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These are the user uploaded subtitles that are being translated: 1 00:00:06,300 --> 00:00:09,700 NARRATOR: His name is Odysseus, and he's on a mission-- 2 00:00:09,800 --> 00:00:13,033 to return home to the woman he loves before she marries 3 00:00:13,133 --> 00:00:15,066 someone else. 4 00:00:15,166 --> 00:00:18,467 Blocking his way are bloodthirsty monsters, 5 00:00:18,567 --> 00:00:22,667 enchanting seductress, treacherous seas, 6 00:00:22,767 --> 00:00:23,600 and angry gods. 7 00:00:23,700 --> 00:00:25,800 [THUNDER RUMBLING] 8 00:00:26,600 --> 00:00:30,433 This is the continuing journey of Odysseus, the epic quest 9 00:00:30,533 --> 00:00:34,567 of the greatest mythical hero of all time. 10 00:00:34,667 --> 00:00:36,467 To us, it is myth. 11 00:00:36,567 --> 00:00:40,100 But to the ancients, it was reality, and perhaps even 12 00:00:40,200 --> 00:00:43,567 a blueprint for one of the Christian gospels. 13 00:00:43,667 --> 00:00:50,633 This is the real story as it was originally told of The Odyssey. 14 00:00:50,734 --> 00:00:54,667 [THEME MUSIC] 15 00:01:01,667 --> 00:01:04,533 The story of Odysseus, King of Ithaca, 16 00:01:04,633 --> 00:01:07,934 is not like tales of other mythological heroes. 17 00:01:08,033 --> 00:01:12,467 He's not a god with special superpowers. 18 00:01:12,567 --> 00:01:15,934 Instead, his character is written as a regular man trying 19 00:01:16,033 --> 00:01:20,834 to get home from a 10-year war to his wife and son. 20 00:01:20,934 --> 00:01:22,867 SCOTT HULER: Everybody can relate to this guy. 21 00:01:22,967 --> 00:01:26,100 This is all of us like to spend more time with my family. 22 00:01:26,200 --> 00:01:27,033 I don't like my job. 23 00:01:27,133 --> 00:01:28,734 I'm not treated the way I want to be. 24 00:01:28,834 --> 00:01:29,900 And I'm tired. 25 00:01:30,000 --> 00:01:32,567 I want to go home. 26 00:01:32,667 --> 00:01:34,367 That's Odysseus' story. 27 00:01:36,934 --> 00:01:40,266 NARRATOR: But the Odyssey is not just a return home. 28 00:01:40,367 --> 00:01:43,333 It's a race against time. 29 00:01:43,433 --> 00:01:46,233 As Odysseus battles danger on the high seas, 30 00:01:46,333 --> 00:01:49,433 his wife, Penelope, anxiously awaits his return 31 00:01:49,533 --> 00:01:53,367 and wonders if she's become a sailor's widow. 32 00:01:53,467 --> 00:01:55,700 Meanwhile, a rogue's gallery of suitors 33 00:01:55,800 --> 00:01:58,400 is knocking at her door, pressuring her to forget 34 00:01:58,500 --> 00:02:01,200 her husband and marry again. 35 00:02:01,300 --> 00:02:04,900 And according to custom, he who wins the crown 36 00:02:05,000 --> 00:02:07,367 will win the crown. 37 00:02:07,467 --> 00:02:09,867 If Odysseus doesn't get home in time, 38 00:02:09,967 --> 00:02:13,667 he'll lose his family, and his kingdom. 39 00:02:13,767 --> 00:02:18,033 The aristocracy of the area starts saying, Odysseus 40 00:02:18,133 --> 00:02:19,333 isn't coming home. 41 00:02:19,433 --> 00:02:21,400 We don't know what happened to him, but he's not coming back. 42 00:02:21,500 --> 00:02:25,533 So we need to decide who's going to be king instead of him. 43 00:02:25,633 --> 00:02:27,000 The person who would be a candidate 44 00:02:27,100 --> 00:02:30,800 would be the person who marries Penelope since everyone 45 00:02:30,900 --> 00:02:32,266 assumed that she was now a widow. 46 00:02:35,100 --> 00:02:37,433 NARRATOR: Odysseus has struggled to get home in time 47 00:02:37,533 --> 00:02:41,100 is the central focus of The Odyssey. 48 00:02:41,200 --> 00:02:43,967 This epic myth was the Greek author Homer's most famous 49 00:02:44,066 --> 00:02:44,867 work. 50 00:02:48,700 --> 00:02:54,467 And to the ancients, it was more than just entertaining fiction. 51 00:02:54,567 --> 00:02:58,200 It was a guidebook to living in a dangerous world. 52 00:02:58,300 --> 00:03:01,900 We need to understand, we need to tell stories to make sense 53 00:03:02,000 --> 00:03:03,100 of our world. 54 00:03:03,200 --> 00:03:07,266 And so the Greeks had myths. 55 00:03:07,367 --> 00:03:10,467 These are incredibly human characters 56 00:03:10,567 --> 00:03:13,867 going through incredibly human emotions. 57 00:03:13,967 --> 00:03:16,166 NARRATOR: Odysseus' adventures on the high seas 58 00:03:16,266 --> 00:03:18,800 reflected how the Greeks viewed the unknown world 59 00:03:18,900 --> 00:03:21,033 beyond their shores. 60 00:03:21,133 --> 00:03:23,900 His myth was written at a time when their empire was just 61 00:03:24,000 --> 00:03:26,700 beginning to expand across the seas. 62 00:03:26,800 --> 00:03:28,900 GEORGE ZARKADAKIS: Odysseus represents someone who is 63 00:03:29,000 --> 00:03:32,133 very, very prototypical Greek. 64 00:03:32,233 --> 00:03:34,000 Greece at the time was a very poor country. 65 00:03:34,100 --> 00:03:37,767 It's a rocky place surrounded by the sea. 66 00:03:37,867 --> 00:03:41,567 So people had to make their fortunes by being adventurers. 67 00:03:41,667 --> 00:03:43,834 It was the only way you can make it in ancient Greece. 68 00:03:43,934 --> 00:03:47,367 [OMINOUS MUSIC] 69 00:03:52,300 --> 00:03:55,667 NARRATOR: In the myth, Odysseus' heroic journey home 70 00:03:55,767 --> 00:03:58,200 began with his departure from Troy, 71 00:03:58,300 --> 00:04:01,834 where he had spent 10 years fighting the Trojan War. 72 00:04:01,934 --> 00:04:04,266 He had hoped his return to his home island of Ithaca 73 00:04:04,367 --> 00:04:06,734 would be quick and painless. 74 00:04:06,834 --> 00:04:11,600 But for him and his soldiers, it turned into a trip from hell. 75 00:04:11,700 --> 00:04:15,000 On a stop for supplies several weeks into the journey, 76 00:04:15,100 --> 00:04:19,500 Odysseus narrowly escaped death at the hands 77 00:04:19,600 --> 00:04:22,333 of a man-eating cyclops, only to draw 78 00:04:22,433 --> 00:04:26,033 the wrath of the monstrous father, the powerful sea 79 00:04:26,133 --> 00:04:30,066 god, Poseidon. 80 00:04:30,166 --> 00:04:33,000 KRISTINA MILNOR: By attacking the son of a god, 81 00:04:33,100 --> 00:04:34,600 he makes a double mistake. 82 00:04:34,700 --> 00:04:37,767 One is he angers a god, but the second 83 00:04:37,867 --> 00:04:40,433 is he angers the god of the sea. 84 00:04:40,533 --> 00:04:41,934 He's sailing home. 85 00:04:44,600 --> 00:04:46,934 SCOTT HULER: And that's the curse 86 00:04:47,033 --> 00:04:49,467 that is working against a disease 87 00:04:49,567 --> 00:04:50,967 the entire rest of his journey. 88 00:04:51,066 --> 00:04:54,266 Poseidon, one of the most powerful gods 89 00:04:54,367 --> 00:04:57,533 has this personal antipathy to a disease. 90 00:05:00,934 --> 00:05:03,734 NARRATOR: Now, Odysseus is way off course. 91 00:05:03,834 --> 00:05:07,266 Months into a journey that should have taken weeks. 92 00:05:07,367 --> 00:05:10,533 Little does he know, he's got years still to go. 93 00:05:10,633 --> 00:05:14,600 [OMINOUS MUSIC] 94 00:05:19,100 --> 00:05:21,266 But Odysseus is not one to surrender 95 00:05:21,367 --> 00:05:23,166 in the face of adversity. 96 00:05:23,266 --> 00:05:25,200 PETER STRUCK: He may be knocked down just as much 97 00:05:25,300 --> 00:05:28,300 as all the rest of us, and even harder than all the rest of us, 98 00:05:28,400 --> 00:05:29,734 but he always can get back up. 99 00:05:29,834 --> 00:05:31,500 He can always find a way. 100 00:05:31,600 --> 00:05:33,967 And I think that really crystallizes this desire 101 00:05:34,066 --> 00:05:37,567 that all of us have to make it through, to persevere. 102 00:05:37,667 --> 00:05:41,700 He's just a human being up against all kinds of odds, up 103 00:05:41,800 --> 00:05:44,900 against gods, and he has to make it through simply 104 00:05:45,000 --> 00:05:45,734 on his intelligence. 105 00:05:45,834 --> 00:05:48,667 [OMINOUS MUSIC] 106 00:05:51,600 --> 00:05:53,533 NARRATOR: Desperate for an escape from Poseidon's 107 00:05:53,633 --> 00:05:56,100 stormy seas, the hero and his men 108 00:05:56,200 --> 00:06:00,934 make landfall on a coastline overflowing with food. 109 00:06:01,033 --> 00:06:05,200 Odysseus sends a scouting party to investigate while he stays 110 00:06:05,300 --> 00:06:07,400 close to shore. 111 00:06:07,500 --> 00:06:11,533 The men discover a stone palace surrounded by wolves and lions. 112 00:06:14,900 --> 00:06:20,834 There, they meet the beautiful sorceress, Circe. 113 00:06:20,934 --> 00:06:23,166 For these Greek warriors who have been out at sea 114 00:06:23,266 --> 00:06:29,300 for the past four months, she's a stirring sight. 115 00:06:29,400 --> 00:06:30,600 And so are her maids. 116 00:06:35,233 --> 00:06:38,667 Circe invites the men into her home to enjoy a sumptuous feast 117 00:06:38,767 --> 00:06:42,567 of food and flesh. 118 00:06:42,667 --> 00:06:44,300 DAVID GEORGE: Circe is supposed to show us 119 00:06:44,400 --> 00:06:48,667 what happens when men get led astray 120 00:06:48,767 --> 00:06:53,133 not by drugs, but by sex. 121 00:06:53,233 --> 00:06:58,333 And men coming home when you've got sexy woman with great power 122 00:06:58,433 --> 00:07:01,533 that can make you happy, give you anything you want, well, 123 00:07:01,633 --> 00:07:02,333 what does that do? 124 00:07:02,433 --> 00:07:05,633 It turns me into pigs. 125 00:07:05,734 --> 00:07:08,467 NARRATOR: As Odysseus' men indulge their appetites, 126 00:07:08,567 --> 00:07:11,900 the sorceress teaches them a hard lesson. 127 00:07:12,000 --> 00:07:14,934 She literally transforms the men into swine. 128 00:07:15,033 --> 00:07:18,333 [MUSIC PLAYING] 129 00:07:24,300 --> 00:07:27,767 [PIGS SQUEALING] 130 00:07:37,266 --> 00:07:41,166 But one man manages to escape Circe's spell and returns 131 00:07:41,266 --> 00:07:43,400 to warn Odysseus. 132 00:07:43,500 --> 00:07:48,066 Without hesitation, he sets out to confront the goddess. 133 00:07:48,166 --> 00:07:52,500 KRISTINA MILNOR: He has this almost optimism about the way 134 00:07:52,600 --> 00:07:53,734 things are. 135 00:07:53,834 --> 00:07:56,967 He has this idea that any challenge that comes his way, 136 00:07:57,066 --> 00:07:58,600 he can overcome. 137 00:07:58,700 --> 00:08:01,633 And he never really seems to falter in that. 138 00:08:01,734 --> 00:08:04,600 [OMINOUS MUSIC] 139 00:08:07,000 --> 00:08:10,066 NARRATOR: According to the myth, on the way to Circe's palace 140 00:08:10,166 --> 00:08:12,900 where his men have been turned into pigs, 141 00:08:13,000 --> 00:08:17,000 Odysseus crossed his paths with a valuable ally-- 142 00:08:17,100 --> 00:08:21,133 the ancient Greek messenger god, Hermes. 143 00:08:21,233 --> 00:08:22,600 KRISTINA MILNOR: He's often the god 144 00:08:22,700 --> 00:08:25,433 who is sent from Mount Olympus down to Earth 145 00:08:25,533 --> 00:08:28,133 to perform errands essentially. 146 00:08:28,233 --> 00:08:34,200 He's sent to Odysseus with a drug called Moly. 147 00:08:34,300 --> 00:08:36,133 We don't really know what this was, 148 00:08:36,233 --> 00:08:38,333 but it has mystical powers. 149 00:08:38,433 --> 00:08:40,166 He gives it to Odysseus and Odysseus 150 00:08:40,266 --> 00:08:44,400 takes it so that he's actually not subject to Circe's powers. 151 00:08:44,500 --> 00:08:45,934 NARRATOR: Ancient storytellers may 152 00:08:46,033 --> 00:08:49,633 have referred to this mythical wonder drug as Holy Moly, 153 00:08:49,734 --> 00:08:51,967 and inspired the phrase we know today. 154 00:08:52,066 --> 00:08:55,400 [OMINOUS MUSIC] 155 00:08:56,834 --> 00:08:59,500 With the power of his Moly protecting him, 156 00:08:59,600 --> 00:09:03,133 Odysseus swaggers into Circe's palace. 157 00:09:03,233 --> 00:09:07,266 Circe tries to turn him into a pig but fails. 158 00:09:07,367 --> 00:09:10,066 So she changes tactics. 159 00:09:10,166 --> 00:09:16,500 She lures him into her bedroom, but Odysseus plays hard to get. 160 00:09:16,600 --> 00:09:19,633 Odysseus responds, not so fast. 161 00:09:19,734 --> 00:09:23,400 Before I agree to this, you have to promise to turn my men back 162 00:09:23,500 --> 00:09:24,700 into human beings. 163 00:09:24,800 --> 00:09:27,867 And you have to promise no more funny business, no more turning 164 00:09:27,967 --> 00:09:29,433 any of us into animals. 165 00:09:29,533 --> 00:09:31,166 And Circe agrees to these terms. 166 00:09:31,266 --> 00:09:34,033 [OMINOUS MUSIC] 167 00:09:35,500 --> 00:09:38,367 NARRATOR: With that, Odysseus enters the inner sanctum 168 00:09:38,467 --> 00:09:43,934 of the sex goddess, and doesn't come out for a whole year. 169 00:09:44,033 --> 00:09:45,300 KRISTINA MILNOR: This to us seems 170 00:09:45,400 --> 00:09:47,100 like an extramarital affair. 171 00:09:47,200 --> 00:09:49,066 Homer doesn't really seem to think that this 172 00:09:49,166 --> 00:09:51,166 is a problem in any way. 173 00:09:53,967 --> 00:09:57,667 This likely has to do with the double standard 174 00:09:57,767 --> 00:10:01,300 in Greek society, that is to say women were expected to be 175 00:10:01,400 --> 00:10:06,633 chaste and loyal, not to seek or particularly enjoy 176 00:10:06,734 --> 00:10:08,200 sexual relationships. 177 00:10:08,300 --> 00:10:11,233 Whereas men could go out and have really 178 00:10:11,333 --> 00:10:14,033 a lot of different extramarital affairs 179 00:10:14,133 --> 00:10:15,900 without anybody thinking that it was wrong. 180 00:10:16,000 --> 00:10:18,867 [MUSIC PLAYING] 181 00:10:20,266 --> 00:10:22,166 NARRATOR: After one year, Odysseus 182 00:10:22,266 --> 00:10:25,133 decides enough is enough. 183 00:10:25,233 --> 00:10:27,533 He's had his tryst, but his heart 184 00:10:27,633 --> 00:10:30,367 is with his wife, Penelope. 185 00:10:30,467 --> 00:10:31,834 And he must get home. 186 00:10:31,934 --> 00:10:33,333 DAVID GEORGE: I think at this point, 187 00:10:33,433 --> 00:10:37,166 the Odyssey is trying to show us something about Odysseus. 188 00:10:37,266 --> 00:10:39,400 He is a man like any other man. 189 00:10:39,500 --> 00:10:43,967 He should be striving to get home. 190 00:10:44,066 --> 00:10:50,633 He owes Penelope, and he owes Ithaca a king. 191 00:10:50,734 --> 00:10:55,066 And the longer he spends with Circe's, the more 192 00:10:55,166 --> 00:10:58,467 he is denying what is owed. 193 00:10:58,567 --> 00:11:01,166 NARRATOR: But before he can set sail for his home island 194 00:11:01,266 --> 00:11:03,700 of Ithaca, he'll have to make another detour 195 00:11:03,800 --> 00:11:08,867 to visit a place that isn't on the map, but beneath it-- 196 00:11:11,433 --> 00:11:15,166 the underworld of the dead. 197 00:11:15,266 --> 00:11:18,166 It is a harrowing chapter in Odysseus' journey 198 00:11:18,266 --> 00:11:20,433 that some scholars believe even influenced 199 00:11:20,533 --> 00:11:22,333 one of the Christian gospels. 200 00:11:29,100 --> 00:11:31,667 [MUSIC PLAYING] 201 00:11:34,667 --> 00:11:38,033 Odysseus, the mythical hero in Homer's Odyssey 202 00:11:38,133 --> 00:11:40,066 has been away from his family and kingdom 203 00:11:40,166 --> 00:11:42,667 for almost 12 years. 204 00:11:42,767 --> 00:11:47,000 He spent a decade fighting the Trojan War and a full year 205 00:11:47,100 --> 00:11:49,700 in the bedroom of Circe, the sex goddess. 206 00:11:53,200 --> 00:11:56,467 Now, he knows the time has come to move on and get home. 207 00:11:59,633 --> 00:12:05,467 Circe consents to his leaving but imparts an ominous warning. 208 00:12:05,567 --> 00:12:09,100 To overcome the curse of the sea god Poseidon and get home, 209 00:12:09,200 --> 00:12:14,767 he'll need instructions from the blind prophet, Tiresias. 210 00:12:14,867 --> 00:12:16,600 Just one problem-- 211 00:12:16,700 --> 00:12:18,300 Tiresias is dead. 212 00:12:18,400 --> 00:12:21,533 [OMINOUS MUSIC] 213 00:12:21,633 --> 00:12:25,900 Odysseus must now make an unplanned stop 214 00:12:26,000 --> 00:12:30,667 in the underworld of Hades. 215 00:12:30,767 --> 00:12:32,100 I think you're just going home, 216 00:12:32,200 --> 00:12:35,166 you're going someplace that you didn't expect to go. 217 00:12:35,266 --> 00:12:39,033 You're going to hell. 218 00:12:39,133 --> 00:12:41,400 BARRY STRAUSS: Odysseus is horrified at this thought. 219 00:12:41,500 --> 00:12:46,066 No human has ever gone to Hades and survived. 220 00:12:46,166 --> 00:12:48,233 NARRATOR: But Odysseus has no choice. 221 00:12:48,333 --> 00:12:51,100 Poseidon's power over the seas is strong 222 00:12:51,200 --> 00:12:53,467 and he's getting nowhere fast. 223 00:12:53,567 --> 00:12:56,667 If he ever hopes to reclaim his family and his kingdom, 224 00:12:56,767 --> 00:12:59,333 he must seek out Tiresias in the underworld. 225 00:12:59,433 --> 00:13:02,700 [OMINOUS MUSIC] 226 00:13:09,367 --> 00:13:14,166 Today, we picture hell as a pit of fire and brimstone. 227 00:13:14,266 --> 00:13:16,700 But the ancient Greeks saw it differently. 228 00:13:16,800 --> 00:13:18,467 PETER STRUCK: The ancient Greek underworld 229 00:13:18,567 --> 00:13:22,533 is mostly characterized by being misty and cool. 230 00:13:22,633 --> 00:13:25,667 In contrast to later ideas that come in with Christianity 231 00:13:25,767 --> 00:13:29,467 of the underworld as being a place of eternal punishment, 232 00:13:29,567 --> 00:13:32,500 it's not a kind of nasty, hot, fiery furnace. 233 00:13:32,600 --> 00:13:34,533 Instead, what we've got is a gray area that's 234 00:13:34,633 --> 00:13:38,066 difficult to see, that's misty, murky, and very far away. 235 00:13:40,633 --> 00:13:44,767 NARRATOR: Odysseus makes a harrowing descent into Hades. 236 00:13:44,867 --> 00:13:49,033 The agonized cries of perished souls echo from all sides. 237 00:13:49,133 --> 00:13:52,467 [SOULS WAILING] 238 00:13:52,567 --> 00:13:55,734 Inside the gates, he comes face to face with the prophet 239 00:13:55,834 --> 00:14:00,934 Tiresias, who explains that Odysseus and his men 240 00:14:01,033 --> 00:14:03,000 can overcome the wrath of Poseidon 241 00:14:03,100 --> 00:14:07,367 and make it home if they follow his instructions. 242 00:14:07,467 --> 00:14:09,834 SCOTT HULER: Tiresias gives him very specific advice. 243 00:14:09,934 --> 00:14:15,000 Above all, what you need to do is not eat the cattle 244 00:14:15,100 --> 00:14:17,233 of the sun god Helios. 245 00:14:17,333 --> 00:14:22,033 No matter what else you do, do not eat this cattle. 246 00:14:25,333 --> 00:14:27,867 NARRATOR: It's advice that will come back to haunt Odysseus. 247 00:14:27,967 --> 00:14:31,934 [MUSIC PLAYING] 248 00:14:37,600 --> 00:14:40,533 As the souls of the dead begin to close in on him, 249 00:14:40,633 --> 00:14:44,867 Odysseus makes his escape from the underworld, more determined 250 00:14:44,967 --> 00:14:46,200 than ever to get home. 251 00:14:46,300 --> 00:14:49,533 [SOULS WAILING] 252 00:14:51,834 --> 00:14:56,367 He has done what no living man is supposed to be able to do, 253 00:14:56,467 --> 00:14:59,200 survive a trip to Hades. 254 00:14:59,300 --> 00:15:00,600 So goes the myth. 255 00:15:00,700 --> 00:15:02,166 But what is the link to reality? 256 00:15:02,266 --> 00:15:05,467 [OMINOUS MUSIC] 257 00:15:06,934 --> 00:15:08,734 Some scholars believe this chapter 258 00:15:08,834 --> 00:15:11,700 of The Odyssey influenced one of Christianity's most 259 00:15:11,800 --> 00:15:12,600 sacred texts. 260 00:15:15,667 --> 00:15:19,233 The Gospel of Mark. 261 00:15:19,333 --> 00:15:21,867 It's almost impossible to overestimate the importance 262 00:15:21,967 --> 00:15:24,700 of Homer for ancient Greeks. 263 00:15:24,800 --> 00:15:26,867 BARRY STRAUSS: Mark, of course, was a Greek speaker. 264 00:15:26,967 --> 00:15:29,133 The Gospels are written in Greek. 265 00:15:29,233 --> 00:15:32,000 He almost certainly would have known the story of The Odyssey. 266 00:15:32,100 --> 00:15:34,100 So if there are things in the Book of Mark 267 00:15:34,200 --> 00:15:35,934 that remind us of The Odyssey, that 268 00:15:36,033 --> 00:15:39,066 may well not be an accident. 269 00:15:39,166 --> 00:15:41,834 NARRATOR: A close comparison of The Odyssey and the Gospel 270 00:15:41,934 --> 00:15:45,433 of Mark reveals some shocking parallels. 271 00:15:45,533 --> 00:15:49,100 Both stories revolve around the hardships of a suffering hero-- 272 00:15:49,200 --> 00:15:51,700 Odysseus and Jesus. 273 00:15:51,800 --> 00:15:55,033 Both main characters have carpentry backgrounds. 274 00:15:55,133 --> 00:15:57,767 Odysseus was a skilled woodworker who even built 275 00:15:57,867 --> 00:16:00,700 his own palace in Ithaca. 276 00:16:00,800 --> 00:16:03,900 Jesus was the son of a carpenter and in one passage 277 00:16:04,000 --> 00:16:06,200 in the Book of Mark, he himself is 278 00:16:06,300 --> 00:16:07,800 referred to as the carpenter. 279 00:16:07,900 --> 00:16:11,166 [MUSIC PLAYING] 280 00:16:13,166 --> 00:16:15,433 But the most intriguing connection 281 00:16:15,533 --> 00:16:18,633 is the similarity between Odysseus' visit to Hades 282 00:16:18,734 --> 00:16:20,900 and Jesus' last days on Earth. 283 00:16:23,433 --> 00:16:25,934 Both stories begin with a banquet. 284 00:16:26,033 --> 00:16:29,633 Odysseus and his men feasting at Circe's palace. 285 00:16:29,734 --> 00:16:33,734 Jesus and his apostles at the Last Supper. 286 00:16:33,834 --> 00:16:36,567 Then as their comrades sleep, both men 287 00:16:36,667 --> 00:16:40,133 agonize about their impending encounter with death. 288 00:16:40,233 --> 00:16:43,467 DENNIS MACDONALD: When Odysseus learns from Circe that he needs 289 00:16:43,567 --> 00:16:47,133 to go to Hades, he despairs of it. 290 00:16:47,233 --> 00:16:50,967 And the reason is, and he says so, that no mortal has ever 291 00:16:51,066 --> 00:16:53,500 gone to Hades and returned. 292 00:16:53,600 --> 00:16:56,066 Jesus is about to die, he has the Last Supper 293 00:16:56,166 --> 00:16:59,900 with his disciples, he despairs of life because he knows 294 00:17:00,066 --> 00:17:02,967 he must face the cross. 295 00:17:03,066 --> 00:17:06,400 NARRATOR: Ultimately, Odysseus would travel to the underworld 296 00:17:06,500 --> 00:17:09,200 of the dead and return. 297 00:17:09,300 --> 00:17:15,033 Jesus would die on the cross and then rise to new life. 298 00:17:15,133 --> 00:17:17,433 Could these parallels be more than coincidence? 299 00:17:17,533 --> 00:17:20,400 [OMINOUS MUSIC] 300 00:17:22,867 --> 00:17:27,233 As the myth continues, Odysseus leaves Hades and set sail 301 00:17:27,333 --> 00:17:30,066 for Ithaca. 302 00:17:30,166 --> 00:17:33,300 He is finally on his way home again. 303 00:17:33,400 --> 00:17:36,867 But in his path lurks another obstacle, 304 00:17:36,967 --> 00:17:39,200 the island of the sirens. 305 00:17:39,300 --> 00:17:44,767 DAVID GEORGE: The sirens are these creatures whose songs are 306 00:17:44,867 --> 00:17:52,100 so beautiful that they pull you off course and you shipwreck. 307 00:17:52,200 --> 00:17:55,633 [SIRENS SINGING] 308 00:17:58,800 --> 00:18:01,467 NARRATOR: Odysseus knows he is approaching the island 309 00:18:01,567 --> 00:18:04,033 of the sirens so he orders his men 310 00:18:04,133 --> 00:18:07,834 to plug their ears with beeswax to prevent them from hearing 311 00:18:07,934 --> 00:18:10,300 the siren song. 312 00:18:10,400 --> 00:18:13,800 But Odysseus, a man of insatiable curiosity, 313 00:18:13,900 --> 00:18:17,934 is the exception to his own rule. 314 00:18:18,033 --> 00:18:21,800 He has the crew tie him to the ship's mast. 315 00:18:21,900 --> 00:18:23,600 This way, he can listen to the sirens 316 00:18:23,700 --> 00:18:27,066 without steering the ship toward the island's rocky shores. 317 00:18:30,433 --> 00:18:33,867 As they roll through, he's screaming untie me, untie me, 318 00:18:33,967 --> 00:18:35,200 but they can't hear him. 319 00:18:35,300 --> 00:18:38,700 [ODYSSEUS SCREAMING] 320 00:18:49,400 --> 00:18:51,800 And so he hears what the siren song is. 321 00:18:51,900 --> 00:18:55,000 The only human who's done it and survived. 322 00:18:55,100 --> 00:18:58,200 But for the ancients, you see this scene depicted again 323 00:18:58,300 --> 00:19:00,934 and again on face painting after face painting, 324 00:19:01,033 --> 00:19:06,734 and it's meant to show you what the ideal man is about, 325 00:19:06,834 --> 00:19:10,667 doing whatever is necessary to learn something new. 326 00:19:13,633 --> 00:19:15,767 NARRATOR: Odysseus' encounter with the sirens 327 00:19:15,867 --> 00:19:19,266 is one of mythology's best known stories. 328 00:19:19,367 --> 00:19:21,800 But new evidence suggests the song of the sirens 329 00:19:21,900 --> 00:19:23,667 may be more than just a legend. 330 00:19:23,767 --> 00:19:26,967 [OMINOUS MUSIC] 331 00:19:29,266 --> 00:19:32,734 Italy's Li Galli Islands. 332 00:19:32,834 --> 00:19:34,367 Traditionally, they have been cited 333 00:19:34,467 --> 00:19:37,133 as the setting of the story. 334 00:19:37,233 --> 00:19:41,567 Centuries ago, they were even called Le Sirenuse, the islands 335 00:19:41,667 --> 00:19:44,433 of the sirens. 336 00:19:44,533 --> 00:19:47,066 In 2004, a team of German scientists 337 00:19:47,166 --> 00:19:50,567 set out to investigate their link to the Odyssey, 338 00:19:50,667 --> 00:19:53,233 and made a stunning discovery. 339 00:19:53,333 --> 00:19:56,333 What the German team found on this island was that there was 340 00:19:56,433 --> 00:19:59,967 a naturally-occurring formation of rocks that served as kind 341 00:20:00,066 --> 00:20:02,500 of a natural megaphone. 342 00:20:02,600 --> 00:20:05,900 Any sort of sound source that happened to be located there, 343 00:20:06,000 --> 00:20:07,800 the sound waves would bounce off them 344 00:20:07,900 --> 00:20:12,033 and they would amplify them out off the coast. 345 00:20:12,133 --> 00:20:14,633 But even with this built-in megaphone, 346 00:20:14,734 --> 00:20:17,967 human voices are impossible to hear offshore. 347 00:20:18,066 --> 00:20:20,467 So what could have made such a loud sound? 348 00:20:25,600 --> 00:20:28,734 Monk seals-- centuries ago, there 349 00:20:28,834 --> 00:20:31,233 were common throughout the Mediterranean, 350 00:20:31,333 --> 00:20:33,633 including the Li Galli Islands. 351 00:20:33,734 --> 00:20:36,200 JOHN RENNIE: The German team was able to demonstrate 352 00:20:36,300 --> 00:20:38,400 the sound of their cries actually 353 00:20:38,500 --> 00:20:42,567 could be heard quite clearly off the coast. 354 00:20:42,667 --> 00:20:44,900 NARRATOR: Could this be the call that lured sailors 355 00:20:45,000 --> 00:20:45,734 to a rocky grave? 356 00:20:45,834 --> 00:20:48,467 [MUSIC PLAYING] 357 00:20:53,233 --> 00:20:56,934 Back on the high seas, Odysseus has survived his brush 358 00:20:57,033 --> 00:20:58,300 with the sirens. 359 00:20:58,400 --> 00:21:03,934 But an even deadlier challenge lies beyond the next wave. 360 00:21:04,033 --> 00:21:05,967 To make it home to Ithaca, you'll 361 00:21:06,066 --> 00:21:10,533 have to confront one of two terrifying threats. 362 00:21:10,633 --> 00:21:14,400 Some researchers believe these dangers were real and may still 363 00:21:14,500 --> 00:21:15,200 be out there. 364 00:21:15,300 --> 00:21:18,767 [MUSIC PLAYING] 365 00:21:26,700 --> 00:21:28,567 Odysseus' shrewdness has helped him 366 00:21:28,667 --> 00:21:33,333 survive a series of deadly obstacles on the high seas. 367 00:21:33,433 --> 00:21:37,734 But he's not the only one using his wits. 368 00:21:37,834 --> 00:21:41,433 Hundreds of miles away in his kingdom of Ithaca, his wife 369 00:21:41,533 --> 00:21:46,867 is keeping her suitors at bay with a clever ruse of her own. 370 00:21:46,967 --> 00:21:48,633 She promises she will marry one of them 371 00:21:48,734 --> 00:21:52,433 as soon as she finishes weaving a burial shroud for Odysseus' 372 00:21:52,533 --> 00:21:54,567 father. 373 00:21:54,667 --> 00:21:56,633 But each night, she unweaves what 374 00:21:56,734 --> 00:21:58,834 she has woven during the day. 375 00:21:58,934 --> 00:22:02,133 This trick has been buying her time for years. 376 00:22:02,233 --> 00:22:05,133 Just as Odysseus is characterized by his craftiness 377 00:22:05,233 --> 00:22:07,600 and his cleverness and his ability to weave plots 378 00:22:07,700 --> 00:22:11,867 and plans, so also Penelope has her claim to being 379 00:22:11,967 --> 00:22:15,133 able to weave plots and plans. 380 00:22:15,233 --> 00:22:17,834 NARRATOR: Penelope is doing her best to remain hopeful 381 00:22:17,934 --> 00:22:21,066 but she doesn't know what has become of her husband. 382 00:22:21,166 --> 00:22:24,333 She really has no idea whether Odysseus is still alive. 383 00:22:24,433 --> 00:22:26,367 And if he is still alive, whether he's on his way 384 00:22:26,467 --> 00:22:30,300 back to her or maybe he's just decided to go somewhere else. 385 00:22:30,400 --> 00:22:33,867 It's a terrible state of not knowing. 386 00:22:33,967 --> 00:22:37,533 NARRATOR: Meanwhile, a horrific set of new obstacle stands 387 00:22:37,633 --> 00:22:40,100 between Odysseus and home. 388 00:22:40,200 --> 00:22:43,934 He must now choose between two deadly routes. 389 00:22:44,033 --> 00:22:47,433 The first runs through the wandering rocks, 390 00:22:47,533 --> 00:22:50,033 floating boulders that smash ships so hard. 391 00:22:50,133 --> 00:22:52,867 [OMINOUS MUSIC] 392 00:22:55,233 --> 00:22:58,400 The second slips through a narrow channel flanked on one 393 00:22:58,500 --> 00:23:02,667 side by a man-eating sea monster called the Scylla 394 00:23:02,767 --> 00:23:05,600 and on the other by a massive whirlpool known 395 00:23:05,700 --> 00:23:09,000 as the Charybdis. 396 00:23:09,100 --> 00:23:12,734 SCOTT HULER: So it is this terrifying sea monster 397 00:23:12,834 --> 00:23:17,567 with many heads and many eyes, this terrifying creature who 398 00:23:17,667 --> 00:23:22,967 you know for a fact will grab up six of your men and eat them. 399 00:23:23,066 --> 00:23:25,333 [MONSTER GROWLING] 400 00:23:25,433 --> 00:23:27,233 They sail by Scylla, that is what will happen. 401 00:23:27,333 --> 00:23:31,533 [MONSTER GROWLING] 402 00:23:31,633 --> 00:23:33,567 PETER STRUCK: Facing the Scylla is the Charybdis, 403 00:23:33,667 --> 00:23:37,867 a giant vortex that twirls around and sucks into itself 404 00:23:37,967 --> 00:23:42,767 and sort of vomits back up all the stuff in any nearby area. 405 00:23:42,867 --> 00:23:45,533 If Odysseus would go close to that, 406 00:23:45,633 --> 00:23:49,700 he would risk having his whole ship capsized and sucked down 407 00:23:49,800 --> 00:23:53,200 into the bottom of the deep. 408 00:23:53,300 --> 00:23:56,400 NARRATOR: Odysseus is literally trapped between a rock 409 00:23:56,500 --> 00:23:58,700 and a hard place. 410 00:23:58,800 --> 00:24:01,867 In fact, some believe this is where the cliche originated. 411 00:24:05,100 --> 00:24:07,967 He orders his men to avoid the wandering rocks 412 00:24:08,066 --> 00:24:11,367 and instead sail for the hard place, 413 00:24:11,467 --> 00:24:13,300 The Strait of Scylla and Charybdis. 414 00:24:13,400 --> 00:24:16,033 [MUSIC PLAYING] 415 00:24:19,266 --> 00:24:23,467 There, Odysseus faces two grim options-- 416 00:24:23,567 --> 00:24:28,266 death to some or death to all. 417 00:24:28,367 --> 00:24:31,333 He realizes in a kind of cold calculated way 418 00:24:31,433 --> 00:24:34,266 that losing his whole ship would be a worse outcome than losing 419 00:24:34,367 --> 00:24:35,934 a few of his men. 420 00:24:36,033 --> 00:24:39,967 So he decides actively to steer closer to the Scylla. 421 00:24:42,467 --> 00:24:44,367 BARRY STRAUSS: There's a lesson here, of course, 422 00:24:44,467 --> 00:24:47,433 and the lesson is the most gentle and caring commander 423 00:24:47,533 --> 00:24:51,500 sometimes has to be willing to sacrifice some of his men 424 00:24:51,600 --> 00:24:55,166 in order to get the mission accomplished. 425 00:24:55,266 --> 00:24:56,400 [THUNDER RUMBLING] 426 00:24:56,500 --> 00:25:00,333 NARRATOR: As they entered the strait, the sky goes dark. 427 00:25:00,433 --> 00:25:03,433 Suddenly, multiple tsunamis appear out of nowhere. 428 00:25:03,533 --> 00:25:06,300 [OMINOUS MUSIC] 429 00:25:07,700 --> 00:25:10,467 Odysseus leads the ship away from the Charybdis. 430 00:25:13,333 --> 00:25:17,033 As they passed by, the giant whirlpool sucks up the ocean, 431 00:25:17,133 --> 00:25:18,867 seizing everything within its reach. 432 00:25:21,567 --> 00:25:24,567 Suddenly, from the opposite side of the ship, 433 00:25:24,667 --> 00:25:25,600 the Scylla strikes. 434 00:25:25,700 --> 00:25:29,600 [MONSTER GROWLING] 435 00:25:37,867 --> 00:25:40,567 It snatches six men off the ship's deck 436 00:25:40,667 --> 00:25:41,900 and swallows them whole. 437 00:25:42,000 --> 00:25:43,900 [MONSTER GROWLING] 438 00:25:44,000 --> 00:25:46,467 [MAN SCREAMING] 439 00:25:50,433 --> 00:25:53,934 [MONSTER GROWLING] 440 00:25:58,400 --> 00:26:02,767 Odysseus describes this as the worst moment of his travels. 441 00:26:02,867 --> 00:26:05,433 His men being carried away in the mouths 442 00:26:05,533 --> 00:26:09,400 of this awful creature, crying his name. 443 00:26:09,500 --> 00:26:11,734 Odysseus, help us, help us. 444 00:26:11,834 --> 00:26:14,800 And he can't, and not only that, Odysseus 445 00:26:14,900 --> 00:26:17,266 knows that those men are dying because of his decision. 446 00:26:17,367 --> 00:26:20,633 [MUSIC PLAYING] 447 00:26:33,367 --> 00:26:35,367 NARRATOR: For centuries, scholars of The Odyssey 448 00:26:35,467 --> 00:26:37,367 puzzled over what might have inspired 449 00:26:37,467 --> 00:26:39,834 Homer's monstrous Scylla. 450 00:26:39,934 --> 00:26:43,333 [MONSTER GROWLING] 451 00:26:44,800 --> 00:26:48,967 Then in the mid-1800s, corpses of massive tentacled beasts 452 00:26:49,066 --> 00:26:53,133 washed up on shores across the globe. 453 00:26:53,233 --> 00:26:55,934 This was the answer-- 454 00:26:56,033 --> 00:26:56,834 giant squid. 455 00:26:59,600 --> 00:27:03,767 Overnight, fiction became fact. 456 00:27:03,867 --> 00:27:06,033 JOHN RENNIE: Giant squid is a creature that's basically 457 00:27:06,133 --> 00:27:07,700 as long as a school bus. 458 00:27:07,800 --> 00:27:10,166 Now, imagine how big a giant squid 459 00:27:10,266 --> 00:27:12,967 had to look to sailors who were in boats that were just 460 00:27:13,066 --> 00:27:14,567 a few dozen feet long. 461 00:27:17,433 --> 00:27:19,600 NARRATOR: Was the Scylla based on real sightings 462 00:27:19,700 --> 00:27:20,667 of a giant squid? 463 00:27:24,467 --> 00:27:29,266 And what about its neighbor, the whirlpool Charybdis? 464 00:27:29,367 --> 00:27:31,166 Modern oceanographers have discovered 465 00:27:31,266 --> 00:27:34,734 a giant whirlpool zone that matches its description 466 00:27:34,834 --> 00:27:38,700 in the narrow Strait of Messina between Italy and Sicily. 467 00:27:38,800 --> 00:27:41,066 JOHN RENNIE: To the North, you have the Tyrrhenian Sea, 468 00:27:41,166 --> 00:27:43,533 to the South the Ionian Sea. 469 00:27:43,633 --> 00:27:46,233 The waters of the Tyrrhenian and Ionian seas 470 00:27:46,333 --> 00:27:47,834 actually are quite different. 471 00:27:47,934 --> 00:27:50,533 As a result, the water moving back and forth 472 00:27:50,633 --> 00:27:54,500 through these straits is tremendously churned up 473 00:27:54,600 --> 00:27:57,967 and you get huge whirlpools and vicious tides. 474 00:28:01,200 --> 00:28:03,867 We can scarcely imagine just how powerful they must have been 475 00:28:03,967 --> 00:28:06,367 back in ancient times, especially for sailors who 476 00:28:06,467 --> 00:28:09,100 are going through them. 477 00:28:09,200 --> 00:28:12,934 NARRATOR: Giant squids, treacherous whirlpools-- 478 00:28:13,033 --> 00:28:16,967 two real-life threats faced by ancient sailors. 479 00:28:17,066 --> 00:28:20,033 Could they have been the inspiration behind this chapter 480 00:28:20,133 --> 00:28:20,834 of The Odyssey? 481 00:28:20,934 --> 00:28:23,867 [MUSIC PLAYING] 482 00:28:25,333 --> 00:28:29,867 In the myth, Odysseus has just seen six of his men torn apart 483 00:28:29,967 --> 00:28:32,200 by the Scylla. 484 00:28:32,300 --> 00:28:34,967 When his ship reaches safety, he gives into his shell 485 00:28:35,066 --> 00:28:38,734 shocked cruise demand for rest. 486 00:28:38,834 --> 00:28:40,834 Despite the prophet Tiresias' warning 487 00:28:40,934 --> 00:28:43,567 to stay away from the sun god's cattle, 488 00:28:43,667 --> 00:28:46,000 he agrees to make landfall on the island 489 00:28:46,100 --> 00:28:48,633 where the cattle are kept. 490 00:28:48,734 --> 00:28:53,133 Odysseus sees the cattle, and says to his men, 491 00:28:53,233 --> 00:28:55,533 OK, we're on the island overnight, whatever you do, 492 00:28:55,633 --> 00:28:56,867 don't eat them. 493 00:28:56,967 --> 00:28:59,400 Do not eat them. 494 00:28:59,500 --> 00:29:03,767 But with supplies running low and starvation setting in, 495 00:29:03,867 --> 00:29:09,166 the crew disobeys Odysseus and butchers the cattle. 496 00:29:09,266 --> 00:29:12,433 It will be the last meal they ever eat. 497 00:29:12,533 --> 00:29:16,367 [MUSIC PLAYING] 498 00:29:20,233 --> 00:29:24,567 Helios, the sun god is furious, and turns to Zeus, 499 00:29:24,667 --> 00:29:28,000 the king of gods for justice. 500 00:29:28,100 --> 00:29:29,834 KRISTINA MILNOR: Angering a god in antiquity 501 00:29:29,934 --> 00:29:32,266 was one of the worst moves you can make. 502 00:29:32,367 --> 00:29:36,533 The gods didn't have a lot of qualms about using their powers 503 00:29:36,633 --> 00:29:40,767 to punish mortals that they disapproved of. 504 00:29:40,867 --> 00:29:45,033 Zeus agrees to punish the trespassers. 505 00:29:45,133 --> 00:29:48,467 He sends a perfect storm that strikes down Odysseus' ship. 506 00:29:48,567 --> 00:29:52,033 [THUNDER RUMBLING] 507 00:29:56,467 --> 00:30:03,900 All the men perish Except for one. 508 00:30:07,967 --> 00:30:13,600 Odysseus is spared because he alone didn't eat the cattle. 509 00:30:13,700 --> 00:30:16,433 But this is where the good news ends. 510 00:30:16,533 --> 00:30:22,767 Now, he has no man, no boat, and no idea where he is. 511 00:30:22,867 --> 00:30:26,266 [MUSIC PLAYING] 512 00:30:34,567 --> 00:30:36,934 After three years at sea, Odysseus 513 00:30:37,033 --> 00:30:40,433 has lost all his men and ships. 514 00:30:40,533 --> 00:30:44,734 He is alone, isolated, and still no closer to home. 515 00:30:47,900 --> 00:30:50,066 He is washed up on the island paradise 516 00:30:50,166 --> 00:30:54,166 of another beautiful seductress, the nymph, Calypso. 517 00:30:59,166 --> 00:31:02,367 In Greek mythology, nymphs were pretty young girls 518 00:31:02,467 --> 00:31:08,433 with magical powers, every man's wildest fantasy. 519 00:31:08,533 --> 00:31:12,066 MICHAEL FONTAINE: They lived in forests and in woodlands. 520 00:31:12,166 --> 00:31:15,033 As their name implies nymphs or nymphomaniac, 521 00:31:15,133 --> 00:31:17,400 as our English word, they were very spritely 522 00:31:17,500 --> 00:31:18,300 in their behavior. 523 00:31:24,200 --> 00:31:25,800 NARRATOR: At this point, Odysseus 524 00:31:25,900 --> 00:31:28,533 is relieved just to be alive. 525 00:31:28,633 --> 00:31:30,867 Washing up on the island of beautiful nymph 526 00:31:30,967 --> 00:31:34,333 is an unexpected bonus. 527 00:31:34,433 --> 00:31:36,166 While his wife Penelope faithfully 528 00:31:36,266 --> 00:31:38,834 preserves her chastity back home, 529 00:31:38,934 --> 00:31:43,834 Odysseus treats himself to another extramarital tryst. 530 00:31:43,934 --> 00:31:46,467 This time, he winds up staying seven years. 531 00:31:46,567 --> 00:31:49,200 [MUSIC PLAYING] 532 00:31:52,133 --> 00:31:54,834 PETER STRUCK: Odysseus was given license to pretty much sleep 533 00:31:54,934 --> 00:31:56,633 with whoever he wants. 534 00:31:56,734 --> 00:32:00,333 There doesn't seem to be in Homer's tale any particularly 535 00:32:00,433 --> 00:32:03,266 negative connotation that's attached to Odysseus' 536 00:32:03,367 --> 00:32:04,533 dalliances. 537 00:32:04,633 --> 00:32:07,500 In fact, they seem to make him into a greater more powerful 538 00:32:07,600 --> 00:32:10,467 kind of man because he can conquer all these women. 539 00:32:13,800 --> 00:32:16,266 NARRATOR: Calypso promises Odysseus immortality 540 00:32:16,367 --> 00:32:19,400 if he'll stay with her forever, but he 541 00:32:19,500 --> 00:32:23,967 refuses, knowing he must return to his wife and his kingdom. 542 00:32:24,066 --> 00:32:29,200 In some ways, it's a stupid choice to pick mortality 543 00:32:29,300 --> 00:32:32,567 and being a man over being a demigod. 544 00:32:32,667 --> 00:32:35,166 But for Odysseus, it's not a question. 545 00:32:35,266 --> 00:32:40,033 He must reject Calypso, he must leave Calypso 546 00:32:40,133 --> 00:32:43,934 to fulfill his fate as a man. 547 00:32:44,033 --> 00:32:46,734 NARRATOR: But with no ship to take him home, 548 00:32:46,834 --> 00:32:49,467 Odysseus must take matters into his own hands. 549 00:32:53,133 --> 00:32:54,500 He builds himself a boat. 550 00:32:58,166 --> 00:32:59,800 DENNIS MACDONALD: For ancient Greeks, 551 00:32:59,900 --> 00:33:04,667 carpentry was understood to be one of the great gifts 552 00:33:04,767 --> 00:33:07,400 and intellectual accomplishments in antiquity. 553 00:33:07,500 --> 00:33:11,300 We often call Odysseus, his craft, a raft. 554 00:33:11,400 --> 00:33:13,600 But it's anything but a raft, it's got a mast, 555 00:33:13,700 --> 00:33:16,300 it's got a rudder, it's got gunwales. 556 00:33:16,400 --> 00:33:18,767 It was a metaphor of his wisdom. 557 00:33:18,867 --> 00:33:21,500 It's a part of his cleverness that he's 558 00:33:21,600 --> 00:33:24,033 able to be such a wise carpenter. 559 00:33:26,834 --> 00:33:28,333 NARRATOR: When the boat is finished, 560 00:33:28,433 --> 00:33:32,166 Odysseus returns to sea. 561 00:33:32,266 --> 00:33:35,834 He has spent nearly 20 years away from home. 562 00:33:35,934 --> 00:33:38,800 Now, the end of the road is finally in sight. 563 00:33:42,467 --> 00:33:44,834 And it's not a moment too soon. 564 00:33:44,934 --> 00:33:47,900 Back on the home front, his loyal wife Penelope 565 00:33:48,000 --> 00:33:50,367 has exhausted all of her stall tactics 566 00:33:50,467 --> 00:33:54,633 to ward off the men who have pursued her year after year. 567 00:33:54,734 --> 00:33:57,367 Her suitors are losing their patients. 568 00:33:57,467 --> 00:33:59,734 The suitors say, he's not coming home. 569 00:33:59,834 --> 00:34:01,200 He's not coming back. 570 00:34:01,300 --> 00:34:03,967 His ship must have been destroyed on the way. 571 00:34:04,066 --> 00:34:09,533 You must choose one of us as Odysseus' his successor. 572 00:34:09,633 --> 00:34:12,600 NARRATOR: Can Odysseus get back to Ithaca before it's too late? 573 00:34:12,700 --> 00:34:16,133 [OMINOUS MUSIC] 574 00:34:21,533 --> 00:34:24,066 Like many elements of Homer's Odyssey, 575 00:34:24,166 --> 00:34:28,734 the island home of Odysseus has a clear connection to reality. 576 00:34:28,834 --> 00:34:31,567 For centuries, scholars have pondered which Greek island 577 00:34:31,667 --> 00:34:35,900 the author had in mind when he wrote his epic story. 578 00:34:36,000 --> 00:34:38,734 Traditionally, it is believed to be a Greek island known today 579 00:34:38,834 --> 00:34:39,633 as Ithaki. 580 00:34:42,300 --> 00:34:44,333 But Homer's writings about Ithaca 581 00:34:44,433 --> 00:34:46,600 don't match up with its modern day namesake. 582 00:34:46,700 --> 00:34:48,433 ROBERT BITTLESTONE: Look at what Homer says. 583 00:34:48,533 --> 00:34:51,934 Homer says, Ithaca is the western island. 584 00:34:52,033 --> 00:34:54,467 The furthest out to sea, and its low-lying, 585 00:34:54,567 --> 00:34:57,734 and you think, hello, this is completely wrong. 586 00:34:57,834 --> 00:35:00,333 Ithaki is not the farthest out to the west, 587 00:35:00,433 --> 00:35:03,367 it's not the farthest out to sea. 588 00:35:03,467 --> 00:35:05,600 NARRATOR: When researchers compared ancient maps 589 00:35:05,700 --> 00:35:07,834 with modern day satellite images, 590 00:35:07,934 --> 00:35:11,166 an island called Kefalonia next to Ithaki 591 00:35:11,266 --> 00:35:13,400 caught their attention. 592 00:35:13,500 --> 00:35:15,834 It seemed to match Homer's description of Ithaca 593 00:35:15,934 --> 00:35:18,800 in every way but one. 594 00:35:18,900 --> 00:35:21,333 ROBERT BITTLESTONE: What Homer describes is four islands. 595 00:35:21,433 --> 00:35:24,000 He says there should be four islands here. 596 00:35:24,100 --> 00:35:25,233 Well, we have a problem. 597 00:35:25,333 --> 00:35:26,300 There's only really three. 598 00:35:26,400 --> 00:35:28,166 Where's the fourth island? 599 00:35:28,266 --> 00:35:31,700 And he also says that Homer's Ithaca, he just uses it, 600 00:35:31,800 --> 00:35:33,600 should be farther to the west. 601 00:35:33,700 --> 00:35:38,300 Now, you solve the problem if you split Kefalonia in half. 602 00:35:38,400 --> 00:35:41,367 If you say that the western peninsula of Kefalonia 603 00:35:41,467 --> 00:35:45,467 3,000 years ago might have been a free-standing island. 604 00:35:45,567 --> 00:35:48,800 NARRATOR: Could this single island once have been two? 605 00:35:52,266 --> 00:35:58,500 In 2006, a team of scientists set out to solve the mystery. 606 00:35:58,600 --> 00:36:01,800 Using high-tech surveying equipment, the kind used in oil 607 00:36:01,900 --> 00:36:05,433 and gas exploration, they drilled a 400-foot hole 608 00:36:05,533 --> 00:36:08,066 into the ground of the low-lying valley that 609 00:36:08,166 --> 00:36:11,667 lies between Kefalonia's east and west branches. 610 00:36:11,767 --> 00:36:14,100 If there was ever a split in the island, 611 00:36:14,200 --> 00:36:17,000 this would have been the place. 612 00:36:17,100 --> 00:36:19,333 ROBERT BITTLESTONE: We went on drilling until we ran out 613 00:36:19,433 --> 00:36:21,533 of drill stem, actually, and that was about 50 meters 614 00:36:21,633 --> 00:36:22,700 below sea level. 615 00:36:22,800 --> 00:36:26,000 And at no point did we hit a solid mountain bedrock. 616 00:36:26,100 --> 00:36:28,834 Now, you know how unlikely it is that. 617 00:36:28,934 --> 00:36:33,233 The simplest explanation of that is to say that at some point, 618 00:36:33,333 --> 00:36:36,233 the sea went through that valley and you can still see residue 619 00:36:36,333 --> 00:36:37,900 of that today. 620 00:36:38,000 --> 00:36:40,133 NARRATOR: These results suggest that the valley was 621 00:36:40,233 --> 00:36:42,166 once underwater. 622 00:36:42,266 --> 00:36:44,533 And it makes Kefalonia a prime candidate 623 00:36:44,633 --> 00:36:49,000 for being Homer's Ithaca, the island Odysseus finally 624 00:36:49,100 --> 00:36:52,200 saw on the horizon 20 years after he went off 625 00:36:52,300 --> 00:36:54,133 to fight the Trojan War. 626 00:36:54,233 --> 00:36:56,367 KRISTINA MILNOR: Odysseus never gave up. 627 00:36:56,467 --> 00:36:57,867 He spent years trying to get home 628 00:36:57,967 --> 00:36:59,934 but he was going to get home one way or another. 629 00:37:00,100 --> 00:37:02,934 [MUSIC PLAYING] 630 00:37:05,800 --> 00:37:09,633 Against all odds, Odysseus is finally home. 631 00:37:09,734 --> 00:37:13,633 [MUSIC PLAYING] 632 00:37:24,266 --> 00:37:27,400 It is the moment he has been dreaming about for the past two 633 00:37:27,500 --> 00:37:30,900 decades, but there is no homecoming parade waiting 634 00:37:31,000 --> 00:37:31,800 for him. 635 00:37:35,100 --> 00:37:36,967 Instead, the final arrangements are being 636 00:37:37,066 --> 00:37:39,800 made to redistribute his power. 637 00:37:39,900 --> 00:37:42,700 Unless he could pull off one more miracle, 638 00:37:42,800 --> 00:37:47,567 Odysseus will lose everything he's fought to come home to. 639 00:37:47,667 --> 00:37:50,533 It is the setup for a dramatic ending, 640 00:37:50,633 --> 00:37:53,367 but could Odysseus' homecoming have really happened? 641 00:37:53,467 --> 00:37:55,967 And if so, when? 642 00:37:56,066 --> 00:37:58,166 Using clues buried in The Odyssey, 643 00:37:58,266 --> 00:38:01,767 modern astronomers have been able to pinpoint the exact date 644 00:38:01,867 --> 00:38:02,934 Homer had in mind. 645 00:38:03,033 --> 00:38:06,433 [OMINOUS MUSIC] 646 00:38:16,700 --> 00:38:19,333 Odysseus' returned to Ithaca was a journey that 647 00:38:19,433 --> 00:38:23,834 took 20 years, sent over 600 men to their graves, 648 00:38:23,934 --> 00:38:26,000 and 14 ships to the sea floor. 649 00:38:26,100 --> 00:38:28,867 [MUSIC PLAYING] 650 00:38:31,633 --> 00:38:34,800 Finally, after all that, the hero 651 00:38:34,900 --> 00:38:40,433 is home but is he too late to save his wife and his kingdom? 652 00:38:40,533 --> 00:38:44,900 SCOTT HULER: When Odysseus returns home, his island, 653 00:38:45,000 --> 00:38:47,300 kingdom of Ithaca, is in a state of complete chaos. 654 00:38:47,400 --> 00:38:49,934 [MEN LAUGHING] 655 00:38:50,033 --> 00:38:53,133 Everything has been going terribly wrong. 656 00:38:53,233 --> 00:38:54,967 His wife is beset, his household is 657 00:38:55,066 --> 00:38:57,834 beset by suitors, 108 suitors. 658 00:38:57,934 --> 00:39:00,233 [OMINOUS MUSIC] 659 00:39:00,333 --> 00:39:04,000 [MEN LAUGHING] 660 00:39:04,100 --> 00:39:07,266 NARRATOR: Odysseus realizes he can't just walk into his palace 661 00:39:07,367 --> 00:39:09,667 and reclaim his former life. 662 00:39:09,767 --> 00:39:15,000 These suitors have long coveted his queen and his kingdom. 663 00:39:15,100 --> 00:39:17,967 If they find out that Odysseus has returned, 664 00:39:18,066 --> 00:39:20,467 they will undoubtedly try to kill him before he 665 00:39:20,567 --> 00:39:23,166 can recapture his throne. 666 00:39:23,266 --> 00:39:28,367 One last time, Odysseus must outwit, outlast, and outplay 667 00:39:28,467 --> 00:39:31,133 his enemies to survive. 668 00:39:31,233 --> 00:39:33,333 KRISTINA MILNOR: When Odysseus arrives Ithaca, 669 00:39:33,433 --> 00:39:36,767 he doesn't come with a great following. 670 00:39:36,867 --> 00:39:40,233 He doesn't arrive as the great returning king. 671 00:39:40,333 --> 00:39:46,567 He actually disguises himself as an old beggar. 672 00:39:46,667 --> 00:39:49,700 And he does this probably partially because he's not 673 00:39:49,800 --> 00:39:51,767 sure of what reception he'll receive. 674 00:39:55,233 --> 00:39:58,200 NARRATOR: Meanwhile, Odysseus' long suffering wife 675 00:39:58,300 --> 00:40:01,500 Penelope finally yields to the suitors pressure 676 00:40:01,600 --> 00:40:06,133 and announces an archery contest to determine her new husband. 677 00:40:06,233 --> 00:40:09,834 Whoever can string Odysseus' bow and shoot an arrow through 12 678 00:40:09,934 --> 00:40:12,400 axes will win her hand in marriage. 679 00:40:12,500 --> 00:40:15,467 [MUSIC PLAYING] 680 00:40:22,834 --> 00:40:24,900 It is the fateful day in Ithaca. 681 00:40:25,000 --> 00:40:28,500 [OMINOUS MUSIC] 682 00:40:33,000 --> 00:40:35,667 Just before the game is about to begin, 683 00:40:35,767 --> 00:40:40,200 Homer writes that the sun is blotted out of the sky. 684 00:40:40,300 --> 00:40:43,600 For centuries, this one line has been scrutinized. 685 00:40:43,700 --> 00:40:46,867 Is it a poetic device to build suspense? 686 00:40:46,967 --> 00:40:48,367 Or the record of a real event? 687 00:40:48,467 --> 00:40:51,800 [MUSIC PLAYING] 688 00:40:55,133 --> 00:40:56,867 Even the ancient Greeks thought this maybe 689 00:40:56,967 --> 00:40:59,200 meant that Odysseus was returning home 690 00:40:59,300 --> 00:41:02,967 on the day of a total eclipse. 691 00:41:03,066 --> 00:41:05,367 NARRATOR: Recently, scientists examined the Odyssey 692 00:41:05,467 --> 00:41:08,834 for astronomical evidence that could reveal the exact date 693 00:41:08,934 --> 00:41:11,867 Homer was referring to. 694 00:41:11,967 --> 00:41:14,800 JOHN RENNIE: They looked more closely at all the references 695 00:41:14,900 --> 00:41:18,233 in The Odyssey that might refer to something 696 00:41:18,333 --> 00:41:20,533 about astronomical events. 697 00:41:20,633 --> 00:41:23,800 They then tried to match up those combinations of events 698 00:41:23,900 --> 00:41:25,734 with their eclipse dates. 699 00:41:28,667 --> 00:41:30,633 And they found that, in fact, it all 700 00:41:30,734 --> 00:41:33,934 matched for one of those eclipses, one that took place 701 00:41:34,033 --> 00:41:37,934 on April 16th, 1178 BC. 702 00:41:38,033 --> 00:41:43,834 So it's possible that that was the day when Odysseus returned 703 00:41:43,934 --> 00:41:44,700 home to Penelope. 704 00:41:44,800 --> 00:41:48,100 [MUSIC PLAYING] 705 00:41:52,066 --> 00:41:54,633 NARRATOR: In the myth, a two decade pursuit of Penelope 706 00:41:54,734 --> 00:41:58,967 now comes down to one main event. 707 00:41:59,066 --> 00:42:02,433 One suitor after another proved too weak to string Odysseus 708 00:42:02,533 --> 00:42:03,233 bow. 709 00:42:03,333 --> 00:42:06,400 [MEN LAUGHING] 710 00:42:06,500 --> 00:42:11,166 They are all about to give up when a tattered beggar steps 711 00:42:11,266 --> 00:42:12,834 forward. 712 00:42:12,934 --> 00:42:15,166 DAVID GEORGE: And the beggar steps up and wants a turn. 713 00:42:15,266 --> 00:42:18,333 By the rules, he should have a turn. 714 00:42:18,433 --> 00:42:23,500 Their response is to be irate and to deride. 715 00:42:28,066 --> 00:42:32,300 NARRATOR: But the beggar strings the bow without any hesitation. 716 00:42:32,400 --> 00:42:36,100 And the laughing suddenly stops. 717 00:42:36,200 --> 00:42:43,867 He lines up his shot, it flies straight through the 12 axe 718 00:42:43,967 --> 00:42:44,767 handles. 719 00:42:47,567 --> 00:42:50,000 The contest is over, but the suitors 720 00:42:50,100 --> 00:42:52,200 are not about to give up without a fight. 721 00:42:52,300 --> 00:42:56,033 [OMINOUS MUSIC] 722 00:42:59,300 --> 00:43:03,367 Odysseus' final battle ends with the suitors slaughtered 723 00:43:03,467 --> 00:43:04,500 and the hero victorious. 724 00:43:04,600 --> 00:43:07,800 [MUSIC PLAYING] 725 00:43:11,133 --> 00:43:14,800 He has won back his throne. 726 00:43:14,900 --> 00:43:18,133 Now, he has to win back his woman. 727 00:43:18,233 --> 00:43:22,333 The king of cunning has one last test to pass. 728 00:43:22,433 --> 00:43:24,867 PETER STRUCK: After Odysseus has slaughtered all the suitors, 729 00:43:24,967 --> 00:43:27,934 then he and Penelope enjoy a very intimate moment, 730 00:43:28,033 --> 00:43:30,934 and they sit across from each other lit only by firelight. 731 00:43:31,033 --> 00:43:34,300 Penelope has one last test. 732 00:43:34,400 --> 00:43:37,300 After a long conversation, she says to her servants, 733 00:43:37,400 --> 00:43:39,567 I want this stranger to be comfortable 734 00:43:39,667 --> 00:43:42,467 so please bring my own bed out of my chambers 735 00:43:42,567 --> 00:43:44,667 and put it on the porch and let this stranger 736 00:43:44,767 --> 00:43:46,934 sleep in my own bed. 737 00:43:47,033 --> 00:43:50,367 At that point, Odysseus realizes that his wife is giving him 738 00:43:50,467 --> 00:43:51,533 a final test. 739 00:43:51,633 --> 00:43:54,100 And he says, Penelope, I know this is a test. 740 00:43:54,200 --> 00:43:58,266 I built our bit around this tree, rooted into the ground. 741 00:43:58,367 --> 00:44:00,266 Our bed cannot be moved. 742 00:44:00,367 --> 00:44:04,266 Because she has never let anyone inside of that bedroom, 743 00:44:04,367 --> 00:44:07,367 she knows for sure only Odysseus would know that that bed's not 744 00:44:07,467 --> 00:44:08,166 movable. 745 00:44:08,266 --> 00:44:11,233 [MUSIC PLAYING] 746 00:44:11,333 --> 00:44:14,200 NARRATOR: Odysseus' long journey, his odyssey, 747 00:44:14,300 --> 00:44:19,867 is at its end, but his legend will endure. 748 00:44:19,967 --> 00:44:22,367 PETER STRUCK: It was common among ancient Greek warriors 749 00:44:22,467 --> 00:44:27,000 to have as a decoration on their armor the figure of Odysseus. 750 00:44:27,100 --> 00:44:29,066 He was there for them as a symbol of someone 751 00:44:29,166 --> 00:44:31,166 who had always endured pain. 752 00:44:31,266 --> 00:44:36,433 Odysseus' very name in Greek means man of pain. 753 00:44:36,533 --> 00:44:40,467 He suffers like all of us suffer. 754 00:44:40,567 --> 00:44:43,667 But maybe unlike all of us, Odysseus always also endures. 755 00:44:43,767 --> 00:44:46,934 [MUSIC PLAYING] 756 00:44:48,800 --> 00:44:51,367 So it's that ability, I think, to always get back up 757 00:44:51,467 --> 00:44:54,233 after being knocked down that makes him a character that's 758 00:44:54,333 --> 00:44:56,467 so relatable to people over many centuries. 759 00:44:56,567 --> 00:45:00,367 [MUSIC PLAYING] 60909

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