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1
00:00:04,178 --> 00:00:08,791
♪ IN THE HEAT OF THE NIGHT
2
00:00:11,750 --> 00:00:17,017
♪ I'’VE GOT TROUBLES
WALL TO WALL ♪
3
00:00:19,976 --> 00:00:24,024
♪ IN THE HEAT OF THE NIGHT ♪
4
00:00:24,067 --> 00:00:26,983
♪ YEAH
5
00:00:27,027 --> 00:00:32,293
♪ MUST BE AN ENDING
TO IT ALL ♪
6
00:00:32,336 --> 00:00:36,819
♪ OH
7
00:00:36,862 --> 00:00:39,952
♪ BUT HOLD ON
8
00:00:39,996 --> 00:00:42,564
♪ IT WON'’T BE LONG ♪
9
00:00:42,607 --> 00:00:44,261
♪ JUST YOU BE STRONG
10
00:00:44,305 --> 00:00:47,395
♪ AND IT'’LL BE ALL RIGHT ♪
11
00:00:50,180 --> 00:00:54,228
♪ IN THE HEAT
OF THE NIGHT ♪
12
00:00:54,271 --> 00:01:00,930
♪ IN THE HEAT OF THE NIGHT
13
00:01:37,445 --> 00:01:38,924
RUDA?
14
00:01:47,585 --> 00:01:49,848
RUDA.
15
00:01:49,892 --> 00:01:52,503
RUDA, HI.
IT'’S ALTHEA.
16
00:01:52,547 --> 00:01:53,591
LET ME HELP YOU
WITH THIS.
17
00:01:53,635 --> 00:01:55,071
I DON'’T
NEED YOUR HELP.
18
00:01:59,728 --> 00:02:03,035
I DIDN'’T KNOW
YOU WORKED
AT SWIFT'’S CAFE.
19
00:02:03,079 --> 00:02:04,428
RUDA, WHY DON'’T YOU
CALL ME?
20
00:02:04,472 --> 00:02:07,779
OR MAYBE
I CAN EVEN CALL YOU.
21
00:02:07,823 --> 00:02:09,259
AND WE COULD GET
TOGETHER AGAIN.
22
00:02:09,303 --> 00:02:10,826
PLEASE?
23
00:03:03,661 --> 00:03:05,924
HEY! HEY!
24
00:03:05,968 --> 00:03:07,578
HEY!
25
00:03:15,543 --> 00:03:19,851
LET ME SEE IF I GOT THIS.
IT'’S A 1978 BEIGE PICKUP
26
00:03:19,895 --> 00:03:22,506
WITH "SPRINGER'’S ROOFING"
ON THE SIDE.
27
00:03:22,550 --> 00:03:24,334
THAT'’S RIGHT.
28
00:03:24,378 --> 00:03:26,249
MELVIN?
29
00:03:26,293 --> 00:03:27,250
CHIEF.
30
00:03:27,294 --> 00:03:28,947
EVERYTHING ALL RIGHT?
31
00:03:28,991 --> 00:03:31,254
NO. MY TRUCK
GOT STOLE.
32
00:03:31,298 --> 00:03:34,692
OH? WELL,
I'’M SORRY TO HEAR THAT.
33
00:03:34,736 --> 00:03:38,087
AND ALL THE EQUIPMENT
I OWN, PRETTY NEAR.
34
00:03:38,130 --> 00:03:40,002
I'’M GETTING
RIGHT ON IT, CHIEF.
35
00:03:40,045 --> 00:03:41,395
A ROOFING TRUCK--
36
00:03:41,438 --> 00:03:44,049
THAT SHOULDN'’T BE
TOO HARD TO FIND.
37
00:03:44,093 --> 00:03:46,051
I SURE HOPE NOT.
38
00:03:46,095 --> 00:03:47,836
IF IT'’S STILL IN SPARTA.
39
00:03:53,972 --> 00:03:55,626
SHE DIDN'’T LOOK THAT BAD.
40
00:03:55,670 --> 00:03:57,933
JUST TIRED, LIKE SHE'’D
BEEN WORKING REALLY HARD.
41
00:04:00,196 --> 00:04:03,460
I'’M TRYING TO REMEMBER
THE LAST TIME I SAW HER.
42
00:04:03,504 --> 00:04:06,028
WASN'’T IT
AT TYRELL'’S TRIAL?
43
00:04:06,071 --> 00:04:08,552
NO. IT WAS
A WHILE AFTER THAT,
44
00:04:08,596 --> 00:04:10,728
AT BROWN'’S MARKET--
THAT'’S WHERE IT WAS.
45
00:04:10,772 --> 00:04:12,556
SHE WOULDN'’T
EVEN TALK TO ME.
46
00:04:12,600 --> 00:04:15,124
LAST TIME RUDA SAW ME,
SHE CROSSED THE STREET
47
00:04:15,167 --> 00:04:17,909
SO SHE WOULDN'’T HAVE
TO SAY HELLO.
48
00:04:17,953 --> 00:04:19,084
MY OWN SISTER.
49
00:04:19,128 --> 00:04:20,782
SHE CAN BE TOUGH.
50
00:04:20,825 --> 00:04:22,914
SHE DON'’T
BOTHER ME.
51
00:04:22,958 --> 00:04:25,090
I CONSIDER MYSELF
LUCKY.
52
00:04:25,134 --> 00:04:27,876
I DIDN'’T KNOW SHE WAS
WORKING AT THAT DINER.
53
00:04:27,919 --> 00:04:30,095
THAT WOMAN GOING
TO WORK HERSELF TO DEATH
54
00:04:30,139 --> 00:04:31,749
TRYING TO HELP TYRELL.
55
00:04:31,793 --> 00:04:33,098
NO AMOUNT OF MONEY
56
00:04:33,142 --> 00:04:34,883
GONNA GET THAT BOY
OUT OF JAIL
57
00:04:34,926 --> 00:04:38,582
OR MAKE HIM WALK AGAIN.
DOCTOR SAID SO.
58
00:04:38,626 --> 00:04:40,932
UNLESS THE LORD
WORKS A MIRACLE.
59
00:04:40,976 --> 00:04:44,066
I JUST WISH SHE'’D STOP
BLAMING VIRGIL.
60
00:04:44,109 --> 00:04:48,418
AND SHE LOVE VIRGIL.
DID YOU KNOW THAT?
61
00:04:48,462 --> 00:04:51,682
IT MUST BE
AWFUL FOR HER.
62
00:04:51,726 --> 00:04:53,467
TROUBLE WAS,
63
00:04:53,510 --> 00:04:55,599
MY SISTER DIDN'’T KNOW
64
00:04:55,643 --> 00:04:58,515
WHAT THAT BOY OF HERS
WAS DOING.
65
00:04:59,690 --> 00:05:01,997
HMM. BUT THEN, NOWADAYS,
66
00:05:02,040 --> 00:05:03,520
WHO KNOW WHAT
THEIR KIDS ARE DOING?
67
00:05:36,814 --> 00:05:39,208
[ENGINE STARTS]
68
00:05:50,393 --> 00:05:52,177
[KNOCK ON DOOR]
69
00:06:02,231 --> 00:06:03,798
[BEEP BEEP BEEP]
70
00:07:29,884 --> 00:07:31,407
THINK I JUST SAW
TWO BLACK KIDS
71
00:07:31,451 --> 00:07:32,974
BREAKING IN THE BACK
OF FIELDSTONE'’S PAWN.
72
00:07:56,693 --> 00:07:57,955
JUST HOLD STILL, FELLAS.
73
00:07:57,999 --> 00:08:00,131
THIS IS THE POLICE.
74
00:08:00,175 --> 00:08:02,046
UH-UH.
75
00:08:02,090 --> 00:08:03,700
YOU BOYS DO WHAT
THE OFFICER SAID.
76
00:08:03,744 --> 00:08:06,094
YOU BEEN CAUGHT, SO MAKE IT
EASY ON YOURSELVES.
77
00:08:14,450 --> 00:08:15,538
I WARNED YOU, NOW.
78
00:08:15,582 --> 00:08:16,626
I'’LL HAVE
TO WHUP YOU.
79
00:08:16,670 --> 00:08:18,498
[GUNSHOT]
80
00:08:24,808 --> 00:08:27,985
[GUNSHOT]
81
00:08:28,029 --> 00:08:29,509
GIVE ME THAT GUN!
82
00:08:48,571 --> 00:08:50,225
[GUNSHOTS]
83
00:08:57,580 --> 00:08:59,408
[SIRENS]
84
00:09:14,641 --> 00:09:16,643
GOOD LORD ALMIGHTY.
85
00:09:28,176 --> 00:09:30,178
STOP! COME ON,
GIVE IT UP, KID!
86
00:09:45,454 --> 00:09:46,760
COME ON, LET'’S GET
OUT OF HERE!
87
00:10:15,310 --> 00:10:16,441
IS THAT BAD?
88
00:10:16,485 --> 00:10:18,792
NO. THE SLUG
WENT CLEAN THROUGH,
89
00:10:18,835 --> 00:10:21,490
BUT SWEET'’S GOING
TO THE HOSPITAL.
90
00:10:21,533 --> 00:10:22,883
WHY?
91
00:10:22,926 --> 00:10:24,841
TWO KIDS JUMPED HIM.
92
00:10:24,885 --> 00:10:26,800
THERE WAS THREE
OF THEM ALL TOLD.
93
00:10:26,843 --> 00:10:28,149
THIRD ONE'’S
OVER THERE.
94
00:10:28,192 --> 00:10:30,630
HE'’S THE ONE
WHO GAVE ME THIS.
95
00:10:30,673 --> 00:10:34,634
WHEN I CAUGHT HIM,
HE PUT UP QUITE A FIGHT.
96
00:10:34,677 --> 00:10:37,201
WOUND UP
SHOOTING HIMSELF
97
00:10:37,245 --> 00:10:38,594
ONCE IN THE BELLY
AND...
98
00:10:38,638 --> 00:10:41,771
LOOKS TO BE ONCE
TO THE HEART.
99
00:10:41,815 --> 00:10:43,599
THERE WAS ONE LADY HERE
WHEN IT HAPPEN,
100
00:10:43,643 --> 00:10:45,253
SHE'’S THE ONLY ONE
WHO DID SEE IT.
101
00:10:45,296 --> 00:10:46,646
WHERE IS SHE?
102
00:10:46,689 --> 00:10:49,213
SHE'’S IN THE DINER
WHERE SHE WORKS.
103
00:11:03,967 --> 00:11:05,882
WHERE'’S LEROY?
104
00:11:08,842 --> 00:11:09,930
WHERE'’S LEROY?
105
00:11:09,973 --> 00:11:11,453
LEFT HIM.WHY?
106
00:11:11,496 --> 00:11:15,065
WE TOOK DIFFERENT WAYS.
WE'’LL SEE HIM TOMORROW.
107
00:11:15,109 --> 00:11:16,501
SOMETHING HAPPENED.
108
00:11:16,545 --> 00:11:17,894
WHAT HAPPENED?
109
00:11:17,938 --> 00:11:20,201
WE HAD TO RUN FOR IT.
THAT'’S WHAT HAPPENED.
110
00:11:20,244 --> 00:11:22,682
NOW, LEROY IS O.K.
111
00:11:22,725 --> 00:11:24,205
LET ME GO.
112
00:11:24,248 --> 00:11:27,121
I TOLD YOU, HE O.K.!
113
00:11:46,793 --> 00:11:49,621
DID YOU SEE
THAT ACCIDENT OUTSIDE?
114
00:11:49,665 --> 00:11:52,581
I DIDN'’T SEE
NO ACCIDENT.
115
00:11:52,624 --> 00:11:54,191
I SAW A KILLING.
116
00:11:55,802 --> 00:11:56,977
WELL, I'’M TOLD
117
00:11:57,020 --> 00:12:00,110
THERE WAS WRESTLING
OVER A GUN.
118
00:12:00,154 --> 00:12:01,677
WHAT I SAW
119
00:12:01,721 --> 00:12:03,679
WAS THE SAME
AS WHAT HAPPENED
120
00:12:03,723 --> 00:12:05,768
WHEN A COP
SHOT MY...
121
00:12:05,812 --> 00:12:07,727
BOY TYRELL.
122
00:12:15,647 --> 00:12:17,171
AREN'’T YOU
MRS. RUDA GIBSON,
123
00:12:17,214 --> 00:12:18,999
VIRGIL TIBBS'’
AUNTIE?
124
00:12:19,042 --> 00:12:21,436
NOT BY MY RECKONING.
125
00:12:21,479 --> 00:12:22,916
I AIN'’T NOTHING
TO VIRGIL TIBBS,
126
00:12:22,959 --> 00:12:24,744
AND HE'’S LESS
THAN NOTHING TO ME.
127
00:12:28,748 --> 00:12:30,837
NOW, I JUST SAW
A STRONG, BIG COP
128
00:12:30,880 --> 00:12:33,143
KILL A SCARED LITTLE BOY.
129
00:12:33,187 --> 00:12:36,843
HE'’S AN AWFULLY BIG
LITTLE BOY, MRS. GIBSON.
130
00:12:36,886 --> 00:12:38,801
HE'’S A DEAD BOY,
AIN'’T HE?
131
00:12:38,845 --> 00:12:39,846
YES, MA'’AM.
132
00:12:39,889 --> 00:12:41,848
DEAD AIN'’T BIG.
133
00:12:41,891 --> 00:12:45,852
DEAD IS VERY LITTLE--
NEXT TO NOTHING.
134
00:12:45,895 --> 00:12:47,462
YOU PUT IT IN A BOX,
135
00:12:47,505 --> 00:12:49,681
AND THEN IT
AIN'’T NOTHING.
136
00:12:49,725 --> 00:12:51,335
HE HAD A GUN,
HE WAS TRYING--
137
00:12:51,379 --> 00:12:54,817
FAR AS I COULD SEE,
HE DIDN'’T HAVE A CHANCE.
138
00:12:54,861 --> 00:12:58,342
NOT A CHANCE.
139
00:12:58,386 --> 00:12:59,822
I DON'’T KNOW
BUT HE AIN'’T BETTER OFF
140
00:12:59,866 --> 00:13:02,564
THAN MY POOR BOY.
141
00:13:02,607 --> 00:13:05,393
CAN YOU TELL US
CALMLY AND QUIETLY
142
00:13:05,436 --> 00:13:08,265
EXACTLY
WHAT HAPPENED?
143
00:13:08,309 --> 00:13:11,442
I JUST TOLD YOU
WHAT HAPPENED.
144
00:13:11,486 --> 00:13:12,922
AND I AIN'’T
GONNA TELL IT NO DIFFERENT
145
00:13:12,966 --> 00:13:15,620
THE SECOND TIME
OR THE 22nd TIME.
146
00:13:15,664 --> 00:13:17,971
I SAW MURDER.
THAT'’S WHAT I SAW.
147
00:13:18,014 --> 00:13:19,189
MURDER!
148
00:13:38,121 --> 00:13:40,732
WHOEVER TOOK IT DECIDED
THEY DIDN'’T WANT IT.
149
00:13:40,776 --> 00:13:44,258
KEYS IN THE IGNITION,
EQUIPMENT LEFT IN IT.
150
00:13:44,301 --> 00:13:47,348
YEAH, BUT WHY DID THEY
TAKE IT, CHIEF?
151
00:13:47,391 --> 00:13:50,307
I GUESS THEY WANTED
THE ROOFER OFF THE ROOF
152
00:13:50,351 --> 00:13:52,875
AFTER HE MADE THAT HOLE
UP THERE FOR THEM.
153
00:13:52,919 --> 00:13:54,703
FOR THE GUYS
THAT TOOK THE TRUCK?
154
00:13:54,746 --> 00:13:56,052
UH-HUH.
155
00:13:56,096 --> 00:13:58,750
ROOFER SPENT THE DAY
LOOKING FOR HIS TRUCK.
156
00:13:58,794 --> 00:14:01,101
RECKON THAT'’S WHAT
THEY WANTED HIM TO DO.
157
00:14:01,144 --> 00:14:03,799
LEAVING
THEM A WAY IN.
158
00:14:03,843 --> 00:14:05,845
YOU FIGURE THE GUYS
THAT TOOK THIS TRUCK
159
00:14:05,888 --> 00:14:07,847
ARE THE SAME GUYS
AS ROBBED THE STORE?
160
00:14:07,890 --> 00:14:10,327
MM-HMM.
161
00:14:10,371 --> 00:14:14,505
THEY'’D HAVE TO KNOW
THAT ROOF WAS BEING
WORKED ON, HUH?
162
00:14:14,549 --> 00:14:16,377
I BET ONE OF THEM DID.
163
00:14:26,778 --> 00:14:28,345
LEROY BREMER.
164
00:14:30,957 --> 00:14:32,784
WHAT WAS
THAT DEAD BOY'’S NAME?
165
00:14:32,828 --> 00:14:33,873
LEROY WHO?
166
00:14:33,916 --> 00:14:35,309
BREMER.
167
00:14:35,352 --> 00:14:38,703
BREMER...
HOW DO I KNOW
THAT NAME?
168
00:14:38,747 --> 00:14:41,532
WE GOT HIM
FOR ARMED ROBBERY
FIVE YEARS AGO,
169
00:14:41,576 --> 00:14:43,099
BACK WHEN HE WAS 12.
170
00:14:43,143 --> 00:14:45,580
12? MY GOD.
171
00:14:45,623 --> 00:14:48,844
HE'’S GOT A RECORD
GOING BACK TO WHEN
HE WAS 8 YEARS OLD.
172
00:14:48,888 --> 00:14:52,369
HE WAS JUST LET OUT AGAIN...
ON PROBATION.
173
00:14:52,413 --> 00:14:54,284
THAT EXPLAINS
WHY HE FOUGHT HARD.
174
00:14:54,328 --> 00:14:55,851
DIDN'’T WANT
TO GO BACK TO JAIL.
175
00:14:55,895 --> 00:14:56,939
YEAH.
176
00:14:56,983 --> 00:14:58,680
HE SURE
GOT HIS WISH.
177
00:15:04,947 --> 00:15:08,951
SPARTA HERALD,BOYS.
'’MORNING.
178
00:15:08,995 --> 00:15:11,998
EITHER OF YOU INVOLVED
IN THAT SHOOTING LAST NIGHT?
179
00:15:12,041 --> 00:15:14,435
NO. I WAS OUT THERE,
THOUGH.
180
00:15:14,478 --> 00:15:17,612
WHICH EXPLAINS THE UNUSUAL
EXPRESSION ON HIS FACE.
181
00:15:17,655 --> 00:15:19,135
HM.
182
00:15:19,179 --> 00:15:21,964
THE FOLKS IN THE BOTTOMS
ARE UPSET AT ONE OF YOU FELLAS
183
00:15:22,008 --> 00:15:24,967
FOR SHOOTING AND KILLING
ANOTHER OF THEIR BOYS.
184
00:15:25,011 --> 00:15:28,405
PEAKE, YOU WERE
IN THE BOTTOMS
THIS MORNING, I BELIEVE.
185
00:15:28,449 --> 00:15:31,017
FROM BEFORE DAYLIGHT
TO JUST NOW.
186
00:15:31,060 --> 00:15:34,672
ANYBODY SAY ANYTHING
ABOUT BEING UPSET DOWN THERE?
187
00:15:34,716 --> 00:15:36,979
NOBODY SAID
ANYTHING TO ME.
188
00:15:37,023 --> 00:15:40,504
MAYBE THAT'’S 'CAUSE THEY'’RE
A LITTLE BIT AFRAID OF YOU.
189
00:15:40,548 --> 00:15:44,334
I WISH THEY WERE.
190
00:15:44,378 --> 00:15:46,423
EXCUSE ME.
191
00:16:23,808 --> 00:16:26,898
MR. J.J. SWIFT,
DETECTIVE.
192
00:16:26,942 --> 00:16:29,031
YOU DON'’T WANT
TO SEE ME.
193
00:16:29,075 --> 00:16:30,728
YOU WANT TO SEE
THE BLACK WOMAN.
194
00:16:30,772 --> 00:16:32,687
THE DISHWASHER.
195
00:16:32,730 --> 00:16:34,036
BUT SHE AIN'’T
HERE TODAY.
196
00:16:34,080 --> 00:16:36,604
MM-HMM.
WHERE IS SHE?
197
00:16:36,647 --> 00:16:38,345
SATURDAYS
SHE GOES OVER
198
00:16:38,388 --> 00:16:40,477
TO THE ELLEN COUNTY
PENITENTIARY
199
00:16:40,521 --> 00:16:44,133
TO SEE HER POOR,
CRIPPLED SON.
200
00:16:44,177 --> 00:16:48,007
YOUR COUSIN,
I BELIEVE.
201
00:16:48,050 --> 00:16:50,226
DROP THAT GUN
OUT IN FRONT OF YOU!
202
00:16:59,888 --> 00:17:01,977
I REALLY CAME
TO SEE YOU, ANYWAY.
203
00:17:02,021 --> 00:17:04,023
MAYBE YOU CAN
HELP ME.
204
00:17:04,066 --> 00:17:05,894
I AIN'’T SEEN NOTHING.
205
00:17:05,937 --> 00:17:07,374
CAPTAIN SKINNER,
206
00:17:07,417 --> 00:17:10,203
WHO HAD THAT FIGHT
WITH THE KID LAST NIGHT,
207
00:17:10,246 --> 00:17:14,381
HE'’S QUITE SURE MRS. GIBSON
SAW EXACTLY WHAT HAPPENED.
208
00:17:14,424 --> 00:17:16,296
SHE DOESN'’T SEEM
TO WANT TO TELL US.
209
00:17:16,339 --> 00:17:18,907
SHE AIN'’T TOLD ME
NOTHIN'’ NEITHER.
210
00:17:18,950 --> 00:17:20,082
BUT SHE WORKS
FOR YOU.
211
00:17:20,126 --> 00:17:22,084
TELL HER...
212
00:17:22,128 --> 00:17:25,044
ALL THIS STUFF
IS GETTIN'’ YOU REAL NERVOUS.
213
00:17:25,087 --> 00:17:27,002
THAT AIN'’T NO LIE.
214
00:17:27,046 --> 00:17:31,398
TELL HER YOU DON'’T WANT
THE POLICE ALWAYS
COMIN'’ AROUND HERE.
215
00:17:31,441 --> 00:17:33,139
THAT'’S RIGHT!
216
00:17:33,182 --> 00:17:35,358
I AIN'’T MEANIN'
NO DISRESPECT.
217
00:17:35,402 --> 00:17:37,795
HUSH, J.J.
JUST LISTEN, WILL YOU?
218
00:17:37,839 --> 00:17:44,889
SAY THAT YOU WANT HER
TO TELL THE TRUTH TO SOMEBODY
219
00:17:44,933 --> 00:17:49,111
'’CAUSE YOU DON'T WANT
ALL THIS COMMOTION GOING ON.
220
00:17:49,155 --> 00:17:52,332
WHY DON'’T YOU TELL HER?
221
00:17:52,375 --> 00:17:54,943
OH, YOU FULL OF WORDS.
222
00:17:54,986 --> 00:17:59,078
ABOUT TIMES GONE BY
AND ALL THE FAMILY TOGETHER.
223
00:17:59,121 --> 00:18:02,907
AND SUNDAY DINNERS
OUT UNDER THE TREES.
224
00:18:02,951 --> 00:18:06,998
AND WAVIN'’ TO THE TRAINS
PASSING BY.
225
00:18:07,042 --> 00:18:12,743
AND LAUGHIN'’ TOGETHER
AND LOVIN'’ EACH OTHER.
226
00:18:12,787 --> 00:18:15,616
THERE AIN'’T NO FAMILY
NO MORE.
227
00:18:15,659 --> 00:18:18,401
NOT FOR ME.
228
00:18:18,445 --> 00:18:20,229
ONLY TYRELL.
229
00:18:22,275 --> 00:18:24,842
I'’LL BE WAITIN' FOR HIM
WHEN HE GETS OUT OF JAIL.
230
00:18:29,108 --> 00:18:33,982
BUT I DON'’T NEVER EVER
WANT TO SEE ANY
OF Y'’ALL AGAIN.
231
00:18:35,244 --> 00:18:38,465
CAN I GO BACK
TO WORK, PLEASE?
232
00:18:38,508 --> 00:18:40,336
GO ON BACK TO WORK,
MR. SWIFT.
233
00:18:47,387 --> 00:18:49,345
[GUNSHOT]
234
00:19:22,248 --> 00:19:23,814
MORNING.
235
00:19:23,858 --> 00:19:25,076
MRS. BREMER
HERE?
236
00:19:25,120 --> 00:19:26,600
SHE HERE.
237
00:19:26,643 --> 00:19:27,731
SHE EITHER
OF YOU ALL?
238
00:19:27,775 --> 00:19:29,255
NO. NEITHER.
239
00:19:29,298 --> 00:19:31,735
WHAT'’S THE MATTER
WITH THE LIEUTENANT?
240
00:19:31,779 --> 00:19:34,825
CAN'’T HE TALK?
241
00:19:34,869 --> 00:19:37,524
YEAH. HE CAN TALK.
242
00:19:37,567 --> 00:19:41,049
LOOKS LIKE HE'’S SCARED
OF SOMETHING.
243
00:19:41,092 --> 00:19:43,791
YOU SCARED OF SOMETHING,
WHITE BOY?
244
00:19:43,834 --> 00:19:45,532
I AIN'’T SCARED
OF NOTHING.
245
00:19:49,840 --> 00:19:52,191
UM, WE HAVE TO SEE
MRS. BREMER.
246
00:19:52,234 --> 00:19:54,541
SHE DON'’T WANT
TO SEE NOBODY.
247
00:19:54,584 --> 00:19:56,586
SHE DON'’T WANT TO TALK.
248
00:19:56,630 --> 00:19:59,937
SHE LYING IN THERE
FACING THE WALL.
249
00:19:59,981 --> 00:20:02,462
I EXPECT
SHE WANT TO DIE.
250
00:20:02,505 --> 00:20:05,073
I EXPECT SHE WILL.
251
00:20:05,116 --> 00:20:06,205
DENNIS,
CALL THE MEDICS.
252
00:20:08,555 --> 00:20:11,122
SHE DON'’T WANT NO MEDICS.
253
00:20:11,166 --> 00:20:13,037
WELL, I DO.
254
00:20:13,081 --> 00:20:14,648
NOW, WHERE'’S THE CAR?
255
00:20:14,691 --> 00:20:17,128
WHAT CAR?
YOU SEE A CAR HERE?
256
00:20:17,172 --> 00:20:20,741
WELL, IT SEEMS LIKE
I SAW ONE LAST NIGHT.
257
00:20:20,784 --> 00:20:22,351
DODGE.
258
00:20:22,395 --> 00:20:24,701
A OLD ONE.
259
00:20:24,745 --> 00:20:26,616
LEROY BREMER'’S CAR.
260
00:20:26,660 --> 00:20:29,402
LEROY
DIDN'’T HAVE NO CAR.
261
00:20:29,445 --> 00:20:30,794
A BLUE DODGE.
262
00:20:33,057 --> 00:20:35,756
I SAID NO CAR, MAN.
263
00:20:35,799 --> 00:20:37,323
HE WAS RIDING IN ONE.
264
00:20:37,366 --> 00:20:39,716
MAYBE IT WAS JOE NEFFIN'’S.
265
00:20:39,760 --> 00:20:42,980
'’CAUSE JOE CAME
TO PICK LEROY UP
LAST EVENING.
266
00:20:43,024 --> 00:20:45,331
BUT LEROY
AIN'’T HAD NO CAR.
267
00:20:45,374 --> 00:20:47,898
HUSH UP, GIRL.
268
00:20:51,250 --> 00:20:52,686
COME ON, LET'’S GO.
269
00:20:52,729 --> 00:20:54,165
WHEN THOSE MEDICS
GET HERE,
270
00:20:54,209 --> 00:20:55,732
MAKE SURE YOU DON'’T
GET IN THEIR WAY.
271
00:20:55,776 --> 00:20:57,430
LET THEM TEND
TO THAT WOMAN.
272
00:20:57,473 --> 00:20:59,040
WE'’LL BE BACK.
273
00:21:06,613 --> 00:21:08,876
[DOORBELL RINGS]
274
00:21:11,748 --> 00:21:13,141
HEY!
275
00:21:13,184 --> 00:21:15,186
COACH, YOU'’RE UP AND AROUND.
SHOULD YOU BE?
276
00:21:15,230 --> 00:21:17,058
YEAH, YEAH. I'’M O.K.
277
00:21:17,101 --> 00:21:19,278
HI, CHIEF. COME ON IN.
YOU GUYS WANT SOME TEA?
278
00:21:19,321 --> 00:21:22,542
OH, NO, THANK YOU.
WE CAN'’T STAY
BUT A MOMENT.
279
00:21:22,585 --> 00:21:26,154
IT'’S JUST, BUBBA WANTED
TO ASK YOU SOMETHING.
280
00:21:26,197 --> 00:21:28,504
YEAH.
281
00:21:28,548 --> 00:21:31,681
MRS. TIBBS, DO YOU HAVE
ANY INFLUENCE AT ALL
282
00:21:31,725 --> 00:21:34,118
WITH VIRGIL'’S
AUNT RUDA GIBSON?
283
00:21:34,162 --> 00:21:36,295
YOU WANT A VERY
SHORT ANSWER?
284
00:21:36,338 --> 00:21:37,644
NO.
285
00:21:37,687 --> 00:21:39,298
Bubba: SHE'’S LYING.
286
00:21:39,341 --> 00:21:41,735
SHE SAW WHAT HAPPENED.
287
00:21:41,778 --> 00:21:45,739
SHE COULDN'’T HAVE
BEEN MUCH FURTHER
FROM ME THAN YOU ARE.
288
00:21:45,782 --> 00:21:47,306
BUBBA, I BELIEVE YOU.
289
00:21:47,349 --> 00:21:49,351
AND I'’LL TRY TO TALK TO HER.
290
00:21:49,395 --> 00:21:50,961
IF SHE SLAMS THE DOOR
IN MY FACE,
291
00:21:51,005 --> 00:21:52,398
I'’LL TALK
THROUGH THE DOOR.
292
00:21:52,441 --> 00:21:55,314
I'’LL EVEN GO TO
WHERE SHE WORKS,
293
00:21:55,357 --> 00:21:58,055
I JUST DON'’T WANT YOU
TO EXPECT ANYTHING.
294
00:21:58,099 --> 00:22:02,364
WHO COULD GET TO HER
IF NOT YOU OR VIRGIL?
295
00:22:02,408 --> 00:22:04,323
I DON'’T KNOW.
296
00:22:04,366 --> 00:22:05,324
MAYBE NOBODY.
297
00:22:08,022 --> 00:22:10,067
NOBODY.
298
00:22:18,598 --> 00:22:20,426
MAMA...
299
00:22:20,469 --> 00:22:23,951
I'’VE BEEN THINKING
ABOUT VIRGIL TIBBS
300
00:22:23,994 --> 00:22:27,389
AND ALL
THAT'’S HAPPENED.
301
00:22:27,433 --> 00:22:31,175
I DIDN'’T COME HERE
TO TALK ABOUT
VIRGIL TIBBS.
302
00:22:31,219 --> 00:22:33,395
ALL I WANT TO TALK
ABOUT IS YOU.
303
00:22:36,746 --> 00:22:40,184
MAMA, DID YOU HEAR
WHAT HAPPENED
IN SPARTA LAST NIGHT?
304
00:22:40,228 --> 00:22:42,273
I HEARD IT
ON THE RADIO.
305
00:22:42,317 --> 00:22:44,667
LEROY BREMER GOT SHOT
WITH HIS OWN GUN.
306
00:22:46,582 --> 00:22:47,931
I DON'’T KNOW
NOTHING ABOUT IT.
307
00:22:47,975 --> 00:22:49,063
AND I DON'’T WANT
TO HEAR IT.
308
00:22:49,106 --> 00:22:51,152
MAMA, LISTEN.
309
00:22:51,195 --> 00:22:52,893
SOUNDS LIKE
WHAT HAPPENED TO ME.
310
00:22:52,936 --> 00:22:54,111
I DON'’T WANNA HEAR
NO EXCUSES.
311
00:22:54,155 --> 00:22:56,418
YOU AIN'’T
GONNA HEAR NONE
312
00:22:56,462 --> 00:23:00,640
AND NO MORE LIES,
NEITHER.
313
00:23:00,683 --> 00:23:03,904
NO SENSE IN GOING
ON WITH THE LIES.
314
00:23:11,302 --> 00:23:14,175
I SHOT MYSELF, MAMA.
315
00:23:14,218 --> 00:23:17,265
YOU HEAR?
316
00:23:17,308 --> 00:23:19,746
I HAD THE GUN
IN MY HAND.
317
00:23:19,789 --> 00:23:22,618
THIS HAND.
318
00:23:22,662 --> 00:23:25,882
I PULLED THE TRIGGER.
319
00:23:25,926 --> 00:23:28,581
I THOUGHT I WAS GOING
TO GET VIRGIL, KILL HIM.
320
00:23:28,624 --> 00:23:30,670
I DIDN'’T CARE.
321
00:23:30,713 --> 00:23:32,280
I WAS SO CRAZY
OUT OF MY MIND,
322
00:23:32,323 --> 00:23:34,413
I DIDN'’T KNOW WHICH WAY
THE GUN WAS LOOKING.
323
00:23:38,895 --> 00:23:41,898
AND I REALLY, TRULY,
HONEST TO GOD, MAMA,
324
00:23:41,942 --> 00:23:43,683
SHOT MY OWN SELF.
325
00:23:54,650 --> 00:23:57,348
DON'’T GO ON
BLAMING VIRGIL.
326
00:24:01,570 --> 00:24:02,615
IT AIN'’T RIGHT.
327
00:24:15,758 --> 00:24:18,282
YEAH. THAT SOUNDS FINE.
328
00:24:18,326 --> 00:24:21,242
NOW, WHY CAN'’T
I HAVE IT NOW?
329
00:24:21,285 --> 00:24:23,026
IT HAS TO
BE PROCESSED.
330
00:24:23,070 --> 00:24:24,506
MEANING WHAT?
331
00:24:24,550 --> 00:24:27,683
IT'’S BEEN INVOLVED
IN A CRIME, MELVIN.
332
00:24:27,727 --> 00:24:29,293
THROUGH NO WISH
OF ITS OWN.
333
00:24:29,337 --> 00:24:31,208
WE'’VE GOT TO GET
FINGERPRINTS.
334
00:24:31,252 --> 00:24:33,123
THERE'’S SOME OTHER
PAPERWORK WE HAVE TO DO.
335
00:24:35,343 --> 00:24:38,433
JAMISON, WHEN CAN
MR. SPRINGER GET
HIS TRUCK BACK?
336
00:24:38,477 --> 00:24:42,002
HE CAN GET IT ANY TIME
AFTER NOON TOMORROW.
337
00:24:42,045 --> 00:24:44,787
WHAT I MEAN,
HE TRUCK IS
COMPLETELY INNOCENT.
338
00:24:44,831 --> 00:24:47,094
OH, THAT'’S TRUE, SIR.
339
00:24:47,137 --> 00:24:50,837
HOW COME YOU LEFT
THIS INNOCENT TRUCK
ALL BY ITSELF,
340
00:24:50,880 --> 00:24:54,014
UNGUARDED, WHILE YOU
WENT ON THE ROOF
341
00:24:54,057 --> 00:24:55,276
TO DO YOUR WORK?
342
00:24:55,319 --> 00:24:57,278
I DIDN'’T LEAVE IT
UNGUARDED.
343
00:24:57,321 --> 00:24:59,193
A KID WHO WORKS
FOR ME NOW AND THEN
344
00:24:59,236 --> 00:25:00,847
WAS SUPPOSED TO HAVE
BEEN WATCHING IT,
345
00:25:00,890 --> 00:25:03,284
BUT HE HAD TO GO
TO THE BATHROOM, HE SAID.
346
00:25:03,327 --> 00:25:07,375
WHEN HE GOT BACK,
THERE IT WAS--GONE.
347
00:25:07,418 --> 00:25:09,333
WHAT'’S THIS KID'S NAME?
348
00:25:09,377 --> 00:25:10,596
JOE NEFFIN.
349
00:25:10,639 --> 00:25:12,554
DID YOU SAY NEFFIN?
350
00:25:12,598 --> 00:25:16,776
A WOMAN TOLD US THAT
HE AND LEROY WERE BUDDIES.
351
00:25:16,819 --> 00:25:17,951
WHERE THE KID NOW?
352
00:25:17,994 --> 00:25:19,735
I DON'’T KNOW.
353
00:25:27,308 --> 00:25:31,747
♪ WERE YOU THERE
354
00:25:31,791 --> 00:25:39,538
♪ WHEN THEY CRUCIFIED
MY LORD? ♪
355
00:25:45,021 --> 00:25:48,068
♪ WERE YOU THERE
356
00:25:48,111 --> 00:25:56,337
♪ WHEN THEY CRUCIFIED
MY LORD? ♪
357
00:25:58,905 --> 00:26:03,344
♪ OH
358
00:26:06,390 --> 00:26:17,880
♪ SOMETIMES IT CAUSES ME
TO TREMBLE ♪
359
00:26:17,924 --> 00:26:22,406
♪ TREMBLE
360
00:26:22,450 --> 00:26:26,062
♪ TREMBLE
361
00:26:28,848 --> 00:26:32,634
♪ WERE YOU THERE
362
00:26:32,678 --> 00:26:41,338
♪ WHEN THEY CRUCIFIED
MY LORD? ♪
363
00:26:43,863 --> 00:26:46,953
♪ WERE YOU THERE
364
00:26:46,996 --> 00:26:56,484
♪ WHEN HE ROSE UP
FROM THE GRAVE? ♪
365
00:26:56,527 --> 00:26:59,226
THESE THE BOYS?
366
00:26:59,269 --> 00:27:01,358
ONE OF THEM IS
FOR SURE.
367
00:27:01,402 --> 00:27:02,621
WE GOING IN?
368
00:27:02,664 --> 00:27:04,057
DID YOU SEE ANYONE
INSIDE?
369
00:27:04,100 --> 00:27:05,928
NOBODY. UNLESS
THEY'’RE HIDING OUT.
370
00:27:05,972 --> 00:27:07,713
I DON'’T THINK MAMA
WOULD'’VE LOCKED THEM IN.
371
00:27:12,587 --> 00:27:16,112
♪ OH
372
00:27:22,858 --> 00:27:30,257
♪ SOMETIMES IT CAUSES ME
373
00:27:30,300 --> 00:27:35,654
♪ TO TREMBLE...
374
00:27:37,394 --> 00:27:38,744
NOBODY?
375
00:27:38,787 --> 00:27:41,007
JUST MOM AND POPS.
376
00:27:41,050 --> 00:27:43,183
WENT TO CHURCH,
IT LOOKS LIKE.
377
00:27:43,226 --> 00:27:45,446
THE BOYS AIN'’T LIVED
THERE FOR A WHILE.
378
00:27:45,489 --> 00:27:47,448
THEY'’VE BEEN SHARING A SHACK
WITH THE DEAD KID,
379
00:27:47,491 --> 00:27:48,971
I STILL GOTTA FIND OUT
WHERE IT IS.
380
00:27:49,015 --> 00:27:51,539
STAY CLOSE TO THE PARENTS.
WATCH WHAT THEY DO.
381
00:27:51,582 --> 00:27:53,628
O.K.
382
00:28:15,519 --> 00:28:18,087
THE PREACHER SAID,
383
00:28:18,131 --> 00:28:23,179
"THERE IS NOTHING NEW
UNDER THE SUN,
384
00:28:23,223 --> 00:28:25,268
"AND WHAT WILL BE DONE
385
00:28:25,312 --> 00:28:28,750
"HAS BEEN DONE BEFORE."
386
00:28:28,794 --> 00:28:33,233
ECCLESIASTES.
387
00:28:33,276 --> 00:28:37,541
AND THERE'’S NO STRONGER
TESTIMONY TO THAT
388
00:28:37,585 --> 00:28:44,026
THAN THE SHOCKING PAGES
OF OUR DAILY NEWSPAPERS.
389
00:28:44,070 --> 00:28:45,898
AMEN.
390
00:28:45,941 --> 00:28:47,987
NOR DO WE NEED
TO BRING IN
391
00:28:48,030 --> 00:28:52,469
THE SHOCKING PAGES
FROM VICKSBURG,
392
00:28:52,513 --> 00:28:54,080
HATTIESBURG,
393
00:28:54,123 --> 00:28:56,299
JACKSON, MERIDIAN...
394
00:28:56,343 --> 00:28:57,997
AMEN.
395
00:28:58,040 --> 00:29:03,132
WE FIND
THE SHOCKING PAGES HERE
396
00:29:03,176 --> 00:29:05,787
IN THESPARTA HERALD.
397
00:29:05,831 --> 00:29:07,441
Woman: RIGHT HERE
IN SPARTA!
398
00:29:07,484 --> 00:29:11,358
ON THIS DAY, SUNDAY.
399
00:29:11,401 --> 00:29:14,056
A BOY OF 17,
400
00:29:14,100 --> 00:29:16,580
LEROY BREMER,
401
00:29:16,624 --> 00:29:19,366
SON OF OUR NEIGHBORS
MARJORIE
402
00:29:19,409 --> 00:29:22,499
AND THE LATE
MELTON BREMER,
403
00:29:22,543 --> 00:29:24,806
SHOT TO DEATH
BY POLICE
404
00:29:24,850 --> 00:29:28,723
WHILE TRYING
TO AVOID CAPTURE.
405
00:29:28,767 --> 00:29:33,380
LEROY WAS CAUGHT
TRYING TO STEAL SOMETHING.
406
00:29:35,208 --> 00:29:39,473
COUPLE OF BOYS
GOT INTO A PAWNSHOP,
407
00:29:39,516 --> 00:29:42,171
THE PAPER SAY.
408
00:29:42,215 --> 00:29:45,131
LEROY WAS
TRYING TO RUN AWAY
409
00:29:45,174 --> 00:29:48,264
WHEN THEY SHOT HIM,
410
00:29:48,308 --> 00:29:50,136
THE PAPER SAY.
411
00:29:50,179 --> 00:29:53,792
THREE POLICE OFFICERS.
412
00:29:53,835 --> 00:29:57,796
JUST A COUPLE OF BOYS.
413
00:29:57,839 --> 00:29:59,928
AND TODAY A MAMA
IS MISSING
414
00:29:59,972 --> 00:30:03,366
FROM HER ACCUSTOMED PLACE
AMONG US.
415
00:30:03,410 --> 00:30:06,935
FOUR SHOOTINGS LAST YEAR.
416
00:30:06,979 --> 00:30:09,590
TWO DEATHS.
417
00:30:09,633 --> 00:30:12,985
ONE BOY
TURNED INTO A CRIPPLE.
418
00:30:13,028 --> 00:30:16,640
NOT ENOUGH THAT BOY
WENT TO PRISON.
419
00:30:16,684 --> 00:30:21,471
HE HAD TO BE
CARRIED THERE.
420
00:30:21,515 --> 00:30:26,259
HE HAS TO BE
CARRIED STILL.
421
00:30:26,302 --> 00:30:29,915
IS THIS MY STORY?
422
00:30:29,958 --> 00:30:32,656
A HORROR TALE
OF MY INVENTION?
423
00:30:32,700 --> 00:30:34,354
NO.
424
00:30:34,397 --> 00:30:36,878
NO.
425
00:30:36,922 --> 00:30:41,187
IT IS A STORY
FROM YOUR SUNDAY PAPER.
426
00:30:41,230 --> 00:30:43,493
PREACH, REV!
427
00:30:43,537 --> 00:30:47,236
WE KNEW,
LIKE THE PREACHER SAID,
428
00:30:47,280 --> 00:30:49,108
IT WOULD HAPPEN AGAIN.
429
00:30:49,151 --> 00:30:50,805
THAT'’S RIGHT.
430
00:30:50,849 --> 00:30:54,287
AND, WELL...
431
00:30:54,330 --> 00:30:56,071
HERE IT IS.
432
00:30:56,115 --> 00:30:59,596
[MUSIC PLAYS]
433
00:31:00,989 --> 00:31:03,905
PARKER, DO WE NEED
THAT MUSIC?
434
00:31:03,949 --> 00:31:06,952
WELL, NO, SIR,
I SUPPOSE NOT.
435
00:31:06,995 --> 00:31:08,170
COULD GET RID OF IT?
436
00:31:08,214 --> 00:31:09,955
THERE'’S OTHER MUSIC ON.
437
00:31:09,998 --> 00:31:11,826
IF YOU WANT TO LISTEN
TO SOMETHING CLASSICAL,
438
00:31:11,870 --> 00:31:13,088
92'’S PLAYING MARCHES
439
00:31:13,132 --> 00:31:15,264
BY THE RINGLING
CIRCUS BAND.
440
00:31:15,308 --> 00:31:18,006
NOTHING, PARKER.
THANK YOU.
441
00:31:18,050 --> 00:31:20,008
YOU WANT IT OFF?
442
00:31:20,052 --> 00:31:21,705
PLEASE.
443
00:31:21,749 --> 00:31:23,316
OKEY-DOKE.
444
00:31:28,538 --> 00:31:33,804
HOW CAN SOMEBODY
PRINT STUFF LIKE THAT?
445
00:31:33,848 --> 00:31:36,895
AIN'’T TRUE, AND PEOPLE
WILL BELIEVE ALL OF IT.
446
00:31:36,938 --> 00:31:38,940
YOU'’RE ASKING ME--
447
00:31:38,984 --> 00:31:40,811
SPARTA'’S COLD-HEARTED
BLACK COP
448
00:31:40,855 --> 00:31:43,031
WHO WOULD SHOOT HIS OWN
RELATIVE TO GET AHEAD IN LIFE?
449
00:31:43,075 --> 00:31:45,251
YOU ASKING ME?
450
00:31:45,294 --> 00:31:48,732
WHAT ARE WE SUPPOSED
TO DO ABOUT IT, NOTHING?
451
00:31:48,776 --> 00:31:51,822
IRON JAW PETERSON--
ALTHEA'’S FATHER--
452
00:31:51,866 --> 00:31:53,128
HE SAID TO ME ONCE,
453
00:31:53,172 --> 00:31:55,087
"I CAN NEVER
TURN A MAN AROUND
454
00:31:55,130 --> 00:31:56,958
"SO'’S HE'LL SEE
THE TRUTH.
455
00:31:57,002 --> 00:31:59,482
"I CAN ONLY HOPE
THE LORD WILL DO THAT
456
00:31:59,526 --> 00:32:00,919
IN HIS OWN WAY."
457
00:32:05,967 --> 00:32:07,926
FOR THINE IS THE KINGDOM,
458
00:32:07,969 --> 00:32:10,363
THE POWER,
AND THE GLORY
459
00:32:10,406 --> 00:32:12,713
FOREVER. AMEN.
460
00:32:12,756 --> 00:32:14,410
All: AMEN.
461
00:32:14,454 --> 00:32:16,238
[PIANO PLAYS]
462
00:32:16,282 --> 00:32:19,981
COME FORWARD, AND MAKE
YOUR HUMBLE CONFESSION.
463
00:32:20,025 --> 00:32:22,418
MEEKLY KNEELING.
464
00:32:22,462 --> 00:32:30,949
♪ THERE IS A FOUNTAIN
FILLED WITH BLOOD ♪
465
00:32:30,992 --> 00:32:38,913
♪ DRAWN FROM
EMMANUEL'’S VEIN ♪
466
00:32:38,957 --> 00:32:42,873
♪ AND SINNERS PLUNGED
467
00:32:42,917 --> 00:32:48,009
♪ BENEATH THAT BLOOD
468
00:32:48,053 --> 00:32:51,273
[SINGING CONTINUES]
469
00:32:55,147 --> 00:33:03,111
♪ LOSE ALL
THEIR GUILTY STAIN ♪
470
00:33:03,155 --> 00:33:11,250
♪ LOSE ALL
THEIR GUILTY STAIN ♪
471
00:33:11,293 --> 00:33:15,123
♪ AND SINNERS PLUNGED...
472
00:33:15,167 --> 00:33:18,779
THIS IS MY BODY
WHICH IS BROKEN FOR YOU.
473
00:33:18,822 --> 00:33:22,783
THIS DO
IN REMEMBRANCE OF ME.
474
00:33:22,826 --> 00:33:26,395
THIS REPRESENTS MY BLOOD
WHICH IS SPILLED
475
00:33:26,439 --> 00:33:28,876
FOR THE REMISSION
OF YOUR SINS.
476
00:33:50,158 --> 00:33:53,292
NOW RISE
AND GO IN PEACE.
477
00:33:53,335 --> 00:33:55,990
AS THESE RETURN,
LET OTHERS COME.
478
00:33:56,034 --> 00:34:00,386
♪ GUILTY STAIN
479
00:34:00,429 --> 00:34:08,350
♪ LOSE ALL
THEIR GUILTY STAIN ♪
480
00:34:08,394 --> 00:34:16,793
♪ LOSE ALL
THEIR GUILTY STAIN ♪
481
00:34:16,837 --> 00:34:24,584
♪ AND SINNERS PLUNGED
BENEATH THAT FLOOD ♪
482
00:34:24,627 --> 00:34:34,768
♪ LOSE ALL
THEIR GUILTY STAIN ♪
483
00:34:34,811 --> 00:34:36,944
[CHURCH BELL TOLLING]
484
00:34:51,176 --> 00:34:53,917
MORNING, RUDA.
485
00:34:56,224 --> 00:34:58,618
WHO'’S THIS BOY?
486
00:34:58,661 --> 00:35:00,010
THIS IS BOBBY JOHNSON.
487
00:35:00,054 --> 00:35:02,100
BOBBY, THIS IS
MRS. RUDA GIBSON.
488
00:35:02,143 --> 00:35:03,927
MORNING, MA'’AM.
489
00:35:03,971 --> 00:35:06,365
HE'’S STAYING HERE SO HE COULD
GO TO SCHOOL IN SPARTA.
490
00:35:06,408 --> 00:35:07,496
LIVING WITH Y'’ALL?
491
00:35:07,540 --> 00:35:09,150
NO, MA'’AM.
492
00:35:09,194 --> 00:35:11,718
LIVING WITH
THE CHIEF OF POLICE
RIGHT NOW.
493
00:35:11,761 --> 00:35:13,154
HE'’S STAYING
WITH THE CHIEF
494
00:35:13,198 --> 00:35:15,548
UNTIL VIRGIL AND I
CAN FIX UP MORE SPACE.
495
00:35:15,591 --> 00:35:17,202
WE'’RE WORKING
ON THE CARRIAGE HOUSE
496
00:35:17,245 --> 00:35:18,942
IN BACK OF THE KITCHEN.
497
00:35:20,640 --> 00:35:22,685
YOU THE BOY
LOST YOUR BROTHER
LAST YEAR?
498
00:35:25,471 --> 00:35:27,168
ACCIDENT.
499
00:35:27,212 --> 00:35:29,301
LIKE WHAT HAPPENED
TO LEROY BREMER
LAST NIGHT,
500
00:35:29,344 --> 00:35:31,825
FIGHTING OVER A GUN.
501
00:35:31,868 --> 00:35:34,132
GIVE ME THAT GUN!
502
00:35:34,175 --> 00:35:35,307
COME ON!
503
00:35:35,350 --> 00:35:37,135
[GUNSHOTS]
504
00:35:50,409 --> 00:35:54,282
THERE'’S THE CHIEF.
505
00:35:54,326 --> 00:35:56,371
WELL, HERE I AM.
YOU READY?
506
00:35:56,415 --> 00:35:58,199
I'’VE BEEN READY.
507
00:35:58,243 --> 00:36:00,027
OH. UH, LADIES.
508
00:36:00,070 --> 00:36:04,162
I BELIEVE YOU REMEMBER
VIRGIL'’S AUNT, RUDA GIBSON.
509
00:36:04,205 --> 00:36:06,599
INDEED, I DO.
HOW ARE YOU,
MRS. GIBSON?
510
00:36:09,776 --> 00:36:11,299
I THINK WE BETTER
GET STARTED.
511
00:36:11,343 --> 00:36:12,387
HUH?
512
00:36:12,431 --> 00:36:13,867
WE GOT TO GET
BEAUREGARD HOME.
513
00:36:13,910 --> 00:36:16,130
OH, YES.
514
00:36:16,174 --> 00:36:19,177
ON SUNDAYS,
THE DOG EXPECTS
AN EARLY DINNER.
515
00:36:20,961 --> 00:36:24,225
SEE YOU LATER,
MRS. TIBBS,
MRS. GIBSON.
516
00:36:24,269 --> 00:36:29,187
MRS. GIBSON,
WHENEVER YOU FEEL
LIKE TALKING TO ME,
517
00:36:29,230 --> 00:36:30,318
I HOPE YOU PHONE.
518
00:36:37,934 --> 00:36:39,153
ALTHEA.CHIEF.
519
00:36:48,597 --> 00:36:50,120
WHAT ABOUT ME, RUDA?
520
00:36:51,905 --> 00:36:53,602
WOULD YOU CARE
TO TALK TO ME?
521
00:36:56,301 --> 00:36:59,434
I HAVE MY CAR HERE.
522
00:36:59,478 --> 00:37:01,262
CAN I TAKE YOU HOME?
523
00:37:23,458 --> 00:37:25,286
HOW COME YOU'’RE
NOT WEARING YOUR GUN?
524
00:37:25,330 --> 00:37:28,681
I DON'’T LIKE TO WEAR IT
RIGHT UP FRONT OF THE CHURCH.
525
00:37:28,724 --> 00:37:32,250
I THOUGHT YOU WAS ALWAYS
SUPPOSED TO WEAR YOUR GUN.
526
00:37:32,293 --> 00:37:33,990
I WEAR IT
WHEN I WANT TO.
527
00:37:34,034 --> 00:37:35,470
WHEN DO YOU
DON'’T WEAR IT?
528
00:37:35,514 --> 00:37:38,212
WHEN I DON'’T WANT TO.
529
00:37:38,256 --> 00:37:41,389
IF SOME DUDE WAS TO TRY
TO GET A HOLD OF YOUR GUN,
530
00:37:41,433 --> 00:37:42,564
AND Y'’ALL WAS FIGHTIN'
OVER IT,
531
00:37:42,608 --> 00:37:44,740
AND IT WENT OFF
AND IT KILLED YOU,
532
00:37:44,784 --> 00:37:45,915
WHOSE FAULT
WOULD IT BE?
533
00:37:45,959 --> 00:37:47,439
BE HIS FAULT.
534
00:37:47,482 --> 00:37:49,310
AND IF IT KILLED
THE DUDE?
535
00:37:49,354 --> 00:37:51,051
STILL BE HIS FAULT.
536
00:37:51,094 --> 00:37:53,227
WHY IS IT ALWAYS
THE DUDE'’S FAULT?
537
00:37:53,271 --> 00:37:56,186
THE FAULT GOES TO THE MAN
WHO HAD NO RIGHT TO THE GUN.
538
00:38:03,977 --> 00:38:05,979
LET ME TELL YOU,
YOU CAN'’T SAY,
539
00:38:06,022 --> 00:38:07,981
"WHEN DO YOU DON'’T
WEAR A GUN."
540
00:38:08,024 --> 00:38:11,158
YOU MUST SAY, "WHEN DO YOU
NOT WEAR A GUN?"
541
00:38:11,201 --> 00:38:13,856
YOU CAN'’T MAKE
NO SOUTHERN GENTLEMAN
OUT OF ME.
542
00:38:13,900 --> 00:38:15,336
WHY NOT?
543
00:38:15,380 --> 00:38:17,033
'’CAUSE I'M NOT WHITE.
544
00:38:17,077 --> 00:38:19,427
WELL, IF WHITE
MAKES A GENTLEMAN,
545
00:38:19,471 --> 00:38:23,866
I'’VE GOT FAR TOO MANY
GENTLEMEN DOWN THE JAIL
AT THIS MOMENT.
546
00:38:23,910 --> 00:38:26,086
TRUTH IS,
WHAT MAKES A GENTLEMAN
547
00:38:26,129 --> 00:38:29,872
IS CORRECTNESS...
AND KINDNESS...
548
00:38:31,352 --> 00:38:33,136
AND COURTESY.
549
00:40:04,314 --> 00:40:06,012
I KNOW YOU'’RE NOT
GOING TO WORK
550
00:40:06,055 --> 00:40:08,580
DRESSED UP
LIKE A PLAYBOY.
551
00:40:08,623 --> 00:40:10,538
TO THE COUNTRY CLUB
FOR BRUNCH,
552
00:40:10,582 --> 00:40:12,322
IF YOU MUST KNOW.
553
00:40:12,366 --> 00:40:15,761
AND HAVE YOU JUST ARRESTED
A BOY AND HIS DOG?
554
00:40:15,804 --> 00:40:18,981
THEY'’RE BOTH GUESTS
IN MY HOME,
IF YOU MUST KNOW.
555
00:40:19,025 --> 00:40:20,330
SAY HELLO
TO THE DOCTOR.
556
00:40:20,374 --> 00:40:22,071
GOOD AFTERNOON, SIR.
557
00:40:22,115 --> 00:40:23,595
WHAT'’S THE MATTER
WITH YOU?
558
00:40:23,638 --> 00:40:25,379
[ARF ARF]
559
00:40:25,423 --> 00:40:27,729
[ARF]
560
00:40:27,773 --> 00:40:29,427
DID YOU
DO THE AUTOPSY
561
00:40:29,470 --> 00:40:32,386
ON A KID
NAMED LEROY BREMER?
562
00:40:32,430 --> 00:40:34,214
DR. PERRY DID.
563
00:40:34,257 --> 00:40:36,346
I SUPPOSE YOU CAN'’T
TELL ME ANYTHING?
564
00:40:36,390 --> 00:40:38,218
I CAN TELL YOU
EVERYTHING.
565
00:40:38,261 --> 00:40:39,524
THE MOST IMPORTANT
THING IS
566
00:40:39,567 --> 00:40:42,091
THE .32 PISTOL
WAS TIGHT AGAINST HIS BODY
567
00:40:42,135 --> 00:40:44,398
WHEN IT DISCHARGED
TWO SLUGS
568
00:40:44,442 --> 00:40:46,792
INTO THE SPLEEN
AND HEART.
569
00:40:46,835 --> 00:40:49,316
SO THE VICTIM
SHOT HIMSELF
WITH HIS OWN GUN.
570
00:40:49,359 --> 00:40:52,493
I CAN'’T MAKE THE JUMP
TO THAT CONCLUSION,
571
00:40:52,537 --> 00:40:56,584
BUT IF YOU PUT THAT
PROBABILITY WITH AN
EYEWITNESS ACCOUNT,
572
00:40:56,628 --> 00:40:59,674
YOU'’D BE DOING A CERTAIN
POLICE OFFICER
A GREAT SERVICE.
573
00:40:59,718 --> 00:41:01,110
[HORN HONKS]
574
00:41:01,154 --> 00:41:04,026
YOU'’RE BLOCKING
THE STREET.
575
00:41:04,070 --> 00:41:07,247
[HONK]
576
00:41:07,290 --> 00:41:10,293
I'’VE GOT THE WITNESS,
BUT I CAN'’T GET THE ACCOUNT.
577
00:41:10,337 --> 00:41:12,295
I HAD A CALL AN HOUR AGO
FROM THE D.A.
578
00:41:12,339 --> 00:41:14,254
HE WANTED TO KNOW
IF THERE WAS A BASIS
579
00:41:14,297 --> 00:41:16,212
FOR A MANSLAUGHTER CHARGE.
580
00:41:16,256 --> 00:41:20,086
AGAINST BUBBA SKINNER?
NO.
581
00:41:20,129 --> 00:41:21,348
YES.
582
00:41:21,391 --> 00:41:23,611
[HONK]
583
00:41:23,655 --> 00:41:25,483
[HONK]
584
00:41:27,572 --> 00:41:30,009
DARNELL CAN'’T BE
SERIOUS ABOUT THAT.
585
00:41:30,052 --> 00:41:31,053
[HONKING]
586
00:41:31,097 --> 00:41:32,402
ALL RIGHT.
587
00:41:32,446 --> 00:41:34,361
OH, LORD, THAT WOMAN
CAN'’T BE FROM HERE.
588
00:41:45,241 --> 00:41:47,069
TAKE ONE OF THESE
EVERY EIGHT HOURS,
589
00:41:47,113 --> 00:41:50,420
AS IT SAYS THERE,
TILL THEY'’RE ALL GONE.
590
00:41:50,464 --> 00:41:52,292
"AUGMENTIN."
WHAT'’S THAT?
591
00:41:52,335 --> 00:41:53,989
A VERY STRONG
ANTIBIOTIC.
592
00:41:54,033 --> 00:41:55,251
THAT'’S A BIG WOUND.
593
00:41:55,295 --> 00:41:57,340
WE DON'’T WANT IT
GETTING INFECTED.
594
00:41:57,384 --> 00:41:59,081
TAKE YOUR TEMPERATURE
TWICE A DAY.
595
00:41:59,125 --> 00:42:01,519
IF IT GOES UP,
COME BACK IN.
596
00:42:01,562 --> 00:42:02,868
YEAH, THANK YOU,
DOCTOR.
597
00:42:02,911 --> 00:42:04,609
I THINK I'’M SUPPOSED
TO SIGN THAT.
598
00:42:12,617 --> 00:42:15,184
DOC, EXCUSE ME.
599
00:42:15,228 --> 00:42:19,798
I WAS WONDERING,
DID A MRS. BREMER
BROUGHT IN HERE?
600
00:42:19,841 --> 00:42:21,582
I CAN'’T HELP YOU
ON THE FIRST NAME,
601
00:42:21,626 --> 00:42:24,542
BUT IT WOULD HAVE
BEEN SOME TIME
YESTERDAY MORNING.
602
00:42:34,421 --> 00:42:35,553
MRS. ALBERT BREMER.
603
00:42:39,339 --> 00:42:42,298
YOU DON'’T WANT
TO SEE HER, DO YOU?
604
00:42:42,342 --> 00:42:46,738
WELL, YES, MA'’AM,
I--I WAS THINKING
I MIGHT.
605
00:42:46,781 --> 00:42:50,176
AND SAY WHAT?
606
00:42:50,219 --> 00:42:54,572
JUST, UH, TELL HER
HOW BAD I FEEL
ABOUT THINGS.
607
00:42:56,008 --> 00:42:58,053
YOU THINK
IT'’D HELP HER?
608
00:42:58,097 --> 00:43:01,230
BUBBA, NOTHING
EVER HELPS
THE PARENTS.
609
00:43:05,408 --> 00:43:08,324
I CAN'’T BELIEVE Y'ALL
DIDN'’T BRING NO MONEY.
610
00:43:08,368 --> 00:43:09,674
WHERE WAS THEY GOING
TO GET MONEY?
611
00:43:09,717 --> 00:43:11,632
THIS IS SUNDAY?
612
00:43:11,676 --> 00:43:13,634
WHAT YOU GONNA DO
WITH ALL THAT STUFF?
613
00:43:13,678 --> 00:43:16,332
THAT AIN'’T WORTH NOTHING
UNLESS WE GET TO ALABAMA.
614
00:43:16,376 --> 00:43:18,508
HOW WE GOING
TO GET THERE ON $9.00?
615
00:43:18,552 --> 00:43:20,467
I CAN GET
SOME MONEY TOMORROW.
616
00:43:20,510 --> 00:43:23,470
WE CAN'’T WAIT
TILL TOMORROW.
617
00:43:23,513 --> 00:43:25,907
COPS GOING
TO BE SCRATCHING
UP THESE STREETS.
618
00:43:25,951 --> 00:43:28,606
THEY AIN'’T GOING
TO BE, THEY IS.
THEY'’RE HERE.
619
00:43:52,412 --> 00:43:54,109
ALL RIGHT,
LISTEN UP!
620
00:43:54,153 --> 00:43:55,763
I WANT EVERYBODY
OUT OF THERE.
621
00:43:55,807 --> 00:43:57,199
LET'’S GO.
622
00:44:03,641 --> 00:44:06,034
YOU AIN'’T GOING
TO SHOOT NOBODY,
IS YOU?
623
00:44:06,078 --> 00:44:07,688
I SURE DON'’T WANT TO.
624
00:44:07,732 --> 00:44:10,125
IF THE BOYS
GIVE UP THEIR GUNS.
625
00:44:10,169 --> 00:44:12,693
THEY AIN'’T GOT
NO GUNS.
626
00:44:12,737 --> 00:44:15,087
I WANT TO SEE
THEIR HANDS IN THE AIR,
627
00:44:15,130 --> 00:44:17,437
PALMS FACING ME.
LET'’S DO IT.
628
00:44:46,684 --> 00:44:47,859
RIGHT THERE.
629
00:44:56,215 --> 00:44:59,131
THIS WAS A VERY UNKIND
THING TO DO, GENTLEMEN.
630
00:45:32,555 --> 00:45:36,124
HI, BABY. I NEED
A HUG AND A KISS.
631
00:45:42,783 --> 00:45:45,960
THANK YOU, HON.
632
00:45:46,004 --> 00:45:48,789
WHEW! O.K.,
I'’M GOING TO GO BACK
TO THE STATION
633
00:45:48,833 --> 00:45:52,053
AND WE GOTTA BOOK
THOSE KIDS WE CAUGHT
AT THAT PAWNSHOP.
634
00:45:52,097 --> 00:45:55,535
WAIT. WAIT.
SOMEBODY'’S HERE.
635
00:45:55,578 --> 00:45:57,058
THEY WANT TO TALK
TO YOU.
636
00:45:57,102 --> 00:46:00,279
THEY WANT TO SEE YOU.
COME ON IN.
637
00:46:00,322 --> 00:46:01,628
WHO?
638
00:46:33,312 --> 00:46:34,400
OH...
639
00:46:34,443 --> 00:46:35,705
[LAUGHS]
43878
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