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-[THEME MUSIC PLAYING]
2
00:00:12,838 --> 00:00:15,841
-♪ SOME PEOPLE STAND
IN THE DARKNESS ♪
3
00:00:16,973 --> 00:00:20,933
♪ AFRAID TO STEP
INTO THE LIGHT ♪
4
00:00:21,064 --> 00:00:24,546
♪ SOME PEOPLE NEED
TO HELP SOMEBODY ♪
5
00:00:24,676 --> 00:00:27,984
♪ WHEN THE EDGE OF
SURRENDER'S IN SIGHT ♪
6
00:00:28,115 --> 00:00:30,769
♪ DON'T YOU WORRY
7
00:00:31,379 --> 00:00:34,034
♪ ITS GONNA BE ALRIGHT ♪
8
00:00:36,949 --> 00:00:38,821
♪ CAUSE I'M ALWAYS READY
9
00:00:38,951 --> 00:00:42,303
♪ I WON'T LET YOU
OUT OF MY SIGHT ♪
10
00:00:45,436 --> 00:00:49,353
♪ I'LL BE READY, I'LL BE READY
11
00:00:49,484 --> 00:00:53,357
♪ NEVER YOU FEAR,
NO, DON'T YOU FEAR ♪
12
00:00:53,488 --> 00:00:56,708
♪ I'LL BE READY
13
00:00:56,839 --> 00:01:01,844
♪ FOREVER AND ALWAYS
I'M ALWAYS HERE ♪
14
00:01:20,993 --> 00:01:22,778
♪ CAUSE I'M ALWAYS READY
15
00:01:22,908 --> 00:01:26,912
♪ I WON'T LET YOU
OUT OF MY SIGHT ♪
16
00:01:29,567 --> 00:01:33,528
♪ I'LL BE READY, I'LL BE READY
17
00:01:33,658 --> 00:01:37,532
♪ NEVER YOU FEAR,
NO, DON'T YOU FEAR ♪
18
00:01:37,662 --> 00:01:40,926
♪ I'LL BE READY
19
00:01:41,057 --> 00:01:45,931
♪ FOREVER AND ALWAYS
I'M ALWAYS HERE ♪
20
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[INSTRUMENTAL MUSIC]
21
00:02:16,223 --> 00:02:18,921
[SIREN WAILING]
22
00:02:31,281 --> 00:02:33,196
-CUT THE SIRENS! TURN
THEM OFF! TURN THEM OFF!
23
00:02:33,327 --> 00:02:34,458
AND BRING ME SOME BLANKETS!
24
00:02:34,589 --> 00:02:37,983
[SEA LION GRUNTING]
25
00:02:40,682 --> 00:02:42,074
-HEY, IT'S GILLY.
-YEAH.
26
00:02:42,205 --> 00:02:44,033
-I'M NOT GIVING THIS
GUY MOUTH-TO-MOUTH.
27
00:02:44,164 --> 00:02:46,209
-SHE'S BLEEDING. IT'S THE GILL
NETS CUTTING INTO HER NECK.
28
00:02:46,340 --> 00:02:48,603
-AREN'T THESE GUYS BITES
LIKE TOXIC OR SOMETHING?
29
00:02:48,733 --> 00:02:49,865
-JUST GET BEHIND HER.
30
00:02:49,995 --> 00:02:52,694
[SEA LION BARKING]
31
00:02:52,824 --> 00:02:55,000
-I'M NOT REAL THRILLED
WITH THAT END EITHER.
32
00:02:55,131 --> 00:02:56,915
-WE GOT TO GET BETWEEN
HER AND THE WATER.
33
00:02:57,525 --> 00:02:59,179
SHE MIGHT BE GOING INTO SHOCK.
34
00:02:59,309 --> 00:03:01,572
[SEA LION BARKING]
35
00:03:01,703 --> 00:03:03,487
IT'S OKAY, GILLY.
IT'S OKAY, SWEETIE.
36
00:03:03,618 --> 00:03:04,923
STAY STILL, WE'RE NOT
GOING TO HURT YOU.
37
00:03:05,054 --> 00:03:07,056
-HEY, GILLY. HOW YOU DOING?
38
00:03:07,187 --> 00:03:08,318
[SEA LION BARKING]
39
00:03:08,449 --> 00:03:09,711
-STAY STILL, HONEY.
40
00:03:09,841 --> 00:03:10,799
[SEA LION BARKING]
41
00:03:10,929 --> 00:03:12,888
YOU GUYS, BE CAREFUL.
42
00:03:13,018 --> 00:03:14,716
-WE'RE NOT GOING
TO HURT YOU, OKAY?
43
00:03:14,846 --> 00:03:17,197
GET BEHIND HER. GET BEHIND HER.
44
00:03:17,327 --> 00:03:18,720
-HARVEY: WHICH
SIDE IS BEHIND HER?
45
00:03:18,850 --> 00:03:20,722
-OKAY, NOW, ON THREE
WE'RE GONNA DO IT, OKAY?
46
00:03:20,852 --> 00:03:22,245
ON THREE. ONE...
47
00:03:22,376 --> 00:03:23,115
-BE CAREFUL.
48
00:03:23,246 --> 00:03:25,683
-TWO, THREE!
49
00:03:25,814 --> 00:03:27,337
[GRUNTING]
50
00:03:27,468 --> 00:03:29,774
-OH, JEEZ! GREAT, WHAT
DO WE DO WITH HER NOW?
51
00:03:29,905 --> 00:03:32,212
[SEA LION BARKING]
52
00:03:32,342 --> 00:03:35,258
-MITCH, YOU NEED
TO TAKE CARE OF THIS.
-YEAH, I KNOW. GOOD MORNING.
53
00:03:36,259 --> 00:03:37,608
-DAD, WHERE HAVE YOU BEEN?
54
00:03:37,739 --> 00:03:39,175
ALL KINDS OF STUFF BEEN
GOING ON THIS MORNING.
55
00:03:39,306 --> 00:03:41,569
-TRUCK BROKE DOWN AGAIN,
I HAD TO HAVE IT TOWED.
56
00:03:42,874 --> 00:03:44,180
WHAT'S ALL THIS?
57
00:03:44,311 --> 00:03:45,877
-STEVIE'S UNCLE
WORKS FOR THIS COMPANY
58
00:03:46,008 --> 00:03:48,967
THAT CAN GET ME ALL THIS
HOCKEY GEAR WHOLESALE.
59
00:03:49,098 --> 00:03:51,753
WITH THE SKATES AND EVERYTHING,
IT'S ONLY 482 BUCKS.
60
00:03:52,449 --> 00:03:54,234
-HOCKEY'S GONNA HAVE
TO WAIT FOR AWHILE.
61
00:03:54,364 --> 00:03:56,192
-BUT YOU PROMISED.
62
00:03:56,323 --> 00:03:57,498
-YEAH, I KNOW I PROMISED,
63
00:03:57,628 --> 00:03:59,064
BUT WE JUST DON'T
HAVE THE MONEY.
64
00:03:59,804 --> 00:04:02,024
-MAYBE YOU SHOULD'VE
TAKEN THAT PROMOTION.
65
00:04:08,639 --> 00:04:09,771
-HEY, HOBIE.
66
00:04:11,555 --> 00:04:12,730
MAYBE NEXT MONTH, HUH?
67
00:04:12,861 --> 00:04:14,341
-HOBIE: SURE, DAD.
68
00:04:14,471 --> 00:04:17,344
-HEY, UH, MITCH I
COULDN'T HELP OVERHEARING,
69
00:04:17,474 --> 00:04:19,781
AND I THINK I HAVE THE SOLUTION
TO YOUR FINANCIAL PROBLEMS.
70
00:04:19,911 --> 00:04:21,522
-WHATEVER IT IS,
THE ANSWER'S NO.
71
00:04:22,523 --> 00:04:24,002
-SPONSOR A BIKINI CONTEST.
72
00:04:24,133 --> 00:04:25,874
-NO.
73
00:04:26,004 --> 00:04:27,528
-OH, COME ON, IT'S A MAJOR
RETURN ON A MINOR INVESTMENT.
74
00:04:27,658 --> 00:04:28,790
-NO!
75
00:04:28,920 --> 00:04:29,878
I DON'T EVEN HAVE ENOUGH MONEY
76
00:04:30,008 --> 00:04:32,054
TO INVEST IN REPAIRING MY TRUCK.
77
00:04:32,184 --> 00:04:34,056
-YEAH, BUT A BIKINI
CONTEST WOULD--
78
00:04:34,186 --> 00:04:35,710
-FREEZE, MILLER.
79
00:04:38,582 --> 00:04:40,758
NO CONTEST, THE ONE ON THE LEFT.
80
00:04:42,020 --> 00:04:43,892
-EXCELLENT CHOICE, CAPTAIN.
81
00:04:44,022 --> 00:04:46,503
TOUGH CALL. EXCELLENT CHOICE.
82
00:04:47,112 --> 00:04:48,723
-LAST MONTH, IT'S THE PLUMBING.
83
00:04:49,289 --> 00:04:50,899
THIS MONTH IT'S MY TRUCK.
84
00:04:51,465 --> 00:04:52,944
-YOU SHOULD'VE TAKEN
THAT PROMOTION, MITCH.
85
00:04:53,075 --> 00:04:55,556
-WHAT IS IT WITH EVERYBODY
AND THIS PROMOTION?
86
00:04:56,121 --> 00:04:57,819
ALL I NEED'S A
LITTLE EXTRA CASH.
87
00:04:57,949 --> 00:04:59,473
-HOW ABOUT A COUPLE
HUNDRED BUCKS?
88
00:05:00,038 --> 00:05:01,605
-I DIDN'T MEAN THAT. I
CAN'T BORROW FROM YOU.
89
00:05:01,736 --> 00:05:03,520
-GOOD, BECAUSE I
CAN'T LEND IT TO YOU.
90
00:05:03,651 --> 00:05:06,044
BUT THERE'S A PRIVATE PARTY AT
THE MALIBU COLONY THIS WEEK.
91
00:05:06,871 --> 00:05:09,657
THEY WANT TO HIRE A COUPLE
OFF-DUTY LIFEGUARDS.
92
00:05:09,787 --> 00:05:11,311
I'VE ALREADY
MENTIONED IT TO EDDIE.
93
00:05:11,441 --> 00:05:12,616
-I'LL TAKE IT.
94
00:05:12,747 --> 00:05:14,314
-DON: YOU GOT IT.
95
00:05:15,053 --> 00:05:16,620
-WE FIRST SPOTTED
HER OFF THE BELL BUOY
96
00:05:16,751 --> 00:05:18,230
WHEN SHE WAS JUST A PUP.
97
00:05:18,361 --> 00:05:20,058
SHE HAD THIS, THIS
GILL NET STUCK
98
00:05:20,189 --> 00:05:22,104
AROUND HER NECK SO WE
STARTED CALLING HER GILLY.
99
00:05:22,670 --> 00:05:24,672
BUT WE COULD NEVER GET CLOSE
ENOUGH TO GET IT OFF OF HER.
100
00:05:24,802 --> 00:05:27,239
AND THE MORE SHE GREW, THE MORE
IT JUST SLICED INTO HER NECK.
101
00:05:27,979 --> 00:05:29,285
-SHE KNEW WHEN IT
WAS TIME TO GET HELP.
102
00:05:29,416 --> 00:05:31,113
-YEAH, BUT SHE
SHOULDN'T HAVE HAD TO.
103
00:05:31,243 --> 00:05:33,202
WHY DO THEY KEEP USING THESE
THINGS? I DON'T UNDERSTAND.
104
00:05:33,333 --> 00:05:34,725
-BECAUSE FISHERMAN
DON'T SEE THE RESULTS
105
00:05:34,856 --> 00:05:36,510
OF WHAT THEY DO TO SEA
LIONS AND DOLPHINS.
106
00:05:36,640 --> 00:05:38,338
-WELL, I THINK WE SHOULD
GET THE PRESS DOWN HERE.
107
00:05:40,775 --> 00:05:42,472
-UNFORTUNATELY, AFTER
SATURDAY, THERE WON'T BE
108
00:05:42,603 --> 00:05:43,473
A DOWN HERE HERE.
109
00:05:44,779 --> 00:05:45,954
-WHY NOT?
110
00:05:46,084 --> 00:05:47,347
-MONEY.
111
00:05:49,740 --> 00:05:52,090
[SEA LION BARKING]
112
00:05:54,136 --> 00:05:55,659
-HOW MUCH DO YOU NEED?
113
00:05:55,790 --> 00:05:59,533
-I NEED $50,000 BY
6:00 PM SATURDAY OR ELSE
114
00:06:00,098 --> 00:06:01,535
WE GET TORN DOWN WITH
THE REST OF THIS PLACE
115
00:06:01,665 --> 00:06:04,364
WHEN THEY START BUILDING
OCEAN VIEW CONDOS.
116
00:06:05,452 --> 00:06:06,844
-HAVE YOU THOUGHT
ABOUT MAYBE ORGANIZING
117
00:06:06,975 --> 00:06:08,411
SOME FUNDRAISERS OR SOMETHING?
118
00:06:09,369 --> 00:06:10,674
-WITH ALL THE
NON-PROFIT ORGANIZATIONS
119
00:06:10,805 --> 00:06:12,589
THAT NEED MONEY,
COME ON, SHAUNI.
120
00:06:12,720 --> 00:06:15,200
FACE IT, SAVING SEA MAMMALS
IS NOT PEOPLE'S TOP PRIORITY.
121
00:06:15,331 --> 00:06:16,593
-WELL, WHAT ARE WE
GOING TO DO WITH THE
122
00:06:16,724 --> 00:06:18,378
INJURED ANIMALS IF
ORCAS CLOSES DOWN?
123
00:06:18,508 --> 00:06:20,684
-SEA LIFE PARK IN SAN DIEGO
IS THE CLOSEST FACILITY.
124
00:06:20,815 --> 00:06:22,599
-THAT'S OVER A
HUNDRED MILES AWAY.
125
00:06:22,730 --> 00:06:24,775
THOSE ANIMALS AREN'T GOING TO
MAKE IT TRAVELING THAT FAR.
126
00:06:25,863 --> 00:06:28,431
-LOOK AT LEAST WE'RE HERE
UNTIL SATURDAY, AND HOPEFULLY,
127
00:06:28,562 --> 00:06:30,520
THAT WILL BE ENOUGH TIME
FOR GILLY TO MAKE IT.
128
00:06:35,177 --> 00:06:37,614
-AHH! HEY!
129
00:06:37,745 --> 00:06:39,399
-WELL, I REALLY
DON'T SPEAK ITALIAN,
130
00:06:39,529 --> 00:06:43,011
BUT IN FILM, WORDS DON'T
REALLY MATTER, DO THEY?
131
00:06:43,664 --> 00:06:45,492
-ISN'T SHE WONDERFUL?
132
00:06:46,884 --> 00:06:50,497
-DITA, BABY! TERRIFIC PARTY!
133
00:06:50,627 --> 00:06:53,021
-MARTY, YOU'RE LOOKING
UH, GOOD, THAT'S IT.
134
00:06:53,151 --> 00:06:54,022
-MAN: LITTLE FURTHER.
135
00:06:54,152 --> 00:06:56,067
-DON'T FALL! DON'T FALL.
136
00:06:56,198 --> 00:06:58,679
-MAN: OKAY. OKAY.
137
00:07:01,464 --> 00:07:03,031
-HEY!
138
00:07:03,161 --> 00:07:06,208
[SCREAMING] [PARTYING]
139
00:07:16,827 --> 00:07:18,960
-THIS PLACE IS ONE BIG
ACCIDENT WAITING TO HAPPEN.
140
00:07:19,090 --> 00:07:20,309
-TELL ME ABOUT IT.
141
00:07:20,831 --> 00:07:22,746
-EXCUSE ME, I DON'T THINK
IT'S A REAL GOOD IDEA
142
00:07:22,877 --> 00:07:23,834
TO GO SWIMMING RIGHT NOW.
143
00:07:23,965 --> 00:07:26,054
-I NEVER LISTEN TO IDEA MEN.
144
00:07:26,184 --> 00:07:27,621
-LOOK, I'D RATHER STOP YOU NOW
145
00:07:27,751 --> 00:07:28,926
THAN HAVE TO SAVE
YOU FROM DROWNING.
146
00:07:29,057 --> 00:07:30,754
-[LAUGHS] SON,
WITH ALL THE SHARKS
147
00:07:30,885 --> 00:07:32,452
AND BARRACUDAS AT THIS PARTY,
148
00:07:32,582 --> 00:07:33,757
IT'S MORE THAN LIKELY
I'LL HAVE MY ARMS AND LEGS
149
00:07:33,888 --> 00:07:35,629
CHEWED OFF BEFORE I DROWN.
150
00:07:35,759 --> 00:07:36,978
-WHOA! WHOA! I GOT YOU.
151
00:07:37,108 --> 00:07:38,022
-I THINK I'LL SIT DOWN.
152
00:07:38,153 --> 00:07:38,980
-OK.
153
00:07:39,110 --> 00:07:40,721
-HELLO, MY DARLING.
154
00:07:41,939 --> 00:07:43,854
[SIZZLES]
155
00:07:43,985 --> 00:07:45,595
-HEY! HEY! HEY!
156
00:07:45,726 --> 00:07:47,728
[SPLASH]
157
00:07:47,858 --> 00:07:49,904
WHAT IS WITH YOU? KEEP YOUR
FIRE UNDER CONTROL, WILL YOU?
158
00:07:50,034 --> 00:07:51,035
YOU ALL RIGHT?
159
00:07:51,166 --> 00:07:52,080
-YEAH, THANKS.
160
00:07:52,210 --> 00:07:53,734
-SURE.
161
00:07:54,909 --> 00:07:56,388
-WHO THE HELL ARE YOU TWO?
162
00:07:56,519 --> 00:07:58,565
-I'M MITCH BUCHANNON.
THIS IS EDDIE KRAMER.
163
00:07:58,695 --> 00:08:00,958
WE'RE THE L.A.
COUNTY LIFEGUARDS.
164
00:08:01,089 --> 00:08:03,308
-GOOD LORD, THE HIRED HELP.
165
00:08:03,439 --> 00:08:04,788
THE ONLY REASON
YOU'RE HERE IS BECAUSE
166
00:08:04,919 --> 00:08:07,182
MY INSURANCE
COMPANY REQUIRES IT.
167
00:08:07,312 --> 00:08:09,489
SO DON'T STOP ANYONE
FROM HAVING A GOOD TIME,
168
00:08:09,619 --> 00:08:11,229
JUST MAKE SURE NO ONE DROWNS.
169
00:08:11,360 --> 00:08:12,796
-YOUR FRIENDS KEEP
DRINKING AND SWIMMING,
170
00:08:12,927 --> 00:08:14,189
BELIEVE ME, SOMEBODY
IS GOING TO DROWN.
171
00:08:14,319 --> 00:08:15,799
-[LAUGHS] DON'T BE RIDICULOUS.
172
00:08:15,930 --> 00:08:18,802
THESE AREN'T MY FRIENDS.
THIS IS BUSINESS.
173
00:08:18,933 --> 00:08:20,064
SO DON'T GET IN THE
WAY, OR YOU'LL BE OUT
174
00:08:20,195 --> 00:08:22,197
THE DOOR IN HALF AN HOUR.
175
00:08:22,893 --> 00:08:24,982
-BETTER CALL YOUR
INSURANCE AGENT.
176
00:08:26,288 --> 00:08:27,681
-WHY IS THAT?
177
00:08:27,811 --> 00:08:29,291
-WE'RE OUT THE DOOR NOW.
178
00:08:31,859 --> 00:08:34,078
-ALL RIGHT, HAVE IT YOUR WAY.
179
00:08:34,209 --> 00:08:35,558
DO WHATEVER IT IS
YOU PEOPLE DO.
180
00:08:35,689 --> 00:08:39,780
JUST DON'T OVERDO
IT. FAIR ENOUGH?
181
00:08:39,910 --> 00:08:41,956
-OKAY.
182
00:08:46,308 --> 00:08:48,832
-WHEN WE START FILMING
THIS IN A COUPLE OF WEEKS,
183
00:08:48,963 --> 00:08:51,574
UH, I PLAY THIS MARTIAL
ARTS INSTRUCTOR IN VENICE
184
00:08:51,705 --> 00:08:54,011
WHO'S ACTUALLY A
PRIVATE INVESTIGATOR.
185
00:08:54,142 --> 00:08:56,361
AND HE KIND OF GETS
ROMANTICALLY INVOLVED
186
00:08:56,492 --> 00:08:58,712
WITH THIS BEAUTIFUL STREET
MUSICIAN. [LAUGHING]
187
00:08:58,842 --> 00:09:01,192
BUT YOU SEE, SHE'S ACTUALLY--
-WE DON'T WANT TO GIVE
THE PLOT AWAY,
188
00:09:01,323 --> 00:09:02,629
DO WE, DARLING?
189
00:09:02,759 --> 00:09:03,978
LET ME BORROW HIM
FOR A FEW MINUTES.
190
00:09:04,108 --> 00:09:05,849
I PROMISE I'LL BRING
HIM RIGHT BACK.
191
00:09:05,980 --> 00:09:07,242
EXCUSE US, DEAR.
192
00:09:08,373 --> 00:09:10,158
LARRY, DARLING,
CHARM THE PRESS.
193
00:09:10,288 --> 00:09:11,768
ALWAYS CHARM THE PRESS.
194
00:09:11,899 --> 00:09:14,379
BUT NEVER REVEAL TOO
MUCH ABOUT YOURSELF
195
00:09:14,510 --> 00:09:15,946
OR YOUR PROJECT, ALL RIGHT?
196
00:09:16,077 --> 00:09:18,514
-WELL, MY NEW FILM
COMES OUT IN TWO MONTHS.
197
00:09:18,645 --> 00:09:20,821
AND THIS TIME, I HAVE LINES.
198
00:09:20,951 --> 00:09:22,344
-THE COLLEGE OF SIENA--
199
00:09:22,474 --> 00:09:25,390
-VITTORIO, DARLING.
I'M SO HAPPY TO SEE YOU.
200
00:09:26,130 --> 00:09:28,089
-HOW ARE YOU?
-I SEE YOU'VE ALREADY
MET FERNANDO.
201
00:09:28,219 --> 00:09:30,178
-VITTORIO'S SEEN EVERY
ONE OF MY PICTURES.
202
00:09:30,787 --> 00:09:31,919
HE DOESN'T LIKE ONE OF THEM.
203
00:09:32,049 --> 00:09:33,834
[NERVOUS LAUGHTER]
204
00:09:33,964 --> 00:09:35,444
-VITTORIO, DARLING, I'D LIKE
FOR YOU TO MEET LARRY BROOKS,
205
00:09:35,575 --> 00:09:36,793
THE STAR OF OUR PICTURE.
206
00:09:36,924 --> 00:09:38,360
-IT'S A PLEASURE, SIR.
-PLEASURE.
207
00:09:38,490 --> 00:09:40,057
-LARRY, DEAR, THIS IS
FERNANDO, YOUR DIRECTOR.
208
00:09:40,188 --> 00:09:41,798
-I HOPE YOU LIKE MY PICTURES.
209
00:09:41,929 --> 00:09:44,061
-I ADMIRE EACH AND
EVERY ONE OF THEM, SIR.
210
00:09:44,192 --> 00:09:46,673
AS A MATTER OF FACT, I'VE
ALWAYS WANTED TO WORK IN ITALY.
211
00:09:46,803 --> 00:09:49,197
-DON'T MIND IF I DO. THANK YOU.
212
00:09:55,203 --> 00:09:57,205
THIS IS TERRIFIC. WHAT IS THIS?
213
00:09:57,684 --> 00:10:01,122
-I THINK IT'S
EITHER TOFU OR EEL.
214
00:10:01,252 --> 00:10:03,820
-[SPITS]
-HI.
215
00:10:13,351 --> 00:10:14,352
[SPITS]
216
00:10:18,443 --> 00:10:19,880
-WE'RE COMING BACK TO THE BOAT!
217
00:10:20,010 --> 00:10:21,446
-YEAH!
218
00:10:22,143 --> 00:10:24,145
-WHY DON'T YOU GET SOME REST?
219
00:10:25,886 --> 00:10:28,758
-HEY. WHY DON'T YOU
STAY IN THE POOL A WHILE?
220
00:10:29,541 --> 00:10:31,195
-I'M SORRY. I'M ON DUTY.
221
00:10:31,761 --> 00:10:33,110
-PITY.
222
00:10:35,417 --> 00:10:36,853
-UH, NO, SIR, PLEASE,
DON'T PUT THAT IN THE WATER.
223
00:10:36,984 --> 00:10:37,898
-MAN: WHY NOT?
224
00:10:38,028 --> 00:10:39,247
-BECAUSE I SAID SO.
225
00:10:43,425 --> 00:10:45,862
[SCREAMING] [PARTYING]
226
00:10:50,171 --> 00:10:51,781
[PEOPLE LAUGHING]
-YEAH!
227
00:10:52,869 --> 00:10:54,915
-GET THE BOAT BACK OUT.
228
00:10:55,045 --> 00:10:56,264
-PEOPLE: COME ON!
229
00:10:56,394 --> 00:10:58,614
[PARTYING] [SCREAMING]
230
00:11:02,052 --> 00:11:03,706
-GET THE BOAT BACK OUT!
231
00:11:03,837 --> 00:11:06,013
-HEY, IS THAT MY
AGENT ON THE PHONE?
232
00:11:07,231 --> 00:11:08,885
-PAST THE BREAKWATER!
233
00:11:09,016 --> 00:11:12,019
[PEOPLE PARTYING]
234
00:11:12,628 --> 00:11:15,239
GET IT BACK OUT! EDDIE!
235
00:11:17,459 --> 00:11:19,940
[WAVES CRASHING]
236
00:11:20,070 --> 00:11:22,507
GET THE BOAT BACK
TO BREAKWATER!
237
00:11:24,727 --> 00:11:26,250
-OHH!
238
00:11:26,990 --> 00:11:28,209
-EDDIE!
239
00:11:28,339 --> 00:11:29,297
EDDIE!
240
00:11:30,733 --> 00:11:34,606
[INTENSE MUSIC]
241
00:11:46,749 --> 00:11:48,664
-AH!
242
00:11:50,579 --> 00:11:53,103
[INTENSE MUSIC]
243
00:11:59,631 --> 00:12:00,589
-WHOA!
244
00:12:01,285 --> 00:12:02,243
-GET OUT THERE.
245
00:12:02,373 --> 00:12:03,461
-WHAT?
246
00:12:03,592 --> 00:12:05,159
-THERE'S A PRESS
HERE, BE A HERO.
247
00:12:05,289 --> 00:12:07,074
-DITA, I HATE THE WATER.
248
00:12:07,204 --> 00:12:08,684
-GO ON!
249
00:12:10,860 --> 00:12:13,602
[INTENSE MUSIC]
250
00:12:16,039 --> 00:12:17,911
-HERE! TAKE IT!
251
00:12:20,130 --> 00:12:21,218
ARE YOU OKAY?
252
00:12:26,571 --> 00:12:29,009
OKAY. IT'S GOING TO HELP.
253
00:12:40,324 --> 00:12:41,369
-I GOT YOU.
254
00:12:41,499 --> 00:12:42,370
HANG ON.
255
00:12:42,500 --> 00:12:44,589
[GASPING]
256
00:12:49,856 --> 00:12:52,032
-MITCH: EDDIE! OVER HERE!
257
00:12:52,162 --> 00:12:55,600
[INTENSE MUSIC]
258
00:13:09,658 --> 00:13:10,964
[GRUNTING]
259
00:13:16,317 --> 00:13:19,102
NO. LET GO! LET GO!
260
00:13:22,671 --> 00:13:24,629
NO! NO!
261
00:13:25,500 --> 00:13:27,023
LET GO OF THE LINE!
262
00:13:27,154 --> 00:13:28,938
DAMN IT! LET GO!
263
00:13:34,378 --> 00:13:35,858
[THUD]
264
00:13:44,388 --> 00:13:46,173
[COUGHING]
265
00:13:54,137 --> 00:13:55,573
-MAN: WHAT'S
GOING ON DOWN THERE?
266
00:13:55,704 --> 00:13:58,489
-ON THREE. ONE, TWO, THREE.
267
00:14:01,884 --> 00:14:03,364
ALL RIGHT, EASE IT IN.
268
00:14:04,452 --> 00:14:07,107
I GOT HIM.
-OK. ALL RIGHT, LET'S GO.
269
00:14:07,237 --> 00:14:08,412
-I'LL CHECK WITH YOU
IN EMERGENCY, HUH?
-LET'S MOVE IT.
270
00:14:08,543 --> 00:14:09,805
-EDDIE: ALL RIGHT.
271
00:14:10,458 --> 00:14:12,808
[SIREN WAILING]
272
00:14:16,333 --> 00:14:18,074
-HE SHOULDN'T HAVE
BEEN OUT THERE.
273
00:14:18,640 --> 00:14:20,033
-LUCKY FOR HIM, YOU WERE.
274
00:14:20,163 --> 00:14:22,513
-LUCKY FOR YOU, NO ONE
ELSE WAS SERIOUSLY HURT.
275
00:14:24,515 --> 00:14:26,126
-FOR SERVICES RENDERED.
276
00:14:27,475 --> 00:14:29,085
-I DON'T ACCEPT TIPS.
277
00:14:30,608 --> 00:14:33,263
-THAT'S EXACTLY WHAT
A HERO SHOULD SAY.
278
00:14:34,003 --> 00:14:36,353
YOU KNOW, YOU COULD
MAKE 10,000 TIMES THAT
279
00:14:36,484 --> 00:14:38,660
DOING WHAT YOU JUST DID
OUT THERE FOR THE CAMERAS.
280
00:14:39,704 --> 00:14:41,402
-WHAT, AS A STUNTMAN?
281
00:14:41,532 --> 00:14:43,273
-NO, AS A STAR.
282
00:14:43,883 --> 00:14:45,623
IF HE CAN DO IT, ANYONE CAN.
283
00:14:46,537 --> 00:14:48,278
I COULD HAVE THE
SCRIPT REWRITTEN,
284
00:14:48,409 --> 00:14:52,674
MAKE THE LEAD A LIFEGUARD,
WHO IS ALSO A PRIVATE EYE.
285
00:14:52,804 --> 00:14:55,155
BIG RESCUES, GREAT LOVE SCENES.
286
00:14:56,721 --> 00:14:57,722
WHAT DO YOU SAY?
287
00:14:58,506 --> 00:15:01,509
[MELLOW MUSIC]
288
00:15:08,908 --> 00:15:10,126
-I CAN'T BELIEVE
THIS GUY TURNS DOWN
289
00:15:10,257 --> 00:15:12,215
AN OPPORTUNITY OF A LIFETIME.
290
00:15:12,346 --> 00:15:14,130
-I JUST DON'T WANT TO BE
IN SOME STUPID ACTION FLICK.
291
00:15:14,261 --> 00:15:16,176
-OH, COME ON, MITCH,
THEY MAKE MILLIONS!
292
00:15:16,306 --> 00:15:18,830
IT COULD'VE BEEN A WHOLE
NEW CAREER FOR YOU.
293
00:15:19,396 --> 00:15:20,832
-MY CAREER IS SAVING PEOPLE.
294
00:15:21,398 --> 00:15:22,791
-WHAT ABOUT SAVING ANIMALS?
295
00:15:23,357 --> 00:15:24,184
-WHAT'S WRONG?
296
00:15:24,314 --> 00:15:25,315
-GILLY.
297
00:15:25,446 --> 00:15:26,490
-HOW IS SHE?
298
00:15:26,621 --> 00:15:28,318
-EH, SHE'S BARELY HANGING ON.
299
00:15:28,449 --> 00:15:30,146
AND IF ORCAS CLOSES DOWN,
GILLY AND THOUSANDS LIKE HER
300
00:15:30,277 --> 00:15:31,582
ARE NOT GONNA SURVIVE.
301
00:15:31,713 --> 00:15:33,062
-EDDIE: WHY WOULD
ORCAS CLOSE DOWN?
302
00:15:33,193 --> 00:15:34,237
-WHY DOES ANYTHING
WORTHWHILE CLOSE DOWN?
303
00:15:34,368 --> 00:15:35,499
THERE'S NOT ENOUGH MONEY.
304
00:15:40,026 --> 00:15:43,159
-HEY, MITCH, DO THE
WORDS "DON'T FALL ASLEEP
305
00:15:43,290 --> 00:15:45,292
"IN THE POPPY FIELDS"
MEAN ANYTHING TO YOU?
306
00:15:46,728 --> 00:15:48,382
-THE WICKED WITCH.
307
00:15:48,512 --> 00:15:51,559
-MM. THAT IS ONE HELL OF A
BROOMSTICK SHE RODE IN ON.
308
00:15:54,214 --> 00:15:55,476
-MITCH!
309
00:15:56,520 --> 00:15:57,478
LET'S TALK.
310
00:15:58,087 --> 00:15:59,436
-WHAT DO YOU GOT TO LOSE?
311
00:16:00,437 --> 00:16:01,743
FORGET I SAID THAT.
312
00:16:12,710 --> 00:16:13,885
-HARVEY: MITCH SHOULDN'T
BE ALONE WITH HER.
313
00:16:14,016 --> 00:16:15,670
SHE'S GONNA EAT HIM ALIVE.
314
00:16:16,976 --> 00:16:18,281
-I DON'T GET IT.
315
00:16:19,152 --> 00:16:21,589
I WAS THERE TOO, WAS I NOT? HUH?
316
00:16:22,155 --> 00:16:24,548
RESCUING PEOPLE, PULLING
THEM OUT LIKE TUNA.
317
00:16:25,506 --> 00:16:27,899
WHY HIM? WHY DID THIS DITA PICK,
318
00:16:28,030 --> 00:16:29,249
PICK HIM TO BE THE MOVIE STAR?
319
00:16:29,379 --> 00:16:31,512
WHAT DOES MITCH
HAVE THAT I DON'T?
320
00:16:32,121 --> 00:16:34,210
-EDDIE, MITCH ISN'T
GONNA DO THIS ANYWAY.
321
00:16:34,341 --> 00:16:36,996
-OH, MONEY, HONEY,
IT'S A GREAT MOTIVATOR.
322
00:16:38,998 --> 00:16:41,000
I CAN'T LET HIM BLOW THIS.
323
00:16:46,570 --> 00:16:47,832
-I DON'T GET IT.
324
00:16:47,963 --> 00:16:49,747
-YOU'D BE A
BELIEVABLE HERO, MITCH.
325
00:16:49,878 --> 00:16:51,532
THAT'S THE DIFFERENCE.
326
00:16:52,185 --> 00:16:54,230
WOMEN WILL FANTASIZE ABOUT YOU.
327
00:16:54,361 --> 00:16:57,233
TRUST ME, I KNOW
WHAT WOMEN LIKE.
328
00:16:57,364 --> 00:16:59,453
-THE ONLY TIME I'VE EVER
BEEN IN FRONT OF A CAMERA
329
00:16:59,583 --> 00:17:01,020
IS WHEN THEY
VIDEOTAPED MY WEDDING.
330
00:17:01,150 --> 00:17:02,064
-YOU'RE MARRIED?
331
00:17:02,195 --> 00:17:03,761
-DIVORCED.
332
00:17:03,892 --> 00:17:05,502
SO YOU CAN SEE HOW WELL
THAT PERFORMANCE TURNED OUT.
333
00:17:05,633 --> 00:17:07,243
[LAUGHING]
334
00:17:07,374 --> 00:17:10,420
-BEATTY, SELLECK-- THEY
HAVE THAT CERTAIN SOMETHING
335
00:17:10,551 --> 00:17:11,987
THAT MADE THEM A STAR.
336
00:17:12,118 --> 00:17:13,293
YOU HAVE IT TOO, MITCH.
337
00:17:13,423 --> 00:17:15,338
-NO, I DON'T. I,
I DON'T HAVE THAT.
338
00:17:15,469 --> 00:17:16,905
-LISTEN TO ME, MITCH.
339
00:17:17,036 --> 00:17:19,386
I ONLY PRETEND TO BE A BITCH
340
00:17:19,516 --> 00:17:22,780
BECAUSE IT SERVES ME WELL
IN A VERY TOUGH BUSINESS.
341
00:17:23,346 --> 00:17:25,305
AND I'M IN BUSINESS
TO MAKE MONEY.
342
00:17:25,435 --> 00:17:27,307
SO I WOULDN'T INVEST IT IN YOU
343
00:17:27,437 --> 00:17:29,483
IF I WASN'T SURE
YOU COULD DO THIS.
344
00:17:29,613 --> 00:17:30,701
-I'M A LIFEGUARD.
345
00:17:30,832 --> 00:17:32,660
-AND BOZ WAS A FOOTBALL PLAYER.
346
00:17:32,790 --> 00:17:34,096
ARNOLD WAS A BODYBUILDER.
347
00:17:34,227 --> 00:17:35,097
-THEY'RE PRO ATHLETES.
348
00:17:35,228 --> 00:17:36,620
-WHAT'S A LIFEGUARD?
349
00:17:36,751 --> 00:17:38,318
YOU'RE A PROFESSIONAL SWIMMER,
350
00:17:38,448 --> 00:17:40,581
AND SWIMMERS ARE
FANTASTIC ATHLETES.
351
00:17:40,711 --> 00:17:42,670
-MITCHIE, SWEETHEART!
SORRY I'M LATE.
352
00:17:42,800 --> 00:17:44,715
I SENT YOU A FAX FROM
THE CAR, DID YOU GET IT?
353
00:17:44,846 --> 00:17:47,631
HI. HARVEY MILLER, MR.
BUCHANNON'S PERSONAL MANAGER.
354
00:17:47,762 --> 00:17:49,242
I'M LOOKING FORWARD TO
OPENING NEGOTIATIONS WITH YOU
355
00:17:49,372 --> 00:17:50,982
ON MY CLIENT'S BEHALF.
356
00:17:51,113 --> 00:17:53,681
-AH. YOUR, UH,
CLIENT DOESN'T SEEM
357
00:17:53,811 --> 00:17:55,117
WILLING TO ENTERTAIN MY OFFER.
358
00:17:55,248 --> 00:17:56,597
-OH. WELL, THAT'S BECAUSE I DO
359
00:17:56,727 --> 00:17:59,208
ALL OF HIS ENTERTAINING
FOR HIM. [LAUGHS]
360
00:17:59,339 --> 00:18:01,602
SO, WHAT KIND OF FIGURES
ARE WE TALKING ABOUT HERE?
361
00:18:01,732 --> 00:18:03,995
-WELL, I DON'T THINK
WE SHOULD DISCUSS MONEY
362
00:18:04,126 --> 00:18:06,433
IN FRONT OF YOUR CLIENT.
363
00:18:06,563 --> 00:18:08,522
-WE HAVE NO SECRETS FROM
EACH OTHER, DO WE, MITCH?
364
00:18:08,652 --> 00:18:09,653
-UH, NO.
365
00:18:09,784 --> 00:18:10,959
-I WANT TO SCREEN TEST HIM.
366
00:18:11,090 --> 00:18:12,439
-AFTER WE
PRE-NEGOTIATE THE DEAL.
367
00:18:12,569 --> 00:18:13,918
YOU KNOW, THE UP
FRONT, THE BACK END.
368
00:18:14,789 --> 00:18:16,138
-OF COURSE.
369
00:18:16,269 --> 00:18:17,835
-UPON SIGNING, HE
BECOMES PAY OR PLAY.
370
00:18:17,966 --> 00:18:19,228
-WITH A BUYOUT.
371
00:18:19,359 --> 00:18:20,751
-I'M GONNA NEED
NAME ABOVE THE TITLE.
372
00:18:20,882 --> 00:18:22,057
-ON THE SEQUEL, NOT
THE FIRST TIME OUT.
373
00:18:22,188 --> 00:18:23,537
-LET'S TALK MOTOR HOME.
374
00:18:23,667 --> 00:18:24,451
-DITA: A HONEY WAGON.
375
00:18:24,581 --> 00:18:25,321
-HARVEY: STAR WAGON.
376
00:18:25,452 --> 00:18:26,496
-DITA: FINE.
377
00:18:26,627 --> 00:18:27,280
-HOW MUCH UP FRONT?
378
00:18:27,410 --> 00:18:27,845
-DITA: 10,000.
379
00:18:27,976 --> 00:18:28,803
-40.
380
00:18:28,933 --> 00:18:29,934
-20,000.
-30.
381
00:18:30,065 --> 00:18:33,242
-25,000 ON SIGNING AGAINST 150
382
00:18:33,373 --> 00:18:34,591
ON THE FIRST DAY OF PHOTOGRAPHY.
383
00:18:34,722 --> 00:18:35,636
-IT'S A DONE DEAL.
384
00:18:35,766 --> 00:18:36,898
-DONE DEAL.
385
00:18:37,028 --> 00:18:38,334
WE'LL TALK.
386
00:18:41,816 --> 00:18:43,600
-25,000.
387
00:18:44,601 --> 00:18:46,429
-YES!
388
00:18:52,261 --> 00:18:55,438
[MELLOW MUSIC]
389
00:18:57,788 --> 00:18:59,703
-I KNOW I SHOULDN'T
BE DOING THIS.
390
00:18:59,834 --> 00:19:01,618
[GLASS CLINKING]
391
00:19:09,409 --> 00:19:10,845
NO, LET ME.
392
00:19:14,501 --> 00:19:17,156
I WANTED TO DO THIS THE
FIRST TIME I SAW YOU.
393
00:19:18,069 --> 00:19:20,202
-HOW COME IT TOOK YOU SO LONG?
394
00:19:20,333 --> 00:19:21,943
-MAYBE I WANT YOU TO SUFFER.
395
00:19:22,944 --> 00:19:25,294
OR MAYBE IT'S BECAUSE
YOU'RE SO COLD.
396
00:19:30,691 --> 00:19:32,736
-THE ONLY THING COLD
ABOUT ME IS MY GUN.
397
00:19:32,867 --> 00:19:34,260
-THE ONLY...
398
00:19:34,390 --> 00:19:36,958
I CAN'T SAY THAT. WHO
WRITES THIS STUFF?
399
00:19:37,088 --> 00:19:38,612
-COME ON, MITCH, REMEMBER
WHAT WE TALKED ABOUT?
400
00:19:38,742 --> 00:19:40,396
WHAT IS YOUR INTENTION
IN THE SCENE?
401
00:19:40,527 --> 00:19:41,963
-TO GET THIS THING OVER
AS QUICKLY AS POSSIBLE.
402
00:19:42,093 --> 00:19:44,139
-LISTEN, YOU WANT ME TO
SHOW HIM HOW TO DO IT?
403
00:19:44,270 --> 00:19:47,534
-EDDIE, THERE CAN ONLY BE
ONE DIRECTOR ON THE SET.
404
00:19:47,664 --> 00:19:49,057
-THIS IS A LIVING ROOM.
405
00:19:49,188 --> 00:19:50,667
-WHICH IS WHY YOU
ARE NOT THE DIRECTOR.
406
00:19:50,798 --> 00:19:52,234
NOW MITCH, LOOK, IT'S EASY.
407
00:19:52,365 --> 00:19:54,280
-I NEED THOSE HEADSHOTS BY SIX.
408
00:19:54,410 --> 00:19:56,760
AND MAKE SURE YOU TOUCH UP
THAT MARK ON HIS CHIN THERE.
409
00:19:56,891 --> 00:19:58,806
AND PUT THE GLINT IN
HIS EYE, YOU KNOW?
410
00:19:58,936 --> 00:20:00,286
A COUPLE OF THOSE
LITTLE WHITE DOTS.
411
00:20:00,416 --> 00:20:01,678
-HEY.
-HMM?
412
00:20:01,809 --> 00:20:02,897
-YOU'RE NOT UPSET, ARE YOU?
413
00:20:03,027 --> 00:20:04,246
-NO, NO, OF COURSE NOT.
414
00:20:04,377 --> 00:20:05,595
-I MEAN, BECAUSE, YOU KNOW,
415
00:20:05,726 --> 00:20:06,944
THIS IS JUST FOR
MITCH AND TO HELP...
416
00:20:07,075 --> 00:20:08,859
-YEAH, YEAH, I
KNOW, I KNOW, I KNOW.
417
00:20:08,990 --> 00:20:10,121
-WELL, THEN WHAT'S WRONG?
418
00:20:10,252 --> 00:20:12,820
-NOTHING, NOTHING.
[CLEARS THROAT]
419
00:20:12,950 --> 00:20:16,084
-YOU KNOW, IF YOU WANT TO, WE
CAN PLAY THIS SCENE TONIGHT,
420
00:20:16,215 --> 00:20:18,739
AND I WON'T EVEN
MAKE YOU SUFFER.
421
00:20:18,869 --> 00:20:19,870
-OH YEAH?
422
00:20:20,001 --> 00:20:21,220
-YEAH.
423
00:20:22,308 --> 00:20:23,918
-MITCH, YOU CAN'T
CHANGE A LINE.
424
00:20:24,048 --> 00:20:25,528
REMEMBER, THIS IS A SCREEN TEST.
425
00:20:25,659 --> 00:20:27,095
YOU HAVE TO TREAT EVERY WORD
426
00:20:27,226 --> 00:20:29,271
OF THE TEXT AS IF
IT WAS SHAKESPEARE.
427
00:20:29,402 --> 00:20:31,578
I REMEMBER WHEN I WAS A
CONTRACT PLAYER AT FOX--
428
00:20:31,708 --> 00:20:33,232
-SHAKESPEARE WAS STILL ALIVE.
429
00:20:33,362 --> 00:20:34,885
[LAUGHING]
430
00:20:35,016 --> 00:20:37,801
-WHICH IS WHY CHILDREN
ARE NOT ALLOWED ON THE SET.
431
00:20:37,932 --> 00:20:40,630
ALL RIGHT, MITCH, TELL ME, WHAT
EXACTLY IS YOUR MOTIVATION?
432
00:20:40,761 --> 00:20:42,153
-YOU GOT ME.
433
00:20:42,284 --> 00:20:43,546
-MONEY, DAD. WE NEED
THE MONEY, RIGHT?
434
00:20:43,677 --> 00:20:44,504
-RIGHT.
435
00:20:44,634 --> 00:20:45,896
-RIGHT. READY?
436
00:20:46,027 --> 00:20:46,767
LET'S TAKE IT
AGAIN, FROM THE TOP.
437
00:20:46,897 --> 00:20:48,159
-HANG ON A MINUTE.
438
00:20:48,290 --> 00:20:49,204
COULD WE DO THAT
OTHER SCENE, YOU KNOW?
439
00:20:49,335 --> 00:20:50,292
LET ME JUST TRY THE OTHER SCENE.
440
00:20:50,423 --> 00:20:51,554
SHAUNI, NO OFFENSE OR ANYTHING.
441
00:20:52,076 --> 00:20:53,643
-EDDIE, YOU KNOW THE
LINES, YOU NEED THE SIDES?
442
00:20:53,774 --> 00:20:55,166
-THE WHAT?
443
00:20:55,297 --> 00:20:56,559
-THE SIDES, THE
WORDS, THE SCRIPT.
444
00:20:56,690 --> 00:20:59,432
-OH. NO, NO, I KNOW
IT, I KNOW THIS.
445
00:20:59,562 --> 00:21:00,389
-GOOD.
446
00:21:00,520 --> 00:21:01,695
WE'LL DO IT OVER HERE.
447
00:21:01,825 --> 00:21:03,131
-"HOLD IT RIGHT
THERE, YOU SCUZZ."
448
00:21:04,045 --> 00:21:05,699
-EDDIE, COME ON,
LET'S MAKE SOME ROOM.
449
00:21:06,352 --> 00:21:07,701
YOU KNOW, MOVE THAT BACK.
450
00:21:09,485 --> 00:21:11,139
AND USE THIS FOR THE CHAINSAW.
451
00:21:11,270 --> 00:21:12,271
-AH, RIGHT.
452
00:21:12,401 --> 00:21:13,968
-ALL RIGHT.
453
00:21:14,098 --> 00:21:16,057
EDDIE, YOU'RE A DRUG-CRAZED
KILLER WITH A CHAINSAW.
454
00:21:16,187 --> 00:21:17,232
HE'S GOT YOU CORNERED.
455
00:21:17,363 --> 00:21:18,712
HE'S UNARMED.
456
00:21:18,842 --> 00:21:20,148
BUT YOU KNOW HE'S DEADLY.
457
00:21:20,279 --> 00:21:21,410
READY?
458
00:21:22,019 --> 00:21:22,629
ACTION!
459
00:21:22,759 --> 00:21:23,934
[GRUNTING]
460
00:21:24,065 --> 00:21:25,980
[INTENSE MUSIC]
461
00:21:28,243 --> 00:21:29,766
[GRUNTS]
462
00:21:29,897 --> 00:21:33,030
MITCH. MITCH, LINE.
463
00:21:33,161 --> 00:21:34,423
-HOLD IT RIGHT THERE!
464
00:21:35,032 --> 00:21:36,077
SCUZZBUCKET!
465
00:21:36,207 --> 00:21:37,687
-SCUDBUCKET.
-SCUDBUCKET.
466
00:21:38,558 --> 00:21:40,124
LIKE SCUD MISSILE, DAD.
467
00:21:40,255 --> 00:21:41,561
-GOT IT, GOT IT.
468
00:21:42,170 --> 00:21:44,259
HOLD IT RIGHT THERE,
SCUDBUCKET.
469
00:21:44,390 --> 00:21:46,435
-STAY BACK, MAN,
OR I'LL CUT YOU!
470
00:21:46,566 --> 00:21:48,350
I SWEAR I'LL SLICE
YOU INTO TOOTHPICKS!
471
00:21:49,220 --> 00:21:51,222
-NO WAY. NO WAY.
472
00:21:51,353 --> 00:21:52,920
THAT THING'S ABOUT
TO RUN OUT OF GAS.
473
00:21:53,050 --> 00:21:54,225
-YEAH, WELL, I HOPE IT DOES
474
00:21:54,356 --> 00:21:55,662
RIGHT IN THE MIDDLE
OF YOUR SKULL!
475
00:21:55,792 --> 00:21:58,708
[LAUGHING]
476
00:21:59,796 --> 00:22:00,623
WHAT?
477
00:22:00,754 --> 00:22:04,105
[LAUGHING]
478
00:22:23,646 --> 00:22:25,213
[SEA LION BARKING]
479
00:22:38,357 --> 00:22:39,836
-WHAT'S UP, DOC?
480
00:22:39,967 --> 00:22:41,534
-HOW'S IT GOING, SHAUNI?
481
00:22:41,664 --> 00:22:44,101
-WELL, FROM THE LOOKS OF
THINGS AROUND HERE, NOT SO GOOD.
482
00:22:44,885 --> 00:22:46,669
-WELL, PACKING IS NEVER FUN.
483
00:22:47,714 --> 00:22:49,019
-HOW'S GILLY?
484
00:22:50,412 --> 00:22:51,370
-YOU WANT THE TRUTH?
485
00:22:53,197 --> 00:22:55,069
-NO, MAYBE YOU BETTER LIE.
486
00:22:56,244 --> 00:22:59,552
-WELL, I UH, I WOULDN'T
GET MY HOPES UP.
487
00:23:01,249 --> 00:23:04,295
-FRANK, WHAT WOULD YOU
THINK IF I DID SOMETHING
488
00:23:04,426 --> 00:23:08,256
FOR A GOOD CAUSE THAT I
WASN'T REAL CRAZY ABOUT DOING?
489
00:23:08,387 --> 00:23:09,605
-DON'T DO IT.
490
00:23:09,736 --> 00:23:10,867
-YOU DON'T EVEN
KNOW WHAT IT IS YET.
491
00:23:11,738 --> 00:23:14,871
-OKAY, BUT IF IT'S DANGEROUS
OR ILLEGAL, DON'T DO IT.
492
00:23:16,177 --> 00:23:18,353
-I'M TALKING ABOUT
A BIKINI CONTEST.
493
00:23:18,484 --> 00:23:22,792
[MELLOW MUSIC]
494
00:23:34,282 --> 00:23:36,632
-HOW AM I SUPPOSED TO TALK
WITH ALL THIS MAKEUP ON?
495
00:23:36,763 --> 00:23:39,026
-[LAUGHS] DON'T WORRY,
MITCH, WITH THIS SUN,
496
00:23:39,156 --> 00:23:40,462
IT'LL PROBABLY MELT
OFF AFTER EVERY TAKE.
497
00:23:40,593 --> 00:23:41,855
OVER HERE, OVER HERE.
498
00:23:41,985 --> 00:23:42,899
-OH, GREAT, I'LL
BE STANDING THERE
499
00:23:43,030 --> 00:23:44,161
WITH MY FACE IN MY SHOES.
500
00:23:44,292 --> 00:23:45,336
[LAUGHING]
501
00:23:45,467 --> 00:23:47,034
-YOU SHOULD SEE IT OUT THERE!
502
00:23:47,164 --> 00:23:49,210
-REFLECTORS, CAMERAS, ACTION.
503
00:23:49,340 --> 00:23:50,254
-I CAN'T DO THIS.
504
00:23:50,385 --> 00:23:51,952
-HOBIE: SURE, YOU CAN.
505
00:23:52,082 --> 00:23:53,606
-MITCH, YOU JUST DO IT
LIKE YOU DID IN REHEARSAL.
506
00:23:53,736 --> 00:23:54,955
-OKAY.
507
00:23:55,085 --> 00:23:56,043
-GOOD.
-WITHOUT THE GIGGLES, THOUGH.
508
00:23:56,173 --> 00:23:57,348
-YEAH, WITHOUT THE GIGGLES.
509
00:23:57,479 --> 00:23:58,262
-COME ON, YOUR OLD
MAN'S A NATURAL.
510
00:23:58,393 --> 00:23:59,307
THE CAMERA LOVES HIM!
511
00:23:59,438 --> 00:24:00,830
HEY, I SAW YOUR HEADSHOTS.
512
00:24:00,961 --> 00:24:03,093
THE GIRLS AT THE PHOTO
LAB WERE SWOONING.
513
00:24:03,224 --> 00:24:04,747
NOW COME ON, GET ON
OUT THERE AND SHOW
514
00:24:04,878 --> 00:24:07,228
THOSE AMATEURS WHAT A
REAL HERO IS MADE OUT OF.
515
00:24:07,358 --> 00:24:09,317
-COME ON, COME ON!
-ALL RIGHT, DAD, COME ON,
LET'S GO!
516
00:24:09,448 --> 00:24:10,840
-YOU CAN DO IT!
517
00:24:13,234 --> 00:24:14,278
-HOW DO I LOOK?
518
00:24:14,409 --> 00:24:15,236
-TERRIFIC. TERRIFIC.
-GREAT!
519
00:24:15,366 --> 00:24:15,845
-SUPER.
-AWESOME!
520
00:24:15,976 --> 00:24:16,846
-OKAY.
521
00:24:17,760 --> 00:24:19,283
ARE THERE A LOT OF
PEOPLE OUT THERE?
522
00:24:19,414 --> 00:24:21,372
-NO, NOT, THEY'RE JUST
ENJOYING THE SURF AND THE SAND.
523
00:24:21,503 --> 00:24:22,939
THEY'LL HARDLY
KNOW YOU'RE THERE.
524
00:24:23,070 --> 00:24:24,419
-HARDLY KNOW YOU'RE THERE.
525
00:24:24,550 --> 00:24:25,681
-JUST ANOTHER DAY
AT THE BEACH, RIGHT?
526
00:24:25,812 --> 00:24:26,943
-RIGHT!
-ANOTHER DAY AT THE BEACH.
527
00:24:27,074 --> 00:24:27,988
-YEAH.
528
00:24:30,077 --> 00:24:31,382
-RIGHT! RIGHT.
-RIGHT, THE BEACH.
529
00:24:31,513 --> 00:24:32,340
-RIGHT.
530
00:24:32,471 --> 00:24:33,689
-HOBIE: YEAH.
531
00:25:02,413 --> 00:25:05,939
-♪ THERE YOU GO, FEEL THE SUNSHINE
532
00:25:07,027 --> 00:25:10,770
♪ BEFORE YOU KNOW THE DAY IS DONE
533
00:25:12,554 --> 00:25:16,253
♪ DON'T GO WAITING 'TIL TOMORROW
534
00:25:16,993 --> 00:25:19,039
♪ BECAUSE TOMORROW
535
00:25:19,169 --> 00:25:23,347
♪ MAY NEVER COME
536
00:25:24,000 --> 00:25:26,437
♪ JUST DO YOUR THING
537
00:25:29,049 --> 00:25:32,269
♪ JUST DO YOUR THING
538
00:25:34,315 --> 00:25:37,274
♪ JUST DO YOUR THING
539
00:25:39,538 --> 00:25:45,065
♪ JUST DO YOUR THING
540
00:25:46,370 --> 00:25:49,983
♪ YOU DON'T KNOW WHAT YOU'RE MISSING
541
00:25:51,550 --> 00:25:55,162
♪ UNTIL YOU GO DOWN THAT ROAD
542
00:25:56,598 --> 00:26:00,384
♪ IT'S ALL GOOD FUN REMINISCING
543
00:26:01,124 --> 00:26:03,039
♪ BUT TOMORROW
544
00:26:03,736 --> 00:26:07,304
♪ MAY NEVER SHOW
545
00:26:08,175 --> 00:26:10,786
♪ JUST DO YOUR THING
546
00:26:13,441 --> 00:26:16,575
♪ JUST DO YOUR THING
547
00:26:18,533 --> 00:26:21,623
♪ JUST DO YOUR THING
548
00:26:23,886 --> 00:26:29,326
♪ JUST DO YOUR THING
549
00:26:29,457 --> 00:26:32,286
♪ DO YOUR THING
550
00:26:34,244 --> 00:26:37,508
♪ JUST DO YOUR THING
551
00:26:39,380 --> 00:26:42,252
♪ JUST DO YOUR THING
552
00:26:44,820 --> 00:26:46,517
♪ JUST DO YOUR THING
553
00:26:46,648 --> 00:26:47,954
[CHAINSAW RUNNING]
554
00:26:48,084 --> 00:26:49,608
-GET BACK, MAN OR
I'M GONNA CUT YOU!
555
00:26:49,738 --> 00:26:51,871
I'M GOING TO SLICE
YOU INTO TOOTHPICKS!
556
00:26:52,001 --> 00:26:53,176
-NO WAY, MAN.
557
00:26:53,307 --> 00:26:54,830
NO WAY, THAT THING...
558
00:26:56,571 --> 00:26:58,704
THAT THING IS ABOUT TO RUN
OUT OF GA-- THAT THING...
559
00:26:58,834 --> 00:26:59,618
-CUT!
560
00:27:00,314 --> 00:27:01,794
-I'M SORRY, I FORGOT THE LINES.
561
00:27:01,924 --> 00:27:03,534
-NO, NO, DARLING, NOT
NOW, PLEASE. NOT NOW.
562
00:27:03,665 --> 00:27:04,971
-CAN I JUST DO IT ONE MORE
TIME? I'LL GET IT RIGHT.
563
00:27:05,101 --> 00:27:06,450
-IT'S NO PROBLEM.
564
00:27:06,581 --> 00:27:08,061
JUST TAKE IT ONE
LINE AT A TIME, OKAY?
565
00:27:08,191 --> 00:27:10,411
ALL RIGHT? WONDERFUL.
566
00:27:10,541 --> 00:27:12,065
-GREAT. GOT IT.
567
00:27:14,589 --> 00:27:16,678
AH! [LAUGHING]
568
00:27:16,809 --> 00:27:17,897
-FROM THE TOP.
569
00:27:18,027 --> 00:27:18,941
-FROM THE TOP.
570
00:27:19,812 --> 00:27:20,769
-MAN: OKAY, SETTLE.
571
00:27:22,205 --> 00:27:23,729
-NO WAY. NO WAY.
572
00:27:23,859 --> 00:27:25,208
-ALL RIGHT, LET'S ROLL.
573
00:27:25,339 --> 00:27:26,732
-NO WAY.
574
00:27:26,862 --> 00:27:28,647
-FERNANDO: SCREEN
TEST, MITCH BUCHANNON,
575
00:27:28,777 --> 00:27:30,561
TAKE 23.
-NO WAY. THAT THINGS ABOUT...
576
00:27:30,692 --> 00:27:33,260
-FERNANDO: AND...
-MOTIVATION.
577
00:27:33,390 --> 00:27:34,522
-FERNANDO: ACTION.
578
00:27:34,653 --> 00:27:36,611
[CHAINSAW RUNNING]
579
00:27:36,742 --> 00:27:37,873
-HEY, HARV, I GOT
TO TALK TO YOU.
580
00:27:38,004 --> 00:27:39,309
-NOT NOW. NOT NOW.
581
00:27:41,747 --> 00:27:43,836
-HOLD IT RIGHT
THERE, SCUZZBUCKET.
582
00:27:44,575 --> 00:27:45,751
-GET BACK, MAN OR
I'M GOING TO CUT YOU!
583
00:27:45,881 --> 00:27:47,317
I'M GOING TO CUT
YOU INTO TOOTHPICKS!
584
00:27:47,448 --> 00:27:50,059
-NO WAY. THAT THING'S
ABOUT TO RUN-- NO--
585
00:27:50,190 --> 00:27:53,149
-CUT! CUT! CUT!
586
00:27:53,715 --> 00:27:54,673
-COULD I TALK TO
YOU FOR A SECOND?
587
00:27:54,803 --> 00:27:56,326
-OF COURSE, MITCH.
588
00:27:56,457 --> 00:27:59,503
-DO YOU MIND IF WE DO THIS
WITHOUT THE SAW RUNNING?
589
00:28:00,156 --> 00:28:02,245
-WITHOUT THE SAW.
590
00:28:02,376 --> 00:28:03,551
WHAT A GREAT IDEA!
591
00:28:04,160 --> 00:28:05,901
WE'LL JUST PRETEND THAT
IT'S STILL RUNNING.
592
00:28:06,032 --> 00:28:07,642
-OK.
593
00:28:07,773 --> 00:28:09,078
-BUT I STILL WANT YOU TO
SHOW FEAR THAT THE BLADES
594
00:28:09,209 --> 00:28:10,732
ARE GOING TO SHRED
THIS BEAUTIFUL FACE.
595
00:28:11,298 --> 00:28:12,342
BUT ONLY BENEATH THE SURFACE.
596
00:28:12,473 --> 00:28:15,737
ON THE SURFACE YOU HAVE NO FEAR.
597
00:28:17,304 --> 00:28:18,479
PLAY THE SUBTEXT.
598
00:28:19,349 --> 00:28:20,524
-SUBTEXT.
-SUBTEXT.
599
00:28:21,177 --> 00:28:22,265
-SUBTEXT.
600
00:28:22,788 --> 00:28:24,137
-MOP HIM UP.
601
00:28:26,313 --> 00:28:27,531
LET'S DO IT AGAIN.
602
00:28:28,837 --> 00:28:30,317
HE DOESN'T WANT TO DO THIS.
603
00:28:30,447 --> 00:28:33,189
-JUST MAKE HIM LOOK GOOD.
604
00:28:33,320 --> 00:28:34,843
-SUBTEXT.
605
00:28:35,409 --> 00:28:37,237
WHAT THE HELL IS SUBTEXT?
606
00:28:37,367 --> 00:28:39,500
-HEY, LISTEN, I THINK I
KNOW HOW TO GET SPONSORS
607
00:28:39,630 --> 00:28:41,328
FOR THIS BIKINI
CONTEST OF YOURS.
608
00:28:42,242 --> 00:28:43,765
-WHAT? HOW? HOW?
609
00:28:44,723 --> 00:28:46,246
-HOW ABOUT A BENEFIT FOR ORCAS?
610
00:28:48,509 --> 00:28:51,860
-WHAT A CONCEPT.
HEY, I LIKE IT!
611
00:28:51,991 --> 00:28:53,122
IT'S--
-FERNANDO: SILENCE!
612
00:28:53,819 --> 00:28:55,168
[CLEARS THROAT]
613
00:28:55,298 --> 00:28:56,343
-TALK TO YOU LATER.
614
00:28:56,473 --> 00:28:57,779
-I'LL TALK TO YOU.
-OKAY.
615
00:28:57,910 --> 00:29:01,217
-LET'S ROLL. MITCH
BUCHANNON, TAKE 25.
616
00:29:02,523 --> 00:29:03,829
-SCUDBUCKET.
617
00:29:03,959 --> 00:29:05,134
-FERNANDO: AND...
618
00:29:05,265 --> 00:29:06,788
-JUST BE COOL, JUST BE COOL.
619
00:29:07,789 --> 00:29:08,659
-ACTION!
620
00:29:09,312 --> 00:29:11,880
-HOLD IT RIGHT
THERE SCUZZBUCKET!
621
00:29:12,011 --> 00:29:13,186
-SCUDBUCKET!
622
00:29:13,316 --> 00:29:14,230
-FERNANDO: CUT!
623
00:29:14,361 --> 00:29:15,841
-NO, NO! NO, KEEP ROLLING.
624
00:29:15,971 --> 00:29:17,320
-I'M SORRY.
625
00:29:17,451 --> 00:29:18,539
I'M SORRY. IT'S ALRIGHT.
626
00:29:18,669 --> 00:29:22,673
[OMINOUS MUSIC]
627
00:29:25,154 --> 00:29:26,112
[GRUNTING]
628
00:29:27,940 --> 00:29:30,943
-HOLD IT RIGHT
THERE, SCUDBUCKET.
629
00:29:31,073 --> 00:29:34,207
-MAN: HELP! HELP!
THIS GUY'S CRAZY, HELP US!
630
00:29:34,337 --> 00:29:35,338
[WOMAN SCREAMING]
631
00:29:36,644 --> 00:29:37,819
-HEY!
632
00:29:37,950 --> 00:29:38,864
LEAVE HER ALONE!
633
00:29:38,994 --> 00:29:40,387
-AH!
634
00:29:40,517 --> 00:29:43,085
[FIGHTING] [GRUNTING]
635
00:29:46,393 --> 00:29:48,787
[CRASH]
636
00:29:48,917 --> 00:29:50,527
-KEEP SHOOTING! KEEP SHOOTING!
637
00:29:56,533 --> 00:29:58,231
-AHH!
638
00:29:59,841 --> 00:30:00,711
-AH.
639
00:30:00,842 --> 00:30:01,843
-AH!
640
00:30:01,974 --> 00:30:03,366
[GRUNTS]
641
00:30:03,497 --> 00:30:05,194
-YEAH, ROLL.
642
00:30:05,325 --> 00:30:08,850
[FIGHTING] [GRUNTING]
643
00:30:08,981 --> 00:30:12,332
[INTENSE MUSIC]
644
00:30:35,964 --> 00:30:36,835
-UGH!
645
00:30:36,965 --> 00:30:38,358
AH.
646
00:30:48,498 --> 00:30:50,022
-GET HIM. COME ON, COME
ON, COME ON, COME ON.
647
00:30:53,329 --> 00:30:55,592
[GRUNTING] [FIGHTING]
648
00:30:58,465 --> 00:31:00,554
[CRASH]
649
00:31:01,337 --> 00:31:02,991
[SIREN WAILING]
650
00:31:03,122 --> 00:31:04,471
-OH!
651
00:31:04,601 --> 00:31:06,212
-YOU BETTER HAVE
THESE RIBS LOOKED AT.
652
00:31:06,342 --> 00:31:08,344
AND THAT FACE. LET ME SEE.
653
00:31:08,475 --> 00:31:11,870
I WANT MY LEADING MAN
TO BE IN PERFECT SHAPE.
654
00:31:12,000 --> 00:31:13,306
-THAT MEANS HE GOT THE JOB!
655
00:31:14,133 --> 00:31:16,048
-NOW, MAKE YOURSELF
USEFUL GO GET THAT CRAZY
656
00:31:16,178 --> 00:31:18,441
TO SIGN A RELEASE SO WE
CAN USE THIS FOOTAGE.
657
00:31:18,572 --> 00:31:19,573
-YOU GOT IT!
658
00:31:20,095 --> 00:31:23,272
-WELL DONE. WELL DONE.
YOU WERE TERRIFIC!
659
00:31:24,795 --> 00:31:25,796
-HEY, THIS LOOKS GREAT.
660
00:31:25,927 --> 00:31:27,537
-THANKS!
661
00:31:27,668 --> 00:31:28,495
-I'VE GOT SOME MORE
PROMOTIONAL PAMPHLETS INSIDE.
662
00:31:28,625 --> 00:31:30,410
-GREAT.
663
00:31:30,540 --> 00:31:31,977
-YEAH, I THINK YOU SIGNED UP
EVERY SURF SHOP AND RESTAURANT
664
00:31:32,107 --> 00:31:33,456
BETWEEN THE ORANGE AND
VENTURA COUNTY LINE.
665
00:31:33,587 --> 00:31:34,980
-YEAH, AND I GOT
JAG BATHING SUITS
666
00:31:35,110 --> 00:31:36,764
TO UNDERWRITE SOME
OF THE EXPENSES.
667
00:31:36,895 --> 00:31:38,418
I JUST HOPE THAT WE
GOT ENOUGH GIRLS.
668
00:31:38,548 --> 00:31:40,942
-ALL WE REALLY NEED IS
YOU, MY LITTLE RUMPUS ROOM.
669
00:31:41,073 --> 00:31:42,988
-OH NO, I'VE GOT A
MILLION THINGS TO DO
670
00:31:43,118 --> 00:31:44,772
IF I'M GOING TO GET
THIS PUT ON IN TIME.
671
00:31:44,903 --> 00:31:46,556
-HEY, HEY, I GOT A SLEW OF
LIFEGUARDS WHO ARE WILLING
672
00:31:46,687 --> 00:31:48,471
TO PUT UP A TON OF MONEY TO
SPONSOR ONE OF THEIR OWN.
673
00:31:48,602 --> 00:31:49,603
-WELL THEN, THEY'RE
JUST GOING TO HAVE
674
00:31:49,733 --> 00:31:50,909
TO GET ONE OF THEIR OWN.
675
00:31:52,780 --> 00:31:54,086
-WHO?
676
00:31:57,480 --> 00:32:00,135
[VOICE ON TV]
677
00:32:03,617 --> 00:32:05,140
[DEEP BREATH]
678
00:32:06,141 --> 00:32:07,142
[TURNS OFF TV]
679
00:32:09,144 --> 00:32:10,145
-OW.
680
00:32:11,146 --> 00:32:12,452
HMM.
681
00:32:15,846 --> 00:32:17,109
YOU TALKING TO ME?
682
00:32:18,632 --> 00:32:21,374
HEY! HEY, YEAH, YOU.
683
00:32:22,505 --> 00:32:23,854
YOU TALKING TO ME?
684
00:32:23,985 --> 00:32:25,378
-YOU'RE DOING YOUR HOMEWORK?
685
00:32:26,292 --> 00:32:28,120
UH, THE DOOR WAS OPEN.
686
00:32:28,685 --> 00:32:30,470
DON'T WORRY, I LOCKED IT.
687
00:32:37,172 --> 00:32:38,086
-HI.
688
00:32:38,652 --> 00:32:40,480
-I'VE JUST COME FROM
THE EDITING ROOM.
689
00:32:41,046 --> 00:32:45,615
HAS ANYONE EVER TOLD YOU
YOU HAVE THE BLUEST EYES?
690
00:32:46,181 --> 00:32:47,966
-I HAD NOTHING TO DO WITH THAT.
691
00:32:49,315 --> 00:32:51,752
-THE FIGHT SCENE IS FANTASTIC.
692
00:32:52,709 --> 00:32:55,364
I THINK WE SHOULD WORK ON MAKING
693
00:32:55,495 --> 00:32:59,760
THE LOVE SCENE
EQUALLY REALISTIC.
694
00:33:00,282 --> 00:33:04,504
-UM, UH, I GOT A
LITTLE BOY UPSTAIRS.
695
00:33:04,634 --> 00:33:06,071
-I WON'T MAKE A SOUND.
696
00:33:07,507 --> 00:33:08,943
-UM.
697
00:33:09,074 --> 00:33:12,599
-MM, I AM GOING TO
MAKE YOU A SUPERSTAR.
698
00:33:13,774 --> 00:33:17,691
-BUT, DITA, I DON'T THINK
THIS WAS PART OF THE DEAL.
699
00:33:17,821 --> 00:33:21,651
-WELL, CALL IT
AN ORAL AGREEMENT.
700
00:33:24,089 --> 00:33:28,180
MITCH, MITCH, DON'T
DISAPPOINT ME.
701
00:33:32,749 --> 00:33:34,229
-I'M SORRY.
702
00:33:35,622 --> 00:33:37,102
I THINK YOU BETTER LEAVE.
703
00:33:44,022 --> 00:33:45,806
-YOU'RE NOT BEING
VERY SMART, MITCH.
704
00:33:46,328 --> 00:33:49,201
-NO, I KINDA THINK THIS
IS THE SMARTEST THING
705
00:33:49,331 --> 00:33:51,594
I'VE DONE SINCE I GOT
INVOLVED IN THIS MESS.
706
00:33:53,248 --> 00:33:54,554
-ALL RIGHT.
707
00:34:00,908 --> 00:34:02,257
YOU'RE GOING TO REGRET THIS.
708
00:34:03,998 --> 00:34:04,912
-MAYBE I WILL,
709
00:34:06,609 --> 00:34:08,176
BUT I'LL LIVE WITH IT.
710
00:34:11,701 --> 00:34:13,051
[DOOR CLOSING]
711
00:34:18,491 --> 00:34:19,579
YOU TALKING TO ME?
712
00:34:26,194 --> 00:34:28,675
-♪ CALIFORNIA
713
00:34:28,805 --> 00:34:31,504
♪ CALIFORNIA
714
00:34:31,634 --> 00:34:34,072
♪ CALIFORNIA
715
00:34:34,202 --> 00:34:35,986
♪ OH YEAH
716
00:34:36,683 --> 00:34:38,989
♪ CALIFORNIA
717
00:34:39,512 --> 00:34:41,688
♪ CALIFORNIA
718
00:34:42,297 --> 00:34:44,604
♪ CALIFORNIA
719
00:34:44,734 --> 00:34:46,867
♪ CALIFORNIA OH YEAH
720
00:34:47,389 --> 00:34:49,391
♪ TAKE ME ON A SUNSHINE RIDE ♪
721
00:34:49,522 --> 00:34:52,481
♪ COOL OCEAN BREEZE WE CAN FLY
722
00:34:52,612 --> 00:34:54,396
♪ LAYING DOWN A ONE WAY TRACK
723
00:34:54,527 --> 00:34:57,225
♪ ONCE YOU'RE HERE
YOU NEVER EVER WANNA GO BACK ♪
724
00:34:57,356 --> 00:34:59,880
♪ PALM TREES AND THE BOULEVARD
725
00:35:00,010 --> 00:35:02,665
♪ HOLLYWOOD SIGN AND THE MOVIE STARS
726
00:35:02,796 --> 00:35:05,364
♪ DOESN'T REALLY MEAN MUCH TO ME
727
00:35:05,494 --> 00:35:08,497
♪ CAUSE WHEN I'M HERE I FEEL FREE
728
00:35:08,628 --> 00:35:10,847
♪ CALIFORNIA OH YEAH
729
00:35:10,978 --> 00:35:13,285
♪ CALIFORNIA
730
00:35:13,807 --> 00:35:15,939
♪ CALIFORNIA
731
00:35:16,070 --> 00:35:18,203
♪ OH YEAH
732
00:35:19,117 --> 00:35:21,119
-♪ CALIFORNIA
733
00:35:21,728 --> 00:35:23,991
-♪ CALIFORNIA
734
00:35:24,122 --> 00:35:26,385
-♪ CALIFORNIA
735
00:35:26,907 --> 00:35:29,039
♪ CALIFORNIA OH YEAH ♪
736
00:35:29,170 --> 00:35:31,825
♪ LOOKING OUT FOR A SUMMERTIME GET AWAY
737
00:35:31,955 --> 00:35:34,306
♪ THE BIG SCENE MAKE
YOU WANNA FIND A WAY ♪
738
00:35:34,436 --> 00:35:36,830
♪ TO COME BACK AND DO IT AGAIN
739
00:35:36,960 --> 00:35:39,702
♪ DOWN TO THE COAST WHERE
THE DAYS NEVER SEEM TO END ♪
740
00:35:39,833 --> 00:35:42,270
♪ YOU MAKE ME FEEL SO ALIVE
741
00:35:42,401 --> 00:35:45,055
♪ YOU TAKE ME TO THE HIGHEST HIGH
742
00:35:45,186 --> 00:35:47,580
♪ AND THAT'S WHAT MATTERS TO ME
743
00:35:47,710 --> 00:35:50,322
♪ YOU MAKE ME FEEL SO FREE
744
00:35:50,452 --> 00:35:53,063
♪ CALIFORNIA
745
00:35:53,194 --> 00:35:55,327
♪ CALIFORNIA
746
00:35:55,936 --> 00:35:59,940
♪ CALIFORNIA OH YEAH ♪
747
00:36:01,115 --> 00:36:03,509
♪ CALIFORNIA
748
00:36:04,205 --> 00:36:06,381
♪ CALIFORNIA
749
00:36:06,512 --> 00:36:10,603
♪ CALIFORNIA OH YEAH
750
00:36:12,082 --> 00:36:17,262
♪ YEAH EVERY THINGS ALRIGHT
ON A CALIFORNIA NIGHT♪
751
00:36:17,392 --> 00:36:20,178
-♪ OH YEAH, UH HUH
752
00:36:22,310 --> 00:36:27,533
-♪ AND EVERY THINGS IN REACH,
WE HAVE ALL WE'LL EVER NEED ♪
753
00:36:27,663 --> 00:36:31,841
-♪ THE SUN, THE STARS, THE BEACH
AND YOU AND ME YOU AND ME ♪
754
00:36:31,972 --> 00:36:32,973
♪ YOU AND ME
755
00:36:37,064 --> 00:36:39,545
-I CAN'T BELIEVE YOU
DID THAT OR DIDN'T.
756
00:36:39,675 --> 00:36:40,459
-I COULDN'T.
757
00:36:40,589 --> 00:36:41,503
-BUT SHE'S A FOX.
758
00:36:41,634 --> 00:36:43,026
-OH, THAT'S NOT THE POINT.
759
00:36:43,157 --> 00:36:45,986
-WAIT A MINUTE. WERE YOU
FIRED, OR DID YOU QUIT?
760
00:36:46,508 --> 00:36:48,075
-I THINK I WAS FIRED.
WHAT'S THE DIFFERENCE?
761
00:36:48,206 --> 00:36:49,729
-BUT YOU SIGNED THE
CONTRACT THOUGH, DIDN'T YOU?
762
00:36:49,859 --> 00:36:50,904
-YEAH.
763
00:36:51,557 --> 00:36:55,430
-YES! PAY OR PLAY,
BABY! PAY OR PLAY!
764
00:36:55,561 --> 00:36:56,953
[MICROPHONE FEEDBACK]
765
00:36:57,084 --> 00:36:58,781
IT'S FEEDBACK, THAT'S
MY CUE. GOT TO GO!
766
00:36:59,695 --> 00:37:01,567
PAY OR PLAY, YES!
767
00:37:05,048 --> 00:37:08,095
[APPLAUDING, CHEERING]
768
00:37:14,232 --> 00:37:15,668
-WHAT DO YOU THINK?
769
00:37:15,798 --> 00:37:16,886
L.A. COUNTY'S GOT THE
BEST-LOOKING WOMEN?
770
00:37:17,017 --> 00:37:19,585
[AUDIENCE AGREEING]
771
00:37:19,715 --> 00:37:22,631
[AUDIENCE APPLAUDING]
772
00:37:27,070 --> 00:37:29,725
WELL, IF I COULD HAVE JUST
ONE MINUTE OF YOUR TIME,
773
00:37:29,856 --> 00:37:31,727
I WANT TO TELL YOU THAT
WE ALSO HAVE A VERY
774
00:37:31,858 --> 00:37:34,077
IMPORTANT ENVIRONMENTAL
RESPONSIBILITY TO UPHOLD.
775
00:37:34,208 --> 00:37:36,036
EVERY YEAR, THOUSANDS
OF SEA MAMMALS
776
00:37:36,166 --> 00:37:37,690
NEED MEDICAL
TREATMENT TO SURVIVE
777
00:37:37,820 --> 00:37:38,952
AND THEY'RE NOT
GETTING ENOUGH HELP,
778
00:37:39,082 --> 00:37:40,823
SO PLEASE SPEND SOME MONEY.
779
00:37:40,954 --> 00:37:43,173
PICK YOUR FAVORITE GIRL
AND BACK HER WITH SOME CASH
780
00:37:43,304 --> 00:37:44,740
SO THAT WE CAN KEEP ORCAS OPEN,
781
00:37:44,871 --> 00:37:46,394
AND THAT'S ALL I HAVE
TO SAY, THANK YOU.
782
00:37:46,525 --> 00:37:47,569
[AUDIENCE APPLAUDING]
783
00:37:47,700 --> 00:37:51,138
[AUDIENCE CHEERING]
784
00:37:51,269 --> 00:37:55,098
-HEY, COME ON! COME
ON! SHUT UP! SHUT UP!
785
00:37:55,229 --> 00:37:57,405
WHY YOU CLAPPING? I'M
NOT WEARING A BIKINI!
786
00:37:57,536 --> 00:38:00,408
WELL, ALL RIGHT, I'M
WEARING A BIKINI.
787
00:38:00,539 --> 00:38:03,629
UNDERNEATH THIS SHIRT
AND THESE SHORTS
788
00:38:03,759 --> 00:38:09,243
I AM WEARING A TEENY,
TINY PAIR OF BRIEFS.
789
00:38:09,374 --> 00:38:17,120
IT'S NOT A PRETTY SIGHT, BUT
SINCE MY LIFEGUARD BUDDIES
790
00:38:17,947 --> 00:38:20,689
HAVE CHOSEN TO SPONSOR ME,
791
00:38:23,475 --> 00:38:25,477
YOU GUYS BETTER COME
UP WITH SOME BUCKS
792
00:38:25,607 --> 00:38:28,088
IF YOU WANT YOUR CONTESTANT
TO WIN BECAUSE, FOLKS,
793
00:38:28,741 --> 00:38:31,657
THIS IS STRICTLY PAY-PER-VIEW.
794
00:38:31,787 --> 00:38:33,789
[AUDIENCE CHEERING]
795
00:38:33,920 --> 00:38:37,097
ALL RIGHT, OKAY,
NOW IT'S TIME NOW
796
00:38:37,227 --> 00:38:39,404
FOR THE FINAL
CONTESTANT SHOWDOWN.
797
00:38:39,534 --> 00:38:41,536
LADIES, STRUT YOUR STUFF.
798
00:38:41,667 --> 00:38:44,452
[AUDIENCE CHEERING]
799
00:38:44,583 --> 00:38:47,020
[INSTRUMENTAL MUSIC]
800
00:38:57,552 --> 00:38:58,945
[AUDIENCE CHEERING]
801
00:38:59,075 --> 00:39:00,773
[WOLF-WHISTLING]
802
00:39:00,903 --> 00:39:02,427
OKAY, NOW IT'S TIME TO ANNOUNCE
803
00:39:02,557 --> 00:39:04,429
THE WINNER OF OUR COMPETITION.
804
00:39:04,559 --> 00:39:05,865
THIS WILL BE THE CONTESTANT WITH
805
00:39:05,995 --> 00:39:08,346
THE MOST MONEY
PLEDGED ON HER BEHALF.
806
00:39:08,476 --> 00:39:13,089
AND THE WINNER IS,
ENVELOPE PLEASE. THANK YOU.
807
00:39:13,220 --> 00:39:19,618
WITH A GRAND TOTAL
OF $5,137, HAR...
808
00:39:20,488 --> 00:39:22,055
-HARVEY MILLER!
809
00:39:22,185 --> 00:39:24,666
[CHEERING]
-WHOO! WHOO!
810
00:39:24,797 --> 00:39:26,668
[APPLAUDING]
811
00:39:26,799 --> 00:39:31,369
BUT THE REAL WINNER IS
THE ORCAS FOUNDATION
812
00:39:31,499 --> 00:39:36,983
WITH A GRAND TOTAL
OF $32,000! WHOO!
813
00:39:37,636 --> 00:39:39,115
[SEA LION BARKING]
814
00:39:40,595 --> 00:39:43,511
-HELLO, SWEETIE. HI, GILLY.
815
00:39:43,642 --> 00:39:47,863
HOW ARE YOU TODAY? ARE
YOU FEELING BETTER?
816
00:39:48,647 --> 00:39:51,084
ARE YOU FEELING BETTER?
YOU LOOK SO PRETTY.
817
00:39:51,214 --> 00:39:53,260
HOW LONG BEFORE SHE
CAN BE RELEASED?
818
00:39:53,391 --> 00:39:55,131
-WELL, SHE'S REGAINED
A LOT OF STRENGTH.
819
00:39:55,262 --> 00:39:57,743
I THINK THAT WE CAN LET HER GO
BEFORE WE CLOSE UP TOMORROW.
820
00:39:59,788 --> 00:40:01,224
-I'M REALLY SORRY
IT WASN'T ENOUGH.
821
00:40:01,355 --> 00:40:03,401
-SHAUNI, RAISING
THIS MUCH MONEY
822
00:40:03,531 --> 00:40:05,446
ON SUCH SHORT NOTICE
WAS UNBELIEVABLE.
823
00:40:05,577 --> 00:40:07,970
-I KNOW. I KNOW. I JUST WISH
I WOULD HAVE KNOWN SOONER.
824
00:40:08,101 --> 00:40:09,363
YOU KNOW THERE WERE A
LOT OF CORPORATE PEOPLE
825
00:40:09,494 --> 00:40:11,104
THAT I DIDN'T GET TO WRESTLE.
826
00:40:11,234 --> 00:40:12,627
-HEY, WHAT'S HAPPENING?
827
00:40:13,802 --> 00:40:15,978
OH, NO. WHY ALL THE SAD FACES?
828
00:40:16,109 --> 00:40:16,979
-WE CAME UP SHORT.
829
00:40:17,110 --> 00:40:17,980
-SHORT?
830
00:40:19,068 --> 00:40:19,852
HOW SHORT?
831
00:40:19,982 --> 00:40:21,157
-20,000.
832
00:40:22,245 --> 00:40:24,509
-UNBELIEVABLE COINCIDENCE.
833
00:40:28,556 --> 00:40:29,992
-20,000. MITCH?
834
00:40:30,123 --> 00:40:31,603
-PAY OR PLAY. PAY OR PLAY.
835
00:40:31,733 --> 00:40:34,257
I HAD NO IDEA WHAT IT
MEANT UNTIL YESTERDAY.
836
00:40:34,388 --> 00:40:37,173
CAN YOU BELIEVE IT? HARVEY
FINALLY CAME THROUGH.
837
00:40:39,219 --> 00:40:40,742
-MITCH, YOU REALLY
NEED THIS MONEY.
838
00:40:40,873 --> 00:40:43,092
-NO, NO, IT'S OKAY. LOOK,
THE TRUCK IS RUNNING.
839
00:40:43,223 --> 00:40:45,268
HOBIE CAN PLAY HOCKEY.
840
00:40:45,399 --> 00:40:48,620
THESE GUYS WOULDN'T STAND A
CHANCE WITHOUT THIS PLACE.
841
00:40:50,796 --> 00:40:51,927
-THANK YOU.
842
00:40:58,630 --> 00:40:59,457
-I DON'T KNOW WHAT TO SAY.
843
00:41:00,675 --> 00:41:03,504
[SEA LION BARKING]
[LAUGHING]
844
00:41:06,638 --> 00:41:08,553
-YOU'RE A GOOD GIRL.
[SEA LION BARKING]
845
00:41:08,683 --> 00:41:11,164
YES, YOU'RE A GOOD GIRL.
846
00:41:11,294 --> 00:41:14,863
[MELLOW MUSIC]
847
00:41:31,401 --> 00:41:32,968
-HERE WE GO. EVERYBODY READY?
848
00:41:33,099 --> 00:41:35,580
COME ON, GILLY,
GET UP THERE. GO!
849
00:41:36,929 --> 00:41:38,408
[SPLASH]
850
00:41:38,539 --> 00:41:40,236
[SEA LION BARKING]
851
00:41:42,195 --> 00:41:43,718
[LAUGHS]
852
00:41:44,458 --> 00:41:45,328
-REALLY GREAT.
853
00:41:45,459 --> 00:41:46,591
-APPRECIATE IT.
854
00:41:49,681 --> 00:41:50,899
[SEA LION BARKING]
855
00:41:55,251 --> 00:41:56,731
[SEA LION BARKING]
856
00:41:57,950 --> 00:42:01,301
[MELLOW MUSIC]
857
00:42:08,917 --> 00:42:12,181
[END THEME PLAYING]
58763
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