Original subtitles

Stay tuned after the show

for an exclusive look inside the episode.

That house is famous for its witches.

There is a being. They call him Lasher.

Lasher is connected to our family's bloodline.

- Are you frightened of him? - Shouldn't I be?

You need to protect yourself.

There are some in this family

who will try to convince you that he is a gift.

Everything that is happening here is what you want.

I don't want any of this.

I want him gone.

He can be rejected. There is a choice.

Dolly: The object of the ceremony

is to transfer the power to a female next of kin.

He has chosen.

Tessa is not in her room. Couldn't even sleep in her bed.

It's time for me to play my - part, sir. - And what is that?

I need to keep Lasher away from her.

Tessa is dead.

The 13th witch is the doorway.

Give him to me. I know how to use him.

- You give him to me! - No! Stop!

- I'm here to help. - You're lying.

You can't control him.

You can't control me

- What the fuck are you doing here?

- You invited me.

- You stay away from him.

Go away. Go away.

- Don't you know who he is?

No.

No. No.

No!

- Rowan?

More milk.

- Yeah.

More milk.

Here you go, and when you're done, it's time for a nap.

- Give it to me.

- I'd like it if you could ask nicely.

Can you say "please?"

I'm going to need you to learn how to say "please."

I hear you up there, tossing and turning all night.

- I told you to get out of my house.

- What he gives you is not worth the cost of your soul.

- Don't listen to her.

She's not real.

- You don't believe me.

Read the diary that Catherine wrote.

She knew what he was.

And it ate her alive.

It's not a sin to kill the devil.

- Where's the fire?

- What fire?

Do you remember making fire? - I gave it to you.

I gave you all of it.

- You gave me so many gifts.

- I want it back.

- I can't do that. Just stay still.

Just stay there for one second, okay?

- What are you doing?

- I can see inside you.

So, if I understand how you're made, then I can help you.

Okay?

- Lasher?

Lasher!

Hey, open the door.

- Tell me what's wrong. I can help you.

Hey!

I have to open the door.

So please stand back so you don't get hurt, okay?

Stand back. Are you standing back?

Let's find you some new clothes.

- Hi. - Thanks so much for coming.

- I've been waiting for your call.

Where is he? - He's sleeping, finally.

- You look like you could use some sleep.

- There are things I need more than sleep.

Here, please, the dining room.

He's always hungry.

He's unbelievably strong.

And he grows in these wild spurts.

Like, he looks human, but he can't be human.

- He's something new, something magical.

- But he's not, because I have the power.

He gave it all up to have a body.

- You said he can talk? - Yeah.

- Have you asked him why he's here?

- Yeah, and he just looks at me.

I don't know if he doesn't know or if he--he knows

and he's not telling me.

But you knew about his coming.

You understand everything about the prophecy

and how quickly this was going to happen.

So tell me.

Tell me what's going on.

- My mother used to say that when he came,

our powers would multiply.

- And have they?

I mean, has anyone in the family

felt a change in their powers?

- I'm sure they will soon.

We can trust him to carry out his promise.

He's been with this family for generations.

- 500 years spent conniving and manipulating,

and in all that time, no one stopped to ask him

why he was doing any of it?

- Those who were closest to him must know.

Cortland, for instance.

Well, I wish I knew where he was

so I could ask him.

- Don't be so worried.

It's a miracle what you've done--

his spirit made into flesh.

Very soon, he'll be a grown man.

And surely, then he will tell all of us what he wants.

- Thanks.

Hello?

Hello?

Is anybody home?

- Moira?

Moira. Mom said you were coming.

But I didn't believe her. - Of course!

Of course I'm here.

Mm.

How you doing?

You okay?

Oh. No, no, no, no.

That was not your responsibility

to hold off the funeral until I got back, all right?

That is on Mom.

- Don't tell her I let you read my thoughts.

- I won't.

- Sorry, but the last thing I need is you in my head.

- Heard you fell at the funeral.

I didn't realize that you had a cast.

Blame Father Guzman.

If he had repaired the altar steps last year

like I asked him to...

You don't use a hairbrush anymore?

- It's a long flight, Mom.

I can't believe that she's gone.

You know, I was going to go by her grave

on my way back from the airport, but then I thought

maybe we could go together, yeah?

- No.

You know, it's not all sorrow and sadness around here.

Lasher's been born.

Your sister is a part of that.

- Rowan called Lasher to rescue Tessa.

- But he didn't rescue Tessa?

- It happened as it was meant to happen.

Things always do.

- "Meant to happen"?

You don't really believe that, do you?

You've never had proper respect

for Lasher's place in the family.

How long are you in town?

Catherine Mayfair, August 12, 1946.

He urges me to bond with him

in a way I cannot allow myself.

To do so would be dangerous and foolhardy.

I wake from dreams

certain he has used me to perform grotesque deeds

My heart races

Terrified, I disavow him.

If he haunts my sleep, I will not sleep again.

My brother has no such boundaries.

Julian wants Lasher to know him in every possible way.

He gives himself to Lasher entirely.

And in doing so, he is changed.

Millie?

He appears innocent.

He looks like any human child, but don't be fooled.

He is capable of evil.

I witnessed it in Scotland, where he burned

a whole village to the ground.

And now that he has a body, I...

I fear whatever it is that he plans to do with it.

Sip, if you're touching this Bible

and seeing this moment for the first time,

that means your memory has been erased by Albrecht Escher.

[distant indistinct shouting, dogs barking]

I am preserving this memory for you

because your mission is crucial,

so you cannot forget it.

Lasher has insinuated himself into Rowan Mayfair's life,

and she is doing everything she can to protect him.

She's fortified the house with charms and spells,

and I've yet to find a way past them, but...

there must be one.

She needs you, Sip.

She can be saved from him,

but you have to do it before Albrecht gets to you.

Don't let anything stand in your way,

and don't trust anyone except the person

who gives this to you.

- Tessy...

Can you hear me? A-are you listening?

Just say something, okay? I'll...

I'll try to hear it.

I'm going to find out what happened to you, okay?

It's not a sin to kill the devil.

Marguerite Mayfair, June 11, 1912.

Julian lit a man's clothes on fire

"and told me that it was Lasher who had done it.

I scolded him,

but he said Lasher had entered his body.

- We played that game when you were little?

- Lasher?

- The one with your fingers and toes?

- Lasher?

- This little piggy went to market.

This little piggy stayed home.

- Better do it before he gets too big.

- This little piggy went wee, wee, wee,

all the way home.

- Hey.

Where'd you find that?

- Marie Claudette, the ring she used to wear

is still on her finger.

Mary Beth's fingers are here, too.

- So you remember them, your witches?

- I remember them in pieces that fall apart

when I look too hard.

- Part of Julian's in that doll.

You were very close with him.

Did you ever tell him why you wanted to be alive?

Why are you here, Lasher? Tell me.

- What if you don't like it? - I like everything about you.

- That's not true.

- If you don't tell me what you want,

I can't help you achieve it.

- They don't want me to tell you.

- Of course they do. I'm one of them.

Yes.

- Give it back!

- You can have it back when you tell me.

- Give it now! -

I'm so sorry.

I didn't mean to do that. - Yes, you did.

- No, let me see.

Let me see. Show me.

Wait, don't move.

- You fixed it.

- Yeah, I can do that now because of you.

- Hi. I'm Dr. Fielding.

I'm a guest of Josephine Mayfair.

I'm here to, um, use the lab.

- It's all right. I know who you are.

- Oh, thank you so much. Okay.

- The results were unbelievable.

We were able to counter the mutations in 96% of the cases.

Why the hell would you cancel the next phase of the trial?

- We ran the numbers.

And the profit margin isn't big enough.

- We're talking about a gene-therapy cure

for blindness, Paul.

- The trials are expensive, Sam.

Ultimately, the market for this particular therapy

is just too small.

- Does the board know about this?

We have plenty of other trials going

for plenty of other diseases. - Great, cool.

I'll just find something else to cure.

- I have to take this. - I'm calling the board.

I know they're going to back me on--

Uh...

Rowan, my God, are you--

Is everything okay?

- It's fine. I'm fine.

What, do I have to be unwell to call you?

- It's been a really long time.

- It has been, yeah. How are you?

Fine, uh, great, great.

Uh, Rowan Fielding...

I'm so sorry to hear about Ellie.

Did you--did you get my-- I did, yeah. Thank you

It meant a lot that you thought of me.

- Of course I did.

I do.

- Yeah, look, Lark, I-I wish I was calling to catch up,

but the truth is, I-I need a favor from you.

- Okay.

- Um, I'm wondering if you'll run genetic testing

for me on a blood sample.

There's definitely some kind of genetic anomaly

in the patient.

I need to know what it is.

- I run 1,000 samples a day. That's hardly a favor.

- I need you to do this one off the record.

- I don't--I don't think that's a thing for geneticists.

but I'll tell you what-- I'll--I'll run it myself,

keep it out of the firm's data bank.

How about that? - Thanks, Lark.

I owe you.

- No, no, you don't.

You--you really don't owe me anything.

- How's Mosley?

- Uh, yeah, great, great.

Still, uh...

Chasing squirrels, doing his thing.

- He must be old now, like, what, 8 or 9?

He's--he's 12, Ro.

- It was good to hear your voice.

Thank you.

- I'll, uh-- I'll call you when I run it.

- Okay, bye.

- Sorry.

- Um, can you overnight this for me?

- Sure. - Thank you so much.

Is it okay if I...

Hi.

Is that your mom out there?

Yeah?

Do you know why she's upset?

- The scan said I'm going to die.

- Did a doctor tell you that?

- No, but I can tell.

- Yeah?

- I hate when she cries.

- Well, that's because moms want to fix things

for their kids.

And she doesn't know how to fix this,

and that's really scary for a mom.

Is it okay if I examine you?

Okay.

Why are you smiling?

- Because I know something your mom doesn't know.

You're going to be fine.

Okay?

Oh.

Rowan?

- Hi.

- Hey, are you okay? - Yeah, I'm fine.

Um, do you want to come back to the house?

Dolly Jean's there with Lasher,

and we have a bunch of stuff that we need to talk about.

- Mm. - but not here.

- You want to talk about our father.

- Well, yeah, I think it's time, don't you?

I didn't want to push you, but, yeah, I do.

- That neurosurgery job you offered me--

what happened with that? - It's still available.

- Then tighten it up like this, see?

- I've always worn them, but I've never touched one.

- Hmm. - I'm old, but I'm new.

I'm a riddle.

- You'll have to explain it to us.

- Well, now I have a heartbeat--thump, thump.

Are dreams memories?

- They can be, but not always.

- Hmm.

- Tell me what you know about yourself, Lasher.

- I grew up near a church. - Mm-hmm.

- I love music.

And sometimes when I fall asleep,

I see a veil being lifted

and then the face of a girl.

I don't think Rowan would like her.

- Then don't tell her.

Let's go. Time to wake up.

There you go. - [groaning]

- Yeah...

Hello. Over here.

Good to see you.

- Have I been erased?

- Not by me.

Oh, you're not well. Here...

I'm sorry about the quelling.

I couldn't see another way to bring you in

and convince you I have no interest

in erasing your memories.

- Why don't you?

I'm a loose end.

I could go to the elders and tell them everything.

- The elders already know everything.

They even know what you've been up to.

And I'm happy to report you've impressed them,

so much so that they want you to take

the lead in a covert operation

of the highest urgency...

to capture Lasher.

- The Talamasca doesn't want Lasher.

- I'm told we do.

Now that he's embodied, he's a serious threat

to the balance of the supernatural world.

Will you take a sip, for Christ's sake?

Sometimes a glass of water is just a glass of water.

- What are we planning to do with him?

- Mm-mm, there's a protocol.

I can't tell you until I know you're on board.

- I don't know.

Um, Lasher's in the First Street House.

No one outside the family can get in without permission.

I've tried every counter-jinx there is.

- I'm aware.

- Then tell me how you plan on getting in.

We've identified someone who has a vendetta against Lasher,

someone who can get in and out of the house with ease.

- A Mayfair?

- We believe she can be turned to our side.

And we think you're the one who can turn her...

if you're willing.

- Please, just tell me where he is.

I will not.

How dare you come crashing into this house

without so much as a by your leave?

Have you forgotten yourself? - Please, Mayfair etiquette--

you know, when your sister is murdered,

it really makes you reassess

your priorities a little-- - Hello?

Hi, I'm Rowan.

Who are you?

- I'm Moira.

- Moira is Tessa's sister.

- Oh.

Moira, it's so nice to meet you.

I'm so sorry. I'm so, so sorry about Tessa.

I feel completely responsible for that.

- That's good. I'm glad to hear that.

But I don't want to talk to you.

I want to talk to Lasher.

He is the one who owes me answers.

- Oh, uh, maybe another day.

He abandoned my sister when she needed him

And I want to know why.

- The Lasher upstairs isn't the Lasher you're talking about.

He's a child. He doesn't remember anything.

He wouldn't even know your sister's name.

- That's convenient.

Okay, I get it.

He gives you a shit ton of power, right?

- If you're going to be in town for a while,

why don't you come back and you can meet him when he's ready?

- It's a reasonable request, Moira.

- I'll show you out.

She's a mind reader.

You have to protect yourself.

Make sure you have music playing anytime she's near.

- Well, what was her plan?

Just to go up there and snoop around Lasher's thoughts?

- Maybe.

That's what she's usually up to.

She is nobody's favorite cousin.

- I feel for her.

Headphones on all the time to block out the world,

that gift is a curse.

- Is it?

I don't know.

- I brought you something to eat.

You look so grown up...

very refined.

- Who's Tessa?

- Tessa was my cousin.

She was a young Mayfair woman who died.

- She said I hurt Tessa.

And I don't want to hurt anyone.

- No, you didn't hurt anyone.

You just chose her to wear the key necklace,

and then...

she got into trouble.

Do you remember any of that?

- I used to play with it when I was a baby.

- Yes.

It's just a toy now.

Isn't that funny, how things change?

I mean, you used to be this powerful, magical being,

and you gave it all up to have a body,

and you still haven't told me why.

- To tie a tie...

to jump...

To smell.

I like your smell, Rowan.

- But it wasn't just those things that you wanted.

It was something bigger.

And I have a guess what it is.

Can I guess?

- Okay.

- Do you remember how I healed you?

Well, I can do that to other people, too.

And it's hard when you're far away,

and it's easy when you're near.

So I think that your purpose is to help me do good.

And it would be good for our family.

Does that sound right? You think that's right?

- No.

No?

- Mm-mm.

- Okay.

So then what is it?

- I can tell you.

- Okay, tell me.

No.

Don't ever do that.

- But I love you. - No.

Don't ever do that again, ever.

- Do you know the truth?

Do you know why he's here?

What does he want?

He must've confided in you.

- Rowan?

Did he ever tell you what he wants?

- Rowan, is that you?

Let me out of here. Let me out of here!

- No. No, no!

No, no, no!

Fast

Fast, I'm coming in fast ?

First place, you coming in last ?

I'm hitting that, hitting that gas ?

I'm hitting that, hitting that ?

My body, I'm coming in fast ?

First place, you coming in last ?

I'm hitting that, hitting that gas ?

I'm hitting that, hitting that ?

Locomotion, we causing a commotion ?

I put it in, I put it in, I put it in motion ?

I put it in, I put it in, I put it in motion ?

Locomotion, we causing a commotion ?

I ciest [...] in the whole damn land ?

I hit the road in an all-white Lam' ?

I keep a fresh set upon my hands ?

You don't like me, but you on my 'Gram ?

How you look, how you look, how you sound? ?

I'm a boss, I'm a brat, hard to handle ?

I'm a real life mood, a real life muse ?

Got some pretty-[...] toes in my sandals ?

I can't help I was born like this ?

Ain't my fault that you want my drip ?

Little bitter [...] could have been my friend ?

Now you got to listen while I pop my [...] ?

Fast, I'm coming in fast ?

First place, you coming in last ?

My back is aching, my bra too tight ?

You mad as hell that I shine so bright ?

My back is aching, my bra too tight ?

I know that's right ?

Oh, my God, what happened?

- I don't know. You have to fix her.

- Lay her down.

- Please, please, I'm saying please.

- She's had a hemorrhage.

She's dead. There's nothing I can do.

- I didn't mean to hurt her. I didn't mean to.

- No, no, no, no, don't do that.

This isn't your fault. How could this be your fault?

She hemorrhaged.

Who saw you with her? -

- Lasher, put her down. Tell me who saw you with her.

- Fix her. Give her back to me!

- Put her down.

- Lasher, I need your help.

I need you to go get something for me downstairs.

Please.

- What?

- Scissors, a pair of scissors.

Hurry.

They should be on Antha's table.

- Rowan?

Mommy, mommy!

Let me out!

I'm going to take care of it,

and then I'll come back,

and you're going to tell me exactly what happened, okay?

Woman: I always knew you'd come back home.

Lasher's out there hunting Mayfair women.

I can't control myself.

Where would he go?

Julian Mayfair, the family's in trouble.

My father never was bothered by a body count.

Woman: I'm really glad you're here.

I ran your DNA. What are you?

They took Lasher. I'm trying to find out where.

This is how it starts. This is where he wants us.

Brother.

We're all that stands between order and chaos.

I fear that we may be in over our heads.

This is a trap.

I'll do whatever I need to do

to protect my family.

Then join us!

He's here.

He's always hungry. He's unbelievably strong.

And he grows in these wild spurts.

Like, he looks human, but he can't be human.

Well, he's something new.

Something magical.

Action!

The second season, or the second book,

you have to understand that nobody's safe.

Anything can happen to anybody.

And that makes for great television.

Anne Rice gave us such a rich world to play with.

This season really gives us

something unique that people haven't seen before.

Anne Rice's book "Lasher" is such an incredibly wild book.

It goes to extraordinary places.

They've managed to sort of carve out

such an interesting journey

for all the different characters.

Lasher specifically--

he's somebody who's just come into his human form.

For people to see just how much more

we've delved into the world,

especially the Mayfair family,

to see how far and wide

the Talamasca organization actually goes,

so it's been great to see the expansion of the story lines.

It's really nice to come back

to a second season and know everyone.

We had most of the same crew.

And I love the new cast,

and I got to play with my old cast, as well.

It felt like Rowan was coming home.

We start in our very witchy, strange world

of New Orleans and the Mayfairs of New Orleans.

And the house is a real set piece in this.

The house is kind of living a life

based on what's happening to Lasher.

When me and Esta first spoke about this season,

we were like, "How can we show

a different side of Lasher-- the human side,

somebody who isn't used to this world,

doesn't understand his purpose?"

So in essence, we thought of Frankenstein's monster.

No!

You're dealing with characters in a family,

all who have these incredible powers

and who are also very human at the same time.

That's what was fascinating

with the Greek gods, for example,

is you have these really powerful creatures

that still are lustful and angry and jealous and greedy.

More milk! Give it to me!

It's not a sin to kill the devil.

We have Lasher's various ages.

When you're working with babies, small children,

you don't always know what you're gonna get.

Rowan?

Lighting was one of the first things we talked about.

We cannot ever, ever, ever light this baby in bright light.

We have to keep this baby always in shadow.

One of my favorite moments in the first episode

is a moment where baby Lasher pulls out his own teeth.

Children do. They, you know,

wiggle, wiggle, wiggle, and pull out their teeth.

But for a mother watching that, is that normal?

It was really fun for me as an actor

to see Lasher grow up so quickly

and to play with all these young actors.

Where's the fire?

There were some metaphors

for the shock and unknown

of being a new mother.

Although Rowan is maybe dealing with far more than most mothers

because her child is a demon.

You look so grown up.

Very refined.

Who's Tessa?

One thing we wanted to do in season 2

was to really inhabit the space of the Mayfair family

and get to know some of the other witches

and get to know the emotional journeys of other Mayfairs

in addition to Rowan.

And that took us into

some very strange and dark places

in the best possible way.

Better?

A wonderful character in the second book

called Mona Mayfair--

we didn't use all of the attributes of Mona,

so it felt unfair to call our character Mona,

but we leaned in that direction with the name Moira.

Hello?

Hello?

Is anybody home?

- Woman: Moira? - Alyssa was--

She just popped out of the audition.

She's amazing.

You could just feel the Moira in her.

And, then, as often happens,

as soon as she was on set, being our Moira,

we started writing towards her and her voice.

When your sister's murdered,

it really makes you reassess - your priorities a little. - Hello?

Making her a mind reader gave her an incredibly strong power,

one that could rival some of Rowan's powers.

So we felt her power needed to be absolutely significant.

- Who are you? - I'm Moira.

Moira is Tessa's sister.

It seems like when they first meet

that she's gonna be this adversary.

I'm so, so sorry about Tessa.

I feel completely responsible for what happened.

That's good. I'm glad to hear that.

Spalding: As far as the character of Lark goes...

Rowan? My God.

Are you-- Is everything okay?

It's fine. I'm fine.

...Rowan goes to him in the second book

to get information about Lasher.

She's trying to figure out Lasher's blood type.

I'm wondering if you'll run genetic testing for me

on a blood sample.

We really wanted there to be the feeling

of a love triangle,

that Cip is there, still having feelings for Rowan,

but that this person comes onto the scene

who also has a kind of romantic feeling for Rowan.

It meant a lot that you thought of me.

Of course I did.

I do.

Cip, if you're touching this Bible

and seeing this moment for the first time...

that means your memory has been erased

by Albrecht Escher.

The theme really for the season is about family.

And when we thought about Cip..

...it really felt like his story of family

was a story of being in the Talamasca--

Don't let anything stand in your way,

and don't trust anyone

except the person who gives this to you.

-- the Talamasca, who discovered him

and discovered the gift he had and kind of brought him in

and said, "This is who you are. This is what your gifts are."

And we find him at the beginning of the season,

having separated himself for the first time from that family,

living on his own, on his own mission,

because he's so obsessed with Lasher.

Cip's relationship with the Talamasca is not good right now.

I mean, he's hiding, essentially.

I think he's hiding because there's a lot of questions

that have been left unanswered.

There's a lot of emotions that are just bubbling up inside him.

The Talamasca - doesn't want Lasher. - I'm told we do.

Now that he's embodied,

he's a serious threat to the balance

of the supernatural world.

There's a place down by the lake

Down by the lake, down by the lake

For the monster I can see Action.

Is inside me, is inside me

Ooh, ahh

I had from the very beginning in my mind

the idea that if our heart is gonna be with Rowan

as she basically vanishes this body

that her child has killed...

lay her down.

- Tell me who saw you with her. - Fix her!

...doesn't go to the police and report him, whatever,

if we're gonna be with her when she does that,

it has to be beautiful.

So if she does this with respect and beauty,

then the audience will go with her

and will not judge her for what she's done.

And it felt like such extraordinary witchy power.

She can control all of these elements,

and here she is, moving the water down

to sink this body away.

It's like the culmination of the power that Lasher has given her,

but, also, of the crimes that he's committed.

That was a very interesting place to take Rowan's story

and take her relationship with her son

and the complicated nature of their relationship.