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NARRATOR: His name is Odysseus,
and he's on a mission--
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to return home to the woman
he loves before she marries
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someone else.
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Blocking his way are
bloodthirsty monsters,
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enchanting seductress,
treacherous seas,
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and angry gods.
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[THUNDER RUMBLING]
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This is the continuing journey
of Odysseus, the epic quest
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of the greatest mythical
hero of all time.
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To us, it is myth.
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But to the ancients, it was
reality, and perhaps even
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a blueprint for one of
the Christian gospels.
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This is the real story as it was
originally told of The Odyssey.
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[THEME MUSIC]
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The story of Odysseus,
King of Ithaca,
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is not like tales of
other mythological heroes.
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He's not a god with
special superpowers.
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Instead, his character is
written as a regular man trying
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to get home from a 10-year
war to his wife and son.
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SCOTT HULER: Everybody
can relate to this guy.
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This is all of us like to
spend more time with my family.
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I don't like my job.
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I'm not treated the
way I want to be.
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And I'm tired.
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I want to go home.
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That's Odysseus' story.
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NARRATOR: But the Odyssey
is not just a return home.
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It's a race against time.
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As Odysseus battles
danger on the high seas,
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his wife, Penelope,
anxiously awaits his return
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and wonders if she's
become a sailor's widow.
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Meanwhile, a rogue's
gallery of suitors
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is knocking at her door,
pressuring her to forget
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her husband and marry again.
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And according to custom,
he who wins the crown
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will win the crown.
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If Odysseus doesn't
get home in time,
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he'll lose his family,
and his kingdom.
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The aristocracy of the
area starts saying, Odysseus
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isn't coming home.
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We don't know what happened to
him, but he's not coming back.
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So we need to decide who's
going to be king instead of him.
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The person who
would be a candidate
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would be the person who
marries Penelope since everyone
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assumed that she
was now a widow.
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NARRATOR: Odysseus has
struggled to get home in time
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is the central focus
of The Odyssey.
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This epic myth was the Greek
author Homer's most famous
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work.
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And to the ancients, it was more
than just entertaining fiction.
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It was a guidebook to
living in a dangerous world.
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We need to understand, we need
to tell stories to make sense
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of our world.
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And so the Greeks had myths.
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These are incredibly
human characters
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going through incredibly
human emotions.
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NARRATOR: Odysseus'
adventures on the high seas
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reflected how the Greeks
viewed the unknown world
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beyond their shores.
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His myth was written at a time
when their empire was just
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beginning to expand
across the seas.
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GEORGE ZARKADAKIS: Odysseus
represents someone who is
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very, very prototypical Greek.
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Greece at the time was
a very poor country.
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It's a rocky place
surrounded by the sea.
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So people had to make their
fortunes by being adventurers.
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It was the only way you can
make it in ancient Greece.
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[OMINOUS MUSIC]
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NARRATOR: In the myth,
Odysseus' heroic journey home
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began with his
departure from Troy,
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where he had spent 10 years
fighting the Trojan War.
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He had hoped his return to
his home island of Ithaca
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would be quick and painless.
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But for him and his soldiers,
it turned into a trip from hell.
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On a stop for supplies several
weeks into the journey,
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Odysseus narrowly escaped
death at the hands
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of a man-eating
cyclops, only to draw
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the wrath of the monstrous
father, the powerful sea
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god, Poseidon.
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KRISTINA MILNOR: By
attacking the son of a god,
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he makes a double mistake.
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One is he angers a
god, but the second
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is he angers the god of the sea.
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He's sailing home.
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SCOTT HULER: And
that's the curse
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that is working
against a disease
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the entire rest of his journey.
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Poseidon, one of the
most powerful gods
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has this personal
antipathy to a disease.
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NARRATOR: Now, Odysseus
is way off course.
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Months into a journey that
should have taken weeks.
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Little does he know, he's
got years still to go.
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[OMINOUS MUSIC]
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But Odysseus is not
one to surrender
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in the face of adversity.
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PETER STRUCK: He may be
knocked down just as much
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as all the rest of us, and even
harder than all the rest of us,
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but he always can get back up.
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He can always find a way.
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And I think that really
crystallizes this desire
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that all of us have to make
it through, to persevere.
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He's just a human being up
against all kinds of odds, up
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against gods, and he has
to make it through simply
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on his intelligence.
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[OMINOUS MUSIC]
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NARRATOR: Desperate for
an escape from Poseidon's
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stormy seas, the
hero and his men
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make landfall on a coastline
overflowing with food.
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Odysseus sends a scouting party
to investigate while he stays
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close to shore.
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The men discover a stone palace
surrounded by wolves and lions.
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There, they meet the
beautiful sorceress, Circe.
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For these Greek warriors
who have been out at sea
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for the past four months,
she's a stirring sight.
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And so are her maids.
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Circe invites the men into her
home to enjoy a sumptuous feast
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of food and flesh.
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DAVID GEORGE: Circe
is supposed to show us
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what happens when
men get led astray
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not by drugs, but by sex.
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And men coming home when you've
got sexy woman with great power
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that can make you happy, give
you anything you want, well,
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what does that do?
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It turns me into pigs.
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NARRATOR: As Odysseus' men
indulge their appetites,
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the sorceress teaches
them a hard lesson.
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She literally transforms
the men into swine.
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[MUSIC PLAYING]
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[PIGS SQUEALING]
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But one man manages to escape
Circe's spell and returns
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to warn Odysseus.
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Without hesitation, he sets
out to confront the goddess.
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KRISTINA MILNOR: He has this
almost optimism about the way
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things are.
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He has this idea that any
challenge that comes his way,
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he can overcome.
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And he never really
seems to falter in that.
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[OMINOUS MUSIC]
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NARRATOR: According to the myth,
on the way to Circe's palace
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where his men have
been turned into pigs,
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Odysseus crossed his paths
with a valuable ally--
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the ancient Greek
messenger god, Hermes.
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KRISTINA MILNOR:
He's often the god
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who is sent from Mount
Olympus down to Earth
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to perform errands essentially.
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He's sent to Odysseus
with a drug called Moly.
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We don't really
know what this was,
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but it has mystical powers.
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He gives it to
Odysseus and Odysseus
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takes it so that he's actually
not subject to Circe's powers.
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NARRATOR: Ancient
storytellers may
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have referred to this mythical
wonder drug as Holy Moly,
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and inspired the
phrase we know today.
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[OMINOUS MUSIC]
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With the power of his
Moly protecting him,
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Odysseus swaggers
into Circe's palace.
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Circe tries to turn him
into a pig but fails.
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So she changes tactics.
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She lures him into her bedroom,
but Odysseus plays hard to get.
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Odysseus responds,
not so fast.
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Before I agree to this, you have
to promise to turn my men back
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into human beings.
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And you have to promise no more
funny business, no more turning
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any of us into animals.
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And Circe agrees to these terms.
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[OMINOUS MUSIC]
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NARRATOR: With that, Odysseus
enters the inner sanctum
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of the sex goddess, and doesn't
come out for a whole year.
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KRISTINA MILNOR:
This to us seems
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like an extramarital affair.
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Homer doesn't really
seem to think that this
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is a problem in any way.
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This likely has to do
with the double standard
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in Greek society, that is to
say women were expected to be
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chaste and loyal, not to
seek or particularly enjoy
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sexual relationships.
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Whereas men could go
out and have really
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a lot of different
extramarital affairs
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without anybody thinking
that it was wrong.
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[MUSIC PLAYING]
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NARRATOR: After
one year, Odysseus
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decides enough is enough.
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He's had his tryst,
but his heart
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is with his wife, Penelope.
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And he must get home.
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DAVID GEORGE: I
think at this point,
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the Odyssey is trying to show
us something about Odysseus.
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He is a man like any other man.
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He should be
striving to get home.
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He owes Penelope, and
he owes Ithaca a king.
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And the longer he spends
with Circe's, the more
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he is denying what is owed.
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NARRATOR: But before he can
set sail for his home island
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of Ithaca, he'll have
to make another detour
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to visit a place that isn't
on the map, but beneath it--
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the underworld of the dead.
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It is a harrowing chapter
in Odysseus' journey
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that some scholars
believe even influenced
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one of the Christian gospels.
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[MUSIC PLAYING]
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Odysseus, the mythical
hero in Homer's Odyssey
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has been away from
his family and kingdom
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for almost 12 years.
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He spent a decade fighting
the Trojan War and a full year
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in the bedroom of
Circe, the sex goddess.
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Now, he knows the time has
come to move on and get home.
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Circe consents to his leaving
but imparts an ominous warning.
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To overcome the curse of the
sea god Poseidon and get home,
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he'll need instructions from
the blind prophet, Tiresias.
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Just one problem--
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Tiresias is dead.
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[OMINOUS MUSIC]
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Odysseus must now
make an unplanned stop
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in the underworld of Hades.
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I think you're
just going home,
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you're going someplace that
you didn't expect to go.
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You're going to hell.
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BARRY STRAUSS: Odysseus is
horrified at this thought.
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No human has ever gone
to Hades and survived.
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NARRATOR: But Odysseus
has no choice.
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Poseidon's power over
the seas is strong
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and he's getting nowhere fast.
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If he ever hopes to reclaim
his family and his kingdom,
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he must seek out Tiresias
in the underworld.
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[OMINOUS MUSIC]
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Today, we picture hell as a
pit of fire and brimstone.
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But the ancient Greeks
saw it differently.
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PETER STRUCK: The
ancient Greek underworld
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is mostly characterized
by being misty and cool.
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In contrast to later ideas
that come in with Christianity
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of the underworld as being a
place of eternal punishment,
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it's not a kind of nasty,
hot, fiery furnace.
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Instead, what we've got
is a gray area that's
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difficult to see, that's misty,
murky, and very far away.
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NARRATOR: Odysseus makes a
harrowing descent into Hades.
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The agonized cries of perished
souls echo from all sides.
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[SOULS WAILING]
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Inside the gates, he comes
face to face with the prophet
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Tiresias, who explains
that Odysseus and his men
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can overcome the
wrath of Poseidon
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00:14:03,100 --> 00:14:07,367
and make it home if they
follow his instructions.
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00:14:07,467 --> 00:14:09,834
SCOTT HULER: Tiresias gives
him very specific advice.
243
00:14:09,934 --> 00:14:15,000
Above all, what you need
to do is not eat the cattle
244
00:14:15,100 --> 00:14:17,233
of the sun god Helios.
245
00:14:17,333 --> 00:14:22,033
No matter what else you
do, do not eat this cattle.
246
00:14:25,333 --> 00:14:27,867
NARRATOR: It's advice that will
come back to haunt Odysseus.
247
00:14:27,967 --> 00:14:31,934
[MUSIC PLAYING]
248
00:14:37,600 --> 00:14:40,533
As the souls of the dead
begin to close in on him,
249
00:14:40,633 --> 00:14:44,867
Odysseus makes his escape from
the underworld, more determined
250
00:14:44,967 --> 00:14:46,200
than ever to get home.
251
00:14:46,300 --> 00:14:49,533
[SOULS WAILING]
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00:14:51,834 --> 00:14:56,367
He has done what no living man
is supposed to be able to do,
253
00:14:56,467 --> 00:14:59,200
survive a trip to Hades.
254
00:14:59,300 --> 00:15:00,600
So goes the myth.
255
00:15:00,700 --> 00:15:02,166
But what is the link to reality?
256
00:15:02,266 --> 00:15:05,467
[OMINOUS MUSIC]
257
00:15:06,934 --> 00:15:08,734
Some scholars
believe this chapter
258
00:15:08,834 --> 00:15:11,700
of The Odyssey influenced
one of Christianity's most
259
00:15:11,800 --> 00:15:12,600
sacred texts.
260
00:15:15,667 --> 00:15:19,233
The Gospel of Mark.
261
00:15:19,333 --> 00:15:21,867
It's almost impossible to
overestimate the importance
262
00:15:21,967 --> 00:15:24,700
of Homer for ancient Greeks.
263
00:15:24,800 --> 00:15:26,867
BARRY STRAUSS: Mark, of
course, was a Greek speaker.
264
00:15:26,967 --> 00:15:29,133
The Gospels are
written in Greek.
265
00:15:29,233 --> 00:15:32,000
He almost certainly would have
known the story of The Odyssey.
266
00:15:32,100 --> 00:15:34,100
So if there are things
in the Book of Mark
267
00:15:34,200 --> 00:15:35,934
that remind us of
The Odyssey, that
268
00:15:36,033 --> 00:15:39,066
may well not be an accident.
269
00:15:39,166 --> 00:15:41,834
NARRATOR: A close comparison
of The Odyssey and the Gospel
270
00:15:41,934 --> 00:15:45,433
of Mark reveals some
shocking parallels.
271
00:15:45,533 --> 00:15:49,100
Both stories revolve around the
hardships of a suffering hero--
272
00:15:49,200 --> 00:15:51,700
Odysseus and Jesus.
273
00:15:51,800 --> 00:15:55,033
Both main characters have
carpentry backgrounds.
274
00:15:55,133 --> 00:15:57,767
Odysseus was a skilled
woodworker who even built
275
00:15:57,867 --> 00:16:00,700
his own palace in Ithaca.
276
00:16:00,800 --> 00:16:03,900
Jesus was the son of a
carpenter and in one passage
277
00:16:04,000 --> 00:16:06,200
in the Book of
Mark, he himself is
278
00:16:06,300 --> 00:16:07,800
referred to as the carpenter.
279
00:16:07,900 --> 00:16:11,166
[MUSIC PLAYING]
280
00:16:13,166 --> 00:16:15,433
But the most
intriguing connection
281
00:16:15,533 --> 00:16:18,633
is the similarity between
Odysseus' visit to Hades
282
00:16:18,734 --> 00:16:20,900
and Jesus' last days on Earth.
283
00:16:23,433 --> 00:16:25,934
Both stories begin
with a banquet.
284
00:16:26,033 --> 00:16:29,633
Odysseus and his men
feasting at Circe's palace.
285
00:16:29,734 --> 00:16:33,734
Jesus and his apostles
at the Last Supper.
286
00:16:33,834 --> 00:16:36,567
Then as their comrades
sleep, both men
287
00:16:36,667 --> 00:16:40,133
agonize about their impending
encounter with death.
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00:16:40,233 --> 00:16:43,467
DENNIS MACDONALD: When Odysseus
learns from Circe that he needs
289
00:16:43,567 --> 00:16:47,133
to go to Hades,
he despairs of it.
290
00:16:47,233 --> 00:16:50,967
And the reason is, and he says
so, that no mortal has ever
291
00:16:51,066 --> 00:16:53,500
gone to Hades and returned.
292
00:16:53,600 --> 00:16:56,066
Jesus is about to die,
he has the Last Supper
293
00:16:56,166 --> 00:16:59,900
with his disciples, he despairs
of life because he knows
294
00:17:00,066 --> 00:17:02,967
he must face the cross.
295
00:17:03,066 --> 00:17:06,400
NARRATOR: Ultimately, Odysseus
would travel to the underworld
296
00:17:06,500 --> 00:17:09,200
of the dead and return.
297
00:17:09,300 --> 00:17:15,033
Jesus would die on the cross
and then rise to new life.
298
00:17:15,133 --> 00:17:17,433
Could these parallels be
more than coincidence?
299
00:17:17,533 --> 00:17:20,400
[OMINOUS MUSIC]
300
00:17:22,867 --> 00:17:27,233
As the myth continues, Odysseus
leaves Hades and set sail
301
00:17:27,333 --> 00:17:30,066
for Ithaca.
302
00:17:30,166 --> 00:17:33,300
He is finally on
his way home again.
303
00:17:33,400 --> 00:17:36,867
But in his path lurks
another obstacle,
304
00:17:36,967 --> 00:17:39,200
the island of the sirens.
305
00:17:39,300 --> 00:17:44,767
DAVID GEORGE: The sirens are
these creatures whose songs are
306
00:17:44,867 --> 00:17:52,100
so beautiful that they pull you
off course and you shipwreck.
307
00:17:52,200 --> 00:17:55,633
[SIRENS SINGING]
308
00:17:58,800 --> 00:18:01,467
NARRATOR: Odysseus knows he
is approaching the island
309
00:18:01,567 --> 00:18:04,033
of the sirens so
he orders his men
310
00:18:04,133 --> 00:18:07,834
to plug their ears with beeswax
to prevent them from hearing
311
00:18:07,934 --> 00:18:10,300
the siren song.
312
00:18:10,400 --> 00:18:13,800
But Odysseus, a man of
insatiable curiosity,
313
00:18:13,900 --> 00:18:17,934
is the exception
to his own rule.
314
00:18:18,033 --> 00:18:21,800
He has the crew tie
him to the ship's mast.
315
00:18:21,900 --> 00:18:23,600
This way, he can
listen to the sirens
316
00:18:23,700 --> 00:18:27,066
without steering the ship toward
the island's rocky shores.
317
00:18:30,433 --> 00:18:33,867
As they roll through, he's
screaming untie me, untie me,
318
00:18:33,967 --> 00:18:35,200
but they can't hear him.
319
00:18:35,300 --> 00:18:38,700
[ODYSSEUS SCREAMING]
320
00:18:49,400 --> 00:18:51,800
And so he hears what
the siren song is.
321
00:18:51,900 --> 00:18:55,000
The only human who's
done it and survived.
322
00:18:55,100 --> 00:18:58,200
But for the ancients, you
see this scene depicted again
323
00:18:58,300 --> 00:19:00,934
and again on face painting
after face painting,
324
00:19:01,033 --> 00:19:06,734
and it's meant to show you
what the ideal man is about,
325
00:19:06,834 --> 00:19:10,667
doing whatever is necessary
to learn something new.
326
00:19:13,633 --> 00:19:15,767
NARRATOR: Odysseus'
encounter with the sirens
327
00:19:15,867 --> 00:19:19,266
is one of mythology's
best known stories.
328
00:19:19,367 --> 00:19:21,800
But new evidence suggests
the song of the sirens
329
00:19:21,900 --> 00:19:23,667
may be more than just a legend.
330
00:19:23,767 --> 00:19:26,967
[OMINOUS MUSIC]
331
00:19:29,266 --> 00:19:32,734
Italy's Li Galli Islands.
332
00:19:32,834 --> 00:19:34,367
Traditionally, they
have been cited
333
00:19:34,467 --> 00:19:37,133
as the setting of the story.
334
00:19:37,233 --> 00:19:41,567
Centuries ago, they were even
called Le Sirenuse, the islands
335
00:19:41,667 --> 00:19:44,433
of the sirens.
336
00:19:44,533 --> 00:19:47,066
In 2004, a team of
German scientists
337
00:19:47,166 --> 00:19:50,567
set out to investigate
their link to the Odyssey,
338
00:19:50,667 --> 00:19:53,233
and made a stunning discovery.
339
00:19:53,333 --> 00:19:56,333
What the German team found on
this island was that there was
340
00:19:56,433 --> 00:19:59,967
a naturally-occurring formation
of rocks that served as kind
341
00:20:00,066 --> 00:20:02,500
of a natural megaphone.
342
00:20:02,600 --> 00:20:05,900
Any sort of sound source that
happened to be located there,
343
00:20:06,000 --> 00:20:07,800
the sound waves
would bounce off them
344
00:20:07,900 --> 00:20:12,033
and they would amplify
them out off the coast.
345
00:20:12,133 --> 00:20:14,633
But even with this
built-in megaphone,
346
00:20:14,734 --> 00:20:17,967
human voices are impossible
to hear offshore.
347
00:20:18,066 --> 00:20:20,467
So what could have
made such a loud sound?
348
00:20:25,600 --> 00:20:28,734
Monk seals--
centuries ago, there
349
00:20:28,834 --> 00:20:31,233
were common throughout
the Mediterranean,
350
00:20:31,333 --> 00:20:33,633
including the Li Galli Islands.
351
00:20:33,734 --> 00:20:36,200
JOHN RENNIE: The German
team was able to demonstrate
352
00:20:36,300 --> 00:20:38,400
the sound of their
cries actually
353
00:20:38,500 --> 00:20:42,567
could be heard quite
clearly off the coast.
354
00:20:42,667 --> 00:20:44,900
NARRATOR: Could this be
the call that lured sailors
355
00:20:45,000 --> 00:20:45,734
to a rocky grave?
356
00:20:45,834 --> 00:20:48,467
[MUSIC PLAYING]
357
00:20:53,233 --> 00:20:56,934
Back on the high seas,
Odysseus has survived his brush
358
00:20:57,033 --> 00:20:58,300
with the sirens.
359
00:20:58,400 --> 00:21:03,934
But an even deadlier challenge
lies beyond the next wave.
360
00:21:04,033 --> 00:21:05,967
To make it home
to Ithaca, you'll
361
00:21:06,066 --> 00:21:10,533
have to confront one of
two terrifying threats.
362
00:21:10,633 --> 00:21:14,400
Some researchers believe these
dangers were real and may still
363
00:21:14,500 --> 00:21:15,200
be out there.
364
00:21:15,300 --> 00:21:18,767
[MUSIC PLAYING]
365
00:21:26,700 --> 00:21:28,567
Odysseus' shrewdness
has helped him
366
00:21:28,667 --> 00:21:33,333
survive a series of deadly
obstacles on the high seas.
367
00:21:33,433 --> 00:21:37,734
But he's not the only
one using his wits.
368
00:21:37,834 --> 00:21:41,433
Hundreds of miles away in his
kingdom of Ithaca, his wife
369
00:21:41,533 --> 00:21:46,867
is keeping her suitors at bay
with a clever ruse of her own.
370
00:21:46,967 --> 00:21:48,633
She promises she will
marry one of them
371
00:21:48,734 --> 00:21:52,433
as soon as she finishes weaving
a burial shroud for Odysseus'
372
00:21:52,533 --> 00:21:54,567
father.
373
00:21:54,667 --> 00:21:56,633
But each night,
she unweaves what
374
00:21:56,734 --> 00:21:58,834
she has woven during the day.
375
00:21:58,934 --> 00:22:02,133
This trick has been
buying her time for years.
376
00:22:02,233 --> 00:22:05,133
Just as Odysseus is
characterized by his craftiness
377
00:22:05,233 --> 00:22:07,600
and his cleverness and
his ability to weave plots
378
00:22:07,700 --> 00:22:11,867
and plans, so also Penelope
has her claim to being
379
00:22:11,967 --> 00:22:15,133
able to weave plots and plans.
380
00:22:15,233 --> 00:22:17,834
NARRATOR: Penelope is doing
her best to remain hopeful
381
00:22:17,934 --> 00:22:21,066
but she doesn't know what
has become of her husband.
382
00:22:21,166 --> 00:22:24,333
She really has no idea
whether Odysseus is still alive.
383
00:22:24,433 --> 00:22:26,367
And if he is still alive,
whether he's on his way
384
00:22:26,467 --> 00:22:30,300
back to her or maybe he's just
decided to go somewhere else.
385
00:22:30,400 --> 00:22:33,867
It's a terrible
state of not knowing.
386
00:22:33,967 --> 00:22:37,533
NARRATOR: Meanwhile, a horrific
set of new obstacle stands
387
00:22:37,633 --> 00:22:40,100
between Odysseus and home.
388
00:22:40,200 --> 00:22:43,934
He must now choose
between two deadly routes.
389
00:22:44,033 --> 00:22:47,433
The first runs through
the wandering rocks,
390
00:22:47,533 --> 00:22:50,033
floating boulders that
smash ships so hard.
391
00:22:50,133 --> 00:22:52,867
[OMINOUS MUSIC]
392
00:22:55,233 --> 00:22:58,400
The second slips through a
narrow channel flanked on one
393
00:22:58,500 --> 00:23:02,667
side by a man-eating sea
monster called the Scylla
394
00:23:02,767 --> 00:23:05,600
and on the other by a
massive whirlpool known
395
00:23:05,700 --> 00:23:09,000
as the Charybdis.
396
00:23:09,100 --> 00:23:12,734
SCOTT HULER: So it is this
terrifying sea monster
397
00:23:12,834 --> 00:23:17,567
with many heads and many eyes,
this terrifying creature who
398
00:23:17,667 --> 00:23:22,967
you know for a fact will grab
up six of your men and eat them.
399
00:23:23,066 --> 00:23:25,333
[MONSTER GROWLING]
400
00:23:25,433 --> 00:23:27,233
They sail by Scylla,
that is what will happen.
401
00:23:27,333 --> 00:23:31,533
[MONSTER GROWLING]
402
00:23:31,633 --> 00:23:33,567
PETER STRUCK: Facing the
Scylla is the Charybdis,
403
00:23:33,667 --> 00:23:37,867
a giant vortex that twirls
around and sucks into itself
404
00:23:37,967 --> 00:23:42,767
and sort of vomits back up all
the stuff in any nearby area.
405
00:23:42,867 --> 00:23:45,533
If Odysseus would
go close to that,
406
00:23:45,633 --> 00:23:49,700
he would risk having his whole
ship capsized and sucked down
407
00:23:49,800 --> 00:23:53,200
into the bottom of the deep.
408
00:23:53,300 --> 00:23:56,400
NARRATOR: Odysseus is literally
trapped between a rock
409
00:23:56,500 --> 00:23:58,700
and a hard place.
410
00:23:58,800 --> 00:24:01,867
In fact, some believe this is
where the cliche originated.
411
00:24:05,100 --> 00:24:07,967
He orders his men to
avoid the wandering rocks
412
00:24:08,066 --> 00:24:11,367
and instead sail
for the hard place,
413
00:24:11,467 --> 00:24:13,300
The Strait of Scylla
and Charybdis.
414
00:24:13,400 --> 00:24:16,033
[MUSIC PLAYING]
415
00:24:19,266 --> 00:24:23,467
There, Odysseus faces
two grim options--
416
00:24:23,567 --> 00:24:28,266
death to some or death to all.
417
00:24:28,367 --> 00:24:31,333
He realizes in a kind
of cold calculated way
418
00:24:31,433 --> 00:24:34,266
that losing his whole ship would
be a worse outcome than losing
419
00:24:34,367 --> 00:24:35,934
a few of his men.
420
00:24:36,033 --> 00:24:39,967
So he decides actively to
steer closer to the Scylla.
421
00:24:42,467 --> 00:24:44,367
BARRY STRAUSS: There's a
lesson here, of course,
422
00:24:44,467 --> 00:24:47,433
and the lesson is the most
gentle and caring commander
423
00:24:47,533 --> 00:24:51,500
sometimes has to be willing
to sacrifice some of his men
424
00:24:51,600 --> 00:24:55,166
in order to get the
mission accomplished.
425
00:24:55,266 --> 00:24:56,400
[THUNDER RUMBLING]
426
00:24:56,500 --> 00:25:00,333
NARRATOR: As they entered the
strait, the sky goes dark.
427
00:25:00,433 --> 00:25:03,433
Suddenly, multiple tsunamis
appear out of nowhere.
428
00:25:03,533 --> 00:25:06,300
[OMINOUS MUSIC]
429
00:25:07,700 --> 00:25:10,467
Odysseus leads the ship
away from the Charybdis.
430
00:25:13,333 --> 00:25:17,033
As they passed by, the giant
whirlpool sucks up the ocean,
431
00:25:17,133 --> 00:25:18,867
seizing everything
within its reach.
432
00:25:21,567 --> 00:25:24,567
Suddenly, from the
opposite side of the ship,
433
00:25:24,667 --> 00:25:25,600
the Scylla strikes.
434
00:25:25,700 --> 00:25:29,600
[MONSTER GROWLING]
435
00:25:37,867 --> 00:25:40,567
It snatches six men
off the ship's deck
436
00:25:40,667 --> 00:25:41,900
and swallows them whole.
437
00:25:42,000 --> 00:25:43,900
[MONSTER GROWLING]
438
00:25:44,000 --> 00:25:46,467
[MAN SCREAMING]
439
00:25:50,433 --> 00:25:53,934
[MONSTER GROWLING]
440
00:25:58,400 --> 00:26:02,767
Odysseus describes this as
the worst moment of his travels.
441
00:26:02,867 --> 00:26:05,433
His men being carried
away in the mouths
442
00:26:05,533 --> 00:26:09,400
of this awful creature,
crying his name.
443
00:26:09,500 --> 00:26:11,734
Odysseus, help us, help us.
444
00:26:11,834 --> 00:26:14,800
And he can't, and not
only that, Odysseus
445
00:26:14,900 --> 00:26:17,266
knows that those men are
dying because of his decision.
446
00:26:17,367 --> 00:26:20,633
[MUSIC PLAYING]
447
00:26:33,367 --> 00:26:35,367
NARRATOR: For centuries,
scholars of The Odyssey
448
00:26:35,467 --> 00:26:37,367
puzzled over what
might have inspired
449
00:26:37,467 --> 00:26:39,834
Homer's monstrous Scylla.
450
00:26:39,934 --> 00:26:43,333
[MONSTER GROWLING]
451
00:26:44,800 --> 00:26:48,967
Then in the mid-1800s, corpses
of massive tentacled beasts
452
00:26:49,066 --> 00:26:53,133
washed up on shores
across the globe.
453
00:26:53,233 --> 00:26:55,934
This was the answer--
454
00:26:56,033 --> 00:26:56,834
giant squid.
455
00:26:59,600 --> 00:27:03,767
Overnight, fiction became fact.
456
00:27:03,867 --> 00:27:06,033
JOHN RENNIE: Giant squid is
a creature that's basically
457
00:27:06,133 --> 00:27:07,700
as long as a school bus.
458
00:27:07,800 --> 00:27:10,166
Now, imagine how
big a giant squid
459
00:27:10,266 --> 00:27:12,967
had to look to sailors who
were in boats that were just
460
00:27:13,066 --> 00:27:14,567
a few dozen feet long.
461
00:27:17,433 --> 00:27:19,600
NARRATOR: Was the Scylla
based on real sightings
462
00:27:19,700 --> 00:27:20,667
of a giant squid?
463
00:27:24,467 --> 00:27:29,266
And what about its neighbor,
the whirlpool Charybdis?
464
00:27:29,367 --> 00:27:31,166
Modern oceanographers
have discovered
465
00:27:31,266 --> 00:27:34,734
a giant whirlpool zone that
matches its description
466
00:27:34,834 --> 00:27:38,700
in the narrow Strait of Messina
between Italy and Sicily.
467
00:27:38,800 --> 00:27:41,066
JOHN RENNIE: To the North,
you have the Tyrrhenian Sea,
468
00:27:41,166 --> 00:27:43,533
to the South the Ionian Sea.
469
00:27:43,633 --> 00:27:46,233
The waters of the
Tyrrhenian and Ionian seas
470
00:27:46,333 --> 00:27:47,834
actually are quite different.
471
00:27:47,934 --> 00:27:50,533
As a result, the water
moving back and forth
472
00:27:50,633 --> 00:27:54,500
through these straits is
tremendously churned up
473
00:27:54,600 --> 00:27:57,967
and you get huge whirlpools
and vicious tides.
474
00:28:01,200 --> 00:28:03,867
We can scarcely imagine just
how powerful they must have been
475
00:28:03,967 --> 00:28:06,367
back in ancient times,
especially for sailors who
476
00:28:06,467 --> 00:28:09,100
are going through them.
477
00:28:09,200 --> 00:28:12,934
NARRATOR: Giant squids,
treacherous whirlpools--
478
00:28:13,033 --> 00:28:16,967
two real-life threats
faced by ancient sailors.
479
00:28:17,066 --> 00:28:20,033
Could they have been the
inspiration behind this chapter
480
00:28:20,133 --> 00:28:20,834
of The Odyssey?
481
00:28:20,934 --> 00:28:23,867
[MUSIC PLAYING]
482
00:28:25,333 --> 00:28:29,867
In the myth, Odysseus has just
seen six of his men torn apart
483
00:28:29,967 --> 00:28:32,200
by the Scylla.
484
00:28:32,300 --> 00:28:34,967
When his ship reaches safety,
he gives into his shell
485
00:28:35,066 --> 00:28:38,734
shocked cruise demand for rest.
486
00:28:38,834 --> 00:28:40,834
Despite the prophet
Tiresias' warning
487
00:28:40,934 --> 00:28:43,567
to stay away from
the sun god's cattle,
488
00:28:43,667 --> 00:28:46,000
he agrees to make
landfall on the island
489
00:28:46,100 --> 00:28:48,633
where the cattle are kept.
490
00:28:48,734 --> 00:28:53,133
Odysseus sees the cattle,
and says to his men,
491
00:28:53,233 --> 00:28:55,533
OK, we're on the island
overnight, whatever you do,
492
00:28:55,633 --> 00:28:56,867
don't eat them.
493
00:28:56,967 --> 00:28:59,400
Do not eat them.
494
00:28:59,500 --> 00:29:03,767
But with supplies running low
and starvation setting in,
495
00:29:03,867 --> 00:29:09,166
the crew disobeys Odysseus
and butchers the cattle.
496
00:29:09,266 --> 00:29:12,433
It will be the last
meal they ever eat.
497
00:29:12,533 --> 00:29:16,367
[MUSIC PLAYING]
498
00:29:20,233 --> 00:29:24,567
Helios, the sun god is
furious, and turns to Zeus,
499
00:29:24,667 --> 00:29:28,000
the king of gods for justice.
500
00:29:28,100 --> 00:29:29,834
KRISTINA MILNOR: Angering
a god in antiquity
501
00:29:29,934 --> 00:29:32,266
was one of the worst
moves you can make.
502
00:29:32,367 --> 00:29:36,533
The gods didn't have a lot of
qualms about using their powers
503
00:29:36,633 --> 00:29:40,767
to punish mortals that
they disapproved of.
504
00:29:40,867 --> 00:29:45,033
Zeus agrees to punish
the trespassers.
505
00:29:45,133 --> 00:29:48,467
He sends a perfect storm that
strikes down Odysseus' ship.
506
00:29:48,567 --> 00:29:52,033
[THUNDER RUMBLING]
507
00:29:56,467 --> 00:30:03,900
All the men perish
Except for one.
508
00:30:07,967 --> 00:30:13,600
Odysseus is spared because he
alone didn't eat the cattle.
509
00:30:13,700 --> 00:30:16,433
But this is where
the good news ends.
510
00:30:16,533 --> 00:30:22,767
Now, he has no man, no boat,
and no idea where he is.
511
00:30:22,867 --> 00:30:26,266
[MUSIC PLAYING]
512
00:30:34,567 --> 00:30:36,934
After three years
at sea, Odysseus
513
00:30:37,033 --> 00:30:40,433
has lost all his men and ships.
514
00:30:40,533 --> 00:30:44,734
He is alone, isolated, and
still no closer to home.
515
00:30:47,900 --> 00:30:50,066
He is washed up on
the island paradise
516
00:30:50,166 --> 00:30:54,166
of another beautiful
seductress, the nymph, Calypso.
517
00:30:59,166 --> 00:31:02,367
In Greek mythology, nymphs
were pretty young girls
518
00:31:02,467 --> 00:31:08,433
with magical powers, every
man's wildest fantasy.
519
00:31:08,533 --> 00:31:12,066
MICHAEL FONTAINE: They lived
in forests and in woodlands.
520
00:31:12,166 --> 00:31:15,033
As their name implies
nymphs or nymphomaniac,
521
00:31:15,133 --> 00:31:17,400
as our English word,
they were very spritely
522
00:31:17,500 --> 00:31:18,300
in their behavior.
523
00:31:24,200 --> 00:31:25,800
NARRATOR: At this
point, Odysseus
524
00:31:25,900 --> 00:31:28,533
is relieved just to be alive.
525
00:31:28,633 --> 00:31:30,867
Washing up on the island
of beautiful nymph
526
00:31:30,967 --> 00:31:34,333
is an unexpected bonus.
527
00:31:34,433 --> 00:31:36,166
While his wife
Penelope faithfully
528
00:31:36,266 --> 00:31:38,834
preserves her
chastity back home,
529
00:31:38,934 --> 00:31:43,834
Odysseus treats himself to
another extramarital tryst.
530
00:31:43,934 --> 00:31:46,467
This time, he winds up
staying seven years.
531
00:31:46,567 --> 00:31:49,200
[MUSIC PLAYING]
532
00:31:52,133 --> 00:31:54,834
PETER STRUCK: Odysseus was given
license to pretty much sleep
533
00:31:54,934 --> 00:31:56,633
with whoever he wants.
534
00:31:56,734 --> 00:32:00,333
There doesn't seem to be in
Homer's tale any particularly
535
00:32:00,433 --> 00:32:03,266
negative connotation that's
attached to Odysseus'
536
00:32:03,367 --> 00:32:04,533
dalliances.
537
00:32:04,633 --> 00:32:07,500
In fact, they seem to make him
into a greater more powerful
538
00:32:07,600 --> 00:32:10,467
kind of man because he can
conquer all these women.
539
00:32:13,800 --> 00:32:16,266
NARRATOR: Calypso promises
Odysseus immortality
540
00:32:16,367 --> 00:32:19,400
if he'll stay with
her forever, but he
541
00:32:19,500 --> 00:32:23,967
refuses, knowing he must return
to his wife and his kingdom.
542
00:32:24,066 --> 00:32:29,200
In some ways, it's a stupid
choice to pick mortality
543
00:32:29,300 --> 00:32:32,567
and being a man over
being a demigod.
544
00:32:32,667 --> 00:32:35,166
But for Odysseus,
it's not a question.
545
00:32:35,266 --> 00:32:40,033
He must reject Calypso,
he must leave Calypso
546
00:32:40,133 --> 00:32:43,934
to fulfill his fate as a man.
547
00:32:44,033 --> 00:32:46,734
NARRATOR: But with no
ship to take him home,
548
00:32:46,834 --> 00:32:49,467
Odysseus must take matters
into his own hands.
549
00:32:53,133 --> 00:32:54,500
He builds himself a boat.
550
00:32:58,166 --> 00:32:59,800
DENNIS MACDONALD:
For ancient Greeks,
551
00:32:59,900 --> 00:33:04,667
carpentry was understood to
be one of the great gifts
552
00:33:04,767 --> 00:33:07,400
and intellectual
accomplishments in antiquity.
553
00:33:07,500 --> 00:33:11,300
We often call Odysseus,
his craft, a raft.
554
00:33:11,400 --> 00:33:13,600
But it's anything but a
raft, it's got a mast,
555
00:33:13,700 --> 00:33:16,300
it's got a rudder,
it's got gunwales.
556
00:33:16,400 --> 00:33:18,767
It was a metaphor of his wisdom.
557
00:33:18,867 --> 00:33:21,500
It's a part of his
cleverness that he's
558
00:33:21,600 --> 00:33:24,033
able to be such
a wise carpenter.
559
00:33:26,834 --> 00:33:28,333
NARRATOR: When the
boat is finished,
560
00:33:28,433 --> 00:33:32,166
Odysseus returns to sea.
561
00:33:32,266 --> 00:33:35,834
He has spent nearly 20
years away from home.
562
00:33:35,934 --> 00:33:38,800
Now, the end of the road
is finally in sight.
563
00:33:42,467 --> 00:33:44,834
And it's not a moment too soon.
564
00:33:44,934 --> 00:33:47,900
Back on the home front,
his loyal wife Penelope
565
00:33:48,000 --> 00:33:50,367
has exhausted all
of her stall tactics
566
00:33:50,467 --> 00:33:54,633
to ward off the men who have
pursued her year after year.
567
00:33:54,734 --> 00:33:57,367
Her suitors are
losing their patients.
568
00:33:57,467 --> 00:33:59,734
The suitors say,
he's not coming home.
569
00:33:59,834 --> 00:34:01,200
He's not coming back.
570
00:34:01,300 --> 00:34:03,967
His ship must have been
destroyed on the way.
571
00:34:04,066 --> 00:34:09,533
You must choose one of us
as Odysseus' his successor.
572
00:34:09,633 --> 00:34:12,600
NARRATOR: Can Odysseus get back
to Ithaca before it's too late?
573
00:34:12,700 --> 00:34:16,133
[OMINOUS MUSIC]
574
00:34:21,533 --> 00:34:24,066
Like many elements
of Homer's Odyssey,
575
00:34:24,166 --> 00:34:28,734
the island home of Odysseus has
a clear connection to reality.
576
00:34:28,834 --> 00:34:31,567
For centuries, scholars have
pondered which Greek island
577
00:34:31,667 --> 00:34:35,900
the author had in mind when
he wrote his epic story.
578
00:34:36,000 --> 00:34:38,734
Traditionally, it is believed
to be a Greek island known today
579
00:34:38,834 --> 00:34:39,633
as Ithaki.
580
00:34:42,300 --> 00:34:44,333
But Homer's writings
about Ithaca
581
00:34:44,433 --> 00:34:46,600
don't match up with its
modern day namesake.
582
00:34:46,700 --> 00:34:48,433
ROBERT BITTLESTONE:
Look at what Homer says.
583
00:34:48,533 --> 00:34:51,934
Homer says, Ithaca is
the western island.
584
00:34:52,033 --> 00:34:54,467
The furthest out to
sea, and its low-lying,
585
00:34:54,567 --> 00:34:57,734
and you think, hello,
this is completely wrong.
586
00:34:57,834 --> 00:35:00,333
Ithaki is not the
farthest out to the west,
587
00:35:00,433 --> 00:35:03,367
it's not the
farthest out to sea.
588
00:35:03,467 --> 00:35:05,600
NARRATOR: When researchers
compared ancient maps
589
00:35:05,700 --> 00:35:07,834
with modern day
satellite images,
590
00:35:07,934 --> 00:35:11,166
an island called
Kefalonia next to Ithaki
591
00:35:11,266 --> 00:35:13,400
caught their attention.
592
00:35:13,500 --> 00:35:15,834
It seemed to match Homer's
description of Ithaca
593
00:35:15,934 --> 00:35:18,800
in every way but one.
594
00:35:18,900 --> 00:35:21,333
ROBERT BITTLESTONE: What Homer
describes is four islands.
595
00:35:21,433 --> 00:35:24,000
He says there should
be four islands here.
596
00:35:24,100 --> 00:35:25,233
Well, we have a problem.
597
00:35:25,333 --> 00:35:26,300
There's only really three.
598
00:35:26,400 --> 00:35:28,166
Where's the fourth island?
599
00:35:28,266 --> 00:35:31,700
And he also says that Homer's
Ithaca, he just uses it,
600
00:35:31,800 --> 00:35:33,600
should be farther to the west.
601
00:35:33,700 --> 00:35:38,300
Now, you solve the problem if
you split Kefalonia in half.
602
00:35:38,400 --> 00:35:41,367
If you say that the western
peninsula of Kefalonia
603
00:35:41,467 --> 00:35:45,467
3,000 years ago might have
been a free-standing island.
604
00:35:45,567 --> 00:35:48,800
NARRATOR: Could this single
island once have been two?
605
00:35:52,266 --> 00:35:58,500
In 2006, a team of scientists
set out to solve the mystery.
606
00:35:58,600 --> 00:36:01,800
Using high-tech surveying
equipment, the kind used in oil
607
00:36:01,900 --> 00:36:05,433
and gas exploration, they
drilled a 400-foot hole
608
00:36:05,533 --> 00:36:08,066
into the ground of the
low-lying valley that
609
00:36:08,166 --> 00:36:11,667
lies between Kefalonia's
east and west branches.
610
00:36:11,767 --> 00:36:14,100
If there was ever a
split in the island,
611
00:36:14,200 --> 00:36:17,000
this would have been the place.
612
00:36:17,100 --> 00:36:19,333
ROBERT BITTLESTONE: We went
on drilling until we ran out
613
00:36:19,433 --> 00:36:21,533
of drill stem, actually,
and that was about 50 meters
614
00:36:21,633 --> 00:36:22,700
below sea level.
615
00:36:22,800 --> 00:36:26,000
And at no point did we hit
a solid mountain bedrock.
616
00:36:26,100 --> 00:36:28,834
Now, you know how
unlikely it is that.
617
00:36:28,934 --> 00:36:33,233
The simplest explanation of that
is to say that at some point,
618
00:36:33,333 --> 00:36:36,233
the sea went through that valley
and you can still see residue
619
00:36:36,333 --> 00:36:37,900
of that today.
620
00:36:38,000 --> 00:36:40,133
NARRATOR: These results
suggest that the valley was
621
00:36:40,233 --> 00:36:42,166
once underwater.
622
00:36:42,266 --> 00:36:44,533
And it makes Kefalonia
a prime candidate
623
00:36:44,633 --> 00:36:49,000
for being Homer's Ithaca,
the island Odysseus finally
624
00:36:49,100 --> 00:36:52,200
saw on the horizon 20
years after he went off
625
00:36:52,300 --> 00:36:54,133
to fight the Trojan War.
626
00:36:54,233 --> 00:36:56,367
KRISTINA MILNOR:
Odysseus never gave up.
627
00:36:56,467 --> 00:36:57,867
He spent years
trying to get home
628
00:36:57,967 --> 00:36:59,934
but he was going to get
home one way or another.
629
00:37:00,100 --> 00:37:02,934
[MUSIC PLAYING]
630
00:37:05,800 --> 00:37:09,633
Against all odds,
Odysseus is finally home.
631
00:37:09,734 --> 00:37:13,633
[MUSIC PLAYING]
632
00:37:24,266 --> 00:37:27,400
It is the moment he has been
dreaming about for the past two
633
00:37:27,500 --> 00:37:30,900
decades, but there is no
homecoming parade waiting
634
00:37:31,000 --> 00:37:31,800
for him.
635
00:37:35,100 --> 00:37:36,967
Instead, the final
arrangements are being
636
00:37:37,066 --> 00:37:39,800
made to redistribute his power.
637
00:37:39,900 --> 00:37:42,700
Unless he could pull
off one more miracle,
638
00:37:42,800 --> 00:37:47,567
Odysseus will lose everything
he's fought to come home to.
639
00:37:47,667 --> 00:37:50,533
It is the setup for
a dramatic ending,
640
00:37:50,633 --> 00:37:53,367
but could Odysseus' homecoming
have really happened?
641
00:37:53,467 --> 00:37:55,967
And if so, when?
642
00:37:56,066 --> 00:37:58,166
Using clues buried
in The Odyssey,
643
00:37:58,266 --> 00:38:01,767
modern astronomers have been
able to pinpoint the exact date
644
00:38:01,867 --> 00:38:02,934
Homer had in mind.
645
00:38:03,033 --> 00:38:06,433
[OMINOUS MUSIC]
646
00:38:16,700 --> 00:38:19,333
Odysseus' returned to
Ithaca was a journey that
647
00:38:19,433 --> 00:38:23,834
took 20 years, sent over
600 men to their graves,
648
00:38:23,934 --> 00:38:26,000
and 14 ships to the sea floor.
649
00:38:26,100 --> 00:38:28,867
[MUSIC PLAYING]
650
00:38:31,633 --> 00:38:34,800
Finally, after
all that, the hero
651
00:38:34,900 --> 00:38:40,433
is home but is he too late to
save his wife and his kingdom?
652
00:38:40,533 --> 00:38:44,900
SCOTT HULER: When Odysseus
returns home, his island,
653
00:38:45,000 --> 00:38:47,300
kingdom of Ithaca, is in
a state of complete chaos.
654
00:38:47,400 --> 00:38:49,934
[MEN LAUGHING]
655
00:38:50,033 --> 00:38:53,133
Everything has been
going terribly wrong.
656
00:38:53,233 --> 00:38:54,967
His wife is beset,
his household is
657
00:38:55,066 --> 00:38:57,834
beset by suitors, 108 suitors.
658
00:38:57,934 --> 00:39:00,233
[OMINOUS MUSIC]
659
00:39:00,333 --> 00:39:04,000
[MEN LAUGHING]
660
00:39:04,100 --> 00:39:07,266
NARRATOR: Odysseus realizes he
can't just walk into his palace
661
00:39:07,367 --> 00:39:09,667
and reclaim his former life.
662
00:39:09,767 --> 00:39:15,000
These suitors have long coveted
his queen and his kingdom.
663
00:39:15,100 --> 00:39:17,967
If they find out that
Odysseus has returned,
664
00:39:18,066 --> 00:39:20,467
they will undoubtedly
try to kill him before he
665
00:39:20,567 --> 00:39:23,166
can recapture his throne.
666
00:39:23,266 --> 00:39:28,367
One last time, Odysseus must
outwit, outlast, and outplay
667
00:39:28,467 --> 00:39:31,133
his enemies to survive.
668
00:39:31,233 --> 00:39:33,333
KRISTINA MILNOR: When
Odysseus arrives Ithaca,
669
00:39:33,433 --> 00:39:36,767
he doesn't come with
a great following.
670
00:39:36,867 --> 00:39:40,233
He doesn't arrive as the
great returning king.
671
00:39:40,333 --> 00:39:46,567
He actually disguises
himself as an old beggar.
672
00:39:46,667 --> 00:39:49,700
And he does this probably
partially because he's not
673
00:39:49,800 --> 00:39:51,767
sure of what reception
he'll receive.
674
00:39:55,233 --> 00:39:58,200
NARRATOR: Meanwhile,
Odysseus' long suffering wife
675
00:39:58,300 --> 00:40:01,500
Penelope finally yields
to the suitors pressure
676
00:40:01,600 --> 00:40:06,133
and announces an archery contest
to determine her new husband.
677
00:40:06,233 --> 00:40:09,834
Whoever can string Odysseus' bow
and shoot an arrow through 12
678
00:40:09,934 --> 00:40:12,400
axes will win her
hand in marriage.
679
00:40:12,500 --> 00:40:15,467
[MUSIC PLAYING]
680
00:40:22,834 --> 00:40:24,900
It is the fateful day in Ithaca.
681
00:40:25,000 --> 00:40:28,500
[OMINOUS MUSIC]
682
00:40:33,000 --> 00:40:35,667
Just before the game
is about to begin,
683
00:40:35,767 --> 00:40:40,200
Homer writes that the sun
is blotted out of the sky.
684
00:40:40,300 --> 00:40:43,600
For centuries, this one
line has been scrutinized.
685
00:40:43,700 --> 00:40:46,867
Is it a poetic device
to build suspense?
686
00:40:46,967 --> 00:40:48,367
Or the record of a real event?
687
00:40:48,467 --> 00:40:51,800
[MUSIC PLAYING]
688
00:40:55,133 --> 00:40:56,867
Even the ancient
Greeks thought this maybe
689
00:40:56,967 --> 00:40:59,200
meant that Odysseus
was returning home
690
00:40:59,300 --> 00:41:02,967
on the day of a total eclipse.
691
00:41:03,066 --> 00:41:05,367
NARRATOR: Recently, scientists
examined the Odyssey
692
00:41:05,467 --> 00:41:08,834
for astronomical evidence that
could reveal the exact date
693
00:41:08,934 --> 00:41:11,867
Homer was referring to.
694
00:41:11,967 --> 00:41:14,800
JOHN RENNIE: They looked more
closely at all the references
695
00:41:14,900 --> 00:41:18,233
in The Odyssey that
might refer to something
696
00:41:18,333 --> 00:41:20,533
about astronomical events.
697
00:41:20,633 --> 00:41:23,800
They then tried to match up
those combinations of events
698
00:41:23,900 --> 00:41:25,734
with their eclipse dates.
699
00:41:28,667 --> 00:41:30,633
And they found that,
in fact, it all
700
00:41:30,734 --> 00:41:33,934
matched for one of those
eclipses, one that took place
701
00:41:34,033 --> 00:41:37,934
on April 16th, 1178 BC.
702
00:41:38,033 --> 00:41:43,834
So it's possible that that was
the day when Odysseus returned
703
00:41:43,934 --> 00:41:44,700
home to Penelope.
704
00:41:44,800 --> 00:41:48,100
[MUSIC PLAYING]
705
00:41:52,066 --> 00:41:54,633
NARRATOR: In the myth, a two
decade pursuit of Penelope
706
00:41:54,734 --> 00:41:58,967
now comes down to
one main event.
707
00:41:59,066 --> 00:42:02,433
One suitor after another proved
too weak to string Odysseus
708
00:42:02,533 --> 00:42:03,233
bow.
709
00:42:03,333 --> 00:42:06,400
[MEN LAUGHING]
710
00:42:06,500 --> 00:42:11,166
They are all about to give up
when a tattered beggar steps
711
00:42:11,266 --> 00:42:12,834
forward.
712
00:42:12,934 --> 00:42:15,166
DAVID GEORGE: And the beggar
steps up and wants a turn.
713
00:42:15,266 --> 00:42:18,333
By the rules, he
should have a turn.
714
00:42:18,433 --> 00:42:23,500
Their response is to
be irate and to deride.
715
00:42:28,066 --> 00:42:32,300
NARRATOR: But the beggar strings
the bow without any hesitation.
716
00:42:32,400 --> 00:42:36,100
And the laughing suddenly stops.
717
00:42:36,200 --> 00:42:43,867
He lines up his shot, it flies
straight through the 12 axe
718
00:42:43,967 --> 00:42:44,767
handles.
719
00:42:47,567 --> 00:42:50,000
The contest is over,
but the suitors
720
00:42:50,100 --> 00:42:52,200
are not about to give
up without a fight.
721
00:42:52,300 --> 00:42:56,033
[OMINOUS MUSIC]
722
00:42:59,300 --> 00:43:03,367
Odysseus' final battle ends
with the suitors slaughtered
723
00:43:03,467 --> 00:43:04,500
and the hero victorious.
724
00:43:04,600 --> 00:43:07,800
[MUSIC PLAYING]
725
00:43:11,133 --> 00:43:14,800
He has won back his throne.
726
00:43:14,900 --> 00:43:18,133
Now, he has to win
back his woman.
727
00:43:18,233 --> 00:43:22,333
The king of cunning has
one last test to pass.
728
00:43:22,433 --> 00:43:24,867
PETER STRUCK: After Odysseus
has slaughtered all the suitors,
729
00:43:24,967 --> 00:43:27,934
then he and Penelope enjoy
a very intimate moment,
730
00:43:28,033 --> 00:43:30,934
and they sit across from each
other lit only by firelight.
731
00:43:31,033 --> 00:43:34,300
Penelope has one last test.
732
00:43:34,400 --> 00:43:37,300
After a long conversation,
she says to her servants,
733
00:43:37,400 --> 00:43:39,567
I want this stranger
to be comfortable
734
00:43:39,667 --> 00:43:42,467
so please bring my own
bed out of my chambers
735
00:43:42,567 --> 00:43:44,667
and put it on the porch
and let this stranger
736
00:43:44,767 --> 00:43:46,934
sleep in my own bed.
737
00:43:47,033 --> 00:43:50,367
At that point, Odysseus realizes
that his wife is giving him
738
00:43:50,467 --> 00:43:51,533
a final test.
739
00:43:51,633 --> 00:43:54,100
And he says, Penelope,
I know this is a test.
740
00:43:54,200 --> 00:43:58,266
I built our bit around this
tree, rooted into the ground.
741
00:43:58,367 --> 00:44:00,266
Our bed cannot be moved.
742
00:44:00,367 --> 00:44:04,266
Because she has never let
anyone inside of that bedroom,
743
00:44:04,367 --> 00:44:07,367
she knows for sure only Odysseus
would know that that bed's not
744
00:44:07,467 --> 00:44:08,166
movable.
745
00:44:08,266 --> 00:44:11,233
[MUSIC PLAYING]
746
00:44:11,333 --> 00:44:14,200
NARRATOR: Odysseus' long
journey, his odyssey,
747
00:44:14,300 --> 00:44:19,867
is at its end, but his
legend will endure.
748
00:44:19,967 --> 00:44:22,367
PETER STRUCK: It was common
among ancient Greek warriors
749
00:44:22,467 --> 00:44:27,000
to have as a decoration on their
armor the figure of Odysseus.
750
00:44:27,100 --> 00:44:29,066
He was there for them
as a symbol of someone
751
00:44:29,166 --> 00:44:31,166
who had always endured pain.
752
00:44:31,266 --> 00:44:36,433
Odysseus' very name in
Greek means man of pain.
753
00:44:36,533 --> 00:44:40,467
He suffers like
all of us suffer.
754
00:44:40,567 --> 00:44:43,667
But maybe unlike all of us,
Odysseus always also endures.
755
00:44:43,767 --> 00:44:46,934
[MUSIC PLAYING]
756
00:44:48,800 --> 00:44:51,367
So it's that ability, I
think, to always get back up
757
00:44:51,467 --> 00:44:54,233
after being knocked down that
makes him a character that's
758
00:44:54,333 --> 00:44:56,467
so relatable to people
over many centuries.
759
00:44:56,567 --> 00:45:00,367
[MUSIC PLAYING]
60909
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