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1
00:00:06,528 --> 00:00:10,836
♪ IN THE HEAT OF THE NIGHT
2
00:00:14,275 --> 00:00:19,019
♪ I'’VE GOT TROUBLES
WALL TO WALL ♪
3
00:00:23,284 --> 00:00:26,591
♪ IN THE HEAT OF THE NIGHT
4
00:00:27,549 --> 00:00:28,767
♪ YEAH
5
00:00:30,639 --> 00:00:34,469
♪ MUST BE AN ENDING
TO IT ALL ♪
6
00:00:36,471 --> 00:00:37,907
♪ OH
7
00:00:40,344 --> 00:00:42,042
♪ BUT HOLD ON
8
00:00:43,782 --> 00:00:46,568
♪ IT WON'’T BE LONG ♪
9
00:00:46,611 --> 00:00:48,613
♪ JUST YOU BE STRONG
10
00:00:48,657 --> 00:00:51,268
♪ AND IT'’LL BE ALL RIGHT ♪
11
00:00:54,924 --> 00:00:58,667
♪ IN THE HEAT OF THE NIGHT
12
00:00:58,710 --> 00:01:03,193
♪ IN THE HEAT OF THE NIGHT
13
00:01:04,325 --> 00:01:06,762
♪ OH
14
00:01:35,704 --> 00:01:37,967
THIS IS A FIRST FOR ME.
15
00:01:38,010 --> 00:01:40,535
I'’VE NEVER MADE OUT
IN FRONT OF
A HAUNTED HOUSE BEFORE.
16
00:01:40,578 --> 00:01:42,102
[BOTH CHUCKLING]
17
00:01:42,145 --> 00:01:43,190
IT FEELS WEIRD,
THOUGH,
18
00:01:43,233 --> 00:01:44,147
LIKE SOMEBODY'’S
WATCHING US.
19
00:01:44,191 --> 00:01:45,801
MM-HMM.
20
00:01:45,844 --> 00:01:47,629
PROBABLY GHOSTS.
21
00:01:47,672 --> 00:01:50,153
AND WE'’RE GOING TO GIVE THEM
ONE HELL OF A SHOW,
22
00:01:50,197 --> 00:01:51,807
SO STOP TALKING.
23
00:01:53,287 --> 00:01:55,115
I DON'’T LIKE
THIS PLACE.
24
00:01:56,420 --> 00:01:57,682
WHO LIVED HERE?
25
00:01:59,206 --> 00:02:00,946
WHO CARES?I DO.
26
00:02:00,990 --> 00:02:03,384
SOME CRAZY OLD MAN--
27
00:02:04,994 --> 00:02:07,562
ONE EYE
AND LONG, POINTED TEETH.[WHIMPERS]
28
00:02:12,001 --> 00:02:13,611
THAT'’S NOT FUNNY.
29
00:02:13,655 --> 00:02:15,352
I DON'’T LIKE
THIS PLACE.
30
00:02:16,832 --> 00:02:19,008
LET'’S FINISH OUR BEER
AND GET OUT OF HERE.
31
00:02:19,051 --> 00:02:20,401
YOU WANT A BEER?HMM.
32
00:02:20,444 --> 00:02:21,576
EARN IT.
33
00:02:21,619 --> 00:02:22,968
[SCREAMS]
34
00:02:25,406 --> 00:02:27,756
LEAVE THIS PLACE.
YOU DON'’T BELONG HERE.
35
00:02:27,799 --> 00:02:29,540
COME ON, LADY,
YOU'’RE NOT THE OWNER.
36
00:02:29,584 --> 00:02:31,368
IT'’S MINE
TO LOOK AFTER IT.
37
00:02:31,412 --> 00:02:34,850
I WANT YOU OUT, CHARLIE,
WITH ALL YOUR BOOZE
AND ALL YOUR WOMEN.
38
00:02:34,893 --> 00:02:36,243
HOW'’D YOU
KNOW MY NAME?[COCKS GUN]
39
00:02:36,286 --> 00:02:37,331
[GUNSHOT]
40
00:02:37,374 --> 00:02:38,462
[WHIMPERS]
41
00:02:38,506 --> 00:02:39,594
[CHARLIE] MUTTFACE!
42
00:02:39,637 --> 00:02:41,552
MUTTFACE!
43
00:02:41,596 --> 00:02:43,337
LOOK WHAT YOU DID
TO MY DOG.
44
00:02:43,380 --> 00:02:45,469
GET OUT, CHARLIE HOBBS.
GO ON, GIT.
45
00:02:46,383 --> 00:02:47,819
YOU'’RE CRAZY, LADY.
46
00:02:47,863 --> 00:02:49,343
YOU OUGHT
TO BE LOCKED UP.
47
00:02:49,386 --> 00:02:50,735
YOU NEVER COME BACK
HERE NOW.
48
00:02:50,779 --> 00:02:52,084
NEXT TIME, I WON'’T MISS.
49
00:02:53,825 --> 00:02:54,913
MUTTFACE!
50
00:02:56,524 --> 00:02:57,699
MUTTFACE!
51
00:02:58,917 --> 00:03:00,876
HERE, MUTTFACE!
HERE, BOY!
52
00:03:00,919 --> 00:03:02,704
YOU'’VE BEEN HERE
WITH GIRLS BEFORE.
53
00:03:02,747 --> 00:03:04,227
I HAVEN'’T. I SWEAR.
54
00:03:04,271 --> 00:03:05,968
[WHISTLES]
COME ON, BOY!
55
00:03:06,011 --> 00:03:07,535
THEN HOW DID
SHE KNOW YOUR NAME?
56
00:03:07,578 --> 00:03:09,624
AND WHAT
DID SHE MEAN,
"ALL YOUR WOMEN"?
57
00:03:09,667 --> 00:03:11,887
[CHARLIE] I DON'’T KNOW.
SHE'’S THE PIG WOMAN.
THAT'’S WHY?
58
00:03:11,930 --> 00:03:13,018
SHE JUST
KNOWS THINGS.[DOG BARKS]
59
00:03:13,062 --> 00:03:14,281
THERE...
THERE HE IS.
60
00:03:18,415 --> 00:03:19,764
[GIRL] LOOK WHAT
HE'’S GONE AND DONE.
61
00:03:19,808 --> 00:03:21,636
HE FOUND HIMSELF
A BONE.
62
00:03:21,679 --> 00:03:23,159
COME HERE,
MUTTFACE.
63
00:03:23,203 --> 00:03:24,421
LET'’S SEE
WHAT YOU GOT THERE.
64
00:03:24,465 --> 00:03:26,075
[GRUNTS]WHAT IS IT?
65
00:03:26,902 --> 00:03:28,251
GEEZ, I DON'’T KNOW.
66
00:03:30,819 --> 00:03:32,081
I MAY BE WRONG,
67
00:03:32,124 --> 00:03:34,039
BUT IT LOOKS LIKE
IT CAME FROM A PERSON.
68
00:03:39,131 --> 00:03:41,612
THIS IS A FEMUR
FROM A HUMAN BEING.
69
00:03:41,656 --> 00:03:43,440
NO QUESTION ABOUT IT.
70
00:03:43,484 --> 00:03:45,616
IT CAME FROM
SIMON WARE'’S PLACE,
THE HAUNTED HOUSE?
71
00:03:45,660 --> 00:03:47,749
CHARLIE HOBBS'’ DOG
FOUND IT
72
00:03:47,792 --> 00:03:49,751
AFTER GETTING CHASED OFF
BY THE PIG WOMAN.
73
00:03:49,794 --> 00:03:51,231
[ALL LAUGHING]
74
00:03:51,274 --> 00:03:54,146
ANYTIME MAMA
WANTED TO SCARE US
WHEN WE WERE KIDS,
75
00:03:54,190 --> 00:03:55,931
SHE'’D JUST MENTION
THE PIG WOMAN.
76
00:03:55,974 --> 00:03:57,802
OH, YEAH.
77
00:03:57,846 --> 00:04:00,327
SHE'’S MORE THAN
SOME OLD CRACKPOT,
SHE'’S A DANGEROUS OLD WOMAN.
78
00:04:00,370 --> 00:04:02,154
WHO'’S GOING TO END UP
HURTING SOMEBODY.
79
00:04:02,198 --> 00:04:03,852
YEAH.
80
00:04:03,895 --> 00:04:07,203
SOME PEOPLE ARE AFRAID
OF THINGS THAT GO BUMP
IN THE NIGHT.
81
00:04:07,247 --> 00:04:09,118
THAT WITCH
MAKES ME NERVOUS.
82
00:04:09,161 --> 00:04:10,946
YOU KNOW WHAT GETS ME?
83
00:04:10,989 --> 00:04:13,165
SHE LIVES
IN THE WOODS ALONE,
84
00:04:13,209 --> 00:04:15,298
NEVER COMES INTO TOWN,
NOBODY SEES HER,
85
00:04:15,342 --> 00:04:17,866
YET SHE KNOWS EVERYTHING
ABOUT EVERYBODY.
86
00:04:17,909 --> 00:04:20,129
NOW THAT IS
A LITTLE SPOOKY.
87
00:04:20,172 --> 00:04:23,611
LAST PHEASANT SEASON,
SHE FIRED AT MY UNCLE.
88
00:04:24,742 --> 00:04:26,527
SIMON WARE MAY BE CRAZY,
89
00:04:26,570 --> 00:04:29,007
BUT HE LETS YOU
HUNT ON HIS PROPERTY.
90
00:04:29,051 --> 00:04:31,706
THE PIG WOMAN'’S GOT TO
CHASE EVERYBODY OFF.
91
00:04:33,142 --> 00:04:35,492
YEAH. WELL, ANYWAY,
IT STANDS TO REASON
92
00:04:35,536 --> 00:04:36,972
THAT IF THEY FOUND
ONE BONE,
93
00:04:37,015 --> 00:04:39,279
THERE'’S GOT
TO BE MORE.
94
00:04:39,322 --> 00:04:41,803
MAYBE SOMEONE
DUMPED SOME BONES,
OR BURIED ONE.
95
00:04:41,846 --> 00:04:44,806
I THINK WE OUGHT
TO GO SEE
WHAT WE CAN FIND.
96
00:04:44,849 --> 00:04:46,416
WHOEVER SEARCHES
THOSE WOODS
97
00:04:46,460 --> 00:04:47,983
BETTER GET
SIMON WARE'’S PERMISSION.
98
00:04:48,026 --> 00:04:49,376
I'’LL TALK TO HIM.
99
00:04:49,419 --> 00:04:51,769
THAT FALLS UNDER
MY DEPARTMENT.
100
00:04:51,813 --> 00:04:53,902
HE DON'’T TALK
TO MOST PEOPLE.
101
00:04:53,945 --> 00:04:55,425
I'’LL SAVE YOU
THE GRIEF.
102
00:04:55,469 --> 00:04:58,385
NO PROBLEM.
IT'’S PART OF MY JOB.
103
00:04:58,428 --> 00:04:59,821
ALL RIGHT, VIRGIL.
104
00:04:59,864 --> 00:05:03,172
LISTEN HERE,
IF THAT MAN
CALLS YOU "BOY"
105
00:05:03,215 --> 00:05:04,956
AND ORDERS YOU
OFF HIS PROPERTY...
106
00:05:06,218 --> 00:05:07,655
DON'’T SAY
YOU WEREN'’T WARNED.
107
00:05:15,576 --> 00:05:17,099
[VIRGIL] TELL ME
ABOUT THIS MAN
WE'’RE GOING TO SEE--
108
00:05:17,142 --> 00:05:19,188
THIS OLD, MYSTERIOUS
SIMON WARE.
109
00:05:19,231 --> 00:05:21,756
[BUBBA] RICH, OLD,
AND SCARED TO HELL
OF GERMS.
110
00:05:21,799 --> 00:05:23,192
[BOTH CHUCKLING]
111
00:05:23,235 --> 00:05:25,629
SPARTA'’S
HOWARD HUGHES.YEAH, PRETTY MUCH.
112
00:05:25,673 --> 00:05:27,544
NOBODY CAN GET
CLOSE ENOUGH
TO CONTAMINATE HIM.
113
00:05:27,588 --> 00:05:29,851
HASN'’T BEEN OUT
OF THE HOUSE
IN 20 YEARS.
114
00:05:29,894 --> 00:05:32,506
MUST BE FUN FOR HIS WIFE.
115
00:05:32,549 --> 00:05:34,421
[BUBBA] NO. SHE DIED
A LONG TIME AGO, VIRGIL.
116
00:05:34,464 --> 00:05:35,552
HMM.
117
00:05:35,596 --> 00:05:36,727
WHO TAKES CARE OF HIM?
118
00:05:36,771 --> 00:05:38,468
NURSES.
119
00:05:38,512 --> 00:05:40,035
[BUBBA]
LET ME TELL YOU SOMETHING
120
00:05:40,078 --> 00:05:42,342
THAT OLD MAN
RUNS SOME FINE ONES
OUT OF THERE.
121
00:05:42,385 --> 00:05:44,387
IF YOU EVER
GET SICK, VIRGIL,
122
00:05:44,431 --> 00:05:46,346
HOPE YOU GET ONE
THAT LOOKS LIKE
ONE OF HIS.
123
00:05:53,701 --> 00:05:54,832
DAMN.
124
00:05:56,051 --> 00:05:57,922
HASN'’T HE EVER HEARD
OF PAINT?
125
00:05:57,966 --> 00:05:59,881
WELL, I BET HE NEVER
SEES THE OUTSIDE,
126
00:05:59,924 --> 00:06:02,362
AND IF HE DOES,
I BET HE DON'’T CARE.
127
00:06:04,407 --> 00:06:06,191
YOU KNOW,
EVEN I'’D HATE
GOING IN THERE
128
00:06:06,235 --> 00:06:08,237
ON A DARK
AND STORMY NIGHT.
129
00:06:08,280 --> 00:06:10,108
NOBODY COMES
OUT HERE.
130
00:06:10,152 --> 00:06:12,110
THEY DO SAY
IT'’S HAUNTED.
131
00:06:12,154 --> 00:06:13,329
BOO!OH, MAN.
132
00:06:14,896 --> 00:06:16,158
[HONKING]
133
00:06:20,423 --> 00:06:22,382
THAT'’S HIS SON, JODY,
RIGHT THERE.
134
00:06:25,210 --> 00:06:26,386
HELLO, BUBBA.
HOW YOU DOING?
135
00:06:26,429 --> 00:06:28,692
OH, HEY, JODY,
HOW YOU DOING?GOOD.
136
00:06:28,736 --> 00:06:30,868
HEY, COME HERE,
I WANT YOU TO MEET
A FRIEND OF MINE.
137
00:06:32,087 --> 00:06:33,741
JODY WARE,
VIRGIL TIBBS HERE.
138
00:06:33,784 --> 00:06:36,134
HI.JODY, HOW YOU DOING?
139
00:06:36,178 --> 00:06:38,093
LOOK, THANKS
FOR HELPING US OUT.
140
00:06:38,136 --> 00:06:39,442
WELL, TO TELL YOU
THE TRUTH
141
00:06:39,486 --> 00:06:41,488
I'’M NOT SURE HOW GOOD
IT'’S GOING TO DO.
142
00:06:41,531 --> 00:06:44,142
I'’M NOT EXACTLY
MY PAPA'’S
FAVORITE PERSON.
143
00:06:44,186 --> 00:06:45,448
SOMETIMES
HE LETS ME IN,
144
00:06:45,492 --> 00:06:47,885
AND SOMETIMES
HE DOESN'’T.
145
00:06:47,929 --> 00:06:50,453
[BUBBA] JODY,
WHO'’S TAKING CARE
OF HIM NOWADAYS?
146
00:06:50,497 --> 00:06:52,542
[JODY] MILLIE BARNETT.OH, COME ON. REALLY?
147
00:06:52,586 --> 00:06:54,414
SHE WAS A HIGH SCHOOL
CHEERLEADER.
148
00:06:54,457 --> 00:06:55,676
LET ME TELL YOU
SOMETHING, VIRGIL.
149
00:06:55,719 --> 00:06:57,112
WHEN GOD PASSED OUT
THE GOOD LOOKS,
150
00:06:57,155 --> 00:06:58,635
HE DIDN'’T
LOOK PAST MILLIE.
151
00:06:59,680 --> 00:07:00,768
HOLD ON.
152
00:07:01,856 --> 00:07:03,945
I'’VE SEEN
HER CERTIFICATE, BUBBA.
153
00:07:03,988 --> 00:07:06,208
SHE IS
A LICENSED NURSE.
154
00:07:06,251 --> 00:07:08,079
JODY, I DIDN'’T MEAN
ANYTHING BY THAT.
155
00:07:08,123 --> 00:07:10,778
I'’M JUST, UH, SAYING
"SMALL WORLD," THAT'’S ALL.
156
00:07:25,314 --> 00:07:26,620
[JODY] HELLO, MILLIE.
157
00:07:26,663 --> 00:07:28,491
HELLO, JODY.
158
00:07:28,535 --> 00:07:30,493
WELL, BUBBA,
IT'’S BEEN A LONG TIME.
159
00:07:30,537 --> 00:07:31,799
HELLO, MILLIE.
160
00:07:31,842 --> 00:07:33,496
THIS IS
DETECTIVE TIBBS.
161
00:07:33,540 --> 00:07:34,628
HOW DO YOU DO?
162
00:07:34,671 --> 00:07:36,107
HELLO.
163
00:07:36,151 --> 00:07:38,240
THEY NEED TO SEE PAPA.
164
00:07:38,283 --> 00:07:39,807
Y'’ALL SHOULD
HAVE CALLED.
165
00:07:39,850 --> 00:07:43,158
YEAH, I KNOW,
BUT I FIGURED
WE'’D TAKE OUR CHANCES.
166
00:07:43,201 --> 00:07:44,507
SOMETIMES
IT'’S BETTER THAT WAY.
167
00:07:44,551 --> 00:07:46,030
ALL RIGHT.
168
00:07:46,074 --> 00:07:47,336
I'’LL SEE
WHAT I CAN DO.
169
00:07:58,565 --> 00:08:00,654
[MILLIE]
EXCUSE ME. MR. WARE?
170
00:08:00,697 --> 00:08:03,178
[WARE]
WHAT DO YOU WANT, MILLIE?
171
00:08:03,221 --> 00:08:05,136
WHAT, MILLIE?
THE POLICE?
172
00:08:06,268 --> 00:08:08,183
THAT IMBECILE GILLESPIE
MAKES ME SICK.
173
00:08:08,226 --> 00:08:09,924
[JODY] I KNOW
THIS SEEMS STRANGE,
174
00:08:09,967 --> 00:08:12,404
BUT THAT'’S
THE WAY HE IS.
175
00:08:12,448 --> 00:08:14,755
[WARE] DO LIKE I TELL YOU
AND DON'’T DISTURB ME.
176
00:08:14,798 --> 00:08:16,278
[GLASS BREAKS]
177
00:08:22,763 --> 00:08:25,374
I'’M SORRY.
HE WON'’T SEE YOU.
178
00:08:25,417 --> 00:08:28,856
HE SAYS
CHIEF GILLESPIE'’S
A STUPID OLD FOOL,
179
00:08:28,899 --> 00:08:30,553
AND WHEN HE HEARD
YOU WERE HERE, JODY,
180
00:08:30,597 --> 00:08:32,250
HE THREW HIS GLASS
OF WATER.
181
00:08:33,251 --> 00:08:34,252
I'’M SORRY.
182
00:08:35,558 --> 00:08:38,256
YEAH. WELL, I GUESS
I SHOULD HAVE KNOWN.
183
00:08:38,300 --> 00:08:39,780
I'’M SORRY, GENTLEMEN.
184
00:08:39,823 --> 00:08:42,696
MY PAPA AND I HAVE
OUR UPS AND DOWNS.
185
00:08:42,739 --> 00:08:45,133
NO PROBLEM.
WE CAN STILL SEARCH
THE PROPERTY.
186
00:08:45,176 --> 00:08:46,961
WE'’LL JUST HAVE
TO GET A WARRANT.
187
00:08:56,579 --> 00:09:00,235
AS FAR AS I CAN REMEMBER
THIS IS THE EXACT SPOT HERE.
188
00:09:00,278 --> 00:09:03,325
MY GIRL AND ME
CAME RUNNING
FROM THAT DIRECTION,
189
00:09:03,368 --> 00:09:06,154
AND THERE WAS MUTTFACE,
CHEWING ON THE BONE.
190
00:09:06,197 --> 00:09:08,591
[VIRGIL] JODY,
THIS IS YOUR FATHER'’S
PROPERTY, RIGHT?
191
00:09:08,635 --> 00:09:10,985
YEAH. THE RAILROAD
TRACKS ARE THERE.
192
00:09:11,028 --> 00:09:12,726
ABOUT 100 YARDS
PAST THE TREES.
193
00:09:12,769 --> 00:09:13,988
THAT'’S THE BOUNDARY LINE.
194
00:09:14,031 --> 00:09:15,685
UNLEASH HIM.
SEE WHAT HE'’LL DO.
195
00:09:16,468 --> 00:09:17,687
ALL RIGHT.
196
00:09:18,688 --> 00:09:20,211
GET THEM, MUTTFACE.
197
00:09:23,127 --> 00:09:24,607
HE'’S NOT EXACTLY
WHAT I'’D CALL
A BLOODHOUND.
198
00:09:24,651 --> 00:09:26,000
[ALL CHUCKLING]
199
00:09:26,043 --> 00:09:27,218
GIVE ME A MINUTE
WITH HIM.
200
00:09:27,262 --> 00:09:28,524
I'’M GOOD WITH DOGS.
201
00:09:28,568 --> 00:09:29,873
BE MY GUEST.[MUTTFACE BARKS]
202
00:09:29,917 --> 00:09:31,266
HEY, THERE.
203
00:09:31,309 --> 00:09:33,181
YEAH, MUTTFACE.
204
00:09:33,224 --> 00:09:34,922
WE NEED SOME HELP
HERE, BUDDY.
205
00:09:34,965 --> 00:09:37,577
THIS IS
AN IMPORTANT THING.
206
00:09:37,620 --> 00:09:39,883
I KNOW YOU KNOW
WHERE THE BONES ARE.
207
00:09:39,927 --> 00:09:41,668
GO OUT IN THOSE WOODS
208
00:09:41,711 --> 00:09:44,627
AND FIND THE REST
OF THOSE BONES, O.K.?
209
00:09:44,671 --> 00:09:46,020
NOW, GO.
210
00:09:46,063 --> 00:09:47,761
GO. GO.
211
00:09:47,804 --> 00:09:49,284
[ALL LAUGHING]
212
00:09:49,327 --> 00:09:50,590
[PARKER] COME ON.
213
00:09:50,633 --> 00:09:52,287
THAT'’S TERRIFIC,
PARKER.
214
00:09:52,330 --> 00:09:54,245
YOU OUGHT TO OPEN UP
AN OBEDIENCE SCHOOL.
215
00:09:55,246 --> 00:09:56,813
UH-OH. WE GOT
TROUBLE NOW.
216
00:10:00,295 --> 00:10:01,644
Y'’ALL ARE TRESPASSING.[WHIMPERING]
217
00:10:01,688 --> 00:10:02,776
ALL OF YOU.
218
00:10:02,819 --> 00:10:05,256
WE'’RE HERE
ON POLICE BUSINESS.
219
00:10:05,300 --> 00:10:06,867
HERE'’S
THE SEARCH WARRANT.
220
00:10:06,910 --> 00:10:08,608
THAT MEANS NOTHING TO ME.
221
00:10:08,651 --> 00:10:12,350
LOWER THAT SHOTGUN.
I'’M GOING TO LOCK YOU AWAY.
222
00:10:12,394 --> 00:10:14,875
IS THAT YOU, TOMMY DUGAN,
PLAYING POLICEMAN?
223
00:10:14,918 --> 00:10:17,878
IF YOU'’D HAD BRAINS,
YOU'’D HAVE STAYED RETIRED.
224
00:10:17,921 --> 00:10:19,270
LET ME HANDLE THIS.
225
00:10:20,141 --> 00:10:21,533
ADAH?
226
00:10:21,577 --> 00:10:23,492
WHAT YOU DOING
WITH THESE FOOLS?
227
00:10:23,535 --> 00:10:24,841
[JODY] THEY ASKED ME
TO COME.
228
00:10:24,885 --> 00:10:26,800
IT'’S O.K.
229
00:10:26,843 --> 00:10:28,410
PAPA WON'’T CARE
AS LONG AS I'’M HERE.
230
00:10:30,760 --> 00:10:32,283
O.K.?
231
00:10:32,327 --> 00:10:33,763
COME ON. LET'’S GO.
232
00:10:36,461 --> 00:10:38,638
THEY'’RE GOOD FOLK.
THEY'’RE HERE TO HELP.
233
00:10:39,813 --> 00:10:41,205
[WHIMPERS]
234
00:10:41,249 --> 00:10:42,859
LET'’S GET AT IT.
235
00:10:42,903 --> 00:10:44,469
SPREAD OUT
AND START SEARCHING.
236
00:10:46,297 --> 00:10:47,995
[BARKING]
237
00:10:48,038 --> 00:10:50,040
SEE, TOLD YOU
HE KNEW SOMETHING.
238
00:10:53,740 --> 00:10:55,959
WHEN YOU GET
TO NEW JERSEY,
SEND ME A POST CARD.
239
00:11:08,624 --> 00:11:10,191
[WHISTLING]
240
00:11:10,234 --> 00:11:11,975
[MUTTFACE BARKS]
241
00:11:12,019 --> 00:11:13,585
[PARKER] MUTTFACE.
242
00:11:13,629 --> 00:11:15,109
[WHISTLES]
243
00:11:15,152 --> 00:11:16,458
[MUTTFACE BARKS]
244
00:11:16,501 --> 00:11:17,589
[WHISTLES]
245
00:11:17,633 --> 00:11:18,765
MUTTFACE.
246
00:11:19,853 --> 00:11:21,506
MUTTFACE.
WHERE ARE YOU, DOG?
247
00:11:21,550 --> 00:11:22,725
COME ON, DOG.
248
00:11:22,769 --> 00:11:24,292
I CAN'’T BELIEVE
I LOST YOU ALREADY.
249
00:11:24,335 --> 00:11:27,295
GEE, WHERE
IS THAT DOG?
250
00:11:27,338 --> 00:11:29,514
YOU'’RE GOING TO FIND
THOSE BONES BEFORE ME,
AREN'’T YOU?
251
00:11:29,558 --> 00:11:30,951
[BARKING]
252
00:11:35,303 --> 00:11:36,434
[PANTING]
253
00:11:36,478 --> 00:11:38,349
THAT FOOL DOG'’S
RUNNING IN CIRCLES.
254
00:11:38,393 --> 00:11:39,916
[LAUGHING]
255
00:11:41,526 --> 00:11:42,919
BEWARE.
THESE WOODS ARE HAUNTED.
256
00:11:44,138 --> 00:11:46,488
SWEET, WHAT ARE YOU
DOING IN MY SECTOR?
257
00:11:48,055 --> 00:11:49,578
I FINISHED
MY OWN ALREADY.
258
00:11:49,621 --> 00:11:51,188
THOUGHT I'’D HELP YOU.
259
00:11:51,232 --> 00:11:53,234
YOU KNOW
WHO SHAKESPEARE WAS?
260
00:11:53,277 --> 00:11:54,670
OF COURSE I KNOW.
261
00:11:54,714 --> 00:11:57,064
O.K. IDENTIFY
THIS PLAY, NOW.
262
00:11:57,107 --> 00:12:00,894
"ALAS, POOR YORICK,
I KNEW HIM--"
263
00:12:00,937 --> 00:12:02,722
HAMLET.
THE GRAVEDIGGER SCENE.
264
00:12:03,897 --> 00:12:05,072
WHERE DID YOU GET THAT?
265
00:12:06,551 --> 00:12:09,772
OH, BACK OVER THERE
IN A DRY STREAMBED,
266
00:12:09,816 --> 00:12:12,688
ALONG WITH THE REST
OF THE SKELETON
WE'’VE BEEN LOOKING FOR.
267
00:12:19,129 --> 00:12:20,522
OH, DR. ROBB.
268
00:12:25,483 --> 00:12:28,399
THAT WAS SOME DISCOVERY
ON SWEET'’S PART, EH?
269
00:12:28,443 --> 00:12:30,924
THE REMAINS
OF A YOUNG WOMAN.
270
00:12:30,967 --> 00:12:32,664
I'’D ESTIMATE
SHE'’S BEEN THERE
271
00:12:32,708 --> 00:12:34,275
SOMEWHERE AROUND
10 TO 12 YEARS.
272
00:12:35,537 --> 00:12:36,799
A LOT OF BROKEN BONES.
273
00:12:38,322 --> 00:12:40,455
BLUNT-FORCE
TRAUMA, HUH?
274
00:12:40,498 --> 00:12:42,805
YOU'’RE ABSOLUTELY
RIGHT, VIRGIL.
275
00:12:42,849 --> 00:12:44,459
ANTE-MORTEM FRACTURES
276
00:12:45,460 --> 00:12:47,027
HERE AND HERE.
277
00:12:47,070 --> 00:12:49,159
AND HERE AND THERE.
278
00:12:50,595 --> 00:12:52,162
THIS POOR CREATURE,
WHOEVER SHE WAS,
279
00:12:52,206 --> 00:12:53,381
DIED A HORRIBLE DEATH.
280
00:12:53,424 --> 00:12:55,252
SHE WAS PROBABLY
BEAT SENSELESS
281
00:12:56,688 --> 00:12:58,647
AND THEN
DISMEMBERED WITH AN AX
OR A HATCHET.
282
00:13:01,128 --> 00:13:03,304
AND THEN LEFT IN
THE WOODS TO ROT.
283
00:13:03,347 --> 00:13:04,435
THERE'’S MORE.
284
00:13:07,047 --> 00:13:11,007
THIS FEMUR
THOSE KIDS FOUND
BY THE HAUNTED HOUSE,
285
00:13:11,051 --> 00:13:13,227
IT DOESN'’T BELONG
TO THAT PERSON,
286
00:13:13,270 --> 00:13:15,882
WHICH MEANS THAT
SOMEWHERE OUT THERE,
287
00:13:15,925 --> 00:13:18,101
THERE'’S AT LEAST
ONE OTHER BODY.
288
00:13:27,154 --> 00:13:30,244
[VIRGIL]
THE UNDERBRUSH THERE
GETS PRETTY DENSE,
289
00:13:30,287 --> 00:13:32,463
SO KEEP CONSTANT
VISUAL CONTACT.
290
00:13:32,507 --> 00:13:35,684
TRY TO STAY NO MORE
THAN 6 FEET OR SO
291
00:13:35,727 --> 00:13:38,078
FROM THE PERSON ON
EITHER SIDE OF YOU.
292
00:13:38,121 --> 00:13:41,777
NOW, IF YOU HAPPEN
TO FIND ANYTHING
293
00:13:41,821 --> 00:13:43,910
THAT LOOKS REMOTELY
LIKE A BONE,
294
00:13:43,953 --> 00:13:45,694
DON'’T TOUCH IT.
295
00:13:45,737 --> 00:13:47,174
JUST STAY
WHERE YOU ARE
296
00:13:47,217 --> 00:13:50,264
AND CONTACT
SERGEANT SKINNER.
297
00:13:50,307 --> 00:13:52,657
AND IF YOU HAPPEN
TO RUN ACROSS
THIS OLD WOMAN,
298
00:13:52,701 --> 00:13:54,790
MISS ADAH BOONE,
THE PIG WOMAN,
299
00:13:54,834 --> 00:13:56,487
YOU WATCH YOURSELF.
300
00:13:56,531 --> 00:13:59,882
THE SHOTGUN SHE CARRIES
HAS BEEN KNOWN TO GO OFF.
301
00:13:59,926 --> 00:14:00,709
ANY QUESTIONS?
302
00:14:01,841 --> 00:14:04,017
ALL RIGHT,
LET'’S MOVE IT OUT.
303
00:14:05,845 --> 00:14:07,890
...GOTTA FOUR-WHEEL DRIVE.
I CAN TAKE YOU GUYS.
304
00:14:07,934 --> 00:14:09,587
COME ON.
305
00:14:12,416 --> 00:14:13,722
HELLO, MILLIE.
306
00:14:13,765 --> 00:14:16,333
YOUR FATHER'’S NOT
GOING TO LIKE THIS.
307
00:14:16,377 --> 00:14:17,726
[MAN] WANT TO JOIN
A POSSE, HONEY?
308
00:14:19,075 --> 00:14:21,034
HI.HELLO, MILLIE.
309
00:14:21,077 --> 00:14:22,470
CAN I HELP YOU?
310
00:14:22,513 --> 00:14:24,385
I NEED TO SPEAK
TO WHOEVER'’S IN CHARGE.
311
00:14:24,994 --> 00:14:26,822
SURE. SURE.
312
00:14:31,087 --> 00:14:32,915
[MAN] VERY NICE.MM-HMM.
313
00:14:32,959 --> 00:14:34,134
[WOLF WHISTLES]
314
00:14:34,177 --> 00:14:37,093
HEY, SHUT UP,
ALL OF YOU. SHUT UP.
315
00:14:37,137 --> 00:14:39,182
[MEN LAUGHING]
316
00:14:39,226 --> 00:14:41,228
UH, MILLIE NEEDS
TO TALK TO YOU.
317
00:14:41,271 --> 00:14:42,446
I GOT TO LEAVE.
318
00:14:42,490 --> 00:14:43,578
HI, MILLIE.
319
00:14:43,621 --> 00:14:44,884
HI.
320
00:14:44,927 --> 00:14:47,234
HI. I'’M CAPTAIN TOM DUGAN.
MAY I HELP YOU?
321
00:14:47,277 --> 00:14:50,498
IT'’S O.K., TOM.
SHE WORKS FOR SIMON WARE.
322
00:14:51,542 --> 00:14:53,762
I HAVE A MESSAGE
FROM MR. WARE.
323
00:14:53,805 --> 00:14:55,546
HE WANTS TO TALK
TO THE POLICE.
324
00:14:55,590 --> 00:14:58,854
HE SPECIFIED WHICH POLICE
HE HAD IN MIND?
325
00:14:58,898 --> 00:15:01,465
NO. HE JUST DIDN'’T WANT
JODY ALONG THIS TIME.
326
00:15:03,424 --> 00:15:04,729
I'’D BE HAPPY
TO TALK TO HIM, MILLIE.
327
00:15:04,773 --> 00:15:06,209
[TOM] YEAH. ME, TOO.
328
00:15:06,253 --> 00:15:07,689
TOM, THERE'’S NO NEED.
329
00:15:07,732 --> 00:15:09,169
JUST FOR FUN.
330
00:15:09,212 --> 00:15:10,735
LEAD THE WAY,
MILLIE.
331
00:15:10,779 --> 00:15:12,433
LOOKS LIKE YOU
GOT BOTH OF US.
332
00:15:36,152 --> 00:15:37,675
[SOFTLY] STAY HERE.
333
00:15:44,987 --> 00:15:46,641
MR. WARE.
334
00:15:46,684 --> 00:15:48,512
MR. WARE, SOME PEOPLE
NEED TO TALK TO YOU.
335
00:15:51,863 --> 00:15:54,431
YOU CAN TALK TO HIM,
BUT DON'’T GO PAST THIS LINE.
336
00:15:57,913 --> 00:15:59,784
MORNING, MR. WARE.
337
00:15:59,828 --> 00:16:01,569
I'’M TOM DUGAN.
REMEMBER ME?
338
00:16:01,612 --> 00:16:03,614
ONE OF JOHNNY DUGAN'’S
BOYS.
339
00:16:03,658 --> 00:16:05,442
MISS MILLIE SAYS
YOU WANT TO TALK TO US.
340
00:16:05,486 --> 00:16:07,096
KEEP BACK BEHIND THE LINE.
341
00:16:09,055 --> 00:16:10,317
EXCUSE ME.
342
00:16:13,407 --> 00:16:17,019
MR. WARE, WE HAVE
FOUND THE REMAINS
OF HUMAN SKELETONS
343
00:16:17,063 --> 00:16:18,194
ON YOUR PROPERTY.
344
00:16:18,238 --> 00:16:19,065
ADAH BOONE!
345
00:16:22,720 --> 00:16:24,113
PARDON ME?
346
00:16:24,157 --> 00:16:25,723
THAT'’S WHO YOU WANT
TO TALK TO.
347
00:16:25,767 --> 00:16:27,290
SHE'’S CRAZY.
348
00:16:27,334 --> 00:16:28,552
I TELL YOU--CRAZY.
349
00:16:28,596 --> 00:16:30,293
CRAZY, EVIL WOMAN!
350
00:16:32,339 --> 00:16:34,036
AND YOU'’RE SAYING?
351
00:16:34,080 --> 00:16:35,646
I SAW HER.
352
00:16:35,690 --> 00:16:38,606
SAW HER FEED
HER NEWBORN PIGS
TO HER SOWS.
353
00:16:39,737 --> 00:16:42,871
FED PIGS
THEIR OWN YOUNG.
354
00:16:42,914 --> 00:16:45,134
AS I SAID, MR. WARE,
355
00:16:45,178 --> 00:16:48,355
WE FOUND THE REMAINS
OF HUMAN SKELETONS
ON YOUR PROPERTY.
356
00:16:48,398 --> 00:16:49,791
[WARE]YOU'’RE BLACK.
357
00:16:51,227 --> 00:16:52,881
HMM...
ARE YOU A POLICEMAN?
358
00:16:58,843 --> 00:17:03,979
I AM CHIEF OF DETECTIVES
OF THE SPARTA
POLICE DEPARTMENT, YES.
359
00:17:05,763 --> 00:17:07,983
SHE'’S A BUTCHER.
360
00:17:08,027 --> 00:17:10,377
SHE SLAUGHTERS PIGS,
AND SHE LIKES IT.
361
00:17:11,900 --> 00:17:15,295
THINK ABOUT IT,
CHIEF OF DETECTIVES.
362
00:17:24,260 --> 00:17:26,306
WELL, IRMA,
363
00:17:26,349 --> 00:17:29,874
YOUR BABIES ARE GETTING
BIGGER AND BIGGER EVERY DAY.
364
00:17:29,918 --> 00:17:32,094
PRETTY SOON THEY WON'’T
NEED NO MAMA NO MORE,
365
00:17:32,138 --> 00:17:35,750
AND ADAH'’S GOING TO HAVE
TO GET HER SPECIAL KNIFE.
366
00:17:35,793 --> 00:17:38,492
YOU WON'’T FEEL NOTHING
BUT A LITTLE STING
367
00:17:38,535 --> 00:17:40,233
FOR A FEW SECONDS,
368
00:17:40,276 --> 00:17:42,974
THEN YOU'’LL BE UP THERE
WITH THE REST
OF YOUR ANCESTORS.
369
00:18:00,775 --> 00:18:02,211
[CAR DOOR SLAMMING]
370
00:18:09,958 --> 00:18:12,047
UH, MISS BOONE!
371
00:18:12,091 --> 00:18:15,355
WE WOULD APPRECIATE IT
IF YOU WOULD COME DOWN
TO THE STATION
372
00:18:15,398 --> 00:18:17,705
AND TALK WITH US.
373
00:18:17,748 --> 00:18:21,491
BUBBA SKINNER,
IT'’S TIME YOU GOT MARRIED
AND SETTLED DOWN.
374
00:18:21,535 --> 00:18:23,058
CAN'’T FIGHT IT FOREVER.
375
00:18:31,327 --> 00:18:32,937
THANKS, DR. ROBB.
376
00:18:37,203 --> 00:18:40,031
DR. ROBB SAYS
FROM THE BONES
THE GUYS FOUND,
377
00:18:40,075 --> 00:18:42,643
HE NOW HAS EVIDENCE
OF THREE SEPARATE BODIES
378
00:18:42,686 --> 00:18:44,688
ALL FROM THE LAST
7 TO 10 YEARS.
379
00:18:44,732 --> 00:18:46,995
YOU BETTER CHECK
MISSING PERSONS REPORTS.
380
00:18:47,561 --> 00:18:48,605
I HAVE.
381
00:18:53,393 --> 00:18:55,351
RIGHT THIS WAY, MISS BOONE.
382
00:18:56,918 --> 00:18:59,138
HERE YOU GO. ADAH BOONE,
STRAIGHT FROM THE PIG YARD.
383
00:18:59,181 --> 00:19:01,705
WE NEED TO TALK.
384
00:19:01,749 --> 00:19:03,359
[ADAH]
WHAT'’S GOING ON?
385
00:19:03,403 --> 00:19:06,145
A GOOD CHRISTIAN
WOMAN HAULED IN
LIKE A COMMON CRIMINAL!
386
00:19:06,188 --> 00:19:07,842
I'’VE GOT BETTER THINGS
TO DO.
387
00:19:07,885 --> 00:19:08,973
I GOT MY WORK.
388
00:19:09,017 --> 00:19:10,279
I GOT MY PIGS
TO TEND TO.
389
00:19:10,323 --> 00:19:11,933
SIT DOWN. BE QUIET.
390
00:19:11,976 --> 00:19:13,717
DON'’T WANT TO.
391
00:19:13,761 --> 00:19:15,763
LOOK, YOU MAY BE QUEEN
OF THE HILL IN THE WOODS,
392
00:19:15,806 --> 00:19:18,679
BUT AROUND HERE,
I'’M THE BOSS. SIT DOWN.
393
00:19:18,722 --> 00:19:20,333
I'’M STANDING.
394
00:19:20,376 --> 00:19:22,335
FINE. I DON'’T CARE.
395
00:19:23,205 --> 00:19:24,728
WE GOT SOME QUESTIONS.
396
00:19:24,772 --> 00:19:27,209
THE SOONER YOU ANSWER,
THE SOONER YOU CAN LEAVE.
397
00:19:27,253 --> 00:19:30,865
I GOT NO MIND TO BE ASKED
A BUNCH OF SILLY QUESTIONS,
398
00:19:30,908 --> 00:19:32,606
SO I'’LL TELL YOU
WHAT YOU OUGHT TO KNOW.
399
00:19:34,129 --> 00:19:38,786
SIMON WARE IS CRAZIER
THAN A MAGPIE IN AUGUST.
400
00:19:38,829 --> 00:19:42,616
HE HAS BEEN SINCE
HIS WIFE, LUCY, DIED,
NEARLY 30 YEARS AGO,
401
00:19:42,659 --> 00:19:43,921
GIVING BIRTH
TO YOUNG JODY.
402
00:19:43,965 --> 00:19:46,359
THANKS FOR THAT
BRAND-NEW INFORMATION.
403
00:19:46,402 --> 00:19:48,578
HOW ABOUT TELLING ME
SOMETHING I CAN USE?
404
00:19:48,622 --> 00:19:50,537
OH, I WILL.
405
00:19:50,580 --> 00:19:52,582
YOU THINK
HE'’S AN INVALID,
406
00:19:52,626 --> 00:19:55,585
HOLED UP IN THAT HOUSE
WHERE THE LIGHT NEVER HITS?
407
00:19:55,629 --> 00:19:59,372
[SCOFFS] NO, NO.
I SEEN HIM AT NIGHT
IN THE WOODS,
408
00:20:00,199 --> 00:20:01,504
PROWLING AROUND.
409
00:20:02,244 --> 00:20:04,072
OH, SURE YOU HAVE.
410
00:20:04,115 --> 00:20:07,249
WHEN HAVE YOU SEEN HIM
OUT THERE?
411
00:20:07,293 --> 00:20:09,947
[ADAH] HE PRETENDS TO BE
AN INVALID, YOU SEE.
412
00:20:09,991 --> 00:20:13,212
GETS HISSELF THOSE
PRETTY YOUNG THINGS
HE CALLS NURSES.
413
00:20:13,995 --> 00:20:15,779
ONE AFTER THE OTHER
414
00:20:15,823 --> 00:20:17,259
AFTER THE OTHER.
415
00:20:17,303 --> 00:20:21,132
COULD YOU COME
TO YOUR POINT
A LITTLE FASTER?
416
00:20:21,176 --> 00:20:25,485
IF YOU WEREN'’T
IN SUCH A HURRY,
MR. NO-NONSENSE DUGAN,
417
00:20:25,528 --> 00:20:27,182
YOU MIGHT ASK
YOURSELF A QUESTION.
418
00:20:27,226 --> 00:20:28,662
HMM?
419
00:20:28,705 --> 00:20:31,752
[ADAH] THOSE BODIES
YOU BEEN FINDING
IN MY WOODS,
420
00:20:31,795 --> 00:20:33,841
HOW MANY OF THOSE
ARE FEMALE?
421
00:20:37,888 --> 00:20:39,847
MILLIE! HELLO.
HOW ARE YOU?
422
00:20:42,066 --> 00:20:44,025
I'’M FINE. THANKS.GOOD.
423
00:20:44,895 --> 00:20:46,419
HEY THERE!
424
00:20:46,462 --> 00:20:48,159
HI.HI.
425
00:20:48,203 --> 00:20:50,292
[ MILLIE]
CAN I TALK TO YOU?
426
00:20:50,336 --> 00:20:52,860
SURE. SURE. SIT DOWN.
SIT DOWN.
427
00:20:52,903 --> 00:20:55,036
WANT ANYTHING
TO EAT?NO, THANKS.
428
00:20:55,079 --> 00:20:56,559
HOLLER IF YOU
CHANGE YOUR MIND.
429
00:20:59,475 --> 00:21:01,042
SO, UH, WHAT
CAN I DO FOR YOU?
430
00:21:03,044 --> 00:21:06,743
BUBBA, IN HIGH SCHOOL,
I ALWAYS LOOKED UP
TO YOU.
431
00:21:06,787 --> 00:21:08,615
YOU WERE
THE BIG BROTHER
I WISHED I'’D HAD.
432
00:21:10,356 --> 00:21:14,185
I WISH I COULD
SAY I THOUGHT
OF YOU AS A SISTER,
433
00:21:14,229 --> 00:21:16,797
BUT IT WASN'’T
WHAT WAS GOING
THROUGH MY MIND.
434
00:21:18,059 --> 00:21:20,409
WELL, BUBBA, I NEED
A BIG BROTHER NOW--
435
00:21:21,845 --> 00:21:24,021
SOMEBODY I CAN TALK
SOME THINGS OUT WITH.
436
00:21:24,413 --> 00:21:25,588
O.K.
437
00:21:25,632 --> 00:21:26,981
O.K.
438
00:21:27,024 --> 00:21:28,809
IT'’S ABOUT MR. WARE.
439
00:21:28,852 --> 00:21:31,377
I KNOW WHAT EVERYBODY
IN TOWN THINKS OF ME
FOR LIVING WITH HIM,
440
00:21:32,769 --> 00:21:35,337
BUT FOR ME THIS JOB
WAS A GODSEND.
441
00:21:35,381 --> 00:21:37,557
I COULDN'’T TURN IT DOWN.
442
00:21:37,600 --> 00:21:39,646
HE SAID
IF I STAYED WITH HIM
443
00:21:39,689 --> 00:21:41,474
AND TOOK CARE
OF HIM FOR TWO YEARS,
444
00:21:42,605 --> 00:21:46,000
HE'’D PAY ME $250,000.
445
00:21:46,957 --> 00:21:48,742
OOH! THAT'’S A LOT OF MONEY.
446
00:21:50,047 --> 00:21:53,007
ONLY NOW HE WANTS ME
TO STAY AN EXTRA YEAR.
447
00:21:53,050 --> 00:21:56,402
HE WANTS TO TRAVEL,
AND HE WANTS ME
TO GO ALONG.
448
00:21:56,445 --> 00:21:57,794
I DON'’T KNOW
WHAT TO DO.
449
00:21:59,492 --> 00:22:04,148
WELL, I GUESS
YOU GOT TO FIGURE OUT
HOW MUCH IT'’S WORTH
450
00:22:05,454 --> 00:22:08,501
TO DO WHATEVER
YOU DO FOR HIM.
451
00:22:08,544 --> 00:22:11,068
I KNOW NOBODY
BELIEVES THIS,
452
00:22:11,112 --> 00:22:12,722
BUT HE NEVER
TOUCHES ME.
453
00:22:12,766 --> 00:22:14,420
YOU DON'’T HAVE
TO TELL ME ALL THIS.
454
00:22:14,463 --> 00:22:16,726
YEAH, I DO THINGS FOR HIM.
455
00:22:16,770 --> 00:22:18,424
I DRESS FOR HIM
IN CERTAIN WAYS.
456
00:22:19,990 --> 00:22:22,558
HE HAS SPECIAL THINGS
HE LIKES ME TO WEAR--
457
00:22:22,602 --> 00:22:23,951
THINGS HE ORDERS
FROM CATALOGS.
458
00:22:25,561 --> 00:22:27,520
SOMETIMES I JUST
WALK AROUND.
459
00:22:29,260 --> 00:22:31,785
SOMETIMES
I SING HIM A SONG.
460
00:22:31,828 --> 00:22:34,788
I MAKE UP STORIES
HE LIKES TO HEAR.
461
00:22:34,831 --> 00:22:36,920
SOMETIMES HE'’LL ASK ME
TO RUB SOMETHING ON HIM--
462
00:22:36,964 --> 00:22:39,880
OH, MILLIE, YOU DON'’T
HAVE TO TELL ME THIS.
463
00:22:39,923 --> 00:22:42,883
BUBBA, THE POINT IS,
THAT'’S ALL I DO.
464
00:22:47,148 --> 00:22:50,064
MILLIE, WHAT I THINK
YOU HAVE TO DO...
465
00:22:52,066 --> 00:22:54,938
IS LOOK INSIDE YOUR HEART
AND ASK YOURSELF,
466
00:22:56,505 --> 00:22:58,289
"IS WHAT I'’M DOING RIGHT?"
467
00:22:59,203 --> 00:23:01,162
AND IF THE ANSWER'’S YES...
468
00:23:02,685 --> 00:23:04,470
THEN TO HELL
WHAT ANYBODY ELSE THINKS.
469
00:23:06,341 --> 00:23:07,777
THANK YOU.
470
00:23:09,562 --> 00:23:10,563
[OWL HOOTING]
471
00:23:23,445 --> 00:23:25,360
PARKER, I DON'’T BELIEVE
YOU TALKED ME
472
00:23:25,404 --> 00:23:27,057
INTO COMING OUT HERE
THIS NIGHT.
473
00:23:27,101 --> 00:23:29,190
SHUSH. YOU WANT HER
TO HEAR SOMETHING?
474
00:23:30,496 --> 00:23:31,627
[TWIG SNAPS]
475
00:23:31,671 --> 00:23:32,802
LISTEN.
476
00:23:32,846 --> 00:23:34,108
LISTEN TO WHAT?
477
00:23:34,151 --> 00:23:35,675
I THOUGHT
I HEARD SOMETHING.
478
00:23:35,718 --> 00:23:37,459
THAT PIG WOMAN'’S
GOT SOMETHING
TO DO WITH THIS.
479
00:23:37,503 --> 00:23:38,852
I'’M POSITIVE.
480
00:23:38,895 --> 00:23:41,420
WE'’LL STAKE HER OUT
AND GET THE GOODS ON HER,
481
00:23:43,683 --> 00:23:46,076
AND THAT WILL SHOW
WILSON SWEET
482
00:23:46,120 --> 00:23:48,514
WHO'’S AN ACE
AND WHO'’S NOT.
483
00:23:48,557 --> 00:23:50,559
THAT'’S WHAT THIS IS ABOUT,
YOU FEUDING WITH SWEET?
484
00:23:50,603 --> 00:23:52,126
[TWIG SNAPS]SHH!
485
00:23:52,169 --> 00:23:53,519
I THOUGHT
I SAW SOMEBODY.
486
00:24:00,308 --> 00:24:01,352
THERE'’S SOMEBODY
OVER THERE.
487
00:24:17,281 --> 00:24:18,718
SHE'’S MOVING FASTER.
488
00:24:18,761 --> 00:24:20,154
LET'’S GO. LET'S GO.
489
00:24:28,467 --> 00:24:29,946
[SINISTER LAUGH]
490
00:24:32,296 --> 00:24:33,472
[LAUGHING]
491
00:24:34,560 --> 00:24:36,257
YOU SHOULD HAVE
SEEN YOURSELVES.
492
00:24:36,300 --> 00:24:38,389
I SHOULD HAVE
VIDEOTAPED THAT.
493
00:24:38,433 --> 00:24:40,957
I'’LL SHOW YOU A JOKE,
YOU LAMEBRAIN!
494
00:24:41,567 --> 00:24:43,133
HO, HO, HO!
495
00:24:43,177 --> 00:24:44,657
I'’M GOING
TO GET YOU,
496
00:24:44,700 --> 00:24:46,920
IF IT'’S THE LAST
THING I EVER DO!
497
00:24:46,963 --> 00:24:48,051
[BOTH GRUNT]
498
00:24:49,662 --> 00:24:51,490
AAH!WHAT?
499
00:24:51,533 --> 00:24:52,969
YOU O.K.?
500
00:24:53,013 --> 00:24:54,362
DID I HURT YOU?
501
00:24:54,405 --> 00:24:56,451
NO. I TOUCHED
SOMETHING OVER HERE.
502
00:24:56,495 --> 00:24:58,453
JAMISON, SHINE
YOUR LIGHT OVER HERE.
503
00:25:30,050 --> 00:25:32,574
WELL, VIRGIL,
WE GOT MOST
OF IT UNCOVERED.
504
00:25:32,618 --> 00:25:35,011
MAN, THIS SURE
DOES STINK.
505
00:25:38,188 --> 00:25:40,408
HOW LONG DO YOU THINK
THAT BODY'’S BEEN THERE?
506
00:25:42,715 --> 00:25:44,717
JUDGING FROM
THE DECOMPOSITION, BUBBA,
507
00:25:46,327 --> 00:25:47,937
SIX OR EIGHT MONTHS.
508
00:25:47,981 --> 00:25:49,330
IT SURE IS A MESS.
509
00:25:49,373 --> 00:25:51,550
YEAH. YEAH,
IT'’S A MESS ALL RIGHT.
510
00:25:55,945 --> 00:26:00,254
YOU KNOW, WE THOUGHT
THESE WERE MULTIPLE
MURDERS FROM THE PAST,
511
00:26:01,516 --> 00:26:03,866
BUT IF THESE BODIES
ARE CONNECTED,
512
00:26:03,910 --> 00:26:05,476
OUR KILLER COULD
STILL BE OPERATING.
513
00:26:16,139 --> 00:26:18,881
BE GLAD YOU DIDN'’T
HAVE TO HELP US
DIG UP THAT BODY.
514
00:26:18,925 --> 00:26:20,840
IT WAS A MESS.
515
00:26:20,883 --> 00:26:22,537
[JAMISON] THAT'’S FOR SURE.
516
00:26:22,581 --> 00:26:24,191
STILL, I'’D RATHER
BE DOING SOMETHING
517
00:26:24,234 --> 00:26:25,758
THAN SITTING HERE
ANSWERING PHONES.
518
00:26:27,542 --> 00:26:29,718
EVERYBODY WANTS TO DO
WHAT THEY CAN'’T DO, PARKER,
519
00:26:29,762 --> 00:26:31,154
AND LET'’S FACE IT--
520
00:26:31,198 --> 00:26:33,200
WATER SEEKS
ITS OWN LEVEL.
521
00:26:33,243 --> 00:26:35,332
WHAT'’S THAT
SUPPOSED TO MEAN?
522
00:26:35,376 --> 00:26:38,379
MAYBE YOU'’RE NOT
CUT OUT TO HANDLE
THE DESK, EITHER.
523
00:26:38,422 --> 00:26:40,424
THAT'’S RIGHT. I'M NOT.
524
00:26:40,468 --> 00:26:42,818
I'’M NOT CUT OUT
TO BE A RECEPTIONIST.
525
00:26:42,862 --> 00:26:44,994
I'’M CUT OUT
TO BE A DETECTIVE.
526
00:26:45,821 --> 00:26:46,866
MM-HMM.
527
00:26:49,172 --> 00:26:50,783
[PARKER] WHOA, MR. WARE.
528
00:26:50,826 --> 00:26:52,915
LET ME TELL HIM
YOU'’RE HERE.I'’LL TELL HIM.
529
00:26:52,959 --> 00:26:54,003
WAIT!
530
00:26:54,047 --> 00:26:55,918
CAPTAIN DUGAN,
MR., TIBBS...
531
00:26:55,962 --> 00:26:57,528
I JUST HEARD SOMETHING
I WISH I HADN'’T.
532
00:26:57,572 --> 00:26:59,879
I DIDN'’T THINK
I SHOULD TACKLE HIM,
SO HE GOT THROUGH.
533
00:26:59,922 --> 00:27:02,011
THAT'’S O.K., PARKER.
534
00:27:02,055 --> 00:27:03,665
WHAT'’S THE PROBLEM, JODY?
535
00:27:03,709 --> 00:27:07,277
DID ADAH BOONE SAY
MY PAPA WAS INVOLVED
IN THOSE MURDERS?
536
00:27:08,061 --> 00:27:09,845
IS THAT SO?
537
00:27:09,889 --> 00:27:12,848
WHAT GOES ON
IN CRIMINAL INVESTIGATIONS
IS PRIVILEGED INFORMATION.
538
00:27:12,892 --> 00:27:14,545
SO SHE DID.
539
00:27:14,589 --> 00:27:16,286
WHY WOULD SHE SAY
SOMETHING LIKE THAT?
540
00:27:17,331 --> 00:27:19,376
MY PAPA WAS ALWAYS
GOOD TO HER.
541
00:27:19,420 --> 00:27:20,987
HE LET HER LIVE
OFF HIS OWN LAND.
542
00:27:22,597 --> 00:27:23,380
I CAN'’T BELIEVE THIS.
543
00:27:23,424 --> 00:27:25,208
[TOM] SETTLE DOWN.
544
00:27:25,252 --> 00:27:28,429
NATURALLY, THIS
INVESTIGATION'’S GOING
TO CONCERN YOUR FATHER.
545
00:27:28,472 --> 00:27:30,431
IT'’S HIS LAND
THESE BODIES WERE FOUND ON.
546
00:27:30,474 --> 00:27:31,824
YEAH. I'’M SORRY.
547
00:27:34,609 --> 00:27:37,003
I WAS JUST HOPING
I COULD GET BACK
CLOSE WITH MY PAPA.
548
00:27:38,004 --> 00:27:39,919
[VIRGIL] WHAT HAPPENED?
549
00:27:39,962 --> 00:27:43,226
WHY DOES YOUR FATHER
HATE YOU SO MUCH?
550
00:27:45,446 --> 00:27:46,447
I DON'’T KNOW.
551
00:27:47,361 --> 00:27:49,102
LORD KNOWS I TRIED.
552
00:27:51,844 --> 00:27:53,410
EVEN WHEN
I WAS LITTLE,
553
00:27:55,238 --> 00:27:57,197
I WANTED SO MUCH
FOR HIM TO LOVE ME,
554
00:28:00,243 --> 00:28:01,810
BUT INSIDE,
I KNEW HE DIDN'’T.
555
00:28:02,768 --> 00:28:03,943
[TOM] HE'’S A DIFFICULT MAN.
556
00:28:03,986 --> 00:28:05,335
HE ALWAYS WAS.
557
00:28:05,379 --> 00:28:07,729
SOME MEN JUST CAN'’T LOVE.
558
00:28:07,773 --> 00:28:10,950
YOU'’VE GOT TO LIVE
YOUR OWN LIFE.
559
00:28:10,993 --> 00:28:13,604
YEAH. I SHOULD
HAVE LEFT SPARTA
A LONG TIME AGO.
560
00:28:15,911 --> 00:28:17,434
BUT I KEPT
THINKING THAT...
561
00:28:18,522 --> 00:28:20,263
MAYBE IF
I STUCK IT OUT,
562
00:28:21,438 --> 00:28:23,092
MAYBE HE'’D CHANGE.
563
00:28:26,879 --> 00:28:28,271
YOU KNOW,
I KEEP THINKING...
564
00:28:29,620 --> 00:28:31,100
WHAT IF HE DIES
565
00:28:33,233 --> 00:28:35,714
AND WE'’VE NEVER
SAID A KIND WORD
TO EACH OTHER?
566
00:28:38,673 --> 00:28:40,457
WOULDN'’T THAT BE
A TERRIBLE THING?
567
00:28:42,546 --> 00:28:43,765
YOUR OWN FATHER.
568
00:28:49,640 --> 00:28:50,903
[WHISTLING]
569
00:28:59,955 --> 00:29:03,654
UM... EXCUSE ME,
UH, MR. WARE.
570
00:29:04,960 --> 00:29:07,876
UH, MY NAME'’S
PARKER WILLIAMS.
571
00:29:07,920 --> 00:29:10,009
I DON'’T THINK
YOU KNOW ME,
572
00:29:10,052 --> 00:29:11,706
BUT I USED TO CUT
YOUR DADDY'’S GRASS.
573
00:29:12,838 --> 00:29:15,318
[JODY] YEAH. SURE.
574
00:29:15,362 --> 00:29:17,973
I USED TO THROW
BAILING WIRE IN THE YARD
575
00:29:18,017 --> 00:29:19,845
SO IT WOULD SNARL
THE LAWN MOWER.
576
00:29:22,108 --> 00:29:23,544
I'’M SORRY.
577
00:29:23,587 --> 00:29:25,067
IT SEEMED LIKE
A GOOD IDEA
AT THE TIME.
578
00:29:25,111 --> 00:29:26,721
OH, THAT'’S ALL RIGHT.
579
00:29:29,550 --> 00:29:31,900
IT WAS GOOD SEEING YOU.YEAH. YOU TAKE CARE.
580
00:29:42,519 --> 00:29:43,999
[WHISTLING]
581
00:29:57,491 --> 00:29:59,798
WELL...WELL, WHAT?
582
00:30:01,190 --> 00:30:03,366
WHAT WERE YOU
TALKING TO HIM ABOUT?
583
00:30:03,410 --> 00:30:05,804
OH, THAT WAS JUST PART
OF MY INVESTIGATION.
584
00:30:05,847 --> 00:30:08,807
INVESTIGATION?
585
00:30:08,850 --> 00:30:10,896
YOU'’RE SO FULL OF IT,
YOU'’RE ABOUT TO BLOW UP.
586
00:30:10,939 --> 00:30:13,115
NOW, WHAT WERE YOU
TALKING TO HIM ABOUT?
587
00:30:13,159 --> 00:30:15,988
MR. SWEET,
A GOOD DETECTIVE
588
00:30:16,031 --> 00:30:19,121
PRESERVES THE CONFIDENTIALITY
OF HIS SOURCES.
589
00:30:20,775 --> 00:30:21,950
EXCUSE ME.
590
00:30:26,085 --> 00:30:27,695
I DON'’T UNDERSTAND IT.
591
00:30:27,738 --> 00:30:29,653
PAPA'’S ALWAYS
BEEN GOOD TO YOU.
592
00:30:29,697 --> 00:30:31,177
WHY DID YOU SAY
THOSE THINGS ABOUT HIM?
593
00:30:33,048 --> 00:30:34,745
YOU NEVER DO
GIVE UP ON HIM,
DO YOU?
594
00:30:34,789 --> 00:30:36,138
WELL, HOW CAN I?
595
00:30:36,182 --> 00:30:37,792
HE'’S MY FATHER.
596
00:30:37,836 --> 00:30:39,881
[ADAH] SURE,
HE PROVIDED THE SEED,
597
00:30:39,925 --> 00:30:42,318
AND IF GIVING YOU
FOOD AND SHELTER
598
00:30:42,362 --> 00:30:43,580
CONSTITUTES
BEING A FATHER,
599
00:30:43,624 --> 00:30:45,756
I GUESS
THAT'’S WHAT HE IS.
600
00:30:45,800 --> 00:30:47,802
WHATEVER HE IS,
HE'’S NOT A MURDERER.
601
00:30:49,064 --> 00:30:51,937
HOW COULD YOU SAY
THOSE THINGS ABOUT HIM?
602
00:30:59,770 --> 00:31:00,859
JODY...
603
00:31:05,951 --> 00:31:10,129
I LOVE YOU MORE
THAN ANYONE ON EARTH.
604
00:31:10,172 --> 00:31:12,435
I HAVE SINCE I BROUGHT
YOU ONTO THIS EARTH
605
00:31:12,479 --> 00:31:13,697
NEAR 30 YEARS AGO.
606
00:31:16,352 --> 00:31:18,702
IT SEEMS YOU WERE
BORN TO SUFFER--
607
00:31:18,746 --> 00:31:21,705
YOUR MAMA DYING
WHEN YOU WERE BORN
608
00:31:21,749 --> 00:31:25,405
AND MR. WARE
TREATING YOU LIKE
SOME KIND OF OUTCAST.
609
00:31:25,448 --> 00:31:27,189
THERE'’S SOMETHING
I NEVER TOLD YOU.
610
00:31:30,018 --> 00:31:31,933
I NEVER TOLD NOBODY.
611
00:31:31,977 --> 00:31:35,328
I WAS THE MIDWIFE
WHEN YOUR MAMA
WENT INTO LABOR.
612
00:31:36,764 --> 00:31:38,418
IT WAS A HARD ONE.
613
00:31:38,461 --> 00:31:40,507
LONG...
614
00:31:40,550 --> 00:31:42,422
POOR THING WAS
IN TERRIBLE PAIN.
615
00:31:44,772 --> 00:31:46,513
THEN SHE STARTED
HEMORRHAGING.
616
00:31:46,556 --> 00:31:47,949
BLOOD STARTED TO COME,
WOULDN'’T STOP.
617
00:31:47,993 --> 00:31:49,603
I COULDN'’T STOP IT.
618
00:31:51,300 --> 00:31:52,954
DIDN'’T YOU CALL A DOCTOR?
619
00:31:52,998 --> 00:31:55,478
NO. YOUR PAPA,
HE WOULDN'’T LET ME.
620
00:31:57,480 --> 00:32:00,570
HE PULLED THE PHONE
RIGHT OUT OF THE WALL
621
00:32:00,614 --> 00:32:03,399
AND TOLD ME TO GO
GET YOU CLEANED UP.
622
00:32:03,443 --> 00:32:05,575
THEN HE WENT
TO THE SIDE OF THE BED,
623
00:32:06,359 --> 00:32:08,709
STOOD THERE,
624
00:32:08,752 --> 00:32:11,320
AND WATCHED THE LIFE
DRAIN OUT OF YOUR MAMA,
625
00:32:13,148 --> 00:32:15,542
HER GETTING ALL
CHALKY WHITE.
626
00:32:15,585 --> 00:32:16,891
OH, NO.
627
00:32:18,153 --> 00:32:19,459
AND THEN SHE DIED.
628
00:32:22,375 --> 00:32:24,290
HE'’S A MURDERER, JODY.
629
00:32:25,769 --> 00:32:28,555
THAT'’S HOW I KNOW
HE CAN KILL,
630
00:32:28,598 --> 00:32:30,861
HOW I KNOW HE'’S
A DANGEROUS MAN.
631
00:32:35,997 --> 00:32:37,956
WHY DIDN'’T YOU
TELL THE POLICE?
632
00:32:37,999 --> 00:32:39,827
HE SAID THEY'’D BLAME ME,
633
00:32:40,959 --> 00:32:42,699
AND I BELIEVED HIM.
634
00:32:44,223 --> 00:32:46,442
AFTER ALL,
HE WAS SIMON WARE...
635
00:32:48,575 --> 00:32:50,577
AND I WAS JUST
A POOR FARM GIRL.
636
00:32:52,622 --> 00:32:54,189
OH, GOD,
HOW CAN THIS HAPPEN?
637
00:32:54,233 --> 00:32:56,452
GET OUT OF SPARTA.
638
00:32:56,496 --> 00:32:59,499
GET ON WITH YOUR LIFE.
639
00:32:59,542 --> 00:33:02,850
YOU STAY HERE, HIS EVIL
WILL CONTAMINATE YOU.
640
00:33:04,199 --> 00:33:05,853
YOU KNOW,
PEOPLE SAY YOU'’RE CRAZY
641
00:33:07,246 --> 00:33:08,508
AND YOU'’RE MEAN...
642
00:33:10,249 --> 00:33:12,468
BUT YOU'’VE ALWAYS BEEN
A GOOD FRIEND TO ME,
643
00:33:12,512 --> 00:33:14,340
AND I THANK YOU
FOR THAT, MISS ADAH.
644
00:33:14,383 --> 00:33:15,732
TRULY, I DO.
645
00:33:18,474 --> 00:33:20,520
'’CAUSE YOU GIVE ME
THE TRUTH.
646
00:34:06,957 --> 00:34:09,482
[ALTHEA] IT HAS SOMETHING
TO DO WITH STORIES
647
00:34:09,525 --> 00:34:12,137
ABOUT DISMEMBERED
BODIES.
648
00:34:12,180 --> 00:34:13,486
HONEY,
SOME OF THESE KIDS
649
00:34:13,529 --> 00:34:15,401
ARE ACTUALLY
HAVING NIGHTMARES.
650
00:34:15,444 --> 00:34:16,967
IT JUST AMAZES ME
651
00:34:17,011 --> 00:34:21,059
HOW KIDS CAN PICK UP
ON GROWN-UP ANXIETIES.
652
00:34:21,102 --> 00:34:22,756
[KNOCKING ON DOOR]
653
00:34:22,799 --> 00:34:23,844
OH, NO.
654
00:34:24,671 --> 00:34:25,889
YOU GET IT.
655
00:34:25,933 --> 00:34:28,109
I AM GOING TO BED.[LAUGHING]
656
00:34:28,153 --> 00:34:29,458
OOH!
657
00:34:29,502 --> 00:34:30,894
O.K., O.K., O.K.
658
00:34:38,163 --> 00:34:39,599
OH.
659
00:34:39,642 --> 00:34:41,470
PARKER, COME IN.
COME IN.
660
00:34:41,514 --> 00:34:42,863
EVENING, DETECTIVE.
661
00:34:42,906 --> 00:34:44,647
SORRY TO BOTHER YOU
AT HOME.
662
00:34:44,691 --> 00:34:45,735
NO PROBLEM.
WHAT'’S UP?
663
00:34:45,779 --> 00:34:48,738
I KNOW THE PROPER
CHAIN OF COMMAND
664
00:34:48,782 --> 00:34:51,437
WOULD BE FOR ME TO
GO TO CAPTAIN TOM--
665
00:34:51,480 --> 00:34:53,917
I'’M CHIEF OF DETECTIVES.
666
00:34:53,961 --> 00:34:55,745
I'’M RUNNING
THIS INVESTIGATION.
667
00:34:55,789 --> 00:34:58,357
INFORMATION
CAN COME THROUGH ME.GREAT.
668
00:34:58,400 --> 00:35:00,489
YOU REMEMBER
CHARLIE HOBBS,
669
00:35:00,533 --> 00:35:02,535
THE KID WHOSE DOG FOUND
THE FIRST LEG BONE?
670
00:35:03,449 --> 00:35:05,364
YEAH.[TELEPHONE RINGS]
671
00:35:05,407 --> 00:35:08,497
I'’VE CHECKED
AND FOUND HE HAS
A RECORD IN TENNESSEE
672
00:35:08,541 --> 00:35:10,630
FOR ASSAULT AND BATTERY
OF FEMALES.
673
00:35:11,979 --> 00:35:13,633
REALLY?YES, SIR.
674
00:35:13,676 --> 00:35:15,504
THAT'’S INTERESTING.
675
00:35:15,548 --> 00:35:17,506
HAS HE SERVED TIME?WELL--
676
00:35:17,550 --> 00:35:18,551
[ALTHEA] VIRGIL...
677
00:35:18,594 --> 00:35:20,509
IT'’S BUBBA.
IT'’S IMPORTANT.
678
00:35:20,553 --> 00:35:21,815
HI, MA'’AM.
679
00:35:26,298 --> 00:35:27,473
BUBBA, SO, YEAH?
680
00:35:29,127 --> 00:35:30,954
OH, NO.
681
00:35:30,998 --> 00:35:32,391
YEAH, WE'’LL BE
RIGHT THERE.
682
00:35:33,609 --> 00:35:35,089
PARKER'’S HERE.
683
00:35:35,133 --> 00:35:36,395
O.K. 15 MINUTES.
684
00:35:36,438 --> 00:35:38,179
THANKS.
685
00:35:38,223 --> 00:35:40,312
[EXHALES]
686
00:35:40,355 --> 00:35:42,183
THAT INFORMATION
YOU GAVE ME
IS PRETTY IMPORTANT,
687
00:35:42,227 --> 00:35:44,011
BUT CONSIDERING
WHAT JUST HAPPENED,
688
00:35:44,054 --> 00:35:44,968
IT'’S SUPERFLUOUS.
689
00:36:01,637 --> 00:36:02,986
WHO FOUND HER?
690
00:36:03,030 --> 00:36:04,945
YOUR FRIEND AND MINE,
WILSON SWEET.
691
00:36:06,903 --> 00:36:09,428
A DAMN FINE PIECE
OF POLICE WORK, TOO.
692
00:36:09,471 --> 00:36:12,822
WELL, SOMETIMES
IT'’S JUST LUCK, I GUESS.
693
00:36:12,866 --> 00:36:14,476
CAME UP HERE
ON A HUNCH.
694
00:36:14,520 --> 00:36:16,043
I GOT TO THINKING.
695
00:36:16,086 --> 00:36:18,872
THE TOOLS SHE USED
TO SLAUGHTER THOSE PIGS
696
00:36:18,915 --> 00:36:21,744
WERE LIKE THE ONES
USED ON THE BODIES.
697
00:36:21,788 --> 00:36:23,659
SHE DIDN'’T ANSWER
THE DOOR.
698
00:36:23,703 --> 00:36:26,532
I SAW THIS LIGHT,
AND THERE SHE WAS.
699
00:36:26,575 --> 00:36:29,361
SWEET, YOU STILL BELIEVE
IT WAS A SUICIDE?
700
00:36:29,404 --> 00:36:31,537
I THINK IT'’S
PRETTY OBVIOUS.
701
00:36:31,580 --> 00:36:33,974
LOOK AT THESE TOOLS.
702
00:36:34,017 --> 00:36:36,759
ANY ONE OF THEM
MIGHT HAVE BEEN
THE MURDER WEAPON.
703
00:36:36,803 --> 00:36:39,066
WE'’RE TALKING
ABOUT A PERSON
704
00:36:39,109 --> 00:36:40,894
WITH A GUILTY
CONSCIENCE,
705
00:36:40,937 --> 00:36:43,201
A PERSON THAT KNEW
WE WERE CLOSING IN.
706
00:36:43,244 --> 00:36:45,551
SO SHE CLIMBED
UP THOSE STEPS...
707
00:36:46,769 --> 00:36:49,598
AND TOOK THAT LAST
LEAP INTO OBLIVION.
708
00:36:54,429 --> 00:36:56,475
ANYONE ELSE
AGREE WITH THAT?
709
00:36:56,518 --> 00:36:59,391
POOR OLD LADY
WAS RUNNING A QUART LOW.
710
00:36:59,434 --> 00:37:01,044
NOTHING SHE'’D DO
WOULD SURPRISE ME.
711
00:37:07,660 --> 00:37:10,880
YEAH. OH...
WHAT ABOUT YOU, PARKER?
712
00:37:12,186 --> 00:37:14,580
I FIGURED SHE WAS DIRTY
LONG BEFORE SWEET,
713
00:37:14,623 --> 00:37:16,756
SO I WAS
STAKIN'’ HER OUT
714
00:37:16,799 --> 00:37:18,714
BEFORE SOMEBODY
MESSED THAT UP.
715
00:37:18,758 --> 00:37:20,586
I FOUND THE BODY
716
00:37:20,629 --> 00:37:22,936
AND CORRECTLY DEDUCED
SHE KILLED HERSELF
717
00:37:22,979 --> 00:37:26,026
RATHER THAN
SPEND LIFE IN PRISON
WITHOUT HER PIGS.
718
00:37:27,375 --> 00:37:31,379
WELL, UH, SWEET,
THAT'’S A LOGICAL DEDUCTION.
719
00:37:31,423 --> 00:37:33,076
UNFORTUNATELY,
IT'’S DEAD WRONG.
720
00:37:35,209 --> 00:37:36,515
ADAH BOONE WAS MURDERED.
721
00:37:41,650 --> 00:37:44,697
[VIRGIL] YOU SEE
THE SCRATCHES HERE
722
00:37:44,740 --> 00:37:48,440
AND THE BRUISES
AROUND THE KNUCKLES?
723
00:37:48,483 --> 00:37:50,311
THEY'’RE DEFENSIVE WOUNDS.
724
00:37:50,355 --> 00:37:51,443
YOU'’RE SAYING
SHE FOUGHT SOMEBODY?
725
00:37:51,486 --> 00:37:52,705
OH, EXACTLY.
726
00:37:52,748 --> 00:37:54,707
SHE STILL COULD'’VE
COMMITTED SUICIDE.
727
00:37:54,750 --> 00:37:56,535
SHE COULD HAVE
FOUGHT SOMEONE
728
00:37:56,578 --> 00:37:59,102
AND THEN COULD'’VE
HUNG HERSELF.
729
00:37:59,146 --> 00:38:01,104
SHE COULD HAVE...
730
00:38:01,148 --> 00:38:02,845
BUT SHE DIDN'’T.
731
00:38:02,889 --> 00:38:05,805
LOOK AT THE LIGATURE
MARKS AROUND THE NECK.
732
00:38:05,848 --> 00:38:07,763
PARKER, YOU WANT
TO BE A DETECTIVE.
733
00:38:07,807 --> 00:38:09,287
NOTICE ANYTHING STRANGE?
734
00:38:10,375 --> 00:38:11,724
STRANGE?
735
00:38:13,769 --> 00:38:14,988
NO, SIR,
736
00:38:15,031 --> 00:38:17,338
NOT REALLY WHAT
YOU'’D CALL STRANGE.
737
00:38:17,382 --> 00:38:19,035
[VIRGIL]O.K.
738
00:38:19,079 --> 00:38:21,951
NOW, I'’M GOING
TO TEACH YOU A LESSON
739
00:38:21,995 --> 00:38:23,997
I HOPE YOU NEVER FORGET.
740
00:38:24,040 --> 00:38:24,998
TEACH ME?
741
00:38:28,393 --> 00:38:31,831
NOW, ONE DEMONSTRATION
IS WORTH A THOUSAND WORDS--
742
00:38:31,874 --> 00:38:33,441
EXACTLY THE WAY
I LEARNED IT.
743
00:38:33,485 --> 00:38:35,704
YOU SOUND LIKE
MY OLD CHEMISTRY TEACHER--
744
00:38:35,748 --> 00:38:37,967
NEVER UNDERSTOOD
THAT DUDE, EITHER.
745
00:38:38,011 --> 00:38:40,187
[VIRGIL] O.K., PARKER,
YOU FEELING ANYTHING?
746
00:38:40,230 --> 00:38:41,928
I'’M DIZZY.
747
00:38:41,971 --> 00:38:43,843
HE'’S TALKING ABOUT
THE POSITION OF THE ROPE
ON YOUR NECK.
748
00:38:43,886 --> 00:38:46,367
YOU FEEL IT?
749
00:38:46,411 --> 00:38:50,545
O.K., NOW,
IT'’S SQUEEZING THE SKIN
RIGHT UNDER YOUR JAWBONE.
750
00:38:50,589 --> 00:38:54,070
NOW, THE KNOT
WOULD BE WAY UP HERE
BY MY HAND.
751
00:38:55,637 --> 00:38:57,247
WHEN SOMEONE
HANGS HIMSELF,
752
00:38:57,291 --> 00:39:00,294
THE LIGATURE MARK
ANGLES UP SHARPLY,
753
00:39:00,338 --> 00:39:03,515
NOT STRAIGHT
AROUND THE NECK
LIKE ON THIS WOMAN.
754
00:39:03,558 --> 00:39:05,081
WOULDN'’T YOU SAY SO?
755
00:39:05,125 --> 00:39:06,692
YOU'’RE THE FORENSIC EXPERT.
756
00:39:08,258 --> 00:39:10,739
O.K. SO ADAH BOONE
WAS STRANGLED FIRST,
757
00:39:11,740 --> 00:39:13,525
THEN HUNG.
758
00:39:13,568 --> 00:39:16,397
THAT'’S MURDER,
NOT SUICIDE.
759
00:39:17,355 --> 00:39:18,921
[THUNDER RUMBLING]
760
00:39:18,965 --> 00:39:20,270
DETECTIVE...
761
00:39:20,314 --> 00:39:22,403
DETECTIVE.YEAH?
762
00:39:22,447 --> 00:39:23,448
OH! PARKER.
763
00:39:23,491 --> 00:39:24,710
WHEW!
764
00:39:24,753 --> 00:39:26,364
[PARKER CLEARS THROAT]
765
00:39:26,407 --> 00:39:28,453
UH...
766
00:39:28,496 --> 00:39:32,979
DETECTIVE, UH,
YOU REMEMBER WHAT I
SAID ABOUT CHARLIE HOBBS
767
00:39:33,022 --> 00:39:34,981
HAVING A RECORD
FOR ASSAULT
AND BATTERY?
768
00:39:35,024 --> 00:39:36,417
YEAH.
769
00:39:36,461 --> 00:39:38,114
WE'’D BETTER FIND OUT
WHERE HE WAS TODAY.
770
00:39:45,861 --> 00:39:47,123
[VIRGIL] MMM. I SEE.
771
00:39:47,167 --> 00:39:48,864
WHO ELSE
DID YOU TALK TO?
772
00:39:48,908 --> 00:39:50,692
AND THEY CONFIRMED THAT?
773
00:39:51,606 --> 00:39:52,955
O.K.
774
00:39:52,999 --> 00:39:54,043
THANKS.
775
00:39:56,611 --> 00:39:58,265
THAT TAKES CARE
OF CHARLIE HOBBS.
776
00:39:58,308 --> 00:40:00,310
HE'’S BEEN IN BATON ROUGE
SINCE YESTERDAY.
777
00:40:00,354 --> 00:40:01,834
SORRY, PARKER.
778
00:40:01,877 --> 00:40:03,009
SO AM I.
779
00:40:04,663 --> 00:40:06,404
TOO BAD, PARKER.
780
00:40:06,447 --> 00:40:07,622
NICE TRY, THOUGH.
781
00:40:07,666 --> 00:40:09,015
YEAH.
782
00:40:09,058 --> 00:40:10,233
RIGHT.
783
00:40:11,583 --> 00:40:13,193
[TOM] TOLD YOU
IT WAS GOING TO POUR.
784
00:40:14,803 --> 00:40:16,979
YOU MAY KNOW
THAT FORENSIC STUFF,
785
00:40:17,023 --> 00:40:19,112
BUT I BE KNOWIN'’
ABOUT THE WEATHER.
786
00:40:19,155 --> 00:40:21,506
THAT MAKES US
SOME SORT OF A TEAM.
787
00:40:21,549 --> 00:40:24,160
HERE'’S A POSITIVE
DENTAL I.D.
788
00:40:24,204 --> 00:40:25,901
ON THAT BODY FOUND
OUT IN THE WOODS.
789
00:40:25,945 --> 00:40:27,425
TAKE A LOOK AT THIS.
790
00:40:29,818 --> 00:40:30,993
YOU'’RE KIDDING.
791
00:40:31,037 --> 00:40:32,255
THAT'’S
WHAT I THOUGHT.
792
00:40:32,299 --> 00:40:33,561
SO I DOUBLE-CHECKED.
793
00:40:33,605 --> 00:40:35,607
I EVEN GOT
HIS DENTIST.
794
00:40:35,650 --> 00:40:37,870
IT'’S HIM.
THERE'’S NO MISTAKE.
795
00:40:37,913 --> 00:40:39,915
TELL ME WHAT Y'’ALL
ARE TALKING ABOUT.
796
00:40:41,221 --> 00:40:43,223
YEAH. I'’M NOT SURE I KNOW,
797
00:40:43,266 --> 00:40:46,095
BUT...I KNOW
WHERE WE CAN FIND OUT.
798
00:41:38,104 --> 00:41:41,586
SORRY TO BARGE IN,
BUT WE HAVE TO SEE
SIMON WARE.
799
00:41:41,629 --> 00:41:43,631
I'’M SORRY,
THAT'’S IMPOSSIBLE.
800
00:41:43,675 --> 00:41:46,504
HE'’S UPSET
THE LIGHTS WENT OFF
BECAUSE OF THE STORM.
801
00:41:46,547 --> 00:41:48,854
THE LIGHTS ARE ON
EVERYPLACE ELSE IN TOWN.
802
00:41:48,897 --> 00:41:51,770
CALL THE ELECTRICAL COMPANY
WHILE WE TALK TO HIM.
803
00:41:51,813 --> 00:41:54,120
SIMON WARE,
SPARTA POLICE DEPARTMENT!
URGENT BUSINESS!
804
00:41:55,600 --> 00:41:57,602
I THINK HE SAID COME IN,
DON'’T YOU?
805
00:42:00,605 --> 00:42:01,954
EVENING, MR. WARE.
806
00:42:01,997 --> 00:42:04,043
SORRY TO BUST IN
LIKE THIS.
807
00:42:04,086 --> 00:42:06,611
WE NEED TO TALK
TO YOU.
808
00:42:06,654 --> 00:42:08,743
[SIMON]
I SUPPOSE YOU'’RE HERE
ABOUT THE LIGHTS.
809
00:42:10,223 --> 00:42:12,660
NO. THAT WOULD BE
THE ELECTRIC COMPANY.
810
00:42:12,704 --> 00:42:13,966
WE'’RE POLICE.
811
00:42:14,009 --> 00:42:16,185
WE'’RE HERE ABOUT
A WHOLE SLEW OF MURDERS.
812
00:42:16,229 --> 00:42:18,057
GO ARREST ADAH BOONE.
813
00:42:20,102 --> 00:42:21,364
OH, WE CAN'’T.
814
00:42:22,627 --> 00:42:23,758
SHE'’S DEAD.
815
00:42:23,802 --> 00:42:25,194
I BET I KNOW.
816
00:42:25,238 --> 00:42:27,066
SHE GOT EATEN
BY HER PIGS.
817
00:42:27,109 --> 00:42:28,720
[LAUGHING]
818
00:42:28,763 --> 00:42:30,504
A REAL FUNNY SIGHT.
819
00:42:30,548 --> 00:42:32,898
ALL THOSE
FAT LITTLE PIGS
EATING ADAH BOONE.
820
00:42:32,941 --> 00:42:34,290
[LAUGHING]
821
00:42:34,334 --> 00:42:37,555
SHE'’S BEEN KILLED,
MR. WARE.
822
00:42:37,598 --> 00:42:40,601
SOMEONE MURDERED HER
AND TRIED TO MAKE IT
LOOK LIKE SUICIDE.
823
00:42:40,645 --> 00:42:44,997
SOME VERY PECULIAR THINGS
HAVE BEEN GOING ON HERE--
824
00:42:45,040 --> 00:42:46,694
LIKE, TWO DAYS AGO,
825
00:42:46,738 --> 00:42:49,218
WE FOUND A PARTIALLY
DECOMPOSED BODY
826
00:42:49,262 --> 00:42:51,177
OUT IN THE WOODS
NEAR YOUR HOUSE.
827
00:42:51,220 --> 00:42:55,050
OUR PATHOLOGIST MADE AN
I.D., USING DENTAL RECORDS.
828
00:42:55,094 --> 00:42:57,183
GUESS WHO IT WAS,
MR. WARE.
829
00:42:57,226 --> 00:42:59,402
HE SAID IT WAS YOU,
MR. WARE.
830
00:42:59,446 --> 00:43:03,537
[VIRGIL]SO, OUR QUESTION IS,
HOW CAN SIMON WARE
BE DEAD,
831
00:43:03,581 --> 00:43:05,974
AND YET STILL
SITTING HERE IN A CHAIR
TALKING TO US?
832
00:43:09,674 --> 00:43:12,198
[GRUNTS]
833
00:43:12,241 --> 00:43:15,462
WELL, THIS SICK OLD MAN
GET AROUND PRETTY GOOD, NOW.
834
00:43:18,639 --> 00:43:20,249
WELL, WELL, JODY WARE.
835
00:43:22,556 --> 00:43:25,341
KILLED YOUR FATHER
AND BURIED HIM
OUT BY THAT OLD HOUSE, HUH?
836
00:43:27,605 --> 00:43:29,650
WELL, CONGRATULATIONS,
YOU'’RE REALLY BRILLIANT.
837
00:43:29,694 --> 00:43:31,609
HE IS, BUT I'’M NOT.
838
00:43:31,652 --> 00:43:33,262
SO YOU EXPLAIN TO ME WHY.
839
00:43:35,700 --> 00:43:37,789
MY FATHER LET MY MOTHER
BLEED TO DEATH
840
00:43:37,832 --> 00:43:39,094
WHEN I WAS BORN,
841
00:43:40,618 --> 00:43:43,185
AND I'’VE HATED HIM
EVERY DAY SINCE.
842
00:43:43,229 --> 00:43:45,013
[JODY] IS THAT EASY ENOUGH
FOR YOU?
843
00:43:45,057 --> 00:43:46,493
HE LET HER DIE?
844
00:43:46,536 --> 00:43:48,495
[JODY] HE SAID
SHE WAS INSANE.
845
00:43:48,538 --> 00:43:51,454
HE HAD TO KEEP HER
LOCKED UP, HE SAID,
846
00:43:51,498 --> 00:43:53,239
BECAUSE SHE TRIED
TO KILL HIM.
847
00:43:53,282 --> 00:43:56,416
AND ME, SHE TRIED
TO ABORT HER OWN SON.
848
00:43:57,896 --> 00:43:59,506
HE TOLD YOU THAT, JODY?
849
00:44:00,855 --> 00:44:02,857
ON MY 16th BIRTHDAY PARTY...
850
00:44:08,733 --> 00:44:10,517
HE SAID I WAS CRAZY...
851
00:44:12,301 --> 00:44:13,999
JUST AS CRAZY
AS MY MOTHER...
852
00:44:16,262 --> 00:44:17,829
BUT IT WAS HE
WHO MADE US THAT WAY.
853
00:44:19,047 --> 00:44:21,180
SO ALL THE OTHER BONES,
ALL THE REMAINS...
854
00:44:22,877 --> 00:44:24,313
I KILLED THEM ALL.
855
00:44:26,576 --> 00:44:28,491
THEY'’RE ALL OVER
THE PLACE OUT THERE.
856
00:44:28,535 --> 00:44:31,538
ALL THOSE TRANSIENTS
FROM THE RAILROAD.
857
00:44:31,581 --> 00:44:34,846
I GOT THE FIRST ONE
RIGHT AFTER MY 16TH
BIRTHDAY PARTY...
858
00:44:37,022 --> 00:44:38,545
JUST TO SEE
IF PAPA WAS RIGHT,
859
00:44:40,590 --> 00:44:42,331
AND I FOUND
I ENJOYED IT.
860
00:44:42,375 --> 00:44:43,855
THERE'’S NOTHING--
861
00:44:43,898 --> 00:44:45,508
THERE'’S--
862
00:44:45,552 --> 00:44:46,727
THERE'’S NOTHING
QUITE LIKE IT--
863
00:44:46,771 --> 00:44:48,729
A GOOD KILL
ON A COLD WINTER'’S NIGHT.
864
00:44:48,773 --> 00:44:49,817
YO.
865
00:44:52,341 --> 00:44:55,344
MR. TIBBS,
LOOK WHAT WE FOUND
RUNNING ACROSS THE BACKYARD.
866
00:44:55,388 --> 00:44:58,913
[PARKER]
SHE WAS IN A REAL HURRY
TO GET SOMEPLACE FAST,
867
00:44:58,957 --> 00:45:00,349
WEREN'’T YOU, MILLIE?
868
00:45:00,393 --> 00:45:02,134
I HAD NOTHING
TO DO WITH THIS.
869
00:45:02,177 --> 00:45:04,614
HE PAID ME TO PRETEND
LIKE HIS FATHER WAS ALIVE.
870
00:45:04,658 --> 00:45:06,138
WHAT'’S THE HARM IN THAT?
871
00:45:06,181 --> 00:45:09,707
LITTLE GIRLS WHO LIE
GET PUNISHED, MILLIE.
872
00:45:12,622 --> 00:45:15,364
WE OUGHT TO THROW YOU
TO ADAH BOONE'’S PIGS.
873
00:45:15,408 --> 00:45:16,757
JUST SHUT UP, BOY.
874
00:45:16,801 --> 00:45:18,672
CUFF HIM AND READ HIM
HIS RIGHTS.
875
00:45:42,478 --> 00:45:44,785
DETECTIVE, HERE IT IS--
876
00:45:44,829 --> 00:45:46,004
THE REPORT
ON THE WARE CASE.
877
00:45:46,047 --> 00:45:48,397
HERE'’S MY REPORT
ON THE CASE.
878
00:45:48,441 --> 00:45:49,921
IN A MINUTE.
879
00:45:49,964 --> 00:45:51,487
IT'’S GREED,
YOU KNOW.
880
00:45:51,531 --> 00:45:52,967
UH, GREED?YES, SIR.
881
00:45:53,011 --> 00:45:55,274
MOST CRIMINALS
TRIP UP OVER GREED
THAN ANYTHING ELSE.
882
00:45:55,317 --> 00:45:58,190
GREED'’S GOOD,
BUT IN THIS CASE,
IT'’S STUPIDITY.
883
00:45:58,233 --> 00:45:59,974
YOU CAN'’T CALL
JODY WARE STUPID.
884
00:46:00,018 --> 00:46:01,671
I MEAN HE HAD
EVERYBODY FOOLED.
885
00:46:01,715 --> 00:46:04,762
HE WAS DRAWING OFF
HIS FATHER'’S ASSETS
LITTLE BY LITTLE.
886
00:46:04,805 --> 00:46:06,546
NOBODY WAS
EVEN SUSPICIOUS.
887
00:46:06,589 --> 00:46:09,331
WHAT'’S STUPID IS
HE SHOULD HAVE LEFT
BEFORE HE GOT CAUGHT.
888
00:46:09,375 --> 00:46:12,291
THE FULL, CORRECT VERSION
IS IN MY REPORT.
889
00:46:12,334 --> 00:46:13,814
IF YOU WANT
AN ACCURATE ACCOUNT,
890
00:46:13,858 --> 00:46:15,773
YOU'’LL FIND IT
IN MY REPORT.
891
00:46:17,775 --> 00:46:19,777
O.K., THANK YOU BOTH.
892
00:46:19,820 --> 00:46:21,256
THANK YOU BOTH.
893
00:46:21,300 --> 00:46:23,215
O.K., LET'’S SEE.
894
00:46:24,694 --> 00:46:26,000
NOT BAD.
895
00:46:27,306 --> 00:46:28,655
THESE AREN'’T BAD.
896
00:46:28,698 --> 00:46:31,092
ACTUALLY, THEY'’RE VERY GOOD.
897
00:46:31,136 --> 00:46:35,836
BUT THE GREATEST
CONTRIBUTION YOU TWO MADE
ON THIS WHOLE CASE
898
00:46:35,880 --> 00:46:40,014
WAS WHEN YOU BOTH
HAULED MILLIE BARNETT IN
BEFORE SHE COULD ESCAPE,
899
00:46:41,320 --> 00:46:42,582
AND THAT,
900
00:46:43,626 --> 00:46:46,804
YOU TWO DID TOGETHER
AS A TEAM.
63481
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