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>> PREVIOUSLY ON NIP/TUCK...
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>> MARRIED?
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WHAT KIND OF A JOKE IS THIS?
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>> THIS ISN'T A JOKE, CHRISTIAN.
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MATT AND I EXCHANGED OUR VOWS
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3 DAYS AGO.
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>> THAT'S RIGHT.
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WE'RE PREGNANT.
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>> YOU GOING SOMEWHERE?
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>> YOU ARE GOING NOWHERE,
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WHICH IS WHY I AM LEAVING.
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>> WHAT ABOUT JENNA?
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>> JENNA WILL BE AT RAM'S
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WITH THE NANNY, AND THAT'S WHERE
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SHE WILL BE STAYING WHEN I AM
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NOT WITH HER.
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>> MR. McNAMARA?
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I'M COLLEEN ROSE. YOU HAVE
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A VERY NATURALISTIC PROCESS.
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>> SEANIE, I NEED YOU TOMORROW
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MORNING, 6 A.M. RESHOOT.
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>> EXCUSE ME.
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>> NO, EXCUSE ME.
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I'M FREDDY PRUNE, EXECUTIVE
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PRODUCER AND CREATIVE
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AT HEARTS AND SCALPELS,
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HOW CAN I HELP YOU?
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>> AND I'M SEAN'S AGENT.
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NEXT WEEK YOU HAVE A NUDE SCENE.
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>> BUT IT'S UNDIGNIFIED--
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>> I TOLD THAT FREDDY,
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FORGET IT! YOU GET TO KEEP THAT
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SCRUMPTIOUS WEENIE OF YOURS
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UNDER WRAPS.
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HEY, COOKIE.
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GOT US SOME JAMBA JUICE.
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I'VE GOT BANANA BERRY
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OR RAZMATAZRAZZMATAZZ
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WHICH ONE DO YOU WANT?
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>> EDEN, RIGHT? ARE YOU LOOKING
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FOR SEAN? I THINK HE'S HANGING
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OUT WITH THE EXTRAS,
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SOMEWHERE...
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>> NO, ACTUALLY, I TOOK
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THE STUDIO TOUR AND SNUCK AWAY.
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I'VE ALWAYS WONDERED IF THE BIG
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STARS HAVE BEDS IN THEIR
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TRAILER.
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>> I AM BIG, DARLING.
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>> [MOANING]
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OH, DO WE HAVE ENOUGH TIME?
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>> OH, THEY'LL WAIT. I RUN THIS
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SHOW. IN FACT, I RUN THE WHOLE
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GODDAMN NETWORK.
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>> IS THIS SOME SORT OF JOKE?
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>> I JUST DON'T UNDERSTAND
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WHY I'M HERE.
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>> SEAN McNAMARA!
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YOU ARE HERE BECAUSE YOU ARE
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THE NEW STAR OF HEARTS AND
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SCALPELS,THAT'S WHY
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YOU'RE HERE!
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>> WHAT?
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>> YOU PUT THAT LITTLE BITCH UP
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TO IT TO SET ME UP!
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>> I'M IN THE MIDDLE OF
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A SURGERY HERE.
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>> HI, SEAN. WE'RE CAA,
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AND WE WANT TO BE IN
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THE SEAN McNAMARA BUSINESS.
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>> YOU WILL NOT TAKE AWAY
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MY STAR! NOT TAKE AWAY MY SEAN.
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>> [MUFFLED GROANING]
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WHAT ARE YOU DOING HERE,
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COLLEEN? I'M CALLING 9-1-1.
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>> I THINK IT'S A GOOD IDEA.
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>> I'D RATHER STICK WITH
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THE COLD PHONE CALL.
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[GASPING]
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>> I WANT TO LOOK YOUNGER,
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LIKE I DID WHEN WE MET.
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THAT'S KIND OF WHAT NEW YORK'S
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ABOUT, TOO.
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>> NEW YORK?
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>> I ACCEPTED A POSITION AT
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NYU'S TEACHING HOSPITAL.
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WE'RE MOVING BACK IN 3 WEEKS.
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>> SEAN, SHE'S IN V-TAC.
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HER RATE'S 150.
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>> CALL 9-1-1.
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WE LOST HER. OLIVIA'S DEAD.
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>> NEW YORK'S GONNA BE
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SO STRANGE WITHOUT HER NOW.
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>> YOU'RE STILL GOING?
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>> MM-HMM.
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>> LIZ?
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>> YEAH?
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>> CAN YOU STAY AWHILE?
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JUST UNTIL I FALL ASLEEP?
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>> [MOANING]
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I'M NOT YOUR SIGNIFICANT OTHER.
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>> WELL, YOU ARE KIND OF.
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I MEAN...NOT REALLY,
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BUT SORT OF.
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>> CHRISTIAN, I DON'T LIKE MEN.
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I LIKE YOU.
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>> I FEEL EXACTLY THE SAME WAY.
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MOST OF THE TIME YOU DRIVE ME
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BATSHIT, BUT YOU'RE THE ONLY
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WOMAN I REALLY TRUST.
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>> SEAN...
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CAN I TALK TO YOU ABOUT
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SOMETHING?
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>> LIZ WON'T BE COMING OVER
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TONIGHT. SHE RESIGNED.
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TONIGHT. SHE RESIGNED.
SHE'S MOVING BACK TO MIAMI.
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SHE'S MOVING BACK TO MIAMI.
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>> TELL US WHAT YOU DON'T LIKE
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ABOUT YOURSELF, MR. SKERRITT.
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>> THE SIZE OF MY PENIS.
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>> A PENIS ENLARGEMENT, GREAT.
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>> NOT AN ENLARGEMENT,
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A REDUCTION. I'VE GOT
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A TYRANNOSAURUS PRICK.
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I'M A YOGA INSTRUCTOR,
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AND A FEW MONTHS AGO I WAS
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AT A RETREAT UP IN BIG SUR.
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IT WAS 6 WEEKS, INTENSIVE,
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MY BODY REALLY STARTED TO OPEN
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UP. AND ONE DAY I WAS IN PLOW,
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AND I JUST STARTED SINKING
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DEEPER AND DEEPER--
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>> SO WAS YOUR PENIS PROHIBITING
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YOU FROM ACHIEVING CERTAIN
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POSES?
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>> NO.
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I CAN'T STOP SUCKING ON IT.
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>> YOU MEAN METAPHORICALLY?
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>> NO, I MEAN, I SPEND ALMOST
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ALL DAY IN MY APARTMENT
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WITH MY DICK IN MY MOUTH.
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>> OH.
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>> GIANT PENIS PLUS INCREDIBLE
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FLEXIBILITY EQUALS THE BEST BLOW
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JOB YOU HAVE EVER HAD.
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>> SELF FELLATIO,
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THAT'S IMPOSSIBLE.
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>> MR. SKERRITT, THAT'S NOT--
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>> NO, NO, NO, WAIT, WAIT, WAIT.
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YOU CAN--YOU CAN DO THAT?
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>> I CAN'T HOLD DOWN A JOB.
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AND FORGET ABOUT A RELATIONSHIP,
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BECAUSE NOBODY GETS ME OFF
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THE WAY I CAN.
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YOU GUYS HAVE TO HELP ME.
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I SPEND ALMOST EVERY WAKING HOUR
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WITH MYSELF.
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I KNOW, IT SOUNDS LIKE A JOKE.
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BUT, IT'S A GODDAMN CURSE.
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>> DON'T YOU THINK YOU SHOULD
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MAYBE SEE A THERAPIST? YOU KNOW,
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TO DEAL WITH YOUR COMPULSIVE
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BEHAVIOR?
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>> I'VE TRIED SHRINKS. I EVEN
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TRIED THE DRUGS THEY PRESCRIBE.
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BUT NOTHING IS AS STRONG
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AS THE IMPULSE.
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LOOK, YOU GUYS STAPLE FATTY'S
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STOMACHS SO THEY WON'T EAT.
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WHAT'S THE DIFFERENCE?
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>> WELL, THE DIFFERENCE IS
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THERE'S NO KNOWN SURGERY FOR
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A PENIS REDUCTION.
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YOU CAN UNDERSTAND HOW THAT
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PROCEDURE MIGHT NOT BE IN
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HIGH DEMAND.
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>> SO, UM...
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HOW MANY INCHES DO YOU WANT
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TO LOSE?
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>> I DON'T KNOW.
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JUST ENOUGH SO I'D HAVE TO BREAK
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MY BACK TO GET A TASTE.
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[GRUNTING]
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2 INCHES?
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>> WELL, WE'RE GONNA HAVE
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TO RESEARCH SOME OPTIONS
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AND GET BACK TO YOU.
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>> JUST DO IT QUICK.
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I'M DESPERATE, MAN.
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WILL YOU STOP WITH
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THE JUDGMENTAL LOOKS? DON'T TELL
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ME YOU GUYS HAVE NEVER TRIED IT.
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>> THAT CLOSE.
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>> THAT CLOSE.
WHAT?
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WHAT?
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WHAT?
>> ♪ MAKE ME BEAUTIFUL
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>> ♪ MAKE ME BEAUTIFUL
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MAKE ME
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THE PERFECT SOUL
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A PERFECT MIND
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A PERFECT FACE
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A PERFECT
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A PERFECT
LIE ♪
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LIE ♪
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>> LET ME BE CLEAR, KIMMY.
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I WILL NEVER, EVER DO ANOTHER
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SURGERY ON YOU AGAIN.
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>> WELL, THAT'S GREAT, BECAUSE
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I LOOK AND FEEL FANTASTIC
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THESE DAYS. I'M NOT THE ONE
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WHO NEEDS THE TOUCH-UP.
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SHE DOES.
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HELLO.
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>> OH, I SEE. SO YOU'VE GONE
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FROM STUPID TO COMPLETELY
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INSANE.
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>> MAKE FUN OF ME ALL YOU WANT,
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GRANDPA, BUT THANKS TO MY
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TIRELESS DEVOTION, YOUR
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GRANDDAUGHTER HAS JUST BEEN
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SIGNED TO THE HOTTEST BABY
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MODELING AGENCY IN TOWN.
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BUT IN ORDER TO BOOK
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THE HIGH-END CAMPAIGNS,
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WE'RE GONNA HAVE TO DO SOMETHING
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ABOUT HER MOUTH.
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>> HER MOUTH?
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>> THE STEVES, HER AGENTS--
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STEVE MEYER AND STEVE FREEDMAN
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SAID SHE WAS PERFECTION, RIGHT?
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OTHER THAN HER THIN, VILLAINOUS
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LIPS. WHICH SHE DID NOT GET FROM
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MY SIDE, BY THE WAY, SO IT HAD
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TO HAVE COME FROM THAT WITCH.
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JULIA.
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>> HEY, LINDA, DO YOU MIND STOP
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PRACTICING YOUR PUTTING AND GET
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YOUR BUTT IN HERE, PLEASE?
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>> ARE YOU GONNA GIVE HER
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THE INJECTIONS RIGHT NOW?
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WELL, THAT'S FANTASTIC.
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[DOOR OPENS]
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>> LOVE OF MY LIFE. WOULD YOU DO
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ME A FAVOR AND TAKE LITTLE
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JENNA, AND GIVE HER A FRUIT
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BOWL? COME HERE, YOU SWEET
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LITTLE THING. OH, MY GOODNESS.
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AREN'T YOU SO SWEET? WHY DON'T
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YOU GO WITH HER WHILE I HAVE
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A LITTLE CHAT WITH
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JOAN CRAWFORD.
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>> I KNEW YOU WOULD HAVE ISSUES
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WITH THIS!
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>> THERE IS NOT A PLASTIC
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SURGEON ALIVE WHO WOULD OPERATE
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ON A BABY, INCLUDING ME.
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>> THERE ARE A NUMBER OF PLASTIC
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SURGEONS RIGHT HERE IN BEVERLY
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HILLS WHO DO WORK ON BABIES.
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>> REALLY?
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NAME ONE.
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>> I DON'T KNOW THEIR NAMES,
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BUT I KNOW THAT THE STEVES REFER
264
00:07:51,448 --> 00:07:52,482
ALL THEIR CLIENTS TO THEM.
265
00:07:52,482 --> 00:07:55,413
THEY DO RESTYLANE, BOTOX, LIPO.
266
00:07:55,413 --> 00:07:58,068
>> KIMBER, GET OUT.
267
00:07:58,068 --> 00:07:59,620
>> ANSWER ME THIS, CHRISTIAN,
268
00:07:59,620 --> 00:08:01,413
WHO'S GONNA PAY FOR HER COLLEGE
269
00:08:01,413 --> 00:08:03,586
EDUCATION?
270
00:08:03,586 --> 00:08:05,724
YOUR SON, THAT ZERO?
271
00:08:05,724 --> 00:08:07,413
>> YOU TOUCH ONE FLAXEN HAIR
272
00:08:07,413 --> 00:08:08,655
ON THE HEAD OF THAT BABY,
273
00:08:08,655 --> 00:08:10,551
AND I SWEAR TO YOU, I WILL GET
274
00:08:10,551 --> 00:08:14,724
CUSTODY OF JENNA.
275
00:08:14,724 --> 00:08:16,413
>> CHRISTIAN...
276
00:08:16,413 --> 00:08:18,689
YOU AND I HAVE GONE TO SUCH
277
00:08:18,689 --> 00:08:20,241
TRAGIC LENGTHS TO FEEL LOVED
278
00:08:20,241 --> 00:08:21,517
BECAUSE WE WEREN'T VALUED
279
00:08:21,517 --> 00:08:23,000
AS CHILDREN.
280
00:08:23,000 --> 00:08:24,103
>> [SCOFFS]
281
00:08:24,103 --> 00:08:25,482
>> NOW, I AM DETERMINED TO GIVE
282
00:08:25,482 --> 00:08:26,793
OUR JENNA A SHOT AT FEELING
283
00:08:26,793 --> 00:08:29,517
SPECIAL, AND TO DEVELOP HER
284
00:08:29,517 --> 00:08:31,620
SENSE OF SELF AND HER VALUE.
285
00:08:31,620 --> 00:08:33,413
AND I WILL MOVE HEAVEN AND EARTH
286
00:08:33,413 --> 00:08:34,620
TO GIVE THAT TO HER, BECAUSE
287
00:08:34,620 --> 00:08:37,275
NOBODY DID THAT FOR ME.
288
00:08:37,275 --> 00:08:38,689
SO ARE YOU--ARE YOU ON BOARD
289
00:08:38,689 --> 00:08:41,793
WITH THAT?
290
00:08:41,793 --> 00:08:45,586
>> [SCOFFS]
291
00:08:45,586 --> 00:08:47,137
>> [EXHALES]
292
00:08:47,137 --> 00:08:48,482
>> BOTOX ON A BABY?
293
00:08:48,482 --> 00:08:49,620
>> UH-HUH.
294
00:08:49,620 --> 00:08:50,551
>> IT'S CRIMINAL. YOU NEED
295
00:08:50,551 --> 00:08:51,448
TO GO TALK TO THOSE MODELING
296
00:08:51,448 --> 00:08:52,172
AGENTS.
297
00:08:52,172 --> 00:08:53,034
>> KIMBER WOULD NEVER TOUCH
298
00:08:53,034 --> 00:08:54,172
JENNA NOW, TRUST ME. I'LL PUT
299
00:08:54,172 --> 00:08:55,000
THE FEAR OF GOD IN HER.
300
00:08:55,000 --> 00:08:56,137
>> WELL, IT'S NOT JUST FOR
301
00:08:56,137 --> 00:08:57,620
JENNA. YOU HAVE A MORAL
302
00:08:57,620 --> 00:08:58,724
OBLIGATION TO FIND OUT THE NAMES
303
00:08:58,724 --> 00:09:00,103
OF THE QUACKS THEY'RE USING
304
00:09:00,103 --> 00:09:01,551
BEFORE THEY HURT ANY MORE KIDS.
305
00:09:01,551 --> 00:09:02,620
>> FINE! YOU FIGURE OUT HOW
306
00:09:02,620 --> 00:09:03,724
TO TURTLE MR. SKERRITT'S DONG,
307
00:09:03,724 --> 00:09:05,137
AND I'LL GET RIGHT ON IT.
308
00:09:05,137 --> 00:09:06,655
>> WELL, THE PRINCIPAL WOULD
309
00:09:06,655 --> 00:09:08,172
JUST BE THE INVERSE OF
310
00:09:08,172 --> 00:09:09,172
THE FUNDITORY AND SUSPENSE
311
00:09:09,172 --> 00:09:10,241
RELIGAMENT RELEASE WE DO
312
00:09:10,241 --> 00:09:11,793
FOR A PENIS ENLARGEMENT.
313
00:09:11,793 --> 00:09:13,517
>> MAKES SENSE. TIGHTEN THE
314
00:09:13,517 --> 00:09:14,689
LIGAMENTS, SHRINK THE WANG.
315
00:09:14,689 --> 00:09:17,655
>> YEAH.
316
00:09:17,655 --> 00:09:18,724
YOU KNOW, IF LIZ WERE HERE,
317
00:09:18,724 --> 00:09:20,758
SHE'D BE GIVING US A LECTURE
318
00:09:20,758 --> 00:09:22,413
RIGHT NOW ABOUT
319
00:09:22,413 --> 00:09:23,793
HOW MR. SKERRITT'S
320
00:09:23,793 --> 00:09:25,241
COMPULSIVE SELF-FELLATING
321
00:09:25,241 --> 00:09:27,034
IS JUST ANOTHER EXAMPLE OF OUR
322
00:09:27,034 --> 00:09:28,655
NARCISSISTIC SOCIETY.
323
00:09:28,655 --> 00:09:29,620
>> TELL ME ABOUT IT. ISN'T IT
324
00:09:29,620 --> 00:09:30,793
NICE NOT TO HEAR HER VAGINA
325
00:09:30,793 --> 00:09:32,172
MONOLOGUES ANYMORE? I TELL YOU,
326
00:09:32,172 --> 00:09:34,068
SCREW LIZ. SHE WALKED OUT ON US.
327
00:09:34,068 --> 00:09:35,724
>> NO, SHE WALKED OUT ON YOU.
328
00:09:35,724 --> 00:09:37,379
HOW CAN SOMEONE AS SELF-INVOLVED
329
00:09:37,379 --> 00:09:38,689
AS YOU NOT SEE THAT THIS IS ALL
330
00:09:38,689 --> 00:09:39,689
YOUR FAULT?
331
00:09:39,689 --> 00:09:41,103
>> I ACCEPT RESPONSIBILITY,
332
00:09:41,103 --> 00:09:42,206
WHICH IS WHY I'M TAKING CARE
333
00:09:42,206 --> 00:09:43,620
OF FINDING A REPLACEMENT.
334
00:09:43,620 --> 00:09:44,655
I TALKED TO A HEADHUNTER
335
00:09:44,655 --> 00:09:45,689
YESTERDAY, AND HE'S ALREADY SENT
336
00:09:45,689 --> 00:09:46,724
OVER A STACK OF RESUMES.
337
00:09:46,724 --> 00:09:47,551
>> UH-HUH. AND WHAT
338
00:09:47,551 --> 00:09:49,310
QUALIFICATIONS DID YOU GIVE HIM?
339
00:09:49,310 --> 00:09:50,379
MUST HAVE BIG TITS
340
00:09:50,379 --> 00:09:51,275
AND A WILLINGNESS TO GIVE
341
00:09:51,275 --> 00:09:52,413
BLOW JOBS?
342
00:09:52,413 --> 00:09:53,793
NO. YOU PUT THE RESUMES ON MY
343
00:09:53,793 --> 00:09:56,206
DESK, OK? I'M NOT GETTING STUCK
344
00:09:56,206 --> 00:09:57,655
WITH SOME MEDIOCRE DOCTOR JUST
345
00:09:57,655 --> 00:09:59,034
BECAUSE SHE HAPPENS TO BE
346
00:09:59,034 --> 00:10:04,206
A NICE PIECE OF ASS.
347
00:10:04,206 --> 00:10:05,413
[CLEARS THROAT]
348
00:10:05,413 --> 00:10:08,068
UM, WELL...
349
00:10:08,068 --> 00:10:12,344
LET'S, UH...
350
00:10:12,344 --> 00:10:14,793
[MURMURING]
351
00:10:14,793 --> 00:10:17,379
UH, IF I MAY ASK, THEODORA...
352
00:10:17,379 --> 00:10:19,137
>> CALL MY TEDDY.
353
00:10:19,137 --> 00:10:21,000
>> TEDDY...
354
00:10:21,000 --> 00:10:22,724
WHO IS HARLEY?
355
00:10:22,724 --> 00:10:25,000
>> THAT'S MY HOG.
356
00:10:25,000 --> 00:10:27,000
[LAUGHS] IT'S A MOTORCYCLE.
357
00:10:27,000 --> 00:10:28,724
I RACE IN THE DESERT.
358
00:10:28,724 --> 00:10:30,758
>> OH. THAT WOULD EXPLAIN
359
00:10:30,758 --> 00:10:32,620
THE MOTTO ON YOUR OTHER ARM.
360
00:10:32,620 --> 00:10:34,379
>> [LAUGHS]
361
00:10:34,379 --> 00:10:36,586
I GOT THAT AFTER A WILD NIGHT
362
00:10:36,586 --> 00:10:39,206
AT COACHELLA. MMM.
363
00:10:39,206 --> 00:10:40,413
>> AND HOW DO YOUR PATIENTS
364
00:10:40,413 --> 00:10:41,482
REACT TO THESE UPLIFTING
365
00:10:41,482 --> 00:10:42,620
TATTOOS?
366
00:10:42,620 --> 00:10:43,655
>> I'VE ONLY EVER GOTTEN
367
00:10:43,655 --> 00:10:44,689
COMPLAINTS FROM OTHER
368
00:10:44,689 --> 00:10:48,241
PHYSICIANS. UPTIGHT OLD FARTS.
369
00:10:48,241 --> 00:10:49,310
>> YEAH.
370
00:10:49,310 --> 00:10:51,793
WELL, DR. ROWE--AHEM--
371
00:10:51,793 --> 00:10:52,758
YOU CERTAINLY LIKE TO LIVE
372
00:10:52,758 --> 00:10:54,275
DANGEROUSLY.
373
00:10:54,275 --> 00:10:56,793
>> MMM, I LIKE TO LIVE, PERIOD.
374
00:10:56,793 --> 00:10:58,448
LOOK, I AM VERY GOOD AT WHAT
375
00:10:58,448 --> 00:11:00,724
I DO. TO GET THIS JOB, DO I NEED
376
00:11:00,724 --> 00:11:02,103
PERMISSION FROM YOU TO BE
377
00:11:02,103 --> 00:11:04,310
WHO I AM? IF SO, LET ME KNOW
378
00:11:04,310 --> 00:11:06,344
NOW. I'M OUT THE DOOR.
379
00:11:06,344 --> 00:11:08,793
>> UH, YOU WERE FIRST IN YOUR
380
00:11:08,793 --> 00:11:10,413
CLASS AT UCLA?
381
00:11:10,413 --> 00:11:12,758
>> I CHEATED.
382
00:11:12,758 --> 00:11:14,620
KIDDING.
383
00:11:14,620 --> 00:11:15,758
>> [BOTH CHUCKLE]
384
00:11:15,758 --> 00:11:16,793
>> I JUST HAPPEN TO PICK THINGS
385
00:11:16,793 --> 00:11:19,206
UP PRETTY FAST.
386
00:11:19,206 --> 00:11:20,379
>> YOU'RE LUCKY.
387
00:11:20,379 --> 00:11:22,689
>> MAYBE. MAYBE I JUST GET BORED
388
00:11:22,689 --> 00:11:24,655
QUICKLY.
389
00:11:24,655 --> 00:11:27,758
>> I SEE. SO...WHAT GUARANTEE
390
00:11:27,758 --> 00:11:29,689
DO I HAVE THAT YOU'LL STAY
391
00:11:29,689 --> 00:11:30,793
IF WE HIRE YOU?
392
00:11:30,793 --> 00:11:32,517
>> [LAUGHS] THERE ARE NO
393
00:11:32,517 --> 00:11:35,413
GUARANTEES IN LIFE, DOCTOR.
394
00:11:35,413 --> 00:11:37,344
BUT I DO PROMISE IF I TAKE
395
00:11:37,344 --> 00:11:39,310
THE JOB, I WILL ONLY TAKE IT
396
00:11:39,310 --> 00:11:44,482
IF I FIND THE PLACE INTERESTING.
397
00:11:44,482 --> 00:11:47,310
>> MM-HMM. AND, UH, HOW--
398
00:11:47,310 --> 00:11:50,655
HOW DO WE SEEM SO FAR?
399
00:11:50,655 --> 00:11:52,793
>> SO FAR, SO GOOD.
400
00:11:52,793 --> 00:11:54,655
WHAT ABOUT YOU?
401
00:11:54,655 --> 00:11:57,206
>> UH, YOUR VITAE IS CERTAINLY
402
00:11:57,206 --> 00:11:58,517
OUTSTANDING, SO--
403
00:11:58,517 --> 00:12:00,448
>> BLAH, BLAH, BLAH.
404
00:12:00,448 --> 00:12:01,655
ANYTHING ELSE YOU FIND
405
00:12:01,655 --> 00:12:04,413
INTERESTING?
406
00:12:04,413 --> 00:12:06,379
>> WHY DO I SUDDENLY FEEL
407
00:12:06,379 --> 00:12:08,206
LIKE YOU'RE INTERVIEWING ME?
408
00:12:08,206 --> 00:12:10,793
>> [LAUGHS]
409
00:12:10,793 --> 00:12:16,241
I AM.
410
00:12:16,241 --> 00:12:18,310
>> OH, MY. SHE SAID GRANDDADDY
411
00:12:18,310 --> 00:12:19,655
HAD GOOD GENES, BUT WE'RE
412
00:12:19,655 --> 00:12:21,586
TALKING EXTRA SPECIAL GENES.
413
00:12:21,586 --> 00:12:22,793
>> [CHUCKLES] I DON'T KNOW IF
414
00:12:22,793 --> 00:12:24,103
KIMBER'S FILLED YOU IN, BUT
415
00:12:24,103 --> 00:12:25,172
SHE'S GETTING IN ON THE GROUND
416
00:12:25,172 --> 00:12:26,310
FLOOR OF A BILLION DOLLAR
417
00:12:26,310 --> 00:12:28,310
INDUSTRY--MAKE-UP, ACCESSORIES,
418
00:12:28,310 --> 00:12:30,103
AND OF COURSE, FASHION.
419
00:12:30,103 --> 00:12:32,206
ARMANI, GUCCI. EVERYBODY WANTS
420
00:12:32,206 --> 00:12:34,275
IN, EVERYBODY'S PAYING.
421
00:12:34,275 --> 00:12:36,000
WE THINK JENNA CAN BE THE NEXT
422
00:12:36,000 --> 00:12:39,275
BABY CINDY CRAWFORD.
423
00:12:39,275 --> 00:12:40,448
>> SO WHAT'S ALL THIS TALK
424
00:12:40,448 --> 00:12:41,551
ABOUT CHANGING HER?
425
00:12:41,551 --> 00:12:43,793
>> DR. TROY, IN THEATRICAL
426
00:12:43,793 --> 00:12:46,275
PARLANCE, JENNA HAS THIN,
427
00:12:46,275 --> 00:12:47,793
VILLAINOUS LIPS.
428
00:12:47,793 --> 00:12:49,413
PEOPLE DON'T LIKE THAT LOOK
429
00:12:49,413 --> 00:12:52,103
ON BABIES. THEY LIKE FULL,
430
00:12:52,103 --> 00:12:56,448
BEE-STUNG, SENSUAL LIPS.
431
00:12:56,448 --> 00:12:58,034
>> THAT IS REALLY SICK.
432
00:12:58,034 --> 00:12:59,517
>> TRY TO THINK OF IT
433
00:12:59,517 --> 00:13:00,655
IN ANOTHER WAY. YOU WERE
434
00:13:00,655 --> 00:13:02,758
CIRCUMCISED, I PRESUME?
435
00:13:02,758 --> 00:13:04,655
WOULD YOU CALL YOURSELF SCARRED
436
00:13:04,655 --> 00:13:06,000
OR TRAUMATIZED BY THAT
437
00:13:06,000 --> 00:13:07,758
PROCEDURE? PROBABLY WHAT SCARRED
438
00:13:07,758 --> 00:13:09,517
YOU WAS MORE ABOUT BEING
439
00:13:09,517 --> 00:13:11,310
MISUNDERSTOOD OR UNLOVED
440
00:13:11,310 --> 00:13:13,655
BY YOUR FRIENDS AND FAMILY.
441
00:13:13,655 --> 00:13:15,379
>> THAT'S A GOOD ANSWER, STEVE,
442
00:13:15,379 --> 00:13:17,655
THAT'S VERY GOOD. HA HA HA.
443
00:13:17,655 --> 00:13:19,551
SO WHO YOU GO TO, BABY PLASTIC
444
00:13:19,551 --> 00:13:20,586
SURGEONS? I'M CURIOUS IF I KNOW
445
00:13:20,586 --> 00:13:21,620
ANY OF THEM.
446
00:13:21,620 --> 00:13:22,758
>> WE DON'T DISCLOSE THAT
447
00:13:22,758 --> 00:13:23,689
INFORMATION.
448
00:13:23,689 --> 00:13:25,758
>> I'M--I'M SORRY. I THOUGHT WE
449
00:13:25,758 --> 00:13:26,724
CAME HERE TODAY BECAUSE YOU'RE
450
00:13:26,724 --> 00:13:29,137
INTERESTED IN JENNA'S FUTURE.
451
00:13:29,137 --> 00:13:30,241
>> RIGHT, YEP.
452
00:13:30,241 --> 00:13:31,137
[TELEPHONE RINGS]
453
00:13:31,137 --> 00:13:32,724
>> IT'S THE BABY DIOR PEOPLE.
454
00:13:32,724 --> 00:13:33,724
THEY WANT TO BOOK LITTLE AMBER
455
00:13:33,724 --> 00:13:35,068
FOR THE FALL COLLECTION.
456
00:13:35,068 --> 00:13:38,137
>> MMM!
457
00:13:38,137 --> 00:13:39,620
>> HELLO, MARY, WE'RE THRILLED.
458
00:13:39,620 --> 00:13:41,551
WHAT'S THE OFFER?
459
00:13:41,551 --> 00:13:42,724
WE'RE LOOKING FOR 5 DIGITS,
460
00:13:42,724 --> 00:13:45,689
MARY. 10,000 A DAY.
461
00:13:45,689 --> 00:13:47,724
>> 10,000! I HAD TO DO ANAL FOR
462
00:13:47,724 --> 00:13:49,310
THAT KIND OF MONEY.
463
00:13:49,310 --> 00:13:50,344
>> A LIMO WITH A FULLY STOCKED
464
00:13:50,344 --> 00:13:51,758
BAR FOR MOM AND ALL WARDROBE
465
00:13:51,758 --> 00:13:54,758
BECOMES PROPERTY OF BABY AMBER.
466
00:13:54,758 --> 00:13:56,310
LOVE YOU, MARY. STEVIE SENDS
467
00:13:56,310 --> 00:14:03,068
KISSES. SO...WHERE WERE WE?
468
00:14:03,068 --> 00:14:04,689
>> WHAT TYPE OF AUGMENTATION DID
469
00:14:04,689 --> 00:14:06,758
BABY AMBER RECEIVE?
470
00:14:06,758 --> 00:14:08,620
>> SHE WAS A SCOWLER.
471
00:14:08,620 --> 00:14:10,241
THERE'S CUTE CRYING, YOU KNOW,
472
00:14:10,241 --> 00:14:11,482
WITH THE TENDER LITTLE TEARS,
473
00:14:11,482 --> 00:14:12,689
AND THEN THERE'S ANGRY, SCOWLY
474
00:14:12,689 --> 00:14:16,655
CRYING. PEOPLE DON'T LIKE THAT.
475
00:14:16,655 --> 00:14:18,137
SO SHE WAS GIVEN A LITTLE
476
00:14:18,137 --> 00:14:19,793
BENADRYL LOLLY TO KEEP HER CALM,
477
00:14:19,793 --> 00:14:23,413
AND 4 UNITS OF BOTOX.
478
00:14:23,413 --> 00:14:25,206
>> SHE WAS A BEAUTIFUL GIRL
479
00:14:25,206 --> 00:14:26,241
BEFORE THE BOTOX.
480
00:14:26,241 --> 00:14:27,689
SHE'S A BEAUTIFUL GIRL NOW.
481
00:14:27,689 --> 00:14:28,655
THE ONLY DIFFERENCE IS, NOW HER
482
00:14:28,655 --> 00:14:31,137
COLLEGE FUND IS FULL.
483
00:14:31,137 --> 00:14:34,103
>> [LAUGHS]
484
00:14:34,103 --> 00:14:35,758
>> HEY, STEVES, COULD YOU TELL
485
00:14:35,758 --> 00:14:37,448
CHRISTIAN HOW HORRIBLE
486
00:14:37,448 --> 00:14:39,448
AND DEMEANING CATALOG WORK IS?
487
00:14:39,448 --> 00:14:40,517
YOU KNOW, THE KIND THAT YOU SAID
488
00:14:40,517 --> 00:14:41,482
THAT JENNA WOULD ONLY BOOK IF
489
00:14:41,482 --> 00:14:43,103
SHE DIDN'T DO THE LIP FILLER.
490
00:14:43,103 --> 00:14:45,000
>> IT ONLY PAYS ABOUT 275
491
00:14:45,000 --> 00:14:46,344
A DAY. AND BE PREPARED TO WAIT
492
00:14:46,344 --> 00:14:48,310
IN HALLWAYS WITH A SEA OF SNOTTY
493
00:14:48,310 --> 00:14:53,068
TOTS AND POORLY-GROOMED MOMS.
494
00:14:53,068 --> 00:14:55,275
>> HMM.
495
00:14:55,275 --> 00:14:57,000
I'M ONTO YOU GUYS.
496
00:14:57,000 --> 00:14:58,103
>> HMM?
497
00:14:58,103 --> 00:14:59,413
>> WHY ACTUALLY GO OUT
498
00:14:59,413 --> 00:15:00,344
AND HUSTLE WHEN YOU CAN BEAT
499
00:15:00,344 --> 00:15:02,068
THE COMPETITION WITH CHEMICALS?
500
00:15:02,068 --> 00:15:02,793
COME ON, KIMMY.
501
00:15:02,793 --> 00:15:04,758
WE'RE OUT OF HERE.
502
00:15:04,758 --> 00:15:06,310
WE ARE NOT SHARING JENNA'S
503
00:15:06,310 --> 00:15:07,586
FORTUNE WITH THESE LAZY
504
00:15:07,586 --> 00:15:14,448
SCUMBAGS. I'LL BE HER MANAGER.
505
00:15:14,448 --> 00:15:17,034
SCUMBAGS. I'LL BE HER MANAGER.
>> GOOD LUCK WITH THAT.
506
00:15:17,034 --> 00:15:22,586
>> GOOD LUCK WITH THAT.
507
00:15:22,586 --> 00:15:26,275
[MUSIC PLAYING]
508
00:15:26,275 --> 00:15:28,620
>> OH, SEAN BEAR!
509
00:15:28,620 --> 00:15:31,517
[MOANING]
510
00:15:31,517 --> 00:15:33,034
OH!
511
00:15:33,034 --> 00:15:34,620
OH...
512
00:15:34,620 --> 00:15:36,758
OH, MAN.
513
00:15:36,758 --> 00:15:38,310
I COULD USE A CIGARETTE RIGHT
514
00:15:38,310 --> 00:15:43,103
NOW. OR A JAMBA JUICE.
515
00:15:43,103 --> 00:15:46,413
>> YOU'RE INSATIABLE, COLLEEN.
516
00:15:46,413 --> 00:15:47,655
>> YOU'RE WHAT FILLS ME UP,
517
00:15:47,655 --> 00:15:50,620
SEANIE BEAR. YOU, AND YOUR
518
00:15:50,620 --> 00:15:53,137
SCRUMPTIOUS, SUPER-SIZED WEENIE.
519
00:15:53,137 --> 00:15:55,344
>> OH. [CHUCKLES]
520
00:15:55,344 --> 00:15:56,448
LET'S DO IT ONE MORE TIME BEFORE
521
00:15:56,448 --> 00:15:58,482
WE EAT, OK? I'M GONNA MAKE YOU
522
00:15:58,482 --> 00:16:00,379
HIT AN E FLAT. THEN YOU CAN
523
00:16:00,379 --> 00:16:01,379
RUN OUT TO HOOTERS, YOU CAN PICK
524
00:16:01,379 --> 00:16:02,379
ME UP SOME HOT WINGS.
525
00:16:02,379 --> 00:16:03,068
WHAT DO YOU SAY?
526
00:16:03,068 --> 00:16:05,206
>> OH, HOOTERS. OH, MY GOD.
527
00:16:05,206 --> 00:16:07,344
>> YEAH?
528
00:16:07,344 --> 00:16:09,344
>> AIDAN, THIS IS INSANE.
529
00:16:09,344 --> 00:16:10,655
>> I KNOW. I WROTE THE SHIT
530
00:16:10,655 --> 00:16:12,000
OUT OF THAT SCRIPT.
531
00:16:12,000 --> 00:16:13,379
>> NO, NO, NO. IT'S COMPLETELY
532
00:16:13,379 --> 00:16:14,448
INACCURATE. I NEVER SLEPT WITH
533
00:16:14,448 --> 00:16:15,448
COLLEEN.
534
00:16:15,448 --> 00:16:16,517
>> OH, THAT'S ARTISTIC LICENSE,
535
00:16:16,517 --> 00:16:17,586
DUDE. IT'S CALLED INCREASING THE
536
00:16:17,586 --> 00:16:19,344
STAKES, RAISING THE DRAMA.
537
00:16:19,344 --> 00:16:20,448
WHAT WE'RE DOING IS WE'RE TAKING
538
00:16:20,448 --> 00:16:22,000
THE VIEWER ON A JOURNEY, SEAN.
539
00:16:22,000 --> 00:16:23,586
KEEP READING,
540
00:16:23,586 --> 00:16:25,310
YOU'RE GONNA LIKE IT.
541
00:16:25,310 --> 00:16:31,275
>> [CHUCKLES]
542
00:16:31,275 --> 00:16:34,068
>> NO, JULIA. I SAID NO,
543
00:16:34,068 --> 00:16:37,482
GODDAMNIT! YES, I SCREWED A HOT
544
00:16:37,482 --> 00:16:38,344
TEEN, BUT I'M NOT LOSING
545
00:16:38,344 --> 00:16:40,344
MY CHILDREN OVER IT.
546
00:16:40,344 --> 00:16:41,344
THE ONLY WAY YOU'LL GET CUSTODY
547
00:16:41,344 --> 00:16:42,517
OVER MY CHILDREN IS OVER
548
00:16:42,517 --> 00:16:45,482
MY DEAD BODY, WOMAN!
549
00:16:45,482 --> 00:16:47,724
MY DEAD BODY, WOMAN!
DAMNIT!
550
00:16:47,724 --> 00:16:56,655
DAMNIT!
551
00:16:56,655 --> 00:17:00,413
[GROANING]
552
00:17:00,413 --> 00:17:04,310
OH, WHY, WHY?!
553
00:17:04,310 --> 00:17:07,241
[SOBBING]
554
00:17:07,241 --> 00:17:08,517
HEY, CHRISTIAN, I DIDN'T SEE YOU
555
00:17:08,517 --> 00:17:10,310
THERE, BUDDY.
556
00:17:10,310 --> 00:17:13,724
HOW WAS YOUR DAY, PARTNER?
557
00:17:13,724 --> 00:17:16,517
ROUGH ONE, HUH? YEAH, ME TOO.
558
00:17:16,517 --> 00:17:18,103
OH, I GOT A FACE TRANSPLANT
559
00:17:18,103 --> 00:17:21,068
AT 7 A.M. I BETTER HIT THE SACK.
560
00:17:21,068 --> 00:17:23,448
DON'T STAY UP TOO LATE.
561
00:17:23,448 --> 00:17:25,275
>> YOU KILLED CHRISTIAN?
562
00:17:25,275 --> 00:17:27,103
>> I DIDN'T KNOW WHAT TO DO WITH
563
00:17:27,103 --> 00:17:29,206
>> I DIDN'T KNOW WHAT TO DO WITH
HIS CHARACTER ANYMORE.
564
00:17:29,206 --> 00:17:34,206
HIS CHARACTER ANYMORE.
565
00:17:34,206 --> 00:17:37,689
>> [WHISTLING]
566
00:17:37,689 --> 00:17:39,103
[GASPS]
567
00:17:39,103 --> 00:17:41,344
WHAT DID YOU DO?!
568
00:17:41,344 --> 00:17:42,586
COLLEEN!
569
00:17:42,586 --> 00:17:43,586
OH, MY--
570
00:17:43,586 --> 00:17:44,689
>> I GAVE YOU EVERYTHING,
571
00:17:44,689 --> 00:17:46,379
COOKIE.
572
00:17:46,379 --> 00:17:47,448
>> OH--AH!
573
00:17:47,448 --> 00:17:48,793
>> HOW COULD YOU LEAVE ME
574
00:17:48,793 --> 00:17:50,758
FOR THE CIA?!
575
00:17:50,758 --> 00:17:54,000
>> THE CIA? I LEFT COLLEEN
576
00:17:54,000 --> 00:17:55,448
FOR CAA!
577
00:17:55,448 --> 00:17:57,275
>> I KNOW. HOW COOL IS IT THAT
578
00:17:57,275 --> 00:17:58,310
I MADE YOU A SPY?
579
00:17:58,310 --> 00:17:59,586
WHAT'S THE BIG DIFF, ANYWAY?
580
00:17:59,586 --> 00:18:02,137
CIA, CAA. COME ON, THEY'RE BOTH
581
00:18:02,137 --> 00:18:03,275
BIG AND SCARY AND THEY THINK
582
00:18:03,275 --> 00:18:04,310
THEY RULE THE WORLD.
583
00:18:04,310 --> 00:18:05,241
>> NO. I'M NOT SELLING YOU
584
00:18:05,241 --> 00:18:07,344
THE RIGHTS TO MY STORY, NO WAY.
585
00:18:07,344 --> 00:18:10,655
>> LOOK, SEAN. YOU OWE ME, DUDE.
586
00:18:10,655 --> 00:18:11,620
EVER SINCE I GOT OUT OF SEX
587
00:18:11,620 --> 00:18:12,551
REHAB BECAUSE OF YOUR LITTLE
588
00:18:12,551 --> 00:18:13,482
SET UP WITH EDEN--
589
00:18:13,482 --> 00:18:14,344
>> HEY, LOOK, I DIDN'T
590
00:18:14,344 --> 00:18:15,068
SET YOU UP--
591
00:18:15,068 --> 00:18:16,034
>> DON'T EVEN GO THERE, SEAN.
592
00:18:16,034 --> 00:18:17,275
DON'T EVEN GO THERE. NEXT THING
593
00:18:17,275 --> 00:18:18,620
YOU KNOW, I CAN'T GET A JOB.
594
00:18:18,620 --> 00:18:19,689
FREDDY REPLACES ME WITH
595
00:18:19,689 --> 00:18:21,413
RICKY SCHROEDER. I AM DEPRESSED.
596
00:18:21,413 --> 00:18:22,344
AND I SAY, YOU KNOW WHAT,
597
00:18:22,344 --> 00:18:24,275
SCREW HIM, I'M COSTNER, MAN.
598
00:18:24,275 --> 00:18:25,448
I'M A TRIPLE THREAT. I WRITE
599
00:18:25,448 --> 00:18:27,655
THIS SCRIPT ON SPEC, LIFETIME.
600
00:18:27,655 --> 00:18:29,793
THE NETWORK PICKS IT UP.
601
00:18:29,793 --> 00:18:31,482
THE FAIRCHILD ATTACHES HERSELF
602
00:18:31,482 --> 00:18:34,344
TO PLAY COLLEEN. COME ON, SEAN!
603
00:18:34,344 --> 00:18:36,482
THIS IS MY COMEBACK! DEADLY
604
00:18:36,482 --> 00:18:37,689
TIGHTROPE: THE SEAN McNAMARA
605
00:18:37,689 --> 00:18:40,724
STORY.[SIGHS] IT'S MY DANCES
606
00:18:40,724 --> 00:18:42,482
WITH WOLVES,MAN.
607
00:18:42,482 --> 00:18:44,172
>> NO.
608
00:18:44,172 --> 00:18:45,620
>> I'M GIVING MYSELF TO YOU,
609
00:18:45,620 --> 00:18:48,482
SEAN. I'M SACRIFICING MYSELF
610
00:18:48,482 --> 00:18:50,413
FOR YOU. I'M UNARMED. WHAT ARE
611
00:18:50,413 --> 00:18:52,137
WE GOING TO DO? WE'RE GONNA KILL
612
00:18:52,137 --> 00:18:53,206
SOME INDIANS?
613
00:18:53,206 --> 00:18:55,137
>> AIDAN? NO.
614
00:18:55,137 --> 00:18:56,482
>> WE'RE NOT GOING TO KILL THEM,
615
00:18:56,482 --> 00:18:58,482
NO. WE'RE GOING TO HELP THEM.
616
00:18:58,482 --> 00:19:00,275
YOU'RE GOING TO READ IT.
617
00:19:00,275 --> 00:19:03,172
JUST READ IT, SEAN. JUST READ
618
00:19:03,172 --> 00:19:04,206
THE WHOLE THING. THE ENDING'S
619
00:19:04,206 --> 00:19:07,413
AMAZING.
620
00:19:07,413 --> 00:19:09,344
THEN WE'LL TALK. I'LL CALL YOU
621
00:19:09,344 --> 00:19:10,482
IN THE A.M., OR YOU CALL ME.
622
00:19:10,482 --> 00:19:11,482
I'LL LET YOU SLEEP ON IT.
623
00:19:11,482 --> 00:19:16,275
I LOVE YOU. SEE YA.
624
00:19:16,275 --> 00:19:18,655
[BABIES CHATTERING]
625
00:19:18,655 --> 00:19:21,448
[BABIES CHATTERING]
[INDISTINCT CHATTER]
626
00:19:21,448 --> 00:19:30,379
[INDISTINCT CHATTER]
627
00:19:30,379 --> 00:19:31,689
>> MAYBE SHE NEEDS SOME FOOD.
628
00:19:31,689 --> 00:19:33,068
WE'VE BEEN HERE OVER AN HOUR.
629
00:19:33,068 --> 00:19:34,206
>> NO, I'VE FED HER TWICE
630
00:19:34,206 --> 00:19:35,241
ALREADY. I'M JUST TRYING TO KEEP
631
00:19:35,241 --> 00:19:37,241
HER FROM NAPPING. SHE'S HOT.
632
00:19:37,241 --> 00:19:38,137
HONEY, DO YOU WANNA PLAY PATTY
633
00:19:38,137 --> 00:19:40,448
HONEY, DO YOU WANNA PLAY PATTY
CAKE? NO?
634
00:19:40,448 --> 00:19:45,448
CAKE? NO?
635
00:19:45,448 --> 00:19:48,103
>> I'LL BE RIGHT BACK.
636
00:19:48,103 --> 00:19:51,413
EXCUSE ME, MISS? MISS, EXCUSE
637
00:19:51,413 --> 00:19:52,448
ME. WHY DID THAT LADY JUST GO
638
00:19:52,448 --> 00:19:53,448
STRAIGHT IN THERE?
639
00:19:53,448 --> 00:19:54,482
WE'VE BEEN HERE SINCE NOON.
640
00:19:54,482 --> 00:19:55,379
>> SHE HAD AN APPOINTMENT.
641
00:19:55,379 --> 00:19:56,517
>> AN APPOINTMENT! WE HAD
642
00:19:56,517 --> 00:19:57,620
AN APPOINTMENT AN HOUR AGO.
643
00:19:57,620 --> 00:19:59,068
>> YOU'RE NOT WITH THE STEVES,
644
00:19:59,068 --> 00:20:00,241
ARE YOU? THEY ALWAYS GET IN
645
00:20:00,241 --> 00:20:02,068
FIRST.
646
00:20:02,068 --> 00:20:04,517
[BABIES CHATTERING]
647
00:20:04,517 --> 00:20:07,793
>> OH, THAT IS BULLSHIT!
648
00:20:07,793 --> 00:20:09,586
COME ON, KIMBER, WE'RE GOING IN.
649
00:20:09,586 --> 00:20:10,620
LET'S GO. GET THE KID,
650
00:20:10,620 --> 00:20:12,379
WE'RE GOING IN.
651
00:20:12,379 --> 00:20:13,413
>> I'M SORRY, SIR, WE STILL HAVE
652
00:20:13,413 --> 00:20:14,413
ONE MORE MOM WE'RE WAITING FOR--
653
00:20:14,413 --> 00:20:15,517
>> LISTEN, LADY. THEY'RE NOT
654
00:20:15,517 --> 00:20:17,448
GOING TO GET THE JOB. WE ARE.
655
00:20:17,448 --> 00:20:23,137
HMM?
656
00:20:23,137 --> 00:20:26,172
>> WOW. THIS IS SO HOLLYWOOD.
657
00:20:26,172 --> 00:20:28,137
SEE, HONEY, LOOK. THAT'S CALLED
658
00:20:28,137 --> 00:20:29,448
A FAKE BEACH.
659
00:20:29,448 --> 00:20:31,413
>> HI. I'M CHRISTIAN TROY.
660
00:20:31,413 --> 00:20:33,206
I'M THE LITTLE STARLET'S MANAGER
661
00:20:33,206 --> 00:20:34,482
AND THIS IS KIMBER HENRY,
662
00:20:34,482 --> 00:20:35,517
HER MOTHER.
663
00:20:35,517 --> 00:20:37,000
>> NEXT. THANK YOU VERY MUCH.
664
00:20:37,000 --> 00:20:37,793
>> EXCUSE ME?
665
00:20:37,793 --> 00:20:39,310
>> NOT WHAT WE'RE LOOKING FOR.
666
00:20:39,310 --> 00:20:40,068
HAVE RECEPTION SHOW
667
00:20:40,068 --> 00:20:41,172
THE NEXT ONE IN.
668
00:20:41,172 --> 00:20:42,793
>> IS IT BECAUSE SHE'S TOO FAT?
669
00:20:42,793 --> 00:20:44,379
BECAUSE SHE DOESN'T NEED TO EAT
670
00:20:44,379 --> 00:20:45,206
THE DAY OF THE SHOOT.
671
00:20:45,206 --> 00:20:46,206
>> YOU CAN'T JUST DISMISS US
672
00:20:46,206 --> 00:20:47,103
LIKE THAT. SHE'S THE MOST
673
00:20:47,103 --> 00:20:48,034
BEAUTIFUL GIRL YOU'VE SEEN
674
00:20:48,034 --> 00:20:49,310
ALL DAY.
675
00:20:49,310 --> 00:20:50,241
>> 'FRAID NOT.
676
00:20:50,241 --> 00:20:52,068
THANKS FOR COMIN'.
677
00:20:52,068 --> 00:20:52,793
>> THIS THING'S FOR THOSE
678
00:20:52,793 --> 00:20:54,517
SUNGLASSES, RIGHT? OVER HERE.
679
00:20:54,517 --> 00:20:56,034
LET'S TAKE A LOOK, ALL RIGHT?
680
00:20:56,034 --> 00:20:57,172
HEY, COME ON, SWEETIE.
681
00:20:57,172 --> 00:20:59,379
SHOW THIS LADY. HEY, LOOK,
682
00:20:59,379 --> 00:21:03,310
THE KID IS A STAR. HUH?
683
00:21:03,310 --> 00:21:05,448
>> YOU WANT THE HONEST TRUTH?
684
00:21:05,448 --> 00:21:08,103
COVER HER EARS, SWEETIE.
685
00:21:08,103 --> 00:21:10,241
YOU'LL NEVER GET HER A NATIONAL
686
00:21:10,241 --> 00:21:12,448
CAMPAIGN. NOT WITH THOSE THIN,
687
00:21:12,448 --> 00:21:18,724
VILLAINOUS LIPS.
688
00:21:18,724 --> 00:21:20,689
[MONITOR BEEPING]
689
00:21:20,689 --> 00:21:24,379
[OH YEAHBY YELLO PLAYING]
690
00:21:24,379 --> 00:21:27,620
>> ♪ OH, YEAH,
691
00:21:27,620 --> 00:21:31,275
OH, YEAH,
692
00:21:31,275 --> 00:21:34,448
OH, YEAH ♪
693
00:21:34,448 --> 00:21:36,482
>> THAT'S MY JOB.
694
00:21:36,482 --> 00:21:37,448
>> SINCE WHEN IS THE
695
00:21:37,448 --> 00:21:38,620
ANESTHESIOLOGIST NOT ALLOWED
696
00:21:38,620 --> 00:21:39,724
TO SEE THE PATIENT'S BODY?
697
00:21:39,724 --> 00:21:41,068
>> I WOULD JUST PREFER IT IF WE
698
00:21:41,068 --> 00:21:45,586
FOLLOWED PROTOCOL.
699
00:21:45,586 --> 00:21:47,517
>> OH, MY GOD IN HEAVEN!
700
00:21:47,517 --> 00:21:48,413
LINDA, GET OVER HERE.
701
00:21:48,413 --> 00:21:50,068
>> LINDA, YOU STAY RIGHT WHERE
702
00:21:50,068 --> 00:21:51,241
YOU ARE. TEDDY, THAT'S ENOUGH.
703
00:21:51,241 --> 00:21:52,551
>> WHY WOULD A GUY WRITE "NAM"
704
00:21:52,551 --> 00:21:53,586
ON HIS DICK? HE LOOKS WAY TOO
705
00:21:53,586 --> 00:21:54,551
YOUNG TO HAVE EVER SERVED OVER
706
00:21:54,551 --> 00:21:55,275
THERE.
707
00:21:55,275 --> 00:21:56,724
>> [SIGHS]
708
00:21:56,724 --> 00:21:58,793
WELL...
709
00:21:58,793 --> 00:22:01,034
WELL...
IT DOESN'T SAY "NAM," OK?
710
00:22:01,034 --> 00:22:07,793
IT DOESN'T SAY "NAM," OK?
711
00:22:07,793 --> 00:22:10,241
>> NAMASTE.
712
00:22:10,241 --> 00:22:11,344
>> NAMASTE HOME AT NIGHT
713
00:22:11,344 --> 00:22:12,241
AND PLAY WITH THAT THING,
714
00:22:12,241 --> 00:22:13,482
OH, YEAH.
715
00:22:13,482 --> 00:22:15,379
>> ALL RIGHT, THAT'S ENOUGH.
716
00:22:15,379 --> 00:22:16,655
>> I'VE GOTTA GET A PICTURE
717
00:22:16,655 --> 00:22:17,517
OF THIS FIRST.
718
00:22:17,517 --> 00:22:18,655
>> NO. ABSOLUTELY NOT.
719
00:22:18,655 --> 00:22:19,724
THAT'S UNETHICAL.
720
00:22:19,724 --> 00:22:21,344
>> THEN I WON'T ASK YOU TO TAKE
721
00:22:21,344 --> 00:22:23,379
IT. YOU DO IT, LINDA.
722
00:22:23,379 --> 00:22:24,344
>> IT'S NOT FUNNY, TEDDY.
723
00:22:24,344 --> 00:22:25,413
>> OH, SEAN, RELAX. NO ONE
724
00:22:25,413 --> 00:22:27,517
WILL FIND OUT. OK.
725
00:22:27,517 --> 00:22:29,482
>> AH, GIVE ME THAT.
726
00:22:29,482 --> 00:22:30,655
>> NOW I KNOW WHY LINDA SAID
727
00:22:30,655 --> 00:22:35,344
THE OTHER GUY'S THE FUN ONE.
728
00:22:35,344 --> 00:22:36,724
>> FINE.
729
00:22:36,724 --> 00:22:38,517
I'LL GET IN THERE. YOU KNOW,
730
00:22:38,517 --> 00:22:40,206
I'M NOT A TIGHT ASS, YOU KNOW?
731
00:22:40,206 --> 00:22:41,275
I CAN KICK BACK.
732
00:22:41,275 --> 00:22:43,689
>> UH-HUH. STRETCH IT OUT.
733
00:22:43,689 --> 00:22:45,482
I'LL DO IT.
734
00:22:45,482 --> 00:22:47,275
>> OK, THAT'S GREAT. FANTASTIC.
735
00:22:47,275 --> 00:22:48,793
COME ON, SMILE. GET DOWN,
736
00:22:48,793 --> 00:22:51,655
OH, YEAH. OH, GUYS, THAT'S
737
00:22:51,655 --> 00:22:55,448
FANTASTIC. I LOVE THAT ONE. OH,
738
00:22:55,448 --> 00:22:57,137
MY GOD. ONE MORE. COME ON,
739
00:22:57,137 --> 00:22:58,034
JUST--
740
00:22:58,034 --> 00:22:59,172
>> HOLY SHIT! WHOA! TAKE ONE OF
741
00:22:59,172 --> 00:23:00,413
ME WITH THAT MONSTER!
742
00:23:00,413 --> 00:23:01,448
>> AIDAN, WHAT THE HELL ARE YOU
743
00:23:01,448 --> 00:23:02,586
DOING HERE?!
744
00:23:02,586 --> 00:23:03,551
>> I'M SHADOWING YOU, BRO.
745
00:23:03,551 --> 00:23:05,206
FOR THE MOVIE.
746
00:23:05,206 --> 00:23:06,413
>> PERFECT.
747
00:23:06,413 --> 00:23:07,413
>> OH, WAIT, GET ONE OF ME WITH
748
00:23:07,413 --> 00:23:08,724
MY LIPS ON IT. WAIT, MAYBE THAT
749
00:23:08,724 --> 00:23:09,724
WOULD MAKE ME GAY.
750
00:23:09,724 --> 00:23:10,655
>> WE JUST TOOK A PICTURE
751
00:23:10,655 --> 00:23:12,379
FOR OUR MEDICAL RECORDS, OK?
752
00:23:12,379 --> 00:23:13,758
>> OH, ALL RIGHT. BUT WHAT IS
753
00:23:13,758 --> 00:23:15,379
HE? IS HE LIKE A CIRCUS FREAK?
754
00:23:15,379 --> 00:23:16,448
I'VE NEVER SEEN ANYTHING LIKE
755
00:23:16,448 --> 00:23:17,241
IT.
756
00:23:17,241 --> 00:23:18,482
>> A YOGI, ADDICTED TO SUCKING
757
00:23:18,482 --> 00:23:19,586
HIMSELF OFF.
758
00:23:19,586 --> 00:23:21,517
>> WOW. GOD, IF I COULD DO THAT,
759
00:23:21,517 --> 00:23:23,689
I SWEAR, I WOULD NEVER WATCH TV.
760
00:23:23,689 --> 00:23:24,551
HEY, LET'S SEE HOW LONG
761
00:23:24,551 --> 00:23:25,137
IT CAN GET.
762
00:23:25,137 --> 00:23:25,724
>> THAT'S ENOUGH.
763
00:23:25,724 --> 00:23:26,758
>> DON'T--DON'T--YOU'RE
764
00:23:26,758 --> 00:23:28,241
SUFFOCATING HIM. OH, HEY, DID
765
00:23:28,241 --> 00:23:29,034
YOU READ THE SCRIPT YET?
766
00:23:29,034 --> 00:23:29,517
THE LAST SCENE?
767
00:23:29,517 --> 00:23:31,655
>> I TOLD YOU, I'M NOT
768
00:23:31,655 --> 00:23:32,517
INTERESTED IN HAVING A MOVIE
769
00:23:32,517 --> 00:23:33,551
MADE ABOUT MY LIFE. AND THAT
770
00:23:33,551 --> 00:23:35,000
SCRIPT IS FULL OF LIES.
771
00:23:35,000 --> 00:23:36,068
>> WELL, SO WHAT? COME ON,
772
00:23:36,068 --> 00:23:36,793
AT THE END OF IT, YOU COME OUT
773
00:23:36,793 --> 00:23:38,379
LOOKING AMAZING, SEAN. THE LAST
774
00:23:38,379 --> 00:23:39,517
SCENE, SEAN, WHEN YOU READ IT,
775
00:23:39,517 --> 00:23:40,586
YOU'RE THE HERO. YOU OFF
776
00:23:40,586 --> 00:23:42,172
COLLEEN, YOU SAVE YOUR DAUGHTER.
777
00:23:42,172 --> 00:23:43,068
I MEAN, WHAT ELSE COULD YOU
778
00:23:43,068 --> 00:23:43,620
WANT?
779
00:23:43,620 --> 00:23:44,620
>> AND DON'T FORGET THE NUCLEAR
780
00:23:44,620 --> 00:23:45,551
BOMB UNDER THE OPERATING TABLE.
781
00:23:45,551 --> 00:23:47,206
>> THAT'S--YOU DON'T LIKE IT?
782
00:23:47,206 --> 00:23:48,103
>> MMM.
783
00:23:48,103 --> 00:23:48,586
>> EASY LIFT.
784
00:23:48,586 --> 00:23:49,275
>> THAT'S IT.
785
00:23:49,275 --> 00:23:50,206
>> WELL, IT'S AN EASY LIFT.
786
00:23:50,206 --> 00:23:51,137
>> NO, THIS NEGOTIATION IS OVER.
787
00:23:51,137 --> 00:23:52,448
THAT'S IT. OUT, OUT.
788
00:23:52,448 --> 00:23:55,172
>> WHAT?
789
00:23:55,172 --> 00:23:56,344
WELL...
790
00:23:56,344 --> 00:23:57,482
YOU KNOW WHAT, I DON'T LIKE
791
00:23:57,482 --> 00:23:58,586
YOUR FANCY COSTUMES, ANYWAY.
792
00:23:58,586 --> 00:24:00,275
AND YOUR--AND YOUR MEDICAL
793
00:24:00,275 --> 00:24:04,344
JARGON, YOUR FANCY TALKS.
794
00:24:04,344 --> 00:24:05,758
DOESN'T EVEN FIT ME!
795
00:24:05,758 --> 00:24:12,448
NONE OF THIS FITS ME!
796
00:24:12,448 --> 00:24:14,344
>> I'M GONNA SCRUB UP.
797
00:24:14,344 --> 00:24:16,482
>> I'M GONNA SCRUB UP.
PREP HIM.
798
00:24:16,482 --> 00:24:28,413
PREP HIM.
799
00:24:28,413 --> 00:24:31,344
PREP HIM.
[JENNA CHATTERING]
800
00:24:31,344 --> 00:24:41,275
[JENNA CHATTERING]
801
00:24:41,275 --> 00:24:43,482
>> [EXHALES]
802
00:24:43,482 --> 00:24:44,344
>> COLLAGEN'S A NATURAL
803
00:24:44,344 --> 00:24:47,103
SUBSTANCE. I MEAN, BABIES GET
804
00:24:47,103 --> 00:24:48,448
THEIR EARS PIERCED, RIGHT?
805
00:24:48,448 --> 00:24:49,448
I MEAN, DO YOU CONSIDER THAT
806
00:24:49,448 --> 00:24:51,586
CHILD ABUSE? NO. COME ON,
807
00:24:51,586 --> 00:24:52,655
DO IT.
808
00:24:52,655 --> 00:24:54,379
>> [SCOFFS]
809
00:24:54,379 --> 00:25:00,689
>> [JENNA CHATTERING]
810
00:25:00,689 --> 00:25:03,448
>> NO. I'M NOT DOING THIS.
811
00:25:03,448 --> 00:25:05,275
[OPENS DOOR]
812
00:25:05,275 --> 00:25:06,379
>> YOU ARE A STUPID WIMP JUST
813
00:25:06,379 --> 00:25:08,413
LIKE YOUR PATHETIC SON.
814
00:25:08,413 --> 00:25:10,517
LIKE YOUR PATHETIC SON.
[SIGHS]
815
00:25:10,517 --> 00:25:28,448
[SIGHS]
816
00:25:28,448 --> 00:25:33,172
[EXHALES]
817
00:25:33,172 --> 00:25:35,448
[EXHALES]
>> [JENNA CHATTERING]
818
00:25:35,448 --> 00:25:44,379
>> [JENNA CHATTERING]
819
00:25:44,379 --> 00:25:46,482
>> TO BABY JENNA.
820
00:25:46,482 --> 00:25:48,344
>> TO BABY BURBERRY.
821
00:25:48,344 --> 00:25:52,310
>> TO MY NEW BEST FRIENDS.
822
00:25:52,310 --> 00:25:54,448
RIGHT?
823
00:25:54,448 --> 00:25:55,586
CHEERS.
824
00:25:55,586 --> 00:25:58,172
CHEERS.
[GLASSES CLINKING]
825
00:25:58,172 --> 00:26:01,448
[GLASSES CLINKING]
826
00:26:01,448 --> 00:26:04,068
[GLASSES CLINKING]
>> [GROANING]
827
00:26:04,068 --> 00:26:13,000
>> [GROANING]
828
00:26:13,000 --> 00:26:14,793
>> WHOA, DUDE.
829
00:26:14,793 --> 00:26:15,758
WATCH IT, YOU'RE GONNA STRAIN
830
00:26:15,758 --> 00:26:16,793
YOUR MILK, BUDDY.
831
00:26:16,793 --> 00:26:18,344
>> OH, IT'S OK. STRETCHING
832
00:26:18,344 --> 00:26:19,551
HELPS THE CIRCULATION.
833
00:26:19,551 --> 00:26:21,103
I'LL HEAL UP FASTER.
834
00:26:21,103 --> 00:26:22,275
HMM. ARE YOU HERE TO CHECK
835
00:26:22,275 --> 00:26:23,655
MY STITCHES?
836
00:26:23,655 --> 00:26:25,241
>> UM...
837
00:26:25,241 --> 00:26:26,310
[CHUCKLES]
838
00:26:26,310 --> 00:26:27,241
I KNOW IT'S HARD TO BELIEVE,
839
00:26:27,241 --> 00:26:30,241
BUT I'M NOT REALLY A DOCTOR.
840
00:26:30,241 --> 00:26:33,103
>> OH, OK. I'M SORRY.
841
00:26:33,103 --> 00:26:34,206
WHO ARE YOU?
842
00:26:34,206 --> 00:26:35,620
>> GET YOUR HEAD OUT OF THE
843
00:26:35,620 --> 00:26:37,103
ASHRAM, BUDDY. WATCH SOME
844
00:26:37,103 --> 00:26:38,413
TELEVISION. SERIOUSLY.
845
00:26:38,413 --> 00:26:40,172
>> I CAN'T. I DON'T OWN ONE.
846
00:26:40,172 --> 00:26:42,413
>> YOU--NEITHER WOULD I IF I
847
00:26:42,413 --> 00:26:44,620
WERE SWINGING YOUR CLUB.
848
00:26:44,620 --> 00:26:46,068
OH...
849
00:26:46,068 --> 00:26:47,482
>> I GUESS DOCTOR-PATIENT
850
00:26:47,482 --> 00:26:48,724
CONFIDENTIALITY DOESN'T MEAN
851
00:26:48,724 --> 00:26:49,655
SHIT AROUND HERE.
852
00:26:49,655 --> 00:26:50,586
>> NO, YOU KNOW WHAT, YOU'RE
853
00:26:50,586 --> 00:26:52,137
RIGHT. YOU'RE ABSOLUTELY RIGHT.
854
00:26:52,137 --> 00:26:54,068
YOU KNOW, YOUR DOCTOR, SEAN
855
00:26:54,068 --> 00:26:56,206
McNAMARA, NARCISSISTIC PRICK.
856
00:26:56,206 --> 00:26:58,241
YEAH. HE'S A RUINER OF LIVES.
857
00:26:58,241 --> 00:26:59,586
I'VE OBSERVED THIS FIRSTHAND.
858
00:26:59,586 --> 00:27:00,482
I'VE BEEN FOLLOWING HIM IN
859
00:27:00,482 --> 00:27:02,103
ANTICIPATION OF A TELEVISION
860
00:27:02,103 --> 00:27:04,551
EVENT I'M ABOUT TO FILM.
861
00:27:04,551 --> 00:27:06,275
I WAS THERE WHEN HE SNAPPED
862
00:27:06,275 --> 00:27:07,793
A PHOTO OF YOUR SUPER DICK.
863
00:27:07,793 --> 00:27:09,275
>> WHAT?
864
00:27:09,275 --> 00:27:10,655
>> YEAH, HE DID.
865
00:27:10,655 --> 00:27:14,103
I AM A PHENOMENAL ACTOR.
866
00:27:14,103 --> 00:27:16,206
AND EVEN I COULDN'T HIDE MY
867
00:27:16,206 --> 00:27:17,793
DISTASTE AT HIS DESPICABLE
868
00:27:17,793 --> 00:27:19,000
ACTIONS.
869
00:27:19,000 --> 00:27:20,000
>> WHY WOULD HE DO THAT?!
870
00:27:20,000 --> 00:27:21,000
>> WHY WOULD HE? THAT'S A GREAT
871
00:27:21,000 --> 00:27:22,068
QUESTION. I DON'T KNOW,
872
00:27:22,068 --> 00:27:24,034
WHY WOULD HE? IS HE JEALOUS?
873
00:27:24,034 --> 00:27:25,758
IS HE?
874
00:27:25,758 --> 00:27:26,586
>> OH, MY GOD.
875
00:27:26,586 --> 00:27:27,758
>> IS HE JEALOUS
876
00:27:27,758 --> 00:27:28,655
OF YOUR GOD-GIVEN GIFT,
877
00:27:28,655 --> 00:27:30,482
YOUR BEAUTIFUL, BEAUTIFUL GIFT?
878
00:27:30,482 --> 00:27:32,241
I DON'T KNOW. IT'S POSSIBLE.
879
00:27:32,241 --> 00:27:34,206
I CAN UNDERSTAND THAT.
880
00:27:34,206 --> 00:27:35,793
>> OK...
881
00:27:35,793 --> 00:27:37,413
DOES HE STILL HAVE THE PICTURES?
882
00:27:37,413 --> 00:27:39,137
>> I DON'T KNOW. I DON'T KNOW.
883
00:27:39,137 --> 00:27:40,172
I DON'T KNOW, BUT DON'T WORRY,
884
00:27:40,172 --> 00:27:41,413
I AM ON YOUR SIDE.
885
00:27:41,413 --> 00:27:42,206
>> THANK YOU.
886
00:27:42,206 --> 00:27:43,172
>> I AM ON YOUR SIDE. WE ARE
887
00:27:43,172 --> 00:27:45,068
GOING TO FIGURE THIS OUT.
888
00:27:45,068 --> 00:27:46,379
WE'RE GONNA FIGURE--YOU KNOW
889
00:27:46,379 --> 00:27:47,241
WHAT YOU SHOULD DO?
890
00:27:47,241 --> 00:27:48,137
>> NO, WHAT?
891
00:27:48,137 --> 00:27:50,689
>> YOU KNOW WHAT YOU SHOULD DO?
892
00:27:50,689 --> 00:27:52,310
THIS IS YOUR CHANCE TO CASH IN.
893
00:27:52,310 --> 00:27:53,206
YEAH, I KNOW YOU GUYS TAKE
894
00:27:53,206 --> 00:27:54,241
A VOW OF POVERTY OR SOMETHING,
895
00:27:54,241 --> 00:27:55,068
RIGHT? ALL YOU OWN
896
00:27:55,068 --> 00:27:56,068
IS A PAIR OF SWEATY SHORTS
897
00:27:56,068 --> 00:27:57,103
AND AN INCENSE BURNER,
898
00:27:57,103 --> 00:27:59,137
AM I RIGHT?
899
00:27:59,137 --> 00:28:00,241
CASH IN!
900
00:28:00,241 --> 00:28:01,103
>> OH, MY GOD. I SHOULD
901
00:28:01,103 --> 00:28:02,137
GET A LAWYER.
902
00:28:02,137 --> 00:28:03,172
>> YES, YES! YOU SHOULD GET
903
00:28:03,172 --> 00:28:04,068
A LAWYER. YOU SHOULD GET
904
00:28:04,068 --> 00:28:05,241
A LAWYER, YOU SHOULD SUE
905
00:28:05,241 --> 00:28:08,241
THE PANTS OFF THEM.
906
00:28:08,241 --> 00:28:09,724
NOW TEACH ME HOW YOU DID IT,
907
00:28:09,724 --> 00:28:13,482
MYAGI.
908
00:28:13,482 --> 00:28:15,379
[INDISTINCT CHATTER]
909
00:28:15,379 --> 00:28:17,103
>> ...YOUR HANDS ON IT,
910
00:28:17,103 --> 00:28:18,241
LOOKS GOOD.
911
00:28:18,241 --> 00:28:19,413
>> AND THE ARMS. [CHUCKLING]
912
00:28:19,413 --> 00:28:20,551
>> PUT DOWN THAT COFFEE CUP.
913
00:28:20,551 --> 00:28:21,620
YOU DON'T WORK HERE ANYMORE.
914
00:28:21,620 --> 00:28:22,551
>> EXCUSE ME?
915
00:28:22,551 --> 00:28:23,379
>> YOU'RE FIRED.
916
00:28:23,379 --> 00:28:24,413
>> YOU CAN'T FIRE HER.
917
00:28:24,413 --> 00:28:25,413
>> I CAN DO WHATEVER I GODDAMN
918
00:28:25,413 --> 00:28:26,620
LIKE WHEN IT COMES TO VIOLATING
919
00:28:26,620 --> 00:28:29,241
THE RULES OF THE AMERICAN BOARD.
920
00:28:29,241 --> 00:28:30,586
ONE OF WHICH JUST HAPPENS TO BE
921
00:28:30,586 --> 00:28:32,137
TAKING PORNOGRAPHIC PHOTOGRAPHS
922
00:28:32,137 --> 00:28:34,379
OF A PATIENT UNDER ANESTHESIA.
923
00:28:34,379 --> 00:28:36,517
I JUST GOT AN EARFUL FROM SUCK
924
00:28:36,517 --> 00:28:38,413
ME OFF IN THERE, AND HE'S
925
00:28:38,413 --> 00:28:40,379
THREATENING TO GET A LAWYER.
926
00:28:40,379 --> 00:28:42,103
>> AIDAN.
927
00:28:42,103 --> 00:28:43,241
>> SO YOU DID. YOU ACTUALLY TOOK
928
00:28:43,241 --> 00:28:45,068
A SEARS FAMILY PICTURE
929
00:28:45,068 --> 00:28:47,172
OF YOU TWO AND THAT GUY'S DICK.
930
00:28:47,172 --> 00:28:48,241
THAT IS JUST NOT FUNNY.
931
00:28:48,241 --> 00:28:49,586
>> YES, IT IS.
932
00:28:49,586 --> 00:28:50,517
>> NO, IT'S NOT!
933
00:28:50,517 --> 00:28:51,551
>> LOOK, IT WAS TERRIBLE WHAT WE
934
00:28:51,551 --> 00:28:53,310
DID, OK? WE WEREN'T THINKING.
935
00:28:53,310 --> 00:28:54,448
BUT IT WASN'T MEANT FOR
936
00:28:54,448 --> 00:28:55,620
PUBLICATION. WE WERE JUST TRYING
937
00:28:55,620 --> 00:28:56,758
TO RELIEVE THE STRESS OF BEING
938
00:28:56,758 --> 00:28:58,241
SNAKE-WRANGLERS.
939
00:28:58,241 --> 00:29:01,068
>> [BOTH CHUCKLING]
940
00:29:01,068 --> 00:29:02,137
>> WHEN DID I BECOME
941
00:29:02,137 --> 00:29:03,137
THE RESPONSIBLE ONE? DO YOU
942
00:29:03,137 --> 00:29:04,689
REALIZE HOW UGLY THIS COULD GET?
943
00:29:04,689 --> 00:29:05,586
>> OH, RELAX, THERE IS NO
944
00:29:05,586 --> 00:29:06,551
EVIDENCE. I ERASED
945
00:29:06,551 --> 00:29:08,137
ALL THE PICTURES.
946
00:29:08,137 --> 00:29:10,793
THIS GUY IS A YOGA TEACHER.
947
00:29:10,793 --> 00:29:12,517
HE LIVES OFF CANNED LENTILS.
948
00:29:12,517 --> 00:29:14,103
THROW HIM A BONE.
949
00:29:14,103 --> 00:29:15,000
HE'LL LEAVE HERE THINKING
950
00:29:15,000 --> 00:29:15,689
HE WON THE LOTTERY.
951
00:29:15,689 --> 00:29:16,586
>> I DON'T WANT TO RELAX,
952
00:29:16,586 --> 00:29:18,034
SWEETHEART. OK? AND WHERE AM I
953
00:29:18,034 --> 00:29:19,103
GONNA GET THIS BONE FROM?
954
00:29:19,103 --> 00:29:20,172
PETTY CASH?
955
00:29:20,172 --> 00:29:21,310
>> WE COULD SELL A PAIR
956
00:29:21,310 --> 00:29:23,103
OF YOUR SHOES.
957
00:29:23,103 --> 00:29:24,241
>> [CHUCKLES]
958
00:29:24,241 --> 00:29:25,448
>> OH, YEAH, THAT'S REAL FUNNY.
959
00:29:25,448 --> 00:29:28,482
>> OH, YEAH, THAT'S REAL FUNNY.
YOU HIRED HER. YOU FIX THIS.
960
00:29:28,482 --> 00:29:32,482
YOU HIRED HER. YOU FIX THIS.
961
00:29:32,482 --> 00:29:36,103
>> [BOTH LAUGHING]
962
00:29:36,103 --> 00:29:38,034
>> THAT'S TERRIBLE.
963
00:29:38,034 --> 00:29:38,689
>> SORRY, IT IS.
964
00:29:38,689 --> 00:29:39,586
>> IT IS, IT'S TERRIBLE.
965
00:29:39,586 --> 00:29:40,517
WE SHOULD NEVER HAVE DONE THAT.
966
00:29:40,517 --> 00:29:45,482
>> SORRY.
967
00:29:45,482 --> 00:29:48,655
>> [DOOR OPENS]
968
00:29:48,655 --> 00:29:51,655
[DOOR CLOSES]
969
00:29:51,655 --> 00:29:54,137
[DOOR CLOSES]
[FOOTSTEPS]
970
00:29:54,137 --> 00:30:02,068
[FOOTSTEPS]
971
00:30:02,068 --> 00:30:06,068
>> YOU EATEN YET?
972
00:30:06,068 --> 00:30:07,482
WELL, THERE'S NOTHING TO EAT
973
00:30:07,482 --> 00:30:08,551
HERE. SO I WAS GONNA GRAB SOME
974
00:30:08,551 --> 00:30:10,620
DINNER. YOU WANT TO COME?
975
00:30:10,620 --> 00:30:12,448
>> NOPE. I ORDERED CHINESE
976
00:30:12,448 --> 00:30:15,482
FOR ME.
977
00:30:15,482 --> 00:30:18,206
>> OH, COME ON.
978
00:30:18,206 --> 00:30:19,517
LOOK, I'M SORRY ABOUT WHAT
979
00:30:19,517 --> 00:30:21,793
HAPPENED. IT WAS STUPID
980
00:30:21,793 --> 00:30:23,758
AND IMMATURE, AND HOW CAN I BE
981
00:30:23,758 --> 00:30:25,137
TALKED INTO SOMETHING THAT WAS
982
00:30:25,137 --> 00:30:27,551
TALKED INTO SOMETHING THAT WAS
JUST SO MUCH FUN?
983
00:30:27,551 --> 00:30:35,482
JUST SO MUCH FUN?
984
00:30:35,482 --> 00:30:37,206
HEY, WHEN'S THE LAST TIME
985
00:30:37,206 --> 00:30:42,551
I CUT LOOSE? BEFORE JULIA LEFT?
986
00:30:42,551 --> 00:30:44,068
OH.
987
00:30:44,068 --> 00:30:45,689
MAYBE I'M JUST NOT SUPPOSED TO
988
00:30:45,689 --> 00:30:47,793
GIVE A SHIT ABOUT HAVING FUN.
989
00:30:47,793 --> 00:30:50,000
MAYBE YOU REACH A CERTAIN AGE,
990
00:30:50,000 --> 00:30:52,379
AND FUN JUST ISN'T WHAT LIFE'S
991
00:30:52,379 --> 00:30:55,586
ABOUT. CERTAINLY HASN'T BEEN
992
00:30:55,586 --> 00:30:57,068
WHAT MY LIFE'S ABOUT.
993
00:30:57,068 --> 00:30:59,137
WHAT MY LIFE'S ABOUT.
[DOOR OPENS]
994
00:30:59,137 --> 00:31:06,068
[DOOR OPENS]
995
00:31:06,068 --> 00:31:08,068
>> WHAT THE--
996
00:31:08,068 --> 00:31:09,068
>> HURTS, DOESN'T IT? PROBABLY
997
00:31:09,068 --> 00:31:10,172
NOT AS BAD AS WHEN YOU STUCK
998
00:31:10,172 --> 00:31:11,137
A NEEDLE INTO MY DAUGHTER'S
999
00:31:11,137 --> 00:31:11,758
MOUTH!
1000
00:31:11,758 --> 00:31:12,310
>> JESUS.
1001
00:31:12,310 --> 00:31:13,241
>> WELL, WHAT THE HELL IS WRONG
1002
00:31:13,241 --> 00:31:14,000
WITH YOU?
1003
00:31:14,000 --> 00:31:15,103
>> OH, DON'T WORRY, IT'S STERILE
1004
00:31:15,103 --> 00:31:16,000
AND THERE'S NOTHING IN IT.
1005
00:31:16,000 --> 00:31:17,172
VERY DIFFERENT FROM THE CRAP
1006
00:31:17,172 --> 00:31:18,172
YOU SHOT INTO JENNA'S LIPS
1007
00:31:18,172 --> 00:31:19,103
SO SHE COULD SIGN SOME MODELING
1008
00:31:19,103 --> 00:31:20,103
CONTRACT.
1009
00:31:20,103 --> 00:31:21,241
>> DID YOU ACTUALLY DO THAT?
1010
00:31:21,241 --> 00:31:22,344
>> OH, OF COURSE NOT!
1011
00:31:22,344 --> 00:31:23,551
>> STOP LYING, MAN! I JUST
1012
00:31:23,551 --> 00:31:24,655
PICKED HER UP FROM A PLAY DATE
1013
00:31:24,655 --> 00:31:25,620
AND SHE LOOKS LIKE SHE'S GOT
1014
00:31:25,620 --> 00:31:26,517
A DAMN INNERTUBE IN HER UPPER
1015
00:31:26,517 --> 00:31:28,068
LIP! THAT WAS MY DAUGHTER,
1016
00:31:28,068 --> 00:31:29,275
CHRISTIAN, HOW COULD YOU DO
1017
00:31:29,275 --> 00:31:30,103
THAT?
1018
00:31:30,103 --> 00:31:31,551
>> IT WASN'T ME, YOU ASSHOLE.
1019
00:31:31,551 --> 00:31:34,241
DID YOU EVER THINK ABOUT KIMBER?
1020
00:31:34,241 --> 00:31:39,103
WHERE'S YOUR PHONE?
1021
00:31:39,103 --> 00:31:40,103
>> I SWEAR TO GOD--
1022
00:31:40,103 --> 00:31:44,517
>> SHUT UP!
1023
00:31:44,517 --> 00:31:48,448
[DIALING]
1024
00:31:48,448 --> 00:31:50,724
[DIALING]
[CELL PHONE RINGS]
1025
00:31:50,724 --> 00:31:55,724
[CELL PHONE RINGS]
1026
00:31:55,724 --> 00:31:57,206
>> WHAT DO YOU WANT, MATT?
1027
00:31:57,206 --> 00:31:58,241
I'M SHOPPING.
1028
00:31:58,241 --> 00:31:59,068
>> IT'S CHRISTIAN ON
1029
00:31:59,068 --> 00:32:00,068
SPEAKERPHONE WITH MATT SO HE CAN
1030
00:32:00,068 --> 00:32:01,275
HEAR. WHO THE HELL DID YOU GET
1031
00:32:01,275 --> 00:32:02,275
TO SHOOT UP MY GRANDDAUGHTER?
1032
00:32:02,275 --> 00:32:03,655
>> BOTH OF YOU NEED TO CALM
1033
00:32:03,655 --> 00:32:05,034
DOWN. THERE'S NOTHING WRONG
1034
00:32:05,034 --> 00:32:06,482
WITH JENNA. HER LIPS ARE FUN.
1035
00:32:06,482 --> 00:32:07,413
I'M THE ONE WHO GAVE HER
1036
00:32:07,413 --> 00:32:08,275
THE SHOT.
1037
00:32:08,275 --> 00:32:09,206
>> YOU DID WHAT?!
1038
00:32:09,206 --> 00:32:10,137
>> WELL, I'VE BEEN INJECTED
1039
00:32:10,137 --> 00:32:11,344
A THOUSAND TIMES. I KNOW
1040
00:32:11,344 --> 00:32:12,620
WHERE TO AIM AND I KNOW HOW HARD
1041
00:32:12,620 --> 00:32:14,103
TO SQUEEZE. IT'S COMPLETELY
1042
00:32:14,103 --> 00:32:15,620
SAFE. I SIMPLY BORROWED
1043
00:32:15,620 --> 00:32:17,068
THE SUPPLIES FROM CHRISTIAN
1044
00:32:17,068 --> 00:32:18,241
WHEN HE REFUSED TO DO IT,
1045
00:32:18,241 --> 00:32:20,241
AND NOW JENNA'S A STAR.
1046
00:32:20,241 --> 00:32:21,517
>> KIMBER, ALLEY CATS WHO DUMP
1047
00:32:21,517 --> 00:32:22,517
THEIR LITTERS IN GUTTERS
1048
00:32:22,517 --> 00:32:23,758
MAKE BETTER MOTHERS THAN YOU.
1049
00:32:23,758 --> 00:32:25,000
>> OH, WELL, THEN WHY DON'T YOU
1050
00:32:25,000 --> 00:32:26,482
SUE ME, MATT? OH, WAIT, ON
1051
00:32:26,482 --> 00:32:27,689
SECOND THOUGHT YOU BETTER NOT,
1052
00:32:27,689 --> 00:32:29,034
BECAUSE I'LL HAUL YOUR ASS INTO
1053
00:32:29,034 --> 00:32:29,793
COURT FOR THE MONTHS YOU'RE
1054
00:32:29,793 --> 00:32:32,068
BEHIND ON JENNA'S CHILD SUPPORT.
1055
00:32:32,068 --> 00:32:33,482
WHY DON'T YOU SHUT UP
1056
00:32:33,482 --> 00:32:35,275
AND SAY THANK YOU?
1057
00:32:35,275 --> 00:32:37,103
>> WHAT--THANK YOU FOR WHAT?
1058
00:32:37,103 --> 00:32:38,655
>> YOUR DAUGHTER IS ONLY
1059
00:32:38,655 --> 00:32:40,620
18 MONTHS OLD AND SHE'S ALREADY
1060
00:32:40,620 --> 00:32:42,068
MORE OF A SUCCESS THAN YOU'LL
1061
00:32:42,068 --> 00:32:47,758
EVER BE. BE GRATEFUL.
1062
00:32:47,758 --> 00:32:52,655
>> [SIGHS]
1063
00:32:52,655 --> 00:32:55,310
>> [SIGHS]
I'M SORRY I STABBED YOU.
1064
00:32:55,310 --> 00:33:00,310
I'M SORRY I STABBED YOU.
1065
00:33:00,310 --> 00:33:02,275
>> DON'T POP ANY CHAMPAGNE CORKS
1066
00:33:02,275 --> 00:33:04,448
JUST YET, AIDAN. I'M NOT SAYING
1067
00:33:04,448 --> 00:33:06,310
YES. I JUST WANTED TO KNOW
1068
00:33:06,310 --> 00:33:08,137
WHAT THE NUMBERS MIGHT BE.
1069
00:33:08,137 --> 00:33:13,793
ALL RIGHT. I'LL CALL YOU.
1070
00:33:13,793 --> 00:33:15,068
AIDAN SAYS THEY'RE WILLING TO
1071
00:33:15,068 --> 00:33:17,137
PAY 300,000 FOR THE RIGHTS,
1072
00:33:17,137 --> 00:33:18,413
AND ANOTHER 50 TO CONSULT ON
1073
00:33:18,413 --> 00:33:19,482
THE PRODUCTION.
1074
00:33:19,482 --> 00:33:20,586
>> HOLY SHIT.
1075
00:33:20,586 --> 00:33:21,517
>> YEAH, BUT I DON'T KNOW.
1076
00:33:21,517 --> 00:33:22,379
IF YOU COULD HAVE READ THIS
1077
00:33:22,379 --> 00:33:23,379
SCRIPT, IT IS TERRIBLE.
1078
00:33:23,379 --> 00:33:24,448
>> SO HAVE THEM HIRE SOMEONE
1079
00:33:24,448 --> 00:33:26,379
ELSE TO REWRITE IT. OR DON'T,
1080
00:33:26,379 --> 00:33:27,206
WHO CARES?
1081
00:33:27,206 --> 00:33:28,724
>> I CARE. I MEAN, I DON'T WANT
1082
00:33:28,724 --> 00:33:31,103
MY IMAGE MISREPRESENTED.
1083
00:33:31,103 --> 00:33:32,103
I'VE PERFORMED SOME OF THE MOST
1084
00:33:32,103 --> 00:33:33,172
INTERESTING SURGERIES OF ALL
1085
00:33:33,172 --> 00:33:35,137
TIME.
1086
00:33:35,137 --> 00:33:37,137
>> OF ALL TIME?
1087
00:33:37,137 --> 00:33:38,206
SEAN, YOU SHOULD GO HANG OUT
1088
00:33:38,206 --> 00:33:39,172
WITH MR. SKERRITT, YOU TWO HAVE
1089
00:33:39,172 --> 00:33:41,517
SO MUCH IN COMMON. YOU BOTH LIKE
1090
00:33:41,517 --> 00:33:44,103
BLOWING YOURSELVES.
1091
00:33:44,103 --> 00:33:45,137
>> I DON'T NEED TO LISTEN TO
1092
00:33:45,137 --> 00:33:46,689
THIS. YOU DON'T UNDERSTAND
1093
00:33:46,689 --> 00:33:48,137
THE PRESSURES I'M UNDER.
1094
00:33:48,137 --> 00:33:50,517
TRYING TO RAISE 3 KIDS,
1095
00:33:50,517 --> 00:33:52,482
TRYING TO SAVE UP,
1096
00:33:52,482 --> 00:33:53,620
BUY A PLACE OF MY OWN.
1097
00:33:53,620 --> 00:33:54,758
>> AND YOU'RE WILLING TO TURN
1098
00:33:54,758 --> 00:33:58,068
DOWN $350,000? YOU WALK AROUND
1099
00:33:58,068 --> 00:33:59,310
HERE LIKE YOU HAVE A CAMERA ON
1100
00:33:59,310 --> 00:34:01,206
YOU, MR. PERFECT. THE DIRTY
1101
00:34:01,206 --> 00:34:03,206
SECRET IS, NO ONE CARES.
1102
00:34:03,206 --> 00:34:05,137
TAKE THE CASH, GIVE HALF OF IT
1103
00:34:05,137 --> 00:34:06,758
TO MANNY SKERRITT AND BLOW
1104
00:34:06,758 --> 00:34:08,517
THE REST ON A TRIP TO VEGAS.
1105
00:34:08,517 --> 00:34:09,689
STOP WORRYING ABOUT HOW OTHER
1106
00:34:09,689 --> 00:34:10,689
PEOPLE ARE GOING TO REACT TO
1107
00:34:10,689 --> 00:34:13,517
YOU, AND DO WHAT YOU WANT TO DO.
1108
00:34:13,517 --> 00:34:16,068
>> REALLY. IT'S THAT SIMPLE?
1109
00:34:16,068 --> 00:34:18,344
>> REALLY. IT'S THAT SIMPLE?
>> IT'S THAT SIMPLE.
1110
00:34:18,344 --> 00:34:29,103
>> IT'S THAT SIMPLE.
1111
00:34:29,103 --> 00:34:30,137
>> TELL US WHAT YOU DON'T LIKE
1112
00:34:30,137 --> 00:34:31,000
ABOUT YOURSELF.
1113
00:34:31,000 --> 00:34:32,758
>> [SCOFFS]
1114
00:34:32,758 --> 00:34:34,000
UH, I'LL TELL YOU WHAT I DON'T
1115
00:34:34,000 --> 00:34:35,034
LIKE ABOUT L.A., BRO--
1116
00:34:35,034 --> 00:34:36,551
DOING 95 DOWN SUNSET'S
1117
00:34:36,551 --> 00:34:39,034
AGAINST THE LAW.
1118
00:34:39,034 --> 00:34:40,482
>> WHAT HAPPENED TO YOUR NECK,
1119
00:34:40,482 --> 00:34:41,310
AIDAN?
1120
00:34:41,310 --> 00:34:43,241
>> OH, HEH, FUNNY STORY.
1121
00:34:43,241 --> 00:34:45,413
I WAS, PHHTT, I WAS OUT BIRD
1122
00:34:45,413 --> 00:34:47,103
DOGGING WITH MY GREATEST BRO,
1123
00:34:47,103 --> 00:34:51,137
PATTY D...DEMPSEY. AND PAPARAZZI
1124
00:34:51,137 --> 00:34:53,034
STOPS US AT A STOPLIGHT,
1125
00:34:53,034 --> 00:34:55,000
AND THEN, UH, WE PEELED OUT WHEN
1126
00:34:55,000 --> 00:34:55,758
THE LIGHT CHANGED. GOT SOME
1127
00:34:55,758 --> 00:34:57,103
DISTANCE ON THOSE JERKS,
1128
00:34:57,103 --> 00:34:58,137
AND THEN, UH, PHHTT,
1129
00:34:58,137 --> 00:34:59,689
MY MASERATI HITS AN ICE PASS.
1130
00:34:59,689 --> 00:35:00,758
AND THE NEXT THING I KNOW,
1131
00:35:00,758 --> 00:35:02,034
WE'RE SLAMMED AGAINST A PHONE
1132
00:35:02,034 --> 00:35:04,413
POLL AT BEVERLY GLEN. SO WEIRD.
1133
00:35:04,413 --> 00:35:06,000
>> YOU HIT AN ICE PATCH
1134
00:35:06,000 --> 00:35:07,275
ON SUNSET BOULEVARD?
1135
00:35:07,275 --> 00:35:09,517
>> YEAH. YEP.
1136
00:35:09,517 --> 00:35:11,241
ANYWAY, BROKE MY NECK.
1137
00:35:11,241 --> 00:35:12,241
>> WAIT, DOES THIS MEAN THAT
1138
00:35:12,241 --> 00:35:13,275
DEADLY TIGHTROPE: THE SEAN
1139
00:35:13,275 --> 00:35:14,655
McNAMARA STORYIS NOT
1140
00:35:14,655 --> 00:35:16,172
HAPPENING? DO I HAVE TO GIVE
1141
00:35:16,172 --> 00:35:17,275
THE MONEY BACK?
1142
00:35:17,275 --> 00:35:18,206
>> JESUS, SEAN, IS IT ALWAYS
1143
00:35:18,206 --> 00:35:20,689
ABOUT YOU? I BROKE MY NECK.
1144
00:35:20,689 --> 00:35:22,310
THE PRODUCERS PUSHED THE START
1145
00:35:22,310 --> 00:35:23,793
DATE. IT WAS ACTUALLY A GOOD
1146
00:35:23,793 --> 00:35:25,034
THING FOR ME, BECAUSE I CAN
1147
00:35:25,034 --> 00:35:25,758
REWRITE THE SCRIPT AND, YOU
1148
00:35:25,758 --> 00:35:26,793
KNOW, MAKE IT BETTER, MORE
1149
00:35:26,793 --> 00:35:28,241
HONEST, MORE REAL. YOU KNOW, GET
1150
00:35:28,241 --> 00:35:29,413
RID OF ALL THAT BORING BULLSHIT
1151
00:35:29,413 --> 00:35:31,241
WITH THE--SNAPS--WHAT'S HER
1152
00:35:31,241 --> 00:35:32,275
NAME, UM...
1153
00:35:32,275 --> 00:35:33,310
>> JULIA?
1154
00:35:33,310 --> 00:35:34,241
>> JULIA AND THE KID.
1155
00:35:34,241 --> 00:35:35,275
LET'S MAKE IT MORE ABOUT MY
1156
00:35:35,275 --> 00:35:36,482
CHARACTER, YOU KNOW? REALLY
1157
00:35:36,482 --> 00:35:38,344
FLESH IT OUT. WORKSHOP IT.
1158
00:35:38,344 --> 00:35:39,344
>> SO WHAT ARE YOU DOING HERE,
1159
00:35:39,344 --> 00:35:40,206
AIDAN?
1160
00:35:40,206 --> 00:35:42,068
>> WELL, I GET THESE THINGS OUT
1161
00:35:42,068 --> 00:35:44,172
TOMORROW, AND I KNOW THAT
1162
00:35:44,172 --> 00:35:45,275
THEY'RE GONNA LEAVE A NASTY SCAR
1163
00:35:45,275 --> 00:35:46,379
RIGHT AT MY TEMPLES.
1164
00:35:46,379 --> 00:35:47,379
>> WELL, THAT'S EASY. I THINK WE
1165
00:35:47,379 --> 00:35:49,275
CAN FIT YOU IN FRIDAY MORNING.
1166
00:35:49,275 --> 00:35:51,620
>> OH, GREAT. THAT'S PERF--
1167
00:35:51,620 --> 00:35:53,172
YEAH, I GOTTA GET BACK TO WORK.
1168
00:35:53,172 --> 00:35:56,482
[EXHALES]
1169
00:35:56,482 --> 00:35:59,000
WHICH REMINDS ME, OH, UM...
1170
00:35:59,000 --> 00:36:00,206
UH...
1171
00:36:00,206 --> 00:36:04,137
UH, YOU KNOW, WHEN I'M UNDER,
1172
00:36:04,137 --> 00:36:05,275
YOU GUYS WOULDN'T MIND ADDING
1173
00:36:05,275 --> 00:36:07,275
A COUPLE INCHES IN MY PANTS?
1174
00:36:07,275 --> 00:36:09,206
>> YOU WANT A PENIS ENLARGEMENT?
1175
00:36:09,206 --> 00:36:10,620
>> WELL, UNLESS YOU CAN LENGTHEN
1176
00:36:10,620 --> 00:36:16,620
MY TONGUE. [LAUGHS]
1177
00:36:16,620 --> 00:36:18,172
>> YOU BROKE YOUR NECK TRYING TO
1178
00:36:18,172 --> 00:36:19,379
SUCK YOUR DICK, DIDN'T YOU?
1179
00:36:19,379 --> 00:36:21,448
>> [LAUGHS]
1180
00:36:21,448 --> 00:36:22,310
WHAT?
1181
00:36:22,310 --> 00:36:24,379
WHERE DID YOU COME UP WITH THAT?
1182
00:36:24,379 --> 00:36:26,103
THAT'S--WHAT ARE YOU--
1183
00:36:26,103 --> 00:36:29,137
THAT'S JUST--[CHUCKLING]
1184
00:36:29,137 --> 00:36:31,068
I CAN'T KEEP THE CHARADE UP.
1185
00:36:31,068 --> 00:36:33,241
UM...
1186
00:36:33,241 --> 00:36:35,034
[SIGHS]
1187
00:36:35,034 --> 00:36:36,655
>> I WASN'T BIRD DOGGIN'.
1188
00:36:36,655 --> 00:36:39,137
THERE WAS NO ICE PATCH.
1189
00:36:39,137 --> 00:36:42,275
EVER SINCE MANNY SKERRITT TAUGHT
1190
00:36:42,275 --> 00:36:43,724
ME HOW TO PLEASURE MYSELF,
1191
00:36:43,724 --> 00:36:45,275
I'VE BEEN A MAN POSSESSED.
1192
00:36:45,275 --> 00:36:46,620
I HAVE GOTTEN SO CLOSE SO MANY
1193
00:36:46,620 --> 00:36:48,758
TIMES. BUT I JUST COULDN'T--
1194
00:36:48,758 --> 00:36:50,172
I JUST COULDN'T--I JUST COULDN'T
1195
00:36:50,172 --> 00:36:51,620
GET TO THE--YOU KNOW, I JUST
1196
00:36:51,620 --> 00:36:53,551
COULDN'T--I JUST WANTED TO GIVE
1197
00:36:53,551 --> 00:36:55,172
IT LITTLE BABY KISSES, THAT'S
1198
00:36:55,172 --> 00:36:57,137
ALL I WANTED. I DIDN'T ASK MUCH.
1199
00:36:57,137 --> 00:36:59,482
THEN WHAT HAPPENED? [SIGHS]
1200
00:36:59,482 --> 00:37:01,172
I FALL OF MY GODDAMN BED
1201
00:37:01,172 --> 00:37:04,206
AND I BREAK MY C2 VERTEBRAE.
1202
00:37:04,206 --> 00:37:05,206
I JUST WANT TO TASTE SOME
1203
00:37:05,206 --> 00:37:09,000
NECTAR, GUYS. THAT'S ALL I WANT.
1204
00:37:09,000 --> 00:37:15,793
CAN YOU MAKE THAT HAPPEN?
1205
00:37:15,793 --> 00:37:18,275
[MUSIC PLAYING]
1206
00:37:18,275 --> 00:37:20,241
>> ♪ I LIKE ALL THE GIRLS,
1207
00:37:20,241 --> 00:37:23,172
AND ALL THE GIRLS LIKE ME ♪
1208
00:37:23,172 --> 00:37:25,241
>> SO, WE HAVE SOME SCARS FROM
1209
00:37:25,241 --> 00:37:26,241
HIS NECKBRACE THAT WE'LL HAVE TO
1210
00:37:26,241 --> 00:37:27,586
REVISE, AS WELL AS THE PENIS
1211
00:37:27,586 --> 00:37:30,034
ENLARGEMENT. AND I ALWAYS SAY,
1212
00:37:30,034 --> 00:37:31,068
START WITH THE HARD STUFF
1213
00:37:31,068 --> 00:37:33,517
FIRST. 15 BLADE.
1214
00:37:33,517 --> 00:37:35,724
>> A 15 BLADE? ARE YOU SURE
1215
00:37:35,724 --> 00:37:37,206
YOU DON'T WANT A PAPERCLIP?
1216
00:37:37,206 --> 00:37:38,068
I MEAN, LINDA, HAVE YOU EVER
1217
00:37:38,068 --> 00:37:39,620
SEEN ANYTHING THAT SMALL?
1218
00:37:39,620 --> 00:37:41,275
>> LOOKS LIKE 2 BLUEBERRIES
1219
00:37:41,275 --> 00:37:42,620
AND A COCKTAIL WEENIE.
1220
00:37:42,620 --> 00:37:43,586
>> HE DOESN'T NEED SURGERY.
1221
00:37:43,586 --> 00:37:45,758
HE NEEDS A MIRACLE.
1222
00:37:45,758 --> 00:37:47,137
I'M SORRY, I'M SORRY.
1223
00:37:47,137 --> 00:37:48,310
I'M JUST GONNA--[CLEARS THROAT]
1224
00:37:48,310 --> 00:37:49,448
DON'T NEED TO CAUSE ANYMORE
1225
00:37:49,448 --> 00:37:51,068
TROUBLE.
1226
00:37:51,068 --> 00:37:52,172
>> ACTUALLY, YOU KNOW WHAT,
1227
00:37:52,172 --> 00:37:53,482
HE'S THE ONE THAT CAUSED ALL
1228
00:37:53,482 --> 00:37:54,551
THE TROUBLE.
1229
00:37:54,551 --> 00:37:55,689
>> HE ALMOST COST YOU
1230
00:37:55,689 --> 00:37:56,758
YOUR LICENSE.
1231
00:37:56,758 --> 00:37:57,724
>> PRICK.
1232
00:37:57,724 --> 00:38:01,413
>> LITTLE PRICK.
1233
00:38:01,413 --> 00:38:02,241
>> DO YOU HAVE YOUR PHONE
1234
00:38:02,241 --> 00:38:03,793
ON YOU?
1235
00:38:03,793 --> 00:38:08,275
>> MM-HMM.
1236
00:38:08,275 --> 00:38:09,379
WHAT ARE YOU DOING?
1237
00:38:09,379 --> 00:38:10,551
>> OH, JUST A LITTLE INSURANCE
1238
00:38:10,551 --> 00:38:13,551
POLICY JUST IN CASE MY FEE
1239
00:38:13,551 --> 00:38:15,206
ON THE SEAN McNAMARA STORY
1240
00:38:15,206 --> 00:38:17,586
DOESN'T QUITE COVER MY EXPENSES.
1241
00:38:17,586 --> 00:38:20,172
HEH, HERE WE GO.
1242
00:38:20,172 --> 00:38:21,275
>> [GIGGLING]
1243
00:38:21,275 --> 00:38:22,206
>> YEAH, NOW I CAN OFFER UP
1244
00:38:22,206 --> 00:38:24,620
A LITTLE BLACKMAIL OF MY OWN.
1245
00:38:24,620 --> 00:38:28,206
>> [LAUGHS]
1246
00:38:28,206 --> 00:38:31,034
HAVE DINNER WITH ME TONIGHT.
1247
00:38:31,034 --> 00:38:33,034
>> SORRY, NOT INTERESTED.
1248
00:38:33,034 --> 00:38:34,241
I WAS THINKING OF SOMETHING
1249
00:38:34,241 --> 00:38:37,103
A LITTLE MORE ADVENTUROUS.
1250
00:38:37,103 --> 00:38:39,310
>> ♪ I LIKE ALL THE GIRLS
1251
00:38:39,310 --> 00:38:41,517
AND ALL THE GIRLS LIKE ME,
1252
00:38:41,517 --> 00:38:44,137
I LIKE ALL THE GIRLS,
1253
00:38:44,137 --> 00:38:50,000
AND EVERY WOMAN, SEXY ME,
1254
00:38:50,000 --> 00:38:52,517
AND EVERY WOMAN, SEXY ME,
THEY TELL ME SO ♪
1255
00:38:52,517 --> 00:39:03,448
THEY TELL ME SO ♪
1256
00:39:03,448 --> 00:39:05,241
>> YOU'RE SO BEAUTIFUL.
1257
00:39:05,241 --> 00:39:09,068
YOU ARE PERFECT. HUH?
1258
00:39:09,068 --> 00:39:10,586
AND I LOVE YOU.
1259
00:39:10,586 --> 00:39:11,724
>> [WHISPERING]
1260
00:39:11,724 --> 00:39:15,137
>> I DO. I LOVE YOU VERY MUCH.
1261
00:39:15,137 --> 00:39:18,482
I WANT YOU TO KNOW THAT...
1262
00:39:18,482 --> 00:39:20,310
THAT EVERYTHING I DO FOR YOU,
1263
00:39:20,310 --> 00:39:21,379
I DO...
1264
00:39:21,379 --> 00:39:28,103
>> [BABBLING]
1265
00:39:28,103 --> 00:39:29,241
>> I JUST WANT YOU TO KNOW THAT
1266
00:39:29,241 --> 00:39:30,241
THERE'S SOMEBODY WHO WOULD GIVE
1267
00:39:30,241 --> 00:39:32,413
THEIR LIFE FOR YOU.
1268
00:39:32,413 --> 00:39:35,000
YOU KNOW?
1269
00:39:35,000 --> 00:39:36,172
[BELL RINGS]
1270
00:39:36,172 --> 00:39:37,137
>> CHRISTIAN, COME ON, GET OUT
1271
00:39:37,137 --> 00:39:42,000
OF HERE, WE HAVE A SHOOT TO DO.
1272
00:39:42,000 --> 00:39:43,551
>> AH.
1273
00:39:43,551 --> 00:39:45,137
>> HER LIPS ARE IMPECCABLE.
1274
00:39:45,137 --> 00:39:47,206
>> HER LIPS ARE IMPECCABLE.
>> AND JUST THE RIGHT PLUMP.
1275
00:39:47,206 --> 00:40:04,137
>> AND JUST THE RIGHT PLUMP.
1276
00:40:04,137 --> 00:40:05,689
>> [SIGHS]
1277
00:40:05,689 --> 00:40:11,103
[SNIFFS]
1278
00:40:11,103 --> 00:40:13,172
[SNIFFS]
[JENNA CHATTERING]
1279
00:40:13,172 --> 00:40:21,103
[JENNA CHATTERING]
1280
00:40:21,103 --> 00:40:22,482
>> WHAT THE HELL ARE YOU DOING?
1281
00:40:22,482 --> 00:40:23,793
>> WHAT NEEDED TO BE DONE,
1282
00:40:23,793 --> 00:40:25,586
CHRISTIAN.
1283
00:40:25,586 --> 00:40:27,275
>> IT'S LOPSIDED, YOU SICK,
1284
00:40:27,275 --> 00:40:28,448
TWISTED BITCH.
1285
00:40:28,448 --> 00:40:29,448
>> I'VE HAD FILLER A THOUSAND
1286
00:40:29,448 --> 00:40:30,310
TIMES. IT JUST NEEDS TIME
1287
00:40:30,310 --> 00:40:32,137
TO SPREAD.
1288
00:40:32,137 --> 00:40:33,344
RIGHT?
1289
00:40:33,344 --> 00:40:35,103
>> [SIGHS]
1290
00:40:35,103 --> 00:40:37,482
GIVE ME THE GODDAMN NEEDLE.
1291
00:40:37,482 --> 00:40:41,172
SHE LOOKS DEFORMED.
1292
00:40:41,172 --> 00:40:44,068
>> [JENNA CHATTERING]
1293
00:40:44,068 --> 00:40:46,551
>> [SIGHS]
1294
00:40:46,551 --> 00:40:48,310
>> SEE, SHE'S NOT EVEN CRYING.
1295
00:40:48,310 --> 00:40:50,344
LIKE THEY SAID, WHEN YOU MIX IT
1296
00:40:50,344 --> 00:40:52,034
WITH LIDOCAINE, IT JUST FEELS
1297
00:40:52,034 --> 00:40:54,689
LIKE A KISS.
1298
00:40:54,689 --> 00:40:58,275
>> [SIGHS]
1299
00:40:58,275 --> 00:41:00,413
>> OH...
1300
00:41:00,413 --> 00:41:02,551
NOW YOU ARE PERFECT,
1301
00:41:02,551 --> 00:41:05,000
AREN'T YOU, SWEETIE?
1302
00:41:05,000 --> 00:41:06,344
>> BY THE TIME I TURN AROUND,
1303
00:41:06,344 --> 00:41:09,206
>> BY THE TIME I TURN AROUND,
YOU BETTER BE GONE.
1304
00:41:09,206 --> 00:41:14,206
YOU BETTER BE GONE.
1305
00:41:14,206 --> 00:41:16,241
>> DON'T WORRY, GRANDPA.
1306
00:41:16,241 --> 00:41:18,034
YOUR REPUTATION'S SAFE,
1307
00:41:18,034 --> 00:41:20,206
I'LL TAKE THE FALL.
1308
00:41:20,206 --> 00:41:22,172
EVERYONE THINKS I'M A HORRIBLE
1309
00:41:22,172 --> 00:41:25,551
EVERYONE THINKS I'M A HORRIBLE
MOTHER ANYWAYS.
83031
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