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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,047 --> 00:00:07,833 IN THE HEAT OF THE NIGHT 2 00:00:11,881 --> 00:00:16,059 I'VE GOT TROUBLES WALL TO WALL 3 00:00:20,107 --> 00:00:23,501 IN THE HEAT OF THE NIGHT 4 00:00:24,241 --> 00:00:25,590 YEAH 5 00:00:27,070 --> 00:00:30,682 MUST BE AN ENDING TO IT ALL 6 00:00:33,076 --> 00:00:34,034 OH 7 00:00:36,123 --> 00:00:37,863 BUT HOLD ON 8 00:00:39,691 --> 00:00:42,085 IT WON'T BE LONG 9 00:00:42,129 --> 00:00:44,000 JUST YOU BE STRONG 10 00:00:44,044 --> 00:00:46,133 AND IT'LL BE ALL RIGHT 11 00:00:50,093 --> 00:00:54,010 IN THE HEAT OF THE NIGHT 12 00:00:54,054 --> 00:00:58,188 IN THE HEAT OF THE NIGHT 13 00:01:20,471 --> 00:01:21,255 BYE, DADDY. 14 00:01:21,298 --> 00:01:23,039 BYE, HONEY. 15 00:01:23,083 --> 00:01:24,127 GOT YOUR LUNCH TICKET? 16 00:01:24,171 --> 00:01:25,215 YEP. 17 00:01:25,259 --> 00:01:26,347 HURRY UP. HURRY, HURRY. 18 00:01:32,004 --> 00:01:33,876 I'M NOT COMING RIGHT HOME AFTER SCHOOL. 19 00:01:33,919 --> 00:01:36,400 KAREN, BE HOME BY 6:00. I MEAN IT. 20 00:01:36,444 --> 00:01:37,706 GIMME A KISS. 21 00:01:37,749 --> 00:01:39,490 DO GOOD ON YOUR TEST. I LOVE YOU. 22 00:01:42,711 --> 00:01:44,147 BE CAREFUL. 23 00:01:45,453 --> 00:01:46,628 BYE. 24 00:01:46,671 --> 00:01:47,759 BYE. 25 00:02:03,384 --> 00:02:04,385 [DOOR CLOSES] 26 00:02:08,084 --> 00:02:09,477 DON'T FORGET YOUR BRIEFCASE. 27 00:02:09,520 --> 00:02:11,131 THANKS, HONEY. 28 00:02:12,306 --> 00:02:13,829 I HOPE ALL GOES WELL. 29 00:02:13,872 --> 00:02:15,047 I'LL CALL YOU. 30 00:02:15,091 --> 00:02:17,311 DON'T DRIVE FAST. THERE'S COPS AROUND. 31 00:02:18,050 --> 00:02:19,051 [DOOR CLOSES] 32 00:02:27,451 --> 00:02:28,452 [SIREN] 33 00:02:35,633 --> 00:02:36,939 COME ON. THAT'S IT. 34 00:02:38,549 --> 00:02:39,985 ALL RIGHT, COME ON THERE. 35 00:02:40,595 --> 00:02:42,249 BRING IT ON BACK. 36 00:02:43,511 --> 00:02:44,729 EASY, EASY. 37 00:02:57,916 --> 00:02:59,048 WHOA! 38 00:02:59,353 --> 00:03:00,745 HOLD IT. 39 00:03:03,574 --> 00:03:05,489 WHERE ARE YOU GOING? 40 00:03:05,533 --> 00:03:07,187 OFFICER, I'M LATE FOR WORK. 41 00:03:07,230 --> 00:03:08,492 SO IS EVERYBODY ELSE. 42 00:03:08,536 --> 00:03:10,494 BEST BE A LITTLE PATIENT. 43 00:03:10,538 --> 00:03:12,235 YOU'RE GOING TO MAKE A BAD MISTAKE. 44 00:03:19,242 --> 00:03:21,288 COME ON. GET OUT OF HERE. 45 00:03:22,463 --> 00:03:24,160 THANK YOU, OFFICER. 46 00:03:26,075 --> 00:03:27,642 COME ON, LET'S GO. COME ON. 47 00:03:48,532 --> 00:03:49,533 [DOG BARKS] 48 00:03:55,670 --> 00:03:57,541 [KNOCK ON DOOR] 49 00:03:57,585 --> 00:03:59,369 [DOORBELL CHIMES] 50 00:04:03,504 --> 00:04:04,592 HURRY UP. COME ON IN. 51 00:04:08,552 --> 00:04:10,728 LOOK, I'M SCARED. HE LEFT SOMETHING BEHIND. 52 00:04:10,772 --> 00:04:12,077 WILL HE COME BACK? 53 00:04:12,121 --> 00:04:13,296 MAYBE. 54 00:04:13,340 --> 00:04:14,776 LET'S NOT. NOT TODAY. 55 00:04:14,819 --> 00:04:18,301 YES, TODAY. NOW. CALL THE PLANT. 56 00:04:18,345 --> 00:04:19,476 HE'S NOT THERE YET. 57 00:04:19,520 --> 00:04:21,261 LEAVE WORD. 58 00:04:21,304 --> 00:04:23,263 IF HE WANTS WHATEVER HE LEFT, YOU'LL BRING IT. 59 00:04:24,655 --> 00:04:25,700 OK. 60 00:04:26,527 --> 00:04:27,528 [MOANS] 61 00:04:37,015 --> 00:04:38,365 MORNING. 62 00:04:38,408 --> 00:04:39,757 MORNING, ROY. 63 00:04:40,367 --> 00:04:41,455 MORNING, ROY. 64 00:04:41,498 --> 00:04:42,804 MORNING. 65 00:05:03,085 --> 00:05:04,347 JOHN, WHERE YOU BEEN? 66 00:05:04,391 --> 00:05:05,566 TRAFFIC TIE-UP. 67 00:05:05,609 --> 00:05:08,133 RELAX. WE GOT AN HOUR. 68 00:05:08,177 --> 00:05:10,484 IT'LL TAKE EVERY MINUTE TO GO OVER YOUR MATERIAL. 69 00:05:10,527 --> 00:05:13,661 LOOK, WE WRAP THIS THING UP, 70 00:05:13,704 --> 00:05:16,446 WE'LL TAKE SOME TIME OFF AND DROWN SOME WORMS. 71 00:05:16,490 --> 00:05:18,187 ARE WE READY? 72 00:05:18,230 --> 00:05:20,668 A TAKEOVER COULD COST US ALL OUR JOBS. 73 00:05:20,711 --> 00:05:22,583 NOT IF THEY ACCEPT. 74 00:05:22,626 --> 00:05:24,802 WE COULD DOUBLE PRODUCTION IN SIX MONTHS, 75 00:05:24,846 --> 00:05:26,456 RAISING OUR BONUSES. 76 00:05:26,500 --> 00:05:28,850 LET ME READ IT. 77 00:05:28,893 --> 00:05:31,287 I GOT IT BOILED DOWN TO 10 PAGES. 78 00:05:34,856 --> 00:05:36,031 DAMN! 79 00:05:36,074 --> 00:05:37,206 WHAT? 80 00:05:38,686 --> 00:05:40,340 I LEFT IT ON THE HALLWAY TABLE. 81 00:05:41,558 --> 00:05:43,212 JOHN, YOU NUT! 82 00:05:48,870 --> 00:05:50,350 NO MORE OF THIS. 83 00:06:18,334 --> 00:06:19,553 [DOOR OPENS] 84 00:06:21,729 --> 00:06:23,948 [BOTH MOANING] 85 00:06:59,984 --> 00:07:01,377 AAH! DON'T! 86 00:07:01,421 --> 00:07:03,423 [GUNSHOTS] 87 00:07:27,229 --> 00:07:28,360 JOHN! 88 00:07:30,145 --> 00:07:32,452 JOHN SEVRANCE, WHAT DID YOU DO? 89 00:07:47,467 --> 00:07:48,729 [INDISTINCT] 90 00:08:07,356 --> 00:08:08,618 THIS IS IT, HUH? 91 00:08:08,662 --> 00:08:10,315 YEAH, I GUESS. 92 00:08:12,840 --> 00:08:15,320 ROY? YOU GOING TO JOIN US? 93 00:08:15,364 --> 00:08:16,496 YEAH. 94 00:08:26,114 --> 00:08:27,289 THANK YOU. 95 00:08:28,377 --> 00:08:29,552 [RING] 96 00:08:31,380 --> 00:08:32,729 SPARTA POLICE, GOOD MORNING. 97 00:08:33,730 --> 00:08:35,340 WAIT A SECOND. TALK SLOWLY. 98 00:08:36,690 --> 00:08:38,169 YES. BUBBA. 99 00:08:38,213 --> 00:08:39,388 YEAH. 100 00:08:39,431 --> 00:08:40,868 MAN WITH A GUN ON BELVISTA. 101 00:08:40,911 --> 00:08:42,913 SHOOTING IN HIS HOUSE. 102 00:08:42,957 --> 00:08:45,437 OK. FAMILY NAME IS... 103 00:08:46,613 --> 00:08:48,310 SPELL IT. 104 00:08:48,353 --> 00:08:50,834 SEVRANCE. GOT IT. YES. 105 00:08:50,878 --> 00:08:52,488 YOUR NAME, PLEASE? 106 00:08:53,620 --> 00:08:55,143 AND ADDRESS? 107 00:08:56,448 --> 00:08:57,580 AND PHONE. 108 00:09:00,452 --> 00:09:01,497 DEE. YES, SIR? 109 00:09:01,541 --> 00:09:04,587 SEND A COUPLE OF CARS TO 74 BELVISTA. 110 00:09:04,631 --> 00:09:07,459 THE MAN IS ARMED. 111 00:09:07,503 --> 00:09:09,287 YOU TELL THEM BOYS TO USE THEIR HEADS. 112 00:09:09,331 --> 00:09:10,506 YES, SIR. 113 00:09:11,725 --> 00:09:14,205 ANY CARS IN VICINITY OF 74 BELVISTA... 114 00:09:19,167 --> 00:09:20,385 [RING] 115 00:09:23,693 --> 00:09:24,912 [RING] 116 00:09:26,435 --> 00:09:27,610 YEAH, WHAT? 117 00:09:27,654 --> 00:09:28,872 MORNING, CHIEF. 118 00:09:28,916 --> 00:09:30,221 REMEMBER A JOHN SEVRANCE? 119 00:09:31,875 --> 00:09:34,399 UH, THE NAME, YEAH. 120 00:09:34,443 --> 00:09:35,923 WHAT LINE OF WORK IS HE IN? 121 00:09:35,966 --> 00:09:37,359 I FORGET. 122 00:09:37,402 --> 00:09:39,709 WELL, WAIT. 123 00:09:39,753 --> 00:09:42,756 ISN'T THAT THE MAN WHO USED TO RUN THE CONCERTS IN THE PARK? 124 00:09:42,799 --> 00:09:44,366 I THINK HE DID. 125 00:09:44,409 --> 00:09:47,499 BUT THERE'S BEEN SOME SHOTS AT HIS HOUSE. 126 00:09:47,543 --> 00:09:49,110 THAT'S ON YOUR WAY. 127 00:09:49,153 --> 00:09:50,459 YOU MIGHT WANT TO DROP BY. 128 00:09:50,502 --> 00:09:52,461 YEAH, I'LL DROP BY. 129 00:09:52,504 --> 00:09:53,549 SEE YOU. 130 00:10:05,430 --> 00:10:06,736 MR. SEVRANCE. 131 00:10:08,608 --> 00:10:09,913 YES, MA'AM, STILL HERE. 132 00:10:09,957 --> 00:10:11,306 SORRY YOU HAD TO WAIT. 133 00:10:11,349 --> 00:10:12,568 KAREN'S NOT AT SCHOOL. 134 00:10:12,612 --> 00:10:15,484 SHE WENT ON A TRIP TO THE COLLEGE. 135 00:10:15,527 --> 00:10:17,573 OH, OK. 136 00:10:17,617 --> 00:10:19,401 I THOUGHT THAT WAS AN EVENING THING. 137 00:10:19,444 --> 00:10:20,532 ANYTHING URGENT? 138 00:10:20,576 --> 00:10:23,057 NO. NOT AT ALL. 139 00:10:23,100 --> 00:10:25,799 I GOT A PRICE ON AN ELECTRONIC KEYBOARD. 140 00:10:25,842 --> 00:10:28,105 IT WILL KEEP TILL I SEE HER. 141 00:10:28,149 --> 00:10:30,542 THANK YOU FOR ALL YOUR TROUBLE. 142 00:10:30,586 --> 00:10:32,153 BYE-BYE, NOW. 143 00:11:10,757 --> 00:11:12,584 GOOD MORNING. WHAT'S DOING? 144 00:11:12,628 --> 00:11:14,456 DOUBLE HOMICIDE. 145 00:11:14,499 --> 00:11:17,111 HUSBAND KILLED HIS WIFE AND HER BOYFRIEND. 146 00:11:17,154 --> 00:11:19,417 MRS. KOSH LIVES NEXT DOOR. 147 00:11:19,461 --> 00:11:21,071 SHE HEARD THE SHOTS 148 00:11:21,115 --> 00:11:24,292 AND SAW MR. SEVRANCE RUNNING OUT HOLDING A GUN. 149 00:11:24,335 --> 00:11:26,163 JOHN SEVRANCE'S WIFE IS MARGE. 150 00:11:26,860 --> 00:11:28,296 POOR MARGE. 151 00:11:28,339 --> 00:11:29,340 THE MAN IS CULLON WECKER. 152 00:11:30,777 --> 00:11:32,300 YOU KNOW THAT MAN? 153 00:11:32,343 --> 00:11:34,128 I KNOW HIM TO SEE COMING AND GOING, 154 00:11:34,171 --> 00:11:36,130 IF YOU KNOW WHAT I MEAN. 155 00:11:37,653 --> 00:11:38,436 SHE'S RIGHT. 156 00:11:38,480 --> 00:11:39,916 CULLON WECKER'S HIS NAME. 157 00:11:39,960 --> 00:11:42,919 I CHECKED HIS WALLET. HE MANAGES A RESTAURANT. 158 00:11:43,703 --> 00:11:45,705 THEY WERE MARRIED 17 YEARS. 159 00:11:45,748 --> 00:11:46,967 TWO CHILDREN-- 160 00:11:47,010 --> 00:11:48,533 10-YEAR-OLD TAD, 161 00:11:48,577 --> 00:11:50,579 DAUGHTER KAREN AT SPARTA HIGH. 162 00:11:50,622 --> 00:11:52,363 HERE'S A PICTURE OF THE FAMILY. 163 00:11:55,889 --> 00:11:59,109 IT'S FUNNY. I STOPPED HIM THIS MORNING. 164 00:11:59,153 --> 00:12:01,024 SAID HE WAS GOING TO WORK. 165 00:12:01,068 --> 00:12:02,373 WHERE'S THAT? 166 00:12:02,417 --> 00:12:03,635 THAIL RIVER MILL. 167 00:12:03,679 --> 00:12:05,420 HE WENT, BUT CAME BACK. 168 00:12:06,290 --> 00:12:08,640 I WISH HE HADN'T COME BACK. 169 00:12:08,684 --> 00:12:11,513 I ALREADY SENT OUT A DESCRIPTION OF HIM. 170 00:12:11,556 --> 00:12:14,211 FIND HIM BEFORE HE DOES ANYMORE HARM. 171 00:12:14,255 --> 00:12:15,647 YOU THINK HE MIGHT? 172 00:12:15,691 --> 00:12:18,563 WELL, WHEN A MAN GETS CRAZY LIKE THAT... 173 00:12:42,457 --> 00:12:45,547 HE HIT THEM CLOSE WITH A LARGE WEAPON, LIKE A .45. 174 00:12:46,853 --> 00:12:48,550 I THOUGHT I'D GO BY THE BOY'S SCHOOL 175 00:12:48,593 --> 00:12:50,682 IF YOU THINK I SHOULD. 176 00:12:50,726 --> 00:12:52,336 YEAH. 177 00:12:52,380 --> 00:12:54,948 THEN I COULD HAVE MRS. TIBBS TALK TO THE DAUGHTER. 178 00:12:55,992 --> 00:12:59,126 WELL, YOU PICK UP THE BOY, 179 00:12:59,169 --> 00:13:01,345 TAKE HIM TO HIS SISTER'S SCHOOL, 180 00:13:01,389 --> 00:13:02,869 THEN MAYBE MRS. TIBBS 181 00:13:02,912 --> 00:13:06,394 CAN HELP YOU TELL BOTH OF THEM, YOU KNOW. 182 00:13:07,438 --> 00:13:08,962 I CAN ALERT HER. 183 00:13:12,792 --> 00:13:14,445 LOOKS LIKE A SIMPLE CRIME OF PASSION. 184 00:13:15,620 --> 00:13:16,926 YEAH, SIMPLE. 185 00:13:18,014 --> 00:13:19,755 IT'S A TERRIBLE MESS ALL THE SAME. 186 00:13:21,757 --> 00:13:23,846 THERE MAY BE WORSE TO COME. 187 00:13:47,435 --> 00:13:48,610 PLEASE TELL ME. 188 00:13:48,653 --> 00:13:50,699 I HAVEN'T DONE ANYTHING WRONG. 189 00:13:50,742 --> 00:13:52,701 IS IT MY SISTER? 190 00:13:52,744 --> 00:13:54,659 IT'S A FAMILY MATTER, TAD. 191 00:13:54,703 --> 00:13:56,444 THEY'LL TELL YOU IN THERE. 192 00:13:58,185 --> 00:13:59,447 ANYWAY, I THINK MAYBE-- 193 00:14:00,840 --> 00:14:02,276 I'LL GET BACK TO YOU, OK? 194 00:14:02,319 --> 00:14:03,451 SURE. 195 00:14:05,757 --> 00:14:07,672 HI, TAD. I'M MRS. TIBBS. 196 00:14:08,630 --> 00:14:11,720 WOULD YOU SIT OVER HERE FOR A SECOND? 197 00:14:11,763 --> 00:14:13,853 I'D LIKE TO TALK TO OFFICER SWEET, OK? 198 00:14:29,390 --> 00:14:30,565 HAVE YOU TOLD HIM ANYTHING? 199 00:14:30,608 --> 00:14:31,958 NOPE. NO GUTS. 200 00:14:32,872 --> 00:14:34,177 THE CHIEF CALLED HIS AUNT. 201 00:14:34,221 --> 00:14:36,353 SHE'S ON HER WAY. 202 00:14:37,877 --> 00:14:39,835 WHERE'S TAD'S SISTER? 203 00:14:39,879 --> 00:14:41,445 SHE'S NOT HERE RIGHT NOW. 204 00:14:41,489 --> 00:14:43,534 SWEET, HER FATHER CALLED. 205 00:14:43,578 --> 00:14:44,709 FROM WHERE? 206 00:14:44,753 --> 00:14:45,797 I DON'T KNOW. 207 00:14:45,841 --> 00:14:47,321 WHERE'S KAREN? 208 00:14:47,364 --> 00:14:48,670 ON A FIELD TRIP. 209 00:14:48,713 --> 00:14:49,932 WE MUST FIND HER. 210 00:14:49,976 --> 00:14:51,499 WAIT. WHY? 211 00:14:51,542 --> 00:14:53,718 WE'RE WORRIED ABOUT HER FATHER. 212 00:14:53,762 --> 00:14:55,851 YOU THINK HE'D HURT HIS KIDS? 213 00:14:55,895 --> 00:14:57,244 HE KILLED HIS WIFE. 214 00:14:57,287 --> 00:14:59,028 WE DON'T KNOW WHAT'S GOING ON. 215 00:15:22,443 --> 00:15:23,531 VERY INFORMATIVE. 216 00:15:23,574 --> 00:15:24,924 THANK YOU. BYE-BYE. 217 00:15:24,967 --> 00:15:26,926 [ORGAN PLAYS] 218 00:15:28,014 --> 00:15:29,711 YOU ARE HEARING WHAT? 219 00:15:31,147 --> 00:15:32,670 BACH TOCCATA AND FUGUE. 220 00:15:32,714 --> 00:15:34,281 RIGHT. AND IT'S NOT A RECORDING. 221 00:15:34,324 --> 00:15:38,024 SOMEONE'S PLAYING IT IN THE AUDITORIUM. 222 00:15:38,067 --> 00:15:41,505 PIANO AND ORGAN STUDENTS WILL NOTE 223 00:15:41,549 --> 00:15:43,812 IT IS ONE OF WURLITZER'S FIRST GREAT ORGANS, 224 00:15:43,855 --> 00:15:45,596 DONATED BY THE CHALMISS FAMILY, 225 00:15:45,640 --> 00:15:47,337 WHO ORIGINALLY FOUNDED SPARTA. 226 00:15:47,381 --> 00:15:50,819 AND I HAVE $20 FROM MY DADDY 227 00:15:50,862 --> 00:15:53,561 TO CONTRIBUTE TO THAT ORGAN'S MAINTENANCE. 228 00:15:53,604 --> 00:15:55,476 YOUR DADDY IS MOST KIND. 229 00:16:33,818 --> 00:16:36,343 CHIEF, AN OLD DIRT ROAD LEADS OUT TO THAT LAKE. 230 00:16:38,606 --> 00:16:40,869 NO WORD ON JOHN SEVRANCE. 231 00:16:40,912 --> 00:16:43,045 KAREN ISN'T IN SCHOOL. SHE'S ON A FIELD TRIP. 232 00:16:43,089 --> 00:16:44,481 WHO'S ON THE PHONE? 233 00:16:44,525 --> 00:16:45,656 SWEET. 234 00:16:45,700 --> 00:16:47,354 LET ME TALK TO HIM. 235 00:16:49,051 --> 00:16:51,271 WHAT KIND OF FIELD TRIP? 236 00:16:51,314 --> 00:16:53,360 TO THE COLLEGE. 237 00:16:53,403 --> 00:16:55,797 YOU WAIT WHERE YOU ARE 238 00:16:55,840 --> 00:16:57,146 FOR THE KID'S RELATIVES TO TURN UP. 239 00:16:57,799 --> 00:17:00,280 MAKE SURE HE GOES WITH THEM. 240 00:17:00,889 --> 00:17:02,064 YES, SIR. 241 00:17:02,108 --> 00:17:03,631 [BELL RINGS] 242 00:17:04,327 --> 00:17:05,546 WANT ME TO COME? 243 00:17:05,589 --> 00:17:07,939 NO, NO. JUST ME, I THINK. 244 00:17:08,462 --> 00:17:10,507 I DON'T KNOW. 245 00:17:10,551 --> 00:17:12,683 VIRGIL ALWAYS TOLD ME TO KEEP IT SIMPLE. 246 00:17:14,250 --> 00:17:15,599 I'LL TRY. 247 00:17:23,694 --> 00:17:24,782 TAD. 248 00:17:29,004 --> 00:17:30,832 HONEY, I WANT YOU TO GET READY 249 00:17:30,875 --> 00:17:32,747 FOR SOME VERY SAD NEWS. 250 00:17:33,487 --> 00:17:34,531 OK. 251 00:17:36,490 --> 00:17:38,666 THERE WAS SOME TROUBLE AT YOUR HOUSE 252 00:17:38,709 --> 00:17:40,363 BETWEEN YOUR MOTHER AND YOUR FATHER. 253 00:17:42,322 --> 00:17:43,888 YOU MEAN A FIGHT? 254 00:17:45,499 --> 00:17:46,630 YEAH. 255 00:17:47,892 --> 00:17:50,025 YOUR DAD CAME HOME, 256 00:17:50,069 --> 00:17:51,853 AND THERE WAS ANOTHER MAN AT YOUR HOUSE, 257 00:17:51,896 --> 00:17:54,421 A FRIEND OF YOUR MOTHER'S, 258 00:17:54,464 --> 00:17:56,249 SOMEONE YOUR DAD DIDN'T LIKE. 259 00:17:56,292 --> 00:17:58,338 WAS THE MAN CULLON WECKER? 260 00:18:00,775 --> 00:18:02,690 I DON'T KNOW HIS NAME. 261 00:18:03,517 --> 00:18:05,040 WERE THEY IN BED TOGETHER? 262 00:18:07,738 --> 00:18:09,436 YES, TAD, THEY WERE. 263 00:18:10,045 --> 00:18:11,351 AND MY DAD... 264 00:18:11,916 --> 00:18:13,570 WHAT DID HE DO? 265 00:18:14,528 --> 00:18:16,356 HE SHOT THEM. 266 00:18:16,399 --> 00:18:18,097 THAT'S WHAT HE SAID HE'D DO... 267 00:18:19,881 --> 00:18:21,100 IF THEY EVER DID THAT AGAIN. 268 00:18:51,913 --> 00:18:53,784 HERE'S THE TWO I FOUND. 269 00:18:55,395 --> 00:18:57,223 THEY'RE .45s, ALL RIGHT. 270 00:18:58,485 --> 00:19:00,922 THEY LOOK JUST LIKE THE ONES WE FOUND ON THE FLOOR BY THE BED, 271 00:19:01,923 --> 00:19:04,143 FIRED AT 4 OR 5 FEET. 272 00:19:04,186 --> 00:19:05,622 YOU'LL NEED TO SIGN FOR THOSE. 273 00:19:07,798 --> 00:19:10,018 YOU KNOW, I DELIVERED THIS WOMAN OF HER SECOND CHILD. 274 00:19:11,976 --> 00:19:14,544 JOHN SEVRANCE NEVER BELIEVED THAT CHILD WAS HIS. 275 00:19:15,241 --> 00:19:17,460 WHOSE DID HE THINK? 276 00:19:17,504 --> 00:19:19,027 THIS UNFORTUNATE FELLA HERE. 277 00:19:41,180 --> 00:19:42,355 KAREN. 278 00:19:43,094 --> 00:19:44,400 DADDY! WHY ARE YOU HERE? 279 00:19:46,620 --> 00:19:48,970 I'M SORRY. SOMETHING'S COME UP. 280 00:19:50,058 --> 00:19:51,190 WHAT? 281 00:19:53,366 --> 00:19:54,802 YOU GOT TO COME AWAY WITH ME. 282 00:19:59,285 --> 00:20:01,025 IT'S VERY PRIVATE, HON. 283 00:20:01,069 --> 00:20:02,853 WE HAVE TO HURRY. THE CAR'S OVER HERE. 284 00:20:05,204 --> 00:20:06,901 MR. SEVRANCE! 285 00:20:06,944 --> 00:20:08,468 MR. SEVRANCE, IS THERE A PROBLEM? 286 00:20:08,511 --> 00:20:10,644 I HAVE TO TAKE KAREN. 287 00:20:10,687 --> 00:20:12,776 KIND OF A FAMILY EMERGENCY. 288 00:20:12,820 --> 00:20:14,169 I'M SORRY. 289 00:20:14,213 --> 00:20:15,605 IS IT SOMETHING ABOUT TAD? 290 00:20:16,127 --> 00:20:17,825 NO, HONEY. 291 00:20:17,868 --> 00:20:19,000 MAMA? 292 00:20:20,262 --> 00:20:22,699 I'LL EXPLAIN ON THE WAY TO THE CABIN. 293 00:20:22,743 --> 00:20:24,005 WHY THERE? 294 00:20:24,048 --> 00:20:25,876 I'LL EXPLAIN. 295 00:20:25,920 --> 00:20:29,053 WELL, I HOPE EVERYTHING WILL BE ALL RIGHT. 296 00:20:36,409 --> 00:20:39,063 THEM PICTURES WAS TAKEN UP BY PURVIS LAKE. 297 00:20:39,107 --> 00:20:40,587 UH-HUH. 298 00:20:40,630 --> 00:20:42,371 THINK HE MIGHT GO THERE? 299 00:20:42,415 --> 00:20:45,026 WHY? MAYBE, BUT WHY? 300 00:20:45,069 --> 00:20:47,028 CAN I COME IN? 301 00:20:47,071 --> 00:20:48,203 SURE, SIT DOWN. 302 00:20:48,247 --> 00:20:50,031 I LIKE YOUR OLD MUG. 303 00:20:50,074 --> 00:20:52,251 ANYTHING MORE DELICATE THAN THAT 304 00:20:52,294 --> 00:20:54,253 GETS BUSTED AROUND HERE. 305 00:20:57,168 --> 00:20:59,040 I WAS MARGE SEVRANCE'S DOCTOR 306 00:20:59,083 --> 00:21:00,955 WHEN SHE WAS IN HIGH SCHOOL. 307 00:21:00,998 --> 00:21:03,697 DO YOU THINK JOHN KNEW ABOUT HIS WIFE 308 00:21:03,740 --> 00:21:05,525 BEFORE TODAY? 309 00:21:05,568 --> 00:21:07,309 I HAVE TO THINK HE DID. 310 00:21:07,353 --> 00:21:09,137 IT'S BEEN GOING ON FOR YEARS. 311 00:21:09,180 --> 00:21:10,530 REALLY? 312 00:21:10,573 --> 00:21:13,097 MARGE AND CULLON WERE HIGH SCHOOL SWEETHEARTS. 313 00:21:14,185 --> 00:21:16,623 WHY DID SHE MARRY JOHN? 314 00:21:16,666 --> 00:21:18,668 WELL, ACCORDING TO MY WIFE, 315 00:21:18,712 --> 00:21:20,322 IT WAS SPITE. 316 00:21:20,366 --> 00:21:22,716 CULLON WAS FOOLING AROUND WITH SOME OTHER GIRL. 317 00:21:23,238 --> 00:21:25,414 SO ALL THESE YEARS, 318 00:21:25,458 --> 00:21:28,635 JOHN SEVRANCE KNEW HIS WIFE WAS HAVING A THING 319 00:21:28,678 --> 00:21:30,941 WITH THIS FELLA CULLON WECKER? 320 00:21:32,160 --> 00:21:33,814 WHY DIDN'T JOHN LEAVE HIS WIFE? 321 00:21:34,728 --> 00:21:36,033 WHO CAN SAY WHY ANY MAN 322 00:21:36,077 --> 00:21:39,036 DOES OR DOESN'T LEAVE HIS WIFE? 323 00:21:39,080 --> 00:21:41,300 I SUPPOSE HE WAS DEVOTED TO HIS CHILDREN, 324 00:21:42,997 --> 00:21:44,346 EVEN IF, UH... 325 00:21:46,653 --> 00:21:48,263 EVEN IF, UH, WHAT? 326 00:21:51,701 --> 00:21:54,095 MARGE TOLD ME JOHN NEVER BELIEVED 327 00:21:54,138 --> 00:21:55,792 TAD WAS REALLY HIS. 328 00:21:56,924 --> 00:21:59,405 THOUGHT MAYBE HE WAS CULLON WECKER'S. 329 00:21:59,448 --> 00:22:02,233 DIDN'T YOU SAY HE WAS DEVOTED TO THE BOY? 330 00:22:03,104 --> 00:22:05,628 I THINK SO. 331 00:22:05,672 --> 00:22:07,804 THOUGH IT WAS MARGE'S IDEA THAT HE WASN'T. 332 00:22:11,199 --> 00:22:12,200 MAYBE HE NEVER BELIEVED 333 00:22:12,243 --> 00:22:14,028 THE GIRL WAS HIS, EITHER. 334 00:22:18,337 --> 00:22:20,991 THIS MAN COULD BE DANGEROUS TO BOTH THE CHILDREN. 335 00:22:45,146 --> 00:22:46,321 WHERE'S THE GIRL? 336 00:22:46,365 --> 00:22:47,496 HER FATHER GOT HER. 337 00:22:47,540 --> 00:22:49,585 WHEN? ABOUT 20 MINUTES AGO. 338 00:22:49,629 --> 00:22:52,501 HE SAID, "WE'RE GOING TO THE CABIN"? 339 00:22:52,545 --> 00:22:55,199 I THINK SO. I HEARD "CABIN." 340 00:22:56,331 --> 00:22:57,724 THANK YOU. 341 00:23:02,032 --> 00:23:04,165 DID SOMETHING BAD HAPPEN TO KAREN'S MOTHER? 342 00:23:04,948 --> 00:23:06,297 I'M AFRAID SO, SIR. 343 00:23:06,341 --> 00:23:07,951 KAREN SEEMED SO SCARED. 344 00:23:07,995 --> 00:23:09,649 I'M WORRIED ABOUT HER. 345 00:23:09,692 --> 00:23:11,259 WE'RE WORRIED ABOUT HER, TOO. 346 00:23:11,302 --> 00:23:12,913 REAL WORRIED. 347 00:23:33,586 --> 00:23:35,414 HERE, DADDY. 348 00:23:35,457 --> 00:23:37,198 PUT MINE ON THE SEAT. 349 00:23:42,508 --> 00:23:43,987 DADDY? 350 00:23:44,031 --> 00:23:45,380 YES, HON? 351 00:23:46,555 --> 00:23:48,818 I GET THE FEELING SOMETHING'S CHANGED WITH YOU. 352 00:23:51,125 --> 00:23:52,474 YES, IT HAS. YOU'RE RIGHT. 353 00:23:53,736 --> 00:23:55,259 CAN I GUESS? 354 00:23:56,739 --> 00:23:58,959 I WANTED TO WAIT AND TELL YOU AT THE CABIN. 355 00:24:00,047 --> 00:24:01,614 YOU'VE STAYED AS LONG AS YOU CAN, 356 00:24:01,657 --> 00:24:03,267 AND YOU'RE GOING TO LEAVE US NOW. 357 00:24:05,748 --> 00:24:08,272 YES, DARLING. THAT'S RIGHT. I'M LEAVING. 358 00:24:08,316 --> 00:24:10,492 BUT YOU'RE JUST LEAVING MAMA, NOT US. 359 00:24:11,928 --> 00:24:13,582 I WANT TO TALK ABOUT ALL THAT-- 360 00:24:13,626 --> 00:24:15,802 WHAT I WANT YOU TO DO WHEN I'M GONE. 361 00:24:15,845 --> 00:24:17,673 LET'S GET TO THE CABIN FIRST, OK? 362 00:24:18,892 --> 00:24:19,936 OK. 363 00:24:40,479 --> 00:24:42,089 JAMISON, ARE YOU ON? 364 00:24:42,132 --> 00:24:44,526 YEAH. THE FATHER BEAT US TO THE COLLEGE. 365 00:24:44,570 --> 00:24:45,962 HE ALREADY GOT THE GIRL. 366 00:24:46,006 --> 00:24:49,923 A WITNESS OVERHEARD SOMETHING ABOUT A CABIN. 367 00:24:49,966 --> 00:24:51,533 GO TO PURVIS LAKE. 368 00:24:51,577 --> 00:24:54,231 THAT'S WHERE THE CABIN IS. WHERE'S SWEET? 369 00:24:54,841 --> 00:24:56,756 HE'S RIGHT BEHIND ME. 370 00:24:56,799 --> 00:24:58,409 I'M ON. 371 00:24:58,453 --> 00:25:03,153 YOU TAKE OLD COUNTY ROAD 211 TO PURVIS LAKE. 372 00:25:03,197 --> 00:25:05,678 THAT'S THE WAY OUT OF THERE, YOU UNDERSTAND? 373 00:25:05,721 --> 00:25:08,376 NOW, IF YOU DON'T MEET SEVRANCE COMING OUT, 374 00:25:08,419 --> 00:25:09,595 JUST KEEP ON GOING 375 00:25:09,638 --> 00:25:11,814 TILL YOU RUN INTO JAMISON AT THE CABIN. 376 00:25:11,858 --> 00:25:14,338 WE'LL ALSO BE THERE. OK, CHIEF. 377 00:25:14,382 --> 00:25:18,560 DO NOT APPROACH OR TRY TO ENTER THAT CABIN 378 00:25:18,604 --> 00:25:20,997 TILL I'VE TALKED TO THE MAN. 379 00:25:21,041 --> 00:25:22,869 WE HAVEN'T TALKED YET. THE PHONE ISN'T WORKING. 380 00:25:23,739 --> 00:25:24,914 YES, SIR. 381 00:25:24,958 --> 00:25:26,307 YES, SIR. 382 00:25:42,802 --> 00:25:45,587 TAD AND I ALWAYS KNEW ABOUT CULLON WECKER. 383 00:25:45,631 --> 00:25:47,371 I THINK YOU KNEW WE KNEW. 384 00:25:50,679 --> 00:25:51,637 I DID. 385 00:25:52,942 --> 00:25:55,597 I DON'T KNOW IF YOU FOUGHT ABOUT IT MUCH. 386 00:25:55,641 --> 00:25:57,077 I ONLY REMEMBER ONE FIGHT. 387 00:25:58,252 --> 00:25:59,645 THERE WERE ONLY A COUPLE OF FIGHTS. 388 00:26:01,560 --> 00:26:04,475 MISSY MORELAND'S DADDY LEFT HER MAMA OVER A THING LIKE THIS. 389 00:26:06,869 --> 00:26:09,611 I HAVE ANOTHER FRIEND-- HER DADDY'S THE ONE WHO FOOLS AROUND. 390 00:26:10,917 --> 00:26:13,354 HER MAMA'S KIND OF LIKE YOU-- 391 00:26:13,397 --> 00:26:15,661 I MEAN, SHE DOESN'T SAY MUCH ABOUT IT. 392 00:26:15,704 --> 00:26:19,447 WELL, WHEN YOU'VE SAID "STOP," THERE'S NOT MUCH ELSE TO SAY. 393 00:26:20,056 --> 00:26:22,363 THEY STOP OR THEY DON'T. 394 00:26:22,406 --> 00:26:24,495 YOU STAY OR YOU LEAVE. 395 00:26:24,539 --> 00:26:27,107 IF YOU GOT KIDS YOU LOVE A WHOLE LOT... 396 00:26:29,849 --> 00:26:33,113 I WISH YOU HADN'T GONE THROUGH ALL THAT SUFFERING JUST FOR US. 397 00:26:33,156 --> 00:26:34,680 HONEY, IT WASN'T ALL SUFFERING. 398 00:26:34,723 --> 00:26:36,595 YOU KIDS ARE THE REASON WHY IT WASN'T. 399 00:26:38,161 --> 00:26:39,902 SOMEDAY, WHEN YOU'RE A MAMA, 400 00:26:39,946 --> 00:26:41,730 YOU'LL REALIZE HOW MUCH JOY 401 00:26:41,774 --> 00:26:44,167 DARLING KIDS CAN ADD TO YOUR LIFE, 402 00:26:44,211 --> 00:26:46,474 AND HOW MUCH YOU AND TAD ADDED TO MINE. 403 00:27:00,967 --> 00:27:05,145 TAD, HONEY, THEY TOLD US WHAT HAPPENED, 404 00:27:05,188 --> 00:27:06,929 AND WE'RE HERE FOR YOU. 405 00:27:06,973 --> 00:27:08,975 WE'RE THE LOOMISES. 406 00:27:09,018 --> 00:27:11,542 I'M DAN, AND THAT'S MY WIFE MARTA. 407 00:27:11,586 --> 00:27:12,805 I'M ALTHEA TIBBS. 408 00:27:12,848 --> 00:27:14,850 I KNOW KAREN WELL. 409 00:27:14,894 --> 00:27:16,678 TAD AND I JUST MET. 410 00:27:16,722 --> 00:27:18,854 DID THEY TELL YOU WHAT DADDY DID? 411 00:27:18,898 --> 00:27:21,117 YES. THEY TOLD US. 412 00:27:22,510 --> 00:27:24,164 I KNEW HE WAS GOING TO DO IT. 413 00:27:25,731 --> 00:27:27,820 I HEARD HIM SAY SO. 414 00:27:27,863 --> 00:27:29,473 A COUPLE OF TIMES. 415 00:27:30,257 --> 00:27:31,737 DID YOU EVER HEAR HIM SAY SO? 416 00:27:37,960 --> 00:27:39,266 DID YOU? 417 00:27:41,747 --> 00:27:43,574 WE MAY HAVE, SON. 418 00:27:44,837 --> 00:27:46,099 WELL, YEAH. 419 00:27:46,142 --> 00:27:49,406 BUT YOU ALWAYS HEAR ABOUT PEOPLE GETTING MAD, 420 00:27:49,450 --> 00:27:52,540 TALKING ABOUT THE AWFUL THINGS THEY'RE GOING TO DO. 421 00:27:52,583 --> 00:27:55,543 AND NOTHING YOU CAN DO ABOUT IT, IS THERE? 422 00:27:55,586 --> 00:27:57,327 WE JUST DIDN'T THINK HE MEANT IT, SON. 423 00:27:59,155 --> 00:28:00,374 I DID. 424 00:28:22,135 --> 00:28:23,789 I GOT SEVRANCE'S WAGON. 425 00:28:23,832 --> 00:28:25,007 HE'S GOT THE GIRL BESIDE HIM. 426 00:28:25,051 --> 00:28:28,707 HE'S HEADING FOR THE PURVIS LAKE EXIT. 427 00:28:28,750 --> 00:28:31,666 DON'T PUSH HIM. JUST KEEP HIM IN SIGHT. 428 00:28:31,710 --> 00:28:33,015 HE DOESN'T SEEM TO BE RUNNING. 429 00:28:33,059 --> 00:28:35,714 IS THAT GOOD OR BAD? 430 00:28:35,757 --> 00:28:38,499 DEPENDS WHAT HE MEANS TO DO WITH THAT GIRL. 431 00:28:38,542 --> 00:28:40,849 DEPENDS ON WHAT HE MEANS TO DO WITH THAT GIRL. 432 00:28:49,815 --> 00:28:51,860 THIS IS A BIB PROBLEM. 433 00:28:51,904 --> 00:28:53,383 HOW YOU GOING TO HANDLE THIS? 434 00:28:54,950 --> 00:28:57,344 THE BOY CAN'T GO TO PASCAGOULA. 435 00:28:57,387 --> 00:28:59,738 HIS MAWMAW IS JUST TOO DELICATE. SHE'S GETTING ON-- 436 00:28:59,781 --> 00:29:01,565 62 ISN'T GETTING ON. 437 00:29:01,609 --> 00:29:02,958 AND MY MOTHER HAS MONEY 438 00:29:03,002 --> 00:29:04,612 AND DOMESTIC HELP. 439 00:29:04,655 --> 00:29:07,093 TAD LIKES HER. SO DOES KAREN. 440 00:29:07,136 --> 00:29:09,878 WHAT I DIDN'T WANT TO TELL YOU IS 441 00:29:09,922 --> 00:29:11,880 WHEN I TOLD YOUR MAMA WHAT HAPPENED, 442 00:29:11,924 --> 00:29:14,970 SHE WENT INTO SHOCK, COULDN'T TALK. 443 00:29:15,014 --> 00:29:16,972 SHE ALWAYS DOES THAT. 444 00:29:17,016 --> 00:29:18,844 SHE DROPPED THE PHONE. 445 00:29:26,503 --> 00:29:29,855 ONE OF THE MAIDS HELPED HER TO THE SOFA. 446 00:29:29,898 --> 00:29:31,857 THEN SHE TALKED WITH ME. 447 00:29:31,900 --> 00:29:34,337 MRS. TIBBS, FOLKS, EXCUSE ME. 448 00:29:34,381 --> 00:29:38,080 THE CHIEF WANTS ME TO BRING YOU-ALL OUT TO PURVIS LAKE. 449 00:29:39,125 --> 00:29:40,604 WHY? WHO'S THERE? 450 00:29:40,648 --> 00:29:42,215 MR. SEVRANCE AND KAREN. 451 00:29:42,258 --> 00:29:43,738 WE DON'T WANT TO BUST IN, 452 00:29:43,782 --> 00:29:45,218 AND HE'S NOT COMING OUT. 453 00:29:45,261 --> 00:29:48,961 MAYBE YOU COULD HELP US SOLVE THIS SITUATION. 454 00:29:49,004 --> 00:29:50,484 WHAT'S HE GOING TO DO TO THAT CHILD? 455 00:29:50,527 --> 00:29:52,878 NOTHING, MA'AM. WE HOPE. 456 00:29:52,921 --> 00:29:55,097 LET'S GET OUT TO THE LAKE. 457 00:29:55,141 --> 00:29:56,751 GOD, GOD, GOD. 458 00:29:58,622 --> 00:30:00,799 THE MAN IS A GOOD MANAGER. 459 00:30:00,842 --> 00:30:03,845 HE'S A DEACON OF HIS CHURCH. 460 00:30:03,889 --> 00:30:05,542 HE DESIGNED THE YOUTH CENTER. 461 00:30:05,586 --> 00:30:07,718 HE STARTED THE SPARTA CITIZENS' ORCHESTRA. 462 00:30:08,807 --> 00:30:10,156 WHAT HAPPENED? 463 00:30:10,983 --> 00:30:12,636 WHAT HAPPENED? 464 00:30:13,159 --> 00:30:14,813 RIGHT THIS WAY, FOLKS. 465 00:30:22,821 --> 00:30:24,387 [CAR DOORS OPEN] 466 00:30:32,743 --> 00:30:34,789 [SIRENS] 467 00:30:51,937 --> 00:30:53,982 [GUNSHOTS] 468 00:30:57,681 --> 00:31:00,902 WHAT ARE YOU DOING? WHO YOU SHOOTING AT? 469 00:31:05,037 --> 00:31:06,995 DID HE HIT ANYTHING? 470 00:31:07,039 --> 00:31:09,345 UH-UH. I DIDN'T EVEN HEAR NO RICOCHETS. 471 00:31:10,433 --> 00:31:12,218 DID HE HIT ANYTHING? 472 00:31:12,261 --> 00:31:14,263 NOTHING OVER HERE. 473 00:31:14,307 --> 00:31:16,352 I DON'T EVEN THINK HE AIMED AT ANYTHING. 474 00:31:19,486 --> 00:31:21,488 DADDY, THIS IS CRAZY. 475 00:31:21,531 --> 00:31:23,272 DADDY, WHAT ARE YOU DOING? 476 00:31:25,100 --> 00:31:27,146 DADDY, TALK TO ME, PLEASE! 477 00:31:28,321 --> 00:31:30,149 WHY DID THE POLICE FOLLOW US HERE? 478 00:31:31,672 --> 00:31:33,543 DADDY, WHY ARE WE HERE? 479 00:31:35,067 --> 00:31:37,330 DADDY, IF YOU DON'T TELL ME, I'M LEAVING. 480 00:31:37,373 --> 00:31:39,462 YOU MUSTN'T DO THAT, KAREN. 481 00:31:39,506 --> 00:31:41,638 WHY? YOU GOING TO SHOOT ME? 482 00:31:41,682 --> 00:31:43,902 WHAT? COME HERE. 483 00:31:46,687 --> 00:31:49,037 NO, MY DARLING. I WOULD NEVER, NEVER, NEVER, 484 00:31:49,081 --> 00:31:50,473 NEVER HARM YOU FOR ANYTHING. 485 00:31:51,387 --> 00:31:53,302 I LOVE YOU SO MUCH. 486 00:31:55,348 --> 00:31:57,045 YOU CAN GO IF YOU WANT TO. 487 00:31:57,089 --> 00:31:59,482 I'LL TELL THOSE COPS. 488 00:31:59,526 --> 00:32:01,702 THEN I'LL JUST OPEN THE DOOR AND LET YOU GO. 489 00:32:03,356 --> 00:32:05,575 I JUST WISH YOU'D STAY, 490 00:32:05,619 --> 00:32:08,187 SO I CAN TELL YOU ALL THE THINGS I WANT TO TELL YOU. 491 00:32:10,319 --> 00:32:12,321 MAKE ME FEEL A WHOLE LOT BETTER LEAVING. 492 00:32:14,976 --> 00:32:16,282 BUT TO WHERE? 493 00:32:18,153 --> 00:32:20,373 DADDY, THE POLICE ARE HERE. THEY WANT YOU. 494 00:32:21,678 --> 00:32:22,766 WHY? 495 00:32:24,507 --> 00:32:26,945 DADDY, WHAT DO THEY WANT YOU FOR? 496 00:32:28,424 --> 00:32:30,731 THEY WANT TO KEEP ME FROM LEAVING, I GUESS... 497 00:32:32,428 --> 00:32:35,127 THE WAY I MUST LEAVE. 498 00:32:35,170 --> 00:32:38,347 OH, DADDY. YOU'RE NOT GOING TO KILL YOURSELF, ARE YOU? 499 00:32:38,391 --> 00:32:40,393 PLEASE SAY YOU'RE NOT, DADDY. 500 00:32:40,436 --> 00:32:42,134 HONEY, NOW, PLEASE. 501 00:32:42,177 --> 00:32:44,571 I CAN'T TAKE THAT, KAREN. 502 00:32:44,614 --> 00:32:45,876 I CAN'T DEAL WITH A BABY. 503 00:32:47,530 --> 00:32:49,358 WHAT I MUST SEE BEFORE ME NOW, 504 00:32:49,402 --> 00:32:51,012 BEFORE I GO, 505 00:32:51,056 --> 00:32:52,535 A YOUNG WOMAN... 506 00:32:54,407 --> 00:32:58,193 WITH INTELLIGENCE AND MATURITY AND STRENGTH. 507 00:32:59,194 --> 00:33:00,891 MAKE THAT YOUR LAST GIFT TO ME-- 508 00:33:02,502 --> 00:33:03,938 TO LET ME SEE THAT YOUNG WOMAN. 509 00:33:06,767 --> 00:33:10,379 AND THEN I CAN END MY LIFE. 510 00:33:12,468 --> 00:33:13,556 NO. 511 00:33:13,600 --> 00:33:14,601 I WILL. 512 00:33:15,732 --> 00:33:17,125 NO, DADDY. 513 00:33:19,301 --> 00:33:20,346 NO. 514 00:33:35,187 --> 00:33:36,579 HERE'S PARKER. 515 00:33:46,763 --> 00:33:48,809 CHIEF, I'M DAN LOOMIS. 516 00:33:48,852 --> 00:33:50,115 THIS IS MY WIFE MARTA, 517 00:33:50,158 --> 00:33:52,030 AND THAT'S TAD SEVRANCE BACK THERE IN THE CAR. 518 00:33:53,683 --> 00:33:55,468 WHAT'S JOHN DOING IN THERE? 519 00:33:56,599 --> 00:33:57,687 I SUPPOSE HE'S IN THERE 520 00:33:57,731 --> 00:33:59,515 TALKING TO HIS DAUGHTER, 521 00:33:59,559 --> 00:34:02,083 EXPLAINING TO HER HIS SIDE OF THINGS. 522 00:34:02,127 --> 00:34:04,651 JOHN SEVRANCE HAS ALWAYS BEEN CALM ABOUT EVERYTHING. 523 00:34:05,782 --> 00:34:08,046 BUT WE ALL KNOW ABOUT STILL WATERS, DON'T WE? 524 00:34:14,617 --> 00:34:16,445 HOW'S THE YOUNG FELLA THERE? 525 00:34:16,489 --> 00:34:18,012 IS HE HOLDING UP ALL RIGHT? 526 00:34:18,534 --> 00:34:19,753 WELL, HE'S HOLDING UP, 527 00:34:19,796 --> 00:34:21,537 BUT I DON'T KNOW ABOUT UNDERNEATH. 528 00:34:22,669 --> 00:34:26,368 THE REASON I'M WORRIED ABOUT THE GIRL IS... 529 00:34:26,412 --> 00:34:30,111 DID HER DADDY EVER EXPRESS ANY DOUBTS ABOUT HER ORIGINS? 530 00:34:30,155 --> 00:34:32,157 NO. TAD ONLY. 531 00:34:32,200 --> 00:34:34,637 I KNOW. I KNOW ABSOLUTELY. 532 00:34:34,681 --> 00:34:36,074 MAYBE YOU CAN TELL US 533 00:34:36,117 --> 00:34:37,553 WHAT THAT MAN'S FIXING TO DO IN THERE. 534 00:34:39,164 --> 00:34:41,427 I'M GOING TO TRY THE PHONE ONE MORE TIME. 535 00:34:43,646 --> 00:34:45,300 YOU EVER KNOWN HIM 536 00:34:45,344 --> 00:34:47,172 TO GO A LITTLE OFF THE TRACKS? 537 00:34:47,215 --> 00:34:50,566 WELL, OFF THE TRACKS? YEAH. 538 00:34:50,610 --> 00:34:53,569 EVERYBODY SEEMS TO BE, FROM TIME TO TIME. 539 00:34:53,613 --> 00:34:56,050 DID YOU EVER SEE THE MAN GO NUTS? 540 00:34:56,094 --> 00:34:58,139 NO. HE NEVER, THAT I WITNESSED, 541 00:34:58,183 --> 00:34:59,706 LOST HIS TEMPER. 542 00:35:06,495 --> 00:35:09,933 I CAN SEE HIM MOVING AROUND. 543 00:35:09,977 --> 00:35:12,458 WITH A RIFLE, I COULD TAKE HIM OUT EASY. 544 00:35:12,501 --> 00:35:14,329 IT WOULD BE OVER. 545 00:35:14,373 --> 00:35:15,591 WAIT. WAIT. 546 00:35:17,550 --> 00:35:19,291 I FEEL LIKE CHARGING THE FEDERAL GOVERNMENT 547 00:35:19,334 --> 00:35:21,075 FOR VIRGIL'S SALARY THIS MONTH. 548 00:35:21,119 --> 00:35:23,469 BAD TIMING FOR A JOKE. 549 00:35:24,774 --> 00:35:27,516 IT'S JUST I WISH VIRGIL WASN'T DOWN IN NEW ORLEANS 550 00:35:27,560 --> 00:35:29,039 WORKING FOR THE FBI. 551 00:35:29,083 --> 00:35:32,608 I WISH HE WAS HERE WORKING ON THIS HOSTAGE CASE. 552 00:35:32,652 --> 00:35:34,262 IS THIS REALLY A HOSTAGE CASE? 553 00:35:35,045 --> 00:35:37,570 IF THAT GIRL KNOWS WHAT HAPPENED 554 00:35:37,613 --> 00:35:39,572 TO HER MAMA AND CULLON WECKER, 555 00:35:39,615 --> 00:35:43,271 SHE DOESN'T WANT TO BE IN THAT CABIN. 556 00:35:43,315 --> 00:35:45,230 MEGAPHONE, CHIEF, IN CASE YOU NEED IT. 557 00:35:45,273 --> 00:35:46,709 THANK YOU. 558 00:35:46,753 --> 00:35:48,929 WHAT KIND OF WEAPON YOU GOT IN THE CAR? 559 00:35:48,972 --> 00:35:51,584 MY SHOTGUN, LOADED WITH SLUGS. 560 00:35:51,627 --> 00:35:55,501 TAKE IT AROUND THE WEST SIDE OF THE HOUSE. LOOK FOR POSSIBLE EXITS. 561 00:35:56,110 --> 00:35:57,198 RIGHT ON IT. 562 00:35:57,242 --> 00:35:58,460 JAMISON? 563 00:35:58,504 --> 00:36:00,158 YEAH, CHIEF? 564 00:36:00,201 --> 00:36:01,550 YOU GOT A RIFLE HERE? 565 00:36:01,594 --> 00:36:03,248 .30-'06. 566 00:36:03,291 --> 00:36:05,163 TAKE IT AROUND THE EAST SIDE. 567 00:36:05,206 --> 00:36:07,774 THERE'S SOME WINDOWS. 568 00:36:07,817 --> 00:36:10,472 SEE IF YOU CAN LOOK IN, JUST IN CASE. 569 00:36:10,994 --> 00:36:12,387 YES, SIR. 570 00:36:12,431 --> 00:36:13,867 I HATE THIS. 571 00:36:13,910 --> 00:36:16,696 OH, MRS. TIBBS, I HATE IT, TOO. 572 00:36:16,739 --> 00:36:18,698 I HATE IT. 573 00:36:18,741 --> 00:36:20,743 IS NOTHING GOING TO HAPPEN? 574 00:36:20,787 --> 00:36:23,659 I SURE DON'T WANT ANYTHING TO HAPPEN. 575 00:36:23,703 --> 00:36:25,052 UNLESS HE MAKES IT HAPPEN. 576 00:36:46,334 --> 00:36:50,556 HONEY, I WANT YOU TO KNOW WHERE ALL THIS STUFF IS. 577 00:36:50,599 --> 00:36:51,905 I DON'T WANT TO TALK ABOUT IT. 578 00:36:52,993 --> 00:36:56,388 THIS JEWELRY WAS MY MAMA'S. 579 00:36:56,431 --> 00:36:58,477 I WAS SUPPOSED TO GIVE IT TO YOUR MAMA, 580 00:36:58,520 --> 00:37:00,218 BUT I NEVER COULD. 581 00:37:00,261 --> 00:37:02,263 NOW IT'S YOURS. 582 00:37:02,307 --> 00:37:05,701 YOU KNOW MAMA WON'T LET ME KEEP THAT STUFF. 583 00:37:05,745 --> 00:37:07,921 SHE'S GOT NOTHING TO SAY ABOUT IT NOW. 584 00:37:10,837 --> 00:37:11,968 HERE. YOU TAKE THIS NOW. 585 00:37:13,056 --> 00:37:14,797 YOU TAKE THIS, HONEY. 586 00:37:18,627 --> 00:37:20,020 JOHN SEVRANCE. 587 00:37:25,373 --> 00:37:27,680 JOHN SEVRANCE, ARE YOU LISTENING TO ME? 588 00:37:34,034 --> 00:37:37,124 CHIEF, YOU LISTEN TO ME, OK? 589 00:37:38,995 --> 00:37:41,128 GIVE ME A LITTLE MORE TIME. 590 00:37:41,171 --> 00:37:43,304 JUST A FEW MINUTES, 591 00:37:43,348 --> 00:37:44,697 AND YOU'LL GET WHAT YOU WANT. 592 00:37:44,740 --> 00:37:47,352 I'VE GOT YOUNG TAD OUT HERE WITH ME. 593 00:37:48,396 --> 00:37:51,660 I SURE WISH I HAD KAREN WITH ME, TOO. 594 00:37:51,704 --> 00:37:53,575 KAREN'S FINE. 595 00:37:53,619 --> 00:37:55,969 YOU DON'T HAVE TO WORRY ABOUT ANYTHING 596 00:37:56,012 --> 00:37:57,797 IF YOU DON'T DO ANYTHING DUMB 597 00:37:57,840 --> 00:37:59,668 LIKE BLAZING YOUR WAY IN HERE. 598 00:38:00,626 --> 00:38:02,628 JOHN, ALL I WANT TO DO 599 00:38:02,671 --> 00:38:04,369 IS HAVE A CONVERSATION WITH YOU, 600 00:38:04,412 --> 00:38:07,676 BUT I'M IN A BAD POSITION HERE. 601 00:38:07,720 --> 00:38:11,724 I CAN'T OFFICIALLY BELIEVE THAT CHILD IS SAFE 602 00:38:11,767 --> 00:38:14,030 UNTIL SHE'S OUT HERE WITH ME. 603 00:38:14,074 --> 00:38:16,729 I'M TAKING PRESSURE FROM MY MEN OUT HERE. 604 00:38:18,165 --> 00:38:20,341 THEY'RE THINKING ABOUT WHAT HAPPENED THIS MORNING 605 00:38:20,385 --> 00:38:21,908 AT YOUR HOUSE. 606 00:38:21,951 --> 00:38:24,476 WHAT HAPPENED THERE 607 00:38:24,519 --> 00:38:25,738 WAS THE KILLING 608 00:38:25,781 --> 00:38:29,568 OF A COUPLE OF CHEATING, SINNING DEVILS 609 00:38:29,611 --> 00:38:31,961 WITH NO MORE CONSCIENCE OR DECENCY 610 00:38:32,005 --> 00:38:35,313 THAN A PAIR OF STINKING HORNY BOBCATS! 611 00:38:36,749 --> 00:38:39,360 I SHOULD'VE KILLED THEM LONG AGO! 612 00:38:39,404 --> 00:38:40,666 LONG AGO! 613 00:38:41,928 --> 00:38:43,843 WHEN KAREN WAS A BABY-- 614 00:38:43,886 --> 00:38:45,540 MY KAREN-- 615 00:38:45,584 --> 00:38:48,804 THE ONLY CHILD I CAN CALL MY OWN, WAS 2! 616 00:39:00,033 --> 00:39:01,469 WHY, DADDY? 617 00:39:02,383 --> 00:39:03,689 WHY NOW? 618 00:39:05,908 --> 00:39:08,476 WHY TODAY, AFTER ALL THIS TIME? WHY NOW? 619 00:39:11,349 --> 00:39:12,915 WHEN I SAW HIS CAR 620 00:39:14,308 --> 00:39:16,354 AND THOUGHT ABOUT ALL THE TIMES 621 00:39:16,397 --> 00:39:18,094 HIS CAR MUST HAVE COME AND GONE, 622 00:39:19,531 --> 00:39:21,837 I COULDN'T HANDLE IT. 623 00:39:21,881 --> 00:39:27,365 AFTER ALL THE YEARS OF STEPPING WITH CARE AND PATIENCE, 624 00:39:28,017 --> 00:39:29,758 I STUMBLED ON A MOMENT 625 00:39:29,802 --> 00:39:31,760 THAT WOULDN'T LET ME GET MY BALANCE, 626 00:39:33,240 --> 00:39:36,765 THAT WOULDN'T LET ME ONCE AGAIN GET MY MIND STRAIGHT. 627 00:39:38,724 --> 00:39:40,378 NOW, LISTEN, HONEY, 628 00:39:41,466 --> 00:39:43,424 I ALMOST GOT NO MORE TIME LEFT. 629 00:39:47,689 --> 00:39:49,125 LOOK AT HERE... 630 00:39:51,084 --> 00:39:53,782 THIS IS HERE-- THIS IS THE DEED 631 00:39:53,826 --> 00:39:56,785 TO THE HOUSE IN NATCHEZ BY THE RIVER. 632 00:39:58,961 --> 00:39:59,962 AND THE REST OF THESE 633 00:40:00,006 --> 00:40:02,748 ARE-ARE-ARE MORTGAGE CERTIFICATES. 634 00:40:02,791 --> 00:40:05,359 INVESTMENTS IN OTHER PROPERTIES NEARBY. 635 00:40:07,405 --> 00:40:11,931 AND, UH, OH, THIS HERE IS A KEY 636 00:40:11,974 --> 00:40:14,499 TO THE SAFE DEPOSIT BOX IN NATCHEZ. 637 00:40:14,542 --> 00:40:17,284 IT'S GOT $11,000 CASH MONEY IN IT 638 00:40:17,327 --> 00:40:18,633 AND SOME STOCK YOU CAN SELL, 639 00:40:18,677 --> 00:40:20,330 'CAUSE IT NEVER GOES NOWHERE. 640 00:40:25,161 --> 00:40:26,946 THERE'S SOME MUNICIPAL BONDS 641 00:40:26,989 --> 00:40:28,164 WRAPPED UP IN THIS PACKAGE. 642 00:40:30,906 --> 00:40:32,865 NOW, WAIT A MINUTE. 643 00:40:32,908 --> 00:40:34,388 WELL, LET'S SEE. 644 00:40:34,432 --> 00:40:36,651 OH, YEAH. 645 00:40:36,695 --> 00:40:39,915 HERE'S THE DEED TO OUR HOUSE ON BELVISTA. 646 00:40:39,959 --> 00:40:43,223 MY INSURANCE WILL PAY OFF WHAT'S LEFT OWING ON IT. 647 00:41:06,028 --> 00:41:07,465 NOW, LET'S SEE. WHAT ELSE? 648 00:41:08,378 --> 00:41:10,337 THE PINK SLIPS ON THE TWO CARS 649 00:41:10,380 --> 00:41:11,773 ARE IN THE DESK AT HOME. 650 00:41:13,209 --> 00:41:16,909 AND... HERE'S THE KEYS TO THE WAGON OUTSIDE. 651 00:41:17,910 --> 00:41:20,042 I LOVE YOU, DADDY. 652 00:41:20,086 --> 00:41:22,262 THIS ENVELOPE'S GOT SOME MORE CASH IN IT-- 653 00:41:22,305 --> 00:41:24,046 $7-8,000. 654 00:41:24,090 --> 00:41:26,092 TAD LOVES YOU, TOO. 655 00:41:26,135 --> 00:41:28,181 NO MATTER WHAT HAPPENED LONG AGO, 656 00:41:28,224 --> 00:41:30,009 YOU'RE THE ONE HE LOVES. 657 00:41:30,052 --> 00:41:31,880 YOU'RE HIS DADDY. 658 00:41:33,534 --> 00:41:34,796 PUT THIS IN YOUR POCKET. 659 00:41:36,145 --> 00:41:37,930 PUT THIS IN YOUR POCKET NOW. 660 00:41:37,973 --> 00:41:40,715 THERE'S AN EXTRA SET AT HOME IN MY DESK 661 00:41:40,759 --> 00:41:42,978 WHERE I KEEP PAPA'S POCKET WATCH. 662 00:41:44,327 --> 00:41:45,851 WHEN THIS IS ALL OVER-- 663 00:41:45,894 --> 00:41:47,809 YOU LISTEN, HONEY-- 664 00:41:47,853 --> 00:41:50,812 COME BACK HERE BY YOURSELF AND GET THIS BOX-- 665 00:41:50,856 --> 00:41:53,380 IT'LL BE UP THERE IN THE STORAGE SPACE-- 666 00:41:53,423 --> 00:41:55,991 AND YOU GO BACK TO TOWN YOURSELF. 667 00:41:56,035 --> 00:41:57,645 KAREN, YOU UNDERSTAND THAT? 668 00:41:57,689 --> 00:42:00,518 COME ON. YOU GOT TO GO. 669 00:42:00,561 --> 00:42:02,345 NO, DADDY. NO, DADDY. PLEASE. 670 00:42:02,389 --> 00:42:03,869 NO, DADDY! 671 00:42:03,912 --> 00:42:05,523 COME ON. NO, DADDY. 672 00:42:12,268 --> 00:42:14,314 KAREN'S COMING OUT, CHIEF! 673 00:42:16,490 --> 00:42:17,839 I'M NOT GOING, DADDY. 674 00:42:17,883 --> 00:42:19,841 NOT IF YOU'RE GOING TO DO WHAT YOU SAID. 675 00:42:21,016 --> 00:42:23,410 YOU WANT ME TO SUFFER MORE THAN EVER BEFORE 676 00:42:23,453 --> 00:42:25,978 THROUGH COURTS, TRIALS AND JAILS, 677 00:42:26,021 --> 00:42:29,111 PICTURES OF EVERYBODY-- YOU-ALL AND ME AND THEM-- 678 00:42:29,155 --> 00:42:31,113 AND FINALLY DIE ANYHOW? 679 00:42:31,157 --> 00:42:33,028 BILL GILLESPIE! 680 00:42:33,072 --> 00:42:35,291 COME GET MY CHILD. 681 00:42:35,335 --> 00:42:37,119 BUT DON'T BRING A GUN, OR I'LL FIGHT 682 00:42:37,163 --> 00:42:39,687 AND MAKE YOU DO SOMETHING I BEST DO MYSELF. 683 00:42:43,125 --> 00:42:44,605 COME ON NOW! 684 00:42:55,834 --> 00:42:58,706 WHAT AM I SUPPOSED TO DO, LOOK FRIENDLY? 685 00:42:58,750 --> 00:42:59,968 IF YOU CAN. 686 00:43:02,580 --> 00:43:03,842 NO GUN, CHIEF? 687 00:43:03,885 --> 00:43:05,495 WHY? YOU HAVE ONE. 688 00:43:27,169 --> 00:43:29,171 OK, NOW, HERE HE COMES. GO ON. 689 00:43:30,129 --> 00:43:31,913 PLEASE, DADDY. 690 00:43:32,914 --> 00:43:35,003 KAREN. NO, KAREN. 691 00:43:35,047 --> 00:43:36,614 KAREN, LISTEN, LISTEN. 692 00:43:36,657 --> 00:43:38,616 GO ON OVER THERE WITH YOUR AUNT AND UNCLE. 693 00:43:38,659 --> 00:43:40,095 THEY FEEL TERRIBLE. 694 00:43:40,139 --> 00:43:44,056 GO BE WITH THEM. GO AHEAD. 695 00:43:44,099 --> 00:43:45,623 GO AHEAD. GO ON. 696 00:44:00,246 --> 00:44:02,074 I HAVEN'T GOT A GUN IN MY HAND, 697 00:44:02,117 --> 00:44:03,771 AND YOU HAVEN'T, EITHER. 698 00:44:04,772 --> 00:44:06,774 WHY DON'T WE SIT TOGETHER ON THE PORCH? 699 00:44:10,038 --> 00:44:11,779 I'D RATHER BE HERE 700 00:44:11,823 --> 00:44:13,433 WHERE I CAN GET BACK IN QUICK. 701 00:44:13,476 --> 00:44:15,435 THAT'S WHERE I GOT TO BE TO DO WHAT I HAVE TO DO. 702 00:44:17,089 --> 00:44:20,092 NOW, JOHN SEVRANCE, LET ME TELL YOU, 703 00:44:20,135 --> 00:44:22,268 YOU CAN GO BACK AS FAR AS LEVITICUS 704 00:44:22,311 --> 00:44:25,227 TO FIND JUSTIFICATION FOR WHAT YOU DID. 705 00:44:25,271 --> 00:44:29,057 WE SAY IT'S WRONG TODAY, AND WRONG IT IS. 706 00:44:29,101 --> 00:44:31,538 BUT NOT EVEN A NON RELIGIOUS MAN 707 00:44:31,581 --> 00:44:34,541 WOULD ACCUSE YOU OF FIRST-DEGREE MURDER. 708 00:44:34,584 --> 00:44:37,065 WHAT I'M TRYING TO SAY IS YOU'VE GOT TIME, 709 00:44:37,109 --> 00:44:39,372 YOU'VE GOT A FAMILY, 710 00:44:39,415 --> 00:44:41,287 AND THERE'S YEARS YOU CAN SPEND 711 00:44:41,330 --> 00:44:42,810 WITH THAT FAMILY. 712 00:44:42,854 --> 00:44:45,291 SPEAKING OF WHICH, THERE'S A YOUNG FELLA 713 00:44:45,334 --> 00:44:48,468 WHO WANTS TO BE BY YOUR SIDE. 714 00:44:59,305 --> 00:45:01,960 WHAT YOU HEARD ME SAY BEFORE MEANT NOTHING. 715 00:45:03,788 --> 00:45:05,398 YOU THINK ABOUT IT NO MORE, NEVER AGAIN. 716 00:45:07,008 --> 00:45:08,357 YOU'RE MY BOY. 717 00:45:08,401 --> 00:45:11,752 YOU'RE DADDY'S REAL BOY, HIS ONE AND ONLY BOY, 718 00:45:11,796 --> 00:45:14,624 THE BOY OF MY HEART SINCE YOU WERE BORN... 719 00:45:18,019 --> 00:45:20,935 AND I HELD YOUR LITTLE SELF IN MY ARMS, 720 00:45:20,979 --> 00:45:23,024 IN MY TWO HANDS. 721 00:45:23,068 --> 00:45:25,984 I HOPE YOU AND YOUR SISTER WILL FORGIVE ME 722 00:45:26,027 --> 00:45:28,595 AND LOVE EACH OTHER 723 00:45:28,638 --> 00:45:31,076 AS I HAVE LOVED YOU MORE THAN ALL THE WORLD. 724 00:45:32,381 --> 00:45:34,209 TAKE CARE OF EACH OTHER ALWAYS. 725 00:45:38,257 --> 00:45:39,475 I LOVE YOU. 726 00:45:41,739 --> 00:45:43,871 GO ON NOW, AND BE A GOOD BOY. 727 00:46:00,061 --> 00:46:02,020 JUST COOL DOWN NOW. I GOT YOU. 728 00:46:02,716 --> 00:46:04,239 YOU PLAYED IT FALSE, GILLESPIE! 729 00:46:04,283 --> 00:46:06,067 YOU PLAYED IT FALSE! 730 00:46:07,503 --> 00:46:09,984 DON'T SAY ANYMORE, SIR. WE CAN USE IT AGAINST YOU. 731 00:46:20,038 --> 00:46:21,604 THOSE KIDS ARE THE REAL VICTIMS. 732 00:46:26,566 --> 00:46:29,221 YOU KNOW, CHIEF, MRS. TIBBS IS RIGHT. 733 00:46:30,004 --> 00:46:31,701 YEAH. 734 00:46:31,745 --> 00:46:33,921 WELL, OLD CRIMES NEVER DIE, 735 00:46:35,227 --> 00:46:37,142 THEY JUST MOVE TO SPARTA, MISSISSIPPI. 736 00:46:39,361 --> 00:46:40,188 YUP. 737 00:46:40,972 --> 00:46:42,016 OH. 738 00:46:42,625 --> 00:46:44,062 THANK YOU, BUBBA. 49054

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