Original subtitles

♪ MOTION CITY MOVES

♪ AND MOTION CITY MOVES

♪ SHINING CITY SLIP INTO NIGHT ♪

♪ BEHIND THE SHADOWS ROLL ♪

♪ MOTION CITY SLEEPS

♪ AND MOTION CITY DREAMS ALONG ♪

♪ SEA OF MEMORY

♪ SEA OF PASSION

♪ VIEWED IT IN THE FOG

♪ MOTION CITY MOVES

♪ AND MOTION CITY SWEEPS ALONG ♪

♪ GREAT DARK CITY WANTS TO CAPTURE YOU ♪

♪ AND JUST SINGS A SIREN SONG ♪

ALRIGHT!

YES!♪ MOTION CITY MOVES

EYE OF THE TIGER.

♪ SHE DREAMS AND DREAMS ALONG ♪

♪ THE SUFFERING FALLS

♪ THE SIREN, SIPHISUS

♪ CALLING HER LOVER'S CALL £♪

♪ SOLO RUNNER

♪ YOU'LL FIND IT HARD

♪ TO KEEP ON COURSE

♪ WHEN TEMPTATION BLOCKS THE VIEW ♪

[ Dog barks ]

♪ CALL OF PASSION

♪ HARD TM FORGET

♪ AND THE MEMORIES CURVE AWAY ♪

♪ MOTION CITY WANTS TO CAPTURE YOU ♪

♪ AND SHE'LL GET YOU WHEN YOU FALL ♪

Aww!

SHIT!

I KNEW THIS WAS A QUESTIONABLE NEIGHBOURHOOD.

£♪ SHARP LINES THROUGH SNFT RHADOWS ♪

GODDAMN ILCONSIDERATE DOGS!

♪ THD EYES YOU WATCH ARE WATCHING YOU ♪

£♪ AND THD DYDS SHOW NO REGRET ♪

♪ YOU'RE FAR FROM HOME

♪ AND PASSING CLOSE TO DANGER ♪

♪ LOSE YOUR PATH

♪ LOSE THE PATH

♪ AND THE RAIN WILL TURN TO FIRE ♪

[ ♪♪♪ ]

[ ♪♪♪ ]

♪ MOTION CITY SLEEPS

♪ SHE DREAMS HER DREAMS ALONG ♪

YOU'RE BEAUTIFUL.

I KNOW.

¢♪ BEHIND THE SHADOVS ROAM ♪

[ dog barks ]

GOD DAMN ASS.

I'VE NEVER SEEN, I'VE NEVER SEEN ANYTHING LIJE IT.

STOP SNIFFIN' AND START PISRIN# R CHRIST'S SAKE!

COME ON, COME ON. WHAT ARE YOU... ?

WHAT IS IT, YOUR GIRLFRIEND DOWN THERE?

SNQL@ YNU HTRRY UP, PLEASE?

[ Car horn honks ]Driver: IDIOT!

HEY, GET OF THE ROAD, ASSHOLE!

SHIT. THANK YOU.

MORNING, HARRY.

MORNING SYLVIE. LOVE YOUR PERFUME.

Secretary: HELLO HARRY.

HI.

Over telephone: THIS IS HARRY ROSS. YEAH, YOU GOT IT. I'LL TALK TO YOU LATER.

Man: HARRY! LINE FIVE!

OKAY. GERRY,

CONFIRM VET RICON, 500 SHARES,

AND THAT IS ACCOUNT NUMBER...

8907890.

AND THAT'S 79 AND AN EIGHTH. YEAH.

YES. RIGHT.

YEAH, BYE.

Secretary: LINE FIVE, HARRY.

Z ♪♪♪ ]

Z ♪♪♪ ]

[ Cat screeching ]

Harry: HARRY ROSS SPEAKING.

[ Telephones ringing ]

Harry: THELMAN, TELL 'EM WE CAN'T DO IT.

NO. IT'S TWO AND A QUARTER, IT'S HOLDING FIRM.

YEAH, UH, LISTEN, I CAN PUT A LINE IN FOR YOU,

BUT YOU'RE GONNA HAVE A LONG WAIT.

YEAH, ALRIGHT.

YEAH, FINE. JUST GIVE ME A CALL.

YEAH, I'LL GET BACK TO YOU.

SO, UH, WHAT ARE YOUR FEELINGS ON APAC?

APAC.

HE'S GOT A BUNDLE INVESTED IN THREE

FACTORIES IN EL SALVADOR, RIGHT?

HE'LL BUILD 'EM, THE GUERILLAS'LL BLOW 'EM UP

AND THAT'LL BE THE END OF APAC, THAT'S WHAT I THINK.

SO MAYBE, WE SHOULD UH, BUY SHORT?

YEAH. THE SHORTER THE BETTER.

YOU LOOK TIRED, HARRY.

YEAH, I THINK IT'S ALL THE SLEEP I'M GETTING.

MAYBE YOU SHOULD GET SOME MORE EXCERCISE.

[ ♪♪♪ ]

[ ♪♪♪ ]

[ Tires screeching ]

SHIT!

FUN NIGHT.

WHAT THE HELL ARE YOU DOING?

Over telephone: DR. BARNES' OFFICE, CAN I HELP YOU?

UH, YES, THIS IS HARRY ROSS.

I'D LIKE TO MAKE AN APPOINTMENT WITH DR. BARNES

AS SOON AS POSSIBLE.

COULD YOU TELL ME WHO REFERRED YOUI'M ON THE TO DR. BARNES?PHONE!

UH, ACTUALLY, NO ONE REFERRED ME.

I JUST FOUND THE NUMBER IN THE BOOK.

I SEE.

WELL, Y'SEE...

SEE, WE UH, WE HAVE OFFICES IN THE SAME BUILDING

AND I THOUGHT WE'D JUST KEEP IT IN THE HOUSE, Y'KNOW.

HARRY! WHAT ARE YOU DOING HERE?

OH, YOU KNOW. JUST THINGS.

HI, Uhh, ROSS. HARRY ROSS.

I'M SORRY?

ROSS. I CALL...

UH, I'M IN THE BUILDING.

I CALLED DOWN BEFORE...

OH, OF COURSE. HAVE A SEAT.

HARRY ROSS IS HERE.

OKAY, FINE.

DR. BARNES WILL BE RIGHT WITH YOU.

Woman: MR. ROSS?

YES.

I'M DR. BARNES.

WON'T YOU COME IN?

Umm...

YOU MIND IF I... UH, SMOKE?

NO, PLEASE DO.

IT'S A LITTLE EMBARRASSING.

I, Umm...

ACTUALLY, UH...

THOUGHT YOU WERE GONNA BE A MAN AND, UH,

YOU KNOW, WITH THE NAME ALIXE, AND UH,

IT'S A MAN'S NAME.

MR. ROSS.

PLEASE, HARRY.

HARRY.

I'M A PSYCHIATRIST.

THERE ISN'T MUCH I HAVEN'T HEARD.

BELIEVE ME.

WELL, UH...

THAT BEING THE CASE, WHY DON'T WE JUST JUMP RIGHT IN.

PLEASE DO.

I THINK I'M TURNING INTO A PERVERT.

WOULD YOU LIKE TO ELABORATE ON THAT?

Harry: UH, ALL IN ALL...

I'VE BEEN BACK ABOUT UH, SIX OR SEVEN TIMES

IN THE PAST WEEK AND A HALF.

ALMOST EVERY NIGHT.

ALMOST.

Hmm.

HAVE YOU EVER DONE THIS KIND OF THING BEFORE?

NO!

DO YOU MASTURBATE?

I KNOW. I'LL GO BLIND, RIGHT?

NO, I MEAN, WHILE YOU WATCH.

OF COURSE NOT!

THEN WHAT DO YOU GET OUT OF IT?

FOUR PARKING TICKETS AND A NEW PAIR OF RUNNING SHOES.

I DON'T UNDERSTAND.

DOG SHIT.

I GOT, UH, DOG SHIT ON THE, UH,

MY RUNNING SHOES AND I HAD TO THROW 'EM AWAY.

OH.

ARE YOU, Umm...

HETEROSEXUAL OR HOMOSEXUAL?

I AM HETEROSEXUAL.

DO YOU HAVE ANY PROBLEMS IN YOUR SEX LIFE?

I HAVEN'T HAD ANY COMPLAINTS.

DO I LOOK LIKE A HOMOSEXUAL?

MR. ROSS,

THESE ARE JUST ROUTINE QUESTIONS.

ALL RIGHT.

DO YOU HAVE REGULAR RELATIONSHIPS WITH WOMEN?

AS REGULAR AS POSSIBLE.

ONE OR MORE?

WHAT?

I MEAN, ARE YOU MONOGAMOUS OR POLYGAMOUS?

I'M SINGLE.

YOU KNOW...

I'M CURIOUS AS TO WHAT KEEPS BRINGING YOU BACK.

IS IT THIS WOMAN, OR IS IT WHAT SHE'S DOING?

UH, I'M... I'M...

I'M NOT SURE, REALLY.

THERE ARE THREE OF THEM?

SOMETIMES.

WHAT DO THEY DO?

TELL YOU WHAT THEY DO?

WELL, THEY HAVE A LOT OF FUN.

WHAT KIND OF FUN?

WELL, LET'S PUT IT THIS WAY,

THEY DO JUST ABOUT EVERYTHING IN THE BOOK.

GIVE ME AN EXAMPLE.

OKAY.

Uhh...

[ ♪♪♪ ]

AN EXAMPLE?

Mmm Hmm.

ARE YOU RE... ARE YOU SURE YOU REALLY WANNA HEAR ABOUT THIS?

Dr. Barnes: WELL, IT MIGHT HELP US GET TO THE ROOT OF YOUR PROBLEM.

Harry: IT'S ALWAYS THE, THE RED-HEAD.

SHE'S, SHE'S LIKE, POSING.

SHE'S PERF... SHE'S PERFORMING

...FOR 'EM.

Dr. Barnes: GO ON.

TELL ME EVERYTHING.

OKAY.

Umm...

THE FIRST TIME I SAW HER,

SHE SLOWLY STARTED TO H-H-HIKE HER

HER SKIRT UP AND...

VERY SLOWLY STARTED TO PULL HER, HER -

PA... HER UH, PANTIES DOWN.

AND THEN THIS GUY UH,

SAID SHE... SAID SHE WAS BEAUTIFUL.

SHE WAS WITH A MAN?

YEAH, HE WAS WATCHING HER.

HOW DID YOU FEEL ABOUT HIM WATCHING HER?

WELL, CONSIDERING THE FACT THAT I WAS WATCHING HER,

I DIDN'T SEE ANY REASON WHY HE SHOULDN'T WATCH.

GO ON.

Harry: AND IT REALLY WASN'T UNTIL THEN THAT I REALIZED

THAT SHE... DIDN'T HAVE ANYTHING ON UNDERNEATH.

I MEAN I HADN'T, REALLY HADN'T SEEN ANYTHING YET.

ANYWAY...

SHE STEPPED...

INTO THE LIGHT...

AND I SAW HER FACE.

Harry: SHE WAS BEAUTIFUL.

BUT SHE WAS LAUGHIN'.

SHE WAS LAUGHING, IT WAS THE, THE WHOLE THING WAS AN ACT.

IT WAS JUST THIS BEAUTIFUL ACT.

IT WAS LIKE MAGIC.

SHE WAS NAKED.

WELL!

I THINK WE BETTER STOP FOR TODAY.

WELL, SO, WHAT DO YOU THINK?

WELL, I THINK YOU'RE DEFINITELY NOT A PERVERT.

BUT I THINK YOU MIGHT CONSIDER COMING BACK.

UH, I ACTUALLY, I HAVE UH, I GOT A BETTER IDEA.

HOW 'BOUT, HOW 'BOUT WE HAVE DINNER TONIGHT?

I THINK THAT WE SHOULD KEEP THIS RELATIONSHIP,

STRICTLY, ON A PROFESSIONAL BASIS.

WELL, THEN HOW ABOUT LUNCH TOMORROW?

NO LUNCH.

NO LUNCH.

Uhh...

I GUESS...

I GUESS I'LL HAVE TO...

COME BACK... AGAIN.

Mmm Hmm.

BYE.

BYE.

[ ♪ Piano ]

[ ♪♪♪ ]

[ ♪♪♪ ]

SOME WATER, MADAM.

A LITTLE FRISKY, THIS EVENING, AREN'T WE?

HORNY.

FEEL.

CAROLINE. WE'RE IN A RESTAURANT.

I'VE DONE IT IN ELEVATORS, AIRPLANES,

I EVEN DID IT ON THE SUBWAY, ONCE.

BUT I'VE NEVER, EVER DONE IT IN A RESTAURANT.

LOOK.

GIVE ME YOUR FOOT.

CAROLINE.

I'LL GO UNDER THE TABLE AND GET IT.

YOU GOT IT.

Man: REALLY, AND THEY'RE EXPENSIVE, TOO.

Mmmm...

Waiter: WINE LIST, SIR?

IT'S BEEN A LONG DAY.

FEET ARE A LITTLE TIRED.

THANK YOU.

WINE?

WELL...

SLEEP TIGHT.

WHERE THE HELL ARE YOU GOING?

OH, I GOT A LOAD OF WORK TO CATCH UP ON.

YOU'RE PUTTING ME ON.

NO, NO, REALLY. I GOTTA GO.

I FEEL USED.

TELL THAT TO MY FOOT.

YOU CAN'T LEAVE ME LIKE THIS.

CAROLINE, REALLY.

I GOT A LOT OF WORK TO CATCH UP ON.

AN HOUR.

ONE OF US... HAS GOT TO BE STRONG.

I DON'T HAVE THE INNER STRENGTH.

PLEASE, JUST MAKE ME GO.

PLEASE, JUST, JUST MAKE ME GO.

ALL RIGHT, GO.

GO TO HELL!

THANK YOU.

BASTARD.

[ ♪♪♪ ]

[ ♪♪♪ ]

COME HERE.

WAIT 'TILL THE MUSIC'S OVER.

I WANT YOU NOW.

REALLY.

THAT HURT.

Ooh, POOR BABY.

SHE'S REALLY PRESSING, YOU KNOW?

LET ME WORRY ABOUT HER.

NOW, COME ON.

I DON'T LIKE IT, BERT.

DON'T WORRY ABOUT IT.

TRUST ME.

I'LL TAKE CARE OF IT.

SOON.

[ Sirens ]

[ Dog barking ]

SORRY.

GOOD EVENING.

PEOPLE, THEY NEVER GO SLOW ANYMORE.

THE ONLY THING THAT GOES SLOW IS YOU.

HOW DO YOU FEEL ABOUT SEX?

IT'S A DIRTY JOB, BUT SOMEBODY'S GOTTA DO IT.

YOU SEE SEX AS A DIRTY JOB?

THAT WAS A JOKE.

MIGHT BE RELEVANT.

I THINK, UH, CERTAIN COMMENTS ARE UH, MORE RELEVANT THAN OTHERS.

I THINK THAT PARTICULAR COMMENT FELL IN THE IRRELEVANT CATEGORY.

WELL, HOW DO YOU FEEL ABOUT IT.

WELL, IT'LL DO UNTIL THE REAL THING COMES ALONG.

IS SOMETHING BOTHERING YOU?

I WENT BACK THERE AGAIN.

LAST NIGHT?

I SAW YOU IN THE RESTAURANT.

WHY DIDN'T YOU COME OVER AND INTRODUCE YOURSELF?

WELL, YOU SEEMED PRETTY WRAPPED UP IN EACH OTHER.

YOU WERE WATCHING?

I ONLY MENTIONED IT BECAUSE

VOYEURS ARE USUALLY INCAPABLE OF THE ACT.

THEY DON'T WANT TO BE PARTICIPANTS.

AND YOU SEEMED TO BE A PRETTY AVID PARTICIPANT.

SO IT MAKES ME THINK THERE'S SOME OTHER MECHANISM HERE AT WORK.

WAIT, WHOA. WAIT A MINUTE, NOW.

LAST WEEK, THERE WAS NO, THERE WAS NO PRO... ARE YOU SAYING I HAVE A REAL PROBLEM, HERE?

IT'S AGAINST THE LAW.

SO IS SMOKING GRASS. EVERYBODY DOES IT.

IT'S ANTI-SOCIAL BEHAVIOUR.

I GUESS YOU'RE ANTI-SOCIAL, TOO.

WHAT?WELL!

LAST NIGHT IN THE RESTAURANT, YOU WERE WATCHING.

VERY CLEVER, MR. ROSS.

HARRY.

BUT IT WON'T WASH.

I WASN'T INVADING YOUR PRIVACY.

I DON'T GO LOOKING IN EVERYBODY'S WINDOW, OKAY.

I JUST LOOK IN HERS.

AND I DON'T FEEL VERY GUILTY ABOUT IT,

BECAUSE IF SHE WANTED PRIVACY,

SHE WOULD CLOSE THE FUCKING BLINDS!

DOES IT AROUSE YOU?

WHEN I'M WATCHING HER, YES.

SO IT IS HER. NOT JUST THE ACT.

NO. IT'S...

IT'S A COMBINATION.

THE WHOLE SCENE DOESN'T MAKE ANY SENSE.

I THINK THAT'S WHAT'S PULLING ME BACK.

IT'S LIKE A BIZARRE SOAP OPERA...

I JUST WANNA, YOU KNOW, I WANNA SEE HOW IT ENDS.

WHY DON'T YOU APPROACH HER?

IT'S NOT THAT KIND OF A THING.

SHE'S A DREAM.

YOU KNOW, THIS ILLUSION.

I THINK YOU'RE STILL AFRAID TO COMMIT.

WHAT MAKES YOU THINK SHE'S THE RIGHT ONE?

I DON'T KNOW.

JUST A SUGGESTION.

I THINK, I THINK THAT'S ENOUGH FOR TODAY.

YOU KNOW ACTUALLY, I UH,

I HAVE A SUGGESTION, MYSELF.

Umm...LET'S SEE.

HOW 'BOUT, UH, HOW 'BOUT DINNER TONIGHT?

FRIDAY.

THAT'S PERFECT.

EIGHT O'CLOCK?

FRIDAY'S YOUR NEXT APPOINTMENT.

AH.

HARRY.

YES?

DON'T GO BACK THERE.

I'LL TAKE IT UNDER ADVISEMENT.

YOU COULD GET CAUGHT.

I'M, I'M VERY FAST.

SEE YA FRIDAY.

AT FOUR.

[ ♪♪♪ ]

[ ♪♪♪ ]

[ Dog barks ]

Neighbour: COME ON. LET'S GO.

WHAT ARE STARTING YOUR LITTLE ACT ALL OVER AGAIN?

HURRY UP.

[ Dog growls ]WHAT'RE YOU DOING?

SNIFF... WHAT ARE YOU SNIFF, WHAT'S DOWN THERE ANYWAYS?

WILL YOU STOP THAT, OR I'M GONNA TRADE YOU IN!

HURRY UP.

MY GOD, IF YOU GO ANY SLOWER, YOU'RE GONNA STOP, I THINK.

Man: ATTA BOY. ATTA BOY.

[ ♪♪♪]

[ ♪♪♪]

[ Dog barks ]

[ Dog barks ]

Man: SOMEBODY OUT HERE?

LOUSY PUNKS!

Man: HEY! WHO'S OUT THERE?

[ Dogs barking and growling ]

Man: CUT DOWN THE GODDAMN RACKET!

ARGH!

650 SHARES, SEDRIC'S CORPORATION.

I'LL REMEMBER YOU, YOU SON OF A BITCH!

Over telephone: 12th PRECINT. SERGEANT CONNORS, CAN I HELP YOU?

I WANNA REPORT A MURDER.

DID YOU SAY MURDER, SIR?

I THINK SOMEONE WAS MURDERED.

AT 57 CRESCENT STREET.

WHAT'S YOUR NAME, SIR?

WHAT DIFFERENCE DOES IT MAKE?

SOMEONE WAS MURDERED!

57 CRESCENT STREET.

I THINK IT WAS THE GUY.

[ Dog barks ]Man: IS THAT YOURS?

OH, EXCUSE ME. I DIDN'T MEAN TO SCARE YA.

NO SWEAT.

I SEE YOU GOT A TICKET, THERE.

YEAH, I COLLECT 'EM.

YOU KNOW, I FEEL SORRY FOR YOU GUYS.

YOU WORK HARD ALL DAY, COME DOWN TO THE PARK TO RUN OFF THE NERVES.

WHAT DO YOU GET? A TICKET!

RIGHT.

LISTEN, HEY. EXCUSE ME.

I SEEN YOU AROUND HERE BEFORE.

I MEAN, NOT SO MUCH YOU, BUT THE CAR.

YOU KNOW, MY MUTT LOVES THE TIRES.

BUT DON'T WORRY, SHE AIMS LOW,

AND IF SHE GETS, IF SHE GET ANY IN THE PAINT JOB,

WELL I'LL JUST GIVE HER A KICK IN THE ASS, EH? [ Snickering ]

RIGHT. RIGHT.

[ ♪♪♪ ]

COME ON. LET'S GO.

YOU'RE REALLY SOMETHING, YOU ARE.

COME ON. COME ON.

Woman: ANSWERING SERVICE.

YES, I HAVE TO SPEAK TO DR. BARNES.

I'M SORRY. WE'RE JUST THE ANSWERING SERVICE.

CAN YOU GIVE ME HER PHONE NUMBER, PLEASE.

S A MATTEROF LIFE AND DEATH.

WE'RE NOT AT LIBERTY TO DO THAT. CAN I, UH, HELP YOU?

YEAH, THIS IS HARRY ROSS.

WHEN SHE COMES IN, WOULD YOU HAVE HER CALL ME, PLEASE. IT IS URGENT!

SHE'S NOT AT HOME THIS EVENING.

WELL, WHEN SHE DOES GET HOME, WOULD YOU HAVE HER CALL ME, PLEASE.

Uh huh, ALL RIGHT.

THANK YOU.

DAMN IT!

[ Sirens ]

HEY YOU GUYS, MOVE IT!

Man: WHAT'S GOING ON?

Officer: STEP ASIDE.

STAY BACK, COME ON YOU GUYS.

Officer: ALL RIGHT EVERYBODY OUT OF THE WAY, PLEASE.

OUT OF THE WAY. JUST MOVE IT BACK, COME ON!

JUST KEEP MOVING.

WHAT'DYA YA GOT?

OH SIR, Umm, WE HAVE FEMALE, EARLY THIRTIES,

AND ALSO WE RECEIVED AN ANONYMOUS CALL AT 911.

THAT CAME IN ABOUT 15 MINUTES AFTER TWO SEPARATE

POWER CALLS HAD ALREADY BEEN CLOCKED.

THE UNIT WAS ALREADY HERE.

Man: AT THE HOUSE?

NO SIR, UH, THAT WAS AROUND THE CORNER, UM,

TALKING TO ONE OF THE NEIGHBOURS IN THE NEXT LOT.

APARENTLY, HE HEARD SOMEBODY SCREWING AROUND

IN HIS BACK YARD EARLIER ON, THIS EVENING.

GET AN IDENTIFICATION ON THE VICTIM, YET?

WELL SIR, THE CAR OUTSIDE IS REGISTERED TO A MARY KITRICK.

NOW, IT COULD BE HERS. I'M HAVING IT CHECKED OUT RIGHT NOW WITH MOTOR VEHICLES.

OKAY.THANK YOU.

SOME JOINT.

[ Telephone rings ]

HELLO.

YES HARRY. WHAT CAN I DO FOR YOU?

Harry: ALIXE. SHE'S DEAD.

THE RED-HEAD. YOU GOTTA HELP ME.

WELL Ahh, THERE ARE, UH,

MULTIPLE STAB WOUNDS IN THE ABDOMEN.

Sergeant Hickman: CAN YOU TELL IF SHE WAS TIED UP BEFORE OR AFTER SHE WAS STABBED?

BEFORE.

ANYTHING ELSE?

SHE HAD SEX BEFORE DEATH.

THERE'S UH, THERE'S SEMEN EVIDENT.

A REAL LOOKER.

A REAL WASTE.

Cantrell: SERGEANT? EXCUSE ME, SERGEANT.

WE'VE GOT A POSITIVE ON HER. HER NAME IS MARY KITRICK.

SHE'S FROM NEW YORK, AND SHE RENTED THIS HOUSE ABOUT THREE WEEKS AGO,

AND SHE STARTED WORKING AS A TICKETING AGENT ABOUT THE SAME TIME.

Sergeant: CHECK OUT NEW YORK.

SEE WHAT YOU CAN TURN UP.RIGHT.

WHAT ABOUT THE NEIGHBOURS?

WELL, WE QUESTIONED A FEW OF THEM, BUT NOBODY KNOWS VERY MUCH ABOUT HER.

SHE KEPT PRETTY MUCH TO HERSELF. WORKED NIGHTS.

Sergeant Lathan: GET A LOAD OF THIS.

HUH! QUITE A LITTLE COLLECTION FOR A NICE QUIET GIRL

WHO KEPT PRETTY MUCH TO HERSELF.

WHAT ABOUT PHYSICAL EVIDENCE? PRINTS?

SHIT, WHEN DO WE EVER LIFT A PRINT?

PLACE IS SMUDGE CITY.

WHAT DO YOU THINK?

WELL... NO FORCED ENTRY,

NOTHING APPEARS TO BE TAKEN.

IF IT WAS A BURGLAR,

HE CAUGHT ONE LOOK AT THE LADY,

AND CHANGED HIS MIND IN A HURRY.

EXCUSE ME, SERGEANT? THIS IS PATROLMAN DODGE.

HE WAS THE FIRST MAN ON THE SCENE.

WHAT'S THE STORY?

I WAS JUST THREE HOUSES AWAY,

TAKING A REPORT ON A PROWLER WHEN THE CALL CAME IN.

A GUY UP THE STREET, HE SAW SOMEONE RUN THROUGH HIS BACKYARD,

THINKS IT MAY BE NEIGHBOURHOOD KIDS.

ANOTHER HOUSE SAID THEIR DOG GOT SPOOKED BY SOMEONE, OR SOMETHING.

ALL RIGHT, THANKS.

Officer: MEAT WAGON'S HERE.

YOU GENTLEMAN FINISHED WITH THE BODY?

OH YEAH.

[ Knocking at the window ] SERGEANT?

WELL, WOULD YOU TAKE A LOOK AT THAT?

Lathan: PERFECT.

THERE'S MORE OUT HERE. I THINK WE HIT PAY-DIRT.

'KAY YOU GUYS, MOVE BACK.

Officer: EVERYONE KEEP MOVING. COME ON.

EXCUSE ME, SIR. LOOK WHAT I FOUND OUTSIDE.

SHE MUST HAVE BEEN RENTING THIS PLACE FROM THESE PEOPLE.

[ Sniffing ]

WHAT THE HELL'S THAT SMELL?

SMELL'S LIKE DOG SHIT!

WHAT DO YOU WANT ME TO DO WITH THIS, SIR?

CHECK IT OUT.

AND USE IT TO CLEAN YOUR SHOES.

WHOA.

OFFICER DODGE?

HI.MY GOD, HARRY. WHAT HAPPENED?

IT'S WHAT I TOLD YOU ON THE PHONE.

ARE YOU SURE SHE WAS DEAD?

YEAH, I THINK SO. YEAH, SHE WAS DEAD.

ARE YOU ALL RIGHT?

YEAH, I WAS A LITTLE MESSED UP BEFORE.

I THINK THE RIDE OVER CALMED ME DOWN.

YOU KNOW YOU HAVE TO GO TO THE POLICE.I CALLED THEM.

BUT THEY'LL WANNA TALK WITH YOU, HARRY.

ABOUT WHAT? I DON'T KNOW ANYTHING.

I KNOW SHE'S DEAD. I DON'T KNOW ANYTHING ELSE.

THEY'LL WANNA KNOW WHAT YOU WERE DOING THERE.

WHAT I WAS DOING THERE?

I WAS BREAKING THE LAW, FOR CHRIST'S SAKES!

WHEN YOU'RE BREAKING THE LAW IN THIS COUNTRY AND SOMEONE IS MURDERED,

WHAT I WAS DOING GOES FROM A MISDEMEANOUR TO A FELONY!

CALM DOWN, HARRY.I AM CALMED DOWN.

YOU KNOW, YOU DON'T HAVE TO TELL THEM EVERYTHING.

OH YEAH, WHAT AM I SUPPOSED TO SAY?

UH, OFFICER, I JUST, UH HAPPENED TO BE UH,

CUTTING THROUGH THIS LADY'S BACKYARD, ON MY WAY HOME.

I JUST HAPPENED TO BE LOOKING THROUGH HER BEDROOM WINDOW,

AND THERE SHE WAS DEAD! THEY'RE GONNA KNOW WHAT I WAS DOING. HARRY, RELAX! OKAY?

IT'LL LOOK GREAT IN THE PAPERS, TOO.

"PEEPING TOM DISCOVERS MURDERED NYMPHO".

BE LUCKY IF THEY LET ME WASH DISHES FOR THE REST OF MY LIFE.

FOR CHRIST'S SAKE HARRY! SIT DOWN!

AND LET'S GO THROUGH THIS THING, QUIETLY AND RATIONALLY. OKAY?

YEAH.

ALIXE, IF I THOUGHT I KNEW SOMETHING, I WOULD TELL THEM. I SWEAR.

DID ANYONE SEE YOU?

NO, NO.

JUST A DOG.

SHIT.

SOMEBODY DID SEE YOU.

NO. NO, IT WAS AFTERWARDS.

IT'S NOTHING TO WORRY ABOUT.

HARRY, I...

I HAVE TO ASK YOU THIS QUESTION.

LET ME GUESS; DID I DO IT?

WELL, I DON'T THINK YOU DID IT.

I JUST HAD TO ASK YOU THE QUESTION.

I DON'T THINK YOU'D LIE TO ME.

WELL, WHY WOULD I LIE TO YOU?

I'VE ALREADY ADMITTED TO YOU THAT I LOOK THROUGH WINDOWS AT NAKED WOMEN.

IF I DID IT, DO YOU THINK I WOULD COME HERE AND TELL YOU ALL THIS?

WELL... I MIGHT BE AN ALIBI.

SOME ALIBI. SHE'S BEEN DEAD FOR HOURS. I JUST GOT HERE.

HARRY. WHY DID YOU CALL ME?

BECAUSE I'M SCARED SHITLESS! YOU'RE A PSYCHIATRIST!

YOU'RE SUPPOSED TO HELP PEOPLE WHO'RE SCARED SHITLESS.

[ Sighs ]

Ahh...WHAT IS IT?

IT'S MY RIBS. I THINK I BROKE 'EM.

OH GOD. LET ME LOOK AT THIS.

OH GOD. WHAT HIT YOU?

A FENCE AND A CAR.

HERE TAKE THIS OFF.

THESE SHOULD BE BEAUTS. LOOKS LIKE RUNNING SHOES.

MAYBE WE'LL GET A BREAK FOR A CHANGE.

PROBABLY TURN OUT TO BE A DISSATISFIED MATE WHO WOULDN'T DO WINDOWS.

RUN IT THROUGH FOR SALIVA.

I GUESS WE BETTER START INTERVIEWING THE NEIGHBOURS.

AW SHIT. THAT'S GONNA TAKE ALL NIGHT.

YOU GOT SOMETHING BETTER TO DO?

NO. I HAVEN'T SEEN MY WIFE AND KIDS FOR A WEEK,

BUT I GOT NOTHING BETTER TO DO.

LET'S PUT THIS THING IN PERSPECTIVE.

YOU WERE JOGGING.

YOU LOOKED THROUGH A WINDOW.

YOU SAW A DEAD WOMAN. YOU REPORTED IT.

THERE ISN'T ANYTHING ELSE YOU CAN DO

EXCEPT GET YOURSELF INTO A WHOLE LOT OF TROUBLE.

I DON'T KNOW. IT'S JUST, UM,

EVERYTHING JUST ALL HAPPENED SO FAST.

YOU KNOW, MAYBE I FORGOT SOMETHING.

LIKE WHAT?

I DON'T KNOW.

MAYBE SOMETHING ABOUT THE BOYFRIEND.

HARRY, YOU'VE ALREADY REPORTED HIM.

IT'S A CUT AND DRY CASE. THEY'RE PROBABLY PICKING HIM UP RIGHT NOW.

YEAH.YOU KNOW WHAT YOU NEED?

WHAT?YOU NEED SOME SLEEP.

LOOK, I CAN MAKE UP ONE OF THE COUCHES AND YOU...

NO, IT'S, NO, I, UH, I GOTTA GO TO WORK.

YOU'RE GONNA GO TO WORK TOMORROW?

THIS IS TOMORROW.

LOOK OUTSIDE, THE SUN'S COMING UP.

WELL...

ALIXE, THANKS.

IT WAS JUST PART OF THE JOB.

NO, IT WASN'T.

WOULD YOU LIKE TO HAVE DINNER WITH ME, TOMORROW NIGHT?

I'M HEARING THINGS.

I'LL PICK YOU UP AT YOUR OFFICE.

WAIT A MINUTE. WHAT HAPPENED TO THE PROFESSIONAL RELATIONSHIP?

SAY ABOUT SIX?

YEAH.

FINE.

CALL ME IF YOU NEED ME.

[ ♪♪♪ ]

THANK YOU.

R - K - E.

R - K - E?

R - K - E.

WAS THERE A NUMBER?

I COULDN'T GET NO NUMBER.

COULDN'T GET NO NUMBER.

Cantrell: BUT IT WAS A MERCEDES, THOUGH?

Neighbour: YES, A MERCEDES. IT WAS WHITE.

I SEEN IT THERE A COUPLE OF TIMES.

Woman: I LIVE JUST DOWN THE STREET.

GET THIS!

MCKENNA REAL ESTATE RENTS THAT HOUSE,

ALONG WITH SEVERAL OTHER PROPERTIES,

AND IT BELONGS TO, GUESS WHO?

SENATOR JOSEPH LATIMER.

YOU'RE KIDDING.

HIS WIFE OWNS THE REAL ESTATE COMPANY.

THEY WEREN'T TO PLEASED TO HEAR THE NEWS THIS MORNING.

IT'S ALL WE NEED IS A SENATOR ON OUR ASS.

YOU THINK THERE'S A CONNECTION?

WELL, GET SOMEBODY TO CHECK IT OUT,

BUT TELL HIM TO BE DISCREET, HUH?

REAL DISCREET.

YOU GET THE CORONER'S REPORT YET?

OH, YEAH. Uhh...

[ Telephone rings ]

MARY KITRICK WAS KILLED BY A KNIFE.

PROBABLY A HUNTING KNIFE.

FIVE STAB WOUNDS, ANY ONE OF THEM FATAL.

'SCUSE ME, I WAS JUST TALKING TO THE GUY OUT THERE.

THE ONE WITH THE DOG.

AND HE GAVE ME A DESCRIPTION OF A LIGHT COLOURED MERCEDES,

PARTIAL PLATES R - K - E - 6.

NOW, HE SAYS HE SAW IT NEAR A PARK WHICH IS NEAR THE MURDER SITE,

AND HE PLACES THE GUY WHO OWNS THE CAR NEAR THE KITRICK HOUSE.

HE WAS OUT JOGGING.WHEN?

'BOUT FOUR OR FIVE DAYS AGO.

GREAT.

I JUST THOUGHT I'D GO AND UH, FOLLOW THROUGH ON IT.

YEAH, YOU GO AHEAD AND DO THAT.

THAT KID IS TOO ENTHUSIASTIC.

[ ♪♪♪ ]

[ ♪♪♪ ]

THIS STUFF JUST CAME IN FROM NEW YORK.

GUESS WHAT.WHAT?

MARY KITRICK WAS A HOOKER.

SHE WAS PRETTY HIGH CLASS, BUT SHE HAD TWO PRIOR ARRESTS IN NEW YORK.

WE GOT ANYTHING ON HER?

WELL, SHE WAS WORKING AS A TICKET AGENT.

GUESS SHE MOVED HERE AND DECIDED TO GO STRAIGHT.Lathan: [ Snorts ]

LOOK KID. ONCE A HOOKER - ALWAYS A HOOKER.

NOBODY EVER GIVES UP THAT LIFESTYLE.

IT'S IN THE BLOOD.

BUT SHE WAS WORKING AS A TICKET AGENT. CHECKED IT OUT MYSELF.

JUST CHECK IT OUT WITH VICE, WILL YA?

SIR.

KID MAY BE ENTHUSIASTIC, BUT HE SURE IS DUMB.

[ Telephone rings ]

[ Spits ]

THAT FOOTPRINT IN THE BUSHES;

IT'S AN ADIDAS TRAINING SHOE - SIZE ELEVEN.

FORENSIC PUTS THE GUY'S WEIGHT AT 180, 190 POUNDS.

THEY'RE SURE IT'S A GUY?

POSITIVE. THE CIGARETTE BUTT

FROM THE SALIVA TEST SAYS MALE, BLOOD TYPE "O".

WHAT ABOUT PRINTS?

NO PRINTS.

HE HASN'T GOT A RECORD, THEY DON'T EXIST.

CANTRELL!

YES, SIR?

THE GUY WITH THE MERCEDES, THE JOGGER,

YOU CHECK HIM OUT YET?

YES, SIR.

WELL, LET'S HEAR IT.

AS A MATTER OF FACT SIR, YOU KNOW, HE'S BEEN WRITTEN UP

FOUR TIMES IN THE PAST TWO WEEKS.

I HAVE IT HERE.

YES SIR. THE LICENCE IS R - K - E - 6 - 8 - 6,

THAT INCLUDES A TICKET THE NIGHT BEFORE THE MURDER,

AT 11:17 PM,

AND ANOTHER THE SAME NIGHT IT HAPPENED.

YOU RUN A REGISTRATION CHECK?

UH, YES SIR. THE CAR BELONGED TO A HARRISSON C. ROSS.

UH, 2104 WHITMAN ROAD.

UH, Y'HAPPEN TO RUN HIM THROUGH THE D.M.V.?

YES SIR. HIS AGE IS 34, HE'S 6"3, 180 POUNDS.

DARK BROWN HAIR, DARK EYES.

HAS AN ORGAN DONOR CARD WITH UH, TYPE "O" BLOOD.

WHAT DO YOU THINK?

I THINK THE KID'S A FUCKING GENIUS.

TIME TO CALL THE JUDGE.

Cantrell: 555-9053, SIR.

DOES A SEARCH WARRANT ENTITLE YOU TO TAKE A MAN'S FOOD?

I'M REALLY SORRY, MA'AM, BUT I HAVEN'T EATEN ALL DAY.

WELL, TAKE A LOOK AT THAT.

ADIDAS. SIZE 11.

PERFECT.

I'LL HAVE THE SOIL ANALYSIS DONE IN AN HOUR.

Landlady: I DON'T MEAN TO PRY OR ANYTHING,

BUT DOES THIS ANYTHING TO DO WITH EMBEZZLEMENT?

I MEAN, MR. ROSS BEING A STOCKBROKER, AND ALL.

A STOCK BROKER?

A LICENSED STOCK BROKER?

I'M SURE HE IS.

CANTRELL! CALL THE SECURITIES AND EXCHANGE COMMISSION.

IF HE'S A LICENSED BROKER, HIS FINGER PRINTS ARE ON FILE.

GET HIM, AND TAKE HIM DOWNTOWN.

AND MOVE IT!

[ ♪♪♪ ]

[ ♪♪♪ ]

Cantrell: DAMN HOLSTER.

IT'S LIKE BREAKING IN A BRAND NEW PAIR OF SHOES.

Lathan: WE'LL GO IN AND READ ROSS HIS RIGHTS.

YOU TWO KEEP THE HALL CLEAR, OKAY?

THIS SIDE. OVER HERE.

OH! LEONARD. I'M SO GLAD TO SEE YOU.

I REALLY HAVE TO TALK TO YOU.

WHAT ARE YOU TALKING ABOUT? WHO'S LEONARD?

HAVE YOU BEEN PRESCRIBING DRUGS, OR SOMETHING?

THE POLICE ARE HERE.THE POLICE?

YES, THEY'RE HERE TO ARREST YOU.FOR WHAT?

FOR MURDER.

JESUS RIST!

IT'S IN ALL OF 'EM.

WAIT A MINUTE. WAIT A MINUTE. THAT'S NOT HER.

WHAT ARE YOU TALKING ABOUT?

THAT'S THE GIRL THAT WAS MURDERED.

TALL, BEAUTIFUL, RED HAIR.

JUST THE WAY YOU DESCRIBED HER.NO, NO.

IT LOOKS A LITTLE LIKE HER, BUT IT'S NOT HER.

WELL LOOK, HARRY, MAYBE IT'S A BAD PHOTOGRAPH.

I MEAN, LOOK AT YOURS. IT LOOKS LIKE YOU JUST GOT OUT OF THE ARMY.

I DID JUST GET OUT OF THE ARMY WHEN THAT WAS TAKEN,

BUT THAT'S NOT THE RED-HEAD!

AND LOOK AT THIS; THEY'VE GOT YOUR FINGERPRINTS.

THEY'VE GOT YOUR BLOOD-TYPE.

THEY'VE EVEN GOT YOUR SHOE-SIZE, HARRY!

YOU ARE THE WORST DAMN CRIMINAL I HAVE EVER SEEN!

WHY DIDN'T YOU JUST LEAVE A NOTE?

JESUS CHRIST, IT SOUNDS LIKE YOU THINK I DID IT!

WELL, EVERYTHING HERE SEEMS TO POINT IN THAT DIRECTION.

HARRY ARE YOU SURE YOU'VE TOLD ME EVERYTHING?

YES!

WELL, YOU JUST HAVE TO GO OVER IT AGAIN.

MAYBE THERE'S SOMETHING YOU SAW IN THAT ROOM

THE NIGHT OF THE MURDER, OR ONE OF THE OTHER NIGHTS,

THAT COULD LEAD US TO HER BOYFRIEND.

WHAT WAS HIS NAME?

I DON'T KNOW!

COME ON, HARRY. THINK!

UM, BART. UH, BERT!

GOOD!WELL, WHAT IS THE POINT?

JUST STAY WITH ME.

I COULDN'T SEE ANYTHING, ANYWAY.

THERE WAS A FLASHING LIGHT. THERE WAS A DOG.

I LOOKED BACK IN THE WINDOW AND SHE WAS DEAD.

WHAT KIND OF FLASHING LIGHT?

UH... WITH A SLOW STROBE.

I HAVE BEEN THROUGH THIS A HUNDRED TIMES IN MY MIND.

I TOLD YOU EVERYTHING.

YOU THINK YOU'VE TOLD ME EVERYTHING, AND YOU PROBABLY HAVE.

IN YOUR CONSCIOUS MIND!

IN MY CONSCIOUS MIND.

RIGHT!

HAVE YOU EVER BEEN HYPNOTIZED?

YOU GOTTA BE JOKING.

[ Typewriter ]

I'VE BEEN LOOKING OVER THE LIST OF MARY KITRICK'S PERSONAL EFFECTS.

THERE IS NO TELEPHONE BOOK,

NO POSTCARDS, NO LETTERS, NO PHOTOGRAPHS.

JUST SOME CLOTHES AND A BLENDER.

I MEAN, EVEN EX-HOOKERS MAKE PHONE CALLS,

WRITE LETTERS.

SO MAYBE SHE LEFT ALL THAT STUFF IN NEW YORK.

MAYBE IT WAS STOLEN.

WHY?

BECAUSE THERE WAS SOMETHING IN IT.

A NAME, SOMETHING.

SOMETHING THAT SOMEONE DIDN'T WANT ANYONE ELSE TO FIND.

Cantrell: SERGEANT!

OH NO. HERE COMES HOP-ALONG-CASSIDY.

OH SERGEANT.

LISTEN I WAS TALKING TO A SECURITY GUARD OVER AT ROSS' UH, HIS BUILDING,

AND YOU KNOW WHAT HE TOLD ME?

NO, WHAT DID HE TELL YOU?

WELL, HE TOLD ME THAT HE SAW ROSS LEAVE THE APARTMENT

THE SAME AFTERNOON THAT WE WENT TO ARREST HIM.

NOW HE WAS WITH DR. ALIXANDER BARNES,

AND YOU SEE, SHE HAS AN OFFICE IN THE SAME BUILDING,

NOW HE'S NOT SURE, BUT HE THINKS THAT'S WHO IT WAS,

AND THEY WERE IN A HURRY.

AND LOOK AT THIS. THIS IS ROSS' APPOINTMENT BOOK.

YOU SEE? DR. ALIXANDER BARNES RIGHT HERE,

AS WELL AS DR. BARNES ON THE 12th AND THE 13th.

SO?

SO, I CALLED HER, HER ANSWERING SERVICE,

AND THIS NICE OLD LADY TELLS ME THAT ROSS MADE AN EMERGENCY PHONE CALL,

TO DR. BARNES THE SAME NIGHT OF THE MURDER.

OKAY HARRY, YOU'RE BREATHING DEEPLY.

YOU'RE RELAXING.

BREATHE DEEPLY, HARRY.

GOOD.

OKAY, WE'RE GONNA CONTINUE.

HARRY...

DESCRIBE HIM.

TRY TO VISUALIZE HIM IN DETAIL.

Harry: Mmm...

IN HIS TWENTIES.

SHE CALLS HIM BERT.

Harry: HE TRIES TO HOLD HER.

SHE PUSHES HIM AWAY.

Alixe: DOES SHE HAVE A NAME?

Harry: JO.

JO...

BETH.

Alixe: GOOD.

WHAT DO YOU SEE?

SHE'S WITH ANOTHER WOMAN.

HE'S...

JUST WATCHING THEM.

THE FLOOR, THEY'RE...

ON THE FLOOR.

KISSING.

TOUCHING.

THEY WERE MAKING LOVE.

OKAY.

NOW WE'RE GONNA MOVE TO THE NEXT TIME YOU SEE THEM.

OKAY YOU'RE STANDING ACROSS THE STREET...

REMEMBER THE FLASHES.

WHAT DO YOU SEE?

A CAR.

WHAT KIND OF CAR?

A CAR...

LINCOLN.

Harry: CROSS... CROSSING THE STREET.

POLISHED.

Alixe: WHAT ARE YOU DOING NOW?

Harry: MOVING TOWARD THE HOUSE.

I CAN HEAR MUSIC.

Alixe: GO ON.

Harry: BELOW THE WINDOW, NOW.

Alixe: LOOK INSIDE THE WINDOW, HARRY.

LOOK INSIDE.

Harry: HE'S ON TOP OF HER.

SHE'S TIED TO BED.

WRISTS TIED.

ANKLES.

HE'S MASSAGING HER.

Alixe: JO-BETH?

I CAN ONLY SEE HER BACK.

HE'S REACHING FOR SOMETHING.

Alixe: WHAT IS IT?

Harry: I CAN'T SEE.

HE PUTS IT DOWN AT HER SIDE.

I CAN SEE HIM IN A MIRROR.

I CAN SEE HIM, BERT.

AND I CAN SEE HER IN THE MIRROR.

SOMEONE ELSE IN THE ROOM.

Alixe: SOMEONE ELSE?

Harry: THAT'S HER!

WHO?JO-BETH.

NOT ON THE BED.

SHE'S IN THE CORNER OF THE ROOM.

SHE'S WATCHING.

DOESN'T MAKE SENSE.

WHAT IS IT?

SHE DOESN'T KNOW.WHAT?

SHE'S ENJOYING IT.

THEY ALL ARE.

BUT IT'S GOING TO HAPPEN.

I DON'T UNDERSTAND.

OKAY, HARRY.

I JUST WANT YOU TO RELAX.

I DON'T UNDERSTAND.

RELAX.

I WANT YOU TO BREATHE DEEPLY AND RELAX.

YOU'RE OKAY.

SERGEANT HICKMAN.

OKAY, WE'RE GOING TO CONTINUE, HARRY.

YOU START TO RUN. WHERE DO YOU RUN?

THROUGH YARDS. BACKYARDS.

FAST AS I CAN.

I'M SCARED.

FENCE!

DOG. [ Dog barking ]

GOD, WILL I GET OUT OF THIS?

ANOTHER FENCE.

I'M SAFE NOW.

SAFE.

NO!

SOMETHING COMING AT ME.

WHAT IS IT?SOMETHING COMING.

NO LIGHTS. JESUS.

IT HITS ME.

A CAR HITS YOU?

THE LIGHTS.

DESCRIBE IT, HARRY.

I'M ON THE GROUND, NOW.

I'M ON THE GROUND.

I CAN'T SEE.

WHO'S IN IT, HARRY?

I JUST CAN'T SEE.

CAN YOU SEE THE LICENSE PLATE, HARRY?

650.

SHAYES HENDRICKS CORPORATION.

650.

SHAYES HENDRICKS CORPORATION.

I SEE YOU, YOU SON OF A BITCH!

WHAT?

[ Knock at door ]

I'M GONNA TAKE YOU OUT OF THIS, HARRY.

I'M GONNA COUNT BACK FROM 10.

TEN.

CALMING DOWN. FIVE.

ONE.

Sshh.

WHO IS IT?THE POLICE, DR. BARNES.

I'LL BE RIGHT THERE.

SERGEANT HICKMAN.HI.

SORRY, IT'S SO LATE, BUT THIS'LL ONLY TAKE A MOMENT.

SERGEANT LATHAN, AND, UH, DETECTIVE CANTRELL.

EXCUSE ME, MA'AM.

IT IS KIND OF IMPORTANT.

I SEE, WELL, I ASSUME THIS IS ABOUT HARRY ROSS.

YES. HAVE YOU, UH, SEEN HIM IN THE LAST 24 HOURS?

NO. NO, I HAVEN'T.

UH, EXCUSE ME, DR. BARNES. DO YOU HAVE A WASHROOM I COULD USE?

I REALLY, I REALLY HAVE TO GO.

IS IT DOWN HERE? I'LL FIND IT.

Umm...HAS HE CALLED YOU?

WHAT?

OH, HARRY ROSS.

NO, HE HASN'T.

DR. BARNES...

A SECURITY GUARD IN YOUR BUILDING

SAYS HE SAW YOU LEAVE WITH MR. ROSS,

THE DAY WE CAME TO ARREST HIM.

WELL, HE'S MISTAKEN.

YOU KNOW, OF COURSE, THERE'S A MURDER WARRANT OUT FOR HIS ARREST.

YES, I DO READ THE PAPERS.

Sergeant Lathan: DR. BARNES...

IF YOU DO HAPPEN TO KNOW OF HIS PRESENT WHEREABOUTS,

I THINK YOU SHOULD TELL US.

BECAUSE THAT KIND OF INFORMATION

IS NOT PRIVILEGED INFORMATION,

AND WITHHOLDING IT WOULD MAKE YOU AN ACCESSORY.

YES, I KNOW THAT.

IF HE DOES CALL YOU, YOU WILL LET US KNOW, WON'T YOU?

OH YES, YES OF COURSE.

WELL, DOCTOR, WHAT WAS HE SEEING YOU FOR, ANYWAY?

NOW, THAT IS PRIVILEGED INFORMATION,

SO IF YOU DON'T HAVE ANYMORE QUESTIONS...

THANK YOU FOR YOUR TIME, DR. BARNES.

OH SERGEANT?

MY TAPE RECORDER.

SORRY.

THANK YOU, MA'AM.

GOOD NIGHT.

GOD.

YOU GET A FEELING THERE'S SOMETHING SHE'S NOT TELLING US?

Uh huh.

OH, GOOD THINKING KID, THAT BIT ABOUT HAVING TO GO TO THE BATHROOM.

GET A GOOD LOOK AT THE REST OF THE PLACE?

NO, I REALLY HAD TO GO TO THE BATHROOM.

KID, YOU'RE TOO FAST FOR ME.

JUST WHEN I THINK YOU'RE COMING DOWN WITH A CASE OF THE SMARTS,

YOU COME DOWN WITH A BIGGER CASE OF THE DUMBS.

AMAZING!

WHAT'D I DO?

WHAT DID I DO?

Harry's voice: IT FLASHES...

METALLIC.

I CAN'T SEE.

OH MY GOD.

I SAW A WOMAN WHO WAS ABOUT TO BE MURDERED

AND I DIDN'T EVEN KNOW IT!

WELL, AT LEAST WE KNOW NOW, WHO DID IT.

YEAH, BUT WE STILL HAVE TO PROVE IT.

I HAVE A FEELING THEY'RE NOT GONNA TAKE MY WORD FOR IT.

COME ON, HARRY.

CHEER UP.

WE KNOW A HELL OF A LOT MORE NOW, THAN WE DID TWO HOURS AGO.

BUT ALIXE. MOST OF THIS DOESN'T MAKE MUCH SENSE.

GIVE IT TIME.

I'M GOING TO CHANGE.

Harry over tape recorder: HE PUTS IT DOWN AT HER SIDE.

I CAN SEE HIM IN A MIRROR.

I CAN SEE HIM, BERT,

AND I CAN SEE HER IN THE MIRROR.

SHE WAS THERE WHEN HE KILLED THAT WOMAN.

Alixe: DO YOU THINK SHE WAS IN ON IT?

NO, NO, NO.

THEY ALL SEEMED TO BE HAVING SO MUCH FUN.

BUT I MEAN IF I COULD FIND HER, YOU KNOW?

I'D HAVE ANOTHER EYE WITNESS.

SOMEONE WHO COULD CLEAR ME.

IS THAT WHY YOU'RE SO INTERESTED IN HER?

WHAT DO YOU MEAN?

CONSIDERING THE FACT THAT YOU WENT BACK NINE OR TEN TIMES.

CHRIST ALL MIGHTY. I'M WANTED FOR MURDER.

I'M ONLY TEASING YOU.

DOES IT SPOIL IT FOR YOU?

WHAT?

KNOWING I KNOW YOU'RE WATCHING ME.

[ ♪♪♪ ]

Alixe: HARRY? Harry: YEAH.

I'M SORRY.

I FORGOT WHAT YOU WERE GOING THROUGH.

IT'S ALL RIGHT.

DO YOU WANT A DRINK?

SCOTCH.

AND WATER.

OH, YOU.

GOOD MORNING.

GOOD MORNING.

WHERE ARE YOU GOING?

WORK. I LEFT YOU A NOTE.

NOW, I LEFT THE PHONE ON ANSWERING SERVICE.

I'VE CANCELLED MY AFTERNOON APPOINTMENTS,

SO I'LL BE BACK AT 1:00 AND THEN WE CAN UNRAVEL THIS THING.

WELL, WAIT A MINUTE. WAIT A MINUTE. WAIT A MINUTE.

WHAT?

YOU LOOK FABULOUS.

SO DO YOU.

HARRY...

WHAT?

I GOTTA GO TO WORK.

I KNOW, I KNOW.

MY PATIENTS ARE WAITING FOR ME.

YOU DON'T EVEN HAVE A T.V. HERE.

READ A BOOK.

OH!UH...

LOCK THE DOOR.

MORNING.

GOOD MORNING, GEORGE. WOULD YOU GET ME A TAXI?

YES MA'AM.

[ Whistles ] TAXI!

UNH UNH! THIS IS MY LICENCE. I SAW IT FIRST!

S - E - N - 6 - 5 - 0.

Alixe: THANKS, GEORGE.

YOU'RE WELCOME.

[ ♪♪♪ ]

[ ♪♪♪ ]

MORNING.

MORNING, SIR.

SURE DON'T MAKE THEM LIKE THEY USED TO, HUH?

YOU'RE RIGHT.BEAUTIFUL.

[ Knock at door ]

[ Knock at door ]

WHAT IS SHE DOING HERE?

CHRIST!

IT'S YOU!

I NEED HELP.

YOU? WHAT ABOUT ME?

I SAW YOUR PICTURE IN THE PAPER.

THEY'RE LOOKING FOR YOU, AREN'T THEY?

THAT'S AN UNDERSTATEMENT! COME ON IN.

BUT I KNOW YOU DIDN'T DO IT, BECAUSE I KNOW WHO DID.

I KNOW. I KNOW. WE'VE GOTTA TALK.

GOD, I'M SCARED.

I THINK HE'S AFTER ME.

I'M REALLY SCARED.

GOTTA DRINK OR SOMETHING?

YES, SURE.

DR. BARNES.IN A MINUTE.

Harry's voice: 650.

SHAYES HENDRICKS CORPORATION.

I SEE YOU, YOU SON OF A BITCH!

THIS IS QUITE AN APARTMENT YOUR GIRLFRIEND HAS.

WHAT DOES SHE DO?

SHE'S A... PSYCHIATRIST.

THAT'S WHAT I NEED. A PSYCHIATRIST.

ARE YOU EXPECTING HER BACK SOON?

A COUPLE OF HOURS.

HOW DID YOU FIND ME?

WELL THAT'S A LONG STORY.

A LONG, LONG STORY.

WAS SHE YOUR FRIEND?

THE WOMAN WHO WAS KILLED?

UH, WE KNEW EACH OTHER IN NEW YORK.

SHE'S RUNNING A LITTLE BIT BEHIND THIS MORNING.

George's voice: [ Whistle ] TAXI!

Young boy's voice: IT'S MY LICENCE I SAW IT FIRST!

S - E - N - 6 - 5 - 0.

Woman: ANSWERING SERVICE.

THIS IS DR. BARNES.

PLEASE TAKE MY PHONE OFF ANSWERING SERVICE

AND LET IT RING THROUGH.

[ Telephone ringing ]

Jo-Beth: AREN'T YOU GOING TO ANSWER THAT?

NO, IT'S SUPPOSED TO BE ON ANSWERING SERVICE.

WHO TOLD YOU?

I STILL DON'T UNDERSTAND. NO ONE KNOWS I'M HERE.

ANSWER THE DAMN PHONE, HARRY!

Man: 12th PRECINCT.

CAN I SPEAK TO SERGEANT HICKMAN OF HOMICIDE, PLEASE.

SERGEANT HICKMAN ISN'T IN HIS OFFICE AT PRESENT.

CAN I HELP YOU MA'AM?

DAMN IT!

SO HOW MANY TIMES DID YOU COME BACK?

A FEW. THEN YOU SAW EVERYTHING, DIDN'T YOU?

WHY?

BECAUSE I THOUGHT YOU WERE BEAUTIFUL.

YOU WANTED ME?

DO YOU STILL WANT ME?

OH, PLEASE... DON'T.

I WANT TO.

DON'T YOU?

I DID.

I WANTED YOU MORE THAN ANYTHING IN MY LIFE.

HOLD ME.

HOLD ME, PLEASE.

JO-BETH...

WE SHOULD GO TO THE POLICE, NOW.

HEEYA![ Grunt ]

WE BROUGHT HIM IN AN HOUR AGO.

FOUND THE BODY IN A DESERTED BUILDING UPTOWN.

WE, UH, FOUND THIS...

RIGHT THERE.

THE HANDLE MUST HAVE BROKEN OFF,

BUT THE BLADE MATCHES THE KITRICK WOUNDS -

PERFECTLY.

THEY BOUND HIM HAND AND FOOT.

SAME M.O.

QUITE A PERFORMANCE.

ALMOST AS GOOD AS MY LAST.

I DON'T UNDERSTAND.

POOR BABY.

YOU DON'T UNDERSTAND.

YOU DON'T LIKE PAIN, DO YOU?

YOU JUST LIKE TO WATCH.

DO YOU?

I ASKED YOU A QUESTION.

DO YOU?

NO.

[ Horns honking ]

[ ♪♪♪ ]

CAN'T YOU GO ANY FASTER?

LIKE WHAT YOU SEE?

DO YOU LIKE WHAT YOU SEE?

YES.

GOOD.

WHAT ABOUT YOUR BOYFRIEND?

BERT?

MY BOYFRIEND?

YOU MUST BE JOKING. THAT PIECE OF SCUM?

I KILLED HIM...

RIGHT AFTER HE KILLED HER.

HE DIDN'T EVEN SEE IT COMING.

HE THOUGHT HE HAD IT MADE.

I'M MARRIED TO A SENATOR, MY FRIEND.

I USED TO EARN $500 A TRICK IN THE OLD DAYS.

SOMETIMES, EVEN A GRAND.

YOU THINK I'M WORTH IT?

I COULD SHOW YOU THINGS

THAT WOULD MAKE YOUR BRAIN SIZZLE!

WHY ARE YOU DOING ALL OF THIS?

WHY?

BECAUSE, NO MATTER HOW MUCH MONEY YOU MAKE ON YOUR BACK

YOU'RE STILL MAKING IT IN THE GUTTER.

MOST OF MY LIFE, I'VE BEEN SHOPPED AROUND LIKE A PIECE OF MEAT.

WELL, NO MORE.

NOT EVER AGAIN.

I CAME OUT HERE ABOUT FOUR YEARS AGO.

NOBODY KNEW ME.

NOBODY KNEW WHERE I CAME FROM.

I MADE MYSELF RESPECTABLE.

I BUILT A BUSINESS.

I MARRIED THE BEST.

THEN THAT BITCH SHOWED UP WITH HER PIMP,

WANTING A PIECE OF MY ACTION.

ALL MEN ARE PIMPS!

SHE LIKED IT...

ANY WAY SHE COULD GET IT.

BUT MOST OF ALL SHE LIKED ME.

I PLAYED ALONG WITH THEM.

THEN I PLAYED HIM OFF AGAINST HER.

I WAS BRILLIANT.

HE KILLED HER FOR ME, YOU KNOW.

FOR LOVE.

HE WAS STILL IN LOVE WITH ME

WHEN I KILLED HIM.

ISN'T THAT SWEET?

NO ONE CAN TIE ME TO THIS, YOU KNOW?

THEY WERE THE ONLY TWO WHO KNEW

THAT I CAME TO THAT HOUSE.

THAT WAS OUR LITTLE SECRET.

THE ONLY ONES...

UNTIL YOU CAME ALONG!

WHAT ARE YOU GONNA DO NOW?

WE'RE GONNA WAIT FOR YOUR GIRLFRIEND TO COME HOME.

THEN I'M GONNA TAKE OFF THE REST OF MY CLOTHES

SO I DON'T GET BLOOD ALL OVER THEM.

MY GOD.

YOU MAKE A SOUND AND I'LL CUT YOUR THROAT.

[ ♪♪♪ ]

GEORGE, CALLCabbie: THE POLICE!HEY!

Cabbie: HEY LADY! COME HERE! COME ON BACK HERE!

LADY!

BROAD GETS OUT OF THE CAB... YOU CAN'T GO IN THERE!

I DON'T CARE! SHE OWES ME SIX BUCKS, I'M CALLING THE COPS.

George: SO AM I!

Cabbie: I'M CALLING THEM BEFORE YOU CAN CALL 'EM.

WHY DON'T WE HAVE A LITTLE FUN

WHILE WE'RE WAITING?

JUST YOU AND ME.[ Grunt in pain ]

THIS ISN'T LIKE WATCHING IS IT?

OR CAN'T YOU DEAL WITH THE REAL THING?

Alixe: HARRY!

HARRY!Harry: ALIXE, GET OUT!

MY LEGS.

Harry: ALIXE!I GOT IT!

ALIXE, GET OUT!

ALIXE, GET HELP!

YA!

AH!THE KNIFE!

HARRY!Harry: RUN!

HEEEYA!

PUT IT DOWN. PUT IT DOWN.

YA!OHHH!

[ Grunts ]

WHAT THE HELL'S GOING ON?

CUFF HER.

SHE'S GOT A KNIFE!HARRY!

GET THE KNIFE!

LET ME GO!

BASTARDS!

[ Screams ]

Sergeant Hickman: IT ISN'T REALLY CLEAR YET, BUT AS FAR AS WE CAN GUESS,

THE REASON FOR THE DOUBLE IDENTITY,

WAS SO THAT THE NEIGHBOURS WOULD THINK

THERE WAS ONLY ONE WOMAN LIVING THERE.

THAT WAY JO-BETH MCKENNA COULD COME AND GO UNRECOGNIZED.

OH, UH, YOU LIED TO ME, YOU KNOW.

YEAH, I KNOW.

IS THAT LEG GONNA BE OKAY?

THE THING I DON'T UNDERSTANDIT'S FINE.

...IS THAT I'M JO-BETH MCKENNA, MY HUSBAND IS A SENATOR.

WANKER!

HARRY.

ARE YOU OKAY?

THAT WOMAN REALLY PISSES ME OFF.

OH HARRY...

LET'S GO.

[ Heavy breathing ]

[ ♪♪♪ ]

[ ♪♪♪ ]

[ Gasps ]

HELLO.

I FORGOT MY KEY.

DAMN YOU, HARRY!

YOU REALLY SCARED ME.

I KNOW. I'M SORRY.

I'M BAD.

I KNOW I'M BAD.

YOU KNOW, I LUGGED ALL THESE BOOKS OVER HERE,

I REALLY THINK IT'S TIME TO GET A TELEVISION,

WHAT DO YOU THINK?

I THINK WE SHOULD GET SOME DRAPES FIRST.

♪ MOTION CITY MOVES

CLOSED-CAPTIONED BY MIJO CORPORATION♪ AND MOTION CITY MOVES

CLOSED-CAPTIONED BY MIJO CORPORATION♪ SHINING CITY SLIP INTO NIGHT ♪

♪ BEHIND THE SHADOWS ROLL ♪

♪ MOTION CITY SLEEPS

♪ AND MOTION CITY DREAMS ALONG ♪

♪ SEA OF MEMORY

♪ SEA OF PASSION

♪ MUTED IN THE FOG

♪ MOTION CITY MOVES

♪ AND MOTION CITY SWEEPS ALONG ♪

♪ GREAT DARK CITY WANTS TO CAPTURE YOU ♪

♪ AND SHE SINGS A SIREN SONG ♪

♪ MOTION CITY MOVES

♪ SHE DREAMS AND DREAMS ALONG ♪

♪ THE SUFFERING FALLS

♪ THE SIREN, SIPHISUS

♪ CALLING HER LOVER'S CALL ♪

♪ SOLO RUNNER

♪ THE SONGS WILL TALK TO YOU ♪

♪ YOU'LL FIND IT HARD

♪ TO KEEP ON COURSE

♪ WHEN TEMPTATION BLOCKS THE VIEW ♪

♪ CALL OF PASSION

♪ HARD TO FORGET AND THE MEMORIES GO AWAY ♪

♪ MOTION CITY WANTS TO CAPTURE YOU ♪

♪ AND SHE'LL GET YOU WHEN YOU FALL ♪