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These are the user uploaded subtitles that are being translated: 1 00:00:06,528 --> 00:00:10,836 ♪ IN THE HEAT OF THE NIGHT 2 00:00:14,275 --> 00:00:19,019 ♪ I'’VE GOT TROUBLES WALL TO WALL ♪ 3 00:00:23,284 --> 00:00:26,591 ♪ IN THE HEAT OF THE NIGHT 4 00:00:27,549 --> 00:00:28,767 ♪ YEAH 5 00:00:30,639 --> 00:00:34,469 ♪ MUST BE AN ENDING TO IT ALL ♪ 6 00:00:36,471 --> 00:00:37,907 ♪ OH 7 00:00:40,344 --> 00:00:42,042 ♪ BUT HOLD ON 8 00:00:43,782 --> 00:00:46,568 ♪ IT WON'’T BE LONG ♪ 9 00:00:46,611 --> 00:00:48,613 ♪ JUST YOU BE STRONG 10 00:00:48,657 --> 00:00:51,268 ♪ AND IT'’LL BE ALL RIGHT ♪ 11 00:00:54,924 --> 00:00:58,667 ♪ IN THE HEAT OF THE NIGHT 12 00:00:58,710 --> 00:01:03,193 ♪ IN THE HEAT OF THE NIGHT 13 00:01:04,325 --> 00:01:06,762 ♪ OH 14 00:01:35,704 --> 00:01:37,967 THIS IS A FIRST FOR ME. 15 00:01:38,010 --> 00:01:40,535 I'’VE NEVER MADE OUT IN FRONT OF A HAUNTED HOUSE BEFORE. 16 00:01:40,578 --> 00:01:42,102 [BOTH CHUCKLING] 17 00:01:42,145 --> 00:01:43,190 IT FEELS WEIRD, THOUGH, 18 00:01:43,233 --> 00:01:44,147 LIKE SOMEBODY'’S WATCHING US. 19 00:01:44,191 --> 00:01:45,801 MM-HMM. 20 00:01:45,844 --> 00:01:47,629 PROBABLY GHOSTS. 21 00:01:47,672 --> 00:01:50,153 AND WE'’RE GOING TO GIVE THEM ONE HELL OF A SHOW, 22 00:01:50,197 --> 00:01:51,807 SO STOP TALKING. 23 00:01:53,287 --> 00:01:55,115 I DON'’T LIKE THIS PLACE. 24 00:01:56,420 --> 00:01:57,682 WHO LIVED HERE? 25 00:01:59,206 --> 00:02:00,946 WHO CARES?I DO. 26 00:02:00,990 --> 00:02:03,384 SOME CRAZY OLD MAN-- 27 00:02:04,994 --> 00:02:07,562 ONE EYE AND LONG, POINTED TEETH.[WHIMPERS] 28 00:02:12,001 --> 00:02:13,611 THAT'’S NOT FUNNY. 29 00:02:13,655 --> 00:02:15,352 I DON'’T LIKE THIS PLACE. 30 00:02:16,832 --> 00:02:19,008 LET'’S FINISH OUR BEER AND GET OUT OF HERE. 31 00:02:19,051 --> 00:02:20,401 YOU WANT A BEER?HMM. 32 00:02:20,444 --> 00:02:21,576 EARN IT. 33 00:02:21,619 --> 00:02:22,968 [SCREAMS] 34 00:02:25,406 --> 00:02:27,756 LEAVE THIS PLACE. YOU DON'’T BELONG HERE. 35 00:02:27,799 --> 00:02:29,540 COME ON, LADY, YOU'’RE NOT THE OWNER. 36 00:02:29,584 --> 00:02:31,368 IT'’S MINE TO LOOK AFTER IT. 37 00:02:31,412 --> 00:02:34,850 I WANT YOU OUT, CHARLIE, WITH ALL YOUR BOOZE AND ALL YOUR WOMEN. 38 00:02:34,893 --> 00:02:36,243 HOW'’D YOU KNOW MY NAME?[COCKS GUN] 39 00:02:36,286 --> 00:02:37,331 [GUNSHOT] 40 00:02:37,374 --> 00:02:38,462 [WHIMPERS] 41 00:02:38,506 --> 00:02:39,594 [CHARLIE] MUTTFACE! 42 00:02:39,637 --> 00:02:41,552 MUTTFACE! 43 00:02:41,596 --> 00:02:43,337 LOOK WHAT YOU DID TO MY DOG. 44 00:02:43,380 --> 00:02:45,469 GET OUT, CHARLIE HOBBS. GO ON, GIT. 45 00:02:46,383 --> 00:02:47,819 YOU'’RE CRAZY, LADY. 46 00:02:47,863 --> 00:02:49,343 YOU OUGHT TO BE LOCKED UP. 47 00:02:49,386 --> 00:02:50,735 YOU NEVER COME BACK HERE NOW. 48 00:02:50,779 --> 00:02:52,084 NEXT TIME, I WON'’T MISS. 49 00:02:53,825 --> 00:02:54,913 MUTTFACE! 50 00:02:56,524 --> 00:02:57,699 MUTTFACE! 51 00:02:58,917 --> 00:03:00,876 HERE, MUTTFACE! HERE, BOY! 52 00:03:00,919 --> 00:03:02,704 YOU'’VE BEEN HERE WITH GIRLS BEFORE. 53 00:03:02,747 --> 00:03:04,227 I HAVEN'’T. I SWEAR. 54 00:03:04,271 --> 00:03:05,968 [WHISTLES] COME ON, BOY! 55 00:03:06,011 --> 00:03:07,535 THEN HOW DID SHE KNOW YOUR NAME? 56 00:03:07,578 --> 00:03:09,624 AND WHAT DID SHE MEAN, "ALL YOUR WOMEN"? 57 00:03:09,667 --> 00:03:11,887 [CHARLIE] I DON'’T KNOW. SHE'’S THE PIG WOMAN. THAT'’S WHY? 58 00:03:11,930 --> 00:03:13,018 SHE JUST KNOWS THINGS.[DOG BARKS] 59 00:03:13,062 --> 00:03:14,281 THERE... THERE HE IS. 60 00:03:18,415 --> 00:03:19,764 [GIRL] LOOK WHAT HE'’S GONE AND DONE. 61 00:03:19,808 --> 00:03:21,636 HE FOUND HIMSELF A BONE. 62 00:03:21,679 --> 00:03:23,159 COME HERE, MUTTFACE. 63 00:03:23,203 --> 00:03:24,421 LET'’S SEE WHAT YOU GOT THERE. 64 00:03:24,465 --> 00:03:26,075 [GRUNTS]WHAT IS IT? 65 00:03:26,902 --> 00:03:28,251 GEEZ, I DON'’T KNOW. 66 00:03:30,819 --> 00:03:32,081 I MAY BE WRONG, 67 00:03:32,124 --> 00:03:34,039 BUT IT LOOKS LIKE IT CAME FROM A PERSON. 68 00:03:39,131 --> 00:03:41,612 THIS IS A FEMUR FROM A HUMAN BEING. 69 00:03:41,656 --> 00:03:43,440 NO QUESTION ABOUT IT. 70 00:03:43,484 --> 00:03:45,616 IT CAME FROM SIMON WARE'’S PLACE, THE HAUNTED HOUSE? 71 00:03:45,660 --> 00:03:47,749 CHARLIE HOBBS'’ DOG FOUND IT 72 00:03:47,792 --> 00:03:49,751 AFTER GETTING CHASED OFF BY THE PIG WOMAN. 73 00:03:49,794 --> 00:03:51,231 [ALL LAUGHING] 74 00:03:51,274 --> 00:03:54,146 ANYTIME MAMA WANTED TO SCARE US WHEN WE WERE KIDS, 75 00:03:54,190 --> 00:03:55,931 SHE'’D JUST MENTION THE PIG WOMAN. 76 00:03:55,974 --> 00:03:57,802 OH, YEAH. 77 00:03:57,846 --> 00:04:00,327 SHE'’S MORE THAN SOME OLD CRACKPOT, SHE'’S A DANGEROUS OLD WOMAN. 78 00:04:00,370 --> 00:04:02,154 WHO'’S GOING TO END UP HURTING SOMEBODY. 79 00:04:02,198 --> 00:04:03,852 YEAH. 80 00:04:03,895 --> 00:04:07,203 SOME PEOPLE ARE AFRAID OF THINGS THAT GO BUMP IN THE NIGHT. 81 00:04:07,247 --> 00:04:09,118 THAT WITCH MAKES ME NERVOUS. 82 00:04:09,161 --> 00:04:10,946 YOU KNOW WHAT GETS ME? 83 00:04:10,989 --> 00:04:13,165 SHE LIVES IN THE WOODS ALONE, 84 00:04:13,209 --> 00:04:15,298 NEVER COMES INTO TOWN, NOBODY SEES HER, 85 00:04:15,342 --> 00:04:17,866 YET SHE KNOWS EVERYTHING ABOUT EVERYBODY. 86 00:04:17,909 --> 00:04:20,129 NOW THAT IS A LITTLE SPOOKY. 87 00:04:20,172 --> 00:04:23,611 LAST PHEASANT SEASON, SHE FIRED AT MY UNCLE. 88 00:04:24,742 --> 00:04:26,527 SIMON WARE MAY BE CRAZY, 89 00:04:26,570 --> 00:04:29,007 BUT HE LETS YOU HUNT ON HIS PROPERTY. 90 00:04:29,051 --> 00:04:31,706 THE PIG WOMAN'’S GOT TO CHASE EVERYBODY OFF. 91 00:04:33,142 --> 00:04:35,492 YEAH. WELL, ANYWAY, IT STANDS TO REASON 92 00:04:35,536 --> 00:04:36,972 THAT IF THEY FOUND ONE BONE, 93 00:04:37,015 --> 00:04:39,279 THERE'’S GOT TO BE MORE. 94 00:04:39,322 --> 00:04:41,803 MAYBE SOMEONE DUMPED SOME BONES, OR BURIED ONE. 95 00:04:41,846 --> 00:04:44,806 I THINK WE OUGHT TO GO SEE WHAT WE CAN FIND. 96 00:04:44,849 --> 00:04:46,416 WHOEVER SEARCHES THOSE WOODS 97 00:04:46,460 --> 00:04:47,983 BETTER GET SIMON WARE'’S PERMISSION. 98 00:04:48,026 --> 00:04:49,376 I'’LL TALK TO HIM. 99 00:04:49,419 --> 00:04:51,769 THAT FALLS UNDER MY DEPARTMENT. 100 00:04:51,813 --> 00:04:53,902 HE DON'’T TALK TO MOST PEOPLE. 101 00:04:53,945 --> 00:04:55,425 I'’LL SAVE YOU THE GRIEF. 102 00:04:55,469 --> 00:04:58,385 NO PROBLEM. IT'’S PART OF MY JOB. 103 00:04:58,428 --> 00:04:59,821 ALL RIGHT, VIRGIL. 104 00:04:59,864 --> 00:05:03,172 LISTEN HERE, IF THAT MAN CALLS YOU "BOY" 105 00:05:03,215 --> 00:05:04,956 AND ORDERS YOU OFF HIS PROPERTY... 106 00:05:06,218 --> 00:05:07,655 DON'’T SAY YOU WEREN'’T WARNED. 107 00:05:15,576 --> 00:05:17,099 [VIRGIL] TELL ME ABOUT THIS MAN WE'’RE GOING TO SEE-- 108 00:05:17,142 --> 00:05:19,188 THIS OLD, MYSTERIOUS SIMON WARE. 109 00:05:19,231 --> 00:05:21,756 [BUBBA] RICH, OLD, AND SCARED TO HELL OF GERMS. 110 00:05:21,799 --> 00:05:23,192 [BOTH CHUCKLING] 111 00:05:23,235 --> 00:05:25,629 SPARTA'’S HOWARD HUGHES.YEAH, PRETTY MUCH. 112 00:05:25,673 --> 00:05:27,544 NOBODY CAN GET CLOSE ENOUGH TO CONTAMINATE HIM. 113 00:05:27,588 --> 00:05:29,851 HASN'’T BEEN OUT OF THE HOUSE IN 20 YEARS. 114 00:05:29,894 --> 00:05:32,506 MUST BE FUN FOR HIS WIFE. 115 00:05:32,549 --> 00:05:34,421 [BUBBA] NO. SHE DIED A LONG TIME AGO, VIRGIL. 116 00:05:34,464 --> 00:05:35,552 HMM. 117 00:05:35,596 --> 00:05:36,727 WHO TAKES CARE OF HIM? 118 00:05:36,771 --> 00:05:38,468 NURSES. 119 00:05:38,512 --> 00:05:40,035 [BUBBA] LET ME TELL YOU SOMETHING 120 00:05:40,078 --> 00:05:42,342 THAT OLD MAN RUNS SOME FINE ONES OUT OF THERE. 121 00:05:42,385 --> 00:05:44,387 IF YOU EVER GET SICK, VIRGIL, 122 00:05:44,431 --> 00:05:46,346 HOPE YOU GET ONE THAT LOOKS LIKE ONE OF HIS. 123 00:05:53,701 --> 00:05:54,832 DAMN. 124 00:05:56,051 --> 00:05:57,922 HASN'’T HE EVER HEARD OF PAINT? 125 00:05:57,966 --> 00:05:59,881 WELL, I BET HE NEVER SEES THE OUTSIDE, 126 00:05:59,924 --> 00:06:02,362 AND IF HE DOES, I BET HE DON'’T CARE. 127 00:06:04,407 --> 00:06:06,191 YOU KNOW, EVEN I'’D HATE GOING IN THERE 128 00:06:06,235 --> 00:06:08,237 ON A DARK AND STORMY NIGHT. 129 00:06:08,280 --> 00:06:10,108 NOBODY COMES OUT HERE. 130 00:06:10,152 --> 00:06:12,110 THEY DO SAY IT'’S HAUNTED. 131 00:06:12,154 --> 00:06:13,329 BOO!OH, MAN. 132 00:06:14,896 --> 00:06:16,158 [HONKING] 133 00:06:20,423 --> 00:06:22,382 THAT'’S HIS SON, JODY, RIGHT THERE. 134 00:06:25,210 --> 00:06:26,386 HELLO, BUBBA. HOW YOU DOING? 135 00:06:26,429 --> 00:06:28,692 OH, HEY, JODY, HOW YOU DOING?GOOD. 136 00:06:28,736 --> 00:06:30,868 HEY, COME HERE, I WANT YOU TO MEET A FRIEND OF MINE. 137 00:06:32,087 --> 00:06:33,741 JODY WARE, VIRGIL TIBBS HERE. 138 00:06:33,784 --> 00:06:36,134 HI.JODY, HOW YOU DOING? 139 00:06:36,178 --> 00:06:38,093 LOOK, THANKS FOR HELPING US OUT. 140 00:06:38,136 --> 00:06:39,442 WELL, TO TELL YOU THE TRUTH 141 00:06:39,486 --> 00:06:41,488 I'’M NOT SURE HOW GOOD IT'’S GOING TO DO. 142 00:06:41,531 --> 00:06:44,142 I'’M NOT EXACTLY MY PAPA'’S FAVORITE PERSON. 143 00:06:44,186 --> 00:06:45,448 SOMETIMES HE LETS ME IN, 144 00:06:45,492 --> 00:06:47,885 AND SOMETIMES HE DOESN'’T. 145 00:06:47,929 --> 00:06:50,453 [BUBBA] JODY, WHO'’S TAKING CARE OF HIM NOWADAYS? 146 00:06:50,497 --> 00:06:52,542 [JODY] MILLIE BARNETT.OH, COME ON. REALLY? 147 00:06:52,586 --> 00:06:54,414 SHE WAS A HIGH SCHOOL CHEERLEADER. 148 00:06:54,457 --> 00:06:55,676 LET ME TELL YOU SOMETHING, VIRGIL. 149 00:06:55,719 --> 00:06:57,112 WHEN GOD PASSED OUT THE GOOD LOOKS, 150 00:06:57,155 --> 00:06:58,635 HE DIDN'’T LOOK PAST MILLIE. 151 00:06:59,680 --> 00:07:00,768 HOLD ON. 152 00:07:01,856 --> 00:07:03,945 I'’VE SEEN HER CERTIFICATE, BUBBA. 153 00:07:03,988 --> 00:07:06,208 SHE IS A LICENSED NURSE. 154 00:07:06,251 --> 00:07:08,079 JODY, I DIDN'’T MEAN ANYTHING BY THAT. 155 00:07:08,123 --> 00:07:10,778 I'’M JUST, UH, SAYING "SMALL WORLD," THAT'’S ALL. 156 00:07:25,314 --> 00:07:26,620 [JODY] HELLO, MILLIE. 157 00:07:26,663 --> 00:07:28,491 HELLO, JODY. 158 00:07:28,535 --> 00:07:30,493 WELL, BUBBA, IT'’S BEEN A LONG TIME. 159 00:07:30,537 --> 00:07:31,799 HELLO, MILLIE. 160 00:07:31,842 --> 00:07:33,496 THIS IS DETECTIVE TIBBS. 161 00:07:33,540 --> 00:07:34,628 HOW DO YOU DO? 162 00:07:34,671 --> 00:07:36,107 HELLO. 163 00:07:36,151 --> 00:07:38,240 THEY NEED TO SEE PAPA. 164 00:07:38,283 --> 00:07:39,807 Y'’ALL SHOULD HAVE CALLED. 165 00:07:39,850 --> 00:07:43,158 YEAH, I KNOW, BUT I FIGURED WE'’D TAKE OUR CHANCES. 166 00:07:43,201 --> 00:07:44,507 SOMETIMES IT'’S BETTER THAT WAY. 167 00:07:44,551 --> 00:07:46,030 ALL RIGHT. 168 00:07:46,074 --> 00:07:47,336 I'’LL SEE WHAT I CAN DO. 169 00:07:58,565 --> 00:08:00,654 [MILLIE] EXCUSE ME. MR. WARE? 170 00:08:00,697 --> 00:08:03,178 [WARE] WHAT DO YOU WANT, MILLIE? 171 00:08:03,221 --> 00:08:05,136 WHAT, MILLIE? THE POLICE? 172 00:08:06,268 --> 00:08:08,183 THAT IMBECILE GILLESPIE MAKES ME SICK. 173 00:08:08,226 --> 00:08:09,924 [JODY] I KNOW THIS SEEMS STRANGE, 174 00:08:09,967 --> 00:08:12,404 BUT THAT'’S THE WAY HE IS. 175 00:08:12,448 --> 00:08:14,755 [WARE] DO LIKE I TELL YOU AND DON'’T DISTURB ME. 176 00:08:14,798 --> 00:08:16,278 [GLASS BREAKS] 177 00:08:22,763 --> 00:08:25,374 I'’M SORRY. HE WON'’T SEE YOU. 178 00:08:25,417 --> 00:08:28,856 HE SAYS CHIEF GILLESPIE'’S A STUPID OLD FOOL, 179 00:08:28,899 --> 00:08:30,553 AND WHEN HE HEARD YOU WERE HERE, JODY, 180 00:08:30,597 --> 00:08:32,250 HE THREW HIS GLASS OF WATER. 181 00:08:33,251 --> 00:08:34,252 I'’M SORRY. 182 00:08:35,558 --> 00:08:38,256 YEAH. WELL, I GUESS I SHOULD HAVE KNOWN. 183 00:08:38,300 --> 00:08:39,780 I'’M SORRY, GENTLEMEN. 184 00:08:39,823 --> 00:08:42,696 MY PAPA AND I HAVE OUR UPS AND DOWNS. 185 00:08:42,739 --> 00:08:45,133 NO PROBLEM. WE CAN STILL SEARCH THE PROPERTY. 186 00:08:45,176 --> 00:08:46,961 WE'’LL JUST HAVE TO GET A WARRANT. 187 00:08:56,579 --> 00:09:00,235 AS FAR AS I CAN REMEMBER THIS IS THE EXACT SPOT HERE. 188 00:09:00,278 --> 00:09:03,325 MY GIRL AND ME CAME RUNNING FROM THAT DIRECTION, 189 00:09:03,368 --> 00:09:06,154 AND THERE WAS MUTTFACE, CHEWING ON THE BONE. 190 00:09:06,197 --> 00:09:08,591 [VIRGIL] JODY, THIS IS YOUR FATHER'’S PROPERTY, RIGHT? 191 00:09:08,635 --> 00:09:10,985 YEAH. THE RAILROAD TRACKS ARE THERE. 192 00:09:11,028 --> 00:09:12,726 ABOUT 100 YARDS PAST THE TREES. 193 00:09:12,769 --> 00:09:13,988 THAT'’S THE BOUNDARY LINE. 194 00:09:14,031 --> 00:09:15,685 UNLEASH HIM. SEE WHAT HE'’LL DO. 195 00:09:16,468 --> 00:09:17,687 ALL RIGHT. 196 00:09:18,688 --> 00:09:20,211 GET THEM, MUTTFACE. 197 00:09:23,127 --> 00:09:24,607 HE'’S NOT EXACTLY WHAT I'’D CALL A BLOODHOUND. 198 00:09:24,651 --> 00:09:26,000 [ALL CHUCKLING] 199 00:09:26,043 --> 00:09:27,218 GIVE ME A MINUTE WITH HIM. 200 00:09:27,262 --> 00:09:28,524 I'’M GOOD WITH DOGS. 201 00:09:28,568 --> 00:09:29,873 BE MY GUEST.[MUTTFACE BARKS] 202 00:09:29,917 --> 00:09:31,266 HEY, THERE. 203 00:09:31,309 --> 00:09:33,181 YEAH, MUTTFACE. 204 00:09:33,224 --> 00:09:34,922 WE NEED SOME HELP HERE, BUDDY. 205 00:09:34,965 --> 00:09:37,577 THIS IS AN IMPORTANT THING. 206 00:09:37,620 --> 00:09:39,883 I KNOW YOU KNOW WHERE THE BONES ARE. 207 00:09:39,927 --> 00:09:41,668 GO OUT IN THOSE WOODS 208 00:09:41,711 --> 00:09:44,627 AND FIND THE REST OF THOSE BONES, O.K.? 209 00:09:44,671 --> 00:09:46,020 NOW, GO. 210 00:09:46,063 --> 00:09:47,761 GO. GO. 211 00:09:47,804 --> 00:09:49,284 [ALL LAUGHING] 212 00:09:49,327 --> 00:09:50,590 [PARKER] COME ON. 213 00:09:50,633 --> 00:09:52,287 THAT'’S TERRIFIC, PARKER. 214 00:09:52,330 --> 00:09:54,245 YOU OUGHT TO OPEN UP AN OBEDIENCE SCHOOL. 215 00:09:55,246 --> 00:09:56,813 UH-OH. WE GOT TROUBLE NOW. 216 00:10:00,295 --> 00:10:01,644 Y'’ALL ARE TRESPASSING.[WHIMPERING] 217 00:10:01,688 --> 00:10:02,776 ALL OF YOU. 218 00:10:02,819 --> 00:10:05,256 WE'’RE HERE ON POLICE BUSINESS. 219 00:10:05,300 --> 00:10:06,867 HERE'’S THE SEARCH WARRANT. 220 00:10:06,910 --> 00:10:08,608 THAT MEANS NOTHING TO ME. 221 00:10:08,651 --> 00:10:12,350 LOWER THAT SHOTGUN. I'’M GOING TO LOCK YOU AWAY. 222 00:10:12,394 --> 00:10:14,875 IS THAT YOU, TOMMY DUGAN, PLAYING POLICEMAN? 223 00:10:14,918 --> 00:10:17,878 IF YOU'’D HAD BRAINS, YOU'’D HAVE STAYED RETIRED. 224 00:10:17,921 --> 00:10:19,270 LET ME HANDLE THIS. 225 00:10:20,141 --> 00:10:21,533 ADAH? 226 00:10:21,577 --> 00:10:23,492 WHAT YOU DOING WITH THESE FOOLS? 227 00:10:23,535 --> 00:10:24,841 [JODY] THEY ASKED ME TO COME. 228 00:10:24,885 --> 00:10:26,800 IT'’S O.K. 229 00:10:26,843 --> 00:10:28,410 PAPA WON'’T CARE AS LONG AS I'’M HERE. 230 00:10:30,760 --> 00:10:32,283 O.K.? 231 00:10:32,327 --> 00:10:33,763 COME ON. LET'’S GO. 232 00:10:36,461 --> 00:10:38,638 THEY'’RE GOOD FOLK. THEY'’RE HERE TO HELP. 233 00:10:39,813 --> 00:10:41,205 [WHIMPERS] 234 00:10:41,249 --> 00:10:42,859 LET'’S GET AT IT. 235 00:10:42,903 --> 00:10:44,469 SPREAD OUT AND START SEARCHING. 236 00:10:46,297 --> 00:10:47,995 [BARKING] 237 00:10:48,038 --> 00:10:50,040 SEE, TOLD YOU HE KNEW SOMETHING. 238 00:10:53,740 --> 00:10:55,959 WHEN YOU GET TO NEW JERSEY, SEND ME A POST CARD. 239 00:11:08,624 --> 00:11:10,191 [WHISTLING] 240 00:11:10,234 --> 00:11:11,975 [MUTTFACE BARKS] 241 00:11:12,019 --> 00:11:13,585 [PARKER] MUTTFACE. 242 00:11:13,629 --> 00:11:15,109 [WHISTLES] 243 00:11:15,152 --> 00:11:16,458 [MUTTFACE BARKS] 244 00:11:16,501 --> 00:11:17,589 [WHISTLES] 245 00:11:17,633 --> 00:11:18,765 MUTTFACE. 246 00:11:19,853 --> 00:11:21,506 MUTTFACE. WHERE ARE YOU, DOG? 247 00:11:21,550 --> 00:11:22,725 COME ON, DOG. 248 00:11:22,769 --> 00:11:24,292 I CAN'’T BELIEVE I LOST YOU ALREADY. 249 00:11:24,335 --> 00:11:27,295 GEE, WHERE IS THAT DOG? 250 00:11:27,338 --> 00:11:29,514 YOU'’RE GOING TO FIND THOSE BONES BEFORE ME, AREN'’T YOU? 251 00:11:29,558 --> 00:11:30,951 [BARKING] 252 00:11:35,303 --> 00:11:36,434 [PANTING] 253 00:11:36,478 --> 00:11:38,349 THAT FOOL DOG'’S RUNNING IN CIRCLES. 254 00:11:38,393 --> 00:11:39,916 [LAUGHING] 255 00:11:41,526 --> 00:11:42,919 BEWARE. THESE WOODS ARE HAUNTED. 256 00:11:44,138 --> 00:11:46,488 SWEET, WHAT ARE YOU DOING IN MY SECTOR? 257 00:11:48,055 --> 00:11:49,578 I FINISHED MY OWN ALREADY. 258 00:11:49,621 --> 00:11:51,188 THOUGHT I'’D HELP YOU. 259 00:11:51,232 --> 00:11:53,234 YOU KNOW WHO SHAKESPEARE WAS? 260 00:11:53,277 --> 00:11:54,670 OF COURSE I KNOW. 261 00:11:54,714 --> 00:11:57,064 O.K. IDENTIFY THIS PLAY, NOW. 262 00:11:57,107 --> 00:12:00,894 "ALAS, POOR YORICK, I KNEW HIM--" 263 00:12:00,937 --> 00:12:02,722 HAMLET. THE GRAVEDIGGER SCENE. 264 00:12:03,897 --> 00:12:05,072 WHERE DID YOU GET THAT? 265 00:12:06,551 --> 00:12:09,772 OH, BACK OVER THERE IN A DRY STREAMBED, 266 00:12:09,816 --> 00:12:12,688 ALONG WITH THE REST OF THE SKELETON WE'’VE BEEN LOOKING FOR. 267 00:12:19,129 --> 00:12:20,522 OH, DR. ROBB. 268 00:12:25,483 --> 00:12:28,399 THAT WAS SOME DISCOVERY ON SWEET'’S PART, EH? 269 00:12:28,443 --> 00:12:30,924 THE REMAINS OF A YOUNG WOMAN. 270 00:12:30,967 --> 00:12:32,664 I'’D ESTIMATE SHE'’S BEEN THERE 271 00:12:32,708 --> 00:12:34,275 SOMEWHERE AROUND 10 TO 12 YEARS. 272 00:12:35,537 --> 00:12:36,799 A LOT OF BROKEN BONES. 273 00:12:38,322 --> 00:12:40,455 BLUNT-FORCE TRAUMA, HUH? 274 00:12:40,498 --> 00:12:42,805 YOU'’RE ABSOLUTELY RIGHT, VIRGIL. 275 00:12:42,849 --> 00:12:44,459 ANTE-MORTEM FRACTURES 276 00:12:45,460 --> 00:12:47,027 HERE AND HERE. 277 00:12:47,070 --> 00:12:49,159 AND HERE AND THERE. 278 00:12:50,595 --> 00:12:52,162 THIS POOR CREATURE, WHOEVER SHE WAS, 279 00:12:52,206 --> 00:12:53,381 DIED A HORRIBLE DEATH. 280 00:12:53,424 --> 00:12:55,252 SHE WAS PROBABLY BEAT SENSELESS 281 00:12:56,688 --> 00:12:58,647 AND THEN DISMEMBERED WITH AN AX OR A HATCHET. 282 00:13:01,128 --> 00:13:03,304 AND THEN LEFT IN THE WOODS TO ROT. 283 00:13:03,347 --> 00:13:04,435 THERE'’S MORE. 284 00:13:07,047 --> 00:13:11,007 THIS FEMUR THOSE KIDS FOUND BY THE HAUNTED HOUSE, 285 00:13:11,051 --> 00:13:13,227 IT DOESN'’T BELONG TO THAT PERSON, 286 00:13:13,270 --> 00:13:15,882 WHICH MEANS THAT SOMEWHERE OUT THERE, 287 00:13:15,925 --> 00:13:18,101 THERE'’S AT LEAST ONE OTHER BODY. 288 00:13:27,154 --> 00:13:30,244 [VIRGIL] THE UNDERBRUSH THERE GETS PRETTY DENSE, 289 00:13:30,287 --> 00:13:32,463 SO KEEP CONSTANT VISUAL CONTACT. 290 00:13:32,507 --> 00:13:35,684 TRY TO STAY NO MORE THAN 6 FEET OR SO 291 00:13:35,727 --> 00:13:38,078 FROM THE PERSON ON EITHER SIDE OF YOU. 292 00:13:38,121 --> 00:13:41,777 NOW, IF YOU HAPPEN TO FIND ANYTHING 293 00:13:41,821 --> 00:13:43,910 THAT LOOKS REMOTELY LIKE A BONE, 294 00:13:43,953 --> 00:13:45,694 DON'’T TOUCH IT. 295 00:13:45,737 --> 00:13:47,174 JUST STAY WHERE YOU ARE 296 00:13:47,217 --> 00:13:50,264 AND CONTACT SERGEANT SKINNER. 297 00:13:50,307 --> 00:13:52,657 AND IF YOU HAPPEN TO RUN ACROSS THIS OLD WOMAN, 298 00:13:52,701 --> 00:13:54,790 MISS ADAH BOONE, THE PIG WOMAN, 299 00:13:54,834 --> 00:13:56,487 YOU WATCH YOURSELF. 300 00:13:56,531 --> 00:13:59,882 THE SHOTGUN SHE CARRIES HAS BEEN KNOWN TO GO OFF. 301 00:13:59,926 --> 00:14:00,709 ANY QUESTIONS? 302 00:14:01,841 --> 00:14:04,017 ALL RIGHT, LET'’S MOVE IT OUT. 303 00:14:05,845 --> 00:14:07,890 ...GOTTA FOUR-WHEEL DRIVE. I CAN TAKE YOU GUYS. 304 00:14:07,934 --> 00:14:09,587 COME ON. 305 00:14:12,416 --> 00:14:13,722 HELLO, MILLIE. 306 00:14:13,765 --> 00:14:16,333 YOUR FATHER'’S NOT GOING TO LIKE THIS. 307 00:14:16,377 --> 00:14:17,726 [MAN] WANT TO JOIN A POSSE, HONEY? 308 00:14:19,075 --> 00:14:21,034 HI.HELLO, MILLIE. 309 00:14:21,077 --> 00:14:22,470 CAN I HELP YOU? 310 00:14:22,513 --> 00:14:24,385 I NEED TO SPEAK TO WHOEVER'’S IN CHARGE. 311 00:14:24,994 --> 00:14:26,822 SURE. SURE. 312 00:14:31,087 --> 00:14:32,915 [MAN] VERY NICE.MM-HMM. 313 00:14:32,959 --> 00:14:34,134 [WOLF WHISTLES] 314 00:14:34,177 --> 00:14:37,093 HEY, SHUT UP, ALL OF YOU. SHUT UP. 315 00:14:37,137 --> 00:14:39,182 [MEN LAUGHING] 316 00:14:39,226 --> 00:14:41,228 UH, MILLIE NEEDS TO TALK TO YOU. 317 00:14:41,271 --> 00:14:42,446 I GOT TO LEAVE. 318 00:14:42,490 --> 00:14:43,578 HI, MILLIE. 319 00:14:43,621 --> 00:14:44,884 HI. 320 00:14:44,927 --> 00:14:47,234 HI. I'’M CAPTAIN TOM DUGAN. MAY I HELP YOU? 321 00:14:47,277 --> 00:14:50,498 IT'’S O.K., TOM. SHE WORKS FOR SIMON WARE. 322 00:14:51,542 --> 00:14:53,762 I HAVE A MESSAGE FROM MR. WARE. 323 00:14:53,805 --> 00:14:55,546 HE WANTS TO TALK TO THE POLICE. 324 00:14:55,590 --> 00:14:58,854 HE SPECIFIED WHICH POLICE HE HAD IN MIND? 325 00:14:58,898 --> 00:15:01,465 NO. HE JUST DIDN'’T WANT JODY ALONG THIS TIME. 326 00:15:03,424 --> 00:15:04,729 I'’D BE HAPPY TO TALK TO HIM, MILLIE. 327 00:15:04,773 --> 00:15:06,209 [TOM] YEAH. ME, TOO. 328 00:15:06,253 --> 00:15:07,689 TOM, THERE'’S NO NEED. 329 00:15:07,732 --> 00:15:09,169 JUST FOR FUN. 330 00:15:09,212 --> 00:15:10,735 LEAD THE WAY, MILLIE. 331 00:15:10,779 --> 00:15:12,433 LOOKS LIKE YOU GOT BOTH OF US. 332 00:15:36,152 --> 00:15:37,675 [SOFTLY] STAY HERE. 333 00:15:44,987 --> 00:15:46,641 MR. WARE. 334 00:15:46,684 --> 00:15:48,512 MR. WARE, SOME PEOPLE NEED TO TALK TO YOU. 335 00:15:51,863 --> 00:15:54,431 YOU CAN TALK TO HIM, BUT DON'’T GO PAST THIS LINE. 336 00:15:57,913 --> 00:15:59,784 MORNING, MR. WARE. 337 00:15:59,828 --> 00:16:01,569 I'’M TOM DUGAN. REMEMBER ME? 338 00:16:01,612 --> 00:16:03,614 ONE OF JOHNNY DUGAN'’S BOYS. 339 00:16:03,658 --> 00:16:05,442 MISS MILLIE SAYS YOU WANT TO TALK TO US. 340 00:16:05,486 --> 00:16:07,096 KEEP BACK BEHIND THE LINE. 341 00:16:09,055 --> 00:16:10,317 EXCUSE ME. 342 00:16:13,407 --> 00:16:17,019 MR. WARE, WE HAVE FOUND THE REMAINS OF HUMAN SKELETONS 343 00:16:17,063 --> 00:16:18,194 ON YOUR PROPERTY. 344 00:16:18,238 --> 00:16:19,065 ADAH BOONE! 345 00:16:22,720 --> 00:16:24,113 PARDON ME? 346 00:16:24,157 --> 00:16:25,723 THAT'’S WHO YOU WANT TO TALK TO. 347 00:16:25,767 --> 00:16:27,290 SHE'’S CRAZY. 348 00:16:27,334 --> 00:16:28,552 I TELL YOU--CRAZY. 349 00:16:28,596 --> 00:16:30,293 CRAZY, EVIL WOMAN! 350 00:16:32,339 --> 00:16:34,036 AND YOU'’RE SAYING? 351 00:16:34,080 --> 00:16:35,646 I SAW HER. 352 00:16:35,690 --> 00:16:38,606 SAW HER FEED HER NEWBORN PIGS TO HER SOWS. 353 00:16:39,737 --> 00:16:42,871 FED PIGS THEIR OWN YOUNG. 354 00:16:42,914 --> 00:16:45,134 AS I SAID, MR. WARE, 355 00:16:45,178 --> 00:16:48,355 WE FOUND THE REMAINS OF HUMAN SKELETONS ON YOUR PROPERTY. 356 00:16:48,398 --> 00:16:49,791 [WARE]YOU'’RE BLACK. 357 00:16:51,227 --> 00:16:52,881 HMM... ARE YOU A POLICEMAN? 358 00:16:58,843 --> 00:17:03,979 I AM CHIEF OF DETECTIVES OF THE SPARTA POLICE DEPARTMENT, YES. 359 00:17:05,763 --> 00:17:07,983 SHE'’S A BUTCHER. 360 00:17:08,027 --> 00:17:10,377 SHE SLAUGHTERS PIGS, AND SHE LIKES IT. 361 00:17:11,900 --> 00:17:15,295 THINK ABOUT IT, CHIEF OF DETECTIVES. 362 00:17:24,260 --> 00:17:26,306 WELL, IRMA, 363 00:17:26,349 --> 00:17:29,874 YOUR BABIES ARE GETTING BIGGER AND BIGGER EVERY DAY. 364 00:17:29,918 --> 00:17:32,094 PRETTY SOON THEY WON'’T NEED NO MAMA NO MORE, 365 00:17:32,138 --> 00:17:35,750 AND ADAH'’S GOING TO HAVE TO GET HER SPECIAL KNIFE. 366 00:17:35,793 --> 00:17:38,492 YOU WON'’T FEEL NOTHING BUT A LITTLE STING 367 00:17:38,535 --> 00:17:40,233 FOR A FEW SECONDS, 368 00:17:40,276 --> 00:17:42,974 THEN YOU'’LL BE UP THERE WITH THE REST OF YOUR ANCESTORS. 369 00:18:00,775 --> 00:18:02,211 [CAR DOOR SLAMMING] 370 00:18:09,958 --> 00:18:12,047 UH, MISS BOONE! 371 00:18:12,091 --> 00:18:15,355 WE WOULD APPRECIATE IT IF YOU WOULD COME DOWN TO THE STATION 372 00:18:15,398 --> 00:18:17,705 AND TALK WITH US. 373 00:18:17,748 --> 00:18:21,491 BUBBA SKINNER, IT'’S TIME YOU GOT MARRIED AND SETTLED DOWN. 374 00:18:21,535 --> 00:18:23,058 CAN'’T FIGHT IT FOREVER. 375 00:18:31,327 --> 00:18:32,937 THANKS, DR. ROBB. 376 00:18:37,203 --> 00:18:40,031 DR. ROBB SAYS FROM THE BONES THE GUYS FOUND, 377 00:18:40,075 --> 00:18:42,643 HE NOW HAS EVIDENCE OF THREE SEPARATE BODIES 378 00:18:42,686 --> 00:18:44,688 ALL FROM THE LAST 7 TO 10 YEARS. 379 00:18:44,732 --> 00:18:46,995 YOU BETTER CHECK MISSING PERSONS REPORTS. 380 00:18:47,561 --> 00:18:48,605 I HAVE. 381 00:18:53,393 --> 00:18:55,351 RIGHT THIS WAY, MISS BOONE. 382 00:18:56,918 --> 00:18:59,138 HERE YOU GO. ADAH BOONE, STRAIGHT FROM THE PIG YARD. 383 00:18:59,181 --> 00:19:01,705 WE NEED TO TALK. 384 00:19:01,749 --> 00:19:03,359 [ADAH] WHAT'’S GOING ON? 385 00:19:03,403 --> 00:19:06,145 A GOOD CHRISTIAN WOMAN HAULED IN LIKE A COMMON CRIMINAL! 386 00:19:06,188 --> 00:19:07,842 I'’VE GOT BETTER THINGS TO DO. 387 00:19:07,885 --> 00:19:08,973 I GOT MY WORK. 388 00:19:09,017 --> 00:19:10,279 I GOT MY PIGS TO TEND TO. 389 00:19:10,323 --> 00:19:11,933 SIT DOWN. BE QUIET. 390 00:19:11,976 --> 00:19:13,717 DON'’T WANT TO. 391 00:19:13,761 --> 00:19:15,763 LOOK, YOU MAY BE QUEEN OF THE HILL IN THE WOODS, 392 00:19:15,806 --> 00:19:18,679 BUT AROUND HERE, I'’M THE BOSS. SIT DOWN. 393 00:19:18,722 --> 00:19:20,333 I'’M STANDING. 394 00:19:20,376 --> 00:19:22,335 FINE. I DON'’T CARE. 395 00:19:23,205 --> 00:19:24,728 WE GOT SOME QUESTIONS. 396 00:19:24,772 --> 00:19:27,209 THE SOONER YOU ANSWER, THE SOONER YOU CAN LEAVE. 397 00:19:27,253 --> 00:19:30,865 I GOT NO MIND TO BE ASKED A BUNCH OF SILLY QUESTIONS, 398 00:19:30,908 --> 00:19:32,606 SO I'’LL TELL YOU WHAT YOU OUGHT TO KNOW. 399 00:19:34,129 --> 00:19:38,786 SIMON WARE IS CRAZIER THAN A MAGPIE IN AUGUST. 400 00:19:38,829 --> 00:19:42,616 HE HAS BEEN SINCE HIS WIFE, LUCY, DIED, NEARLY 30 YEARS AGO, 401 00:19:42,659 --> 00:19:43,921 GIVING BIRTH TO YOUNG JODY. 402 00:19:43,965 --> 00:19:46,359 THANKS FOR THAT BRAND-NEW INFORMATION. 403 00:19:46,402 --> 00:19:48,578 HOW ABOUT TELLING ME SOMETHING I CAN USE? 404 00:19:48,622 --> 00:19:50,537 OH, I WILL. 405 00:19:50,580 --> 00:19:52,582 YOU THINK HE'’S AN INVALID, 406 00:19:52,626 --> 00:19:55,585 HOLED UP IN THAT HOUSE WHERE THE LIGHT NEVER HITS? 407 00:19:55,629 --> 00:19:59,372 [SCOFFS] NO, NO. I SEEN HIM AT NIGHT IN THE WOODS, 408 00:20:00,199 --> 00:20:01,504 PROWLING AROUND. 409 00:20:02,244 --> 00:20:04,072 OH, SURE YOU HAVE. 410 00:20:04,115 --> 00:20:07,249 WHEN HAVE YOU SEEN HIM OUT THERE? 411 00:20:07,293 --> 00:20:09,947 [ADAH] HE PRETENDS TO BE AN INVALID, YOU SEE. 412 00:20:09,991 --> 00:20:13,212 GETS HISSELF THOSE PRETTY YOUNG THINGS HE CALLS NURSES. 413 00:20:13,995 --> 00:20:15,779 ONE AFTER THE OTHER 414 00:20:15,823 --> 00:20:17,259 AFTER THE OTHER. 415 00:20:17,303 --> 00:20:21,132 COULD YOU COME TO YOUR POINT A LITTLE FASTER? 416 00:20:21,176 --> 00:20:25,485 IF YOU WEREN'’T IN SUCH A HURRY, MR. NO-NONSENSE DUGAN, 417 00:20:25,528 --> 00:20:27,182 YOU MIGHT ASK YOURSELF A QUESTION. 418 00:20:27,226 --> 00:20:28,662 HMM? 419 00:20:28,705 --> 00:20:31,752 [ADAH] THOSE BODIES YOU BEEN FINDING IN MY WOODS, 420 00:20:31,795 --> 00:20:33,841 HOW MANY OF THOSE ARE FEMALE? 421 00:20:37,888 --> 00:20:39,847 MILLIE! HELLO. HOW ARE YOU? 422 00:20:42,066 --> 00:20:44,025 I'’M FINE. THANKS.GOOD. 423 00:20:44,895 --> 00:20:46,419 HEY THERE! 424 00:20:46,462 --> 00:20:48,159 HI.HI. 425 00:20:48,203 --> 00:20:50,292 [ MILLIE] CAN I TALK TO YOU? 426 00:20:50,336 --> 00:20:52,860 SURE. SURE. SIT DOWN. SIT DOWN. 427 00:20:52,903 --> 00:20:55,036 WANT ANYTHING TO EAT?NO, THANKS. 428 00:20:55,079 --> 00:20:56,559 HOLLER IF YOU CHANGE YOUR MIND. 429 00:20:59,475 --> 00:21:01,042 SO, UH, WHAT CAN I DO FOR YOU? 430 00:21:03,044 --> 00:21:06,743 BUBBA, IN HIGH SCHOOL, I ALWAYS LOOKED UP TO YOU. 431 00:21:06,787 --> 00:21:08,615 YOU WERE THE BIG BROTHER I WISHED I'’D HAD. 432 00:21:10,356 --> 00:21:14,185 I WISH I COULD SAY I THOUGHT OF YOU AS A SISTER, 433 00:21:14,229 --> 00:21:16,797 BUT IT WASN'’T WHAT WAS GOING THROUGH MY MIND. 434 00:21:18,059 --> 00:21:20,409 WELL, BUBBA, I NEED A BIG BROTHER NOW-- 435 00:21:21,845 --> 00:21:24,021 SOMEBODY I CAN TALK SOME THINGS OUT WITH. 436 00:21:24,413 --> 00:21:25,588 O.K. 437 00:21:25,632 --> 00:21:26,981 O.K. 438 00:21:27,024 --> 00:21:28,809 IT'’S ABOUT MR. WARE. 439 00:21:28,852 --> 00:21:31,377 I KNOW WHAT EVERYBODY IN TOWN THINKS OF ME FOR LIVING WITH HIM, 440 00:21:32,769 --> 00:21:35,337 BUT FOR ME THIS JOB WAS A GODSEND. 441 00:21:35,381 --> 00:21:37,557 I COULDN'’T TURN IT DOWN. 442 00:21:37,600 --> 00:21:39,646 HE SAID IF I STAYED WITH HIM 443 00:21:39,689 --> 00:21:41,474 AND TOOK CARE OF HIM FOR TWO YEARS, 444 00:21:42,605 --> 00:21:46,000 HE'’D PAY ME $250,000. 445 00:21:46,957 --> 00:21:48,742 OOH! THAT'’S A LOT OF MONEY. 446 00:21:50,047 --> 00:21:53,007 ONLY NOW HE WANTS ME TO STAY AN EXTRA YEAR. 447 00:21:53,050 --> 00:21:56,402 HE WANTS TO TRAVEL, AND HE WANTS ME TO GO ALONG. 448 00:21:56,445 --> 00:21:57,794 I DON'’T KNOW WHAT TO DO. 449 00:21:59,492 --> 00:22:04,148 WELL, I GUESS YOU GOT TO FIGURE OUT HOW MUCH IT'’S WORTH 450 00:22:05,454 --> 00:22:08,501 TO DO WHATEVER YOU DO FOR HIM. 451 00:22:08,544 --> 00:22:11,068 I KNOW NOBODY BELIEVES THIS, 452 00:22:11,112 --> 00:22:12,722 BUT HE NEVER TOUCHES ME. 453 00:22:12,766 --> 00:22:14,420 YOU DON'’T HAVE TO TELL ME ALL THIS. 454 00:22:14,463 --> 00:22:16,726 YEAH, I DO THINGS FOR HIM. 455 00:22:16,770 --> 00:22:18,424 I DRESS FOR HIM IN CERTAIN WAYS. 456 00:22:19,990 --> 00:22:22,558 HE HAS SPECIAL THINGS HE LIKES ME TO WEAR-- 457 00:22:22,602 --> 00:22:23,951 THINGS HE ORDERS FROM CATALOGS. 458 00:22:25,561 --> 00:22:27,520 SOMETIMES I JUST WALK AROUND. 459 00:22:29,260 --> 00:22:31,785 SOMETIMES I SING HIM A SONG. 460 00:22:31,828 --> 00:22:34,788 I MAKE UP STORIES HE LIKES TO HEAR. 461 00:22:34,831 --> 00:22:36,920 SOMETIMES HE'’LL ASK ME TO RUB SOMETHING ON HIM-- 462 00:22:36,964 --> 00:22:39,880 OH, MILLIE, YOU DON'’T HAVE TO TELL ME THIS. 463 00:22:39,923 --> 00:22:42,883 BUBBA, THE POINT IS, THAT'’S ALL I DO. 464 00:22:47,148 --> 00:22:50,064 MILLIE, WHAT I THINK YOU HAVE TO DO... 465 00:22:52,066 --> 00:22:54,938 IS LOOK INSIDE YOUR HEART AND ASK YOURSELF, 466 00:22:56,505 --> 00:22:58,289 "IS WHAT I'’M DOING RIGHT?" 467 00:22:59,203 --> 00:23:01,162 AND IF THE ANSWER'’S YES... 468 00:23:02,685 --> 00:23:04,470 THEN TO HELL WHAT ANYBODY ELSE THINKS. 469 00:23:06,341 --> 00:23:07,777 THANK YOU. 470 00:23:09,562 --> 00:23:10,563 [OWL HOOTING] 471 00:23:23,445 --> 00:23:25,360 PARKER, I DON'’T BELIEVE YOU TALKED ME 472 00:23:25,404 --> 00:23:27,057 INTO COMING OUT HERE THIS NIGHT. 473 00:23:27,101 --> 00:23:29,190 SHUSH. YOU WANT HER TO HEAR SOMETHING? 474 00:23:30,496 --> 00:23:31,627 [TWIG SNAPS] 475 00:23:31,671 --> 00:23:32,802 LISTEN. 476 00:23:32,846 --> 00:23:34,108 LISTEN TO WHAT? 477 00:23:34,151 --> 00:23:35,675 I THOUGHT I HEARD SOMETHING. 478 00:23:35,718 --> 00:23:37,459 THAT PIG WOMAN'’S GOT SOMETHING TO DO WITH THIS. 479 00:23:37,503 --> 00:23:38,852 I'’M POSITIVE. 480 00:23:38,895 --> 00:23:41,420 WE'’LL STAKE HER OUT AND GET THE GOODS ON HER, 481 00:23:43,683 --> 00:23:46,076 AND THAT WILL SHOW WILSON SWEET 482 00:23:46,120 --> 00:23:48,514 WHO'’S AN ACE AND WHO'’S NOT. 483 00:23:48,557 --> 00:23:50,559 THAT'’S WHAT THIS IS ABOUT, YOU FEUDING WITH SWEET? 484 00:23:50,603 --> 00:23:52,126 [TWIG SNAPS]SHH! 485 00:23:52,169 --> 00:23:53,519 I THOUGHT I SAW SOMEBODY. 486 00:24:00,308 --> 00:24:01,352 THERE'’S SOMEBODY OVER THERE. 487 00:24:17,281 --> 00:24:18,718 SHE'’S MOVING FASTER. 488 00:24:18,761 --> 00:24:20,154 LET'’S GO. LET'S GO. 489 00:24:28,467 --> 00:24:29,946 [SINISTER LAUGH] 490 00:24:32,296 --> 00:24:33,472 [LAUGHING] 491 00:24:34,560 --> 00:24:36,257 YOU SHOULD HAVE SEEN YOURSELVES. 492 00:24:36,300 --> 00:24:38,389 I SHOULD HAVE VIDEOTAPED THAT. 493 00:24:38,433 --> 00:24:40,957 I'’LL SHOW YOU A JOKE, YOU LAMEBRAIN! 494 00:24:41,567 --> 00:24:43,133 HO, HO, HO! 495 00:24:43,177 --> 00:24:44,657 I'’M GOING TO GET YOU, 496 00:24:44,700 --> 00:24:46,920 IF IT'’S THE LAST THING I EVER DO! 497 00:24:46,963 --> 00:24:48,051 [BOTH GRUNT] 498 00:24:49,662 --> 00:24:51,490 AAH!WHAT? 499 00:24:51,533 --> 00:24:52,969 YOU O.K.? 500 00:24:53,013 --> 00:24:54,362 DID I HURT YOU? 501 00:24:54,405 --> 00:24:56,451 NO. I TOUCHED SOMETHING OVER HERE. 502 00:24:56,495 --> 00:24:58,453 JAMISON, SHINE YOUR LIGHT OVER HERE. 503 00:25:30,050 --> 00:25:32,574 WELL, VIRGIL, WE GOT MOST OF IT UNCOVERED. 504 00:25:32,618 --> 00:25:35,011 MAN, THIS SURE DOES STINK. 505 00:25:38,188 --> 00:25:40,408 HOW LONG DO YOU THINK THAT BODY'’S BEEN THERE? 506 00:25:42,715 --> 00:25:44,717 JUDGING FROM THE DECOMPOSITION, BUBBA, 507 00:25:46,327 --> 00:25:47,937 SIX OR EIGHT MONTHS. 508 00:25:47,981 --> 00:25:49,330 IT SURE IS A MESS. 509 00:25:49,373 --> 00:25:51,550 YEAH. YEAH, IT'’S A MESS ALL RIGHT. 510 00:25:55,945 --> 00:26:00,254 YOU KNOW, WE THOUGHT THESE WERE MULTIPLE MURDERS FROM THE PAST, 511 00:26:01,516 --> 00:26:03,866 BUT IF THESE BODIES ARE CONNECTED, 512 00:26:03,910 --> 00:26:05,476 OUR KILLER COULD STILL BE OPERATING. 513 00:26:16,139 --> 00:26:18,881 BE GLAD YOU DIDN'’T HAVE TO HELP US DIG UP THAT BODY. 514 00:26:18,925 --> 00:26:20,840 IT WAS A MESS. 515 00:26:20,883 --> 00:26:22,537 [JAMISON] THAT'’S FOR SURE. 516 00:26:22,581 --> 00:26:24,191 STILL, I'’D RATHER BE DOING SOMETHING 517 00:26:24,234 --> 00:26:25,758 THAN SITTING HERE ANSWERING PHONES. 518 00:26:27,542 --> 00:26:29,718 EVERYBODY WANTS TO DO WHAT THEY CAN'’T DO, PARKER, 519 00:26:29,762 --> 00:26:31,154 AND LET'’S FACE IT-- 520 00:26:31,198 --> 00:26:33,200 WATER SEEKS ITS OWN LEVEL. 521 00:26:33,243 --> 00:26:35,332 WHAT'’S THAT SUPPOSED TO MEAN? 522 00:26:35,376 --> 00:26:38,379 MAYBE YOU'’RE NOT CUT OUT TO HANDLE THE DESK, EITHER. 523 00:26:38,422 --> 00:26:40,424 THAT'’S RIGHT. I'M NOT. 524 00:26:40,468 --> 00:26:42,818 I'’M NOT CUT OUT TO BE A RECEPTIONIST. 525 00:26:42,862 --> 00:26:44,994 I'’M CUT OUT TO BE A DETECTIVE. 526 00:26:45,821 --> 00:26:46,866 MM-HMM. 527 00:26:49,172 --> 00:26:50,783 [PARKER] WHOA, MR. WARE. 528 00:26:50,826 --> 00:26:52,915 LET ME TELL HIM YOU'’RE HERE.I'’LL TELL HIM. 529 00:26:52,959 --> 00:26:54,003 WAIT! 530 00:26:54,047 --> 00:26:55,918 CAPTAIN DUGAN, MR., TIBBS... 531 00:26:55,962 --> 00:26:57,528 I JUST HEARD SOMETHING I WISH I HADN'’T. 532 00:26:57,572 --> 00:26:59,879 I DIDN'’T THINK I SHOULD TACKLE HIM, SO HE GOT THROUGH. 533 00:26:59,922 --> 00:27:02,011 THAT'’S O.K., PARKER. 534 00:27:02,055 --> 00:27:03,665 WHAT'’S THE PROBLEM, JODY? 535 00:27:03,709 --> 00:27:07,277 DID ADAH BOONE SAY MY PAPA WAS INVOLVED IN THOSE MURDERS? 536 00:27:08,061 --> 00:27:09,845 IS THAT SO? 537 00:27:09,889 --> 00:27:12,848 WHAT GOES ON IN CRIMINAL INVESTIGATIONS IS PRIVILEGED INFORMATION. 538 00:27:12,892 --> 00:27:14,545 SO SHE DID. 539 00:27:14,589 --> 00:27:16,286 WHY WOULD SHE SAY SOMETHING LIKE THAT? 540 00:27:17,331 --> 00:27:19,376 MY PAPA WAS ALWAYS GOOD TO HER. 541 00:27:19,420 --> 00:27:20,987 HE LET HER LIVE OFF HIS OWN LAND. 542 00:27:22,597 --> 00:27:23,380 I CAN'’T BELIEVE THIS. 543 00:27:23,424 --> 00:27:25,208 [TOM] SETTLE DOWN. 544 00:27:25,252 --> 00:27:28,429 NATURALLY, THIS INVESTIGATION'’S GOING TO CONCERN YOUR FATHER. 545 00:27:28,472 --> 00:27:30,431 IT'’S HIS LAND THESE BODIES WERE FOUND ON. 546 00:27:30,474 --> 00:27:31,824 YEAH. I'’M SORRY. 547 00:27:34,609 --> 00:27:37,003 I WAS JUST HOPING I COULD GET BACK CLOSE WITH MY PAPA. 548 00:27:38,004 --> 00:27:39,919 [VIRGIL] WHAT HAPPENED? 549 00:27:39,962 --> 00:27:43,226 WHY DOES YOUR FATHER HATE YOU SO MUCH? 550 00:27:45,446 --> 00:27:46,447 I DON'’T KNOW. 551 00:27:47,361 --> 00:27:49,102 LORD KNOWS I TRIED. 552 00:27:51,844 --> 00:27:53,410 EVEN WHEN I WAS LITTLE, 553 00:27:55,238 --> 00:27:57,197 I WANTED SO MUCH FOR HIM TO LOVE ME, 554 00:28:00,243 --> 00:28:01,810 BUT INSIDE, I KNEW HE DIDN'’T. 555 00:28:02,768 --> 00:28:03,943 [TOM] HE'’S A DIFFICULT MAN. 556 00:28:03,986 --> 00:28:05,335 HE ALWAYS WAS. 557 00:28:05,379 --> 00:28:07,729 SOME MEN JUST CAN'’T LOVE. 558 00:28:07,773 --> 00:28:10,950 YOU'’VE GOT TO LIVE YOUR OWN LIFE. 559 00:28:10,993 --> 00:28:13,604 YEAH. I SHOULD HAVE LEFT SPARTA A LONG TIME AGO. 560 00:28:15,911 --> 00:28:17,434 BUT I KEPT THINKING THAT... 561 00:28:18,522 --> 00:28:20,263 MAYBE IF I STUCK IT OUT, 562 00:28:21,438 --> 00:28:23,092 MAYBE HE'’D CHANGE. 563 00:28:26,879 --> 00:28:28,271 YOU KNOW, I KEEP THINKING... 564 00:28:29,620 --> 00:28:31,100 WHAT IF HE DIES 565 00:28:33,233 --> 00:28:35,714 AND WE'’VE NEVER SAID A KIND WORD TO EACH OTHER? 566 00:28:38,673 --> 00:28:40,457 WOULDN'’T THAT BE A TERRIBLE THING? 567 00:28:42,546 --> 00:28:43,765 YOUR OWN FATHER. 568 00:28:49,640 --> 00:28:50,903 [WHISTLING] 569 00:28:59,955 --> 00:29:03,654 UM... EXCUSE ME, UH, MR. WARE. 570 00:29:04,960 --> 00:29:07,876 UH, MY NAME'’S PARKER WILLIAMS. 571 00:29:07,920 --> 00:29:10,009 I DON'’T THINK YOU KNOW ME, 572 00:29:10,052 --> 00:29:11,706 BUT I USED TO CUT YOUR DADDY'’S GRASS. 573 00:29:12,838 --> 00:29:15,318 [JODY] YEAH. SURE. 574 00:29:15,362 --> 00:29:17,973 I USED TO THROW BAILING WIRE IN THE YARD 575 00:29:18,017 --> 00:29:19,845 SO IT WOULD SNARL THE LAWN MOWER. 576 00:29:22,108 --> 00:29:23,544 I'’M SORRY. 577 00:29:23,587 --> 00:29:25,067 IT SEEMED LIKE A GOOD IDEA AT THE TIME. 578 00:29:25,111 --> 00:29:26,721 OH, THAT'’S ALL RIGHT. 579 00:29:29,550 --> 00:29:31,900 IT WAS GOOD SEEING YOU.YEAH. YOU TAKE CARE. 580 00:29:42,519 --> 00:29:43,999 [WHISTLING] 581 00:29:57,491 --> 00:29:59,798 WELL...WELL, WHAT? 582 00:30:01,190 --> 00:30:03,366 WHAT WERE YOU TALKING TO HIM ABOUT? 583 00:30:03,410 --> 00:30:05,804 OH, THAT WAS JUST PART OF MY INVESTIGATION. 584 00:30:05,847 --> 00:30:08,807 INVESTIGATION? 585 00:30:08,850 --> 00:30:10,896 YOU'’RE SO FULL OF IT, YOU'’RE ABOUT TO BLOW UP. 586 00:30:10,939 --> 00:30:13,115 NOW, WHAT WERE YOU TALKING TO HIM ABOUT? 587 00:30:13,159 --> 00:30:15,988 MR. SWEET, A GOOD DETECTIVE 588 00:30:16,031 --> 00:30:19,121 PRESERVES THE CONFIDENTIALITY OF HIS SOURCES. 589 00:30:20,775 --> 00:30:21,950 EXCUSE ME. 590 00:30:26,085 --> 00:30:27,695 I DON'’T UNDERSTAND IT. 591 00:30:27,738 --> 00:30:29,653 PAPA'’S ALWAYS BEEN GOOD TO YOU. 592 00:30:29,697 --> 00:30:31,177 WHY DID YOU SAY THOSE THINGS ABOUT HIM? 593 00:30:33,048 --> 00:30:34,745 YOU NEVER DO GIVE UP ON HIM, DO YOU? 594 00:30:34,789 --> 00:30:36,138 WELL, HOW CAN I? 595 00:30:36,182 --> 00:30:37,792 HE'’S MY FATHER. 596 00:30:37,836 --> 00:30:39,881 [ADAH] SURE, HE PROVIDED THE SEED, 597 00:30:39,925 --> 00:30:42,318 AND IF GIVING YOU FOOD AND SHELTER 598 00:30:42,362 --> 00:30:43,580 CONSTITUTES BEING A FATHER, 599 00:30:43,624 --> 00:30:45,756 I GUESS THAT'’S WHAT HE IS. 600 00:30:45,800 --> 00:30:47,802 WHATEVER HE IS, HE'’S NOT A MURDERER. 601 00:30:49,064 --> 00:30:51,937 HOW COULD YOU SAY THOSE THINGS ABOUT HIM? 602 00:30:59,770 --> 00:31:00,859 JODY... 603 00:31:05,951 --> 00:31:10,129 I LOVE YOU MORE THAN ANYONE ON EARTH. 604 00:31:10,172 --> 00:31:12,435 I HAVE SINCE I BROUGHT YOU ONTO THIS EARTH 605 00:31:12,479 --> 00:31:13,697 NEAR 30 YEARS AGO. 606 00:31:16,352 --> 00:31:18,702 IT SEEMS YOU WERE BORN TO SUFFER-- 607 00:31:18,746 --> 00:31:21,705 YOUR MAMA DYING WHEN YOU WERE BORN 608 00:31:21,749 --> 00:31:25,405 AND MR. WARE TREATING YOU LIKE SOME KIND OF OUTCAST. 609 00:31:25,448 --> 00:31:27,189 THERE'’S SOMETHING I NEVER TOLD YOU. 610 00:31:30,018 --> 00:31:31,933 I NEVER TOLD NOBODY. 611 00:31:31,977 --> 00:31:35,328 I WAS THE MIDWIFE WHEN YOUR MAMA WENT INTO LABOR. 612 00:31:36,764 --> 00:31:38,418 IT WAS A HARD ONE. 613 00:31:38,461 --> 00:31:40,507 LONG... 614 00:31:40,550 --> 00:31:42,422 POOR THING WAS IN TERRIBLE PAIN. 615 00:31:44,772 --> 00:31:46,513 THEN SHE STARTED HEMORRHAGING. 616 00:31:46,556 --> 00:31:47,949 BLOOD STARTED TO COME, WOULDN'’T STOP. 617 00:31:47,993 --> 00:31:49,603 I COULDN'’T STOP IT. 618 00:31:51,300 --> 00:31:52,954 DIDN'’T YOU CALL A DOCTOR? 619 00:31:52,998 --> 00:31:55,478 NO. YOUR PAPA, HE WOULDN'’T LET ME. 620 00:31:57,480 --> 00:32:00,570 HE PULLED THE PHONE RIGHT OUT OF THE WALL 621 00:32:00,614 --> 00:32:03,399 AND TOLD ME TO GO GET YOU CLEANED UP. 622 00:32:03,443 --> 00:32:05,575 THEN HE WENT TO THE SIDE OF THE BED, 623 00:32:06,359 --> 00:32:08,709 STOOD THERE, 624 00:32:08,752 --> 00:32:11,320 AND WATCHED THE LIFE DRAIN OUT OF YOUR MAMA, 625 00:32:13,148 --> 00:32:15,542 HER GETTING ALL CHALKY WHITE. 626 00:32:15,585 --> 00:32:16,891 OH, NO. 627 00:32:18,153 --> 00:32:19,459 AND THEN SHE DIED. 628 00:32:22,375 --> 00:32:24,290 HE'’S A MURDERER, JODY. 629 00:32:25,769 --> 00:32:28,555 THAT'’S HOW I KNOW HE CAN KILL, 630 00:32:28,598 --> 00:32:30,861 HOW I KNOW HE'’S A DANGEROUS MAN. 631 00:32:35,997 --> 00:32:37,956 WHY DIDN'’T YOU TELL THE POLICE? 632 00:32:37,999 --> 00:32:39,827 HE SAID THEY'’D BLAME ME, 633 00:32:40,959 --> 00:32:42,699 AND I BELIEVED HIM. 634 00:32:44,223 --> 00:32:46,442 AFTER ALL, HE WAS SIMON WARE... 635 00:32:48,575 --> 00:32:50,577 AND I WAS JUST A POOR FARM GIRL. 636 00:32:52,622 --> 00:32:54,189 OH, GOD, HOW CAN THIS HAPPEN? 637 00:32:54,233 --> 00:32:56,452 GET OUT OF SPARTA. 638 00:32:56,496 --> 00:32:59,499 GET ON WITH YOUR LIFE. 639 00:32:59,542 --> 00:33:02,850 YOU STAY HERE, HIS EVIL WILL CONTAMINATE YOU. 640 00:33:04,199 --> 00:33:05,853 YOU KNOW, PEOPLE SAY YOU'’RE CRAZY 641 00:33:07,246 --> 00:33:08,508 AND YOU'’RE MEAN... 642 00:33:10,249 --> 00:33:12,468 BUT YOU'’VE ALWAYS BEEN A GOOD FRIEND TO ME, 643 00:33:12,512 --> 00:33:14,340 AND I THANK YOU FOR THAT, MISS ADAH. 644 00:33:14,383 --> 00:33:15,732 TRULY, I DO. 645 00:33:18,474 --> 00:33:20,520 '’CAUSE YOU GIVE ME THE TRUTH. 646 00:34:06,957 --> 00:34:09,482 [ALTHEA] IT HAS SOMETHING TO DO WITH STORIES 647 00:34:09,525 --> 00:34:12,137 ABOUT DISMEMBERED BODIES. 648 00:34:12,180 --> 00:34:13,486 HONEY, SOME OF THESE KIDS 649 00:34:13,529 --> 00:34:15,401 ARE ACTUALLY HAVING NIGHTMARES. 650 00:34:15,444 --> 00:34:16,967 IT JUST AMAZES ME 651 00:34:17,011 --> 00:34:21,059 HOW KIDS CAN PICK UP ON GROWN-UP ANXIETIES. 652 00:34:21,102 --> 00:34:22,756 [KNOCKING ON DOOR] 653 00:34:22,799 --> 00:34:23,844 OH, NO. 654 00:34:24,671 --> 00:34:25,889 YOU GET IT. 655 00:34:25,933 --> 00:34:28,109 I AM GOING TO BED.[LAUGHING] 656 00:34:28,153 --> 00:34:29,458 OOH! 657 00:34:29,502 --> 00:34:30,894 O.K., O.K., O.K. 658 00:34:38,163 --> 00:34:39,599 OH. 659 00:34:39,642 --> 00:34:41,470 PARKER, COME IN. COME IN. 660 00:34:41,514 --> 00:34:42,863 EVENING, DETECTIVE. 661 00:34:42,906 --> 00:34:44,647 SORRY TO BOTHER YOU AT HOME. 662 00:34:44,691 --> 00:34:45,735 NO PROBLEM. WHAT'’S UP? 663 00:34:45,779 --> 00:34:48,738 I KNOW THE PROPER CHAIN OF COMMAND 664 00:34:48,782 --> 00:34:51,437 WOULD BE FOR ME TO GO TO CAPTAIN TOM-- 665 00:34:51,480 --> 00:34:53,917 I'’M CHIEF OF DETECTIVES. 666 00:34:53,961 --> 00:34:55,745 I'’M RUNNING THIS INVESTIGATION. 667 00:34:55,789 --> 00:34:58,357 INFORMATION CAN COME THROUGH ME.GREAT. 668 00:34:58,400 --> 00:35:00,489 YOU REMEMBER CHARLIE HOBBS, 669 00:35:00,533 --> 00:35:02,535 THE KID WHOSE DOG FOUND THE FIRST LEG BONE? 670 00:35:03,449 --> 00:35:05,364 YEAH.[TELEPHONE RINGS] 671 00:35:05,407 --> 00:35:08,497 I'’VE CHECKED AND FOUND HE HAS A RECORD IN TENNESSEE 672 00:35:08,541 --> 00:35:10,630 FOR ASSAULT AND BATTERY OF FEMALES. 673 00:35:11,979 --> 00:35:13,633 REALLY?YES, SIR. 674 00:35:13,676 --> 00:35:15,504 THAT'’S INTERESTING. 675 00:35:15,548 --> 00:35:17,506 HAS HE SERVED TIME?WELL-- 676 00:35:17,550 --> 00:35:18,551 [ALTHEA] VIRGIL... 677 00:35:18,594 --> 00:35:20,509 IT'’S BUBBA. IT'’S IMPORTANT. 678 00:35:20,553 --> 00:35:21,815 HI, MA'’AM. 679 00:35:26,298 --> 00:35:27,473 BUBBA, SO, YEAH? 680 00:35:29,127 --> 00:35:30,954 OH, NO. 681 00:35:30,998 --> 00:35:32,391 YEAH, WE'’LL BE RIGHT THERE. 682 00:35:33,609 --> 00:35:35,089 PARKER'’S HERE. 683 00:35:35,133 --> 00:35:36,395 O.K. 15 MINUTES. 684 00:35:36,438 --> 00:35:38,179 THANKS. 685 00:35:38,223 --> 00:35:40,312 [EXHALES] 686 00:35:40,355 --> 00:35:42,183 THAT INFORMATION YOU GAVE ME IS PRETTY IMPORTANT, 687 00:35:42,227 --> 00:35:44,011 BUT CONSIDERING WHAT JUST HAPPENED, 688 00:35:44,054 --> 00:35:44,968 IT'’S SUPERFLUOUS. 689 00:36:01,637 --> 00:36:02,986 WHO FOUND HER? 690 00:36:03,030 --> 00:36:04,945 YOUR FRIEND AND MINE, WILSON SWEET. 691 00:36:06,903 --> 00:36:09,428 A DAMN FINE PIECE OF POLICE WORK, TOO. 692 00:36:09,471 --> 00:36:12,822 WELL, SOMETIMES IT'’S JUST LUCK, I GUESS. 693 00:36:12,866 --> 00:36:14,476 CAME UP HERE ON A HUNCH. 694 00:36:14,520 --> 00:36:16,043 I GOT TO THINKING. 695 00:36:16,086 --> 00:36:18,872 THE TOOLS SHE USED TO SLAUGHTER THOSE PIGS 696 00:36:18,915 --> 00:36:21,744 WERE LIKE THE ONES USED ON THE BODIES. 697 00:36:21,788 --> 00:36:23,659 SHE DIDN'’T ANSWER THE DOOR. 698 00:36:23,703 --> 00:36:26,532 I SAW THIS LIGHT, AND THERE SHE WAS. 699 00:36:26,575 --> 00:36:29,361 SWEET, YOU STILL BELIEVE IT WAS A SUICIDE? 700 00:36:29,404 --> 00:36:31,537 I THINK IT'’S PRETTY OBVIOUS. 701 00:36:31,580 --> 00:36:33,974 LOOK AT THESE TOOLS. 702 00:36:34,017 --> 00:36:36,759 ANY ONE OF THEM MIGHT HAVE BEEN THE MURDER WEAPON. 703 00:36:36,803 --> 00:36:39,066 WE'’RE TALKING ABOUT A PERSON 704 00:36:39,109 --> 00:36:40,894 WITH A GUILTY CONSCIENCE, 705 00:36:40,937 --> 00:36:43,201 A PERSON THAT KNEW WE WERE CLOSING IN. 706 00:36:43,244 --> 00:36:45,551 SO SHE CLIMBED UP THOSE STEPS... 707 00:36:46,769 --> 00:36:49,598 AND TOOK THAT LAST LEAP INTO OBLIVION. 708 00:36:54,429 --> 00:36:56,475 ANYONE ELSE AGREE WITH THAT? 709 00:36:56,518 --> 00:36:59,391 POOR OLD LADY WAS RUNNING A QUART LOW. 710 00:36:59,434 --> 00:37:01,044 NOTHING SHE'’D DO WOULD SURPRISE ME. 711 00:37:07,660 --> 00:37:10,880 YEAH. OH... WHAT ABOUT YOU, PARKER? 712 00:37:12,186 --> 00:37:14,580 I FIGURED SHE WAS DIRTY LONG BEFORE SWEET, 713 00:37:14,623 --> 00:37:16,756 SO I WAS STAKIN'’ HER OUT 714 00:37:16,799 --> 00:37:18,714 BEFORE SOMEBODY MESSED THAT UP. 715 00:37:18,758 --> 00:37:20,586 I FOUND THE BODY 716 00:37:20,629 --> 00:37:22,936 AND CORRECTLY DEDUCED SHE KILLED HERSELF 717 00:37:22,979 --> 00:37:26,026 RATHER THAN SPEND LIFE IN PRISON WITHOUT HER PIGS. 718 00:37:27,375 --> 00:37:31,379 WELL, UH, SWEET, THAT'’S A LOGICAL DEDUCTION. 719 00:37:31,423 --> 00:37:33,076 UNFORTUNATELY, IT'’S DEAD WRONG. 720 00:37:35,209 --> 00:37:36,515 ADAH BOONE WAS MURDERED. 721 00:37:41,650 --> 00:37:44,697 [VIRGIL] YOU SEE THE SCRATCHES HERE 722 00:37:44,740 --> 00:37:48,440 AND THE BRUISES AROUND THE KNUCKLES? 723 00:37:48,483 --> 00:37:50,311 THEY'’RE DEFENSIVE WOUNDS. 724 00:37:50,355 --> 00:37:51,443 YOU'’RE SAYING SHE FOUGHT SOMEBODY? 725 00:37:51,486 --> 00:37:52,705 OH, EXACTLY. 726 00:37:52,748 --> 00:37:54,707 SHE STILL COULD'’VE COMMITTED SUICIDE. 727 00:37:54,750 --> 00:37:56,535 SHE COULD HAVE FOUGHT SOMEONE 728 00:37:56,578 --> 00:37:59,102 AND THEN COULD'’VE HUNG HERSELF. 729 00:37:59,146 --> 00:38:01,104 SHE COULD HAVE... 730 00:38:01,148 --> 00:38:02,845 BUT SHE DIDN'’T. 731 00:38:02,889 --> 00:38:05,805 LOOK AT THE LIGATURE MARKS AROUND THE NECK. 732 00:38:05,848 --> 00:38:07,763 PARKER, YOU WANT TO BE A DETECTIVE. 733 00:38:07,807 --> 00:38:09,287 NOTICE ANYTHING STRANGE? 734 00:38:10,375 --> 00:38:11,724 STRANGE? 735 00:38:13,769 --> 00:38:14,988 NO, SIR, 736 00:38:15,031 --> 00:38:17,338 NOT REALLY WHAT YOU'’D CALL STRANGE. 737 00:38:17,382 --> 00:38:19,035 [VIRGIL]O.K. 738 00:38:19,079 --> 00:38:21,951 NOW, I'’M GOING TO TEACH YOU A LESSON 739 00:38:21,995 --> 00:38:23,997 I HOPE YOU NEVER FORGET. 740 00:38:24,040 --> 00:38:24,998 TEACH ME? 741 00:38:28,393 --> 00:38:31,831 NOW, ONE DEMONSTRATION IS WORTH A THOUSAND WORDS-- 742 00:38:31,874 --> 00:38:33,441 EXACTLY THE WAY I LEARNED IT. 743 00:38:33,485 --> 00:38:35,704 YOU SOUND LIKE MY OLD CHEMISTRY TEACHER-- 744 00:38:35,748 --> 00:38:37,967 NEVER UNDERSTOOD THAT DUDE, EITHER. 745 00:38:38,011 --> 00:38:40,187 [VIRGIL] O.K., PARKER, YOU FEELING ANYTHING? 746 00:38:40,230 --> 00:38:41,928 I'’M DIZZY. 747 00:38:41,971 --> 00:38:43,843 HE'’S TALKING ABOUT THE POSITION OF THE ROPE ON YOUR NECK. 748 00:38:43,886 --> 00:38:46,367 YOU FEEL IT? 749 00:38:46,411 --> 00:38:50,545 O.K., NOW, IT'’S SQUEEZING THE SKIN RIGHT UNDER YOUR JAWBONE. 750 00:38:50,589 --> 00:38:54,070 NOW, THE KNOT WOULD BE WAY UP HERE BY MY HAND. 751 00:38:55,637 --> 00:38:57,247 WHEN SOMEONE HANGS HIMSELF, 752 00:38:57,291 --> 00:39:00,294 THE LIGATURE MARK ANGLES UP SHARPLY, 753 00:39:00,338 --> 00:39:03,515 NOT STRAIGHT AROUND THE NECK LIKE ON THIS WOMAN. 754 00:39:03,558 --> 00:39:05,081 WOULDN'’T YOU SAY SO? 755 00:39:05,125 --> 00:39:06,692 YOU'’RE THE FORENSIC EXPERT. 756 00:39:08,258 --> 00:39:10,739 O.K. SO ADAH BOONE WAS STRANGLED FIRST, 757 00:39:11,740 --> 00:39:13,525 THEN HUNG. 758 00:39:13,568 --> 00:39:16,397 THAT'’S MURDER, NOT SUICIDE. 759 00:39:17,355 --> 00:39:18,921 [THUNDER RUMBLING] 760 00:39:18,965 --> 00:39:20,270 DETECTIVE... 761 00:39:20,314 --> 00:39:22,403 DETECTIVE.YEAH? 762 00:39:22,447 --> 00:39:23,448 OH! PARKER. 763 00:39:23,491 --> 00:39:24,710 WHEW! 764 00:39:24,753 --> 00:39:26,364 [PARKER CLEARS THROAT] 765 00:39:26,407 --> 00:39:28,453 UH... 766 00:39:28,496 --> 00:39:32,979 DETECTIVE, UH, YOU REMEMBER WHAT I SAID ABOUT CHARLIE HOBBS 767 00:39:33,022 --> 00:39:34,981 HAVING A RECORD FOR ASSAULT AND BATTERY? 768 00:39:35,024 --> 00:39:36,417 YEAH. 769 00:39:36,461 --> 00:39:38,114 WE'’D BETTER FIND OUT WHERE HE WAS TODAY. 770 00:39:45,861 --> 00:39:47,123 [VIRGIL] MMM. I SEE. 771 00:39:47,167 --> 00:39:48,864 WHO ELSE DID YOU TALK TO? 772 00:39:48,908 --> 00:39:50,692 AND THEY CONFIRMED THAT? 773 00:39:51,606 --> 00:39:52,955 O.K. 774 00:39:52,999 --> 00:39:54,043 THANKS. 775 00:39:56,611 --> 00:39:58,265 THAT TAKES CARE OF CHARLIE HOBBS. 776 00:39:58,308 --> 00:40:00,310 HE'’S BEEN IN BATON ROUGE SINCE YESTERDAY. 777 00:40:00,354 --> 00:40:01,834 SORRY, PARKER. 778 00:40:01,877 --> 00:40:03,009 SO AM I. 779 00:40:04,663 --> 00:40:06,404 TOO BAD, PARKER. 780 00:40:06,447 --> 00:40:07,622 NICE TRY, THOUGH. 781 00:40:07,666 --> 00:40:09,015 YEAH. 782 00:40:09,058 --> 00:40:10,233 RIGHT. 783 00:40:11,583 --> 00:40:13,193 [TOM] TOLD YOU IT WAS GOING TO POUR. 784 00:40:14,803 --> 00:40:16,979 YOU MAY KNOW THAT FORENSIC STUFF, 785 00:40:17,023 --> 00:40:19,112 BUT I BE KNOWIN'’ ABOUT THE WEATHER. 786 00:40:19,155 --> 00:40:21,506 THAT MAKES US SOME SORT OF A TEAM. 787 00:40:21,549 --> 00:40:24,160 HERE'’S A POSITIVE DENTAL I.D. 788 00:40:24,204 --> 00:40:25,901 ON THAT BODY FOUND OUT IN THE WOODS. 789 00:40:25,945 --> 00:40:27,425 TAKE A LOOK AT THIS. 790 00:40:29,818 --> 00:40:30,993 YOU'’RE KIDDING. 791 00:40:31,037 --> 00:40:32,255 THAT'’S WHAT I THOUGHT. 792 00:40:32,299 --> 00:40:33,561 SO I DOUBLE-CHECKED. 793 00:40:33,605 --> 00:40:35,607 I EVEN GOT HIS DENTIST. 794 00:40:35,650 --> 00:40:37,870 IT'’S HIM. THERE'’S NO MISTAKE. 795 00:40:37,913 --> 00:40:39,915 TELL ME WHAT Y'’ALL ARE TALKING ABOUT. 796 00:40:41,221 --> 00:40:43,223 YEAH. I'’M NOT SURE I KNOW, 797 00:40:43,266 --> 00:40:46,095 BUT...I KNOW WHERE WE CAN FIND OUT. 798 00:41:38,104 --> 00:41:41,586 SORRY TO BARGE IN, BUT WE HAVE TO SEE SIMON WARE. 799 00:41:41,629 --> 00:41:43,631 I'’M SORRY, THAT'’S IMPOSSIBLE. 800 00:41:43,675 --> 00:41:46,504 HE'’S UPSET THE LIGHTS WENT OFF BECAUSE OF THE STORM. 801 00:41:46,547 --> 00:41:48,854 THE LIGHTS ARE ON EVERYPLACE ELSE IN TOWN. 802 00:41:48,897 --> 00:41:51,770 CALL THE ELECTRICAL COMPANY WHILE WE TALK TO HIM. 803 00:41:51,813 --> 00:41:54,120 SIMON WARE, SPARTA POLICE DEPARTMENT! URGENT BUSINESS! 804 00:41:55,600 --> 00:41:57,602 I THINK HE SAID COME IN, DON'’T YOU? 805 00:42:00,605 --> 00:42:01,954 EVENING, MR. WARE. 806 00:42:01,997 --> 00:42:04,043 SORRY TO BUST IN LIKE THIS. 807 00:42:04,086 --> 00:42:06,611 WE NEED TO TALK TO YOU. 808 00:42:06,654 --> 00:42:08,743 [SIMON] I SUPPOSE YOU'’RE HERE ABOUT THE LIGHTS. 809 00:42:10,223 --> 00:42:12,660 NO. THAT WOULD BE THE ELECTRIC COMPANY. 810 00:42:12,704 --> 00:42:13,966 WE'’RE POLICE. 811 00:42:14,009 --> 00:42:16,185 WE'’RE HERE ABOUT A WHOLE SLEW OF MURDERS. 812 00:42:16,229 --> 00:42:18,057 GO ARREST ADAH BOONE. 813 00:42:20,102 --> 00:42:21,364 OH, WE CAN'’T. 814 00:42:22,627 --> 00:42:23,758 SHE'’S DEAD. 815 00:42:23,802 --> 00:42:25,194 I BET I KNOW. 816 00:42:25,238 --> 00:42:27,066 SHE GOT EATEN BY HER PIGS. 817 00:42:27,109 --> 00:42:28,720 [LAUGHING] 818 00:42:28,763 --> 00:42:30,504 A REAL FUNNY SIGHT. 819 00:42:30,548 --> 00:42:32,898 ALL THOSE FAT LITTLE PIGS EATING ADAH BOONE. 820 00:42:32,941 --> 00:42:34,290 [LAUGHING] 821 00:42:34,334 --> 00:42:37,555 SHE'’S BEEN KILLED, MR. WARE. 822 00:42:37,598 --> 00:42:40,601 SOMEONE MURDERED HER AND TRIED TO MAKE IT LOOK LIKE SUICIDE. 823 00:42:40,645 --> 00:42:44,997 SOME VERY PECULIAR THINGS HAVE BEEN GOING ON HERE-- 824 00:42:45,040 --> 00:42:46,694 LIKE, TWO DAYS AGO, 825 00:42:46,738 --> 00:42:49,218 WE FOUND A PARTIALLY DECOMPOSED BODY 826 00:42:49,262 --> 00:42:51,177 OUT IN THE WOODS NEAR YOUR HOUSE. 827 00:42:51,220 --> 00:42:55,050 OUR PATHOLOGIST MADE AN I.D., USING DENTAL RECORDS. 828 00:42:55,094 --> 00:42:57,183 GUESS WHO IT WAS, MR. WARE. 829 00:42:57,226 --> 00:42:59,402 HE SAID IT WAS YOU, MR. WARE. 830 00:42:59,446 --> 00:43:03,537 [VIRGIL]SO, OUR QUESTION IS, HOW CAN SIMON WARE BE DEAD, 831 00:43:03,581 --> 00:43:05,974 AND YET STILL SITTING HERE IN A CHAIR TALKING TO US? 832 00:43:09,674 --> 00:43:12,198 [GRUNTS] 833 00:43:12,241 --> 00:43:15,462 WELL, THIS SICK OLD MAN GET AROUND PRETTY GOOD, NOW. 834 00:43:18,639 --> 00:43:20,249 WELL, WELL, JODY WARE. 835 00:43:22,556 --> 00:43:25,341 KILLED YOUR FATHER AND BURIED HIM OUT BY THAT OLD HOUSE, HUH? 836 00:43:27,605 --> 00:43:29,650 WELL, CONGRATULATIONS, YOU'’RE REALLY BRILLIANT. 837 00:43:29,694 --> 00:43:31,609 HE IS, BUT I'’M NOT. 838 00:43:31,652 --> 00:43:33,262 SO YOU EXPLAIN TO ME WHY. 839 00:43:35,700 --> 00:43:37,789 MY FATHER LET MY MOTHER BLEED TO DEATH 840 00:43:37,832 --> 00:43:39,094 WHEN I WAS BORN, 841 00:43:40,618 --> 00:43:43,185 AND I'’VE HATED HIM EVERY DAY SINCE. 842 00:43:43,229 --> 00:43:45,013 [JODY] IS THAT EASY ENOUGH FOR YOU? 843 00:43:45,057 --> 00:43:46,493 HE LET HER DIE? 844 00:43:46,536 --> 00:43:48,495 [JODY] HE SAID SHE WAS INSANE. 845 00:43:48,538 --> 00:43:51,454 HE HAD TO KEEP HER LOCKED UP, HE SAID, 846 00:43:51,498 --> 00:43:53,239 BECAUSE SHE TRIED TO KILL HIM. 847 00:43:53,282 --> 00:43:56,416 AND ME, SHE TRIED TO ABORT HER OWN SON. 848 00:43:57,896 --> 00:43:59,506 HE TOLD YOU THAT, JODY? 849 00:44:00,855 --> 00:44:02,857 ON MY 16th BIRTHDAY PARTY... 850 00:44:08,733 --> 00:44:10,517 HE SAID I WAS CRAZY... 851 00:44:12,301 --> 00:44:13,999 JUST AS CRAZY AS MY MOTHER... 852 00:44:16,262 --> 00:44:17,829 BUT IT WAS HE WHO MADE US THAT WAY. 853 00:44:19,047 --> 00:44:21,180 SO ALL THE OTHER BONES, ALL THE REMAINS... 854 00:44:22,877 --> 00:44:24,313 I KILLED THEM ALL. 855 00:44:26,576 --> 00:44:28,491 THEY'’RE ALL OVER THE PLACE OUT THERE. 856 00:44:28,535 --> 00:44:31,538 ALL THOSE TRANSIENTS FROM THE RAILROAD. 857 00:44:31,581 --> 00:44:34,846 I GOT THE FIRST ONE RIGHT AFTER MY 16TH BIRTHDAY PARTY... 858 00:44:37,022 --> 00:44:38,545 JUST TO SEE IF PAPA WAS RIGHT, 859 00:44:40,590 --> 00:44:42,331 AND I FOUND I ENJOYED IT. 860 00:44:42,375 --> 00:44:43,855 THERE'’S NOTHING-- 861 00:44:43,898 --> 00:44:45,508 THERE'’S-- 862 00:44:45,552 --> 00:44:46,727 THERE'’S NOTHING QUITE LIKE IT-- 863 00:44:46,771 --> 00:44:48,729 A GOOD KILL ON A COLD WINTER'’S NIGHT. 864 00:44:48,773 --> 00:44:49,817 YO. 865 00:44:52,341 --> 00:44:55,344 MR. TIBBS, LOOK WHAT WE FOUND RUNNING ACROSS THE BACKYARD. 866 00:44:55,388 --> 00:44:58,913 [PARKER] SHE WAS IN A REAL HURRY TO GET SOMEPLACE FAST, 867 00:44:58,957 --> 00:45:00,349 WEREN'’T YOU, MILLIE? 868 00:45:00,393 --> 00:45:02,134 I HAD NOTHING TO DO WITH THIS. 869 00:45:02,177 --> 00:45:04,614 HE PAID ME TO PRETEND LIKE HIS FATHER WAS ALIVE. 870 00:45:04,658 --> 00:45:06,138 WHAT'’S THE HARM IN THAT? 871 00:45:06,181 --> 00:45:09,707 LITTLE GIRLS WHO LIE GET PUNISHED, MILLIE. 872 00:45:12,622 --> 00:45:15,364 WE OUGHT TO THROW YOU TO ADAH BOONE'’S PIGS. 873 00:45:15,408 --> 00:45:16,757 JUST SHUT UP, BOY. 874 00:45:16,801 --> 00:45:18,672 CUFF HIM AND READ HIM HIS RIGHTS. 875 00:45:42,478 --> 00:45:44,785 DETECTIVE, HERE IT IS-- 876 00:45:44,829 --> 00:45:46,004 THE REPORT ON THE WARE CASE. 877 00:45:46,047 --> 00:45:48,397 HERE'’S MY REPORT ON THE CASE. 878 00:45:48,441 --> 00:45:49,921 IN A MINUTE. 879 00:45:49,964 --> 00:45:51,487 IT'’S GREED, YOU KNOW. 880 00:45:51,531 --> 00:45:52,967 UH, GREED?YES, SIR. 881 00:45:53,011 --> 00:45:55,274 MOST CRIMINALS TRIP UP OVER GREED THAN ANYTHING ELSE. 882 00:45:55,317 --> 00:45:58,190 GREED'’S GOOD, BUT IN THIS CASE, IT'’S STUPIDITY. 883 00:45:58,233 --> 00:45:59,974 YOU CAN'’T CALL JODY WARE STUPID. 884 00:46:00,018 --> 00:46:01,671 I MEAN HE HAD EVERYBODY FOOLED. 885 00:46:01,715 --> 00:46:04,762 HE WAS DRAWING OFF HIS FATHER'’S ASSETS LITTLE BY LITTLE. 886 00:46:04,805 --> 00:46:06,546 NOBODY WAS EVEN SUSPICIOUS. 887 00:46:06,589 --> 00:46:09,331 WHAT'’S STUPID IS HE SHOULD HAVE LEFT BEFORE HE GOT CAUGHT. 888 00:46:09,375 --> 00:46:12,291 THE FULL, CORRECT VERSION IS IN MY REPORT. 889 00:46:12,334 --> 00:46:13,814 IF YOU WANT AN ACCURATE ACCOUNT, 890 00:46:13,858 --> 00:46:15,773 YOU'’LL FIND IT IN MY REPORT. 891 00:46:17,775 --> 00:46:19,777 O.K., THANK YOU BOTH. 892 00:46:19,820 --> 00:46:21,256 THANK YOU BOTH. 893 00:46:21,300 --> 00:46:23,215 O.K., LET'’S SEE. 894 00:46:24,694 --> 00:46:26,000 NOT BAD. 895 00:46:27,306 --> 00:46:28,655 THESE AREN'’T BAD. 896 00:46:28,698 --> 00:46:31,092 ACTUALLY, THEY'’RE VERY GOOD. 897 00:46:31,136 --> 00:46:35,836 BUT THE GREATEST CONTRIBUTION YOU TWO MADE ON THIS WHOLE CASE 898 00:46:35,880 --> 00:46:40,014 WAS WHEN YOU BOTH HAULED MILLIE BARNETT IN BEFORE SHE COULD ESCAPE, 899 00:46:41,320 --> 00:46:42,582 AND THAT, 900 00:46:43,626 --> 00:46:46,804 YOU TWO DID TOGETHER AS A TEAM. 63481

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