Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
(train bell ringing)
(train horn blowing)
(ominous music)
(footsteps tapping)
(male grunting)
(door slamming)
(door creaking)
- Go to hell!
- Go into the bedroom, he's coming home.
(footsteps tapping)
(door slamming)
(ominous music continues)
- Where did you hide it?
- Somewhere you won't find it!
(metal clanking)
(coins clanking)
- Bitch!
- No, that's all we got!
No!
Don't!
(dramatic music)
Oh God!
(gasping)
- Mom!
Mom!
- Come back you!
- [Child] Mom, no!
(male gasping)
(dramatic music continues)
(Lee sobbing)
(train horn blowing)
- Murderer!
You killed him!
- [Woman] We have to go.
Come.
Quickly.
(dramatic music)
(footsteps tapping)
- Murderer!
- [Woman] Lee!
Come on!
(train horn blowing)
(wind howling)
- [Narrator] For the next 40 years
the family hid out in the middle of nowhere.
Now, intruders are on their way.
(upbeat music)
♪ Blood tracks ♪
(helicopter whirring)
♪ The feelings you missed ♪
♪ ls stuck in your mind ♪
♪ You just can't resist ♪
♪ A voice from behind ♪
♪ Blood tracks ♪
♪ The horror you feel ♪
♪ You can't let it go ♪
♪ It's already there ♪
♪ You're all much to slow ♪
♪ Blood tracks ♪
♪ It's getting late ♪
♪ It's getting dark ♪
- There you go.
That's all of it Frank.
After you get done in there,
don't forget the warning signs.
Oh and put the furnace on.
These movie people kind of like their comfort.
- Gotcha.
- All right well I'd better get back down the mountain.
Wouldn't want to keep Susie waiting.
- What are you talking about?
- Well didn't you know?
- Uh? - I'm to be her guide
the whole time she's here.
- How'd you fix that your lucky bastard!
(upbeat music)
♪ There's something inside ♪
- I got friends in high places.
♪ Driving you Wi-il-il-il-ild ♪
♪ There ain't no return ♪
♪ There ain't no way back ♪
♪ The final burn ♪
♪ 'Til the final attack ♪
♪ Blood tracks ♪
♪ It's getting late ♪
(crowd shouting indistinctly)
(upbeat music continues)
- Where the hell are we anyway?
- [Reporter] What made you choose
our community for your movie?
- Let's get one thing straight,
Solid Gold are not here to make a movie.
- [Reporter] They're not?
- No.
We're here to shoot one scene for a rock video
that's gonna be published with Solid Gold's next album.
(helicopter whirring)
- The Chiefs put the mountain rescue helicopter
to our disposal the entire length of your stay.
- That's terrific.
- And I've got two men working up at the hut
near where your crews gonna be shooting.
- That's everything we need, thanks.
- Ordinarily the road would be closed this time of year.
We plowed it out especially for you.
- That's great.
(helicopter whirring)
- That'll be John.
- Oh.
- [Crowd] Solid Gold, Solid Gold!
- Look.
(crowd chanting Solid Gold)
- Hi folks.
Chief Frank was saying we might get
avalanche conditions later on.
- Avalanche? Isn't that a little dangerous?
- Well yeah, it can mush your hair a little.
(upbeat music)
- [Chief] What do you think John?
- It looked okay to me,
but Frank's the expert, I just fly the mountains.
- Could be tricky, if the overhang start moving.
- I appreciate your concern, Chief,
but we're on a very tight schedule here.
Your own man has just said it's gonna be okay.
What can happen?
We're here for the day, right?
- Okay, and John here is gonna be your guide.
Any problems, you know where to reach me.
- Sure thing, Chief.
- I think I'll go and check the supplies.
- [Chief] I'll come with you.
(footsteps tapping)
- What supplies is he talking about?
We already took some stuff up to the cabin.
- Bob never goes anywhere without a crate of scotch.
He does about 40 miles to the gallon.
- Highway or city?
- Both.
(dramatic music)
(footsteps)
(dramatic music continues)
(door creaking)
(metal clanking)
(footsteps tapping)
(dramatic music)
(cans clanking)
It's an animal.
(dramatic music continues)
An animal?
(footsteps tapping) (liquid gushing)
(dramatic music)
(footsteps tapping)
(cans clanking)
- That's no animal.
(dramatic music continues)
(metal clanking)
(footsteps tapping)
(monster grunting)
(dramatic music continues)
(footsteps tapping)
(screaming and grunting)
(screaming and bodies thudding)
- [Male] Kid, stop it!
Stop it then!
Stop it!
Kid, stop!
- He'll be back.
- He's a maniac.
- They almost discovered us.
(suspenseful music)
- Stop the car!
Perfect.
- Looks good from here, but up close, it's just a factory.
- Are you kidding, it's gorgeous!
It's just what we want.
Let's get down there.
- All right.
As long as you're not planning on going in there.
That place could fall down any day now.
(dramatic music)
(footsteps tapping)
(car engine revving)
(door slamming)
- Stay there, stay in the trucks!
(dramatic music)
Great! Ha!
(dramatic music continues)
Okay, this is it!
Get set up, start moving!
Get that stock out!
Everybody in wardrobe and makeup, come on!
It's the moment we've been waiting for, let's go!
Okay Nick, start checking the stock.
Everybody else into wardrobe please!
- We came all this way for this?
- Don't fight with me Louise.
(wind howling)
- Got any batteries?
- Yeah, I have a spare one you can use.
- Yeah okay.
- Take this for me.
- I've never been on a film set before.
- Yeah, it's just a lot of waiting around.
- I got nothing against waiting.
- There'll be no waiting today.
Come on Susie, let's go, wardrobe and makeup.
All right gentlemen, get your asses in gear please!
(door slamming)
- Look, there's nothing I can do about that,
they're in the back.
- Is this chair for me?
- It's the only one there is.
- [Woman] Oh this is crazy.
- [Woman] Why the hell are we here?
- [Hairdresser] Excuse me, you see I'm busy here.
Yeah but I had to get this.
- [Hairdresser] Oh for crying out loud, get by!
- [Woman] Hey, have you seen my tights?
- [Woman] Is she really ready in there?
- [Hairdresser] No I haven't.
- [Woman] I can do my own makeup.
- [Woman] Yeah, I like doing it myself.
Hey this is torn.
- [Woman] No it's okay, it's supposed to be like that.
What do you think designers get paid for?
- Look girls, I need some elbow room right here.
You're gonna have to move to the back.
There are mirrors back there.
I cannot do this business here.
- Hey guys.
Want to give us a hand over here?
- You want me to- - Let them do it,
they're used to it.
- Well, I mean--
- You're gonna be around here all day?
- No, a few things I got to do in town.
(men wolf whistling)
Well, maybe I'll stick around just a little longer.
- Okay.
Come on girls, keep it coming.
Susie ready yet?
Come on Susie, how much longer?
- I'll be right there.
- Two minutes.
- Hey, how come you didn't tell us
how cold it was going to be?
- Yeah, I'm gonna freeze my tits off!
- Who told you snow was warm, baby?
Think warm and do your job!
(footsteps tapping)
- Hey.
- Hey.
- Hey. - Looking good,
how you doing honey?
(crew giggling)
- Play back please!
Come on, let's have it!
♪ Leaving blood tracks ♪
(upbeat music)
♪ The horror you fear ♪
♪ You can't let it go ♪
♪ It's already there ♪
♪ You're all much too slow ♪
♪ Blood tracks ♪
♪ It's getting late ♪
♪ It's getting dark ♪
♪ An evil mind ♪
♪ Is making me smart ♪
♪ It's getting close ♪
♪ It's time to fear ♪
♪ We always sing the ♪
♪ Blood tracks ♪
♪ Blood tracks ♪
♪ You're standing alone ♪
♪ In the danger zone ♪
♪ Blood tracks ♪
(upbeat music continues)
♪ There's something inside ♪
♪ That's driving you wild ♪
♪ Driving you wild ♪
(upbeat music continues)
♪ Too much too real ♪
- Get down, get down.
A nice close shot, a close shot.
♪ It's a beautiful wear ♪
♪ Blood tracks ♪
(singer laughing)
♪ There ain't no return ♪
♪ There ain't no way back ♪
♪ The fire will burn ♪
♪ Till the final attack ♪
♪ Blood tracks ♪
♪ It's getting late ♪
- Keep it going! Keep it going!
Keep it together please!
- How can he run around shouting like that
when the cameras turning?
- They're not recording sound, just using playback.
- Uh-huh.
(snow rumbling)
♪ Blood tracks ♪
♪ You're standing alone ♪
♪ In the danger zone ♪
- Cut out!
- What are you doing? What's going on?
What's that?
- It's an avalanche.
- An avalanche.
Great, just what I need
Well-
- [Susie] Did you say avalanche?
- Yeah, it's nothing to worry about.
I got a buddy who's putting up warning signs,
but they never come this far.
(girls giggling)
- Bob, I'm scared.
- Yeah, look Susie, you heard the man.
They never come up this far.
It's perfectly all right.
- Well anyway, I'm cold.
- Yeah, I can see that.
- [Blonde Male] We've had enough.
- All right, we'll take a break, okay?
It's a wrap! Nick, Dave, it's a wrap!
Okay, everybody down at the vehicle!
(crew giggling)
Oh Kerry look, I just want you to check
through all the shots and see if we got anything at all,
'cause you know it's-
- Okay, okay. - One of those days.
- [Bob] All right?
- I better take one of the cars down,
make sure the roads are cleared.
- Are you saying we might be cutoff?
- I doubt it.
Anyway, I can always get you off in the helicopter.
(girls giggling)
- What the hell is so funny!
Come here, come here.
Nick, I need you to go down
and shoot some video plates
of that dump down there okay?
We're gonna have to have some inlay
if we can't get some real work done.
- Yeah, no sweat.
- Does Nick know where the cabin is?
- He doesn't need to know.
Dave will go and pick him up okay.
- No problem.
- Shame you have to go back.
- Yeah, I was just thinking the same thing myself.
Still, I'll see you later.
(door slamming)
- How will we know you got through all right?
- We use a GB in the cabin. I'll call ya.
- Well be sure you do.
(dramatic music)
(car engine revving)
- Hey Susie, please, you're holding everybody up!
Will you come on all right?
(wind howling)
(dramatic music)
(footsteps tapping)
(dramatic music)
The cabin! There it is!
Just step right in, it's warm in there!
Open the door quick!
Move it, move it, come on!
(girls moaning)
- [Woman] You feel better?
- Where's the john?
(crew speaking indistinctly)
- [Male] It's warm.
- Bob man, that's right.
- [Woman Band Member] I don't know.
- Say, why don't you go get Nick?
(ominous music)
- Nick!
Nick!
Hey Nick, are you in there?
Nick!
(Nick screaming)
- [Nick] Oh Jesus Saint Sebastian.
- Nick!
Nick answer will ya?
Nick!
Hey, what the hell happened to you?
- [Nick] Don't know.
Come on, let's get out of here.
(dramatic music)
- What happened?
- [Nick] I told ya, I don't know.
- You guys go easy on that stuff.
We still got a lot of work to do.
All right?
- Just when I was getting warmer too.
- Can we have some help over here please?
- Leave me alone, I'm okay.
I had a fall that's all.
- [Bob] What the hell happened to the camera?
- I haven't really had a time to look at it.
Don't worry, I'll check it out.
I take care of my baby.
- Hey Bob, it's starting to snow like hell out there.
- Ah great!
(snow rumbling)
What's that?
- Avalanche.
- It sounds like a long way off, doesn't it?
- Give me this.
- Where's that CB set that John was talking about?
- Right here.
(ominous music)
- Man, this place is getting scary.
- No it isn't, it's exciting.
- Does anybody know how to run this damn thing?
- Here, let me have a look at it.
(radio static)
- You want to go listen to the avalanches?
- Are you nuts?
- Uh uh.
- All right, avalanches, here we come.
Wait a second, wait a second!
I catch cold easy.
- We got the car stupid.
- Good fun for Eskimos.
(woman giggling)
(slow paced music)
- You don't kid around do you?
- You want to take me to the movies first?
(upbeat music)
- There.
(upbeat music continues)
- Come on.
Nothing, I mean I don't know
if we're blocked by the mountain,
but I can't get a damn thing.
- Well they wouldn't leave us equipment that wouldn't work.
- There's no telling what people will do.
Maybe if I had a look at it.
- Ah Jesus Christ!
I just want off of this mountain.
(snow rumbling)
- Shit. Jesus Christ, what was that?
- Holy shit!
Shut up you stupid bitch!
- What are we gonna do!
- Oh my God! - What?
- Mary and Pete!
- What about them?
- They went out to the car!
- They could be buried out there!
- Shovel! Quick!
(footsteps tapping)
- [Mary] We're buried!
We're buried you fool!
- [Pete] Shut up!
- [Mary] We can't make it! Ah!
(dramatic music)
- Hey guys!
(metal clanking)
- [Mary] Jesus Christ! What are we gonna do now?
- [Pete] Shit!
(shovel thudding)
- Hey, here they are!
- Hey, shut up, shut up,
shut up, listen, listen!
- Right down there!
Come on!
- What did I tell you?
- Quicker now, come on move it!
I can hear them down there!
- [Pete] Listen, hey!
Hey, can you hear us!
(suspenseful music)
Get us out of here!
- [Mary] Come on now!
(metal clanking)
Oh, help.
(Mary screaming)
- [Bob] Okay, we've hit!
That's it!
Let's open up, they must be inside there.
Come on, move that snow!
Come on, dig a little more!
Come on, faster, faster!
- [Mary] Can I get out of here?
Oh God it's cold.
- [Bob] Come on, there you go.
Come on, pull up.
You got it!
- [Band Member] There ya go.
- Hey guys what kept you?
(dramatic music)
(footsteps tapping)
(Mary groaning)
- [Bob] How is it?
- Well I can't find anything wrong with it.
- Look, forget it.
I mean those guys down there
know that we're up here.
They know more about what's going on than we do.
I mean they'll come and get us.
So how about getting together some music?
- What am I, a DJ?
- Okay okay.
Don't get touchy.
- Feeling better?
- [Mary] Oh great.
You know, you ought to try it.
Snow and the naked body is so stimulating.
- Don't you think you ought to put on some clothes?
- [Pete] I think she looks great.
She is.
(rock music)
- Come on Susie, lighten up huh.
- Lighten up?
- [Bob] Yeah.
- You moron.
You drag us up a mountain,
practically get us all killed,
and then throw a party?
- How am I supposed to know
that the weather's gonna close down huh?
You're brilliant fly boyfriend
didn't know about it.
- Yeah, well at least he had sense enough
to get off this fucking mountain!
- Oh, so you struck out with the star.
Want to try with the hired help?
- Yeah, we can arrange that.
- Great.
- Hey Bob.
I checked out the camera.
It's okay as far as I can see.
- Great, I'll check it later.
- Hey Bob, there's something on the tape
I think you ought to look at.
- Later okay.
Come on.
- If you feel like it.
Thanks. - Come and get it.
- What's that?
- Everything I could find just tossed in a pot.
(crew chatting indistinctly)
(upbeat music)
- Wanna see?
There's something really big coming fast at the camera.
I can't tell what it is.
- Hmm, it's difficult to make anything out through here.
Is this all you got to view it on?
- Yeah, it's all we got up here.
We'll have to wait till we get back to the studio
to see it on anything bigger.
- Well I'm sorry, but I can't make anything out at all.
- The trouble with all you sound guys
is you're all blind.
- At least I've got ears.
- Huh?
- That is too much.
- I told you, I told you!
- I'll try and get some of those avalanche sounds on tape.
- Okay.
- [Woman] You gonna eat or what?
- Would you keep some of it hot for me?
- [Woman] Why? Where are you going?
- I want to try and get a clean recording
of the avalanche sounds.
- Dave, you're not going out there.
- Well only far enough to lose the party noise.
- [Woman] Okay, but why not eat first?
- Food can wait.
I'd like to get out there now.
Hey Nick, check you later.
- Hey, stay on top of the snow okay?
- I'll do my best.
- [Nick] Okay.
- [Woman] Don't be long eh.
I'll keep it hot for you.
(upbeat music)
♪ We go rocking tonight ♪
♪ We go rocking tonight ♪
(woman giggling)
♪ We go rocking tonight ♪
(door creaking)
(footsteps tapping)
- [Woman Member] I'm glad you didn't come back as icicles.
(band members screaming)
(rock music)
(crew chatting indistinctly)
(snow crunching)
(suspenseful music)
(footsteps taping)
- Hey Bob!
I really think you ought to look at this!
- [Bob] All right.
- Have a look in there.
Okay?
- [Bob] Yeah.
- [Nick] See it?
- [Bob] What is it?
- A big damn heavy girder.
A thing like that doesn't just up
and throw itself at passers by.
- [Bob] 80, what are you saying?
- There's something or somebody up there
that doesn't want us around.
(suspenseful music)
(footsteps tapping)
Have another look.
- Sure.
Slow motion this time.
- Ready? - Yeah.
No, run forward.
Speed on a little bit.
- Yeah okay.
- No, no, no, no, no, hold it!
Stop, rerun it.
- Okay.
Slow motion this time.
- Yeah, yeah.
Holy shit!
You look.
- It's a face
(suspenseful music)
- Dave!
(ominous music)
(footsteps tapping)
Dave?
(dramatic music)
- Holy shit.
(ghostly winds howling)
- Dave!
(Dave screaming and groaning)
(footsteps tapping)
(material rustling)
(dramatic music)
(material rustling)
(man groaning)
Dave!
(suspenseful music)
(materials rustling)
(footsteps tapping)
(body thudding)
(dramatic music)
(inhabitants groaning)
(footsteps tapping)
(suspenseful music)
- What's so interesting?
- Oh it's nothing. It's just something on the tape.
But maybe we ought to stick together, yeah?
I'd like to get the CB working again.
Where's Dave?
- Oh, Dave went out some time ago.
Kerry just went out to look for him.
- Ooh.
Ah, I remember Dave saying how he thought
the CB might be blocked by the mountain.
Well why don't you and I go outside and try it there?
- [Nick] Yep.
- Bob, for Christ's sake,
you're frightening me to death.
What is it?
- It's probably nothing.
I want you to stay here.
We're gonna go and try and raise the valley from outside.
Are you okay Nick?
- [Nick] Yep.
(dramatic music)
- And you definitely heard the words, "Movie unit?"
Yeah.
Okay.
I got it.
John!
A trucker on the high Valley Road
picked up a weak CB signal.
A lot of static,
but he thinks he heard the words, "Movie unit."
And we're in big trouble.
- Yeah, well it's worse than that.
I was just talking to Frank's wife,
she hasn't heard from him since this morning.
- Dave's gone!
- [Woman Entering] What you mean gone?
Gone where? - I found his tape machine!
- Where?
- By the factory!
He, he could be lying there hurt or anything!
- Hey listen, he'll be okay.
- Then why did he leave his tape machine?
(metal clanking)
- Anything on it?
- Where's Bob?
- They went out to try and get that CB working.
♪ We go rocking tonight ♪
♪ We go rocking tonight ♪
(snow crunching)
- [Male Band Member] What the hell is that?
- [Chief] What can we do?
- Well, no chance of getting the chopper in.
Weather's zero zero.
I might be able to get a snowmobile.
I'll make some calls.
- At least if they're talking on the CB,
they're still alive. - Yeah.
(door slamming)
- Nothing, we couldn't raise shit.
What's going on?
- Kerry went to look for Dave and all she found
was his recorder lying in the factory.
- [Bob] What?
(Dave screams) - Listen.
(Dave groaning)
God, what's happening? What is it?
(dramatic music)
- What what do you think?
- Dave wouldn't just leave his tape recorder lying around.
He's in trouble.
- We ought to all stick together.
- [Woman] Then let's go look for him all together.
- No, I want you to stay here.
I want you to keep trying with this thing
for all the good it'll do.
I think maybe somebody ought to stay with you.
Sarah, Louise, Linda!
I want you to stay here with Susie.
- [Female Member] I want to go with Ki.
- What's the point of going out there?
You won't find anything.
- You could be right,
but we're damn well gonna try!
Now look, I want you all to stay here.
All the rest of ya.
And stay together, you got it?
All right, let's go.
- Listen, you stay here.
- [Female Member] No, I want to go with you.
No.
(dramatic music)
- What? - Did you ever
do it in the snow?
- You know, I'm gonna go crazy
just standing around here doing nothing.
- What can we do?
- I think I'll go outside and try and get
that CV working like Bob did.
- [Louise] Bob told us to stay together.
- Yeah, I'll just be outside.
(footsteps tapping)
(dramatic music continues)
- No, no, no, wait a minute it.
It's a pretty big place Nick.
I think we ought to split up.
- No, I'm going with you.
- All right, okay.
Nick, you better take the right, okay?
- [Nick] Okay.
- Come on, let's go.
You go that way.
Come on we'll go this way.
- [Kerry] Yeah.
(ominous music)
(ominous music continues)
- You've got the booze.
- Hmm, so I have.
- [Female Brunette] Bye kids, three's a crowd.
(slow gentle music)
- [Pete] It's cold in here.
(slow gentle music continues)
(Mary moaning)
(ominous music)
- [Male In Purple] I wonder where the others are.
- [Female In Khaki Coat] They must be inside.
Looks kind of dark.
- [Male In Purple] Watch out for the boogeyman.
- Ki, it's creepy in here.
- I think it's great.
Dracula!
(woman gasps)
- Oh come on, I don't like this.
Let's go.
(Ki laughs)
Ki, I'm gonna go!
Ki?
- I'm coming to get you.
- Ki!
Oh come on Ki, stop it will ya?
(Ki laughs)
Stop it!
Ki?
Ki?
(suspenseful music)
Ki.
Ki.
(head thudding)
(woman screaming)
- No way.
Nah, it's too big.
I think we're gonna have to split up.
- What?
- We're not gonna find him otherwise, right?
I'll go up,
you take the lamp,
go on ahead.
- Don't go far.
- No we'll call.
And I can see the light.
- All right.
(ominous music)
(footsteps tapping)
- Hey Kerry, you all right down there?
(ominous music continues)
Kerry, see anything?
- No, I don't see anything.
- [Bob] Okay.
Kerry!
- I'm okay.
(footsteps tapping)
(loud clanking)
(water splashing)
(male screaming)
- Kerry!
Kerry!
(male screaming)
(suspenseful music)
Nick!
Nick, I can't!
Nick!
Help him!
Nick!
Nick!
Nick!
Nick, Nick, Nick!
Geeze!
Nick!
(somber music)
Too late Nick.
I'm sorry, too late.
(somber music continues)
Kerry!
(Kerry screaming)
Kerry, come on answer me.
Where are you?
(Kerry screaming continues)
Linda!
- Don't!
Don't!
(rope scraping)
- No!
(ominous music)
(suspenseful music)
(suspenseful music continues)
(pan clanking)
(footsteps tapping)
Oh God, please.
(suspenseful music continues)
(heavily breathing)
Not no more.
No more!
- Bob!
Bob!
- You got one?
Where do I pick it up?
Great, thank you.
I'll see you then.
I just got myself a snow buggy.
I just might make it up there.
- Well, you better take this with you.
God knows what those avalanches
might have stirred up.
- John, can you hear me?
John.
- Susie, Susie can you hear me?
- Oh God John, I'm glad to hear your voice.
Listen, we need help.
- Damn it, that was Susie, I'm sure of it.
- Keep trying.
- Susie, I'm not receiving you.
Try again.
- Please hear John!
Please!
(radio static)
Please help us John!
Please!
(Susie crying)
Please hear it!
- Susie, I'm getting nothing but static,
but I think I can hear it when you pressed your call button.
Try it again.
Susie I heard you press the call button,
so I know you can hear me.
Now listen carefully.
I'll ask the questions and you answer
by pressing the call button.
Once for yes and twice for no, you got that?
(dramatic music)
Okay, listen to me, I'm on my way up to you.
Have you got that?
Is Frank with you?
Are you in the hut?
Okay, go there and wait for me okay?
Let's go.
(dramatic music continues)
- Bob!
Bob!
Bob!
Bob!
Bob!
Bob, where are--
(Kerry screaming)
(Kerry grunting)
(Kerry screaming)
(body thudding)
(slow paced music)
- [John] Okay Chief, have the helicopter standing by.
When the weather clears, you know what to do.
- [Chief] Get the flares out, I'll send the chopper.
If you can see the flares you'll come on in.
- [John] Okay.
- [Chief] All right, good luck.
(snowmobile engine revving)
(footsteps tapping)
(material rustling)
(suspenseful music)
(gasping)
(fast paced music)
(snowmobile engine revving)
(liquid trickling)
(toilet flushing)
(Pete screaming)
(Mary screams)
(dramatic music)
(snowmobile engine revving)
(woman crying and screaming)
(snowmobile engine revving)
(door creaking)
- Sarah?
Where is everybody?
- [Sarah] What happened?
(snowmobile engine revving)
(light music)
- My God, it's the fly boy.
- Jesus, what the hell is happening here?
- I don't know.
I think everybody else is dead.
I saw Linda.
I don't want to talk about Linda.
- What about Susie?
- I don't know.
This is a nightmare.
Listen to me pal, there's animals down there in the factory.
Now I don't know how many of them there are,
you're gonna need that friend!
You're really gonna need it!
- All right, all right, I got one for you, come on.
We don't advertise this.
Here.
Look, there's enough bullets in here to kill an army.
And what I want you to do is stay here
and put these flares out.
Close to an H pattern as you can.
If you hear or even suspect you hear a helicopter
you light 'em, you've got it?
- Yeah, but, what the hell's going on?
- Don't argue with me, there isn't time!
Just do it!
- [Sarah] Please don't leave me here, Bob.
I'll help you with the flares.
- No, I'll do it.
(woman grunting)
(monsters grunting)
(suspenseful music)
(woman screaming)
(suspenseful music continues)
(monsters groaning)
(woman screaming)
- [Monster] In the pit.
Chain her.
Throw her down!
(woman screaming)
(monster grunting)
(rats squeaking)
(woman groaning)
- Susie, can you hear me?
Can you hear me Susie?
(monsters grunting)
Susie come in.
(Susie screaming)
(monster laughing)
(dramatic music)
(Susie and monster groaning)
Susie, can you hear me?
- All right, I got the flare set out.
But I'm damned if I'm gonna stay up here
and stand guard when God knows
what's going on down there at the factory.
All right, now I want you to stay here.
And if you hear any sign of that damn helicopter
I want you to light those flares.
- Don't go! You're crazy if you go down there.
- Not with this I'm not.
(suspenseful music)
(door slamming)
(footsteps tapping)
(man screaming)
(dramatic music)
- Wake up Chris!
We're in big trouble!
We've got to get out of here!
Louise!
(ominous music)
(both screaming)
(engine turns over)
(monster screaming)
(woman screaming)
(ominous music)
(ominous music continues)
(dramatic music)
- Oh God.
- You in there!
(dramatic music continues)
(guns clanking)
John?
(dramatic music continues)
John are you in here?
John!
Can you hear me?
- Susie can you hear me?
Susie come in.
(suspenseful music)
Hello Brighton are you there?
- I read you John.
- Christ. Listen, I want you up here now, with guns.
- [Chief] I'm on my way John,
but all I've got is my handgun.
- That's bad.
I got things going on here you wouldn't believe.
Oh!
(monster and John grunting)
(monster and John grunting continues)
(suspenseful music continues)
- Lee, thank God.
You're back.
- Are you mad?
What have you done?
Where are my brothers?
- I don't know.
I needed you to be-
(woman gasps)
I had to do something,
they just kept coming.
- You let them go.
You expect to be let be after this?
- They deserve no better.
Look at their women.
Evil, they deserve to die.
80 say you forgive me.
- You've got to stop my brother's.
You've got to do it now.
(dramatic music)
(rats squealing)
If you fear God, you'll help me put an end to this madness.
- [Bob] Okay, you.
Come on, move.
- We tried to leave your world.
We lived in peace here for many years.
Now you and your friends have brought
this madness back here with you.
My mother didn't know what she was doing.
My brothers even less.
They're animals, but they're still my brothers.
Do you understand!
I know it's over for us.
I know that.
But please stop this endless killing.
- Who are you?
(dramatic music)
What's going on?
Why are you doing this?
What's that?
It's a joke?
Nick is dead!
What did Nick do?
Linda.
Why Linda?
Tell me,
why are you doing this to us!
(gunshot firing)
What reason can there be?
(gunshot firing)
- They have Sonny!
- Why?
(gunshot firing)
Why?
(gunshot firing)
(suspenseful music)
(gunshot firing)
(Bob screaming)
- Come on, let's get out of here!
Come on!
Come on let's go!
(loud slapping)
Come on!
Okay stay here, I'll go for help!
(ominous music)
(dramatic music)
(monster growling)
(woman screaming)
(glass shattering)
(fire roaring)
(monster screaming)
(dramatic music)
Help.
Please.
(fire roaring continues)
(woman groaning)
(rat squealing)
(suspenseful music)
John!
John!
John!
(dramatic music)
(John groaning)
John!
John!
- Stay there, I'm coming!
(dramatic music continues)
Are you all right?
- I'm okay.
But we gotta go find Louise.
You're hurt!
- Nah.
(female screaming)
(monster grunting)
(helicopter whirring)
Brighton, do you read me?
- I read you John.
Just where the hell are you?
- Meet us out back.
Between the silo and the smokestack.
- Okay John, I'm coming in.
- Okay, let's go.
(helicopter whirring)
(dramatic music)
(monster growling)
(helicopter whirring)
(gunshot firing)
(monster screaming)
(monster growling)
(suspenseful music)
(gunshots firing)
Come on, it's all right!
Come on!
(woman screaming)
- John!
John!
John!
John!
(gunshot firing)
(monster screaming)
(dramatic music)
(helicopter whirring)
(dramatic music continues)
- Just get us the hell out of here!
- Oh my God.
He's still down there.
(monster screaming)
(helicopter whirring)
(upbeat music)
♪ Well it's a cold wind tonight ♪
♪ With the stars shining bright ♪
♪ But now we're facing the light ♪
♪ Of eternal light ♪
♪ All the good things my friend ♪
♪ They must come to an end ♪
♪ Now I'm alone ♪
♪ Far far away ♪
♪ In the middle of nowhere ♪
♪ Game for a day ♪
♪ In the middle of nowhere ♪
♪ Far away ♪
♪ Well we're forever bound to stay ♪
♪ In the middle of nowhere ♪
♪ Howling at you ♪
♪ Oh I love you too baby ♪
♪ Far far away ♪
♪ So far away ♪
♪ No more reason to play ♪
♪ Now the price must be paid ♪
♪ Thinking back on the past ♪
♪ It wasn't meant to last ♪
♪ Oh no ♪
♪ And the cold wind tonight ♪
♪ With the stars shining bright ♪
♪ I'm all on my own ♪
♪ Far far away ♪
♪ In the middle of nowhere ♪
♪ It came for a day ♪
♪ In the middle of nowhere ♪
♪ Forever bound to stay ♪
♪ In the middle of nowhere ♪
♪ I left you ♪
♪ I left you ♪
♪ I left you baby ♪
♪ Far far away ♪
♪ Oh far far away ♪
(upbeat music continues)
♪ In the middle of nowhere ♪
♪ I left you ♪
♪ I left you ♪
♪ Oh I left you baby ♪
♪ Far far away ♪
(upbeat music continues)
♪ I remember those cold winter nights ♪
♪ We believed it would last forever ♪
♪ But everything must come to an end ♪
♪ And now I'm alone ♪
♪ Far far away ♪
(upbeat music continues)
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.