Original subtitles

Downloaded from YTS.MX

Official YIFY movies site: YTS.MX

(WIND HOWLING SOFTLY)

(ELECTRIC GUITAR MIMICKING VIOLIN)

(MIMICKING CELLO SOUNDS)

(SINGER VOCALIZING)

(MUSIC STOPS)

(JAZZ PERCUSSION PLAYING SOFTLY)

(PLAYING DAZED AND CONFUSED)

(JAZZ PERCUSSION CONTINUES)

(MUSIC STOPS)

(WOMAN SPEAKING IN JAPANESE OVER PA)

(BLUES MUSIC PLAYING)

(AKIO "JIMMY" SAKURAI SPEAKING IN JAPANESE)

(AUDIENCE CHEERING)

(BAND PLAYING)

(SAKURAI SPEAKING IN JAPANESE)

(PLAYING GUITAR SOLO)

(BOTH SPEAKING IN JAPANESE)

INTERVIEWER: (IN ENGLISH) What's it like to work with Jimmy Sakurai?

(SPEAKING JAPANESE)

INTERVIEWER: (IN ENGLISH) Do you like Led Zeppelin?

Mmm?

(SPEAKING JAPANESE)

(PLAYING THE RAIN SONG)

(SAKURAI SPEAKING JAPANESE)

(ELECTRIC GUITAR PLAYING)

(SAKURAI SPEAKING JAPANESE)

(TOSHIO SPEAKING JAPANESE)

(ELECTRIC GUITAR PLAYING)

(SAKURAI THEN TOSHIO SPEAKING)

(TOSHIO SPEAKING JAPANESE)

(SAKURAI SPEAKING JAPANESE)

(ELECTRIC GUITAR PLAYING)

SAKURAI: Wow.

(SAKURAI SPEAKING JAPANESE)

(GUITAR RIFF PLAYING)

(BLUES MUSIC PLAYING)

(SAKURAI SPEAKING JAPANESE)

(ROCK MUSIC PLAYING)

(SAKURAI SPEAKING JAPANESE)

(ROLLIN' AND TUMBLIN' BY MUDDY WATERS PLAYING)

(KIYOMI SPEAKING JAPANESE)

(SAKURAI SPEAKING JAPANESE)

(OPERATIC MUSIC PLAYING)

(INTERVIEWER SPEAKING JAPANESE)

(KIYOMI SPEAKING JAPANESE)

(JUNKO SPEAKING JAPANESE)

(INTERVIEWER SPEAKING JAPANESE)

(JUNKO SPEAKING JAPANESE)

(WHIRRING)

(KISHIMOTO SPEAKING JAPANESE)

(IN ENGLISH) His name is Uni.

(BLUES MUSIC PLAYING)

(KISHIMOTO SPEAKING JAPANESE)

(SAKURAI SPEAKING JAPANESE)

(SAKURAI SPEAKING JAPANESE)

(KISHIMOTO SPEAKING JAPANESE)

(ELECTRIC GUITAR PLAYING)

(GUITAR RIFF PLAYING)

(SAKURAI SPEAKING JAPANESE)

(BLUES MUSIC PLAYING)

(SAKURAI SPEAKING JAPANESE)

(NAOKI SPEAKING JAPANESE)

(ATSUSHI SPEAKING JAPANESE)

(SAKURAI SPEAKING JAPANESE)

(DIRTY WORK GOING ON BY LITTLE JOE BLUE PLAYING)

(MAKOTO THEN SAKURAI SPEAKING JAPANESE)

Yes.

(LAUGHS)

(MANNISH BOY BY MUDDY WATERS PLAYING)

♪ Now, when I was a young boy

♪ At the age of five

♪ My mother said I was gonna be... ♪

(RUMBLE PLAYING)

(SAKURAI SPEAKING)

(SAKURAI PLAYING SOLO ON ELECTRIC GUITAR)

(INTERVIEWER SPEAKING)

(KIYO SPEAKING)

(THE SUN IS SHINING BY ELMORE JAMES PLAYING)

♪ The sun is shining... ♪

(ALL NIGHT LONG BY MUDDY WATERS PLAYING)

♪ I want you to rock me, babe

♪ Rock me all night long...

♪ I want you to rock me, babe... ♪

(ALL CHEERING)

Mr. Jimmy Page!

(PLAYING ROCK AND ROLL)

♪ It's been a long time since I rock 'n' rolled... ♪

(PLAYING GUITAR SOLO)

(CROWD CHEERING)

(CROWD CHEERING)

(CAMERA SNAPS)

(PLAYING THE RAIN SONG)

MONTGOMERY: (IN ENGLISH) When we were in Japan and we played at Club Quattro,

Mr. Jimmy was playing at some venue

and the boys said, "Well, let's go check him out."

So they went and checked him out.

We walked into the... First time I've seen him,

I was like, "Oh, my God, Wow!"

And we said to each other,

someday, somehow,

we're gonna work together.

(STAIRWAY TO HEAVEN PLAYING)

♪ And it's whispered that soon

♪ If we all call the tune

♪ Then the piper will lead us to reason

♪ And a new day will dawn

♪ For those who stand long

♪ And the forest will echo with laughter

♪ And she's buying a stairway to heaven ♪

(SPEAKING JAPANESE)

(PLAYING BRING IT ON HOME)

MONTGOMERY: (SINGING) ♪ Baby

♪ I'm going to take the train Right down the track

♪ Mmm, watch that train Going down the track

♪ I'm gonna bring it on home

♪ Bring it on home to you

♪ Baby...

(HARMONICA PLAYING)

♪ Baby ♪

(HARMONICA PLAYING)

(SAKURAI SPEAKING IN JAPANESE)

(VOCALIZING)

- (CROWD CHEERING) - MONTGOMERY: Thank you!

(FEMALE HOST SPEAKING INDISTINCTLY)

Looks like you're having a good time tonight, right?

(MONTGOMERY SPEAKING)

(SAKURAI SPEAKING)

JIM WOOTEN: It's just been phenomenal you know, playing with him.

It's just been so inspirational.

Hey, you're the teacher. We're the students.

Help us to learn,

you know, what you've learned about him in the last 35 years.

- (DRUMS PLAYING IN BACKGROUND) - (WOOTEN PLAYING KEYBOARD)

(SAKURAI SPEAKING)

WOOTEN: Do, do, do, do...

Do!

♪ Ooh, baby, baby ♪

(MIMICKING DRUMROLL)

- Dum, dum, da, da... - Okay.

(BOTH SPEAKING INDISTINCTLY)

This is the most high-energy point.

- WOOTEN: I see. - Dum-dum-da-da-dum-dum!

WOOTEN: Yeah, okay.

Yeah.

WOOTEN: Okay, cool, cool. Yeah, no, I like that!

(SO MANY ROADS, SO MANY TRAINS BY OTIS RUSH PLAYING)

♪ So many roads

♪ So many trains arrive

♪ So many roads, yeah

♪ So many trains arrive ♪

MONTGOMERY: I am slowly trying to get Jimmy to understand

the business side of things.

You know, you gotta please the promoter,

you gotta please the audience.

And you...

You know, you just can't believe that you're Led Zeppelin,

because Led Zeppelin are Led Zeppelin.

They can do whatever the hell they want

and play for five hours and get away with it.

But we're not Led Zeppelin.

That's a fact.

(INAUDIBLE)

(PLAYING BLACK DOG)

♪ Oh, yeah, oh, yeah

♪ Ah, ah, ah, oh, yeah

♪ Oh, yeah, oh, yeah ♪

It was... It was one of the most difficult things

I've ever had to endure in my life

because he had been in the group for 14 years.

Whew, you know, it's just...

Thinking about that time... (CHUCKLES UNCOMFORTABLY)

It just... Oh, man.

It was... it was, um, so depressing.

Jim was a friend of mine for a long time,

and I definitely want to say that he was a great friend.

We did a lot together.

And it was very, very hard for me to see him go...

As a friend.

But from a business point of view,

this was going to open more doors.

(SAKURAI SPEAKING)

"What? Like, this is... like, Jimmy Sakurai?

"No way!" You know? I was thrilled.

I was thrilled to be the drummer for Led Zepagain

for a number of reasons, like...

It's getting to play with Jimmy Sakurai,

It's getting to play with Jim,

it's getting to play with Swann, like...

The love and the passion was there.

(PLAYING MOBY DICK)

(PLAYING GUITAR SOLO)

- (CROWD CHEERING) - MONTGOMERY: Derek Smith!

Derek knew all the parts,

and I was like... "Oh, okay, well, this is a good deal.

"This is happening!"

We've elevated now, musically.

(CROWD CHEERING)

(SAKURAI SPEAKING)

You understand?

- SMITH: Yeah, I got it. - Yeah? Okay?

How does that feel to you now?

I want more...

I brought a... That's good, but I also brought you...

I thought I knew Zeppelin.

I really thought I knew Zeppelin until I met him.

He somewhat disciplined me

to embrace that, and to learn things in more detail, you know?

Have to sing it just like Robert Plant.

That's the way it is.

All the phrasing, all the "Ooh, aah, eeh, tee, oh, aw,"

I mean, he... (BLOWS)

♪ Pa-pa-pa-pa

♪ Pa-pa-pa-pa!

♪ Ma-ma-ma-ma!

♪ Aw! Aw! ♪

(SPEAKING JAPANESE)

(ELECTRONIC ORGAN TONES PLAYING)

(SAKURAI SPEAKING)

(STILL A FOOL BY MUDDY WATERS PLAYING)

♪ Well, now there's two

♪ There's two trains running

♪ Well, they aren't never, no

♪ Going my way ♪

(SUMITO OKAMOTO SPEAKING)

(RACE CAR REVVING IN BACKGROUND)

(ENGINE REVVING)

(ENGINE ROARING)

(OKAMOTO SPEAKING)

(DREAMY DOLL BY BOB LUMAN PLAYING)

(INAUDIBLE)

(FIVE STRING BLUES BY ROY BUCHANAN PLAYING)

(MAYA WATANABE SPEAKING)

GEORGE COCKLE: Oh, yeah.

- (PEOPLE CLAPPING) - (SAKURAI SPEAKING)

(WATANABE SPEAKING)

- (COCKLE SPEAKING) - (WATANABE AFFIRMS)

(IN ENGLISH) Uh, just two of you guys today, right?

(SPEAKING JAPANESE)

(WATANABE SPEAKING)

(CAMERAMAN GIVES COUNTDOWN)

(CAMERA SHUTTER CLICKS)

(READING SETLIST IN JAPANESE)

(PLAYING COMMUNICATION BREAKDOWN)

MONTGOMERY: ♪ Communication breakdown

♪ It's always the same...♪

(PLAYING GOOD TIMES BAD TIMES)

(IN SING-SONG VOICE) ♪ Maybe I don't get... (SCATTING)

♪ Maybe I don't get...♪ (SCATTING)

MONTGOMERY: (IN SING-SONG VOICE) ♪ Some people like to rock ♪ (SCATS)

MONTGOMERY: A little more space?

- Ha, space. Yeah. - Yeah.

(HIDEKI KITAHATA SPEAKING)

- (MONTGOMERY SPEAKING) - (KITAHATA REPEATS)

(KITAHATA SPEAKING)

(IN ENGLISH) Just follow me. You just follow me.

- (PEOPLE LAUGHING) - Just follow me.

- It's live. Don't worry about, "Ahh". - KITAHATA: "Ahh."

- Ah. Ah. Ah. - Yeah. Ah.

- (PLAYING BRON-Y-AUR-STOMP) - MONTGOMERY: ♪ Ah, all the good times we had

♪ I sang love songs so glad

♪ Always smiling, never sad, so fine...♪

(KITAHATA SPEAKING)

And then number three.

- MONTGOMERY: Yeah, yeah. So I... I... - I think... I think this line...

- MONTGOMERY: Yeah, I say, "Well." - Huh.

- MONTGOMERY: "Well." - "Well."

- MONTGOMERY: And, "Ah." - "Ah."

- All right, now. - MONTGOMERY: Okay? Yeah.

KITAHATA: And then, uh... no need chorus, this line?

- No, just this line, and... - No.

- ...uh, the first and three. - Oh, I see. I see.

Easy... Yeah?

MONTGOMERY: He was asking me,

is it an "Ah" or a "Yaay"?

And I've been used to saying, "Ah."

So... But I think, to be honest,

uh, Dick's just more nervous, you know.

He wants to get it right, and I respect that.

(SPEAKING JAPANESE)

♪ Ooh ♪

No. Ah.

SAKURAI: Oh.

SAKURAI: Hmm.

(RIE NAKAHARA SPEAKING)

(NAKAHARA SPEAKING)

(NAKAHARA SPEAKING)

(SAKURAI SPEAKING)

(NAKAHARA AFFIRMS)

(NAKAHARA SPEAKING)

(SAKURAI SPEAKING)

(NAKAHARA SPEAKING)

Big deal.

(BOOM BOOM BY JOHN LEE HOOKER PLAYING)

(SAKURAI SPEAKING)

(NAKAHARA SPEAKING)

NAKAHARA: (IN ENGLISH) Hmm, pressure.

(SPEAKING JAPANESE)

(BAND PLAYING RAMBLE ON)

MONTGOMERY: ♪ The leaves are falling

♪ All around

♪ Time I was on my way

♪ Thanks to you

♪ Much obliged

♪ For such a pleasant stay ♪

(CROWD CLAPPING)

(CROWD CHEERING)

(INTERVIEWER SPEAKING IN ENGLISH)

I'm just praying it goes good. I personally...

You know, from a businessman, myself...

I don't know if it's gonna work.

Jimmy believes that you can go over there to the States,

because of a whole different mindset,

and play for, say, three hours tonight.

(SMACKS LIPS) Won't happen.

The hardcore Zepp,

you know, might want to see it.

But the general... I don't know.

I'm hoping.

(IT SERVES YOU RIGHT TO SUFFER BY JOHN LEE HOOKER PLAYING)

(SAKURAI SPEAKING IN JAPANESE)

♪ It serves you right to suffer

♪ It serves you right to be alone ♪

(IN ENGLISH)

(LAUGHING)

He told me, you know, uh,

"You've got to get the rhythm right,

"at the end of The Song Remains The Same."

And he wa... He was right.

He was perfectly right.

But he's listening to everything.

(TUNING GUITAR)

(OKAMOTO SPEAKING IN JAPANESE)

(ROCK MUSIC PLAYING IN DISTANCE)

I've been trying to explain to him slowly, and still respecting him,

because I really, really respect him.

And totally... You know, like I said,

he's like a... He's like an actor preparing for a role.

The script has to be perfect, and that's the way it is.

And I'm just trying to relay all these other stuff to him, and...

(SMACKS LIPS) So we've been finding some middle ground,

and, I mean, I'm not gonna give up. You know, of course not.

You know, I think we're gonna be in this for a long time, but...

(A NEW LEAF BY JOHN LEE HOOKER PLAYING)

MONTGOMERY: Yeah, I listened to, uh... I listened to Led Zepp...

I listened to Led Zeppelin's, uh, version.

MONTGOMERY: They're edited on digital.

- Digital. - Uh-huh.

Because they twice... uh, '76...

- and later, different edit on... On... - Yeah.

On, uh, uh...

- SAKURAI: I know. - Yeah. So I... I go for '76.

- Anyway... - MONTGOMERY: '76.

MONTGOMERY: '76.

- MONTGOMERY: Yes. - Mmm.

Okay.

(C'MON EVERYBODY BY EDDIE COCHRAN PLAYING)

(CROWD CHEERING)

(SONG FADES)

- (GUITAR RIFF PLAYING) - (GONG SOUNDING)

(CROWD CHEERING)

MONTGOMERY: Good night, New York.

ANNOUNCER: From Los Angeles, California,

Led Zepagain.

INTERVIEWER: How's that sound check going?

We'll get there.

(MULTIPLE INSTRUMENTS PLAYING)

- If you start. - SMITH: Okay.

- Okay? - Yeah. Yeah, we're good.

- (SAKURAI SPEAKING) - MAN: Oh, yeah.

- INTERVIEWER: How are you feeling? - Not good enough.

(RAUNCHY BY BILL JUSTIS PLAYING)

(PLAYING DAZED AND CONFUSED RIFF)

(MONTGOMERY SPEAKING)

Two, three, four. (SCATTING)

Okay. Okay, I can... Yeah, I can try.

So, yeah, just...

SAKURAI: First, two, three, four?

- Yeah. Two, three, four. - Two, three, four.

(ALL VOCALIZING)

MONTGOMERY: Thank you so much. Good night.

Thank you, Samantha. Thank you so much.

(DOWN THE ROAD APIECE BY AMOS MILBURN PLAYING)

(SONG FADES)

(NAKAHARA SPEAKING IN JAPANESE)

(SAKURAI SPEAKING)

- (NAKAHARA SPEAKING) - (SAKURAI SPEAKING)

(NAKAHARA SPEAKING)

Thank you. Thank you.

(NAKAHARA SPEAKING)

(SAKURAI SPEAKING)

- (NAKAHARA SPEAKING) - (SAKURAI SPEAKING)

(SAKURAI SPEAKING)

(NAKAHARA SPEAKING)

(NAKAHARA SPEAKING)

(SAKURAI SPEAKING)

(SAKURAI SPEAKING)

(SAKURAI SPEAKING)

- (SAKURAI SPEAKING) - (NAKAHARA CONFIRMS)

(NAKAHARA SPEAKING)

(BRIGHT LIGHTS, BIG CITY BY JIMMY REED PLAYING)

- (EXPLODES) - (SONG ENDS)

(TECHNICIAN 1 SPEAKING)

(TECHNICIAN 2 SPEAKING)

(FEMALE AUDIO TECHNICIAN SPEAKING)

(IN ENGLISH) Test. One, two, three, four.

One, two, three, four.

- (MONTGOMERY SPEAKING) - Yeah.

SAKURAI: Yeah.

(MONTGOMERY SPEAKING)

(MYSTERY TRAIN BY ELVIS PRESLEY PLAYING)

(SPEAKING IN JAPANESE)

(AUDIENCE APPLAUDING)

(AUDIENCE APPLAUDING)

(AUDIENCE CHEERING AND APPLAUDING)

(AUDIENCE LAUGHING)

MONTGOMERY: (IN ENGLISH) All right, let's go.

(BAND PLAYING ROCK AND ROLL)

(AUDIENCE CHEERING)

MONTGOMERY: ♪ Ooh, yeah

♪ Been a long time since I rock and rolled

♪ Been a long time since I did that stroll

♪ Ooh, baby, let me get back Let me get back Let me get back

♪ Baby, where I come from

♪ It's been a long time a long time

♪ Lonely, lonely, lonely lonely, lonely time ♪

(PLAYING DRUM SOLO)

(PLAYING UP-TEMPO GUITAR RIFF)

(TRANSITIONS TO SLOW, SWEEPING GUITAR RIFF)

(BAND PLAYING DAZED AND CONFUSED)

(SAKURAI SPEAKING IN JAPANESE)

(PLAYING GUITAR RIFF WITH BOW)

(AUDIENCE CHEERING AND APPLAUDING)

(PLAYING DRAMATIC RIFF)

(AUDIENCE CHEERING)

(SAKURAI SPEAKING)

(PLAYING MOODY GUITAR RIFF)

- (PLAYING WHOLE LOTTA LOVE) - (MONTGOMERY VOCALIZING)

(VOCALIZING CONTINUES)

(AUDIENCE CHEERING AND APPLAUDING)

MONTGOMERY: Good night,

Tokyo.

(SAKURAI SPEAKING IN JAPANESE)

(WILLIE AND THE HAND JIVE BY JOHNNY OTIS PLAYING)

(AUDIENCE CHEERING AND APPLAUDING)

MONTGOMERY: It... It went over well in Japan.

Jimmy just said, "Oh, we gotta keep studying."

And I'm like "Stop. No. Oh, no, please."

Uh, but we ended up...

We ended up... Uh, yeah.

INTERVIEWER: So, uh, wait a minute.

So you... You've been working...

You worked on it for months,

then you did it in Japan.

You come back and he's like,

"Let's study it more"?

Yeah. Yeah, that's exactly...

And we were really surprised about that.

(PLAYING THEREMIN)

(SAKURAI SPEAKING IN JAPANESE)

(SPEAKING ENGLISH)

MONTGOMERY: He doesn't understand why everybody else doesn't know what he knows.

And therein lies the breakdown, sometimes with communication with him,

'cause I'm trying to tell him...

"It's not gonna work here. That's not gonna work."

In the real world,

it's all about business.

Most of the time, people want to hear the hits.

(SAKURAI SPEAKING IN JAPANESE)

So I've actually had promoters come up to me after

you know, and say to me, like,

"What the fuck was that? What... What... Why was...

"Why was the guitar player playing for 25 minutes? What... What...

"What happened to the songs? Why didn't you just play the songs?"

(PLAYING GUITAR SOLO)

(ORCHESTRAL MUSIC PLAYING)

(ORCHESTRAL MUSIC CONTINUES)

MONTGOMERY: And again, Jimmy is being true,

(CLEARS THROAT) you know, to Jimmy Page,

and he's doing everything unbelievably,

you know, representing Jimmy Page.

But do the people today, today, really want to hear that?

In my opinion, no.

(CROWD CHATTERING INDISTINCTLY)

(KASHMIR PLAYING)

MONTGOMERY: ♪ Babe

♪ Baby, baby I'm gonna leave you ♪

(SAKURAI SPEAKING JAPANESE)

(IN ENGLISH)

(STRUMS GUITAR)

(OKAMOTO SPEAKING)

(AUDIENCE CHEERING)

(SAKURAI SPEAKING JAPANESE)

(IN ENGLISH)

(PLAYING LED ZEPPELIN SONGS)

(IN ENGLISH)

(MAN SPEAKING IN ENGLISH)

- All right. - All right.

(MAN LAUGHS)

(MUSIC CONTINUES)

(MUSIC ENDS)

SAKURAI: Thank you very much.

- Thank you. - Thank you.

- Pleasure. - SHAWN KELLY: Pleasure is mine.

- MIRANDA: I had a great time. - Yeah. Thank you.

Thank you.

- We sound good. - MIRANDA: Very inspiring.

(LAUGHS) It was nice.

SAKURAI: Nice?

(SPEAKING JAPANESE)

(IN ENGLISH)

(IN JAPANESE)

So you create by the finger. The bass.

Maybe Black Dog and Song Remains the Same with the pick.

- Right. - Yeah.

- And... - That's much better.

- Yeah. - Yeah.

- How much you're good? - I think so.

About 99%.

- Yes. Thank you. - (SPEAKING INDISTINCTLY)

Thank you very much, Jeff-san.

(CHATTERING INDISTINCTLY)

(INAUDIBLE)

(SAKURAI SPEAKING JAPANESE)

(MAN WHOOPS)

(MANNISH BOY PLAYING)

(AUDIENCE CHEERING)

Brother.

♪ Now when I was a young boy

♪ At the age of five... ♪

(SAKURAI SPEAKING JAPANESE)

FRANKIE BANALI: I walked into this place,

it was a converted bowling alley.

So it was like really wide, but not very deep.

And I was able to get right up, right in front,

right between John Bonham's kick drum,

and where Jimmy Page was playing.

It was all the Rickenbacker amps,

both him and John Paul Jones.

And I wasn't prepared for what I saw.

(PLAYING THANK YOU)

Okay? And then live version is different.

Jonesy played a Rhodes.

This is a Rhodes.

This is the 1970s bass pedal synthesizer.

This is a chopped Hammond organ.

- (PLAYS KEYS) - So, this is perfect for Thank You,

Since I've Been Loving You.

You can do later versions

where he went to Rhodes and Hammond,

back and forth, verse to chorus.

You don't need a hurdy-gurdy.

I just happen to have one.

(GOING TO A GO-GO PLAYING)

♪ Going to A Go-Go

♪ Going to A Go

♪ Na-na-na, yeah-ay

♪ Well there's a brand new place I've founda

♪ Where people go from miles arounda

♪ They come from everywhere

♪ And if you drop in there

♪ You might see anyone in towna

♪ Going to A Go-Go ♪

(VOCALIZING)

(MUSIC STOPS)

Beautiful.

It was like a... Like a Zeppelin camp.

(LAUGHS)

I literally would listen. I would write everything down, memorize it all,

and then we'd do it, and do it, and do it, and do it.

(PLAYING AND SINGING)

(IN JAPANESE)

BOTH: (SINGING) ♪ Ooh, yeah ♪

- Oh, the studio... - Yeah.

♪ Ooh, yeah Ooh, yeah ♪

Live one. ♪ Ooh, yeah Ooh, yeah

Right, right.

♪ Rock it, rock it ♪

- (MIMICKING GUITAR TUNE) - Yeah. Yeah. That's right.

That's right.

Yeah. Great.

(BAND PLAYING)

- Bam, bam, bam bam, bom. - Yep.

Bam, bam, bom, bom.

Yeah, okay.

- All right. - Thank you very much.

(IN JAPANESE)

(IN ENGLISH) If we have... We have something perfect

- for prepared... - MAN: Mmm.

...for gig,

I don't like that.

I like something happen. Something happen.

Energy and...

(IN JAPANESE)

(OPERATIC VIOLIN MUSIC PLAYING)

(IN JAPANESE)

(MUSIC FADES)

- Beautiful. - MAN: Thank you!

Thank you.

(SAKURAI IN JAPANESE)

(WOMAN SPEAKING)

(SAKURAI SPEAKING IN ENGLISH)

MAN: Had to think about it. Do it in my head, you know?

(MAN SPEAKING)

Da, da...

(PLAYING GUITAR RIFF)

(AUDIENCE CHEERING)

HOST: Will you please welcome to the world-famous Whiskey a Go Go,

Mr. Jimmy!

(PLAYING DAZED AND CONFUSED)

♪ Every day I work so hard

♪ Bringin' home my hard-earned pay

♪ A-la-la

♪ La-la-la

♪ La-la-la

♪ La-la-la

♪ A-la-la-la

♪ A-la-la-la

(PLAYING SOLO)

(SONG CONTINUES)

HOST: Mr. Jimmy!

(AUDIENCE CHEERING)

(MELLOW PIANO MUSIC PLAYING)

(OKAMOTO SPEAKING IN JAPANESE)

(SAKURAI SPEAKING JAPANESE)

(IN ENGLISH)

(SAKURAI SPEAKING ENGLISH)

KELLY: I knew that if Barbara was involved in booking us,

that we were going to be successful

and she's an outstanding promoter and manager.

Barbara! Come here, you. Come here, you.

(HITTING KICK DRUM)

(OKAMOTO SPEAKING IN JAPANESE)

(CONTINUES PLAYING KICK DRUM)

D'ANGELO: I'm happy about what I did

and I'm happy about how I did it, and...

There's not just one voice.

We understand that Jimmy is a leader,

but he's not the only voice.

(CONTINUES PLAYING KICK DRUM)

KELLY: Chance wasn't given to us

to be what we could have been.

Because I know that it could have happened.

And I still know it.

(CONTINUES PLAYING KICK DRUM)

(SAKURAI SPEAKING JAPANESE)

(CLASSICAL PIANO MUSIC PLAYING)

(SAKURAI SPEAKING JAPANESE)

(KOKAI SPEAKING JAPANESE)

(PHONE RINGING)

(PHONE CONTINUES RINGING)

(SAKURAI SPEAKING JAPANESE)

(BLUES MUSIC PLAYING)

♪ I want you to rock me...

(SAKURAI IN JAPANESE)

♪ Rock me all night ♪

(ROCK MUSIC PLAYING)

(VOCALIZING)

(SINGERS HARMONIZING)

(SAKURAI SPEAKING JAPANESE)

(BONHAM SPEAKING)

(FAST ORCHESTRAL MUSIC PLAYING)

(ORCHESTRAL MUSIC CONTINUES)

(GUITAR RIFF PLAYING)

(SONG ENDS)

(ATLANTIS BY DONOVAN PLAYING)

♪ Way down below the ocean

♪ Where I wanna be, she may be

♪ Way down...

(SAKURAI IN ENGLISH)

♪ Where I wanna be, she may be

♪ Way down below the ocean

♪ Where I wanna be, she may be...

- Hey, I flew in from Florida. - MAN: All right.

- Says it all. - God bless.

♪ Way down below the ocean...

BANALI: When I sit behind the set and I play those songs,

I'm not this old guy from Quiet Riot anymore,

I'm that 18 year old kid again.

And you know, it...

How often do you get to generally feel that way?

You know, like a little kid again.

♪ She may be

♪ Where I wanna be, she may be

♪ Way down below the ocean

♪ She may be, she may be

♪ Where I wanna be she may be

♪ Way down below the ocean

♪ She may be, she may be

♪ Where I wanna be she may be

♪ Way down below the ocean

♪ She may be, she may be

♪ Where I wanna be she may be

♪ Way down below the ocean

♪ She may be, she may be

♪ Where I wanna be she may be

♪ Way down below the ocean

♪ She may be, she may be

♪ Where I wanna be she may be

♪ Way down below the ocean

♪ She may be, she may be

♪ Where I wanna be she may be ♪