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♪ The Wind in the Willows
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♪ Sang softly to me
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00:00:22,360 --> 00:00:25,034
♪ Follow my voice
4
00:00:25,160 --> 00:00:28,835
♪ Wherever it leads
5
00:00:28,960 --> 00:00:31,839
♪ From mountains,
through valleys
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♪ To deep rolling seas
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♪ Born on the wings
of the breeze ♪
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It wasn't far from being spring.
9
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True, only the bravest flowers
were pushing through,
10
00:01:06,400 --> 00:01:10,189
the celandine and the snowdrop
in the moist hedge bottoms,
11
00:01:10,320 --> 00:01:12,789
but somehow the air was different,
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no longer cramping cold,
13
00:01:15,240 --> 00:01:19,029
but carrying what was almost
a taste of hope.
14
00:01:19,160 --> 00:01:23,358
The willows by the river's edge
were an "are they, aren't they?" green
15
00:01:23,480 --> 00:01:27,474
with buds that showed
a fatness full of promise.
16
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Down in the snugness of Mole End,
Mole felt the stirring, too,
17
00:01:33,120 --> 00:01:35,509
and found the heart for baking.
18
00:01:35,640 --> 00:01:41,238
But no sooner had the butter, flour and
eggs and sugar been taken out of store
19
00:01:41,360 --> 00:01:43,829
than Mole heard noises from above.
20
00:01:46,200 --> 00:01:48,191
Hello? Was that a car?
21
00:01:52,000 --> 00:01:53,593
Toad.
22
00:01:53,720 --> 00:01:58,510
No, not Toad! There's no poop-poop
and there always is with Toad!
23
00:02:00,760 --> 00:02:02,751
Who can it be?
24
00:02:02,880 --> 00:02:06,077
Well, one way to find out.
I'll go and see.
25
00:02:08,600 --> 00:02:10,591
Yes? What can I...
26
00:02:10,720 --> 00:02:12,518
Oh, you!
27
00:02:12,640 --> 00:02:15,200
What a wonderful surprise!
28
00:02:15,320 --> 00:02:20,315
Oh, Cousin Mole. How kind you are.
How good to see you, too.
29
00:02:20,440 --> 00:02:22,431
Come in, come in!
30
00:02:22,560 --> 00:02:27,350
I'm afraid the place is a mess as usual.
I'm baking a batch of scones.
31
00:02:27,480 --> 00:02:31,030
The place, my modest cousin,
is perfect!
32
00:02:32,680 --> 00:02:34,637
Well! Can you stay?
33
00:02:34,760 --> 00:02:37,354
I wouldn't want to be a nuisance.
34
00:02:37,480 --> 00:02:40,677
I'm not the best of company just now.
35
00:02:40,800 --> 00:02:44,794
Oh, nonsense, Auberon.
I'll make a cup of tea.
36
00:02:44,920 --> 00:02:47,878
Then we'll get your bags
and sit and chat...!
37
00:02:48,000 --> 00:02:51,595
- Oh, it IS good to see you!
- Oh, Mole!
38
00:02:54,000 --> 00:02:57,994
What did you mean,
you're not the best of company?
39
00:02:58,120 --> 00:03:00,111
Well, I'm not.
40
00:03:00,240 --> 00:03:04,632
I'm rather low.
The fact is, Cousin, I'm a failure.
41
00:03:04,760 --> 00:03:06,671
You? A failure?
42
00:03:06,800 --> 00:03:10,794
It's my latest play.
It WAS my latest play.
43
00:03:10,920 --> 00:03:15,710
It opened in the West End last week.
The critics absolutely hated it.
44
00:03:15,840 --> 00:03:19,515
Audiences thought they wouldn't bother
and it's coming off.
45
00:03:19,640 --> 00:03:23,235
- Oh, Auberon.
- Eight months' work down the drain.
46
00:03:23,360 --> 00:03:25,920
It'll come back. You'll see!
47
00:03:26,040 --> 00:03:31,035
No, Mole, it won't. I'm beginning to think
the critics might be right.
48
00:03:31,160 --> 00:03:35,358
"Lacks the vital spark."
"Renowned playwright fails."
49
00:03:35,480 --> 00:03:38,279
"A tedious evening was had by all."
50
00:03:38,400 --> 00:03:40,789
Oh, I say!
51
00:03:40,920 --> 00:03:44,914
- Just don't seem to have it in me.
- Oh, dear.
52
00:03:45,040 --> 00:03:49,876
- Aunt Alfreda's efforts haven't helped.
- Your aunt? What's she been doing?
53
00:03:50,000 --> 00:03:55,393
Giving dinners, throwing parties,
trying to brighten my spirits.
54
00:03:55,520 --> 00:03:58,319
Ohh! Nearly driven me
out of my mind!
55
00:03:58,440 --> 00:04:03,037
Oh, Cousin.
What you need is peace and quiet.
56
00:04:03,160 --> 00:04:05,629
And a scone and another cup of teal
57
00:04:30,560 --> 00:04:32,756
Now, let me see...
58
00:04:36,600 --> 00:04:40,195
A large country house in...
59
00:04:41,200 --> 00:04:42,998
Oh, no.
60
00:04:44,920 --> 00:04:47,514
That's rubbish!
61
00:04:52,800 --> 00:04:55,394
Oh, come on, Auberon! Come on.
62
00:05:15,000 --> 00:05:18,595
When the curtains open, we...
63
00:05:40,800 --> 00:05:43,394
Where's my inspiration gone?
64
00:05:58,200 --> 00:06:00,794
Concentrate, man, concentrate.
65
00:06:04,000 --> 00:06:06,196
Now what comes next?
66
00:06:10,800 --> 00:06:12,757
Cast List.
67
00:06:18,400 --> 00:06:21,040
I haven't even got a cast. Oh, dear.
68
00:06:43,000 --> 00:06:45,469
Well, no wonder you slept late, Auberon.
69
00:06:45,600 --> 00:06:49,195
It must have been three in the morning
when I found you.
70
00:06:49,320 --> 00:06:53,109
- Oh, I must be a great nuisance to you.
- Nonsense.
71
00:06:53,240 --> 00:06:56,835
Besides, I'm glad that you felt
like writing again.
72
00:06:56,960 --> 00:07:02,558
If only I had been! But nothing came.
No ideas, no lines. Nothing.
73
00:07:02,680 --> 00:07:05,479
You mustn't expect too much, too soon.
74
00:07:05,600 --> 00:07:09,389
Just a little peace and quiet and...
75
00:07:09,520 --> 00:07:12,319
- Blow! Who's that?
- One of your friends.
76
00:07:12,440 --> 00:07:16,638
- Oh, dear. Do you mind if I...?
- Of course not, Mole.
77
00:07:16,760 --> 00:07:20,879
- Do go and let the poor chap in.
- Oh, well.
78
00:07:21,000 --> 00:07:22,991
Coming!
79
00:07:25,080 --> 00:07:28,198
- Ratty!
- Hello, Mole, old chap!
80
00:07:28,320 --> 00:07:32,712
Come in, Ratty, do!
My cousin Auberon's visiting.
81
00:07:32,840 --> 00:07:34,831
Yes, I know.
82
00:07:35,840 --> 00:07:40,596
- Delighted to meet you again.
- Ratty. A great pleasure.
83
00:07:40,720 --> 00:07:45,510
- You know, Ratty?
- Otter saw the car outside Mole End.
84
00:07:45,640 --> 00:07:49,634
Oh. Oh, well.
Jolly nice to see you, Ratty.
85
00:07:49,760 --> 00:07:54,152
- Would you like a...?
- I've been scribbling some little songs.
86
00:07:54,280 --> 00:07:56,112
Really only ditties.
87
00:07:56,240 --> 00:08:00,632
I wondered if you'd be so kind
as to look them over
88
00:08:00,760 --> 00:08:04,754
and let me have the benefit
of your literary experience?
89
00:08:04,880 --> 00:08:08,874
- Well, the fact is that Auberon...
- Of course I will.
90
00:08:09,000 --> 00:08:15,713
That's very kind of you. I... Oh, dear.
I must have left them in my coat pocket.
91
00:08:15,840 --> 00:08:18,400
Oh, Auberon. You don't have to.
92
00:08:18,520 --> 00:08:22,115
- I'll explain you need peace and quiet.
- No, Mole.
93
00:08:22,240 --> 00:08:24,959
Any friend of yours is a friend of mine.
94
00:08:25,080 --> 00:08:27,037
- Ssh.
- Here we are.
95
00:08:27,160 --> 00:08:29,959
You see, I've written this little poem.
96
00:08:30,080 --> 00:08:33,675
It's...
Well, it's about the river, actually.
97
00:08:33,800 --> 00:08:36,997
-Oh?
- I's a favourite subject with me.
98
00:08:37,120 --> 00:08:39,919
Well, look, perhaps we could sit down?
99
00:09:12,320 --> 00:09:15,517
Ahh, so he IS visiting his cousin.
100
00:09:15,640 --> 00:09:17,631
Good, good.
101
00:09:17,760 --> 00:09:22,755
Ha ha! Always nice to have
a fellow spirit to share a good book with.
102
00:09:25,000 --> 00:09:28,072
"Begirt with British or Armoric knights,
103
00:09:28,200 --> 00:09:31,909
"men all who since, Baptiz'd or Infidel,
104
00:09:32,040 --> 00:09:35,032
"jousted in Aspramont or Montalban,
105
00:09:35,160 --> 00:09:38,676
"Damasco or Morocco or Trebisond,
106
00:09:38,800 --> 00:09:41,838
"or whom Biserta sent from Afric shore
107
00:09:41,960 --> 00:09:45,351
"When Charlemagne
with all his peerage fell
108
00:09:45,480 --> 00:09:47,471
"by Fontarabbia!"
109
00:09:47,600 --> 00:09:52,674
Ahh! What a way with words
John Milton had. Eh?
110
00:09:52,800 --> 00:09:55,758
Mmm? Oh, yes. Yes, indeed.
111
00:09:55,880 --> 00:10:00,317
Sets me in mind of Marlowe
with his mighty line.
112
00:10:00,440 --> 00:10:04,434
You'll have a final cup of tea
before you go, Badger?
113
00:10:04,560 --> 00:10:07,951
Er...go, Mole?
114
00:10:08,080 --> 00:10:11,391
Well, Auberon's been a little...
off-colour lately.
115
00:10:11,520 --> 00:10:15,434
- No! Really, Mole. I...
- And he needs a lot of rest.
116
00:10:15,560 --> 00:10:17,153
Oh.
117
00:10:17,280 --> 00:10:20,477
Oh, I see. Well, I'm sorry.
118
00:10:20,600 --> 00:10:23,433
No intention of forcing myself upon you.
119
00:10:23,560 --> 00:10:26,359
- You haven't at all.
- It isn't that.
120
00:10:26,480 --> 00:10:30,075
Oh, no, no. I quite understand.
Quite understand.
121
00:10:30,200 --> 00:10:32,953
Don't want to be jawed at
by an old badger.
122
00:10:33,080 --> 00:10:37,677
- Oh, Badger. Do have a cup of...
- No, thank you, Mole.
123
00:10:37,800 --> 00:10:41,794
I really mustn't stay.
I've got things to do myself.
124
00:10:41,920 --> 00:10:45,276
So, well...I'll say goodbye, then.
125
00:10:47,600 --> 00:10:49,796
Goodbye, then, Badger.
126
00:10:49,920 --> 00:10:54,790
- I've enjoyed...
- I'll see myself out. I know the way.
127
00:10:54,920 --> 00:10:56,911
Good evenin' to you.
128
00:10:58,800 --> 00:11:00,598
Oh, dear.
129
00:11:00,720 --> 00:11:03,280
I'm afraid his feelings have been hurt.
130
00:11:03,400 --> 00:11:06,995
-I only...
- You only did it out of kindness, Mole.
131
00:11:07,120 --> 00:11:12,115
And Badger's kind, too. He'll understand.
In a day or two it'll all be forgotten.
132
00:11:12,240 --> 00:11:16,029
I do hope so.
And you do need peace and quiet.
133
00:11:16,160 --> 00:11:18,151
Yes, I suppose I do.
134
00:11:18,280 --> 00:11:22,194
Neither of us is getting much of that.
Are we?
135
00:11:22,320 --> 00:11:24,596
No. No.
136
00:11:34,400 --> 00:11:36,596
- Mole!
- Oh, no!
137
00:11:36,720 --> 00:11:39,997
- What's that, old chap?
- I think it's Toad.
138
00:11:40,120 --> 00:11:44,557
Oh, dear. Three days you've been here
now and every day someone...
139
00:11:44,680 --> 00:11:48,275
Don't worry, Mole.
I'm almost glad of it.
140
00:11:48,400 --> 00:11:51,756
There's not a single line I want to keep.
Not an idea.
141
00:11:51,880 --> 00:11:55,510
- Oh, Auberon.
- Hello? Hello?
142
00:11:55,640 --> 00:11:59,634
- Hello, Mole! Can I come in?
- Yes, do come... Oh, you have.
143
00:11:59,760 --> 00:12:04,755
Hello, Mole! Auberon, my dear fellow!
I heard you were here.
144
00:12:04,880 --> 00:12:06,871
My dear Toad.
145
00:12:07,000 --> 00:12:10,834
- How do you do?
- That car could do with a wash.
146
00:12:10,960 --> 00:12:14,271
- Really?
- My Rolls Royce is gleaming!
147
00:12:14,400 --> 00:12:17,313
Hmm. I must get my man to see to it.
148
00:12:17,440 --> 00:12:20,239
Mmm. Oh, yes. I say!
149
00:12:20,360 --> 00:12:24,638
I couldn't help noticing
the reviews for your play.
150
00:12:24,760 --> 00:12:27,229
- Ah, yes.
-Toad...
151
00:12:27,360 --> 00:12:30,432
Phew! They really gave it what for, eh?
152
00:12:30,560 --> 00:12:34,155
-Yes...
- "Lacks the vital spark."
153
00:12:34,280 --> 00:12:37,352
- Toad...
- "A tedious evening"!
154
00:12:37,480 --> 00:12:40,871
By Jove! That must have set you back
on your heels!
155
00:12:41,000 --> 00:12:45,119
- Yes, Toad. It has, rather.
- Toad! Will you have a cup of tea?
156
00:12:45,240 --> 00:12:47,675
I say, Mole. No need to shout.
157
00:12:47,800 --> 00:12:51,589
Will you have a cup of tea
and a buttered scone?
158
00:12:51,720 --> 00:12:56,715
A good idea, Mole. Thank you.
You haven't got any upside down cake?
159
00:12:56,840 --> 00:12:59,832
- I'll see. Tea, Auberon?
- Please.
160
00:13:00,760 --> 00:13:05,231
I reckon I could write a jolly good play
if I set my mind to it.
161
00:13:05,360 --> 00:13:08,352
- Oh, really, Toad?
- Well, yes.
162
00:13:08,480 --> 00:13:11,871
- I's only writing down what people say.
-Well...
163
00:13:12,000 --> 00:13:13,991
Yes, I suppose so.
164
00:13:14,120 --> 00:13:19,320
Yes. And a chap with my abilities
ought to be able to do THAT.
165
00:13:21,000 --> 00:13:24,789
- I say, are you all right?
- Oh, yes. Yes.
166
00:13:24,920 --> 00:13:26,319
Yes.
167
00:13:26,440 --> 00:13:29,876
In fact, I thought...
Will you be here tomorrow?
168
00:13:30,000 --> 00:13:32,310
Well, yes, I think so.
169
00:13:32,440 --> 00:13:36,832
Good. I thought I might just knock off
a little drama this afternoon.
170
00:13:36,960 --> 00:13:40,351
And then you could have a look at it
tomorrow.
171
00:13:42,000 --> 00:13:43,957
Love to. Ahem. Love to.
172
00:13:44,080 --> 00:13:48,074
Oh, good. I wonder which would be
the best theatre for it.
173
00:13:48,200 --> 00:13:52,194
- It would need to hold a lot of people.
- Of course!
174
00:13:53,200 --> 00:13:58,070
Mole, good job you've done that tea.
Your cousin here has an awful cough.
175
00:14:00,520 --> 00:14:03,114
Oh, dear. Auberon, are you...?
176
00:14:04,120 --> 00:14:06,111
Oh, I see.
177
00:14:06,240 --> 00:14:10,632
Em, look, Toad,
do have a home-made cherry scone.
178
00:14:10,760 --> 00:14:12,956
Ah, thank you, Mole.
179
00:14:13,080 --> 00:14:18,598
I was just telling your cousin about my
plans for becoming a famous playwright.
180
00:14:18,720 --> 00:14:21,109
Oh, Toad...
181
00:14:25,400 --> 00:14:30,076
Well, well, well. Good to hear
that he's so much lifted in spirits.
182
00:14:30,200 --> 00:14:34,990
Yes, isn't it? I never realised
poor Auberon was so low. Stupid of me.
183
00:14:35,120 --> 00:14:39,512
Oh, I'm sorry, Mole. Do go on. What
else does he say about his new play?
184
00:14:39,640 --> 00:14:43,634
Em, where was
I? "Rehearsals
have gone exceedingly well.
185
00:14:43,760 --> 00:14:47,754
"The central character is a delight.
I could walk on air."
186
00:14:47,880 --> 00:14:53,080
Ah, here we are. "Little did I know
when I fled to you for comfort
187
00:14:53,200 --> 00:14:55,999
"just how much inspiration I would find
188
00:14:56,120 --> 00:14:59,033
"among the peaceful joys
of the river bank
189
00:14:59,160 --> 00:15:01,754
"and your own warmth and hospitality."
190
00:15:01,880 --> 00:15:05,874
- Hear, hear. Quite right, too.
- I don't know about that.
191
00:15:06,000 --> 00:15:09,880
Now, "Please remember me
to Rat and Badger,
192
00:15:10,000 --> 00:15:12,799
"those honest, sturdy companions.
193
00:15:14,280 --> 00:15:16,669
"And, of course, to Toad,
194
00:15:16,800 --> 00:15:20,998
"the sine qua non
of all my new-found hopes."
195
00:15:21,120 --> 00:15:23,680
Sine qua non, Badger?
196
00:15:23,800 --> 00:15:28,112
Latin, Latin. "Without which, nothin'."
The essential ingredient.
197
00:15:28,240 --> 00:15:32,791
Really'? Why should Toad
be a sine qua whatsit?
198
00:15:32,920 --> 00:15:35,116
Well, no idea, Ratty.
199
00:15:36,400 --> 00:15:38,311
No idea.
200
00:15:38,440 --> 00:15:40,636
My apologies, Mole. Do carry on.
201
00:15:40,760 --> 00:15:42,751
That's it, really.
202
00:15:42,880 --> 00:15:46,874
"Always your grateful and twice
as cheerful cousin, Auberon."
203
00:15:47,000 --> 00:15:51,995
His stay has done him the world of good.
Maybe it was your upside down cake!
204
00:15:52,120 --> 00:15:55,112
Oh, speaking of upside down cake...
205
00:15:55,240 --> 00:15:58,835
Speaking of upside down cake,
here's Toad.
206
00:15:58,960 --> 00:16:02,954
I'll go and let him in.
I think I left the catch on.
207
00:16:03,080 --> 00:16:06,869
Ah, well,
it's been a peaceful mornin' so far.
208
00:16:07,000 --> 00:16:11,073
Yes, Badger.
Can't have everything we want, can we?
209
00:16:11,200 --> 00:16:14,192
- Hello, you chaps!
- Hello, Toad.
210
00:16:14,320 --> 00:16:19,838
- I say, have you seen The Times?
- Er, no, I don't think we have.
211
00:16:19,960 --> 00:16:24,636
- Of course, I do like to start the day...
- By reading the paper in bed.
212
00:16:24,760 --> 00:16:26,512
Yes. No!
213
00:16:26,640 --> 00:16:30,031
- Oh, I say, Badger!
- What is it, Toad?
214
00:16:30,160 --> 00:16:32,549
It's my old friend, Auberon.
215
00:16:32,680 --> 00:16:36,674
- You mean Mole's cousin Auberon?
- Well, yes.
216
00:16:36,800 --> 00:16:41,317
- He is all right?
- Absolutely. I's his new play.
217
00:16:41,440 --> 00:16:45,195
- Oh, dear.
- No, it's an absolute triumph!
218
00:16:45,320 --> 00:16:48,915
- Triumph?!
- Yes, listen to this.
219
00:16:49,040 --> 00:16:54,433
"If Mr Auberon Mole's last play
was a trough in his writing career,
220
00:16:54,560 --> 00:16:59,157
"this new comedy 'Oh, Jeremy!'
must be the peak."
221
00:16:59,280 --> 00:17:01,078
Oh, how wonderful!
222
00:17:01,200 --> 00:17:04,795
- Ssh-ssh-ssh! Do listen.
- Sorry.
223
00:17:04,920 --> 00:17:09,391
"This account
of a bumptious provincial playwright
224
00:17:09,520 --> 00:17:13,912
"received the accolade
from the opening night audience
225
00:17:14,040 --> 00:17:16,316
"and demands it from your humble critic."
226
00:17:16,440 --> 00:17:18,636
Oh, Auberon!
227
00:17:18,760 --> 00:17:23,197
"Above all, the richness of the central
character deserves our admiration.
228
00:17:23,320 --> 00:17:27,393
"Jeremy Scribbles
is a conceited country squire."
229
00:17:27,520 --> 00:17:31,070
I say, Badger.
Who does that remind you of?
230
00:17:31,200 --> 00:17:33,396
Country squire!
231
00:17:33,520 --> 00:17:38,469
"Whose dilettante nature makes him
now chemist, now racing driver,
232
00:17:38,600 --> 00:17:40,591
"now photographer, now flyer.
233
00:17:42,000 --> 00:17:46,915
"And, in a final attack of conceit,
a playwright!"
234
00:17:52,600 --> 00:17:54,989
It's jolly good.
235
00:17:55,120 --> 00:17:58,112
"The consummately-crafted
believableness
236
00:17:58,240 --> 00:18:00,993
"of this unbelievable character
is inspiring
237
00:18:01,120 --> 00:18:05,512
"and makes one wonder
if he could have been drawn from life."
238
00:18:05,640 --> 00:18:07,631
I wonder!
239
00:18:10,120 --> 00:18:12,714
That's hardly likely, is it?
240
00:18:15,200 --> 00:18:16,793
Really.
241
00:18:16,920 --> 00:18:21,312
"Oh, Jeremy!' brings to the West End
a combination of hilarity, eccentricity,
242
00:18:21,440 --> 00:18:26,640
"pure farce and yet affection that will not
be matched for many a year."
243
00:18:26,760 --> 00:18:30,230
- There!
- Oh, that's wonderful.
244
00:18:30,360 --> 00:18:33,591
- It certainly is!
- Yes!
245
00:18:34,720 --> 00:18:37,917
I mean, a conceited country squire!
246
00:18:38,040 --> 00:18:40,031
How silly!
247
00:18:41,040 --> 00:18:43,680
Now a photographer, now a flyer...
248
00:18:48,200 --> 00:18:50,191
Oh, Jeremy!
249
00:18:50,320 --> 00:18:52,709
Oh, Toad!
250
00:18:55,760 --> 00:18:57,558
Oh, yes!
251
00:19:00,400 --> 00:19:02,630
♪ Spin me a dream
252
00:19:02,760 --> 00:19:06,719
♪ Woven silver and gold
253
00:19:06,840 --> 00:19:09,832
♪ From sunshine and shadows
254
00:19:09,960 --> 00:19:12,998
♪ And days long ago
255
00:19:13,120 --> 00:19:16,556
♪ Where people are memories
256
00:19:16,680 --> 00:19:21,516
♪ And stories unfold
257
00:19:21,640 --> 00:19:23,438
♪ Willows
258
00:19:23,560 --> 00:19:28,270
♪ The tales you have told me
259
00:19:28,400 --> 00:19:31,153
♪ Wind in the Willows
260
00:19:31,280 --> 00:19:34,910
♪ You just seem to know
261
00:19:35,040 --> 00:19:38,078
♪ Who you can tum to
262
00:19:38,200 --> 00:19:40,760
♪ And which way to go
263
00:19:40,880 --> 00:19:46,512
♪ To unwind your wondrous mind
264
00:19:48,240 --> 00:19:50,436
♪ Wind in the Willows
265
00:19:50,560 --> 00:19:53,598
♪ Take me there ♪
19859
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