Original subtitles

NARRATOR: "Gunsmoke" with Milburn Stone as Doc,

Amanda Blake as Kitty, Ken Curtis as Festus,

Buck Taylor as Newly, and starring

James Arness as Matt Dillon.

[gunshots]

[music playing]

[gunshots]

[music playing]

There he goes.

[gunshot]

Get him.

Shoot him.

Kill him.

[gunshots]

[music playing]

After him, boys.

Don't let him get away.

There he is.

There he is.

[music playing]

[gunshots]

I can't go no further, Dillon.

Get up, Stinson.

Get on your feet.

[music playing]

He run underground.

Masters, you work your way on around yonder

and get up above him.

Hodad, you go back down that way,

and don't let him walk out that ridge.

All right, the rest of you boys kind of scatter around here,

and see if you can't get a clear shot.

Wave when you're ready.

[cocks gun]

CHARLIE UTTER: All right, Dillon.

Let's talk.

We got you cornered.

You can't get away.

Utter, how much do you think of Stinson here?

Oh, I think a whole lot of him.

But I think a whole lot more of that $24,000 you got

stuffed in them saddlebags, Dillon.

Charlie, don't let him kill me.

It ain't all that much money.

It ain't that much money?

$24,000?

[laughs]

[gunshots]

Get him, Masters.

[gunshots]

[music playing]

He's going to jump.

[music playing]

I think I see him.

[gunshots]

There he is.

Hey, he's heading around the bend.

Get him, men.

[music playing]

Shoot him.

Kill him.

Don't let him get away.

[gunshots]

He got away.

Oh, no he ain't.

He'll never get through them rapids alive.

Sarge.

Yeah.

Oh, go get the horses and meet us down around the bend.

-All right. -Come on, men.

Let's keep track of his carcass.

[music playing]

Look.

His head's bleeding.

He's a sheriff.

No, he ain't.

He's a US Marshall.

That's worse.

You ain't going through his personal property.

He's a US Marshall.

Tut.

Tut.

Look in here.

What is it?

HODAD: Well, would you look at that.

Kids on a raft.

That marshal's got more lives than a tomcat,

but we got him this time.

Shoot to kill, boys.

[gunshots]

Somebody's shooting at us.

Let's get out of here.

Get the oar, Hannah.

[gunshots]

Stay down.

Shoot him.

Don't let him get away, boys.

[gunshots]

They out of range.

They out of range.

All right.

Keep them running.

Let's go.

What are you going to do now, Charlie?

We're going to go after him.

Charlie, we ain't got a snowball's

chance in hell of catching him.

We'll get him.

HODAD: Are you crazy, Charlie?

The onliest way we can get to Down River

is on the other side.

And the only place we can cross that river is 10 miles up.

What did you bring him for?

You told me to bring the horses, Charlie.

I don't mean the horses.

I mean them, you bonehead.

Well, I couldn't just leave them

there for the birds and all.

You know I always did have a hankering for that watch.

Charlie, you're being unreasonable.

By the time we get across that river

that marshal will be half way to Jacob's Crossing.

You mean to tell me that you're willing to forget

that Dillon killed Masters, not to mention

poor old Stinson here.

Two of my closest personal friends.

Are you boys going to forget that he's

packing nigh onto $24,000 in them saddlebags?

Money that we worked hard for in the first place.

Well, you can forget it if you want to,

but I ain't a going to.

I'm going a hunting.

Get out of my way.

[music playing]

What about the boys, Charlie?

Rest in peace, boys.

We ain't got time to bury you.

Come on, let's get riding.

[music playing]

Hey look, Hannah, it's a hat.

Must be the marshall's.

[music playing]

We ought to be safe now.

There ain't no way they can come down after us.

See if he's bleeding.

I don't hear nothing.

What do we do with him, Tut?

Push him back over.

We can't do that.

That'd be murder.

Not if he ain't breathing it won't be.

Shoot.

What are we going to do, Tut?

Let me think on it.

Why do you figure they were shooting at him?

You seen as much as I did.

Maybe we could put ashore.

Dock him before he wakes up.

You mean just leave him in the woods bugged up like that?

He's the law.

Do you want to go to jail for the rest

of your natural born life?

No, but I ain't going to leave him here to die neither.

I swear, Hannah, put your brains in a jaybird's tail,

and he'd fly backwards.

And what if them bad fellows that

was to shoot and come after us.

I ain't going to leave him to die.

What about the money?

Let's steal it.

Tut.

[coughs]

Too late.

Don't you tell him nothing.

Let me do the talking.

Marshall, you all right?

I think so.

You was being shot at, and you got slammed up along side

a rock.

Me and Tut put you on the raft here.

Yeah, I remember that. I sure want to thank you.

Them that was a shooting at you.

Them be outlaws?

Yeah, they sure were.

What are you two doing out here?

Well, this here's my sister Hannah.

And my name's Tuttle Kincaid.

Who are you?

Well, my name is Matt Dillon.

I'm from Dodge City, Kansas.

Where are you two from?

We come from up river aways.

From Wathena?

No, sir.

It's a bit farther up.

Actually we come from Osceola.

Our pa owns this here raft.

He told us to take it down river for him.

That so?

Yes, sir.

This belongs to our pa.

That's hat I just told him.

Uh-huh.

And where are you headed?

Piney Hill.

I appreciate what you did.

I won't forget it either.

Heck Marshall, you don't owe us nothing much.

How long have you two been on the river?

Don't rightly remember.

Four or five days maybe.

This Piney Hill you were talking about.

How far is it?

About this far on the map.

We figure it'd take us about four days from yesterday.

Do you have a map?

Hannah lost it over the side.

Did not.

It blew away when you wasn't looking.

Well is there, is there any other towns between here

and Piney Hill along the river?

Never heard of none.

There's a small spot on the map named Jacob's Crossing.

That kind of sounds like a town.

Don't it?

Sure hope so.

Tut, you read the river pretty good, huh?

I know every nook and cranny a catfish

ever took a mind to hide in.

I read the river like a hog reads slop.

[gunshots]

[screams]

MATT DILLON: Heading into the rapids.

Hang on.

[music playing]

Get down, both of you.

Hang on tight.

[music playing]

Hang on.

[music playing]

We made it, Marshall.

We never ran into anything like that before.

I hope we don't run into any more.

I don't know how much this old ramp can take.

[music playing]

Not so tight, Marshall.

I stubbed it pretty bad.

MATT DILLON: I think it'll heal.

Food's ready.

Hah.

There we go.

Ah.

[sighs]

Marshall, you never said how come them outlaws

was shooting at you.

Tut, maybe that's part of the Marshall's own business.

And if he wants us to know, he'll say.

It ain't polite to ask.

TUTTLE: Well, I figure we got a right to know,

since we saved his life.

Did you ever hear of Charlie Utter?

Yes, sir.

Everyone on the river knows Charlie Utter.

Heared he's crazier than a ganny nipper due to some horse

kicked him in the head when he was a baby.

He's the one?

He's the one.

That scare you, does it?

I ain't scared none.

Me neither.

Ain't scared a hare rabbit.

Not as long as you're here, Marshall.

Well, you two are mighty brave.

Marshall, you figure Charlie Utter's

going to come follow us?

He might, Hannah.

And if he does, we're going to have our work cut out for us.

[music playing]

Ride, you yahoos.

[music playing]

[harmonica music playing]

Dang blood thirsty skeeters.

Got it worse than nervous doodle bug.

Got to keep the spit knocked out of it.

It gets all gummed up in there.

We got to tie it for the night, Marshall?

Well, I don't know.

If it stays smooth like this, I think we'll just keep going.

Care if I smoke?

Been smoking since I was crawdad bait.

Is that so?

Prefer old Creevy in a can best.

But I ran clean out yesterday.

Pick some cannit cannit where we put up last night.

Hear it's next best.

Hmm.

[coughs]

A might stronger than old Creevy.

Indians chew this a lot.

But it's OK.

Sure smells good.

[laughs]

[wretches]

[laughs]

I think I'll rest a bit.

Are you a real strict lawman?

I hear some would say so.

I'm real scared of that.

Marshall, do we have to go to Piney Hill?

I though that's where you were headed.

Well, it is in a way.

Marshall, can I ask you something

secret and confidential?

Why sure.

I guess so.

Have you ever told a lie?

Well, I've told a few, but I always

felt pretty bad afterwards.

So do I. And I've been telling a lot lately.

Seems to be the times call for it.

That so?

Where are you and Tut really headed?

Why, Piney Hill like we told you.

I got a hunch you're running away.

Where you headed for, California or something?

No, we ain't running away.

We're going down to Mississippi to join up with Joe Snake.

Joe Snake, the river pirate?

He's the best there is.

We heard about him all the way up the mountain.

I thought you told me you were from Oscela.

Tut just said that, so you wouldn't

know where to take us back to.

I bet you stole this raft, too.

Didn't you?

Yes, sir.

But it wasn't outright stealing exactly.

It was more like borrowing.

We just found it floating down the river,

and there was no one on it.

Hmm.

What about your folks?

Aren't they worried about you?

Ain't got none.

Don't tell Tut I told you, but we're orphans.

And we've run away from the workhouse.

[music playing]

Whoop them over and under, boys.

I can almost feel that money bulging in my pockets.

[music playing]

All right.

Put them in, you yahoos.

We're going across.

[music playing]

We're going to get him.

We're going to get him for sure.

[music playing]

Marshall, looks like something's up ahead.

You figure that's Jacob's Crossing?

Well, we'll find out.

[music playing]

Hey Marshall, look at that.

There's a whole town made out of camps.

I never seen anything like that before.

[music playing]

All right, Tut.

Tie it up.

Could we stay here a while?

Just long enough to get a rifle and some supplies.

I want you two to stay on board and look after the raft.

Aw, Marshall.

We'll just take a look around.

We won't do nothing wrong.

Come on, Marshall.

We ain't seen a place like this before.

Looks like there's a lot of things to do.

Yeah, that's what I'm afraid of.

[dog barking]

I want your word you'll stay here.

All right, Marshall.

We'll make sure no one steals the raft.

I'll be back in a little while.

[crowd chatter]

I wish he hadn't taken them saddlebags.

How much money you got?

$0.27.

Why?

Give it here.

I'm going to run it into something bolder.

You promised the marshall.

I promised to make sure no one steals the raft,

not to stay here.

Tell a lie and you die in rags.

I swear Hannah.

Teach you everything I know, and you still don't know nothing.

How you ever going to find out anything

unless you're adventuresome?

Hey you.

You speakee American?

[Louder] You speakee American?

I give you one nickel.

You watchee raft.

OK, fellow boy?

Come on, Hannah.

Was that one of them celestials?

I think it was a high wire, but I ain't for sure.

All them foreigners look the same.

[music playing]

GAMBLER: All right, gentlemen.

We'll try it just one more time.

Remember, there's a winner every time.

Sometimes it you.

Sometimes it me.

Chase it and trace it. See if you can place it.

Here it is.

Red wins for you.

Black wins for me.

See if you can pick out the red queen.

Any time, gentlemen.

If that's the one you want, that's

the one you're going to get.

Oh.

Better luck next time, stranger.

[laughs]

How do you play this game, mister.

Cost you a dime, son.

You got it?

Good.

The game is called Tossing the Broad, my boy.

Now you watch the red queen, tell me where she goes,

and you win.

Two for one. Chase it.

Trace it.

See if you can place it.

Red wins for you.

Black wins for me.

That's a shame.

Shoo.

Have another go at it.

Chase it. Trace it.

See if you can place it.

Red wins for you.

Black wins for me.

TUTTLE: That one.

GAMBLER: Too bad. -Shoo.

GAMBLER: Want another go at it?

Want to try again?

HANNAH: Come on.

GAMBLER: Live and learn, sonny boy.

What did you do that for?

He was a crook.

Give me a minute, and I'd have figured it out.

Come on.

There's lots more to see.

[crowd chatter]

Lookie there.

She's dressed up like a sore toe.

She wants us.

What for?

And how should I know?

Come on.

Hello there.

Hi.

What are you two kids doing in a place like Jacob's Crossing?

We just looking around.

See anything you like?

It's a wondrous place.

There's all kinds of wonders, boy.

But most of them take money.

Oh, we got money.

$0.77.

Your friend there seems a hurry.

Oh she ain't my friend.

She's my sister.

What's your name?

Hannah Kincaid, ma'am.

Tut, we got to get going.

My name's Tuttle Kincaid, ma'am.

Well, you're two fine looking kids.

I'll say that for you.

You run some kind of business.

Do you, ma'am?

I'm a professional woman of sorts.

Gee, that's great.

What do you sell?

Homemade apple pie.

Quarter a piece.

Boy, I could go for some apple pie.

Come on, Tut.

The marshal'll be looking for us.

Marshall?

Come on, Tut.

I mean it.

You find that marshal, you bring him back

for some coffee and apple pie.

You hear?

OK, ma'am.

Bye, ma'am.

They have gambling, too?

What's the limit on the gambling, son?

Today was payday.

[music playing]

Come on, Hannah.

Let's go around back.

[music playing]

Bets down.

Last call.

You may be the next one to win the lucky strike.

Number 20.

Come on 20.

Come on 20.

20.

Come on 20.

PAULETTE DUVALIER: Number 16.

No money on 16.

The house wins.

Better luck next time.

You know, I'm getting mighty tired of losing,

young lady. -Some win.

Some lose.

That's the game of chance and life.

Bets down.

Last call.

There she goes, boys.

Like a [inaudible].

Oh.

Oh.

Number 2.

Nobody else wins.

Get your bets down, boys.

Every spin is a new game.

[interposing voices]

I have the [inaudible] who have their [inaudible] dedicated

table with a fortune in gold.

And it's fine lives and fine houses

and servants to wait on them.

Number double 0.

The house wins.

What's going on?

Better luck the next time.

Put your bets down, boys.

Put your bets down.

What's this for?

You go around and make a bet.

Make it loud so I can hear.

What for?

Go.

Just go on.

20. 20.

20.

20.

20.

Come on.

Get your bets down.

And if you lose again, go home.

Take a bath.

Clean your fingernails, and write a letter to mother.

But most of all, boys, play because tomorrow

is another day.

Oh.

And what are you doing here?

I, can I make a bet?

Get out of here, kid.

GAMBLER: Ah, let her play, Lowell.

She can lose like the rest of us.

Yeah.

Yeah.

Number 18.

Come on, seven.

Come on, seven.

HANNAH: 18.

18.

18.

22.

18.

Seven.

Come on, seven.

Come on, seven.

Seven.

Seven.

Seven.

Come on.

18.

Number 18.

And the youngster here is the big winner.

Well, something smells like rotten hides to me.

What your wearing, Lowell?

[laughter]

Bets down, boys.

Bets down.

Last call, boys.

Bets down.

Another game coming up.

Number 23.

Come on.

Come on 20.

Somebody wins.

Somebody loses.

But it is always exciting.

Come on.

They caught that crazy Frenchman.

[crowd shouting]

Never going to get out of this one.

They got that Frenchman now.

[crowd shouting]

What's going on down there?

It's what they do to fur thieves, Marshall.

They chop down a tree, and well, it's not

very nice to see what happens.

Hold these for me.

Aye, I will lad.

[crowd shouting]

I sold a fox to an otter, the right arm goes first.

Ah.

Make it two to one, Beaver, and you've got a bet.

Yeah.

[crowd shouting]

Hold up, men.

What's going on here?

What kind of lawman are you?

United States Marshall out of Dodge City.

Now what is this?

This ain't Dodge.

This is Jacob's Crossing, and we got our own law.

I asked you a question, Mister.

MacCool's the name.

Finn MacCool.

We take care of our own business like you'd best do.

Mr. MacCool, I want you to cut that man down.

This here is a trap robber, Marshall.

We caught him six, seven times stealing from our traps.

He slipperied away every time.

He had a trial?

MAC COOL: Trial?

He don't need no trial.

He's a leader of a crazy bunch of frenchies down river

that's been robbing us blind.

There's going to be no lynch law here,

and I want you to cut him down.

It ain't lynch law.

It's trapper's law.

How many here say he's innocent?

[burps]

How many here say he's guilty?

CROWD: Yeah.

[crowd shouting]

Marshall, come back.

Somebody?

[dogs barking]

Marshall.

Marshall.

Somebody.

Untie me.

Help.

Ugh. Ugh.

Oh.

Somebody untie me.

Please.

I will pay.

[axe chopping]

Hey.

Stop it.

Get away from there.

Stop it. No, no.

Go away.

Go away, you drunken fool.

Somebody take him away.

[burps]

GAMBLER: Nobody can be as lucky as that kid.

GAMBLER #2: Yeah, how come she's always winning?

PAULETTE DUVALIER: Get your bets down, boys.

Number 19.

Well, something's going on around here,

and I ain't thrilled.

Another game coming up.

Last call, boys.

Fight.

Fight.

Ah, the heck with the fight.

Spin the wheel.

There we go, boys.

There we go.

FRENCHMAN: No, no.

Stop.

Chop the other tree.

It's the other tree.

If that tree falls, it will kill me.

Oh, oh, no.

[crowd screaming]

Cheats.

Cheat.

Get the cheaters.

Get the girl.

Get the girl.

Hey, the cheat.

Grab that kid.

[music playing]

Boy, we got them.

We got them.

Let's go.

Get those kids.

Get them.

Don't let them get away.

They're getting away. Stop them.

Get them kids.

Stop them.

Hold it right there.

But they cheated us.

They rigged the wheel.

We're with the marshals.

[music playing]

Marshall, they're taking out raft.

Stay right where you are.

Don't move.

[music playing]

Get away, kids.

Get away.

Hurry up.

[music playing]

[gunshots]

[laughs]

Well, you not seem happy that I get away.

[music playing]

[gunshots]

[gunshots]

[screams]

May I introduce you to Mademoiselle

Paulette Duvalier, my wife.

[gunshots]

Get him.

Shoot him.

Kill him.

I want Matt Dillon dead.

[music playing]

[theme music]