Original subtitles

(Ship horn blares)

(Seagulls cawing)

(Quiet suspenseful music)

Is it them?

(Engine ticking over)

Why is it turning?

(Boat engine idling)

(Distant shouting)

(Eerie music)

(Suspenseful music)

(Dramatic music)

(Phone ringing)

(Phone vibrating)

Luan.

(Luan) It's done. We have Asif's heroin.

All 140 million of it.

(Elliot) You know how it feels to be powerless.

To be a pawn in someone else's game.

The things it makes you do... just to hold on to some kind of life.

That's all my dad ever knew.

Throwing fights for money, night after night.

(Charlie) Elliot.

- What do I always say? - (Both) Pawns can't be kings.

(Elliot) He was my dad, so I believed him,

but it took me years to understand.

That's how he found his dignity.

Ah, Jesus!

(Elliot) But I... I couldn't accept it.

- (Distant cheering) - I needed to know.

What does it feel like

to be a king?

(Deep breath out)

(Scream fades)

(Phone vibrating)

- (Police radios) - (Siren wailing)

Hello?

(Merwan) Sean, Asif's shipment was stolen.

The heroin is gone. Somebody betrayed us.

Sean?

Fuck!

- Sean, what's going on? - The heroin's gone.

All 1.3 fucking tons of it.

(Footsteps running down stairs)

- Look, it's just one shipment. - No, no. It's more than that.

Koba and I made a statement.

We made it clear London was ours

and someone just decided the fuck it wasn't!

Who knew the routes?

- Merwan and Koba. - Right, Merwan, then.

- Retaliation for Lale. - No. He doesn't know.

He doesn't know that... He doesn't know.

And he's made peace with us using Asif's heroin.

- He knows it's a necessity. - So Koba?

Koba has nothing to gain from weakening our position.

But he has everything to gain by weakening yours.

I am aware of my situation.

(Billy) Sean...

(Sean) Koba. We have a problem...

Koba and Merwan.

They aren't the only two people who know the route.

- You know it. - What did you say?

- I said you know the routes. - No.

You just accused me of betraying my own son.

You didn't like the deal Sean made with Koba.

You want to see the Wallaces on top. Singular.

I'm just asking you if maybe you aren't being entirely honest

about which Wallace that is.

Jesus, Billy!

I've really failed you, haven't I?

(Asif on phone) We aren't talking days. We're talking weeks.

- Minimum three. - (Koba) Fu-u-uck!

How did you let this happen?

We didn't let anything happen. Someone on your side betrayed us.

(Asif) Or one of you betrayed the other.

We need to fix this now, Asif.

Not in three weeks. Now.

(Sean) This is as much your problem as it is ours.

(Asif) How so?

Because of the price I paid you.

Because I gave you Lale.

We can't claim a monopoly on the drugs trade

if we don't have any fucking drugs to sell.

I'm here in Lahore. There is no product yet.

What do you want me to do?

Give me a reason not to send Merwan and a team of Kurds to Lahore

to wipe out you and your family.

(Sean) Clock's ticking, Asif.

All right.

I made a delivery to Bibi Agostini in Paris. A week ago, maybe.

No way they could have moved even 20% yet.

So we go to Paris and take the rest from this French fuck.

Agostini's one of the biggest players in France.

You don't take from Agostini. You make a deal.

(Upbeat Algerian music)

(Bubbling)

(Saba) What's it about?

Here, this is for you.

(Saba) Rasha Zidane? (Scoffs)

What is this for?

(Sighs) You're going home for a few days.

Paris? Why?

Koba asked for you again.

Him and Sean Wallace are going over to make some big deal.

They want you there as a translator.

Is this a fucking joke?

You tell me you're going to make Sean pay for Basem.

And now you want me to work for him?

You work for me, Saba.

You understand?

So that means you work for Sean Wallace now.

It's the way it goes.

Don't look at him, look at me.

Koba asked for our help.

Hm?

Do you understand me?

(Hakim) That's good for us.

(Hakim) Saba.

Don't fuck this up.

(Door opens)

(Door closes)

(Car engine stops)

We've got Sean and Koba's heroin.

Luan intercepted it, and we're going to distribute it.

Marian told Dad that Sean and Koba are going to Paris

to buy more from a dealer out there.

When?

- Tomorrow. - Where?

Where? Her office?

Club, restaurant, Agostini's fucking house? Where?

- I don't know. I'll find out. - Thank you.

Elliot, are you sleeping?

You're not thinking clearly.

After you kill Sean, what you gonna do?

Look, I want you to come out of this alive.

When Marian Wallace finds out her son's dead because of you,

what are you gonna do?

If we do this right, it doesn't just end with Sean and Koba dead.

You and me. We could build something together.

But if you're not in the right shape for that, then we should wait...

They can't cross international borders with an army of mercenaries.

They'll be vulnerable out there.

And I got people in Paris. They won't see me coming.

(Ed) We should move on this, fast. What's our plan?

We need to get ahead of this Agostini problem.

Luan, contact your men and get them to move this now.

(Birds cawing)

(Marian) To weaken Koba's position...

we sell to the gangs for half price.

Flood the market with our heroin before Sean and Koba do.

- (Ed) Agreed. - (Luan) Yes.

(Marian) Okay. Let's get to work.

(Eerie music)

(Engine starts)

(Dramatic music)

(Engine starts)

(Ringing)

(Gun clicks)

The phone.

(Phone beeps)

(Ringing)

(Phone rings)

- Billy? - It's Luan.

- Billy found the heroin. - What?

(Luan) Marian.

What do you want me to do with him?

Um...

(Luan) Understood.

Get in.

Luan, you can't lock me in a van filled with heroin.

I'm not. Your mother is. Get in.

Luan, whatever she's paying you, Sean will double it.

He'll... He'll double it.

Luan! Luan!

- Please! Please, Luan! - (Banging)

Luan, he'll double it. Don't leave me in here!

Luan!

(Container doors closing)

(Yelling) Please! Luan!

(Bell tolling)

Beautiful city.

- Nice to be home? - I'm from Saint Denis.

This is no more my home than Buckingham Palace.

Regarde les pâtisseries!

Okay.

What the fuck? This is recon, you can't do this now!

Fucking tourists

and cops everywhere!

(Quiet suspenseful music)

(Muffled voice on police radio)

(Classical music playing softly)

Merci.

Merci.

Merci.

(Koba) Merci.

Bibi Agostini.

(Bibi speaking in French)

(Saba translating) We can order. It's her place.

(Chuckles) Well, Bibi, it's a pleasure.

I believe you know why we're here?

(Bibi speaking in French)

Someone stole your heroin and you'd like some of hers to replace it?

So, how about it?

- (Bibi speaking in French) - (Saba) I don't like waste.

(Saba) So I only order what I need.

(Bibi continues speaking in French)

Which means I need what I order.

It's a temporary measure. We'll replace it before you miss it.

(Bibi continues speaking in French)

Unless they steal the next load.

- (Bibi laughs) - Is that it, then?

- Hm? - (Sean) Au revoir.

(Bibi speaking in French)

Finn Wallace would have burned this fucking place down if he was here.

That sounds like him.

(Bibi continues speaking in French)

After spending an hour trying to fuck her.

That definitely sounds like him. Luckily, I take after my mother.

(Bibi) Not too much, I hope.

So... (continues speaking in French)

The heroin. How much do you want? How much are you willing to pay?

We want half of it, and we're paying nothing.

(Bibi speaking in French)

It must be my birthday.

(Sean) We're proposing a partnership.

Our cities have never worked together.

(Saba translates)

(Sean) We have no pay masters.

(Saba translates)

It's an advanced system that sees the money flow faster, one way.

(Saba translates)

We own the ports, the routes and the infrastructure.

(Saba translates)

(Bibi speaking in French)

(Saba) She needs to be somewhere.

(Bibi continues speaking in French)

We can meet in VIP at her club, 9pm. Talk more.

(Bibi) Okay?

Bibi.

(Koba) Look forward to talking more.

It's a pleasure.

(Bibi) Nice to meet you.

You look like your father.

(Bibi speaking in French)

- (Sean) I like her. - (Koba) Hm.

Let's see what she wants in return.

(Elliot) Agostini's leaving.

(Koba) Me and Sean need to talk.

You go see your old friends but be there 8:30.

Don't be late, Saba.

(Raphael) They're leaving.

Want me to follow them?

You fucking liar.

I'm doing this for Sean.

Bullshit. That's bullshit.

Sean's deal with Koba ends one way.

Sean dead and Koba on top.

And the Wallaces consigned to history.

I am not prepared to stand back and let that happen.

That's bollocks!

Want to know what I think?

I think we've found your addiction.

Power.

When Sean was dead, you thought you'd be the Wallace on top.

You thought it was finally your turn.

But since he came back, it's fucked everything up for you, hasn't it?

You wish he'd never come back at all.

(Slap)

(Billy groans)

(Dramatic music)

You don't have the answer for everything, Billy.

You cannot keep him locked in there forever.

- Then we'd better move fast. - Marian!

- Marian! - (Engine starts)

(♪ "Ruby Soho", Rancid)

(Music continues through headphones)

♪ Two lovers in the bedroom Then the other starts to shout

♪ All I got is this blank stare

♪ And that don't carry no clout at all

- ♪ Destination unknown... ♪ - (Saba) What the fuck?

- No, fuck! - Aargh!

Remember me?

From the fish market.

You know me. I got you out of there, remember?

Yeah. But you work with Koba.

- I came with him. - No, no!

I'm here to kill Koba and Sean.

I need you to help me do it.

Sean killed Basem that night. I know you want him dead as well.

Just leave me alone.

Why won't you all just leave me the fuck alone?

Sean and Koba have their teeth in you.

And they will not let you go. Ever! They own you now.

What do you need?

Just tell me what they're doing, where and when.

I don't know about today,

but tonight we're meeting in a VIP room in Agostini's club.

It's in the Asian Quarter. That's all I know.

- When? - 9pm.

Armed security on the door.

- Inside? - Probably.

But you won't get in with a gun.

No.

But she will. She's her guest.

You want me to carry a gun?

(Elliot) Listen to me.

If you don't carry one now, you'll be carrying one for the rest of your life.

(Thud)

- (Music blaring) - (Background chatter)

Merci.

Good evening.

- Bonsoir. - Welcome, gentlemen.

I'm with them.

Can I look at your bag, please?

I just came in with these people.

Bag.

- (Tamaz) Sean. - (Sean) Hey.

She's with us.

Go right this way.

(Music pounding)

Saba, you did well with Bibi.

Hid your nerves, opinions.

You're a smart kid, strong.

You don't see that you want it yet, but your future,

you could go far.

I need to use the bathroom.

Go on.

Don't be long.

Can I help you?

Yes, where's the VIP room?

Basement level 2. Take the lift.

- Thank you. - You're welcome.

(Laughter and chatter)

(Suspenseful music)

She used to fuck your father, so you should take the lead on this.

Hm. Yeah.

(Voice on radio)

Bibi's VIP room is ready for you.

Time to go. Tamaz, go and find Saba.

I think this is a good sign.

(Sean) Yeah.

- (Bangs on door) - Saba!

- (Banging) - Saba?

Saba!

What the fuck, man? Get out of here!

- Come. - Give me one second. I'm coming.

- Come on. - Get out.

Be quick.

(Phone buzzes)

It's on.

- Let's go. - Go.

(Dramatic music)

- (Laughter) - (Music blaring)

(Woman singing)

(Sean) Karaoke?

We're discussing business over a group rendition of "Hey Jude"?

Saba, translate.

(Saba translates)

(Bibi laughing) Welcome.

(Bibi speaking in French)

(Saba) These are her friends.

They will look after us this evening.

(Bibi speaking in French)

(Saba) And the room's swept so we can talk freely here.

♪ Moonlight, starlight I need you... ♪

Saba.

(Bibi speaking in French)

Salut.

- Salut. - Gaumarjos.

(Bibi) Gaumarjos.

(Man shouts)

Where's that order?

Trolley 56, it was just here.

(Indistinct speech in Korean)

Up.

Where are you going?

VIP level 2.

You can go.

(Elevator pings)

♪ For you Stay the night... ♪

(Koba) Bribing officials is hit and miss.

We put them on a retainer. So we own the ports...

(Saba translates)

Hm.

(Bibi speaking in French)

(Bibi continues speaking in French)

The ports interest me.

Drug trafficking is a big part of our business

but we have other interests when it comes to traffic.

Guns?

People.

(Elevator pings)

(Karaoke singers) ♪ ..with you I lose my mind

♪ Give me a sign

♪ Hit me, baby, one more time ♪

(Singing ballad)

(Singing fades)

(♪ "Hit Me, Baby" muffled)

(Saba) Our fastest growing revenue stream is people traffic.

(Bibi speaking in French)

(Saba) Our biggest limit to growth,

is our inability to access the UK market.

(Bibi speaking in French)

(Saba) Allow us to move people in the UK.

(Bibi) Your father always refused,

but if you agree to moving my girls around then...

maybe...

maybe we have a deal.

(Karaoke singer) ♪ I don't wanna lose your love tonight... ♪

What do you say, Sean?

(Koba) Well, Sean?

We can arrange that.

Well, then you will have your heroin and a new business partner.

Bibi.

(Koba) Beautiful. Wow.

Is there a problem?

No, just a quick check.

Yes, of course.

Hey!

Sir!

That's my trolley.

I don't speak Korean.

(Grunts)

(Shouting)

(Chatter)

Aargh!

(Yelling and groaning)

(Gasping)

(Women screaming)

(Man shouts out)

(Shouts out)

Where are they?

(Bibi and Sean laughing)

(Sean) Let's get the champagne.

(Sudden burst of eerie music)

(Bibi speaking in French)

- (Koba) We can see the sights. - (Sean) Hands across the Channel.

- Salut. - Cheers.

Shit, did you hear that?

There's a gunman. We have to get you out of here.

I want to stay here. Secure everywhere. Go.

What's going on?

Security has been attacked in the VIP room.

- What's going on? - There's a gunman in the building.

Security have been attacked in the VIP room.

I thought this was the fucking VIP room.

(Bibi) It is my VIP room.

Please.

(Gasps and whimpers)

(Gunfire)

(Screaming)

(Panicked cries)

(Woman sobbing)

(Groan)

Get out of here. Move!

Shit!

(Screaming)

(Music pounding)

(Groaning and gasping)

Sean Wallace.

Where is he?

(Elevator pings)

It's him!

(Groaning)

Aargh.

Stay there.

Tell me...

What floor is the other VIP room on?

I... don't... know....

- Come. - (Guard) Please...

(Bibi clears her throat)

I can't help you.

Sean..

Do you know this man?

Don't lie. I know.

Yeah.

(Bibi) Fuck off!

Go take your bullshit with you back to London.

This is why we don't want to do business with London.

Deal's off!

Come on, let's go.

- Fuck's sake! - Go!

- (Door closes) - Oh.

(Elevator pings)

(Gunfire)

There he is.

(Men shouting)

(Panicked cries)

He's back here. Go, go, go!

What happened? Whoa!

- Where's the girl? - Fuck!

Give me your phone.

Come on.

Look at it.

Look at it.

"Wrong room. Abort."

You're working with Elliot?

(Whimpering)

Who else are you fucking working with? Hm?

(Whimpering) No one. Just him.

I don't expect to have to ask twice.

(Yelling) Who else are you fucking working with?

(Crying) I swear to you. I don't even know him.

I don't even know the fucking...

Please. Please.

Sean. Not here.

Our heroin's stolen,

an attempt made on our life in two days.

We have a traitor.

Believe me, she's going to tell me who the fuck it is.

Fucking English!

(Elevator pings)

(Suspenseful music)

(Phone buzzing)

(Elliot) It's fucked, Shannon! It's fucked!

Sean will know by now it was me and he'll trace that back to you.

You got to get Danny and run.

I'm not going anywhere.

No. Shannon, I'll fix it. I promise. I just need to figure out how.

I know how. Elliot, I know how you can get to Sean.

Tonight.

Do you believe there are any rules in this world?

I only know one.

People suffer because they mean nothing to the powerful.

My dad.

You. It's all the same world.

They don't even feel like sacrifices. They just mean nothing.

Tell me I'm wrong.

Tell me they pay for their sins.

I want them to know fear.

To be powerless.

To feel it in their bones.

(Eerie music)

(Footsteps approaching)

But how do you do that? Hm?

How do you turn a king into a pawn?

(Heavy, metallic scraping)

It was going well until Elliot stormed the building

in an attempt to assassinate us.

(Sean sighs)

Somehow he knew we were in Paris.

(Discordant music)

We have a traitor, Mum,

one with inside knowledge of the routes and the meeting.

(Knocking)

(Knocking)

(Knocking)

(Door closes)

(Sean) Who sent Elliot to Paris?

Clearly the Algerian girl was working with him.

But how could they know we'd be there? Hm?

Mum, do you have anything to say?

Mum?

Well?

Sean.

Sean.

(Sound distorting)

(Marian) Sean.

(Dramatic music)