All language subtitles for S01E08track3

- Previously on
"Superman & Lois."

- Let's just focus on
what we came here for: family.

- We need to stop Kal-El
before he does to this world

what he did to mine.

- His name is not Luthor.
It's John Henry Irons.

- You're The Stranger.

[dramatic music]

[engine revving]
[screaming]

♪ ♪

Nobody talks to him.
I'm going in first.

- Lois, what a nice surprise.
Thanks for waiting.

- Thanks for seeing me
on such short notice.

I know it's been a while.

- You know,
when they were cadets,

your dad kept my husband

from getting kicked out
of the academy twice.

My door is always open for you.

So what brings you in today?

- We have been having
some life changes,

pretty major life changes.

Don't get me wrong.

Life has always
been complicated.

I'm good at complicated,
but today

I kind of got blindsided
and...

just somehow felt like
everything was slipping

through my fingers.

♪ ♪

I lost my temper...

and I am worried that
if I can't pull it together,

I'm at risk of hurting someone
I really love

more than I already have.

[dramatic music]

♪ ♪

I know the last few weeks
have been hard on us all.

Bottom line,
there's a lot going on.

Morgan Edge, people suddenly
getting powers,

mystery guy trying
to kill your dad.

So we just wanted to check in

and see how
you were doing with all of it.

- I talked to Coach Gaines.
He's not happy, but he knows

the three of us are taking
a break from football.

He just needs
your uniforms back.

- I'll go do it today.
It's my last time

in a high school
locker room probably ever.

- Dad?
- No.

I'm good.
Can you just hold this?

- Yeah.

[soft dramatic music]

- Can I be excused, or--
- We're not done talking.

Listen, the stuff
that we're dealing with

would be a lot for anyone,

so if you're stressed
or worried,

you need to tell us, okay?

♪ ♪

[chiming]

- That's your dad.

I've got to get to the DOD
and question John Irons.

- I'll let you know what I find
in the RV.

- Okay.
- Good luck.

- Boys.

♪ ♪

- I'll be in the barn.
You two stay out of trouble.

- Mom, you think maybe
I could come with you?

I don't know, I feel like

I wasn't much help
fixing the truck,

but I think I could help you.

- Yeah, sure.
- Okay.

♪ ♪

Any idea
what might be in here?

- Not really, but your dad said
it was lined with lead,

so someone is hiding something.

[soft suspenseful music]

- Classic creepermobile.
- Exactly, so be careful.

- Identification required.
Identify yourself.

- Lois Lane.

- Voice authentication
confirmed.

Good morning, Lois.

- How do you know my name?

- You are one of my
authorized users.

How can I help you, Ms. Lane?

- Um, what can you tell me
about John Henry Irons?

[hydraulic whirring]

- Careful.
- What is that?

♪ ♪

Whoa.
That was easy.

- What you working on there?

- Just a list of
small businesses in need.

Edge has a new
assistance program.

I think it's going to help
a lot of people.

- I thought you were
just finding people

for his, like,
leadership thing.

- I was, and now that Mr. Edge
has all the people

he needs for that program,
he put me onto this project.

I guess he's just trying
to help as many people

as possible achieve their best
selves, whatever that means.

- Look, if he ever decides
to expand that program,

I mean, I'm right here.

- I know.
Sorry, babe.

The program is full.
I wish I could've helped you.

- Mom, did you help out
Mr. Kirker?

Because Jess wants me
to audition

for this musical revue,

and we haven't spoken since,
like, the third grade.

What?
- You used to love to perform.

- You should definitely
try out.

You'd be so good.

And it would give you
something to do.

- It's tonight, and I don't
have time to prepare anything.

- Well, look.
Hey, I got the day off, right?

And you know I got a guitar.

You and me practice together,
right?

[imitating guitar]
- No, I get--no.

- Look, at the end of the day,

if you're not feeling it,
then there's no pressure.

But just a little pressure
because it would be fun.

[imitating guitar]

- You're a theater kid?
- No. Not--

- [chuckles]

- I was thinking
about trying out, but--

- You should go for it.
Why not?

- I get really bad
stage fright,

and if you laugh about this,
I will kill you.

- No, no, no, no.
I, um...

used to play piano.

I did the whole little kid
recital thing.

As I got older
and my anxiety got worse,

it got to be a little too much.

- I didn't know
you played piano.

- Well, if you ask me
to prove it,

I'll hyperventilate.
- Noted.

- If you try out, let me know,

and I'll come to cheer you on.

[soft dramatic music]

♪ ♪

Yeah, yeah.
I know.

I have to return these.
See you around.

- Bye.

♪ ♪

[sighs]

[soft tense music]

♪ ♪

[soft dramatic music]

♪ ♪

- I'm going to be right back.

[keypad chimes]
[door clanks]

♪ ♪

- Have a seat, John.

That is your real name,
isn't it?

John Henry Irons...

Ranger...

two tours in Afghanistan.

Got into the private sector
and made a name for yourself

as a mechanical engineer.

The problem is,

John Irons died six years ago
under mysterious circumstances.

At least that's what happened

to the John Irons
of this Earth.

How did you get here?

[sparks crackle]

[dramatic music]

- Ballistic shields failing.

[hull groaning]

♪ ♪

- Hold on!
[alarms blaring]

♪ ♪

Almost there, almost there.

[alarms blaring]

Hang on, hang on!

♪ ♪

[soft dramatic music]

All you need to know is I'm
the one who's going to end you.

- Because you think
I'll turn on humanity.

- Because you're a traitor,
Kal-El,

a soulless monster
who feels nothing

for the billions of people
who believe in you.

- You have no idea how much
I care about these people.

- I do know.

What happened on my world is
already happening on this one.

The Kryptonians are here,
and you joining them

is the last domino to fall
before it all goes down.

I'm not saying another word
until you bring me Lois Lane.

- So John Henry
is from another Earth?

- Yeah, it's kind of confusing.

Multiverse and
parallel universes,

each with its own Earth,
et cetera, et cetera.

- So on his Earth are there,
like,

are there other versions
of people from here?

- Yeah.
Sometimes.

♪ ♪

- Like you?

- Why do you want
to see Lois Lane?

Answer the question.
- Not until I talk to her.

- She doesn't want
to talk to you.

- Let her tell me that.
- You lied to her.

- It was for her own good.
- She doesn't trust you.

- You're the one
she shouldn't trust!

You're the one who killed them.

- What are you talking about?
- She was everything to me.

♪ ♪

She was the love of my life,

my wife,
the mother of my daughter...

♪ ♪

Until you murdered her.

And I won't let you
do it again.

♪ ♪

- I don't really look back
with regret.

I reflect, or--

but I don't usually regret,
but this?

- Is it possible you're being
too hard on yourself?

- No. I was enraged.

You have no idea
the things that I said.

- I read your articles,
your critiques.

Let's just say I know
what your words are capable of.

- I can go full scorched Earth,
and if that is my intention,

you deserve it.

But this person didn't.

I think that sometimes,

words cut so deep

that they forever change
how you see a person.

[soft dramatic music]

And I don't know how fix this.

We'll figure this out.

We've been
in similar situations.

- Learning that the man who's
trying to kill your husband

is your other husband
from another world?

It kind of feels
like new ground to me.

- I meant the part about having
to clean up the mess

caused by an evil version
of you.

- Lois, look at these articles.
I mean, other than the suit,

this guy was just like me
right up

until he started killing
innocent people.

- Clark, it doesn't matter.
That's not you.

And if John Henry
wants to save humanity here,

he has to accept that.

- You really think
that's possible,

knowing everything he's lost?

His wife?
His daughter, Natalie?

♪ ♪

Look, Lois, I can come home,

and we can talk
about this right now.

- Clark, no.
I feel sorry for him,

but that was
his life on his Earth.

He's here now
and we need answers.

Maybe I should go talk to him.

- No. No, not yet.

I understand
where he's coming from now.

I think maybe
I can get through to him.

- I hope so.

♪ ♪

We need him to tell us
how to save our world.

♪ ♪

- I love you, Lois.
- I love you, too.

♪ ♪

- [knocks on door jamb]
Hey, Mom.

- Hey.
- You good?

- Yeah. Let's just--
let's take a break from the RV.

I'll let you know
before I want to go back in.

♪ ♪

[music playing on headphones]

♪ ♪

- Ta-da!

- You're being ridiculous.

- I'm excited.
Go on. Open it.

That box ain't going
to open itself. Come on.

- Sheet music?

- From just about
every musical ever!

Okay, pick one, and let's get
you warmed up. All right?

- Um.
- [whistles]

- Dad...

- [tuning guitar]
- I can't.

- Sarah, come on now,
you're a great singer.

You've been singing
in choir for years.

- Exactly. It's easier
to perform with people.

There's safety in numbers.

- Fifth grade, you had that big
solo in the Christmas pageant.

You remember that?
Now, you'd have killed that

if you hadn't gotten
food poisoning, I just know it.

[soft dramatic music]

♪ ♪

- I didn't get food poisoning.

- Sarah.

- Dad, it's fine whenever
I'm with people.

It's just whenever I'm
by myself,

it feels like I have
this weight on my chest.

- If that feeling of wanting
to sing is greater

than that fear
of getting up there,

well, then you got to try it.

I mean,
the fear is just short pain.

Regret, that--

that lasts a lot longer.

♪ ♪

- [takes deep breath]

I do want to do it.

- Okay.

- Yeah.
- Okay. Then you ready?

- Okay.
- [strumming guitar]

♪ ♪

[soft ominous music]

- It's time to change tactics.

Trask can get us what
we need.

- No.
No, not like this.

We don't torture people.

- What we do and don't do
is not your call,

so Lieutenant Trask will tap in

if I can't get him
to talk first.

- You're going in?

- Where he's from,
we're allies.

I could use that.

- Not that I don't have faith
in you, General,

but I'm going to get my things.

♪ ♪

[door clanks]

♪ ♪

[soft dramatic music]

♪ ♪

- Sorry I didn't get
to meet you, sis.

You seem really cool.

♪ ♪

- And we must defeat them
if we are to save humanity,

for that is what separates us
from them.

Our humanity.

[sirens wailing]

I love you, girls.

[heat vision blasting]
[screams]

[ominous music]

[soft tense music]

♪ ♪

[alarm blaring]

[energetic dramatic music]

♪ ♪

- Identification required.
- Okay, okay, Jonathan Kent.

Jon--Jon Kent.

- Warning.
You are not authorized.

In T-minus 20 seconds...
- No.

- You will be eliminated.
- No, no, no, no, no, no, no.

- 20, 19...

- Mom! Mom!
- 18...

- Jon!
- Mom! Mom!

- Jon!

- Mom, I'm not authorized!
It's going to kill me!

- This is Lois Lane!
He's my son!

- Ten...
- Stop the countdown!

- Eight...
- Clark!

Clark! Clark!
[chiming]

♪ ♪

Clark, the AI is going
to kill Jon!

- Two, one...

♪ ♪

- Are you okay?

[soft dramatic music]

Are you out of your mind?

You don't go snooping around

some guy from another world's
murder van!

- I mean, I--I thought
it was safe earlier.

- Jonathan, nothing is as it
seems with this kind of stuff.

- I said I would go back
in there with you.

What were you thinking?

- I just thought
I'd look around.

- Without me?

Jonathan, what were you
really doing in there?

- Mom, even I knew how upset
you were earlier

about what we saw in there,

and then that crazy hammer
thing that he made,

I thought that maybe

I could go in there and I could
look for--

- Whoa, whoa, whoa, hang on.
You were looking for weapons?

- Dad, you and Jordan
basically are weapons.

I am the only one in this house
that is completely unarmed.

- Jonathan, your mother and I
will protect you.

- Really?
- Yes!

- Because I was one second away
from being dead,

and Mom couldn't do anything,
and you?

You almost didn't
even make it in time.

- Jonathan, look at me.
Look at me!

I let you come with me
because I trusted you.

I trusted that you were
responsible enough

to know what's at stake,

to know how dangerous
this all is!

- So now you don't trust me?
- Okay, let's calm down.

- You knew there was a risk!

I know you did,
and yet you went in anyway,

alone, behind my back!

What--to find weapons?

You almost died,
not because you were unarmed,

because you were reckless
and stupid!

And if you had died,

the only person that would've
been to blame is yourself.

Get out of my face!

♪ ♪

- Okay, okay.

♪ ♪

- Are you okay?
- I'm fine, Clark.

- Okay, okay.
I'm going to mark that as a no.

- He could've been killed.
- I know, I know.

And it was scary,
and--I don't know.

Do you think maybe you were,
like, a little harsh?

Do you want to talk about
what you saw in the RV earlier?

- I said I'm fine, Clark.
- Okay, okay, okay.

Look, I know
you can handle anything,

but it is okay to ask for help.

And I want to be that person
for you always,

but I also understand
if I'm not right now.

What about the woman you talked
to before, your dad's friend?

- Dr. Wiles.
- Is she still at the DOD?

Just think about it. I'm going
to go check on Jonathan.

♪ ♪

- Mr. Cushing?
- Ms. Larr.

- You're here to see Lana?
- Yeah.

Our daughter
has got this school thing

she's auditioning for,
and I snuck a recording of us

practicing and her singing
and me on guitar.

Anyway,
Lana is going to love it.

- A man of many talents.

It's why we're so disappointed
you turned down our offer.

- Beg your pardon?
- Just know that Mr. Edge

is quite interested in you.

I know he hopes
you'll reconsider.

- I appreciate that.

- I don't know, $150,000?
That's a lot of money.

- Yeah, but it's not a loan.

It's a grant, and Mr. Edge
believes in your business.

Now you can remodel the store.

- Lana? I need to talk to you.
- Okay.

- It's important.
- Mm-hmm. Excuse me.

Hey, what's wrong?
You seem upset.

- Did you lie to me?
- What?

- Leslie Larr said Morgan Edge
wanted me for that position.

If Morgan Edge wants me,
and I want the job,

well, then what's the problem?

- There's no position
for you, Kyle.

- That's not what Larr said.

- Well, she doesn't know
everything.

- Come on, Lana.
She's his right hand.

♪ ♪

- Edge doesn't think
you're leadership material.

Well, he respects you and
everything you've done for him,

which is why
he didn't say anything to her.

- [chuckles]

You should--you should probably
get back to work.

♪ ♪

- Think you can sit here

and waste my time
like this is some joke?

- I didn't say anything funny.

- Other side of that mirror,

there's a guy ready
to come in here

with Sodium Pentothal,
benzilate,

a few other drugs
I can't pronounce,

some experimental.

But they'll get you to tell me
what I want to know.

- Well, that is funny.

You see, where I'm from,
you talk tough,

but you would never drug
or torture prisoners.

- You've been sitting here
telling me about myself

because I was
your father-in-law

in some other world.

If I meant something to you,

tell me something
I want to know.

- You want to know
how you died?

Like a hero trying
to save the world...

until he murdered you.

You can't trust him, Sam.

- You're wrong.

- What if there were more
Kryptonians, a dozen or so,

and he decided
he was loyal to them?

- He won't turn.
- They are his people.

He would choose his kind
over mankind.

And what chance would you have?

[soft suspenseful music]

♪ ♪

- Let him stew, then stick him
back in his cell.

♪ ♪

You and I should talk.

♪ ♪

- Is there a reason you
haven't told me everything?

- What do you mean?

- I'm just wondering who you
lashed out at,

who you're worried
won't look at you the same.

- My son, Jonathan.
You should get better chairs.

- Lois, what happened today?

- John did something stupid,
and I got mad.

- Want to talk about
what he did?

- He went out and got himself
in trouble.

Honestly,
it's a miracle he's alive.

- Sounds like whatever
happened, it scared you.

- You have no idea.

It's like it's hard enough
being a parent,

raising them
and caring for them,

and then they get old enough
and still a part of you

is just out in the world,

like your heart
is just out there

and anything can happen to it,
and there's nothing you can do.

- It sounds like you felt
helpless, powerless.

[soft dramatic music]

- Not like I have
in a long time.

- I'm sure.

Probably not since
your miscarriage.

♪ ♪

- You helped me a lot
back then.

- You only came the once.

- With my job,
it's kind of hard enough

making time for my family.

Miscarriages are pretty common.

- Common, yes,
but they can also be traumatic.

And as I recall, you already
had a name picked out.

- We were going to name her
after my grandmother,

Natalie.

♪ ♪

- Lieutenant Trask.

- Here's an idea.
You go on break.

Leave me and my friend here
alone for ten minutes.

- Negative.

He's going back to his cell.
General Lane's orders.

- You know your problem,
Rosetti?

You're a stickler
for the rules.

- You know your problem?
Nothing.

Your problems are over.

[dramatic music]

♪ ♪

[tense music]

Now you, your problems
are just getting started.

♪ ♪

- Look, I get how important
it is to grieve the loss.

I read all the books,
all the websites.

I'm just one of those people
that copes better

when there's more on my plate,
not less.

It helps me focus.

- I just wonder,
given the emotions you describe

and the way
you reacted to Jonathan,

if you needed more time
to process your grief.

- I used my vacation days.
I allowed myself the time.

- Lois, why did you yell
at Jonathan?

- He put himself in danger.
- That's why you lost control?

- I told you, he scared me.

- That's it? Nothing else?

- What else do you
want me to say?

That he was only there
because of me,

and that if he had gotten hurt
or worse,

it would've been because of me?

I can't lose another child
because of me.

- Lois, we respond
to grief in many ways,

but
you have to realize, this--

- Is this the part
where you tell me

the miscarriage
wasn't my fault?

Because...

the guilt that I feel is real.

I never stopped working.

- Work, exercising, having sex,
lifting something heavy,

that's not why you
lost your child.

- You don't know that.

- The majority of miscarriages
are caused by a genetic issue.

- Yeah, I know, but--

- Lois, you have control over
your life in a way most don't,

but the things
you can't control,

you have to learn
to accept them and let them go.

Your miscarriage wasn't because
of something you did

or didn't do.

It was something
that happened to you.

- [sobs]

I was so excited to meet her.
[sniffles]

- I wish there was a shortcut,

but you have to allow yourself

to go through
the grieving process,

no matter how much time
it takes

because when you don't--
- Yeah, I know.

I saw what can happen
when you don't.

- ♪ Gray skies are going
to clear up ♪

♪ Put on a happy face ♪

♪ Brush off the clouds
and cheer up ♪

♪ Put on a happy face ♪

♪ Take off the gloomy mask
of tragedy ♪

♪ It's not your style ♪

♪ You'll look so good
that you'll be glad ♪

- Jordan.
- Hey.

Hey, why are you
ignoring my texts?

- I've been busy.
I told you I'd be here.

- I really need to talk to you,
okay?

You realize
that you're pretty much

the only person
I have here, right?

- Jon, what happened?

- ♪ Put on a happy face ♪

- I don't even know
where to begin.

- Whatever happened,
we're in this together.

All right?
- Okay.

- ♪ Put on a happy face ♪

[cheers and applause]

- What are those for?

- I'm being supportive.

- Dude, come on.
You're in the friend zone.

- Hey, guys!

Have you seen my dad?
- No, I haven't seen him.

- I can't do the performance
without him.

- Sarah Cushing?
You're up.

- He's not coming.
I--I can't sing alone.

- I can do it.
- What?

You--you don't--
you don't even know the music.

- I can look up the chords.
I got this.

- Um--

- Well, let's go.
We're on the clock.

- [sighs]

- Okay, okay, okay.

Um, coming!

[soft dramatic music]

♪ ♪

- Uh, so I didn't prepare,
like,

a musical number or whatever.

So here goes.

- [plays wrong notes at first]

[playing piano]

[Amos Lee's "Little Light"]

♪ ♪

- ♪ Some days I can't get
myself out the box ♪

♪ ♪

♪ And some days I can't find
keys to any locks ♪

♪ ♪

♪ And some days I feel like ♪

♪ It's all overblown ♪

♪ And then I look at you ♪

♪ And I don't feel so alone ♪

♪ So I say, hey ♪

♪ Let your little light shine ♪

♪ Let your little light shine ♪

♪ For the world to see ♪

♪ Hey,
let your little light shine ♪

♪ Let your little light shine ♪

♪ For the world to see ♪

- Are you still considering
Trask?

- Actually,
I think we need Lois.

- Oh, come on, Sam.
- She can handle herself.

- I know she can,
and normally I would agree,

but this guy was married to
another world's version of her.

They had a family, a child,
a daughter named Natalie.

- After my mother?
Same name as the baby you lost.

[soft dramatic music]

Yeah. It's weird, but

there's no time for weird.

I'm trying to save the world,
and the best chance we have

to figure out his agenda

is to let my daughter do
what she does best.

- I know this facility.

If you wanted the fastest exit,
we should've made that left.

- We're making a pit stop.

- At an armed dealer.

♪ ♪

I get it.
You're afraid.

If you make a break, Superman
might have to track you

wherever you're taking me.

Or is it because
you can't face him?

- I can beat Superman.

I have all the power he has,

and the extra advantage
I need...

is right here.

♪ ♪

[alarms blaring]

- I get to watch you kill
each other.

[dramatic music]

♪ ♪

- Status?

- Sir, alarms in Sector Five.
- Where's Irons?

- Unknown. Cams are down
and unconfirmed reports

put a body in prisoner holding.

Sir, it's Trask.
He's dead, sir.

- Get me eyes on Rosetti.
- I'll find him.

- Wait. It's Sector Five.
You can't go.

- That's where you're keeping
your stockpile of kryptonite.

- It's a research
and development lab,

about a dozen prototypes
for kryptonite-based weapons,

fragment grenades,
bladed weapons,

aerosol sprays,
biochemical gas.

Bottom line, you go down there,

there's a chance
you don't come back alive.

♪ ♪

[alarms blaring]

[dramatic music]

- Talk to me, General.
I'm blind down here.

- The feed is still out,
but you can't miss it.

It's number 7734.

♪ ♪

- Where's Irons?

Whatever he's got planned,
I can help you.

- You've got it all wrong.

The only prisoner
who needs help is you.

♪ ♪

- [coughing]

[indistinct chatter]

- The entire facility
is on lockdown?

Get me General Lane.

♪ ♪

- [coughing]

♪ ♪

- Go.

♪ ♪

[coughing]

♪ ♪

- Anyone not in a red cape,

consider them armed
and extremely dangerous.

- Dad, what's going on?

- [coughing]

- You see?
You're on the wrong side.

♪ ♪

[coughing]

♪ ♪

[both coughing]

♪ ♪

[both coughing]

♪ ♪

You're lucky
I have a mission to complete.

[blade slides]

♪ ♪

[blade slides]

♪ ♪

- [coughing]

- On my world,
we had our own 7734.

Out of all the weapons
I used to kill Kryptonians,

this was my favorite.

- I'm not your enemy.

- I figure,
why take the chance?

[door slams open]
- Drop the weapon now!

- Stop!
- Hold your fire!

[soft dramatic music]

- You wanted to see me?
Here I am.

- You should go, Lois.
- I'm not going anywhere.

- [coughing]

- Suit yourself.
- John, I know about Natalie!

I know what happened
on your world,

to you, and to your family.

- Then you know
why I have to do this.

- Please.

Please, I see the anger
in your eyes.

It's covering something
I can relate to:

the torture that comes
from wondering if you failed,

if there was something
you could've done to save them,

but there wasn't.

If there had been,
you would've found it.

They're gone,
and it's not your fault,

but it's not his fault, either.

- You don't know what's coming.

- John, our worlds
are different.

Our Superman is good.

He would never turn on us,
ever.

- How can you know that?
- I know.

And if you kill him,

an innocent man, a hero,

what does that make you?

♪ ♪

[swelling orchestral music]

♪ ♪

- [coughing]

- Sounds like you're
on the mend.

- Yeah. Breathing is better.
That was some nasty stuff.

- The gas was an experimental,
synthetic kryptonite

designed to invade
your respiratory system,

weaken you from the inside,

leave you vulnerable
to more traditional tactics.

You should know it was
my sincere intention

none of this
would ever be deployed.

- Sam, I want to save you the
trouble of lying to my face.

[soft dramatic music]

♪ ♪

- I hope for the best,

but it's my job
to prepare for the worst,

even when it comes to you.

I am sorry
you had to find out like this.

- Trust goes both ways.
- I know.

And I know I have some work
to do to regain yours.

♪ ♪

- About Rosetti--
- Mm.

He was third-generation
military.

Loved his job, his country,

never showed a hint
of superhuman ability.

- And what if it wasn't him?

When Derek Powell killed
himself,

he implied
that he was someone else,

said that I wasn't alone
anymore.

- Meaning what, exactly?
- I don't know.

Lois has a theory.

She thinks that Morgan Edge
has found a way

to transfer alien sentience
into human hosts.

- Kryptonians?

[soft tense music]

Are you telling me John Irons
might be right?

- It's very possible
that Morgan Edge

is building an army.

- Congratulations.

Mr. Edge has singled out
everyone here

for their fearless devotion
to our team.

As soon as he's back in town,

he'll speak to each
of you individually,

and I assure you your loyalty
will be rewarded.

You will each achieve
your perfect selves.

[applause]

♪ ♪

- Sarah.

I'm sorry, okay?

Look, I'd just gotten
some bad news

about a job opportunity,
you know?

And I just felt like I needed
to blow off some steam.

The next thing you know,
I missed your audition,

and at that point, I was so--

look, I know.

I know I messed up,
and I promise you--

- Don't!

Just don't promise me anything.

If you're going to do whatever
you're going to do, just do it.

That's fine.
I just...

I keep getting my hopes up

and then just
get disappointed.

Again.

- Sarah.

[piano playing]

♪ ♪

- Guy tries to kill Dad,
and now he's, what,

he's our houseguest?

- I really don't think Mom
would let him stay here

if he was dangerous.

- After everything that she saw
in that trailer,

you really trust
her judgment right now?

[soft dramatic music]

- I guess I deserve that.

Give me a minute alone
with your brother.

- Yeah.

♪ ♪

- When you and your brother
were about 18 months old,

I got pregnant.

And I ended up losing the baby,

so it's really not something
I talk about much,

but we were going
to name her Natalie.

Yeah, exactly.
[sniffles]

All this time I thought
I was okay--[sniffles]

and then just being reminded
of the child that I lost

and then almost losing you,
I lost it,

and I said some things
I never should've said

and that I didn't mean,
but that's no excuse,

and I never should've
yelled at you like that,

and I'm so sorry,
and I love you so much,

and I hope you forgive me.

- Mom, it's okay.
I understand.

- Promise me you will never
go rogue on me like that again.

- I just wanted to help.

- Jon, if there's anyone
in this family

who gets what
you're going through, it's me.

I know what it's like to be
in the orbit of someone

who can juggle semitrucks,
and you want to help out.

You want to save the world,
and all you can do

is just stand there
holding the wrench.

And I know the fear
of being vulnerable,

and I will teach you
some ways to handle that.

But right now,
I just want you to know

that we're on the same team.

We are the extraordinary humans

in a family of superpeople,

and we have to stick together.

♪ ♪

[birds singing]

- Looks like you
pretty much recovered.

- More or less.

- And I'm free to just
drive out of here.

- It's simple.

If there really
is a war coming,

we're going to need
all the help we can get.

This is a show of trust.

- I let you live.

Doesn't mean I'm ready
to fight by your side.

- I understand.

If you change your mind,
you know how to find me.

♪ ♪

Ms. Lane.

♪ ♪

- I hope you find some solace.

- There's a lot I want to say,

but you're not the woman
I want to say it to.

♪ ♪

You just look like her,

so I will leave you with,
"Godspeed."

♪ ♪

- Welcome back,
Captain Luthor.

♪ ♪

- Erase the profile
for Captain Luthor.

Start a new one for me:
John Henry Irons.

- Certainly.

♪ ♪

Shall I set a course
for a new destination?

- How about you shut down?

Think I'll just drive
for a while.

- As you wish, John.

[engine turns over]

♪ ♪

[sweeping dramatic music]

♪ ♪

- Greg, move your head!