,413 ♪ I've got a feelin' you're having fun ♪ 133 00:09:13,588 --> 00:09:16,523 ♪ I'll get a go-by when you are done ♪ 134 00:09:16,691 --> 00:09:19,319 ♪ Foolin' with me ♪ 135 00:09:20,261 --> 00:09:23,356 ♪ I've got a feelin' you're foolin' ♪ 136 00:09:23,531 --> 00:09:26,660 ♪ I've got a notion it's make-believe ♪ 137 00:09:26,834 --> 00:09:29,735 ♪ I think you're laughing ♪ ♪ Right up your sleeve ♪ 138 00:09:29,904 --> 00:09:32,999 ♪ Foolin' with me ♪ 139 00:09:33,174 --> 00:09:36,405 ♪ Life is worth living ♪ ♪ While you are giving ♪ 140 00:09:36,578 --> 00:09:39,411 ♪ Moments of paradise ♪ 141 00:09:39,581 --> 00:09:42,778 ♪ You're such a standout ♪ ♪ But how you hand out ♪ 142 00:09:42,951 --> 00:09:46,512 ♪ That hocus-pocus From your eyes ♪ 143 00:09:46,688 --> 00:09:49,919 ♪ I got a feelin' you're foolin' ♪ 144 00:09:50,091 --> 00:09:53,152 ♪ I've got a feelin' it's all a frame ♪ 145 00:09:53,328 --> 00:09:56,320 ♪ It's just the well-known old Army game ♪ 146 00:09:56,497 --> 00:09:59,762 ♪ Foolin' with you ♪ 147 00:10:00,134 --> 00:10:03,331 ♪ I've got a feelin' you're foolin' ♪ 148 00:10:03,504 --> 00:10:06,474 ♪ I've got a feelin' you're having fun ♪ 149 00:10:06,641 --> 00:10:09,667 ♪ I'll get a go-by when you are done ♪ 150 00:10:09,844 --> 00:10:13,439 ♪ Foolin' with me ♪ 151 00:10:13,615 --> 00:10:19,987 ♪ I've got a feelin' you're foolin' ♪ ♪ I got a notion it's make-believe ♪ 152 00:10:20,154 --> 00:10:23,488 ♪ And you are laughing right up your sleeve ♪ 153 00:10:23,658 --> 00:10:26,320 ♪ Foolin' with me ♪ 154 00:10:26,527 --> 00:10:29,758 ♪ Life is worth livin' while you are givin' ♪ 155 00:10:29,931 --> 00:10:32,730 ♪ Moments of paradise ♪ 156 00:10:33,267 --> 00:10:37,465 ♪ You're such a standout ♪ ♪ But how you hand out the» ♪ 157 00:10:40,074 --> 00:10:43,305 ♪ I've got a feelin' you're foolin' ♪ 158 00:10:43,478 --> 00:10:46,709 ♪ I've got a feelin' it's all a frame ♪ 159 00:10:46,881 --> 00:10:49,612 ♪ It's just the well-known old Army game ♪ 160 00:10:49,784 --> 00:10:53,049 ♪ -No foolin' ♪ ♪ -No foolin' ♪ 161 00:10:53,221 --> 00:10:57,021 ♪ -No foolin' ♪ ♪ -No foolin' ♪ 162 00:10:57,191 --> 00:11:04,188 ♪ -When I'm foolin' with you ♪ ♪ »When I'm foolin' with you ♪ 163 00:11:06,868 --> 00:11:09,166 ♪ I've got a feelin' you're foolin' ♪ 164 00:11:09,337 --> 00:11:11,499 ♪ I've got a feelin' you're having fun ♪ 165 00:11:11,673 --> 00:11:16,076 ♪ I'll get a go-by when you are done ♪ ♪ Foolin' with me ♪ 166 00:11:16,244 --> 00:11:20,738 ♪ I've got a feelin' you're foolin' ♪ ♪ I've got a notion it's make-believe ♪ 167 00:11:20,915 --> 00:11:22,955 ♪ I think you're laughing ♪ ♪ Right up your sleeve ♪ 168 00:11:23,117 --> 00:11:25,609 ♪ Foolin' with me ♪ 169 00:12:37,725 --> 00:12:40,786 ♪ I've got a feelin' you're foolin' ♪ 170 00:12:40,962 --> 00:12:43,932 ♪ I've got a feelin' it's all a frame ♪ 171 00:12:44,098 --> 00:12:46,931 ♪ It's just that well-known old Army game ♪ 172 00:12:47,101 --> 00:12:50,196 ♪ Foolin' with you ♪ 173 00:14:01,042 --> 00:14:02,305 ♪ Life is worth living ♪ 174 00:14:02,476 --> 00:14:03,875 ♪ While you are giving ♪ 175 00:14:04,045 --> 00:14:06,878 ♪ Moments of paradise ♪ 176 00:14:07,048 --> 00:14:09,813 ♪ You're such a standout ♪ ♪ But how you hand out ♪ 177 00:14:09,984 --> 00:14:12,919 ♪ That hocus-pocus from your eyes ♪ 178 00:14:31,372 --> 00:14:33,704 - Snooper, do you know what this means? - What? 179 00:14:33,875 --> 00:14:37,106 Anytime a wealthy Park Avenue widow gets chummy with a Broadway guy... 180 00:14:37,278 --> 00:14:38,871 ...the public wants to know why. 181 00:14:39,046 --> 00:14:41,140 - Why, is that wrong? - Not at all. 182 00:14:41,315 --> 00:14:43,784 But one of them's got something the other one wants. 183 00:14:43,951 --> 00:14:46,318 It's the same in the Bronx. 184 00:15:08,509 --> 00:15:11,069 - See Mr. Newcombe. - Thank you. 185 00:15:13,614 --> 00:15:17,608 - Is this Robert Gordon's office of Albany? - What's that? 186 00:15:17,785 --> 00:15:20,652 I say, is this Robert Gordon of Albany's office? 187 00:15:20,821 --> 00:15:23,347 Albany office? No, no. New York office. 188 00:15:23,791 --> 00:15:25,782 Yes, I know. But what I mean is... 189 00:15:25,960 --> 00:15:28,986 ...is this Robert Gordon's office in New York of Albany? 190 00:15:29,163 --> 00:15:30,187 See if this is it. 191 00:15:30,364 --> 00:15:33,857 You wanna know if this is Albany's office of Robert Gordon's New Yor... 192 00:15:34,035 --> 00:15:35,059 Now you got me doing it. 193 00:15:36,437 --> 00:15:38,237 Don't go away. I'll unravel you in a minute. 194 00:15:38,673 --> 00:15:41,904 Hello? No, sorry, he isn't in. 195 00:15:42,276 --> 00:15:44,904 Now then, let's start from scratch. 196 00:15:45,079 --> 00:15:47,377 - Just who did you want to see? - Bob. 197 00:15:47,915 --> 00:15:49,542 Bob? You mean Mr. Gordon? 198 00:15:49,717 --> 00:15:51,048 Yes. 199 00:15:51,218 --> 00:15:53,186 - What's your name? - Irene Foster. 200 00:15:53,354 --> 00:15:55,448 - Of Albany. - Why, yes. 201 00:15:55,623 --> 00:15:56,784 How did you know? 202 00:15:56,958 --> 00:15:58,551 - I'm psychic. - Really? 203 00:15:58,726 --> 00:16:00,820 - You know, Bob's from Albany too. - Is that so? 204 00:16:00,995 --> 00:16:03,430 We haven't seen each other since he left high school. 205 00:16:03,597 --> 00:16:04,792 For heaven's sake. 206 00:16:04,966 --> 00:16:06,900 We were sort of... 207 00:16:07,802 --> 00:16:09,896 - You know what I mean. - Oh, you weren't. 208 00:16:10,071 --> 00:16:13,336 Mm-hm. See this? It's his school fraternity pin. 209 00:16:13,507 --> 00:16:16,568 He gave it to me five years ago. 210 00:16:16,744 --> 00:16:19,577 Gee, I'm dying to see him again. Is he in? 211 00:16:19,747 --> 00:16:21,272 Not yet. Have you an appointment? 212 00:16:21,449 --> 00:16:24,316 Oh, no. I wanna surprise him. 213 00:16:24,485 --> 00:16:26,351 He may not remember you after five years. 214 00:16:26,520 --> 00:16:29,854 Oh, he'll remember me, all right, especially this. 215 00:16:30,024 --> 00:16:33,016 - What's that? - We used to do that in school. 216 00:16:33,194 --> 00:16:35,595 - You did that to each other? - Uh-huh. 217 00:16:35,763 --> 00:16:37,026 Why? 218 00:16:37,198 --> 00:16:39,428 Well, because we were both born in January. 219 00:16:40,134 --> 00:16:42,569 Oh, I get it, the goat sign. 220 00:16:42,737 --> 00:16:44,364 - A couple of goats. - That's right. 221 00:16:44,538 --> 00:16:47,166 Excuse me. I'm Bert Keeler of the World Tribune. 222 00:16:47,341 --> 00:16:50,777 - I'd like to see Bob Gordon. - Oh, Mr. Gordon isn't in right now. 223 00:16:50,945 --> 00:16:52,811 Well, maybe you can help me out. 224 00:16:52,980 --> 00:16:55,244 You ought to know something about this. 225 00:16:55,950 --> 00:16:59,045 Confidentially, who's banking Gordon's show? 226 00:16:59,220 --> 00:17:01,279 Mr. Gordon isn't in right now. 227 00:17:01,455 --> 00:17:04,117 It's, uh... It's Lillian Brent, isn't it? 228 00:17:04,291 --> 00:17:06,891 - Mr. Gordon isn't in right now. - Mr. Gordon isn't in right now. 229 00:17:06,927 --> 00:17:08,019 All right, I'll wait. 230 00:17:11,032 --> 00:17:15,629 That's the eyes and ears of Broadway, with his nose in everybody's business. 231 00:17:38,259 --> 00:17:39,590 Hey, pardon me. 232 00:17:39,760 --> 00:17:42,161 If you're asleep, you forgot to close your eyes. 233 00:17:42,329 --> 00:17:44,821 Oh, I'm not sleeping. 234 00:17:44,999 --> 00:17:49,835 I'm just practicing my... Rehearsing my specialty. 235 00:17:50,004 --> 00:17:51,233 What specialty? 236 00:17:51,405 --> 00:17:56,002 Well, I'm sort of an expert on snores. 237 00:17:56,177 --> 00:18:00,444 I've been trying to see Mr. Gordon for a month. 238 00:18:00,614 --> 00:18:01,877 What about? 239 00:18:02,049 --> 00:18:03,881 Snoring. 240 00:18:04,385 --> 00:18:05,944 I want to get into his show. 241 00:18:06,120 --> 00:18:07,144 Snoring? 242 00:18:07,321 --> 00:18:08,413 Precisely. 243 00:18:09,723 --> 00:18:13,250 Of all the human sound phenomena... 244 00:18:13,427 --> 00:18:16,192 ...perhaps the most inhuman... 245 00:18:16,430 --> 00:18:19,263 ...to other people are the snorers. 246 00:18:19,433 --> 00:18:23,233 Well, I agree with you. It is a very unpopular indoor sport. 247 00:18:23,404 --> 00:18:29,468 In discussing the human snore, or what we call in scientific terms... 248 00:18:29,643 --> 00:18:32,078 ...soft-palate calisthenics... 249 00:18:32,246 --> 00:18:36,308 ...I need scarcely point out that the basic snore... 250 00:18:36,484 --> 00:18:40,079 ...is the common or Pullman car form. 251 00:18:40,254 --> 00:18:41,688 Like this: 252 00:18:49,063 --> 00:18:50,553 Just an ordinary snore. 253 00:18:50,731 --> 00:18:54,258 Yeah, it would be silly to waste a good snore in a Pullman. 254 00:18:54,435 --> 00:18:59,703 Snores are produced by two movements of the breath... 255 00:18:59,874 --> 00:19:04,903 ...and so they may be classified under two general headings... 256 00:19:05,112 --> 00:19:09,413 ...varied inspirational forms and varied expirational forms. 257 00:19:09,583 --> 00:19:12,609 We'll take up the latter first. 258 00:19:12,786 --> 00:19:15,585 Go right ahead. It's very interesting. 259 00:19:15,990 --> 00:19:21,053 All of these expirational forms are dependent upon type one... 260 00:19:21,228 --> 00:19:25,187 ...which you've just heard, for their inspirational element. 261 00:19:25,366 --> 00:19:29,303 And so we have type 2-A... 262 00:19:29,470 --> 00:19:33,429 ...the labial or "ah-poo" variety. 263 00:19:39,113 --> 00:19:42,549 You know, my... My grandmother used to snore like that. 264 00:19:42,716 --> 00:19:48,849 And 2-8 is the frictional or non-lubricated form. 265 00:19:52,826 --> 00:19:54,988 A little oil would help that one. 266 00:19:55,162 --> 00:20:00,657 And 3-A is the sad or melancholy form. 267 00:20:05,940 --> 00:20:10,707 Which often merges into 3-B... 268 00:20:10,878 --> 00:20:15,008 ...the conversational or troubled-conscience variety. 269 00:20:23,557 --> 00:20:27,425 I'm sorry, but I don't think my readers would be interested in an organ recital. 270 00:20:27,595 --> 00:20:31,691 But you haven't heard the air-brake whistle snore... 271 00:20:32,766 --> 00:20:34,256 - Hello, Gordon. - Good morning. 272 00:20:34,435 --> 00:20:35,869 Good morning, Mr. Gordon. 273 00:20:36,036 --> 00:20:38,368 Good morning, Mr. Gordon. 274 00:20:41,442 --> 00:20:45,174 Call the costumers and have them send over the sketches for that ballet number. 275 00:20:45,346 --> 00:20:49,044 Get in touch with Basil. I'd like to start rehearsing as soon as possible. 276 00:20:49,617 --> 00:20:51,483 Oh, yes. Yes, Mr. Gordon. 277 00:20:53,020 --> 00:20:55,682 He just didn't recognize you. 278 00:20:55,923 --> 00:20:57,254 I know he didn't. 279 00:20:57,424 --> 00:20:59,085 Why didn't you give him this? 280 00:20:59,260 --> 00:21:00,819 I forgot to. 281 00:21:00,995 --> 00:21:04,192 Well, it... It's always best to write for an appointment. 282 00:21:05,499 --> 00:21:07,092 I guess you're right. 283 00:21:07,268 --> 00:21:10,829 Ask Mr. Gordon if he'll see me. I gotta get back to the office. 284 00:21:11,205 --> 00:21:13,765 Bert Keeler of the World Tribune wants to see you. 285 00:21:14,541 --> 00:21:16,100 Yes, sir. 286 00:21:16,644 --> 00:21:18,339 He said he saw you on the way in. 287 00:21:19,713 --> 00:21:21,738 Yeah? Well, ask him how I looked. 288 00:21:21,915 --> 00:21:25,112 No, wait. Tell him I want some news on the show. This is publicity. 289 00:21:25,286 --> 00:21:27,584 He wants some news on the show, Mr. Gordon. 290 00:21:27,755 --> 00:21:29,689 He said it's publicity. 291 00:21:29,857 --> 00:21:31,450 Yes, sir, I'll tell him. 292 00:21:31,625 --> 00:21:32,854 What did he say? 293 00:21:33,027 --> 00:21:35,519 He said when he wants publicity he'll hire a publicity man. 294 00:21:36,897 --> 00:21:38,592 Mm-hm. Well, he won't need one. 295 00:21:38,766 --> 00:21:42,066 This is one thing Lillian Brent won't have to pay for. Tell him to read my column. 296 00:22:04,792 --> 00:22:08,558 ♪ Sing before breakfast ♪ ♪ Help the birdies along ♪ 297 00:22:08,729 --> 00:22:12,165 ♪ Before you have that buttered toast ♪ ♪ Have a song ♪ 298 00:22:12,333 --> 00:22:16,668 ♪ You've got to sing before breakfast ♪ ♪ Green a tune and rejoice ♪ 299 00:22:16,837 --> 00:22:20,000 ♪ Before you use that coffeepot ♪ ♪ Use your ♪ 300 00:22:20,841 --> 00:22:24,709 ♪ The whole world may seem funny ♪ ♪ But it is good enough ♪ 301 00:22:24,878 --> 00:22:28,508 ♪ If you run out of money, honey ♪ ♪ Put it on the cuff ♪ 302 00:22:28,682 --> 00:22:31,117 ♪ And sing before breakfast ♪ 303 00:23:43,791 --> 00:23:46,385 - Oh, hello. - Hello. 304 00:23:46,560 --> 00:23:48,187 Oh, please go right ahead. 305 00:23:48,362 --> 00:23:51,297 We were just working up a little appetite for breakfast. 306 00:23:51,465 --> 00:23:53,661 I didn't mean to interrupt, I'm sorry. 307 00:23:53,834 --> 00:23:56,599 That's all right. Come on over and join us. 308 00:23:56,770 --> 00:23:58,431 Thanks. 309 00:23:59,273 --> 00:24:01,332 This is my sister, Sally Burke. 310 00:24:01,508 --> 00:24:03,704 - How do you do? - Hello. 311 00:24:03,877 --> 00:24:05,777 And my name is Theodore. 312 00:24:05,946 --> 00:24:07,778 But just call me Ted. 313 00:24:07,948 --> 00:24:10,474 - What's your name? - Irene Foster. 314 00:24:10,651 --> 00:24:12,881 That's a good name. For a girl. 315 00:24:13,053 --> 00:24:15,021 - Have you had breakfast? - Oh, yes. 316 00:24:15,189 --> 00:24:16,884 Well, sit down and have some more. 317 00:24:17,057 --> 00:24:19,287 I usually eat breakfast in the morning. 318 00:24:19,460 --> 00:24:24,330 Well, we usually eat breakfast at noon, it saves lunch. It's cheaper that way. 319 00:24:24,498 --> 00:24:26,592 - You just moved here today, didn't you? - Yes. 320 00:24:26,767 --> 00:24:28,326 - Where you from? - Albany. 321 00:24:28,502 --> 00:24:29,526 Albany? 322 00:24:29,703 --> 00:24:31,967 Hey, that's a swell town. 323 00:24:32,139 --> 00:24:33,368 We played there once. 324 00:24:33,540 --> 00:24:36,908 - Were we a panic in Albany. - I'll say. 325 00:24:37,077 --> 00:24:39,045 - What'd I do with those clippings? - Ted? 326 00:24:39,213 --> 00:24:41,511 Remind me to show you those clippings. Terrific. 327 00:24:41,682 --> 00:24:43,616 Oh, then you're in show business? 328 00:24:43,784 --> 00:24:46,048 Yeah. What line are you in? 329 00:24:46,720 --> 00:24:49,348 Well, I really came to New York to see Robert Gordon. 330 00:24:49,523 --> 00:24:52,515 - I thought he might give me a chance. - Did you see him? 331 00:24:52,693 --> 00:24:54,320 Yes, I saw him. 332 00:24:54,495 --> 00:24:55,929 But he didn't remember me. 333 00:24:56,096 --> 00:24:57,825 Was he, uh, supposed to? 334 00:24:57,998 --> 00:25:00,228 Well, he should. We went to school together. 335 00:25:00,400 --> 00:25:03,700 Oh, I get it. You're kind of that way over him, huh? 336 00:25:03,871 --> 00:25:05,862 Well, kind of. 337 00:25:06,039 --> 00:25:08,531 You're going back to see Mr. Gordon again, aren't you? 338 00:25:08,709 --> 00:25:11,110 - Never. - Oh, you've got to. 339 00:25:11,378 --> 00:25:12,470 Yeah, you got to. 340 00:25:12,646 --> 00:25:15,741 Look, you can't let a little thing like that upset you. 341 00:25:15,916 --> 00:25:18,078 - Coffee? - Thanks. 342 00:25:19,486 --> 00:25:23,821 - Well, I really don't feel much like eating. - Oh, trouble never upsets my appetite. 343 00:25:23,991 --> 00:25:25,959 ♪ You got to sing before breakf... ♪ 344 00:25:26,126 --> 00:25:29,562 - Never sing before breakfast. - I don't believe in that stuff. 345 00:25:29,730 --> 00:25:32,199 Look, you've spilt the salt. Don't you pick some up... 346 00:25:32,366 --> 00:25:36,132 - ...and throw it over your shoulder? - No, I pick it up and throw it over my eggs. 347 00:25:36,537 --> 00:25:37,595 But that's bad luck. 348 00:25:37,771 --> 00:25:40,365 ♪ Don't be a superstitious dope ♪ 349 00:25:40,541 --> 00:25:44,637 ♪ To walk beneath a ladder ♪ ♪ Can never make you sadder ♪ 350 00:25:44,811 --> 00:25:47,212 ♪ Things people fear to me bring hope ♪ 351 00:25:47,381 --> 00:25:51,079 ♪ Thirteen's a lucky number ♪ ♪ If you wake from slumber ♪ 352 00:25:51,385 --> 00:25:56,050 ♪ And sing before breakfast ♪ ♪ Help the birdies along ♪ 353 00:25:56,223 --> 00:25:58,658 ♪ Before you have that buttered toast ♪ 354 00:25:58,825 --> 00:26:02,762 ♪ Have a song ♪ ♪ You got to sing before breakfast ♪ 355 00:26:02,930 --> 00:26:04,557 ♪ Green a tune and rejoice ♪ 356 00:26:04,731 --> 00:26:08,690 ♪ Before you use that coffeepot ♪ ♪ Use your voice ♪ 357 00:26:08,869 --> 00:26:12,703 ♪ The whole world may seem funny ♪ ♪ But it is good enough ♪ 358 00:26:12,873 --> 00:26:16,639 ♪ If you run out of money, honey ♪ ♪ Put it on the cuff ♪ 359 00:26:16,810 --> 00:26:21,179 ♪ And sing before breakfast ♪ ♪ Never cry at a thing ♪ 360 00:26:21,348 --> 00:26:25,046 ♪ Before you eat that shredded wheat ♪ ♪ Sing, just sing ♪ 361 00:26:25,218 --> 00:26:29,177 ♪ - And sing, sister, before breakfast ♪ ♪ - Sing, sing, sister, before breakfast sing ♪ 362 00:26:29,356 --> 00:26:31,956 ♪ - Sister, before breakfast sing, sister ♪ ♪ - Before breakfast ♪ 363 00:26:32,125 --> 00:26:33,684 ♪ Open your mouth and sing ♪ 364 00:28:03,483 --> 00:28:06,282 ♪ You got to sing before breakfast ♪ 365 00:28:06,453 --> 00:28:08,319 ♪ Green a tune and rejoice ♪ 366 00:28:08,488 --> 00:28:12,789 ♪ Before you use that coffeepot ♪ ♪ Use your voice ♪ 367 00:28:12,959 --> 00:28:16,918 ♪ The whole world may seem funny ♪ ♪ But it is good enough ♪ 368 00:28:17,097 --> 00:28:20,897 ♪ If you run out of money, honey ♪ ♪ Put it on the cuff ♪ 369 00:28:21,068 --> 00:28:25,528 ♪ And sing before breakfast ♪ ♪ Never cry at a thing ♪ 370 00:28:26,006 --> 00:28:29,909 ♪ Before you eat that shredded wheat ♪ ♪ Sing, just sing ♪ 371 00:28:30,077 --> 00:28:34,207 ♪ And sing, and sing, and sing ♪ ♪ And sing ♪ 372 00:28:40,854 --> 00:28:42,845 Well, I'll see that he gets the message. 373 00:28:43,023 --> 00:28:44,684 Yes, sir. 374 00:28:45,258 --> 00:28:47,488 Miss Corbett, where did this come from? 375 00:28:48,295 --> 00:28:51,060 A girl left it. Said to give it to you. 376 00:28:51,231 --> 00:28:52,665 A girl? 377 00:28:52,833 --> 00:28:55,029 Mr. Gordon, are you from Albany? 378 00:28:55,202 --> 00:28:56,431 Yes, I am. Why? 379 00:28:56,603 --> 00:29:00,198 And did you use to do this to a girl you went to school with? 380 00:29:03,410 --> 00:29:05,777 Sure, I remember. 381 00:29:05,946 --> 00:29:07,209 - Irene Foster. - That's it. 382 00:29:07,380 --> 00:29:09,109 - Where is she? - She's gone. 383 00:29:09,282 --> 00:29:10,340 Gone? Where did she go? 384 00:29:11,151 --> 00:29:13,176 - I don't know. - Where's she stopping? 385 00:29:13,920 --> 00:29:16,355 - I don't know. - Didn't you get her address? 386 00:29:16,523 --> 00:29:18,787 - No. - That's a fine way to conduct an office. 387 00:29:18,959 --> 00:29:21,428 Find out where she lives. Go on, get busy, find her. 388 00:29:21,595 --> 00:29:23,154 And hurry it up. 389 00:29:25,398 --> 00:29:26,729 - Is Bob Gordon in? - Yes. 390 00:29:26,900 --> 00:29:28,425 Thank you. 391 00:29:30,937 --> 00:29:33,201 - Have you seen Bert Keeler's column? - No. Why? 392 00:29:33,373 --> 00:29:34,636 Well, listen to this: 393 00:29:34,808 --> 00:29:38,642 Flash: Dan Cupid shoots a Park Avenue arrow into the heart of Broadway. 394 00:29:38,812 --> 00:29:41,304 Lillian Brent and Bob Gordon are billing and cooing. 395 00:29:41,481 --> 00:29:43,745 He's cooing until the billing for his new show... 396 00:29:43,917 --> 00:29:46,511 ...is backed by cash in the bank." How do you like that? 397 00:29:46,686 --> 00:29:48,381 Wait a minute. 398 00:29:48,722 --> 00:29:51,623 Get Bert Keeler on the phone and tell him I want to see him. 399 00:29:51,792 --> 00:29:53,453 Right away, Mr. Gordon. 400 00:29:53,627 --> 00:29:55,595 How dare Bert print such a thing in the paper. 401 00:29:55,762 --> 00:29:58,823 That guy's been getting away with murder lately by guessing lucky. 402 00:29:58,999 --> 00:30:01,593 Somebody told him I was putting money in the show. 403 00:30:01,768 --> 00:30:03,258 - Did you? - Don't look at me. 404 00:30:03,436 --> 00:30:05,905 - I didn't crack to anybody. - It won't happen again. 405 00:30:06,072 --> 00:30:07,733 - But the damage is done. - I'll say. 406 00:30:07,908 --> 00:30:11,811 Oh, Mr. Gordon, Mr. Keeler says if you wanna see him... 407 00:30:11,978 --> 00:30:14,413 ...you'll have to come to his office. 408 00:30:16,116 --> 00:30:17,550 Oh, he did, did he? 409 00:30:17,717 --> 00:30:19,207 All right, I'll do that. 410 00:30:20,520 --> 00:30:22,682 Don't go, I'll be right back. 411 00:30:23,757 --> 00:30:24,986 How do you like that? Ha! 412 00:30:25,158 --> 00:30:27,024 Gordon wants me to come up to his office. 413 00:30:27,194 --> 00:30:29,891 - He's a big guy in this town, isn't he? - So am I. 414 00:30:30,063 --> 00:30:33,124 The secret is to write about big shots, not mingle with them. 415 00:30:33,300 --> 00:30:36,133 I wonder if he'd be mad about that sock you took at him. 416 00:30:36,303 --> 00:30:39,603 Who cares? The more those guys burn, the bigger I become. 417 00:30:39,773 --> 00:30:42,708 Snoop, you know when a columnist is sure he's a success? 418 00:30:42,876 --> 00:30:44,776 - When? - When the people he writes about... 419 00:30:44,945 --> 00:30:47,880 ...get sore and wanna see him. Scully is right. Get them mad. 420 00:30:48,048 --> 00:30:50,176 Make them tremble when they pick up the paper. 421 00:30:50,350 --> 00:30:53,217 - And that makes you a success, huh? - That's right. 422 00:30:53,386 --> 00:30:56,481 And furthermore, I'm doing a lot of good. 423 00:30:56,656 --> 00:30:59,387 You may not realize it but I am. People aren't likely... 424 00:30:59,559 --> 00:31:01,653 - ...to go wrong for fear I'll print it. - Yeah? 425 00:31:01,828 --> 00:31:02,989 Yeah. 426 00:31:03,196 --> 00:31:06,723 You know, Snoop. I'm a reformer in a sense. 427 00:31:06,900 --> 00:31:08,868 What sense? 428 00:31:10,103 --> 00:31:11,901 Copy boy. 429 00:31:12,072 --> 00:31:13,870 Copy boy. 430 00:31:14,774 --> 00:31:16,572 Copy boy. 431 00:31:18,545 --> 00:31:20,343 Copy boy. 432 00:31:33,159 --> 00:31:36,026 Hello, Gordon. How is the show coming along? 433 00:31:37,330 --> 00:31:39,162 Glad to hear it. You know Snooper... 434 00:31:39,332 --> 00:31:42,734 - ...my assistant that digs up the dirt for me? - Not all of it. 435 00:31:42,903 --> 00:31:45,031 Keeler, I want a retraction of that item. 436 00:31:45,205 --> 00:31:48,266 You mean that, uh... That little boost I gave you in today's column? 437 00:31:48,441 --> 00:31:51,536 I mean this cheap attack you made against a friend of mine. 438 00:31:51,711 --> 00:31:53,736 Why, Bob, that's publicity. 439 00:31:53,914 --> 00:31:56,212 I usually get something for that kind of stuff. 440 00:31:56,383 --> 00:31:57,646 That's okay with me. 441 00:31:59,986 --> 00:32:02,080 All right, Keeler, put that in your column. 442 00:32:02,255 --> 00:32:05,020 Listen, when you hit him, you gotta hit me too. 443 00:32:13,934 --> 00:32:16,028 - Hey, Snoop. - Yeah? 444 00:32:16,202 --> 00:32:19,103 Remind me to ask for a raise tomorrow. 445 00:32:30,450 --> 00:32:33,215 - Give me a napkin, will you? - What's the matter with you? 446 00:32:33,386 --> 00:32:37,323 - Don't you know how to dunk a doughnut? - Sure, I just lost control, that's all. 447 00:32:37,490 --> 00:32:40,289 - Look, what do you think that hole is for? - Ventilation. 448 00:32:40,460 --> 00:32:43,452 No, you're thinking of the holes in cheese. It's for your thumb. 449 00:32:43,630 --> 00:32:45,655 - Now, look, you put your thumb here... - Yeah. 450 00:32:45,832 --> 00:32:49,462 ...your forefinger here and you do this. 451 00:32:52,439 --> 00:32:53,907 I gotta run down to the office. 452 00:32:54,074 --> 00:32:56,941 - If you hear any news give me a buzz. - You forgot your check. 453 00:32:57,110 --> 00:32:58,578 Yeah. 454 00:33:00,213 --> 00:33:03,774 Uh, excuse me, that was Bert Keeler sitting here, wasn't it? 455 00:33:03,950 --> 00:33:05,145 Yeah, why? 456 00:33:05,318 --> 00:33:08,811 - Is he a friend of yours? - Sure, Keeler and I are like that: 457 00:33:08,989 --> 00:33:10,514 This is me on the bottom. 458 00:33:10,690 --> 00:33:12,886 - He could do me a big favor, if he would. - Yeah? 459 00:33:13,059 --> 00:33:15,227 - Your order, please? - Coffee and doughnut. 460 00:33:15,228 --> 00:33:17,424 What about a favor Keeler could do you? 461 00:33:17,597 --> 00:33:20,658 Well, the girl my boss is looking for reads his column. 462 00:33:20,834 --> 00:33:23,326 - Who's your boss? - Robert Gordon. Do you know him? 463 00:33:23,503 --> 00:33:25,494 - Oh, yes, we've met. - Good. 464 00:33:25,672 --> 00:33:29,506 - And who's the girl? - Irene Foster and I've got to locate her. 465 00:33:29,676 --> 00:33:33,544 Listen, Keeler's a great guy, he'll help you. And besides, he does anything I say. 466 00:33:33,713 --> 00:33:36,148 Then will you please tell him to put in his column... 467 00:33:36,316 --> 00:33:39,377 ...that Robert Gordon would like to locate Irene Foster? 468 00:33:41,654 --> 00:33:44,919 - Listen. Do you wanna be a regular guy? - Give me a match. What is it? 469 00:33:45,091 --> 00:33:48,925 Put in your column that Bob Gordon is anxious to get in touch with Irene Foster. 470 00:33:49,095 --> 00:33:50,585 - Who's Irene Foster? - A girl. 471 00:33:50,764 --> 00:33:52,391 Yeah, I imagine that. Now what? 472 00:33:52,565 --> 00:33:55,193 You see, she's from Albany. That's Bob Gordon's hometown. 473 00:33:55,368 --> 00:33:57,928 She checked out of high school and came to see Gordon... 474 00:33:58,104 --> 00:34:01,699 ...but he didn't recognize her. So she ankles out of his office feeling bad. 475 00:34:01,875 --> 00:34:03,468 High-hatting his old friends, eh? 476 00:34:03,643 --> 00:34:05,941 - No, he's sorry now. - Where did you get all this? 477 00:34:06,112 --> 00:34:08,012 - I got a connection in the office. - Yeah? 478 00:34:08,181 --> 00:34:11,549 Look, will you put it in your column and mark it down as a favor to me? 479 00:34:11,718 --> 00:34:13,379 The pleasure is all mine. 480 00:34:13,553 --> 00:34:15,885 - Gee, you're a regular guy at that, Bert. - Thanks. 481 00:34:16,056 --> 00:34:19,424 And everybody in town thinks you're a heel, but I don't anymore. 482 00:34:19,592 --> 00:34:21,822 Well, thanks, Snoop. I... 483 00:34:27,434 --> 00:34:29,095 Come in. 484 00:34:32,605 --> 00:34:34,198 Mr. Keeler? 485 00:34:34,374 --> 00:34:36,672 - Yeah. - You remember me? 486 00:34:37,811 --> 00:34:41,475 Oh, yeah, you're the guy that goes around snoring at people. 487 00:34:41,648 --> 00:34:45,607 Snoop. Snoop. I want you to meet Mr., uh... 488 00:34:45,819 --> 00:34:46,843 Mr... 489 00:34:48,855 --> 00:34:50,584 - What's his first name? - I don't know. 490 00:34:50,757 --> 00:34:53,522 - He wants to get into Gordon's show. - Yeah? What do you do? 491 00:34:53,693 --> 00:34:55,058 I snore. 492 00:34:55,228 --> 00:34:58,027 Oh, you're part of the audience. 493 00:34:58,198 --> 00:35:04,763 No, I... You see, I'm really a research professor of sound phenomena. 494 00:35:05,572 --> 00:35:09,167 Hey, why don't you give him a sample of whatever you're talking about? 495 00:35:09,342 --> 00:35:10,741 Well, certainly. 496 00:35:10,910 --> 00:35:13,436 Well, for instance, there's... 497 00:35:13,613 --> 00:35:17,447 ...the light and thin or blond type of snore: 498 00:35:19,285 --> 00:35:24,280 Or the larger and fuller or brunette variety: 499 00:35:26,059 --> 00:35:29,359 And there's the ascending diapason: 500 00:35:31,197 --> 00:35:33,564 And the descending diapason: 501 00:35:35,401 --> 00:35:39,531 And of course the double diapason: 502 00:35:43,009 --> 00:35:44,738 - That's good. - Yeah. 503 00:35:44,911 --> 00:35:46,777 But, uh... 504 00:35:46,946 --> 00:35:51,247 The evident sign of the experienced and accomplished snorer... 505 00:35:51,417 --> 00:35:55,320 ...is type seven, the interrupted inspiration... 506 00:35:55,488 --> 00:35:58,185 ...or static lag variety: 507 00:36:02,495 --> 00:36:04,429 You know, I've been all through this. 508 00:36:04,597 --> 00:36:08,659 Which merges and extends itself ultimately... 509 00:36:08,835 --> 00:36:13,238 ...and I think I may say, without fear of successful contradiction... 510 00:36:13,406 --> 00:36:16,706 ...almost inevitably into type eight... 511 00:36:16,876 --> 00:36:19,573 ...which might be called the last word in snoring. 512 00:36:19,746 --> 00:36:26,118 This is the auto-resuscitation, or self-awakening variety: 513 00:36:36,996 --> 00:36:39,021 Uh, shall I go on? 514 00:36:39,199 --> 00:36:40,894 No, you stay and I'll go on. 515 00:36:41,067 --> 00:36:42,831 I'll go with you. 516 00:36:44,003 --> 00:36:46,370 Hey, why don't you come too? 517 00:36:48,208 --> 00:36:50,870 'The Main Stem' by Bert Keeler. 518 00:36:51,044 --> 00:36:55,538 "Gardenias to Irene Foster for walking out on Bob Gordon. 519 00:36:55,715 --> 00:36:59,811 Cabbages to him for not recognizing the Albany beauty. 520 00:36:59,986 --> 00:37:01,476 Some guys are like that. 521 00:37:01,654 --> 00:37:05,716 They prefer widows, especially if they are rich." 522 00:37:06,726 --> 00:37:08,785 How do you suppose he ever got a hold of that? 523 00:37:08,962 --> 00:37:11,397 What do you care, as long as your name's spelt right? 524 00:37:11,564 --> 00:37:13,498 You can't keep any secrets from Keeler. 525 00:37:13,666 --> 00:37:16,931 - Oh, I think that's awful. - What do you mean awful? 526 00:37:17,103 --> 00:37:19,197 Yeah. Say, onions from that guy... 527 00:37:19,372 --> 00:37:21,898 ...are better than chrysanthebubs from anybody else. 528 00:37:22,809 --> 00:37:24,334 Better than what? 529 00:37:24,510 --> 00:37:26,604 Chrysanthemums. 530 00:37:27,146 --> 00:37:30,116 - Why don't you go back and see Gordon? - I will not. 531 00:37:30,283 --> 00:37:32,012 You came here to see him, didn't you? 532 00:37:32,185 --> 00:37:34,347 Yes, but I still have a little pride left. 533 00:37:34,520 --> 00:37:37,353 So has Gandhi but he's getting awful thin. 534 00:37:37,523 --> 00:37:41,357 You know, if you could only do something besides dance. 535 00:37:41,527 --> 00:37:46,590 Gordon can buy hoofers a dime a dozen, but if you could do, say, a bubble dance... 536 00:37:46,766 --> 00:37:49,633 ...or a dance on a tightrope. 537 00:37:49,802 --> 00:37:51,702 I remember a fellow once that had an act. 538 00:37:51,871 --> 00:37:55,501 He used to dance and while he was dancing he'd spin a rope with one hand... 539 00:37:55,675 --> 00:37:58,042 ...and play a saxophone with the other. 540 00:37:58,211 --> 00:37:59,303 And in the meanwhile... 541 00:37:59,479 --> 00:38:02,107 Oh, hello, what's your name? 542 00:38:02,282 --> 00:38:04,148 My name is Eva Lovelace. 543 00:38:04,317 --> 00:38:07,719 Of course I haven't done very much, just a little stock in Boston. 544 00:38:07,887 --> 00:38:09,480 Oh, that isn't really my name. 545 00:38:09,689 --> 00:38:11,987 I just use that for the theater. 546 00:38:12,158 --> 00:38:15,423 But it does have a sort of melodious sound, don't you think? 547 00:38:15,595 --> 00:38:19,532 Eva Lovelace. Oh, I can see my name in lights now. 548 00:38:19,699 --> 00:38:21,690 Oh, I do so wanna be a great actress. 549 00:38:21,868 --> 00:38:23,893 A really, truly great actress. 550 00:38:24,070 --> 00:38:27,233 Tell me, did you know Ellen Terry and Sarah Bernhardt? 551 00:38:27,407 --> 00:38:29,842 How I should love to be like Sarah Bernhardt... 552 00:38:30,009 --> 00:38:32,239 ...and have my name in the hall of fame. 553 00:38:32,412 --> 00:38:34,471 That's Katharine Hepburn in Morning Glory. 554 00:38:34,647 --> 00:38:36,479 Who do you think it is, Shirley Temple? 555 00:38:36,649 --> 00:38:40,449 Tell him that he'll never know what he's done for me. Not really. 556 00:38:40,620 --> 00:38:44,716 Our lives are like two rivers now, running into one sea. 557 00:38:44,891 --> 00:38:49,886 And that to be a great actress, one must experience every emotion in life. 558 00:38:50,063 --> 00:38:53,055 Oh, I know, don't ask me. 559 00:38:53,232 --> 00:38:56,361 I just do know that I love him. 560 00:38:56,536 --> 00:38:58,163 Really, I do. 561 00:38:59,072 --> 00:39:03,066 That's very good. Now, with this fellow with the rope and the saxophone. 562 00:39:03,242 --> 00:39:04,442 In the meanwhile, the girl... 563 00:39:04,577 --> 00:39:06,341 Oh, you. 564 00:39:06,512 --> 00:39:10,540 And another thing, the circulation of the paper is growing and what's doing it? 565 00:39:10,717 --> 00:39:12,549 - Your column. - Right. 566 00:39:12,719 --> 00:39:15,245 You know, Snoop. I'm gonna be syndicated. 567 00:39:15,421 --> 00:39:17,617 Spread all over the country. 568 00:39:31,337 --> 00:39:34,363 Hey, listen, if you hit him you gotta hit me too. 569 00:39:34,540 --> 00:39:35,701 Keeler, I'm warning you. 570 00:39:35,875 --> 00:39:39,470 One more crack like that in your column and I won't be so easy with you. 571 00:39:46,953 --> 00:39:49,047 - Hey, Snoop. - Yeah? 572 00:39:49,222 --> 00:39:51,384 I can take it, can't I? 573 00:39:52,525 --> 00:39:54,857 ♪ I've got a feelin' you're foolin' ♪ 574 00:39:55,027 --> 00:39:57,496 ♪ I've got a feelin' you're having fun ♪ 575 00:39:57,663 --> 00:39:59,631 ♪ I'll get a go-by when you are done ♪ 576 00:39:59,899 --> 00:40:01,833 ♪ Foolin' with me ♪ 577 00:40:02,435 --> 00:40:04,904 ♪ I've got a feelin' you're foolin' ♪ 578 00:40:05,071 --> 00:40:06,971 ♪ I've got a notion it's make-believe ♪ 579 00:40:07,473 --> 00:40:09,805 ♪ I think you're laughing ♪ ♪ Right up your sleeve ♪ 580 00:40:09,976 --> 00:40:11,910 ♪ Foolin' with me ♪ 581 00:40:12,078 --> 00:40:14,570 ♪ Life is worth living ♪ ♪ While you are giving ♪ 582 00:40:14,747 --> 00:40:17,182 ♪ Moments of paradise ♪ 583 00:40:17,350 --> 00:40:19,648 ♪ You're such a standout ♪ ♪ But how you hand out ♪ 584 00:40:19,819 --> 00:40:22,379 ♪ That hocus-pocus from your eyes ♪ 585 00:40:22,555 --> 00:40:24,990 ♪ I've got a feelin' you're foolin' ♪ 586 00:40:25,158 --> 00:40:27,286 ♪ I've got a feelin' it's all a frame ♪ 587 00:40:27,460 --> 00:40:29,724 ♪ It's just the well-known old Army game ♪ 588 00:40:29,896 --> 00:40:33,059 ♪ Foolin' with me ♪ 589 00:40:35,701 --> 00:40:38,251 Girls, leave your name and address with Miss Corbett. 590 00:40:38,304 --> 00:40:40,238 Those we select will be notified later. 591 00:40:40,406 --> 00:40:43,432 All right, line up down front here. Come on, now. 592 00:40:46,212 --> 00:40:48,340 All right, can you sing or dance? 593 00:40:48,514 --> 00:40:50,209 I sing but I can dance in a pinch. 594 00:40:50,383 --> 00:40:52,943 This is not a pinch, this is a show. 595 00:40:54,520 --> 00:40:56,784 I'll take your name and we'll call you in a pinch. 596 00:40:57,089 --> 00:40:58,716 All right, next. 597 00:40:58,891 --> 00:41:01,588 - Well, how tall are you? - Oh, about up to here. 598 00:41:01,761 --> 00:41:03,354 Okay, see Miss Corbett. 599 00:41:03,529 --> 00:41:04,997 But I've had no experience. 600 00:41:05,164 --> 00:41:07,189 You won't need any. Name, please. 601 00:41:07,366 --> 00:41:10,597 My name is Irene Foster. I'm 5'5" in my stocking feet... 602 00:41:10,770 --> 00:41:13,000 ...and I've had one very unpleasant experience. 603 00:41:13,172 --> 00:41:15,539 - What are you...? - Shall I see Miss Corbett? 604 00:41:15,708 --> 00:41:17,574 No. You better come over here and see me. 605 00:41:17,743 --> 00:41:19,233 Thanks. 606 00:41:20,847 --> 00:41:24,374 Hmm. Looks like that's all for today, girls. 607 00:41:36,829 --> 00:41:39,526 - Well... - Well? 608 00:41:40,099 --> 00:41:41,533 Well. 609 00:41:41,901 --> 00:41:43,665 - Well... - You just said that. 610 00:41:43,836 --> 00:41:45,326 Yeah, I know, but... 611 00:41:45,505 --> 00:41:48,338 You're all grown up now. I mean, you look older. 612 00:41:48,508 --> 00:41:49,669 Well, I am older. 613 00:41:49,842 --> 00:41:53,801 That usually happens to a girl between the ages of 16 and 22. 614 00:41:53,980 --> 00:41:56,813 Yeah, now that I look at you, you haven't changed so much. 615 00:41:56,983 --> 00:41:58,815 I recognized you instantly. 616 00:41:58,985 --> 00:42:00,976 Yeah, I know, I'm sorry about that. 617 00:42:01,153 --> 00:42:04,555 My office is the last place in the world that I'd expect to run into you. 618 00:42:04,724 --> 00:42:06,385 You knew I'd get there someday. 619 00:42:06,559 --> 00:42:08,220 We used to talk about it. 620 00:42:08,394 --> 00:42:12,422 You were going to be the great producer and I'd be a great star. 621 00:42:12,598 --> 00:42:15,795 What funny, goofy dreams kids have. 622 00:42:15,968 --> 00:42:18,869 That is a great gag, your standing in line with those girls. 623 00:42:19,038 --> 00:42:21,200 That wasn't any gag. I wanted a job. 624 00:42:21,374 --> 00:42:24,776 Say, did you ever run into my friend, Henry Schultz? What's he doing now? 625 00:42:24,944 --> 00:42:27,174 Oh, he's running a delicatessen store. 626 00:42:27,346 --> 00:42:29,542 Bob, won't you give me a chance? 627 00:42:30,650 --> 00:42:34,143 You didn't come to New York to become that great actress you talked about? 628 00:42:34,320 --> 00:42:37,051 - That was one of the reasons. - What was the other? 629 00:42:37,823 --> 00:42:41,851 - I... I've forgotten. - Well, I'll bet it was a lot more important. 630 00:42:42,061 --> 00:42:45,656 Remember that summer in the Adirondacks when we lived next door to each other? 631 00:42:45,831 --> 00:42:48,232 I remember every day and... 632 00:42:48,401 --> 00:42:50,062 And every night of that summer. 633 00:42:50,236 --> 00:42:52,603 Up to five minutes ago, I'd forgotten all about it. 634 00:42:52,772 --> 00:42:54,399 Now I can't remember anything else. 635 00:42:54,574 --> 00:42:57,134 Bob, you came to New York and you made good. 636 00:42:57,310 --> 00:42:59,608 Now, I've come to New York and I wanna make good. 637 00:42:59,779 --> 00:43:03,443 I want everything we ever planned and dreamed about to come true. 638 00:43:03,616 --> 00:43:07,814 So do I, Irene, but New York and Broadway, they're not what we thought they were. 639 00:43:07,987 --> 00:43:09,477 They're hard and cold. 640 00:43:09,655 --> 00:43:12,147 A lovely creature like you wouldn't have a chance here. 641 00:43:12,325 --> 00:43:15,226 - Oh, Bob, you're wanted in the office. - Later. I'm busy now. 642 00:43:15,394 --> 00:43:17,726 It's important. 643 00:43:19,031 --> 00:43:22,592 - Okay. Don't run away. I'll drive you home. - All right. 644 00:43:22,969 --> 00:43:25,097 - Basil. - Yes. 645 00:43:27,807 --> 00:43:29,036 Who is it? 646 00:43:29,208 --> 00:43:31,802 - Lillian Brent. - Listen, tell her I'll see her later. 647 00:43:31,978 --> 00:43:33,537 She's been waiting all afternoon. 648 00:43:33,713 --> 00:43:37,172 - She has, huh? - And she's plenty burned up. 649 00:43:38,951 --> 00:43:41,943 - Well, what'll I tell her? - Never mind. I'll see her. 650 00:43:45,858 --> 00:43:48,259 - Sorry to keep you waiting so long. - You should be. 651 00:43:48,427 --> 00:43:50,657 - Well, I was detained. - So I understand. 652 00:43:50,830 --> 00:43:52,821 In an empty theater with a chorus girl. 653 00:43:52,999 --> 00:43:56,230 She isn't a chorus girl. She's an old friend from my hometown. 654 00:43:56,402 --> 00:43:58,837 Don't you think I'm more important than anyone else? 655 00:43:59,005 --> 00:44:01,565 Yeah, sure I do, Lillian. You ought to know that. 656 00:44:14,854 --> 00:44:18,791 ♪ In my imagination ♪ 657 00:44:18,958 --> 00:44:23,054 ♪ I live the things I like to do ♪ 658 00:44:23,229 --> 00:44:27,132 ♪ In my imagination ♪ 659 00:44:27,333 --> 00:44:33,033 ♪ Make believe it's really true ♪ 660 00:44:34,473 --> 00:44:38,432 ♪ In my imagination ♪ 661 00:44:38,611 --> 00:44:43,071 ♪ I paint a scene of ecstasy ♪ 662 00:44:43,249 --> 00:44:47,083 ♪ In my imagination ♪ 663 00:44:47,253 --> 00:44:51,383 ♪ My hero sings these words ♪ 664 00:44:51,557 --> 00:44:56,119 ♪ To me ♪ 665 00:44:56,295 --> 00:45:03,827 ♪ You are my lucky star ♪ 666 00:45:04,937 --> 00:45:08,635 ♪ I saw you ♪ 667 00:45:08,808 --> 00:45:12,472 ♪ From afar ♪ 668 00:45:12,645 --> 00:45:15,478 ♪ Two lovely eyes at me ♪ 669 00:45:15,648 --> 00:45:19,516 ♪ They were gleaming ♪ 670 00:45:19,919 --> 00:45:23,583 ♪ Beaming ♪ 671 00:45:23,756 --> 00:45:29,058 ♪ I was starstruck ♪ 672 00:45:30,062 --> 00:45:33,054 ♪ You're all ♪ 673 00:45:33,232 --> 00:45:37,829 ♪ My lucky charms ♪ 674 00:45:38,003 --> 00:45:41,405 ♪ I'm lucky ♪ 675 00:45:41,574 --> 00:45:45,272 ♪ In your arms ♪ 676 00:45:45,845 --> 00:45:50,578 ♪ You've opened heaven's portal ♪ 677 00:45:50,750 --> 00:45:57,747 ♪ Here on Earth for this poor mortal ♪ 678 00:45:58,324 --> 00:46:03,285 ♪ You are my lucky star ♪ 679 00:46:03,462 --> 00:46:08,593 ♪ I saw you from afar ♪ 680 00:46:08,768 --> 00:46:13,262 ♪ Two lovely eyes at me ♪ ♪ They were gleaming ♪ 681 00:46:13,439 --> 00:46:15,771 ♪ Beaming ♪ 682 00:46:15,941 --> 00:46:18,308 ♪ I was starstruck ♪ 683 00:46:18,477 --> 00:46:23,415 ♪ You're all my lucky charms ♪ 684 00:46:23,582 --> 00:46:28,679 ♪ I'm lucky in your arms ♪ 685 00:46:28,854 --> 00:46:33,485 ♪ You've opened heaven's portal ♪ ♪ Here on Earth for this poor mortal ♪ 686 00:46:33,659 --> 00:46:35,889 ♪ You are ♪ 687 00:46:36,061 --> 00:46:42,694 ♪ My lucky star ♪ 688 00:49:55,594 --> 00:49:57,392 Miss Foster. 689 00:49:58,831 --> 00:50:01,232 - Miss Foster. - Oh. 690 00:50:01,400 --> 00:50:04,700 - Oh, hello. - Boy, I wish I could concentrate like that. 691 00:50:04,870 --> 00:50:07,703 - Is Mr. Gordon still busy? - Oh, yes, he is. 692 00:50:07,873 --> 00:50:09,739 He sent me to tell you that he's busy... 693 00:50:09,908 --> 00:50:12,240 ...and he won't be able to take you home. 694 00:50:14,480 --> 00:50:19,611 - He's terribly sorry and so am I. - Thanks. 695 00:50:19,885 --> 00:50:22,377 - Goodbye. - Bye-bye. 696 00:50:23,422 --> 00:50:26,357 And another thing, if I'm to be in your new show... 697 00:50:26,525 --> 00:50:29,688 ...I demand all the attentions a leading lady deserves. 698 00:50:29,862 --> 00:50:31,660 - Leading lady? - Yes. 699 00:50:31,830 --> 00:50:33,662 You haven't one, have you? 700 00:50:33,832 --> 00:50:37,268 - No, not yet. - Well, darling, you have now. 701 00:50:37,436 --> 00:50:38,631 Now, wait a minute. 702 00:50:38,804 --> 00:50:40,704 Wait a minute. 703 00:50:40,939 --> 00:50:43,431 You know as well as I do that this part needs a name. 704 00:50:43,609 --> 00:50:45,941 If I can only get a star, the show's bound to click. 705 00:50:46,178 --> 00:50:48,112 And if you don't? 706 00:50:48,414 --> 00:50:49,609 What then? 707 00:50:49,782 --> 00:50:52,581 Well, I'll postpone production. Why take a chance? 708 00:50:52,751 --> 00:50:55,846 Listen. If I'm willing to take a chance, you should be. 709 00:50:56,021 --> 00:50:59,321 After all, darling. I am putting up the money. 710 00:51:00,826 --> 00:51:04,228 - Is that the way you feel about it? - Exactly. 711 00:51:06,231 --> 00:51:07,756 All right. 712 00:51:08,267 --> 00:51:10,668 I'll tell you what I'll do. I'll gamble with you. 713 00:51:10,836 --> 00:51:15,433 If I don't get a star for this show in two weeks, I'll give you the part. 714 00:51:15,874 --> 00:51:17,000 Do you really mean it? 715 00:51:17,176 --> 00:51:20,339 - Positively. - Oh, Bob. 716 00:51:20,879 --> 00:51:22,347 Did you ring? 717 00:51:22,514 --> 00:51:23,743 Yes. 718 00:51:23,916 --> 00:51:27,750 Book passage for me on the first plane leaving New York for Los Angeles. 719 00:51:27,920 --> 00:51:29,684 - Yes, sir. - But, Bob, why? 720 00:51:29,855 --> 00:51:34,088 I'm going to Hollywood. I'm gonna find a star for this show if I have to steal Garbo. 721 00:51:34,493 --> 00:51:37,793 - There's a plane leaving for the coast at 9. - And I'll be on it. 722 00:51:37,963 --> 00:51:39,692 - Anything else? - No, that'll be all. 723 00:51:39,865 --> 00:51:42,596 Lillian, I've got an awful lot to do. May I take you somewhere? 724 00:51:42,768 --> 00:51:45,601 Yes. You can take me home. 725 00:51:51,176 --> 00:51:53,508 - Oh, Miss Corbett. - Yes, sir. 726 00:51:54,513 --> 00:51:56,311 Don't tell anyone that I'm leaving. 727 00:51:56,482 --> 00:51:58,644 - I want that kept quiet. - Yes, Mr. Gordon. 728 00:51:58,817 --> 00:52:00,615 - Good night. - Good night. 729 00:52:02,054 --> 00:52:03,579 Hello. 730 00:52:03,889 --> 00:52:05,914 - I ought to have you arrested. - For what? 731 00:52:06,091 --> 00:52:08,719 - For snooping. - I didn't hear anything, honest, I didn't. 732 00:52:08,894 --> 00:52:10,862 Except why Bob was talking to Lillian... 733 00:52:11,029 --> 00:52:14,260 If you tell Bert Keeler what you heard, I'll choke the socks off you. 734 00:52:14,433 --> 00:52:17,164 - I never tell Bert Keeler anything. - Promise me. 735 00:52:17,336 --> 00:52:19,896 Well, I will if you'll have dinner with me tonight. 736 00:52:20,072 --> 00:52:22,234 I'll do it just for meanness. 737 00:52:23,275 --> 00:52:25,539 Is this your idea of a dinner? 738 00:52:25,711 --> 00:52:28,737 We'll have more doughnuts and then I'll take you to a restaurant. 739 00:52:28,914 --> 00:52:30,973 Oh, you're too good to me. 740 00:52:32,718 --> 00:52:33,776 Hello, Snoop. 741 00:52:33,952 --> 00:52:35,044 Hi, Bert. 742 00:52:35,220 --> 00:52:36,619 - Hello. - Hello. 743 00:52:36,788 --> 00:52:39,314 - Well, any news? - No. 744 00:52:40,159 --> 00:52:44,392 - Oh, secrets, huh? - Honest, it's nothing you ought to know. 745 00:52:44,563 --> 00:52:46,588 Just the kind of stuff I print. What is it? 746 00:52:46,765 --> 00:52:48,028 Why don't you shut up? 747 00:52:48,200 --> 00:52:50,498 Well, I ain't said nothing. Yet. 748 00:52:50,669 --> 00:52:52,899 I guess you're looking for another punch in the nose. 749 00:52:53,071 --> 00:52:55,199 Yeah? Gordon won't ever do that again. 750 00:52:55,374 --> 00:52:57,570 - Not if he's in California. - No. 751 00:52:57,743 --> 00:53:00,110 Oh, so that's it. Gordon's going West, huh? 752 00:53:00,279 --> 00:53:01,747 What did you promise me, Snoop? 753 00:53:01,914 --> 00:53:04,212 Yes, Snoop. What did you promise the lady? 754 00:53:04,383 --> 00:53:08,115 I promised Kitty I wouldn't tell you that Gordon had a fight with Lillian Brent. 755 00:53:08,287 --> 00:53:09,914 - Snoop. - What about? 756 00:53:10,088 --> 00:53:13,456 It's nothing, it's just that he can't get a leading lady for his show. 757 00:53:21,200 --> 00:53:23,134 You ought to have a zipper on your mouth. 758 00:53:23,302 --> 00:53:24,861 I don't know how to play one. 759 00:53:31,410 --> 00:53:33,139 So Gordon can't get a leading lady? 760 00:53:33,312 --> 00:53:36,680 Yeah. If he can't get one, he's gonna let Lillian Brent play the part. 761 00:53:36,848 --> 00:53:41,046 Well, why doesn't he get that French star? 762 00:53:41,220 --> 00:53:46,181 - What French star? - That... Oh, what's her name again? 763 00:53:47,492 --> 00:53:49,460 La Belle Arlette, that's it. 764 00:53:49,628 --> 00:53:52,598 - La Belle Arlette? - Yes, Mademoiselle La Belle Arlette... 765 00:53:52,764 --> 00:53:54,698 ...from the Comédie Française in Paris. 766 00:53:54,866 --> 00:53:55,890 Never heard of her. 767 00:53:56,068 --> 00:53:59,038 Oh, my dear child, don't say that. 768 00:53:59,204 --> 00:54:01,764 Everybody's heard of Arlette. Haven't they, Snoop? 769 00:54:01,940 --> 00:54:03,374 Oh, yeah, sure, certainly. 770 00:54:03,542 --> 00:54:06,375 - What's she like? - Tall, beautiful, blond. 771 00:54:06,545 --> 00:54:08,980 Maybe Mr. Gordon'd be interested. I have to be going. 772 00:54:09,147 --> 00:54:12,378 Oh, thanks for the banquet, Snoop. 773 00:54:12,551 --> 00:54:14,076 Anytime at all, Kitty. 774 00:54:14,253 --> 00:54:16,654 Don't forget to tell Gordon about Arlette. 775 00:54:16,822 --> 00:54:19,621 Hey, Bert, who's Mademoiselle Arlette? 776 00:54:19,825 --> 00:54:21,759 Just a cigar. 777 00:54:22,027 --> 00:54:24,587 Well, I can't get the angle of you trying to kid her. 778 00:54:24,763 --> 00:54:26,925 It isn't her. It's Gordon I want to rib. 779 00:54:27,099 --> 00:54:29,500 She'll go back and tell Gordon all about Arlette. 780 00:54:29,668 --> 00:54:33,536 - Then I'll build her up in my column. - But there is no Mademoiselle Arlette. 781 00:54:33,705 --> 00:54:35,764 Nobody knows it but you and me. 782 00:54:35,941 --> 00:54:38,239 Now I'm sorry you know it. 783 00:54:39,978 --> 00:54:44,074 Not since the arrival of the Statue of Liberty has France sent to this country... 784 00:54:44,249 --> 00:54:47,014 ...such a glamorous, beautiful and talented personality... 785 00:54:47,185 --> 00:54:49,517 ...as Mademoiselle La Belle Arlette. 786 00:54:49,688 --> 00:54:51,349 In this correspondent's opinion... 787 00:54:51,523 --> 00:54:55,619 ...it won't belong before Mademoiselle La Belle Arlette's beauty, talent... 788 00:54:55,794 --> 00:54:57,626 ...charm and, uh... 789 00:54:59,631 --> 00:55:02,566 ...mildness will make her the talk of the town. 790 00:55:02,734 --> 00:55:04,168 Flash. 791 00:55:06,805 --> 00:55:09,240 - Hello. Glad to see you back. - Thanks. Anything new? 792 00:55:09,408 --> 00:55:11,706 - Plenty. Hello. - Hi, Bob. Have a good trip? 793 00:55:11,877 --> 00:55:14,312 Terrible. Come on inside. 794 00:55:20,419 --> 00:55:22,581 Miss Corbett, will you come in, please? 795 00:55:24,156 --> 00:55:26,215 - Well, what happened in Hollywood? - Nothing. 796 00:55:26,391 --> 00:55:29,520 Those movie stars are guarded like a Turkish harem. 797 00:55:29,695 --> 00:55:31,891 That makes things tough. What are you gonna do? 798 00:55:32,064 --> 00:55:35,090 That's what I'd like to know. Everybody's in pictures. 799 00:55:35,267 --> 00:55:37,258 It's impossible to cast a show anymore. 800 00:55:37,436 --> 00:55:39,928 Why, haven't you heard about Mademoiselle Arlette? 801 00:55:40,105 --> 00:55:42,267 - Who? - Here, look. 802 00:55:43,108 --> 00:55:45,338 - Haven't you read about her? - No. Who is she? 803 00:55:45,510 --> 00:55:48,502 I don't know, but Keeler's been giving her boost in his column. 804 00:55:48,680 --> 00:55:51,081 Why, every manager in town's after her. 805 00:55:51,249 --> 00:55:52,341 Arlette? 806 00:55:52,517 --> 00:55:54,076 - Where's she from? - Paris. 807 00:55:54,252 --> 00:55:56,243 - What's she look like? - I don't know. 808 00:55:56,421 --> 00:55:58,389 - You haven't seen her? - No. 809 00:55:58,557 --> 00:56:00,389 - Where's she stopping? - I don't know. 810 00:56:00,559 --> 00:56:02,687 Why? What have you been doing while I was away? 811 00:56:02,861 --> 00:56:04,795 Nobody knows where she is. It's a mystery. 812 00:56:04,963 --> 00:56:07,864 We've gotta get in touch with her. Check every hotel in town. 813 00:56:08,033 --> 00:56:09,592 Yes, sir. 814 00:56:16,975 --> 00:56:19,603 All right, mademoiselle. Relax. 815 00:56:22,114 --> 00:56:24,310 Hey, when can I get out of this harness? 816 00:56:24,583 --> 00:56:26,574 My feet hurt. 817 00:56:34,259 --> 00:56:37,024 You look about as effeminate as Wallace Beery. 818 00:56:37,195 --> 00:56:40,995 Now, look, Snoop, all you have to do is sit here all day and answer the phone. 819 00:56:41,166 --> 00:56:43,225 - Now, can you talk like a dame? - I can try. 820 00:56:43,402 --> 00:56:44,995 Let's hear it. 821 00:56:45,570 --> 00:56:48,938 Buy me a Rolls-Royce, Daddy. 822 00:56:50,575 --> 00:56:54,534 You're thinking like one anyway, but you gotta get your voice higher, higher, way up. 823 00:56:54,713 --> 00:56:58,172 Look, Snoop, if there's any soprano in you, this is the time to bring it out. 824 00:56:58,350 --> 00:57:01,012 - Now, try it again. - Buy me... Ahem. 825 00:57:01,186 --> 00:57:03,154 Buy me a Rolls-Royce...! 826 00:57:03,321 --> 00:57:04,789 I can't. 827 00:57:05,290 --> 00:57:06,587 Then we're stuck. 828 00:57:07,092 --> 00:57:08,958 Say, maybe you better be a man. 829 00:57:09,461 --> 00:57:10,860 What do you mean maybe? 830 00:57:11,029 --> 00:57:13,521 - As Arlette's secretary. - I'll feel more natural. 831 00:57:13,698 --> 00:57:15,427 All right. What are you going to say? 832 00:57:15,600 --> 00:57:17,932 - Remember, you're a French secretary. - Yeah. 833 00:57:18,103 --> 00:57:21,129 What are you gonna say when Gordon asks for Mademoiselle Arlette? 834 00:57:21,306 --> 00:57:25,140 - What are you going to say? - Well, I'll say, "Bonjour, oui, oui. 835 00:57:25,310 --> 00:57:27,545 Mademoiselle Arlette, she is busy. 836 00:57:27,546 --> 00:57:31,141 She is very, very busy with the rehearsal." 837 00:57:31,316 --> 00:57:32,566 How's that? 838 00:57:32,651 --> 00:57:33,880 Very good. 839 00:57:34,052 --> 00:57:36,919 The other 50 million Frenchmen must be wrong. 840 00:57:37,088 --> 00:57:39,147 Well, does the dame have to come from Paris? 841 00:57:39,324 --> 00:57:41,622 Certainly, the publicity is out. 842 00:57:41,793 --> 00:57:43,557 Gee, I wish you could speak French. 843 00:57:43,728 --> 00:57:46,220 I speak French. Si, Si, señor. 844 00:57:46,398 --> 00:57:48,560 That's Spanish. 845 00:57:48,733 --> 00:57:51,634 Imagine that. I speak Spanish too. 846 00:57:54,339 --> 00:57:56,967 Hello? Hotel Carlton? 847 00:57:57,142 --> 00:58:01,841 Have you a Mademoiselle Arlette registered there? 848 00:58:02,814 --> 00:58:04,873 Oh, may I speak to her? 849 00:58:08,587 --> 00:58:10,851 Wait. Wait a minute. 850 00:58:11,890 --> 00:58:13,449 Now, hold it. 851 00:58:17,662 --> 00:58:20,654 - Now, listen, you talk just like a secretary. - Bonjour. 852 00:58:20,832 --> 00:58:22,425 This is Robert Gordon's office. 853 00:58:22,601 --> 00:58:24,933 May I speak to Mademoiselle Arlette? 854 00:58:25,103 --> 00:58:26,127 Oui, oui. 855 00:58:26,304 --> 00:58:28,705 Mademoiselle Arlette, she is busy. 856 00:58:28,874 --> 00:58:33,505 She is very, very busy rehearsing. 857 00:58:43,221 --> 00:58:44,689 - Hello. - Oh, Mr. Gordon... 858 00:58:44,856 --> 00:58:47,052 ...Arlette's on the wire. She's singing. 859 00:58:55,000 --> 00:58:56,968 It's Arlette. Shh. 860 00:59:04,943 --> 00:59:07,241 It's a cinch, it's not Crosby. 861 00:59:13,451 --> 00:59:14,885 Hello? 862 00:59:15,487 --> 00:59:17,819 Hello, this is Robert Gordon speaking. 863 00:59:17,989 --> 00:59:20,117 May I speak to Mademoiselle Arlette? 864 00:59:20,292 --> 00:59:22,124 Hey, it's Gordon. 865 00:59:23,194 --> 00:59:26,892 I am sorry. Mademoiselle Arlette, she is busy. 866 00:59:27,065 --> 00:59:31,798 She is very, very busy rehearsing. 867 00:59:35,473 --> 00:59:37,134 - Oh, Mr. Gordon. - Miss Corbett. 868 00:59:37,309 --> 00:59:40,404 I want you to send a telegram to Arlette. Arrange for an interview. 869 00:59:40,579 --> 00:59:42,343 Tell her that I must see her. 870 00:59:42,514 --> 00:59:45,848 Yes. sir. And, Mr. Gordon, Miss Foster's here. 871 00:59:46,017 --> 00:59:49,647 Oh. Well, yeah, all right. Have her come in. 872 00:59:51,890 --> 00:59:54,587 All right, Miss Foster. You can come in now. 873 00:59:56,061 --> 00:59:57,893 - Hello, Irene. - Hello, Bob. 874 00:59:58,063 --> 01:00:01,163 Gee, I'm glad you dropped in. I've been wondering if you were still in town. 875 01:00:02,400 --> 01:00:04,494 Oh, I want you to meet two friends of mine. 876 01:00:04,669 --> 01:00:06,933 - Ted and Sally Burke. - How do you do? 877 01:00:07,472 --> 01:00:08,735 The Burkes? 878 01:00:08,907 --> 01:00:10,306 Say, I remember you. 879 01:00:10,475 --> 01:00:14,139 I caught your act in Detroit. You used to work with a trained duck, didn't you? 880 01:00:14,312 --> 01:00:16,747 - That's right. - You still got that act together? 881 01:00:16,915 --> 01:00:18,713 Everything but the duck. 882 01:00:18,883 --> 01:00:21,784 You know, it's been a kind of a tough winter. 883 01:00:21,953 --> 01:00:25,753 - You mean you ate the act? - Last Christmas. 884 01:00:25,924 --> 01:00:29,258 - Oh, what are you doing now? - Nothing since the duck died. 885 01:00:29,427 --> 01:00:32,055 Mr. Gordon, this is Irene's appointment. 886 01:00:32,230 --> 01:00:33,698 We just came with her. 887 01:00:33,865 --> 01:00:35,264 She wants to go in your show. 888 01:00:35,433 --> 01:00:37,629 She's got talent, plenty of it. 889 01:00:37,802 --> 01:00:39,566 All she needs is a chance. 890 01:00:39,738 --> 01:00:41,570 And you can give it to her. 891 01:00:41,740 --> 01:00:45,074 - That's quite a compliment, Irene. - Really, Mr. Gordon, Irene is clever. 892 01:00:45,243 --> 01:00:46,677 We know. Don't we, Ted? 893 01:00:46,845 --> 01:00:49,780 - Sure do. - Well, I'd like to think it over, Irene. 894 01:00:49,948 --> 01:00:52,815 - Casting a show is a very important matter. - That's right. 895 01:00:52,984 --> 01:00:56,943 Say, how'd you like to go in my new show, both of you? 896 01:00:57,355 --> 01:00:59,722 Take it easy, Mr. Gordon. I got a weak heart. 897 01:00:59,891 --> 01:01:02,485 Really, we didn't come here to talk about ourselves. 898 01:01:02,661 --> 01:01:05,062 - It's about Irene. - Oh, that's all right, Sally. 899 01:01:05,230 --> 01:01:07,961 - But you don't understand... - Wait. I'm offering you a job. 900 01:01:08,133 --> 01:01:09,532 - Don't you want it? - We do. 901 01:01:09,701 --> 01:01:13,103 - Well, then, it's settled. - Oh, I think it's wonderful, Sally. 902 01:01:13,271 --> 01:01:14,670 But what about you? 903 01:01:14,839 --> 01:01:16,898 Mr. Gordon, what about Irene? 904 01:01:17,075 --> 01:01:18,668 I'll talk with Irene alone. 905 01:01:18,843 --> 01:01:22,541 - Come back, Ted. We'll talk about money. - You won't find us hard to deal with. 906 01:01:22,714 --> 01:01:24,614 That's fine. I'm glad you dropped in. 907 01:01:24,783 --> 01:01:26,547 See you at the house, Irene. 908 01:01:26,718 --> 01:01:29,085 - Goodbye, Sally. - Goodbye. 909 01:01:29,587 --> 01:01:31,919 - Goodbye, Mr. Gordon. - Goodbye, Ted. 910 01:01:38,296 --> 01:01:40,560 Well, how do you feel now? 911 01:01:40,732 --> 01:01:42,359 I feel terrible. 912 01:01:42,534 --> 01:01:44,161 Terrible about what? 913 01:01:44,335 --> 01:01:48,101 We go in to get her a job and we come out with it. 914 01:01:48,273 --> 01:01:52,005 I told you we didn't need that duck. 915 01:01:52,877 --> 01:01:55,369 Well, I don't know what to say, Irene. 916 01:01:55,547 --> 01:02:00,849 I want you to... Well, I want you to understand how I feel about all this. 917 01:02:01,419 --> 01:02:02,887 I want you to go back to Albany. 918 01:02:03,054 --> 01:02:06,752 - But why, Bob? I've just come from there. - That's what you gotta understand. 919 01:02:06,925 --> 01:02:09,553 I know how it is. You worked hard at what you were doing... 920 01:02:09,728 --> 01:02:13,255 ...saved your money and deprived yourself of a lot of things you should've had. 921 01:02:13,431 --> 01:02:16,332 So you could come to New York and get a chance at what you wanted. 922 01:02:16,501 --> 01:02:17,832 - I did that. - I know you did. 923 01:02:18,002 --> 01:02:19,163 But it isn't worth it. 924 01:02:19,337 --> 01:02:21,499 What you get isn't what you came after. 925 01:02:21,673 --> 01:02:23,607 I know that too. 926 01:02:24,042 --> 01:02:26,340 Look, there's nothing for you here in New York. 927 01:02:26,511 --> 01:02:29,742 I could give you a bit in my show and maybe you'd get another and another... 928 01:02:29,914 --> 01:02:33,214 - That's all I want. That's enough for me. - Yeah, but not for me. 929 01:02:33,384 --> 01:02:36,183 If you were anyone else, okay. But you're not. 930 01:02:37,122 --> 01:02:39,181 I know what'd happen to you here in New York. 931 01:02:39,357 --> 01:02:42,987 I know how cheap and selfish this town is. The easiest thing for me to do... 932 01:02:43,161 --> 01:02:46,222 ...is to give you the chance and put you away and forget about it. 933 01:02:46,397 --> 01:02:47,421 But I can't. 934 01:02:47,599 --> 01:02:49,431 So I'm taking the hard way. 935 01:02:49,868 --> 01:02:51,165 Won't you go back to Albany? 936 01:02:51,336 --> 01:02:54,772 - Without even one try of what I want? - Without even one try. 937 01:02:54,939 --> 01:02:58,500 - Bob, do you honestly think it's best? - I know it is. 938 01:02:59,344 --> 01:03:02,075 All right, I'll go home. 939 01:03:02,514 --> 01:03:04,642 Oh, say, by the way... 940 01:03:05,283 --> 01:03:08,014 ...whatever happened to the fellow who gave you this? 941 01:03:12,090 --> 01:03:15,219 I don't know. I haven't seen him for years. 942 01:03:15,393 --> 01:03:17,225 He's probably forgotten all about me. 943 01:03:17,395 --> 01:03:21,025 Well, I imagine he ran off and died somewhere, don't you? 944 01:03:21,199 --> 01:03:23,224 I imagine so. 945 01:03:23,468 --> 01:03:25,129 Well, uh... 946 01:03:26,471 --> 01:03:28,303 ...will you wear it for me? 947 01:03:43,788 --> 01:03:46,280 Uh, I think you'd better go home and pack. 948 01:03:46,457 --> 01:03:49,085 I'll pick you up in an hour and drive you to the station. 949 01:03:58,269 --> 01:04:01,068 Well, did you do yourself any good? 950 01:04:01,906 --> 01:04:05,171 - I'm going back home. - Why? 951 01:04:05,910 --> 01:04:08,242 Well, he thinks it's best for me. 952 01:04:09,047 --> 01:04:11,175 Oh, that's too bad. 953 01:04:11,349 --> 01:04:14,216 But that's the way it goes in this racket. 954 01:04:14,385 --> 01:04:19,323 - Are you sure you're not just stage-struck? - Of course not. 955 01:04:19,858 --> 01:04:24,022 Oh, I know I could do something if I only had the chance. 956 01:04:24,195 --> 01:04:27,756 You know. I've heard that a million times but... 957 01:04:27,932 --> 01:04:31,391 Well, for some reason or other, I believe you. 958 01:04:31,569 --> 01:04:33,059 You're the only one that does. 959 01:04:35,974 --> 01:04:38,409 - Yes, sir? - Why don't you answer when I ring? 960 01:04:38,576 --> 01:04:40,806 - Come in here. - Coming. 961 01:04:48,319 --> 01:04:53,587 Oh. Stick around a few minutes, honey. I wanna talk to you. 962 01:04:55,627 --> 01:04:57,186 Yes, sir. 963 01:04:57,929 --> 01:05:00,193 Miss Corbett, get me a ticket and a compartment... 964 01:05:00,365 --> 01:05:03,232 ...on the afternoon train for Albany. It's for Miss Foster. 965 01:05:05,003 --> 01:05:08,598 - She's an awful nice kid, isn't she? - Of course she is. 966 01:05:09,641 --> 01:05:12,440 Mr. Gordon, why are you sending her back? 967 01:05:12,610 --> 01:05:15,636 You don't think I want her to stay around this place, do you? 968 01:05:15,813 --> 01:05:16,974 I think she'd like to. 969 01:05:17,582 --> 01:05:20,882 Listen, will you stop worrying about my private affairs? 970 01:05:21,052 --> 01:05:22,952 Yes, sir. 971 01:05:23,121 --> 01:05:25,385 Have you been able to get in touch with Arlette? 972 01:05:25,556 --> 01:05:27,251 I've been ringing her all morning. 973 01:05:27,425 --> 01:05:28,654 All her secretary can say is: 974 01:05:28,826 --> 01:05:31,228 "Mademoiselle, she is busy rehearsing. 975 01:05:31,229 --> 01:05:33,596 Mademoiselle, she is having her face lifted." 976 01:05:33,765 --> 01:05:35,927 She's the busiest dame I ever saw. 977 01:05:36,100 --> 01:05:37,590 All right, ring her again. 978 01:05:37,769 --> 01:05:40,704 - I've gotta get in touch with her. - Yes, sir. 979 01:05:52,150 --> 01:05:53,250 Hello. 980 01:05:53,384 --> 01:05:54,545 Hello. 981 01:05:54,719 --> 01:05:58,553 I'd like to speak to Mademoiselle Arlette if she's not baking a cake. 982 01:05:58,723 --> 01:06:02,125 Bonjour. Oui, our”. Mademoiselle Arlette, she is busy. 983 01:06:02,293 --> 01:06:07,026 She is very, very busy rehearsing. 984 01:06:09,167 --> 01:06:11,329 Doesn't that dame do anything but rehearse? 985 01:06:11,502 --> 01:06:13,630 I wanna talk to her. It's urgent. 986 01:06:13,805 --> 01:06:16,365 This is Robert Gordon's secretary. 987 01:06:16,541 --> 01:06:17,741 Hi, Kitty. 988 01:06:19,410 --> 01:06:20,969 Say that again, you. 989 01:06:24,749 --> 01:06:26,444 Hello! 990 01:07:49,801 --> 01:07:52,634 - Good luck with the show, Bob. - Thanks, Irene, I need it. 991 01:07:52,804 --> 01:07:56,297 - I wish I were going back to Albany too. - Oh, Albany is no place for you. 992 01:07:56,474 --> 01:07:59,603 An amateur like me, maybe, but not you. You've arrived in New York. 993 01:07:59,777 --> 01:08:03,441 - That's where you belong. - I know. I'd like to see the old place again. 994 01:08:03,614 --> 01:08:05,946 What could possibly interest you in Albany? 995 01:08:06,117 --> 01:08:07,846 Well, you're going to be there. 996 01:08:08,019 --> 01:08:11,455 Well, it's nice to know I'd interest you in Albany anyway. 997 01:08:11,622 --> 01:08:14,523 Do you know my address, in case you come up for a visit... 998 01:08:14,692 --> 01:08:18,128 - ...or if you wanna write or something? - 560 Washington Avenue. 999 01:08:18,296 --> 01:08:21,755 - Hmm! Quite a memory. - I spent all last night trying to remember it. 1000 01:08:23,134 --> 01:08:24,568 Board! 1001 01:08:24,735 --> 01:08:27,363 - Goodbye, Irene. - Goodbye, Bob. 1002 01:08:27,672 --> 01:08:29,197 Board! 1003 01:08:29,373 --> 01:08:30,932 - You know something? - What? 1004 01:08:31,109 --> 01:08:33,043 I wish this train weren't pulling out. 1005 01:08:33,211 --> 01:08:36,044 Oh, I bet you tell that to all the girls. 1006 01:08:58,136 --> 01:09:01,868 - Mail this letter when you arrive in Albany. - Yes, ma'am. 1007 01:09:02,106 --> 01:09:04,507 - You won't forget? - No, ma'am, I won't. 1008 01:09:04,675 --> 01:09:06,006 Thank you. 1009 01:09:07,545 --> 01:09:10,037 Come on. Hurry. I've got a taxi waiting. 1010 01:09:12,917 --> 01:09:16,444 It's time for promenading 1011 01:09:16,621 --> 01:09:19,921 And I'll be with you soon 1012 01:09:20,091 --> 01:09:26,929 All the best folks are parading On a Sunday afternoon 1013 01:09:27,098 --> 01:09:33,970 We'll rent a horse and carriage And I'll be proud of you 1014 01:09:34,138 --> 01:09:40,874 We'll talk about a marriage On the busy avenue 1015 01:09:41,045 --> 01:09:47,917 And then we'll ride To the countryside 1016 01:09:48,085 --> 01:09:53,114 I'll burst with pride In your Sunday gown 1017 01:09:53,291 --> 01:09:55,089 You're the talk of the town 1018 01:09:55,259 --> 01:10:02,165 Now, you can have the twilight And you can have the moon 1019 01:10:02,333 --> 01:10:09,262 Give me those happy moments On a Sunday afternoon 1020 01:11:33,858 --> 01:11:37,294 Now, you can have the twilight 1021 01:11:37,461 --> 01:11:40,624 And you can have the moon 1022 01:11:40,798 --> 01:11:44,291 Give me those happy moments 1023 01:11:44,468 --> 01:11:51,465 On a Sunday afternoon 1024 01:11:54,812 --> 01:11:57,406 Well, Bob, what do you think of it? 1025 01:11:57,581 --> 01:11:59,549 Well, the routine's okay. 1026 01:11:59,717 --> 01:12:02,812 What I'm worried about is finding a star for this show. 1027 01:12:05,056 --> 01:12:07,115 - I'd like to talk to you. - Hi, Lilly. 1028 01:12:07,291 --> 01:12:10,454 I just found a very cute little poem about us in Keeler's column. 1029 01:12:10,628 --> 01:12:12,528 I'd like to read it to you. 1030 01:12:12,697 --> 01:12:15,132 Lilly was an amateur Who had a lot of dough 1031 01:12:15,299 --> 01:12:17,961 Bob was just another guy Who longed to do a show 1032 01:12:18,135 --> 01:12:21,537 Now Lil has the role she wants And Bobby has his million 1033 01:12:21,706 --> 01:12:25,939 The woman pays, the woman plays And Bob is stuck with Lillian 1034 01:12:26,110 --> 01:12:29,808 Can't you stop Keeler from printing such stuff in his column? 1035 01:12:31,248 --> 01:12:33,910 If I continue writing this column, I'll need a bodyguard. 1036 01:12:34,085 --> 01:12:35,177 - You're not yellow? - No. 1037 01:12:35,353 --> 01:12:37,879 But can't you put me on "Advice to the Lovelorn" 1038 01:12:38,055 --> 01:12:39,386 ...or "How to Bake a Cake"? 1039 01:12:39,557 --> 01:12:42,322 Listen, your column's going strong. You're a success. 1040 01:12:42,493 --> 01:12:44,325 People hate the ground you walk on. 1041 01:12:44,495 --> 01:12:47,396 Everybody in town wants to see you hit by a taxi. Think of it. 1042 01:12:47,565 --> 01:12:49,693 Boy, am I hot. Everybody hates me. 1043 01:12:49,867 --> 01:12:51,335 - Ain't that swell, Snoop? - Yeah. 1044 01:12:51,502 --> 01:12:54,096 Five people phoned me today and called you a rat. 1045 01:12:54,271 --> 01:12:57,070 Isn't that sweet? That entitles me to that raise, doesn't it? 1046 01:12:57,241 --> 01:13:00,040 - You get your raise. - Fine. I'll buy some accident insurance. 1047 01:13:00,211 --> 01:13:03,010 Keep up the good work, my boy. I may give you a bonus. 1048 01:13:03,180 --> 01:13:05,114 Thanks. Looks like I'll die a rich man. 1049 01:13:05,282 --> 01:13:07,148 If I live long enough. 1050 01:13:07,318 --> 01:13:09,878 Well, Snoop, here's another boost for my friend Gordon. 1051 01:13:10,054 --> 01:13:11,988 This is the crowning point of our career. 1052 01:13:12,156 --> 01:13:13,920 Say, we've been crowned twice already. 1053 01:13:14,091 --> 01:13:16,389 That's applause to a good newspaperman. Get this. 1054 01:13:16,560 --> 01:13:20,258 'Bob Gordon's efforts to get Mademoiselle Arlette for his new play have failed. 1055 01:13:20,431 --> 01:13:22,900 People are asking why. Maybe she read his play. 1056 01:13:23,067 --> 01:13:27,265 It's our guess that he will have to sign up Lillian "No Talent" Brent as his lucky star. 1057 01:13:27,438 --> 01:13:30,601 This move should make Gordon Broadway's public enemy number one." 1058 01:13:30,775 --> 01:13:33,904 - How do you like that? Right on the nose. - Yeah, but whose nose? 1059 01:13:34,078 --> 01:13:35,978 Oh, you're not a bit optimistic. 1060 01:13:45,189 --> 01:13:46,748 That man is here again. 1061 01:13:49,026 --> 01:13:51,961 Hello, we were expecting you. 1062 01:13:52,596 --> 01:13:54,758 What's on your mind, Gordon? Unh! 1063 01:13:57,168 --> 01:13:58,533 Hey, listen... 1064 01:14:05,709 --> 01:14:07,905 - Hey, Snoop. - What? 1065 01:14:08,078 --> 01:14:10,945 Get off. This is as far as we go. 1066 01:14:12,116 --> 01:14:13,379 What's the matter, hedging? 1067 01:14:13,551 --> 01:14:16,179 No, I'm not. But this show means everything to me. 1068 01:14:16,353 --> 01:14:19,050 Oh, come on. Be regular. Give me a few more days. 1069 01:14:19,523 --> 01:14:21,355 Listen, you promised me the lead... 1070 01:14:21,525 --> 01:14:24,222 ...if you weren't able to find anybody in two weeks. 1071 01:14:24,395 --> 01:14:26,363 Your time is up. 1072 01:14:26,530 --> 01:14:28,294 - Be reasonable, Lillian. - No. 1073 01:14:28,466 --> 01:14:31,697 We made a bargain and I expect you to live up to it. 1074 01:14:34,839 --> 01:14:36,568 All right. 1075 01:14:39,176 --> 01:14:40,837 There's your contract. 1076 01:14:41,011 --> 01:14:42,706 Sign here. 1077 01:14:43,948 --> 01:14:48,181 I suppose you know that if the show flops, I'm ruined and you're out 60,000 bucks. 1078 01:14:48,352 --> 01:14:51,322 Yes, my sweet. I know all about that. 1079 01:14:51,489 --> 01:14:54,424 Now you sign, right under mine. 1080 01:14:59,163 --> 01:15:00,927 - Mr. Gordon. - Yeah? 1081 01:15:01,098 --> 01:15:03,829 Mademoiselle Arlette, she wishes to see you. 1082 01:15:04,201 --> 01:15:06,829 - Arlette? You mean she's here now? - Yes, sir. 1083 01:15:07,004 --> 01:15:08,733 Sign this contract and stop stalling. 1084 01:15:08,906 --> 01:15:11,466 Not if there's a chance of getting her for the part. 1085 01:15:12,810 --> 01:15:15,973 - All right, you have her come in now. - Yes, sir. 1086 01:15:18,249 --> 01:15:20,183 Oh! Don't you get jittery. 1087 01:15:20,351 --> 01:15:22,649 - What'd he say? - Don't you begin getting nervous. 1088 01:15:22,820 --> 01:15:24,879 I've lost 8 pounds since we started this thing. 1089 01:15:25,055 --> 01:15:27,820 - Who's nervous? - We'll both get the electric chair for this. 1090 01:15:27,992 --> 01:15:29,858 What's worse, I'm liable to lose my job. 1091 01:15:30,027 --> 01:15:33,292 Forget about that. I'm all right. You'll see the best Frenchwoman... 1092 01:15:33,464 --> 01:15:35,865 ...any high school dramatic society ever turned out. 1093 01:15:36,033 --> 01:15:39,094 If this were only a high school society. Do you know your name? 1094 01:15:39,270 --> 01:15:42,001 - Irene Foster. - Oh, no, you're Mademoiselle Arlette... 1095 01:15:42,172 --> 01:15:45,301 ...and you're from Paris and you've been very busy rehearsing. 1096 01:15:45,476 --> 01:15:49,811 Mr. Gordon, you sent for me, yes? 1097 01:15:50,814 --> 01:15:54,478 Yeah, well, it sounds a little Swedish but I guess you'll get by, I hope. 1098 01:16:00,958 --> 01:16:03,984 Mr. Gordon, you sent for me, yes? 1099 01:16:04,161 --> 01:16:06,687 Yes, of course, I did, mademoiselle, some time ago... 1100 01:16:06,864 --> 01:16:09,390 ...but, well, I'd given up hope of ever seeing you. 1101 01:16:09,567 --> 01:16:13,128 You see, I have been very, very busy rehearsing. 1102 01:16:13,304 --> 01:16:16,467 Yeah. Pardon me. May I present Miss Lillian Brent? 1103 01:16:16,640 --> 01:16:18,335 And why not? 1104 01:16:18,909 --> 01:16:21,742 I am always happy to meet people. 1105 01:16:22,580 --> 01:16:25,015 - How do you do? - Delighted. 1106 01:16:25,182 --> 01:16:27,742 If you don't mind, Bob, I'll run along. 1107 01:16:32,923 --> 01:16:36,723 Would you kindly ask Mr. Gordon to call me tonight if he's not too busy? 1108 01:16:36,894 --> 01:16:39,556 - I'll make a note of that. - Thanks. 1109 01:16:48,672 --> 01:16:49,901 - Snoop. - Yeah? 1110 01:16:50,074 --> 01:16:51,667 Get a load of this. 1111 01:16:51,842 --> 01:16:55,938 "Bob Gordon signs Mademoiselle Arlette for new show Broadway Rhythm. 1112 01:16:56,113 --> 01:16:58,548 The beautiful and talented French actress, Arlette... 1113 01:16:58,716 --> 01:17:02,209 ...has signed a contract to star in Bob Gordon's Broadway Rhythm production. 1114 01:17:02,386 --> 01:17:06,482 The young producer is to be complimented for having secured the services of Arlette. 1115 01:17:06,657 --> 01:17:09,627 Rehearsals start today." What do you think of that? 1116 01:17:11,328 --> 01:17:14,195 Hey, that's a beautiful dame. 1117 01:17:16,433 --> 01:17:19,198 But how can Gordon sign Arlette when there is no Arlette? 1118 01:17:19,370 --> 01:17:21,395 That's what I'd like to know. 1119 01:17:23,974 --> 01:17:26,375 - Snoop. - What? 1120 01:17:27,444 --> 01:17:30,345 Have you spoken to anyone since the last time I was here? 1121 01:17:30,748 --> 01:17:32,182 Yeah, a lot of people. 1122 01:17:32,349 --> 01:17:33,373 What did you say? 1123 01:17:33,550 --> 01:17:35,885 "Mademoiselle Arlette, she is busy..." 1124 01:17:35,886 --> 01:17:37,877 No, no, no, Snoop. Did you say anything else? 1125 01:17:38,055 --> 01:17:39,216 - Yeah. - What? 1126 01:17:39,390 --> 01:17:41,324 - "She is very, very busy." - No, no. Look. 1127 01:17:41,492 --> 01:17:43,927 Look, Snoop, I want you to think. 1128 01:17:44,094 --> 01:17:47,462 Look, I don't want you to strain yourself. I just want you to think. 1129 01:17:47,631 --> 01:17:48,881 About what? 1130 01:17:48,966 --> 01:17:52,994 Is there anyone in particular you remember speaking to while I was away? 1131 01:17:53,170 --> 01:17:54,365 - Yeah. - Who? 1132 01:17:54,538 --> 01:17:56,666 Kitty Corbett, Bob Gordon's secretary. 1133 01:17:56,840 --> 01:17:57,864 What did you say? 1134 01:17:58,042 --> 01:18:00,477 "Mademoiselle Arlette, she..." 1135 01:18:01,512 --> 01:18:02,707 Besides that? 1136 01:18:02,880 --> 01:18:05,076 I said, "Hi, Kitty." 1137 01:18:05,249 --> 01:18:06,808 - What? - But I hung right up. 1138 01:18:06,984 --> 01:18:09,578 - You know me, trigger judgment. - Oh, you hung up? 1139 01:18:09,753 --> 01:18:12,253 Whenever I'm through with the phone, I hang up the receiver. 1140 01:18:12,389 --> 01:18:14,289 That's smart. Have you seen her since? 1141 01:18:14,458 --> 01:18:16,256 - Yeah, she was here. - Here? 1142 01:18:16,427 --> 01:18:17,588 What did she say? 1143 01:18:17,761 --> 01:18:20,093 I don't know. I was asleep. 1144 01:18:20,264 --> 01:18:21,891 Asleep? 1145 01:18:22,433 --> 01:18:26,666 - She was here and you were asleep? - Yeah, I dozed off. 1146 01:18:26,837 --> 01:18:28,862 She left this. 1147 01:18:36,080 --> 01:18:39,345 - Well, of all the dumb guys... - Don't worry about Corbett. 1148 01:18:39,516 --> 01:18:41,348 She won't tip the gag off. She said so. 1149 01:18:41,518 --> 01:18:45,318 Just the same, I gotta find out who this dame is that Gordon's got signed up. 1150 01:18:45,489 --> 01:18:46,789 What do you want me to do? 1151 01:18:46,924 --> 01:18:49,859 Go down to the ocean and pull a wave over your head. 1152 01:19:06,410 --> 01:19:08,936 Well, that's not so good, but I guess it'll have to do. 1153 01:19:09,113 --> 01:19:10,274 Take five minutes' rest. 1154 01:19:10,447 --> 01:19:12,040 Five minutes' rest. 1155 01:19:21,191 --> 01:19:22,391 Who is it? 1156 01:19:22,493 --> 01:19:24,518 - Mademoiselle Arlette? - Oui, monsieur. 1157 01:19:24,695 --> 01:19:26,663 Mr. Gordon's ready to see your number. 1158 01:19:26,830 --> 01:19:28,958 Très bien, I come, toute de suite. 1159 01:19:29,133 --> 01:19:30,430 All right. 1160 01:19:33,537 --> 01:19:36,404 Hey, keep your fingers crossed. 1161 01:19:43,013 --> 01:19:44,606 Oh, my. 1162 01:19:46,817 --> 01:19:51,983 Ah, ban/our, Monsieur Gordon, you ready for me, yes? 1163 01:19:52,156 --> 01:19:55,319 - Yes, mademoiselle. All ready. - Merci beaucoup. 1164 01:19:59,129 --> 01:20:01,461 You know Mademoiselle Arlette's music, yes? 1165 01:20:01,632 --> 01:20:03,327 Why, no, mademoiselle, I don't. 1166 01:20:03,500 --> 01:20:06,094 Oh, tsk, tsk, tsk. Too bad. 1167 01:20:06,270 --> 01:20:10,332 Then you play for me something like... 1168 01:20:10,841 --> 01:20:13,242 How you say, like...? 1169 01:20:13,710 --> 01:20:14,939 Like: 1170 01:20:17,247 --> 01:20:20,740 - Oh, no, no, no, monsieur, no. - No? 1171 01:20:20,918 --> 01:20:23,580 Something with the... Ah! 1172 01:20:23,754 --> 01:20:25,620 With rhythm, n'est-ce pas? 1173 01:20:27,357 --> 01:20:28,518 - Yes? - You mean hot. 1174 01:20:28,692 --> 01:20:29,692 Yes. 1175 01:20:31,361 --> 01:20:33,762 Oh, no, no, no. 1176 01:20:33,931 --> 01:20:35,421 No. 1177 01:20:40,237 --> 01:20:43,036 Ah! Very good. 1178 01:21:11,902 --> 01:21:13,563 No, no, no. No. 1179 01:21:14,938 --> 01:21:17,464 That is all wrong. Don't play anything. 1180 01:21:19,243 --> 01:21:21,837 Oh, monsieur, I am so sorry. 1181 01:21:22,012 --> 01:21:24,140 You see, he does not understand. 1182 01:21:24,314 --> 01:21:27,045 Well, mademoiselle, may I get you another pianist? 1183 01:21:28,051 --> 01:21:30,452 Oh, no, no, no. 1184 01:21:30,621 --> 01:21:36,856 I tell you, I do for you like I did in Paris without any music. 1185 01:21:37,027 --> 01:21:39,428 It is much better that way. 1186 01:21:55,012 --> 01:21:58,505 Ah! You like this one, no? 1187 01:23:51,328 --> 01:23:53,057 You got him, sister. You got him. 1188 01:23:54,464 --> 01:23:57,161 This Arlette you've been spreading all over your column... 1189 01:23:57,334 --> 01:23:58,563 ...do you know who she is? 1190 01:23:58,735 --> 01:24:04,435 Yeah. She's a 5-cent cigar and a very bad smoke. 1191 01:24:04,608 --> 01:24:07,771 Maybe so. But there is a Mademoiselle Arlette living in Paris... 1192 01:24:07,944 --> 01:24:09,503 ...and she threatens suit. 1193 01:24:09,679 --> 01:24:11,545 Read that cable. 1194 01:24:14,718 --> 01:24:16,709 What are you gonna do about that? 1195 01:24:17,020 --> 01:24:19,387 Don't worry, chief. I'm killing Arlette tonight. 1196 01:24:19,556 --> 01:24:21,854 - Killing her? - Everything will be taken care of. 1197 01:24:22,025 --> 01:24:25,859 There won't be any bloodshed, just a nice quiet assassination. 1198 01:24:26,029 --> 01:24:28,157 And don't send orchids. 1199 01:24:28,331 --> 01:24:33,064 Oh, no, no, no, Monsieur Gordon, I never, never go out in public. 1200 01:24:33,236 --> 01:24:35,102 Tonight you've got to make an exception. 1201 01:24:35,272 --> 01:24:38,537 I've invited the press and the cast. The whole party is for you. 1202 01:24:38,708 --> 01:24:40,904 Why, the publicity alone will put the show over. 1203 01:24:41,078 --> 01:24:42,910 Oh, come on, please say you'll go. 1204 01:24:44,047 --> 01:24:45,981 Très bien, if you insist. 1205 01:24:46,149 --> 01:24:47,173 Ha, ha, swell. 1206 01:24:50,253 --> 01:24:51,721 Hello? 1207 01:24:52,289 --> 01:24:53,882 It's for you, mademoiselle. 1208 01:24:54,057 --> 01:24:55,718 Merci. 1209 01:24:55,892 --> 01:24:59,522 - Hello? Oui? - This is Bert Keeler of the World Tribune. 1210 01:25:01,364 --> 01:25:03,526 I wanna see you at my office right away. 1211 01:25:03,700 --> 01:25:07,261 If you're as smart as I think you are, you'll grab a taxi and hurry over. 1212 01:25:07,437 --> 01:25:09,565 I come at once. 1213 01:25:11,374 --> 01:25:12,432 Anything wrong? 1214 01:25:12,609 --> 01:25:16,944 - No, no, no, nothing of importance. - Oh, whatever it is, I'd like to help you. 1215 01:25:17,114 --> 01:25:22,609 Monsieur Gordon, you will excuse me, please. I must go. 1216 01:25:23,086 --> 01:25:24,247 Can't I go with you? 1217 01:25:24,421 --> 01:25:28,722 Oh, no, man chéri, this is one time, Arlette, she must be alone. 1218 01:25:28,892 --> 01:25:30,451 All right. 1219 01:25:31,027 --> 01:25:33,962 Au revoir, until tonight. 1220 01:25:37,200 --> 01:25:40,602 Monsieur Keeler, you sent for me, no? 1221 01:25:40,770 --> 01:25:43,865 I'm Keeler and I sent for you, yes. 1222 01:25:44,040 --> 01:25:46,634 Oh, I'm so sorry. 1223 01:25:46,810 --> 01:25:50,303 You see, I have been very, very busy... 1224 01:25:50,480 --> 01:25:51,914 - ...rehearsing. - Rehearsing. 1225 01:25:52,082 --> 01:25:53,811 If you're a French, I'm a Chinaman. 1226 01:25:53,984 --> 01:25:57,010 - That is possible. - Sit down. 1227 01:26:02,259 --> 01:26:03,988 You know, I'm very happy to meet you. 1228 01:26:04,161 --> 01:26:07,028 - Oh, monsieur. - You can call me mister. 1229 01:26:07,197 --> 01:26:09,597 What made you think you could get away with a gag like this? 1230 01:26:09,699 --> 01:26:12,464 Gag? Well, what is it, gag? 1231 01:26:12,636 --> 01:26:16,630 Now listen, sister, if you wanna play games with me, I'll send out for some Parcheesi. 1232 01:26:16,806 --> 01:26:17,932 I don't like cheese. 1233 01:26:21,278 --> 01:26:23,542 - Well? - Well? 1234 01:26:23,713 --> 01:26:25,313 All right, I'll handle it another way. 1235 01:26:28,652 --> 01:26:29,847 Get Bob Gordon on the phone. 1236 01:26:30,020 --> 01:26:31,720 Don't do that, please. 1237 01:26:31,721 --> 01:26:33,416 Okay, skip it. 1238 01:26:33,690 --> 01:26:34,782 Now, talk fast. 1239 01:26:34,958 --> 01:26:38,087 I wanted to get into Bob's show and this was the only way to do it. 1240 01:26:38,261 --> 01:26:40,061 - Why? - He wouldn't give me a chance... 1241 01:26:40,163 --> 01:26:43,360 ...under my right name. But as Arlette, he thinks I'm terrific. 1242 01:26:43,533 --> 01:26:45,797 He may be right and that's what I'm afraid of. 1243 01:26:45,969 --> 01:26:47,232 Well, the party's over. 1244 01:26:47,404 --> 01:26:49,736 I'm sorry I have to ruin a perfectly good racket. 1245 01:26:49,906 --> 01:26:51,374 - Why? - Why? 1246 01:26:51,541 --> 01:26:53,373 I build up a phony Arlette as a gag. 1247 01:26:53,543 --> 01:26:55,671 You step in, Gordon cashes in on the publicity... 1248 01:26:55,845 --> 01:26:57,609 ...and I'm the biggest chump on Broadway. 1249 01:26:57,781 --> 01:27:00,944 - And everybody lived happily ever after. - But not on me. 1250 01:27:01,117 --> 01:27:03,313 Now, listen, I made Arlette and I can break her. 1251 01:27:03,486 --> 01:27:06,114 I got a paper behind me that'll print anything I write. 1252 01:27:06,289 --> 01:27:08,314 Here's my column for tomorrow. Get this. 1253 01:27:08,491 --> 01:27:12,291 "Arlette refuses Gordon's ridiculous offer and sails for France today." 1254 01:27:12,462 --> 01:27:15,432 And everybody lived happily ever after. 1255 01:27:15,599 --> 01:27:16,896 Without Arlette. 1256 01:27:17,067 --> 01:27:19,297 You'd deliberately ruin Bob Gordon's show... 1257 01:27:19,469 --> 01:27:22,336 ...just to get even for a couple of harmless blows on the jaw? 1258 01:27:22,505 --> 01:27:23,563 Harmless? 1259 01:27:23,740 --> 01:27:27,233 My getting into this show means a lot to me but it means much more to Bob. 1260 01:27:27,410 --> 01:27:28,741 And I'm going to protect him. 1261 01:27:28,912 --> 01:27:32,610 I don't care what you write about me in that column of yours. Get this straight. 1262 01:27:32,782 --> 01:27:35,877 You can't stop Arlette from opening in that show tomorrow night. 1263 01:27:36,052 --> 01:27:37,952 - Oh, excuse me. - Now, wait a minute. 1264 01:27:38,121 --> 01:27:40,283 Wait a minute. 1265 01:27:40,957 --> 01:27:44,393 If you don't think I can do it, maybe the real Arlette can stop you. 1266 01:27:44,561 --> 01:27:47,326 The real Arlette? There isn't any real Arlette. 1267 01:27:47,497 --> 01:27:49,226 That's what I thought. 1268 01:27:49,399 --> 01:27:53,563 Here's a cablegram we got from Paris. "Unless you discontinue publicity... 1269 01:27:53,737 --> 01:27:56,604 ...in your column and expose person masquerading as Arlette... 1270 01:27:56,773 --> 01:27:59,470 ...my attorneys will bring suit against you and Gordon. 1271 01:27:59,643 --> 01:28:00,940 Mademoiselle Arlette." 1272 01:28:01,111 --> 01:28:02,306 What do you think of that? 1273 01:28:04,481 --> 01:28:05,880 Gordon's giving her a banquet. 1274 01:28:06,049 --> 01:28:09,280 If she doesn't show as Arlette, we're in for another sock in the nose. 1275 01:28:09,452 --> 01:28:11,181 I can't help that. 1276 01:28:11,621 --> 01:28:14,113 I'm sorry, kid, I had to do this. 1277 01:28:25,068 --> 01:28:26,627 Just a minute. 1278 01:28:26,803 --> 01:28:29,329 You know, you're not in such a healthy spot yourself. 1279 01:28:29,506 --> 01:28:32,567 Whatever Bob and I have done was based on your phony information. 1280 01:28:32,742 --> 01:28:35,074 Now, you listen to me. 1281 01:28:50,493 --> 01:28:53,360 - I can't understand why she isn't here. - I can't understand... 1282 01:28:53,530 --> 01:28:56,227 - ...why she didn't come with you. - She'd rather come alone. 1283 01:28:56,399 --> 01:28:59,733 - Go phone the hotel. See if she's left yet. - Right-o. 1284 01:29:00,970 --> 01:29:03,735 - Good evening. - Good evening. 1285 01:29:04,140 --> 01:29:06,006 - Good evening, Mr. Keeler. - Good evening. 1286 01:29:06,176 --> 01:29:08,076 This way, please. 1287 01:29:14,351 --> 01:29:16,911 - Good evening, Mr. Gordon. - Hello. 1288 01:29:17,087 --> 01:29:18,612 Irene. 1289 01:29:18,988 --> 01:29:20,387 Oh, hello, Bob. 1290 01:29:20,557 --> 01:29:22,616 What on earth are you doing back in New York? 1291 01:29:22,792 --> 01:29:24,886 I didn't go home. I've been here all the time. 1292 01:29:25,528 --> 01:29:27,018 Why didn't you let me know? 1293 01:29:27,664 --> 01:29:29,632 I really didn't think you were interested. 1294 01:29:29,799 --> 01:29:33,167 Pardon me, Bob, but Miss Foster is my guest for this evening. 1295 01:29:33,336 --> 01:29:34,428 Come, Irene. 1296 01:29:34,604 --> 01:29:36,299 Sorry, Bob. 1297 01:29:41,444 --> 01:29:43,173 I'm terribly nervous, Mr. Keeler. 1298 01:29:43,346 --> 01:29:46,213 Yeah? How do you think I feel? You know, this wasn't my idea. 1299 01:29:46,383 --> 01:29:49,785 Bob, get a load of this in Keeler's column. 1300 01:29:58,928 --> 01:30:01,128 - Another one of Keeler's ribs. - At your expense. 1301 01:30:01,297 --> 01:30:03,959 - What? - I've checked everywhere. I can't locate her. 1302 01:30:04,134 --> 01:30:07,195 - Call her hotel. She's there. - I've called twice. She's not there. 1303 01:30:07,370 --> 01:30:09,998 They said she checked out late this afternoon. 1304 01:30:13,376 --> 01:30:15,708 Don't you think we ought to tell him? 1305 01:30:15,879 --> 01:30:18,109 Say, how would you like a sock in the nose? 1306 01:30:18,281 --> 01:30:20,409 Now, go ahead. You've just got time to make it. 1307 01:30:46,643 --> 01:30:51,706 ♪ Broadway, street of a million lights ♪ 1308 01:30:53,049 --> 01:30:58,852 ♪ Broadway, street of a million sights ♪ 1309 01:31:00,890 --> 01:31:07,523 ♪ Broadway, street of a million nights ♪ 1310 01:31:07,964 --> 01:31:14,961 ♪ Nights of pain and tears and sorrow ♪ 1311 01:31:15,138 --> 01:31:22,135 ♪ Nights that promise gay tomorrows ♪ 1312 01:31:23,513 --> 01:31:28,883 ♪ But up or down or sad or gay ♪ ♪ There's something in this old Broadway ♪ 1313 01:31:29,052 --> 01:31:31,783 ♪ That makes you tingle in and out ♪ 1314 01:31:31,955 --> 01:31:36,791 ♪ That makes you stand right up and shout ♪ 1315 01:31:36,960 --> 01:31:40,396 ♪ Gotta dance ♪ 1316 01:31:40,563 --> 01:31:46,559 ♪ Gotta dance ♪ 1317 01:31:47,337 --> 01:31:54,334 ♪ Broadway rhythm, it's got me ♪ ♪ Everybody dance ♪ 1318 01:31:54,811 --> 01:32:01,217 ♪ Broadway rhythm, it's got me ♪ ♪ Everybody dance ♪ 1319 01:32:01,384 --> 01:32:06,982 ♪ Out on the gay White Way ♪ ♪ In each merry café, orchestras play ♪ 1320 01:32:07,156 --> 01:32:12,026 ♪ Taking your breath away ♪ ♪ With that Broadway rhythm ♪ 1321 01:32:12,195 --> 01:32:17,793 ♪ It's got me ♪ ♪ Everybody sing and dance ♪ 1322 01:32:21,538 --> 01:32:28,535 ♪ Oh, that Broadway rhythm ♪ 1323 01:32:29,279 --> 01:32:36,276 ♪ Oh, that Broadway rhythm ♪ 1324 01:32:37,053 --> 01:32:40,717 ♪ When I hear that happy beat ♪ 1325 01:32:40,890 --> 01:32:44,520 ♪ Feel like dancing down the street ♪ 1326 01:32:44,694 --> 01:32:49,393 ♪ Oh, that Broadway rhythm ♪ 1327 01:32:49,566 --> 01:32:52,558 ♪ Writhing, beating rhythm ♪ 1328 01:32:52,735 --> 01:32:54,430 ♪ Gotta dance ♪ 1329 01:32:54,604 --> 01:32:56,231 ♪ Gotta dance ♪ 1330 01:32:56,406 --> 01:32:58,101 ♪ Gotta dance ♪ 1331 01:32:58,274 --> 01:32:59,969 ♪ Gotta dance ♪ 1332 01:33:00,143 --> 01:33:03,773 ♪ Broadway rhythm, it's got me ♪ ♪ Everybody dance ♪ 1333 01:33:03,947 --> 01:33:07,611 ♪ Broadway rhythm, it's got me ♪ 1334 01:33:07,784 --> 01:33:11,243 ♪ Broadway rhythm, it's got me ♪ ♪ Everybody dance ♪ 1335 01:33:11,421 --> 01:33:15,983 ♪ Broadway rhythm, it's got me ♪ ♪ On the gay White Way ♪ 1336 01:33:16,159 --> 01:33:17,752 ♪ In each merry café ♪ 1337 01:33:17,927 --> 01:33:19,190 ♪ Orchestras play ♪ 1338 01:33:19,362 --> 01:33:21,262 ♪ Taking your breath away ♪ 1339 01:33:21,431 --> 01:33:26,198 ♪ With that Broadway rhythm, it's got me ♪ ♪ Everybody dance ♪ 1340 01:33:26,469 --> 01:33:32,033 ♪ Everybody sing and dance ♪ 1341 01:33:32,208 --> 01:33:33,835 ♪ Broadway rhythm ♪ 1342 01:33:34,010 --> 01:33:35,603 ♪ Broadway rhythm ♪ 1343 01:33:35,778 --> 01:33:41,217 ♪ Broadway rhythm, it's got you, it's for me ♪ ♪ Everybody dance ♪ 1344 01:34:19,889 --> 01:34:21,379 ♪ Gotta dance ♪ 1345 01:34:23,726 --> 01:34:25,194 ♪ Gotta dance ♪ 1346 01:34:27,497 --> 01:34:33,436 ♪ Broadway rhythm, it's got me ♪ 1347 01:34:33,603 --> 01:34:35,332 ♪ Everybody dance ♪ 1348 01:34:38,641 --> 01:34:44,637 ♪ Broadway rhythm, it's got me ♪ 1349 01:34:44,814 --> 01:34:46,111 ♪ Everybody dance ♪ 1350 01:34:57,427 --> 01:35:00,328 ♪ Broadway rhythm, it's got me ♪ 1351 01:35:00,496 --> 01:35:04,763 ♪ Everybody sing and dance ♪ 1352 01:36:55,878 --> 01:36:57,368 ♪ Gotta dance ♪ 1353 01:36:59,749 --> 01:37:00,807 ♪ Gotta dance ♪ 1354 01:37:03,619 --> 01:37:07,419 ♪ Gotta dance, dance on Broadway ♪ 1355 01:37:07,990 --> 01:37:13,588 ♪ Broadway rhythm, it's got me ♪ ♪ Everybody sing and dance ♪ 1356 01:37:15,031 --> 01:37:16,760 ♪ Dance ♪ 1357 01:37:16,933 --> 01:37:18,230 ♪ Dance ♪ 1358 01:37:18,901 --> 01:37:20,027 ♪ Dance ♪ 1359 01:39:05,908 --> 01:39:08,741 ♪ Dance, if your head is reeling, dance ♪ 1360 01:39:08,911 --> 01:39:10,845 ♪ If you have no feeling, dance ♪ 1361 01:39:11,013 --> 01:39:12,981 ♪ If you're hot and breathing, dance ♪ 1362 01:39:13,149 --> 01:39:14,674 ♪ If you wake up screaming ♪ 1363 01:39:14,850 --> 01:39:20,812 ♪ Broadway rhythm, it gets you ♪ ♪ Everybody sing and ♪ 1364 01:39:20,990 --> 01:39:24,893 ♪ Dance all night ♪ ♪ Rhythm for dances got rhythm ♪ 1365 01:39:25,061 --> 01:39:30,795 ♪ Of Broadway ♪ 1366 01:39:32,668 --> 01:39:35,365 - Here, I got the boss for you. - Hello, Keeler speaking. 1367 01:39:35,538 --> 01:39:37,768 Stop press, flash a new lead mainstem column: 1368 01:39:37,940 --> 01:39:41,103 "What Bob Gordon will lead which Irene Foster down the bridal path... 1369 01:39:41,277 --> 01:39:43,006 ...after premiere of Broadway Rhythm? 1370 01:39:43,179 --> 01:39:45,170 What unidentified body, named Bert Keeler... 1371 01:39:45,348 --> 01:39:47,407 ...was chosen as best man by popular acclaim? 1372 01:39:47,583 --> 01:39:49,483 Question mark, exclamation point." 1373 01:39:52,088 --> 01:39:54,580 That sounds to me like the 2-A, the ah-poo variety. 1374 01:39:54,757 --> 01:39:58,250 No, no, I think that's 7-3, the super-static lag. 1375 01:39:58,427 --> 01:40:01,590 Oh, Mr. Keeler, you're both wrong. 1376 01:40:03,833 --> 01:40:06,165 That was 5-A, the wah-wah... 1377 01:40:06,335 --> 01:40:09,430 ♪ I saw you from afar ♪ 1378 01:40:10,039 --> 01:40:16,308 ♪ You are my Shearer, Crawford, Hepburn ♪ ♪ Harlow and my Garbo ♪ 1379 01:40:16,479 --> 01:40:21,645 ♪ You are my lucky star ♪ 1380 01:40:21,817 --> 01:40:28,814 ♪ You are my lucky star ♪ 106196