All language subtitles for Tyler.Perrys.Bruh.S02E01.I.Love.LA.1080p.AMZN.WEB-DL.DDP2.0.H.264-NTb_track3_[eng]

- Hey!

- How you doing,
how you doing?

- Hey, I know I depended on
y'all way too much.

- How much money has he
borrowed

from us over the years?

- I know I definitely felt like
y'all owed me something.

- He got kicked out of school
for that. He took the blame.

- Hey, what's been going on
in y'all world?

- Well, I'm still dealing with
that crazy ass chick at work.

- I am not crazy! I'm not crazy.

- I told you not to do it.

- You came on to me.

- We both were drunk.
Let's get off me for a second.

This young gentleman right here,
he just broke up a happy home.

Regina was about to get married.
This guy stopped it.

-Hold on.
- Bill, you need to go.

- He told her he loved her and
he got on his knees

and begged her.
- Marry me.

- I have a girlfriend
out in LA,

maybe I'll go spend some
time with her.

- I promise you I won't
be with another woman,

I won't even look at a
woman.

You talking about me when
you're over here

pining over Pam, bruh.

- I know you don't wanna
just be with one woman.

- I want you.

-You want it all. Don't.
- Pamela!

-What happened to us, man?

Back in college, we were just
young and full of hope.

- Sometimes life just takes
you through the journeys.

Man, you gotta keep trying
to find your way.

- Look at my baby making
me proud.

- Thanks, Ma.

- I tell you, that wedding
the other day

I still ain't got over that.

What the hell kind of
wedding was that?

- Mom, it was clearly a wedding
that you enjoyed, like--

- You're right, I like a little
drama.

- You like a lot of drama.

- Yeah, all I need
is Big Dick Bill.

- Ma, don't start talking about

that stupid stuff.
- But he is Big Dick Bill.

- Ma, I don't wanna hear that.

- Well, you ain't got to listen
to it.

- Okay, stop talking about it.

- Just--Ma!
- What?

- Could you go in
your room?

- Oh boy, you done seen
these titties before.

- Ma, I don't wanna see none of
that! Okay, that's--

- You used to suck 'em.
- Ma!

- I used to have to slap you
to stop you from sucking.

- Ma.
- You still sucking titties?

- Ma, this is a problem.
Stop talking to me about sex.

Do that with your friends,
not with me, please.

- I'm just trying to help you
out.

- I don't need no help.
I'm good, thank you!

- You always say that.

- Okay, look, I'm not gonna do
this with you today, alright?

I don't feel like that.

Well, you don't have to.
- Okay.

Can you go in your room?
Thank you.

Actually let me get the keys.
- You don't tell me where

the hell to go.
- Can I get the keys, please?

- To what?

- I'm going to check on Bill.
Can I get the keys to the car?

- Nigga, that's my car.

- First of all that's not--
Ma, the car is in my name. Okay?

- Wait, did you forget?
- Okay, here we go.

- You know, you couldn't
pay the payment

and I started paying.
- I know that.

- 'Cause you didn't have
the money. Now it's my car.

Act like you remember.

- I remember.

It's still in my name. Okay?
So it's my car still, Ma.

- You got to buy a car for
a car to be yours.

- Fine, don't worry about it.

- Where you going?

- I'mma ask Mike to pick me
up, Ma.

- Good, 'cause I met
someone at the wedding.

- Who you met at the wedding?

- Uh, his name is, uh...

What the hell is his name?

- So you don't know his name

and you invited somebody
over here already?

- Christy needs to be pet.
- Okay, Ma.

- Meow.

- Something really wrong
with you.

I'm not finna do this with you
today.

- Yeah, his name is Joe, like
the Tiger King.

- So you're dating White men
now?

- No, he's Black.

But he does have a mullet
jerry curl.

- And that's, that's what you
like? That's cute to you?

- Them the kind that be freaks.

So take your time getting back.

- Take my t--
Are you serious?

- Yeah, make sure you take
your time.

- I might be working on a little
brother or sister for you.

- Ma, you too old to be
working on any of that.

- No, I'm not.
- Yes, you are.

- Baby, if he
hit the right spot,

he might free up
one of them eggs.

- Ma, those eggs are extinct,
okay?

- You don't be talking to me
like that.

- Okay, fine.
- Yeah, fine.

- Okay, fine.
- Why your ass in here?

- 'Cause I'm waiting
for my ride.

- You can't wait outside?
- No, Ma! This is my house.

- Okay, you don't wanna
wait outside?

- No. Okay, okay, okay! Ma!

Alright, I'm gone! Shoot!

- What's up, boy?
- What's up?

- How you guys doing?
- Good man.

How you doing?
- Good to see you.

- Ah, ah, hey.

- What's up, what's up?

So, who was that White lady
that just walked out of here?

- That was, um, just
somebody I wanted to help.

- Oh, you was helping?
- Helping?

- What can I do for you guys?
What do you need?

- We bothering you?

Um, no, real talk, man.

What we gonna do about Bill?
Seriously.

- John, I don't--I mean, the
guy--

- He's dragging me over here
too,

so we gonna figure something
out.

- Ain't nobody dragging
nobody.

This is our bruh, like, this
dude's packing

to chase a woman to another
city.

-He's a grown man.

-He's a grown man
that's about to throw

his whole life away, Mike.

- How you know he's gonna
throw his whole life away?

- How, how--
- Okay, to be fair.

Do you think that he should go
to LA to chase after some woman?

- If that's what that man
thinks he should do.

- Hm. Well he has a whole
career here.

He's got a good job.
He got with that firm now.

- Thank you, right.
- So?

- That's his life.
- That is his life.

Matter of fact, he just got
handed that new

redevelopment project for
the loft district

and you know he had a little
problem

with the Peter situation.

But he's still there so you
think he should just leave

the firm hanging?
- That's not what I'm saying.

I'm saying a man should
walk his own path.

We don't need to interfere.

- Yeah, a man should walk
his own path

but he has his friends,
the bruhs.

If he's going down a dark
path we'll be like,

"Hey nigga, hey that's a
pussy path.

"Hey, don't follow that
pussy path

"come back on your life path.

"The pussy path gonna lead
you down the dark road,

"that ain't where you wanna
end up at."

- 'Cause your mom was on
that path.

- Mike, I'll slap you.
Don't play with me.

Stop talking about my mama.

Just keep my mama name
out your mouth.

- Hey, hey, hey,
this is about Bill.

Let's take it easy.

Back to Bill, right?

- Stop talking about little ass
niggas, I got you.

Go ahead.

- I'm just saying, we should
let grown people

make their own mistakes.

- Wait, you just said he
wasn't making a mistake.

-Exactly.

- I did not say he was
making a mistake.

I said that maybe he needs to
figure that out for himself.

What if that's what he's
supposed to do?

- Okay, well let's talk about
some of the facts

of the situation.

Regina moved to LA for
one reason:

to get away from Bill.

- To get away from Bill,
exactly.

And you know Bill can be
hard headed

and wanna do what Bill
wanna do.

That's where we come in.

- Only Bill can be hard headed,
John?

- Okay, I ain't walking around
here like I'm an angel.

Everybody done got their
mess.

You got your shit,
he got his shit.

Okay, yes, I borrowed some
drug money, yes, I did.

Yes, I did. So what, okay?

But my friends, my bruhs,
came and looked out.

"Hey bruh, you going down
the wrong path."

I got my life together,
now we're here.

- Proud of you for that.
- Thank you.

- That was Tom's ass.

I was gonna let you do that
dumb-ass shit.

Dumb-ass nigga.
- Fuck you, Mike. Okay?

- Why is that fuck me?
- 'Cause it's not--

You're missing the whole point.
- I get the point!

- Why would you
say that if you get the point?

- Nigga, I'm saying that he
has to do him.

You have to do you.
I have to do me.

We might not agree, but at
the end of the day,

he has to be accountable
for his mistakes.

You have to be accountable
for yours.

- We still need each other
at the end of the day.

That's what I'm saying.
- That's the point.

- I don't need y'all.
-Oh, you don't need me?

- No.
- Okay, bet, bet.

You don't need me,
don't worry about it.

I'm just moving over 'cause I'm
'bout to knock your ass out.

I'm just--
- Do it, do it!

- Stop, stop. Okay.

- He only got respect for
himself.

- He's an asshole. Go ahead.
- You better get him.

- Go ahead, make the point.
Talk to your boy.

- Mike, I get what you're
saying. Okay?

We gotta look out for--
- You're a smart guy.

- I am a smart guy, okay?

- He's a doctor, obviously.

- So absolutely, I agree with
you. But only to a point.

Because here's the thing
that you can't forget,

we are still four
African American men

who've been through a whole
lot together.

And in this country that
means everything, okay?

Now our brotherhood is a
large part

of all of our successes.

Because at any time, we've
all taken moments

to lean on each other.

We've all taken moments
to rely on each other,

have each others' back.

Matter of fact, save each
other's lives.

And you know that, Mike,
more than any of us. Yes?

- Yeah, that's--that's cool.

But we're not in college
anymore.

- Oh, that's cool. You just
wanna put that in the past.

That don't matter?
Okay, don't worry about it.

- It is in the past.
- Don't worry about it.

- Yeah, we're not in college
anymore, Mike.

But as grownups we still
need people to

hold us accountable, man.

Iron sharpens iron, that's
what the bruhs are.

- Respect, well said, well said.

- "Well said, well said."
- Thank you, John.

- No, it's for real.
It's the truth.

- Telling the truth.
- It's the truth.

- You better hold your own
self accountable like--

- Yes, Mike, I know that
and I agree with you.

Of course.

But at the same time, this
brotherhood,

what we have here is one
of the most important things

in this world to me.

I love this bond that we have.
You understand?

Because in my life,
regardless of what's happening,

regardless of everything
breaking down around me,

I know all you guys got me.

If everyone turns their back
on me

I know the bruhs got my back
and that means a lot to me.

- Are you choking up?

- I'm good,
it's just what he said.

- Thank you, John.
Thank you, John.

- Appreciate you, man.
That was well said, man.

You spoke from your heart,
you know what I'm saying?

Like--like give me a hug, man.
I love you, man.

- I love you bro, I love you.

Okay, okay, you can ease up.

- I was just showing you,
you a little love.

You don't want a hug?
You need a hug.

- Don't touch me, nigga.

- Your mama probably
wasn't there.

That's why he don't like to
hug people.

- Your mama was there too
much.

- You just need to show
your emotional side.

You all masculine.
You need to let it out.

-- Pull yourself together.

- Pull yourself together.

- Who is it?

-It's the police.

- Oh shit, it's the police?

That's the fucking White girl
you had here.

Go in your room,
go in your room.

Hey, hey, whoever you're
looking for

tell him he's not here.

He moved out.
He no live here!

He no live here no more.

Go in the room. What?!

You're a lawyer, you're
supposed to know.

- John, move. John!
- Don't go to the door!

See, that's the White
side of him.

Who just walks to the police?
White people do that shit.

-Hi, Officer.
Can I help you with something?

- Do you mind if I come in?
- No! Yeah, we mind.

Do you got a warrant?
You gonna just let her in?

- Don't mind him.
Yeah, come on in please.

- Thank you.

- Black people don't like
police in the house.

I don't care if she Black,
she still the police.

- Okay, so how can we
help you?

- There was a carjacking
across the street last night.

- Hey, we ain't have nothing
to do with that.

You know what I'm saying?
We wasn't there.

We got alibis, we got all
the lullabies, the alibis,

the Alabamas, the all them
people that supposed

to be talk for us, we got them.

- Okay.

I just came here because
there was a carjacking

across the street last night,
and I just wanted

to know if any of you heard
anything.

- No, I ain't heard nothing.
No, nope. Nothing.

- It was in this neighborhood?

- Okay, I'm the one that
lives here by the way.

And unfortunately, Officer,
I didn't see or hear anything

last night.
So, wish I could help you.

- Is everyone okay?

- Luckily yes.

- You know what, this is
the first time though

that I'm hearing a crime
like that in this neighborhood.

And obviously, I pay a lot of
money to live here

so I really wanna know
hopefully that's not a--

that's not a common thing
around here.

- Yeah, most people think
that crimes won't come

to good neighborhoods, but
in my experience,

crime finds its way to all
neighborhoods in Atlanta.

- Especially mine.

It ain't even look, it just
showed up.

Just, eh, crime, eh, killing,
stealing, eh, right there.

But you wouldn't know
about that.

We call y'all, y'all never
come around

that's a whole nother
conversation.

- Okay, well, gentlemen--
if you just hear

about anything or think of
anything

just alert your security office
downstairs.

- Ha, ha, you want me to snitch?

You crazy as hell.

Snitches get stitches, ma'am.

Ma'am, uh, uh, I ain't do
nothing wrong, okay?

I ain't do nothing wrong.

I ain't moving suddenly,
I ain't doing nothing. Okay.

- Well, you gentlemen have
a great day,

and I'm sorry to disturb you.

- No, no, you didn't disturb
us at all.

- Thank you so much.
- Oh, glad to hear it.

- Thank you for everything
you do for the community.

- Wow.

- Amazing, just amazing.

You're killing it.

You're beautiful.
- Thank you.

- Thank you so much for
coming by, officer.

- Sure, by the way, I'm your
neighbor.

I live down the hall if
you ever need anything.

- Wow, okay.

- Yeah, I be here all the time.
I need hella shit.

- Oh okay, well I have a
business card.

- That's actually what I need
right now.

- Oh, if you hear about
anything just let me know.

- Thank you so much for
your time.

- Yeah, yeah.

- We'll let you know anything
at all.

- Alright. Alright.
- Appreciate this.

- Have a good night.
- You too.

- Why you gotta try to
chase everything?

- Everything be chasing me.
- She wasn't chasing you.

- I didn't even try.
- You did try.

- And I got her number.

- Don't, Mike, don't.
- She was looking at me.

- Mike--
- Evidence.

- Mike--
- Evidence.

- He's still in high school.

- Why do you always think
every woman is looking at you?

- Because she was, look at it.

- Yeah, because she's looking
for answers to a case.

- Move out my face, bro.

- You have enough woman
problems.

Can you not add to it?
- Maybe I have the answer.

Don't bring up my woman
problems.

- Hey, forget all that.

High school child.

So--again, what we gonna do
about Bill, huh?

Like, he's about pack up and
just chase this girl to LA.

- That man's out of his mind.

- Is he, is he, Mike? The boy's
in love. Like he's in love.

- I'll never understand that.
- You'll never understand that?

- Pshh.
- So Pam?

That don't move you at all?

When I say Pam--that don't move
you?

- Shut up, shut up.

- You want me to shut up?
- Yeah, shut up.

- Getting angry.
- Crazy.

- I'm not getting angry.
- Hey, it's Pam over there, man.

With a dude. Why would she--
Why would your dumb ass--

why would she be in just
Tom's apartment corner?

- You caught me off guard.
You caught me off guard.

- The nigga looked.

Where you going?

You gone?
- I'm--I'm--

- What about Bill? We got to do
something about Bill.

- You know what, I have
an idea.

- Like, what is it, Mike?
- Don't worry about it.

I'll meet you at his
apartment, okay?

Y'all got me thinking.

-What are you gonna do?

- Don't worry about it.
I got it, alright?

I'll see you guys later.
- Okay.

- What's he gonna do?

- Something damn stupid
as he always do, Tom.

- Yeah, there's a good
chance of that.

- So, we gotta get to Bill's.
- Let's go.

- Alright. Before he do.
We don't know what he gonna do.

- Thank you guys.

See y'all next time.

The light in you honors
the light in me. Namaste.

What the fuck?
-What's up?

- Uh.

- How are you?

- Scared.

- Why?

- 'Cause you're here.

- I just wanted to talk to you.

- Now I'm even more scared.

- I wanted to talk to you
about Bill.

- What?

Oh, is he--is he dead?

- No. Not yet.

- Okay. Okay.
- Look at you tearing up.

You still feel for him.

- No, I was just--
- You still feel for him.

- No.

Okay look, it was a good time.

- I know.

- And a bad break up.

- I know that too.

- He was such a--

- You know Bill.

- Yeah, and I know Mike too.

- What about Mike?

- Y'all always play games.

It's all y'all ever did.

- Okay, well look, he needs
to see you.

- What are you talking about?

- I'm serious, he needs
to see you.

- No, I'm not seeing him.

- Why not?

- Because that's over.

- No, it's not, you gotta
give it time.

- No. I know you.
Y'all always--

You don't get it, okay?

Like, it took a lot for me
to heal from him.

- Heal from him?

Come on.

- I'm not seeing him. Sorry.

- He loves you, he misses you.

- Mike...

- I'm serious.

- What's the game?

- There's no game.
There's not a game.

- Come on.
- You come on.

Let's get out of here,
let's get some coffee,

let's talk about it.
- No, I'm not gonna see him.

Like, I'm done with that.
- He has cancer.

- What?

- Yeah and he is in denial
about it.

- Shit.

- I know.

- Ugh.

- He still loves you.

I know you still love him.

You're actually one
of the people

he wanted to apologize to,
make everything right.

Okay, well, where is he?

Is he in the hospital?

- No, he's actually at home.

- Okay.

Well, let me go take a shower
real quick and--

- No, no come just like that.

- I'm sweaty, I'm hot,
I'm in these tights.

- Exactly.

I'm just saying.
Just come like that.

- Is it that bad?

- It's pretty bad.

Just come on.
- Okay, alright.

Alright, let's go.

- I was worried
about you, boy.

- What you talking about?

- Well, you know, you had
the little White girl

coming up, I thought it was--

- John, John, you realize
my grandma's White, yeah?

- What?!

Is that why you real light
like you almost White?

But not so much 'cause you
got a little--you know,

you got the little kinky
going on.

- Okay, you gotta stop that.

- Light bright.
- Seriously!

That's actually racist
saying that.

- That is not racist!
- It is, straight up.

- No, it's not. Racist is how
they killing us.

That's what racist is.
- Okay, yeah,

but John, you just
can't paint all White people

with the same brush.
That's not fair.

- Shit, I'm painting them all
the fuck I want to.

If I see a White lady and
her name's Karen,

I'm up out that bitch.
You feel me? I'm out.

- John, that's extremely
closed-minded.

That's what they do to us,
right?

- "Excuse me, excuse me,
officer, excuse me.

"You're closed-minded, you have
your knee on his neck."

Like, come on, can you
understand

that that's not okay?
- John--

- He wouldn't see that.

- John, I'm not arguing with
you about that, okay?

That was bad.
- It was bad?

- Well, it was murder.

- Nigga, that was fucking
lynching in plain sight.

- Yes, John, that was
all of that. Okay?

- Go tell my ancestors that.

They'd be like, "Fuck you,
Master."

And they would think you
was Master,

you'd be all in the house.
You know that right?

If you in slavery--
- Hey.

- --we wouldn't even know
each other.

We couldn't be friends.
You know what I'm saying?

- You gotta stop that.
- Nah.

- No seriously.
- No, you gotta stop.

I'm just trying to show
you something.

'Cause don't think 'cause
you're light skinned,

your light skin can't save
you, Mr. Obama.

You know what I'm saying?
"Me, Malia."

It's not gonna happen.

- Okay, well listen, not that
it matters,

but in this particular case
her husband happens

to be White, okay?
- Okay, is he?

That's what's up.
- Yeah. Yeah, he is.

- Well, good for her.

Good for her, staying in her
race, that's good.

- What are you talking
about, "Good for her?"

John, this woman is being
beaten, okay?

- Oh, like her ancestors did us?

Oh, I'm sorry she's getting
a taste

of her ancestor's medicine.
I'm sorry, that's unfortunate.

- John.
- Mm.

- You're awful, you're awful,
by the way.

- Bro, you just gotta look at
reality.

You know what I'm saying?

I mean, that's sad she's
being beat but

she needs to move on.

But, bro, I just hope she don't
get you into nothing, man, so--

- Well, she's not gonna get
me into anything, okay?

I was just helping her,
that's it.

- She was at your house.

- Yeah, because I saw her
at the hospital.

She was a patient of mine.

- How'd she get your
address?

- I gave it to her.

- So you give all your patients
the address to your house?

- No, John, just the ones who
are in trouble like she was.

So any patient in need,
they call on you, huh?

You giving them the vitamin
D at the crib?

That's what you're doing?

Dr. Tom got the vitamin D.
"You need some help?

"You gotta come to my
house, I got you.

I got you!"
- John.

- What?
- Stop, I'm not Mike.

I actually try to help people.
- I know you do, you do.

No, I'm serious, I know you do.
- You know what?

I think it's time you moved
out of your mama's house.

- What? Damn, like how you
switched to that, like?

- Yeah, yeah, because
you're starting to act

way too much like her.

- No, I ain't nothing like
my mama, okay?

Matter of fact, since this--
since I need to move out

maybe I can come to the hospital

and you do me like you do
all your patients.

Give me your number and address
and I can move in with you.

Is that cool? Is that alright?
- Nah, that's not happening.

- Okay, well, shut the fuck
up about me and my mama, okay?

- Touche.

- Hey, when we get to Bill's
house, man,

just let me go straight up
and you find a park.

'Cause this dude is on one.

- Talk some sense into him
and I'll be up there

in a couple of minutes,
alright?

- Okay. And don't, you know, be
on your White time

not your Black time.
I know you be confusing which--

- You don't know where to go.

Do your White, be on time.
- Hey.

Stop being racist.

- I'm not racist, I told you
that's not racist.

- You are, you are.
- That's called truth.

- Is that you, baby?

- Oh, it's just you, nigga.

- Nigga, just me?

- What's up?
- What are you doing?

- What does it look like
I'm doing? I'm packing.

- Nigga, this look like a
real bad movie scene.

Like, you're just gonna up
and just go

and you think it's going
to work out perfect.

- Bruh, you gotta understand.

I'm going to get the
love of my life.

And of course it looks like
a movie

but she likes that rom com
shit.

I think it's romantic.

- Nigga, you tried that with
the white horse.

You remember, you was
trying to be romantic

with the white horse?

Remember how that
turned out?

- That shit almost worked.

- Do you hear yourself?

Bill, listen, you said it almost
worked, almost.

Nigga, it didn't work.

- You know what? First of all,
fuck that horse!

It was the horse's fault.

It was white, it was racist.

- You're dumb, you sound
dumb as hell.

Are you serious?
It's the horse's fault.

So the horse asked himself
to be brought

to that stupid ass concept
you put together

and that's what you--

- Was it the horse's arm or
my arm that got broken?

- Okay.
- See?

- Bill, think about what
you're doing.

Think about it.
- I'm thinking.

- She didn't wanna be with you.
You think you're gonna be like,

"Oh, we're in California now,
now everything

that you did and fucked up in
the past is all gone away."

And she's just gonna be
like, "Oh my God,

"California erased all those
fucked up memories

"I have of you fucking me over
and fucking me over once

"and twice and third time.

It's all erased because now
we're in California."

You think that's what she
gonna do?

No! Not, it's not gonna happen.

Come on, bro.

- You never know until you try.

I don't need that negative
energy in my life right now.

- I'm not trying to be negative.
I'm trying--

Hello?
What up, Tom?

Okay, can you--
How do you buzz Tom up?

- Oh, you called him too?

- Nigga, he was--he saw it all.

And we rode together.

-You can do
whatever y'all want

but you're not stopping me.
-Shoot.

- And how you always
end up in my house?

- Nigga, I have keys.

You don't remember giving
me keys

just in case you got locked
out or you decide

to go to California so you
can go be

with the love of your life?

Bill! Think about what
you're doing.

- I am thinking.

I'm going to LA, bruh.

- Alright bro,
I guess you're gonna do

what you're gonna do, right?

- Bill, what's up?
- What's up, doc?

-How you doing?
- You know.

- Bill, stop for a quick second.

Look me in the eye,

are you sure this is what you
want to do?

- Doc, I am positive.

I love the hell out
of that woman.

- Okay.
- Okay?

- He loves her.

- It's not about
if he loves her.

It's about if she wants to
be with him.

That's--who keeps--who this?
- Hold up.

Holdl up, so you know that, huh?

So you know if she wants
to be with me or not.

Did you know he was a
fortune teller?

So since you can predict
the future,

predict when you get out
your mama's house.

- Hello?

This is the asshole, he wants
to be buzzed up.

Can you buzz him up?
The buzzers--

- You know where it's at. Go.

- Bill, I'm just asking you
to take a moment,

hold on, pause for one second.
For one second.

Look, I'm your bruh, bro.
I love you.

Listen, I promise you I'm not
trying to be negative.

- I don't need no negativity.

- I'm not trying to be negative.

I just want you to take a
moment and rewind.

Okay, to the wedding that
you went and fucked up.

- That's one perspective.

- Listen, no, you, you--
you fucked it up.

- You kinda did.

- Listen, but that's not the
point I'm making.

What happened was, she
didn't leave with you, okay?

-Okay.

- That's what you thought
was going to happen.

- That's exactly what I thought.

- So now that she decides
to go to LA

what makes you think that
now she's going to be okay

in LA with you when she,
when you--

I don't understand.
-She needed space.

See, sometimes you have a
negative association

with a certain area,
IE Atlanta.

And when you go to LA you
get a new perspective

and be like, "Oh, he really
does love me.

"He really did all those
things to be romantic."

See, you don't know 'cause
you ain't got a girl.

You ain't got a love
of your life.

- It's true, he doesn't,
he doesn't.

Here's another point though.

You just got assigned the
redevelopment project

in the loft district, right?
- Exactly, exactly.

- So you just wanna give
all that up?

I know it was difficult for you

to get that project after
Peter and everything else.

- No, no, see, y'all don't
know contracts.

I can work on location so
I can work from LA.

- Okay, who do you know
at LA, Bill?

- I know like...

- Like, like who?
- Well, Regina.

- The one person you know
is the person

who literally don't wanna
be with you

and leaving where you are
to go away from you.

And you think that that's
gonna be your reference point?

- You keep saying don't
wanna be with me.

- She did leave to get
away from you.

- She didn't say that.

I thought she just moved
away to move away,

to get some perspective
on life.

- The perspective is she
don't want your ass.

That's the perspective,
you should know

that we all understand it's
not about whether--

Bill!
Bro, would you say something?

- Yeah.
- Fellas, fellas, fellas.

- Mike, what's up man?

- What's good, what's good,
what's good?

What's up, baby? What's good?

- Now y'all know that this
nigga ain't gonna stop me.

I'm going to get the love
of my life, that's it.

- I'm not gonna stop you.

- Okay, then why they call
you over here?

- I don't know, but I'm not
gonna stop you.

- Good, 'cause you couldn't
if you tried.

- You're a grown man, you're
gonna do what you wanna do.

And she moved to LA--
- Alright look!

For the record, fellas.

This is exactly what I want
to do.

I'm going to LA to get the
love of my life.

Done, alright? Drop this shit.

- Okay. Well hey, ultimately you
know we're your bruhs.

We'll support you whatever
you decide.

- I appreciate that.

- Yeah.
- I don't wanna hear it.

- What, bro?
- He's in it too.

- I am, I'm just saying you
love her right?

You love her right?

- Yes, I do, Mike.

- What?
- That's it?

- No, go ahead.
- I was just asking.

- No, you got some
other shit.

Go ahead, say what you
gotta say.

- I was just wondering,
nobody's gonna make you stay?

- No one.
- Not a man, not a--

- Nobody, nobody, nobody,
nobody, Mike.

You made your point, nobody.
- Not a Natalie?

-What are you
talking about, man?

-Oh.

- Hey, Bill.