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1
00:00:07,529 --> 00:00:11,968
♪ IN THE HEAT
OF THE NIGHT ♪
2
00:00:15,232 --> 00:00:21,021
♪ I'VE GOT TROUBLES
WALL TO WALL ♪
3
00:00:23,632 --> 00:00:29,029
♪ IN THE HEAT
OF THE NIGHT, YEAH ♪
4
00:00:31,074 --> 00:00:35,905
♪ MUST BE AN ENDING
TO IT ALL ♪
5
00:00:36,906 --> 00:00:38,647
♪ OH, OOH
6
00:00:40,388 --> 00:00:43,869
♪ BUT HOLD ON
7
00:00:43,913 --> 00:00:48,526
♪ IT WON'T BE LONG,
JUST YOU BE STRONG ♪
8
00:00:48,570 --> 00:00:51,399
♪ AND IT'LL BE ALL RIGHT
9
00:00:54,489 --> 00:00:58,667
♪ IN THE HEAT
OF THE NIGHT ♪
10
00:00:58,710 --> 00:01:05,021
♪ IN THE HEAT
OF THE NIGHT ♪
11
00:01:18,774 --> 00:01:20,993
[BRAKES SCREECH][HORN HONKS]
12
00:01:21,037 --> 00:01:22,908
[HONK HONK HONK]
13
00:01:22,952 --> 00:01:26,173
GLOVE MAN!
14
00:01:26,216 --> 00:01:29,785
GLOVE MAN!
15
00:01:29,828 --> 00:01:32,135
[HONK HONK HONK]
16
00:01:32,179 --> 00:01:34,833
GLOVE MAN!
17
00:01:34,877 --> 00:01:37,271
HEY! WHOO!
HEY, YOU!
18
00:01:37,314 --> 00:01:41,797
HAMMER HEAD!
19
00:01:41,840 --> 00:01:44,408
YOU, YOU, YOU, YOU!
20
00:01:44,452 --> 00:01:45,583
VIRGIL.
21
00:01:45,627 --> 00:01:47,324
WHAT ARE YOU
YELLING AT?
22
00:01:47,368 --> 00:01:51,067
BABY, YOU'LL NEVER GUESS
WHO'S DOWNSTAIRS.
23
00:01:52,851 --> 00:01:55,158
COME ON
OUT OF THERE, MAN!
24
00:01:55,202 --> 00:01:56,681
[HONK HONK]
25
00:01:56,725 --> 00:01:57,595
OH, NO.
26
00:01:58,683 --> 00:02:00,598
YOU WORTHLESS
PIECE OF PORK LARD!
27
00:02:00,642 --> 00:02:01,904
[HONK HONK]
28
00:02:01,947 --> 00:02:04,559
SHUT UP, SHUT UP.
29
00:02:04,602 --> 00:02:05,908
MATTHEW!
30
00:02:05,951 --> 00:02:08,084
HEY, GLOVE MAN.
31
00:02:08,128 --> 00:02:09,999
WHAT ARE YOU
DOING DOWN HERE?
32
00:02:10,042 --> 00:02:11,566
LET'S GO FOR A RIDE.
33
00:02:11,609 --> 00:02:13,524
ALL RIGHT.
34
00:02:13,568 --> 00:02:15,961
WHERE'D YOU GET THIS?
YOU ROB A BANK?
35
00:02:16,005 --> 00:02:18,790
YOU THINK
I'D TELL YOU?
36
00:02:26,015 --> 00:02:28,235
HEY, SLOW DOWN!
37
00:02:28,278 --> 00:02:31,194
WHAT ARE YOU DOING
DOWN HERE IN SPARTA?
38
00:02:31,238 --> 00:02:32,978
TAKING YOU
BACK TO PHILLY.
39
00:02:33,022 --> 00:02:35,285
MAN, WE AIN'T GOING--
40
00:02:35,329 --> 00:02:36,939
WAIT, WAIT,
WAIT, WAIT.
41
00:02:36,982 --> 00:02:38,549
LOOK AT THE TIMEPIECE.
42
00:02:38,593 --> 00:02:39,985
YEAH.
43
00:02:40,029 --> 00:02:43,424
YOU CAN'T AFFORD ALL THIS
ON A COP'S SALARY.
44
00:02:43,467 --> 00:02:46,340
YOU GOT THAT RIGHT,
GLOVE MAN.
45
00:02:46,383 --> 00:02:48,255
I'M NO LONGER A COP.
46
00:02:48,298 --> 00:02:49,691
YOU'RE NOT?
47
00:02:49,734 --> 00:02:51,171
YOU?
48
00:02:51,214 --> 00:02:52,476
OH, MATTHEW.
49
00:02:52,520 --> 00:02:55,218
YOU WERE THE BEST COP
I EVER KNEW.
50
00:02:55,262 --> 00:02:58,961
NOW I'M THE BEST
PRIVATE INVESTIGATOR
YOU EVER KNEW.
51
00:02:59,004 --> 00:03:00,484
OW!
52
00:03:00,528 --> 00:03:03,313
OOH, "MATTHEW POGUE.
INVESTIGATIONS."
53
00:03:03,357 --> 00:03:04,532
THIS IS NICE.
54
00:03:04,575 --> 00:03:06,316
I STARTED DOING
OFF-DUTY WORK
FOR THE D.A.
55
00:03:06,360 --> 00:03:11,365
YOU HEAR
MY BROTHER DIED?YEAH, I HEARD.
56
00:03:11,408 --> 00:03:12,757
I'M SORRY ABOUT THAT.
57
00:03:12,801 --> 00:03:15,020
PAULIE TOOK
TOO MANY CHANCES.
58
00:03:15,064 --> 00:03:17,632
A COP DOES THAT,
HE GETS BLOWN AWAY.
59
00:03:17,675 --> 00:03:21,679
A DRUG BUST
WENT SOUR.
60
00:03:21,723 --> 00:03:23,812
I HEARD YOU TOOK IT
PRETTY HARD.
61
00:03:23,855 --> 00:03:25,944
YOU HEARD THAT?
62
00:03:25,988 --> 00:03:27,555
YEAH.
63
00:03:27,598 --> 00:03:28,991
YOU SPEND
NINE YEARS
64
00:03:29,034 --> 00:03:30,949
BUSTING YOUR BUTT
FOR THE DEPARTMENT,
65
00:03:30,993 --> 00:03:34,823
AND YOU'D THINK
YOU COULD COUNT
ON PEOPLE.
66
00:03:34,866 --> 00:03:39,131
MATTHEW,
I'D LIKE TO THINK
YOU CAN COUNT ON ME.
67
00:03:39,175 --> 00:03:42,178
I KNOW, BUDDY.
I KNOW.
68
00:03:43,135 --> 00:03:45,486
WELL, NOW, ANYWAY--ANYWAY.
69
00:03:45,529 --> 00:03:47,662
I WAS SO GOOD
WORKING FOR THE D.A.,
70
00:03:47,705 --> 00:03:50,447
I SET MYSELF UP
IN BUSINESS,
71
00:03:50,491 --> 00:03:53,624
AND THAT IS HOW
I GOT THIS CAR,
72
00:03:53,668 --> 00:03:55,278
THE WATCH,
NEW WARDROBE,
73
00:03:55,322 --> 00:03:56,714
AND A VACATION
74
00:03:56,758 --> 00:04:00,979
TO THE LAND OF PALM TREES
AND TEENY-WEENY BIKINIS!
75
00:04:01,023 --> 00:04:02,894
[SIREN]
76
00:04:02,938 --> 00:04:05,549
OH, NO.
SLOW DOWN, SLOW DOWN.
77
00:04:20,434 --> 00:04:23,828
WELL, YOU BOYS
ARE IN A HURRY
THIS MORNING, HUH?
78
00:04:23,872 --> 00:04:26,396
BUBBA.
79
00:04:26,440 --> 00:04:28,833
I CAN EXPLAIN.
80
00:04:28,877 --> 00:04:32,402
VIRGIL, THAT AIN'T YOU.
81
00:04:32,446 --> 00:04:33,882
THIS IS MATTHEW POGUE.
82
00:04:33,925 --> 00:04:37,712
HE WAS MY PARTNER
IN PHILADELPHIA
FOR SIX YEARS.
83
00:04:40,758 --> 00:04:43,500
HE'S A RESPECTED
LAW ENFORCEMENT OFFICER.
84
00:04:43,544 --> 00:04:45,981
YEAH, WELL...
85
00:04:46,024 --> 00:04:48,200
YOU FELLAS
WATCH THE SPEEDING, HUH?
86
00:04:48,244 --> 00:04:50,290
WE HEARD THERE WAS
A COUPLE OF TEENAGERS
87
00:04:50,333 --> 00:04:52,770
HOT-RODDING AROUND.
88
00:04:52,814 --> 00:04:53,858
YEAH.
89
00:04:53,902 --> 00:04:55,207
YEAH.
90
00:04:55,251 --> 00:04:57,775
YEAH.
91
00:04:59,255 --> 00:05:02,389
YOU SHOULD HAVE
SEEN BUBBA'S FACE
WHEN HE RECOGNIZED ME.
92
00:05:02,432 --> 00:05:07,394
HE GOES, "VIRGIL,
THAT AIN'T YOU."
93
00:05:07,437 --> 00:05:10,788
HE THOUGHT
WE WERE TEENAGERS.
94
00:05:10,832 --> 00:05:12,529
HE WASN'T TOO FAR
OFF THE MARK.
95
00:05:12,573 --> 00:05:14,488
OH, ALTHEA.
96
00:05:14,531 --> 00:05:16,228
I KNOW BENEATH
THAT EXTERIOR
97
00:05:16,272 --> 00:05:18,666
THERE'S THIS WANTON,
CRAZY WOMAN
98
00:05:18,709 --> 00:05:20,363
WHO LUSTS AFTER ME.
99
00:05:20,407 --> 00:05:21,843
STOP IT.
100
00:05:21,886 --> 00:05:23,410
I CAN'T FIGURE IT OUT.
101
00:05:23,453 --> 00:05:25,499
I'M THE BETTER MAN,
102
00:05:25,542 --> 00:05:28,980
BUT YOU HAVE WON YOURSELF
THE GRAND PRIZE
WITH THIS WOMAN.
103
00:05:29,024 --> 00:05:31,156
OH, I KNOW.
104
00:05:31,200 --> 00:05:32,723
EXCUSE ME.
105
00:05:45,693 --> 00:05:47,129
THIS IS
MATTHEW POGUE.
106
00:05:47,172 --> 00:05:49,261
WE WORKED TOGETHER
FOR SIX YEARS.
107
00:05:49,305 --> 00:05:51,133
MATTHEW POGUE,
CHIEF GILLESPIE.
108
00:05:51,176 --> 00:05:52,569
HOW YOU DOING?
109
00:05:52,613 --> 00:05:55,006
AND THIS IS JAMISON,
PARKER, SWEET.
110
00:05:55,050 --> 00:05:57,966
OH.
YOU REMEMBER BUBBA.
111
00:05:58,009 --> 00:06:00,185
YEAH. BUBBA.
112
00:06:00,229 --> 00:06:02,405
Y'ALL WERE ON
THE FORCE TOGETHER?
113
00:06:02,449 --> 00:06:05,365
YEAH. I SAVED HIS ASS
A FEW TIMES.
114
00:06:05,408 --> 00:06:06,801
SAVED ME FOR YOU.
115
00:06:06,844 --> 00:06:09,325
THAT CROSSED MY MIND,
VIRGIL.
116
00:06:09,369 --> 00:06:14,417
HE ONLY SAVED ME
BECAUSE HE GOT ME
INTO THE MESS.
117
00:06:14,461 --> 00:06:16,288
I WAS THE HAMMER,
HE WAS THE GLOVE MAN,
118
00:06:16,332 --> 00:06:19,117
SMOOTH AS A BABY'S BOTTOM.
119
00:06:19,161 --> 00:06:21,642
I WAS MORE
LIKE DIAPER RASH.
120
00:06:21,685 --> 00:06:23,295
GOOD MORNING.
121
00:06:23,339 --> 00:06:25,036
LOOKING FOR
CHIEF JILLESPIE.
122
00:06:25,080 --> 00:06:27,169
WELL, YOU FOUND HIM.
HOW ARE YOU?
123
00:06:27,212 --> 00:06:29,737
YOU MUST BE McGRAW.THAT'S RIGHT.
124
00:06:29,780 --> 00:06:31,173
BY THE WAY,
IT'S GILLESPIE,
125
00:06:31,216 --> 00:06:34,437
LIKE IN GIMME OR GIVE.
126
00:06:34,481 --> 00:06:35,873
YEAH, WELL,
IT'S GOOD TO KNOW YOU.
127
00:06:35,917 --> 00:06:37,701
YOU GOT SOMEPLACE
WE CAN TALK A WHILE?
128
00:06:37,745 --> 00:06:39,399
YEAH. IN MY OFFICE.
129
00:06:39,442 --> 00:06:41,357
VIRGIL, YOU MIGHT
LIKE TO JOIN US.
130
00:06:41,401 --> 00:06:42,271
I'LL CATCH YOU LATER.
131
00:06:42,314 --> 00:06:45,448
YEAH.
TAKE YOUR TIME.
132
00:06:46,101 --> 00:06:47,494
WHO ARE
THOSE GUYS?
133
00:06:47,537 --> 00:06:48,451
FEDS.
134
00:06:48,495 --> 00:06:49,844
HOW CAN YOU TELL?
135
00:06:49,887 --> 00:06:53,891
YOU KIDDING? THEY MIGHT
AS WELL BE WEARING SIGNS.
136
00:06:54,152 --> 00:06:56,459
WE GOT THE WITNESS
SEQUESTERED FOR NOW,
137
00:06:56,503 --> 00:06:58,766
STASHED
IN A FARMHOUSE
138
00:06:58,809 --> 00:07:00,724
ON THE ROAD
TO MARSHALL CITY.
139
00:07:00,768 --> 00:07:02,334
I KNOW THE PLACE.
140
00:07:02,378 --> 00:07:04,467
IT'S THAT FBI THING.
141
00:07:04,511 --> 00:07:06,643
THEY WANT US TO HELP
SECURE A WITNESS.
142
00:07:06,687 --> 00:07:09,559
WE'RE ASKING THAT YOUR BOYS
WATCH THE PERIMETER.
143
00:07:09,603 --> 00:07:11,126
WE'LL BE INSIDE
144
00:07:11,169 --> 00:07:12,432
HOW LONG
DO YOU WANT US
145
00:07:12,475 --> 00:07:15,913
TO GIVE YOU
THIS COOPERATION
AND SUPPORT?
146
00:07:15,957 --> 00:07:17,654
TRIAL'S IN TWO WEEKS.
147
00:07:17,698 --> 00:07:20,091
WE'D LIKE TO KEEP HIM ALIVE
TILL THEN.
148
00:07:20,135 --> 00:07:23,573
HE'S LIKE THE ENCYCLOPEDIA
OF ORGANIZED CRIME.
149
00:07:23,617 --> 00:07:26,707
WHAT IN THE WORLD
IS HE DOING
IN SPARTA?
150
00:07:26,750 --> 00:07:28,796
STAYING ALIVE, I GUESS.
151
00:07:28,839 --> 00:07:31,538
HIS COVER IN NEW ORLEANS
GOT BLOWN.
152
00:07:31,581 --> 00:07:33,583
THERE'S BEEN A COUPLE
HITS ON HIM ALREADY.
153
00:07:33,627 --> 00:07:35,193
WELL, TO TELL YOU
THE TRUTH, I THINK,
154
00:07:35,237 --> 00:07:36,412
YOU'RE IN
THE WRONG TOWN.
155
00:07:36,456 --> 00:07:38,153
YEAH?
WELL, HOW'S THAT?
156
00:07:38,196 --> 00:07:42,026
SPARTA'S SO SMALL,
YOU SHOULD GO
TO BRADLEYVILLE.
157
00:07:42,070 --> 00:07:43,071
IT'S A COUNTY SEAT.
158
00:07:43,114 --> 00:07:44,202
NOW, I KNOW THAT,
159
00:07:44,246 --> 00:07:46,204
BUT THIS TOWN'S
NEAR THE INTERSTATE,
160
00:07:46,248 --> 00:07:47,945
IT'S GOT A SMALL AIRSTRIP,
161
00:07:47,989 --> 00:07:50,644
AND IT'S NEVER
BEEN USED BEFORE.
IT'S PERFECT.
162
00:07:50,687 --> 00:07:53,734
BUT I DON'T SEE
HOW WE CAN HELP YOU.
163
00:07:53,777 --> 00:07:55,779
CHIEF.
164
00:07:55,823 --> 00:07:58,695
EXCUSE ME.
165
00:08:00,044 --> 00:08:01,524
I'M JUST REMINDING YOU
166
00:08:01,568 --> 00:08:04,614
THAT LEROY AND MARSHALL
GOT BACK FROM VACATION
THIS WEEK,
167
00:08:04,658 --> 00:08:06,398
AND NO ONE'S
SCHEDULED OUT.
168
00:08:06,442 --> 00:08:08,836
I THINK
WE CAN HANDLE IT.
169
00:08:08,879 --> 00:08:09,967
YOU DO?I THINK WE SHOULD.
170
00:08:10,011 --> 00:08:12,317
AN EXPERIENCE LIKE THIS.
171
00:08:12,361 --> 00:08:15,320
A JOINT OPERATION
WITH A FEDERAL AGENCY.
172
00:08:15,364 --> 00:08:18,019
IT'LL BE GOOD
FOR THE MEN.
173
00:08:18,062 --> 00:08:19,542
YOU THINK SO, HUH?
174
00:08:19,586 --> 00:08:21,022
DEFINITELY.
175
00:08:21,065 --> 00:08:22,327
AND A CHANCE LIKE THIS
176
00:08:22,371 --> 00:08:24,852
MIGHT NOT COME ALONG
AGAIN.
177
00:08:24,895 --> 00:08:26,288
HMM.
178
00:08:26,331 --> 00:08:27,550
WELL, NOW, MR. McGRAW,
179
00:08:27,594 --> 00:08:29,334
MY CHIEF
OF DETECTIVES HERE,
180
00:08:29,378 --> 00:08:30,684
HE'S OF THE OPINION
181
00:08:30,727 --> 00:08:33,643
THAT ALL MY OFFICERS
ARE SIMPLE COUNTRY BOYS--
182
00:08:33,687 --> 00:08:35,166
I DIDN'T SAY THAT.
183
00:08:35,210 --> 00:08:38,387
AND HE THINKS
THEY'D BENEFIT
FROM CITY EXPERIENCE,
184
00:08:38,430 --> 00:08:41,651
SO I'LL PUT A CAR
ON THE ROAD
185
00:08:41,695 --> 00:08:43,435
AND ANOTHER ONE BEHIND.
186
00:08:43,479 --> 00:08:45,873
WE'LL TRY
TO KEEP IT UP.
187
00:08:45,916 --> 00:08:47,439
THANK YOU,
CHIEF JILLESPIE.
188
00:08:47,483 --> 00:08:50,007
I'M PROUD TO BE
DOING BUSINESS WITH YOU.
189
00:08:50,051 --> 00:08:53,924
I'LL LEAVE WALT AND HENRY
TO LIASE WITH YOUR BOYS.
190
00:08:53,968 --> 00:08:55,709
COME ON.
191
00:08:55,752 --> 00:08:59,060
THEY STEP OUT OF LINE,
LET ME KNOW, HEAR?
192
00:08:59,930 --> 00:09:02,019
HE'S GOING TO LEAVE THEM
HERE FOR WHAT?
193
00:09:02,063 --> 00:09:04,239
LIAISONS. FBI.
194
00:09:04,892 --> 00:09:06,981
OH.
195
00:09:07,024 --> 00:09:09,592
I WAS GOING TO GIVE YOU
THE REST OF THE DAY OFF
196
00:09:09,636 --> 00:09:11,986
TO VISIT
WITH YOUR FRIEND,
197
00:09:12,029 --> 00:09:14,336
BUT YOU BETTER
HANG AROUND,
198
00:09:14,379 --> 00:09:15,598
FIGURE OUT THE LINEUP
199
00:09:15,642 --> 00:09:18,470
FOR GETTING
INTO THIS G-MAN GAME.
200
00:09:18,514 --> 00:09:19,384
YEAH, ME TOO.
201
00:09:19,428 --> 00:09:20,821
I CAN SEE
MATTHEW TONIGHT.
202
00:09:20,864 --> 00:09:22,779
IN FACT,
203
00:09:22,823 --> 00:09:25,869
YOU KNOW THAT
DINNER BET ON THE
OL' MISS-LSU GAME?
204
00:09:25,913 --> 00:09:27,871
I WON IT,
BUT I HAVEN'T
TASTED IT.
205
00:09:27,915 --> 00:09:30,395
HOW ABOUT TONIGHT?
206
00:09:30,439 --> 00:09:32,049
FINE.
207
00:09:38,360 --> 00:09:40,318
PARKER.
208
00:09:41,015 --> 00:09:45,628
WHY DON'T YOU FIND SOMEBODY
YOU CAN LIASE WITH?
209
00:09:45,672 --> 00:09:47,587
YES, SIR.
210
00:09:51,373 --> 00:09:54,637
COME ON.
GIVE ME THE SCORE.
211
00:09:54,681 --> 00:09:56,987
MM! MMM!
212
00:09:57,031 --> 00:09:59,381
THAT'S INCREDIBLE.
213
00:09:59,424 --> 00:10:01,426
TRIPLE CHOCOLATE CAKE
WITH CHOCOLATE ICING
214
00:10:01,470 --> 00:10:04,647
TOPPED
BY CHOCOLATE CHIPS.
215
00:10:04,691 --> 00:10:06,301
THAT'S
MY BABY'S SPECIALTY.
216
00:10:06,344 --> 00:10:08,956
I CALL IT
CHOCOLATE DEATH.
217
00:10:08,999 --> 00:10:12,524
WHAT A WAY TO GO.
218
00:10:12,568 --> 00:10:14,396
YOU LIKE IT,
CHIEF GILLESPIE?
219
00:10:14,439 --> 00:10:18,356
NO, BUT I READ SOMEWHERE
THAT CHOCOLATE'S
GOOD FOR CHOLESTEROL,
220
00:10:18,400 --> 00:10:21,533
SO I BETTER
HAVE ANOTHER PIECE.
221
00:10:21,577 --> 00:10:23,013
WHICH REMINDS ME
222
00:10:23,057 --> 00:10:25,494
OF WHEN WE STAKED OUT
THIS CANDY STORE.
223
00:10:25,537 --> 00:10:26,756
REMEMBER THAT,
GLOVE MAN?
224
00:10:26,800 --> 00:10:29,454
HAVE MERCY, MATTHEW,
PLEASE.
225
00:10:29,498 --> 00:10:30,891
ACCORDING TO VIRGIL,
CHIEF,
226
00:10:30,934 --> 00:10:32,849
IT WAS SUPPOSED
TO BE A DRUG DROP
227
00:10:32,893 --> 00:10:34,808
IN THIS BIG
CANDY STORE.
228
00:10:34,851 --> 00:10:37,637
HE'D BEEN WORKING ON IT
FOR THREE MONTHS.
229
00:10:37,680 --> 00:10:40,291
WE'D BEEN HUNKERING
SIX HOURS
230
00:10:40,335 --> 00:10:43,251
WHEN THIS TRUCK
PULLS INTO THE ALLEY.
231
00:10:43,294 --> 00:10:45,470
OUT COMES THE CROOKS.
232
00:10:45,514 --> 00:10:48,212
SEVEN OF US
HIT THEM AND THE RIG,
233
00:10:48,256 --> 00:10:49,953
AND WHAT DO WE CAPTURE?
234
00:10:49,997 --> 00:10:53,783
500 POUNDS
OF COCOA POWDER.
235
00:11:00,355 --> 00:11:02,357
OH, THANKS, JOANNE.
236
00:11:02,400 --> 00:11:03,793
HEY, IT'S THE LEAST
I CAN DO.
237
00:11:03,837 --> 00:11:06,883
THAT WAS
A FABULOUS DINNER.
238
00:11:08,232 --> 00:11:09,625
YOU FEELING O.K.?
239
00:11:09,669 --> 00:11:11,192
SURE.
240
00:11:13,237 --> 00:11:15,109
YOU SEEMED A LITTLE...
241
00:11:15,152 --> 00:11:17,285
YOU UPSET
ABOUT SOMETHING?
242
00:11:17,328 --> 00:11:18,590
NO, I JUST...
243
00:11:18,634 --> 00:11:21,115
GUESS IT'S HAVING MATTHEW
AROUND THE HOUSE.
244
00:11:22,899 --> 00:11:24,684
THEY GET TO TELLING
THOSE OLD WAR STORIES.
245
00:11:24,727 --> 00:11:27,034
YOU KNOW HOW MANY TIMES
I'VE HEARD THOSE?
246
00:11:27,077 --> 00:11:28,818
I BET.
247
00:11:28,862 --> 00:11:29,993
THEN I START
TO FEEL GUILTY
248
00:11:30,037 --> 00:11:31,821
BECAUSE HE'S
VIRGIL'S FRIEND.
249
00:11:31,865 --> 00:11:35,564
VIRGIL THINKS
HE'S SO WONDERFUL.
250
00:11:35,607 --> 00:11:37,827
THEN ANOTHER INCIDENT
FROM THE PAST COMES UP.
251
00:11:37,871 --> 00:11:39,829
SOMETHING THAT THEY
SHARED TOGETHER.
252
00:11:39,873 --> 00:11:42,223
GOD, I JUST WANT
TO SCREAM.
253
00:11:42,266 --> 00:11:43,572
YOU DON'T LIKE MATTHEW?
254
00:11:43,615 --> 00:11:45,922
MATTHEW'S
A WONDERFUL GUY.
255
00:11:45,966 --> 00:11:47,794
HE'S VERY SMART,
VERY FUNNY.
256
00:11:47,837 --> 00:11:48,751
WHY WOULDN'T
I LIKE MATTHEW?
257
00:11:48,795 --> 00:11:50,884
[DISH CLATTERS]
258
00:11:50,927 --> 00:11:51,885
I DON'T KNOW.
259
00:11:51,928 --> 00:11:54,496
I JUST KNOW YOU DON'T.
260
00:11:57,978 --> 00:11:59,283
HE'S IN LOVE WITH ME.
261
00:12:00,850 --> 00:12:03,244
I DATED HIM
A LONG TIME AGO.
262
00:12:04,462 --> 00:12:06,551
THEN I MET VIRGIL,
AND THAT WAS THAT.
263
00:12:06,595 --> 00:12:08,945
MATTHEW WAS TERRIFIC
ABOUT IT,
264
00:12:08,989 --> 00:12:13,733
BUT I DON'T THINK
HE'S EVER GOTTEN OVER IT.
265
00:12:14,516 --> 00:12:16,736
WELL, HONEY,
THAT WAS
A LONG TIME AGO,
266
00:12:16,779 --> 00:12:18,650
YOU KNOW?
267
00:12:18,694 --> 00:12:21,044
MAYBE YOU'RE MAKING
TOO MUCH OF IT.
268
00:12:21,088 --> 00:12:24,744
THAT'S WHAT
I USED TO THINK.
269
00:12:24,787 --> 00:12:28,138
BUT THERE WAS
THIS ONE NIGHT...
270
00:12:29,009 --> 00:12:30,750
NEW YEAR'S EVE PARTY.
271
00:12:30,793 --> 00:12:34,188
WE HAD ALL GONE.
272
00:12:34,536 --> 00:12:36,843
MATTHEW HAD A LITTLE BIT
TOO MUCH TO DRINK.
273
00:12:41,151 --> 00:12:43,501
HE CORNERED ME
IN A ROOM.
274
00:12:46,548 --> 00:12:48,680
I HAD TO HIT HIM
WITH A PAPERWEIGHT
TO GET HIM OFF ME.
275
00:12:49,072 --> 00:12:51,292
OH, WOW.
276
00:12:52,423 --> 00:12:53,294
DID YOU TELL VIRGIL?
277
00:12:53,337 --> 00:12:54,469
NO.
278
00:12:54,512 --> 00:12:56,340
THAT'S THE AWFUL PART.
279
00:12:56,384 --> 00:12:57,864
IT WAS ONE INCIDENT.
280
00:12:57,907 --> 00:13:00,083
HE AND VIRGIL
ARE CLOSE FRIENDS.
281
00:13:00,127 --> 00:13:01,693
YEAH, WELL,
HEY, HONEY,
282
00:13:01,737 --> 00:13:04,871
I THINK YOU DID
THE RIGHT THING.
283
00:13:04,914 --> 00:13:07,134
I WOULDN'T HAVE
MENTIONED IT EITHER.
284
00:13:07,177 --> 00:13:09,919
THEN IT WAS A SECRET.
285
00:13:09,963 --> 00:13:12,704
THEN IT TURNED
INTO A LIE.
286
00:13:12,748 --> 00:13:15,707
AND NOW HERE HE IS,
AND I JUST WANT HIM
OUT OF HERE.
287
00:13:29,112 --> 00:13:30,853
MATTHEW O.K.?
288
00:13:30,897 --> 00:13:33,116
HE SHOULDN'T HAVE ANY
TROUBLE GETTING TO SLEEP.
289
00:13:33,160 --> 00:13:34,814
IT'S BEEN A LONG DAY.
290
00:13:34,857 --> 00:13:35,945
YEAH, TOO LONG.
291
00:13:36,903 --> 00:13:38,730
ALTHEA...
292
00:13:39,253 --> 00:13:42,560
IS IT ALWAYS GOING
TO BE THIS WAY WITH MATT?
293
00:13:42,604 --> 00:13:44,867
BABY, I'VE ACCEPTED THE FACT
294
00:13:44,911 --> 00:13:46,956
THAT YOU AND HE
WERE ONCE LOVERS.
295
00:13:47,000 --> 00:13:47,957
THAT'S ALL RIGHT WITH ME,
296
00:13:48,001 --> 00:13:49,524
YOU HAVE GOT
TO ACCEPT THE FACT
297
00:13:49,567 --> 00:13:51,482
THAT WE
ARE NOW FRIENDS.
298
00:13:51,526 --> 00:13:53,789
WE WERE ONCE PARTNERS.
299
00:13:53,833 --> 00:13:56,139
I WASN'T THERE FOR HIM
300
00:13:56,183 --> 00:13:57,575
WHEN HIS BROTHER
GOT KILLED.
301
00:13:57,619 --> 00:13:59,664
HE TOOK IT REALLY HARD.
302
00:13:59,708 --> 00:14:04,669
THE DEPARTMENT PUT HIM
ON A STRESS-RELATED LEAVE.
303
00:14:05,453 --> 00:14:08,717
SO I JUST WANT
THIS VISIT TO BE...
304
00:14:08,760 --> 00:14:10,327
COMFORTABLE FOR HIM.
305
00:16:24,722 --> 00:16:26,724
[TELEPHONE RINGS]
306
00:16:29,205 --> 00:16:30,990
[RING]
307
00:17:15,991 --> 00:17:19,255
WHAT DO YOU MEAN
YOUR BOYS WERE THERE?
WHO ARE THEY?
308
00:17:19,299 --> 00:17:20,996
WHY AREN'T THEY HERE?
309
00:17:21,040 --> 00:17:22,128
WELL, MR. McGRAW,
310
00:17:22,171 --> 00:17:23,651
I SENT THEM BACK
TO THE STATION
311
00:17:23,694 --> 00:17:26,654
TO FILE A REPORT.
312
00:17:26,697 --> 00:17:29,700
THERE'S TIME
TO FILE REPORTS.
313
00:17:29,744 --> 00:17:31,267
I WANT
TO ASK THEM
SOME QUESTIONS.
314
00:17:31,311 --> 00:17:33,356
YOU'LL GET
YOUR CHANCE TO
ASK HIM QUESTIONS.
315
00:17:33,400 --> 00:17:35,576
I CAN'T BELIEVE THIS.
316
00:17:35,619 --> 00:17:39,101
MEANTIME, I'D LIKE
TO KNOW WHERE YOU WERE
317
00:17:39,145 --> 00:17:40,842
WHILE ALL THIS
WAS GOING DOWN.
318
00:17:42,191 --> 00:17:44,063
I WENT OUT
FOR SANDWICHES.
319
00:17:44,106 --> 00:17:47,283
THE BOYS WERE HUNGRY,
SO I...
320
00:17:47,327 --> 00:17:48,850
I'LL TELL YOU SOMETHING.
321
00:17:48,893 --> 00:17:50,112
I DON'T WANT
THESE YOKELS
322
00:17:50,156 --> 00:17:51,809
CLIMBING ALL OVER
THIS CRIME SCENE.
323
00:17:51,853 --> 00:17:53,942
I'M BRINGING MY MEN.
324
00:17:53,985 --> 00:17:55,596
I'LL TELL YOU
SOMETHING.
325
00:17:55,639 --> 00:17:57,946
THIS IS OUR
INVESTIGATION.
326
00:17:57,989 --> 00:17:59,426
YOU NEED SOMEBODY
TO HELP YOU
327
00:17:59,469 --> 00:18:01,732
BECAUSE THERE ARE
THREE MEN DEAD.
328
00:18:01,776 --> 00:18:04,518
I WONDER
WHAT THEY WERE DOING
329
00:18:04,561 --> 00:18:05,910
WHEN THAT SHOOTER GOT IN.
330
00:18:05,954 --> 00:18:07,521
THEY DIDN'T SEEM
TO DO MUCH
TO DISCOURAGE HIM.
331
00:18:07,564 --> 00:18:09,131
THEY DIDN'T EVEN
FIRE THEIR WEAPONS.
332
00:18:09,175 --> 00:18:11,916
THEY MADE THEIR MISTAKE
THINKING THEY HAD
PROFESSIONAL SUPPORT
333
00:18:11,960 --> 00:18:13,614
OUT ON THE RIM.
334
00:18:14,615 --> 00:18:18,140
I'M FILING REPORTS
ON YOU WITH EVERY
DEPARTMENT I CAN FIND,
335
00:18:18,184 --> 00:18:19,968
INCLUDING THE SANITATION
DEPARTMENT.
336
00:18:20,011 --> 00:18:22,144
I'M GOING TO MAKE SURE
THAT EVERYBODY
IN MISSISSIPPI
337
00:18:22,188 --> 00:18:25,278
KNOWS WHAT TURKEYS
YOU GUYS REALLY ARE.
338
00:18:25,582 --> 00:18:26,975
OOH, MAN.
339
00:18:27,236 --> 00:18:29,282
[KETTLE WHISTLES]
340
00:18:53,654 --> 00:18:55,569
VIRGIL?
341
00:18:56,483 --> 00:18:58,049
VIRGIL, I DIDN'T KNOW
YOU WERE HOME ALREADY--
342
00:18:58,093 --> 00:19:00,400
NO, BUT I'M HERE.
343
00:19:00,443 --> 00:19:02,184
WANT SOME TEA?
344
00:19:02,228 --> 00:19:04,230
NO, THANKS.
345
00:19:04,273 --> 00:19:05,796
I THOUGHT VIRGIL
HAD COME HOME.
346
00:19:05,840 --> 00:19:07,407
WHERE'D HE GO, ANYWAY?
347
00:19:07,450 --> 00:19:10,323
I WOKE UP WHEN
HE TORE OUT OF HERE.
348
00:19:11,585 --> 00:19:14,196
I DON'T KNOW.
SOME SHOOTING.
349
00:19:14,240 --> 00:19:17,678
HOW CAN YOU WAKE UP
SO EARLY IN THE MORNING
350
00:19:17,721 --> 00:19:19,897
AND STILL
BE SO BEAUTIFUL?
351
00:19:21,421 --> 00:19:22,726
I THINK I'LL BE GOING.
352
00:19:22,770 --> 00:19:24,075
ALTHEA, PLEASE.
353
00:19:24,119 --> 00:19:25,773
DON'T KEEP RUNNING
AWAY FROM ME.
354
00:19:25,816 --> 00:19:27,818
MATTHEW--PLEASE TALK.
355
00:19:27,862 --> 00:19:29,472
I WON'T TOUCH YOU
OR HURT YOU.
356
00:19:29,516 --> 00:19:31,648
PLEASE TALK TO ME.
357
00:19:39,265 --> 00:19:42,398
WE NEVER TALKED
AFTER THAT PARTY.
358
00:19:42,442 --> 00:19:43,443
I WANTED TO,
359
00:19:43,486 --> 00:19:46,272
BUT YOU WOULDN'T
RETURN MY CALLS.
360
00:19:46,315 --> 00:19:48,317
THERE'S NOTHING MORE
TO SAY.
361
00:19:48,361 --> 00:19:50,232
NO?
362
00:19:50,276 --> 00:19:52,800
BETWEEN TWO PEOPLE
THAT HAVE BEEN
AS CLOSE AS WE WERE?
363
00:19:58,414 --> 00:20:00,503
LEMON TEA.
364
00:20:00,547 --> 00:20:05,247
DO YOU KNOW I STILL
CAN'T SMELL LEMON TEA
WITHOUT THINKING OF YOU.
365
00:20:06,292 --> 00:20:10,209
OH, ALTHEA, I'M SO SORRY
ABOUT THAT NIGHT.
366
00:20:10,252 --> 00:20:12,080
I'D BEEN DRINKING.
I LOST CONTROL.
367
00:20:12,123 --> 00:20:14,822
WHEN I WOKE UP
THE NEXT MORNING,
I WANTED TO CUT MY HANDS OFF.
368
00:20:14,865 --> 00:20:16,911
SAVE IT MATTHEW.
369
00:20:16,954 --> 00:20:19,696
I KNOW ALL YOUR
ROUTINES, REMEMBER?
370
00:20:20,393 --> 00:20:22,743
THIS IS NUMBER 7A--
371
00:20:22,786 --> 00:20:25,006
SINCERITY
WITH A TOUCH OF PATHOS.
372
00:20:25,049 --> 00:20:27,051
WHY HOLD ON
TO THIS GRUDGE?
373
00:20:27,095 --> 00:20:28,139
I WAS DRUNK THAT NIGHT,
374
00:20:28,183 --> 00:20:30,272
I'M APOLOGIZING.
WHAT MORE CAN I DO?
375
00:20:30,316 --> 00:20:32,622
JUST FORGET IT,
MATTHEW!
376
00:20:33,319 --> 00:20:35,451
I DID.
377
00:20:35,495 --> 00:20:37,148
I DON'T GET IT!
378
00:20:38,889 --> 00:20:42,371
YOU HOLD ON TO THIS
ONE NIGHT, AS IF IT'S
ALL THAT MATTERED.
379
00:20:42,415 --> 00:20:44,808
WHAT ABOUT EVERYTHING
THAT WENT BEFORE?
380
00:20:44,852 --> 00:20:46,593
DIDN'T WE MEAN ANYTHING
TO EACH OTHER?
381
00:20:46,636 --> 00:20:49,683
ALTHEA, I LOVED YOU.
382
00:20:49,726 --> 00:20:50,988
DIDN'T YOU LOVE ME?
383
00:20:51,032 --> 00:20:53,164
OR WERE YOU
JUST FAKING IT?
384
00:20:54,122 --> 00:20:56,385
I LOVED YOU
LIKE A CRAZY WOMAN,
385
00:20:56,429 --> 00:20:59,519
LIKE DRIVING TOO FAST.
I WAS ADDICTED.
386
00:20:59,562 --> 00:21:02,348
YOU WERE DANGER,
AND THAT WAS EXCITING.
387
00:21:02,391 --> 00:21:03,305
I COULDN'T GET ENOUGH
OF YOU.
388
00:21:03,349 --> 00:21:05,568
WHAT HAPPENED?
389
00:21:08,136 --> 00:21:10,965
I GREW UP.
390
00:21:11,879 --> 00:21:15,317
I MET VIRGIL.
391
00:21:15,361 --> 00:21:16,884
I DON'T KNOW
WHAT HAPPENED EXACTLY.
392
00:21:16,927 --> 00:21:19,843
ALL I KNOW IS I DIDN'T NEED
YOUR KIND OF DANGER ANYMORE.
393
00:21:21,758 --> 00:21:24,892
ARE YOU SURE?
394
00:21:26,328 --> 00:21:29,462
I THINK YOU
PROTEST TOO MUCH.
395
00:21:29,505 --> 00:21:31,290
I THINK THE REASON
YOU DON'T WANT ME AROUND
396
00:21:31,333 --> 00:21:33,727
IS BECAUSE YOU'RE AFRAID
OF THE FEELINGS YOU GET.
397
00:21:33,770 --> 00:21:38,297
IT SCARES YOU, BECAUSE
THEY'RE STILL THERE.
398
00:21:42,083 --> 00:21:44,477
WOW.
399
00:21:44,520 --> 00:21:48,263
THANK YOU, DR. POGUE.
400
00:21:48,307 --> 00:21:53,050
I'M SURE YOUR INSIGHTS ARE
VERY INTERESTING TO SOME,
BUT NOT TO ME.
401
00:21:53,094 --> 00:21:55,792
GEE, IT'S BEEN NICE
HAVING YOU HERE.
402
00:21:55,836 --> 00:21:58,404
IT'S TOO BAD YOU'LL HAVE
TO MOVE ON THIS MORNING.
403
00:22:12,679 --> 00:22:13,984
GOTCHA!
404
00:22:14,028 --> 00:22:16,030
YOU BRING MY LUNCH BACK,
YOU HEAR?
405
00:22:16,073 --> 00:22:17,988
I'LL TELL MY DADDY!
406
00:22:18,032 --> 00:22:20,513
CHOCOLATE CHIP.
407
00:22:20,556 --> 00:22:24,038
WOW, A GUN.
408
00:22:24,081 --> 00:22:25,213
DON'T TOUCH IT.
409
00:22:25,256 --> 00:22:28,347
MY DADDY TOLD ME
NEVER TO TOUCH A GUN.
410
00:22:31,175 --> 00:22:34,048
YOU PICK UP MY LUNCH
AND GO GET MY BOOKS.
411
00:22:38,487 --> 00:22:40,097
ALTHEA! HEY, BABE.
412
00:22:40,141 --> 00:22:41,795
IN HERE!
413
00:22:43,927 --> 00:22:44,798
HEY, HEY, HEY!
414
00:22:44,841 --> 00:22:47,409
HEY, HEY, HEY!
415
00:22:47,453 --> 00:22:49,455
HI. JUST IN TIME
FOR SOME OATMEAL.
416
00:22:49,498 --> 00:22:51,457
CAN YOU LACE IT
WITH CAFFEINE?
417
00:22:51,500 --> 00:22:53,502
I'LL GET YOU SOME.
TAKE A SEAT, MAN.
418
00:22:53,546 --> 00:22:55,199
ALL RIGHT.
419
00:22:55,243 --> 00:22:56,723
WHAT WENT DOWN
LAST NIGHT?
420
00:22:56,766 --> 00:22:58,115
A SHOOTING.
421
00:22:58,159 --> 00:22:59,726
BAD ONE.
422
00:22:59,769 --> 00:23:01,292
TWO FEDERAL AGENTS
AND A WITNESS
THEY WERE PROTECTING.
423
00:23:01,336 --> 00:23:02,772
ANY LEADS?
424
00:23:02,816 --> 00:23:05,253
NO LEADS,
BUT THE MAN WAS A PRO.
425
00:23:05,296 --> 00:23:07,516
EXECUTION STYLE KILLINGS
WITH A .22.
426
00:23:07,560 --> 00:23:09,083
HE GOT PAST EVERYBODY.
427
00:23:09,126 --> 00:23:10,389
HE KNEW WHAT HE WAS DOING.
428
00:23:10,432 --> 00:23:11,868
HEALTH IN A BOWL.
429
00:23:11,912 --> 00:23:13,304
WHO'S HANDLING
THE INVESTIGATION?
430
00:23:13,348 --> 00:23:15,350
SOME FEDS,
BUT SO ARE WE.
431
00:23:15,394 --> 00:23:16,656
WE'LL STAY ON IT.
432
00:23:16,699 --> 00:23:18,092
HOW'S YOUR FORENSIC
INVESTIGATORS?
433
00:23:18,135 --> 00:23:19,920
YOU'RE LOOKING AT IT.
434
00:23:19,963 --> 00:23:21,225
YOU'RE KIDDING.
435
00:23:21,269 --> 00:23:22,705
I WISH I WERE.
436
00:23:22,749 --> 00:23:25,142
THERE'S WORK TO BE DONE
AT THE CRIME SCENE.
437
00:23:25,186 --> 00:23:27,231
WE GOT SOME
GOOD OFFICERS,
438
00:23:27,275 --> 00:23:30,147
BUT THEY'RE NOT
THAT EXPERIENCED.
439
00:23:30,191 --> 00:23:32,062
HEY...
440
00:23:32,106 --> 00:23:32,976
WHAT?
441
00:23:33,020 --> 00:23:35,109
I JUST
HAD A GREAT IDEA.
442
00:23:35,152 --> 00:23:36,937
INSTEAD OF GOING
TO LOS ANGELES,
443
00:23:36,980 --> 00:23:39,200
I'LL HELP WITH
THE INVESTIGATION.
444
00:23:39,243 --> 00:23:40,941
NO.
445
00:23:40,984 --> 00:23:42,682
IF YOU
DON'T WANT ME TO...
446
00:23:42,725 --> 00:23:44,031
THAT'S NOT
WHAT I'M SAYING.
447
00:23:44,074 --> 00:23:45,554
YOU'RE SUPPOSED
TO BE ON VACATION.
448
00:23:45,598 --> 00:23:47,600
AND I DON'T THINK
YOU SHOULD BE DOING
POLICE WORK.
449
00:23:47,643 --> 00:23:49,906
IT'S A CHANCE
TO WORK TOGETHER AGAIN.
450
00:23:49,950 --> 00:23:53,344
WHO NEEDS PALM TREES?
WE'LL HAVE A BALL.
451
00:23:54,650 --> 00:23:56,043
YOU REALLY MEAN IT?
452
00:23:56,086 --> 00:23:59,263
YES! WE'LL SHOW THE FEDS
HOW IT'S DONE.
453
00:23:59,307 --> 00:24:01,831
THE HAMMER
AND THE GLOVE MAN
STRIKE AGAIN!
454
00:24:01,875 --> 00:24:03,703
ALL RIGHT!
455
00:24:04,573 --> 00:24:06,227
BABY,
IT'S JUST LIKE OLD TIMES.
456
00:24:06,270 --> 00:24:07,707
ISN'T THAT GREAT?
457
00:24:07,750 --> 00:24:09,099
ME AND MATT!
458
00:24:17,630 --> 00:24:19,458
JILLESPIE, I'M TELLING YOU...
459
00:24:19,501 --> 00:24:21,503
JUST A MINUTE,
MR. McGRAW.
460
00:24:21,547 --> 00:24:23,026
LET ME TALK
TO MY OWN MEN.
461
00:24:23,070 --> 00:24:25,028
IF YOU PLEASE.
462
00:24:25,072 --> 00:24:27,857
LEROY, WHERE EXACTLY
WERE YOU PATROLLING?
463
00:24:27,901 --> 00:24:29,119
LIKE I SAID, CHIEF,
464
00:24:29,163 --> 00:24:30,730
WE WERE ALL
ABOUT A MILE
FROM THE HOUSE.
465
00:24:30,773 --> 00:24:32,558
RIGHT WHERE WE WERE
SUPPOSED TO BE.
466
00:24:32,601 --> 00:24:35,125
WHICH ONE WAS EATING,
SLEEPING, OR DRINKING?
467
00:24:35,169 --> 00:24:36,997
WE WERE
DOING OUR JOB.
468
00:24:37,040 --> 00:24:40,653
YOU DIDN'T HEAR NOTHING
OR SEE NOTHING PECULIAR?
469
00:24:40,696 --> 00:24:43,960
NOTHING EXCEPT
WHAT WE'RE
HEARING RIGHT NOW.
470
00:24:44,004 --> 00:24:47,137
MARSHALL, THAT'LL BE
ENOUGH OF THAT.
471
00:24:47,181 --> 00:24:50,837
WE WERE WIDE AWAKE,
AND THAT'S THE TRUTH.
472
00:24:50,880 --> 00:24:53,796
WE BOTH KNOW THAT,
473
00:24:53,840 --> 00:24:55,624
BUT SPELL IT OUT
FOR MR. McGRAW.
474
00:24:55,668 --> 00:24:57,539
EXPLAIN ABOUT
BRADFORD WOODS.
475
00:24:57,583 --> 00:24:58,671
WELL, YES SIR,
476
00:24:58,714 --> 00:25:00,237
BRADFORD WOODS
RUNS BEHIND THE FARM.
477
00:25:00,281 --> 00:25:01,891
FROM ALL THE WAY
OUT TO COUNTY ROAD JAIL,
478
00:25:01,935 --> 00:25:04,067
ME AND MARSHALL
CRISSCROSSED IT
ON OUR ROUNDS,
479
00:25:04,111 --> 00:25:07,114
BUT IT'S POSSIBLE SOMEBODY
COULD HAVE GOTTEN THROUGH.
480
00:25:07,157 --> 00:25:10,944
WHY DIDN'T YOU TELL SOMEBODY
BEFORE YOU WENT
ON PATROL?
481
00:25:10,987 --> 00:25:12,119
WE DID.
482
00:25:12,162 --> 00:25:13,729
WE TOLD THE AGENTS
IN THE HOUSE.
483
00:25:13,773 --> 00:25:15,688
THEY DIDN'T SEEM
TOO WORRIED.
484
00:25:15,731 --> 00:25:19,605
THEY WERE KIND
OF BUSY READING.
485
00:25:21,302 --> 00:25:23,347
ALL RIGHT, MEN,
THANK YOU.
486
00:25:23,391 --> 00:25:25,915
GO OFF DUTY
AND GET SOME REST.
487
00:25:25,959 --> 00:25:27,395
YES, SIR.
488
00:25:27,438 --> 00:25:30,050
I WANT THOSE
FORENSIC PEOPLE
489
00:25:30,093 --> 00:25:32,313
TO GO OVER EVERY INCH
OF THAT SITE,
490
00:25:32,356 --> 00:25:33,836
AND I DON'T WANT NOBODY
GETTING IN THEIR WAY!
491
00:25:33,880 --> 00:25:35,446
YOU UNDERSTAND THAT?
492
00:25:35,490 --> 00:25:36,926
DAMN KIDS.
493
00:25:36,970 --> 00:25:40,364
THEIR PARENTS DON'T
TEACH THEM RIGHT FROM WRONG.
494
00:25:40,408 --> 00:25:44,368
THAT CAR DISAPPEARED
BETWEEN MIDNIGHT AND 5 A.M.?
495
00:25:44,412 --> 00:25:45,587
IT DIDN'T DISAPPEAR.
496
00:25:45,631 --> 00:25:47,894
IT JUST TOOK
A LITTLE JOY RIDE.
497
00:25:47,937 --> 00:25:49,548
IT'S RIGHT BACK
AT MY HOUSE
498
00:25:49,591 --> 00:25:51,898
WITH THE IGNITION
POPPED OUT.
499
00:25:51,941 --> 00:25:53,334
WHO'LL PAY FOR THAT?
500
00:25:53,377 --> 00:25:55,510
MY INSURANCE
IS $250 DEDUCTIBLE.
501
00:25:55,554 --> 00:25:58,905
I'LL GET STUCK
WITH THE WHOLE
DAMN THING!
502
00:25:58,948 --> 00:26:01,298
A POPPED IGNITION
DON'T SOUND LIKE KIDS.
503
00:26:01,342 --> 00:26:02,561
I DON'T CARE
WHO IT IS,
504
00:26:02,604 --> 00:26:05,302
I WANT
THEM CAUGHT!
505
00:26:06,129 --> 00:26:08,305
CHIEF, I JUST
SAW McGRAW.
506
00:26:08,349 --> 00:26:09,655
HE WAS LOOKING
PRETTY STEAMED UP.
507
00:26:09,698 --> 00:26:11,178
OH, YEAH, WELL,
508
00:26:11,221 --> 00:26:14,137
YOU GOT TO MAKE
ALLOWANCES FOR HIM.
509
00:26:14,181 --> 00:26:16,575
HE NOT ONLY
LOST HIS WITNESS,
510
00:26:16,618 --> 00:26:19,273
BUT HE LOST TWO
OF HIS OWN MEN,
511
00:26:19,316 --> 00:26:21,623
TWO VERY NICE
YOUNG FELLAS.
512
00:26:21,667 --> 00:26:24,017
HE'S HURTING INSIDE.
HE JUST DOESN'T
WANT TO SHOW IT.
513
00:26:24,060 --> 00:26:25,888
SO INSTEAD,
HE GETS MAD.
514
00:26:25,932 --> 00:26:27,498
SNAPS AND GROWLS.
515
00:26:27,542 --> 00:26:28,674
THAT'S McGRAW.
516
00:26:28,717 --> 00:26:31,024
YOU KNOW HIM?BY HIS REPUTATION--
517
00:26:31,067 --> 00:26:34,070
HE WORKS
NEW YORK, BOSTON.
518
00:26:34,114 --> 00:26:36,116
WHAT IS
HIS REPUTATION?
519
00:26:36,159 --> 00:26:37,465
HE'S A GOOD AGENT.
520
00:26:37,508 --> 00:26:40,642
TOUGH, SHREWD,
NOBODY TO MESS WITH.
521
00:26:40,686 --> 00:26:43,863
ANGRY MAN.
CARRIES GRUDGES.
522
00:26:43,906 --> 00:26:46,474
MATTHEW'S WILLING
TO POSTPONE HIS VACATION
523
00:26:46,517 --> 00:26:49,085
AND HELP US OUT
WITH THIS INVESTIGATION.
524
00:26:50,478 --> 00:26:54,656
WELL, MORE
BIG-CITY HELP, HUH?
525
00:26:54,700 --> 00:26:56,353
WE WANT TO VISIT
THE CRIME SCENE.
526
00:26:56,397 --> 00:26:57,485
WELL, NOW, WAIT A MINUTE.
527
00:26:57,528 --> 00:26:59,487
MR. McGRAW, HE'S
A BIG-CITY MAN, TOO.
528
00:26:59,530 --> 00:27:02,272
HE WON'T WANT
ANY HELP FROM Y'ALL.
529
00:27:02,316 --> 00:27:04,927
THE FARMHOUSE
IS OUR JURISDICTION.
530
00:27:04,971 --> 00:27:06,363
BY ABOUT
A BULLFROG'S LEAP.
531
00:27:06,407 --> 00:27:09,497
IT'S AS MUCH YOUR
CRIME SCENE AS HIS.
532
00:27:09,540 --> 00:27:11,064
IT'S MORE
YOUR CRIME SCENE.
533
00:27:11,107 --> 00:27:12,369
THAN IT IS MINE.
534
00:27:12,413 --> 00:27:13,632
YOU GOT US
INTO THIS.
535
00:27:13,675 --> 00:27:14,981
NOW THAT
WE'RE IN IT,
536
00:27:15,024 --> 00:27:18,245
WOULDN'T YOU
LIKE TO COME OUT
LOOKING GOOD?
537
00:27:21,248 --> 00:27:23,598
THE HAMMER AND GLOVE MAN
CAN PUT THE SPARTA P.D.
538
00:27:23,642 --> 00:27:25,818
INTO A FULL-COURT
PRESS.
539
00:27:29,822 --> 00:27:31,824
WELL...
540
00:27:31,867 --> 00:27:33,260
IT'S KIND OF UNUSUAL,
541
00:27:33,303 --> 00:27:36,002
BUT THEN YOU'RE WILLING
TO GIVE UP YOUR VACATION,
542
00:27:36,045 --> 00:27:39,396
AND IT PLEASES YOU,
VIRGIL, WHY SURE.
543
00:27:39,440 --> 00:27:42,399
SURE ENOUGH.
COME ON, LET'S GO.
544
00:27:43,009 --> 00:27:44,053
PARKER!
545
00:27:44,097 --> 00:27:45,359
SWEET! JAMISON!
546
00:27:45,402 --> 00:27:47,796
WE'RE GOING OUT
TO THE COUNTRY.
547
00:27:48,536 --> 00:27:50,451
I GOT TO GO, HONEY.
548
00:27:50,494 --> 00:27:52,192
HEY, CHIEF,
549
00:27:52,235 --> 00:27:53,672
WHAT ABOUT ME?
550
00:27:53,715 --> 00:27:55,586
YOU'RE OUR DUTY
OFFICER TODAY.
551
00:27:55,630 --> 00:27:57,458
YES, SIR, BUT--
552
00:27:57,501 --> 00:27:59,460
ISN'T HERE
WHERE YOU BELONG?
553
00:28:05,335 --> 00:28:06,902
EXCUSE ME.
554
00:28:06,946 --> 00:28:09,296
MY DAUGHTER FOUND THIS
ON HER WAY TO SCHOOL.
555
00:28:09,339 --> 00:28:11,254
YEAH?
556
00:28:17,347 --> 00:28:19,698
YOU GUYS, COME HERE.
557
00:28:20,611 --> 00:28:23,919
THERE'S A WHOLE BUNCH OF
FOOTPRINTS AROUND
THAT SIDE OF THE HOUSE.
558
00:28:23,963 --> 00:28:27,183
PARKER, OVER THERE, THERE'S
BEER CANS, CIGARETTE BUTTS.
559
00:28:27,227 --> 00:28:29,098
THEY LOOK PRETTY NEW, LIKE
THEY WAS FLUNG OUT YESTERDAY.
560
00:28:29,142 --> 00:28:31,753
WE GOTTA MATCH ALL THAT
EVIDENCE THAT WE CAN FIND.
561
00:28:31,797 --> 00:28:34,625
PERSONAL STUFF, HAIR FIBERS
FROM THE PEOPLE THAT
WE KNEW WERE HERE.
562
00:28:34,669 --> 00:28:35,931
YOU GOT YOUR CAMERA?YES, SIR.
563
00:28:35,975 --> 00:28:37,541
TAKE PICTURES
OF THOSE FOOTPRINTS.
564
00:28:37,585 --> 00:28:39,239
YOU WANT ME TO GO RIGHT AHEAD
AND MAKE SOME PLASTER CASTS?
565
00:28:39,282 --> 00:28:41,110
ASK VIRGIL ABOUT THAT FIRST.
566
00:28:41,154 --> 00:28:44,548
SWEET, YOU SEE THAT LITTLE
OLD ROAD COMING THROUGH
BRADFORD FOREST?
567
00:28:44,592 --> 00:28:46,420
CHECK THAT. BECAUSE
IF THE SHOOTER DIDN'T
GET IN THAT WAY,
568
00:28:46,463 --> 00:28:48,639
I DON'T KNOW HOW HE GOT IN.YOU GOT IT, CHIEF, SIR.
569
00:28:49,902 --> 00:28:51,904
LOOKS LIKE HE
WORE HIKING BOOTS.
570
00:28:51,947 --> 00:28:53,470
SEE THAT RIGGED SOLE?
571
00:28:53,514 --> 00:28:56,952
MUST BE A THOUSAND PAIRS
LIKE THAT IN SPARTA ALONE.
572
00:28:59,302 --> 00:29:01,174
LOOK THERE.
573
00:29:01,652 --> 00:29:03,785
THERE'S A NICK
IN THE CLEAT.
574
00:29:03,829 --> 00:29:05,569
THAT MIGHT
MAKE A MATCH.
575
00:29:07,528 --> 00:29:09,356
YEAH...
576
00:29:09,399 --> 00:29:11,140
GET ME
THE CASTING POWDER.
577
00:29:11,184 --> 00:29:13,055
O.K.
578
00:29:13,099 --> 00:29:14,709
JAMISON!
579
00:29:23,457 --> 00:29:25,981
AH, YEAH.
GOOD, THANKS.
580
00:29:27,591 --> 00:29:29,724
UH, GLOVE MAN,
581
00:29:29,768 --> 00:29:30,986
GO INSIDE
AND MAKE SURE
582
00:29:31,030 --> 00:29:32,858
THOSE FEDS
AREN'T SCREWING
THINGS UP.
583
00:29:32,901 --> 00:29:36,165
RIGHT.
584
00:29:36,209 --> 00:29:38,037
OH, GOOD.
PICTURES.
585
00:29:42,215 --> 00:29:43,912
YEAH, THERE WE GO.
586
00:29:46,654 --> 00:29:47,786
ALTHEA.
587
00:29:47,829 --> 00:29:49,091
OH. HI, MARGE.
588
00:29:49,135 --> 00:29:50,876
YOU'RE HERE AWFULLY
LATE, AREN'T YOU?
589
00:29:50,919 --> 00:29:54,270
THE GIRLS' JV BASKETBALL
TEAM WORKED OUT TODAY.
590
00:29:54,314 --> 00:29:57,708
THAT FINISHED
AN HOUR AGO.
591
00:29:57,752 --> 00:30:00,363
TRUTHFULLY,
I'M PUTTING OFF GOING HOME.
592
00:30:00,407 --> 00:30:01,800
REALLY?
593
00:30:01,843 --> 00:30:03,497
I HEAR TELL YOU
HAVE A HOUSE GUEST.
594
00:30:03,540 --> 00:30:05,412
MM-HMM.
595
00:30:05,455 --> 00:30:08,719
I KNOW JUST
HOW YOU FEEL.
596
00:30:08,763 --> 00:30:11,766
WHEN JOHN GETS VISITS
FROM HIS KOREAN WAR CRONIES,
597
00:30:11,810 --> 00:30:13,463
I USUALLY DEVELOP
AN EMERGENCY
598
00:30:13,507 --> 00:30:15,944
AT MY SISTER'S HOUSE
IN BILOXI.
599
00:30:15,988 --> 00:30:17,250
HONESTLY,
HAVE YOU EVER NOTICED
600
00:30:17,293 --> 00:30:18,947
THEY TELL
THE SAME STORIES
601
00:30:18,991 --> 00:30:21,689
OVER AND OVER
AND OVER AGAIN.
602
00:30:21,732 --> 00:30:23,473
I CAN REPEAT THEM
VERBATIM.
603
00:30:23,517 --> 00:30:25,606
THEY NEVER TIRE
OF TELLING THEM.
604
00:30:25,649 --> 00:30:27,913
GROWN MEN.
605
00:30:27,956 --> 00:30:31,003
ANYWAY, I HAD SOME
PAPERWORK TO DO.
606
00:30:31,046 --> 00:30:32,352
I DON'T WANT
TO HAVE TO GO HOME
607
00:30:32,395 --> 00:30:33,309
AND HAVE TO ENTERTAIN HIM,
608
00:30:33,353 --> 00:30:35,007
WITHOUT VIRGIL BEING THERE.
609
00:30:35,050 --> 00:30:36,878
OH, I KNOW.
610
00:30:36,922 --> 00:30:40,229
I'M SURE VIRGIL'S
FRIENDS WOULDN'T
BE LIKE THIS,
611
00:30:40,273 --> 00:30:42,841
BUT ONCE,
ONE OF JOHN'S PALS
612
00:30:42,884 --> 00:30:44,320
SNUCK OUTSIDE
MY BEDROOM WINDOW
613
00:30:44,364 --> 00:30:47,280
SO HE COULD
WATCH ME UNDRESSING.
614
00:30:47,323 --> 00:30:49,195
OF COURSE,
615
00:30:49,238 --> 00:30:52,111
THAT WAS
A LONG TIME AGO.
616
00:30:52,154 --> 00:30:54,374
NO, VIRGIL'S FRIEND
WOULDN'T DO THAT.
617
00:30:54,417 --> 00:30:56,985
DON'T WORK TOO HARD.THANKS, MARGE.
618
00:30:59,596 --> 00:31:01,381
THERE'S NOT MUCH DOUBT
WHAT WE HAVE HERE.
619
00:31:01,424 --> 00:31:03,035
HE'S A PRO.
NO PRINTS.
620
00:31:03,078 --> 00:31:05,559
NO USABLE FOOTCASTS.
621
00:31:05,602 --> 00:31:06,560
THE GUN
THE CHILDREN FOUND
622
00:31:06,603 --> 00:31:08,518
MATCHES BULLETS
ON THE SCENE.
623
00:31:08,562 --> 00:31:11,608
AN UNTRACEABLE .22.
624
00:31:11,652 --> 00:31:13,697
NO WAY TO LINK IT
TO ANYBODY.
625
00:31:14,481 --> 00:31:17,484
HE'S SLICKER THAN
DEER GUTS ON A DOORKNOB.
626
00:31:17,527 --> 00:31:20,791
PROBABLY A THOUSAND
MILES FROM HERE BY NOW.
627
00:31:21,314 --> 00:31:22,837
I'VE DONE ALL I CAN.
628
00:31:22,881 --> 00:31:24,273
CHIEF, I'VE ENJOYED IT.
629
00:31:24,317 --> 00:31:25,274
THANK YOU.
630
00:31:25,318 --> 00:31:27,494
THANK YOU.
631
00:31:28,712 --> 00:31:31,280
MATTHEW, I'M GOING
TO HANG AROUND HERE
FOR A WHILE.
632
00:31:31,324 --> 00:31:33,195
GO HOME.
633
00:31:33,239 --> 00:31:35,371
TELL ALTHEA
TO TAKE SOME STEAKS
OUT OF THE FREEZER.
634
00:31:35,415 --> 00:31:36,938
STEAKS?
635
00:31:36,982 --> 00:31:39,419
YOU STILL EATING
THAT DEAD RED MEAT?
636
00:31:40,333 --> 00:31:41,812
SEE YOU LATER.
637
00:31:41,856 --> 00:31:44,685
CHIEF, LOOK
AT THESE PICTURES?YEAH.
638
00:31:45,512 --> 00:31:48,080
WELL, JILLESPIE,
I GOT TO HAND IT TO YOU.
639
00:31:48,123 --> 00:31:50,212
THEM BOYS OF YOURS
WASN'T HALF BAD.
640
00:31:50,256 --> 00:31:51,387
NOT AT ALL.
641
00:31:51,431 --> 00:31:53,172
WELL, THANK YOU, McGRAW.
642
00:31:53,215 --> 00:31:55,957
I WANT TO SAY
I'M SORRY ABOUT EVERYTHING,
643
00:31:56,001 --> 00:31:58,742
ESPECIALLY ABOUT
YOU LOSING THOSE TWO MEN.
644
00:31:58,786 --> 00:32:00,527
I KNOW THAT'S ROUGH.
645
00:32:01,223 --> 00:32:03,965
YEAH. SOME'S
ROUGHER THAN OTHERS.
646
00:32:04,009 --> 00:32:07,926
HENRY...
ME AND HIM WORKED
ABOUT FIVE YEARS TOGETHER.
647
00:32:07,969 --> 00:32:10,145
HE WAS A GOOD ONE.
648
00:32:12,800 --> 00:32:15,237
I GUESS I NEED
A GOOD NIGHT'S SLEEP.
649
00:32:16,108 --> 00:32:18,066
YOU GET THAT
EVIDENCE TAGGED,
650
00:32:18,110 --> 00:32:19,981
WE'LL GET IT TO THE
WASHINGTON CRIME LAB.
651
00:32:20,025 --> 00:32:22,941
OUGHT TO BE READY
TOMORROW.
652
00:32:22,984 --> 00:32:25,160
GOOD NIGHT.GOOD NIGHT.
653
00:32:29,425 --> 00:32:32,298
WELL, VIRGIL...
654
00:32:33,603 --> 00:32:35,344
HOW DOES IT FEEL
TO BE NOWHERE?
655
00:33:00,369 --> 00:33:02,197
McGRAW.
656
00:33:07,768 --> 00:33:09,726
THIS IS FOR
MY BROTHER PAULIE.
657
00:33:10,727 --> 00:33:12,207
PAULIE?
658
00:33:58,819 --> 00:34:01,996
IT'S BEEN A LONG DAY.
I'M GETTING SOME SLEEP.
659
00:34:02,040 --> 00:34:04,564
I SUGGEST YOU
DO THE SAME.
660
00:34:04,607 --> 00:34:06,174
I WILL.
661
00:34:06,218 --> 00:34:08,002
I'M JUST TRYING
TO FIGURE OUT
662
00:34:08,046 --> 00:34:10,135
WHAT WENT WRONG
WITH THESE CASTS.
663
00:34:10,178 --> 00:34:11,875
WHAT DO YOU MEAN?
664
00:34:11,919 --> 00:34:13,964
ONE OF
THE FOOTPRINTS WE SAW
665
00:34:14,008 --> 00:34:17,838
HAD A DEFINITE WEAR MARK
ON ONE OF THE CLEATS.
666
00:34:17,881 --> 00:34:20,580
DOESN'T SHOW UP ON
THE PHOTOGRAPH OR THE CAST.
667
00:34:20,623 --> 00:34:22,843
MAYBE IT WAS
TOO FAINT TO COME OUT.
668
00:34:22,886 --> 00:34:24,975
NO, I WOULDN'T THINK SO.
669
00:34:25,019 --> 00:34:27,239
CHIEF, THERE'S BEEN
ANOTHER SHOOTING.
670
00:34:27,282 --> 00:34:28,936
OVER AT
THE RIVERVIEW MOTEL.
671
00:34:28,979 --> 00:34:31,243
IT'S
FEDERAL AGENT McGRAW.
672
00:34:32,026 --> 00:34:33,549
McGRAW?
673
00:34:36,726 --> 00:34:38,076
VIRGIL?
674
00:34:38,119 --> 00:34:41,731
[THREE TIMES A LADY PLAYS]
675
00:34:44,647 --> 00:34:46,301
HELLO, ALTHEA.
676
00:34:49,174 --> 00:34:51,045
DO YOU REMEMBER THIS?
677
00:34:53,439 --> 00:34:55,136
IT'S YOUR FAVORITE.
678
00:34:55,180 --> 00:34:56,746
USED TO BE.
679
00:34:57,443 --> 00:34:59,314
YOU HAVE
A GOOD MEMORY.
680
00:34:59,923 --> 00:35:01,969
MAY I POUR YOU
A GLASS?
681
00:35:02,012 --> 00:35:04,014
NO, THANK YOU.
682
00:35:04,058 --> 00:35:05,320
WHERE'S VIRGIL?
683
00:35:05,364 --> 00:35:07,148
STILL WORKING.
HE'LL BE HOME SOON.
684
00:35:07,192 --> 00:35:10,020
SAID TO TAKE
SOME STEAKS OUT.
685
00:35:10,064 --> 00:35:12,197
IS THIS SOME KIND
OF CELEBRATION
OR SOMETHING?
686
00:35:13,285 --> 00:35:15,765
YES, MY DARLING ALTHEA,
IT IS.
687
00:35:15,809 --> 00:35:18,594
IT'S A CELEBRATION
OF YOUR RETURNING
TO PHILADELPHIA
688
00:35:18,638 --> 00:35:20,683
AND VIRGIL BECOMING
MY NEW PARTNER.
689
00:35:20,988 --> 00:35:22,642
WHAT ARE YOU
TALKING ABOUT?
690
00:35:22,685 --> 00:35:24,644
VIRGIL WOULD
NEVER LEAVE SPARTA.
691
00:35:24,687 --> 00:35:26,515
BUT HE IS.
692
00:35:26,559 --> 00:35:28,517
HE'LL TELL YOU
ABOUT IT LATER.
693
00:35:29,431 --> 00:35:31,520
YOU'RE LYING.
694
00:35:34,741 --> 00:35:38,179
I THOUGHT
YOU'D BE ECSTATIC.
695
00:35:38,223 --> 00:35:39,789
DON'T YOU MISS
THE CITY?
696
00:35:41,748 --> 00:35:43,315
I THINK I'LL TAKE
THOSE STEAKS OUT.
697
00:35:43,358 --> 00:35:45,186
ALL DONE.
698
00:35:45,230 --> 00:35:47,319
ALL DONE.
699
00:35:50,713 --> 00:35:52,237
NOW...
700
00:35:54,195 --> 00:35:57,285
WOULD YOU
GRANT ME ONE WISH
701
00:35:57,329 --> 00:35:59,461
BEFORE I LEAVE
TOMORROW MORNING?
702
00:35:59,505 --> 00:36:00,897
WHAT'S THAT?
703
00:36:07,077 --> 00:36:09,341
ONE LAST DANCE.
704
00:36:09,384 --> 00:36:10,733
FOR OLD TIME'S SAKES.
705
00:36:10,777 --> 00:36:13,214
I DON'T THINK SO.YOU KNOW YOU WANT TO.
706
00:36:13,258 --> 00:36:14,955
MATTHEW, DON'T.
707
00:36:18,263 --> 00:36:22,049
YOU ARE GOING
TO DANCE...
708
00:36:22,092 --> 00:36:24,486
WITH ME.
709
00:36:24,530 --> 00:36:25,705
STOP...
710
00:36:25,748 --> 00:36:26,575
ARGUING.
711
00:36:26,619 --> 00:36:28,664
♪ TO TOUCH YOU
712
00:36:28,708 --> 00:36:31,276
♪ TO HOLD YOU
713
00:36:31,319 --> 00:36:33,452
♪ TO FEEL YOU
714
00:36:33,495 --> 00:36:35,889
♪ TO MISS YOU
715
00:36:35,932 --> 00:36:41,938
♪ THERE'S NOTHING
TO KEEP US APART ♪
716
00:36:49,642 --> 00:36:52,732
THAT'S
THE SAME FOOTPRINT
AT THE FARM.
717
00:36:52,775 --> 00:36:56,431
WHOEVER SHOT THOSE MEN,
SHOT McGRAW.
LOOK AT THE NICK.
718
00:36:57,606 --> 00:36:59,695
OUR KILLER'S
STILL IN TOWN.
719
00:37:00,043 --> 00:37:02,263
YEAH, BUT WHY McGRAW?
720
00:37:02,307 --> 00:37:03,786
THE KILLER GOT
WHAT HE WANTED
721
00:37:03,830 --> 00:37:05,048
WHEN HE SHOT
THE WITNESS.
722
00:37:05,092 --> 00:37:06,963
IT WASN'T LIKE
McGRAW WAS CLOSING IN.
723
00:37:07,007 --> 00:37:08,487
FAR FROM IT.
724
00:37:08,530 --> 00:37:11,185
WE WERE AT
A DEAD END.
725
00:37:11,229 --> 00:37:12,273
THAT MAKES ME THINK
726
00:37:12,317 --> 00:37:15,668
THE KILLER WASN'T
AFTER THE WITNESS.
727
00:37:15,711 --> 00:37:17,713
HE WAS ALWAYS
AFTER McGRAW?
728
00:37:17,757 --> 00:37:18,888
McGRAW WASN'T THERE.
729
00:37:18,932 --> 00:37:22,283
HE WENT OUT
FOR SANDWICHES FOR THE MEN.
730
00:37:22,327 --> 00:37:25,199
WHEN THE KILLER CAME IN,
HE MISSED McGRAW.
731
00:37:25,243 --> 00:37:27,375
ONCE INSIDE,
HE WAS COMMITTED.
732
00:37:27,419 --> 00:37:30,335
HE HAD TO KILL THEM
TO COVER HIMSELF.
733
00:37:30,378 --> 00:37:31,684
VIRGIL,
WHERE'S YOUR FRIEND?
734
00:37:31,727 --> 00:37:33,338
FROM PHILADELPHIA.
735
00:37:33,381 --> 00:37:35,035
WHY DO YOU ASK?
736
00:37:35,078 --> 00:37:36,819
THIS MAY NOT
MEAN NOTHING,
737
00:37:36,863 --> 00:37:40,997
BUT THOSE FINGERPRINT
PHOTOS FROM THE FARMHOUSE...
738
00:37:41,041 --> 00:37:42,129
YES.
739
00:37:42,172 --> 00:37:44,523
SMUDGES WERE MADE
BY RUBBER GLOVES.
740
00:37:44,566 --> 00:37:48,135
THE PRINTS
FROM MR. BAILEY'S
STOLEN CAR...SAME SMUDGES.
741
00:37:48,178 --> 00:37:49,658
WHAT ARE YOU SAYING?
742
00:37:49,702 --> 00:37:52,879
SOMEBODY KNEW HOW
TO POP THAT IGNITION.
743
00:37:52,922 --> 00:37:56,274
AND VIRGIL, BAILEY'S HOUSE
IS ABOUT A BLOCK FROM YOURS.
744
00:37:56,317 --> 00:38:00,582
YOU SUPPOSE MATTHEW
RUBBED OUT THAT CLEAT MARK,
745
00:38:00,626 --> 00:38:03,803
THE ONE THAT
DIDN'T SHOW IN THE CAST,
746
00:38:03,846 --> 00:38:06,893
OR IS MY IMAGINATION
RUNNING AWAY FROM ME?
747
00:38:06,936 --> 00:38:08,024
MATTHEW?
748
00:38:08,068 --> 00:38:09,417
WHERE IS HE?
749
00:38:10,070 --> 00:38:15,336
♪ THREE TIMES A LADY
750
00:38:15,380 --> 00:38:16,772
♪ I LOVE--
751
00:38:16,816 --> 00:38:19,471
[TELEPHONE RINGS]
752
00:38:19,514 --> 00:38:20,994
I'M GOING
TO ANSWER THE PHONE.
753
00:38:25,433 --> 00:38:26,565
HELLO.
754
00:38:26,608 --> 00:38:29,916
THEA, IT'S ME.
755
00:38:29,959 --> 00:38:32,614
I WANT YOU TO ACT
VERY NATURAL.
756
00:38:32,658 --> 00:38:33,615
DO YOU UNDERSTAND?
757
00:38:33,659 --> 00:38:35,748
HI, VIRGIL.
758
00:38:35,791 --> 00:38:37,184
WHAT TIME
YOU COMING HOME?
759
00:38:37,227 --> 00:38:39,360
IF MATTHEW IS THERE,
DON'T SAY HIS NAME.
760
00:38:39,404 --> 00:38:41,971
JUST TELL ME
WHAT WE'RE HAVING
FOR DINNER.
761
00:38:42,015 --> 00:38:44,191
THE STEAKS ARE
THAWING NOW, HONEY.
762
00:38:44,234 --> 00:38:48,021
I THOUGHT YOU SAID
YOU WANTED STEAKS.
763
00:38:48,064 --> 00:38:50,893
WHEN WE HANG UP,
764
00:38:50,937 --> 00:38:55,550
TELL MATTHEW THAT
YOU HAVE TO GO
TO THE STORE
765
00:38:55,594 --> 00:38:57,770
FOR A SPECIAL
BOTTLE OF WINE
FOR DINNER.
766
00:38:57,813 --> 00:38:59,380
BE VERY CASUAL.
767
00:38:59,424 --> 00:39:02,905
I WANT YOU TO GET
OUT OF THAT HOUSE
IMMEDIATELY.
768
00:39:02,949 --> 00:39:05,168
GO DIRECTLY
TO THE STATION.
UNDERSTAND?
769
00:39:05,212 --> 00:39:08,781
OH! YOU WANT
THAT FRENCH WINE?
770
00:39:08,824 --> 00:39:12,611
VIRGIL, HAVEN'T I CONVINCED
YOU THAT CALIFORNIA WINES
ARE BETTER?
771
00:39:12,654 --> 00:39:14,874
GOOD, BABE.
772
00:39:14,917 --> 00:39:17,180
GET OUT
OF THE HOUSE.
773
00:39:17,224 --> 00:39:19,313
GO TO THE STATION.
IS THAT CLEAR?
774
00:39:19,357 --> 00:39:21,663
O.K., VIRGIL.
I'LL SEE YOU LATER.
775
00:39:21,707 --> 00:39:24,840
UH-HUH.
776
00:39:25,145 --> 00:39:26,668
WELL...
777
00:39:26,712 --> 00:39:27,887
THERE'S ONLY
ONE PLACE IN SPARTA
778
00:39:27,930 --> 00:39:29,758
WHERE YOU CAN GET
FRENCH WINE, BUT--
779
00:39:31,412 --> 00:39:35,329
HE KNOWS,
DOESN'T HE?
780
00:39:35,373 --> 00:39:37,244
KNOWS WHAT?
781
00:39:37,287 --> 00:39:40,116
THAT I'VE KILLED
FOUR MEN
SINCE I'VE BEEN HERE.
782
00:39:40,160 --> 00:39:41,030
OH, GOD.
783
00:39:41,074 --> 00:39:42,118
ALL BUT ONE
WERE INNOCENT.
784
00:39:42,162 --> 00:39:45,861
I FEEL BAD
ABOUT THAT, BUT...
785
00:39:45,905 --> 00:39:49,604
THERE WAS NO WAY
I COULD'VE
FOUGHT IT, BABY.
786
00:39:49,648 --> 00:39:52,390
MATTHEW,
WHAT ARE YOU SAYING?
787
00:40:07,492 --> 00:40:09,450
THANK YOU.
788
00:40:09,494 --> 00:40:12,975
I'LL KEEP
THAT MEMORY.
789
00:40:14,455 --> 00:40:15,978
GET OUT OF HERE,
ALTHEA, QUICKLY.
790
00:40:16,022 --> 00:40:18,241
I DON'T WANT
YOU HURT.
791
00:40:23,290 --> 00:40:25,510
I LOVE YOU.
792
00:40:27,033 --> 00:40:27,990
DON'T EVER FORGET THAT.
793
00:40:30,253 --> 00:40:31,646
OH, MATTHEW.
794
00:40:32,560 --> 00:40:36,346
FOR GOD'S SAKE, GET OUT
BEFORE I CAN'T STAND IT
795
00:40:36,390 --> 00:40:38,479
AND KEEP YOU HERE
WITH ME.
796
00:40:38,523 --> 00:40:40,568
UNDERSTAND? GO, GO.
797
00:40:43,919 --> 00:40:46,661
[DOOR OPENING
AND CLOSING]
798
00:41:11,077 --> 00:41:13,906
WATCH IT, MAN.
WATCH IT!
799
00:41:13,949 --> 00:41:15,690
I GOT HIM!
800
00:41:15,734 --> 00:41:16,648
[SIREN]
801
00:41:16,691 --> 00:41:17,605
DAMN!
LOOK OUT!
802
00:41:17,649 --> 00:41:19,651
GLOVE MAN!
I GOT HIM!
803
00:41:19,694 --> 00:41:20,695
SON OF A BITCH!
804
00:41:20,739 --> 00:41:22,088
I GOT HIM!
I GOT HIM!
805
00:41:22,131 --> 00:41:24,699
GET HIM!
806
00:41:26,222 --> 00:41:27,963
[INDISTINCT]
807
00:41:28,007 --> 00:41:30,836
[GUNSHOT]
808
00:41:34,796 --> 00:41:40,062
[VOICES HOLLERING]
809
00:41:40,106 --> 00:41:43,718
[GUNSHOTS]
810
00:41:46,678 --> 00:41:47,548
[SIRENS]
811
00:41:47,592 --> 00:41:48,984
[GUNSHOT]
812
00:41:49,028 --> 00:41:51,334
GLOVE MAN!
813
00:41:51,378 --> 00:41:54,468
HAMMER HEAD!
814
00:42:03,259 --> 00:42:04,347
MATTHEW?
815
00:42:10,223 --> 00:42:11,485
HEY, MAN.
816
00:42:14,532 --> 00:42:15,489
ALTHEA HERE?
817
00:42:18,492 --> 00:42:19,537
I SENT HER OUT.
818
00:42:27,632 --> 00:42:29,721
IT'S ALL OVER,
ISN'T IT?
819
00:42:31,984 --> 00:42:35,596
"FOR GOD'S SAKE,
LET US SIT UPON THE GROUND
820
00:42:35,640 --> 00:42:37,990
"AND TELL SAD STORIES
821
00:42:38,033 --> 00:42:40,470
OF THE DEATHS OF KINGS."
822
00:42:45,432 --> 00:42:47,303
WHY DID YOU
DO IT, MATT?
823
00:42:49,915 --> 00:42:51,786
McGRAW KILLED PAULIE.
824
00:42:51,830 --> 00:42:53,701
HE WAS DIRTY, VIRGIL.
825
00:42:53,745 --> 00:42:55,616
HE SET PAULIE UP
AND BLEW HIM AWAY
826
00:42:55,660 --> 00:42:58,184
BECAUSE PAULIE WAS ABOUT
TO BLOW THE WHISTLE
ON HIS WHOLE OPERATION.
827
00:42:58,227 --> 00:42:59,968
WHAT WAS HE INTO?DOPE MONEY.
828
00:43:00,012 --> 00:43:02,188
RIPPING OFF DEALERS.
829
00:43:02,231 --> 00:43:05,321
NICE WORK,
IF YOU CAN GET IT, HUH?
830
00:43:06,758 --> 00:43:08,716
YOU FOLLOWED McGRAW
WAY DOWN HERE?
831
00:43:08,760 --> 00:43:11,763
OH, MAN. I FOLLOWED HIM
FOR SIX MONTHS
TO HELL AND BACK.
832
00:43:11,806 --> 00:43:13,329
HE NEVER EVEN KNEW IT.
833
00:43:13,373 --> 00:43:16,158
I JUST SAT BACK
AND WATCHED HIM OPERATE,
834
00:43:16,202 --> 00:43:20,728
BUT THIS TIME,
THE WHOLE DEAL
SET UP RIGHT.
835
00:43:20,772 --> 00:43:23,165
I FIGURED THAT
EVERYONE WOULD THINK
836
00:43:23,209 --> 00:43:28,170
IT WAS A HIT
ON THE WITNESS.
837
00:43:28,214 --> 00:43:29,607
I GOT THAT PART RIGHT.
838
00:43:30,999 --> 00:43:31,957
NOW WHAT?
839
00:43:34,960 --> 00:43:37,179
I GUESS THAT
DEPENDS ON YOU, MAN.
840
00:43:38,528 --> 00:43:40,879
THERE'S NOTHING I CAN
DO FOR YOU NOW, MATT.
841
00:43:41,531 --> 00:43:44,056
I SAVED YOUR LIFE,
BUDDY.
842
00:43:44,665 --> 00:43:47,842
I CAN'T SAVE YOURS.
IT'S GONE TOO FAR.
843
00:43:50,453 --> 00:43:53,500
SO NOW YOU'RE GOING
TO SPIT ON ME AGAIN.
844
00:43:53,543 --> 00:43:57,069
I NEVER UNDERSTOOD US.
STILL DON'T.
845
00:43:57,112 --> 00:44:00,246
I'M SMARTER THAN YOU,
I'M BETTER, FASTER,
846
00:44:00,289 --> 00:44:03,205
AND YOU STILL
GOT EVERYTHING.
847
00:44:03,249 --> 00:44:07,688
YOU GOT THE PROMOTIONS.
YOU GOT THE COMMENDATIONS.
YOU GOT THE PRESS.
848
00:44:07,732 --> 00:44:08,907
AND I GOT ALTHEA.
849
00:44:11,561 --> 00:44:13,433
I'M GOING TO KILL YOU.
850
00:44:15,174 --> 00:44:17,959
I GOT NOTHING
TO LOSE NOW.
I GOT McGRAW.
851
00:44:18,003 --> 00:44:21,833
THAT'S WHAT I WANTED.
NO REASON WHY I SHOULDN'T
TAKE YOU OUT, TOO.
852
00:44:21,876 --> 00:44:23,356
DO YOU REALLY
HATE ME THAT MUCH?YES.
853
00:44:23,399 --> 00:44:27,795
I'D LIKE TO SEE YOU
ROAST IN HELL.
854
00:44:30,885 --> 00:44:35,368
SHE WAS THE ONLY THING
IN MY LIFE, MAN.
855
00:44:35,411 --> 00:44:40,025
THAT REALLY MATTERED TO ME,
AND YOU TOOK HER AWAY.
856
00:44:46,466 --> 00:44:49,034
YOU GOT IT
BACKWARDS, MAN.
857
00:44:49,077 --> 00:44:50,426
YES, YOU DO.
858
00:44:50,470 --> 00:44:52,994
IF YOU WANTED
TO HURT ME,
859
00:44:53,038 --> 00:44:54,996
YOU SHOULD'VE
KILLED ALTHEA.
860
00:44:57,477 --> 00:45:00,045
BECAUSE EVERY DAY
OF MY LIFE
861
00:45:00,088 --> 00:45:02,525
WOULD BE SHEER HELL.
862
00:45:05,441 --> 00:45:07,705
I LOVED YOU, MAN.
863
00:45:18,454 --> 00:45:19,586
WHO'S OUT THERE?
864
00:45:19,629 --> 00:45:21,719
OH, AN ARMY.
865
00:45:23,764 --> 00:45:24,591
[CLICK]
866
00:45:24,634 --> 00:45:26,767
MATTHEW...
867
00:45:26,811 --> 00:45:28,508
DON'T DO IT.
868
00:45:35,994 --> 00:45:37,952
MATTHEW.
869
00:45:43,044 --> 00:45:47,222
SO LONG, GLOVE MAN.
870
00:45:47,266 --> 00:45:49,442
I LOVED YOU, TOO.
871
00:45:51,836 --> 00:45:54,534
MATTHEW, MAN...
872
00:45:56,623 --> 00:45:58,538
MATTHEW, DON'T DO IT.
873
00:45:59,800 --> 00:46:00,975
MATTHEW!
874
00:46:01,019 --> 00:46:02,934
STOP RIGHT THERE!
875
00:46:02,977 --> 00:46:04,718
THROW DOWN THAT GUN!
876
00:46:04,762 --> 00:46:05,806
PUT YOUR HANDS
IN THE AIR!
877
00:46:05,850 --> 00:46:08,853
PUT THAT GUN DOWN!
878
00:46:08,896 --> 00:46:13,814
[GUNSHOTS]
879
00:46:13,858 --> 00:46:16,338
[THUMP]
880
00:46:16,382 --> 00:46:17,557
WHOA.
881
00:46:19,951 --> 00:46:22,692
HAMMER HEAD.
882
00:46:47,892 --> 00:46:48,893
OHH.
59458
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