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00:00:01,160 --> 00:00:02,790
♪ OOH... ♪
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00:00:10,160 --> 00:00:12,120
STADIUM ANNOUNCER: IT'S DEEP
IN THE FOURTH QUARTER,
3
00:00:12,120 --> 00:00:15,500
FIRST GAME OF THE SEASON,
AND SOUTH CRENSHAW AND SLAUSON
4
00:00:15,500 --> 00:00:16,250
ARE TIED.
5
00:00:16,250 --> 00:00:20,000
THIRD DOWN AND 10
ON THE CRENSHAW 40-YARD LINE.
6
00:00:20,910 --> 00:00:25,080
UNBELIEVABLE CATCH
BY SPENCER JAMES!
7
00:00:38,000 --> 00:00:39,380
20 BUCKS HE CALLS
THAT NINER.
8
00:00:39,380 --> 00:00:41,960
HEY, Y'ALL,
LET'S GET THIS DUB,
BABY, LET'S GET THIS DUB.
9
00:00:41,960 --> 00:00:43,590
GUN RIGHT, TRIPS NINER,
ON 1, ON 1.
10
00:00:43,590 --> 00:00:47,050
MAN, THEIR SAFETIES
HAVE BEEN SITTING
ON THAT ALL NIGHT, BRO.
11
00:00:47,050 --> 00:00:48,550
COACH CALLED IT, SPENCER.
12
00:00:48,550 --> 00:00:49,340
AND COACH IS WRONG.
13
00:00:49,340 --> 00:00:51,920
A'IGHT, LOOK, THEM BOYS
ABOUT TO BLITZ.
14
00:00:51,920 --> 00:00:53,920
LOOK TO ME, A'IGHT?
IF I GIVE THE SIGNAL,
15
00:00:53,920 --> 00:00:55,920
JUST GIVE ME
THE BALL, FAST.
16
00:00:55,920 --> 00:00:57,000
YOU DON'T SCORE,
WE DEAD.
17
00:00:57,000 --> 00:00:59,750
MAN, I'LL SEE YOU BOYS
IN THE END ZONE.
18
00:00:59,750 --> 00:01:00,550
ALL: BREAK!
19
00:01:00,550 --> 00:01:03,130
ANNOUNCER: WITH THE BALL ON THE
45 AND OUT OF FIELD-GOAL RANGE,
20
00:01:03,130 --> 00:01:05,130
THE CHARGERS HAVE
TO SCORE ON THIS DRIVE.
21
00:01:05,130 --> 00:01:07,670
QUARTERBACK: HEY, YO,
56 IS MIKE! 56 IS MIKE!
22
00:01:07,670 --> 00:01:13,380
WATCH THAT MAN OFF THE EDGE!
COVER 2, JUST DIG, DIG, COVER 2!
23
00:01:20,630 --> 00:01:24,880
YO, KILL, KILL, KILL!
CHECK RAZOR! CHECK RAZOR!
24
00:01:24,880 --> 00:01:26,880
CHECK RAZOR! KILL IT!
CHECK RAZOR!
25
00:01:26,880 --> 00:01:31,550
ANNOUNCER: LOOKS LIKE
THEY'RE CHANGING THE PLAY
AT THE LINE OF SCRIMMAGE.
26
00:01:32,420 --> 00:01:34,670
QUARTERBACK: CHECK!
27
00:01:34,670 --> 00:01:35,250
HIKE! HIKE!
28
00:01:35,250 --> 00:01:38,920
MAN: ♪ DAMN, I'M THE MAN
WITH THE ... IN HIS HAND ♪
29
00:01:38,920 --> 00:01:42,250
ANNOUNCER: HE ROLLS BACK.
IT'S A DEEP PASS.
30
00:01:42,250 --> 00:01:45,550
MAN: ♪ AND DAMN, I'M THE MAN
WITH THE ... IN HIS HAND ♪
31
00:01:45,550 --> 00:01:47,630
CAUGHT BY SPENCER JAMES!
32
00:01:47,630 --> 00:01:50,630
HE'S AT THE 10, THE 5!
33
00:01:50,630 --> 00:01:52,840
TOUCHDOWN!
34
00:01:52,840 --> 00:01:54,590
CHARGERS WIN!
35
00:02:26,250 --> 00:02:29,050
MAN: SPENCER JAMES?
36
00:02:29,050 --> 00:02:32,090
MY BAD. DIDN'T MEAN
TO, UH, STARTLE YOU.
37
00:02:32,090 --> 00:02:34,630
GEEZ. IT'S, LIKE,
ONE MINUTE
38
00:02:34,630 --> 00:02:37,250
YOU'RE SCORING,
THEN THE NEXT...
39
00:02:37,250 --> 00:02:39,840
ANOTHER DAY IN
THE NEIGHBORHOOD.
40
00:02:39,840 --> 00:02:41,500
YEAH.
41
00:02:41,500 --> 00:02:42,840
BILLY BAKER,
42
00:02:42,840 --> 00:02:44,630
VARSITY COACH,
BEVERLY HIGH.
43
00:02:44,630 --> 00:02:46,250
BEVERLY HILLS, HUH?
YES, SIR.
44
00:02:46,250 --> 00:02:48,500
I'LL CUT TO THE CHASE, SPENCER.
I'VE HAD MY EYE ON YOU.
45
00:02:48,500 --> 00:02:52,300
YOU GOT STRONG HANDS,
YOU MATCH UP WELL
AGAINST SINGLE COVERAGE.
46
00:02:52,300 --> 00:02:57,840
SAW THAT FILM ON YOU WITH
THE 4 TOUCHDOWNS AGAINST
FAIRFAX LAST SEASON, YEAH.
47
00:02:57,840 --> 00:03:00,050
YEAH, I NEED YOU
TO COME PLAY FOR ME.
48
00:03:00,050 --> 00:03:02,800
PLAY FOR YOU?
PLAY FOR ME.
49
00:03:02,800 --> 00:03:04,340
BUT YOU CAN'T RECRUIT.
50
00:03:04,340 --> 00:03:07,420
I MEAN, I'M SORRY.
THOSE ARE THE RULES.
SEASON'S STARTED.
51
00:03:07,420 --> 00:03:09,710
I SWITCH TEAMS, I'M
BENCHED 3 MONTHS.
NO.
52
00:03:09,710 --> 00:03:11,250
NOT WITH ME.
I CAN GET AROUND THAT.
53
00:03:11,250 --> 00:03:14,500
NOW, I'M ASSUMING YOU WANT
TO PLAY PRO EVENTUALLY.
54
00:03:14,500 --> 00:03:15,800
AM I RIGHT?
YES, SIR.
55
00:03:15,800 --> 00:03:17,170
YEAH, WELL, I CAN
HELP OUT WITH THAT.
56
00:03:17,170 --> 00:03:19,710
YOU KNOW, SOUTH CRENSHAW,
YOU GOT A STRONG TEAM,
57
00:03:19,710 --> 00:03:22,710
AND BEVERLY HILLS, WE'VE HAD
A COUPLE OF ROUGH SEASONS,
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00:03:22,710 --> 00:03:24,170
BUT I'M GONNA TURN THAT
AROUND THIS YEAR.
59
00:03:24,170 --> 00:03:27,050
PLUS, WE CAN
OFFER YOU SOMETHING
THAT CRENSHAW CAN'T.
60
00:03:27,050 --> 00:03:28,050
IS THAT RIGHT?
61
00:03:28,050 --> 00:03:30,420
A BETTER EDUCATION
AT A SAFER SCHOOL.
62
00:03:30,420 --> 00:03:31,920
I CAN GET YOU
A WAY OUT, MAN.
63
00:03:31,920 --> 00:03:33,460
LOOK, I PLAYED
IN THE NFL, ALL RIGHT,
64
00:03:33,460 --> 00:03:35,550
FOR A COUPLE YEARS
TILL I BUSTED MY KNEE,
65
00:03:35,550 --> 00:03:37,630
BUT I STILL HAVE ALL
THOSE CONTACTS.
66
00:03:37,630 --> 00:03:40,250
I CAN MAKE ALL YOUR
NFL DREAMS A REALITY.
67
00:03:40,250 --> 00:03:41,840
BUT TAKE IT FROM ME,
MAN, FROM EXPERIENCE,
68
00:03:41,840 --> 00:03:46,380
EVERY PLAYER OUT THERE IS
JUST ONE INJURY AWAY FROM
NEEDING A BACK-UP PLAN.
69
00:03:46,380 --> 00:03:51,130
LOOK, I APPRECIATE
THE OFFER, COACH,
BUT, UH...
70
00:03:51,380 --> 00:03:53,420
I DON'T NEED
A BACK-UP.
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00:03:53,420 --> 00:03:56,250
THIS IS WHERE
I BELONG.
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00:03:56,250 --> 00:03:56,880
ALL RIGHT.
73
00:03:56,880 --> 00:03:58,800
YOU HAVE A GOOD NIGHT.
YES, SIR. BE SAFE.
74
00:03:58,800 --> 00:04:00,840
YO, SPENCE.
HEY, WHAT'S UP?
75
00:04:01,590 --> 00:04:04,210
NIPSEY HUSSLE: ♪ ALL MY LIFE,
BEEN GRINDING ALL MY LIFE ♪
76
00:04:04,210 --> 00:04:07,050
♪ STACKED FIGHTS,
HUSTLE PAY THE PRICE ♪
77
00:04:07,050 --> 00:04:09,670
♪ WANT A SLICE?
GOT TO ROLL THE DICE ♪
78
00:04:09,670 --> 00:04:11,000
♪ THAT'S WHY,
ALL MY LIFE ♪
79
00:04:11,000 --> 00:04:13,380
♪ I'VE BEEN GRINDING
ALL MY LIFE ♪
80
00:04:13,380 --> 00:04:15,590
♪ YEAH ♪
81
00:04:37,840 --> 00:04:39,630
AND SHE'S LIKE THIS
BAD-ASS SPACE BOUNTY HUNTER,
82
00:04:39,630 --> 00:04:41,210
BUT SHE'S ALSO LIKE
A SPIDER PERSON,
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00:04:41,210 --> 00:04:43,590
SO SHE HAS 8 LEGS
AND A WHOLE BUNCH OF EYES
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00:04:43,590 --> 00:04:44,550
AND SHE'S TOTALLY HOT.
85
00:04:44,550 --> 00:04:46,090
WAIT, WHAT ARE WE
TALKING ABOUT?
86
00:04:46,090 --> 00:04:48,170
"SAGA," MOM.
ARE YOU EVEN LISTENING?
87
00:04:48,170 --> 00:04:50,170
THERE'S ONLY TWO KIND
OF PEOPLE IN THIS WORLD--
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00:04:50,170 --> 00:04:52,550
PEOPLE WHO READ "SAGA"
AND PEOPLE WHO DON'T.
89
00:04:52,550 --> 00:04:53,880
YOU DON'T WANT TO BE
THE LATTER.
90
00:04:53,880 --> 00:04:56,250
MOM: I'LL KEEP THAT
IN MIND, DILLON.
91
00:04:56,250 --> 00:04:59,170
WELL, LOOK WHO
DECIDED TO GET UP.
92
00:04:59,170 --> 00:05:01,920
I'M DEFINITELY UP NOW.
NO HOT WATER AGAIN?
93
00:05:01,920 --> 00:05:04,170
JUST BEHIND ON THE
GAS BILL, THAT'S ALL.
94
00:05:04,170 --> 00:05:06,380
IT'S FINE.
I GET PAID THIS WEEK.
95
00:05:06,380 --> 00:05:08,250
BESIDES, A COLD...
96
00:05:08,250 --> 00:05:10,050
BOYS: A COLD SHOWER
NOW AND THEN
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00:05:10,050 --> 00:05:12,000
IS GOOD FOR THE SOUL.
98
00:05:12,000 --> 00:05:15,460
HEH. SMART ASSES.
99
00:05:19,630 --> 00:05:21,710
GIRL:
BEVERLY HILLS, THOUGH?
100
00:05:21,710 --> 00:05:22,340
CRAZY, HUH?
101
00:05:22,340 --> 00:05:23,840
YEAH, MAN.
YOU TOLD YOUR MOM?
102
00:05:23,840 --> 00:05:25,170
NAH. YOU KNOW
HOW SHE GETS.
103
00:05:25,170 --> 00:05:27,170
I'M TELLING YOU,
THAT WOMAN DON'T
PLAY, MAN.
104
00:05:27,170 --> 00:05:28,590
IF GRACE FINDS OUT
YOU GOT A SHOT LIKE THIS,
105
00:05:28,590 --> 00:05:31,550
YOU'D BE EATING MAYONNAISE
SANDWICHES BY THE END
OF THE NIGHT.
106
00:05:31,550 --> 00:05:34,670
MAN, WHAT IS IT
WITH WHITE PEOPLE
AND MAYONNAISE?
107
00:05:34,670 --> 00:05:37,300
I DON'T KNOW.
108
00:05:37,300 --> 00:05:41,920
DAMN, SHASSY,
THAT BOOTY LOOKING JUICY.
109
00:05:43,380 --> 00:05:43,840
WHAT?
110
00:05:43,840 --> 00:05:45,300
COOP, THOSE GIRLS
ROLL WITH SHAWN.
111
00:05:45,300 --> 00:05:46,590
YOU REALLY WANT TO
PLAY LIKE THAT?
112
00:05:46,590 --> 00:05:48,500
LISTEN, THAT WEAK-ASS,
WANNABE GANGBANGER
113
00:05:48,500 --> 00:05:49,300
CAN'T TOUCH ME.
114
00:05:49,300 --> 00:05:52,380
PLUS, I GOT YOU
FOR BACK-UP ANYWAY.
115
00:05:52,380 --> 00:05:53,460
DON'T TOUCH ME LIKE THAT.
116
00:05:53,460 --> 00:05:55,750
WHY
WHAT
117
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♪ 6 CHAINS ON THIS
CHEST OF MINE ♪
118
00:05:58,500 --> 00:06:00,340
♪ 6 CHICKS ON MY CHESTERFIELD ♪
119
00:06:00,340 --> 00:06:02,090
♪ DROP TEXT SAY
SHE LOVES THE BOY ♪
120
00:06:02,090 --> 00:06:04,050
♪ GUESS I GOT THAT
SEX APPEAL ♪
121
00:06:04,050 --> 00:06:05,630
♪ VOLUME, BILLION DECIBELS ♪
122
00:06:05,630 --> 00:06:06,960
♪ HEAR ME COMING
TWO BLOCKS AWAY ♪
123
00:06:06,960 --> 00:06:08,920
♪ I BE THUGGIN' TILL
THE DAY I DIE ♪
124
00:06:08,920 --> 00:06:10,840
♪ MY CURRENT MOOD'S
2PAC TODAY ♪
125
00:06:10,840 --> 00:06:12,550
HOW YOU TALKING
TO MY GIRL, COOP?
126
00:06:12,550 --> 00:06:14,920
THAT'S NOT YOUR
GIRL, SHAWN.
IT IS MY GIRL.
127
00:06:14,920 --> 00:06:16,170
SHE ONLY YOURS
WHEN YOU WITH HER.
128
00:06:16,170 --> 00:06:17,800
SHE MINE RIGHT NOW.
WHAT YOU WANT TO DO, MAN?
129
00:06:17,800 --> 00:06:19,340
I'LL SHOW YOU RIGHT NOW
WHAT I'M ABOUT TO DO.
130
00:06:19,340 --> 00:06:20,500
WELL, SHOW IT.
WHAT'S UP?
131
00:06:20,500 --> 00:06:21,880
SPENCER: HEY. HEY!
COOP: WHAT'S UP?
132
00:06:21,880 --> 00:06:22,880
SHAWN: WHAT'S UP?
HEY!
133
00:06:22,880 --> 00:06:26,340
WHAT'S UP? YOU BEAT UP
ON FEMALES NOW, SHAWN?
134
00:06:26,340 --> 00:06:29,630
FEMALE, MY ASS.
SHE-MAN, MORE LIKE IT.
135
00:06:30,550 --> 00:06:32,960
WHAT'S UP, HOMIE?
136
00:06:46,840 --> 00:06:48,550
I CAN EXPLAIN.
137
00:06:48,550 --> 00:06:49,380
YOU DON'T HAVE TO.
138
00:06:49,380 --> 00:06:53,210
COACH BAKER ALREADY
EXPLAINED EVERYTHING.
139
00:06:53,210 --> 00:06:54,170
HOW YOU DOING, SPENCER?
140
00:06:54,170 --> 00:06:55,670
HOW COULD YOU NOT
TELL ME, SPENCER?
141
00:06:55,670 --> 00:06:58,500
MOM.
DON'T "MOM" ME
RIGHT NOW.
142
00:06:58,500 --> 00:07:00,250
SO THAT'S HOW IT IS?
143
00:07:00,250 --> 00:07:02,050
I SAY NO, YOU JUST
GO AROUND ME?
144
00:07:02,050 --> 00:07:03,300
SPENCER, I JUST
WANTED TO HELP.
145
00:07:03,300 --> 00:07:05,380
I DON'T NEED HELP, MAN.
I'M HAPPY WHERE I'M AT.
146
00:07:05,380 --> 00:07:06,750
GRACE: HAPPY?
IS THAT RIGHT?
147
00:07:06,750 --> 00:07:08,380
YOU THINK I DIDN'T HEAR
ABOUT THAT SHOOTING
148
00:07:08,380 --> 00:07:10,210
OVER AT CRENSHAW
THE OTHER NIGHT?
149
00:07:10,210 --> 00:07:12,130
THAT I DIDN'T GET A CALL
ABOUT YOUR LITTLE FIGHT?
150
00:07:12,130 --> 00:07:15,630
YOU'VE BEEN IN AND OUT
OF TROUBLE AT THAT
SCHOOL FOR YEARS.
151
00:07:15,630 --> 00:07:17,590
I'M A CLERK DOWN AT
THE COURTHOUSE.
152
00:07:17,590 --> 00:07:20,590
I SEE THIS TYPE OF STUFF
ALL THE TIME.
153
00:07:20,590 --> 00:07:22,840
GOOD KIDS GONE BAD,
154
00:07:22,840 --> 00:07:24,000
GETTING CAUGHT UP
WITH GANGS.
155
00:07:24,000 --> 00:07:26,880
DID YOU KNOW THERE ARE
OVER 450 ACTIVE GANGS
156
00:07:26,880 --> 00:07:28,500
IN THE L.A. AREA?
157
00:07:28,500 --> 00:07:29,210
NOT HELPING.
158
00:07:29,210 --> 00:07:32,300
LOOK, SPENCER,
I WENT TO CRENSHAW,
159
00:07:32,300 --> 00:07:33,960
BUT SOMEBODY GAVE ME
A CHANCE.
160
00:07:33,960 --> 00:07:36,000
SOMEBODY HELPED ME
FIND A WAY OUT.
161
00:07:36,000 --> 00:07:38,170
PLEASE LET ME
FIND YOU ONE.
162
00:07:38,170 --> 00:07:41,550
I MEAN, HELL, MY OWN
KIDS GO TO BEVERLY.
163
00:07:41,550 --> 00:07:44,090
SO MAYBE YOUR FATHER--
164
00:07:44,090 --> 00:07:48,050
I DON'T HAVE A FATHER,
NOT ANYMORE.
165
00:07:48,050 --> 00:07:51,250
GRACE: COREY LEFT
A FEW YEARS BACK.
166
00:07:51,250 --> 00:07:53,590
HE WENT TO COACH
COLLEGE BALL IN NEVADA.
167
00:07:53,590 --> 00:07:57,670
WE HAVEN'T SEEN HIM SINCE.
168
00:07:57,670 --> 00:07:59,750
BILLY: OH, WELL,
I'M SORRY TO HEAR THAT.
169
00:07:59,750 --> 00:08:02,000
THAT'S, UH,
THAT'S A SHAME.
170
00:08:02,000 --> 00:08:04,750
YOU'RE BREEZING BY
AT CRENSHAW,
171
00:08:04,750 --> 00:08:07,710
BARELY CRACKING OPEN A BOOK.
172
00:08:07,710 --> 00:08:09,050
YOU'RE SMART, SPENCER,
173
00:08:09,050 --> 00:08:11,550
AND YOU COULD MAKE
SOMETHING OF YOUR LIFE
174
00:08:11,550 --> 00:08:12,550
BEYOND JUST FOOTBALL.
175
00:08:12,550 --> 00:08:13,590
FOOTBALL IS MY DREAM.
176
00:08:13,590 --> 00:08:15,300
YOU MAY NOT BELIEVE
IN THAT DREAM, BUT I DO.
177
00:08:15,300 --> 00:08:21,130
YOU DON'T THINK I KNOW
WHY YOU DON'T WANT
TO TAKE THIS SHOT?
178
00:08:21,840 --> 00:08:24,550
YOU DON'T WANT TO BE
LIKE YOUR DAD.
179
00:08:24,550 --> 00:08:26,750
YOU'RE A GOOD MAN.
180
00:08:26,750 --> 00:08:27,920
YOU'RE PROUD OF
WHO YOU ARE.
181
00:08:27,920 --> 00:08:32,750
AND, SPENCER, I AM
SO DAMN PROUD OF YOU FOR THAT.
182
00:08:32,750 --> 00:08:35,550
YOU HAVE NO IDEA.
183
00:08:36,250 --> 00:08:41,710
BUT CHOOSING NOT TO TAKE
AN OPPORTUNITY LIKE THIS...
184
00:08:41,710 --> 00:08:44,340
TAKE IT FROM ME,
185
00:08:44,340 --> 00:08:47,630
THAT'S NOT REALLY CHOOSING.
186
00:08:49,050 --> 00:08:52,000
TELL ME I'M WRONG.
187
00:08:53,750 --> 00:08:57,170
TELL ME THAT GOING
TO BEVERLY
188
00:08:57,170 --> 00:09:01,380
ISN'T THE BEST THING
FOR YOU, BABY.
189
00:09:04,130 --> 00:09:06,710
SKYZOO: ♪ I'M HERE
FOR THE CROWN ♪
190
00:09:06,710 --> 00:09:11,590
♪ I'M HERE FOR THE CROWN ♪
191
00:09:11,590 --> 00:09:13,170
♪ YO, I'M HERE
FOR THE CROWN ♪
192
00:09:13,170 --> 00:09:15,210
♪ HOP OUT THE WAY
WHILE I'M TEARING THIS DOWN ♪
193
00:09:15,210 --> 00:09:16,800
♪ SHARING ALONG
AND SHARING ALOUD ♪
194
00:09:16,800 --> 00:09:18,550
♪ GET YOU THE STATE OF
THE WAY OF IT NOW ♪
195
00:09:18,550 --> 00:09:20,630
♪ 'CAUSE I CAME HERE
TO HOLD UP THE RING ♪
196
00:09:20,630 --> 00:09:22,380
♪ PLAY THE PARADE,
YOU KNOW WHAT TO SING ♪
197
00:09:22,380 --> 00:09:24,170
♪ HERE'S TO THE PEOPLE
WHO KNOW WHO WE ARE ♪
198
00:09:24,170 --> 00:09:25,840
♪ AND KNOW THAT OUR HEART
ISN'T ALL THAT WE BRING ♪
199
00:09:25,840 --> 00:09:27,630
♪ 'CAUSE I GOT A FEW TRICKS
UP MY SLEEVE ♪
200
00:09:27,630 --> 00:09:29,710
♪ YOU WALK IN THIS WAR,
YOU'LL BE ITCHING TO LEAVE ♪
201
00:09:29,710 --> 00:09:31,590
♪ MORE FOR THE WIN,
VISION OF ME ♪
202
00:09:31,590 --> 00:09:34,050
♪ IS ANYTHING THAT YOU
ENVISION TO BE? ♪
203
00:09:34,050 --> 00:09:35,300
♪ I CAME FOR THE CROWN ♪
204
00:09:35,300 --> 00:09:36,750
♪ AND THE DIAMONDS THAT
SIT ALL AROUND ♪
205
00:09:36,750 --> 00:09:38,670
♪ AND THE CHAIR THAT
THE LINE'S IN FRONT OF ♪
206
00:09:38,670 --> 00:09:40,880
♪ AND THE STARES FROM
ALL OF THE CROWD ♪
207
00:09:40,880 --> 00:09:42,920
♪ I'M HERE FOR THE CROWN ♪
208
00:09:42,920 --> 00:09:46,550
♪ HEY ♪
209
00:09:46,550 --> 00:09:49,840
WELCOME TO BEVERLY HILLS.
210
00:09:53,900 --> 00:09:56,820
NOW, REMEMBER, YOU'RE HERE
ON AN ACADEMIC PERMIT,
211
00:09:56,820 --> 00:09:59,950
WHICH CAN BE REVOKED
IF YOU DON'T MAINTAIN
YOUR GPA.
212
00:09:59,950 --> 00:10:02,480
BUT I'VE SEEN YOUR RECORDS.
THAT SHOULDN'T BE AN ISSUE--
213
00:10:02,480 --> 00:10:06,400
EXCEPTIONAL GRADE AVERAGE,
ABOVE-GRADE-LEVEL TESTING.
214
00:10:06,400 --> 00:10:07,440
YOU WON'T MISS A DAY AT PLAY.
215
00:10:07,440 --> 00:10:12,480
LOOK, NO FIGHTING
OR IT'S OVER.
ONE AND DONE.
216
00:10:12,480 --> 00:10:13,640
LOOK, I JUST DID WHAT
I NEEDED TO GET BY.
217
00:10:14,040 --> 00:10:17,870
I KNOW.
SEE YOU AT PRACTICE.
218
00:10:18,540 --> 00:10:19,620
WOMAN: ALL RIGHT,
LISTEN UP.
219
00:10:19,620 --> 00:10:22,790
I WANT YOU ALL TO DO
A SEARCH ON CHROMOSOMAL DNA
220
00:10:22,790 --> 00:10:24,410
AND MAKE A SLIDE ON HOW
IT CONNECTS
221
00:10:24,410 --> 00:10:28,410
WITH LAST WEEK'S
WORK ON PROTEIN.
222
00:10:31,120 --> 00:10:33,000
SPENCER, RIGHT?
YES, MA'AM.
223
00:10:33,000 --> 00:10:34,580
IT'S OK IF YOU DON'T
HAVE A COMPUTER.
224
00:10:34,580 --> 00:10:36,370
JUST PAIR UP WITH
A CLASSMATE FOR NOW.
225
00:10:36,370 --> 00:10:38,790
OK.
THANK YOU.
226
00:10:45,410 --> 00:10:50,200
HEY, TODD.
KEEP WATCHING THAT
LOGAN PAUL FEED.
227
00:10:50,200 --> 00:10:52,540
TODD: WHATEVER, OLIVIA.
228
00:10:52,540 --> 00:10:54,500
YOU CAN SHARE WITH ME.
229
00:10:54,500 --> 00:10:57,450
THANK YOU.
230
00:10:58,660 --> 00:11:02,160
I'LL WARN YOU,
MY CHROMOSOMAL DNA KNOWLEDGE
231
00:11:02,160 --> 00:11:04,000
IS NON-EXISTENT AT BEST.
232
00:11:04,000 --> 00:11:06,580
I MIGHT BE ABLE
TO HELP WITH THAT.
233
00:11:06,580 --> 00:11:10,120
SALAD BAR, COFFEE CART.
234
00:11:10,120 --> 00:11:12,370
THEY SERVE SUSHI ON FRIDAYS.
235
00:11:12,370 --> 00:11:13,330
SUSHI ON FRIDAY?
236
00:11:13,330 --> 00:11:16,540
AT CRENSHAW, WE GET
SUSHI ON MONDAY,
THAT'S ALL.
237
00:11:16,540 --> 00:11:20,120
SMART AND FUNNY.
I'M IMPRESSED.
238
00:11:20,120 --> 00:11:23,200
DAYE JACK:
♪ I WALK A LONELY ROAD ♪
239
00:11:23,200 --> 00:11:26,040
♪ I WALK IT ALL ALONE ♪
240
00:11:26,040 --> 00:11:28,410
♪ THE HOPE IS ALL I GOT... ♪
241
00:11:28,410 --> 00:11:29,330
LEILA KEATING.
242
00:11:29,330 --> 00:11:32,040
BEVERLY HILLS'
RESIDENT SWEETHEART.
243
00:11:32,040 --> 00:11:33,500
DAD'S SOME BIG-TIME
RECORD PRODUCER.
244
00:11:33,500 --> 00:11:36,200
AND I HEARD THEY SPEND
EVERY THANKSGIVING
WITH THE OBAMAS.
245
00:11:36,200 --> 00:11:40,290
AND RUMOR HAS IT,
SHE EVEN SMOKED POT
WITH MALIA LAST YEAR.
246
00:11:40,290 --> 00:11:42,750
YOU MUST BE SPENCER.
247
00:11:42,750 --> 00:11:45,580
JORDAN BAKER. QB.
TEAM CAPTAIN.
248
00:11:45,580 --> 00:11:47,160
BAKER?
249
00:11:47,160 --> 00:11:47,950
OH, SO YOU MUST BE--
250
00:11:47,950 --> 00:11:51,160
YEAH, COACH IS MY DAD.
WELL, OUR DAD.
251
00:11:51,160 --> 00:11:52,870
I'LL TAKE IT FROM
HERE, OLIVIA.
252
00:11:52,870 --> 00:11:56,080
COME ON, LET ME
INTRODUCE YOU TO
THE TEAM.
253
00:11:56,080 --> 00:11:58,620
HEY, THANKS FOR
THE TOUR.
254
00:11:58,620 --> 00:11:59,830
YEAH.
255
00:11:59,830 --> 00:12:02,160
SUSHI ON FRIDAY?
256
00:12:02,160 --> 00:12:04,830
IT'S A DATE.
257
00:12:06,370 --> 00:12:08,830
IT'S A DATE?
258
00:12:08,830 --> 00:12:11,450
BILLY: I'M TELLING YOU,
EDDIE, THIS NEW KID,
259
00:12:11,450 --> 00:12:12,500
NEW KID'S A GAME-CHANGER.
260
00:12:12,500 --> 00:12:14,290
THE TEAM'S GONNA BE
MUCH STRONGER THIS YEAR.
261
00:12:14,290 --> 00:12:16,160
WE'RE GONNA BE
PUTTING UP POINTS.
262
00:12:16,160 --> 00:12:17,000
YOU BETTER,
263
00:12:17,000 --> 00:12:18,370
'CAUSE, AS YOU'RE
WELL AWARE,
264
00:12:18,370 --> 00:12:20,330
THE BOOSTERS PROVIDE
FUNDING FOR OUR
SPORTS PROGRAM,
265
00:12:20,330 --> 00:12:23,750
FUNDING THAT'LL DRY UP FAST
WITHOUT A TITLE THIS YEAR.
266
00:12:23,750 --> 00:12:24,830
AND WITHOUT ONE--
267
00:12:24,830 --> 00:12:27,370
OR I'M GONNA BE
OUT OF A JOB.
IS THAT IT?
268
00:12:27,370 --> 00:12:28,870
NOBODY'S TALKING
CHANGES RIGHT NOW.
269
00:12:28,870 --> 00:12:32,580
WE JUST--WE NEED TO
TURN THIS AROUND.
270
00:12:32,580 --> 00:12:34,450
OK.
271
00:12:34,450 --> 00:12:35,870
MEET THE CREW.
272
00:12:35,870 --> 00:12:39,700
THIS IS HADLEY, LEILA,
AND UP TOP, LUCY,
JJ, AND ASHER.
273
00:12:39,700 --> 00:12:41,450
HEY, WHAT'S UP?
SPENCER.
274
00:12:41,450 --> 00:12:42,370
HEY.
HEY.
275
00:12:42,370 --> 00:12:43,910
I THINK YOU AND ASHER
PLAY THE SAME POSITION.
276
00:12:43,910 --> 00:12:45,370
ASHER: WHAT'S UP, MAN?
OH, RECEIVER, HUH?
277
00:12:45,370 --> 00:12:48,540
YEAH, BROKE THE SCHOOL
RECORD FOR RECEPTIONS
LAST SEASON.
278
00:12:48,540 --> 00:12:49,200
ME, TOO.
279
00:12:49,200 --> 00:12:51,160
SO HOW ARE YOU LIKING
BEVERLY SO FAR?
280
00:12:51,160 --> 00:12:51,950
IT'S OK, I GUESS.
281
00:12:51,950 --> 00:12:54,700
I KNOW IT PROBABLY
FEELS LIKE LOST FOOTAGE
282
00:12:54,700 --> 00:12:55,870
OR RICH KIDS
FROM INSTAGRAM,
283
00:12:55,870 --> 00:12:57,950
BUT IT'S NOT SO BAD
ONCE YOU GIVE IT A CHANCE.
284
00:12:57,950 --> 00:12:59,700
I'M SURE IT'LL
GROW ON ME.
285
00:12:59,700 --> 00:13:03,540
HEY, SO LAY IT ON ME.
CRIPS OR BLOODS?
286
00:13:03,540 --> 00:13:04,410
EXCUSE ME?
287
00:13:04,410 --> 00:13:06,660
I'M DYING TO CHECK OUT
A CRIP WALK FOR REAL.
288
00:13:06,660 --> 00:13:08,000
I'VE ONLY SEEN ONE
ON YOUTUBE.
289
00:13:08,000 --> 00:13:09,870
YO, YO, HE'S JUST JOKING,
MAN. IGNORE HIM.
290
00:13:09,870 --> 00:13:11,200
ASHER, YOU WOULDN'T
KNOW A CRIP WALK
291
00:13:11,200 --> 00:13:12,540
IF IT BIT YOU IN
THE DAMN WHITE ASS.
292
00:13:12,540 --> 00:13:15,330
THAT DIDN'T SOUND LIKE
A JOKE TO ME, BRO.
293
00:13:15,330 --> 00:13:18,790
DON'T BE SO SENSITIVE.
SENSITIVE?
294
00:13:22,950 --> 00:13:26,500
HEY, YO, THANKS
FOR THE WELCOME.
295
00:13:29,580 --> 00:13:30,580
ASHER.
296
00:13:30,580 --> 00:13:31,540
WHAT?
297
00:13:31,540 --> 00:13:33,250
I WAS MAKING CONVERSATION.
298
00:13:33,250 --> 00:13:36,290
NO, YOU WERE BEING AN ASS.
299
00:13:38,620 --> 00:13:39,450
HEY.
300
00:13:39,450 --> 00:13:41,290
UM, I'M SORRY ABOUT ASHER.
301
00:13:41,290 --> 00:13:44,750
I KNOW HOW HE CAN
COME OFF, BUT HE'S
REALLY NOT THAT BAD
302
00:13:44,750 --> 00:13:46,250
ONCE YOU GET TO KNOW HIM.
303
00:13:46,250 --> 00:13:46,830
YEAH, RIGHT.
304
00:13:46,830 --> 00:13:49,290
I THINK HE'S
INTIMIDATED BY YOU.
305
00:13:49,290 --> 00:13:51,450
I THINK THEY ALL ARE.
306
00:13:51,450 --> 00:13:52,250
THOSE GUYS?
307
00:13:52,250 --> 00:13:55,330
WITH ALL THEIR YEEZYS
AND MAN JEWELRY?
308
00:13:55,330 --> 00:13:56,330
THEY GOT IT MADE.
309
00:13:56,330 --> 00:13:59,580
ME, I HAD TO CATCH
3 BUSES TO GET HERE TODAY.
310
00:13:59,580 --> 00:14:01,000
AND I'VE BEEN WEARING
MY COUSIN RAY'S
311
00:14:01,000 --> 00:14:02,410
HAND-ME-DOWNS
SINCE I WAS BORN.
312
00:14:02,410 --> 00:14:04,660
AND YOU KNOW RAY
LOVES HIM SOME POLYESTER.
313
00:14:04,660 --> 00:14:06,620
OK, DON'T NOBODY
LIKE POLYESTER.
314
00:14:06,620 --> 00:14:11,660
OK, BUT AREN'T YOU
SOME LIKE CRAZY
GOOD FOOTBALL PLAYER?
315
00:14:11,660 --> 00:14:13,040
I DO ALL RIGHT.
316
00:14:13,040 --> 00:14:15,540
YOU JUST GOT TO
SEE THE FIELD.
317
00:14:17,410 --> 00:14:18,450
RIGHT THERE, THAT GUY.
318
00:14:18,450 --> 00:14:22,870
GAIT'S OFF, LOOSE HANDS.
YO, YO, HE ABOUT TO FALL.
319
00:14:23,450 --> 00:14:25,200
OH! HOW DID YOU DO THAT?
320
00:14:25,200 --> 00:14:27,450
HAPPENED THE FIRST TIME
I PICKED UP A BALL.
321
00:14:27,450 --> 00:14:33,080
IT WAS JUST A TWITCH
OF THE FINGERS,
A LOOK, A TICK.
322
00:14:33,080 --> 00:14:34,580
SO DO ME.
323
00:14:34,580 --> 00:14:38,910
I MEAN, READ ME
OR WHATEVER IT IS.
324
00:14:38,910 --> 00:14:41,250
YOU'RE LIKE
A DEFENSIVE BACK.
325
00:14:41,250 --> 00:14:43,410
A DEFENSIVE BACK?
326
00:14:43,410 --> 00:14:44,250
GEE, THANKS.
327
00:14:44,250 --> 00:14:46,200
I JUST MEAN
YOU'RE CONFIDENT, SMART.
328
00:14:46,200 --> 00:14:49,450
YOU LIKE ATTENTION.
YOU LIKE TO CALL
THE PLAYS.
329
00:14:49,450 --> 00:14:51,660
THAT'S NOT THE MOST
INTERESTING THING
ABOUT YOU.
330
00:14:51,660 --> 00:14:55,290
I SAW IT THE MINUTE
YOU CROSSED THE YARD.
331
00:14:55,290 --> 00:14:57,950
YOU'RE LONELY.
332
00:14:57,950 --> 00:15:01,370
DEFENSIVE BACKS,
THEY LIKE TO
PLAY ON AN ISLAND,
333
00:15:01,370 --> 00:15:04,620
ALWAYS BY THEMSELVES.
334
00:15:05,410 --> 00:15:09,200
I WAS KIND OF HOPING
FOR A SUPER POWER,
335
00:15:09,200 --> 00:15:11,580
BUT NOT EVEN CLOSE, HUH?
336
00:15:11,580 --> 00:15:13,200
I AIN'T ALWAYS RIGHT, SO.
337
00:15:13,200 --> 00:15:15,160
I SHOULD GET TO CLASS.
338
00:15:15,160 --> 00:15:19,450
BUT I'M GLAD YOU
CAME TO BEVERLY.
339
00:15:19,450 --> 00:15:23,040
ME, TOO.
340
00:15:30,120 --> 00:15:32,580
ALL RIGHT, FELLAS,
LET'S GET IT.
341
00:15:32,580 --> 00:15:34,080
SHOW ME SOMETHING, BOYS.
342
00:15:34,080 --> 00:15:37,250
Y'ALL IN TROUBLE
NOW, BOY.
343
00:15:38,620 --> 00:15:40,120
LET'S GO, BABY.
344
00:15:40,120 --> 00:15:42,160
BOY: BACK UP.
MAN: ♪ WALK ♪
345
00:15:42,160 --> 00:15:43,160
♪ NA NA NA NA ♪
346
00:15:43,160 --> 00:15:45,160
AHH!
♪ NA NA NA NA ♪
347
00:15:45,160 --> 00:15:47,160
OOH. HE CAUGHT IT, THOUGH.
348
00:15:47,160 --> 00:15:47,950
♪ NA NA NA NA ♪
349
00:15:47,950 --> 00:15:50,660
WHOO! COME ON.
♪ NA NA NA NA ♪
350
00:15:50,660 --> 00:15:52,120
♪ YOUR RUNWAY WALK ♪
351
00:15:52,120 --> 00:15:53,450
♪ LET ME SEE YOUR
RUNWAY WALK ♪
352
00:15:53,450 --> 00:15:56,080
♪ MAKE YOUR HEELS CLICK,
MAKE THE RUNWAY TALK ♪
353
00:15:56,080 --> 00:15:57,790
WHAT THE HELL, MAN?
I GOT IT, I GOT IT.
354
00:15:57,790 --> 00:15:59,290
CALM DOWN. HEY, YO.
355
00:15:59,290 --> 00:16:00,540
YOU'RE RUNNING
THE WRONG PLAYS.
356
00:16:00,540 --> 00:16:03,080
YOU KNOW WHAT THEY SAY,
WE ALL WRONG, WE ALL RIGHT.
357
00:16:03,080 --> 00:16:06,080
NO, THAT'S NOT WHAT
WE PLAY HERE.
358
00:16:06,080 --> 00:16:07,160
MAYBE IT SHOULD BE.
359
00:16:07,160 --> 00:16:09,660
BILLY: ALL RIGHT, BOYS,
BRING IT IN.
360
00:16:10,410 --> 00:16:12,330
ALL RIGHT, WE'RE GONNA
MIX IT UP A LITTLE BIT.
361
00:16:12,330 --> 00:16:15,120
ALL RIGHT, SPENCER,
YOU EVER PLAYED SAFETY?
362
00:16:15,120 --> 00:16:16,370
NO, WHY?
GIVE IT A TRY.
363
00:16:16,370 --> 00:16:18,540
MAN, I DON'T PLAY
DEFENSE.
364
00:16:18,540 --> 00:16:20,290
YOU PLAY WHAT I
TELL YOU TO PLAY.
365
00:16:20,290 --> 00:16:23,950
SO YOU'RE JUST GONNA
CHANGE MY POSITION?
SPENCER.
366
00:16:23,950 --> 00:16:25,500
AFTER EVERYTHING
WE TALKED ABOUT?
367
00:16:25,500 --> 00:16:26,950
MAN, I DIDN'T
COME HERE FOR THIS.
368
00:16:26,950 --> 00:16:28,200
I CAME HERE TO
SCORE TOUCHDOWNS.
369
00:16:28,200 --> 00:16:31,160
YOU CAME HERE TO
PLAY FOOTBALL AS A TEAM.
370
00:16:31,160 --> 00:16:34,250
AM I RIGHT OR AM I RIGHT?
371
00:16:34,250 --> 00:16:35,080
THANK YOU.
372
00:16:35,080 --> 00:16:36,830
YOU GOT ONE OF TWO
CHOICES, SON.
373
00:16:36,830 --> 00:16:39,160
YOU CAN EITHER BE ON
THIS SIDE OF THE LINE
374
00:16:39,160 --> 00:16:41,700
OR THAT SIDE OF THE LINE.
375
00:16:41,700 --> 00:16:43,540
YOU CHOOSE.
376
00:16:43,540 --> 00:16:46,450
WHAT'S IT GONNA BE?
377
00:16:49,080 --> 00:16:51,870
SET! GO!
378
00:16:53,290 --> 00:16:55,330
MAN: THERE WE GO.
BILLY: ATTA BOY.
379
00:16:55,330 --> 00:16:57,250
ALL RIGHT.
GOOD WORK, SON.
380
00:16:57,250 --> 00:16:59,330
WHOO!
GOOD STUFF.
381
00:16:59,330 --> 00:17:01,250
THAT'S HOW YOU
PLAY FOOTBALL.
382
00:17:01,250 --> 00:17:04,200
YOU BETTER GET
COMFORTABLE THERE.
383
00:17:10,010 --> 00:17:11,760
AND I'M PLAYING WITH A BUNCH
OF GUYS WHO DON'T WANT ME
384
00:17:11,760 --> 00:17:13,300
FOR A COACH WHO SAID
HE'D HAVE MY BACK
385
00:17:13,300 --> 00:17:14,970
AND HE MOVED ME OFF
THE DEFENSE.
386
00:17:14,970 --> 00:17:16,010
AND I'M SUPPOSED TO WHAT,
387
00:17:16,010 --> 00:17:19,220
PLAY ALONG,
HELP THEM WIN THEIR SEASON?
388
00:17:19,220 --> 00:17:20,050
THEN DON'T.
389
00:17:20,050 --> 00:17:21,760
WHAT, THROW THE SEASON?
390
00:17:21,760 --> 00:17:22,930
NO, MAKE IT YOUR SEASON.
391
00:17:22,930 --> 00:17:24,680
YOU'LL FIND A WAY.
I KNOW YOU WILL.
392
00:17:24,680 --> 00:17:26,800
YOU LET SOME
LILY WHITE COACH--
393
00:17:26,800 --> 00:17:29,100
HE'S BLACK.
394
00:17:29,100 --> 00:17:30,140
BLACK?
395
00:17:30,140 --> 00:17:32,930
I DON'T KNOW THEN.
MAYBE HE RIGHT.
396
00:17:32,930 --> 00:17:34,180
MAN, SHUT UP.
397
00:17:34,180 --> 00:17:35,970
LISTEN, MAN, FOR REAL.
398
00:17:35,970 --> 00:17:38,930
BLACK, WHITE, PLAID,
IT DON'T MATTER.
399
00:17:38,930 --> 00:17:40,300
YOU JUST GOT TO DO YOU.
400
00:17:40,300 --> 00:17:41,930
YOU GOT THE GOODS ON
AND OFF THE FIELD.
401
00:17:41,930 --> 00:17:44,890
I KNEW IT FROM
THE MOMENT I MET YOU
RIGHT HERE IN THIS PARK.
402
00:17:44,890 --> 00:17:46,850
MAN, I DON'T KNOW, COOP.
403
00:17:46,850 --> 00:17:51,220
THAT PLACE JUST
ISN'T WHO I AM.
IT AIN'T ME.
404
00:17:51,220 --> 00:17:53,100
WHAT?
AND THIS IS?
405
00:17:53,100 --> 00:17:56,300
YOU DECIDE WHO
YOU WANT TO BE.
406
00:17:56,300 --> 00:17:57,890
YOU TRIPPING, MAN.
407
00:17:57,890 --> 00:17:59,390
REALLY NOW.
WHAT'S UP, MAN?
408
00:17:59,390 --> 00:18:01,890
TELL ME ABOUT THESE
BEVERLY HILLS GIRLS.
409
00:18:01,890 --> 00:18:04,800
MAN. THEY'RE SKINNY.
410
00:18:04,800 --> 00:18:05,970
SKINNY?
SKINNY.
411
00:18:05,970 --> 00:18:09,140
WHAT? I CAN'T...
412
00:18:09,140 --> 00:18:12,680
AW, MAN.
413
00:18:14,550 --> 00:18:18,180
CAN I HELP YOU,
MR. BEVERLY HILLS?
414
00:18:18,180 --> 00:18:19,550
STAY HERE.
415
00:18:19,550 --> 00:18:22,850
HEY, YO, LEAVE HER
ALONE, SHAWN.
416
00:18:22,850 --> 00:18:23,350
OR WHAT?
417
00:18:23,350 --> 00:18:24,760
OR I REMIND YOU OF
THAT BEATDOWN
418
00:18:24,760 --> 00:18:26,510
I GAVE YOU IN
THE SIXTH GRADE.
419
00:18:26,510 --> 00:18:27,760
TRY IT AGAIN AND SEE
WHAT HAPPENS.
420
00:18:27,760 --> 00:18:31,050
YOU KNOW WHAT,
MAYBE I WILL.
421
00:18:37,760 --> 00:18:39,180
WATCH YOUR BACK, BEVERLY.
422
00:18:39,180 --> 00:18:43,350
MAN, ON RADIO: 24-23 LIVE,
LOOK AT THE MOLESTATION...
423
00:18:45,010 --> 00:18:46,260
HEY, HEY.
HELLO.
424
00:18:46,260 --> 00:18:48,260
HI, DAD.
WHAT'S UP?
425
00:18:48,260 --> 00:18:52,220
OK, I GOT SO MUCH.
426
00:18:52,220 --> 00:18:53,430
HEY.
427
00:18:53,430 --> 00:18:55,800
SO IT WASN'T REALLY
WORKING OUT TOO WELL
428
00:18:55,800 --> 00:18:57,720
OUT THERE TODAY,
WAS IT?
429
00:18:57,720 --> 00:18:58,260
HEH HEH.
430
00:18:58,260 --> 00:18:59,800
YEAH, THE NEW GUY
WASN'T REALLY
431
00:18:59,800 --> 00:19:00,800
A TEAM PLAYER, WAS HE?
432
00:19:00,800 --> 00:19:02,800
AH, HE'LL GET THERE.
433
00:19:02,800 --> 00:19:05,140
IN THE MEANTIME,
I NEED YOU TO DO ME
A SOLID.
434
00:19:05,140 --> 00:19:08,050
COULD YOU PLEASE TAKE
SPENCER UNDER YOUR WING?
435
00:19:08,050 --> 00:19:11,760
I MEAN, HELP HIM
CONNECT WITH SOME OF
THE OTHER FELLAS?
436
00:19:11,760 --> 00:19:14,390
BRING HIM INTO
THE FOLD.
437
00:19:14,390 --> 00:19:15,140
OK.
438
00:19:15,140 --> 00:19:17,800
WHAT'S UP WITH YOU
AND THIS KID, DAD?
439
00:19:17,800 --> 00:19:20,100
WHY DO YOU CARE SO MUCH?
440
00:19:20,100 --> 00:19:22,430
BY THE GRACE OF GOD,
441
00:19:22,430 --> 00:19:25,510
JORDAN, THE WAY YOU LIVE
IS REALLY GOOD.
442
00:19:25,510 --> 00:19:29,430
I COME FROM
SPENCER'S NEIGHBORHOOD.
IT'S A TOUGH GO.
443
00:19:29,430 --> 00:19:31,720
THERE ARE A MILLION WAYS
YOU CAN GO WRONG.
444
00:19:31,720 --> 00:19:36,050
I MEAN, YOU HAVE NO IDEA
WHAT THAT'S LIKE.
445
00:19:36,050 --> 00:19:38,600
GUESS I DON'T, YEAH.
446
00:19:38,600 --> 00:19:41,180
LOOK, THE KID
NEEDS A CHANCE,
447
00:19:41,180 --> 00:19:44,680
AND I'M ASKING YOU
TO GIVE HIM ONE.
448
00:19:44,680 --> 00:19:46,930
WOMAN: BOYS,
I MADE DINNER.
449
00:19:46,930 --> 00:19:48,180
YOU ORDERED SUSHI.
450
00:19:48,180 --> 00:19:50,260
SAME THING.
NOT REALLY.
451
00:19:50,260 --> 00:19:51,350
COOL?
452
00:19:51,350 --> 00:19:54,260
MM-HMM.
453
00:19:58,970 --> 00:20:02,180
["AIN'T THE PROBLEM
YOU WANT" PLAYING]
454
00:20:02,180 --> 00:20:03,510
♪ UHH, YEAH ♪
455
00:20:03,510 --> 00:20:05,680
♪ YOU DON'T WANT
THIS PROBLEM ♪
456
00:20:05,680 --> 00:20:06,430
♪ UHH, YEAH ♪
457
00:20:06,430 --> 00:20:09,760
♪ IT'S WHATEVER YOU WANT,
YOU SEE THAT BENZ RIDE SLOW... ♪
458
00:20:09,760 --> 00:20:11,680
WHAT THE HELL
ARE YOU DOING?
459
00:20:11,680 --> 00:20:12,510
I'M PICKING YOU UP.
460
00:20:12,510 --> 00:20:14,260
IN YOUR RED CAR
AND YOUR RED HAT?
461
00:20:14,260 --> 00:20:15,970
YOU'RE LIKE A BLOODS
POSTER BOY, MAN.
462
00:20:15,970 --> 00:20:19,350
GONNA GET YOUR HEAD
BLOWN OFF.
463
00:20:19,850 --> 00:20:22,260
I'M JUST PLAYING.
464
00:20:22,260 --> 00:20:25,050
I'M JUST PLAYING.
465
00:20:25,050 --> 00:20:26,970
COME ON, DAWG!
466
00:20:28,050 --> 00:20:29,970
HEY, WHAT UP, MIKE?
467
00:20:29,970 --> 00:20:31,260
JUST DRIVE, YO.
468
00:20:31,260 --> 00:20:33,850
PELL: ♪ I GOT
THAT MOOLA, MOOLA ♪
469
00:20:33,850 --> 00:20:34,760
♪ QUESO, QUESO ♪
470
00:20:34,760 --> 00:20:37,100
♪ CAMOUFLAGE MONEY,
THEY CAN'T SEE MY BANKROLL ♪
471
00:20:37,100 --> 00:20:39,100
♪ I'VE BEEN WHIPPIN',
WHIPPIN,' ♪
472
00:20:39,100 --> 00:20:40,180
♪ DJANGO, DJANGO ♪
473
00:20:40,180 --> 00:20:42,680
♪ SMOOTH, SMOOTH,
BLAME IT ON THE JAME-O ♪
474
00:20:42,680 --> 00:20:44,600
SPENCER: ALL THIS ON
A COACH'S SALARY?
475
00:20:44,600 --> 00:20:47,800
JORDAN: MY MOM'S AN ATTORNEY.
476
00:20:47,800 --> 00:20:50,180
OH, THERE YOU BOYS ARE.
477
00:20:50,180 --> 00:20:52,100
YOU MUST BE SPENCER.
478
00:20:52,100 --> 00:20:54,390
OH, YES, MA'AM.
479
00:20:54,680 --> 00:20:56,970
I AM SO HAPPY TO
FINALLY MEET YOU.
480
00:20:56,970 --> 00:20:59,760
YOU'RE ALL BILLY'S BEEN
TALKING ABOUT LATELY.
481
00:20:59,760 --> 00:21:00,850
ISN'T THAT RIGHT, KIDS?
482
00:21:00,850 --> 00:21:02,350
SURE IS. YEAH.
ROMANCING THE STONE.
483
00:21:02,350 --> 00:21:03,850
I HAVE A QUESTION,
THOUGH,
484
00:21:03,850 --> 00:21:05,930
AND I WANT YOU
TO BE HONEST.
485
00:21:05,930 --> 00:21:07,010
CAREFUL, SHE'S A CRIER.
486
00:21:07,010 --> 00:21:09,470
I AM MAKING MY FAMOUS
GAZPACHO TONIGHT.
487
00:21:09,470 --> 00:21:12,050
AND I JUST NEED TO KNOW
A FEW THINGS.
488
00:21:12,050 --> 00:21:14,680
DO YOU HAVE ANY ALLERGIES,
DAIRY, GLUTEN,
489
00:21:14,680 --> 00:21:16,350
YOU'RE NOT PALEO, ARE YOU?
490
00:21:16,350 --> 00:21:17,050
NO, MA'AM.
491
00:21:17,050 --> 00:21:20,010
WHEN IT COMES TO FOOD,
THE ONLY THING I AM IS HUNGRY.
492
00:21:20,010 --> 00:21:22,050
OK, WE'RE GONNA HIT IT, MOM.
493
00:21:22,050 --> 00:21:24,970
OK, YOU GUYS DO THAT.
494
00:21:24,970 --> 00:21:27,350
WHATEVER THAT IS.
495
00:21:27,350 --> 00:21:30,050
DENM: ♪ I WANT TO HAVE
IT ALL RIGHT NOW ♪
496
00:21:30,050 --> 00:21:34,180
♪ BUT SOMETIMES YOU GOTTA
WAIT FOR THE GOOD THINGS ♪
497
00:21:34,180 --> 00:21:36,760
♪ FEEL LIKE WE'RE GOING
ROUND AND ROUND ♪
498
00:21:36,760 --> 00:21:42,350
♪ BUT SOMETIMES YOU GOTTA
WAIT FOR THE GOOD THINGS ♪
499
00:21:43,470 --> 00:21:49,470
♪ BUT SOMETIMES YOU GOTTA
WAIT FOR THE GOOD THINGS ♪
500
00:21:50,680 --> 00:21:55,720
♪ BUT SOMETIMES YOU GOTTA
WAIT FOR THE GOOD THINGS ♪
501
00:21:55,720 --> 00:21:58,760
♪ I DID WHEN I WAS... ♪
502
00:21:58,760 --> 00:22:01,390
♪SATURDAY NIGHT ... ♪
503
00:22:01,390 --> 00:22:04,220
♪ EVERYBODY KNOW MY NAME,
THEY WANT TO SING IT LOUD... ♪
504
00:22:04,220 --> 00:22:06,350
HEY.
HEY, WHAT UP?
505
00:22:06,350 --> 00:22:08,970
SO, COME HERE OFTEN?
506
00:22:08,970 --> 00:22:11,550
EVERY WEDNESDAY
AFTER THE CLUB.
507
00:22:11,550 --> 00:22:14,180
I SUPPOSE YOU GOT
A PLACE LIKE THIS, RIGHT?
508
00:22:14,180 --> 00:22:16,760
UH, YEAH, IT'S
KIND OF LIKE THIS.
509
00:22:16,760 --> 00:22:17,470
DO YOU LIVE CLOSE?
510
00:22:17,470 --> 00:22:19,800
YEAH, I'M JUST--
JUST DOWN THE STREET THERE.
511
00:22:19,800 --> 00:22:20,850
BIGGER?
I MEAN, I--
512
00:22:20,850 --> 00:22:22,140
YOU KNOW, I DON'T
REALLY COMPARE.
513
00:22:22,140 --> 00:22:23,800
IT'S NOT THE SIZE
THAT MATTERS.
OK.
514
00:22:23,800 --> 00:22:27,180
BILLY: LOOK, YOU THINK
I WANT TO DRAG MY ASS
ALL THE WAY TO CRENSHAW?
515
00:22:27,180 --> 00:22:29,220
YOU THINK I DID IT OUT
OF THE KINDNESS OF MY HEART?
516
00:22:29,220 --> 00:22:32,640
ALL RIGHT, I DIDN'T WHIP UP
A SMART KID PERMIT
517
00:22:32,640 --> 00:22:35,260
SO I COULD MOLD
YOUNG MINDS.
518
00:22:35,260 --> 00:22:36,220
NO, NO, NO.
519
00:22:36,220 --> 00:22:37,930
LOOK, I WOULD NOT HAVE
RECRUITED HIM
520
00:22:37,930 --> 00:22:41,510
IF ANYBODY ON THE SQUAD
HAD HALF OF HIS POTENTIAL.
521
00:22:41,510 --> 00:22:42,550
OK, I UNDERSTAND THAT.
522
00:22:42,550 --> 00:22:45,140
WHY DON'T YOU BRING ALL
THE BOOSTERS DOWN
THIS SATURDAY,
523
00:22:45,140 --> 00:22:48,050
AND I WILL SHOW YOU
WHAT HE CAN DO.
524
00:22:48,050 --> 00:22:50,010
YES, SIR. YES.
525
00:22:50,010 --> 00:22:52,890
SPENCER JAMES, HE'S GONNA
BRING IT HOME FOR US.
526
00:22:52,890 --> 00:22:54,930
TRUST ME.
YES, SIR.
527
00:22:54,930 --> 00:22:58,140
ALL RIGHT, TAKE CARE.
528
00:23:01,010 --> 00:23:03,680
YOU SEEING THIS?
529
00:23:03,680 --> 00:23:04,890
YEAH.
530
00:23:04,890 --> 00:23:08,140
WE NEED TO GET
RID OF HIM.
531
00:23:11,890 --> 00:23:13,930
SO HOW WAS IT HANGING OUT
WITH THE STEROID SET?
532
00:23:13,930 --> 00:23:14,600
ARE YOU SERIOUS?
533
00:23:14,600 --> 00:23:16,970
NO. NO, I JUST LIKE TO
MESS WITH JORDAN.
534
00:23:18,970 --> 00:23:21,140
SO WHAT'S UP WITH
YOU TWO ANYWAY?
535
00:23:21,140 --> 00:23:22,640
Y'ALL DON'T SEEM TOO CLOSE.
536
00:23:22,640 --> 00:23:24,010
I MEAN, WE USED
TO BE CLOSE,
537
00:23:24,010 --> 00:23:25,760
AND THEN HIGH SCHOOL
HAPPENED.
538
00:23:25,760 --> 00:23:27,850
HE BECAME A BIG
FOOTBALL STAR
539
00:23:27,850 --> 00:23:30,180
AND I BECAME THIS,
540
00:23:30,180 --> 00:23:32,350
THE SOCIAL PARIAH
OF BEVERLY HIGH.
541
00:23:32,350 --> 00:23:33,720
MAN, SHUT UP.
YOU'RE COOL.
542
00:23:33,720 --> 00:23:36,180
OK, YEAH, SAYS
THE NEW GUY.
543
00:23:36,180 --> 00:23:37,220
IT'S SHOCKING, I KNOW,
544
00:23:37,220 --> 00:23:40,930
BUT NO ONE'S SUPER EAGER
TO HANG OUT WITH SOBER GIRL
545
00:23:40,930 --> 00:23:42,850
POST REHAB, SO...
546
00:23:42,850 --> 00:23:44,140
REHAB?
547
00:23:44,140 --> 00:23:45,350
ELABORATE.
548
00:23:45,350 --> 00:23:47,350
I JUST WENT DOWN
A BAD PATH
549
00:23:47,350 --> 00:23:50,260
AND TRIED TO DROWN IT
OUT WITH PILLS,
550
00:23:50,260 --> 00:23:54,010
PARENTS FREAKED,
AND HERE I AM.
551
00:23:54,010 --> 00:23:57,930
75K AND 90 DAYS LATER,
I'M GOOD AS NEW.
552
00:23:57,930 --> 00:24:02,300
IT'S--IT'S FINE NOW.
553
00:24:02,300 --> 00:24:04,470
IS IT?
554
00:24:05,010 --> 00:24:09,720
YOU KNOW, YOU'RE
THE FIRST PERSON
TO EVEN ASK ME THAT.
555
00:24:11,800 --> 00:24:12,850
LEILA: SPENCER.
556
00:24:12,850 --> 00:24:13,760
OH, HEY, WHAT'S UP?
557
00:24:13,760 --> 00:24:16,140
HEY, SO I'M THROWING
A PARTY AT
MY PLACE TONIGHT.
558
00:24:16,140 --> 00:24:17,720
IT'S JUST A SMALL
TEAM THING
559
00:24:17,720 --> 00:24:19,600
TO CELEBRATE THE START
OF THE SEASON,
560
00:24:19,600 --> 00:24:21,510
AND I WAS HOPING
YOU COULD MAKE IT.
561
00:24:21,510 --> 00:24:23,970
YEAH, FOR SURE.
I'LL COME BY FOR A BIT.
562
00:24:23,970 --> 00:24:26,180
GREAT.
COOL.
563
00:24:26,180 --> 00:24:27,260
COOL.
564
00:24:27,260 --> 00:24:28,930
BYE, OLIVIA.
565
00:24:28,930 --> 00:24:30,720
BYE.
566
00:24:35,180 --> 00:24:36,760
WHAT?
567
00:24:36,760 --> 00:24:38,050
"A," SHE'S TAKEN.
568
00:24:38,050 --> 00:24:40,220
THAT'S ASHER'S
GIRLFRIEND. OK?
569
00:24:40,220 --> 00:24:42,680
AND, "B,"
THOSE PARTIES,
570
00:24:42,680 --> 00:24:43,640
I'D STEER CLEAR.
571
00:24:43,640 --> 00:24:48,600
["SLIDE" BY CALVIN HARRIS
PLAYING]
572
00:24:53,550 --> 00:24:58,220
♪ DO YOU SLIDE ON
ALL YOUR NIGHTS LIKE THIS? ♪
573
00:24:58,220 --> 00:25:02,890
♪ DO YOU TRY ON ALL YOUR
NIGHTS LIKE THIS? ♪
574
00:25:02,890 --> 00:25:04,680
♪ I MIGHT... ♪
575
00:25:04,680 --> 00:25:06,930
OH, SPENCE!
HOW YOU DOING, MAN?
576
00:25:06,930 --> 00:25:09,050
HEY, WHAT UP, BRO?
HOW YOU FEELING?
577
00:25:09,050 --> 00:25:10,850
OK, YOU GOT ME THERE.
578
00:25:10,850 --> 00:25:12,050
YEAH.
579
00:25:12,050 --> 00:25:15,640
♪ DO YOU SLIDE
ON ALL YOUR ♪
580
00:25:16,300 --> 00:25:18,300
HEY.
581
00:25:18,300 --> 00:25:20,930
HEY, WHAT'S UP?
582
00:25:20,930 --> 00:25:22,640
THIS IS QUITE
THE SET-UP.
583
00:25:22,640 --> 00:25:24,800
YEAH, WELL,
HOME SWEET HOME.
584
00:25:24,800 --> 00:25:26,930
YOU HAVING FUN AT LEAST?
585
00:25:28,260 --> 00:25:30,140
INTRODUCE YOURSELF,
GET TO KNOW PEOPLE.
586
00:25:30,140 --> 00:25:32,600
OH, YOU MEAN THE BOUGIE
BABIES OF BEVERLY HILLS?
587
00:25:32,600 --> 00:25:35,680
SELFIE, SHOT,
SNAPCHAT, REPEAT.
588
00:25:35,680 --> 00:25:36,800
I THINK I'LL PASS.
589
00:25:36,800 --> 00:25:39,100
YOU'RE BEING JUDGY.
590
00:25:39,100 --> 00:25:40,220
AM I?
591
00:25:40,220 --> 00:25:44,550
OK, WELL, ADDERALL
DIARIES OVER THERE
592
00:25:44,550 --> 00:25:45,760
ISN'T THE HALON
AND THE DYON,
593
00:25:45,760 --> 00:25:48,680
BUT MAYBE NOT ALL
OF US ARE AS BASIC
AS YOU THINK.
594
00:25:48,680 --> 00:25:52,180
SO YOU CAN STAND HERE
IN THE CORNER
NOT FITTING IN,
595
00:25:52,180 --> 00:25:56,300
OR YOU CAN MAKE
AN EFFORT.
596
00:25:56,300 --> 00:25:57,850
THAT PART'S UP TO YOU.
597
00:26:04,140 --> 00:26:05,050
OH.
598
00:26:05,050 --> 00:26:05,800
WHOA, WHOA.
599
00:26:05,800 --> 00:26:07,350
WHOA, WHOA, WHOA.
WHERE YOU GOING?
600
00:26:07,350 --> 00:26:08,930
THE NIGHT IS YOUNG, OK?
601
00:26:08,930 --> 00:26:09,970
DUDE, I GOT TO GO.
602
00:26:09,970 --> 00:26:10,970
HEY, THE TEAM MANAGERS,
603
00:26:10,970 --> 00:26:12,220
THEY'RE DYING
TO MEET YOU, MAN.
604
00:26:12,220 --> 00:26:16,970
COME ON. HOMEY,
COME ON. COME ON.
605
00:26:20,220 --> 00:26:21,680
AS REQUESTED.
606
00:26:21,680 --> 00:26:23,140
OH, NO, WE GOT
PRACTICE TOMORROW.
607
00:26:23,140 --> 00:26:24,600
COME ON, IT'S
SATURDAY PRACTICE.
608
00:26:24,600 --> 00:26:27,760
JUST A FEW DRILLS.
NO BIG DEAL.
609
00:26:27,760 --> 00:26:29,800
TRUST ME.
610
00:26:29,800 --> 00:26:31,050
CHEERS.
611
00:26:31,050 --> 00:26:32,720
♪ YEAH, DON'T STOP ♪
612
00:26:32,720 --> 00:26:34,760
♪ LET ME SEE YA ♪
613
00:26:34,760 --> 00:26:36,800
♪ WORK, WORK, WORK ♪
614
00:26:36,800 --> 00:26:37,850
♪ LET ME SEE YA ♪
615
00:26:37,850 --> 00:26:39,220
♪ WORK, WORK, WORK ♪
616
00:26:39,220 --> 00:26:40,760
1, 2, 3.
617
00:26:40,760 --> 00:26:41,890
♪ WORK, WORK, WORK ♪
618
00:26:41,890 --> 00:26:42,970
♪ LET ME SEE YOU ♪
619
00:26:42,970 --> 00:26:44,640
♪ WORK, WORK, WORK,
WORK, WORK, WORK ♪
620
00:26:44,640 --> 00:26:47,760
♪ LET THE THING DROP ♪
621
00:26:47,760 --> 00:26:50,180
HEY, THANKS FOR
THE RIDE LAST NIGHT.
622
00:26:50,180 --> 00:26:51,550
WHAT?
623
00:26:51,550 --> 00:26:54,350
AH, YOU DIDN'T DROP ME
OFF AT MY HOUSE?
624
00:26:54,350 --> 00:26:55,850
NO, BRO.
625
00:26:55,850 --> 00:26:59,010
WHOO! TIME TO BUCK UP,
BUTTERCUP.
626
00:26:59,010 --> 00:27:01,140
BOOSTER HAWKS ARE WATCHING.
627
00:27:01,140 --> 00:27:01,970
WHO'S THAT?
628
00:27:01,970 --> 00:27:04,970
BOOSTERS HERE TO SEE
WHAT YOU GOT.
629
00:27:04,970 --> 00:27:06,850
YO, I THOUGHT IT
WAS JUST DRILLS.
630
00:27:06,850 --> 00:27:09,180
NAH, MAN, SCRIMMAGE DAY.
631
00:27:09,180 --> 00:27:10,140
WHOO! WHOO!
632
00:27:10,140 --> 00:27:10,890
LET'S GO, MAN.
633
00:27:10,890 --> 00:27:13,180
MAN: ♪ NOW WE GOING TRIBAL ♪
634
00:27:13,180 --> 00:27:13,800
DAMN!
635
00:27:13,800 --> 00:27:14,970
♪ IT'S DOWN TO SURVIVAL ♪
636
00:27:14,970 --> 00:27:16,930
♪ GOING DOWN
WITH THE UNDERDOGS ♪
637
00:27:16,930 --> 00:27:17,640
READY? HERE WE GO.
638
00:27:17,640 --> 00:27:21,260
♪ AND WE DON'T NEED NOTHING
AND NO ONE TO FALL ON ♪
639
00:27:21,260 --> 00:27:23,180
♪ NOBODY'S DREAMING TOMORROW ♪
640
00:27:23,180 --> 00:27:25,550
♪ KEEPING IT ON THE BOTTOM ♪
641
00:27:25,550 --> 00:27:26,260
♪ RIGHT ♪
642
00:27:26,260 --> 00:27:28,260
♪ YOU WANT TO TELL ME
YOUR PROBLEM NOW ♪
643
00:27:28,260 --> 00:27:31,010
♪ RUN IT BY Y'ALL NOW,
THROW NOW ♪
644
00:27:31,010 --> 00:27:36,600
♪ THIS DOG AIN'T
ALONE NOW ♪
645
00:27:37,430 --> 00:27:42,140
GET IT TOGETHER, MAN.
YOU SMELL LIKE A PARTY BUS.
646
00:27:42,140 --> 00:27:42,890
HEH HEH.
647
00:27:42,890 --> 00:27:46,050
MORE LIKE TEQUILA
AND REGRET.
648
00:27:46,760 --> 00:27:48,510
HOLD UP, Y'ALL
SET ME UP?
649
00:27:48,510 --> 00:27:50,640
LAST NIGHT
I THOUGHT--
THOUGHT WHAT?
650
00:27:50,640 --> 00:27:53,010
THOUGHT THAT WE WERE
A TEAM, FRIENDS?
651
00:27:53,010 --> 00:27:54,510
THE ONLY REASON YOU WERE
EVEN AT THAT PARTY
652
00:27:54,510 --> 00:27:56,800
IS BECAUSE WE TOLD
LEILA TO GET YOU THERE.
653
00:27:56,800 --> 00:27:58,100
TO WHAT?
654
00:27:58,100 --> 00:27:59,970
WHAT, HAZE ME?
655
00:27:59,970 --> 00:28:01,680
MAKE ME LOOK BAD?
656
00:28:01,680 --> 00:28:04,890
YOU GOT ME CONFUSED
WITH SOMEBODY ELSE, BRUH.
657
00:28:04,890 --> 00:28:06,720
THEN GO BACK TO CRENSHAW.
658
00:28:06,720 --> 00:28:08,100
WHAT'D YOU SAY?
659
00:28:08,100 --> 00:28:09,140
SAY THAT AGAIN, BRUH.
660
00:28:09,140 --> 00:28:11,640
COME ON, BRUH. WHAT?
SAY IT AGAIN, BRUH.
661
00:28:11,640 --> 00:28:13,260
I WILL NOT LET YOU
BLOW THIS.
662
00:28:13,260 --> 00:28:16,300
ONE FIGHT, AND YOU'RE DONE.
GAME OVER.
663
00:28:16,300 --> 00:28:16,970
COOL IT.
664
00:28:16,970 --> 00:28:19,100
AND YOU--YOU SHOULD
KNOW BETTER THAN THIS.
665
00:28:19,100 --> 00:28:20,850
OH, DO NOT PUT THIS
ON ME, DAD.
666
00:28:20,850 --> 00:28:22,800
YOU WORKED THIS
WHOLE THING UP.
667
00:28:22,800 --> 00:28:24,600
IT WAS ALL A LIE.
EVEN THE GUY'S PERMIT
668
00:28:24,600 --> 00:28:26,470
TO BE AT THE SCHOOL
WAS A LIE,
669
00:28:26,470 --> 00:28:28,260
A LIE TO SAVE YOURSELF.
670
00:28:28,260 --> 00:28:30,390
HEY, YO, SPENCER,
YOU THINK HE CARES ABOUT YOU?
671
00:28:30,390 --> 00:28:31,800
HE'S JUST TRYING TO
SAVE HIS JOB, OK?
672
00:28:31,800 --> 00:28:34,800
THAT'S--THAT'S
WHAT MATTERS.
ENOUGH.
673
00:28:34,800 --> 00:28:35,550
NOT YOU.
JORDAN.
674
00:28:35,550 --> 00:28:38,470
YOU DON'T MATTER TO--
JORDAN, ENOUGH.
675
00:28:40,100 --> 00:28:42,390
ENOUGH.
676
00:28:43,010 --> 00:28:46,260
BACK TO WORK.
677
00:28:48,850 --> 00:28:49,970
SPENCER.
678
00:28:49,970 --> 00:28:51,600
YO, MAN, I QUIT.
679
00:28:51,600 --> 00:28:52,300
I'M DONE HERE.
680
00:28:52,300 --> 00:28:55,350
WHY, BECAUSE I NEED
YOUR HELP TO WIN A SEASON?
681
00:28:55,350 --> 00:28:56,260
LOOK, WINNING IS MY JOB.
682
00:28:56,260 --> 00:28:58,050
THEN YOU SHOULD HAVE
SAID THAT FROM THE START.
683
00:28:58,050 --> 00:29:00,680
ALL THAT "HERE TO GIVE
YOU A CHANCE" TALK,
684
00:29:00,680 --> 00:29:01,970
I DIDN'T NEED IT.
685
00:29:01,970 --> 00:29:03,470
AND I DON'T BELONG HERE.
686
00:29:03,470 --> 00:29:06,760
LOOK, YES, I NEED YOU
TO WIN GAMES,
687
00:29:06,760 --> 00:29:07,800
BUT YOU NEED ME MORE.
688
00:29:07,800 --> 00:29:10,010
IS THAT RIGHT?
THIS IS YOUR CHANCE, SPENCER.
689
00:29:10,010 --> 00:29:13,050
THIS IS YOUR WAY OUT.
LOOK, I'M TRYING TO HELP YOU.
690
00:29:13,050 --> 00:29:15,680
I DIDN'T ASK FOR YOUR HELP
691
00:29:15,680 --> 00:29:18,300
OR A WAY OUT.
692
00:29:18,930 --> 00:29:20,510
LOOK, YOU MIGHT RECALL
I WASN'T THE ONE
693
00:29:20,510 --> 00:29:22,220
KNOCKING DOWN
BEVERLY'S DOOR.
694
00:29:22,220 --> 00:29:25,890
YOU CAME, SAID YOU'D
HELP ME GET TO MY DREAM.
695
00:29:25,890 --> 00:29:28,760
AND NOW THAT I GET HERE,
YOU CHANGE MY POSITION?
696
00:29:28,760 --> 00:29:29,800
HOW IS THAT HELPING?
697
00:29:29,800 --> 00:29:32,890
YOU CAN SEE THE FIELD,
SPENCER,
698
00:29:32,890 --> 00:29:35,550
IN A WAY FEW PLAYERS CAN.
699
00:29:35,550 --> 00:29:37,510
LOOK, I MADE A PROMISE,
REMEMBER?
700
00:29:37,510 --> 00:29:39,760
I SAID THAT I WOULD
HELP YOU GET TO THE NFL.
701
00:29:39,760 --> 00:29:42,930
BUT IN ORDER TO DO THAT,
I NEED YOU TO SEE THE FIELD
702
00:29:42,930 --> 00:29:44,100
FROM EVERY ANGLE,
703
00:29:44,100 --> 00:29:47,430
BECAUSE WHEN YOU DO,
704
00:29:47,430 --> 00:29:49,010
YOU'LL BE UNSTOPPABLE.
705
00:29:49,010 --> 00:29:52,890
LOOK, I'M JUST
GETTING TO KNOW YOU, OK,
706
00:29:52,890 --> 00:29:54,850
BUT I CAN SEE IT
PLAIN AS DAY.
707
00:29:54,850 --> 00:29:55,970
YOU'RE LOOKING
FOR A FIGHT.
708
00:29:55,970 --> 00:29:59,140
AND ALL YOUR LIFE,
EVERY BAD DECISION
YOU'VE EVER MADE
709
00:29:59,140 --> 00:30:02,050
IS BECAUSE YOUR FATHER
LEFT YOU WHEN YOU WERE A KID.
710
00:30:02,050 --> 00:30:04,800
LISTEN TO ME.
711
00:30:04,800 --> 00:30:07,100
BUT THE PATH YOU TAKE NOW,
712
00:30:07,100 --> 00:30:10,140
THAT'S UP TO YOU.
713
00:30:17,700 --> 00:30:19,450
COOP: YOU SEE THESE DUDES?
714
00:30:19,450 --> 00:30:20,570
YEAH, THEY'RE GREAT.
715
00:30:20,570 --> 00:30:22,740
NAH, THEY USED
TO BE GREAT.
NOW THEY JUST STUCK.
716
00:30:22,740 --> 00:30:25,200
THEY DIDN'T TAKE
THEIR SHOT WHEN
THEY HAD IT.
717
00:30:25,200 --> 00:30:28,740
WELL, I CAN'T KEEP LIVING
WITH A FOOT IN TWO WORLDS, COOP,
718
00:30:28,740 --> 00:30:31,400
FEELING LIKE I DON'T
BELONG IN EITHER.
719
00:30:31,400 --> 00:30:32,700
THEN DON'T BELONG.
720
00:30:32,700 --> 00:30:35,200
TAKE THE BEST OF BOTH
AND YOU BOSS UP.
721
00:30:35,200 --> 00:30:38,280
I DON'T KNOW
IF I CAN DO IT.
722
00:30:38,280 --> 00:30:41,070
YOU CAN AND YOU WILL.
723
00:30:43,240 --> 00:30:44,780
ALL RIGHT, SO WHAT
ABOUT YOU?
724
00:30:44,780 --> 00:30:45,860
WHAT ABOUT ME?
725
00:30:45,860 --> 00:30:48,610
SHAWN?
LOOK, IF I AIN'T HERE--
726
00:30:48,610 --> 00:30:50,400
LISTEN, THAT DUDE
IS ALL TALK.
727
00:30:50,400 --> 00:30:52,490
I GOT THAT HANDLED.
COOP.
728
00:30:52,490 --> 00:30:55,400
I PROMISE YOU,
HE BACKED OFF.
729
00:30:55,400 --> 00:30:56,200
LISTEN, SPENCE.
730
00:30:56,200 --> 00:30:58,650
IF I HAD A TENTH
OF YOUR TALENT, BRO,
731
00:30:58,650 --> 00:31:01,570
I'D SAY FORGET
THIS PLACE AND BOUNCE.
732
00:31:01,570 --> 00:31:03,610
WHO WOULDN'T?
733
00:31:03,610 --> 00:31:07,070
THINK ABOUT DILLON,
YOUR MOMS.
734
00:31:07,070 --> 00:31:09,610
YOU COULD REALLY GET
HIM A BETTER LIFE.
735
00:31:09,610 --> 00:31:12,950
I'M NOT GONNA LET YOU
THROW THAT AWAY.
736
00:31:12,950 --> 00:31:15,530
AND WHEN YOU'RE LIVING
YOUR BEST LIFE,
737
00:31:15,530 --> 00:31:20,240
ROCKING IT IN THAT
SUPER BOWL CONFETTI,
738
00:31:20,240 --> 00:31:23,990
YOU GONNA THINK OF
HOW YOUR HOMIE COOP
SET YOU STRAIGHT,
739
00:31:23,990 --> 00:31:30,070
HOW SOMEWHERE SHE
DYING FOR A DUCATI.
740
00:31:31,490 --> 00:31:33,070
STUPID.
741
00:31:33,450 --> 00:31:37,450
I'M SERIOUS,
THOUGH, MAN.
742
00:31:37,450 --> 00:31:41,030
GEORGE FITZGERALD:
♪ IS IT COLD WHEN
YOU'RE DREAMING? ♪
743
00:31:41,030 --> 00:31:43,990
♪ IS IT COLD WHEN
YOU'RE UNDER? ♪
744
00:31:43,990 --> 00:31:46,280
♪ AND WANNA ROLL BACK ♪
745
00:31:46,280 --> 00:31:50,450
♪ ROLL BACK TO YESTERDAY ♪
746
00:31:57,320 --> 00:31:59,110
HEY, HONEY.
747
00:31:59,110 --> 00:32:02,320
THERE'S SOMEONE HERE
TO SEE YOU.
748
00:32:07,860 --> 00:32:11,400
WHAT CAN I DO
FOR YOU, SPENCER?
749
00:32:14,990 --> 00:32:18,360
I WANT TO PLAY
IN THE NFL.
750
00:32:18,650 --> 00:32:23,490
I WANT A LIFE BETTER THAN
THE ONE I'VE BEEN LIVING.
751
00:32:24,740 --> 00:32:26,530
LOOK, MAN,
752
00:32:26,530 --> 00:32:29,400
WHAT DRIVES ME TO PLAY
IS MY ANGER, ALL RIGHT?
753
00:32:29,400 --> 00:32:33,200
THAT'S WHAT YOU SEE
BETWEEN THOSE WHITE LINES.
754
00:32:34,740 --> 00:32:39,450
AND YOU WERE RIGHT
ABOUT MY DAD.
755
00:32:39,450 --> 00:32:42,530
I'M ANGRY HE LEFT.
756
00:32:44,200 --> 00:32:50,070
ANGRY 'CAUSE I GOTTA
FIGHT FOR EVERY DAMN
STEP I TAKE,
757
00:32:50,070 --> 00:32:53,900
ANGRY MY MAMA CAN'T
PAY THE BILLS.
758
00:32:56,200 --> 00:33:00,450
LOOK, MAN, I GOTTA
DO BETTER FOR HER...
759
00:33:02,450 --> 00:33:03,610
FOR DILLON.
760
00:33:03,610 --> 00:33:05,450
AND BEVERLY WILL
HELP ME DO THAT,
761
00:33:05,450 --> 00:33:07,990
FOOTBALL OR NOT, SO...
762
00:33:08,280 --> 00:33:13,400
I WILL PLAY ANY POSITION
YOU TELL ME.
763
00:33:13,400 --> 00:33:17,360
BUT BEFORE I DO,
I NEED TO KNOW WHY.
764
00:33:17,360 --> 00:33:19,400
WHY ME, MAN?
765
00:33:21,320 --> 00:33:26,400
BECAUSE I WANTED TO WIN,
SPENCER.
766
00:33:26,400 --> 00:33:28,240
I, UH...
767
00:33:30,320 --> 00:33:33,820
I WANTED TO GET BACK
768
00:33:33,820 --> 00:33:38,360
JUST A LITTLE BIT
OF WHAT I LOST
769
00:33:38,360 --> 00:33:42,990
WHEN I BUSTED UP
MY KNEE.
770
00:33:42,990 --> 00:33:45,360
BUT THEN I SAW YOU
ON THE FIELD,
771
00:33:45,360 --> 00:33:47,860
AND YOU REMIND ME
OF ME.
772
00:33:47,860 --> 00:33:52,280
NOW, YOU SAY YOU PLAY
BECAUSE YOU'RE ANGRY.
773
00:33:52,280 --> 00:33:53,860
I UNDERSTAND THAT.
774
00:33:53,860 --> 00:33:57,570
BUT IF WE'RE GONNA
DO THIS,
775
00:33:57,570 --> 00:34:02,740
I'M ASKING YOU TO PLAY
FOR SOMETHING BIGGER NOW.
776
00:34:07,780 --> 00:34:12,400
ANNOUNCER: PLEASE WELCOME
YOUR BEVERLY HIGH EAGLES.
777
00:34:21,360 --> 00:34:25,070
THAT'S MY BOY! WHOO!
778
00:34:28,320 --> 00:34:32,070
["GET LOUD FOR ME"
BY GIZZLE PLAYING]
779
00:34:33,900 --> 00:34:34,950
♪ HEART OF A LION ♪
780
00:34:34,950 --> 00:34:37,610
♪ FIRE INSIDE ME,
BLAZE LIKE A SIREN ♪
781
00:34:37,610 --> 00:34:38,650
♪ WHY WOULD YOU TRY IT? ♪
782
00:34:38,650 --> 00:34:41,030
♪ WAKE UP THE BEAST,
NO, I CAN'T KEEP SILENT ♪
783
00:34:41,030 --> 00:34:43,650
♪ I PUT MY TIME IN,
NOW IS MY TIME ♪
784
00:34:43,650 --> 00:34:44,650
♪ YOUR TIME IS EXPIRING ♪
785
00:34:44,650 --> 00:34:47,150
♪ BLOOD, SWEAT, AND TEARS,
I CONQUERED MY FEARS ♪
786
00:34:47,150 --> 00:34:48,490
♪ I'M READY TO FLY NOW ♪
787
00:34:48,490 --> 00:34:50,400
ANNOUNCER: AFTER A QUICK
TURNOVER ON DOWNS,
788
00:34:50,400 --> 00:34:51,610
CHATSWORTH SCORES.
789
00:34:53,490 --> 00:34:54,200
JORDAN: HUT HUT!
790
00:34:54,200 --> 00:34:56,150
♪ YOU SEEN IT THIS STYLISH
WITHOUT A STYLIST, HUH ♪
791
00:34:56,150 --> 00:34:59,110
♪ IT'S BEEN A LONG TIME
I'VE BEEN ON THIS ROAD ♪
792
00:34:59,110 --> 00:35:00,450
♪ I'M RACKING MY MILEAGE UP... ♪
793
00:35:00,450 --> 00:35:04,570
ANNOUNCER: AND SPENCER JAMES
BREAKS UP THE PASS!
794
00:35:08,570 --> 00:35:10,610
JORDAN: HUT HUT!
795
00:35:18,030 --> 00:35:19,610
ANNOUNCER: AND BEVERLY
WITH A TIMEOUT.
796
00:35:19,610 --> 00:35:20,820
ONE SECOND.
WHAT'S UP?
797
00:35:20,820 --> 00:35:21,700
NUMBER 52'S HURT.
798
00:35:21,700 --> 00:35:23,530
HE'S PULLING UP ON
HIS RIGHT HAMSTRING
799
00:35:23,530 --> 00:35:24,490
AFTER EVERY PLAY.
800
00:35:24,490 --> 00:35:25,700
ASHER RUNS A PICK ON HIM,
801
00:35:25,700 --> 00:35:26,700
JORDAN RUNS RIGHT,
802
00:35:26,700 --> 00:35:28,400
I CAN BRING IT IN
FOR THE WIN.
803
00:35:28,400 --> 00:35:30,570
YOU THINK YOU CAN
TAKE HIM?
804
00:35:30,570 --> 00:35:33,450
I KNOW I CAN.
805
00:35:33,450 --> 00:35:35,820
ASH!
806
00:35:35,820 --> 00:35:36,860
WHAT'S UP, COACH?
807
00:35:36,860 --> 00:35:38,320
SPENCER'S GOING IN.
GOOD STUFF.
808
00:35:38,320 --> 00:35:40,400
GOOD STUFF.
GET IN THERE.
809
00:35:40,400 --> 00:35:41,700
WHAT?
GOOD WORK.
810
00:35:41,700 --> 00:35:43,240
ANNOUNCER: HERE'S
AN INTERESTING SUB.
811
00:35:43,240 --> 00:35:46,280
SPENCER JAMES COMING
IN FOR ASHER ADAMS
812
00:35:46,280 --> 00:35:46,950
ON OFFENSE.
813
00:35:46,950 --> 00:35:49,360
WE'RE ALL GONNA BE RIGHT
THIS TIME. YOU GOT IT?
814
00:35:49,360 --> 00:35:50,070
ALL RIGHT.
815
00:35:50,070 --> 00:35:53,360
EX PICK, TB RULE LEFT
ON ONE, ON ONE.
816
00:35:53,360 --> 00:35:53,990
READY?
817
00:35:53,990 --> 00:35:55,570
ANNOUNCER: ALL RIGHT,
HERE WE GO, FOLKS.
818
00:35:55,570 --> 00:36:00,400
BEVERLY DOWN BY 4 WITH
20 SECONDS LEFT IN THE GAME.
819
00:36:00,400 --> 00:36:01,450
HERE WE GO, HERE WE GO.
820
00:36:01,450 --> 00:36:03,740
52. WATCH 52.
HERE WE GO.
821
00:36:03,740 --> 00:36:05,360
3! HUT!
822
00:36:05,360 --> 00:36:07,650
ANNOUNCER: BAKER DROPS BACK.
823
00:36:07,650 --> 00:36:12,320
SCRAMBLES TO THE LEFT.
JAMES GOING WIDE.
824
00:36:13,280 --> 00:36:16,780
WHAT A BLOCK BY
SPENCER JAMES!
825
00:36:16,780 --> 00:36:18,990
HE CLEARED BAKER
FOR THE END ZONE.
826
00:36:18,990 --> 00:36:23,360
HE'S AT THE 20, 15, 10!
827
00:36:23,360 --> 00:36:24,450
TOUCHDOWN!
828
00:36:24,450 --> 00:36:25,490
YEAH!
829
00:36:25,490 --> 00:36:28,700
BEVERLY WINS!
830
00:36:28,700 --> 00:36:31,530
WHAT A GAME!
831
00:36:32,240 --> 00:36:36,490
BOY: YES! YEAH!
832
00:36:36,490 --> 00:36:38,700
I'LL BE DAMNED.
833
00:36:38,700 --> 00:36:42,280
YOU GOOD?
HERE WE GO.
834
00:36:42,280 --> 00:36:43,900
YOU STRAIGHT?
835
00:36:43,900 --> 00:36:45,610
YOU GOOD?
836
00:36:45,610 --> 00:36:46,740
SPENCER: YEAH.
837
00:36:47,740 --> 00:36:49,610
I MAY HAVE TO KEEP YOU
ON DEFENSE AFTER A HIT
838
00:36:49,610 --> 00:36:50,700
LIKE THAT, YOU KNOW
THAT, RIGHT?
839
00:36:50,700 --> 00:36:53,820
FACE IT, COACH, I'M
TOO PRETTY FOR DEFENSE.
840
00:36:53,820 --> 00:36:58,490
THERE YOU GO.
I'M PROUD OF YOU, SON.
841
00:36:59,860 --> 00:37:03,570
HEY, MAN, CAN I TALK
TO YOU FOR A SECOND?
842
00:37:07,490 --> 00:37:10,650
CONGRATULATIONS!
843
00:37:10,650 --> 00:37:11,400
THANKS.
844
00:37:11,400 --> 00:37:14,400
I'M SORRY ABOUT THE WHOLE
GETTING YOU TO THE PARTY THING.
845
00:37:14,400 --> 00:37:15,860
I DIDN'T KNOW WHAT
THEY WERE PLANNING.
846
00:37:15,860 --> 00:37:18,200
I WOULD NEVER DO
SOMETHING LIKE THAT.
847
00:37:18,200 --> 00:37:19,400
IF I HAD KNOWN--
IT'S OK.
848
00:37:19,400 --> 00:37:24,740
IT'S NOT, BUT
MAYBE WE START OVER?
849
00:37:24,740 --> 00:37:26,400
FRIENDS?
850
00:37:26,400 --> 00:37:29,280
YEAH. YEAH,
WE CAN DO THAT.
851
00:37:29,280 --> 00:37:31,530
CAMPFIRE: ♪ WHOA, WHOA ♪
852
00:37:31,530 --> 00:37:34,700
♪ NOW YOU'VE BEEN SUMMONED
FOR A SPECIAL OCCASION ♪
853
00:37:34,700 --> 00:37:37,740
♪ I, I STAY READY 'CAUSE
DESTINY IMPATIENT ♪
854
00:37:37,740 --> 00:37:39,610
♪ CHANGES, I'VE BEEN
SEEING CHANGES ♪
855
00:37:39,610 --> 00:37:44,280
♪ IF YOU TALKING FIRE THEN
WE SPEAK THE SAME LANGUAGE ♪
856
00:37:44,280 --> 00:37:44,990
♪ RAH ♪
857
00:37:44,990 --> 00:37:46,860
♪ AND THEY TRYING
TO CUT THE SUPPLY ♪
858
00:37:46,860 --> 00:37:49,740
♪ BUT MY ENERGY IS
AT AN ALL-TIME HIGH ♪
859
00:37:49,740 --> 00:37:53,280
SPENCER.
860
00:37:54,360 --> 00:37:55,150
SO WE HAVE A PROBLEM.
861
00:37:55,150 --> 00:38:00,530
AH, CHATSWORTH IS
CONTESTING YOUR
TRANSFER PERMIT.
862
00:38:00,530 --> 00:38:03,450
♪ WHOA, WHOA ♪
863
00:38:03,990 --> 00:38:04,950
WE'RE GONNA FIGHT THIS.
864
00:38:04,950 --> 00:38:06,360
THEY'RE ACCUSING US
OF RECRUITING.
865
00:38:06,360 --> 00:38:07,280
YOU'RE GONNA STAND THERE
866
00:38:07,280 --> 00:38:09,240
AND TELL ME IT'S NOT TRUE?
HE'S A STRAIGHT-A STUDENT.
867
00:38:09,240 --> 00:38:10,490
AND THAT'S WHY
THE FOOTBALL COACH
868
00:38:10,490 --> 00:38:12,400
WENT DOWN TO CRENSHAW
TO RECRUIT HIM,
BECAUSE HE'S SMART?
869
00:38:12,400 --> 00:38:14,110
THAT'S NOT GONNA FLY,
NOT WITH THE BOARD.
870
00:38:14,110 --> 00:38:15,490
OK, WHAT IF HE MOVES
TO THIS ZIP CODE?
871
00:38:15,490 --> 00:38:18,450
YO, MY MOMS CAN BARELY
AFFORD TO GIVE ME
LUNCH MONEY.
872
00:38:18,450 --> 00:38:23,440
YOU THINK SHE CAN AFFORD
TO MOVE US TO BEVERLY HILLS?
873
00:38:23,540 --> 00:38:25,000
OK, WE'RE GONNA
FIGURE THIS OUT
874
00:38:25,090 --> 00:38:26,500
HOW?
875
00:38:26,500 --> 00:38:29,050
LOOK, FACE IT, COACH,
876
00:38:29,050 --> 00:38:30,670
IT'S OVER.
877
00:38:30,670 --> 00:38:33,840
MAYBE THERE'S ANOTHER WAY.
878
00:38:34,880 --> 00:38:36,250
YOU'RE SURE ABOUT THIS?
879
00:38:36,250 --> 00:38:37,420
SPENCER: NO.
880
00:38:37,420 --> 00:38:41,130
BUT IT'S THE ONLY
WAY TO STAY.
881
00:38:42,000 --> 00:38:43,500
LIVING IN BEVERLY HILLS.
882
00:38:43,500 --> 00:38:44,500
JUST DURING THE WEEK.
883
00:38:44,500 --> 00:38:47,460
THAT WAY I QUALIFY
FOR THE DISTRICT.
884
00:38:47,460 --> 00:38:48,960
WITH COACH BAKER?
885
00:38:48,960 --> 00:38:51,420
WITH COACH BAKER
AND HIS FAMILY.
886
00:38:51,420 --> 00:38:54,300
ON WEEKENDS, I'LL
BE HOME WITH YOU.
887
00:38:54,300 --> 00:38:56,920
LOOK, MA,
888
00:38:56,920 --> 00:38:59,170
IF YOU DON'T WANT THIS,
889
00:38:59,170 --> 00:39:00,170
I WON'T GO.
890
00:39:00,170 --> 00:39:03,800
OK, JUST SAY THE WORD
AND I'LL CALL THEM.
891
00:39:03,800 --> 00:39:05,880
NO. I ASKED YOU
TO GIVE YOURSELF
892
00:39:05,880 --> 00:39:09,340
A CHANCE AT
SOMETHING MORE.
893
00:39:09,340 --> 00:39:12,880
AND, UH,
894
00:39:12,880 --> 00:39:17,670
THIS IS THE, UH,
THE ONLY WAY TO DO IT.
895
00:39:24,250 --> 00:39:26,340
WAY I SEE IT,
YOU GOTTA GO.
896
00:39:26,340 --> 00:39:28,000
THIS IS WHAT'S BEST
FOR YOU, SPENCER.
897
00:39:28,000 --> 00:39:33,000
IF YOU CAN DO IT,
MAKE SOMETHING OF YOURSELF.
898
00:39:34,590 --> 00:39:38,130
ALSO, CAN I HAVE YOUR ROOM?
899
00:39:38,130 --> 00:39:42,170
NAH, DEFINITELY NOT.
900
00:39:42,170 --> 00:39:43,800
COME HERE.
901
00:39:43,800 --> 00:39:48,000
RUEL: ♪ SAVE YOUR BREATH,
MY BROTHER... ♪
902
00:39:48,000 --> 00:39:48,880
WE'RE HERE.
903
00:39:48,880 --> 00:39:50,250
♪ IT'S NOT GOING IN ♪
904
00:39:50,250 --> 00:39:53,880
♪ I'M NOT YOUR DISCIPLE ♪
905
00:39:53,880 --> 00:39:56,250
♪ I CHOOSE HOW I SIN ♪
906
00:39:56,250 --> 00:39:59,960
♪ I'VE GOT A DISTANT MEMORY ♪
907
00:39:59,960 --> 00:40:01,920
♪ OF PREVIOUS LIVES ♪
908
00:40:01,920 --> 00:40:05,800
♪ SO DON'T SAY
I'M NOT READY ♪
909
00:40:05,800 --> 00:40:11,050
♪ BACK OFF WITH THOSE KNIVES ♪
910
00:40:11,050 --> 00:40:16,670
♪ YOU DON'T KNOW ME
LIKE YOU USED TO ♪
911
00:40:16,670 --> 00:40:23,500
♪ YOU CAN LEAVE
BUT I REFUSE TO ♪
912
00:40:23,500 --> 00:40:28,880
♪ YOU CAN TELL ME
THAT I'M CRAZY ♪
913
00:40:28,880 --> 00:40:32,000
♪ BUT I WON'T STOP
AND THIS WON'T MAKE ME ♪
914
00:40:32,000 --> 00:40:34,210
HEY, LET'S GO.
915
00:40:34,210 --> 00:40:39,250
♪ OOH ♪
916
00:40:39,250 --> 00:40:41,050
♪ OH ♪
917
00:40:41,050 --> 00:40:45,670
♪ DON'T TELL ME
I'M NOT READY ♪
918
00:40:46,420 --> 00:40:50,550
♪ OOH ♪
919
00:40:51,420 --> 00:40:53,130
♪ OH ♪
920
00:40:53,130 --> 00:40:56,050
♪ DON'T TELL ME
I'M NOT READY... ♪
921
00:40:56,050 --> 00:40:59,670
WELCOME TO
BEVERLY HILLS, SPENCER.
922
00:41:07,050 --> 00:41:13,880
♪ YOU DON'T KNOW ME
LIKE YOU USED TO ♪
923
00:41:13,880 --> 00:41:16,590
♪ OOH... ♪
924
00:41:16,590 --> 00:41:18,340
HEY, GRACIE.
925
00:41:18,340 --> 00:41:19,960
HI.
926
00:41:19,960 --> 00:41:21,000
♪ OH, OH ♪
927
00:41:21,000 --> 00:41:22,130
BILLY: WE NEED TO TALK.
928
00:41:22,130 --> 00:41:25,800
♪ DON'T TELL ME
I'M NOT READY ♪
929
00:41:25,800 --> 00:41:27,250
WE GOT TO TELL
SPENCER THE TRUTH.
930
00:41:27,250 --> 00:41:33,250
♪ DON'T TELL ME I'M NOT
READY FOR LOVE ♪
931
00:41:33,250 --> 00:41:38,300
♪ OOH ♪
932
00:41:38,300 --> 00:41:41,250
♪ OH ♪
933
00:42:08,090 --> 00:42:10,250
MAN: GREG, MOVE YOUR HEAD.
62462
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