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- Look at her going,
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it doesn't get fresher than this folks.
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- This is how you are
making every single soup?
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- Grandmother's blender at home
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just the way she would've wanted it.
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- Hi, I am Tamar.
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- Hi, I am Alex.
- Bruce.
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- And this is Last Looks.
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(upbeat jazzy music)
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(Kate squealing)
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- John.
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- John Early and Kate Berlant, zombies.
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I believe this one started
because you had a zombie mask.
14
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- Previous season, Kerns
wanted to see a zombie
15
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and we ended up cutting it,
16
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but the piece had already been
bought from RVFX Prosthetics,
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so we kept it in storage in hopes
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that we would do a season two.
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- [Alex] When I was talking to Vanessa
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and coming up with the
concept for the look,
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we really wanted to have these zombies
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that could kind of fit in the world
23
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of Very Important People.
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This retro eighties, nineties vibe,
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which I think is a really fun
juxtaposition with zombies
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- And this is so beautiful.
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The colors together
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are insane.
- The colors are beautiful.
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The artistry is involved.
30
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- You guys hit on like my
favorite thing to do with zombies
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and that's zombies with jobs.
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- [Tamar] When we concepted it,
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we were thinking they were
eighties office workers
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that just so happened to be zombies.
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Cut to them on stage,
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and they didn't even mention once
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that they were zombies.
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- Which is brilliant.
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- Which was probably the
funniest part of their bit.
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(Barbara sighing)
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- We're here to talk about soup, Diane.
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- Right, okay.
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- I love how these looks came out,
44
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and it started off with me
being very apprehensive about it
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because zombies
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are very popular.
- The market's oversaturated.
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There's so many zombies out there.
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We wanted to make it our own.
49
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We wanted it where they
could look at themselves
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and create a character.
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- Now Bill, don't get any ideas.
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- [Vic] Okay.
(Bill laughing)
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- [Alex] We had two actors
that we were getting through,
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so we are teaming up and
slapping on the paint work,
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Vanessa kept a lot of the
skin covered to help us out,
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so we had more time to
focus on the detailing
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and nuances of the face and
then going in with the airbrush
58
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and adding detail work and veining
59
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and crazy blush, like she
still cares how she looks.
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We wanted to take it out of the horror,
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but we still wanted those elements.
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So we had enlisted Christina
Gonzalez as our lens tech
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to add the ruddiness to the eyes and
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Bruce did a very slam up paint job.
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- Done a lot of zombies in my time.
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- [Alex] But it was interesting because
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we had that green screen issue too,
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where you incorporate a lot of green tones
69
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into a zombie paint work.
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- [Bruce] That's true.
- [Alex] So Bruce had to alter
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how he would typically paint
a zombie to work for this.
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- You know what I'm realizing right now
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is that our mouths are off.
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- The mouths
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are unbelievable.
- Like I knew yours was
76
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but mine is like.
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- Oh, yours is too.
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- It's like over, like,
where's your real mouth?
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(people laughing)
80
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- [Tamar] I was really blown
away at how John and Kate
81
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could kind of move their mouths
82
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and had such great articulation
in their facial features.
83
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- The masks are soft foam latex
84
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and they're made to be
very, very flexible.
85
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So when it's glued to the
actor, it does what they do.
86
00:03:02,040 --> 00:03:03,300
The broader they can play it,
87
00:03:03,300 --> 00:03:05,250
the more it will read through the mask.
88
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- They're monogamous, imagine!
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- Yeah, oh,
90
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oh!
91
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- Oh, monogamy!
92
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- So scary.
93
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- Yeah.
94
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- [Tamar] I was so curious,
95
00:03:15,060 --> 00:03:17,640
just to see them come up with
these characters together
96
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and they took it in the direction of
97
00:03:20,310 --> 00:03:23,490
a married evangelical couple
98
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that got arrested for something
99
00:03:26,280 --> 00:03:27,930
that we're not really sure of.
100
00:03:27,930 --> 00:03:29,910
- And we do talks and we sell soup.
101
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- Soup?
102
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I
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love that.
104
00:03:33,919 --> 00:03:35,670
- We sell soup.
- We have a soup line.
105
00:03:35,670 --> 00:03:39,390
- And right when they said
that, I was just like, fuck yes.
106
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That is what we're doing.
107
00:03:40,223 --> 00:03:43,920
I like ran up to Ryan Martin,
our production designer,
108
00:03:43,920 --> 00:03:45,690
and I was like, what are the chances
109
00:03:45,690 --> 00:03:47,910
that someone could run over to Gelson's
110
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and grab just like a ton of cans of soup?
111
00:03:50,070 --> 00:03:53,100
And he was like, "Very
high chances, let's do it."
112
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So as they were getting on set,
113
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we had three PAs sticking stickers
114
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to kind of Greek out the labels.
115
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- These are your soup?
- To launch.
116
00:04:01,830 --> 00:04:04,500
Yeah, so they they were
always cheddar based.
117
00:04:04,500 --> 00:04:05,850
- Yeah.
- Bill's favorite.
118
00:04:07,200 --> 00:04:09,821
- I said to John and Kate,
this is our last episode
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that we're filming.
120
00:04:11,190 --> 00:04:13,080
As long as you don't break anything,
121
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feel free to go wild with messing it up.
122
00:04:15,780 --> 00:04:16,680
- Let's ignore him.
123
00:04:16,680 --> 00:04:18,930
It's a gazpacho.
124
00:04:18,930 --> 00:04:19,830
Ignore it.
125
00:04:19,830 --> 00:04:23,520
John was trashing the
plants, trashes the Webby,
126
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and Vic
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gets up,
128
00:04:25,650 --> 00:04:28,770
hurls the blender at the wall.
129
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I don't know if you guys saw that.
130
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- This was the last one,
we were packing down.
131
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- So spoiler alert,
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they completely trashed
the set, soup everywhere.
133
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- [Bruce] Oh my god.
134
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- And then I look over at Ariel,
135
00:04:39,900 --> 00:04:42,363
who's our producer,
and Ariel is just like.
136
00:04:43,650 --> 00:04:44,790
- Crying inside.
137
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- Crying inside.
138
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David is just like.
139
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And my face, I'm just like.
140
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And miraculously no rentals were harmed,
141
00:04:52,500 --> 00:04:55,440
and that is a credit to our entire crew
142
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because after we called
cut, everyone ran in there
143
00:04:59,040 --> 00:05:02,640
and just like started cleaning
the things that were rentals.
144
00:05:02,640 --> 00:05:03,780
- Professional shoot.
145
00:05:03,780 --> 00:05:04,613
- [John] I mean literally.
146
00:05:04,613 --> 00:05:05,520
- Professional crew.
147
00:05:05,520 --> 00:05:06,840
These are like, truly.
148
00:05:06,840 --> 00:05:09,690
- We got a really,
really amazing conclusion
149
00:05:09,690 --> 00:05:10,620
to this episode.
150
00:05:10,620 --> 00:05:11,453
I'm excited for you guys to see it.
151
00:05:11,453 --> 00:05:13,543
- I know.
- I can't wait to see it.
152
00:05:13,543 --> 00:05:16,043
(jazzy music)
153
00:05:16,093 --> 00:05:20,643
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