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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:36,070 --> 00:00:38,272 HERE YOU GO, SIR. 2 00:00:42,476 --> 00:00:45,379 YOU'RE LOOKING GREAT TODAY, MR. HANSON. 3 00:00:45,379 --> 00:00:49,083 ALL RIGHT, PEOPLE. 20 SECONDS TO AIR. 4 00:00:49,083 --> 00:00:51,519 15 SECONDS. WHERE'S LORIE? 5 00:01:06,367 --> 00:01:07,435 5... 6 00:01:07,435 --> 00:01:08,669 4... 7 00:01:08,669 --> 00:01:09,703 3... 8 00:01:09,703 --> 00:01:11,739 2... 9 00:01:11,739 --> 00:01:14,074 AND NOW, PERKELL HEATING AND COOLING 10 00:01:14,074 --> 00:01:16,110 BRINGS YOU HE SAID, SHE SAID, 11 00:01:16,110 --> 00:01:17,478 WITH YOUR COMMENTATORS 12 00:01:17,478 --> 00:01:19,780 LORRAINE BRYER AND DAN HANSON. 13 00:01:19,780 --> 00:01:21,081 THE ISSUE TODAY-- 14 00:01:21,081 --> 00:01:23,184 PROPOSITION 41, THE HIGHWAY MERGER. 15 00:01:23,184 --> 00:01:25,052 GOOD AFTERNOON, DAN. 16 00:01:25,052 --> 00:01:28,055 PROPOSITION 41 ON THE BALLOT IN OCTOBER 17 00:01:28,055 --> 00:01:31,058 WOULD PROVIDE FOR A NEW CONNECTING SPUR 18 00:01:31,058 --> 00:01:33,461 TO MERGE HIGHWAYS 710 AND 88. 19 00:01:33,461 --> 00:01:38,466 IN MY VIEW, THIS MERGER IS LONG OVERDUE. 20 00:01:38,466 --> 00:01:40,268 NOT ONLY WOULD IT IMPROVE ACCESS, 21 00:01:40,268 --> 00:01:42,670 BUT IT WOULD ALLOW FOR MAXIMUM GROWTH, 22 00:01:42,670 --> 00:01:44,672 ESPECIALLY IN THE OUTLYING AREAS. 23 00:01:44,672 --> 00:01:46,874 I KNOW WHAT YOU'LL SAY, DAN-- 24 00:01:46,874 --> 00:01:48,542 THAT PROPOSITION 41 CAN WAIT, 25 00:01:48,542 --> 00:01:50,511 THAT THERE'S NO NEED FOR IT NOW. 26 00:01:50,511 --> 00:01:52,713 BUT IN TWO OR THREE YEARS, 27 00:01:52,713 --> 00:01:54,047 IT WILL BE TOO LATE. 28 00:01:54,047 --> 00:01:55,816 WE MUST GO FORWARD OR WE STOP. 29 00:01:55,816 --> 00:01:57,951 NOW IS THE TIME. 30 00:01:57,951 --> 00:02:00,254 AND THAT'S THE WAY I SEE IT. 31 00:02:00,254 --> 00:02:02,190 WELL, LORIE, THERE YOU GO-- 32 00:02:02,190 --> 00:02:03,724 OVER-INTELLECTUALIZING AGAIN. 33 00:02:03,724 --> 00:02:04,725 COMMON SENSE TELLS US 34 00:02:04,725 --> 00:02:07,328 THAT A MERGER IS SIMPLY NOT NEEDED. 35 00:02:07,328 --> 00:02:10,331 THESE TWO HIGHWAYS FUNCTION QUITE WELL INDEPENDENTLY. 36 00:02:10,331 --> 00:02:12,933 A MERGER NOW WOULD ONLY MEAN INCREASED SPENDING, 37 00:02:12,933 --> 00:02:14,935 TRAFFIC, AND CONGESTION 38 00:02:14,935 --> 00:02:16,670 IN AN ALREADY CROWDED AREA. 39 00:02:16,670 --> 00:02:19,840 AND THE OUTLYING AREAS THAT YOU SPEAK OF 40 00:02:19,840 --> 00:02:21,242 HAVE REACHED A PLATEAU 41 00:02:21,242 --> 00:02:23,677 WHERE FURTHER GROWTH IS JUST NOT EXPECTED. 42 00:02:23,677 --> 00:02:27,014 THERE'S NOTHING WRONG WITH THE STATUS QUO, LORIE. 43 00:02:27,014 --> 00:02:28,749 AS MY UNCLE OLAF USED TO SAY, 44 00:02:28,749 --> 00:02:31,752 "WHY FIX IT IF IT AIN'T BROKEN?" 45 00:02:31,752 --> 00:02:34,555 AND THAT'S THE WAY I SEE IT--OW! 46 00:02:34,555 --> 00:02:35,789 CHRIST. 47 00:02:35,789 --> 00:02:38,859 THE OPINIONS EXPRESSED BY THE COMMENTATORS 48 00:02:38,859 --> 00:02:41,495 ARE NOT NECESSARILY THOSE OF STATION WBAL. 49 00:02:41,495 --> 00:02:43,997 EXCUSE ME. EXCUSE ME, PLEASE. 50 00:02:43,997 --> 00:02:45,199 OH. THIS IS IT. 51 00:02:45,199 --> 00:02:47,568 SHE'S GONE TOO FAR THIS TIME. 52 00:02:47,568 --> 00:02:49,370 WHAT DID YOU DO TO HER? 53 00:02:49,370 --> 00:02:51,605 SHE GOES NUTS ON THE AIR, 54 00:02:51,605 --> 00:02:53,974 AND YOU'RE ASKING ME WHAT I DID TO HER? 55 00:02:53,974 --> 00:02:56,344 YOU MUST HAVE DONE SOMETHING. 56 00:02:56,344 --> 00:02:58,546 YOU DON'T MAKE A REBUTTAL WITH A BLUNT OBJECT. 57 00:02:58,546 --> 00:03:00,914 YOU DO THIS. IT'S TOO DISGUSTING. 58 00:03:00,914 --> 00:03:03,517 I JUST HOPE WELLER DIDN'T SEE THE SHOW TODAY. 59 00:03:03,517 --> 00:03:05,519 HE'LL BE FINE. GET BACK TO WORK. 60 00:03:05,519 --> 00:03:07,321 PLEASE. 61 00:03:07,321 --> 00:03:08,722 EMILY, FIND SOME ASPIRIN. 62 00:03:08,722 --> 00:03:12,025 LOOK AT ALL THOSE PHONE CALLS, MR. THURMAN. 63 00:03:12,025 --> 00:03:13,594 HUNDREDS OF THEM. 64 00:03:18,366 --> 00:03:20,368 VULTURES. THEY ALL CAN'T WAIT 65 00:03:20,368 --> 00:03:22,102 TO SEE WHAT HAPPENS TOMORROW. 66 00:03:22,102 --> 00:03:25,005 YEAH. NEITHER CAN I. 67 00:03:25,005 --> 00:03:26,206 WAIT A MINUTE. 68 00:03:26,206 --> 00:03:27,575 THEY ALL CAN'T WAIT 69 00:03:27,575 --> 00:03:30,010 TO SEE WHAT HAPPENS TOMORROW. 70 00:03:30,010 --> 00:03:31,612 THIS COULD BE THE BEST THING 71 00:03:31,612 --> 00:03:33,614 THAT EVER HAPPENED TO US. IF WE PROMOTE THIS RIGHT... 72 00:03:33,614 --> 00:03:35,649 YOU'LL NEVER BELIEVE WHO I JUST TALKED TO-- 73 00:03:35,649 --> 00:03:37,017 BILL WELLER'S SECRETARY HERSELF. 74 00:03:37,017 --> 00:03:39,620 YOU DID? THAT MEANS WELLER SAW THE SHOW TODAY. 75 00:03:39,620 --> 00:03:41,021 SEE, THIS COULD BE GOOD. THIS COULD BE VERY GOOD. 76 00:03:41,021 --> 00:03:43,223 HE LOVES THIS KIND OF STUFF. WHAT DID SHE SAY? 77 00:03:43,223 --> 00:03:45,025 SHE SAID HE WOULD BE CALLING. 78 00:03:45,025 --> 00:03:47,361 DID YOU HEAR THAT? SHE SAID-- 79 00:03:47,361 --> 00:03:49,229 WAIT. BILL WELLER'S CALLING ME? 80 00:03:49,229 --> 00:03:52,132 ON MY PHONE? PERSONALLY? 81 00:03:52,132 --> 00:03:54,134 THIS COULD BE BAD, VERY BAD. 82 00:03:54,134 --> 00:03:56,236 HE NEVER CALLS YOU PERSONALLY 83 00:03:56,236 --> 00:03:58,339 UNLESS HE REALLY WANTS TO HURT YOU. 84 00:03:58,339 --> 00:03:59,707 WE'RE SCREWED. 85 00:03:59,707 --> 00:04:00,941 WALLY, SIT DOWN. RELAX. TAKE A DEEP BREATH. 86 00:04:00,941 --> 00:04:03,143 YOU DON'T KNOW WHAT HE'S THINKING. 87 00:04:03,143 --> 00:04:05,613 IT MAY NOT BE THAT BAD. 88 00:04:05,613 --> 00:04:08,382 YOU THINK HE'LL STILL PUT YOU ON HIS NETWORK 89 00:04:08,382 --> 00:04:10,050 AFTER TODAY'S FIASCO? 90 00:04:10,050 --> 00:04:12,052 LORIE BLEW THE ENTIRE DEAL. 91 00:04:12,052 --> 00:04:13,854 LOOK. I'LL TALK TO LORIE. 92 00:04:13,854 --> 00:04:16,457 HE'S SPENDING A FORTUNE ON YOU TWO, 93 00:04:16,457 --> 00:04:19,259 AND HE WATCHES YOU BREAK UP ON THE AIR. 94 00:04:19,259 --> 00:04:20,661 WE'RE NOT BREAKING UP. 95 00:04:20,661 --> 00:04:23,464 THIS IS THE WAY WE ARE, ME AND LORIE. 96 00:04:23,464 --> 00:04:25,366 THIS IS THE WAY WE'VE ALWAYS BEEN. 97 00:04:25,366 --> 00:04:27,034 HI. THIS IS LORIE BRYER. 98 00:04:27,034 --> 00:04:30,270 I'M WITH THE PEOPLE SECTION OF THE SUN. 99 00:04:30,270 --> 00:04:31,805 [TELEPHONE RINGS] 100 00:04:31,805 --> 00:04:33,307 HANSON. 101 00:04:33,307 --> 00:04:36,009 YES. HELLO. THANK YOU FOR CALLING ME BACK. 102 00:04:36,009 --> 00:04:37,478 I'M DOING THE OBITUARY ON PROFESSOR HOLLIS. 103 00:04:37,478 --> 00:04:38,712 COLOR OF THE BRIDE'S... 104 00:04:38,712 --> 00:04:42,282 WHAT TIME IS THE WEDDING--UH, FUNERAL? 105 00:04:42,282 --> 00:04:43,917 PUCE? RIGHT. OK. 106 00:04:43,917 --> 00:04:46,420 DOES THE FAMILY HAVE ANY SPECIAL REQUESTS? 107 00:04:46,420 --> 00:04:48,288 IN LIEU OF FLOWERS. GREAT. 108 00:04:48,288 --> 00:04:50,090 THANKS VERY MUCH. 109 00:04:50,090 --> 00:04:51,191 BYE-BYE. 110 00:04:51,191 --> 00:04:52,526 PUCE. 111 00:04:52,526 --> 00:04:55,329 WELL, THIS IS DEFINITELY PULITZER PRIZE MATERIAL. 112 00:04:55,329 --> 00:04:57,798 THIS WILL TURN JOURNALISM ON ITS EAR. 113 00:04:57,798 --> 00:05:00,267 THERE ARE NO SMALL JOBS HERE, MISS BRYER. 114 00:05:00,267 --> 00:05:02,603 A NEWSPAPER IS A DAILY MIRACLE, 115 00:05:02,603 --> 00:05:04,405 AND WE'RE ALL PART OF IT. 116 00:05:04,405 --> 00:05:06,974 HA HA HA HA HA! 117 00:05:10,310 --> 00:05:12,112 DIANA. 118 00:05:12,112 --> 00:05:13,313 OH, YOU LOOK INCREDIBLE. 119 00:05:13,313 --> 00:05:14,715 IT'S YOUR HAIR, RIGHT? 120 00:05:14,715 --> 00:05:17,317 IT'S YOUR CUT. YOU FOUND YOUR CUT. 121 00:05:17,317 --> 00:05:19,453 WE STILL ON FOR FRIDAY? 122 00:05:19,453 --> 00:05:20,721 IT'S MY SISTER'S BIRTHDAY. 123 00:05:20,721 --> 00:05:22,790 CAN WE CHANGE IT TO SATURDAY? 124 00:05:22,790 --> 00:05:24,324 SURE. ABSOLUTELY. NO PROBLEM. 125 00:05:24,324 --> 00:05:26,093 MY ENTIRE SCHEDULE IS AT YOUR DISPOSAL. 126 00:05:27,160 --> 00:05:28,362 SHEILA. SHEILA. SHEILA. 127 00:05:28,362 --> 00:05:29,763 I'VE GOT A PROBLEM. 128 00:05:29,763 --> 00:05:32,500 CAN WE CHANGE SATURDAY TO FRIDAY? 129 00:05:32,500 --> 00:05:34,167 IT'S MY SISTER'S BIRTHDAY. 130 00:05:34,167 --> 00:05:35,235 SURE, DAN. I CAN DO THAT. 131 00:05:35,235 --> 00:05:39,072 OH, THANK YOU. THANK YOU. 132 00:05:39,072 --> 00:05:40,173 YOU'RE AN ANGEL. 133 00:05:40,173 --> 00:05:41,709 THANKS. 134 00:05:41,709 --> 00:05:43,343 DAN! 135 00:05:43,343 --> 00:05:44,812 DAN! 136 00:05:44,812 --> 00:05:46,013 SHIT. 137 00:05:49,783 --> 00:05:51,051 DAN! 138 00:05:52,620 --> 00:05:58,158 LOUSY, SELF-CENTERED, THREE-TIMING JERK. 139 00:05:58,158 --> 00:05:59,159 SCUMBAG. 140 00:05:59,159 --> 00:06:01,729 OH, GOD. I FELL FOR... 141 00:06:01,729 --> 00:06:02,763 SHH. 142 00:06:02,763 --> 00:06:05,899 NOW I FIND OUT HE'S GOT A GIRLFRIEND. 143 00:06:05,899 --> 00:06:07,234 YOU ALL RIGHT? 144 00:06:07,234 --> 00:06:08,902 JUST TAKE MY ADVICE. 145 00:06:08,902 --> 00:06:10,203 STAY AWAY FROM HIM. 146 00:06:10,203 --> 00:06:11,639 NEVER GO OUT WITH HIM. 147 00:06:11,639 --> 00:06:14,074 THERE'S NO CHANCE OF THAT. 148 00:06:14,074 --> 00:06:17,077 I DON'T GO OUT WITH COWARDLY SCUMBAGS. 149 00:06:17,077 --> 00:06:19,947 I MEAN, WHAT DOES EVERYBODY SEE IN HIM? 150 00:06:19,947 --> 00:06:22,182 HE'S NOT THAT GOOD-LOOKING. 151 00:06:22,182 --> 00:06:24,151 HE THINKS THAT HE'S CHARMING 152 00:06:24,151 --> 00:06:26,153 WITH ALL THIS BOYISH STUFF, 153 00:06:26,153 --> 00:06:27,354 AND I CAN'T IMAGINE 154 00:06:27,354 --> 00:06:28,889 THE SEX WOULD BE ANY GOOD. 155 00:06:29,957 --> 00:06:31,992 WELL... 156 00:06:33,561 --> 00:06:35,963 HOW MANY Es IN SLEAZEBALL? 157 00:06:35,963 --> 00:06:37,164 A NOTE IS GOOD, 158 00:06:37,164 --> 00:06:40,768 BUT YOU NEED TO MAKE A MUCH MORE DRAMATIC POINT. 159 00:06:40,768 --> 00:06:42,970 YOU OUGHT TO JUST BREAK SOMETHING. 160 00:06:42,970 --> 00:06:44,171 ONE OF HIS MODELS. 161 00:06:44,171 --> 00:06:46,440 YEAH. 162 00:06:46,440 --> 00:06:49,309 UH, NO, THE WOLFMAN. 163 00:06:49,309 --> 00:06:51,579 THAT'S HIS FAVORITE, I THINK. 164 00:06:51,579 --> 00:06:54,381 OH, NO. I COULDN'T DO THAT. 165 00:06:54,381 --> 00:06:56,383 HAVE YOU EVER HEARD HIM TALK 166 00:06:56,383 --> 00:06:57,585 ABOUT THE WOLFMAN? 167 00:06:57,585 --> 00:07:01,489 IT BROUGHT TEARS TO MY EYES. 168 00:07:01,489 --> 00:07:04,492 LOOK. JUST DO ME A FAVOR, OK? 169 00:07:04,492 --> 00:07:06,494 NEXT TIME YOU SEE HIM, 170 00:07:06,494 --> 00:07:08,328 YOU KICK HIS BUTT FOR ME. 171 00:07:08,328 --> 00:07:10,163 YOU GOT IT. 172 00:07:10,163 --> 00:07:11,499 OK. 173 00:07:12,966 --> 00:07:14,134 YOU... 174 00:07:14,134 --> 00:07:15,803 DON'T SAY A WORD. 175 00:07:15,803 --> 00:07:18,572 YOU WERE GOING TO LET HER TRASH MY WOLFMAN. 176 00:07:18,572 --> 00:07:20,373 WELL, YOU DESERVE IT, 177 00:07:20,373 --> 00:07:22,242 LYING TO THAT POOR GIRL. 178 00:07:22,242 --> 00:07:23,577 AM I RESPONSIBLE 179 00:07:23,577 --> 00:07:26,379 FOR THE PERSONALITY DISORDERS OF MY DATES? 180 00:07:26,379 --> 00:07:28,315 I TOLD JANET I SEE OTHER WOMEN. 181 00:07:28,315 --> 00:07:29,416 I DON'T LIE. 182 00:07:29,416 --> 00:07:31,418 WHAT, YOU HELP LITTLE OLD LADIES 183 00:07:31,418 --> 00:07:32,486 CROSS THE STREET, TOO? 184 00:07:32,486 --> 00:07:35,523 I HAPPEN TO HAVE 17 MERIT BADGES. 185 00:07:35,523 --> 00:07:37,324 AND BY THE WAY, 186 00:07:37,324 --> 00:07:39,326 SEX WITH ME IS VERY GOOD. 187 00:07:39,326 --> 00:07:40,360 UH-HUH. 188 00:07:40,360 --> 00:07:42,162 I'M SURE. 189 00:07:43,697 --> 00:07:45,633 WHY? HAVE YOU HEARD SOMETHING? 190 00:07:46,767 --> 00:07:48,502 WHAT HAVE YOU HEARD? 191 00:07:48,502 --> 00:07:49,970 NOTHING. 192 00:07:49,970 --> 00:07:51,839 NOTHING. 193 00:07:55,375 --> 00:07:56,810 OK, EVERYBODY. 194 00:07:56,810 --> 00:07:59,847 I KNOW THERE HAVE BEEN A LOT OF RUMORS FLOATING AROUND 195 00:07:59,847 --> 00:08:01,982 SINCE MONROE ANNOUNCED HIS RETIREMENT. 196 00:08:01,982 --> 00:08:04,818 SO, I'VE DECIDED TO GIVE YOUNG MR. HANSON HERE 197 00:08:04,818 --> 00:08:08,689 A CRACK AT THAT COLUMN. 198 00:08:08,689 --> 00:08:11,158 CONGRATULATIONS. 199 00:08:12,560 --> 00:08:13,961 HARRY, COME HERE. 200 00:08:13,961 --> 00:08:16,096 [WHISPERING] Listen, I told you yesterday 201 00:08:16,096 --> 00:08:19,132 I promised the column to Miss Bryer. 202 00:08:19,132 --> 00:08:21,735 She's the best writer on the staff. 203 00:08:21,735 --> 00:08:23,470 I want you to fix this. 204 00:08:23,470 --> 00:08:24,672 AW, CHRIST, ED. 205 00:08:24,672 --> 00:08:26,840 I WISH YOU HADN'T DONE THAT. 206 00:08:26,840 --> 00:08:30,578 UH, DAN, AND, UH...MISS BRYER, 207 00:08:30,578 --> 00:08:33,146 IN MY OFFICE AFTER THIS MEETING. 208 00:08:45,125 --> 00:08:48,361 TECHNICALLY, THE OP-ED PAGE IS ED'S TERRITORY, 209 00:08:48,361 --> 00:08:49,730 BUT I DO WISH, LORIE, 210 00:08:49,730 --> 00:08:52,132 THAT HE'D TOLD ME HE PROMISED YOU THE COLUMN. 211 00:08:52,132 --> 00:08:53,400 I DID. 212 00:08:53,400 --> 00:08:54,835 NOW, WHAT WE'VE DECIDED TO DO 213 00:08:54,835 --> 00:08:57,971 IN A MOST SOLOMON-LIKE AND QUITE COWARDLY FASHION, 214 00:08:57,971 --> 00:08:59,573 IS TO GIVE YOU BOTH A SHOT AT IT. 215 00:08:59,573 --> 00:09:01,541 YOU'VE BOTH BEEN FOLLOWING THIS PUBLIC SCULPTURE THING? 216 00:09:01,541 --> 00:09:04,678 DON'T FEEL YOU HAVE TO IMITATE MONROE. 217 00:09:04,678 --> 00:09:06,747 USE YOUR OWN STYLE, OPINIONS. 218 00:09:06,747 --> 00:09:08,582 1,500 WORDS, ON MY DESK, BY 5:00 219 00:09:08,582 --> 00:09:09,883 FOR PUBLICATION TOMORROW. 220 00:09:09,883 --> 00:09:12,552 MAY THE BEST MAN WIN. 221 00:09:12,552 --> 00:09:15,088 OR THE BEST WOMAN. 222 00:09:30,604 --> 00:09:32,239 THIS REALLY SUCKS. 223 00:09:32,239 --> 00:09:33,907 TELL ME ABOUT IT. 224 00:09:33,907 --> 00:09:36,877 OH, PLEASE. DON'T TELL ME THAT YOU'RE DONE ALREADY. 225 00:09:36,877 --> 00:09:39,680 DO YOU THINK ABOUT IT AT ALL, OR DO YOU JUST...TYPE? 226 00:09:39,680 --> 00:09:40,881 I DON'T NEED TO THINK. 227 00:09:40,881 --> 00:09:43,383 COMMON SENSE TELLS ME WHAT TO SAY. 228 00:09:43,383 --> 00:09:45,318 COMMON SENSE, HUH? 229 00:09:45,318 --> 00:09:46,654 I'LL TELL YOU WHAT. 230 00:09:46,654 --> 00:09:47,755 I'LL WAIT UNTIL YOU'RE DONE. 231 00:09:47,755 --> 00:09:49,056 WE'LL HAND THEM IN TOGETHER 232 00:09:49,056 --> 00:09:51,859 JUST TO GIVE YOU A FAIR SHOT. 233 00:09:53,060 --> 00:09:56,429 SO, ALL THOSE YEARS I SPENT IN JOURNALISM SCHOOL 234 00:09:56,429 --> 00:09:57,665 WERE JUST A WASTE OF MY TIME? 235 00:09:57,665 --> 00:09:58,699 I DON'T CONSIDER MYSELF A JOURNALIST. 236 00:09:58,699 --> 00:09:59,833 I WOULDN'T BRAG ABOUT IT. 237 00:09:59,833 --> 00:10:01,669 I'M A NEWSPAPERMAN. 238 00:10:01,669 --> 00:10:04,738 PITHY. DUMB, BUT PITHY. 239 00:10:14,748 --> 00:10:17,084 LISTEN-- LISTEN-- 240 00:10:18,151 --> 00:10:19,419 GO AHEAD. 241 00:10:19,419 --> 00:10:20,988 AFTER TOMORROW, 242 00:10:20,988 --> 00:10:22,823 ONE OF US IS NEVER GOING TO SPEAK 243 00:10:22,823 --> 00:10:26,827 TO THE OTHER ONE AGAIN, SO I... 244 00:10:29,763 --> 00:10:31,631 HOW ABOUT DINNER? 245 00:10:32,833 --> 00:10:34,634 THERE YOU ARE. 246 00:10:34,634 --> 00:10:36,636 AND YOU, SIR. 247 00:10:36,636 --> 00:10:38,038 TO MY NEW COLUMN. 248 00:10:38,038 --> 00:10:42,309 THE PAPER DOESN'T COME OUT FOR A COUPLE OF HOURS. 249 00:10:42,309 --> 00:10:45,512 HERE. YOU MIGHT AS WELL TAKE THESE, TOO. 250 00:10:45,512 --> 00:10:47,681 NO. I JUST WANTED A TASTE. 251 00:10:47,681 --> 00:10:48,682 DAN. 252 00:10:48,682 --> 00:10:49,549 SUSAN. 253 00:10:49,549 --> 00:10:52,485 HI. 254 00:10:52,485 --> 00:10:53,787 OH. 255 00:10:53,787 --> 00:10:55,088 WOW. YOU LOOK FANTASTIC. 256 00:10:55,088 --> 00:10:57,858 YOUR HAIR LOOKS GREAT. THAT IS YOU. 257 00:10:57,858 --> 00:10:59,326 THAT IS YOUR CUT. 258 00:10:59,326 --> 00:11:01,394 THANK YOU. AND THANKS FOR THE FLOWERS. 259 00:11:01,394 --> 00:11:02,562 THAT WAS SO SWEET. 260 00:11:02,562 --> 00:11:04,798 YOU REMEMBERED I MENTIONED LIKING MUMS. 261 00:11:04,798 --> 00:11:06,767 WELL, YOU GOT THEM. I'M GLAD. 262 00:11:06,767 --> 00:11:07,868 LISTEN, SUSAN, THIS IS LORIE. 263 00:11:07,868 --> 00:11:09,102 SHE'S, UH... 264 00:11:09,102 --> 00:11:11,671 SHE'S GOT THE CUBICLE ACROSS FROM ME. 265 00:11:11,671 --> 00:11:13,874 LISTEN. I DIDN'T MEAN TO INTERRUPT. 266 00:11:13,874 --> 00:11:16,910 LET'S GET TOGETHER, GO TO AN ART OPENING? 267 00:11:16,910 --> 00:11:18,812 THAT WOULD BE GREAT. GIVE ME A CALL. 268 00:11:18,812 --> 00:11:20,413 BUT DON'T CHANGE YOUR HAIR, 269 00:11:20,413 --> 00:11:21,815 OR THE DEAL'S OFF. 270 00:11:21,815 --> 00:11:22,750 I WON'T. 271 00:11:22,750 --> 00:11:23,751 BYE-BYE. 272 00:11:23,751 --> 00:11:25,252 SEE YA. 273 00:11:28,455 --> 00:11:29,656 DON'T SAY A WORD. 274 00:11:29,656 --> 00:11:31,058 I DO NOT BELIEVE YOU. 275 00:11:31,058 --> 00:11:33,060 IT'S AMAZING IT'S LIKE WATCHING 276 00:11:33,060 --> 00:11:35,028 SOME CREEPING FUNGUS AT WORK. 277 00:11:35,028 --> 00:11:37,030 HEY. SOME PEOPLE HAVE BEEN KNOWN 278 00:11:37,030 --> 00:11:38,999 TO HAVE A GOOD TIME WITH ME. 279 00:11:38,999 --> 00:11:41,802 LOOK, ALL I WAS GOING TO SAY 280 00:11:41,802 --> 00:11:43,804 IS THAT FROM WHAT I HAVE OBSERVED 281 00:11:43,804 --> 00:11:45,005 OF YOU AND YOUR WOMEN, 282 00:11:45,005 --> 00:11:47,007 THE OVERALL LEVEL OF HURT, OUTRAGE, 283 00:11:47,007 --> 00:11:49,676 AND DISTRESS THAT YOU INSPIRE 284 00:11:49,676 --> 00:11:51,678 CAN ONLY BE TERMED MASSIVE. 285 00:11:51,678 --> 00:11:53,680 DID SHE LOOK HURT TO YOU? 286 00:11:53,680 --> 00:11:55,682 NO. AS A MATTER OF FACT, 287 00:11:55,682 --> 00:11:56,884 SHE LOOKED VERY HAPPY. 288 00:11:56,884 --> 00:12:00,287 BUT, YOU KNOW, IGNORANCE IS BLISS. 289 00:12:00,287 --> 00:12:02,956 I JUST DON'T UNDERSTAND WOMEN LIKE THAT. 290 00:12:02,956 --> 00:12:04,792 MAYBE I'M TOO...CEREBRAL. 291 00:12:05,793 --> 00:12:07,828 THAT MEANS MAYBE I'M TOO BRAINY. 292 00:12:07,828 --> 00:12:09,729 I KNOW WHAT THAT MEANS. 293 00:12:09,729 --> 00:12:12,232 YOU GOT SOMETHING ON YOUR FACE. 294 00:12:12,232 --> 00:12:14,802 IT'S A CRUMB OR SCHMUTZ OR SOMETHING. 295 00:12:14,802 --> 00:12:16,403 STOP THAT. 296 00:12:23,610 --> 00:12:24,878 SO, ABOUT MY COLUMN, 297 00:12:24,878 --> 00:12:26,079 THE PUBLIC SCULPTURE-- 298 00:12:26,079 --> 00:12:27,414 WERE YOU FOR OR AGAINST IT? 299 00:12:28,481 --> 00:12:29,883 WHAT DO YOU THINK? 300 00:12:29,883 --> 00:12:31,084 I WAS AGAINST IT. 301 00:12:31,084 --> 00:12:32,519 THAT DOESN'T SURPRISE ME. 302 00:12:32,519 --> 00:12:35,088 THEY'LL PRINT YOURS. IT'S A MEN'S CLUB. 303 00:12:35,088 --> 00:12:37,090 I WOULD REALLY LIKE TO WORK 304 00:12:37,090 --> 00:12:38,792 AT THE NEW YORK TIMES. 305 00:12:38,792 --> 00:12:41,061 AT LEAST THERE I COULD INFLUENCE PEOPLE, 306 00:12:41,061 --> 00:12:43,864 MAYBE CHANGE THE WAY THEY THINK A LITTLE BIT. 307 00:12:43,864 --> 00:12:46,533 THAT'S WHY I WANT THIS COLUMN SO BADLY. 308 00:12:46,533 --> 00:12:49,469 I DON'T WANT TO BE STUCK REPORTING ON WEDDINGS FOREVER. 309 00:12:49,469 --> 00:12:50,737 REALLY? 310 00:12:50,737 --> 00:12:52,205 I THOUGHT ALL WOMEN LOVE WEDDINGS. 311 00:12:52,205 --> 00:12:56,609 YOU REALLY THINK YOU KNOW HOW TO GET TO ME. 312 00:12:56,609 --> 00:12:58,545 AS LONG AS WE'RE GOING TO TALK IN STEREOTYPES... 313 00:12:59,712 --> 00:13:01,748 ALL WOMEN WANT TO GET MARRIED, 314 00:13:01,748 --> 00:13:03,817 AND ALL MEN FEAR COMMITMENT. 315 00:13:03,817 --> 00:13:05,919 NO. NO, NO. SEE, YOU DON'T UNDERSTAND. 316 00:13:05,919 --> 00:13:08,288 IT'S NOT FEAR. 317 00:13:08,288 --> 00:13:09,923 IT'S JUST THAT WE DON'T HAVE A CHOICE IN THE MATTER. 318 00:13:09,923 --> 00:13:10,991 WE CAN'T COMMIT. 319 00:13:10,991 --> 00:13:12,792 IT'S SOMETHING DEEP INSIDE, 320 00:13:12,792 --> 00:13:14,928 IN THE ANIMAL PART OF MEN, 321 00:13:14,928 --> 00:13:16,897 THAT WANTS TO KEEP US SEPARATE FROM THE PACK. 322 00:13:17,931 --> 00:13:19,299 RIGHT. LIKE YOUR FRIEND THE WOLFMAN. 323 00:13:19,299 --> 00:13:21,701 EXACTLY. OK, THERE'S THE PERFECT EXAMPLE. 324 00:13:21,701 --> 00:13:23,036 THE WOLFMAN IS A TREMENDOUS 325 00:13:23,036 --> 00:13:24,704 SOURCE OF STRENGTH 326 00:13:24,704 --> 00:13:25,906 FOR GUYS LIKE ME. 327 00:13:25,906 --> 00:13:27,908 HE'S STRONG, ALOOF, 328 00:13:27,908 --> 00:13:29,709 DESTINED TO LIVE ALONE. 329 00:13:29,709 --> 00:13:30,911 HE'S HIS OWN MAN. 330 00:13:30,911 --> 00:13:32,712 HE'S HIS OWN WOLF. 331 00:13:32,712 --> 00:13:33,914 HE'S HIS OWN WOLFMAN. 332 00:13:33,914 --> 00:13:35,849 HE KNOWS THAT IT'S IMPOSSIBLE 333 00:13:35,849 --> 00:13:37,717 TO GET CLOSE TO SOMEONE, 334 00:13:37,717 --> 00:13:38,919 BECAUSE SOONER OR LATER, 335 00:13:38,919 --> 00:13:40,854 THAT FULL MOON IS GOING TO COME OUT. 336 00:13:41,889 --> 00:13:44,624 BINGO. SOMEBODY IS GOING TO GET HURT. 337 00:13:44,624 --> 00:13:46,860 SO HE TAKES HIS INTIMACY WHERE HE CAN FIND IT. 338 00:13:47,727 --> 00:13:50,898 A NIGHT HERE, A NIGHT THERE. 339 00:13:50,898 --> 00:13:54,902 THOSE OTHER WOMEN FALL FOR THIS SHIT, HUH? 340 00:13:54,902 --> 00:13:56,103 THIS IS NOT SHIT. 341 00:13:56,103 --> 00:13:57,971 IT'S SOMETHING I DEEPLY BELIEVE IN. 342 00:13:57,971 --> 00:14:00,473 WELL, IT SOUNDS LIKE AN EXCUSE TO ME. 343 00:14:00,473 --> 00:14:01,774 SOONER OR LATER, 344 00:14:01,774 --> 00:14:04,044 EVEN THE WOLFMAN HAS TO MAKE A CHOICE. 345 00:14:04,044 --> 00:14:05,946 READY TO ORDER, MISS? 346 00:14:05,946 --> 00:14:07,915 OH, YEAH. UM... 347 00:14:07,915 --> 00:14:10,483 I WILL START WITH... 348 00:14:11,551 --> 00:14:12,852 MONOGAMY. 349 00:14:12,852 --> 00:14:14,321 THEN... 350 00:14:14,321 --> 00:14:15,288 COMMITMENT. 351 00:14:15,288 --> 00:14:18,258 AND THEN I WILL HAVE THE MARRIAGE. 352 00:14:18,258 --> 00:14:20,327 THE MARRIAGE COMES WITH COMMITMENT, MA'AM, 353 00:14:20,327 --> 00:14:23,730 UNLESS YOU'D LIKE SOMETHING ON THE SIDE. 354 00:14:23,730 --> 00:14:25,165 OH. NO. NOT ME, 355 00:14:25,165 --> 00:14:26,934 BUT MAYBE CHILDREN LATER. 356 00:14:26,934 --> 00:14:29,636 GOOD CHOICE, MA'AM. 357 00:14:29,636 --> 00:14:31,671 I UNDERSTAND THE MONOGAMY 358 00:14:31,671 --> 00:14:32,940 IS VERY GOOD HERE. 359 00:14:32,940 --> 00:14:35,242 AND FOR YOU, SIR? 360 00:14:35,242 --> 00:14:37,310 UH, JUST A SIDE ORDER OF SEX, PLEASE. 361 00:14:38,178 --> 00:14:40,113 I CAN'T DO THAT, SIR. 362 00:14:40,113 --> 00:14:42,249 IT ONLY COMES WITH COMMITMENT. 363 00:14:42,249 --> 00:14:44,017 ALL RIGHT. I'LL MAKE IT EASY FOR YOU. 364 00:14:45,018 --> 00:14:46,553 I'LL TAKE THE COMPLETE DINNER. 365 00:14:46,553 --> 00:14:48,755 HOLD THE COMMITMENT, HOLD THE MONOGAMY. 366 00:14:48,755 --> 00:14:50,023 JUST BRING THE SEX. 367 00:14:50,023 --> 00:14:52,025 THAT WAY, NOBODY GETS IN TROUBLE, 368 00:14:52,025 --> 00:14:54,127 AND I GET WHAT I WANT. 369 00:14:54,127 --> 00:14:55,495 YOU WANT ME TO HOLD THE MONOGAMY? 370 00:14:55,495 --> 00:14:57,164 DAN, READ THE SIGN. 371 00:15:01,868 --> 00:15:05,005 DO YOU NEED ANOTHER MINUTE TO DECIDE? 372 00:15:07,007 --> 00:15:10,777 I HEAR THE RAVIOLI HERE IS GREAT. 373 00:15:10,777 --> 00:15:13,380 YEAH. SURE. RAVIOLI SOUNDS FINE. 374 00:15:14,247 --> 00:15:15,782 WHEN I'M EDITOR, 375 00:15:15,782 --> 00:15:17,250 I'LL GIVE YOU ANOTHER CHANCE. 376 00:15:17,250 --> 00:15:18,986 WHEN YOU'RE EDITOR, I'LL BE LONG GONE. 377 00:15:20,020 --> 00:15:22,822 DON'T FEEL SORRY FOR ME--OH, SHIT. 378 00:15:22,822 --> 00:15:24,024 WHAT'S WRONG? 379 00:15:24,024 --> 00:15:25,625 MY CONTACT POPPED OUT. 380 00:15:25,625 --> 00:15:27,027 I'M ALWAYS DOING THAT. 381 00:15:27,027 --> 00:15:28,628 HANG ON. HANG ON. 382 00:15:28,628 --> 00:15:30,030 I'M EXCELLENT AT THIS. 383 00:15:30,030 --> 00:15:32,032 I HAVE THIS UNCANNY POWER. 384 00:15:32,032 --> 00:15:33,433 IT'S LIKE MAGIC. WATCH. 385 00:15:33,433 --> 00:15:34,968 ATTENTION, EVERYBODY, PLEASE. 386 00:15:34,968 --> 00:15:36,169 NOBODY MOVE. 387 00:15:36,169 --> 00:15:39,272 MY FRIEND HAS JUST LOST A CONTACT LENS, 388 00:15:39,272 --> 00:15:41,208 SO IF EVERYBODY COULD JUST STOP 389 00:15:41,208 --> 00:15:42,809 RIGHT WHERE YOU ARE, 390 00:15:42,809 --> 00:15:44,411 JUST LOOK DOWN, AND-- 391 00:15:44,411 --> 00:15:45,812 [CRUNCH] 392 00:15:45,812 --> 00:15:47,380 OH, BOY. 393 00:15:51,918 --> 00:15:53,520 WAS THAT IT? 394 00:15:53,520 --> 00:15:54,921 I DON'T KNOW. 395 00:15:54,921 --> 00:15:56,323 I CAN'T SEE. 396 00:15:56,323 --> 00:15:58,691 IT'S OK. WE GOT IT. 397 00:15:58,691 --> 00:16:00,793 THANKS. 398 00:16:00,793 --> 00:16:02,029 THANK YOU. 399 00:16:02,029 --> 00:16:04,564 I'M--I'M REALLY SORRY. 400 00:16:05,865 --> 00:16:08,001 HOW AM I GOING TO DRIVE LIKE THIS? 401 00:16:09,169 --> 00:16:12,205 I'LL HAVE TO READ MY COLUMN WITH ONE EYE. 402 00:16:18,378 --> 00:16:19,512 WHAT? 403 00:16:31,758 --> 00:16:34,761 HA HA HA HA HA! 404 00:16:34,761 --> 00:16:36,496 WHAT? 405 00:16:40,067 --> 00:16:41,668 I'M--I'M SORRY. 406 00:16:41,668 --> 00:16:42,669 WHAT? 407 00:16:42,669 --> 00:16:43,536 IT'S JUST...FUNNY. 408 00:16:43,536 --> 00:16:46,206 DON'T YOU THINK IT'S... 409 00:17:03,990 --> 00:17:05,792 HEY, THAT'S STEALING. 410 00:17:07,094 --> 00:17:08,695 WAIT. WAIT, WAIT. 411 00:17:08,695 --> 00:17:10,097 BEFORE WE OPEN THIS, 412 00:17:10,097 --> 00:17:11,498 NO MATTER WHAT HAPPENS, 413 00:17:11,498 --> 00:17:13,233 I HAD A GOOD TIME TONIGHT. 414 00:17:14,301 --> 00:17:15,535 OK. 415 00:17:17,270 --> 00:17:18,871 I DON'T BELIEVE IT. 416 00:17:18,871 --> 00:17:20,707 GODDAMN IT. 417 00:17:20,707 --> 00:17:22,109 THIS IS NOT FAIR. 418 00:17:22,109 --> 00:17:24,144 ONLY ONE OF US WAS SUPPOSED TO WIN. 419 00:17:25,412 --> 00:17:27,547 IT WAS SUPPOSED TO BE MY COLUMN IN THE FIRST PLACE. 420 00:17:27,547 --> 00:17:29,015 I THINK IT WAS DAMN NICE OF THEM. 421 00:17:29,015 --> 00:17:30,417 NICE OF THEM? 422 00:17:30,417 --> 00:17:33,019 I'M THE ONE WHO SHOULD BE UPSET. 423 00:17:33,019 --> 00:17:35,088 LISTEN, BUSTER, THE ONLY REASON THEY RAN YOUR COLUMN AT ALL 424 00:17:35,088 --> 00:17:37,157 IS BECAUSE YOU HAVE A PENIS. 425 00:17:38,425 --> 00:17:41,694 WELL, WHY DIDN'T YOU SHOW THEM YOURS? 426 00:17:45,298 --> 00:17:47,100 HEY, FORGET IT. 427 00:17:47,100 --> 00:17:50,103 I HAD A TERRIBLE TIME TONIGHT. 428 00:17:56,876 --> 00:17:58,278 HEY, DAN. GOOD JOB. 429 00:17:58,278 --> 00:17:59,879 YOU REALLY SHOWED HER. 430 00:17:59,879 --> 00:18:01,348 WHAT ARE YOU TALKING ABOUT? 431 00:18:01,348 --> 00:18:02,615 SHE WAS RIGHT. HE'S CRAZY. 432 00:18:02,615 --> 00:18:05,118 DID YOU READ THE SAME COLUMNS I DID? 433 00:18:05,118 --> 00:18:07,220 HEY, PHIL. THE USUAL. 434 00:18:07,220 --> 00:18:09,088 YOU GOT IT. 435 00:18:10,290 --> 00:18:12,625 SO YOU JUST GOING TO STARE AT ME 436 00:18:12,625 --> 00:18:13,893 ALL NIGHT, 437 00:18:13,893 --> 00:18:15,828 OR YOU GOING TO BUY ME A DRINK? 438 00:18:17,197 --> 00:18:20,533 AND ONE OF WHATEVER THIS YOUNG LADY IS HAVING. 439 00:18:25,605 --> 00:18:27,640 SO YOU'RE THE LITERARY TYPE, HUH? 440 00:18:27,640 --> 00:18:29,809 WELL, YOU KNOW, THAT DEPENDS. 441 00:18:29,809 --> 00:18:31,811 WHAT TYPE DO YOU LIKE? 442 00:18:31,811 --> 00:18:35,315 OH. MEN ABOUT YOUR HEIGHT, 443 00:18:35,315 --> 00:18:36,916 MEN ABOUT YOUR SIZE. 444 00:18:36,916 --> 00:18:38,117 HMM. 445 00:18:38,117 --> 00:18:40,119 WE HAVE TO DO SOMETHING 446 00:18:40,119 --> 00:18:41,521 ABOUT YOUR CLOTHES, THOUGH. 447 00:18:41,521 --> 00:18:43,723 WHAT'S WRONG WITH MY CLOTHES? 448 00:18:43,723 --> 00:18:45,258 THEY'RE ON. 449 00:18:51,631 --> 00:18:53,032 I MISSED YOU. 450 00:18:53,032 --> 00:18:54,434 HOW WAS PARIS? 451 00:18:54,434 --> 00:18:56,169 WET. YOU SHOULD HAVE BEEN THERE. 452 00:18:57,036 --> 00:18:58,238 OH, LINDA. 453 00:18:58,238 --> 00:19:00,039 WHAT DO YOU SAY WE GET OUT OF HERE? 454 00:19:00,039 --> 00:19:01,974 HOLD ON A SECOND, BIG BOY. 455 00:19:01,974 --> 00:19:04,377 I WANT TO HAVE MY DRINK. 456 00:19:04,377 --> 00:19:05,978 SO, WHO'S THE GIRL? 457 00:19:05,978 --> 00:19:07,380 YOU TWO A TEAM? 458 00:19:07,380 --> 00:19:08,981 OH, GOD, NO. NO. 459 00:19:08,981 --> 00:19:11,017 THEY WOULDN'T DO THAT TO ME. 460 00:19:11,017 --> 00:19:13,220 IT'S JUST A ONE-SHOT DEAL. 461 00:19:13,220 --> 00:19:16,489 I'LL NEVER HAVE TO WORK WITH HER AGAIN. 462 00:19:16,489 --> 00:19:17,724 GOOD. 463 00:19:17,724 --> 00:19:20,227 AND THAT'S WHAT WE DECIDED. 464 00:19:20,227 --> 00:19:23,129 WE'LL START WITH THREE COLUMNS A WEEK. 465 00:19:23,129 --> 00:19:25,332 WE REALLY STUMBLED ONTO SOMETHING HERE. 466 00:19:25,332 --> 00:19:26,733 PEOPLE LOVE A GOOD FIGHT. 467 00:19:26,733 --> 00:19:28,401 THAT'S A GREAT LINE FOR AN AD. 468 00:19:28,401 --> 00:19:29,902 ALL RIGHT, LOOK. THURSDAY'S ASSIGNMENT-- 469 00:19:29,902 --> 00:19:31,538 THERE'S A NEW DANCE THING AT THE ROYALE. 470 00:19:31,538 --> 00:19:32,939 IT'S CAUSING A BIG FLAP. 471 00:19:32,939 --> 00:19:34,341 YEAH. THE PORNOGRAPHIC THING. 472 00:19:34,341 --> 00:19:35,708 IT'S NOT PORNOGRAPHIC. 473 00:19:35,708 --> 00:19:38,110 THERE'S A BRIEF NUDE SCENE. 474 00:19:38,110 --> 00:19:39,312 IT'S DONE WITH TASTE AND INTEGRITY. 475 00:19:39,312 --> 00:19:40,747 YOU'VE SEEN IT? 476 00:19:40,747 --> 00:19:41,914 NO, BUT I KNOW-- 477 00:19:41,914 --> 00:19:43,883 DOES THIS POSSIBLY QUALIFY AS KNEE-JERK LIBERALISM? 478 00:19:43,883 --> 00:19:45,452 DO IT. 479 00:20:29,662 --> 00:20:31,331 THAT SHOULDN'T BE ALLOWED. 480 00:20:31,331 --> 00:20:32,565 WHO ARE YOU TO SAY? 481 00:20:32,565 --> 00:20:34,166 I THINK I'M A FAIRLY AVERAGE PERSON. 482 00:20:34,166 --> 00:20:35,468 YOU'RE TELLING ME. 483 00:20:35,468 --> 00:20:36,903 IF IT OFFENDS ME, IT WOULD OFFEND MOST PEOPLE. 484 00:20:36,903 --> 00:20:38,438 WHY CAN'T YOU LET PEOPLE MAKE UP THEIR OWN MINDS? 485 00:20:38,438 --> 00:20:39,806 I DO. I JUST GIVE THEM THE FACTS. 486 00:20:39,806 --> 00:20:44,444 YOU CALL WHAT YOU WRITE THE FACTS? 487 00:20:44,444 --> 00:20:46,679 WHAT, BOILING DOWN COMPLEX ISSUES 488 00:20:46,679 --> 00:20:49,749 INTO PITHY LITTLE EPIGRAMS FROM YOUR UNCLE OLAF? 489 00:20:49,749 --> 00:20:51,351 SAY WHAT YOU LIKE ABOUT ME, 490 00:20:51,351 --> 00:20:53,986 BUT LEAVE MY UNCLE OLAF OUT OF THIS. 491 00:20:53,986 --> 00:20:56,255 OH, GIVE ME A BREAK. 492 00:20:56,255 --> 00:20:57,990 UNCLE OLAF IS A CHEAP LITERARY INVENTION. 493 00:20:57,990 --> 00:20:59,392 HE DOESN'T EVEN EXIST. 494 00:20:59,392 --> 00:21:02,094 MY UNCLE OLAF IS NOT CHEAP. HE'S GREAT GUY. 495 00:21:02,094 --> 00:21:03,363 I'LL PROVE TO YOU HE EXISTS. 496 00:21:03,363 --> 00:21:04,731 WHAT DO YOU WANT TO BET? 497 00:21:04,731 --> 00:21:06,132 A DRINK. I WILL BET YOU A DRINK. 498 00:21:06,132 --> 00:21:07,534 YOU'RE ON. 499 00:21:07,534 --> 00:21:09,502 OK. 500 00:21:09,502 --> 00:21:11,103 HE'S NOT HOME. 501 00:21:11,103 --> 00:21:13,205 HE'S GOT A NEW GIRLFRIEND. 502 00:21:13,205 --> 00:21:15,107 AND TUESDAY NIGHT IS POLKA NIGHT. 503 00:21:15,107 --> 00:21:16,175 POLKA NIGHT. 504 00:21:16,175 --> 00:21:17,510 I'LL HAVE A GIN AND TONIC. 505 00:21:17,510 --> 00:21:19,512 NO, HE'S JUST NOT AT HOME. 506 00:21:19,512 --> 00:21:21,113 YOU WANT TO DANCE? 507 00:21:21,113 --> 00:21:22,515 I DON'T DANCE. 508 00:21:22,515 --> 00:21:25,352 I'LL HAVE A GIN AND TONIC. 509 00:22:01,754 --> 00:22:03,990 WOW. YOU'RE REALLY GOOD. 510 00:22:06,693 --> 00:22:07,927 OH, GOD. 511 00:22:10,530 --> 00:22:11,931 I KNOW THIS GUY. 512 00:22:11,931 --> 00:22:13,566 OH, HE'S AN INCREDIBLE DRAG. 513 00:22:14,534 --> 00:22:17,370 HE'S ALWAYS COMING ON TO ME. 514 00:22:17,370 --> 00:22:19,806 IF HE ASKS ME TO DANCE, 515 00:22:19,806 --> 00:22:22,775 WOULD YOU JUST GET UP AND DANCE WITH ME, PLEASE? 516 00:22:22,775 --> 00:22:24,110 PLEASE? 517 00:22:24,110 --> 00:22:26,846 LORIE. HI. IT'S ME--STEVE. 518 00:22:26,846 --> 00:22:28,581 I HAVEN'T SEEN YOU HERE 519 00:22:28,581 --> 00:22:30,316 IN A LONG TIME. 520 00:22:30,316 --> 00:22:32,051 YOU LOOKED GREAT OUT THERE. 521 00:22:32,051 --> 00:22:33,185 EXCUSE ME, 522 00:22:33,185 --> 00:22:34,320 BUT WE WERE IN THE MIDDLE OF-- 523 00:22:34,320 --> 00:22:35,555 WOULD YOU LIKE TO DANCE? 524 00:22:35,555 --> 00:22:36,923 I REALLY MISS THE WAY WE MOVE TOGETHER. 525 00:22:37,990 --> 00:22:41,093 SORRY, BUDDY. SHE'S DANCING WITH ME. 526 00:22:45,998 --> 00:22:46,999 THANKS. 527 00:22:46,999 --> 00:22:48,801 IT'S OK. 528 00:23:17,730 --> 00:23:19,932 WHAT? WHAT'S WRONG? 529 00:23:19,932 --> 00:23:21,901 I DON'T KNOW. 530 00:23:23,235 --> 00:23:24,370 LOOK... 531 00:23:24,370 --> 00:23:26,773 WHAT I WANTED TO SAY THE OTHER NIGHT 532 00:23:26,773 --> 00:23:28,307 WAS THAT... MOST GIRLS, 533 00:23:28,307 --> 00:23:30,710 WHEN THEY TAKE THEIR CONTACTS OUT, 534 00:23:30,710 --> 00:23:32,311 THEIR EYES DON'T SPARKLE, 535 00:23:32,311 --> 00:23:33,312 BUT YOURS-- 536 00:23:33,312 --> 00:23:34,447 YOURS DO, 537 00:23:34,447 --> 00:23:36,649 AND I--I COULDN'T SAY THAT 538 00:23:36,649 --> 00:23:37,984 BECAUSE IT WOULD SOUND STUPID, 539 00:23:37,984 --> 00:23:39,719 AND YOU'D THINK I WAS CHASING YOU. 540 00:23:39,719 --> 00:23:41,320 I DIDN'T WANT YOU TO THINK 541 00:23:41,320 --> 00:23:42,789 I WAS CHASING YOU BECAUSE... 542 00:23:42,789 --> 00:23:44,791 WELL, BECAUSE I WAS CHASING YOU. 543 00:23:44,791 --> 00:23:46,392 IF YOU SET OUT TO CONFUSE ME, 544 00:23:46,392 --> 00:23:48,360 YOU COULDN'T HAVE DONE A BETTER JOB, 545 00:23:48,360 --> 00:23:50,597 AND I WOULD REALLY, REALLY 546 00:23:50,597 --> 00:23:52,164 LIKE TO KISS YOU AGAIN, 547 00:23:52,164 --> 00:23:55,768 BUT...NOT IF YOU'RE GOING TO LAUGH AT ME. 548 00:23:59,806 --> 00:24:02,809 I WON'T LAUGH AT YOU. 549 00:24:11,117 --> 00:24:13,820 [LAUGHING] 550 00:24:14,954 --> 00:24:16,556 I'M SO-- 551 00:24:28,568 --> 00:24:29,802 DO YOU WANT TO-- 552 00:24:29,802 --> 00:24:30,937 YES. 553 00:24:38,811 --> 00:24:42,414 MR. HANSON! MUST BE WEDNESDAY. 554 00:24:42,414 --> 00:24:43,816 BIG ORDER DAY, RIGHT? 555 00:24:43,816 --> 00:24:45,217 SETTING THEM UP FOR THE WEEKEND. 556 00:24:45,217 --> 00:24:48,555 YOU MUST SPEND HALF YOUR SALARY ON FLOWERS. 557 00:24:48,555 --> 00:24:49,822 MIND YOU, I'M NOT COMPLAINING. 558 00:24:49,822 --> 00:24:52,424 ACTUALLY, LOU, JUST ONE ORDER TODAY. 559 00:24:52,424 --> 00:24:53,826 WHAT? ONLY ONE? 560 00:24:53,826 --> 00:24:55,227 YEAH. LET'S SEE... 561 00:24:55,227 --> 00:25:00,667 ROSES OR, I DON'T KNOW, MAYBE BIRDS OF PARADISE. 562 00:25:00,667 --> 00:25:03,002 WELL, IT ALL DEPENDS ON THE DESIRED EFFECT. 563 00:25:03,002 --> 00:25:05,572 BREAKING THE ICE, SEXUAL OVERTURE... 564 00:25:07,940 --> 00:25:10,442 NOT...LOVE? 565 00:25:10,442 --> 00:25:11,911 PLEASE... 566 00:25:12,979 --> 00:25:14,113 MR. HANSON. 567 00:25:15,181 --> 00:25:15,982 COME ON. 568 00:25:15,982 --> 00:25:17,950 TELL ME IT'S NOT LOVE. 569 00:25:17,950 --> 00:25:19,218 NO. 570 00:25:20,419 --> 00:25:22,221 I DON'T KNOW. 571 00:25:22,221 --> 00:25:24,223 YOU KNOW WHAT LOVE IS. 572 00:25:24,223 --> 00:25:27,226 IT'S A TIME BOMB WAITING TO GO OFF. 573 00:25:27,226 --> 00:25:28,427 BELIEVE ME. 574 00:25:28,427 --> 00:25:29,762 THAT'S WHY GOD MADE OTHER WOMEN-- 575 00:25:31,063 --> 00:25:34,634 BECAUSE, NO MATTER HOW GOOD ANY ONE WOMAN MIGHT BE, 576 00:25:34,634 --> 00:25:36,335 THERE'S ALWAYS ANOTHER ONE 577 00:25:36,335 --> 00:25:37,737 RIGHT AROUND THE CORNER 578 00:25:37,737 --> 00:25:40,006 THAT COULD BE EVEN BETTER. 579 00:25:51,017 --> 00:25:52,284 YOU OK? 580 00:25:52,284 --> 00:25:55,688 I'M FINE, I'M FINE, I'M FINE. I'M OK. 581 00:25:58,958 --> 00:26:00,359 4:15. MORNING TERRORS. 582 00:26:00,359 --> 00:26:01,560 IT'S OK. 583 00:26:01,560 --> 00:26:04,396 JUST TAKE A COUPLE OF DEEP BREATHS 584 00:26:04,396 --> 00:26:06,398 AND COME BACK TO BED, OK? 585 00:26:06,398 --> 00:26:07,800 COME ON. COME BACK TO BED. 586 00:26:07,800 --> 00:26:09,936 YOU NEVER TAKE THIS SERIOUSLY. 587 00:26:09,936 --> 00:26:11,804 DOESN'T THIS EVER HAPPEN TO YOU, 588 00:26:11,804 --> 00:26:13,806 WHERE--WHERE YOU JUST WAKE UP 589 00:26:13,806 --> 00:26:15,908 AND YOU DON'T FEEL REAL 590 00:26:15,908 --> 00:26:17,944 OR YOU'RE NOT LIVING THE LIFE 591 00:26:17,944 --> 00:26:19,211 YOU'RE SUPPOSED TO BE LIVING... 592 00:26:19,211 --> 00:26:22,414 LIKE--LIKE ALL YOUR CHOICES ARE WRONG? 593 00:26:22,414 --> 00:26:24,416 DAN... 594 00:26:24,416 --> 00:26:26,619 YOU'RE JUST TIRED. 595 00:26:27,820 --> 00:26:29,822 NO, I'M NOT TIRED. 596 00:26:29,822 --> 00:26:31,257 YOU DON'T UNDERSTAND. 597 00:26:32,324 --> 00:26:33,893 I DON'T LOVE YOU. 598 00:26:34,861 --> 00:26:37,964 I MEAN, I'VE KNOWN YOU LONGER 599 00:26:37,964 --> 00:26:41,500 THAN ANY OTHER WOMAN IN MY LIFE, BUT... 600 00:26:41,500 --> 00:26:43,870 GOD, I SHOULDN'T BE GOING TO BED 601 00:26:43,870 --> 00:26:45,772 WITH SOMEBODY I DON'T LOVE. 602 00:26:45,772 --> 00:26:48,374 DO YOU KNOW HOW MANY TIMES 603 00:26:48,374 --> 00:26:49,909 YOU'VE WOKEN UP AT 4:15 604 00:26:49,909 --> 00:26:51,377 WITH DEEP INSIGHTS? 605 00:26:51,377 --> 00:26:53,179 YEAH. 606 00:26:54,513 --> 00:26:56,649 AND THEY'RE ALWAYS RIGHT. 607 00:27:01,387 --> 00:27:03,355 WHAT ARE YOU SAYING? 608 00:27:10,997 --> 00:27:13,132 I KNOW WHO I SHOULD BE WITH NOW. 609 00:27:14,200 --> 00:27:15,702 AND... 610 00:27:15,702 --> 00:27:18,337 I ONLY WANT TO GO TO BED WITH HER. 611 00:27:20,606 --> 00:27:23,009 I'M SORRY, LINDA. 612 00:27:33,119 --> 00:27:34,987 DAN... 613 00:27:37,489 --> 00:27:38,891 YOU KNOW THIS WOMAN, 614 00:27:38,891 --> 00:27:41,627 THE ONE YOU'RE DUMPING ME FOR? 615 00:27:41,627 --> 00:27:43,763 SHE ISN'T WORTH IT. 616 00:28:10,122 --> 00:28:11,257 HI. 617 00:28:11,257 --> 00:28:12,792 HI. 618 00:28:19,165 --> 00:28:20,900 HOW LONG HAVE YOU BEEN HERE? 619 00:28:21,768 --> 00:28:24,036 OH, A WHILE. 620 00:28:26,172 --> 00:28:28,374 I BROUGHT YOU SOME ORANGE JUICE 621 00:28:28,374 --> 00:28:29,375 AND SOME DOUGHNUTS, 622 00:28:29,375 --> 00:28:31,443 BUT I ATE THE DOUGHNUTS. 623 00:28:34,380 --> 00:28:35,414 LOOK... 624 00:28:35,414 --> 00:28:38,818 I DON'T WANT TO BE WITH ANYONE BUT YOU, 625 00:28:38,818 --> 00:28:40,887 AND I DON'T WANT YOU 626 00:28:40,887 --> 00:28:43,823 TO BE WITH ANYONE ELSE BUT ME. 627 00:28:43,823 --> 00:28:46,325 PLEASE SAY SOMETHING. 628 00:29:08,580 --> 00:29:10,817 AND THAT'S HOW IT BEGAN. 629 00:29:10,817 --> 00:29:12,218 WAIT A MINUTE. BACK UP HERE. 630 00:29:12,218 --> 00:29:14,453 THIS LINDA WE'RE TALKING ABOUT... 631 00:29:14,453 --> 00:29:15,721 IS THIS LINDA METZGER? 632 00:29:15,721 --> 00:29:17,323 YOU SLEPT WITH LINDA METZGER? 633 00:29:17,323 --> 00:29:18,825 YEAH. YOU KNOW HER? 634 00:29:18,825 --> 00:29:20,126 OF COURSE I KNOW HER. 635 00:29:20,126 --> 00:29:22,461 I TRIED TO SLEEP WITH HER ALL THROUGH COLLEGE. 636 00:29:22,461 --> 00:29:23,830 THAT'S AMAZING. HOW DID YOU MEET HER? 637 00:29:23,830 --> 00:29:25,965 WHICH LIFE STORY DO YOU WANT TO HEAR? 638 00:29:27,133 --> 00:29:28,968 HEY, I MADE A PROMO FOR TOMORROW'S SHOW. 639 00:29:30,036 --> 00:29:31,370 WAIT TILL YOU SEE THIS. THIS IS GREAT. 640 00:29:32,571 --> 00:29:33,840 HEY, DAN. HOW'S THE HEAD? 641 00:29:33,840 --> 00:29:35,975 SHE GOT YOU PRETTY GOOD, HUH? 642 00:29:35,975 --> 00:29:37,977 HE SLOWED IT DOWN, TRANSFERRED IT, 643 00:29:38,845 --> 00:29:40,246 THEN SLOWED IT DOWN AGAIN. 644 00:29:40,246 --> 00:29:42,214 YOU CAN EVEN SEE THE LETTERING 645 00:29:42,214 --> 00:29:43,215 ON THE MUG. 646 00:29:43,215 --> 00:29:46,018 AS MY UNCLE OLAF USED TO SAY, 647 00:29:46,018 --> 00:29:48,320 "WHY FIX IT IF IT AIN'T BROKEN?" 648 00:29:48,320 --> 00:29:50,256 THAT'S THE WAY I SEE IT. 649 00:29:50,256 --> 00:29:51,858 OW! 650 00:29:51,858 --> 00:29:53,259 YOU NEVER KNOW 651 00:29:53,259 --> 00:29:54,861 WHAT'S GOING TO BE TOSSED AROUND 652 00:29:54,861 --> 00:29:56,963 ON HE SAID, SHE SAID. 653 00:29:56,963 --> 00:29:58,965 SEE HANSON AND BRYER, ROUND TWO, 654 00:29:58,965 --> 00:30:01,233 TOMORROW AT NOON ON CHANNEL 11. 655 00:30:01,233 --> 00:30:03,870 HUH? 656 00:30:03,870 --> 00:30:06,605 I THINK I GOT TO LIE DOWN AGAIN. 657 00:30:06,605 --> 00:30:09,775 MR. THURMAN, IT'S HIM. BILL WELLER ON ONE. 658 00:30:09,775 --> 00:30:11,177 JESUS! 659 00:30:13,880 --> 00:30:15,481 HELLO, MR. WELLER. 660 00:30:15,481 --> 00:30:16,883 THIS IS WALLACE THURMAN, 661 00:30:16,883 --> 00:30:18,484 STATION MANAGER AT WBAL. 662 00:30:18,484 --> 00:30:19,351 IT'S A PLEASURE 663 00:30:19,351 --> 00:30:21,888 TO BE SPEAKING TO YOU DIRECTLY. 664 00:30:21,888 --> 00:30:23,289 UH, HANSON AND BRYER. 665 00:30:23,289 --> 00:30:25,992 NO PROBLEM, SIR. JUST A MOMENT. 666 00:30:25,992 --> 00:30:28,394 HE WANTS TO TALK TO YOU AND LORIE 667 00:30:28,394 --> 00:30:29,661 ON THE SPEAKER PHONE. 668 00:30:29,661 --> 00:30:32,031 PUT HIM ON. I'LL IMPROVISE. 669 00:30:32,031 --> 00:30:33,432 THERE'S ONLY ONE PROBLEM. 670 00:30:33,432 --> 00:30:36,235 I'VE NEVER USED THE SPEAKER PHONE. 671 00:30:36,235 --> 00:30:37,703 THANKS. 672 00:30:37,703 --> 00:30:39,038 WHO HAVE I GOT THERE? 673 00:30:39,038 --> 00:30:40,439 HELLO, MR. WELLER. 674 00:30:40,439 --> 00:30:43,775 THIS IS DAN HANSON, HERE WITH WALLY THURMAN. 675 00:30:43,775 --> 00:30:46,178 THIS IS RAY, OUR TECHNICAL DIRECTOR. 676 00:30:46,178 --> 00:30:48,580 LORIE BRYER IS IN THE BATHROOM. 677 00:30:48,580 --> 00:30:49,681 CAN'T BE HELPED. 678 00:30:49,681 --> 00:30:52,018 LET ME CUT TO THE CHASE. 679 00:30:52,018 --> 00:30:53,352 I'VE BEEN NEGOTIATING 680 00:30:53,352 --> 00:30:56,322 TO BUY YOUR CRUMMY SHOW FOR MY NETWORK-- 681 00:30:56,322 --> 00:30:58,524 WE KNOW, SIR. LET ME SAY-- 682 00:30:58,524 --> 00:31:00,859 THAT STUNT YOU PULLED THIS AFTERNOON, 683 00:31:00,859 --> 00:31:01,994 YOU AND MISS BRYER... 684 00:31:01,994 --> 00:31:04,430 HA HA HA! 685 00:31:04,430 --> 00:31:06,565 HA HA HA! 686 00:31:06,565 --> 00:31:09,135 THAT WAS PURE MAGIC 687 00:31:09,135 --> 00:31:10,636 FOR ENHANCING RATINGS. 688 00:31:10,636 --> 00:31:13,705 I DON'T CARE IF YOU HATE EACH OTHER'S GUTS 689 00:31:13,705 --> 00:31:15,207 OR IF YOU FAKED IT. 690 00:31:15,207 --> 00:31:18,377 I ONLY CARE THAT YOU MILK THIS SITUATION 691 00:31:18,377 --> 00:31:20,146 FOR EVERY NICKEL IT'S WORTH. 692 00:31:20,146 --> 00:31:21,547 WE'RE EXCITED YOU'RE EXCITED, 693 00:31:21,547 --> 00:31:22,614 MR. WELLER. 694 00:31:22,614 --> 00:31:23,749 I'M NOT EXCITED, SHERMAN. 695 00:31:23,749 --> 00:31:24,716 THURMAN. 696 00:31:24,716 --> 00:31:25,751 I'M GREEDY. 697 00:31:25,751 --> 00:31:27,086 GREED IS GOOD. 698 00:31:27,086 --> 00:31:29,321 I'M GREEDY AND I'M DETERMINED. 699 00:31:29,321 --> 00:31:31,723 AND TO MAKE SURE EVERYTHING IS ALL RIGHT, 700 00:31:31,723 --> 00:31:34,093 I'LL BE THERE FOR TOMORROW'S SHOW. 701 00:31:34,093 --> 00:31:35,494 DON'T SCREW UP! 702 00:31:35,494 --> 00:31:36,462 [DIAL TONE] 703 00:31:36,462 --> 00:31:38,597 WAIT A MINUTE! IT WAS ALL A MISTAKE. 704 00:31:39,865 --> 00:31:42,001 WALLY, HE'S GONE. HE'S GONE. 705 00:31:43,502 --> 00:31:45,637 WHAT-- 706 00:31:45,637 --> 00:31:47,039 OH... 707 00:31:52,511 --> 00:31:55,181 OH, COME ON. 708 00:32:02,154 --> 00:32:04,991 THIS IS RIDICULOUS. 709 00:32:04,991 --> 00:32:05,992 OH, BOY. 710 00:32:05,992 --> 00:32:08,060 LORIE... 711 00:32:08,060 --> 00:32:09,128 LORIE, HONEY. 712 00:32:09,128 --> 00:32:11,130 COME ON, OPEN UP. 713 00:32:12,298 --> 00:32:15,401 LORIE, WHAT'S GOING ON? 714 00:32:15,401 --> 00:32:16,202 LORIE? 715 00:32:16,202 --> 00:32:18,237 I KNOW YOU'RE IN THERE. 716 00:32:18,237 --> 00:32:20,439 PLEASE, HONEY, TALK TO ME. 717 00:32:20,439 --> 00:32:24,710 I BROUGHT YOU SOME OF RITA'S SLAW. 718 00:32:24,710 --> 00:32:26,312 TAKE IT AWAY. 719 00:32:26,312 --> 00:32:27,379 COME ON. 720 00:32:27,379 --> 00:32:29,015 I HATE IT. 721 00:32:29,015 --> 00:32:30,749 I THOUGHT YOU LIKED IT. 722 00:32:30,749 --> 00:32:32,985 I WAS JUST BEING POLITE. 723 00:32:32,985 --> 00:32:35,721 FOR THREE YEARS? 724 00:32:35,721 --> 00:32:36,922 GO AWAY. 725 00:32:36,922 --> 00:32:39,058 GO AWAY? I LIVE HERE, REMEMBER? 726 00:32:39,058 --> 00:32:40,993 NOT ANYMORE. 727 00:32:43,595 --> 00:32:45,064 HOW'S YOUR HEAD? 728 00:32:45,064 --> 00:32:46,465 IT HURTS. IT'S BLEEDING. 729 00:32:46,465 --> 00:32:49,568 THEY THOUGHT I MIGHT NEED STITCHES. 730 00:32:49,568 --> 00:32:50,969 WELL, I'M SORRY. 731 00:32:50,969 --> 00:32:53,572 I JUST COULDN'T TAKE IT ANYMORE-- 732 00:32:53,572 --> 00:32:56,375 LOOKING UP AT YOUR FAT, SMUG, FAT FACE. 733 00:32:56,375 --> 00:32:58,910 I COULDN'T HELP MYSELF. 734 00:32:58,910 --> 00:32:59,978 THANKS, HONEY. 735 00:32:59,978 --> 00:33:01,313 THAT'S QUITE AN APOLOGY. 736 00:33:01,313 --> 00:33:03,082 MY STUFF OUT HERE IN THE HALL-- 737 00:33:03,082 --> 00:33:04,716 WHAT DOES THIS MEAN? 738 00:33:04,716 --> 00:33:08,320 IT MEANS THAT IT TOOK THIS WHOLE TV THING, 739 00:33:08,320 --> 00:33:10,322 THE SHOW AND ITS SUCCESS, 740 00:33:10,322 --> 00:33:12,324 AND WHAT IT'S DONE TO US, 741 00:33:12,324 --> 00:33:14,126 TO MAKE ME REALIZE THAT... 742 00:33:14,126 --> 00:33:15,127 WE JUST... 743 00:33:15,127 --> 00:33:16,728 WE WANT DIFFERENT THINGS. 744 00:33:16,728 --> 00:33:18,130 I'VE ALWAYS KNOWN THAT, 745 00:33:18,130 --> 00:33:19,831 BUT I KEPT... 746 00:33:19,831 --> 00:33:21,367 I KEPT THINKING THAT SOMEDAY 747 00:33:21,367 --> 00:33:23,369 IT WAS GOING TO GET EASIER, BUT... 748 00:33:24,736 --> 00:33:28,540 I DON'T THINK THAT YOU'RE EVER GOING TO CHANGE. 749 00:33:28,540 --> 00:33:29,941 WAIT A MINUTE! 750 00:33:29,941 --> 00:33:32,378 COME ON. THINGS ARE GOING GREAT FOR US. 751 00:33:32,378 --> 00:33:34,246 WE CAN'T BREAK UP OVER A SILLY FIGHT 752 00:33:34,246 --> 00:33:36,148 IN THE GREEN ROOM. THERE'S TOO MUCH AT STAKE. 753 00:33:36,148 --> 00:33:37,516 LORIE, HONEY, PLEASE. 754 00:33:37,516 --> 00:33:40,386 I DON'T WANT IT TO BE OVER. 755 00:33:41,553 --> 00:33:45,391 YOU USED TO LIKE ME THE WAY I WAS. 756 00:33:47,559 --> 00:33:49,895 I STILL DO. 757 00:33:49,895 --> 00:33:51,963 I LOVE YOU. 758 00:33:51,963 --> 00:33:55,567 BUT I NEED MORE FROM YOU. 759 00:33:56,668 --> 00:34:01,006 WELL, I--I JUST DON'T KNOW WHAT ELSE 760 00:34:01,006 --> 00:34:02,441 I CAN GIVE YOU. 761 00:34:06,512 --> 00:34:07,713 WELL... 762 00:34:24,330 --> 00:34:27,966 IS THAT SOME OF RITA'S COLESLAW? 763 00:34:27,966 --> 00:34:29,601 YEAH. 764 00:34:29,601 --> 00:34:31,002 DO YOU WANT IT? 765 00:34:31,002 --> 00:34:32,070 YEAH. 766 00:34:32,070 --> 00:34:33,439 HOLD ON. I'LL BRING IT DOWN. 767 00:34:33,439 --> 00:34:35,574 THANK YOU VERY MUCH. I--I APPRECIATE IT. 768 00:34:36,642 --> 00:34:37,543 HERE, UH... 769 00:34:37,543 --> 00:34:40,646 LET ME GIVE YOU A DOLLAR FOR IT. 770 00:34:40,646 --> 00:34:42,047 NO, NO. THAT'S-- 771 00:34:42,047 --> 00:34:43,449 NO. IT'S ONLY FAIR. 772 00:34:43,449 --> 00:34:46,652 AND COME ON IN. YOU LOOK LIKE SHIT. 773 00:34:46,652 --> 00:34:47,986 OK. THANKS. 774 00:34:47,986 --> 00:34:51,857 OH, SO THERE HE IS. 775 00:34:51,857 --> 00:34:53,259 HI, MRS. SPEPK. 776 00:34:53,259 --> 00:34:54,660 NOW, SIT DOWN. 777 00:34:54,660 --> 00:34:57,363 I'LL GET SOMETHING FOR YOUR HEAD. 778 00:34:57,363 --> 00:34:59,865 THANK YOU, BUT A BUMP ON MY HEAD 779 00:34:59,865 --> 00:35:01,267 IS NO LONGER THE PROBLEM. 780 00:35:01,267 --> 00:35:03,202 I KNOW WHAT THE PROBLEM IS. 781 00:35:03,202 --> 00:35:05,204 YOU SEE, IN MY DAY, 782 00:35:05,204 --> 00:35:06,605 YOUNG PEOPLE GOT MARRIED 783 00:35:06,605 --> 00:35:08,207 BEFORE THEY SLEPT TOGETHER. 784 00:35:08,207 --> 00:35:09,308 THAT'S BULLSHIT. 785 00:35:09,308 --> 00:35:10,309 WE SLEPT TOGETHER 786 00:35:10,309 --> 00:35:12,211 BEFORE WE WERE MARRIED. 787 00:35:12,211 --> 00:35:13,579 WE DID NOT. 788 00:35:13,579 --> 00:35:16,215 YOU DIDN'T MARRY FOR LOVE BACK THEN EITHER. 789 00:35:16,215 --> 00:35:18,150 LOVE CAME LATER. 790 00:35:18,150 --> 00:35:19,518 I'M STILL WAITING. 791 00:35:20,619 --> 00:35:24,089 THANK YOU VERY MUCH, MR. AND MRS. SPEPK, 792 00:35:24,089 --> 00:35:26,392 BUT I'VE REALLY-- I'VE GOT TO GO. 793 00:35:26,392 --> 00:35:29,094 YOU REALLY MUST HAVE DONE IT THIS TIME. 794 00:35:29,094 --> 00:35:30,829 SHE WANTS THE LOCKS CHANGED. 795 00:35:30,829 --> 00:35:32,231 WHAT? YOU'RE KIDDING? 796 00:35:32,231 --> 00:35:35,334 SHE ASKED YOU TO DO THAT? 797 00:35:35,334 --> 00:35:37,836 GUESS YOU WON'T BE BREAKING ANY MORE WINDOWS. 798 00:35:37,836 --> 00:35:39,238 WHAT DO YOU MEAN? 799 00:35:39,238 --> 00:35:41,507 REMEMBER THE WINDOW YOU BROKE? 800 00:35:41,507 --> 00:35:43,975 YEAH. BUT I DIDN'T BREAK THAT WINDOW. 801 00:35:43,975 --> 00:35:45,211 YES, YOU DID. 802 00:35:45,211 --> 00:35:46,612 DON'T YOU REMEMBER? 803 00:35:46,612 --> 00:35:49,915 MRS. SPEPK, I DID NOT BREAK THAT WINDOW. LORIE DID. 804 00:35:51,817 --> 00:35:53,519 DAN, WAKE UP. 805 00:35:53,519 --> 00:35:56,021 WHAT THE HELL ARE YOU DOING? 806 00:35:56,021 --> 00:35:57,923 WE HAVE TO GET OUT OF HERE. 807 00:35:57,923 --> 00:35:59,325 THE ROOM IS FLOODING. 808 00:35:59,325 --> 00:36:01,026 HONEY, SHH. 809 00:36:01,026 --> 00:36:02,261 THE ROOM IS NOT FLOODING. 810 00:36:02,261 --> 00:36:04,263 I BROUGHT YOU A RAINCOAT. 811 00:36:04,263 --> 00:36:05,264 OH, THANKS. 812 00:36:05,264 --> 00:36:06,265 YOU'RE SLEEPING. 813 00:36:06,265 --> 00:36:08,267 LET'S GO BACK TO BED. 814 00:36:08,267 --> 00:36:09,868 WE HAVE TO GET OUT OF HERE. 815 00:36:09,868 --> 00:36:11,870 AND WE WILL, 816 00:36:11,870 --> 00:36:13,272 BUT NOT RIGHT NOW. 817 00:36:13,272 --> 00:36:15,274 I'M GOING TO CALL A CAB... 818 00:36:15,274 --> 00:36:16,975 A GONDOLA, 819 00:36:16,975 --> 00:36:18,844 AND BY THE TIME YOU WAKE UP, 820 00:36:18,844 --> 00:36:20,979 HE'LL BE HERE. 821 00:36:20,979 --> 00:36:22,113 ALL RIGHT. 822 00:36:22,113 --> 00:36:23,682 DON'T FORGET YOUR RAINCOAT. 823 00:36:24,550 --> 00:36:26,285 NO, I WON'T. I GOT IT. 824 00:36:27,152 --> 00:36:29,455 JUST GO TO SLEEP NOW. 825 00:36:31,022 --> 00:36:32,424 I DO NOT SLEEPWALK. 826 00:36:32,424 --> 00:36:33,959 OTHER PEOPLE WOULD HAVE TOLD ME. 827 00:36:35,461 --> 00:36:36,962 YOU'RE NOT THE FIRST OVERNIGHT GUEST I'VE HAD. 828 00:36:38,330 --> 00:36:41,032 I SUPPOSE THE WINDOWS JUST BROKE THEMSELVES? 829 00:36:41,032 --> 00:36:43,034 PICK UP FOR HANSON, PLEASE. 830 00:36:43,034 --> 00:36:45,036 TWO PASTRAMIS ON RYE, RIGHT? 831 00:36:45,036 --> 00:36:46,037 THAT'S IT. 832 00:36:46,037 --> 00:36:48,139 HEY, YOU'RE THAT GUY. 833 00:36:48,139 --> 00:36:50,242 I SEEN YOUR PICTURE. 834 00:36:50,242 --> 00:36:52,878 AND YOU. YOU TWO-- 835 00:36:52,878 --> 00:36:53,879 NO! 836 00:36:53,879 --> 00:36:55,781 OH, GET OUT OF HERE! 837 00:36:55,781 --> 00:36:58,317 RITA. COME SEE WHO'S HERE. 838 00:36:58,317 --> 00:37:00,919 I GOT TO GET A PICTURE OF YOU 839 00:37:00,919 --> 00:37:02,888 FOR MY WALL OF FAME. 840 00:37:02,888 --> 00:37:03,822 RITA! 841 00:37:03,822 --> 00:37:05,824 I HEARD YOU THE FIRST 20 TIMES, POP. 842 00:37:07,158 --> 00:37:08,694 LOOK WHO'S HERE. IT'S THE PEOPLE WHO ARGUE. 843 00:37:08,694 --> 00:37:10,228 AND GUESS WHAT-- THEY'RE IN LOVE. 844 00:37:10,228 --> 00:37:11,597 HA HA HA. 845 00:37:11,597 --> 00:37:13,131 OH, WELL, WHAT DO YOU KNOW. 846 00:37:13,131 --> 00:37:15,133 IT'S REALLY NICE TO MEET YOU. I LOVE YOUR COLUMN. 847 00:37:15,133 --> 00:37:16,802 OH, THANK YOU. 848 00:37:16,802 --> 00:37:19,538 HOLD UP THESE SANDWICHES FOR THE CAMERA. 849 00:37:19,538 --> 00:37:21,807 GO ON. STEP BACK OVER THERE. 850 00:37:21,807 --> 00:37:26,044 HOLD THEM UP REAL NICE AND HIGH. 851 00:37:26,044 --> 00:37:27,045 SMILE BIG. 852 00:37:27,045 --> 00:37:28,314 WAIT A MINUTE. 853 00:37:28,314 --> 00:37:29,915 LOOK AT THAT. 854 00:37:29,915 --> 00:37:31,317 HOLD THIS. 855 00:37:39,124 --> 00:37:41,259 [HONK HONK] 856 00:37:42,328 --> 00:37:43,995 [HONK HONK] 857 00:37:53,071 --> 00:37:54,940 [HONK HONK HONK] 858 00:37:54,940 --> 00:37:56,141 HEY! 859 00:37:56,141 --> 00:37:57,609 LOOK WHAT I GOT! 860 00:37:58,910 --> 00:38:00,912 YOU'RE BEAUTIFUL! 861 00:38:22,300 --> 00:38:23,301 HEY. 862 00:38:23,301 --> 00:38:24,436 WHAT? 863 00:38:24,436 --> 00:38:26,538 I LOVE YOU. 864 00:38:30,609 --> 00:38:32,411 I'M NOT TELLING YOU THIS 865 00:38:32,411 --> 00:38:35,747 TO GET THE EXACT SAME RESPONSE FROM YOU. 866 00:38:40,686 --> 00:38:44,523 I FEEL VERY WARMLY TOWARDS YOU, 867 00:38:44,523 --> 00:38:47,426 AND I--I THINK IT'S GREAT 868 00:38:47,426 --> 00:38:49,961 THAT...YOU'RE NOT ASKING ME 869 00:38:49,961 --> 00:38:52,764 TO BE IN EXACTLY THE SAME PLACE AS YOU 870 00:38:52,764 --> 00:38:54,633 AT EXACTLY THE SAME TIME. 871 00:38:58,870 --> 00:39:01,373 OK, DAN. I'M ONLY HEARING YOUR SIDE 872 00:39:01,373 --> 00:39:02,474 OF THE STORY. 873 00:39:02,474 --> 00:39:04,476 I HAVEN'T TREATED LORIE YET. 874 00:39:04,476 --> 00:39:06,478 BUT I KNOW YOU WELL ENOUGH 875 00:39:06,478 --> 00:39:08,079 FROM THE OLD DAYS 876 00:39:08,079 --> 00:39:09,481 TO KNOW THAT ANY CONCERNS 877 00:39:09,481 --> 00:39:11,082 SHE'S GOING TO HAVE ABOUT YOU 878 00:39:11,082 --> 00:39:12,484 ARE JUSTIFIED. 879 00:39:12,484 --> 00:39:15,320 MM. VERBALIZATION'S THE KEY HERE. 880 00:39:15,320 --> 00:39:18,490 IN ORDER TO ACHIEVE A MATURE, 881 00:39:18,490 --> 00:39:21,527 EMPATHIC RESONANCE WITH YOUR PARTNER, 882 00:39:21,527 --> 00:39:22,994 YOU'VE GOT TO SHARE YOUR FEELINGS. 883 00:39:24,195 --> 00:39:26,297 YEAH, I BUY THAT. THAT'S WHY I'M HERE. 884 00:39:26,297 --> 00:39:31,336 NOW, WE HAVE HAD TREMENDOUS RESULTS. 885 00:39:31,336 --> 00:39:33,605 REAL BREAKTHROUGHS... 886 00:39:34,940 --> 00:39:36,808 WITH THESE. 887 00:39:36,808 --> 00:39:39,578 ERIC, THAT'S A PUPPET. 888 00:39:39,578 --> 00:39:42,347 OOH. MY CLIENTS EXPRESS THEIR FEELINGS 889 00:39:42,347 --> 00:39:44,916 WITHOUT BECOMING EXCESSIVELY VULNERABLE. 890 00:39:44,916 --> 00:39:47,953 WE CALL THEM EMOTIONAL SURROGATES. 891 00:39:47,953 --> 00:39:49,621 UH-HUH. 892 00:39:49,621 --> 00:39:52,558 I LOVE YOU, DAN. 893 00:39:52,558 --> 00:39:55,627 I LOVE YOU. 894 00:39:57,496 --> 00:39:59,164 COME ON. YOU TRY. 895 00:39:59,164 --> 00:40:00,231 NO, NO. 896 00:40:00,231 --> 00:40:02,233 I REALLY DON'T WANT TO... 897 00:40:02,233 --> 00:40:03,735 COME ON. 898 00:40:13,445 --> 00:40:17,315 [EMBARRASSED LAUGHTER] 899 00:40:17,315 --> 00:40:19,384 I FEEL RIDICULOUS. 900 00:40:19,384 --> 00:40:21,186 COME ON. 901 00:40:26,257 --> 00:40:29,427 I CAN'T. 902 00:40:37,168 --> 00:40:39,805 [GASPING] 903 00:40:39,805 --> 00:40:41,673 OH, GOD. 904 00:40:43,208 --> 00:40:45,176 [CRYING] 905 00:40:47,212 --> 00:40:48,547 DAN? 906 00:40:48,547 --> 00:40:50,482 IT'S OK, HONEY. I'M OK. 907 00:40:50,482 --> 00:40:51,983 DAN... 908 00:40:56,021 --> 00:40:59,457 I THINK I'D LIKE SOME CHEESECAKE. 909 00:40:59,457 --> 00:41:01,993 WHAT? 910 00:41:01,993 --> 00:41:04,930 I THINK YOU COULD USE SOME, TOO. 911 00:41:07,098 --> 00:41:08,466 YEAH... 912 00:41:08,466 --> 00:41:10,569 YEAH, YOU'RE RIGHT. 913 00:41:10,569 --> 00:41:13,104 I COULD DEFINITELY USE SOME CHEESECAKE. 914 00:41:13,104 --> 00:41:14,472 OK. 915 00:41:23,782 --> 00:41:25,517 YOU'RE NOT GOING TO REMEMBER 916 00:41:25,517 --> 00:41:27,118 ANY OF THIS, ARE YOU? 917 00:41:29,120 --> 00:41:31,222 LORIE... 918 00:41:31,222 --> 00:41:33,625 I LOVE YOU. 919 00:41:34,693 --> 00:41:36,528 I'M CRAZY ABOUT YOU. 920 00:41:36,528 --> 00:41:38,029 DON'T EVER LEAVE ME, PLEASE. 921 00:41:39,230 --> 00:41:42,167 I WANT TO SPEND THE REST OF MY LIFE WITH YOU. 922 00:41:43,401 --> 00:41:46,137 I'LL GO GET US SOME CHEESECAKE. 923 00:41:53,812 --> 00:41:55,614 I JUST WANT TO WARN YOU. 924 00:41:55,614 --> 00:41:58,584 DADDY IS NOT GOING TO APPROVE OF YOU, 925 00:41:58,584 --> 00:42:00,485 BUT MOM, SHE'S VERY SWEET. 926 00:42:00,485 --> 00:42:01,887 THIS IS SO GREAT 927 00:42:01,887 --> 00:42:03,488 THAT YOU'RE TAKING YOUR VACATION TIME 928 00:42:03,488 --> 00:42:04,890 TO DO THIS WITH ME. 929 00:42:04,890 --> 00:42:06,491 I WANTED TO MEET THEM. 930 00:42:06,491 --> 00:42:07,492 IT'S ABOUT TIME. 931 00:42:07,492 --> 00:42:08,493 WHY? 932 00:42:08,493 --> 00:42:10,095 WHAT DOES THAT MEAN? 933 00:42:10,095 --> 00:42:11,496 WELL...N-NOTHING. 934 00:42:11,496 --> 00:42:13,899 IT'S JUST ABOUT TIME I MET THEM. 935 00:42:13,899 --> 00:42:15,500 THAT'S ALL I MEANT. 936 00:42:15,500 --> 00:42:16,902 WELL, DON'T BE NERVOUS. 937 00:42:16,902 --> 00:42:18,303 THEY'RE VERY NORMAL. 938 00:42:18,303 --> 00:42:21,973 THEY ARE THE MOST NORMAL FAMILY IN THE WORLD. 939 00:42:21,973 --> 00:42:24,342 YOU JUST CAN'T DISCUSS BIRTH CONTROL 940 00:42:24,342 --> 00:42:26,244 OUT OF ITS POLITICAL CONTEXT. 941 00:42:26,244 --> 00:42:27,512 I USE A DIAPHRAGM. 942 00:42:27,512 --> 00:42:29,114 THAT DOESN'T MAKE ME A CAPITALIST 943 00:42:29,114 --> 00:42:29,915 OR A SOCIALIST. 944 00:42:29,915 --> 00:42:31,382 DIAPHRAGMS ARE THREATENING. 945 00:42:31,382 --> 00:42:32,483 THEY GIVE WOMEN POWER. 946 00:42:32,483 --> 00:42:34,786 I'VE USED CONDOMS ALL MY LIFE. 947 00:42:34,786 --> 00:42:37,355 I'M NOT ASHAMED OF IT. HOW ABOUT YOU, DAN? 948 00:42:37,355 --> 00:42:38,957 DO YOU USE CONDOMS? 949 00:42:38,957 --> 00:42:40,491 WELL... 950 00:42:40,491 --> 00:42:42,193 ACTUALLY, IT KIND OF DEPENDS. 951 00:42:43,294 --> 00:42:45,697 HE'S GOT CONDOM WRITTEN ALL OVER HIM. 952 00:42:48,433 --> 00:42:49,835 WHAT DOES YOUR FATHER DO, DAN? 953 00:42:49,835 --> 00:42:51,837 I--I THINK THEY'RE TOO OLD 954 00:42:51,837 --> 00:42:54,272 TO WORRY ABOUT IT. 955 00:42:54,272 --> 00:42:56,507 NO, I MEANT FOR A LIVING. 956 00:42:56,507 --> 00:42:59,010 OH...HE'S RETIRED. 957 00:42:59,010 --> 00:43:01,647 OH, INDEPENDENTLY WEALTHY, HUH? 958 00:43:01,647 --> 00:43:03,114 NO, NO. JUST OLD. 959 00:43:03,114 --> 00:43:04,650 I WAS A LATE KID, 960 00:43:04,650 --> 00:43:05,817 KIND OF A SURPRISE TO THEM. 961 00:43:05,817 --> 00:43:07,686 YOU LIKE CHILDREN, DAN? 962 00:43:07,686 --> 00:43:09,520 YEAH...YEAH. 963 00:43:09,520 --> 00:43:12,123 WELL, YEAH, YEAH, I THINK I...I... 964 00:43:12,123 --> 00:43:13,358 WHERE'S WENDY? 965 00:43:13,358 --> 00:43:16,261 OH, SHE READ DAN'S ARTICLE ON ABORTION 966 00:43:16,261 --> 00:43:18,764 AND DECIDED SHE COULD NOT, IN GOOD CONSCIENCE, 967 00:43:18,764 --> 00:43:20,265 EAT WITH HIM. 968 00:43:20,265 --> 00:43:21,299 THAT'S RUDE. 969 00:43:21,299 --> 00:43:22,634 I DON'T THINK SO. 970 00:43:22,634 --> 00:43:24,736 WHERE DO YOU STAND ON CAPITAL PUNISHMENT, DAN? 971 00:43:24,736 --> 00:43:26,905 THIS ISN'T THE TIME OR PLACE-- 972 00:43:26,905 --> 00:43:28,539 ALL RIGHT, HE IS FOR CAPITAL PUNISHMENT, 973 00:43:28,539 --> 00:43:30,942 HE VOTED FOR REAGAN TWICE, 974 00:43:30,942 --> 00:43:33,178 HE MAKES SLIGHTLY MORE THAN I DO FOR THE SAME JOB-- 975 00:43:33,178 --> 00:43:34,880 YOU DIDN'T KNOW I KNEW, DID YOU? 976 00:43:34,880 --> 00:43:37,515 AND WE USUALLY USE A SHEIK ELITE 977 00:43:37,515 --> 00:43:39,250 WITH A RESERVOIR TIP. 978 00:43:42,988 --> 00:43:45,356 IS THERE ANYTHING ELSE YOU'D LIKE TO KNOW? 979 00:43:45,356 --> 00:43:47,025 WE'RE JUST TRYING TO GET TO KNOW HIM, HONEY. 980 00:43:49,627 --> 00:43:51,730 IT'S NOT LIKE WE'RE GETTING MARRIED 981 00:43:51,730 --> 00:43:52,931 OR ANYTHING... 982 00:43:52,931 --> 00:43:54,132 IS IT? 983 00:43:54,132 --> 00:43:56,367 NO! NO. 984 00:43:59,871 --> 00:44:03,241 I MEAN NO. NO, NO. 985 00:44:09,347 --> 00:44:10,481 GOOD MORNING. 986 00:44:10,481 --> 00:44:12,483 WELCOME TO A.M. BALTIMORE. 987 00:44:12,483 --> 00:44:14,352 WE HAVE AS OUR GUESTS TODAY 988 00:44:14,352 --> 00:44:16,054 DAN HANSON AND LORIE BRYER, 989 00:44:16,054 --> 00:44:17,455 TWO NEWSPAPER COLUMNISTS 990 00:44:17,455 --> 00:44:19,524 FROM THE BALTIMORE SUN, 991 00:44:19,524 --> 00:44:21,092 WHOSE COMPETING COLUMNS HAVE CAUSED 992 00:44:21,092 --> 00:44:22,160 QUITE A STIR. 993 00:44:22,160 --> 00:44:24,362 GOOD MORNING, DAN AND LORIE. 994 00:44:24,362 --> 00:44:25,430 WERE YOU SURPRISED 995 00:44:25,430 --> 00:44:27,032 BY THE SUCCESS OF YOUR COLUMNS? 996 00:44:27,032 --> 00:44:28,366 WELL, NO, ACTUALLY, I... 997 00:44:28,366 --> 00:44:29,768 WELL, I--I... 998 00:44:29,768 --> 00:44:31,169 SORRY. GO AHEAD. 999 00:44:31,169 --> 00:44:32,103 I JUST WONDER 1000 00:44:32,103 --> 00:44:33,705 WHETHER PEOPLE WOULD PAY ATTENTION 1001 00:44:33,705 --> 00:44:35,440 TO WHAT WE WERE SAYING 1002 00:44:35,440 --> 00:44:37,575 IF THEY WERE NORMAL EDITORIALS 1003 00:44:37,575 --> 00:44:40,045 WITHOUT THIS WHOLE COMPETITION THING. 1004 00:44:40,045 --> 00:44:41,847 WE'RE GETTING READ. THAT'S THE IMPORTANT THING. 1005 00:44:41,847 --> 00:44:43,114 WE MAKE PEOPLE THINK, RIGHT? 1006 00:44:43,114 --> 00:44:45,416 WELL, MAYBE, BUT WHAT I'M SAYING IS, 1007 00:44:45,416 --> 00:44:48,720 IS IT WHAT WE SAY, OR IS IT JUST THE GIMMICK? 1008 00:44:48,720 --> 00:44:49,721 YOU TWO, 1009 00:44:49,721 --> 00:44:52,290 DO YOU EVER STOP ARGUING? 1010 00:44:52,290 --> 00:44:53,091 NOW WE'VE HEARD-- 1011 00:44:53,091 --> 00:44:55,426 TELL US IF THIS IS RIGHT-- 1012 00:44:55,426 --> 00:44:56,962 WE'VE HEARD THAT YOU TWO 1013 00:44:56,962 --> 00:44:58,363 ARE LIVING TOGETHER. 1014 00:44:58,363 --> 00:45:00,999 WELL, I'D RATHER NOT GO INTO THAT. 1015 00:45:02,067 --> 00:45:05,336 WELL, NOT YET. LET ME PUT IT THAT WAY. 1016 00:45:05,336 --> 00:45:06,872 ISN'T THAT GREAT? 1017 00:45:10,742 --> 00:45:12,744 WHAT THE HELL IS THE MATTER? 1018 00:45:12,744 --> 00:45:14,746 WHY DID THAT UPSET YOU? 1019 00:45:14,746 --> 00:45:17,082 WHAT IS THIS "NOT YET" STUFF? 1020 00:45:17,082 --> 00:45:19,284 WELL, WE'VE BEEN TALKING ABOUT MOVING IN. 1021 00:45:19,284 --> 00:45:22,020 NO. I HAVE BEEN TALKING ABOUT IT. 1022 00:45:22,020 --> 00:45:24,289 YOU HAVE BEEN IGNORING ME. 1023 00:45:24,289 --> 00:45:27,192 DOES THAT MEAN THAT YOU WANT TO MOVE IN? 1024 00:45:27,192 --> 00:45:29,828 WELL, WE NEED TO TALK ABOUT IT. 1025 00:45:29,828 --> 00:45:33,899 THAT IS SUCH PRIME DAN HANSON MATERIAL. 1026 00:45:33,899 --> 00:45:36,701 WHAT, DO WE TALK ABOUT IT AT HOME, ALONE, 1027 00:45:36,701 --> 00:45:39,070 OR DO WE TALK ABOUT IT 1028 00:45:39,070 --> 00:45:42,307 IN FRONT OF 500,000 PEOPLE THAT WE DON'T KNOW? 1029 00:45:42,307 --> 00:45:43,374 OH, COME ON. 1030 00:45:43,374 --> 00:45:44,976 THAT SHOW DOESN'T GET 500,000 VIEWERS, 1031 00:45:44,976 --> 00:45:46,377 DOES IT, DO YOU THINK? 1032 00:45:46,377 --> 00:45:48,113 YOU'RE IMPOSSIBLE. YOU'RE IMPOSSIBLE. 1033 00:45:48,113 --> 00:45:51,216 EXCUSE ME. I HOPE I'M NOT INTERRUPTING. 1034 00:45:51,216 --> 00:45:54,119 MY NAME'S WALLY THURMAN. I'M THE STATION MANAGER. 1035 00:45:54,119 --> 00:45:56,121 YOU TWO ARE BOTH TERRIFIC. 1036 00:45:56,121 --> 00:45:57,722 WELL, THANK YOU. THANKS. 1037 00:45:57,722 --> 00:46:00,358 TERRIFIC TOGETHER. I MEAN, AS A TEAM. 1038 00:46:00,358 --> 00:46:04,329 HAVE YOU EVER CONSIDERED BEING ON TV REGULARLY? 1039 00:46:04,329 --> 00:46:05,530 YES. NO. 1040 00:46:05,530 --> 00:46:07,165 WELL, NO. YES. 1041 00:46:07,165 --> 00:46:08,233 WELL... 1042 00:46:08,233 --> 00:46:11,369 ACTUALLY, WE DO TALK ABOUT IT QUITE A BIT. 1043 00:46:11,369 --> 00:46:13,138 WE FEEL IT'S THE NATURAL EVOLUTION 1044 00:46:13,138 --> 00:46:14,739 OF WHAT WE'VE BEEN DOING. 1045 00:46:14,739 --> 00:46:16,207 STAND BY, PLEASE. 1046 00:46:16,207 --> 00:46:17,208 5... 1047 00:46:17,208 --> 00:46:18,209 4... 1048 00:46:18,209 --> 00:46:19,210 3... 1049 00:46:19,210 --> 00:46:20,211 2... 1050 00:46:20,211 --> 00:46:21,012 1. 1051 00:46:21,012 --> 00:46:22,981 HI. I'M DAN HANSON. 1052 00:46:22,981 --> 00:46:24,582 AND I'M LORIE BRYER. 1053 00:46:24,582 --> 00:46:26,184 THIS IS HE SAID... SHE SAID. 1054 00:46:26,184 --> 00:46:27,752 TODAY'S ISSUE IS GARBAGE. 1055 00:46:27,752 --> 00:46:29,888 OUR DUMPS WILL BE FILLED IN 10 YEARS, 1056 00:46:29,888 --> 00:46:31,322 AND WHAT DO WE DO THEN? 1057 00:46:31,322 --> 00:46:32,490 SOME PEOPLE FEEL 1058 00:46:32,490 --> 00:46:34,125 IT'S THE GOVERNMENT'S RESPONSIBILITY. 1059 00:46:34,125 --> 00:46:35,593 MAYBE THEY'RE RIGHT. 1060 00:46:35,593 --> 00:46:37,929 BUT AS MY UNCLE OLAF USED TO SAY, 1061 00:46:37,929 --> 00:46:40,832 "IF YOU MAKE THE TRASH, YOU CAN TAKE IT OUT." 1062 00:46:40,832 --> 00:46:44,735 AND THAT'S THE WAY I SEE IT. 1063 00:46:44,735 --> 00:46:46,137 YOU WERE GREAT. 1064 00:46:46,137 --> 00:46:47,672 NO, NO, YOU WERE. 1065 00:46:47,672 --> 00:46:50,075 YOU EVEN MADE ME LOOK GOOD. 1066 00:46:50,075 --> 00:46:51,742 LET'S DO IT. 1067 00:46:51,742 --> 00:46:53,544 LET'S MOVE IN TOGETHER. 1068 00:46:57,115 --> 00:47:00,651 * BLAH BLAH BLAH BLAH MOON * 1069 00:47:00,651 --> 00:47:04,222 * BLAH BLAH BLAH ABOVE 1070 00:47:04,222 --> 00:47:07,758 * BLAH BLAH BLAH BLAH CROON * 1071 00:47:07,758 --> 00:47:11,062 * BLAH BLAH BLAH BLAH LOVE * 1072 00:47:11,062 --> 00:47:13,364 * TRA LA LA LA 1073 00:47:13,364 --> 00:47:17,936 * TRA LA LA LA LA MERRY MONTH OF MAY * 1074 00:47:17,936 --> 00:47:20,405 * TRA LA LA LA 1075 00:47:20,405 --> 00:47:25,243 * TRA LA LA LA LA 'NEATH THE CLOUDS OF GRAY * 1076 00:47:25,243 --> 00:47:28,479 * BLAH BLAH BLAH YOUR HAIR * 1077 00:47:28,479 --> 00:47:32,183 * BLAH BLAH BLAH YOUR EYES * 1078 00:47:32,183 --> 00:47:35,786 * BLAH BLAH BLAH BLAH CARE * 1079 00:47:35,786 --> 00:47:39,024 * BLAH BLAH BLAH BLAH SKIES * 1080 00:47:39,024 --> 00:47:41,126 * TRA LA LA LA 1081 00:47:41,126 --> 00:47:46,131 * TRA LA LA LA LA COTTAGE FOR TWO * 1082 00:47:46,131 --> 00:47:49,968 * BLAH BLAH BLAH BLAH FLY * 1083 00:47:49,968 --> 00:47:52,837 * DARLING, WITH YOU * 1084 00:47:52,837 --> 00:47:54,339 HEY, LARRY. 1085 00:47:54,339 --> 00:47:57,542 [WHISTLES] 1086 00:47:59,077 --> 00:48:01,579 I THINK I'LL CONSIDER THIS RELATIONSHIP A SUCCESS 1087 00:48:01,579 --> 00:48:04,849 IF I CAN EVER GET YOU TO CLEAN OUT YOUR COFFEE CUP. 1088 00:48:04,849 --> 00:48:06,751 WHAT DO YOU WANT TO DO TODAY? 1089 00:48:06,751 --> 00:48:09,754 I THOUGHT WE'D STAY IN. 1090 00:48:09,754 --> 00:48:11,156 HEY, DAN! 1091 00:48:13,992 --> 00:48:15,693 HEY, GUYS. 1092 00:48:15,693 --> 00:48:17,428 THREE ON THREE AT THE PARK. 1093 00:48:17,428 --> 00:48:19,364 YEAH! 1094 00:48:19,364 --> 00:48:20,765 UH... 1095 00:48:20,765 --> 00:48:23,034 NO, ACTUALLY, I'M, UH... 1096 00:48:23,034 --> 00:48:24,569 I'M JUST GOING TO STAY IN TODAY. THANKS. 1097 00:48:25,636 --> 00:48:28,073 LET'S GET OUT OF HERE. 1098 00:48:31,342 --> 00:48:34,545 OH, HI, DAN. HOW ARE YOU TODAY? 1099 00:48:34,545 --> 00:48:36,847 I'M FINE... 1100 00:48:36,847 --> 00:48:39,084 BUT I'M GOING TO STAY IN. 1101 00:48:39,084 --> 00:48:40,618 OH. [GIGGLES] 1102 00:48:51,296 --> 00:48:52,430 LINDA? 1103 00:48:53,764 --> 00:48:57,568 DAN, HURRY UP! COME ON, YOU'RE MISSING THE PARTY. 1104 00:49:01,639 --> 00:49:03,308 I'LL BE RIGHT DOWN. 1105 00:49:15,720 --> 00:49:17,055 YOU KNOW... 1106 00:49:20,691 --> 00:49:23,461 I DEFINITELY THINK WE SHOULD STAY IN TODAY. 1107 00:49:24,729 --> 00:49:25,930 SURE, HONEY. 1108 00:49:25,930 --> 00:49:27,732 WHATEVER YOU SAY. 1109 00:49:28,933 --> 00:49:31,136 I DIDN'T CHANGE ENOUGH? 1110 00:49:31,136 --> 00:49:32,537 OH, COME ON. 1111 00:49:32,537 --> 00:49:35,740 I CHANGED EVERYTHING IN MY LIFE FOR HER. 1112 00:49:35,740 --> 00:49:37,175 YOU'RE BETTER OFF. 1113 00:49:37,175 --> 00:49:40,011 I THINK OF EVERYTHING I COULD HAVE DONE 1114 00:49:40,011 --> 00:49:42,080 IF I DIDN'T HAVE TO COME HOME TO HER. 1115 00:49:42,080 --> 00:49:43,281 WHAT THINGS? 1116 00:49:43,281 --> 00:49:45,950 HOW SHOULD I KNOW? I DIDN'T DO THEM. 1117 00:49:45,950 --> 00:49:46,951 ALL RIGHT. 1118 00:49:46,951 --> 00:49:48,153 YOU... 1119 00:49:48,153 --> 00:49:49,154 ENOUGH OF THIS. 1120 00:49:49,154 --> 00:49:51,756 YOU GO UP THERE RIGHT NOW, 1121 00:49:51,756 --> 00:49:53,758 YOU TAKE HER IN YOUR ARMS 1122 00:49:53,758 --> 00:49:56,061 AND TELL HER YOU LOVE HER. 1123 00:49:56,061 --> 00:49:58,829 NO, IT'S TOO LATE FOR THAT, MRS. SPEPK. 1124 00:49:58,829 --> 00:49:59,997 IT'S OVER. 1125 00:49:59,997 --> 00:50:02,333 DAN, YOU CAN'T BE SERIOUS. 1126 00:50:02,333 --> 00:50:05,570 MR. SPEPK, HERE'S THE KEYS TO THE APARTMENT. 1127 00:50:05,570 --> 00:50:08,106 TELL LORIE THERE'S NO NEED TO CHANGE THE LOCKS. 1128 00:50:08,106 --> 00:50:10,708 HERE, TAKE THIS. 1129 00:50:13,778 --> 00:50:15,180 THANKS. 1130 00:50:52,817 --> 00:50:54,519 HI, DAN. 1131 00:50:54,519 --> 00:50:55,820 HI. 1132 00:50:58,823 --> 00:51:00,425 GOD. ARE YOU OK? 1133 00:51:00,425 --> 00:51:01,226 YEAH. 1134 00:51:01,226 --> 00:51:03,828 WALLY TOLD ME ALL ABOUT IT. 1135 00:51:03,828 --> 00:51:05,830 WOW. NEWS TRAVELS FAST. 1136 00:51:05,830 --> 00:51:06,831 YEAH. 1137 00:51:06,831 --> 00:51:08,966 BOY, YOU LOOK GREAT. 1138 00:51:08,966 --> 00:51:11,035 IT'S REALLY GOOD TO SEE YOU. 1139 00:51:11,035 --> 00:51:12,937 MAYBE WE SHOULDN'T BE SITTING HERE. 1140 00:51:12,937 --> 00:51:14,305 WHY? 1141 00:51:14,305 --> 00:51:17,275 WHAT DIFFERENCE DOES IT MAKE? NEVER MIND. 1142 00:51:17,275 --> 00:51:20,010 SO YOU KNOW WALLY? I DIDN'T KNOW THAT. 1143 00:51:20,010 --> 00:51:21,246 HE'S BEEN CHASING ME FOREVER, 1144 00:51:21,246 --> 00:51:22,713 ALMOST AS LONG AS YOU. 1145 00:51:22,713 --> 00:51:24,249 I NEVER CHASED YOU. 1146 00:51:24,249 --> 00:51:25,816 YOU NEVER HAD TO. 1147 00:51:27,652 --> 00:51:29,053 SO WALLY ASKED ME 1148 00:51:29,053 --> 00:51:31,088 TO TRY AND GET YOU AND LORIE 1149 00:51:31,088 --> 00:51:32,190 BACK TOGETHER. 1150 00:51:32,190 --> 00:51:33,624 WHAT DID YOU SAY? 1151 00:51:33,624 --> 00:51:35,793 I SAID WE'D HAVE A COUPLE OF DRINKS, 1152 00:51:35,793 --> 00:51:37,928 AND I'D TRY REAL HARD... 1153 00:51:37,928 --> 00:51:39,197 FOR THE SAKE OF THE SHOW. 1154 00:51:39,197 --> 00:51:40,365 THERE'S ONE PROBLEM. 1155 00:51:40,365 --> 00:51:42,032 THE SHOW IS NOT AVAILABLE ANYMORE. 1156 00:51:42,032 --> 00:51:43,601 THAT MEANS YOU ARE, RIGHT? 1157 00:51:43,601 --> 00:51:46,671 BUT THEY DON'T WANT ME AS A SINGLE. 1158 00:51:46,671 --> 00:51:48,038 I'M NOT AS PICKY. 1159 00:51:48,038 --> 00:51:50,808 YOU GOT A PLACE TO STAY? 1160 00:51:50,808 --> 00:51:52,210 WELL, UH, ACTUALLY... 1161 00:51:52,210 --> 00:51:53,478 MY COMPANY PUT ME 1162 00:51:53,478 --> 00:51:55,180 IN ONE OF THOSE SUITE HOTELS. 1163 00:51:55,180 --> 00:51:57,848 I'VE GOT A SOFA AND AN EXTRA ROOM. 1164 00:51:57,848 --> 00:51:59,984 I'D LOVE IT IF YOU'D STAY WITH ME. 1165 00:51:59,984 --> 00:52:00,985 DAN. 1166 00:52:00,985 --> 00:52:02,487 OH, MARK. HI. 1167 00:52:02,487 --> 00:52:04,121 HOW'S THE-- HOW'S THE WOUND? 1168 00:52:04,121 --> 00:52:07,658 IT'S, UH... IT'S OK. 1169 00:52:07,658 --> 00:52:08,859 YEAH. 1170 00:52:08,859 --> 00:52:13,130 WELL, I'VE GOT TO GET BACK TO WORK, SO, UH... 1171 00:52:14,465 --> 00:52:17,235 SEE YA. 1172 00:52:17,235 --> 00:52:18,236 WHAT GIVES? 1173 00:52:18,236 --> 00:52:19,770 WHAT HAPPENED THIS MORNING? 1174 00:52:19,770 --> 00:52:20,671 ALL RIGHT. 1175 00:52:20,671 --> 00:52:22,840 I'M IN THE GREEN ROOM, RIGHT? 1176 00:52:24,242 --> 00:52:26,711 WHY DO YOU THINK THEY CALL THIS 1177 00:52:26,711 --> 00:52:27,845 A GREEN ROOM? 1178 00:52:27,845 --> 00:52:29,247 I DON'T KNOW. 1179 00:52:29,247 --> 00:52:32,183 PROBABLY SOME OLD THEATRICAL TRADITION, HUH? 1180 00:52:32,183 --> 00:52:34,885 SOMETHING TO DO WITH SHAKESPEARE OR SOMETHING. 1181 00:52:36,354 --> 00:52:38,088 OH, CHRIST, LORIE. 1182 00:52:38,088 --> 00:52:39,290 WHAT? 1183 00:52:39,290 --> 00:52:42,493 YOUR CUP. YOUR GODDAMN CUP. 1184 00:52:46,697 --> 00:52:48,233 SO... 1185 00:52:48,233 --> 00:52:50,535 HAVE YOU HEARD FROM LINDA? 1186 00:52:52,237 --> 00:52:54,372 WELL, OBVIOUSLY YOU KNOW I HAVE OR YOU 1187 00:52:54,372 --> 00:52:55,840 WOULDN'T HAVE ASKED. 1188 00:52:55,840 --> 00:52:57,442 DID YOU READ HER LETTER? 1189 00:52:57,442 --> 00:53:00,345 NO. I MEAN, IT WASN'T ADDRESSED TO ME. 1190 00:53:01,379 --> 00:53:02,647 IS THAT WHAT'S BOTHERING YOU? 1191 00:53:02,647 --> 00:53:04,982 WELL, IT JUST SEEMS STRANGE. 1192 00:53:04,982 --> 00:53:07,485 I MEAN, SHE MOVES OUT OF TOWN, 1193 00:53:07,485 --> 00:53:10,020 SHE SENDS CHRISTMAS CARDS TO BOTH OF US, 1194 00:53:10,020 --> 00:53:11,322 AND POSTCARDS, 1195 00:53:11,322 --> 00:53:14,492 SO WHEN A LETTER CAME ADDRESSED JUST TO YOU, 1196 00:53:14,492 --> 00:53:16,694 IT JUST MADE ME WONDER, THAT'S ALL. 1197 00:53:16,694 --> 00:53:18,829 WHY IS THIS BOTHERING YOU NOW? 1198 00:53:18,829 --> 00:53:21,666 WE'RE ON TOP OF THE WORLD HERE. 1199 00:53:21,666 --> 00:53:25,002 OK. SHE IS COMING INTO TOWN. 1200 00:53:25,002 --> 00:53:27,805 I MEAN, SHE'S HERE, IN FACT. 1201 00:53:27,805 --> 00:53:29,274 HAVE YOU SEEN HER? 1202 00:53:29,274 --> 00:53:31,208 NO, I HAVE NOT. 1203 00:53:31,208 --> 00:53:32,577 AS A MATTER OF FACT, 1204 00:53:32,577 --> 00:53:35,480 IF--IF YOU WANT TO HAVE DRINKS TODAY, 1205 00:53:35,480 --> 00:53:38,249 WE'RE SUPPOSED TO HAVE DRINKS WITH HER. 1206 00:53:38,249 --> 00:53:41,185 WEREN'T YOU GOING TO TELL ME? 1207 00:53:41,185 --> 00:53:44,088 HONEY, I JUST DID. 1208 00:53:44,088 --> 00:53:46,624 OH, GOD, DAN. SOMETIMES, I SWEAR-- 1209 00:53:46,624 --> 00:53:48,626 WHAT IS THE MATTER WITH YOU? 1210 00:53:48,626 --> 00:53:50,127 HOW CAN YOU BE JEALOUS 1211 00:53:50,127 --> 00:53:51,396 AFTER ALL THIS TIME? 1212 00:53:51,396 --> 00:53:54,632 BECAUSE APPARENTLY I STILL HAVE REASON TO BE. 1213 00:53:54,632 --> 00:53:57,101 YOU WERE GOING TO SEE HER WITHOUT TELLING ME. 1214 00:53:57,101 --> 00:53:58,536 I WAS GOING TO SEE HER, 1215 00:53:58,536 --> 00:53:59,870 NOT SLEEP WITH HER. 1216 00:53:59,870 --> 00:54:02,840 I'M NOT SAYING YOU PLANNED TO SLEEP WITH HER, 1217 00:54:02,840 --> 00:54:04,041 BUT BY NOT INVITING ME, 1218 00:54:04,041 --> 00:54:07,412 YOU LEAVE YOURSELF THAT LITTLE MARGIN FOR ERROR 1219 00:54:07,412 --> 00:54:09,347 WHERE UNPLANNED ACCIDENTS CAN HAPPEN. 1220 00:54:09,347 --> 00:54:10,648 YOU'RE STILL DIDDLING AROUND. 1221 00:54:10,648 --> 00:54:12,550 NO, I AM NOT DIDDLING AROUND. 1222 00:54:12,550 --> 00:54:13,751 I DON'T DIDDLE. 1223 00:54:13,751 --> 00:54:15,953 I'M NOT GOING TO BED WITH LINDA. 1224 00:54:15,953 --> 00:54:18,255 I MAY SPLIT A SALAD WITH HER. THAT'S ALL. 1225 00:54:18,255 --> 00:54:19,724 I WANT TO GET MARRIED. 1226 00:54:19,724 --> 00:54:20,991 WHAT? 1227 00:54:20,991 --> 00:54:22,126 A MINUTE AGO, 1228 00:54:22,126 --> 00:54:23,994 YOU ACCUSED ME OF CHEATING ON YOU. 1229 00:54:23,994 --> 00:54:26,063 NOW YOU WANT TO MARRY ME? 1230 00:54:26,063 --> 00:54:27,432 DON'T YOU THINK ABOUT IT? 1231 00:54:27,432 --> 00:54:30,901 YEAH. I JUST DON'T KNOW WHAT I THINK ABOUT IT. 1232 00:54:30,901 --> 00:54:33,103 SOMETIMES I FEEL LIKE I HAVE REALLY GROWN 1233 00:54:33,103 --> 00:54:35,072 IN THE LAST THREE YEARS, 1234 00:54:35,072 --> 00:54:36,841 AND YOU HAVE JUST STOOD STILL. 1235 00:54:36,841 --> 00:54:37,642 NO, THAT IS NOT 1236 00:54:37,642 --> 00:54:38,776 WHAT'S GOING ON HERE. 1237 00:54:38,776 --> 00:54:40,745 YOU'RE SO AFRAID OF BEING HURT, 1238 00:54:40,745 --> 00:54:42,747 YOU'RE MAKING A DEMAND ON ME 1239 00:54:42,747 --> 00:54:44,248 YOU'RE SURE I CAN'T MEET. 1240 00:54:44,248 --> 00:54:45,516 YOU'RE PUSHING ME TO WALK. 1241 00:54:45,516 --> 00:54:46,784 IS THAT WHAT YOU WANT? 1242 00:54:46,784 --> 00:54:48,919 YOU JUST DON'T GET IT, DO YOU? 1243 00:54:48,919 --> 00:54:50,788 I KNOW YOU ARE SCARED OF TAKING THIS STEP. 1244 00:54:51,856 --> 00:54:53,257 I AM SCARED, TOO. 1245 00:54:53,257 --> 00:54:55,125 BUT THAT'S THE GREAT THING. 1246 00:54:55,125 --> 00:54:56,661 DON'T YOU SEE? 1247 00:54:56,661 --> 00:54:58,896 WE COULD BE SCARED... TOGETHER. 1248 00:55:00,665 --> 00:55:05,302 LOOK, I JUST... I WANT TO BE SURE OF YOU. 1249 00:55:05,302 --> 00:55:08,873 IF THAT MEANS THAT I'M A LITTLE INSECURE 1250 00:55:08,873 --> 00:55:10,274 OR A LITTLE NEUROTIC, 1251 00:55:10,274 --> 00:55:11,942 WELL, SO BE IT. 1252 00:55:11,942 --> 00:55:14,512 I--I JUST WANT TO KNOW 1253 00:55:14,512 --> 00:55:18,248 THAT IF I'M ON THE AIR WITH YOU IN FIVE YEARS, 1254 00:55:18,248 --> 00:55:20,385 IT'S BECAUSE YOU LOVE ME, 1255 00:55:20,385 --> 00:55:24,021 NOT BECAUSE I'M YOUR BUSINESS PARTNER. 1256 00:55:24,021 --> 00:55:27,425 OH, I DO. I DO. 1257 00:55:27,425 --> 00:55:29,093 COME ON. 1258 00:55:35,966 --> 00:55:37,768 COME ON. 1259 00:55:37,768 --> 00:55:40,371 YOU DON'T WANT TO GET MARRIED. 1260 00:55:41,739 --> 00:55:44,341 NO, DAN. YOU DON'T WANT TO GET MARRIED. 1261 00:55:44,341 --> 00:55:46,844 RIGHT? LET ME HEAR YOU SAY IT. 1262 00:55:46,844 --> 00:55:48,513 TIME, PLEASE. 1263 00:55:48,513 --> 00:55:50,080 HEY, MARK... 1264 00:55:50,080 --> 00:55:51,081 MARK... 1265 00:55:51,081 --> 00:55:52,650 YEAH? 1266 00:55:52,650 --> 00:55:53,918 SETTLE AN ARGUMENT. 1267 00:55:53,918 --> 00:55:57,154 WHY DO THEY CALL THIS THE GREEN ROOM? 1268 00:55:57,154 --> 00:56:00,391 UM, I DON'T KNOW. 1269 00:56:00,391 --> 00:56:02,059 SEE YOU IN THERE. 1270 00:56:05,663 --> 00:56:08,666 I'M SORRY, BUT... 1271 00:56:08,666 --> 00:56:11,101 I DON'T WANT TO GET MARRIED. 1272 00:56:47,538 --> 00:56:49,239 COMING THROUGH. 1273 00:56:49,239 --> 00:56:50,240 WATCH IT. 1274 00:56:50,240 --> 00:56:52,510 LORIE, 15 SECONDS TO AIR. 1275 00:57:16,667 --> 00:57:18,268 PLACES, EVERYBODY. 1276 00:57:18,268 --> 00:57:20,270 QUIET, PLEASE. 1277 00:57:20,270 --> 00:57:21,271 5... 1278 00:57:21,271 --> 00:57:22,272 4... 1279 00:57:22,272 --> 00:57:23,273 3... 1280 00:57:23,273 --> 00:57:24,709 2... 1281 00:57:24,709 --> 00:57:27,678 AND NOW, PERKELL HEATING AND COOLING BRINGS YOU 1282 00:57:27,678 --> 00:57:29,246 HE SAID, SHE SAID, 1283 00:57:29,246 --> 00:57:30,414 WITH YOUR COMMENTATORS 1284 00:57:30,414 --> 00:57:32,349 LORRAINE BRYER AND DAN HANSON. 1285 00:57:32,349 --> 00:57:33,984 THE ISSUE TODAY-- 1286 00:57:33,984 --> 00:57:36,286 PROPOSITION 41, THE HIGHWAY MERGER. 1287 00:57:36,286 --> 00:57:38,956 GOOD AFTERNOON, DAN. 1288 00:57:41,091 --> 00:57:44,895 PROPOSITION 41 ON THE BALLOT IN OCTOBER 1289 00:57:44,895 --> 00:57:47,798 WOULD PROVIDE FOR A NEW CONNECTING SPUR 1290 00:57:47,798 --> 00:57:52,503 TO MERGE HIGHWAYS 710 AND 88. 1291 00:57:52,503 --> 00:57:56,841 IN MY VIEW, THIS MERGER IS LONG OVERDUE. 1292 00:57:56,841 --> 00:57:59,476 NOT ONLY WOULD IT IMPROVE ACCESS, 1293 00:57:59,476 --> 00:58:01,846 BUT IT WOULD ALLOW FOR MAXIMUM GROWTH, 1294 00:58:01,846 --> 00:58:04,815 ESPECIALLY IN THE OUTLYING AREAS. 1295 00:58:04,815 --> 00:58:07,752 I KNOW WHAT YOU'LL SAY, DAN. 1296 00:58:07,752 --> 00:58:10,420 THAT PROPOSITION 41 CAN WAIT, 1297 00:58:10,420 --> 00:58:12,990 THAT THERE'S NO NEED FOR IT NOW. 1298 00:58:12,990 --> 00:58:16,326 BUT IN TWO OR THREE YEARS... 1299 00:58:16,326 --> 00:58:19,730 IT WILL BE TOO LATE. 1300 00:58:19,730 --> 00:58:26,203 WE MUST GO FORWARD OR WE STOP. 1301 00:58:26,203 --> 00:58:28,472 NOW IS THE TIME... 1302 00:58:28,472 --> 00:58:32,276 AND THAT'S THE WAY I SEE IT. 1303 00:58:32,276 --> 00:58:34,745 WELL, LORIE, THERE YOU GO, 1304 00:58:34,745 --> 00:58:37,381 OVER-INTELLECTUALIZING AGAIN. 1305 00:58:37,381 --> 00:58:39,049 COMMON SENSE TELLS US 1306 00:58:39,049 --> 00:58:41,786 THAT A MERGER SIMPLY IS NOT NEEDED. 1307 00:58:41,786 --> 00:58:43,087 THESE TWO HIGHWAYS 1308 00:58:43,087 --> 00:58:45,823 FUNCTION QUITE WELL INDEPENDENTLY, THANK YOU, 1309 00:58:45,823 --> 00:58:48,726 AND A MERGER NOW WOULD ONLY MEAN INCREASED SPENDING, 1310 00:58:48,726 --> 00:58:51,696 TRAFFIC, AND CONGESTION IN AN ALREADY CROWDED AREA. 1311 00:58:51,696 --> 00:58:53,631 AND THE OUTLYING AREAS THAT YOU SPEAK OF 1312 00:58:53,631 --> 00:58:55,132 HAVE REACHED A PLATEAU 1313 00:58:55,132 --> 00:58:58,268 WHERE FURTHER GROWTH IS JUST NOT EXPECTED. 1314 00:58:59,804 --> 00:59:02,707 THERE'S NOTHING WRONG WITH THE STATUS QUO, LORIE. 1315 00:59:02,707 --> 00:59:05,109 AS MY UNCLE OLAF USED TO SAY, 1316 00:59:05,109 --> 00:59:07,511 "WHY FIX IT IF IT AIN'T BROKEN?" 1317 00:59:07,511 --> 00:59:11,381 THAT'S THE WAY I SEE IT--OW! 1318 00:59:11,381 --> 00:59:12,750 DID YOU SEE THAT? 1319 00:59:12,750 --> 00:59:15,653 THE OPINIONS EXPRESSED BY THE COMMENTATORS 1320 00:59:15,653 --> 00:59:18,923 ARE NOT NECESSARILY THOSE OF STATION... 1321 00:59:18,923 --> 00:59:20,257 LORIE... 1322 00:59:20,257 --> 00:59:21,659 LORIE... 1323 00:59:21,659 --> 00:59:23,794 ARE--ARE YOU ALL RIGHT? 1324 00:59:23,794 --> 00:59:27,297 OF COURSE I AM. OF COURSE. YEAH. 1325 00:59:27,297 --> 00:59:29,033 YEAH, I'M FINE. 1326 00:59:29,033 --> 00:59:30,400 ARE YOU SURE? 1327 00:59:30,400 --> 00:59:31,736 YEAH, I'M FINE, MARK. 1328 00:59:31,736 --> 00:59:33,537 DON'T WORRY ABOUT ME. I'LL BE ALL RIGHT. 1329 00:59:33,537 --> 00:59:36,573 MY KEYS ARE INSIDE. MY PURSE IS INSIDE. 1330 00:59:36,573 --> 00:59:38,408 MY WHOLE LIFE IS INSIDE. 1331 00:59:38,408 --> 00:59:39,677 WHO CARES? RIGHT? 1332 00:59:39,677 --> 00:59:41,078 I'M NOT GOING BACK IN THERE. 1333 00:59:41,078 --> 00:59:43,981 DO YOU THINK I HURT HIM WITH THE CUP? 1334 00:59:43,981 --> 00:59:46,483 WELL, WHO CARES? I'M GOING TO WALK HOME. 1335 00:59:46,483 --> 00:59:49,787 I FEEL SO GOOD THAT I'M JUST GOING TO WALK HOME. 1336 00:59:49,787 --> 00:59:52,089 LORIE, I, UM... 1337 00:59:58,829 --> 01:00:01,031 COULD YOU GIVE ME A RIDE HOME? 1338 01:00:01,031 --> 01:00:02,833 SURE. YOU LOOK LIKE YOU COULD USE ONE. 1339 01:00:02,833 --> 01:00:04,168 MY CAR'S JUST OVER HERE. 1340 01:00:04,168 --> 01:00:05,903 WHERE DO THESE GO? 1341 01:00:05,903 --> 01:00:07,838 EVERYTHING GOES IN THE HALL. 1342 01:00:07,838 --> 01:00:10,374 THE LOUSY RECORDS, THE TOYS, 1343 01:00:10,374 --> 01:00:11,441 THE MODELS... 1344 01:00:11,441 --> 01:00:12,442 WHAT ABOUT THIS? 1345 01:00:12,442 --> 01:00:16,446 OH, NO. I WANT THAT. 1346 01:00:16,446 --> 01:00:18,048 YOU'VE KNOWN ME A LONG TIME, 1347 01:00:18,048 --> 01:00:18,983 RIGHT, CINDY? 1348 01:00:18,983 --> 01:00:21,185 I QUALIFY AS A RATIONAL PERSON, 1349 01:00:21,185 --> 01:00:22,452 DON'T I? 1350 01:00:22,452 --> 01:00:23,854 YES, SOMEWHAT. 1351 01:00:23,854 --> 01:00:26,190 I MEAN, I'M NOT CRAZY, 1352 01:00:26,190 --> 01:00:29,026 BUT THERE COMES A TIME WHEN YOU SAY, 1353 01:00:29,026 --> 01:00:30,194 "YES, WE GO FORWARD." 1354 01:00:30,194 --> 01:00:32,629 OR "NO, WE MADE A BIG MISTAKE." 1355 01:00:32,629 --> 01:00:34,899 I FEEL GREAT. I REALLY DO. 1356 01:00:34,899 --> 01:00:36,366 AAH! WHAT ARE YOU DOING? 1357 01:00:36,366 --> 01:00:37,735 COME ON! STOP IT. 1358 01:00:37,735 --> 01:00:40,270 I WON'T LET YOU DO THIS TO YOURSELF 1359 01:00:40,270 --> 01:00:41,271 OR YOUR VCR. 1360 01:00:41,271 --> 01:00:42,673 HE'S NOT WORTH IT. 1361 01:00:42,673 --> 01:00:44,274 YOU NEVER NEEDED HIM. 1362 01:00:44,274 --> 01:00:45,542 IF YOU WANTED TO, 1363 01:00:45,542 --> 01:00:48,112 YOU COULD'VE HAD YOUR OWN TV SHOW. 1364 01:00:48,112 --> 01:00:50,848 THAT'S JUST IT. I NEVER WANTED A TV SHOW. 1365 01:00:50,848 --> 01:00:52,249 I DON'T EVEN WATCH TV. 1366 01:00:52,249 --> 01:00:53,183 OK. 1367 01:00:53,183 --> 01:00:54,919 THE NEW YORK TIMES CALLED. 1368 01:00:54,919 --> 01:00:56,486 THEY LOVED MY WORK. 1369 01:00:56,486 --> 01:00:58,689 I'M GOING TO CALL THEM BACK. 1370 01:00:58,689 --> 01:00:59,824 GOOD. 1371 01:00:59,824 --> 01:01:02,392 I MEAN, TO THINK I LET HIM DETOUR ME 1372 01:01:02,392 --> 01:01:03,694 FROM MY ORIGINAL PURPOSE. 1373 01:01:03,694 --> 01:01:05,062 IT'S THREE YEARS GONE. 1374 01:01:05,062 --> 01:01:07,865 SO WHAT. I'M STILL REASONABLY YOUNG, RIGHT? 1375 01:01:07,865 --> 01:01:09,433 IT'S REALLY BEEN THREE YEARS? 1376 01:01:09,433 --> 01:01:11,936 I MEAN, ALL THE TIME I WASTED 1377 01:01:11,936 --> 01:01:13,637 OVERLOOKING THOSE ROTTEN THINGS. 1378 01:01:13,637 --> 01:01:15,572 I MEAN, YOU REMEMBER, CINDY. 1379 01:01:15,572 --> 01:01:18,208 IT WAS OBVIOUS RIGHT FROM THE START. 1380 01:01:35,159 --> 01:01:37,027 UH, WHAT WE'VE DECIDED TO DO, 1381 01:01:37,027 --> 01:01:39,163 IN A VERY SOLOMON-LIKE AND QUITE COWARDLY MANNER, 1382 01:01:39,163 --> 01:01:40,998 IS TO GIVE YOU BOTH A SHOT AT IT. 1383 01:01:40,998 --> 01:01:44,268 YOU HAVE BOTH BEEN FOLLOWING THIS PUBLIC SCULPTURE THING? 1384 01:01:44,268 --> 01:01:45,302 OH, YEAH. 1385 01:01:45,302 --> 01:01:46,336 HA HA HA. 1386 01:01:46,336 --> 01:01:49,073 DON'T FEEL YOU HAVE TO IMITATE MONROE. 1387 01:01:49,073 --> 01:01:51,742 USE YOUR OWN STYLE, YOUR OWN OPINIONS. 1388 01:01:51,742 --> 01:01:53,677 1,500 WORDS, ON MY DESK, 1389 01:01:53,677 --> 01:01:55,512 BY 5:00 FOR PUBLICATION TOMORROW. 1390 01:01:55,512 --> 01:01:57,514 AND MAY THE BEST MAN WIN-- 1391 01:01:57,514 --> 01:01:59,917 OH, OR THE BEST WOMAN. 1392 01:02:06,123 --> 01:02:07,691 LISTEN. AFTER TOMORROW, 1393 01:02:07,691 --> 01:02:09,226 ONE OF US IS PROBABLY 1394 01:02:09,226 --> 01:02:12,296 NEVER GOING TO SPEAK TO THE OTHER AGAIN. 1395 01:02:12,296 --> 01:02:13,964 SO HOW ABOUT DINNER? 1396 01:02:13,964 --> 01:02:15,699 SHOCKING AS THIS MAY SOUND, 1397 01:02:15,699 --> 01:02:16,967 I'D LIKE TO. 1398 01:02:16,967 --> 01:02:19,136 UNFORTUNATELY, I HAVE A DATE. 1399 01:02:19,136 --> 01:02:21,705 WELL, IT'S NOT ACTUALLY A DATE. 1400 01:02:21,705 --> 01:02:23,440 IT'S MORE LIKE AN OBLIGATION. 1401 01:02:23,440 --> 01:02:24,975 SORRY. 1402 01:02:30,114 --> 01:02:31,315 THANK YOU. 1403 01:02:38,622 --> 01:02:39,623 GUESS WHAT. 1404 01:02:39,623 --> 01:02:40,624 WHAT? 1405 01:02:40,624 --> 01:02:42,192 GUESS. 1406 01:02:42,192 --> 01:02:45,262 THEY'RE PRINTING THE NEW REPUBLIC PIECE. 1407 01:02:45,262 --> 01:02:46,196 THAT'S GREAT! 1408 01:02:46,196 --> 01:02:47,932 THE ONE ABOUT THE SANDINISTA 1409 01:02:47,932 --> 01:02:49,166 EDUCATION SYSTEM? THAT'S TERRIFIC! 1410 01:02:49,166 --> 01:02:51,568 I BROUGHT A COPY FOR YOU TO SEE. 1411 01:02:51,568 --> 01:02:53,871 OH, I'D LOVE TO. GREAT. 1412 01:02:55,205 --> 01:02:56,206 NO. I... 1413 01:02:56,206 --> 01:02:59,043 WHAT? IT TAKES TOO LONG TO START? 1414 01:02:59,043 --> 01:03:00,644 WE'RE DOING IT AGAIN. 1415 01:03:00,644 --> 01:03:02,880 WE ARE RELATING TO EACH OTHER 1416 01:03:02,880 --> 01:03:05,215 AS WRITERS AND POLITICAL COLLEAGUES. 1417 01:03:05,215 --> 01:03:07,551 WE ARE NOT RELATING TO EACH OTHER 1418 01:03:07,551 --> 01:03:09,419 AS A WOMAN AND A MAN. 1419 01:03:09,419 --> 01:03:10,821 OHH. 1420 01:03:15,425 --> 01:03:17,828 ADAM... 1421 01:03:17,828 --> 01:03:19,830 LOOK... 1422 01:03:19,830 --> 01:03:22,132 WHAT I WANTED TO SAY... 1423 01:03:23,733 --> 01:03:26,070 I--I DON'T THINK THAT WE SHOULD 1424 01:03:26,070 --> 01:03:28,405 SEE EACH OTHER ANYMORE. 1425 01:03:28,405 --> 01:03:32,576 IT'S NOT SEXUAL OR EXCITING BETWEEN US ANYMORE. 1426 01:03:32,576 --> 01:03:34,744 I THINK THAT IT WAS...ONCE, 1427 01:03:34,744 --> 01:03:39,049 BUT IT'S JUST NOT THERE ANYMORE. 1428 01:03:39,049 --> 01:03:40,851 THIS IS VERY HARD TO SAY-- 1429 01:03:40,851 --> 01:03:43,120 IT'S VERY HARD TO LISTEN TO. 1430 01:03:45,389 --> 01:03:46,723 I KNOW. 1431 01:03:46,723 --> 01:03:48,392 I-I'M SORRY. 1432 01:03:48,392 --> 01:03:50,260 LORIE, I'M NOT A COMPLETE MORON, 1433 01:03:50,260 --> 01:03:51,161 YOU KNOW. 1434 01:03:51,161 --> 01:03:53,663 I SORT OF SAW THIS THING COMING. 1435 01:03:53,663 --> 01:03:54,932 BUT I DON'T THINK 1436 01:03:54,932 --> 01:03:57,001 THIS IS ENTIRELY MY FAULT. 1437 01:03:57,001 --> 01:04:00,670 I'M NOT SAYING THAT IT IS. 1438 01:04:00,670 --> 01:04:02,206 WELL... 1439 01:04:02,206 --> 01:04:03,807 MAYBE TWO CEREBRAL PEOPLE 1440 01:04:03,807 --> 01:04:06,343 JUST SHOULDN'T BE TOGETHER. 1441 01:04:12,416 --> 01:04:14,218 I GOT TO GO. 1442 01:04:14,218 --> 01:04:15,419 NO. DON'T--DON'T GO. 1443 01:04:15,419 --> 01:04:18,822 NO. I PREFER IT, IF YOU DON'T MIND. 1444 01:04:18,822 --> 01:04:20,157 SEE YA. 1445 01:04:29,967 --> 01:04:32,602 WOW. THAT WAS A FAST DATE. 1446 01:04:39,343 --> 01:04:41,545 LOOKS LIKE WE CAN'T GET AWAY 1447 01:04:41,545 --> 01:04:42,947 FROM EACH OTHER. 1448 01:04:42,947 --> 01:04:44,348 MAYBE IT'S FATE. 1449 01:04:44,348 --> 01:04:46,550 THE SEÑORA IS ORDERING DINNER? 1450 01:04:46,550 --> 01:04:47,451 NO. 1451 01:04:47,451 --> 01:04:48,852 CAESAR SALAD'S GREAT HERE. 1452 01:04:48,852 --> 01:04:49,853 NO. I'M GOING TO... 1453 01:04:49,853 --> 01:04:50,854 COME ON. 1454 01:04:50,854 --> 01:04:52,456 ALL RIGHT. I'LL... 1455 01:04:52,456 --> 01:04:56,226 I'LL HAVE A CAESAR SALAD AND A GIN AND TONIC. 1456 01:04:56,226 --> 01:04:57,594 I'LL HAVE ANOTHER ONE OF THESE. 1457 01:04:57,594 --> 01:04:59,263 ENJOY YOUR MEAL. 1458 01:05:01,966 --> 01:05:03,633 WE HAD A FIGHT. 1459 01:05:05,369 --> 01:05:07,671 WELL, ACTUALLY WE DIDN'T. 1460 01:05:07,671 --> 01:05:11,308 WE DIDN'T HAVE A FIGHT. WE--WE BROKE UP. 1461 01:05:11,308 --> 01:05:15,712 I DON'T KNOW WHAT I'M TELLING YOU THIS FOR. 1462 01:05:15,712 --> 01:05:17,581 I'M REALLY SORRY. 1463 01:05:17,581 --> 01:05:19,216 SO WHO BROKE IT OFF? 1464 01:05:19,216 --> 01:05:20,450 I DID. 1465 01:05:20,450 --> 01:05:21,418 SEE, SOMETIMES 1466 01:05:21,418 --> 01:05:22,953 THAT'S THE MORE PAINFUL POSITION. 1467 01:05:22,953 --> 01:05:24,688 IT'S ALWAYS EASIER TO LOVE 1468 01:05:24,688 --> 01:05:25,956 THAN BE LOVED, 1469 01:05:25,956 --> 01:05:27,958 AND HURTING SOMEONE CAN FEEL WORSE 1470 01:05:27,958 --> 01:05:29,159 THAN BEING HURT. 1471 01:05:29,159 --> 01:05:30,995 AND GOD KNOWS, I'M ALWAYS TERRIFIED 1472 01:05:30,995 --> 01:05:33,263 TO GIVE BAD NEWS TO A WOMAN. 1473 01:05:33,263 --> 01:05:34,898 MAYBE THAT'S WEAK OF ME. 1474 01:05:34,898 --> 01:05:36,366 I DON'T KNOW. 1475 01:05:36,366 --> 01:05:37,567 YEAH. 1476 01:05:39,336 --> 01:05:42,839 SO, HOW DO YOU KNOW SO MUCH? 1477 01:05:42,839 --> 01:05:45,942 BELIEVE ME, I'VE BEEN THERE. 1478 01:05:45,942 --> 01:05:46,943 DAN! 1479 01:05:46,943 --> 01:05:48,545 SUSAN. 1480 01:05:48,545 --> 01:05:50,080 HI. 1481 01:05:51,548 --> 01:05:53,217 EXCUSE ME. 1482 01:05:55,952 --> 01:05:57,354 WOW. YOU LOOK FANTASTIC. 1483 01:05:57,354 --> 01:05:59,356 YOU REALLY DO. THAT DRESS-- 1484 01:05:59,356 --> 01:06:00,557 THAT'S YOUR COLOR. 1485 01:06:00,557 --> 01:06:01,958 THAT IS YOU. 1486 01:06:01,958 --> 01:06:04,361 THANKS. AND THANK YOU FOR THE FLOWERS. 1487 01:06:04,361 --> 01:06:05,962 THEY WERE SO BEAUTIFUL. 1488 01:06:05,962 --> 01:06:07,431 THANKS. YOU GOT THEM. 1489 01:06:07,431 --> 01:06:08,498 GOOD. 1490 01:06:08,498 --> 01:06:10,634 NEXT WEEK, LET'S GO TO THE ROLLER DERBY. 1491 01:06:10,634 --> 01:06:11,701 SOUNDS GOOD. 1492 01:06:11,701 --> 01:06:13,970 BUT WEAR THAT DRESS OR THE DEAL'S OFF. 1493 01:06:13,970 --> 01:06:14,971 I WILL. 1494 01:06:14,971 --> 01:06:17,607 OH, SHIT. MY TIT POPPED OUT. 1495 01:06:17,607 --> 01:06:20,577 I HATE IT WHEN THAT HAPPENS, DON'T YOU? 1496 01:06:20,577 --> 01:06:21,578 BYE. 1497 01:06:21,578 --> 01:06:23,247 SEE YOU LATER. 1498 01:06:24,981 --> 01:06:27,984 CLASSY... WITH A CAPITAL "K." 1499 01:06:27,984 --> 01:06:30,954 AND YOU. LOOK AT YOU. 1500 01:06:30,954 --> 01:06:33,457 MR. SMOOTH. 1501 01:06:33,457 --> 01:06:37,094 YOU KNOW, I CAN'T BELIEVE THAT I WAS LETTING MYSELF 1502 01:06:37,094 --> 01:06:40,230 GET SUCKED INTO THIS RAP OF YOURS. 1503 01:06:40,230 --> 01:06:43,500 "IT'S BETTER TO LOVE THAN TO BE LOVED." 1504 01:06:43,500 --> 01:06:46,636 THIS--YOU WERE COMING ON TO ME. 1505 01:06:46,636 --> 01:06:48,905 THIS WAS A PASS. 1506 01:06:48,905 --> 01:06:50,374 YOU CALL THAT A PASS? 1507 01:06:50,374 --> 01:06:51,941 YOU MEN ARE ALL ALIKE. 1508 01:06:51,941 --> 01:06:54,178 YOU DON'T TAKE ANY OF US SERIOUSLY. 1509 01:06:54,178 --> 01:06:55,379 NO, NO. WAIT, WAIT. 1510 01:06:55,379 --> 01:06:57,581 I WAS-- I WAS JUST THINKING. 1511 01:06:57,581 --> 01:06:59,749 WAS THAT A PASS? 1512 01:06:59,749 --> 01:07:01,985 OH, MY GOD. 1513 01:07:01,985 --> 01:07:03,587 YOU'RE RIGHT. 1514 01:07:03,587 --> 01:07:04,988 THAT WAS A PASS. 1515 01:07:04,988 --> 01:07:06,390 I'M SORRY. I... 1516 01:07:06,390 --> 01:07:08,992 BUT WHAT WAS I SUPPOSED TO DO? 1517 01:07:08,992 --> 01:07:11,095 THERE YOU WERE SITTING THERE, 1518 01:07:11,095 --> 01:07:12,596 VULNERABLE... 1519 01:07:12,596 --> 01:07:14,364 ATTRACTIVE. 1520 01:07:15,999 --> 01:07:19,136 OH, DARN IT. 1521 01:07:19,136 --> 01:07:21,037 DARN IT. DARN IT. DARN IT. 1522 01:07:21,037 --> 01:07:22,406 THERE I GO AGAIN. 1523 01:07:22,406 --> 01:07:23,873 I'M OUT OF CONTROL. 1524 01:07:23,873 --> 01:07:26,009 I CAN'T NOT MAKE A PASS AT YOU. 1525 01:07:26,009 --> 01:07:27,077 ANYWAY-- 1526 01:07:27,077 --> 01:07:29,079 I'M THROUGH WITH ALL OF YOU 1527 01:07:29,079 --> 01:07:30,147 FOR A WHILE. 1528 01:07:30,147 --> 01:07:31,281 THERE ARE THINGS 1529 01:07:31,281 --> 01:07:33,850 THAT ARE MORE IMPORTANT TO ME NOW. 1530 01:07:33,850 --> 01:07:34,984 LIKE WHAT? 1531 01:07:34,984 --> 01:07:37,053 LIKE THE CHANCE TO SAY SOMETHING, 1532 01:07:37,053 --> 01:07:38,588 TO REACH PEOPLE. 1533 01:07:38,588 --> 01:07:40,590 WHAT EVERY JOURNALIST WANTS-- 1534 01:07:40,590 --> 01:07:44,161 TO WORK AT THE NEW YORK TIMES. 1535 01:07:44,161 --> 01:07:46,630 FOR NOW, I WILL SETTLE FOR THIS COLUMN. 1536 01:07:46,630 --> 01:07:47,431 MY COLUMN. 1537 01:07:47,431 --> 01:07:49,032 THERE YOU ARE, MA'AM. 1538 01:07:49,032 --> 01:07:51,335 I'LL MAKE UP A LITTLE PLATE FOR YOU. 1539 01:07:51,335 --> 01:07:52,736 I DON'T LIKE TO FEEL 1540 01:07:52,736 --> 01:07:55,172 LIKE I'M HAVING DINNER WITH A SHARK. 1541 01:07:55,172 --> 01:07:56,173 A LITTLE PASTA. 1542 01:07:56,173 --> 01:07:57,507 SAUCE. SALAD. 1543 01:07:57,507 --> 01:07:58,642 TOMATO. 1544 01:08:00,510 --> 01:08:01,578 OK? 1545 01:08:01,578 --> 01:08:03,247 THERE. HAVE FUN. 1546 01:08:04,781 --> 01:08:06,716 TO MY COLUMN. 1547 01:08:07,751 --> 01:08:10,053 NOT SO FAST. PAPER DOESN'T COME OUT 1548 01:08:10,053 --> 01:08:12,222 FOR ANOTHER COUPLE OF HOURS. 1549 01:08:17,794 --> 01:08:19,829 [TELEPHONE RINGS] 1550 01:08:21,931 --> 01:08:24,468 [RING] 1551 01:08:26,503 --> 01:08:27,804 [RING] 1552 01:08:27,804 --> 01:08:29,606 HELLO? 1553 01:08:29,606 --> 01:08:30,874 OH, HI, CINDY. 1554 01:08:32,041 --> 01:08:33,943 YES, I KNOW! ISN'T IT GREAT? 1555 01:08:33,943 --> 01:08:36,613 OH, THANKS. YEAH. 1556 01:08:36,613 --> 01:08:39,082 DON'T YOU THINK IT'S KIND OF A MINOR VICTORY, 1557 01:08:39,082 --> 01:08:41,718 I MEAN, HAVING HIS PRINTED, TOO? 1558 01:08:41,718 --> 01:08:43,119 YEAH. YOU'RE RIGHT. 1559 01:08:43,119 --> 01:08:45,289 I MEAN, REACTIONARY WRITING LIKE HIS 1560 01:08:45,289 --> 01:08:48,091 IS ONLY GOING TO MAKE ME LOOK BETTER. 1561 01:08:48,091 --> 01:08:50,927 NO. I JUST--I JUST GOT IN. 1562 01:08:50,927 --> 01:08:54,698 WHY? DID YOU TRY CALLING EARLIER? 1563 01:08:54,698 --> 01:08:55,965 ADAM? 1564 01:08:55,965 --> 01:08:57,701 OH... 1565 01:08:57,701 --> 01:08:58,868 GOD. 1566 01:08:58,868 --> 01:09:01,971 NO. UH, THAT WAS HOURS AGO. 1567 01:09:01,971 --> 01:09:05,041 WELL, UH, I WAS... 1568 01:09:05,041 --> 01:09:07,377 ACTUALLY, I WAS HAVING DINNER 1569 01:09:07,377 --> 01:09:10,514 WITH MR. REACTIONARY HIMSELF. 1570 01:09:13,583 --> 01:09:14,384 WELL, YEAH. 1571 01:09:14,384 --> 01:09:16,820 HE DID CRUSH MY CONTACT LENS, 1572 01:09:16,820 --> 01:09:20,590 BUT IT WAS-- IT WAS OK. 1573 01:09:20,590 --> 01:09:21,725 YEAH. 1574 01:09:21,725 --> 01:09:22,726 WELL, NO, 1575 01:09:22,726 --> 01:09:24,394 ACTUALLY, I... 1576 01:09:24,394 --> 01:09:27,864 I HAD A GOOD TIME. 1577 01:09:27,864 --> 01:09:29,999 NO. NO! 1578 01:09:29,999 --> 01:09:31,368 LOOK, DON'T WORRY. 1579 01:09:31,368 --> 01:09:33,637 THIS IS A ONE-SHOT DEAL. 1580 01:09:33,637 --> 01:09:36,773 I WON'T LET HIM SPIN HIS WEB AROUND ME. 1581 01:09:56,293 --> 01:09:59,796 [THEME FROM SLEEPING BEAUTY PLAYS] 1582 01:10:17,847 --> 01:10:19,549 SHH! 1583 01:10:30,594 --> 01:10:31,661 HI, LORIE. 1584 01:10:31,661 --> 01:10:33,397 I HAVEN'T SEEN YOU HERE IN A LONG TIME. 1585 01:10:33,397 --> 01:10:35,131 WOULD YOU LIKE TO DANCE? 1586 01:10:35,131 --> 01:10:36,400 THAT'S GOOD. COULD YOU MAYBE 1587 01:10:36,400 --> 01:10:39,336 TONE IT DOWN JUST A LITTLE BIT? 1588 01:10:39,336 --> 01:10:40,670 NEXT SLOW SONG, 1589 01:10:40,670 --> 01:10:43,039 GUY AT THE BAR-- DON'T LOOK. 1590 01:10:43,039 --> 01:10:44,574 WHAT'S YOUR NAME AGAIN? 1591 01:10:44,574 --> 01:10:45,575 STEVE. 1592 01:10:45,575 --> 01:10:47,644 THANK YOU. HERE'S 5 BUCKS. 1593 01:10:47,644 --> 01:10:50,146 OH, NO. YOU DON'T HAVE TO PAY ME, SUGAR. 1594 01:10:50,146 --> 01:10:51,548 WELL, KEEP IT ANYWAY. 1595 01:10:51,548 --> 01:10:54,083 COULD YOU BUTTON UP YOUR SHIRT THERE? 1596 01:10:54,083 --> 01:10:55,419 THANK YOU. 1597 01:11:03,159 --> 01:11:04,494 HI. 1598 01:11:14,338 --> 01:11:15,339 GREAT MUSIC. 1599 01:11:15,339 --> 01:11:17,006 OH, IT'S FANTASTIC. 1600 01:11:33,022 --> 01:11:35,425 WHAT ARE YOU LOOKING AT? 1601 01:11:35,425 --> 01:11:36,826 I KNOW THAT GUY. 1602 01:11:36,826 --> 01:11:39,429 HE IS SUCH AN INCREDIBLE DRAG. 1603 01:11:39,429 --> 01:11:41,064 HE'S ALWAYS COMING ON TO ME. 1604 01:11:41,064 --> 01:11:42,599 IF ASKS ME TO DANCE, 1605 01:11:42,599 --> 01:11:44,434 WOULD YOU JUST DANCE WITH ME, PLEASE? 1606 01:11:44,434 --> 01:11:45,469 OH, PLEASE. 1607 01:11:45,469 --> 01:11:47,504 LO-OR-ORIE! 1608 01:11:47,504 --> 01:11:49,639 HI. IT'S ME. STEVE. 1609 01:11:50,640 --> 01:11:53,410 I HAVEN'T SEEN YOU IN A LONG, 1610 01:11:53,410 --> 01:11:55,445 LONG TIME. 1611 01:11:55,445 --> 01:11:56,880 YOU LOOK GREAT. 1612 01:11:56,880 --> 01:11:57,881 HI. I'M DAN. 1613 01:11:57,881 --> 01:11:59,015 WAIT, WAIT, WAIT. 1614 01:11:59,015 --> 01:12:00,417 WOULD YOU LIKE TO DANCE? 1615 01:12:00,417 --> 01:12:02,018 I REALLY MISS THE WAY 1616 01:12:02,018 --> 01:12:03,152 WE MOVE TOGETHER. 1617 01:12:03,152 --> 01:12:04,153 SORRY, 1618 01:12:04,153 --> 01:12:06,956 BUT I--I HAVE THIS DANCE. 1619 01:12:16,466 --> 01:12:18,067 THANKS. YOU SAVED ME. 1620 01:12:18,067 --> 01:12:19,469 NO SWEAT. 1621 01:12:24,307 --> 01:12:26,443 WELL... 1622 01:12:26,443 --> 01:12:27,844 WELL... 1623 01:12:27,844 --> 01:12:29,713 LISTEN, I HAD FUN. 1624 01:12:33,316 --> 01:12:34,651 GOOD NIGHT. 1625 01:13:02,479 --> 01:13:03,680 WHAT'S WRONG? 1626 01:13:03,680 --> 01:13:05,148 LOOK, I DON'T WANT 1627 01:13:05,148 --> 01:13:07,451 TO HAVE TO PLAY GAMES ANYMORE, 1628 01:13:07,451 --> 01:13:10,019 AND I DON'T WANT TO HAVE TO FLIRT 1629 01:13:10,019 --> 01:13:11,888 AND DO ALL THAT SHIT. 1630 01:13:11,888 --> 01:13:14,591 WHAT I'M TRYING TO SAY IS--IS THAT... 1631 01:13:14,591 --> 01:13:16,493 YOU'RE A GOOD GUY. 1632 01:13:16,493 --> 01:13:17,661 I MEAN, 1633 01:13:17,661 --> 01:13:18,962 YOUR POLITICS ARE ENTIRELY SCREWED UP 1634 01:13:18,962 --> 01:13:21,130 AND YOU'RE NOT THE GREATEST WRITER, 1635 01:13:21,130 --> 01:13:22,532 BUT YOU'RE NOT A PSYCHO, 1636 01:13:22,532 --> 01:13:25,869 AND YOU'RE CUTE, IN A WAY, AND... 1637 01:13:29,172 --> 01:13:31,140 DON'T YOU EVER GET LONELY? 1638 01:13:33,777 --> 01:13:37,013 I MEAN, I KNOW YOU HAVE A LOT OF WOMEN, 1639 01:13:37,013 --> 01:13:42,118 BUT DON'T YOU JUST GET LONELY ANYWAY? 1640 01:13:42,118 --> 01:13:45,388 YOU KNOW, AND--AND SCARED? 1641 01:13:45,388 --> 01:13:47,423 LIKE--LIKE YOUR WHOLE LIFE IS-- 1642 01:13:47,423 --> 01:13:48,792 IS GOING BY. 1643 01:13:48,792 --> 01:13:52,962 YOUR DAYS AND YOUR NIGHTS AND... 1644 01:13:52,962 --> 01:13:58,067 NOBODY'S AROUND TO SEE IT EXCEPT...YOU. 1645 01:14:04,007 --> 01:14:05,975 I--I WOULD JUST-- 1646 01:14:05,975 --> 01:14:09,012 I WOULD JUST LIKE TO BE WITH YOU... 1647 01:14:09,012 --> 01:14:10,446 TONIGHT. 1648 01:14:33,236 --> 01:14:35,972 YOU'RE SHAKING. 1649 01:14:35,972 --> 01:14:37,440 DON'T TELL ME 1650 01:14:37,440 --> 01:14:39,909 YOU'VE NEVER DONE THIS BEFORE. 1651 01:14:39,909 --> 01:14:42,846 NOT WITH YOU. 1652 01:14:59,028 --> 01:15:03,867 * DO YOU WANNA DANCE AND HOLD MY HAND * 1653 01:15:05,068 --> 01:15:08,304 * TELL ME, BABY, I'M YOUR LOVER MAN * 1654 01:15:08,304 --> 01:15:10,707 * OH, BABY 1655 01:15:10,707 --> 01:15:14,077 * DO YOU WANNA DANCE 1656 01:15:15,579 --> 01:15:18,715 * WE COULD DANCE UNDER THE MOONLIGHT * 1657 01:15:19,916 --> 01:15:23,186 * KISS ME, BABY, ALL THROUGH THE NIGHT * 1658 01:15:23,186 --> 01:15:25,855 * OH, BABY 1659 01:15:25,855 --> 01:15:29,859 * DO YOU WANNA DANCE 1660 01:15:29,859 --> 01:15:32,261 * DO YOU WANNA DANCE 1661 01:15:32,261 --> 01:15:34,297 * TAKE A CHANCE 1662 01:15:34,297 --> 01:15:37,233 * COME ON, PRETTY BABY, AND MAKE ROMANCE * 1663 01:15:37,233 --> 01:15:40,036 * OH, BABY * 1664 01:15:44,941 --> 01:15:47,543 AND WILL YOU, OLGA, HAVE THIS MAN OLAF 1665 01:15:47,543 --> 01:15:48,812 TO BE YOUR HUSBAND 1666 01:15:48,812 --> 01:15:51,480 AND TO LIVE WITH HIM IN HOLY MARRIAGE 1667 01:15:51,480 --> 01:15:53,516 ACCORDING TO THE WORD OF GOD? 1668 01:15:53,516 --> 01:15:55,084 JA. I DO. 1669 01:15:55,084 --> 01:15:58,655 I NOW PRONOUNCE THEM TO BE HUSBAND AND WIFE. 1670 01:15:58,655 --> 01:16:00,256 YOU OWE ME A DRINK. 1671 01:16:00,256 --> 01:16:01,524 WHAT GOD HAS PUT TOGETHER, 1672 01:16:01,524 --> 01:16:04,060 LET NO ONE PUT ASUNDER. 1673 01:16:17,874 --> 01:16:19,676 I'M SO PLEASED TO HAVE YOU HERE TODAY. 1674 01:16:20,910 --> 01:16:23,680 THERE'S AN OLD SWEDISH SAYING--HOW DOES IT GO? 1675 01:16:23,680 --> 01:16:25,949 [SPEAKING SWEDISH] 1676 01:16:28,217 --> 01:16:31,220 WELL, WHICH--WHICH TRANSLATES LOOSELY TO... 1677 01:16:31,220 --> 01:16:32,622 "HAPPINESS IS EASY 1678 01:16:32,622 --> 01:16:35,892 IF YOU JUST TAKE OFF YOUR OVERCOAT." 1679 01:16:35,892 --> 01:16:40,664 WELL, TODAY I TOOK OFF MY OVERCOAT. 1680 01:16:43,232 --> 01:16:44,934 BUT ENOUGH SPEECHES. 1681 01:16:44,934 --> 01:16:49,105 LET'S DO THE CHICKEN DANCE, HUH? 1682 01:16:49,105 --> 01:16:50,273 COME ON. 1683 01:16:52,909 --> 01:16:55,311 OH, THIS IS HUNKY-DORY. 1684 01:17:40,489 --> 01:17:42,291 WANT TO DANCE? 1685 01:17:42,291 --> 01:17:43,760 NO. NO, NO, NO. 1686 01:17:43,760 --> 01:17:45,494 COME ON. PLEASE? 1687 01:17:45,494 --> 01:17:47,430 I MEAN--THEY'RE JUST--NO. 1688 01:17:47,430 --> 01:17:48,765 BECAUSE THEN--AAH! 1689 01:17:53,703 --> 01:17:55,038 YOU'RE GREAT! 1690 01:17:56,505 --> 01:17:58,407 WHAT'S SO FUNNY? 1691 01:18:30,106 --> 01:18:31,107 HEY. 1692 01:18:31,107 --> 01:18:32,108 WHAT? 1693 01:18:32,108 --> 01:18:33,442 I LOVE YOU. 1694 01:18:44,921 --> 01:18:47,924 I MEAN, I'M NOT-- I'M NOT TELLING YOU THIS 1695 01:18:47,924 --> 01:18:49,725 SO THAT I'LL GET 1696 01:18:49,725 --> 01:18:52,228 THE EXACT SAME RESPONSE FROM YOU. 1697 01:18:57,533 --> 01:18:59,769 I'M JUST TELLING YOU THIS 1698 01:18:59,769 --> 01:19:02,772 BECAUSE THESE ARE MY FEELINGS, YOU KNOW? 1699 01:19:02,772 --> 01:19:05,809 IF YOU CAN'T EXPRESS YOUR FEELINGS, 1700 01:19:05,809 --> 01:19:09,012 WHAT'S THE POINT OF HAVING THEM, RIGHT? 1701 01:19:14,951 --> 01:19:16,685 AND I FEEL REALLY GOOD 1702 01:19:16,685 --> 01:19:18,087 ABOUT TELLING YOU THIS, YOU KNOW? 1703 01:19:19,422 --> 01:19:22,525 YOU REALLY DON'T HAVE TO SAY ANYTHING IN RESPONSE. 1704 01:19:28,564 --> 01:19:31,134 REALLY. YOU DON'T HAVE TO. 1705 01:19:42,979 --> 01:19:45,815 HA HA HA HA HA! 1706 01:19:53,756 --> 01:19:56,525 HERE YOU GO, SWEETIE. 1707 01:19:56,525 --> 01:19:58,194 THANK YOU. 1708 01:19:59,929 --> 01:20:02,731 HE PROBABLY DOESN'T EVEN REMEMBER. 1709 01:20:02,731 --> 01:20:05,801 I MEAN, HE ALWAYS FORGETS THE DETAILS. 1710 01:20:05,801 --> 01:20:10,206 YOU KNOW, ALL HE REMEMBERS IS THE END RESULT. 1711 01:20:10,206 --> 01:20:13,076 I REMEMBER EVERY MOMENT WE SPENT TOGETHER-- 1712 01:20:13,076 --> 01:20:15,711 YOU KNOW, ALL THE LITTLE THINGS, 1713 01:20:15,711 --> 01:20:17,914 LIKE THE TIME I FIXED HIS CARBURETOR. 1714 01:20:17,914 --> 01:20:19,348 HE WAS SO IMPRESSED. 1715 01:20:19,348 --> 01:20:22,151 OR THE TIME HE BROKE THE WINDOW. 1716 01:20:22,151 --> 01:20:23,953 REMEMBER? YOU HAD TO CALL THE REPAIRMAN. 1717 01:20:23,953 --> 01:20:24,954 WHAT WINDOW? 1718 01:20:24,954 --> 01:20:27,556 OH, YEAH. I REMEMBER. 1719 01:20:27,556 --> 01:20:29,358 I'M SURE HE DOESN'T. 1720 01:20:31,094 --> 01:20:33,262 WELL, ENOUGH OF THIS. 1721 01:20:33,262 --> 01:20:36,665 YOU KNOW, FROM NOW ON, NO MORE LOOKING BACK. 1722 01:20:36,665 --> 01:20:39,335 DO YOU THINK THAT GUY WATERBURY 1723 01:20:39,335 --> 01:20:42,305 AT THE NEW YORK TIMES REMEMBERS ME? 1724 01:20:42,305 --> 01:20:45,875 BY THIS TIME NEXT WEEK, I COULD HAVE A NEW JOB. 1725 01:20:45,875 --> 01:20:48,577 I THINK HIS NUMBER'S STILL IN MY ROLODEX 1726 01:20:48,577 --> 01:20:51,580 BACK AT THE...STUDIO, 1727 01:20:51,580 --> 01:20:53,582 ALONG WITH MY CAR-- 1728 01:20:53,582 --> 01:20:55,818 MY WHOLE LIFE. 1729 01:20:55,818 --> 01:20:58,154 LORIE, WHAT SHOULD I DO WITH THESE? 1730 01:20:58,154 --> 01:21:00,689 THAT GOES IN THE BOX WITH THE FILES. 1731 01:21:00,689 --> 01:21:02,525 THANK YOU, MARK. I APPRECIATE IT. 1732 01:21:02,525 --> 01:21:04,027 YOU'RE SAVING MY LIFE. 1733 01:21:04,027 --> 01:21:06,529 THAT'S THE WAY I SEE IT--OW! 1734 01:21:06,529 --> 01:21:09,132 YOU NEVER KNOW WHAT'S GOING TO BE TOSSED AROUND 1735 01:21:09,132 --> 01:21:11,234 ON HE SAID, SHE SAID. 1736 01:21:11,234 --> 01:21:13,236 SEE HANSON AND BRYER, ROUND TWO, 1737 01:21:13,236 --> 01:21:15,939 TOMORROW AT NOON ON CHANNEL 11. 1738 01:21:15,939 --> 01:21:18,807 WALLY, WHAT IN THE HELL IS GOING ON 1739 01:21:18,807 --> 01:21:20,209 WITH THESE COMMERCIALS? 1740 01:21:20,209 --> 01:21:22,912 I CAN'T TALK MORE RIGHT NOW. 1741 01:21:22,912 --> 01:21:26,015 HE CAN TELL YOU ALL ABOUT IT. 1742 01:21:26,015 --> 01:21:29,118 YEAH. DO WHAT YOU CAN. GOT TO GO. BYE. 1743 01:21:29,118 --> 01:21:31,687 WALLY, YOU ARE ADVERTISING A SHOW 1744 01:21:31,687 --> 01:21:34,657 THAT IS NOT GOING TO BE ON. OK? 1745 01:21:34,657 --> 01:21:36,792 LOOK AT THESE PHONE MESSAGES. 1746 01:21:36,792 --> 01:21:38,995 "GOOD FOR LORIE. IT'S ABOUT TIME." 1747 01:21:38,995 --> 01:21:40,396 YOU'RE A HERO. 1748 01:21:40,396 --> 01:21:42,731 YOU DID SOMETHING MOST WOMEN 1749 01:21:42,731 --> 01:21:45,101 WOULD LOVE TO DO TO THEIR HUSBANDS. 1750 01:21:45,101 --> 01:21:47,270 I DON'T WANT TO BE A HERO, 1751 01:21:47,270 --> 01:21:48,904 AND HE...IS NOT MY HUSBAND. 1752 01:21:48,904 --> 01:21:50,906 THE LAST THING HE'LL EVER BE 1753 01:21:50,906 --> 01:21:52,108 IS MY HUSBAND. 1754 01:21:52,108 --> 01:21:54,310 ALL RIGHT? DO YOU UNDERSTAND THAT? 1755 01:21:54,310 --> 01:21:57,280 TOTALLY. BUT THEY ALL WANT TO SEE 1756 01:21:57,280 --> 01:21:58,714 WHAT YOU'LL DO TOMORROW. 1757 01:21:58,714 --> 01:22:01,450 WELLER WANTS TO SEE. THAT'S WHY HE'S COMING. 1758 01:22:01,450 --> 01:22:03,919 THEN HE'S GOING TO SEE A LOT OF NOTHING. 1759 01:22:03,919 --> 01:22:07,023 BECAUSE IT'S-- WE--WELL... 1760 01:22:07,023 --> 01:22:08,691 IT'S OVER. ALL RIGHT? 1761 01:22:08,691 --> 01:22:10,693 DAN AND I, WE... 1762 01:22:12,495 --> 01:22:15,031 WE BROKE UP. 1763 01:22:15,031 --> 01:22:17,633 MY GOD. 1764 01:22:17,633 --> 01:22:19,168 I'M SORRY. 1765 01:22:25,041 --> 01:22:27,643 I'M REALLY SORRY. 1766 01:22:29,712 --> 01:22:33,182 BUT THAT DOESN'T MEAN YOU CAN'T DO THE SHOW, DOES IT? 1767 01:22:33,182 --> 01:22:34,984 IT MIGHT EVEN MAKE IT MORE INTERESTING. 1768 01:22:34,984 --> 01:22:37,520 I CAN'T BELIEVE YOU, WALLY. 1769 01:22:37,520 --> 01:22:38,921 YOU'RE SUCH A MAN. 1770 01:22:38,921 --> 01:22:40,189 THANKS. 1771 01:22:40,189 --> 01:22:43,492 HOW CAN YOU SEPARATE LOVE AND WORK LIKE THAT? 1772 01:22:43,492 --> 01:22:44,493 WELL-- 1773 01:22:44,493 --> 01:22:45,594 IS IT-- 1774 01:22:45,594 --> 01:22:46,996 LOVE IS LOVE. 1775 01:22:46,996 --> 01:22:48,597 WORK IS WORK. 1776 01:22:48,597 --> 01:22:49,798 LOVE. 1777 01:22:49,798 --> 01:22:51,000 WORK. 1778 01:22:51,000 --> 01:22:52,935 WORK ISN'T LOVE, 1779 01:22:52,935 --> 01:22:54,003 AND LOVE SHOULDN'T BE WO-- 1780 01:22:54,003 --> 01:22:56,172 OH, ALL RIGHT. ALL RIGHT. 1781 01:22:56,172 --> 01:22:58,707 LOOK, I'LL MAKE IT EASY FOR YOU. 1782 01:22:58,707 --> 01:23:01,210 WE'LL TAPE HIS HALF BEFORE YOU GET THERE. 1783 01:23:01,210 --> 01:23:03,212 YOU'LL NEVER EVEN HAVE TO SEE HIM. 1784 01:23:03,212 --> 01:23:04,680 I'M THROUGH, WALLY. 1785 01:23:04,680 --> 01:23:07,183 ALL RIGHT. LOOK. 1786 01:23:07,183 --> 01:23:09,618 IT'S NOT UP TO ME ANYMORE. 1787 01:23:09,618 --> 01:23:12,588 YOU'VE STILL GOT A CONTRACT WITH WBAL. 1788 01:23:12,588 --> 01:23:15,124 I'M NOT GOING TO GET TOUGH WITH YOU, 1789 01:23:15,124 --> 01:23:18,127 BUT THE LAWYERS WILL EAT YOU ALIVE. 1790 01:23:18,127 --> 01:23:20,363 THANK YOU, WALLY. I APPRECIATE THAT. 1791 01:23:20,363 --> 01:23:21,964 YOU'RE SOME FRIEND. 1792 01:23:21,964 --> 01:23:22,965 LORIE, PLEASE. 1793 01:23:22,965 --> 01:23:24,533 LINDA METZGER ON LINE ONE. 1794 01:23:24,533 --> 01:23:26,469 TELL HER I'LL CALL HER BACK. 1795 01:23:26,469 --> 01:23:28,437 LINDA METZGER. 1796 01:23:28,437 --> 01:23:31,274 WHAT, IS SHE CALLING HERE FOR DAN NOW? 1797 01:23:31,274 --> 01:23:34,077 FOR DAN? NO. LINDA AND I GO WAY BACK. 1798 01:23:34,077 --> 01:23:35,278 SHE'S NOTHING. 1799 01:23:35,278 --> 01:23:36,912 SHE'S BEEN CHASING ME SINCE COLLEGE. 1800 01:23:36,912 --> 01:23:38,314 IT'S A FATAL ATTRACTION THING. 1801 01:23:38,314 --> 01:23:41,784 WELL, SHE MAY BE NOTHING TO YOU, 1802 01:23:41,784 --> 01:23:44,453 BUT JUST THE MENTION OF HER NAME MAKES ME WANT TO... 1803 01:23:44,453 --> 01:23:45,854 OHH... 1804 01:23:45,854 --> 01:23:47,723 OH, LINDA. 1805 01:23:50,926 --> 01:23:52,528 WHAT? 1806 01:23:52,528 --> 01:23:53,329 WHAT? 1807 01:23:53,329 --> 01:23:56,065 WHAT DID YOU JUST SAY? 1808 01:23:56,065 --> 01:24:00,336 UH, I SAID--I SAID, "OH, LINDA." 1809 01:24:00,336 --> 01:24:03,472 I'M--I'M REALLY SORRY. 1810 01:24:04,940 --> 01:24:06,342 THAT'S ALL RIGHT. 1811 01:24:06,342 --> 01:24:07,943 THAT'S ALL RIGHT. 1812 01:24:07,943 --> 01:24:09,345 I-I'M SORRY. 1813 01:24:09,345 --> 01:24:12,348 NO. I CAN UNDERSTAND HOW IT COULD HAPPEN. 1814 01:24:12,348 --> 01:24:13,516 WE'RE BOTH WOMEN. 1815 01:24:13,516 --> 01:24:15,351 BOTH OUR NAMES BEGIN WITH L. 1816 01:24:15,351 --> 01:24:17,520 YOU'RE SLEEPING WITH BOTH OF US. 1817 01:24:17,520 --> 01:24:19,555 I DON'T SLEEP WITH HER ANYMORE. 1818 01:24:19,555 --> 01:24:20,956 WHEN DID YOU STOP? 1819 01:24:20,956 --> 01:24:23,359 WHEN YOU AND I STARTED GOING OUT. 1820 01:24:23,359 --> 01:24:25,661 STARTED? WHAT DOES THAT MEAN? 1821 01:24:25,661 --> 01:24:30,099 DID YOU SLEEP WITH HER AFTER YOU SLEPT WITH ME? 1822 01:24:30,099 --> 01:24:33,902 I--I--I--I--I CAN'T REMEMBER. 1823 01:24:33,902 --> 01:24:36,905 YOU CAN'T REMEMBER? 1824 01:24:36,905 --> 01:24:38,307 THINK. THINK. 1825 01:24:38,307 --> 01:24:39,708 THINK, DAN, THINK. 1826 01:24:39,708 --> 01:24:42,911 WAS THERE SOMEBODY ELSE IN YOUR BED WITH YOU 1827 01:24:42,911 --> 01:24:44,313 THAT WASN'T ME? 1828 01:24:44,313 --> 01:24:45,714 I DON'T KNOW. 1829 01:24:45,714 --> 01:24:48,917 I MEAN, I'M SURE WE PROBABLY DID ONCE. 1830 01:24:48,917 --> 01:24:50,519 ALL RIGHT. TWICE. 1831 01:24:53,189 --> 01:24:55,991 WHAT AM I SUPPOSED TO FEEL BAD ABOUT-- 1832 01:24:55,991 --> 01:24:58,427 THAT THE MINUTE WE TOUCHED, 1833 01:24:58,427 --> 01:25:01,063 ALL MY OTHER INVOLVEMENTS DIDN'T JUST MELT AWAY? 1834 01:25:01,063 --> 01:25:03,932 NOT ALL YOUR INVOLVEMENTS. 1835 01:25:03,932 --> 01:25:06,369 JUST ALL YOUR SEXUAL INVOLVEMENTS. 1836 01:25:06,369 --> 01:25:09,104 WHAT IS THE BIG DEAL? 1837 01:25:09,104 --> 01:25:11,474 THE BIG DEAL IS THAT FROM THE MOMENT 1838 01:25:11,474 --> 01:25:13,342 I WENT TO BED WITH YOU, 1839 01:25:13,342 --> 01:25:14,943 SLEEPING WITH ANOTHER MAN 1840 01:25:14,943 --> 01:25:17,546 BECAME UNTHINKABLE TO ME. 1841 01:25:17,546 --> 01:25:18,747 BUT FOR YOU, 1842 01:25:18,747 --> 01:25:23,519 SLEEPING WITH ANOTHER WOMAN REMAINED...THINKABLE. 1843 01:25:23,519 --> 01:25:26,355 YEAH, BUT THAT WAS IN THE BEGINNING. 1844 01:25:26,355 --> 01:25:27,956 LET'S TALK ABOUT NOW. 1845 01:25:27,956 --> 01:25:29,825 YOU'RE THE ONE WHO-- 1846 01:25:29,825 --> 01:25:31,827 THE ONE WHO WHAT? 1847 01:25:31,827 --> 01:25:34,930 THE ONE WHO I'M-- I'M WITH NOW. 1848 01:25:34,930 --> 01:25:37,099 ISN'T THAT WHAT COUNTS? 1849 01:25:37,099 --> 01:25:38,434 I WANT TO MEET HER. 1850 01:25:38,434 --> 01:25:40,169 HONEY, DO YOU REALLY THINK 1851 01:25:40,169 --> 01:25:42,305 THAT'S A GOOD IDEA? 1852 01:25:42,305 --> 01:25:44,707 I WANT TO MEET HER. 1853 01:25:44,707 --> 01:25:47,210 I'VE BEEN WORKING ON OUR NEW FALL LINE. 1854 01:25:47,210 --> 01:25:49,044 LORIE, I HAVE THE CATALOG RIGHT HERE. 1855 01:25:49,044 --> 01:25:51,247 YOU SHOULD LOOK AT IT. 1856 01:25:51,247 --> 01:25:53,449 I'M SURE WE COULD FIND YOU SOMETHING 1857 01:25:53,449 --> 01:25:56,051 THAT WOULD BE FLATTERING. 1858 01:25:56,051 --> 01:25:57,553 HONEY. 1859 01:25:57,553 --> 01:25:58,521 WHAT? 1860 01:25:58,521 --> 01:26:00,989 LORIE AND I HAVE THIS THIS THING 1861 01:26:00,989 --> 01:26:02,658 THAT WE DO WITH OUR FOOD. 1862 01:26:02,658 --> 01:26:03,626 DAN. 1863 01:26:03,626 --> 01:26:05,428 OH, DON'T BE EMBARRASSED, LORIE. 1864 01:26:05,428 --> 01:26:07,730 DAN TELLS ME EVERYTHING. 1865 01:26:07,730 --> 01:26:11,033 BUT I'M SURE YOU KNOW MOST OF HIS SECRETS. 1866 01:26:11,033 --> 01:26:12,167 WELL... 1867 01:26:12,167 --> 01:26:15,304 WELL, MAYBE NOT ALL OF THEM. 1868 01:26:18,841 --> 01:26:21,944 AAH HA HA HA HA HA! 1869 01:26:23,379 --> 01:26:26,415 WE LOST OUR VIRGINITY TOGETHER. DID HE TELL YOU? 1870 01:26:26,415 --> 01:26:30,185 WE WERE JUST 14. JUST KIDS. 1871 01:26:30,185 --> 01:26:32,255 BUT EVEN THEN HE WAS INCREDIBLE. 1872 01:26:32,255 --> 01:26:33,256 WELL... 1873 01:26:33,256 --> 01:26:35,458 DON'T YOU THINK SO? 1874 01:26:35,458 --> 01:26:38,694 OVER THE YEARS, I'VE KEPT A DIARY 1875 01:26:38,694 --> 01:26:41,430 OF THE SEXUAL POSITIONS THAT WORKED THE BEST FOR US. 1876 01:26:41,430 --> 01:26:43,932 JUST A FEW NOTES AND SOME DRAWINGS. 1877 01:26:43,932 --> 01:26:46,034 WOULD YOU LIKE TO SEE THEM? 1878 01:26:46,034 --> 01:26:48,704 HONEY, WHAT DO YOU SAY? 1879 01:26:48,704 --> 01:26:49,605 LET'S SEE. 1880 01:26:49,605 --> 01:26:53,542 HERE'S ONE. MARCH 17, 1980. 1881 01:26:53,542 --> 01:26:54,377 WHOOPS. 1882 01:26:54,377 --> 01:26:55,911 HA HA HA HA HA! 1883 01:26:57,980 --> 01:26:59,382 DO YOU REMEMBER THAT? 1884 01:26:59,382 --> 01:27:01,984 YEAH. THAT WAS IN THE KITCHEN. 1885 01:27:01,984 --> 01:27:03,085 RIGHT. 1886 01:27:03,085 --> 01:27:06,088 SEE? YOU CAN SEE FROM THE DRAWING 1887 01:27:06,088 --> 01:27:08,591 JUST WHERE TO PUT THE BLENDER. 1888 01:27:08,591 --> 01:27:10,593 OH, LINDA. 1889 01:27:10,593 --> 01:27:15,063 I THINK THIS ONE WOULD BE JUST CUTE ON YOU. 1890 01:27:15,063 --> 01:27:18,133 HONEY, YOU OK? 1891 01:27:18,133 --> 01:27:19,535 WHY DON'T YOU TWO 1892 01:27:19,535 --> 01:27:22,338 JUST GO TO BED TOGETHER AND GET IT OVER WITH? 1893 01:27:22,338 --> 01:27:24,673 I'M GOING TO GET OUT OF HERE. 1894 01:27:29,378 --> 01:27:32,515 LORIE, WHAT KIND OF A STUNT IS THIS? 1895 01:27:32,515 --> 01:27:35,618 JUST SEEING THE WAY YOU WERE ACTING, 1896 01:27:35,618 --> 01:27:38,587 I DIDN'T THINK THERE WAS ROOM FOR ME. 1897 01:27:38,587 --> 01:27:40,756 YOU WERE THE ONE THAT WANTED TO MEET HER. 1898 01:27:40,756 --> 01:27:43,992 YES. I REALIZE THAT, BUT I-- 1899 01:27:43,992 --> 01:27:47,095 IF YOU CAN BE THAT WAY WITH SOMEBODY ELSE, 1900 01:27:47,095 --> 01:27:49,031 I CAN'T BE WITH YOU RIGHT NOW. 1901 01:27:52,100 --> 01:27:54,370 STAND BY, PLEASE. 1902 01:27:56,104 --> 01:27:57,373 OK, KIDS, DON'T BE NERVOUS. 1903 01:27:57,373 --> 01:27:58,774 IT'S JUST AN AUDITION TAPE. 1904 01:27:58,774 --> 01:28:00,509 IF IT'S BAD, WE THROW IT OUT 1905 01:28:00,509 --> 01:28:01,877 AND NO ONE OVER KNOWS, 1906 01:28:01,877 --> 01:28:03,979 BUT IT WON'T BE BAD. YOU GUYS WILL BE GREAT. 1907 01:28:03,979 --> 01:28:06,982 WALLY, THIS ISN'T THE COPY I WROTE. 1908 01:28:06,982 --> 01:28:09,051 WE HAD TO TRIM IT. 1909 01:28:09,051 --> 01:28:10,386 IT'S NOT LIKE NEWSPAPERS. 1910 01:28:10,386 --> 01:28:11,787 WE DON'T HAVE A LOT OF TIME. 1911 01:28:11,787 --> 01:28:14,390 JUST BOOM, BOOM, AND ON TO THE NEXT COMMERCIAL. 1912 01:28:14,390 --> 01:28:17,393 I THOUGHT WE'D BE WRITING. 1913 01:28:17,393 --> 01:28:19,261 THIS IS AN OPINION SHOW. 1914 01:28:19,261 --> 01:28:20,663 THEY ARE OUR OPINIONS. 1915 01:28:20,663 --> 01:28:22,931 YOU WILL, DEAR. IT'S JUST TODAY. 1916 01:28:22,931 --> 01:28:25,601 THEY JUST WANT TO SEE HOW WE LOOK ON CAMERA, RIGHT? 1917 01:28:25,601 --> 01:28:26,769 RIGHT. 1918 01:28:26,769 --> 01:28:30,339 WHAT DIFFERENCE DOES IT MAKE IF IT'S OUR COPY? 1919 01:28:30,339 --> 01:28:31,940 HONEY, DON'T BLOW THIS. 1920 01:28:31,940 --> 01:28:32,741 I'M NOT. 1921 01:28:32,741 --> 01:28:35,210 YOU WANT TO KNOW THE SECRET? 1922 01:28:35,210 --> 01:28:37,346 JUST SMILE BIG AND PRETTY. 1923 01:28:37,346 --> 01:28:39,848 YEAH. YOU'RE GOING TO BE GREAT. 1924 01:28:39,848 --> 01:28:40,849 HERE WE GO. 1925 01:28:40,849 --> 01:28:42,250 I GOT TO GO. 1926 01:28:42,250 --> 01:28:43,519 WOW, IT'S TRUE. 1927 01:28:43,519 --> 01:28:45,921 THE CAMERA REALLY DOES ADD WEIGHT. 1928 01:28:45,921 --> 01:28:48,190 8...7...6...5...4... 1929 01:28:48,190 --> 01:28:50,092 THERE'S A SPOT ON YOUR DRESS. 1930 01:28:50,092 --> 01:28:52,094 3...2... 1931 01:28:52,094 --> 01:28:54,329 HI, I'M DAN HANSON. 1932 01:28:54,329 --> 01:28:55,431 [TOO LOUD] AND I'M LORIE BRYER. 1933 01:28:55,431 --> 01:28:56,298 THIS IS HE SAID... 1934 01:28:56,298 --> 01:28:57,366 SHE SAID! 1935 01:28:57,366 --> 01:28:59,835 STOP TAPE, PLEASE. 1936 01:29:06,975 --> 01:29:07,943 LORIE. 1937 01:29:07,943 --> 01:29:09,878 LORIE, HONEY, IT'S GOING GREAT, 1938 01:29:09,878 --> 01:29:12,047 BUT THIS ISN'T A GAME SHOW. 1939 01:29:12,047 --> 01:29:14,983 MAYBE IF YOU DIDN'T SMILE QUITE SO BIG. 1940 01:29:14,983 --> 01:29:15,984 BUT SHE SAID-- 1941 01:29:15,984 --> 01:29:18,186 SHE'S GUIDED MANY GREAT CAREERS. 1942 01:29:18,186 --> 01:29:20,656 THE ENTHUSIASM IS WONDERFUL. 1943 01:29:20,656 --> 01:29:22,190 WE DON'T NEED TO SEE SO MANY TEETH. 1944 01:29:22,190 --> 01:29:23,191 OK. 1945 01:29:23,191 --> 01:29:24,593 OTHERWISE, I'M THRILLED. 1946 01:29:24,593 --> 01:29:25,861 OK, LET'S GO AGAIN. 1947 01:29:25,861 --> 01:29:27,796 YOU'RE DOING THIS ON PURPOSE. 1948 01:29:27,796 --> 01:29:29,398 I AM NOT. I'M NERVOUS. 1949 01:29:29,398 --> 01:29:31,133 WHERE IS THIS SPOT? 1950 01:29:31,133 --> 01:29:33,536 ON YOUR BOOB. YOUR LEFT BOOB. 1951 01:29:33,536 --> 01:29:34,603 HI, I'M DAN HANSON. 1952 01:29:34,603 --> 01:29:36,138 AND I'M LORIE BRYER. 1953 01:29:36,138 --> 01:29:37,205 THIS IS HE SAID... 1954 01:29:37,205 --> 01:29:38,306 SHE SAID. 1955 01:29:38,306 --> 01:29:39,708 OUR ISSUE TODAY IS GARBAGE. 1956 01:29:39,708 --> 01:29:42,445 OUR DUMPS WILL BE FILLED IN 10 YEARS. 1957 01:29:42,445 --> 01:29:43,946 WHAT THEN? 1958 01:29:43,946 --> 01:29:45,481 A LOT OF PEOPLE FEEL 1959 01:29:45,481 --> 01:29:47,349 IT'S THE GOVERNMENT'S RESPONSIBILITY. 1960 01:29:47,349 --> 01:29:48,751 AND MAYBE THEY'RE RIGHT, 1961 01:29:48,751 --> 01:29:51,654 BUT AS MY UNCLE OLAF USED TO SAY, 1962 01:29:51,654 --> 01:29:53,489 "IF YOU MAKE THE TRASH, YOU TAKE IT OUT." 1963 01:29:53,489 --> 01:29:55,558 WHAT THE HELL IS SHE DOING? 1964 01:29:55,558 --> 01:29:56,625 STOP TAPE, PLEASE. 1965 01:29:56,625 --> 01:29:58,861 HONEY, WE'RE BOTH ON CAMERA. 1966 01:29:58,861 --> 01:30:02,230 IF YOU DIDN'T WANT TO DO THIS, SAY SO. 1967 01:30:02,230 --> 01:30:04,567 I DID IF YOU RECALL. 1968 01:30:04,567 --> 01:30:06,334 I'M DOING THE BEST I CAN. 1969 01:30:06,334 --> 01:30:08,537 CAN WE TRY THIS AGAIN? 1970 01:30:08,537 --> 01:30:10,806 WE ALWAYS DO WHAT YOU WANT TO DO. 1971 01:30:10,806 --> 01:30:13,008 WHAT ARE YOU TALKING ABOUT? 1972 01:30:13,008 --> 01:30:15,911 I SPEND ALMOST EVERY NIGHT AT YOUR PLACE. 1973 01:30:15,911 --> 01:30:17,379 YOU DON'T WANT TO BE WITH ME? 1974 01:30:17,379 --> 01:30:19,982 YES. IT'S NOT MY APARTMENT. I FEEL LIKE A STRANGER. 1975 01:30:19,982 --> 01:30:22,718 YOU THINK OF YOURSELF THAT WAY. 1976 01:30:22,718 --> 01:30:25,020 I DON'T HAVE ANYPLACE TO PUT MY STUFF. 1977 01:30:25,020 --> 01:30:28,023 AND WHAT ABOUT ALL OF YOUR MAN THINGS 1978 01:30:28,023 --> 01:30:29,858 ALL OVER THE PLACE? 1979 01:30:29,858 --> 01:30:30,659 MAN THINGS? 1980 01:30:30,659 --> 01:30:32,260 YES. BIG CLUNKY SHOES 1981 01:30:32,260 --> 01:30:35,063 AND THAT BIG 3-D MAP OF THE WORLD. 1982 01:30:35,063 --> 01:30:37,065 YOU'RE THE ONLY MAN IN NORTH AMERICA 1983 01:30:37,065 --> 01:30:38,333 WHO STILL WEARS PAJAMAS? 1984 01:30:38,333 --> 01:30:39,502 HOLD IT! 1985 01:30:39,502 --> 01:30:42,337 WHY DON'T WE TAKE A SHORT BREAK 1986 01:30:42,337 --> 01:30:44,940 AND THEN MAYBE TRY IT AGAIN, 1987 01:30:44,940 --> 01:30:46,274 OK? 1988 01:30:46,274 --> 01:30:47,810 GOOD. 1989 01:30:49,678 --> 01:30:53,482 I DIDN'T MEAN TO LOOK LIKE A RETARD. 1990 01:30:53,482 --> 01:30:55,618 HEY, IT'S NO BIG DEAL. 1991 01:30:55,618 --> 01:30:58,621 WE GOT THE BEST JOBS IN BALTIMORE. 1992 01:30:58,621 --> 01:31:01,624 SO TELEVISION DOESN'T WANT US. 1993 01:31:01,624 --> 01:31:02,891 IT'S TELEVISION'S LOSS. 1994 01:31:02,891 --> 01:31:06,094 YOU KNOW, YOU DRAG ME OUT HERE, 1995 01:31:06,094 --> 01:31:08,864 YOU SCARE ME TO DEATH, 1996 01:31:08,864 --> 01:31:11,500 AND JUST WHEN I THINK I HAVE ALL THE RIGHT REASONS 1997 01:31:11,500 --> 01:31:14,102 TO BE MAD AT YOU, 1998 01:31:14,102 --> 01:31:16,271 THAT'S WHEN YOU'RE THE NICEST. 1999 01:31:16,271 --> 01:31:18,841 YOU'RE ONTO ALL MY TRICKS. 2000 01:31:18,841 --> 01:31:20,509 WELL. 2001 01:31:20,509 --> 01:31:21,910 COME ON. 2002 01:31:28,517 --> 01:31:30,118 I WAS SO AWFUL. 2003 01:31:30,118 --> 01:31:31,453 NO, YOU WEREN'T. 2004 01:31:31,453 --> 01:31:32,454 I WAS. 2005 01:31:32,454 --> 01:31:33,856 I WAS TERRIBLE. 2006 01:31:33,856 --> 01:31:36,058 I COULD HAVE JUST DIED. 2007 01:31:36,058 --> 01:31:37,059 LORIE. 2008 01:31:37,059 --> 01:31:37,860 WHAT? 2009 01:31:37,860 --> 01:31:39,461 HONEY, LET'S DO IT. 2010 01:31:39,461 --> 01:31:41,063 LET'S MOVE IN TOGETHER. 2011 01:31:41,063 --> 01:31:42,731 WHAT DO YOU SAY? 2012 01:31:44,833 --> 01:31:48,070 WELL, GUYS, WE WENT OVER THE TAPE, 2013 01:31:48,070 --> 01:31:51,473 AND BELIEVE IT OR NOT, YOU LOOK GREAT. 2014 01:31:51,473 --> 01:31:53,609 WHAT DO YOU SAY? 2015 01:31:55,343 --> 01:31:56,879 I SAY YES. 2016 01:31:56,879 --> 01:32:00,482 YOU WERE CRAZY TO TELL US WE WERE GOOD. 2017 01:32:00,482 --> 01:32:02,651 DID YOU WANT THE TRUTH? 2018 01:32:02,651 --> 01:32:04,620 I THINK IT'S A BEAUTIFUL STORY. 2019 01:32:04,620 --> 01:32:06,088 BESIDES, YOU SHOULD BE GRATEFUL. 2020 01:32:06,088 --> 01:32:07,489 I HELPED YOU. 2021 01:32:07,489 --> 01:32:10,559 NOW THERE ARE OTHER PEOPLE YOU CAN HELP. 2022 01:32:10,559 --> 01:32:12,094 THIS CAN'T BE HAPPENING. 2023 01:32:12,094 --> 01:32:13,495 THIS IS A NIGHTMARE. 2024 01:32:13,495 --> 01:32:14,763 WORK WITH ME, GOD. 2025 01:32:14,763 --> 01:32:17,032 LORIE, I'M BEGGING YOU NOT TO DO THIS. 2026 01:32:17,032 --> 01:32:18,567 BYE, BOSS. SEE YOU TOMORROW. 2027 01:32:18,567 --> 01:32:19,968 AND YOU. YOU JUDAS. 2028 01:32:19,968 --> 01:32:23,138 YOU MAY NOT HAVE A JOB TOMORROW! 2029 01:32:23,138 --> 01:32:26,441 I MAY NOT HAVE A JOB TOMORROW! 2030 01:32:26,441 --> 01:32:29,244 PLEASE. 2031 01:32:29,244 --> 01:32:31,379 WAIT! WAIT! 2032 01:32:31,379 --> 01:32:34,416 COME BACK. 2033 01:32:34,416 --> 01:32:36,384 OH, FORGET ABOUT WALLY. 2034 01:32:36,384 --> 01:32:38,386 YOU LOOK A LITTLE RAGGED. 2035 01:32:38,386 --> 01:32:39,387 YOU KNOW, 2036 01:32:39,387 --> 01:32:41,389 I DON'T MIND HELPING YOU. 2037 01:32:41,389 --> 01:32:43,058 GOOD. 2038 01:32:44,693 --> 01:32:46,294 OH, MY GOD. 2039 01:32:46,294 --> 01:32:48,797 OH, MY GOD, STOP THE CAR. 2040 01:32:48,797 --> 01:32:50,733 STOP THE CAR. STOP THE CAR. BACK UP. 2041 01:32:50,733 --> 01:32:52,367 WHAT'S THE MATTER? 2042 01:32:52,367 --> 01:32:53,602 PLEASE, JUST... 2043 01:32:53,602 --> 01:32:55,270 GOD! 2044 01:32:55,270 --> 01:32:56,404 WHAT? 2045 01:32:56,404 --> 01:32:58,006 SHIT! OF ALL THE RESTAURANTS. 2046 01:32:58,006 --> 01:33:00,408 WOULD YOU LOOK AT THAT JERK? 2047 01:33:00,408 --> 01:33:02,410 AND AT OUR TABLE, TOO. 2048 01:33:02,410 --> 01:33:04,012 GOD! 2049 01:33:06,014 --> 01:33:07,816 LORIE, STOP TORTURING YOURSELF. 2050 01:33:07,816 --> 01:33:11,086 COME ON, LET ME TAKE YOU HOME. 2051 01:33:14,422 --> 01:33:15,824 NO. 2052 01:33:15,824 --> 01:33:18,493 MARK, COULD YOU BE A PAL 2053 01:33:18,493 --> 01:33:21,063 AND DO ME A REALLY BIG FAVOR? 2054 01:33:21,063 --> 01:33:22,297 WHAT? 2055 01:33:48,691 --> 01:33:50,092 WELL? 2056 01:33:52,961 --> 01:33:56,164 HE'S GOING TO GO TO HER HOTEL. 2057 01:33:56,164 --> 01:33:57,232 HE'S, UH... 2058 01:33:57,232 --> 01:34:00,703 HE'S GOING TO SPEND THE NIGHT WITH HER. 2059 01:34:06,174 --> 01:34:07,710 TO HELL WITH HIM. 2060 01:34:07,710 --> 01:34:08,844 RIGHT. 2061 01:34:08,844 --> 01:34:10,578 TO HELL WITH HER. 2062 01:34:10,578 --> 01:34:11,980 NO. NO, WAIT. 2063 01:34:11,980 --> 01:34:13,648 WE'RE GOING OVER THERE. 2064 01:34:13,648 --> 01:34:15,117 WHAT? LORIE! 2065 01:34:18,854 --> 01:34:21,623 THE NEXT THING I KNOW, WHACK--I SAW STARS. 2066 01:34:21,623 --> 01:34:24,026 WE HAVE A RIGHT TO EAT, TOO, RIGHT? 2067 01:34:24,026 --> 01:34:25,961 I COULD HAVE BEEN SERIOUSLY INJURED. 2068 01:34:25,961 --> 01:34:27,863 SHE'S LUCKY I DON'T SUE. 2069 01:34:27,863 --> 01:34:29,331 WE'LL SIT, HAVE LUNCH. 2070 01:34:29,331 --> 01:34:30,665 TRY THE CAESAR SALAD. 2071 01:34:30,665 --> 01:34:32,801 MAYBE HE'LL CHOKE ON HIS CROUTONS. 2072 01:34:32,801 --> 01:34:34,803 BLOOD'S POURING OUT OF MY HEAD. 2073 01:34:34,803 --> 01:34:36,204 SHE GOES STORMING OUT. 2074 01:34:36,204 --> 01:34:37,806 ALL HELL'S BREAKING LOOSE-- 2075 01:34:37,806 --> 01:34:40,408 DAN, SHE'S RIGHT OVER THERE, 2076 01:34:40,408 --> 01:34:41,844 BY THE DOOR. 2077 01:34:41,844 --> 01:34:44,512 HI! I DIDN'T KNOW YOU WERE HERE. 2078 01:34:44,512 --> 01:34:46,514 SHE'S GOT SOME NERVE. 2079 01:34:46,514 --> 01:34:47,850 THAT JERK. 2080 01:34:47,850 --> 01:34:49,918 THE CORPSE OF OUR RELATIONSHIP NOT EVEN COLD... 2081 01:34:49,918 --> 01:34:52,654 OK. I CAN DO THIS, TOO. 2082 01:34:52,654 --> 01:34:53,922 MAY WE JOIN YOU? 2083 01:34:53,922 --> 01:34:55,690 YES, COME ON OVER. 2084 01:34:55,690 --> 01:34:57,425 OK. SURE. 2085 01:35:02,164 --> 01:35:05,533 LINDA, HOW NICE TO SEE YOU. 2086 01:35:05,533 --> 01:35:06,735 SIT. 2087 01:35:06,735 --> 01:35:08,270 AND, OF COURSE, LINDA, 2088 01:35:08,270 --> 01:35:09,671 YOU REMEMBER MARK. 2089 01:35:09,671 --> 01:35:11,539 SO, HERE WE ARE. 2090 01:35:11,539 --> 01:35:13,909 YES, AREN'T WE, THOUGH? 2091 01:35:14,810 --> 01:35:16,211 ISN'T THIS GREAT, 2092 01:35:16,211 --> 01:35:18,947 THAT WE CAN ALL GET TOGETHER LIKE THIS 2093 01:35:18,947 --> 01:35:20,816 SO SOON AFTER OUR BREAKUP? 2094 01:35:20,816 --> 01:35:23,551 OH, DID DAN TELL YOU, LINDA? 2095 01:35:23,551 --> 01:35:24,953 WE BROKE UP. 2096 01:35:24,953 --> 01:35:26,354 OH, OF COURSE HE DID. 2097 01:35:26,354 --> 01:35:28,857 HE TELLS YOU EVERYTHING, DOESN'T HE? 2098 01:35:28,857 --> 01:35:31,493 IT'S GREAT YOU CAN BE SO ADULT ABOUT THIS. 2099 01:35:31,493 --> 01:35:32,895 WELL, THANK YOU, DAN. 2100 01:35:32,895 --> 01:35:34,296 YOU'VE CERTAINLY BOUNCED BACK. 2101 01:35:34,296 --> 01:35:37,699 WHAT IS IT, FOUR HOURS? HERE YOU ARE ON SCHEDULE. 2102 01:35:37,699 --> 01:35:39,101 I HAD A CHOICE. 2103 01:35:39,101 --> 01:35:41,503 I COULD SIT AROUND AND WALLOW 2104 01:35:41,503 --> 01:35:43,872 OR I COULD KEEP MY DATE. 2105 01:35:43,872 --> 01:35:46,041 WHY DON'T WE GO SOMEPLACE ELSE? 2106 01:35:46,041 --> 01:35:47,309 NO! THIS IS FINE. I LOVE THIS PLACE. 2107 01:35:47,309 --> 01:35:50,512 DAN AND I HAD OUR FIRST DATE HERE 2108 01:35:50,512 --> 01:35:51,914 AT THIS VERY TABLE. 2109 01:35:51,914 --> 01:35:54,116 YES. DO YOU REMEMBER, DAN? 2110 01:35:54,116 --> 01:35:56,518 I WOULDN'T QUITE CALL IT A DATE. 2111 01:35:56,518 --> 01:35:57,920 WE HAD DINNER. 2112 01:35:57,920 --> 01:36:00,722 SHE ATE MOST OF MY FOOD, THEN ASSAULTED ME. 2113 01:36:00,722 --> 01:36:02,825 THAT'S WHY IT'S FOR THE BEST. 2114 01:36:02,825 --> 01:36:04,326 NOW WE'RE FREE, AREN'T WE? 2115 01:36:04,326 --> 01:36:06,929 FREE TO PURSUE OUR CAREERS, TO PURSUE...OTHER PEOPLE, 2116 01:36:06,929 --> 01:36:08,330 ALTHOUGH I DIDN'T THINK 2117 01:36:08,330 --> 01:36:10,833 THE PURSUIT WOULD START SO SOON. 2118 01:36:10,833 --> 01:36:12,935 LORIE, YOU'VE GOT IT ALL WRONG. 2119 01:36:12,935 --> 01:36:14,536 THERE'S NOTHING GOING ON HERE. 2120 01:36:14,536 --> 01:36:15,938 OH, OF COURSE NOT. 2121 01:36:15,938 --> 01:36:19,141 DAN WOULD NEVER-- YOU FLIRTATIOUS ASS! 2122 01:36:19,141 --> 01:36:21,109 YOU HAVEN'T CHANGED ONE MOMENT 2123 01:36:21,109 --> 01:36:22,744 FROM THE FIRST TIME I SAW YOU. 2124 01:36:22,744 --> 01:36:23,946 HOW COULD YOU THINK-- 2125 01:36:23,946 --> 01:36:26,481 HOW COULD I-- YOU FOLLOWED ME HERE. 2126 01:36:26,481 --> 01:36:28,083 I WAS NOT FOLLOWING YOU. 2127 01:36:28,083 --> 01:36:29,952 WHO'S SITTING AT OUR TABLE? 2128 01:36:29,952 --> 01:36:32,988 WHOSE FAT BUTT IS AT OUR TABLE? 2129 01:36:32,988 --> 01:36:34,890 IT'S NOT OUR TABLE ANYMORE. 2130 01:36:34,890 --> 01:36:36,491 WHOSE FAULT IS THAT? 2131 01:36:36,491 --> 01:36:37,692 YOURS! YOURS! 2132 01:36:37,692 --> 01:36:39,027 STAY, STAY! IT'S YOUR TABLE. 2133 01:36:39,027 --> 01:36:40,628 YOU'RE BOTH BEING SELF-DESTRUCTIVE. 2134 01:36:40,628 --> 01:36:41,897 I HAVE TO AGREE. 2135 01:36:41,897 --> 01:36:43,031 SHUT UP! 2136 01:36:43,031 --> 01:36:44,867 I THINK WE SHOULD GO. 2137 01:36:44,867 --> 01:36:46,501 OH, SHE THINKS. 2138 01:36:46,501 --> 01:36:48,036 LEAVE HER OUT OF THIS. 2139 01:36:48,036 --> 01:36:49,905 LEAVE HER OUT OF THIS? 2140 01:36:49,905 --> 01:36:52,174 I'D LOVE TO LEAVE HER... 2141 01:36:53,909 --> 01:36:56,912 DAN, ARE YOU ALL RIGHT? 2142 01:37:13,261 --> 01:37:15,998 SOME PEOPLE SAY THE NEWS ISN'T ENTERTAINMENT, 2143 01:37:15,998 --> 01:37:18,366 BUT THEY MIGHT CHANGE THEIR MINDS 2144 01:37:18,366 --> 01:37:21,636 IF THEY WERE WATCHING STATION WBAL IN BALTIMORE. 2145 01:37:21,636 --> 01:37:23,906 LINDA. LINDA, COME HERE. 2146 01:37:23,906 --> 01:37:25,307 COMMENTATOR LORRAINE BRYER 2147 01:37:25,307 --> 01:37:26,774 DECIDED TO EXPRESS HER OPINION 2148 01:37:26,774 --> 01:37:28,376 A LITTLE MORE FORCEFULLY THAN USUAL 2149 01:37:28,376 --> 01:37:31,880 AND THREW A COFFEE CUP AT HER CO-ANCHOR, 2150 01:37:31,880 --> 01:37:33,348 WHO AT LAST REPORT 2151 01:37:33,348 --> 01:37:36,018 IS IN STABLE, IF CONFUSED, CONDITION. 2152 01:37:36,018 --> 01:37:38,820 THE SMALL STATION WAS FLOODED WITH CALLS 2153 01:37:38,820 --> 01:37:41,023 WONDERING WHAT WILL HAPPEN TOMORROW. 2154 01:37:41,023 --> 01:37:43,125 I'M GLAD YOU DON'T DRINK COFFEE. 2155 01:37:43,125 --> 01:37:45,493 YES, BUT I DO DRINK HOT TEA. 2156 01:37:45,493 --> 01:37:46,694 [CLICK] 2157 01:37:46,694 --> 01:37:48,630 WE MADE E.T.! 2158 01:37:48,630 --> 01:37:49,998 THAT IS SO GREAT. 2159 01:37:49,998 --> 01:37:51,900 LORIE WILL TOTALLY HATE THIS. 2160 01:37:51,900 --> 01:37:54,436 I WONDER IF SHE SAW IT. 2161 01:37:54,436 --> 01:37:56,638 OH, WHAT DIFFERENCE DOES IT MAKE? 2162 01:37:56,638 --> 01:37:58,040 HEY, DON'T BE BLUE. 2163 01:37:58,040 --> 01:38:00,042 MAYBE IT'S FOR THE BEST. 2164 01:38:00,042 --> 01:38:02,177 NO, NO. I KNOW. YOU'RE RIGHT. 2165 01:38:02,177 --> 01:38:03,411 I'M GLAD IT'S OVER. 2166 01:38:03,411 --> 01:38:06,248 I DON'T NEED TO BE HIT IN THE HEAD. 2167 01:38:06,248 --> 01:38:08,116 NOT THREE TIMES, ANYWAY. 2168 01:38:10,252 --> 01:38:13,121 WOW, THAT PERFUME IS, UH... 2169 01:38:15,857 --> 01:38:17,592 SO... 2170 01:38:17,592 --> 01:38:18,994 WHAT DO YOU THINK? 2171 01:38:18,994 --> 01:38:21,997 DO WE GO TO BED TOGETHER? 2172 01:38:21,997 --> 01:38:23,865 I--I CAN'T SLEEP HERE. 2173 01:38:23,865 --> 01:38:26,201 I DON'T HAVE MY PAJAMAS. 2174 01:38:26,201 --> 01:38:29,271 I DON'T THINK YOU'RE GOING TO NEED THEM. 2175 01:38:46,554 --> 01:38:51,293 PART OF ME WANTS TO, BUT I--I CAN'T. 2176 01:38:51,293 --> 01:38:53,295 DAN, YOU'VE CHANGED A LOT, 2177 01:38:53,295 --> 01:38:56,131 BUT I THINK I HAVE, TOO. 2178 01:38:57,699 --> 01:39:01,569 WE'VE ALWAYS HAD A LOT OF LAUGHS AND GOOD SEX. 2179 01:39:05,307 --> 01:39:09,544 MAYBE WE'RE READY FOR SOMETHING MORE. 2180 01:39:12,480 --> 01:39:14,649 I THINK I AM. 2181 01:39:16,351 --> 01:39:18,153 OH, LINDA... 2182 01:39:18,153 --> 01:39:20,322 I'M SORRY. 2183 01:39:28,030 --> 01:39:29,231 DAN... 2184 01:39:29,231 --> 01:39:32,100 GO HOME AND GET YOUR PAJAMAS. 2185 01:39:55,057 --> 01:39:57,459 [KNOCK ON DOOR] 2186 01:40:08,736 --> 01:40:10,138 HI. 2187 01:40:11,473 --> 01:40:12,740 HI. 2188 01:40:20,482 --> 01:40:22,284 I DIDN'T HAVE MY PAJAMAS, 2189 01:40:22,284 --> 01:40:24,286 AND I HAD NO PLACE TO WEAR THEM 2190 01:40:24,286 --> 01:40:27,455 SINCE YOU KICKED ME OUT. 2191 01:40:27,455 --> 01:40:29,924 I THOUGHT YOU WERE STAYING WITH LINDA. 2192 01:40:29,924 --> 01:40:31,359 NO. 2193 01:40:31,359 --> 01:40:32,560 OH. 2194 01:40:36,431 --> 01:40:40,202 IT'S NOT A GOOD IDEA FOR YOU TO STAY HERE. 2195 01:40:40,202 --> 01:40:42,304 WHERE WOULD YOU SUGGEST I STAY? 2196 01:40:42,304 --> 01:40:43,705 WHAT ABOUT A HOTEL? 2197 01:40:43,705 --> 01:40:47,175 IT'S LATE. I DON'T WANT TO STAY AT A HOTEL. 2198 01:40:47,175 --> 01:40:48,810 ALL RIGHT. ALL RIGHT. 2199 01:40:48,810 --> 01:40:52,380 YOU CAN... SLEEP ON THE COUCH. 2200 01:40:52,380 --> 01:40:54,282 BUT JUST FOR TONIGHT. 2201 01:40:56,318 --> 01:40:58,186 AND DON'T THINK JUST 'CAUSE-- 2202 01:40:58,186 --> 01:40:59,521 BELIEVE ME... 2203 01:40:59,521 --> 01:41:00,722 I WON'T. 2204 01:41:18,906 --> 01:41:19,941 THANKS. 2205 01:41:19,941 --> 01:41:22,310 I HAVE TO GO WORK ON MY COPY. 2206 01:41:22,310 --> 01:41:24,412 DID THE LAWYER CALL YOU? 2207 01:41:24,412 --> 01:41:25,913 YEAH. 2208 01:41:25,913 --> 01:41:27,549 ONE MORE SHOW, HUH? 2209 01:41:27,549 --> 01:41:29,317 YEAH. 2210 01:41:31,186 --> 01:41:32,320 WELL... 2211 01:41:32,320 --> 01:41:35,089 I GUESS IT'S ALL FOR THE BEST. 2212 01:41:35,089 --> 01:41:36,591 DEFINITELY. 2213 01:41:40,428 --> 01:41:42,530 WELL... 2214 01:41:42,530 --> 01:41:43,565 GOOD NIGHT. 2215 01:41:43,565 --> 01:41:45,200 GOOD NIGHT. 2216 01:42:31,846 --> 01:42:33,515 [CRYING] 2217 01:42:33,515 --> 01:42:34,716 DAN? 2218 01:42:34,716 --> 01:42:37,519 IT'S OK, HONEY. I'M ALL RIGHT. 2219 01:42:37,519 --> 01:42:38,720 DAN? 2220 01:42:42,690 --> 01:42:44,859 I THINK I'D LIKE SOME CHEESECAKE. 2221 01:42:45,927 --> 01:42:47,329 WHAT? 2222 01:42:48,730 --> 01:42:52,200 I THINK YOU COULD USE SOME, TOO. 2223 01:42:55,337 --> 01:42:56,738 YOU'RE RIGHT. 2224 01:42:57,839 --> 01:43:00,542 I COULD DEFINITELY USE SOME CHEESECAKE. 2225 01:43:00,542 --> 01:43:01,743 OK. 2226 01:43:11,686 --> 01:43:14,021 YOU'RE NOT GOING TO REMEMBER 2227 01:43:14,021 --> 01:43:16,891 ANY OF THIS, ARE YOU? 2228 01:43:16,891 --> 01:43:18,893 LORIE... 2229 01:43:18,893 --> 01:43:20,895 I LOVE YOU. 2230 01:43:20,895 --> 01:43:23,398 I'M CRAZY ABOUT YOU. 2231 01:43:23,398 --> 01:43:26,968 DON'T EVER LEAVE ME, PLEASE. 2232 01:43:26,968 --> 01:43:30,972 I WANT TO SPEND THE REST OF MY LIFE WITH YOU. 2233 01:43:33,308 --> 01:43:36,578 I'LL GO GET US SOME CHEESECAKE. 2234 01:44:18,720 --> 01:44:20,788 THAT'S THE WAY I SEE IT. 2235 01:44:20,788 --> 01:44:23,591 OK. STOP TAPE. THAT'S IT. 2236 01:44:37,271 --> 01:44:39,140 MR. WELLER. 2237 01:44:39,140 --> 01:44:42,544 WELL...MISS BRYER. 2238 01:44:43,878 --> 01:44:47,615 I UNDERSTAND IT'S NOT GOING TO WORK OUT FOR US. 2239 01:44:49,351 --> 01:44:52,019 WELL, I'M SORRY TO HEAR THAT. 2240 01:44:55,357 --> 01:44:58,125 I WATCHED THE TAPING JUST NOW. 2241 01:44:58,125 --> 01:45:01,295 IT'S NOT THE SAME WITHOUT BOTH OF YOU THERE. 2242 01:45:08,870 --> 01:45:10,905 YOU KNOW... 2243 01:45:10,905 --> 01:45:13,841 I REALIZED, STANDING OUT THERE WATCHING, 2244 01:45:13,841 --> 01:45:17,311 EXACTLY WHY I LOVE YOUR SHOW SO MUCH. 2245 01:45:17,311 --> 01:45:18,713 IT'S NOT THE ISSUES, 2246 01:45:18,713 --> 01:45:21,816 NOT THE SOCIAL SIGNIFICANCE, 2247 01:45:21,816 --> 01:45:26,187 BUT IT'S BECAUSE THERE'S ALWAYS THIS POSSIBILITY 2248 01:45:26,187 --> 01:45:28,690 THAT YOUR WIFE, YOUR HUSBAND, 2249 01:45:28,690 --> 01:45:31,893 YOUR GIRLFRIEND, WHATEVER, 2250 01:45:31,893 --> 01:45:35,630 WILL DO EXACTLY WHAT YOU DID YESTERDAY. 2251 01:45:38,700 --> 01:45:41,603 IT'S WHAT MAKES LIFE INTERESTING. 2252 01:45:51,813 --> 01:45:53,881 [RUNS WATER] 2253 01:46:06,928 --> 01:46:08,730 STAND BY, PLEASE. 2254 01:46:10,164 --> 01:46:11,332 7... 2255 01:46:11,332 --> 01:46:12,667 6... 2256 01:46:12,667 --> 01:46:13,935 5... 2257 01:46:13,935 --> 01:46:15,036 4... 2258 01:46:15,036 --> 01:46:16,170 3... 2259 01:46:16,170 --> 01:46:17,605 2... 2260 01:46:17,605 --> 01:46:18,906 1. 2261 01:46:18,906 --> 01:46:21,242 AND NOW, PERKELL HEATING AND COOLING BRINGS YOU... 2262 01:46:21,242 --> 01:46:23,310 I'M SORRY, SIR, VERY SORRY. 2263 01:46:23,310 --> 01:46:24,311 ME, TOO. 2264 01:46:24,311 --> 01:46:26,347 THEY'RE A NICE COUPLE. 2265 01:46:26,347 --> 01:46:27,782 TODAY'S TOPIC, 2266 01:46:27,782 --> 01:46:30,351 THE MAYOR'S COUNCIL ON MENTAL WELL-BEING. 2267 01:46:30,351 --> 01:46:31,352 GOOD AFTERNOON. 2268 01:46:31,352 --> 01:46:34,088 BEFORE I BEGIN TODAY, 2269 01:46:34,088 --> 01:46:37,358 I WOULD LIKE TO APOLOGIZE TO THE VIEWING PUBLIC 2270 01:46:37,358 --> 01:46:40,227 FOR MY IRRATIONAL 2271 01:46:40,227 --> 01:46:41,763 AND TOTALLY INAPPROPRIATE BEHAVIOR 2272 01:46:41,763 --> 01:46:43,397 ON YESTERDAY'S SHOW. 2273 01:46:43,397 --> 01:46:47,569 AND I WOULD ALSO LIKE TO CLEAR SOMETHING UP 2274 01:46:47,569 --> 01:46:50,872 CONCERNING THE PROPOSED HIGHWAY MERGER. 2275 01:46:50,872 --> 01:46:54,175 I WOULD JUST LIKE TO SAY THAT... 2276 01:46:54,175 --> 01:46:57,378 MY OPPONENT IS RIGHT. 2277 01:46:57,378 --> 01:47:00,982 THE MERGER IS... NOT NEEDED. 2278 01:47:00,982 --> 01:47:05,920 SOME THINGS ARE JUST NOT MEANT TO BE. 2279 01:47:05,920 --> 01:47:08,656 YOU THINK THAT YOU CAN MAKE THEM GO 2280 01:47:08,656 --> 01:47:10,257 IN THE SAME DIRECTION, 2281 01:47:10,257 --> 01:47:13,828 BUT ALL YOU GET IS... 2282 01:47:13,828 --> 01:47:19,133 CONGESTION AND INCREASED TRAFFIC AND... 2283 01:47:20,802 --> 01:47:21,803 HURT. 2284 01:47:21,803 --> 01:47:25,006 THE HIGHWAYS SHOULD BE ALLOWED 2285 01:47:25,006 --> 01:47:27,374 TO RUN THEIR COURSE. 2286 01:47:27,374 --> 01:47:31,946 I WOULD ALSO LIKE TO SAY... 2287 01:47:31,946 --> 01:47:33,347 DAN... 2288 01:47:33,347 --> 01:47:35,216 WHEREVER YOU ARE... 2289 01:47:37,351 --> 01:47:39,587 LOOK. I CLEANED MY CUP. 2290 01:47:40,655 --> 01:47:43,357 CUT TO THE LOGO. START DAN'S TAPE. 2291 01:47:43,357 --> 01:47:45,993 OH, MAN. POOR LORIE. 2292 01:47:45,993 --> 01:47:47,529 GOOD AFTERNOON. 2293 01:47:47,529 --> 01:47:49,897 BEFORE I BEGIN MY REBUTTAL, LORIE, 2294 01:47:49,897 --> 01:47:52,099 I WOULD LIKE TO MAKE A STATEMENT 2295 01:47:52,099 --> 01:47:54,602 ABOUT THE PROPOSED HIGHWAY MERGER. 2296 01:47:54,602 --> 01:47:55,837 I WOULD LIKE TO GO ON RECORD 2297 01:47:55,837 --> 01:47:58,573 AS REVERSING MY ORIGINAL OPINION. 2298 01:47:58,573 --> 01:48:00,808 THE HIGHWAYS ARE RIPE FOR A MERGER. 2299 01:48:02,043 --> 01:48:03,845 THIS PROPOSAL WILL ENSURE THE FUTURE GROWTH 2300 01:48:03,845 --> 01:48:05,446 THAT IS SORELY NEEDED. 2301 01:48:05,446 --> 01:48:08,015 AS MY UNCLE OLAF USED TO-- 2302 01:48:10,051 --> 01:48:11,352 NO. NO. 2303 01:48:11,352 --> 01:48:14,856 I'M--I'M NOT GOING TO SAY THAT ANYMORE. 2304 01:48:14,856 --> 01:48:17,424 IT'S NOT MY UNCLE OLAF TALKING, LORIE. 2305 01:48:17,424 --> 01:48:20,528 IT'S ME. 2306 01:48:20,528 --> 01:48:24,532 AND WHAT I'M SAYING IS THAT... 2307 01:48:24,532 --> 01:48:27,602 I WOULD LIKE ANOTHER CHANCE. 2308 01:48:27,602 --> 01:48:30,638 I JUST DON'T WANT TO BE APART FROM YOU. 2309 01:48:30,638 --> 01:48:33,608 AND THAT'S THE WAY I SEE IT. 2310 01:48:52,627 --> 01:48:54,696 DOES THIS MEAN... 2311 01:48:56,263 --> 01:48:59,166 PRETTY SCARY, HUH? 2312 01:48:59,166 --> 01:49:00,702 YEAH. 2313 01:49:04,839 --> 01:49:06,373 OH, NO. MY CONTACT. 2314 01:49:06,373 --> 01:49:08,375 IT JUST POPPED OUT AGAIN. 2315 01:49:08,375 --> 01:49:10,477 HOLD ON. I'LL FIND IT. 2316 01:49:10,477 --> 01:49:11,779 YOU'LL JUST CRUSH IT AGAIN. 2317 01:49:11,779 --> 01:49:13,380 I NEVER CRUSHED IT. 2318 01:49:13,380 --> 01:49:15,382 DAN, YOU DID. 2319 01:49:15,382 --> 01:49:18,052 SEE? MAGIC. 2320 01:49:20,788 --> 01:49:22,389 SO WHAT DO YOU THINK 2321 01:49:22,389 --> 01:49:23,658 ABOUT THE MAYOR'S COUNCIL 2322 01:49:23,658 --> 01:49:24,792 ON MENTAL WELL-BEING? 2323 01:49:24,792 --> 01:49:26,393 WHAT DO YOU THINK I THINK? 2324 01:49:26,393 --> 01:49:28,796 I KNEW IT. 2325 01:49:28,796 --> 01:49:31,198 YOU WANT THIS ON THE AIR? 2326 01:49:32,466 --> 01:49:33,801 NO, RAY. NO. 2327 01:49:33,801 --> 01:49:35,202 SOME THINGS ARE MORE IMPORTANT 2328 01:49:35,202 --> 01:49:37,639 THAN A TELEVISION SHOW. EVEN I UNDERSTAND THAT. 2329 01:49:37,639 --> 01:49:39,240 THESE KIDS DESERVE THEIR PRIVACY. 2330 01:49:39,240 --> 01:49:41,408 THEY DON'T NEED THEIR RELATIONSHIP EXPLOITED 2331 01:49:41,408 --> 01:49:42,977 SO THAT WE CAN... 2332 01:49:42,977 --> 01:49:44,578 CAMERA ONE, GET ON DAN. 2333 01:49:44,578 --> 01:49:46,848 CAMERA TWO, PUSH IN CLOSER ON LORIE. 2334 01:50:13,540 --> 01:50:16,377 WELL, I GUESS SHE WON THAT ONE. 2335 01:50:16,377 --> 01:50:18,145 WHAT ARE YOU TALKING ABOUT? 2336 01:50:18,145 --> 01:50:19,180 HE WON. 2337 01:50:19,180 --> 01:50:21,816 WHAT'S THE USE EVEN TALKING TO YOU? 2338 01:50:21,816 --> 01:50:24,719 YOU'RE AN OLD FOOL. 2339 01:50:24,719 --> 01:50:27,121 THAT MAKES YOU MRS. FOOL. 144113

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