Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,004 --> 00:00:09,705
IN THE HEAT OF THE NIGHT
2
00:00:11,533 --> 00:00:14,840
I'VE GOT TROUBLES
WALL TO WALL
3
00:00:20,020 --> 00:00:24,285
IN THE HEAT OF THE NIGHT
4
00:00:24,328 --> 00:00:27,157
YEAH
5
00:00:27,201 --> 00:00:33,207
MUST BE AN ENDING
TO IT ALL
6
00:00:33,250 --> 00:00:36,471
OH
7
00:00:36,514 --> 00:00:39,952
BUT HOLD ON
8
00:00:39,996 --> 00:00:42,607
IT WON'T BE LONG
9
00:00:42,651 --> 00:00:44,740
JUST YOU BE STRONG
10
00:00:44,783 --> 00:00:47,221
AND IT'LL BE ALL RIGHT
11
00:00:50,528 --> 00:00:54,184
IN THE HEAT OF THE NIGHT
12
00:00:54,228 --> 00:01:01,365
IN THE HEAT
OF THE NIGHT
13
00:01:29,654 --> 00:01:31,787
NOW, Y'ALL HOLD IT
RIGHT WHERE YOU ARE.
14
00:01:36,531 --> 00:01:38,272
PLEASE DON'T DO THAT.
15
00:01:54,288 --> 00:01:55,593
NOW YOU REALLY
GOT ME MAD.
16
00:01:55,637 --> 00:01:56,899
LET GO OF ME.
17
00:01:56,942 --> 00:01:59,380
HEY, STOP IT.
STOP IT!
18
00:02:00,903 --> 00:02:03,340
I SAID PLEASE.
WHAT'D YOU RUN FOR?
19
00:02:03,384 --> 00:02:04,472
TO GET AWAY.
20
00:02:04,515 --> 00:02:06,735
SO YOU KNOW
THAT WAS WRONG--
21
00:02:06,778 --> 00:02:09,129
PLASTERING THE TOWN
WITH POSTERS.
22
00:02:09,999 --> 00:02:11,696
WHAT'D YOU
DO IT FOR?
23
00:02:11,740 --> 00:02:13,133
FOR MONEY.
24
00:02:14,221 --> 00:02:16,048
WHO WAS
PAYING YOU?
25
00:02:16,092 --> 00:02:17,615
CAN'T SAY.
26
00:02:17,659 --> 00:02:19,313
YOU CAN'T SAY?
27
00:02:19,356 --> 00:02:21,053
THEN LET'S GO.
28
00:02:28,844 --> 00:02:30,106
WHEN'S YOUR BIRTHDAY?
29
00:02:30,150 --> 00:02:32,413
IT USED TO BE
AUGUST 7th.
30
00:02:32,456 --> 00:02:35,329
LEO. SAYS YOU'RE
GOING TO BE TEMPTED TODAY.
31
00:02:35,372 --> 00:02:37,592
WELL, THAT SOUNDS
DANGEROUS. BY WHAT?
32
00:02:37,635 --> 00:02:41,073
AN OLD FLAME.
CAN YOU RESIST TEMPTATION?
33
00:02:41,117 --> 00:02:42,466
MAE WEST USED TO SAY,
34
00:02:42,510 --> 00:02:45,382
"WHY RESIST TEMPTATION?
THERE'LL ALWAYS BE MORE."
35
00:02:45,426 --> 00:02:48,124
WHO'S MAE WEST?
36
00:02:48,168 --> 00:02:51,301
A GHOST I RUN INTO
NOW AND THEN.
37
00:02:52,346 --> 00:02:53,912
WELL, LOOK AT THIS.
38
00:02:55,305 --> 00:02:59,831
WELL...IF THIS IS GOING
TO BE MY TEMPTATION--
39
00:02:59,875 --> 00:03:01,529
A SEXY PHONE CALL--
40
00:03:03,879 --> 00:03:05,489
I THINK I'M SAFE.
41
00:03:10,364 --> 00:03:12,148
[ENGINE STARTS]
42
00:03:16,805 --> 00:03:20,200
"CALL 976-MAY-B
43
00:03:20,243 --> 00:03:23,942
FOR INTIMATE CONVERSATIONS
WITH SOUTHERN LADIES."
44
00:03:27,555 --> 00:03:28,991
Y'ALL KNOW
WHAT THAT MEANS?
45
00:03:29,034 --> 00:03:30,384
SURE.
46
00:03:30,427 --> 00:03:33,169
FOLKS PAY TO TALK
DIRTY ON THE PHONE.
47
00:03:34,779 --> 00:03:37,826
IT AIN'T AGAINST
THE LAW, IS IT?
48
00:03:37,869 --> 00:03:39,958
PASTING THESE UP
WITHOUT A PERMIT IS.
49
00:03:40,002 --> 00:03:41,830
WHO HIRED YOU?
50
00:03:41,873 --> 00:03:44,311
I AIN'T GOING
TO TEL YOU.
51
00:03:44,354 --> 00:03:45,834
OH, YOU SEE
WHAT I MEAN?
52
00:03:45,877 --> 00:03:47,792
YEP.
53
00:03:47,836 --> 00:03:49,533
TAKE THEM AWAY.
54
00:03:49,577 --> 00:03:51,187
TO JAIL?
55
00:03:51,231 --> 00:03:52,928
WORSE...
56
00:03:52,971 --> 00:03:54,973
YOUR PARENTS.
57
00:03:55,017 --> 00:03:56,279
OH, MAN.
58
00:03:56,323 --> 00:03:57,759
COME ON.
59
00:04:05,027 --> 00:04:06,768
CHIEF FORBES,
60
00:04:06,811 --> 00:04:08,596
I GOT A PRETTY GOOD IDEA
WHO'S DOING THIS.
61
00:04:08,639 --> 00:04:10,946
THERE'S NO DOUBT
ABOUT IT.
62
00:04:10,989 --> 00:04:13,209
ANYBODY WE KNOW?
63
00:04:13,253 --> 00:04:17,735
976-MAY-B?
IT'S GOT TO BE
MAYBELLE CHESBORO.
64
00:04:17,779 --> 00:04:18,780
WHO'S SHE?
65
00:04:18,823 --> 00:04:20,260
WELL, SIR,
SHE'S A MADAM.
66
00:04:20,303 --> 00:04:23,872
CHIEF--SHERIFF GILLESPIE
CHASED HER OUT OF TOWN.
67
00:04:23,915 --> 00:04:26,396
SHE SAID SHE'D BE BACK,
AND I GUESS SHE'S BACK.
68
00:04:26,440 --> 00:04:28,833
IS THAT MAYBELLE?
I THOUGHT SO.
69
00:04:28,877 --> 00:04:31,140
COULDN'T BE
ANYBODY ELSE.
70
00:04:31,183 --> 00:04:34,404
WELL, UH, IF THAT'S
ALL SHE'S DOING,
71
00:04:34,448 --> 00:04:36,928
I'D SAY
IT'S AN IMPROVEMENT.
72
00:04:36,972 --> 00:04:38,278
IT IS?
73
00:04:38,321 --> 00:04:42,238
WELL, YEAH. FROM SELLING
FLESH TO SELLING TALK,
74
00:04:42,282 --> 00:04:43,979
YEAH, I'D SAY SO.
75
00:04:45,285 --> 00:04:47,591
BILL, LET'S GO TO LUNCH.
76
00:04:54,250 --> 00:04:55,860
THINK WE'RE EVER
GOING TO FIND
77
00:04:55,904 --> 00:04:58,210
A MAYBELLE CALL
ON THE OFFICE PHONE BILL?
78
00:05:00,256 --> 00:05:01,953
NO WAY.
79
00:05:13,922 --> 00:05:17,099
I'M GOING TO HAVE TUNA SALAD
AND SLICED TOMATOES
80
00:05:17,142 --> 00:05:19,580
AND COTTAGE CHEESE, PLEASE.
81
00:05:19,623 --> 00:05:20,494
HOW ABOUT YOU, SHERIFF?
82
00:05:20,537 --> 00:05:22,278
I THINK I'M GONNA
BE RECKLESS
83
00:05:22,322 --> 00:05:24,672
AND ORDER
THE SAME THING.
84
00:05:26,238 --> 00:05:30,068
BUT, YOU KNOW, THE THING
I ENJOY THE MOST
85
00:05:30,112 --> 00:05:31,809
IS BEING AWAY FROM
THAT ALLIGATOR POOL
86
00:05:31,853 --> 00:05:33,855
CALLED THE CITY COUNCIL.
87
00:05:34,508 --> 00:05:36,118
I HEAR THAT.
88
00:05:36,161 --> 00:05:38,207
COURSE, THEY'RE STILL
BEING PRETTY NICE TO ME.
89
00:05:38,250 --> 00:05:42,254
OH, WELL, BUT
YOU WATCH YOUR BACK.
90
00:05:43,604 --> 00:05:45,345
SPEAKING OF WHICH...
91
00:05:48,739 --> 00:05:50,698
AFTERNOON, CHIEF.
92
00:05:50,741 --> 00:05:52,308
MR. COLEMAN.
93
00:05:52,352 --> 00:05:53,831
THIS IS COUNCILMAN
DREW WARD,
94
00:05:53,875 --> 00:05:55,790
HEAD OF OUR ADVANCE
PLANNING COMMITTEE.
95
00:05:55,833 --> 00:05:58,575
HI.
96
00:05:58,619 --> 00:06:00,708
SINCE YOU TOOK OVER,
I'VE BEEN AWAY FROM SPARTA.
97
00:06:00,751 --> 00:06:02,797
BEST WAY TO PLAN
FOR SPARTA
98
00:06:02,840 --> 00:06:05,365
IS TO STAY
IN PALM BEACH,
RIGHT, DREW?
99
00:06:05,408 --> 00:06:07,105
OH, IS THAT YOU,
GILLESPIE?
100
00:06:07,149 --> 00:06:10,195
I HEARD YOU'RE HARDLY
EVER SEEN ANYMORE.
101
00:06:13,547 --> 00:06:15,636
I'VE PUT THE COUNTY
COMMISSIONERS ON NOTICE
102
00:06:15,679 --> 00:06:18,856
AN WE'RE GONNA DO
A INQUIRY INTO
YOUR APPOINTMENT,
103
00:06:18,900 --> 00:06:22,338
SO I WOULDN'T
GET TOO COZY OVER
AT THE SHERIFF'S OFFICE.
104
00:06:24,862 --> 00:06:25,820
NICE TO SEE YOU, CHIEF.
105
00:06:25,863 --> 00:06:27,604
MMM.
106
00:06:27,648 --> 00:06:29,519
STOP IT!
107
00:06:29,563 --> 00:06:31,608
WELL, YOU WERE
TALKING ABOUT MAYBELLE.
108
00:06:32,957 --> 00:06:34,916
ANYWAY, BILL,
WHAT ARE WE GOING TO DO
109
00:06:34,959 --> 00:06:36,526
ABOUT MAYBELLE'S
PHONE SERVICE?
110
00:06:36,570 --> 00:06:38,006
I DON'T KNOW.
111
00:06:38,049 --> 00:06:40,574
I KNOW THERE'S A FELLOW
UP IN STATE LEGISLATURE,
112
00:06:40,617 --> 00:06:44,665
HE'S TRYING TO PASS A LAW
AGAINST IT.
113
00:06:44,708 --> 00:06:45,666
HOW DOES THE PUBLIC FEEL?
114
00:06:45,709 --> 00:06:47,929
IT DOESN'T MATTER
HOW THEY FEEL.
115
00:06:47,972 --> 00:06:51,193
HOW YOU GOING TO MAKE,
LET ALONE ENFORCE,
116
00:06:51,236 --> 00:06:54,370
A LAW AGAINST
PRIVATE CONVERSATIONS?
117
00:06:55,632 --> 00:06:57,939
EVEN IF THEY'RE USING
PUBLIC FACILITY?
118
00:06:57,982 --> 00:07:01,769
WELL, A PARK
IS A PUBLIC FACILITY.
119
00:07:01,812 --> 00:07:03,031
YOU GOING TO SAY
120
00:07:03,074 --> 00:07:06,034
PEOPLE CAN'T
SIT ON A BENCH
AND TALK SEX?
121
00:07:06,077 --> 00:07:07,992
WELL, NO.
122
00:07:08,036 --> 00:07:10,995
WHAT IF THEY PUBLICLY
INVITE YOU TO TALK SEX,
123
00:07:11,039 --> 00:07:14,477
LIKE THOSE FLIERS
OUT IN THE STREETS?
124
00:07:14,521 --> 00:07:16,784
WELL, THAT'S
AN INTERESTING QUESTION.
125
00:07:16,827 --> 00:07:19,526
MAKES YOU WONDER ABOUT
DISTURBING THE PEACE.
126
00:07:31,189 --> 00:07:32,277
HOW YOU DOING?
127
00:07:32,321 --> 00:07:34,584
PRETTY GOOD.
BEEN A LONG TIME.
128
00:07:34,628 --> 00:07:37,021
LAST TIME I SEEN YOU,
WEREN'T YOU IN UNIFORM?
129
00:07:37,065 --> 00:07:39,937
YEAH, I WAS.
YOU WERE DRIVING
A DIFFERENT CAR.
130
00:07:39,981 --> 00:07:42,592
THAT'S RIGHT.
THE OLD CLASSIC.
131
00:07:42,636 --> 00:07:44,464
MISS MAYBELLE
PUT IT IN A MUSEUM.
132
00:07:44,507 --> 00:07:46,117
DID SHE?
133
00:07:46,161 --> 00:07:48,424
YEAH. SAYS SHE'S GOING
INTO THAT SAME MUSEUM
WHEN SHE DIES.
134
00:07:48,468 --> 00:07:51,079
GOING TO BE PRESERVED
SITTING IN THAT CAR.
135
00:07:51,862 --> 00:07:53,298
WE'LL SEE YOU.
136
00:08:00,567 --> 00:08:02,525
YEAH?
137
00:08:02,569 --> 00:08:04,745
YES. I'M HERE TO SEE
MISS MAYBELLE.
138
00:08:06,007 --> 00:08:08,575
LIEUTENANT, HUH?
139
00:08:08,618 --> 00:08:10,141
YOU HAVE AN APPOINTMENT?
140
00:08:10,185 --> 00:08:12,448
OH. LET THE MAN IN, DORA.
141
00:08:12,492 --> 00:08:15,407
POLICE NEVER NEED
AN APPOINTMENT
TO SEE MAYBELLE,
142
00:08:15,451 --> 00:08:16,670
ESPECIALLY IF
THEY'RE GOOD-LOOKING.
143
00:08:16,713 --> 00:08:18,193
HOW YOU DOING,
MISS MAYBELLE?
144
00:08:18,236 --> 00:08:20,674
IT'S BEEN A LONG TIME
SINCE YOU AND YOUR
LOVELY NIECES
145
00:08:20,717 --> 00:08:22,676
WERE IN THAT TRAILER PARK.
146
00:08:22,719 --> 00:08:24,547
WEREN'T THEY SOMETHING?
147
00:08:24,591 --> 00:08:26,114
YES, MA'AM, THEY WERE.
148
00:08:26,157 --> 00:08:27,289
YOU KNOW WHAT?
149
00:08:27,332 --> 00:08:29,639
I FOUND HUSBANDS
FOR ALL FIVE OF THEM.
150
00:08:29,683 --> 00:08:31,467
COME ON IN.
151
00:08:34,339 --> 00:08:35,732
CAN'T BELIEVE IT.
152
00:08:35,776 --> 00:08:37,168
ALL THIS FOR
JUST TALK, HUH?
153
00:08:37,212 --> 00:08:41,303
SUGAR, TALK IS
THE MOST IMPORTANT
THING IN THE WORLD.
154
00:08:41,346 --> 00:08:43,435
BUT WHAT ABOUT ACTION?
155
00:08:43,479 --> 00:08:45,089
IT'S NOT AS INTERESTING
AS TALK.
156
00:08:45,133 --> 00:08:49,572
TALK IS ALWAYS DIFFERENT,
ACTION'S ALWAYS THE SAME.
157
00:08:49,616 --> 00:08:51,574
THE CHIEF WANTS TO KNOW
IF IT ISN'T ACTION
158
00:08:51,618 --> 00:08:52,880
YOU'RE REALLY SELLING HERE.
159
00:08:52,923 --> 00:08:57,014
YOUNG MAN,
MY TELEPHONE ARTISTS
160
00:08:57,058 --> 00:08:58,973
ARE STRICTLY FORBIDDEN
FROM MAKING
161
00:08:59,016 --> 00:09:01,758
ANY KIND OF OUTSIDE
ARRANGEMENTS.
162
00:09:01,802 --> 00:09:03,891
[WOMAN GIGGLING]
163
00:09:05,327 --> 00:09:09,679
YEAH, BABY.
DON'T STOP.
164
00:09:09,723 --> 00:09:11,202
UH-HUH.
165
00:09:11,725 --> 00:09:13,509
UH-HUH.
166
00:09:13,553 --> 00:09:15,163
UH...
167
00:09:15,206 --> 00:09:17,861
YOU SEE? THERE'S
ABSOLUTELY NOTHING
ILLEGAL GOING ON HERE.
168
00:09:17,905 --> 00:09:20,603
AND I STILL GROSS
15,000 A WEEK.
169
00:09:20,647 --> 00:09:24,389
OF COURSE, I HAVE TO
PAY THE PHONE COMPANY
THEIR CUT
170
00:09:24,433 --> 00:09:26,522
AND FEDERAL TAXES
AND STATE TAXES,
171
00:09:26,566 --> 00:09:30,526
PLUS--OOH--I CARRY
FULL MEDICAL ON
ALL MY LADIES.
172
00:09:34,356 --> 00:09:36,576
YOU JUST SIT YOURSELF DOWN.
173
00:09:37,794 --> 00:09:39,187
NOW...
174
00:09:42,407 --> 00:09:43,583
THANK YOU.
175
00:09:43,626 --> 00:09:45,628
YOU CAME HERE
TO COMPLAIN TO ME
176
00:09:45,672 --> 00:09:49,197
ABOUT THOSE ADVERTISING
FLYERS, DIDN'T YOU?
177
00:09:49,240 --> 00:09:51,286
YES, MA'AM, I DID.
178
00:09:51,329 --> 00:09:53,680
MM-HMM!
179
00:09:53,723 --> 00:09:58,772
WELL, THE NEWSPAPERS
WON'T RUN MY ADS--
NOT YET, ANYWAY.
180
00:09:58,815 --> 00:10:01,644
ALL YOU GOT TO DO
IS APPLY FOR A POSTER PERMIT
181
00:10:01,688 --> 00:10:03,211
AT THE POLICE TRAFFIC DESK.
182
00:10:03,254 --> 00:10:05,430
OH, PLEASE.
WHERE THE POLICE
WOULD GIVE ME
183
00:10:05,474 --> 00:10:09,521
THE OLD-FASHIONED
SPARTA, MISSISSIPPI,
RUN-AROUND, RIGHT?
184
00:10:09,565 --> 00:10:13,656
YOU KNOW THE PUBLIC
DOESN'T WANT US
TO MAKE THIS EASY ON YOU.
185
00:10:13,700 --> 00:10:16,877
SUGARPLUM,
THE PUBLIC WANTS TO DO
186
00:10:16,920 --> 00:10:18,182
WHAT THE PUBLIC
WANTS TO DO,
187
00:10:18,226 --> 00:10:19,880
BUT THEY WANT
TO FEEL GOOD ABOUT IT,
188
00:10:19,923 --> 00:10:24,406
AND YOUR JOB IS TO MAKE
DAMN SURE THEY FEEL
REAL GOOD ABOUT IT.
189
00:10:32,022 --> 00:10:33,676
10:00 WILL BE JUST FINE.
190
00:10:36,418 --> 00:10:38,768
THE HEART OF SPARTA MOTEL.
O.K.
191
00:10:39,726 --> 00:10:41,597
AND CASH UP FRONT, O.K.?
192
00:10:41,641 --> 00:10:44,948
I MEAN, OUT AND READY
WHERE I CAN LAY
MY HAND ON IT.
193
00:10:56,656 --> 00:10:58,005
DAMN.
194
00:11:00,398 --> 00:11:02,357
GOT TO RUN PICK UP
A NEW PRESCRIPTION.
195
00:11:03,750 --> 00:11:05,316
[TELEPHONE RINGS]
196
00:11:06,709 --> 00:11:09,233
976-MAY-B.
197
00:11:09,277 --> 00:11:11,496
HANG ON.
OUR LINES ARE BUSY.
198
00:11:20,070 --> 00:11:22,856
OH, HEY,
199
00:11:22,899 --> 00:11:25,032
YOU'RE STILL ON
THE CLOCK HERE, BABY.
200
00:11:25,946 --> 00:11:27,556
I'M SICK.
201
00:11:27,599 --> 00:11:29,732
GET ME MY BAG.
202
00:11:29,776 --> 00:11:31,691
WHAT YOU NEED, BABY?
203
00:11:32,561 --> 00:11:33,780
MY MEDICATION.
204
00:11:33,823 --> 00:11:36,391
OH, HELL, YOU WANT
MEDICATION, BABY,
205
00:11:37,174 --> 00:11:39,176
YOU TRY SOME OF MINE.
206
00:11:39,220 --> 00:11:42,832
PLEASE...CALL 911.
207
00:11:42,876 --> 00:11:44,268
I NEED HELP.
208
00:11:44,312 --> 00:11:45,530
WHAT?
209
00:11:45,574 --> 00:11:47,228
[HICCUPING]
210
00:11:47,271 --> 00:11:50,100
WELL, HONEY, THIS
IS THE BEST REMEDY IN
THE WORLD FOR HICCUPS.
211
00:11:50,144 --> 00:11:51,623
HUH?
212
00:11:52,407 --> 00:11:53,495
HEY.
213
00:13:24,281 --> 00:13:25,282
DOC.
214
00:13:25,326 --> 00:13:26,631
BUBBA.
215
00:13:29,896 --> 00:13:31,375
Y'ALL GOT ANYTHING?
216
00:13:32,550 --> 00:13:33,682
WHOEVER WAS HERE
WITH HER
217
00:13:33,725 --> 00:13:36,337
TOOK A PILLOWCASE
WHEN HE LEFT.
218
00:13:36,380 --> 00:13:38,121
PROBABLY TO CARRY
SOMETHING OUT.
219
00:13:38,165 --> 00:13:39,644
MAYBE A BOTTLE OF BOOZE.
220
00:13:39,688 --> 00:13:42,647
THERE'S A SMELL OF BOOZE
BUT NO BOTTLE.
221
00:13:42,691 --> 00:13:45,563
I'D GUESS HE TOOK
WHATEVER HE FIGURED
HE TOUCHED.
222
00:13:46,608 --> 00:13:48,436
GO GET ON THE PRINTS.
223
00:13:48,479 --> 00:13:50,786
YEAH. GOING TO START
IN THE BATHROOM.
224
00:13:54,181 --> 00:13:56,270
THIS HAPPENED
ABOUT 10 HOURS AGO.
225
00:13:56,313 --> 00:13:58,098
ABOUT 1 A.M.
226
00:13:59,664 --> 00:14:01,623
ANY IDEA WHAT KILLED HER?
227
00:14:01,666 --> 00:14:03,930
SUFFOCATION.
228
00:14:03,973 --> 00:14:06,062
NOT TO PUT TOO FINE
A POINT ON IT,
229
00:14:06,106 --> 00:14:08,195
SHE CHOKED
ON HER OWN TONGUE.
230
00:14:16,246 --> 00:14:17,639
LOOKY HERE.
231
00:14:19,510 --> 00:14:22,383
SHE HAD A BOTTLE
OF MEDICATION
IN HER PURSE.
232
00:14:23,863 --> 00:14:25,995
AND
LOOK AT THIS.
233
00:14:27,779 --> 00:14:31,871
"CALL 976-MAY-B FOR
INTIMATE CONVERSATIONS
234
00:14:31,914 --> 00:14:34,395
WITH SOUTHERN LADIES."
235
00:14:34,438 --> 00:14:38,442
THIS CARD, THIS THING HERE
DOES NOT SURPRISE ME.
236
00:14:38,486 --> 00:14:40,836
I'VE HAD NOTHING
BUT BAD FEELINGS
237
00:14:40,880 --> 00:14:42,969
ABOUT THIS
PHONE ENTERPRISE.
238
00:15:20,615 --> 00:15:23,357
WHY, HELLO.
WHAT'S GOING ON?
239
00:15:23,400 --> 00:15:26,229
HEY, MISS MAYBELLE.
THIS HERE IS
CHIEF FORBES.
240
00:15:26,273 --> 00:15:29,841
CHIEF FORBES,
IT'S SO NICE
TO MEET YOU.
241
00:15:29,885 --> 00:15:31,278
DON'T YOU HAVE
ONE OF THOSE
242
00:15:31,321 --> 00:15:33,802
WONDERFUL UNIFORMS
LIKE THE CAPTAIN?
243
00:15:34,368 --> 00:15:35,630
YES, I DO.
244
00:15:35,673 --> 00:15:39,416
CAUSE I THINK, OOH,
YOU WOULD LOOK DIVINE IN IT
245
00:15:39,460 --> 00:15:41,636
JUST LIKE
CAPTAIN SKINNER.
246
00:15:46,032 --> 00:15:47,685
THANK YOU, MA'AM.
247
00:15:47,729 --> 00:15:49,861
NOW, MISS CHESBORO,
248
00:15:49,905 --> 00:15:53,343
YOU HAVE AN EMPLOYEE
NAMED JESSICA LUND?
249
00:15:53,387 --> 00:15:55,171
YES, SIR, I DO.
WHY?
250
00:15:55,215 --> 00:15:58,087
WE FOUND HER DEAD
JUST A LITTLE WHILE AGO
251
00:15:58,131 --> 00:15:59,915
AT THE HEART OF SPARTA MOTEL.
252
00:16:01,047 --> 00:16:02,570
DEAD?
253
00:16:05,486 --> 00:16:06,966
GOD, THAT'S TERRIBLE.
254
00:16:07,792 --> 00:16:09,403
POOR JESSICA.
255
00:16:10,621 --> 00:16:12,884
NO, WAIT, WAIT,
WAIT, WAIT.
256
00:16:12,928 --> 00:16:14,582
SHE DIDN'T GO THERE...
257
00:16:16,105 --> 00:16:17,367
DID SHE?
258
00:16:19,108 --> 00:16:22,242
DID YOU KNOW THAT
JESSICA LUND HAD EPILEPSY?
259
00:16:22,285 --> 00:16:24,984
NO--WELL, YES.
260
00:16:25,027 --> 00:16:26,986
I KNEW THE POOR CHILD
HAD SOMETHING.
261
00:16:28,291 --> 00:16:30,946
WAS THAT IT?
IT WAS EPILEPSY?
262
00:16:30,990 --> 00:16:35,733
UH, JUDGING FROM
THE MEDICINE WE
FOUND ON HER, YEAH.
263
00:16:35,777 --> 00:16:37,387
WAS IT LIKE
AN OVERDOSE?
264
00:16:37,431 --> 00:16:39,520
NO, MORE LIKE
AN UNDERDOSE.
265
00:16:39,563 --> 00:16:41,435
SHE DIDN'T
TAKE IT IN TIME.
266
00:16:42,958 --> 00:16:45,700
I KNOW PRACTICALLY NOTHING
ABOUT MEDICAL MATTERS.
267
00:16:45,743 --> 00:16:49,008
DO YOU KNOW WHY
SHE WENT TO THAT MOTEL?
268
00:16:49,051 --> 00:16:51,227
CHIEF, I HAVE NO IDEA.
269
00:16:51,271 --> 00:16:55,362
WELL, UH, THE ROOM
WAS REGISTERED UNDER
HER NAME, MISS MAYBELLE.
270
00:16:55,405 --> 00:16:58,365
HAVE ANY IDEA
WHY THAT WAS?
271
00:16:58,408 --> 00:17:03,022
GENTLEMEN, I AM IN
THE TELECOMMUNICATIONS
BUSINESS.
272
00:17:03,065 --> 00:17:05,154
ANYTHING THAT MY EMPLOYEES DO
273
00:17:05,198 --> 00:17:07,678
ON THEIR OWN TIME
IS STRICTLY FREELANCE.
274
00:17:11,813 --> 00:17:15,382
OH, I BET YOU WANT ME TO
IDENTIFY HER, DON'T YOU?
275
00:17:15,425 --> 00:17:17,514
IF YOU WOULD,
MISS CHESBORO.
276
00:17:19,342 --> 00:17:21,214
FINE.
277
00:17:21,257 --> 00:17:22,780
MAURICE, I'M READY.
278
00:17:25,957 --> 00:17:28,525
EITHER OF YOU GENTLEMEN
WANT TO RIDE WITH US?
279
00:17:28,569 --> 00:17:30,092
NO, THANK YOU.
280
00:17:30,136 --> 00:17:33,226
WE HAVE TO STAY
WITH OUR CARS.
281
00:17:33,269 --> 00:17:35,837
WELL, YOU GENTLEMEN
JUST LEAD ON.
282
00:17:35,880 --> 00:17:37,491
MAYBELLE WILL FOLLOW.
283
00:17:50,373 --> 00:17:52,332
YOU GETTING
A LITTLE SLEEPY, HONEY?
284
00:17:52,375 --> 00:17:55,335
I'M NOT SURPRISED.
YOU EXHAUSTED ME.
285
00:17:55,378 --> 00:17:57,163
DON'T YOU CALL AGAIN,
YOU HEAR?
286
00:17:57,206 --> 00:17:58,860
YOUR PARENTS ARE GOING
TO BE FURIOUS
287
00:17:58,903 --> 00:18:00,514
WHEN THEY GET THAT BILL.
288
00:18:02,081 --> 00:18:03,299
MORNING, LINDY.
289
00:18:03,343 --> 00:18:05,736
YOU HEAR WHAT HAPPENED
TO JESSICA?
290
00:18:05,780 --> 00:18:07,695
YES, I DID.
291
00:18:16,138 --> 00:18:18,880
[TELEPHONE RINGS]
292
00:18:18,923 --> 00:18:22,318
HI, THERE. THIS IS
976-MAY-B.
293
00:18:22,362 --> 00:18:24,190
MY NAME IS TAMARA.
294
00:18:32,633 --> 00:18:34,113
EXCUSE ME.
CAN YOU TELL ME
295
00:18:34,156 --> 00:18:35,984
WHERE JESSICA LUND'S
STATION IS?
296
00:18:36,027 --> 00:18:37,725
RIGHT THERE. EXCUSE ME.
I'M ON A CALL.
297
00:18:37,768 --> 00:18:39,596
UH-HUH.
298
00:18:39,640 --> 00:18:41,207
UH-HUH.
299
00:18:42,425 --> 00:18:44,079
GO ON AHEAD
THROUGH HER STUFF.
300
00:18:44,123 --> 00:18:45,646
WE'RE LOOKING FOR PIECES
OF PAPER,
301
00:18:45,689 --> 00:18:47,343
ANYTHING WITH A NAME
WRITTEN ON IT.
302
00:18:47,387 --> 00:18:49,084
UH-HUH.
303
00:18:54,220 --> 00:18:56,396
[SIREN]
304
00:18:56,439 --> 00:18:58,180
HOW DID MAYBELLE TAKE IT?
305
00:18:58,224 --> 00:19:01,575
BADLY. MAYBELLE CHESBORO
SEEMS LIKE
306
00:19:01,618 --> 00:19:04,186
A DECENT PERSON
IN AN ODD PROFESSION.
307
00:19:04,230 --> 00:19:05,796
ODD FOR A DECENT PERSON.
308
00:19:05,840 --> 00:19:08,103
WELL, I WONDERED
ABOUT THAT MYSELF.
309
00:19:08,147 --> 00:19:12,847
BUT THEN, WHO KNOWS
WHY ANY OF US GET
WHERE WE'RE GOING?
310
00:19:12,890 --> 00:19:15,632
YEAH. YEAH,
I AM WITH YOU.
311
00:19:15,676 --> 00:19:17,504
THERE YOU GO.
312
00:19:23,423 --> 00:19:26,295
THE OLDER I GET,
THE MORE PAINFUL IT IS
313
00:19:26,339 --> 00:19:28,428
TO SEE A YOUNG LIFE
DESTROYED.
314
00:19:28,471 --> 00:19:30,169
AMEN TO THAT.
315
00:19:30,212 --> 00:19:31,822
WHAT HAPPENED TO HER?
316
00:19:31,866 --> 00:19:33,911
JESSICA WAS EPILEPTIC.
317
00:19:33,955 --> 00:19:36,610
I BELIEVE SHE NEGLECTED
TO TAKE HER MEDICATION.
318
00:19:40,483 --> 00:19:44,008
JESSICA WOULD HAVE SURVIVED
WITH MEDICAL ATTENTION.
319
00:19:44,052 --> 00:19:46,446
WELL, THEN IT'S CLEAR
THAT HER CUSTOMER
320
00:19:46,489 --> 00:19:49,057
IS GUILTY AT LEAST
OF MANSLAUGHTER.
321
00:19:49,100 --> 00:19:52,103
I THINK JUDGE SIMMS
WILL LET US CHECK
THOSE PHONE RECORDS.
322
00:19:52,147 --> 00:19:54,149
UH-HUH.
323
00:19:54,193 --> 00:19:56,107
I'LL HAVE REPORTS
READY RIGHT AWAY.
324
00:19:57,935 --> 00:20:01,069
Y'ALL LOOKING
FOR A REALLY
DISGUSTING PERSON.
325
00:20:10,687 --> 00:20:12,211
[KNOCK ON DOOR]
326
00:20:15,344 --> 00:20:16,867
EXCUSE ME, MISS REIKER.
327
00:20:16,911 --> 00:20:19,130
COME ON IN, CAPTAIN.
328
00:20:19,174 --> 00:20:20,741
WHY DON'T YOU
HAVE A SEAT?
329
00:20:20,784 --> 00:20:22,395
WELL, THANK YOU.
330
00:20:25,485 --> 00:20:28,183
Y'ALL HAVE THIS
SEX TALK SERVICE?
331
00:20:28,227 --> 00:20:31,142
WELL, WE DON'T HAVE IT,
BUT ONE OF OUR CUSTOMERS.
332
00:20:31,186 --> 00:20:33,406
YEAH. A MISS
MAYBELLE CHESBORO.
333
00:20:33,449 --> 00:20:36,365
I THINK IT'S
"976-MAY-B."
334
00:20:36,409 --> 00:20:38,846
I GUESS YOU KNOW
ALL ABOUT IT, HUH?
335
00:20:38,889 --> 00:20:40,456
I WELL, NOT PERSONALLY.
336
00:20:40,500 --> 00:20:42,110
SEX TALK?
337
00:20:42,153 --> 00:20:44,373
YEAH.
338
00:20:44,417 --> 00:20:46,984
I GUESS SOME PEOPLE
ARE MORE THAN HAPPY
TO PAY FOR IT.
339
00:20:47,028 --> 00:20:50,727
WELL, MAYBE THAT'S
AS CLOSE AS THEY
EVER GET TO SEX...
340
00:20:50,771 --> 00:20:52,512
POOR THINGS.
341
00:20:54,035 --> 00:20:57,604
YEAH. YEAH. YOU'RE NOT
FROM THE SOUTH, ARE YOU?
342
00:20:57,647 --> 00:21:00,128
MINNEAPOLIS. WHY?
343
00:21:00,171 --> 00:21:02,217
WELL,
CAUSE YOU'RE NOT BLUSHING
344
00:21:02,261 --> 00:21:06,395
AND I SURE GOT A FEELING
I AM RIGHT NOW.
345
00:21:06,439 --> 00:21:09,268
WELL, I'LL TELL YOU
WHATEVER I'M ALLOWED
TO TELL YOU.
346
00:21:09,311 --> 00:21:12,662
WE NEED THE NUMBERS
AND ADDRESSES
347
00:21:12,706 --> 00:21:15,186
OF EVERYBODY THAT'S
CALLED MAY-B IN
THE LAST 10 DAYS.
348
00:21:15,230 --> 00:21:18,712
CAPTAIN, NOT ASKING FOR MUCH
ARE YOU?
349
00:21:18,755 --> 00:21:21,628
PRETTY MUCH
EVERYTHING, YEAH.
350
00:21:21,671 --> 00:21:22,890
I CAN
GIVE YOU NUMBERS,
351
00:21:22,933 --> 00:21:24,413
BUT NOT NAMES
AND ADDRESSES.
352
00:21:24,457 --> 00:21:25,762
OH, THAT'S ALL RIGHT.
353
00:21:25,806 --> 00:21:26,937
WE GOT ONE OF THOSE
REVERSE PHONE BOOKS.
354
00:21:26,981 --> 00:21:29,244
WE CAN GET
THE NAMES FROM THERE.
355
00:21:31,594 --> 00:21:33,857
I COULD USE SOME DINNER.
356
00:21:35,903 --> 00:21:38,384
HEY, UM, THAT'S
NO PROBLEM AT ALL.
357
00:21:38,427 --> 00:21:40,386
YOU'RE FROM
MINNEAPOLIS, RIGHT?
358
00:21:40,429 --> 00:21:41,561
THAT'S RIGHT.
359
00:21:41,604 --> 00:21:43,998
I BET YOU NEVER HAD
SOME BRUNSWICK STEW
360
00:21:44,041 --> 00:21:46,653
WITH TURNIP GREENS
AND FRIED OKRA
361
00:21:46,696 --> 00:21:50,047
TOPPED OFF WITH SOME
SWEET POTATO PIE
WITH MARSHMALLOW GLAZE.
362
00:21:50,091 --> 00:21:52,136
NO, I HAVEN'T.
WHERE DO THEY
SERVE THAT?
363
00:21:52,180 --> 00:21:54,704
A LITTLE PLACE
RIGHT NEAR HERE.
364
00:21:56,053 --> 00:21:57,490
I'M READY.
365
00:22:06,673 --> 00:22:07,804
HEY, CHIEF.
366
00:22:10,633 --> 00:22:13,288
WE GOT US THIS LIST
OF FREQUENT CALLERS.
367
00:22:13,332 --> 00:22:15,638
SOME OF THE NAMES
WILL SURPRISE YOU.
368
00:22:15,682 --> 00:22:18,511
WE'RE NOT SUPPOSED
TO KNOW THOSE NAMES.
369
00:22:18,554 --> 00:22:21,209
WE'RE JUST LOOKING
FOR ONE.
370
00:22:21,252 --> 00:22:23,211
HOW MANY WE GOT
TO GO THROUGH?
371
00:22:23,254 --> 00:22:24,995
THERE'S QUITE A FEW.
372
00:22:25,039 --> 00:22:26,910
HOW MUCH PRIVACY
ARE WE INVADING?
373
00:22:26,954 --> 00:22:28,521
OH, BUNCHES AND BUNCHES.
374
00:22:28,564 --> 00:22:30,566
MAYBELLE'S GOT
A GOOD THING GOING.
375
00:22:30,610 --> 00:22:32,916
HERE'S A LIST
OF THE SEVEN
BIGGEST CALLERS.
376
00:22:35,092 --> 00:22:36,877
DREW WARD?
377
00:22:36,920 --> 00:22:40,576
THAT'S HOLLY COLEMAN'S
BIG BUDDY.
378
00:22:40,620 --> 00:22:43,536
GUESS WE'LL JUST GO
THROUGH THE SHORT LIST
UNLESS YOU SAY DON'T.
379
00:22:44,841 --> 00:22:46,887
I MUST SAY DON'T.
380
00:22:46,930 --> 00:22:48,584
DON'T FOLLOW UP?
381
00:22:48,628 --> 00:22:50,369
NO.
382
00:22:50,412 --> 00:22:51,979
DON'T Y'ALL
TROUBLE TELLING ME
383
00:22:52,022 --> 00:22:54,024
EVERY SINGLE THING
YOU DOIN'.
384
00:22:57,158 --> 00:22:58,899
I'M STARTING TO
LIKE THAT GUY.
385
00:23:15,829 --> 00:23:17,526
WELL, MAYBELLE,
HOW ARE YOU?
386
00:23:17,570 --> 00:23:19,615
GOOD MORNING,
BILL GILLESPIE.
387
00:23:20,616 --> 00:23:21,878
UH, MAYBELLE--
388
00:23:21,922 --> 00:23:24,185
I HAVEN'T HAD THAT MUCH
SUGAR IN A WEEK.
389
00:23:24,228 --> 00:23:25,186
WELL--
390
00:23:25,229 --> 00:23:26,448
AND I WANT SOME MORE.
391
00:23:26,492 --> 00:23:27,841
I--
392
00:23:27,884 --> 00:23:29,408
MORE.
393
00:23:29,451 --> 00:23:31,888
MAYBELLE, I'M HERE
ON POLICE BUSINESS.
394
00:23:31,932 --> 00:23:33,629
POLICE BUSINESS.
395
00:23:33,673 --> 00:23:35,326
ALL RIGHT. ALL RIGHT.
396
00:23:35,370 --> 00:23:37,633
I'LL LET LOOSE OF YOU
ON ONE CONDITION.
397
00:23:37,677 --> 00:23:39,330
YOU GOT TO PROMISE ME
398
00:23:39,374 --> 00:23:41,289
YOU'RE GOING TO COME TO
THE LAKE THIS EVENING.
399
00:23:41,332 --> 00:23:44,466
NOW, BILL,
THIS IS LINDY.
400
00:23:44,510 --> 00:23:45,641
SHE WORKS FOR ME.
401
00:23:45,685 --> 00:23:48,252
LINDY, THIS IS
SHERIFF GILLESPIE.
402
00:23:49,384 --> 00:23:50,951
O.K.
403
00:23:51,952 --> 00:23:53,606
I BELIEVE YOU'RE ACQUAINTED
404
00:23:53,649 --> 00:23:57,218
WITH THE UNFORTUNATE
YOUNG WOMAN JESSICA.
405
00:23:57,261 --> 00:24:00,308
SURE. WE WORKED TOGETHER
RIGHT OVER THERE.
406
00:24:00,351 --> 00:24:02,963
WHAT, DOWN THERE?
407
00:24:03,006 --> 00:24:05,226
RIGHT THIS WAY. MAY I?
408
00:24:14,322 --> 00:24:16,977
THE TWO OF YOU
WERE TOGETHER HERE?
409
00:24:17,020 --> 00:24:18,544
YES, SIR.
410
00:24:19,632 --> 00:24:21,460
DID SHE EVER
MAKE ANY DATES
411
00:24:21,503 --> 00:24:23,331
OVER THE TELEPHONE?
412
00:24:25,028 --> 00:24:26,508
I SUPPOSE SHE COULD HAVE
413
00:24:26,552 --> 00:24:29,511
WHILE I WAS BUSY
ON MY LINE.
414
00:24:29,555 --> 00:24:33,254
DID SHE EVER TELL YOU
ABOUT MAKING ANY DATES?
415
00:24:34,081 --> 00:24:35,430
NO, SIR.
416
00:24:35,474 --> 00:24:37,345
MISS CHESBORO TOLD US
TO USE THESE PHONES
417
00:24:37,388 --> 00:24:39,216
FOR SEXUAL CONVERSATION,
418
00:24:39,260 --> 00:24:41,001
NOT SEXUAL DATING.
419
00:24:41,044 --> 00:24:43,090
THAT'S THE GOD'S TRUTH.
I SWEAR.
420
00:24:43,133 --> 00:24:47,486
I NEVER WANNA BE IN THE
PROFESSION OF BRINGING MEN
AND WOMAN TOGETHER
421
00:24:47,529 --> 00:24:49,531
INTO FLESHLY CONTACT.
422
00:24:52,839 --> 00:24:55,102
THIS FELLA
THAT WAS WITH JESSICA
423
00:24:55,145 --> 00:24:57,496
THE NIGHT THAT SHE DIED--
424
00:24:57,539 --> 00:24:59,062
IS HE IN BIG TROUBLE?
425
00:24:59,106 --> 00:25:02,718
OH, I'D SAY HE IS,
IF WE CATCH HIM.
426
00:25:06,505 --> 00:25:08,550
I SAY, THIS IS
JESSICA'S DESK?
427
00:25:08,594 --> 00:25:09,812
IT WAS.
428
00:25:09,856 --> 00:25:11,118
MMM.
429
00:25:11,161 --> 00:25:13,381
OH, ISN'T IT
A CRYING SHAME,
430
00:25:13,424 --> 00:25:15,862
HER HAVING THAT--
OH, UH...
431
00:25:15,905 --> 00:25:17,472
FLESHLY CONTACT.
432
00:25:17,516 --> 00:25:20,040
NO, SILLY, THAT
TERRIBLE DISEASE
433
00:25:20,083 --> 00:25:22,085
THAT BROUGHT THE CHILD DOWN.
434
00:25:23,347 --> 00:25:24,479
MAY I LOOK IN HERE?
435
00:25:24,523 --> 00:25:25,654
OH, GO AHEAD,
DARLIN'.
436
00:25:25,698 --> 00:25:27,569
OH, EPILEPSY.
437
00:25:28,135 --> 00:25:29,484
OH.
438
00:25:31,965 --> 00:25:35,011
BILL, TELL ME SOMETHING.
439
00:25:35,055 --> 00:25:37,187
DO YOU THINK ALL
THIS IS GOING TO
440
00:25:37,231 --> 00:25:39,015
HAVE A BAD EFFECT
ON MY BUSINESS?
441
00:25:39,059 --> 00:25:40,539
IT'LL PROBABLY
HELP IT.
442
00:25:40,582 --> 00:25:45,935
I HAD EXACTLY THAT
SAME HUNCH MYSELF.
443
00:25:48,416 --> 00:25:51,375
I CAN'T GO TO
THE LAKE TONIGHT.
444
00:25:57,207 --> 00:26:00,254
I TOLD HIM THAT AIN'T
NO WAY TO RUN A CITY,
445
00:26:00,297 --> 00:26:02,735
AND I WASN'T GOING
ALONG WITH IT.
446
00:26:02,778 --> 00:26:05,520
WELL, YOU TELL HIM
TO CHECK WITH ME FIRST, OKAY?
447
00:26:06,477 --> 00:26:07,696
YEAH.
448
00:26:09,002 --> 00:26:12,440
NOW, THEN, WHAT CAN
I DO YOU FOR?
449
00:26:12,483 --> 00:26:14,834
DO YOU KNOW THE GIRL
IN THIS PHOTO, MR. WARD?
450
00:26:21,405 --> 00:26:23,146
MM-MMM. WHO IS SHE?
451
00:26:23,190 --> 00:26:25,148
GIRL WE FOUND DEAD
IN A MOTEL.
452
00:26:25,192 --> 00:26:29,196
sOH, YOU MEAN THAT HOOKER.
453
00:26:29,239 --> 00:26:32,068
ONE IN THE PAPER? HMM?
454
00:26:32,112 --> 00:26:34,331
WAS SHE A HOOKER?
455
00:26:34,375 --> 00:26:36,333
THAT'S THE STORY.
456
00:26:36,377 --> 00:26:39,293
IT DIDN'T SAY
ANYTHING ABOUT HER
BEING A HOOKER.
457
00:26:39,336 --> 00:26:41,817
SAID SHE WORKED FOR
A PHONE SEX SERVICE.
458
00:26:41,861 --> 00:26:43,471
I'VE GOT A LIST
RIGHT HERE
459
00:26:43,514 --> 00:26:45,647
OF EVERYBODY WHO USED
THAT SERVICE.
460
00:26:54,830 --> 00:26:57,050
WHAT RIGHT DO YOU HAVE
TO GET MY PHONE RECORDS?
461
00:26:57,093 --> 00:26:58,878
JUDGE TALLY
GAVE US A WARRANT.
462
00:26:58,921 --> 00:27:01,663
DID YOU EVER CALL
JESSICA LUND?
463
00:27:01,707 --> 00:27:03,360
NO!
464
00:27:03,404 --> 00:27:05,232
I MEAN, HOW WOULD I KNOW?
465
00:27:05,275 --> 00:27:07,582
DID YOU MEET JESSICA
TUESDAY NIGHT?
466
00:27:07,626 --> 00:27:09,540
I AM NOT SUBMITTING MYSELF
TO YOUR INTERROGATION.
467
00:27:09,584 --> 00:27:12,500
THIS IS SMELLING LIKE
A POLICE SHAKEDOWN!
468
00:27:12,543 --> 00:27:14,589
IT'S MERELY AN
INVESTIGATION, MR. WARD.
469
00:27:14,633 --> 00:27:16,939
I AIN'T SAYING ANOTHER WORD
WITHOUT MY ATTORNEY.
470
00:27:18,245 --> 00:27:20,203
THANK YOU FOR YOUR TIME.
471
00:27:28,124 --> 00:27:31,562
HOLLY, COULD YOU
COME DOWN HERE?
472
00:27:31,606 --> 00:27:33,869
WELL, I'M SO DAMN MAD,
I COULD JUST CATCH FIRE.
473
00:28:08,164 --> 00:28:09,818
I WANT TO TALK
TO DREW WARD.
474
00:28:09,862 --> 00:28:12,212
I CALLED MAY-B
A FEW TIMES,
475
00:28:12,255 --> 00:28:13,735
AND NOW THE DAMN P.D.
476
00:28:13,779 --> 00:28:16,085
ARE TRYING TO CONNECT ME
TO THAT DEAD HOOKER.
477
00:28:16,129 --> 00:28:18,697
PROBABLY GILLESPIE
PUTTING THE COPS
UP TO IT.
478
00:28:18,740 --> 00:28:21,177
HE'S PRETTY COZY
WITH THE CHIEF.
479
00:28:21,221 --> 00:28:23,049
[TELEPHONE RINGING]
480
00:28:23,092 --> 00:28:25,399
YEAH, WHAT?
481
00:28:25,442 --> 00:28:27,314
MR. WARD,
MY NAME IS LINDY.
482
00:28:27,357 --> 00:28:28,750
I NEED MONEY.
483
00:28:28,794 --> 00:28:30,883
WHAT?
484
00:28:30,926 --> 00:28:32,493
MY NAME IS LINDY.
485
00:28:32,536 --> 00:28:33,886
I NEED MONEY.
486
00:28:33,929 --> 00:28:35,888
QUITE A BIT.
487
00:28:35,931 --> 00:28:37,759
WHAT, ARE YOU
SOME KIND OF NUT?
488
00:28:39,587 --> 00:28:40,675
I'M GOING TO TELL
THE SHERIFF
489
00:28:40,719 --> 00:28:42,242
YOU LEFT JESSICA TO DIE.
490
00:28:42,285 --> 00:28:44,810
WOULD YOU EXCUSE ME,
PLEASE, HOLLY?
491
00:28:45,941 --> 00:28:47,595
WHY? WHAT'S GOING ON?
492
00:28:47,638 --> 00:28:48,814
IS THAT ABOUT
THAT HOOKER?
493
00:28:48,857 --> 00:28:50,511
HOLLY, EXCUSE ME.
494
00:28:57,605 --> 00:28:58,998
WHAT DO YOU WANT?
495
00:28:59,825 --> 00:29:01,609
$10,000.
496
00:29:04,830 --> 00:29:06,614
HOW DO YOU KNOW
IT WAS ME
497
00:29:06,657 --> 00:29:07,789
WHO WAS WITH JESSICA?
498
00:29:07,833 --> 00:29:09,965
DON'T WASTE MY TIME.
GET THE CASH MONEY,
499
00:29:10,009 --> 00:29:11,401
AND I'LL CALL YOU AGAIN,
500
00:29:11,445 --> 00:29:12,838
LATER.
501
00:29:46,349 --> 00:29:48,047
[DOORBELL RINGS]
502
00:29:50,440 --> 00:29:52,921
BOBBY JOHNSON,
ARE YOU IN THIS HOUSE?
503
00:29:52,965 --> 00:29:55,619
CAN YOU ANSWER THAT DOOR?
504
00:29:58,318 --> 00:29:59,710
BOBBY!
505
00:30:01,930 --> 00:30:03,018
WHO IS IT?
506
00:30:03,062 --> 00:30:04,541
HELLO.
507
00:30:04,585 --> 00:30:06,413
MAYBELLE CHESBORO
HERE.
508
00:30:12,854 --> 00:30:15,291
DID YOU SAY MAYBELLE?
509
00:30:15,335 --> 00:30:17,032
I SAID MAYBELLE.
510
00:30:17,076 --> 00:30:18,207
OH, GOD.
511
00:30:22,516 --> 00:30:23,822
WELL, WELL.
512
00:30:23,865 --> 00:30:24,997
HA HA HA.
513
00:30:25,040 --> 00:30:26,128
SURPRISED?
514
00:30:26,172 --> 00:30:27,521
YES.
515
00:30:28,174 --> 00:30:29,262
EMBARRASSED?
516
00:30:29,305 --> 00:30:31,351
NO.OH, YES, YOU ARE.
517
00:30:31,394 --> 00:30:32,743
YES, I AM.
518
00:30:32,787 --> 00:30:35,485
WELL, DON'T WORRY,
'CAUSE WHAT I HAVE HERE
519
00:30:35,529 --> 00:30:39,663
IS GUARANTEED TO ABSOLUTELY
NULLIFY EMBARRASSMENT.
520
00:30:39,707 --> 00:30:41,883
I MEAN, IT BANISHES IT.
521
00:30:41,927 --> 00:30:45,713
WELL, MAYBELLE,
ISN'T IT A LITTLE LATE
IN THE EVENING?
522
00:30:45,756 --> 00:30:47,062
DON'T BE SUCH A FOOL.
523
00:30:47,106 --> 00:30:49,108
IT'S ONLY JUST NOW
TURNING DARK.
524
00:30:49,151 --> 00:30:52,154
NOW, WHAT I HAVE HERE
525
00:30:52,198 --> 00:30:57,333
IS BY WAY OF A HOUSEWARMING
PRESENT FOR YOU.
526
00:30:57,377 --> 00:30:58,334
OH.
527
00:30:58,378 --> 00:30:59,640
COME ON, OPEN IT.
528
00:30:59,683 --> 00:31:00,771
WELL, CERTAINLY.
529
00:31:00,815 --> 00:31:02,556
RIGHT NOW. YES.
530
00:31:03,209 --> 00:31:04,819
I MUST SAY,
531
00:31:04,863 --> 00:31:06,473
THIS IS QUITE A HOUSE
532
00:31:06,516 --> 00:31:08,954
FOR A POOR OLD
EX-POLICE CHIEF.
533
00:31:08,997 --> 00:31:12,218
WELL, NOW, I PUT
THE WHOLE BANKROLL
INTO THIS,
534
00:31:12,261 --> 00:31:14,960
AND IT STILL ISN'T
BUT HALF PAID FOR.
535
00:31:15,003 --> 00:31:16,875
I THINK I SEE
A WOMAN'S HAND
536
00:31:16,918 --> 00:31:18,964
IN THE DECORATING
AROUND HERE.
537
00:31:19,007 --> 00:31:20,617
NOT A FLASHY WOMAN
538
00:31:20,661 --> 00:31:23,620
BUT A STEADY ONE.
539
00:31:23,664 --> 00:31:25,840
OH, LOOK AT THIS.
540
00:31:25,884 --> 00:31:28,103
LOOK AT THIS.
OH, WELL, NOW.
541
00:31:28,147 --> 00:31:31,193
WHAT AN UTTERLY
ELEGANT GIFT.
542
00:31:31,237 --> 00:31:35,284
MAYBELLE, I'M REALLY
VERY TOUCHED.
543
00:31:35,328 --> 00:31:38,331
THE DECANTER COMES FROM
MY GREAT-UNCLE DESMOND
544
00:31:38,374 --> 00:31:40,550
WHO BROUGHT IT
ALL THE WAY TO SAVANNAH
545
00:31:40,594 --> 00:31:42,378
FROM WATERFORD, IRELAND.
546
00:31:42,422 --> 00:31:44,990
NOW, WHAT'S INSIDE
547
00:31:45,033 --> 00:31:48,297
IS A VERY FAMOUS
PRIVATE SPECIAL STOCK
548
00:31:48,341 --> 00:31:50,821
DISTILLED BY
JUDGE CLARENCE COY
549
00:31:50,865 --> 00:31:52,780
OF HUNTSVILLE, ALABAMA.
550
00:31:52,823 --> 00:31:54,173
WELL, WELL, WELL, WELL.
551
00:31:54,216 --> 00:31:57,350
WE'RE GOING TO TRY SOME
OF THAT RIGHT NOW.
552
00:31:57,393 --> 00:31:59,004
OOH, I'M NOT EVER
GOING TO ASK YOU
553
00:31:59,047 --> 00:32:00,701
WHERE YOU GOT
ALL YOUR MONEY.
554
00:32:00,744 --> 00:32:03,312
MAYBELLE, SPECULATIONS
OF THAT KIND
555
00:32:03,356 --> 00:32:05,401
ARE REALLY--
556
00:32:09,014 --> 00:32:10,667
HERE'S TO OLD FRIENDSHIP,
557
00:32:10,711 --> 00:32:14,497
THE KIND THAT'S...
FULL AND FOND
558
00:32:14,541 --> 00:32:17,631
FORBEARS ALL THE THOUGHTS
OF THE PAST.
559
00:32:17,674 --> 00:32:19,981
HOW WONDERFUL. MMM.
560
00:32:21,417 --> 00:32:22,592
MMM-MMM.
561
00:32:22,636 --> 00:32:24,420
THAT'S PRETTY
WONDERFUL, TOO,
562
00:32:24,464 --> 00:32:26,074
I TELL YOU.
563
00:32:26,118 --> 00:32:28,250
NOW LISTEN,
WHO IS IT SAID
564
00:32:28,294 --> 00:32:30,296
WHAT YOU JUST SAID?
565
00:32:30,339 --> 00:32:32,907
MY DADDY!
566
00:32:32,951 --> 00:32:36,432
AND ON WHAT OCCASION
DID HE USE THOSE
APPEALING WORDS?
567
00:32:36,476 --> 00:32:39,696
NEW YEAR'S EVE, 1940,
SPARTA, MISSISSIPPI.
568
00:32:39,740 --> 00:32:42,221
MY MAMA JUST THREW HIM
OUT IN THE SNOW.
569
00:32:42,264 --> 00:32:44,223
OH, MY WORD.
570
00:32:44,266 --> 00:32:46,529
POOR OLD DADDY, HUH?
571
00:32:51,056 --> 00:32:52,883
OH, MAYBELLE.
572
00:33:01,631 --> 00:33:03,416
WHEN DID YOU GET
THAT CALL FROM COLEMAN?
573
00:33:03,459 --> 00:33:04,678
ABOUT A HALF HOUR AGO.
574
00:33:04,721 --> 00:33:05,984
WHAT'S HE
SUPPOSED TO MEAN
575
00:33:06,027 --> 00:33:07,898
BY AN OFFICIAL
REPRIMAND?
576
00:33:07,942 --> 00:33:10,597
WELL, EVERYBODY PRETTY MUCH
IGNORES HOLLY COLEMAN
577
00:33:10,640 --> 00:33:12,294
INCLUDING THE CITY COUNCIL.
I WOULDN'T WORRY.
578
00:33:12,338 --> 00:33:16,168
HE SOUNDS A LITTLE
TOO ANGRY, TOO NERVOUS.
579
00:33:16,211 --> 00:33:18,300
I BET YOU
HE'S COVERING SOMETHING.
580
00:33:20,563 --> 00:33:21,956
WELL, SIR,
CHIEF FORBES,
581
00:33:22,000 --> 00:33:24,176
I DO BELIEVE WE HAVE
A PERFECT MATCH.
582
00:33:24,219 --> 00:33:26,221
THIS FAX JUST CAME IN.
583
00:33:26,265 --> 00:33:28,658
FBI SAYS THE PRINTS ON
THAT PHOTO I HANDED WARD
584
00:33:28,702 --> 00:33:30,312
MATCH HIS ARMY PRINTS.
585
00:33:30,356 --> 00:33:32,619
THEY'RE ALSO THE SAME ONES
WE FOUND AT THE MOTEL.
586
00:33:32,662 --> 00:33:35,839
ON THE TOP OF THE TOILET
AND ON A GLASS.
587
00:33:35,883 --> 00:33:37,928
WELL, TAKE A LOOK
FOR YOURSELF.
588
00:33:45,545 --> 00:33:47,199
LET'S BRING HIM IN.
589
00:33:49,157 --> 00:33:50,767
WILL YOU HANDLE
THE PHONE CALL
590
00:33:50,811 --> 00:33:52,117
TO ADVISE MR. COLEMAN?
591
00:33:52,160 --> 00:33:54,336
WANT ME TO TELL HIM
592
00:33:54,380 --> 00:33:56,556
HIS BUDDY WARD'S
GOING TO BE IN THE CLINK?
593
00:33:57,078 --> 00:33:58,427
YEAH.
594
00:33:58,471 --> 00:33:59,689
IN OUR CLINK.
595
00:33:59,733 --> 00:34:01,430
EMPHASIZE THAT.
596
00:34:02,127 --> 00:34:03,345
YES, SIR.
597
00:34:09,395 --> 00:34:11,092
[TELEPHONE RINGS]
598
00:34:11,919 --> 00:34:13,312
IT'S ABOUT TIME.
599
00:34:13,355 --> 00:34:14,965
HEY, GOT THE MONEY?
600
00:34:15,009 --> 00:34:16,967
YEAH, I GOT THE MONEY.
601
00:34:17,011 --> 00:34:18,578
THERE'S A PAY PHONE
602
00:34:18,621 --> 00:34:20,319
RIGHT ALONGSIDE CITY HALL.
603
00:34:20,362 --> 00:34:23,713
GO TO THAT PHONE
AND WAIT FOR ME TO CALL.
604
00:35:12,022 --> 00:35:13,807
[RING]
605
00:35:14,547 --> 00:35:16,070
YES?
606
00:35:16,114 --> 00:35:20,466
WALK TO THE STATUE.
I'LL MEET YOU THERE
IN FIVE MINUTES.
607
00:35:20,509 --> 00:35:22,032
YOU BRING ME THE MONEY,
608
00:35:22,076 --> 00:35:23,382
I'LL GIVE YOU THE BOOK.
609
00:35:23,425 --> 00:35:24,992
O.K.
610
00:35:32,217 --> 00:35:33,783
SPARTA P.D.,
THIS IS DEPUTY SURILLO
611
00:35:33,827 --> 00:35:36,090
REQUESTING BACKUP
AT THE TOWN SQUARE.
612
00:35:38,353 --> 00:35:42,488
I HATED EVERYBODY.
THAT'S WHY I DID
WHAT I DID.
613
00:35:42,531 --> 00:35:45,055
I HAD TO DO SOMETHING
TO DRIVE 'EM ALL CRAZY.
614
00:35:45,099 --> 00:35:46,492
I KNOW IT.
615
00:35:46,535 --> 00:35:47,710
I KNOW YOU KNOW--
616
00:35:47,754 --> 00:35:49,147
YOU WERE
EXACTLY THE SAME.
617
00:35:49,190 --> 00:35:52,062
YOU WERE NUTS,
AND I TELL YOU,
618
00:35:52,106 --> 00:35:54,891
YOU WOULD HAVE
PROBABLY HAVE BEEN
619
00:35:54,935 --> 00:35:56,328
A CLASS-A CRIMINAL
620
00:35:56,371 --> 00:35:58,547
IF THE WAR HADN'T COME
ALONG AND SAVED YOU.
621
00:35:58,591 --> 00:35:59,983
I DON'T KNOW ABOUT THAT.
622
00:36:00,027 --> 00:36:03,030
IT'S TRUE.
YOU WERE A WILD BOY.
623
00:36:03,073 --> 00:36:04,205
YOU DIDN'T HAVE
ANY MONEY,
624
00:36:04,249 --> 00:36:05,598
YOU DIDN'T HAVE
ANY BACKGROUND,
625
00:36:05,641 --> 00:36:07,556
YOU DIDN'T HAVE
ANY FUTURE.
626
00:36:07,600 --> 00:36:10,211
YOU WERE ALL KINDS
OF TRASH, WEREN'T YOU?
627
00:36:10,255 --> 00:36:12,300
OH, NO QUESTION ABOUT THAT.
628
00:36:13,083 --> 00:36:15,651
WELL, IT'S...
629
00:36:15,695 --> 00:36:19,002
OOH, WE CHESBOROS
HAD BACKGROUND
630
00:36:19,046 --> 00:36:22,092
YOU COULDN'T FIND
THE BEGINNING OF.
631
00:36:22,136 --> 00:36:25,139
WE HAD A FUTURE YOU
COULDN'T SEE THE END OF.
632
00:36:25,183 --> 00:36:27,489
THEY SAID THEY DIDN'T
WANT ANY TRASH LIKE YOU
633
00:36:27,533 --> 00:36:29,665
CLIMBING UP LITTLE OLD
MAYBELLE'S TRELLIS
634
00:36:29,709 --> 00:36:31,928
IN THE DARK OF MIDNIGHT.
635
00:36:31,972 --> 00:36:33,756
THEY SENT THE COPS ON ME.
636
00:36:34,366 --> 00:36:35,410
THEY DID,
637
00:36:35,454 --> 00:36:38,457
AND YOU SEE HOW LIFE IS?
638
00:36:38,500 --> 00:36:40,633
NOW YOU COPS ARE AFTER
POOR LITTLE OLD ME.
639
00:36:40,676 --> 00:36:44,332
OH, AND I'M SORRY ABOUT
THAT, MAYBELLE, REALLY.
640
00:36:44,376 --> 00:36:46,595
MM-HMM.
641
00:36:46,639 --> 00:36:48,554
BUT YOU KNOW WHAT, BILL?
642
00:36:48,597 --> 00:36:50,686
SERIOUSLY,
THIS TELEPHONE THING--
643
00:36:51,861 --> 00:36:53,776
I'M THINKING ABOUT
HANGING IT UP.
644
00:36:53,820 --> 00:36:54,995
OHH!
645
00:36:55,038 --> 00:36:56,649
NO PUN INTENDED.
646
00:36:56,692 --> 00:36:58,172
HA HA HA HA.
647
00:36:58,868 --> 00:37:01,001
BUT I AM.
648
00:37:01,044 --> 00:37:03,090
I'M THINKING
ABOUT RETIRING...
649
00:37:04,309 --> 00:37:06,136
MAYBE AROUND HERE.
650
00:37:06,180 --> 00:37:10,010
I DO OWN ALL
THAT SHORE FRONT
AROUND THE LAKE.
651
00:37:10,053 --> 00:37:11,707
OH, YEAH, I KNOW.
652
00:37:13,318 --> 00:37:15,885
ONLY THING IS,
I WOULD BE ALL ALONE.
653
00:37:15,929 --> 00:37:17,147
OH.
654
00:37:17,191 --> 00:37:18,540
I WOULD.
655
00:37:19,976 --> 00:37:23,415
AND YOU'RE NOT ALL
ALONE, ARE YOU, BILL?
656
00:37:23,458 --> 00:37:26,287
UH, WELL, YOU KNOW,
LATELY, I--I--
657
00:37:26,331 --> 00:37:28,071
SHH.
I KNOW.
658
00:37:28,985 --> 00:37:30,683
I KNOW ALL ABOUT IT.
659
00:37:39,561 --> 00:37:41,520
WHAT'S THAT PLAYING
ON THE RADIO?
660
00:37:42,216 --> 00:37:43,696
UH, UH...
661
00:37:45,001 --> 00:37:47,526
? I NEVER PLANNED
662
00:37:47,569 --> 00:37:51,051
? IN MY IMAGINATION
663
00:37:51,094 --> 00:37:53,749
? A SITUATION
664
00:37:53,793 --> 00:37:55,795
? SO HEAVENLY
665
00:37:55,838 --> 00:37:57,231
? A PARADISE
666
00:37:57,275 --> 00:38:00,495
? THAT ONLY TWO
COULD ENTER ?
667
00:38:00,539 --> 00:38:02,802
? AND IN THE CENTER
668
00:38:02,845 --> 00:38:06,545
? JUST YOU AND ME, DEAR
669
00:38:06,588 --> 00:38:10,723
? MY HEART BEATS
LIKE A HAMMER ?
670
00:38:10,766 --> 00:38:14,640
? MY ARMS WOUND
AROUND YOU TIGHT ?
671
00:38:15,815 --> 00:38:20,254
? AND STARS FELL
ON ALABAMA ?
672
00:38:20,298 --> 00:38:23,257
? LAST NIGHT
673
00:38:26,129 --> 00:38:27,217
[BEEPER]
674
00:38:27,261 --> 00:38:28,349
OH!
675
00:38:28,393 --> 00:38:29,394
OH.
676
00:38:29,437 --> 00:38:31,265
UH, SORRY, MAYBELLE,
677
00:38:31,309 --> 00:38:33,746
THAT'S, UH,
THAT'S THIS HERE.
678
00:38:54,114 --> 00:38:55,420
LET ME SEE THE MONEY.
679
00:38:56,421 --> 00:38:58,336
LET ME SEE THE BOOK.
680
00:39:15,396 --> 00:39:17,224
[SIREN]
681
00:39:26,625 --> 00:39:28,017
FREEZE!
682
00:39:37,679 --> 00:39:39,377
YOU SKUNK!
683
00:39:40,552 --> 00:39:42,380
YOU SKUNK!
684
00:39:48,821 --> 00:39:51,389
YOU STINKING COWARD!
685
00:40:00,789 --> 00:40:02,095
PUT THEM HANDS UP.
686
00:40:02,138 --> 00:40:03,401
GO ON!
687
00:40:12,453 --> 00:40:14,020
MURDERER.
688
00:40:14,063 --> 00:40:15,456
YOU SKUNK!
689
00:40:15,500 --> 00:40:17,502
YOU MURDERING SKUNK!
690
00:40:25,858 --> 00:40:28,121
YOU SAY SHE'S
AT COUNTY HOSPITAL?
691
00:40:29,296 --> 00:40:31,603
BUT SHE IS GOING
TO MAKE IT, HUH?
692
00:40:31,646 --> 00:40:33,605
OOH, I HATE
THOSE BEEPERS!
693
00:40:33,648 --> 00:40:35,041
EXCUSE ME.
694
00:40:35,084 --> 00:40:36,129
YOUR FRIEND LINDY
695
00:40:36,172 --> 00:40:37,870
GOT HERSELF
SERIOUSLY HURT
696
00:40:37,913 --> 00:40:39,001
TRYING TO GET
SOME MONEY
697
00:40:39,045 --> 00:40:40,699
OUT OF ONE OF
YOUR CALLERS.
698
00:40:40,742 --> 00:40:42,831
SHE WANTED TO GET BACK
AT THAT MAN
699
00:40:42,875 --> 00:40:45,834
THAT LEFT JESSICA TO DIE.
I TOLD HER TO FORGET IT.
700
00:40:46,922 --> 00:40:49,490
WELL, LISTEN,
701
00:40:49,534 --> 00:40:51,318
I'M GOING TO
COME DOWN THERE.
702
00:40:51,361 --> 00:40:54,539
I'LL LEAVE NOW.
I'M DRIVING
DOWN THERE.
703
00:40:54,582 --> 00:40:56,366
I'LL GET THERE
AS SOON AS I CAN.
704
00:40:56,410 --> 00:40:57,977
NO, CHRISTINA.
705
00:40:58,020 --> 00:41:00,719
NO, YOU DID
THE RIGHT THING
BEEPING ME.
706
00:41:02,285 --> 00:41:04,244
I TOLD YOU, I HATE
THOSE BEEPERS!
707
00:41:04,287 --> 00:41:06,289
WELL, BE THAT AS IT MAY,
708
00:41:06,333 --> 00:41:07,726
I MUST RESPOND.
709
00:41:07,769 --> 00:41:09,771
I HAVE TO GO DOWN NOW.
710
00:41:09,815 --> 00:41:11,381
I UNDERSTAND.
711
00:41:11,425 --> 00:41:12,818
YES, YES.
712
00:41:14,080 --> 00:41:16,343
WELL, MAYBELLE,
YOU DON'T MIND
713
00:41:16,386 --> 00:41:18,388
MY LEAVING YOU HERE
ALONE IN THE HOUSE?
714
00:41:18,432 --> 00:41:19,825
JUST GO ON. GO!
715
00:41:19,868 --> 00:41:22,480
YES, I REALLY MUST
GO DOWN THERE.
716
00:41:27,441 --> 00:41:29,487
[TELEPHONE RINGS]
717
00:41:33,665 --> 00:41:35,754
[RING]
718
00:41:39,192 --> 00:41:40,541
[RING]
719
00:41:40,585 --> 00:41:42,717
HELLO, SHERIFF GILLESPIE'S
RESIDENCE.
720
00:41:43,936 --> 00:41:46,242
SORRY, HE'S NOT
HERE RIGHT NOW.
721
00:41:47,853 --> 00:41:50,899
OH, UH, MY NAME IS
MAYBELLE CHESBORO.
722
00:41:50,943 --> 00:41:52,510
I'M JUST A FRIEND.
723
00:41:53,249 --> 00:41:54,729
WELL--
724
00:41:54,773 --> 00:41:57,340
ARE YOU SURE YOU DON'T
WANT TO LEAVE A MESSAGE?
725
00:41:57,819 --> 00:41:59,125
NO?
726
00:41:59,168 --> 00:42:00,430
WELL--
727
00:42:03,564 --> 00:42:04,870
BYE.
728
00:42:10,440 --> 00:42:13,313
CONFESSED? I DON'T KNOW.
729
00:42:13,356 --> 00:42:15,794
CAPTAIN SKINNER'S IN
TALKING WITH HIM RIGHT NOW.
730
00:42:16,664 --> 00:42:18,057
O.K., GERARD.
731
00:42:19,798 --> 00:42:22,888
LET SHERIFF GILLESPIE KNOW
THAT WE'RE ON FOR DINNER.
732
00:42:22,931 --> 00:42:24,890
YES, SIR. WILL DO.
733
00:42:24,933 --> 00:42:26,544
UH, CHIEF FORBES?
734
00:42:26,587 --> 00:42:27,936
YOU JUST GOT
A LITTLE SOMETHING
735
00:42:27,980 --> 00:42:30,156
FROM MISS MAYBELLE CHESBORO.
736
00:42:35,640 --> 00:42:37,076
THANKS, PARKER.
737
00:42:38,991 --> 00:42:41,167
IT'S NOT TICKING.
IT'S NOT A BOMB.
738
00:42:43,038 --> 00:42:44,344
YES, SIR.
739
00:42:52,134 --> 00:42:54,180
WELL, WELL,
MISS MAYBELLE.
740
00:43:03,189 --> 00:43:05,931
WELL, WELL, WELL.
741
00:43:05,974 --> 00:43:08,368
WELL, I TOLD YOU
THE LADY WAS A CLASS ACT.
742
00:43:09,978 --> 00:43:11,980
SO IS THE LADY
FROM THE PHONE COMPANY
743
00:43:12,024 --> 00:43:13,286
FROM WHAT I HEAR.
744
00:43:13,329 --> 00:43:16,594
MAYBE I OUGHT TO HIRE
PARKER AS MY PRESS AGENT.
745
00:43:17,420 --> 00:43:18,639
YEAH.
746
00:43:18,683 --> 00:43:20,423
IT WOULDN'T BE A BAD IDEA.
747
00:43:20,467 --> 00:43:21,947
ANY LUCK WITH WARD?
748
00:43:21,990 --> 00:43:24,384
NO. THE MAN'S
LYING SO HARD,
749
00:43:24,427 --> 00:43:26,429
HE'S LOST TRACK
OF HIS FIRST NAME.
750
00:43:36,657 --> 00:43:38,354
HERE YOU GO, SHERIFF.
751
00:43:38,398 --> 00:43:41,314
THANK YOU.
NOW, WHAT DO YOU GOT
FOR ME TODAY.
752
00:43:41,357 --> 00:43:44,099
10 AM WITH CHIEF FORBES
AND D.A. DARNELL,
753
00:43:44,143 --> 00:43:46,275
PREARRAIGNMENT MEETING
ON THE WARD CASE,
754
00:43:46,319 --> 00:43:47,755
THEN LUNCH
WITH TED MARCUS,
755
00:43:47,799 --> 00:43:49,191
THEN YOU'LL BE MEETING
756
00:43:49,235 --> 00:43:51,672
WITH COUNTY CIVIC
PRIDE ASSOCIATION.
757
00:43:51,716 --> 00:43:53,543
CAN YOU GET ME
OUT OF THAT?
758
00:43:53,587 --> 00:43:54,936
WHAT WAS IT LAST TIME?
759
00:43:54,980 --> 00:43:58,244
OH, I HAD A SEVERE PAIN
SOMEWHERE.
760
00:43:58,287 --> 00:43:59,941
I'LL TELL THEM
IT'S STILL THERE.
761
00:43:59,985 --> 00:44:02,422
NOW, YOU WANT
YOUR HOROSCOPE READ?
762
00:44:02,465 --> 00:44:04,554
NO, I THINK IT'S
TOO DANGEROUS
763
00:44:04,598 --> 00:44:06,252
TO LISTEN TO THOSE THINGS.
764
00:44:06,295 --> 00:44:07,688
"WITH MARS IN ASCENDANT,
765
00:44:07,732 --> 00:44:09,995
"THE WISE LEO WILL
STAY IN HIS LAIR
766
00:44:10,038 --> 00:44:12,258
OR RISK
THE CONSEQUENCES."
767
00:44:12,301 --> 00:44:14,434
HUH. IT'S TOO LATE
FOR THAT.
768
00:44:14,477 --> 00:44:16,436
[RING]
769
00:44:17,611 --> 00:44:19,657
SHERIFF GILLESPIE'S OFFICE.
770
00:44:19,700 --> 00:44:20,875
YES, MISS DeLONG.
771
00:44:20,919 --> 00:44:22,529
I'LL PUT HIM RIGHT ON.
772
00:44:22,572 --> 00:44:24,487
LINE TWO, SHERIFF.
773
00:44:24,531 --> 00:44:26,402
THANK YOU.
774
00:44:26,446 --> 00:44:28,274
HI! HOW ARE YOU?
775
00:44:29,275 --> 00:44:30,885
YES.
776
00:44:31,756 --> 00:44:33,583
LAST NIGHT?
777
00:44:33,627 --> 00:44:37,544
UH, WELL, THE USUAL
SORT OF ROUTINE.
778
00:44:37,587 --> 00:44:39,764
UH, I WAS HOME, UH,
779
00:44:39,807 --> 00:44:42,897
AND THEN, UH, WE HAD
A SHOOTIN' IN THE SQUARE
780
00:44:42,941 --> 00:44:44,812
OF ALL THINGS.
781
00:44:45,508 --> 00:44:46,901
WHO?
782
00:44:49,512 --> 00:44:50,905
OH, WELL, UH,
783
00:44:50,949 --> 00:44:54,039
OH, WELL, I CAN
EXPLAIN THAT.
784
00:44:54,082 --> 00:44:55,910
AN OLD FRIEND, UH...
785
00:44:56,911 --> 00:44:58,565
YES, SHE'S AN OLD FRIEND--
786
00:44:58,608 --> 00:45:00,175
DROPPED IN.
787
00:45:00,219 --> 00:45:02,874
UH, IT WASN'T A FEW
MOMENTS AFTERWARDS,
788
00:45:02,917 --> 00:45:04,527
I WAS--
789
00:45:06,529 --> 00:45:08,793
WELL, NOW.
NOW, WAIT A MINUTE.
790
00:45:13,188 --> 00:45:15,538
HARRIET, WILL YOU
WAIT A MINUTE?
791
00:45:21,588 --> 00:45:23,721
HARRIET, WILL YOU
WAIT A MINUTE?
52952
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.