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These are the user uploaded subtitles that are being translated: 1 00:00:03,434 --> 00:00:05,734 ( theme music playing ) 2 00:00:36,901 --> 00:00:38,801 AH-HH. 3 00:00:38,801 --> 00:00:42,167 NOW YOU'VE FINISHED BREAKFAST, I WANT YOU TO GO INTO THE GARDEN. 4 00:00:43,400 --> 00:00:46,501 WHY DO I GET THE FEELING I'M GOING INTO THE GARDEN? 5 00:00:46,501 --> 00:00:48,434 WE MUST HELP EMMET. 6 00:00:48,434 --> 00:00:51,734 HOW IS MY GOING INTO THE GARDEN HELPING EMMET? 7 00:00:51,734 --> 00:00:55,167 BECAUSE HE'S SO SHY, POOR DEAR. 8 00:00:55,167 --> 00:00:59,000 LOOK, I KNOW HE'S DYING TO OFFER ME A ROLE IN "THE BOYFRIEND" 9 00:00:59,000 --> 00:01:02,133 BUT HE JUST CAN'T PLUCK UP THE COURAGE. 10 00:01:02,133 --> 00:01:06,000 HYACINTH, I THINK HE'S GOT PEOPLE FOR ALL THE PARTS ALREADY. 11 00:01:06,000 --> 00:01:08,234 YOU GO OUT INTO THE GARDEN, 12 00:01:08,234 --> 00:01:12,033 WHEN YOU SPOT HIM, GIVE ME A SIGNAL AND I'LL START TO SING. 13 00:01:13,701 --> 00:01:16,968 - WHAT SIGNAL? - POINT OR SOMETHING. 14 00:01:16,968 --> 00:01:19,100 WHAT AT? 15 00:01:19,100 --> 00:01:21,701 AT ANYTHING! POINT UP IN THE AIR! 16 00:01:21,701 --> 00:01:24,767 SAY, "OH LOOK, THERE'S A BLUEBIRD." 17 00:01:24,767 --> 00:01:26,701 THERE AREN'T ANY BLUEBIRDS. 18 00:01:26,701 --> 00:01:29,200 BLACKBIRDS THEN. 19 00:01:29,200 --> 00:01:32,234 - PLEASE DON'T MAKE DIFFICULTIES, RICHARD. - ( groans ) 20 00:01:32,234 --> 00:01:34,300 YOU SHOULD TELL HER! 21 00:01:34,300 --> 00:01:36,534 SHE NEVER LISTENS. 22 00:01:36,534 --> 00:01:39,734 HYACINTH IS A TALKER, NOT A LISTENER. 23 00:01:39,734 --> 00:01:42,267 YOU MUST FACE UP TO HER FAIRLY AND SQUARELY. 24 00:01:42,267 --> 00:01:44,767 I TRIED THAT! I TOLD HER THE OTHER MORNING 25 00:01:44,767 --> 00:01:47,434 IN THE MIDDLE OF THAT EXCRUCIATING COFFEE SESSION. 26 00:01:47,434 --> 00:01:51,434 THE ONE YOU COULDN'T MAKE, SISTER DEAR? 27 00:01:52,801 --> 00:01:54,834 "HYACINTH," I SAID, "HYACINTH, 28 00:01:54,834 --> 00:01:58,367 MY PRODUCTION OF 'THE BOYFRIEND' IS ALREADY FULLY CAST." 29 00:01:58,367 --> 00:02:00,100 THAT WAS VERY BRAVE. 30 00:02:00,100 --> 00:02:01,968 - ( sighs ) - WHAT DID SHE SAY? 31 00:02:01,968 --> 00:02:04,334 SHE GAVE ME ONE OF HER SMILES, 32 00:02:04,334 --> 00:02:07,100 SLIPPED ME A PARSNIP AND RHUBARB BISCUIT, 33 00:02:07,100 --> 00:02:10,133 AND THEN ASKED ME WHETHER I'D SEEN HER PICTURES OF SHERIDAN 34 00:02:10,133 --> 00:02:12,167 WHEN HE CAME FIRST IN HIS DANCE CLASS. 35 00:02:12,167 --> 00:02:14,968 ( laughing ) 36 00:02:14,968 --> 00:02:17,834 - HAVE YOU SEEN THEM? - NO, THANK HEAVENS! 37 00:02:17,834 --> 00:02:19,968 THEY'RE WORTH A LOOK. 38 00:02:19,968 --> 00:02:24,200 POOR SHERIDAN. YOU KNOW, HE NEVER REALLY STOOD A CHANCE. 39 00:02:24,200 --> 00:02:26,667 SHOW ME YOUR SIGNAL, RICHARD. 40 00:02:42,934 --> 00:02:46,200 RIGHT, I'M OFF. IS THE COAST CLEAR? 41 00:02:46,200 --> 00:02:48,200 THERE'S JUST RICHARD-- 42 00:02:48,200 --> 00:02:51,300 BEHAVING VERY STRANGELY. 43 00:02:56,667 --> 00:02:59,334 POOR CHAP'S FINALLY FLIPPED. 44 00:02:59,334 --> 00:03:01,734 AND WHO CAN BLAME HIM? 45 00:03:01,734 --> 00:03:04,234 I'M AMAZED HE DIDN'T FLIP YEARS AGO. 46 00:03:09,167 --> 00:03:11,100 ( phone rings ) 47 00:03:14,267 --> 00:03:18,701 - MORNING, RICHARD. - GOOD MORNING, EMMET. OH LOOK! A BLACKBIRD. 48 00:03:21,901 --> 00:03:24,667 OH LOOK, ANOTHER. 49 00:03:30,367 --> 00:03:34,667 OH, VIOLET, YOU KNOW YOU CAN CONFIDE IN ME. 50 00:03:35,868 --> 00:03:38,567 YOU'RE GETTING FED UP WITH WHOSE COMPANY? 51 00:03:38,567 --> 00:03:40,667 BRUCE'S? 52 00:03:40,667 --> 00:03:43,300 THAT'S ONLY NATURAL, HE'S YOUR HUSBAND. 53 00:03:44,601 --> 00:03:47,133 OH, YES, THEY DO GET TIRESOME. ( chuckles ) 54 00:03:47,133 --> 00:03:49,767 WHAT YOU NEED 55 00:03:49,767 --> 00:03:52,234 IS ANOTHER DIMENSION TO YOUR LIFESTYLE. 56 00:03:52,234 --> 00:03:55,267 YES, PERHAPS YOU SHOULD ENTERTAIN A LITTLE MORE. 57 00:03:55,267 --> 00:03:58,234 GIVE A LITTLE SOIREE. ( laughs ) 58 00:03:58,234 --> 00:04:02,501 I COULD COME ALONG AND BRING SOME SOCIALLY ACCEPTABLE GUESTS. 59 00:04:02,501 --> 00:04:04,067 YES... 60 00:04:04,067 --> 00:04:06,434 NO, DON'T GET ALARMED, VIOLET DEAR. 61 00:04:06,434 --> 00:04:08,767 WE CAN KEEP IT QUITE SIMPLE. 62 00:04:08,767 --> 00:04:13,133 A LITTLE CAVIAR, CHAMPAGNE, AND CUT-GLASS FINGERBOWLS. 63 00:04:16,067 --> 00:04:18,367 ONSLOW... 64 00:04:18,367 --> 00:04:20,767 WHERE DID WE FIRST MAKE LOVE? 65 00:04:28,534 --> 00:04:32,000 WOULD YOU REPEAT THE QUESTION? 66 00:04:34,200 --> 00:04:36,601 WHERE DID WE FIRST MAKE LOVE? 67 00:04:36,601 --> 00:04:40,901 IT MADE SUCH AN IMPRESSION ON YOU, YOU CAN'T EVEN REMEMBER IT? 68 00:04:43,000 --> 00:04:47,000 I CAN REMEMBER WHEN WE LAST MADE LOVE... 69 00:04:47,000 --> 00:04:49,434 ...JUST. 70 00:04:51,934 --> 00:04:54,634 WHY IS FATHER STANDING IN A BUCKET? 71 00:04:56,367 --> 00:04:59,200 - IS HE STANDING IN A BUCKET? - JUST STANDING THERE 72 00:04:59,200 --> 00:05:01,167 WITH BOTH FEET IN THE BUCKET. 73 00:05:01,167 --> 00:05:03,167 - IS HE QUIET? - YES. 74 00:05:03,167 --> 00:05:06,033 SO LEAVE HIM ALONE. GET YOURSELF ANOTHER BUCKET. 75 00:05:06,033 --> 00:05:08,734 I DON'T WANT A BUCKET. 76 00:05:08,734 --> 00:05:11,367 SO WHY DO YOU CARE IF FATHER'S STANDING IN A BUCKET? 77 00:05:13,067 --> 00:05:15,033 I WISH I'D NEVER ASKED. 78 00:05:18,501 --> 00:05:21,100 WHY DIDN'T YOU COME OUT WHEN I SIGNALED? 79 00:05:21,100 --> 00:05:23,400 I WAS ON THE TELEPHONE! 80 00:05:23,400 --> 00:05:26,300 OH, I'VE NOTHING TO WEAR! 81 00:05:26,300 --> 00:05:29,200 WELL, YOU'VE MISSED EMMET. 82 00:05:29,200 --> 00:05:32,334 OH, YOU CAN FORGET ALL ABOUT THAT NOW. 83 00:05:32,334 --> 00:05:34,000 WHAT? 84 00:05:34,000 --> 00:05:36,234 WE SHALL INVITE ELIZABETH AND EMMET 85 00:05:36,234 --> 00:05:38,334 TO GO WITH US TONIGHT TO VIOLET'S. 86 00:05:38,334 --> 00:05:40,434 ( sighs ) ARE WE GOING TO VIOLET'S? 87 00:05:40,434 --> 00:05:42,701 YES, RICHARD! 88 00:05:42,701 --> 00:05:46,434 FOR A SUPERLATIVE SUMMER EVENING WITH MY WELL-HEELED SISTER. 89 00:05:46,434 --> 00:05:48,100 ( groans ) 90 00:05:48,100 --> 00:05:52,133 CAVIAR, CHAMPAGNE, QUAIL'S EGGS. 91 00:05:52,133 --> 00:05:55,267 CUT-GLASS FINGERBOWLS. ( growls ) 92 00:05:56,267 --> 00:05:57,467 ( shudders ) 93 00:06:00,267 --> 00:06:02,300 IS ROSE COOKING BREAKFAST? 94 00:06:02,300 --> 00:06:04,901 I SHOULDN'T THINK SO. 95 00:06:04,901 --> 00:06:08,100 IF ROSE IS COOKING BREAKFAST, IT SMELLS VERY FUNNY. 96 00:06:10,167 --> 00:06:13,901 IT WAS IN THAT BUS SHELTER IN MILTON STREET. 97 00:06:17,400 --> 00:06:19,734 WHAT WAS? 98 00:06:19,734 --> 00:06:22,534 WHERE WE FIRST MADE LOVE. 99 00:06:22,534 --> 00:06:24,901 NO, IT WASN'T! 100 00:06:24,901 --> 00:06:29,567 WE NEVER NEEDED A BUS THAT WENT PAST MILTON STREET. 101 00:06:29,567 --> 00:06:31,934 I WAS SURE I HAD A BOYFRIEND THAT NEEDED 102 00:06:31,934 --> 00:06:34,167 A BUS THAT WENT PAST MILTON STREET. 103 00:06:34,167 --> 00:06:36,901 WELL, IT WASN'T ME. 104 00:06:39,801 --> 00:06:42,100 IT'S NOT AN EMPTY BUCKET! 105 00:06:42,100 --> 00:06:44,167 WHAT'S IN IT? 106 00:06:44,167 --> 00:06:46,534 HORSE MANURE. 107 00:06:48,434 --> 00:06:50,367 ASK A SIMPLE QUESTION... 108 00:06:50,367 --> 00:06:52,834 FATHER IS STANDING BAREFOOT 109 00:06:52,834 --> 00:06:54,901 IN A BUCKET OF HORSE MANURE. 110 00:06:54,901 --> 00:06:57,634 WHY WOULD HE DO THAT? 111 00:06:57,634 --> 00:07:00,067 MAYBE HE LOST HIS SLIPPERS. 112 00:07:02,234 --> 00:07:05,267 I KNEW IT DIDN'T SMELL LIKE BREAKFAST. 113 00:07:10,133 --> 00:07:13,234 YOU'LL LOVE IT AT VIOLET'S! 114 00:07:13,234 --> 00:07:16,634 - YOU'VE HEARD ME TALK OF VIOLET? - MANY TIMES. 115 00:07:16,634 --> 00:07:20,033 SHE'S MY SISTER WITH THE MERCEDES, SAUNA AND ROOM FOR A PONY. 116 00:07:20,033 --> 00:07:21,801 ( cabinet slams ) 117 00:07:21,801 --> 00:07:25,133 YOU MUST BRING EMMET. 118 00:07:25,133 --> 00:07:29,000 WE SHALL HAVE A SUPERLATIVE SUMMER EVENING. 119 00:07:29,000 --> 00:07:30,934 CAVIAR, CHAMPAGNE, 120 00:07:30,934 --> 00:07:36,601 QUAIL'S EGGS, SMOKED SALMON PARCELS. NOTHING TOO FORMAL. 121 00:07:36,601 --> 00:07:40,400 JUST SOMETHING TASTEFUL WITH HAND-ENGRAVED CUT-GLASS FINGERBOWLS. 122 00:07:40,400 --> 00:07:43,133 ( humming ) 123 00:07:52,734 --> 00:07:55,801 ( singing loudly ) * THERE'S SAFETY IN NUMBERS... * 124 00:07:58,801 --> 00:08:01,067 EMMET WILL LOVE IT! 125 00:08:01,067 --> 00:08:04,534 OH, I DON'T THINK EMMET WILL BE ABLE TO COME, HYACINTH. 126 00:08:04,534 --> 00:08:07,667 HMM? OH, HE WILL WHEN HE KNOWS I'LL BE THERE. 127 00:08:09,067 --> 00:08:11,834 WELL, I'M NOT EVEN CERTAIN I CAN GET WORD TO HIM. 128 00:08:11,834 --> 00:08:14,534 YOU SEE, HE'S REHEARSING ALL DAY AT THE CHURCH HALL. 129 00:08:14,534 --> 00:08:17,701 DON'T WORRY ABOUT THAT, DEAR. WE'LL CATCH HIM THERE. 130 00:08:17,701 --> 00:08:20,400 I-I DON'T KNOW THAT THAT'S A FRIGHTFULLY-- 131 00:08:20,400 --> 00:08:24,167 I COULD HELP EMMET DRILL HIS CAST. 132 00:08:24,167 --> 00:08:27,234 IT'LL BE NICE FOR HIM TO HAVE SOMEONE TO LEAN ON. 133 00:08:28,534 --> 00:08:31,267 OH, I'M SORRY. HOW DID THAT GET IN THERE? 134 00:08:35,200 --> 00:08:37,801 ( crashing ) 135 00:08:38,834 --> 00:08:41,367 I'M TERRIBLY SORRY, HYACINTH! 136 00:08:41,367 --> 00:08:43,767 DON'T WORRY, DEAR. 137 00:08:43,767 --> 00:08:47,167 THEY'RE NOT REALLY ALL THAT EXPENSIVE. 138 00:08:48,801 --> 00:08:53,901 MORE THAN MOST PEOPLE WOULD PAY, BUT THEN, ACCIDENTS WILL HAPPEN. 139 00:08:53,901 --> 00:08:56,534 RATHER TOO FREQUENTLY, UNFORTUNATELY. 140 00:08:56,534 --> 00:08:57,601 OH... 141 00:08:57,601 --> 00:08:59,267 ( shouts ) 142 00:09:03,601 --> 00:09:07,367 SHOULD WE REALLY BE INTERRUPTING EMMET'S REHEARSALS? 143 00:09:07,367 --> 00:09:09,400 THAT'S BEEN WORRYING ME TOO. 144 00:09:09,400 --> 00:09:11,868 EMMET WON'T MIND IF IT'S ME. 145 00:09:11,868 --> 00:09:15,033 EMMET AND I ARE BONDED BY OUR MUTUAL LOVE OF MUSIC. 146 00:09:15,033 --> 00:09:17,100 I THINK PERHAPS WE OUGHT TO WARN HIM-- 147 00:09:17,100 --> 00:09:19,200 CALL HIM ON THE TELEPHONE FIRST. 148 00:09:19,200 --> 00:09:21,634 THAT SOUNDS LIKE A VERY GOOD IDEA. 149 00:09:21,634 --> 00:09:23,567 BUT THERE'S NO PHONE IN THE CHURCH HALL. 150 00:09:23,567 --> 00:09:26,367 WE'LL HAVE TO PHONE THE VICARAGE AND HIS POOR WIFE 151 00:09:26,367 --> 00:09:28,901 WILL HAVE TO TAKE THE MESSAGE OVER TO THE HALL. 152 00:09:28,901 --> 00:09:31,534 I STILL THINK IT MIGHT BE THE THING TO DO. 153 00:09:54,300 --> 00:09:58,267 RICHARD, DID YOU SEE THIS? THIS MAN PUSHED IN. 154 00:09:58,267 --> 00:10:00,067 JUST WAIT. 155 00:10:00,067 --> 00:10:04,100 WAIT?! WHY SHOULD I WAIT? 156 00:10:08,367 --> 00:10:10,734 EXCUSE ME, BUT THAT'S MY TELEPHONE CALL YOU'RE MAKING. 157 00:10:10,734 --> 00:10:12,868 I WAS HERE FIRST. 158 00:10:14,234 --> 00:10:17,400 PLEASE GO AWAY, MADAM. I SHAN'T BE A MINUTE. 159 00:10:19,133 --> 00:10:22,100 RICHARD, EJECT THIS MAN! 160 00:10:23,267 --> 00:10:25,667 I KNEW SHE'D SAY THAT. 161 00:10:25,667 --> 00:10:29,701 RICHARD, THIS MAN'S INSULTED ME. 162 00:10:29,701 --> 00:10:32,434 NOT QUITE, BUT IT'S GETTING CLOSE. 163 00:10:36,467 --> 00:10:38,601 ( banging ) 164 00:10:46,501 --> 00:10:48,834 YOU OBVIOUSLY OVERUSE THE PUBLIC SYSTEM. 165 00:10:48,834 --> 00:10:51,067 I VERY RARELY USE IT AS I POSSESS 166 00:10:51,067 --> 00:10:53,968 A WHITE SLIMLINE TELEPHONE WITH AUTOMATIC REDIAL. 167 00:10:53,968 --> 00:10:58,434 WITH A VOICE LIKE YOURS, I'M SURPRISED YOU EVEN NEED A TELEPHONE. 168 00:11:03,834 --> 00:11:05,868 RICHARD, COME AND HELP ME! 169 00:11:05,868 --> 00:11:11,834 ( yelling ) HYACINTH, STOP THAT AT ONCE AND GET INTO THE CAR! 170 00:11:26,200 --> 00:11:29,634 WELL DONE, SIR. IN WARTIME, YOU'D HAVE GOT A MEDAL FOR COURAGE LIKE THAT. 171 00:11:33,067 --> 00:11:37,767 * WE'RE BEING FINISHED AND OUR FAMILIES' WEALTH * 172 00:11:37,767 --> 00:11:40,200 * MAY BE DIMINISHED * 173 00:11:40,200 --> 00:11:45,501 * BUT AT LEAST WE ALL HAVE PERFECT HEALTH... * 174 00:11:45,501 --> 00:11:48,767 HOLD IT, HOLD IT, GIRLS. 175 00:11:48,767 --> 00:11:51,901 THAT'S VERY GOOD, BUT I THINK WE CAN DO A BIT MORE WITH IT. 176 00:11:51,901 --> 00:11:54,868 VICAR, HAVE YOU EVER DONE THIS SORT OF THING? 177 00:11:54,868 --> 00:11:57,501 NOT FOR SOME TIME. UNIVERSITY. 178 00:11:57,501 --> 00:12:00,000 I'M SURE YOU CAN REMEMBER THE OLD-- 179 00:12:05,501 --> 00:12:07,634 ( rapid tapping ) 180 00:12:09,901 --> 00:12:13,234 - YES. - KNEES ARE A BIT RUSTY. 181 00:12:13,234 --> 00:12:16,167 IT'S GOOD, IT'S GOOD. NOT-- NOT BAD AT ALL. 182 00:12:16,167 --> 00:12:19,200 WHY DON'T YOU COME UP HERE AND WE'LL SHOW THEM HOW TO DO IT? 183 00:12:19,200 --> 00:12:21,267 - OKAY. - COME ON, GIRLS. 184 00:12:21,267 --> 00:12:23,501 GO DOWN THERE AND WATCH. 185 00:12:29,400 --> 00:12:32,667 * WE'RE PERFECT YOUNG LADIES PREPARING TO TAKE * 186 00:12:32,667 --> 00:12:36,267 * OUR PLACES AMONGST THE NOBLESSE * 187 00:12:36,267 --> 00:12:39,534 * WE'RE PERFECT YOUNG LADIES PREPARING TO DATE... * 188 00:12:46,667 --> 00:12:49,200 ( melodramatic music on TV ) 189 00:12:49,200 --> 00:12:52,701 FATHER'S NOT AS DAFT AS YOU THINK. 190 00:12:52,701 --> 00:12:55,734 STANDING IN A BUCKET OF HORSE MANURE? 191 00:12:55,734 --> 00:12:58,000 HE'S GIVING IT A GOOD TRY. 192 00:12:58,000 --> 00:13:01,234 HE SAYS IT'S GOOD FOR HIS CHILBLAINS. 193 00:13:01,234 --> 00:13:03,167 HAS HE GOT CHILBLAINS? 194 00:13:03,167 --> 00:13:06,267 NO-- SO THERE MUST BE SOMETHING IN IT. 195 00:13:08,300 --> 00:13:10,334 WHERE DID HE GET THE STUFF FROM ANYWAY? 196 00:13:10,334 --> 00:13:13,968 HE FOUND IT IN THE STREET. 197 00:13:13,968 --> 00:13:18,200 HE'S BEGINNING TO WORRY WHERE HIS NEXT LOAD'S COMING FROM. 198 00:13:19,367 --> 00:13:21,834 WELL, I'M NOT GOING OUT COLLECTING FOR HIM. 199 00:13:23,501 --> 00:13:26,801 ( chuckles, laughing ) 200 00:13:26,801 --> 00:13:28,934 NOW WHAT? 201 00:13:30,601 --> 00:13:32,767 HE MAY THINK IT'S GOOD FOR HIS CHILBLAINS, 202 00:13:32,767 --> 00:13:35,167 BUT IF THAT'S THE ONLY MEDICINE HE'S GOT FAITH IN, 203 00:13:35,167 --> 00:13:37,734 I HOPE HE NEVER GETS BARBER'S RASH. 204 00:13:54,534 --> 00:13:57,267 IT'S NO GOOD SULKING, HYACINTH. 205 00:13:57,267 --> 00:14:01,033 THE SITUATION CALLED FOR FIRM MEASURES. IT WAS EMBARRASSING. 206 00:14:01,033 --> 00:14:02,934 IT WAS EMBARRASSING. 207 00:14:02,934 --> 00:14:04,734 I MUST SAY, RICHARD, 208 00:14:04,734 --> 00:14:07,567 THERE ARE TIMES WHEN I'M AMAZED BY YOUR IMPATIENCE 209 00:14:07,567 --> 00:14:10,200 AND YOUR LACK OF CONSIDERATION FOR OTHER PEOPLE. 210 00:14:11,767 --> 00:14:14,567 - MY IMPATIENCE? - YES! 211 00:14:14,567 --> 00:14:16,934 ELIZABETH WAS A WITNESS. 212 00:14:16,934 --> 00:14:19,534 SHE HEARD YOU RAISE YOUR VOICE TO ME. 213 00:14:22,367 --> 00:14:25,968 WELL, I'VE NEVER RAISED MY VOICE TO YOU BEFORE. 214 00:14:25,968 --> 00:14:28,767 I THINK I'LL JUST GO AND WARN EMMET YOU'RE COMING. 215 00:14:28,767 --> 00:14:32,367 NO, WE'LL SURPRISE HIM. 216 00:14:38,100 --> 00:14:42,000 I THINK I'D RATHER BE OUT HERE WHEN EMMET'S SURPRISED. 217 00:14:42,000 --> 00:14:44,100 DON'T FORGET THE SMILES. 218 00:14:45,400 --> 00:14:47,601 ALWAYS BIG SMILES. 219 00:14:47,601 --> 00:14:50,801 - ( Hyacinth singing ) - IT'S THE BUCKET WOMAN. 220 00:14:52,434 --> 00:14:56,467 * I'LL BE CONTENTED TO LIVE ANYWHERE * 221 00:14:56,467 --> 00:14:58,667 * WHAT WOULD I CARE-- * OH-- 222 00:15:00,901 --> 00:15:02,868 IS THAT WHAT YOU'RE WEARING? 223 00:15:02,868 --> 00:15:05,100 NOT VERY HAUTE COUTURE, IS IT? 224 00:15:05,100 --> 00:15:07,033 HAS ANYONE SEEN EMMET? 225 00:15:07,033 --> 00:15:09,667 - HAD TO LEAVE. - IN A HURRY. 226 00:15:09,667 --> 00:15:12,901 - IN A GREAT HURRY. - OH, WHAT A PITY. 227 00:15:12,901 --> 00:15:14,968 HE'LL BE SORRY HE'S MISSED ME. 228 00:15:17,000 --> 00:15:19,067 OF COURSE, I COULD WAIT 229 00:15:19,067 --> 00:15:21,267 AND TAKE YOU THROUGH YOUR PACES. 230 00:15:25,067 --> 00:15:30,400 ( singing off-key ) * ANY GIRL WHO'S REACHED THE AGE OF 17 OR THEREABOUTS * 231 00:15:30,400 --> 00:15:35,701 * HAS BUT ONE DESIRE IN VIEW * 232 00:15:35,701 --> 00:15:38,200 * SHE KNOWS SHE HAS REACHED THE STAGE * 233 00:15:38,200 --> 00:15:40,901 * OF NEEDING ONE TO CARE ABOUT * 234 00:15:40,901 --> 00:15:46,167 * NOTHING ELSE WILL REALLY DO * 235 00:15:46,167 --> 00:15:48,701 * CHILDHOOD GAMES ARE LEFT BEHIND * 236 00:15:48,701 --> 00:15:50,634 * AND HER HEART TAKES WING... * 237 00:15:50,634 --> 00:15:52,934 LET'S GO RIGHT OUTSIDE. 238 00:15:59,100 --> 00:16:01,601 IT'S HER HUSBAND. 239 00:16:01,601 --> 00:16:04,200 COME ON, QUICK. 240 00:16:04,200 --> 00:16:08,100 * ...THAT CERTAIN THING CALLED THE BOYFRIEND... * 241 00:16:08,100 --> 00:16:10,901 - ISN'T THAT YOUR--? - MY WIFE, YES. 242 00:16:10,901 --> 00:16:13,834 OH, I THOUGHT I RECOGNIZED THE NOISE. 243 00:16:13,834 --> 00:16:15,901 VOICE. 244 00:16:15,901 --> 00:16:18,100 SHALL WE GO ROUND THE BACK WAY? 245 00:16:18,100 --> 00:16:19,667 WHAT A GOOD IDEA. 246 00:16:19,667 --> 00:16:25,667 * ...THE BOYFRIEND! * 247 00:16:26,701 --> 00:16:28,601 DID YOU NOTE MY DICTION? 248 00:16:28,601 --> 00:16:31,234 IT'S VERY IMPORTANT THE AUDIENCE CAN HEAR THE WORDS. 249 00:16:31,234 --> 00:16:33,767 THAT'S FUNNY. 250 00:16:33,767 --> 00:16:36,534 WHY EXACTLY IS MRS. BOUQUET SINGING? 251 00:16:36,534 --> 00:16:39,534 SHE WANTED TO INVOLVE HERSELF IN MY BROTHER'S REHEARSALS. 252 00:16:39,534 --> 00:16:41,701 - I BET HE WAS PLEASED. - ( Elizabeth laughs ) 253 00:16:41,701 --> 00:16:43,901 Hyacinth: WHERE IS EVERYBODY? 254 00:16:43,901 --> 00:16:47,667 PLEASE DON'T FEEL EMBARRASSED WATCHING ME. 255 00:16:47,667 --> 00:16:50,901 I CAN QUITE UNDERSTAND HOW ENVIOUS YOU MUST BE. 256 00:16:50,901 --> 00:16:54,701 IT'S A GIFT, YOU SEE. SOME OF US HAVE IT, SOME OF US DON'T. 257 00:16:54,701 --> 00:16:56,868 YOU CAN'T ALL EXPECT TO HAVE VOICES 258 00:16:56,868 --> 00:17:00,901 LIKE MYSELF AND JOAN SUTHERLAND. 259 00:17:00,901 --> 00:17:03,868 THANK YOU FOR HELPING ME CARRY THE JUMBLE. 260 00:17:03,868 --> 00:17:06,767 WE'LL PUT IT UNDER THE STAGE. WOULD YOU MIND, ELIZABETH? 261 00:17:06,767 --> 00:17:08,100 NO, NO, OF COURSE NOT. 262 00:17:08,100 --> 00:17:10,133 IF I POP INSIDE, PERHAPS YOU'D HAND THINGS DOWN TO ME? 263 00:17:10,133 --> 00:17:12,200 CERTAINLY. 264 00:17:16,367 --> 00:17:19,534 WHAT ON EARTH'S GOING ON? 265 00:17:21,200 --> 00:17:23,000 WHAT ARE Y'ALL DOING DOWN HERE? 266 00:17:23,000 --> 00:17:25,601 REHEARSING. 267 00:17:25,601 --> 00:17:27,434 - AREN'T WE? - All: YES, YES. 268 00:17:27,434 --> 00:17:31,801 - VERY TRICKY ROUTINE. - Emmet: OH-- VERY TRICKY. 269 00:17:31,801 --> 00:17:34,701 READY, GIRLS? ONE, TWO, THREE. 270 00:17:34,701 --> 00:17:37,868 * WE'RE PERFECT YOUNG LADIES PREPARING TO TAKE-- * 271 00:17:37,868 --> 00:17:41,300 EMMET, WHAT ON EARTH ARE YOU DOING? 272 00:17:41,300 --> 00:17:44,300 - REHEARSING. - I'M AFRAID I'M NOT CONVINCED. 273 00:17:44,300 --> 00:17:46,901 MICHAEL, WHAT ARE YOU DOING UNDER THE STAGE 274 00:17:46,901 --> 00:17:48,968 WITH THREE... GIRLS? 275 00:17:48,968 --> 00:17:51,167 IT'S NOT JUST THREE GIRLS. 276 00:17:51,167 --> 00:17:53,634 - EMMET'S HERE. - HE'S A SINGLE MAN. 277 00:17:53,634 --> 00:17:56,100 DIVORCED. 278 00:17:56,100 --> 00:17:58,200 IT'S THE SAME THING. 279 00:17:58,200 --> 00:18:00,234 NOT QUITE TECHNICALLY, DEAR. 280 00:18:00,234 --> 00:18:02,267 EXCUSE ME. 281 00:18:04,934 --> 00:18:07,901 LOOK, WHY ARE YOU MAKING SUCH FUSS? 282 00:18:07,901 --> 00:18:10,801 YOU THINK UNDER THE STAGE, IN THE PITCH DARK 283 00:18:10,801 --> 00:18:13,667 WITH THREE GIRLS IS REALLY APPROPRIATE FOR A VICAR? 284 00:18:13,667 --> 00:18:16,400 DARKNESS IS CLERICAL TERRITORY. 285 00:18:16,400 --> 00:18:19,968 YOU'RE SUPPOSED TO FIGHT IT, NOT JOIN IT! 286 00:18:21,734 --> 00:18:23,701 HELLO-OO! 287 00:18:23,701 --> 00:18:26,000 Vicar: THERE'S A PERFECTLY SIMPLE EXPLANATION. 288 00:18:26,000 --> 00:18:28,601 I KNOW! THAT'S WHAT WORRIES ME. 289 00:18:28,601 --> 00:18:31,167 OH, THERE YOU ARE, EMMET. 290 00:18:31,167 --> 00:18:34,200 JUST WHEN I THOUGHT I WAS IN ENOUGH TROUBLE. 291 00:18:34,200 --> 00:18:36,133 AND YOU TOO, VICAR, 292 00:18:36,133 --> 00:18:38,901 HOW FORTUNATE TO FIND YOU ALL TOGETHER. 293 00:18:38,901 --> 00:18:41,100 I HAVE A SURPRISE FOR YOU. 294 00:18:41,100 --> 00:18:44,534 YOU'RE ALL INVITED THIS EVENING... 295 00:18:44,534 --> 00:18:48,100 TO MY SISTER VIOLET'S. SHE'S THE ONE WITH THE MERCEDES, 296 00:18:48,100 --> 00:18:50,934 THE SAUNA AND ROOM FOR A PONY. 297 00:18:50,934 --> 00:18:53,834 NOW, I WANT YOU ALL THERE AT 6:00 THIS EVENING, 298 00:18:53,834 --> 00:18:55,968 FOR A BON VIVANT BUFFET, 299 00:18:55,968 --> 00:18:58,968 AND ALFRESCO MANCHETTES. 300 00:18:58,968 --> 00:19:00,767 WEATHER PERMITTING, OF COURSE. 301 00:19:00,767 --> 00:19:02,901 WE DON'T WANT SOGGY VOL-AU-VENTS, DO WE? 302 00:19:02,901 --> 00:19:05,234 OH, NO. 303 00:19:19,834 --> 00:19:22,501 NOW, RICHARD, I WANT YOU TO BE 304 00:19:22,501 --> 00:19:25,267 AT YOUR MOST ELEGANT THIS EVENING. 305 00:19:28,000 --> 00:19:31,100 I DON'T DO A GOOD ELEGANT. 306 00:19:31,100 --> 00:19:33,667 BUT OF COURSE YOU DO, DEAR. 307 00:19:33,667 --> 00:19:36,667 LOOK WHO'S BEEN TRAINING YOU ALL THESE YEARS. 308 00:19:38,901 --> 00:19:41,334 WHAT ABOUT THE BUFFET ITEMS? 309 00:19:41,334 --> 00:19:43,901 YOU CAN FETCH ALL THAT IN A MINUTE. 310 00:19:45,300 --> 00:19:47,934 ( electronic ringing ) 311 00:19:47,934 --> 00:19:51,601 LISTEN TO THAT. IT'S EVEN BETTER THAN OURS. 312 00:19:53,534 --> 00:19:57,033 - HELLO, DEAR. - HYACINTH! 313 00:19:57,033 --> 00:20:00,801 - RICHARD. - Man: WHERE THE HELL HAVE YOU GONE NOW?! 314 00:20:00,801 --> 00:20:05,067 VIOLET, PAY ATTENTION WHEN I'M YELLING AT YOU! 315 00:20:05,067 --> 00:20:10,200 ( yells ) GET LOST! OH, NOT YOU. HIM. 316 00:20:10,200 --> 00:20:13,601 LOVELY TO SEE YOU BOTH. BYE. 317 00:20:16,934 --> 00:20:19,534 WHO WAS THIS GUY YOU WERE WITH 318 00:20:19,534 --> 00:20:22,334 IN THE BUS SHELTER IN MILTON STREET? 319 00:20:23,367 --> 00:20:27,501 DON'T WORRY ABOUT HIM. YOU LIKED HIM. 320 00:20:27,501 --> 00:20:30,000 IT'S NOT AS IF IT WAS SOMEBODY YOU DIDN'T LIKE. 321 00:20:30,000 --> 00:20:32,567 SOUNDS AS IF YOU LIKED HIM BETTER. 322 00:20:34,367 --> 00:20:35,968 WHAT DO YOU MEAN I LIKED HIM?! 323 00:20:35,968 --> 00:20:38,133 HE WAS A FRIEND OF YOURS. 324 00:20:38,133 --> 00:20:41,901 OH, NICE! SOME FRIEND! 325 00:20:41,901 --> 00:20:44,434 ( TV plays ) 326 00:20:44,434 --> 00:20:47,667 IT'S NOT AS IF WE WERE MARRIED AT THE TIME. 327 00:20:47,667 --> 00:20:49,734 FATHER'S GONE. 328 00:20:49,734 --> 00:20:51,934 DID YOU KNOW SHE USED TO BE AT A BUS SHELTER 329 00:20:51,934 --> 00:20:54,133 IN MILTON STREET WITH SOME GUY? 330 00:20:54,133 --> 00:20:57,334 - ONLY ON FRIDAYS. - WHAT GUY? 331 00:20:57,334 --> 00:21:00,367 THAT'S WHAT I WANT TO KNOW-- WHAT GUY? 332 00:21:00,367 --> 00:21:02,200 WHAT DO YOU MEAN, "FATHER'S GONE"? 333 00:21:02,200 --> 00:21:05,567 HE'S GONE WITH HIS BUCKET, LOOKING FOR ANOTHER LOAD. 334 00:21:05,567 --> 00:21:10,534 DO YOU MEAN THAT SHELTER AT THE BOTTOM END OF MILTON STREET? 335 00:21:10,534 --> 00:21:13,000 - THAT'S THE ONE. - ( both giggle ) 336 00:21:13,000 --> 00:21:16,601 I SPENT SOME HAPPY HOURS IN THAT SHELTER. 337 00:21:16,601 --> 00:21:18,734 SOUNDS AS THOUGH EVERYBODY EXCEPT ME 338 00:21:18,734 --> 00:21:21,467 SPENT HAPPY HOURS IN THAT BUS SHELTER. 339 00:21:21,467 --> 00:21:24,367 I THINK HE'S JEALOUS. OO-OOH! 340 00:21:24,367 --> 00:21:27,767 OH-HH, I THINK THAT'S SO SWEET! 341 00:21:30,267 --> 00:21:33,300 I WOULDN'T MIND, YOU WERE ALWAYS BORROWING YOUR BUS FARE. 342 00:21:34,834 --> 00:21:36,968 THIS LOOKS RATHER GOOD. 343 00:21:36,968 --> 00:21:40,968 NOT QUITE MY CANDLELIGHT SUPPER, BUT IT'S CERTAINLY ELEGANT. 344 00:21:40,968 --> 00:21:43,167 Violet: WHY ARE YOU TRYING TO CHOKE ME? 345 00:21:43,167 --> 00:21:45,334 Bruce: 'CAUSE I HATE YOU! I CAN'T STAND YOU! 346 00:21:45,334 --> 00:21:48,467 WHY DON'T WE JUST PHONE ROUND AND CANCEL EVERYBODY? 347 00:21:48,467 --> 00:21:50,701 RICHARD, I WILL NOT DISAPPOINT PEOPLE. 348 00:21:50,701 --> 00:21:52,667 WE HAVE FRIENDS COMING TONIGHT 349 00:21:52,667 --> 00:21:55,534 WHO ARE EXPECTING A BON VIVANT BUFFET AND ALFRESCO MANCHETTES, 350 00:21:55,534 --> 00:21:58,067 AND THAT'S EXACTLY WHAT THEY'RE GOING TO RECEIVE. 351 00:21:58,067 --> 00:22:00,801 BUT WHAT ABOUT THE ROW INDOORS? 352 00:22:00,801 --> 00:22:04,300 IT'LL QUIETEN DOWN. IT'LL HAVE TO. 353 00:22:04,300 --> 00:22:07,868 IF IT DOESN'T WE'LL DROWN IT OUT WITH MUSIC. 354 00:22:07,868 --> 00:22:13,100 - DO WE HAVE ANY MUSIC? - DON'T MAKE DIFFICULTIES, RICHARD. 355 00:22:13,100 --> 00:22:15,601 TAKE A POSITIVE ATTITUDE, DEAR. 356 00:22:15,601 --> 00:22:19,200 I WANT THIS EVENING TO BE ELEGANT AND MEMORABLE. 357 00:22:19,200 --> 00:22:21,200 ( Violet screams ) DON'T DO THAT! 358 00:22:21,200 --> 00:22:24,868 I HAVE A FEELING IT IS GOING TO BE MEMORABLE. 359 00:22:27,801 --> 00:22:29,834 HMMM. 360 00:22:33,133 --> 00:22:36,167 OH, YES, THAT'S REALLY LOVELY. 361 00:22:36,167 --> 00:22:39,400 AN ELEGANT GASTRONOMIC DELIGHT. 362 00:22:39,400 --> 00:22:42,968 ARE YOU ON TOP OF THE BARBECUE, RICHARD? 363 00:22:44,767 --> 00:22:48,300 I'M GETTING THERE. SLOWLY. 364 00:22:48,300 --> 00:22:51,033 Violet: YOU'VE HIDDEN THE CARVING KNIFE AGAIN! 365 00:22:51,033 --> 00:22:54,067 CARVING KNIFE, DID YOU HEAR THAT? 366 00:22:54,067 --> 00:22:59,000 RICHARD, I WILL NOT HAVE YOU EAVESDROPPING ON PRIVATE CONVERSATIONS. 367 00:22:59,000 --> 00:23:01,968 - DO YOU CALL THAT PRIVATE? - Violet: GET OUT OF MY WAY! 368 00:23:01,968 --> 00:23:04,167 ( sighs ) DO SOMETHING, DEAR. 369 00:23:04,167 --> 00:23:06,567 - Violet: I HATE YOU! - ( glass shatters ) 370 00:23:06,567 --> 00:23:09,801 - YOUR LEGS ARE TOO SHORT! - WAIT, I HAVE AN IDEA. 371 00:23:09,801 --> 00:23:11,200 I'M GOING NOWHERE NEAR THEM 372 00:23:11,200 --> 00:23:13,434 IF THEY'RE WAVING CARVING KNIVES AROUND. 373 00:23:13,434 --> 00:23:16,167 WE NEED TO BE ABLE TO DROWN OUT THEIR VOICES. 374 00:23:16,167 --> 00:23:19,400 NOR AM I CONTACTING THE ROYAL ARTILLERY. 375 00:23:19,400 --> 00:23:23,701 NO. JUST GO AND HAVE A LOOK INSIDE, 376 00:23:23,701 --> 00:23:26,734 AND SEE IF YOU CAN FIND SOME LARGE SHEETS OF CARD 377 00:23:26,734 --> 00:23:29,200 AND A THICK PEN. 378 00:23:29,200 --> 00:23:30,934 - WHAT FOR? - NEVER YOU MIND. 379 00:23:30,934 --> 00:23:33,767 COULDN'T WE HAVE A PUNCTURE OR SOMETHING? 380 00:23:33,767 --> 00:23:37,267 COULDN'T THE CAR BREAK DOWN AND THEN WE COULDN'T POSSIBLY GET THERE? 381 00:23:37,267 --> 00:23:39,334 YOU PROMISED THE VICAR YOU'D COME. 382 00:23:39,334 --> 00:23:41,701 YOU'RE GOING TO GIVE EACH OTHER MUTUAL SUPPORT. 383 00:23:41,701 --> 00:23:45,133 Bruce: IF I HAD A BRAIN, DO YOU THINK I'D BE MARRIED TO YOU? 384 00:23:45,133 --> 00:23:48,100 THERE! 385 00:23:48,100 --> 00:23:49,734 BUT WHAT ARE YOU GOING TO DO? 386 00:23:49,734 --> 00:23:52,801 HOLD IT UP AND HOPE THAT VIOLET AND BRUCE WILL SURRENDER? 387 00:23:52,801 --> 00:23:58,434 NO! WE'RE GOING TO HAVE A BARBECUE SINGSONG. 388 00:23:58,434 --> 00:24:02,200 SURELY YOU CAN UNDERSTAND ANYONE HIDING FROM THE BUCKET WOMAN. 389 00:24:02,200 --> 00:24:05,200 YES, OF COURSE I CAN. 390 00:24:05,200 --> 00:24:08,133 WHAT I CAN'T UNDERSTAND IS WHY YOU FELT 391 00:24:08,133 --> 00:24:10,200 YOU NEEDED THE "MORAL SUPPORT" 392 00:24:10,200 --> 00:24:12,901 OF THREE ATTRACTIVE YOUNG LADIES. 393 00:24:12,901 --> 00:24:16,467 - Bruce: YOU'RE THE ONE WITH THE MOUTH! - REALLY THINK THIS'LL WORK? 394 00:24:16,467 --> 00:24:19,267 IT WILL IF WE SING LOUD ENOUGH. 395 00:24:21,534 --> 00:24:24,567 THAT'S PROBABLY ELIZABETH AND EMMET. 396 00:24:24,567 --> 00:24:27,901 AT LEAST IT'S QUIET AT THE MOMENT. 397 00:24:27,901 --> 00:24:30,934 THEY'LL BE IN EACH OTHER'S ARMS. 398 00:24:30,934 --> 00:24:32,834 LOOKING FOR THE JUGULAR. 399 00:24:32,834 --> 00:24:35,968 Hyacinth: HELLO, ELIZABETH AND EMMET! 400 00:24:35,968 --> 00:24:39,200 - Both: HELLO. - WELCOME TO OUR BARBECUE. 401 00:24:39,200 --> 00:24:43,267 WITH THE UNIQUE SING-FOR-YOUR-SUPPER SPECIALTY. 402 00:24:43,267 --> 00:24:45,634 OH NO-- SHE'S NOT GOING TO SING? 403 00:24:45,634 --> 00:24:48,100 PLEASE, TELL ME SHE'S NOT GOING TO SING. 404 00:24:48,100 --> 00:24:49,801 SHH, BE QUIET. 405 00:24:49,801 --> 00:24:53,367 WELL, I MUST SAY THE BUFFET LOOKS LOVELY, HYACINTH. 406 00:24:53,367 --> 00:24:54,968 THANK YOU, DEAR. 407 00:24:54,968 --> 00:24:58,100 HOW DOES THE SINGING SIDE OF THE EVENING WORK? 408 00:24:58,100 --> 00:25:01,567 OH, IT'S A PARTY GAME BASED ON AN IDEA 409 00:25:01,567 --> 00:25:05,033 ORIGINALLY CONCEIVED BY HENRY VIII FOR HIS BANQUETS. 410 00:25:05,033 --> 00:25:08,467 - HOW INTERESTING. - YES, FASCINATING. 411 00:25:08,467 --> 00:25:11,033 YES, IT'S PERFECTLY SIMPLE. 412 00:25:11,033 --> 00:25:13,934 WHENEVER I PICK UP ONE OF THESE CARDS, 413 00:25:13,934 --> 00:25:17,167 THEN EVERYONE SINGS THE SONG IT NAMES. 414 00:25:17,167 --> 00:25:20,801 - ( Bruce yelling ) - RULE BRITANNIA! 415 00:25:20,801 --> 00:25:23,133 All reluctantly: * BRITANNIA RULES THE WAVES * 416 00:25:23,133 --> 00:25:27,634 * BRITONS NEVER, NEVER, NEVER SHALL BE SLAVES-- * 417 00:25:27,634 --> 00:25:29,367 COME ALONG, RICHARD, SING UP THERE. 418 00:25:29,367 --> 00:25:33,200 * RULE, BRITANNIA, BRITANNIA RULES THE WAVES * 419 00:25:33,200 --> 00:25:38,033 * BRITONS NEVER, NEVER, NEVER SHALL BE SLAVES-- * 420 00:25:38,033 --> 00:25:41,133 - ( arguing ends ) - LOVELY, LOVELY. 421 00:25:41,133 --> 00:25:43,601 ( Hyacinth laughs ) NOW... 422 00:25:43,601 --> 00:25:46,100 WHAT CAN I OFFER YOU AS A PRELIMINARY NIBBLE? 423 00:25:46,100 --> 00:25:48,868 DO YOU THINK SHE HAS ANY SUICIDE PILLS? 424 00:25:48,868 --> 00:25:50,801 EMMET, BEHAVE YOURSELF. 425 00:25:50,801 --> 00:25:54,467 OH, HELLO AGAIN, VICAR. 426 00:25:54,467 --> 00:25:57,467 HOW NICE TO SEE YOU AND YOUR GOOD LADY. 427 00:25:57,467 --> 00:25:59,534 - GOOD EVENING, MRS. BUCKET. - "BOUQUET." 428 00:25:59,534 --> 00:26:02,033 DO RELAX AND ENJOY YOURSELVES. 429 00:26:02,033 --> 00:26:04,400 Violet: WHY DO YOU GO THAT FUNNY COLOR? 430 00:26:04,400 --> 00:26:05,801 OH! 431 00:26:05,801 --> 00:26:09,100 * THERE'LL ALWAYS BE AN ENGLAND * 432 00:26:09,100 --> 00:26:13,000 * WHILE THERE'S A COUNTRY LANE * 433 00:26:13,000 --> 00:26:16,767 ( loudly ) * WHEREVER THERE'S A COTTAGE SMALL * 434 00:26:16,767 --> 00:26:20,434 * BESIDE A FIELD OF GRAIN * 435 00:26:20,434 --> 00:26:24,501 * THERE'LL ALWAYS BE AN ENGLAND * 436 00:26:24,501 --> 00:26:27,934 * AND ENGLAND SHALL BE FREE... * 437 00:26:27,934 --> 00:26:31,801 - ( bickering stops ) - ( singing quiets ) 438 00:26:31,801 --> 00:26:34,167 ( chuckles ) JUST A PARTY GAME, VICAR. 439 00:26:34,167 --> 00:26:36,000 YOU'LL SOON GET THE HANG OF IT. 440 00:26:39,968 --> 00:26:43,267 RICHARD'LL SOON HAVE THE HOT FOOD READY. WON'T YOU, DEAR? 441 00:26:43,267 --> 00:26:47,267 BUT IN THE MEANTIME, DO HELP YOURSELF TO MY ANCILLARY ITEMS. 442 00:26:47,267 --> 00:26:50,367 - THANK YOU, HYACINTH. - Bruce: DON'T BITE ME THERE! 443 00:26:50,367 --> 00:26:52,334 YOU'RE ALWAYS BITING ME THERE! 444 00:26:52,334 --> 00:26:56,267 * THERE'LL ALWAYS BE AN ENGLAND * 445 00:26:56,267 --> 00:26:59,400 * WHILE THERE'S A COUNTRY LANE-- * 446 00:26:59,400 --> 00:27:03,701 * SHE'LL BE COMING 'ROUND THE MOUNTAIN WHEN SHE COMES * 447 00:27:03,701 --> 00:27:08,267 * SHE'LL BE COMING 'ROUND THE MOUNTAIN WHEN SHE COMES * 448 00:27:08,267 --> 00:27:10,267 * SHE'LL BE COMING 'ROUND THE MOUNTAIN * 449 00:27:10,267 --> 00:27:12,167 * COMING 'ROUND THE MOUNTAIN * 450 00:27:12,167 --> 00:27:14,501 * COMING 'ROUND THE MOUNTAIN WHEN SHE COMES... * 451 00:27:14,501 --> 00:27:16,367 - ( singing fades ) - WONDERFUL. 452 00:27:16,367 --> 00:27:18,267 I CAN'T BELIEVE THIS IS HAPPENING. 453 00:27:18,267 --> 00:27:20,601 NOW DO HELP YOURSELVES. 454 00:27:20,601 --> 00:27:22,634 I DON'T WANT TO TAKE IT ALL HOME AGAIN. 455 00:27:22,634 --> 00:27:26,901 - IT ALL HAS TO BE EATEN. - Violet: HOW DARE YOU SAY THAT! 456 00:27:26,901 --> 00:27:31,434 * OLD MacDONALD HAD A FARM EE-I-EE-I-OH * 457 00:27:31,434 --> 00:27:34,501 - * AND ON THAT FARM THERE WAS A-- * - * DUCK! * 458 00:27:34,501 --> 00:27:35,934 * EE-I-EE-I-OH * 459 00:27:35,934 --> 00:27:38,667 * WITH A QUACK-QUACK HERE AND A QUACK-QUACK THERE-- * 460 00:27:38,667 --> 00:27:41,067 OOH LOOK! MRS. BOUQUET, FIRE! 461 00:27:41,067 --> 00:27:43,167 OH, RICHARD, WHAT ARE YOU DOING? 462 00:27:43,167 --> 00:27:45,300 YOUR BARBECUE'S OUT OF CONTROL. 463 00:27:46,367 --> 00:27:49,200 DADDY! WHAT A MIRACLE! 464 00:27:49,200 --> 00:27:51,267 JUST WHEN WE NEED HIM, 465 00:27:51,267 --> 00:27:53,667 DADDY APPEARS WITH A BUCKET OF WATER. 466 00:28:02,734 --> 00:28:05,667 - I'VE HAD ENOUGH OF YOU! I REALLY HAVE! - ( screaming ) 467 00:28:05,667 --> 00:28:08,133 DULL OLD THING YOU ARE-- GO AWAY! 468 00:28:10,534 --> 00:28:13,467 OH DEAR, WHAT A PITY BRUCE CAN'T STAY. 469 00:28:14,767 --> 00:28:17,133 YOU WILL JOIN US, VIOLET DEAR? 470 00:28:17,133 --> 00:28:19,367 I THOUGHT WE MIGHT TAKE HOME A CHINESE. 471 00:28:23,634 --> 00:28:26,968 ( theme music playing ) 0 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net 36384