Original subtitles

HOLLYWOOD REVIEW FROM 1929

with the star galaxy

leading KONRAD NEAGLE and JAK BENI

JOHN GILBERT MARION DAVIS

NORMA SHIRER WILLY HANES

JOAN CROFORD BUSTER CITY

BESI LAV MARI DRESSER

UCLULE IQ CHARLZ KING

STAN LAUREL OLIVER HARDY

POLI MORAN GAS EDUARDS

ANITA PEYZ DAN AND ARTAR

NILS ASHTAR GUNEN LEE

BROS CASTERS ALBERTINA RASH BALET

First Action, I-scene MINISTRUL PALACE

Boys and girls, sit down.

Now friends, I will introduce you to our leader.

A gentleman who does not need a presentation.

One of the shining stars on the screen,

whose name is at the top of the language of all.

I turn to my friend and colleague...

Friend...

Conrad Nagel. - Conrad Neagle.

Thank you, Jack.

Ladies and gentlemen, it is a great honor to me as a show host

to introduce you to some of the most famous favorites

from the screen and from the stage.

Never before have I been communicating with a group of artists,

where such harmony prevails.

We are all like a big happy family.

And I want to start,

introducing you to one of Broadway's biggest favorites.

The man whose voice you have heard in many musical comedies...

Charlie King.

Charley, I'm surprised...

Why did not you let me go, I would say something nice to you.

Excuse me, Conrad, I was wrong, I thought you'd introduce someone else.

No. - Let me apologize.

It's all right, Charley. - Boys and girls,

who is the world's largest leader?

Conrad Nagel.

And who's the biggest lover on the screen?

No one but little Cliffe.

Hello, who are you?

Do not tell me you did not hear about the little Cliff.

Okay, Cliffe who? "You did not buy plates?"

Yes. - All right, listen.

No! Now? Wonderful.

Come on, come on, Cliffe.

She is pretty.

She's one of my favorites. I know you like it too.

Because he is the embodiment of youth,

beauty, joy and happiness. Joan Crawford!

Very nice of you, Conrad, thank you.

I think Joan has prepared a surprise for you.

So, friends, our show continues and I want to introduce you...

One moment, old friend.

I have something to tell you. - What do you wanna do?

You know, that night my wife was in the movies.

And she saw you in a movie with Greta Garbo.

One of those with kisses.

And when you came home, he struck me with the chair on my head.

Boy, I'm terribly sorry. How can I make up for you?

I loan $ 7 to buy another chair.

And by the way, because of the husbands,

from now on will you kiss them on your forehead?

I will make sure you sit now and keep quiet, thank you.

Now, ladies and gentlemen, it is my honor to introduce you

one of your biggest pets.

A person who is not afraid.

Whose golden voice has enchanted millions.

His records are sold with thousands.

His name is known all over the world where there is a radio.

His songs are known all over the world, from pole to pole.

His golden voice bears like a zephyr over the fields with beautiful flowers.

It is my pleasure and honor

to present to you my colleague, my friend,

Mr. Charlie King!

Charlie! Charley, man, it was wonderful!

I know he touched every viewer deep here, like me.

You're a great performer, Charley, and I admire you.

Thank you, Conrad. I also admire you.

Your work on the big screen is remarkable.

And as a lover you were the last.

But there are new techniques.

Today you have to be able to make love with words and music.

You will save money, right?

Remember that little song I was supposed to sing

in "Broadway melody"?

Yes, Charley, it was wonderful.

That's why you're disabled. Your friends in the cinema can not sing.

I do not know. But we can not avoid it if it is necessary.

Do not make me laugh. Being a lover does not mean you are a canary.

Charley, I think you're a little rough.

Conrad? - Excuse me.

Hi, Anita, how are you? - Well thank you.

See Conrad...

Lower the curtain. Boys, push the piano.

Well, I think Charlie King has listened to me.

Do not argue with movie stars. - Excuse me.

Miss, I know you from somewhere. Have I seen you in Omaha?

I never forget faces.

The next number, ladies and gentlemen, will be a song by Cliff Edwards.

Hey, I do not want that. "Do not you want me to introduce you?"

Of course I want you to introduce me, but not that way.

I want a nice presentation as Conrad Nagel presented Charlie King.

He used big words and said such good things about him.

Say that my voice is like a breeze, that I'm witty.

Tell them as I would tell them. Come on, tell them.

Okay, listen to this. - All right.

Ladies and gentlemen, the next number is the lead in our review.

Name that can do miracles.

The brightest name in the world of entertainment.

Name, synonymous with crowded theaters and cheerful crowds.

One genius, one artist, one performer...

Cliff Edwards. - Who?

Go away.

Guys, guys!

Ladies and gentlemen, I present to you Carl Dane and George Arthur.

The Amazing Arthur and the Great Dane.

That's exactly what I was afraid of.

I did not have to represent them.

Do you know what I like best in this review?

The friendship between the theatrical and film actors.

As Mr. Neagle noted as a great happy family.

Hello, Mr. Benny. "How are you, Mr. Haynes?"

I heard the good things you said about the boys and girls in the cinema.

I personally wrote it. "So you're from New York?"

Yes.

You know, Mr Benny,

I've always enjoyed watching you. - Really?

In fact, the first time I was watching you, I think it was in Chicago.

And the second time I was watching you was, wait for me to think.

In Detroit.

And once again I've seen you. I think he was in...

in St. Paul. I remember then.

You forgot Minneapolis. I was there a week ago.

Thanks.

How can they eat it? - Do you know, Mr Benny,

this is a very nice silk waistcoat.

It's not silk, it's a pearl. - Fuck, silk is.

No, Mr. Haynes, it is a perlon.

Mr. Benny, you know that the silk is cutting like that.

You see, it's very simple. "I may have gone wrong.

A pearl, you see, it clears diagonally.

You see, it's very simple. - I think it's silk.

Excuse me, Mr. Haynes. Can I tell you something?

Miss Lee! Gwen!

What's wrong with me?

You're a little more sensitive.

Just like a happy family.

Now I have a little surprise for you. I present to you Bessie Love.

It's right here in my pocket.

He was here a minute ago.

Bessie, where are you? - Here I am, Jack.

What are you doing out there when I put you in this pocket?

I hate that pocket. There is nothing there.

Like any woman. You do not know in which pocket you will find it.

Get out of there, Bessie. I hold my money there.

I can not go out. I was titled in a 20-dollar bill.

Probably not mine.

Come on, Bessie, come out. Step on my hand.

How nice it is when you get out of your pocket.

There you are.

Jack, are you the one I met in Atlantic City?

No no no.

Step there, Bessie. Do not jump! - There is no.

Exactly. Now grow up, I want to talk to you.

There you are.

Are you sure we have not met before?

Do not you remember? - I do not remember anything!

What's wrong with me?

Did anyone see William Haynes? There is no way to be on this review.

Bad work. Something is happening behind my back.

Raise the curtain!

As you know, wars are the cause of many catastrophes around the world.

Empires are crushed, kingdoms are swept away.

Royal families became ordinary people,

forced to work for crust bread.

Even on this show we have royal people who wanted to be with us.

I am proud and happy to introduce you

Her Majesty, the beloved Queen Mary Dresler

and the charming little princess Polly Moran!

The queen goes in! Friends, get up!

Did you hear that? Is that their big idea?

Do you see what I see?

Your Majesty, this is the king's drinker.

I had to take his phone.

The place is crowded.

Open in the name of the queen! - Oh, the queen!

How about having some fun tonight?

Did he hear? This teasing makes fun of me.

At death, Your Majesty! To death!

Again "Death"! - Tell me what to do?

So sentenced to death, and I have not sent him yet, are you?

Yes! - I am not yet!

Yes.

Your Majesty, you have a great heart.

And as a queen you have to sing.

And what will the good queen sing?

Opera? The good queen will sing.

So be it! - So be it!

I will read a proclamation to my subjects.

My advice to all of you is to have a turn!

If the dictum of this proclamation does not correct you,

then all will be left without heads.

Because I'm the queen! I'm the queen!

My followers do not forget that I am the supreme!

I can even take life or a husband from his wife.

I can eat peas with a knife.

Because I'm the queen!

I'm the queen!

I'm the queen! - She's the queen!

My temper is turbulent or quiet.

I can make light from the darkness.

I can stop fighting.

Letting a bath on Saturday night.

Because I'm the queen!

I'm the queen! - She's the queen!

I'm the queen! - She's the queen!

And in cricket I can find melancholy.

And ruin the whole game.

I'm worse than Elena from Troy.

I can sing them "Silent Boy".

Because I'm the queen!

I'm the queen! - She's the queen!

I once saw Lady Anniva.

The poor man died and the horse.

Not from shame, but from deep regret.

Because I'm killing my horse with my weight.

I'm still the queen!

Finally, I managed to change myself. That's what I got from Conrad Neagle.

Good that we carry the same size.

Now that we've finished with all the comedians,

I am happy to present you the beautiful and charming young lady,

which will sing and will...

LAUREL AND HARDY MAGOSTONS

And remember, do not take off your hat!

Nice to meet you.

Nice to meet you.

Did I tell you not to take off your hat?

You will not fuck me!

You will not pinch me like this!

Excuse me.

Hey, watch where you throw. Do you want to break someone's head?

My mistake.

Shut up!

Music.

Alele, hop!

Candle.

Hop!

At the next number we will turn this banana into an egg.

Egg numbers are over. But,

we'll show you how to put a big cake in a small box.

Give the cake.

In this time I will show you that the hand is faster than your eyes.

Watch.

And now.

Silence. Thank you.

Clear the table.

I fell.

And I was overshadowed.

The next number.

I'm still very pleased to present you

the charming little comedian Mrs. Merion Davis.

Clean the theater a little.

SECOND PART LIVE THE JEWISH CAP

Oh, our beautiful daughter is back.

Disgusting and clean from her contacts up there.

Come, love my pearl.

Let my eyes rejoice once more.

The next number is written and sung by Gus Edwards.

It is called: "Lan Cheney will come to take you if you are not careful."

The numbers are dedicated to "The Smithsonian Institute"

and several other scientific institutes,

who find it very difficult to understand who Lan Cheney is.

I personally doubt Lan Cheney at all.

I have seen lizards, spiders and chevrons circling around.

On my way back I went through the dressing room.

I've come a long time or I've messed up the make-up.

However, I think that Lan Cheney is just a myth.

Maybe some mechanical device or mannequin.

I guess you're Lan Cheney.

Let me admit, your makeup is great. Congratulations!

Listen to children, children.

Years ago, when you were young, your mother was telling you,

that Bugimen will take you if you do not listen.

Hide in the closet, be careful.

He enters the pillows and under the covers.

Lan Cheney will catch you if you do not listen.

It is he who grabs you with a cry.

You will find him in the kettle, in the zoo.

Maybe half a person, maybe two.

It occurs suddenly in the night.

Monkey with a lion's face that begins to grow.

That Cheney is no doubt.

Lan Cheney will catch you if you do not listen.

First is an elephant, then a monkey, then a jellyfish.

When you write your homework, always think,

that it may be in the notebook or in the ink.

Now it's cancer, then it's fish.

Hide in the food at the bottom of the plate.

Worse than any cop.

Or from every forest.

You scare to fly.

Today is in China.

And tomorrow in Peru.

What is this noise, come to me.

I will tell you.

Lan Cheney will catch you if you do not listen.

It is he who grabs you with a cry.

Maybe it's a spider, maybe a cat.

Maybe it's in your pocket or in the head.

Every night at 12, he stands up,

fly in the sky and hide behind the moon.

And if it lights up at night, you will see it is true.

Now. - Now.

Lan Cheney will catch you if you do not listen.

Lan Cheney will catch you if you do not listen.

It is he who grabs you with a cry.

He grabs you, shakes you and takes you from the street.

It drives you to the nose at the bottom of the sea.

He leads you into a dark gloom with rats on the floor.

She keeps you there and no longer has Mom.

Takes boys and girls and no doubt,

that Lan Cheney will catch you if you do not listen.

Ladies and gentlemen, actually all of you.

Knowing your disputes at home, we go to Europe.

The place is Turkey, southern Turkey.

Turkey is divided into 3 zones.

Named white meat, dark meat, and the one I always take.

The action takes place in the Sultan Palace.

The Sultan has a beautiful daughter named Sultana,

who has three friends. The Clothes, the West and the Trouser.

The trousers are from the twins of the two-seater suit.

These boys are inseparable.

You will never see the Clothes and the West without the Pants.

The three, for two, I'm sure they want the daughter's hand.

And here comes the dilemma.

Or better to say a triple.

I'll say it. I'm the boss and I can say whatever I want.

The Sultan knew about this, I mean the situation

and organized a dance competition under the music of the adagio.

The winner would get his daughter's hand.

I think many of you are not familiar with the adagio.

Unlike me and the dancers.

And if adagio means what I think,

Imagine my worry.

This is the adaptation of 1929. with Sandra Gursip.

Let's join the dancers.

The young lady jumping from one to the other

has not yet decided what to do.

I'll show you a little secret.

Although she loves Dreeha and the West,

can not leave the Pants.

What follows, ladies and gentlemen, is really sensational.

The three will turn the woman so that the head will almost touch the floor.

If they're wrong, we'll hear a Charles King song.

Dance is over and I want to tell you that she was not in love with any of the three.

Tonight I'm alone at home.

Now, ladies and gentlemen, it is an honor to present to you

the stage with the balcony of Romeo and Juliet.

The role of Juliet will be played by the great Norma Shirre,

and Romeo by John Gilbert.

I wanted to play Romeo very much, but I did not.

My Romeo! Do you love me? Tell me honestly!

But if you think, my dear, that you have easily conquered me,

I will start to mourn, torture you and tell you "no and no".

I swear to you in the moon, grace the spikes of these gardens in color...

No, not in it! If you swear at this junk,

who changes his face every month,

your love will be constant like her!

What then shall I swear?

In nothing or, if you want, in yourself,

for thou art my God, my idol, and I believe in oaths only in thee.

Blessed night!

Oh, I know, can, because it's night, it's all a dream?

It's too sweet to be true!

Juliet! Juliet!

Now! Now!

But watch, Dude! I want you to be away now...

No more, however, than the tied bird,

which the fucking little one pushes

to throw it right, but it just got out, pulling it with a thread of yarn

in his hand, in jealous love for his freedom.

I would like to be your bird!

Oh, and I, but I will kill you by the smiles!

Oh, good night! Oh, good night!

So sweet is my sorrow,

that I feel, I can, have not gathered for separation,

until tomorrow I tell you: "Good night!"

All right. Finish!

Very good.

How was it, Lionel? "Excellent, John. Remarkable.

I was surprised. Not that I was surprised.

You were very good. - You mean sweet.

You were charming. - Do not joke.

Mr. Barrymore, a telegram for you. - Excuse me.

It is a pleasure to work with you. "I do not like Irving's material.

Then do not work with him. - It's good to work with you.

What is it, Lionel? - Bad news?

Bad news.

I do not know what you are thinking, but you have to change the finish.

What is he talking about? "I do not know, I do not understand the critics.

The telegram is from the New York office.

They do not like the title "Romeo and Juliet".

And they changed it. And how they just changed it.

Did "Romeo and Juliet" change? - Yes.

Can not! "They can not, but they did.

How did they call it? - "The Two Pens"

Goodness! With the whole good dialogue?

Yes. But that's not all. Listen to this.

Change the dialog. The audience does not want these old-fashioned words.

Make it modern, fashionable.

Save the original storyline, but change the title and dialog.

Right now, when I learned it by heart.

What are we going to do now?

Suggest you.

If he wants to be fashionable, we'll make him fashionable.

When the king orders, slaves obey.

Exactly.

Look, buddy, you're fine talking,

but how do I know you love me?

Julie, dear, I'm crazy about you!

No kidding, darling, your teeth are like pearls.

Your eyes, like diamonds, and your lips like rubies.

You speak as a goldsmith. - No, I'm honest.

You are like a flower in my garden, like the cream in my coffee,

like the fruit in my pie.

What you say is a wonderful symphony for my ears.

But I have to warn you something.

I have a lot of balconies under which someone can call me.

But you are my choice, my friend.

Okay, let's get organized.

I've come with the car, filled the tank, everything is ready.

What do you say about taking a ride?

Taking a ride sounds interesting, but I'm not one.

Two hours! You have to go!

My father will come back every minute and if he catches you, he'll load his rifle.

I'll shoot you in the garden.

All right.

See you soon.

I hope to come over there.

I need to know what you are.

I WALK INTO THE RAIN

I sing in the rain.

I just sing in the rain.

What a wonderful feeling, I'm happy again.

I laugh at the clouds, dark in the sky.

The sun is in my heart and I'm ready for love.

Let the storm clouds drive everyone out of here.

Come in the rain, smile shines on my face.

He walks with the happy refrain.

I just sing, sing in the rain.

Why am I happy and why sing?

Why does December look sunny like spring?

Why do I get up and start every morning?

Happy and with a raised head, and with joy in the heart.

Why is every new task a trifle?

Because I live for you.

I sing in the rain. I just sing in the rain.

What a wonderful feeling, I'm happy again.

I laugh at the clouds, dark in the sky.

The sun is in my heart and I'm ready for love.

Let the storm clouds drive everyone out of here.

Come in the rain, smile shines on my face.

He walks with the happy refrain.

I just sing, sing in the rain.

The song "Sing in the Rain" you heard was an optimistic song

and is naturally written by an optimist.

In fact, all the lyrics, such as "Over the Rain"

"Let my smile be your umbrella" etc.

are written by the same person, discouraged by suicide.

By the way, they follow Gus Edwards, Charlie King and Ucolele Ike.

These three, excuse my English,

These three magicians will offer you a fun song.

They will offer it to you, but you may not accept it.

THE ITALIAN TRIO WAVE, GINSBURG AND SAPEDUS

The next comedy sketch is with Bessie Love, Polly Morin and Mary Dresler.

Five beautiful girls.

I sing in the rain. I just sing in the rain.

What a wonderful feeling, I'm happy again.

I laugh at the clouds, dark in the sky.

The sun is in my heart and I'm ready for love.

Let the storm clouds drive everyone out of here.

Come in the rain, smile shines on my face.

He walks with the happy refrain.

I just sing, sing in the rain.

scenario AL BOSBURG and ROBERT HOPKINS

music GAS EDWARDS

lyrics of JO GUDUIN

director CHARLES RAIZNER

operators JOHN ARNOLD

EARLY PEACE MAXIMILIAN FABIAN

Artists SEDICK GIBANCE and RICHARD DAY

installation WILLY GRAY

translating from "Romeo and Juliet" by W. Shakespeare is Valeri Petrov

translation ALEX editing Scooter