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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:03,760 Hello, I'm James Corden. I play Smithy in Gavin & Stacey. 2 00:00:03,760 --> 00:00:06,320 We're here at the set and we're going to go behind the scenes. 3 00:00:08,840 --> 00:00:11,000 Stand by for a take, please. First position. 4 00:00:11,000 --> 00:00:14,320 We are going to see some familiar faces. 5 00:00:14,320 --> 00:00:18,440 I think there may be a couple of surprises in there. 6 00:00:18,440 --> 00:00:19,520 ? Here I go again... ? 7 00:00:19,520 --> 00:00:21,560 People want to watch it and if they want to enjoy it, 8 00:00:21,560 --> 00:00:22,720 then that is fab 9 00:00:22,720 --> 00:00:24,560 because I think it'll make Christmas really lovely. 10 00:00:24,560 --> 00:00:26,040 ? Limbo, limbo, limbo! ? 11 00:00:26,040 --> 00:00:28,880 I think people are going to be really bowled over by this. 12 00:00:28,880 --> 00:00:31,760 They're going to be blown away, frankly. 13 00:00:31,760 --> 00:00:33,320 Gin and tonic! 14 00:00:33,320 --> 00:00:34,720 There are surprises. 15 00:00:34,720 --> 00:00:35,920 There are shocks. 16 00:00:35,920 --> 00:00:40,880 We as the cast, when we were reading it, went, "What?!" 17 00:00:40,880 --> 00:00:42,080 Genuinely. 18 00:00:42,080 --> 00:00:43,160 Oh! 19 00:00:43,160 --> 00:00:44,600 ALL: Oh! 20 00:00:44,600 --> 00:00:47,120 Oh. ALL: Oh. 21 00:00:47,120 --> 00:00:49,800 It's like some sort of strange mating call. 22 00:00:49,800 --> 00:00:52,920 It will be the last time that we ever see 23 00:00:52,920 --> 00:00:54,800 all these characters get together. 24 00:00:54,800 --> 00:00:56,840 THEY SHOUT 25 00:01:05,040 --> 00:01:06,440 And action. 26 00:01:08,920 --> 00:01:11,320 The beard is applied hair by hair. 27 00:01:12,680 --> 00:01:14,000 Tell us where we are, Ruth. 28 00:01:14,000 --> 00:01:18,440 We are in the glorious make-up truck, which is a little haven. 29 00:01:18,440 --> 00:01:20,160 So how many tattoos do you have to get done a day? 30 00:01:20,160 --> 00:01:21,920 Normally just two. 31 00:01:21,920 --> 00:01:24,080 So I have this one, the dragon one. 32 00:01:24,080 --> 00:01:25,120 Ooh, here it goes. 33 00:01:26,360 --> 00:01:28,480 A new one for the last Christmas special 34 00:01:28,480 --> 00:01:30,200 was the Neil the Baby tattoo. 35 00:01:30,200 --> 00:01:36,360 It's got his date of birth on there, which is 08-08-08. 36 00:01:38,200 --> 00:01:39,400 Look who it is! 37 00:01:39,400 --> 00:01:41,760 Hello, hello, hello! 38 00:01:41,760 --> 00:01:44,480 I only come in to get the sweets at lunch. That's lethal. 39 00:01:44,480 --> 00:01:46,160 And a shave now. Right. That's it. 40 00:01:46,160 --> 00:01:48,560 I'm going to do that now. Smithy's beard has to be kept... 41 00:01:48,560 --> 00:01:49,760 Well, it's just got to be... 42 00:01:49,760 --> 00:01:52,600 Well, yeah, because it's only set over, what, four days? 43 00:01:52,600 --> 00:01:53,840 A gentle misting. 44 00:01:55,640 --> 00:01:57,240 Is this where the gossip happens? 45 00:01:57,240 --> 00:02:00,360 I mean, Joanna Page is being exceptionally quiet down there. 46 00:02:03,120 --> 00:02:05,880 What would Ronnie Corbett say if he was having this done? 47 00:02:05,880 --> 00:02:10,240 James, if you think that I am some sort of performing monkey... 48 00:02:10,240 --> 00:02:13,320 AS RONNIE CORBETT: ..who is... Who is go... Oh. Who... 49 00:02:13,320 --> 00:02:15,800 Ha! I'll never forget the day. 50 00:02:15,800 --> 00:02:20,080 There I was sitting, having my, having my... 51 00:02:20,080 --> 00:02:22,600 ...having my hair dampened down... 52 00:02:24,120 --> 00:02:25,880 NORMAL: And I'm just not going to play ball, I'm sorry. 53 00:02:27,080 --> 00:02:28,120 Playback! 54 00:02:30,640 --> 00:02:34,680 Well, James Corden, how does it feel to be filming the finale? 55 00:02:34,680 --> 00:02:35,880 On one level, 56 00:02:35,880 --> 00:02:39,880 it's amazing and it's so joyous. 57 00:02:39,880 --> 00:02:41,680 And we cut there! 58 00:02:41,680 --> 00:02:44,520 Every day has just been so great. 59 00:02:44,520 --> 00:02:46,920 And then you've got this overwhelming feeling 60 00:02:46,920 --> 00:02:48,360 that hits you probably every... 61 00:02:48,360 --> 00:02:50,640 Or it certainly hits me, like, every couple of hours, 62 00:02:50,640 --> 00:02:52,840 where you start going, "Oh, God." 63 00:02:52,840 --> 00:02:56,160 You know, "We're not going to be doing this again." 64 00:02:56,160 --> 00:02:57,560 Pam, what is this? 65 00:02:57,560 --> 00:02:59,720 Oh, that's tzatziki, my love. 66 00:02:59,720 --> 00:03:01,880 What is tzatziki? No idea. 67 00:03:01,880 --> 00:03:03,960 Greek, it is, Pam. Yoghurt. 68 00:03:03,960 --> 00:03:05,400 It's 90 minutes. 69 00:03:05,400 --> 00:03:07,520 Previously, our specials have been one hour. 70 00:03:07,520 --> 00:03:08,640 There is a real journey 71 00:03:08,640 --> 00:03:12,120 and I think all of the characters have got their own little 72 00:03:12,120 --> 00:03:13,360 story in there, 73 00:03:13,360 --> 00:03:14,960 which is lovely, because I think if you... 74 00:03:14,960 --> 00:03:18,960 If you're fond of a show, you're fond of all the characters. 75 00:03:18,960 --> 00:03:22,280 It's a bit like I used to love The Wombles when I was little, you know? 76 00:03:22,280 --> 00:03:25,240 And I would love any story about any of the Wombles. 77 00:03:26,560 --> 00:03:27,600 I loves you... 78 00:03:29,920 --> 00:03:31,240 ...with all my heart. 79 00:03:34,880 --> 00:03:35,920 So... 80 00:03:45,760 --> 00:03:46,800 ...will you marry me? 81 00:03:48,240 --> 00:03:49,280 What? 82 00:03:49,280 --> 00:03:50,760 Where is this set? 83 00:03:50,760 --> 00:03:54,560 Is it five years after the last episode? How does it work? 84 00:03:54,560 --> 00:03:56,040 What can you tell us? 85 00:03:56,040 --> 00:03:58,240 Well, I can tell you it isn't set at Christmas. 86 00:03:58,240 --> 00:04:02,440 So we felt we've done two Christmas Day specials. 87 00:04:02,440 --> 00:04:05,520 These carrots, Michael, are an Arc de Triumph. 88 00:04:05,520 --> 00:04:08,600 You sure? Everybody happy? ALL: Yeah. It's immense. 89 00:04:08,600 --> 00:04:11,080 We've done a Christmas in Essex, we've done a Christmas in Barry 90 00:04:11,080 --> 00:04:15,160 and the story is set after where the last one left off. 91 00:04:15,160 --> 00:04:16,240 Immediately after? 92 00:04:16,240 --> 00:04:17,680 I can't tell you that, Colin. 93 00:04:17,680 --> 00:04:19,920 But I can tell you in the timeline of history, 94 00:04:19,920 --> 00:04:21,800 it is set after that moment. 95 00:04:21,800 --> 00:04:24,520 There's no time jump. We're not going back in time. 96 00:04:24,520 --> 00:04:25,560 Come on, guys! 97 00:04:29,400 --> 00:04:33,200 I knew when I got the call that they both were sure 98 00:04:33,200 --> 00:04:35,760 that they'd got it right, and that this was the story 99 00:04:35,760 --> 00:04:40,160 that they wanted to tell and would be the appropriate story 100 00:04:40,160 --> 00:04:42,280 to tell for a finale. 101 00:04:42,280 --> 00:04:44,320 There's always been that sense of, "Oh, my gosh, there might be more. 102 00:04:44,320 --> 00:04:45,360 "There might be more." 103 00:04:45,360 --> 00:04:48,680 But now knowing that this finally IS the last one sort of just makes 104 00:04:48,680 --> 00:04:50,800 you savour everything just all the more 105 00:04:50,800 --> 00:04:53,440 and it's just so special and so lovely. 106 00:04:55,120 --> 00:04:59,840 So this is the home of Pamela and Michael. 107 00:04:59,840 --> 00:05:01,840 It is meant to be in Essex... 108 00:05:01,840 --> 00:05:04,040 WHISPERING: ..but it's not really in Essex. 109 00:05:04,040 --> 00:05:06,480 It's in a place called Dinas Powys. 110 00:05:06,480 --> 00:05:09,120 And we've always used this house. We're going to show you around. 111 00:05:09,120 --> 00:05:10,880 We're going to show you around. Come on in. 112 00:05:12,800 --> 00:05:16,960 It's not normally this dark because it's set for night. 113 00:05:16,960 --> 00:05:18,920 So all the windows are blacked out at the moment, 114 00:05:18,920 --> 00:05:21,600 so normally this is quite a bright hallway. 115 00:05:21,600 --> 00:05:27,520 We've got a special ice cube holder, which keeps the ice for negronis 116 00:05:27,520 --> 00:05:29,480 very cold. 117 00:05:29,480 --> 00:05:31,280 Lots of stuff has happened in the hallway. 118 00:05:31,280 --> 00:05:33,000 Yes, loads. 119 00:05:33,000 --> 00:05:36,240 All of the greetings when the Welsh family first came up. 120 00:05:36,240 --> 00:05:38,960 Do you know, I've no idea what my name means in Welsh. 121 00:05:38,960 --> 00:05:41,880 Why? Because I don't speak the lingo, darling. 122 00:05:41,880 --> 00:05:44,360 No, In Welsh, pam means why... Oh! 123 00:05:45,560 --> 00:05:46,600 ...or brick. 124 00:05:46,600 --> 00:05:48,560 Singing for England. Yeah. 125 00:05:48,560 --> 00:05:50,680 ? There's only one way to beat them 126 00:05:50,680 --> 00:05:52,360 ? And that's around the back 127 00:05:52,360 --> 00:05:54,240 ? So catch me if you can 128 00:05:54,240 --> 00:05:56,000 ? Cos I'm the England man... ? 129 00:05:56,000 --> 00:05:58,320 Pam declaring she's a vegetarian. Yeah! 130 00:05:58,320 --> 00:06:01,680 This morning, before you arrived, I became a vegetarian. 131 00:06:01,680 --> 00:06:04,960 Yeah. Veggie. So that's what this is. 132 00:06:04,960 --> 00:06:08,600 It's been such fun over the last 17 years. 133 00:06:08,600 --> 00:06:10,240 {\an8}People love it. 134 00:06:10,240 --> 00:06:13,680 {\an8}People stop me all the time, talk about it. 135 00:06:13,680 --> 00:06:16,120 I love my character. I love this character, Pam. 136 00:06:16,120 --> 00:06:17,680 It's not three steaks. 137 00:06:17,680 --> 00:06:21,360 It's a one steak for me as an actual steak, one as a substitute 138 00:06:21,360 --> 00:06:23,800 for my chips and one as a substitute for my peas. 139 00:06:23,800 --> 00:06:27,080 She's so crackers, you know, she's so over the top 140 00:06:27,080 --> 00:06:29,080 and yet she's got such a heart. 141 00:06:29,080 --> 00:06:31,720 And I love the relationship with Mick... 142 00:06:31,720 --> 00:06:33,800 TUNE PLAYS 143 00:06:33,800 --> 00:06:36,040 Sorry. That's the front door. 144 00:06:36,040 --> 00:06:38,680 Um... LAUGHTER 145 00:06:38,680 --> 00:06:40,720 Very suitable Pam doorbell. Yeah, yeah. 146 00:06:40,720 --> 00:06:42,720 No. I love their relationship 147 00:06:42,720 --> 00:06:45,760 because, you know, when they have rows, which they do quite a lot, 148 00:06:45,760 --> 00:06:50,080 you know, and she'll say, "Mick," you know, "Enough," or whatever, 149 00:06:50,080 --> 00:06:53,000 they always get back together and have a lovely hug 150 00:06:53,000 --> 00:06:54,320 and laugh together. 151 00:06:54,320 --> 00:06:58,280 And I think that that's... That warmth of their relationship, 152 00:06:58,280 --> 00:07:00,200 I think that's what people love. 153 00:07:00,200 --> 00:07:02,960 How's Mick changed over 17 years? 154 00:07:02,960 --> 00:07:04,000 Got greyer. 155 00:07:05,960 --> 00:07:07,840 Yeah, Mick... I think Mick's... 156 00:07:07,840 --> 00:07:10,720 Basically, Mick's a sort of solid old stalwart, 157 00:07:10,720 --> 00:07:11,840 you know what I mean? 158 00:07:11,840 --> 00:07:14,680 He's the... He's the consort to Queen Pamela. 159 00:07:14,680 --> 00:07:17,000 You just play your cards right, sweet cheeks, 160 00:07:17,000 --> 00:07:18,800 you never know what might happen tonight. 161 00:07:18,800 --> 00:07:20,520 Go on, say it. Now. Quickly. 162 00:07:20,520 --> 00:07:21,640 No. Go on! 163 00:07:21,640 --> 00:07:24,320 No. Please! Just whisper it. 164 00:07:25,440 --> 00:07:28,760 It's always been you... Camilla. 165 00:07:28,760 --> 00:07:31,840 So this kitchen area has seen a lot of action. 166 00:07:31,840 --> 00:07:35,880 Like, for example, the famous oven gloves. 167 00:07:44,720 --> 00:07:46,280 Can't feel a thing. 168 00:07:46,280 --> 00:07:50,240 Smithy's curry order was done pretty much from this spot. Yeah, that's right. 169 00:07:50,240 --> 00:07:51,800 We're getting an Indian. What do you fancy? 170 00:07:51,800 --> 00:07:53,840 Chicken bhuna, lamb bhuna, prawn bhuna, 171 00:07:53,840 --> 00:07:56,320 mushroom rice, bag of chips, keema naan and nine poppadoms. 172 00:07:59,440 --> 00:08:01,520 JOANNA PAGE: I don't feel there's any pressure. 173 00:08:01,520 --> 00:08:05,480 I'm just loving being with my mates and having a laugh and limboing. 174 00:08:07,080 --> 00:08:08,360 PAM: Brilliant, Bryn! 175 00:08:08,360 --> 00:08:11,160 I know! I've always had a flexible spine. 176 00:08:11,160 --> 00:08:15,000 I've seldom seen a man limbo dance as much in one afternoon. 177 00:08:15,000 --> 00:08:18,600 Yeah, it's... I mean, yes, I've not limboed that much. 178 00:08:18,600 --> 00:08:20,600 I don't think I've ever limbo danced before. 179 00:08:20,600 --> 00:08:22,880 Rob Brydon's doing a lot of limboing as well. 180 00:08:22,880 --> 00:08:24,760 He is doing a lot of limboing. 181 00:08:24,760 --> 00:08:28,440 I imagine tomorrow he probably will have a bit of a bad back 182 00:08:28,440 --> 00:08:31,520 and he probably will make a meal out of it, but there you go. 183 00:08:31,520 --> 00:08:34,000 I actually put my back out slightly on one of them. 184 00:08:34,000 --> 00:08:35,200 For real? Genuinely. 185 00:08:35,200 --> 00:08:37,160 I was... I thought, "Really go for it now." 186 00:08:37,160 --> 00:08:39,600 And I did, and I went, "Oh, bloomin' heck! What was that?" 187 00:08:39,600 --> 00:08:41,520 So then I took it easy. 188 00:08:41,520 --> 00:08:43,960 Everyone's looking at me! 189 00:08:43,960 --> 00:08:46,840 You've got a right dirty laugh, do you know that? 190 00:08:46,840 --> 00:08:48,800 You have, you sound like Barbara Windsor. 191 00:08:48,800 --> 00:08:50,000 Oh, I know... 192 00:08:50,000 --> 00:08:51,800 It's interesting because a lot of people 193 00:08:51,800 --> 00:08:55,080 who speak to me about filming this, and when it was announced, 194 00:08:55,080 --> 00:08:57,440 just said they were so excited because they grew up with it. 195 00:08:57,440 --> 00:08:59,440 And putting to one side all my neuroses 196 00:08:59,440 --> 00:09:02,520 about that and the ageing process, 197 00:09:02,520 --> 00:09:06,000 it's incredible because it is part of people's upbringing. 198 00:09:06,000 --> 00:09:09,160 We were all in their homes as they were growing up. 199 00:09:09,160 --> 00:09:10,880 Now they're adults and out in the world. 200 00:09:10,880 --> 00:09:12,720 You look like Daniel Craig! 201 00:09:12,720 --> 00:09:14,640 I know! It's the shorts. 202 00:09:14,640 --> 00:09:18,120 It's extraordinary how much the show means to people. 203 00:09:18,120 --> 00:09:21,000 So, yeah, it's a lifetime for me, 204 00:09:21,000 --> 00:09:23,360 but it's a lifetime for so many other people. 205 00:09:23,360 --> 00:09:26,040 I'll have another shot of that bad boy. Sure? 206 00:09:26,040 --> 00:09:27,480 Yes, I know! 207 00:09:27,480 --> 00:09:30,000 At first I was like, "Not on your Nelly," 208 00:09:30,000 --> 00:09:32,800 and now I'm, "Yes, please, stick it on my Nelly. 209 00:09:36,000 --> 00:09:39,240 How happy are people going to be with the end? 210 00:09:39,240 --> 00:09:41,320 I think it's... 211 00:09:41,320 --> 00:09:44,480 For anybody that's been watching this since the beginning, 212 00:09:44,480 --> 00:09:47,640 I think they're going to get flipped over about three or four times 213 00:09:47,640 --> 00:09:50,360 and they're, you know, they're going to be reeling by the end. 214 00:09:50,360 --> 00:09:53,680 So there'll be tears but... 215 00:09:53,680 --> 00:09:54,720 ...tears of joy. 216 00:09:56,880 --> 00:10:01,480 When the coach crashes into the pub, it's so dramatic, you know, 217 00:10:01,480 --> 00:10:03,160 and it's so... 218 00:10:03,160 --> 00:10:05,560 And Mick is so heroic because, you know, he initially 219 00:10:05,560 --> 00:10:09,240 survives, but he goes back in to try and get the baby out. 220 00:10:09,240 --> 00:10:10,480 People are going to believe you! 221 00:10:10,480 --> 00:10:12,720 And it's such a great... 222 00:10:12,720 --> 00:10:15,600 And the SFX and everything. 223 00:10:15,600 --> 00:10:17,520 I've just had a drink with your ex-fiance. 224 00:10:17,520 --> 00:10:18,680 Oh, my God. 225 00:10:18,680 --> 00:10:20,040 How do you think I feel, Stace? 226 00:10:20,040 --> 00:10:21,120 Was it Clifford? 227 00:10:21,120 --> 00:10:22,320 No. Leighton? 228 00:10:22,320 --> 00:10:23,560 No. Howell? 229 00:10:23,560 --> 00:10:25,720 No, Ahmed! But he's moved to Swindon. 230 00:10:25,720 --> 00:10:27,480 He's home to see his mum. 231 00:10:27,480 --> 00:10:29,080 She had her appendix out. 232 00:10:29,080 --> 00:10:30,160 It's a lot of pressure. 233 00:10:30,160 --> 00:10:31,800 Like, it's a lot of pressure. 234 00:10:31,800 --> 00:10:33,480 Ever since we announced it, 235 00:10:33,480 --> 00:10:37,560 I imagine everybody in the cast, pretty much every day, 236 00:10:37,560 --> 00:10:41,320 someone's told you that it's the thing that 237 00:10:41,320 --> 00:10:43,320 they're looking forward to on Christmas Day. 238 00:10:43,320 --> 00:10:46,560 It's like the closest you could get, I imagine, to, like, being called 239 00:10:46,560 --> 00:10:51,120 up to England or Wales and you're going to a major 240 00:10:51,120 --> 00:10:53,320 tournament, you know, and people go, "Oh, good luck!" 241 00:10:53,320 --> 00:10:54,640 You know, "Let's bring it home!" 242 00:10:54,640 --> 00:10:57,440 And you're like, "Oh, God, we're trying. 243 00:10:57,440 --> 00:10:59,040 "We're really going to try." 244 00:10:59,040 --> 00:11:00,280 Gin and tonic. 245 00:11:02,920 --> 00:11:04,480 Was Larry's level all right? 246 00:11:04,480 --> 00:11:06,120 Yes. Yeah. Great. 247 00:11:06,120 --> 00:11:09,960 The important thing about you, you have directed every single 248 00:11:09,960 --> 00:11:12,600 episode of Gavin & Stacey ever. I have, yes. 249 00:11:12,600 --> 00:11:14,880 You wouldn't think I was old enough, would you? 250 00:11:14,880 --> 00:11:17,160 Yeah. No, I have absolutely. 251 00:11:17,160 --> 00:11:18,480 That's quite a claim to fame. 252 00:11:18,480 --> 00:11:19,800 Yeah, I suppose so. 253 00:11:19,800 --> 00:11:20,920 Yeah, yeah. 254 00:11:20,920 --> 00:11:22,080 I mean, it's been a long time. 255 00:11:22,080 --> 00:11:23,280 17 years. 256 00:11:23,280 --> 00:11:25,480 They're all brilliant. They're all funny. 257 00:11:27,440 --> 00:11:28,840 Can you just pan that way? 258 00:11:31,080 --> 00:11:33,720 Hi, Mat Horne! 259 00:11:33,720 --> 00:11:36,200 I love your work. Oh, thank you. 260 00:11:36,200 --> 00:11:39,160 Are you taking your cue for coming out? Yeah. 261 00:11:39,160 --> 00:11:40,720 How much is improvised? 262 00:11:40,720 --> 00:11:45,120 None. Not a single bit of anything is improvised, ever. 263 00:11:45,120 --> 00:11:47,640 I don't think we've ever done one... I think the only... 264 00:11:47,640 --> 00:11:50,440 And it wasn't even an improvisation, but one - 265 00:11:50,440 --> 00:11:53,960 when we did the christening, James came in and he went - 266 00:11:53,960 --> 00:11:56,240 the baby was there - he said, "Why is the baby wearing a dress?" 267 00:11:56,240 --> 00:11:57,320 Because it was in a robe. 268 00:11:57,320 --> 00:11:59,480 And I went, "Well, that's a christening robe, but that's... 269 00:11:59,480 --> 00:12:01,440 "Put that in." 270 00:12:01,440 --> 00:12:03,160 Sorry I'm late. 271 00:12:03,160 --> 00:12:04,560 Hey, there he is. 272 00:12:05,600 --> 00:12:06,960 Why is he wearing a dress? 273 00:12:06,960 --> 00:12:08,000 I don't know. 274 00:12:09,000 --> 00:12:10,160 You say, "Step in," 275 00:12:10,160 --> 00:12:12,440 and you say, "Are you asking me to step in?" Yeah. 276 00:12:12,440 --> 00:12:14,280 Colin wants to do... You'll remember this, Mat. 277 00:12:14,280 --> 00:12:16,280 I'll get out of the way. 278 00:12:16,280 --> 00:12:17,680 Action! 279 00:12:17,680 --> 00:12:19,840 Colin-la! Step in. 280 00:12:19,840 --> 00:12:21,680 Are you asking me to step in? 281 00:12:21,680 --> 00:12:22,880 ? Step into Christmas 282 00:12:22,880 --> 00:12:24,760 ? Let's join together 283 00:12:24,760 --> 00:12:26,120 ? We can watch the snow... ? 284 00:12:26,120 --> 00:12:28,880 What have been the real highlights for you filming this? 285 00:12:28,880 --> 00:12:32,480 Personally, it's been writing with James again, 286 00:12:32,480 --> 00:12:34,920 because I absolutely adore him. 287 00:12:34,920 --> 00:12:40,160 And working with him is just a joy because he's like... 288 00:12:40,160 --> 00:12:42,680 He's like my brother. 289 00:12:42,680 --> 00:12:45,520 Like, we really annoy each other sometimes 290 00:12:45,520 --> 00:12:47,000 and we really love each other. 291 00:12:47,000 --> 00:12:49,240 Being in the room with him and writing the script, 292 00:12:49,240 --> 00:12:52,880 which we finished the first draft of it just before Christmas last year, 293 00:12:52,880 --> 00:12:54,760 it doesn't really get much better than that. 294 00:12:54,760 --> 00:12:55,920 That's been a joy. 295 00:12:55,920 --> 00:12:58,520 And then I'm looking for Gavin and Stacey. 296 00:12:58,520 --> 00:13:01,600 When James and I wrote it, we really wanted to incorporate 297 00:13:01,600 --> 00:13:05,040 as many of the recognisable locations as we could, 298 00:13:05,040 --> 00:13:07,880 but whilst also keeping it true to a story. 299 00:13:07,880 --> 00:13:10,720 Oh, what's occurring? 300 00:13:10,720 --> 00:13:14,160 So it's been lovely to go back, to revisit places like Barry Island 301 00:13:14,160 --> 00:13:16,720 and Pam and Mick's house, where we are today. 302 00:13:19,200 --> 00:13:21,480 Brrr! Chilly today. 303 00:13:21,480 --> 00:13:25,000 It must be 15 years since you were living in Pam and Mick's. Yeah! 304 00:13:25,000 --> 00:13:26,680 You're eating ham, Pam. 305 00:13:26,680 --> 00:13:28,160 Oh, thank God you came in. 306 00:13:28,160 --> 00:13:32,080 I've crumbled. I'm so weak. Pam! 307 00:13:32,080 --> 00:13:34,240 No, don't look at me! Pam! 308 00:13:34,240 --> 00:13:36,040 I'm disgusting. Pam! 309 00:13:36,040 --> 00:13:37,400 The last Christmas special we did, 310 00:13:37,400 --> 00:13:39,400 I don't think I was in Pam and Mick's, was I? No. 311 00:13:39,400 --> 00:13:41,960 So when we walked in, I just thought, "I don't remember 312 00:13:41,960 --> 00:13:43,640 "the mezzanine walkway up there. 313 00:13:43,640 --> 00:13:44,840 "Don't remember the window." 314 00:13:44,840 --> 00:13:46,880 I thought that the wall was a bit bigger over there. 315 00:13:46,880 --> 00:13:48,520 I was kind of like a bit freaked out. 316 00:13:50,080 --> 00:13:51,320 Have there been tears? 317 00:13:51,320 --> 00:13:52,520 There were tears on day one. 318 00:13:52,520 --> 00:13:56,080 I mean, there's a... there's a scene that is particularly emotionally 319 00:13:56,080 --> 00:13:59,600 charged for Gavin and therefore me. 320 00:13:59,600 --> 00:14:02,520 And that was quite early on in the shoot, and we had to stop 321 00:14:02,520 --> 00:14:05,000 filming because I was slightly overwhelmed. 322 00:14:05,000 --> 00:14:06,920 SINGSONG: I love you! 323 00:14:06,920 --> 00:14:09,240 I did cry when reading the script. 324 00:14:09,240 --> 00:14:11,520 I was reading it out to my wife. 325 00:14:11,520 --> 00:14:13,040 Not supposed to, but I was. 326 00:14:13,040 --> 00:14:16,040 I was reading out loud to my wife and my voice was catching 327 00:14:16,040 --> 00:14:17,560 as I w... Honestly! 328 00:14:17,560 --> 00:14:19,200 So I'm in the back of the car going, 329 00:14:19,200 --> 00:14:21,000 "They..." HE MUMBLES INCOHERENTLY 330 00:14:21,000 --> 00:14:22,720 "And..." HE SIGHS DEEPLY 331 00:14:22,720 --> 00:14:24,760 I was going like that! Was your wife happy with how it ended? 332 00:14:24,760 --> 00:14:26,040 Oh, she thinks it's terrific. 333 00:14:26,040 --> 00:14:27,280 Yeah, she loves it. Yeah. 334 00:14:27,280 --> 00:14:31,280 That is revolutionary. It's a taste revolution. Mm! 335 00:14:31,280 --> 00:14:33,080 You are a crier. Oh, yeah. 336 00:14:33,080 --> 00:14:35,000 We're a cast of criers, really. 337 00:14:35,000 --> 00:14:37,760 You know, we've had some really big days on this shoot 338 00:14:37,760 --> 00:14:40,840 so far where, at some point, you've looked around at everybody 339 00:14:40,840 --> 00:14:42,120 and they've got... 340 00:14:43,320 --> 00:14:46,280 ...you know, emotional or upset about something. 341 00:14:46,280 --> 00:14:48,440 It's... But what an amazing thing. 342 00:14:48,440 --> 00:14:51,400 How great for that to be the case, you know? 343 00:14:51,400 --> 00:14:53,200 I thought that was tears there! No. No! That was an itch. 344 00:14:53,200 --> 00:14:55,400 LAUGHING: Something in your eye! That was just an itch. Yeah. 345 00:14:56,480 --> 00:14:59,400 Can we talk about what happened... I'd rather not ...on the fishing trip? 346 00:15:00,800 --> 00:15:02,480 I never told anyone, you know. 347 00:15:03,800 --> 00:15:06,320 Besides, it wasn't a big deal. 348 00:15:06,320 --> 00:15:07,720 You know, lots of people do it. 349 00:15:07,720 --> 00:15:09,920 It's not against the law. Jason, please. 350 00:15:09,920 --> 00:15:13,040 Monday we're shooting some things that could be... 351 00:15:13,040 --> 00:15:15,400 I can't say what they are, but they might... 352 00:15:15,400 --> 00:15:17,480 And that's the last day. 353 00:15:17,480 --> 00:15:21,240 And I think just the fact that it's the last day... CLATTERING 354 00:15:25,280 --> 00:15:26,320 Sorry. 355 00:15:28,400 --> 00:15:29,440 Sorry. 356 00:15:34,240 --> 00:15:39,160 You give a member of your family a job and then they go and do this. 357 00:15:39,160 --> 00:15:40,840 That's my eldest son. 358 00:15:44,040 --> 00:15:47,480 When I tell Mum what you've been doing, she's going to be furious. 359 00:15:52,560 --> 00:15:54,440 Are you starting to do your own make-up now? 360 00:15:54,440 --> 00:15:55,920 Now, mascara... 361 00:15:55,920 --> 00:15:58,600 You don't want someone else doing your mascara. Really? 362 00:15:58,600 --> 00:16:00,640 Well, because she might stick it in my eye. 363 00:16:00,640 --> 00:16:01,960 Yeah, I might, you know. 364 00:16:05,120 --> 00:16:06,360 What number are you going for? 365 00:16:06,360 --> 00:16:09,160 3.5. 3.5! We're on a 3.5. 366 00:16:10,320 --> 00:16:12,280 We're nearly done. I don't wear any make-up. 367 00:16:12,280 --> 00:16:13,640 Why don't you wear make-up? 368 00:16:13,640 --> 00:16:16,640 I think it's quite a naturalistic show, isn't it? You would hope. 369 00:16:16,640 --> 00:16:18,480 It's naturalistic. You would hope so. 370 00:16:18,480 --> 00:16:21,000 And five minutes, look at that. Easiest make-up ever. 371 00:16:21,000 --> 00:16:22,120 That is it. That is it? 372 00:16:22,120 --> 00:16:26,120 Well, and then on set, we just put a bit of... A bit of product. 373 00:16:26,120 --> 00:16:28,160 A bit of that in my hair and that's it. 374 00:16:28,160 --> 00:16:29,920 And we're done. You don't shave every day? 375 00:16:29,920 --> 00:16:31,360 No. You shave every third day. 376 00:16:31,360 --> 00:16:33,720 It doesn't grow very quick, so... 377 00:16:33,720 --> 00:16:36,560 I'm sure this is what the viewers want. Oh, yeah! 378 00:16:36,560 --> 00:16:39,400 This is the behind the scenes... My shaving routine! 379 00:16:42,480 --> 00:16:45,800 Literally we do eat omelettes on this show. 380 00:16:45,800 --> 00:16:48,080 This is what I have for my breakfast in the morning. 381 00:16:48,080 --> 00:16:49,240 An omelette. 382 00:16:50,360 --> 00:16:52,480 Not made by Gwen. 383 00:16:52,480 --> 00:16:54,200 Ruthie, you're travelling in ten minutes. 384 00:16:56,200 --> 00:16:57,240 Hiya. 385 00:16:58,480 --> 00:16:59,640 Hello! 386 00:16:59,640 --> 00:17:02,400 It's a 17-year romantic comedy. 387 00:17:02,400 --> 00:17:04,920 If you're marrying Dave just so you've got a father 388 00:17:04,920 --> 00:17:10,960 for your son, someone to help you and support you and be around... 389 00:17:10,960 --> 00:17:13,080 ...I'm saying you've already got that... 390 00:17:14,960 --> 00:17:17,000 ...in me. I can be those things. 391 00:17:17,000 --> 00:17:20,040 Most rom coms, you know, you want them to get together 392 00:17:20,040 --> 00:17:24,200 90 minutes after you've watched it, let alone 17 years of 393 00:17:24,200 --> 00:17:26,280 will-they-won't-they? Have-they-haven't they? 394 00:17:26,280 --> 00:17:29,120 You know? So that's... That makes it quite exciting. 395 00:17:29,120 --> 00:17:32,200 It's got to be one of the longest on-offs in history. 396 00:17:32,200 --> 00:17:34,240 It's got to be up there. It has to be, I think. 397 00:17:34,240 --> 00:17:35,280 Yeah, it's got to be. 398 00:17:38,040 --> 00:17:40,320 This is where we're filming in here today. 399 00:17:40,320 --> 00:17:44,320 So this is the end of a soiree at Pam and Mick's. 400 00:17:44,320 --> 00:17:46,480 So... they've halfway... 401 00:17:46,480 --> 00:17:47,880 They've finished the food. 402 00:17:47,880 --> 00:17:49,520 They've had quite a bit to drink. 403 00:17:51,280 --> 00:17:52,320 Oh, my gosh. Well, 404 00:17:52,320 --> 00:17:54,080 we're in the middle of dancing... Mm. 405 00:17:54,080 --> 00:17:56,680 ...we're having a bit of a celebration. 406 00:17:56,680 --> 00:17:58,640 I'm so frightened because I'm not sure 407 00:17:58,640 --> 00:18:00,760 what I can and can't say! Be very careful. 408 00:18:02,520 --> 00:18:04,240 Didn't tell anybody we were going to do it. 409 00:18:04,240 --> 00:18:05,680 We just got on and wrote it. 410 00:18:05,680 --> 00:18:08,640 That was such great fun, writing for all those characters 411 00:18:08,640 --> 00:18:10,000 who we know so well. 412 00:18:10,000 --> 00:18:13,960 You can hear their performance in our heads and, yeah, 413 00:18:13,960 --> 00:18:15,920 it doesn't really get much better than that. 414 00:18:15,920 --> 00:18:17,520 That's been a joy. 415 00:18:17,520 --> 00:18:22,160 ? Oh, so bright... ? 416 00:18:22,160 --> 00:18:25,240 I went to school with Ruth, you know. Literally were school kids. 417 00:18:25,240 --> 00:18:27,840 I've known James for decades now. 418 00:18:27,840 --> 00:18:30,760 Both of them, what they've gone on to achieve, 419 00:18:30,760 --> 00:18:32,280 you know, they've achieved so much. 420 00:18:32,280 --> 00:18:36,200 And looking at them and, I mean, they're ravaged by time now 421 00:18:36,200 --> 00:18:40,000 so that, you know, they've not aged well and that brings 422 00:18:40,000 --> 00:18:41,680 a poignancy to it. 423 00:18:41,680 --> 00:18:43,720 And I don't think they've got long left. 424 00:18:43,720 --> 00:18:46,080 There are a couple of pigs in blankets left over 425 00:18:46,080 --> 00:18:48,000 if anybody fancies it. I'll take one on, Bryn, 426 00:18:48,000 --> 00:18:50,560 but someone's got to pass it, literally, into my hand. 427 00:18:52,840 --> 00:18:56,160 This is where the cast are relaxing right now. 428 00:18:56,160 --> 00:18:58,360 Serious atmosphere. 429 00:18:58,360 --> 00:19:00,720 Lord Larry Lamb. Lord Larry Lamb. 430 00:19:00,720 --> 00:19:02,880 In the blue corner, whacked out. 431 00:19:02,880 --> 00:19:05,680 Rob Brydon looking a little worse for wear. 432 00:19:05,680 --> 00:19:07,200 Melania over there. 433 00:19:07,200 --> 00:19:09,960 I think this has been one of the best for me, personally. 434 00:19:09,960 --> 00:19:11,120 It is the last one. 435 00:19:11,120 --> 00:19:12,880 I think there's just a frisson. 436 00:19:12,880 --> 00:19:15,080 There's a certain something about this one 437 00:19:15,080 --> 00:19:16,360 that's just very special. 438 00:19:16,360 --> 00:19:17,520 How is it for Gwen? 439 00:19:17,520 --> 00:19:18,640 Oh, Gwen. 440 00:19:18,640 --> 00:19:20,120 It's lovely for Gwen. 441 00:19:20,120 --> 00:19:22,040 Gwen's having a really good time on this one. 442 00:19:23,240 --> 00:19:25,160 ALISON STEADMAN: I think it's like all the rest of the episodes. 443 00:19:25,160 --> 00:19:27,400 It's fun. There's a lot of laughter. 444 00:19:27,400 --> 00:19:31,440 There's a lot of warmth and love between the characters, and there's 445 00:19:31,440 --> 00:19:35,360 fascinating storylines and maybe storylines that'll take... 446 00:19:35,360 --> 00:19:39,080 Go in a direction that people aren't anticipating. 447 00:19:39,080 --> 00:19:41,920 I kind of feel that Stacey is back to a bit 448 00:19:41,920 --> 00:19:45,080 of what she was like in the first series, which I enjoy playing, 449 00:19:45,080 --> 00:19:48,200 where she's a bit naughty. A little bit, you know? 450 00:19:48,200 --> 00:19:52,680 I want to say a little bit dirtier, but I'm not sure if that's suitable! 451 00:19:52,680 --> 00:19:55,360 Happy Christmas! Yeah. Happy Christmas, everyone. 452 00:19:55,360 --> 00:19:56,840 Stacey's having fun. 453 00:19:59,320 --> 00:20:02,120 Turning over, cameras A and B. 454 00:20:02,120 --> 00:20:05,920 This is Julia, who owns Pam and Mick's house 455 00:20:05,920 --> 00:20:07,680 with her wonderful husband, Doug. 456 00:20:07,680 --> 00:20:12,280 How does it feel for you knowing this is the last time 457 00:20:12,280 --> 00:20:13,640 we'll all be in here? 458 00:20:13,640 --> 00:20:15,920 Very sad, but never say never. 459 00:20:15,920 --> 00:20:18,480 No. No, we can say never. 460 00:20:18,480 --> 00:20:21,280 It's a massive thing to let people in your house this many times, 461 00:20:21,280 --> 00:20:24,320 and then people knocking on your door and walking up the road 462 00:20:24,320 --> 00:20:25,520 and all those things. 463 00:20:25,520 --> 00:20:27,280 Oh, that goes on after you leave. 464 00:20:27,280 --> 00:20:28,520 It doesn't finish for us. 465 00:20:28,520 --> 00:20:31,880 We can have, on a weekend, as much as 50 cars. RUTH GASPS 466 00:20:31,880 --> 00:20:34,160 ALL: Oh, what's occurring? 467 00:20:35,320 --> 00:20:36,720 Oh, hang on, you're videoing. 468 00:20:40,960 --> 00:20:43,760 Hi, Mum. I've got someone to wish you a happy birthday. 469 00:20:43,760 --> 00:20:45,600 Tina, Happy birthday! 470 00:20:46,840 --> 00:20:48,360 There you go. That's lovely. 471 00:20:48,360 --> 00:20:50,840 How are you? All good? I'm good. Nice to meet you. 472 00:20:50,840 --> 00:20:53,400 Oh, it's so lovely to see you again. 473 00:20:53,400 --> 00:20:54,920 Are you ready? Hang on, let's do this. 474 00:20:54,920 --> 00:20:56,760 I like to just meet the characters. 475 00:20:56,760 --> 00:20:58,280 Watch them filming. 476 00:20:58,280 --> 00:20:59,640 It means a lot to me. 477 00:20:59,640 --> 00:21:01,120 Nice to see you. 478 00:21:01,120 --> 00:21:03,160 Brought you this all the way from Newcastle. 479 00:21:03,160 --> 00:21:05,240 OK! You haven't come down from Newcastle? 480 00:21:05,240 --> 00:21:08,280 Yep. No way! That's insane. Four trains, yeah. 481 00:21:08,280 --> 00:21:09,560 Who are you calling? It's my sister. 482 00:21:09,560 --> 00:21:12,680 Hiya. You're going to put that in the bin, aren't you? No! 483 00:21:12,680 --> 00:21:14,320 I'm going to drink it tonight. 484 00:21:16,600 --> 00:21:19,400 One of my favourite moments with this bar was the Christmas 485 00:21:19,400 --> 00:21:22,160 special of 2008, when Pete's mum... 486 00:21:22,160 --> 00:21:24,520 Yes! ..had fallen asleep behind the bar. Behind the bar. 487 00:21:24,520 --> 00:21:28,280 And then she just appeared, like, the next morning. 488 00:21:28,280 --> 00:21:30,600 God! What on earth?! Oh! Oh! 489 00:21:30,600 --> 00:21:32,000 Edna. 490 00:21:32,000 --> 00:21:33,400 Oh, thank you, darling. 491 00:21:33,400 --> 00:21:35,400 It's a tap. That's right. 492 00:21:35,400 --> 00:21:37,000 Some are hot, some are cold. 493 00:21:37,000 --> 00:21:38,040 I got a hot one. 494 00:21:38,040 --> 00:21:41,600 What did you get, babe? Hot. Oh, that's amazing! 495 00:21:41,600 --> 00:21:43,800 How do you want Gavin & Stacey to be remembered? 496 00:21:43,800 --> 00:21:44,840 Oh, wow. 497 00:21:45,800 --> 00:21:48,160 That's a good... That's a good question. I don't know. 498 00:21:48,160 --> 00:21:51,120 They've managed to create these characters that I think pretty 499 00:21:51,120 --> 00:21:55,360 much anybody in this country can recognise and identify with. 500 00:21:55,360 --> 00:21:57,080 All right, Stace, what's occurring? 501 00:21:57,080 --> 00:21:59,480 I need your advice, I do. Go for it. 502 00:21:59,480 --> 00:22:01,160 MATHEW HORNE: It will live on. 503 00:22:01,160 --> 00:22:03,520 So it's important that we really focus on 504 00:22:03,520 --> 00:22:05,600 making it the best it can be. 505 00:22:05,600 --> 00:22:07,280 Mint Baileys. 506 00:22:07,280 --> 00:22:09,520 I mean, what will they think of next? I know. 507 00:22:09,520 --> 00:22:12,800 People will rewatch and rewatch and perhaps introduce 508 00:22:12,800 --> 00:22:16,720 it to their kids as they grow up and hopefully for many years, 509 00:22:16,720 --> 00:22:20,200 people will continue to really enjoy it and have fun watching. 510 00:22:20,200 --> 00:22:24,560 Can't you just move to Barry? What? It's well lush. 511 00:22:24,560 --> 00:22:25,640 Yeah. 512 00:22:25,640 --> 00:22:27,040 It seems well lush. 513 00:22:27,040 --> 00:22:28,800 I just don't want us to be apart. 514 00:22:28,800 --> 00:22:30,000 Ever. 515 00:22:30,000 --> 00:22:33,680 I hope it's remembered as a show that can make people feel good, 516 00:22:33,680 --> 00:22:38,360 that can bring comfort and a sense of warmth and history. 517 00:22:39,480 --> 00:22:41,760 That would be lovely if people spoke about it like that. 518 00:22:44,480 --> 00:22:46,480 I can let you into a secret, Colin. 519 00:22:46,480 --> 00:22:49,640 On Christmas Day evening, there will be some significant action 520 00:22:49,640 --> 00:22:51,280 on these stairs. Really? Yes. 521 00:22:51,280 --> 00:22:54,440 The stairs are big? The stairs play a part. 522 00:22:54,440 --> 00:22:57,600 Yeah. In a way that I don't know if they have before. 523 00:22:57,600 --> 00:22:59,120 Really? No, I don't think so. 524 00:22:59,120 --> 00:23:01,000 There's not really been scenes on the stairs before, have there? 525 00:23:01,000 --> 00:23:04,720 No. Nessa came down singing, "Let it snow, let it snow, let it snow." 526 00:23:04,720 --> 00:23:06,760 ? Since we've no place to go 527 00:23:06,760 --> 00:23:08,520 ? Let it... ? Oh! 528 00:23:08,520 --> 00:23:10,920 Where to you going? I'm going to take him round the block, 529 00:23:10,920 --> 00:23:13,120 see if I can get him off before lunch. Cracking. 530 00:23:13,120 --> 00:23:15,960 And Mick and Pam in their matching kimonos. Oh, yeah! 531 00:23:15,960 --> 00:23:19,280 Smithy, what have I told you about eating late at night? 532 00:23:19,280 --> 00:23:22,920 All that cholesterol. It's only a six piece. And we got coleslaw. 533 00:23:22,920 --> 00:23:24,480 Oh, well done, darlings. 534 00:23:24,480 --> 00:23:27,480 We know this is the last Gavin & Stacey. 535 00:23:27,480 --> 00:23:30,560 What about you two writing together again now? 536 00:23:30,560 --> 00:23:31,640 Oh. 537 00:23:31,640 --> 00:23:33,320 I hope so. 538 00:23:33,320 --> 00:23:35,320 Well, I mean, I think we... WHISPERS: I don't. 539 00:23:38,560 --> 00:23:39,840 That's you told. 540 00:23:39,840 --> 00:23:41,280 I think we would... 541 00:23:41,280 --> 00:23:43,240 Well, I would love to write with you again, but... 542 00:23:43,240 --> 00:23:44,640 Yeah, well, I think once we've... 543 00:23:44,640 --> 00:23:47,640 Once this is... Once this is delivered 544 00:23:47,640 --> 00:23:51,800 and out the door, then I think it would be a real shame for us not 545 00:23:51,800 --> 00:23:56,400 to at least sit and spend a bit of time wondering if there's another 546 00:23:56,400 --> 00:23:59,320 world that we could try and create, safe in the knowledge 547 00:23:59,320 --> 00:24:03,080 that it can almost never be like this one. But... 548 00:24:03,080 --> 00:24:07,080 Well, just sit in a room and eat chips and chat. 549 00:24:07,080 --> 00:24:09,440 I don't see the two as mutually exclusive. 550 00:24:12,400 --> 00:24:15,240 You have managed to take some souvenirs. 551 00:24:15,240 --> 00:24:17,000 I'm going to take my denim jacket. 552 00:24:17,000 --> 00:24:19,240 This gold heart because it's Stacey's 553 00:24:19,240 --> 00:24:21,600 and my boots because these are pretty fab. 554 00:24:21,600 --> 00:24:25,080 I'm loving these. And my jeans I quite like as well. 555 00:24:26,920 --> 00:24:29,480 So, yeah, it's... This is turning into quite a lot, yeah. 556 00:24:29,480 --> 00:24:32,640 It's turning into quite a good haul that I'm getting, yeah. 557 00:24:32,640 --> 00:24:36,640 I can't think of anything, Colin, that I would take. 558 00:24:36,640 --> 00:24:39,960 Um... Yeah... 559 00:24:39,960 --> 00:24:44,200 What? A scarf? Are you saying a scarf? A bow tie? 560 00:24:44,200 --> 00:24:47,760 What are you saying? A collar? A collar? 561 00:24:47,760 --> 00:24:49,120 Oh, she's telling us to stop. 562 00:24:50,920 --> 00:24:53,320 ? You've got the love... ? 563 00:24:53,320 --> 00:24:56,640 THEY SHOUT Come on, Pam! 564 00:24:58,800 --> 00:25:01,080 It can't carry on after this. 565 00:25:01,080 --> 00:25:02,760 We can't see a way how it could. 566 00:25:02,760 --> 00:25:03,880 Why? 567 00:25:03,880 --> 00:25:05,400 Well, you'll have to wait and see. 568 00:25:05,400 --> 00:25:06,520 You'll have to wait and see. 569 00:25:07,800 --> 00:25:11,880 It was a huge shock how many people watched it last time. 570 00:25:11,880 --> 00:25:15,080 It does put the pressure on you to come up with the same 571 00:25:15,080 --> 00:25:19,800 standard of show again... and who knows whether we've achieved that. 572 00:25:19,800 --> 00:25:21,680 SHOUTING CONTINUES 573 00:25:23,160 --> 00:25:24,600 To have something like this, 574 00:25:24,600 --> 00:25:25,920 to see it through, 575 00:25:25,920 --> 00:25:27,200 what a trip, man. 576 00:25:27,200 --> 00:25:29,640 What an absolute trip it's all been. 577 00:25:29,640 --> 00:25:32,000 SHOUTING AND LAUGHING 578 00:25:32,000 --> 00:25:34,840 ? Sometimes, I feel like saying Lord, I just don't care 579 00:25:34,840 --> 00:25:38,640 ? But you've got the love I need to see me through. ? 580 00:25:38,640 --> 00:25:41,840 Does the fishing trip get mentioned? 581 00:25:41,840 --> 00:25:43,920 The what? The fishing trip. 582 00:25:43,920 --> 00:25:45,680 The fishing trip? 583 00:25:46,840 --> 00:25:48,120 With you in a second. 584 00:25:48,120 --> 00:25:51,000 I really don't know what you're talking... I'd better go. 585 00:25:51,000 --> 00:25:53,320 MUSIC: Run by Stephen Fretwell 586 00:25:56,920 --> 00:26:00,360 ? I'll wait by the big house for you 587 00:26:05,000 --> 00:26:09,160 ? I'll wait by the squeeze-box For you 588 00:26:13,000 --> 00:26:14,840 ? I'll wait by your dresses... ? 589 00:26:14,890 --> 00:26:19,440 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 46126

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