All language subtitles for Swing.Shift.1984.1080p.WEB

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew Download
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,936 --> 00:00:06,807 * OH, MY HEART KNOWS MORE WITH EACH PASSING DAY * 2 00:00:06,807 --> 00:00:11,379 * AND I KNOW I'LL CHANGE IF YOU LEAVE OR STAY * 3 00:00:11,379 --> 00:00:15,583 * BUT WHEN OUR WORLD TURNS WHERE IT'S TURNING TO * 4 00:00:15,583 --> 00:00:18,519 * YOU'LL SEE SOME HEARTS FADE * 5 00:00:18,519 --> 00:00:25,626 * WHILE MINE SHINES ON THROUGH * 6 00:00:25,626 --> 00:00:32,933 * I WILL STILL BE THERE SOMEDAY FOR YOU * 7 00:00:32,933 --> 00:00:37,138 * YOU SEE, SOMEWHERE * 8 00:00:37,138 --> 00:00:41,575 * SOMEONE WAITS FOR YOU * 9 00:00:41,575 --> 00:00:46,680 * WHO HOPES YOU WILL COME THROUGH * 10 00:00:46,680 --> 00:00:52,120 * WHO WILL WAIT UNTIL YOU DO * 11 00:00:52,120 --> 00:00:57,258 * YOU'LL SEE A LIGHT * 12 00:00:57,258 --> 00:01:02,230 * IN SOME FAMILIAR DOOR * 13 00:01:02,230 --> 00:01:07,201 * AND WHEN YOU REACH THE SHORE * 14 00:01:07,201 --> 00:01:12,373 * LIFE WON'T HURT ANYMORE * 15 00:01:12,373 --> 00:01:15,543 * REMEMBER * 16 00:01:15,543 --> 00:01:20,114 * NIGHT MAY TROUBLE YOU * 17 00:01:20,114 --> 00:01:24,752 * WITH ENDLESS DREAMS * 18 00:01:24,752 --> 00:01:30,858 * BUT BLUE SKIES WAIT FOR YOU * 19 00:01:30,858 --> 00:01:35,596 * BEYOND THE SUNRISE * 20 00:01:35,596 --> 00:01:43,804 * I'M HERE, SO WALK INTO YOUR FATE * 21 00:01:43,804 --> 00:01:49,543 * IT NEVER IS TOO LATE * 22 00:01:49,543 --> 00:01:53,514 * THERE'S SOMEONE SMILING THROUGH * 23 00:01:53,514 --> 00:02:00,988 * WHO WILL DO ALL THEY CAN DO FOR YOU * 24 00:02:00,988 --> 00:02:04,525 * REMEMBER, SOMEWHERE * 25 00:02:04,525 --> 00:02:09,730 * SOMEONE WAITS FOR YOU * 26 00:02:25,145 --> 00:02:28,816 * THERE'S SOMEONE SMILING THROUGH * 27 00:02:28,816 --> 00:02:33,421 Boy: HEY, WATCH OUT. 28 00:02:33,421 --> 00:02:35,623 HI, SPIKE. HOW ARE YOU? 29 00:02:35,623 --> 00:02:36,824 HI, JACK. 30 00:02:36,824 --> 00:02:39,026 BOY, SHE'S SOUNDING GOOD TODAY. 31 00:02:39,026 --> 00:02:40,861 YEAH, SHE'S STRUMMING. 32 00:02:40,861 --> 00:02:42,263 HI, JERRY. 33 00:02:42,263 --> 00:02:43,497 HI, JACK. 34 00:02:43,497 --> 00:02:47,100 MY MOM AND DAD SENT ME A LETTER 35 00:02:47,100 --> 00:02:50,671 ABOUT FOUR DAYS AGO. 36 00:02:50,671 --> 00:02:51,872 COME ON, BOY. 37 00:02:51,872 --> 00:02:54,074 Woman: HOW YOU FEELING TODAY, JIMMY? 38 00:02:54,074 --> 00:02:55,676 NOT BAD. 39 00:02:55,676 --> 00:02:57,077 HI, SPIKE. 40 00:02:57,077 --> 00:02:58,212 HI, KAY. 41 00:02:58,212 --> 00:02:59,813 SEEN JACK? 42 00:02:59,813 --> 00:03:01,615 YEAH. HE'S OUT FRONT. 43 00:03:02,383 --> 00:03:04,385 WESLEY, GET OVER HERE. 44 00:03:04,385 --> 00:03:07,588 [ SWING MUSIC PLAYING ] 45 00:03:11,359 --> 00:03:13,961 HOW YOU DOING, ETHEL? 46 00:03:13,961 --> 00:03:14,962 HI, HONEY. 47 00:03:14,962 --> 00:03:16,964 HI, HONEY. HOW ARE YOU? 48 00:03:16,964 --> 00:03:18,566 GOOD. MMM. 49 00:03:18,566 --> 00:03:20,167 HOPE YOU'RE HUNGRY. 50 00:03:20,167 --> 00:03:22,270 I'M STARVING. 51 00:03:22,270 --> 00:03:24,872 YOU THINK YOU CAN MAKE THAT ANY LOUDER? 52 00:03:24,872 --> 00:03:27,641 [ MUSIC PLAYING LOUDER ] 53 00:03:35,849 --> 00:03:37,251 BUSY DAY, HONEY? 54 00:03:37,251 --> 00:03:39,853 NO, IT WAS THE SAME OLD STUFF, SWEETHEART. 55 00:03:44,292 --> 00:03:47,595 HOW CHEAP CAN YOU GET? 56 00:03:49,663 --> 00:03:51,865 TRAMP! 57 00:03:51,865 --> 00:03:54,001 I THINK SHE'S A SINGER. 58 00:03:54,001 --> 00:03:55,403 SINGER, MY FOOT. 59 00:03:55,403 --> 00:03:58,171 OH. MMM. 60 00:03:58,171 --> 00:04:01,675 SATURDAYS ARE ROTTEN WHEN YOU WORK. 61 00:04:01,675 --> 00:04:04,578 TELL THAT TO THE BILL COLLECTORS, HONEY. 62 00:04:06,814 --> 00:04:09,817 [ SINGING ] 63 00:04:20,027 --> 00:04:24,965 * BUT I DIDN'T THINK I'D FALL IN LOVE * 64 00:04:24,965 --> 00:04:30,371 * I WASN'T THINKING ABOUT ROMANCE * 65 00:04:30,371 --> 00:04:35,709 * I DIDN'T EVEN GIVE LOVE A CHANCE * 66 00:04:35,709 --> 00:04:41,248 * I DIDN'T BELIEVE THAT DREAMS CAME TRUE * 67 00:04:41,248 --> 00:04:46,420 * THEN SUDDENLY, I SAW YOU * 68 00:04:46,420 --> 00:04:51,124 * I DIDN'T THINK IT WOULD HAPPEN SO FAST * 69 00:04:51,124 --> 00:04:56,430 * I THOUGHT IT WOULD TAKE A WHILE * 70 00:04:56,430 --> 00:05:01,669 * BUT I FELL HEAD OVER HEELS IN LOVE * 71 00:05:01,669 --> 00:05:04,672 * THE SECOND I SAW YOU SMILE * 72 00:05:04,672 --> 00:05:06,674 FREE ENTERPRISE IS KILLING ME. 73 00:05:06,674 --> 00:05:09,276 I CAN'T MAKE A DIME IN THAT DUMP. 74 00:05:09,276 --> 00:05:11,679 I KNOW, BABE. MY FEET ARE KILLING ME. 75 00:05:11,679 --> 00:05:14,247 WE'LL SETTLE DOWN WITH A BUSINESS SOON. 76 00:05:14,247 --> 00:05:15,649 I'M DOING SOMETHING DECENT. 77 00:05:15,649 --> 00:05:18,251 I'M GOING TO SELL THE EGYPTIAN. IT'S A CURSE. 78 00:05:18,251 --> 00:05:19,653 [ SIGHS ] 79 00:05:19,653 --> 00:05:22,656 GOT TO BE SOMETHING ELSE A GUY LIKE ME CAN DO 80 00:05:22,656 --> 00:05:25,493 BESIDES RUN A CHEAP DANCE HALL. 81 00:05:28,829 --> 00:05:32,933 BISCUITS, HONEY, YOU COMING IN OR WHAT? 82 00:05:44,044 --> 00:05:48,582 * I'VE GOT A BRAND-NEW HONEY, THINKS THAT I'M OKAY * 83 00:05:48,582 --> 00:05:52,920 * WELL, YOU HAD YOUR CHANCE BUT LET IT SLIP AWAY * 84 00:05:52,920 --> 00:05:55,322 * NOW YOU TELL ME THAT YOU'RE SORRY, DEAR * 85 00:05:55,322 --> 00:05:57,324 * WELL, NOW, AIN'T THAT A SHAME? * 86 00:05:57,324 --> 00:06:02,295 * 'CAUSE I GOT A BRAND-NEW PICTURE * 87 00:06:02,295 --> 00:06:06,299 * AND IT'S IN MY PICTURE FRAME * 88 00:06:06,299 --> 00:06:10,070 Radio announcer: THERE'S FINE SMOKING PLEASURE 89 00:06:10,070 --> 00:06:11,605 IN FINE TOBACCO, 90 00:06:11,605 --> 00:06:14,575 AND LUCKY STRIKE MEANS FINE TOBACCO. 91 00:06:14,575 --> 00:06:17,778 [ BIG BAND MUSIC PLAYING ] 92 00:06:23,717 --> 00:06:26,186 HEY, MISTER, YOU WANT A BALLOON 93 00:06:26,186 --> 00:06:27,788 FOR THE BEAUTIFUL LADY? 94 00:06:27,788 --> 00:06:28,789 YES. 95 00:06:28,789 --> 00:06:30,190 HERE YOU GO. 96 00:06:30,190 --> 00:06:31,925 THANK YOU. 97 00:06:31,925 --> 00:06:34,327 IT'S A WAR! THE GODDAMN JAPS BOMBED HAWAII! 98 00:06:34,327 --> 00:06:37,330 Radio announcer: THE JAPANESE HAVE ATTACKED 99 00:06:37,330 --> 00:06:39,132 PEARL HARBOR, HAWAII, BY AIR, 100 00:06:39,132 --> 00:06:41,134 PRESIDENT ROOSEVELT HAS JUST ANNOUNCED. 101 00:06:41,134 --> 00:06:44,738 THE ATTACK ALSO WAS MADE ON ALL NAVAL AND MILITARY ACTIVITIES 102 00:06:44,738 --> 00:06:46,907 IN THE PRINCIPAL ISLAND OF OAHU. 103 00:06:48,942 --> 00:06:51,344 I HAVE A BOY AT SEA ON A DESTROYER. 104 00:06:51,344 --> 00:06:55,348 FOR ALL I KNOW, HE MAY BE ON HIS WAY TO THE PACIFIC. 105 00:06:55,348 --> 00:06:57,951 TWO OF MY CHILDREN ARE IN COASTAL CITIES. 106 00:06:57,951 --> 00:07:00,921 MRS. ROOSEVELT'S SON'S ON A DESTROYER. 107 00:07:00,921 --> 00:07:03,524 MANY OF YOU WHO HAVE BOYS IN THE SERVICES 108 00:07:03,524 --> 00:07:05,158 WILL NOW BE CALLED UPON... 109 00:07:05,158 --> 00:07:07,961 THIS AMERICAN'S GOING TO DIE WITH PERFECT NAILS. 110 00:07:07,961 --> 00:07:09,062 SHH. 111 00:07:09,062 --> 00:07:10,731 ETHEL. 112 00:07:12,700 --> 00:07:15,503 [ Mumbling ] ETHEL, CAN YOU HAND ME THAT HAMMER? 113 00:07:18,305 --> 00:07:19,973 HONEY -- HONEY, I'M TELLING YOU, 114 00:07:19,973 --> 00:07:22,643 THE LIGHT'S GOING TO SHOW THROUGH THAT THING. 115 00:07:22,643 --> 00:07:26,013 THEY SAID THIS IS HOW YOU'RE SUPPOSED TO DO IT 116 00:07:26,013 --> 00:07:27,681 ON THE RADIO, HON. 117 00:07:27,681 --> 00:07:30,317 WELL, I DON'T THINK IT'S GOING TO DO 118 00:07:30,317 --> 00:07:32,319 A BIT OF GOOD, SWEETHEART. 119 00:07:32,319 --> 00:07:34,187 YOU'RE PROBABLY RIGHT. 120 00:07:34,187 --> 00:07:37,390 LET ME GET UP THERE AND GIVE YOU SOME HELP. 121 00:07:37,390 --> 00:07:39,693 THERE. I DID IT, JACK. 122 00:07:39,693 --> 00:07:42,295 I'M GOING TO GET YOU ANOTHER BEER. 123 00:07:42,295 --> 00:07:44,197 KAY... 124 00:07:44,197 --> 00:07:46,433 I'M SIGNING UP TOMORROW. 125 00:07:46,433 --> 00:07:49,302 I'VE GOT TO. 126 00:07:49,302 --> 00:07:50,704 OH, HONEY, I KNEW. 127 00:07:50,704 --> 00:07:53,974 I KNEW YOU WERE GOING TO SAY THAT. 128 00:07:53,974 --> 00:07:57,410 HONEY... 129 00:07:57,410 --> 00:08:00,447 HONEY, SNAP OUT OF IT, WILL YOU? 130 00:08:00,447 --> 00:08:03,316 HONEY? 131 00:08:03,316 --> 00:08:04,852 PEARL HARBOR'S ONE THING, 132 00:08:04,852 --> 00:08:07,588 BUT THE JAPS AREN'T GOING TO LAND HERE. 133 00:08:07,588 --> 00:08:09,623 HOW DO YOU KNOW? 134 00:08:11,692 --> 00:08:14,895 FIRST OF ALL, THE FISHING'S BEEN REAL LOUSY 135 00:08:14,895 --> 00:08:17,097 OFF SANTA MONICA PIER THIS YEAR. 136 00:08:17,097 --> 00:08:18,498 OH, HONEY. 137 00:08:18,498 --> 00:08:21,702 SECOND OF ALL, I WON'T LET THEM. 138 00:08:21,702 --> 00:08:24,304 WHAT IF SOMETHING HAPPENS TO YOU, HONEY? 139 00:08:24,304 --> 00:08:26,039 LISTEN, KAY. 140 00:08:26,039 --> 00:08:29,442 NOTHING'S GOING TO HAPPEN TO ME... 141 00:08:29,442 --> 00:08:31,845 BUT I'VE GOT TO GO. 142 00:08:31,845 --> 00:08:35,048 DAMN IT. THEY'VE STARTED IT. WE'VE GOT TO FINISH IT. 143 00:08:35,048 --> 00:08:36,449 WE'VE GOT TO. 144 00:08:36,449 --> 00:08:39,452 I'VE GOT TO GO, AND I'LL BE ALL RIGHT. 145 00:08:39,452 --> 00:08:41,689 PROMISE? 146 00:08:41,689 --> 00:08:44,758 I PROMISE. 147 00:08:44,758 --> 00:08:46,326 NOW, LET'S SEE. 148 00:08:46,326 --> 00:08:50,030 A SEAMAN THIRD MAKES $18.75 A MONTH PLUS 5 BUCKS SEA DUTY. 149 00:08:50,030 --> 00:08:53,166 THAT'S $23.75 I CAN SEND YOU HOME EVERY MONTH. 150 00:08:53,166 --> 00:08:56,169 THE PRICES MIGHT GO UP, THOUGH, 'CAUSE OF THE WAR, 151 00:08:56,169 --> 00:08:59,773 SO YOU'VE GOT TO BE CAREFUL HOW YOU SPEND IT, OKAY? 152 00:08:59,773 --> 00:09:02,976 YEAH. I WAS THINKING I COULD TAKE SOMETHING ON. 153 00:09:02,976 --> 00:09:04,177 LIKE WHAT? 154 00:09:04,177 --> 00:09:07,615 A JOB. PENNEY'S IS ASKING FOR SALESCLERKS -- 155 00:09:07,615 --> 00:09:10,718 I DON'T WANT YOU DOING ANY SUCH THING. 156 00:09:12,820 --> 00:09:14,822 I DON'T WANT YOU WORKING. 157 00:09:14,822 --> 00:09:16,957 I JUST WANT YOU TO BE SAFE. 158 00:09:16,957 --> 00:09:19,359 OH, HONEY, WHAT AM I GOING TO DO 159 00:09:19,359 --> 00:09:22,930 IF I DON'T HAVE YOU TO DO THINGS FOR ANYMORE? 160 00:09:34,174 --> 00:09:36,777 THAT LID SURE LOOKS SWELL ON YOU, KAY. 161 00:09:36,777 --> 00:09:40,447 I BOUGHT IT TO SEE YOU OFF. I KNOW YOU LIKE RED. 162 00:09:40,447 --> 00:09:41,915 YEAH, I LIKE RED. 163 00:09:41,915 --> 00:09:45,919 SECTION FIVE, MOVE OUT. SECTION FIVE. 164 00:09:47,955 --> 00:09:51,558 I DON'T KNOW WHAT I'M GOING TO DO WITHOUT YOU, HONEY. 165 00:09:51,558 --> 00:09:53,961 OH, GOD. ME, NEITHER, KAY. 166 00:09:53,961 --> 00:09:57,765 Man: COME ON. MOVE IT OUT. SECTION FIVE, LET'S MOVE IT! 167 00:09:59,867 --> 00:10:02,670 Man: I'LL WRITE YOU EVERY DAY! 168 00:10:02,670 --> 00:10:04,638 BYE, JACK! 169 00:10:04,638 --> 00:10:07,841 All: GOODBYE! BYE! 170 00:11:03,330 --> 00:11:06,333 [ PLAYING SWING MUSIC ] 171 00:11:13,841 --> 00:11:15,242 I SAID TO MYSELF, 172 00:11:15,242 --> 00:11:17,845 "FRANKIE PARKER, YOU BETTER GET OUT OF HERE 173 00:11:17,845 --> 00:11:19,847 IF YOU EVER WANT TO BE SOMEBODY." 174 00:11:19,847 --> 00:11:21,849 SO THAT'S WHEN I DECIDED... 175 00:11:21,849 --> 00:11:24,117 YOU SING REAL NICE. 176 00:11:24,117 --> 00:11:25,652 THANK YOU. 177 00:11:25,652 --> 00:11:27,654 MY UNIT'S SHIPPING OUT TOMORROW -- 178 00:11:27,654 --> 00:11:29,823 NO FOOLING? 179 00:11:32,325 --> 00:11:35,763 LISTEN, UM, FIND YOURSELF ANOTHER GIRL, OKAY? 180 00:11:35,763 --> 00:11:37,731 GOOD LUCK, SWEETIE. 181 00:11:40,734 --> 00:11:43,536 HEY, BISCUITS, YOU SAID I COULD SING TONIGHT, REMEMBER? 182 00:11:43,536 --> 00:11:45,839 I GOT TO GET A BIG NAME UP THERE. 183 00:11:45,839 --> 00:11:47,841 WHAT DO YOU MEAN, A BIG NAME? 184 00:11:47,841 --> 00:11:50,443 COME ON. YOU SAID I COULD SING TONIGHT. 185 00:11:50,443 --> 00:11:52,245 I GOT A GOLD MINE HERE. 186 00:11:52,245 --> 00:11:55,248 THIS COULD BE A FIRST-CLASS HALL IF I PLAY IT RIGHT. 187 00:11:55,248 --> 00:11:57,851 I'M TALKING HELEN FORREST, JENNY SIMS, JOE STAFFORD, 188 00:11:57,851 --> 00:11:59,452 NOT HAZEL ZANUSSI. 189 00:11:59,452 --> 00:12:02,589 YOU WANT TO KNOW WHO GOES DANCING DURING THE WAR? 190 00:12:02,589 --> 00:12:04,324 NO, TELL ME. 191 00:12:04,324 --> 00:12:06,559 EVERYBODY. 192 00:12:06,559 --> 00:12:08,561 BISCUITS, YOU TOLD ME... 193 00:12:08,561 --> 00:12:10,563 HERE YOU GO, BOSS. 194 00:12:10,563 --> 00:12:12,766 HEY, THANK YOU, KNUCKLES. 195 00:12:21,108 --> 00:12:23,844 SHE TAKES A REAL GOOD PICTURE, DOESN'T SHE? 196 00:12:23,844 --> 00:12:27,114 JESUS. 197 00:12:27,114 --> 00:12:30,383 SO THE GIRLS GO FOR ME. IS THAT MY FAULT? 198 00:12:30,383 --> 00:12:32,986 NO, I JUST SORT OF THOUGHT THAT YOU AND I 199 00:12:32,986 --> 00:12:35,488 WERE GOING TO GET RESPECTABLE, BISCUITS. 200 00:12:35,488 --> 00:12:37,124 IT'S FINISHED. SATISFIED? 201 00:12:37,124 --> 00:12:39,960 NOW, HAVEN'T YOU GOT SOMETHING TO DO? 202 00:12:39,960 --> 00:12:44,531 YEAH, I SURE DO. 203 00:12:54,507 --> 00:12:57,510 Man: WOMEN WANTED FOR WAR PRODUCTION WORK 204 00:12:57,510 --> 00:12:59,312 HERE IN OUR CITY. 205 00:12:59,312 --> 00:13:03,116 WHY? MORE AND MORE MEN ARE BEING CALLED 206 00:13:03,116 --> 00:13:04,551 INTO THE ARMED FORCES. 207 00:13:04,551 --> 00:13:07,220 THEIR JOBS MUST BE FILLED AND FILLED NOW, 208 00:13:07,220 --> 00:13:09,422 AND WHO CAN FILL THEM? 209 00:13:09,422 --> 00:13:13,360 YOU -- YOU WOMEN. YOU ARE THE ONES WHO MUST FILL THEM, 210 00:13:13,360 --> 00:13:17,697 WHO CAN GIVE OUR BOYS WHAT THEY NEED -- 211 00:13:17,697 --> 00:13:20,233 A THOUSAND MORE PLANES, 212 00:13:20,233 --> 00:13:22,970 MORE AND MORE TANKS, 213 00:13:22,970 --> 00:13:24,905 AND MORE SHIPS. 214 00:13:36,649 --> 00:13:38,852 Man: GOOD AFTERNOON. 215 00:13:38,852 --> 00:13:41,454 MALCOLM MacBRIDE -- FROM MY BATTLE STATION TO YOURS. 216 00:13:41,454 --> 00:13:43,456 I WANT TO TAKE THIS OPPORTUNITY 217 00:13:43,456 --> 00:13:45,859 TO WELCOME ALL THE MANY NEW ASSOCIATES 218 00:13:45,859 --> 00:13:49,462 TO THE MacBRIDE AIRCRAFT COMPANY HERE IN SANTA MONICA. 219 00:13:49,462 --> 00:13:52,065 WE ARE ENGAGED IN A GREAT WORLD STRUGGLE 220 00:13:52,065 --> 00:13:54,167 TO MAINTAIN OUR AMERICAN WAY OF LIFE 221 00:13:54,167 --> 00:13:55,702 AS WE KNOW IT. 222 00:13:55,702 --> 00:13:58,171 THE CONTRIBUTIONS YOU MAKE HERE AT MacBRIDE 223 00:13:58,171 --> 00:13:59,907 WILL ENSURE OUR VICTORY. 224 00:13:59,907 --> 00:14:03,010 AGAIN, WELCOME FROM MY BATTLE STATION TO YOURS. 225 00:14:03,010 --> 00:14:06,013 THEY GOT SOME PRETTY TIGHT SPACES ON THOSE BOMBERS. 226 00:14:06,013 --> 00:14:08,415 SURE, RIGHT. YOU'D PROBABLY BE REAL GOOD AT THAT. 227 00:14:08,415 --> 00:14:10,417 ARE THEY ASKING FOR REFERENCES? 228 00:14:10,417 --> 00:14:13,153 YOU'RE BREATHING. THAT'S GOOD ENOUGH FOR THEM. 229 00:14:13,153 --> 00:14:15,355 THEY'RE USING EVERYBODY. 230 00:14:17,524 --> 00:14:20,027 "MY DEAREST DARLING, I LOVE YOU, 231 00:14:20,027 --> 00:14:23,030 AND I MISS YOU SO MUCH I CAN HARDLY STAND IT." 232 00:14:23,030 --> 00:14:26,033 I'VE GOT TO GET THIS JOB. BELIEVE ME, I DO. 233 00:14:26,033 --> 00:14:27,434 OH, I BELIEVE YOU. 234 00:14:27,434 --> 00:14:30,503 I'VE GOT A KID TO FEED. HER NAME'S PEGGY. 235 00:14:30,503 --> 00:14:31,771 ISN'T SHE'S SWEET? 236 00:14:31,771 --> 00:14:35,909 MY HUSBAND WOULD KILL ME IF HE KNEW WHAT I WAS DOING. 237 00:14:35,909 --> 00:14:37,510 WELL, I'M VIOLET MULLIGAN. 238 00:14:37,510 --> 00:14:38,745 HEY. 239 00:14:38,745 --> 00:14:43,483 [ MEN YELLING ] 240 00:14:47,087 --> 00:14:49,689 MISS, YOU GOT TO HAVE YOUR HIGH SCHOOL DIPLOMA. 241 00:14:49,689 --> 00:14:51,258 I'VE GOT MY HIGH SCHOOL -- 242 00:14:51,258 --> 00:14:54,027 ATTENTION, NEW EMPLOYEES. LONG HAIR IS DANGEROUS. 243 00:14:54,027 --> 00:14:55,562 SO FOR SAFETY'S SAKE, 244 00:14:55,562 --> 00:14:57,897 CUT YOUR HAIR OR WEAR A HAIRPIN. 245 00:14:57,897 --> 00:14:59,866 SWING SHIFT -- 60 CENTS AN HOUR. 246 00:14:59,866 --> 00:15:01,268 SWING SHIFT? 247 00:15:01,268 --> 00:15:03,836 SWING SHIFT -- 4:00 TO MIDNIGHT, OKAY? 248 00:15:03,836 --> 00:15:05,172 GREAT. 249 00:15:05,172 --> 00:15:07,174 HERE'S YOUR DIPLOMA. 250 00:15:07,174 --> 00:15:09,776 HERE'S YOUR HANDBOOK. PLEASE READ IT THOROUGHLY. 251 00:15:09,776 --> 00:15:11,778 NEXT, PLEASE. 252 00:15:11,778 --> 00:15:13,780 HEY, SMALL WORLD, HUH? 253 00:15:13,780 --> 00:15:15,115 TINY. 254 00:15:15,115 --> 00:15:17,317 WE'RE NEIGHBORS -- THE BALMY PALM. 255 00:15:17,317 --> 00:15:19,686 YEAH, I KNOW WHO YOU ARE. 256 00:15:19,686 --> 00:15:23,123 WELL, I THOUGHT WE COULD GO HOME TOGETHER. 257 00:15:23,123 --> 00:15:25,525 YOU GOT A LOT OF NERVE, YOU KNOW THAT? 258 00:15:25,525 --> 00:15:28,128 EVERY SINGLE TIME I WALK PAST YOUR PLACE, 259 00:15:28,128 --> 00:15:30,130 ALL YOU AND YOUR HUSBAND CAN DO 260 00:15:30,130 --> 00:15:32,132 IS MAKE WISECRACKS ABOUT ME. 261 00:15:32,132 --> 00:15:34,734 WELL, WHAT THE HELL DO YOU THINK I AM, 262 00:15:34,734 --> 00:15:36,603 DEAF, DUMB, AND BLIND? 263 00:15:39,339 --> 00:15:42,942 THIS ITTY-BITTY THING IS NOT A THUMBTACK. 264 00:15:42,942 --> 00:15:45,912 IT'S WHAT WE CALL A RIVET, 265 00:15:45,912 --> 00:15:47,714 AND THIS IS A RIVET GUN, 266 00:15:47,714 --> 00:15:52,085 BUT WE DON'T WANT ANY OF YOU SHOOTING ANYBODY WITH IT, 267 00:15:52,085 --> 00:15:54,087 DO WE, BOYS? 268 00:15:54,087 --> 00:15:55,688 [ DRILLING ] 269 00:15:55,688 --> 00:15:57,557 [ SCREAMING ] 270 00:15:57,557 --> 00:15:58,958 [ DRILLING ] 271 00:15:58,958 --> 00:16:01,428 [ LAUGHTER ] 272 00:16:04,764 --> 00:16:06,299 AHEM. 273 00:16:06,299 --> 00:16:09,002 GET SERIOUS HERE FOR A MOMENT. 274 00:16:09,002 --> 00:16:11,404 RIVETING IS REAL SUITED TO YOU GALS 275 00:16:11,404 --> 00:16:15,708 BECAUSE WOMEN ARE USED TO REPETITIVE TASKS, 276 00:16:15,708 --> 00:16:18,278 AND BELIEVE ME, LADIES, 277 00:16:18,278 --> 00:16:19,679 AS STRANGE AS ALL THIS MAY SEEM, 278 00:16:19,679 --> 00:16:22,449 AFTER TRAINING, YOU'LL BE USING THESE TOOLS 279 00:16:22,449 --> 00:16:25,052 AS EASILY AS YOU WOULD A CAN OPENER 280 00:16:25,052 --> 00:16:27,454 OR A SEWING MACHINE NEEDLE AT HOME. 281 00:16:36,329 --> 00:16:38,465 THOSE ARE YOUR SKINNERS! 282 00:16:38,465 --> 00:16:40,200 WHAT? 283 00:16:40,200 --> 00:16:41,801 YOUR SKINNERS! 284 00:16:41,801 --> 00:16:42,802 RIGHT! 285 00:16:42,802 --> 00:16:45,072 YOUR REAMER! 286 00:16:45,072 --> 00:16:46,673 YOUR BUCKLE-UPPER! 287 00:16:46,673 --> 00:16:49,442 RIGHT! 288 00:16:49,442 --> 00:16:51,078 COME ON! 289 00:16:54,514 --> 00:16:55,848 I CAN'T. 290 00:16:55,848 --> 00:16:58,785 YES, YOU CAN. HERE. 291 00:16:58,785 --> 00:17:00,487 HIT IT. 292 00:17:03,056 --> 00:17:05,825 VERY GOOD. 293 00:17:05,825 --> 00:17:08,595 HIT IT. 294 00:17:08,595 --> 00:17:11,631 VERY GOOD. LET'S DO A COUPLE MORE 295 00:17:11,631 --> 00:17:13,032 BEFORE YOU FORGET. 296 00:17:13,032 --> 00:17:15,802 I THINK I LEARNED IT, BUSTER. 297 00:17:23,143 --> 00:17:24,377 AAH! 298 00:17:24,377 --> 00:17:25,978 HEY! WHAT ARE YOU -- 299 00:17:25,978 --> 00:17:27,980 MY GOD, WHAT HAVE I DONE? 300 00:17:27,980 --> 00:17:29,516 OH, GOT YOU. 301 00:17:29,516 --> 00:17:30,783 I'M SORRY. 302 00:17:30,783 --> 00:17:32,185 IT'S ALL RIGHT. 303 00:17:32,185 --> 00:17:33,586 LISTEN TO HER. 304 00:17:33,586 --> 00:17:35,788 OH, SURE, LUCKY. IT'S LADIES' DAY. 305 00:17:35,788 --> 00:17:37,190 HEY, BULL'S-EYE. 306 00:17:37,190 --> 00:17:39,192 I COULD'VE GONE RIGHT THROUGH YOUR -- 307 00:17:39,192 --> 00:17:40,527 YOU DIDN'T. 308 00:17:40,527 --> 00:17:41,661 [ BUZZ ] 309 00:17:41,661 --> 00:17:43,496 AAH! 310 00:17:43,496 --> 00:17:47,634 COME ON. WHY DON'T YOU COME? 311 00:17:52,205 --> 00:17:54,607 I'M YOUR LEADMAN. YOU JUST TAKE A DEEP BREATH, 312 00:17:54,607 --> 00:17:56,809 AND YOU'LL GET YOUR CONFIDENCE BACK. 313 00:17:59,712 --> 00:18:01,614 OKAY. 314 00:18:01,614 --> 00:18:04,284 MAYBE I JUST SHOULD HAVE STAYED AT HOME. 315 00:18:04,284 --> 00:18:06,286 OH, BALLS. LOOK, YOU'RE DO-- 316 00:18:06,286 --> 00:18:08,588 I MEAN, I'M SORRY. 317 00:18:08,588 --> 00:18:12,192 THAT'S OKAY. MY HUSBAND USED TO SAY THAT ALL THE TIME. 318 00:18:12,192 --> 00:18:13,926 OH, BALLS. OH, BALLS. 319 00:18:13,926 --> 00:18:15,295 YEAH, IT'S OKAY. 320 00:18:15,295 --> 00:18:16,929 IS HE DEAD? 321 00:18:16,929 --> 00:18:19,266 NO. 322 00:18:19,266 --> 00:18:20,900 YOU OKAY? 323 00:18:20,900 --> 00:18:25,004 YEAH, I'M FINE. THANKS. 324 00:18:25,004 --> 00:18:27,407 I'M GOING TO WATCH YOU FOR A WHILE 325 00:18:27,407 --> 00:18:30,009 'CAUSE WHEN YOU GET NERVOUS, YOU CAN HURT YOURSELF. 326 00:18:30,009 --> 00:18:32,779 OKAY. THANK YOU A LOT. 327 00:18:32,779 --> 00:18:34,181 ARE YOU ALL RIGHT? 328 00:18:34,181 --> 00:18:35,782 I'M FINE. 329 00:18:43,055 --> 00:18:47,294 [ HORN BLOWS ] 330 00:18:47,294 --> 00:18:49,396 HEY, MOON. 331 00:19:39,279 --> 00:19:41,113 [ DINGS BELL ] 332 00:19:41,113 --> 00:19:43,115 MOVE IT OR LOSE IT, TOOTS. 333 00:19:43,115 --> 00:19:44,717 HEY, I MISSED MY BUS. 334 00:19:44,717 --> 00:19:45,852 TOUGH. 335 00:19:45,852 --> 00:19:46,853 HMPH. 336 00:19:59,899 --> 00:20:01,100 [ REVS ENGINE ] 337 00:20:01,100 --> 00:20:02,702 OH! 338 00:20:02,702 --> 00:20:04,203 HEY. 339 00:20:04,203 --> 00:20:06,005 YOU NEED A LIFT? 340 00:20:06,005 --> 00:20:08,074 IN THAT? 341 00:20:08,074 --> 00:20:10,109 IT'S ALL I GOT. 342 00:20:10,109 --> 00:20:14,614 WELL, I SURE GET TIRED BY THE END OF THE DAY. 343 00:20:16,749 --> 00:20:18,217 OH. 344 00:20:18,217 --> 00:20:19,486 OH. 345 00:20:19,486 --> 00:20:21,087 WHOA, THAT'S MY TRUMPET. 346 00:20:21,087 --> 00:20:23,623 OH, I'M SORRY. 347 00:20:23,623 --> 00:20:25,057 HOLD ON. 348 00:20:25,057 --> 00:20:26,859 YIKES. 349 00:20:33,099 --> 00:20:34,200 WHEE! 350 00:20:34,200 --> 00:20:35,635 HA HA HA! 351 00:20:35,635 --> 00:20:38,671 I BOUGHT IT FROM A GUY WHO WENT INTO THE ARMY. 352 00:20:38,671 --> 00:20:41,641 OH, MY HUSBAND'S IN THE NAVY. 353 00:20:41,641 --> 00:20:44,611 OH, BOY! HI! 354 00:20:47,914 --> 00:20:49,616 [ MEOW ] 355 00:20:52,218 --> 00:20:53,820 [ MOTORCYCLE APPROACHES ] 356 00:20:53,820 --> 00:20:56,323 [ DOGS BARKING ] 357 00:20:56,323 --> 00:20:59,859 [ CAT SCREECHES ] 358 00:21:02,061 --> 00:21:04,731 OH. 359 00:21:04,731 --> 00:21:06,733 WELL, I'LL SEE YOU TOMORROW. 360 00:21:06,733 --> 00:21:08,735 BRIGHT AND EARLY. OH, WELL, 4:00. 361 00:21:08,735 --> 00:21:11,338 IT'S ALL SO TURNED AROUND, ISN'T IT? 362 00:21:11,338 --> 00:21:12,939 MY NAME'S LUCKY. 363 00:21:12,939 --> 00:21:14,341 KAY WALSH, KAY WALSH. 364 00:21:14,341 --> 00:21:15,742 ALL OF THE ABOVE. 365 00:21:15,742 --> 00:21:17,744 LUCKY -- THAT'S A FUNNY NAME. 366 00:21:17,744 --> 00:21:19,746 HOW'D YOU GET THAT NAME, LUCKY? 367 00:21:19,746 --> 00:21:22,349 I BETTER NOT TELL YOU. IT'S KIND OF DIRTY. 368 00:21:22,349 --> 00:21:25,318 UM, EVENING, MRS. WALSH. 369 00:21:25,318 --> 00:21:27,320 YOU JUST STICK WITH IT, KAY. 370 00:21:27,320 --> 00:21:28,921 I WILL. THANKS. 371 00:21:28,921 --> 00:21:32,425 GUESS WHAT, SPIKE. I'M WORKING NOW. 372 00:21:42,234 --> 00:21:43,736 HAZEL. 373 00:21:45,104 --> 00:21:46,473 Woman: BISCUITS! 374 00:21:46,473 --> 00:21:50,843 WHAT ARE YOU DOING? YOU'RE CRAZY! 375 00:21:52,845 --> 00:21:55,582 HEY, HAZEL, WHAT ARE YOU DOING ON THE STREETS? 376 00:21:55,582 --> 00:21:57,584 GET OUT OF MY WAY, BISCUITS! 377 00:21:57,584 --> 00:21:59,952 GET OUT OF MY WAY! 378 00:21:59,952 --> 00:22:01,187 OH! 379 00:22:01,187 --> 00:22:02,254 YOU OKAY? 380 00:22:02,254 --> 00:22:03,723 Woman: BISCUITS? 381 00:22:03,723 --> 00:22:04,724 UHH. 382 00:22:04,724 --> 00:22:06,593 BISCUITS. 383 00:22:09,061 --> 00:22:11,464 YOU KNOW, I THINK THE BIKE'S MESSED UP. 384 00:22:11,464 --> 00:22:13,700 HEY, LOOK AT IT. 385 00:22:13,700 --> 00:22:16,035 I'LL GIVE YOU A RIDE HOME. 386 00:22:16,035 --> 00:22:17,637 BISCUITS. 387 00:22:17,637 --> 00:22:21,641 IF YOU DON'T GET OUT OF HERE AT THE COUNT OF FIVE, 388 00:22:21,641 --> 00:22:23,342 I'M CALLING THE COPS. 389 00:22:23,342 --> 00:22:25,311 1, 2, 3... 390 00:22:25,311 --> 00:22:27,313 YOU'RE MAKING A BIG MISTAKE. 391 00:22:27,313 --> 00:22:30,282 4... 392 00:22:30,282 --> 00:22:35,888 [ SWING MUSIC PLAYING ] 393 00:22:35,888 --> 00:22:37,890 [ SIGHS ] 394 00:23:17,464 --> 00:23:21,768 [ GRUNTING ] 395 00:23:21,768 --> 00:23:23,202 AAH! 396 00:23:23,202 --> 00:23:26,338 [ SOBBING ] 397 00:23:26,338 --> 00:23:27,940 Woman: CAN THAT RACKET! 398 00:23:27,940 --> 00:23:29,942 [ DOGS BARKING ] 399 00:23:29,942 --> 00:23:32,612 OH, GEE. ARE YOU ALL RIGHT? 400 00:23:32,612 --> 00:23:34,013 WH-WHAT HAPPENED? 401 00:23:34,013 --> 00:23:36,415 Spike: NOW WHAT THE HELL IS GOING ON? 402 00:23:36,415 --> 00:23:39,385 IT'S NOTHING, SPIKE. IT'S NOT THE JAPS OR ANYTHING. 403 00:23:39,385 --> 00:23:42,188 JUST GO BACK TO BED. 404 00:23:55,201 --> 00:23:57,103 I LIKE YOUR HAIR. 405 00:23:57,103 --> 00:23:59,872 OH, THANK YOU. 406 00:23:59,872 --> 00:24:03,910 GOSH, JACK WOULD HAVE A HEART ATTACK IF HE SAW ME. 407 00:24:03,910 --> 00:24:05,478 WHO'S JACK? 408 00:24:05,478 --> 00:24:07,514 MY HUSBAND. 409 00:24:07,514 --> 00:24:10,717 RIGHT -- MR. PERSONALITY. 410 00:24:12,151 --> 00:24:15,855 WELL, I SHOULD GO HOME. 411 00:24:15,855 --> 00:24:18,491 OH, WAIT. I MADE THIS FOR YOU. 412 00:24:27,066 --> 00:24:30,036 MY NAME IS KAY. WHAT'S YOUR NAME? 413 00:24:30,036 --> 00:24:32,138 HAZEL. 414 00:24:32,138 --> 00:24:33,439 HAZEL? 415 00:24:33,439 --> 00:24:35,241 YEAH. IT'S MY MOM'S NAME. 416 00:24:35,241 --> 00:24:38,244 I USED TO WATCH YOU GO TO WORK ALL THE TIME 417 00:24:38,244 --> 00:24:41,447 JUST TO SEE WHAT NEW OUTFIT YOU'D BE WEARING. 418 00:24:41,447 --> 00:24:42,682 THANKS. 419 00:24:42,682 --> 00:24:44,483 ARE YOU A SINGER? 420 00:24:46,252 --> 00:24:47,654 WHAT IS THIS? 421 00:24:47,654 --> 00:24:50,022 HOT MILK. 422 00:24:50,022 --> 00:24:52,358 OH. 423 00:24:52,358 --> 00:24:54,927 YEAH, I'M A SINGER. 424 00:24:54,927 --> 00:24:56,729 I KNEW IT. 425 00:24:56,729 --> 00:24:59,532 I DIDN'T EVEN TELL BISCUITS ABOUT MY NEW JOB. 426 00:24:59,532 --> 00:25:00,967 BISCUITS? 427 00:25:00,967 --> 00:25:03,903 OH, JUST SOME GUY I USED TO KNOW. 428 00:25:06,005 --> 00:25:07,239 OH. 429 00:25:07,239 --> 00:25:10,042 IT'S JACK IN UNIFORM. 430 00:25:10,042 --> 00:25:12,812 RIGHT. 431 00:25:12,812 --> 00:25:15,582 IF HE KNEW WHERE I WAS WORKING, 432 00:25:15,582 --> 00:25:17,650 HE WOULDN'T BELIEVE IT. 433 00:25:17,650 --> 00:25:20,252 HE'D NEVER PICTURE ME RIVETING AND DRILLING AND -- 434 00:25:20,252 --> 00:25:23,455 RIDING MOTORCYCLES? 435 00:25:23,455 --> 00:25:25,558 WELL, I NEEDED A RIDE. 436 00:25:25,558 --> 00:25:27,760 OKAY. IT'S NONE OF MY BEESWAX. 437 00:25:27,760 --> 00:25:29,762 I DIDN'T DO ANYTHING WRONG. 438 00:25:29,762 --> 00:25:32,298 ALL RIGHT. I'M NOT YOUR HUSBAND. 439 00:25:32,298 --> 00:25:35,101 IT WAS JUST A RIDE, AND THAT WAS ALL. 440 00:25:35,101 --> 00:25:36,502 ALL RIGHT. JESUS. 441 00:25:36,502 --> 00:25:38,104 [ BIRD CHIRPING ] 442 00:25:38,104 --> 00:25:40,707 WELL, I GUESS I BETTER GET GOING. 443 00:25:40,707 --> 00:25:42,909 I GOT TO GO TO WORK TOMORROW. 444 00:25:42,909 --> 00:25:44,510 YEAH. 445 00:25:44,510 --> 00:25:47,513 MMM. 446 00:25:47,513 --> 00:25:50,817 YOU GOT A LITTLE, UH, MUSTACHE. 447 00:25:50,817 --> 00:25:53,519 [ Giggling ] OH. 448 00:25:53,519 --> 00:25:55,321 AHEM. HAZEL? 449 00:25:55,321 --> 00:25:56,689 YEAH? 450 00:25:56,689 --> 00:25:58,691 DON'T WORRY ABOUT THAT GUY. 451 00:25:58,691 --> 00:25:59,959 WHAT GUY? 452 00:25:59,959 --> 00:26:02,461 YOU KNOW, THE ONE YOU USED TO KNOW. 453 00:26:02,461 --> 00:26:04,063 YOU'LL FIND SOMEBODY ELSE. 454 00:26:09,101 --> 00:26:10,703 SEE YOU LATER. 455 00:26:20,713 --> 00:26:22,682 Radio announcer: ALMOST FIVE MONTHS 456 00:26:22,682 --> 00:26:26,152 SINCE ENTERING THE WAR... 457 00:26:26,152 --> 00:26:27,654 OVER THERE. 458 00:26:27,654 --> 00:26:29,155 THERE'S A SPACE. 459 00:26:29,155 --> 00:26:30,189 WHERE? 460 00:26:30,189 --> 00:26:32,124 [ HORN HONKS ] 461 00:26:34,326 --> 00:26:36,062 WHAT ARE YOU DOING? 462 00:26:38,330 --> 00:26:41,100 WHO THE HELL DO YOU THINK YOU ARE? 463 00:26:41,100 --> 00:26:44,103 I'M GOING TO TELL YOU WHO I AM. I'M MOON WILLENS. 464 00:26:44,103 --> 00:26:47,473 I'VE BEEN WORKING AT THIS DAMN PLACE FOR 12 LONG YEARS. 465 00:26:47,473 --> 00:26:51,077 THIS IS MY PARKING SPACE, AND I AIN'T ABOUT TO LOSE IT 466 00:26:51,077 --> 00:26:55,347 TO A BUNCH OF FLY-BY-NIGHT WOMEN LIKE YOU. UNH-UNH. 467 00:26:55,347 --> 00:26:58,785 [ HORN HONKS ] 468 00:26:58,785 --> 00:27:01,788 YOU DON'T BELONG HERE, NONE OF YOU! 469 00:27:03,890 --> 00:27:05,291 WHAT'S HIS TROUBLE? 470 00:27:05,291 --> 00:27:07,894 WELL, WE WERE JUST COMING IN HERE. 471 00:27:07,894 --> 00:27:11,297 I SAW THAT PARKING PLACE, AND THEN HE PULLED IN. 472 00:27:12,899 --> 00:27:14,901 WELL, YOU HAVEN'T QUIT YET. 473 00:27:14,901 --> 00:27:17,770 NO. WE HAVE TO WIN THE WAR, DON'T WE? 474 00:27:17,770 --> 00:27:19,772 I'M JUST TRYING TO PAY THE BILLS 475 00:27:19,772 --> 00:27:21,974 AND STAY OUT OF TROUBLE MYSELF. 476 00:27:29,648 --> 00:27:31,583 GET LOST. 477 00:27:31,583 --> 00:27:33,552 HEY. 478 00:27:33,552 --> 00:27:34,954 WHAT'S TROUBLING YOU? 479 00:27:34,954 --> 00:27:36,823 I'D LIKE TO TURN THIS IN 480 00:27:36,823 --> 00:27:39,225 FOR A LEFT-HANDED LOCK WIRE PLIER, PLEASE. 481 00:27:39,225 --> 00:27:41,761 HEY, LOU, WE GOT ANOTHER PATSY. 482 00:27:41,761 --> 00:27:45,231 STICK OUT YOUR LEFT HAND. 483 00:27:47,533 --> 00:27:50,737 THERE, NOW YOU GOT A LEFT-HAND LOCK WIRE PLIER. 484 00:27:50,737 --> 00:27:52,705 GOT IT? 485 00:27:52,705 --> 00:27:54,440 YEAH, I GOT IT. 486 00:27:54,440 --> 00:27:56,408 NOW REMEMBER IT. 487 00:27:56,408 --> 00:27:59,178 ALL YOU GOT TO SAY IS, "LISTEN, YOU BIG APE, 488 00:27:59,178 --> 00:28:01,213 "YOU EVER PULL THAT ON ME AGAIN, 489 00:28:01,213 --> 00:28:03,349 AND I'LL SLAP YOUR EARS OFF." 490 00:28:03,349 --> 00:28:06,018 LISTEN, YOU BIG APE. LISTEN, YOU BIG APE. 491 00:28:06,018 --> 00:28:08,254 OKAY. BACK TO WORK, LADIES. 492 00:28:08,254 --> 00:28:14,393 LISTEN, YOU BIG FAT APE. YEAH. 493 00:28:17,296 --> 00:28:20,499 HOW DO I WORK MY LEFT-HAND LOCK WIRE PLIERS? 494 00:28:20,499 --> 00:28:21,868 NOW, LISTEN, 495 00:28:21,868 --> 00:28:23,569 YOU BIG... 496 00:28:23,569 --> 00:28:24,904 BIG WHAT? 497 00:28:24,904 --> 00:28:26,505 BIG FAT... 498 00:28:26,505 --> 00:28:28,240 MM-HMM. 499 00:28:56,368 --> 00:28:58,905 [ MEN LAUGH ] 500 00:29:01,673 --> 00:29:03,843 SHE'S SO GORGEOUS. 501 00:29:03,843 --> 00:29:06,012 HAVE A SEAT. 502 00:29:08,815 --> 00:29:11,017 OH, SORRY. 503 00:29:12,618 --> 00:29:13,953 THANK YOU. 504 00:29:13,953 --> 00:29:16,088 HI. HOW YOU DOING? 505 00:29:16,088 --> 00:29:18,290 BOY, THE DAYS ARE GETTING LONGER. 506 00:29:18,290 --> 00:29:20,292 WHAT DOES THAT MEAN? 507 00:29:20,292 --> 00:29:21,961 I DON'T KNOW. 508 00:29:21,961 --> 00:29:24,230 WHAT'D YOU SAY IT FOR? 509 00:29:24,230 --> 00:29:27,099 YOU SEEM A LITTLE UNCOMFORTABLE. 510 00:29:27,099 --> 00:29:29,969 WHERE'S YOUR MOTORCYCLE? 511 00:29:29,969 --> 00:29:32,504 I'M TAKING MY POKE AT HITLER, SAVING GAS. 512 00:29:32,504 --> 00:29:33,873 WHERE ARE YOU FROM, KAY? 513 00:29:33,873 --> 00:29:37,977 WE'RE FROM IOWA, MY HUSBAND JACK AND ME. 514 00:29:37,977 --> 00:29:40,646 I'M PLAYING MY HORN TONIGHT, KAY. 515 00:29:40,646 --> 00:29:42,448 YOU WANT TO COME HEAR ME? 516 00:29:42,448 --> 00:29:45,384 NO, I HAVE A MILLION THINGS TO DO. 517 00:29:45,384 --> 00:29:48,387 I'M NOT BAD, REALLY. IT'S A CUTE LITTLE PLACE. 518 00:29:48,387 --> 00:29:50,722 NO, I HAVE TO WRITE JACK A LETTER. 519 00:29:50,722 --> 00:29:52,358 I UNDERSTAND. 520 00:29:52,358 --> 00:29:56,528 SO WHAT ABOUT YOU? YOU LIKE GOOD MUSIC? 521 00:29:56,528 --> 00:29:58,130 ARE YOU ADDRESSING ME? 522 00:29:58,130 --> 00:30:00,432 YOU'RE BARKING UP THE WRONG TREE, MISTER. 523 00:30:00,432 --> 00:30:01,600 MY MOTHER ALWAYS SAID 524 00:30:01,600 --> 00:30:04,436 SOMEDAY I'D MEET A WONDERFUL GIRL LIKE YOU. 525 00:30:04,436 --> 00:30:06,472 SEE YOU TOMORROW, KAY. 526 00:30:06,472 --> 00:30:07,739 BYE. 527 00:30:07,739 --> 00:30:09,341 BYE. 528 00:30:28,560 --> 00:30:32,764 TAKING US ONE STEP CLOSER TO VICTORY. 529 00:30:32,764 --> 00:30:35,567 OKAY. 530 00:30:40,639 --> 00:30:42,241 * BIG BUCKS * 531 00:30:43,809 --> 00:30:45,411 * BIG BUCKS * 532 00:30:52,751 --> 00:30:54,353 * BIG BUCKS * 533 00:30:55,854 --> 00:30:57,456 * BIG BUCKS * 534 00:31:04,596 --> 00:31:06,198 * BIG BUCKS * 535 00:31:07,733 --> 00:31:09,335 * BIG BUCKS * 536 00:31:16,742 --> 00:31:18,344 * BIG BUCKS * 537 00:31:19,711 --> 00:31:21,047 * BIG BUCKS * 538 00:31:39,932 --> 00:31:42,969 * DOO DOO DOO DOO * 539 00:31:42,969 --> 00:31:44,971 * DOO DOO DOO DOO DOO DOO DOO * 540 00:31:44,971 --> 00:31:46,973 * DOO * 541 00:31:46,973 --> 00:31:48,674 * PARLEZ-VOUS FRANçAIS, BABY * 542 00:31:48,674 --> 00:31:50,042 * SPRECHEN SIE DEUTSCH * 543 00:31:50,042 --> 00:31:53,445 * MONEY IS A UNIVERSAL LANGUAGE * 544 00:31:53,445 --> 00:31:55,247 BYE. 545 00:31:55,247 --> 00:31:57,649 TALK TO YOU A MINUTE, KAY? 546 00:31:57,649 --> 00:31:59,385 SURE. 547 00:31:59,385 --> 00:32:02,488 SOME GUYS JUST CAN'T TAKE NO FOR AN ANSWER. 548 00:32:02,488 --> 00:32:03,755 YEAH, I KNOW. 549 00:32:03,755 --> 00:32:05,524 YOU SAID IT, STRETCH. 550 00:32:05,524 --> 00:32:07,359 BYE, KAY. 551 00:32:07,359 --> 00:32:08,427 WELL, UM, 552 00:32:08,427 --> 00:32:10,929 I THINK OUR LINE IS MOVING REALLY FAST, 553 00:32:10,929 --> 00:32:12,898 DON'T YOU, MR. LOCKHART? 554 00:32:12,898 --> 00:32:14,967 LAST CHANCE, KAY. 555 00:32:14,967 --> 00:32:16,668 KELLY'S, SATURDAY NIGHT -- 556 00:32:16,668 --> 00:32:19,571 LUCKY LOCKHART AND HIS HOT JAZZ TRUMPET. 557 00:32:19,571 --> 00:32:21,373 WELL... 558 00:32:21,373 --> 00:32:23,442 IT'S GREAT WORKING WITH YOU, 559 00:32:23,442 --> 00:32:26,912 AND I THINK YOU'RE THE BEST LEADMAN ON THE LINE, 560 00:32:26,912 --> 00:32:30,449 AND I JUST KNOW YOU'RE A SWELL FELLA, 561 00:32:30,449 --> 00:32:34,820 BUT YOU'VE BEEN ASKING ME OUT EVERY WEEK 562 00:32:34,820 --> 00:32:36,955 FOR THE LAST FIVE MONTHS, 563 00:32:36,955 --> 00:32:39,558 AND I KEEP HAVING TO TURN YOU DOWN, 564 00:32:39,558 --> 00:32:44,563 AND PEOPLE ARE BEGINNING TO TALK. 565 00:32:44,563 --> 00:32:48,467 I'M JUST TRYING TO IMPROVE YOUR TASTE IN MUSIC, KAY. 566 00:32:50,402 --> 00:32:53,472 BUT YOU WON'T HAVE TO TURN ME DOWN AGAIN. 567 00:32:57,676 --> 00:33:01,613 DON'T BE LATE, OR I'LL DOCK YOU, MRS. WALSH. 568 00:33:01,613 --> 00:33:03,615 [ CHEERING ] 569 00:33:20,866 --> 00:33:22,534 Man: ATTENTION, PLEASE. 570 00:33:22,534 --> 00:33:26,572 WE HAVE JUST RECEIVED NEWS OF ANOTHER TRAGIC LOSS. 571 00:33:26,572 --> 00:33:30,809 THE JAPANESE HAVE SUNK THE U.S. CARRIER HORNET 572 00:33:30,809 --> 00:33:32,311 DEFENDING GUADALCANAL. 573 00:33:32,311 --> 00:33:34,113 I KNOW MANY OF YOU SWING-SHIFTERS 574 00:33:34,113 --> 00:33:37,616 HAVE HUSBANDS, SONS, AND SWEETHEARTS ON GUADALCANAL. 575 00:33:37,616 --> 00:33:41,187 WE MUST WORK HARDER TO HELP TURN THE TIDE. 576 00:33:41,187 --> 00:33:43,122 SIGNING OFF. 577 00:34:05,844 --> 00:34:07,379 HE ASKED ME OUT TONIGHT. 578 00:34:07,379 --> 00:34:10,082 I'M JUST GOING TO TELL HIM NOT TO BOTHER ME ANYMORE. 579 00:34:10,082 --> 00:34:11,750 IT'S UP TO YOU. 580 00:34:11,750 --> 00:34:13,819 MAYBE YOU COULD COME ALONG, HAZEL, 581 00:34:13,819 --> 00:34:15,787 JUST TO KEEP THINGS SAFE. 582 00:34:15,787 --> 00:34:17,623 OH, NO. UNH-UNH. 583 00:34:17,623 --> 00:34:18,990 WHY NOT? 584 00:34:18,990 --> 00:34:20,559 WHAT ARE YOU GOING TO DO? 585 00:34:20,559 --> 00:34:23,395 YOU'RE OFF TOMORROW. YOU GOING TO SIT HOME? 586 00:34:23,395 --> 00:34:26,332 OH, I THOUGHT I'D WHIP UP A BATCH OF VICTORY FUDGE. 587 00:34:26,332 --> 00:34:28,334 LOOK, HONEY, YOU DON'T NEED ME. 588 00:34:28,334 --> 00:34:30,736 I GOT FAITH IN YOU. 589 00:34:30,736 --> 00:34:32,938 YOU DO? 590 00:34:32,938 --> 00:34:35,674 SURE. 591 00:34:39,311 --> 00:34:41,780 I REALLY LIKE YOU, HAZEL, 592 00:34:41,780 --> 00:34:43,515 A LOT. 593 00:34:43,515 --> 00:34:46,352 WELL, GEE, KAY, I REALLY LIKE YOU, TOO. 594 00:34:46,352 --> 00:34:48,354 NO, I REALLY LIKE YOU. 595 00:34:48,354 --> 00:34:51,257 ALL RIGHT. DON'T GET SENTIMENTAL ON ME. 596 00:34:51,257 --> 00:34:53,159 * LIKE EYES, LIKE NOSE * 597 00:34:53,159 --> 00:34:54,960 * LIKE THE HAIR, AND LIKE THOSE TOES * 598 00:34:54,960 --> 00:34:57,263 * OOH, LOOK THERE, AIN'T YOU PRETTY? * 599 00:34:57,263 --> 00:34:59,198 YES, SIR. 600 00:35:00,899 --> 00:35:03,935 NOW, YOU WANTED TO TELL ME SOMETHING? 601 00:35:03,935 --> 00:35:06,505 OH, LUCKY, THANK YOU. 602 00:35:08,640 --> 00:35:10,909 LUCKY... 603 00:35:10,909 --> 00:35:13,412 I THINK YOU'RE A SWELL GUY. 604 00:35:13,412 --> 00:35:16,582 I THINK YOU ARE TERRIFIC. 605 00:35:18,384 --> 00:35:20,419 YOU KNOW, THERE ARE A LOT 606 00:35:20,419 --> 00:35:22,921 OF GREAT GIRLS AT THE PLANT, LUCKY. 607 00:35:22,921 --> 00:35:24,523 MILLIONS. 608 00:35:24,523 --> 00:35:26,292 SINGLE GALS. 609 00:35:26,292 --> 00:35:29,428 LOTS OF THEM, TOO. SO? 610 00:35:34,600 --> 00:35:37,769 OH, SPIKE AND ETHEL, MY LANDLORDS. 611 00:35:37,769 --> 00:35:40,105 WHAT'S THE MATTER? 612 00:35:40,105 --> 00:35:42,808 WHAT'S WRONG? 613 00:35:42,808 --> 00:35:44,810 KAY? 614 00:35:44,810 --> 00:35:46,412 SORRY. 615 00:35:46,412 --> 00:35:48,146 WAIT A MINUTE. 616 00:35:48,146 --> 00:35:49,748 OH, EXCUSE ME, I -- 617 00:35:49,748 --> 00:35:53,018 YOU ALL RIGHT? WHAT ARE YOU DOING? 618 00:35:53,018 --> 00:35:55,153 WAIT A MINUTE. 619 00:35:59,558 --> 00:36:01,227 TAXI! 620 00:36:03,729 --> 00:36:05,264 Lucky: KAY! 621 00:36:05,264 --> 00:36:06,865 EXCUSE ME. 622 00:36:06,865 --> 00:36:08,200 OW. 623 00:36:08,200 --> 00:36:09,768 WAIT. WAIT A MINUTE. 624 00:36:09,768 --> 00:36:13,239 I CAN'T. I CAN'T, LUCKY. I'M MARRIED. 625 00:36:13,239 --> 00:36:15,241 SO WHAT? SO THAT'S IT? 626 00:36:15,241 --> 00:36:16,708 IT'S WRONG! 627 00:36:16,708 --> 00:36:19,445 COME ON, KAY. IT'S YOUR OWN LIFE. 628 00:36:19,445 --> 00:36:22,147 YOU'VE GOT A RIGHT TO BE HAPPY. 629 00:36:22,147 --> 00:36:23,949 I CAN'T. 630 00:36:23,949 --> 00:36:27,753 I'M MARRIED. DON'T YOU UNDERSTAND THAT? 631 00:36:29,755 --> 00:36:31,757 DON'T YOU GET IT? 632 00:36:37,796 --> 00:36:40,899 PLEASE... 633 00:36:40,899 --> 00:36:43,602 GO AWAY. 634 00:36:49,608 --> 00:36:52,811 COME ON. I'LL GIVE YOU A RIDE HOME. 635 00:36:52,811 --> 00:36:54,346 NO. 636 00:36:54,346 --> 00:36:56,782 JUST COME OUT OF THE ALLEYWAY. 637 00:36:56,782 --> 00:36:58,650 NO. 638 00:37:00,752 --> 00:37:03,355 SUIT YOURSELF. 639 00:37:12,531 --> 00:37:15,667 HEY, KAY, HAZEL, LOOK! 640 00:37:15,667 --> 00:37:17,669 I GOT ANOTHER LETTER FROM AL, 641 00:37:17,669 --> 00:37:19,671 AND IT'S ONLY TWO MONTHS OLD. 642 00:37:19,671 --> 00:37:21,840 YOU HAD ME KEEPING YOU COMPANY ALL NIGHT, 643 00:37:21,840 --> 00:37:23,642 YOU WOULDN'T NEED ANYBODY ELSE. 644 00:37:23,642 --> 00:37:26,177 ALL THESE GUYS THINK THEY'RE GOD'S GIFT, 645 00:37:26,177 --> 00:37:27,879 EVERY LAST ONE OF THEM. 646 00:37:27,879 --> 00:37:30,349 SWEETIE, IT'S ALWAYS BEEN THAT WAY. 647 00:37:30,349 --> 00:37:33,819 HI. I THOUGHT I WAS GOING TO BE LATE. 648 00:37:33,819 --> 00:37:37,623 Man: THERE SHE IS. MRS. SHERMAN, LADIES? 649 00:37:40,692 --> 00:37:43,295 ARE YOU MRS. JEANNIE SHERMAN? 650 00:37:43,295 --> 00:37:44,830 YES. 651 00:37:44,830 --> 00:37:47,299 WIFE OF CORPORAL ALBERT SHERMAN 652 00:37:47,299 --> 00:37:49,635 OF GLENDALE, CALIFORNIA? 653 00:37:49,635 --> 00:37:50,669 YES. 654 00:37:50,669 --> 00:37:53,472 I'M SORRY TO INFORM YOU THAT -- 655 00:37:53,472 --> 00:37:56,975 THAT YOUR -- THAT -- 656 00:37:56,975 --> 00:37:58,744 I'M S-- 657 00:37:58,744 --> 00:38:00,812 I'M SORRY TO INFORM YOU... 658 00:38:05,417 --> 00:38:07,419 I-I'M SORRY. 659 00:38:07,419 --> 00:38:10,656 I'VE NEVER DONE THIS BEFORE. 660 00:38:22,067 --> 00:38:23,735 Man: ASSOCIATES... 661 00:38:23,735 --> 00:38:27,906 CONGRATULATIONS FOR HAVING SURPASSED OUR 1942 QUOTA. 662 00:38:27,906 --> 00:38:32,110 CELEBRATE A GOOD YEAR'S WORK AT THE SWING SHIFT JAMBOREE. 663 00:38:32,110 --> 00:38:35,313 REMEMBER, THE SWING SHIFT JAMBOREE -- 664 00:38:35,313 --> 00:38:39,084 THIS SATURDAY NIGHT AT THE EGYPTIAN BALLROOM. 665 00:38:41,587 --> 00:38:43,889 Radio announcer: ELEVENTH LONG MONTH, 666 00:38:43,889 --> 00:38:46,892 UNITED STATES NAVAL FORCES HAVE DESTROYED 667 00:38:46,892 --> 00:38:49,561 23 JAPANESE WARSHIPS AND TRANSPORTS... 668 00:38:49,561 --> 00:38:55,501 PEEWEE, WHERE'D YOU GET THAT DRESS? MUSEUM? 669 00:38:55,501 --> 00:38:58,269 NO GOOD, HUH? 670 00:38:58,269 --> 00:39:00,305 YOU GOT A SWELL SHAPE, SWEETHEART. 671 00:39:00,305 --> 00:39:01,940 WHY ARE YOU AFRAID TO SHOW IT? 672 00:39:01,940 --> 00:39:04,209 JACK DOESN'T LIKE REVEALING THINGS. 673 00:39:04,209 --> 00:39:06,845 SO? LET HIM WEAR IT. 674 00:39:06,845 --> 00:39:10,482 WELL, I DON'T WANT TO GO TO THE DANCE ANYWAY. 675 00:39:10,482 --> 00:39:12,884 GOOD. ME, NEITHER. 676 00:39:12,884 --> 00:39:15,153 DO YOU LIKE IT UP OR DOWN? 677 00:39:15,153 --> 00:39:17,088 I LIKE IT UP. 678 00:39:17,088 --> 00:39:19,290 YEAH. 679 00:39:19,290 --> 00:39:23,395 BACK TO THE WAR NEWS TONIGHT FOR NOVEMBER 17... 680 00:39:23,395 --> 00:39:25,397 I JUST THOUGHT, YOU KNOW, 681 00:39:25,397 --> 00:39:27,399 SINCE IT WAS DOWN THE STREET, 682 00:39:27,399 --> 00:39:29,401 YOU KNOW, THAT LITTLE PLACE. 683 00:39:29,401 --> 00:39:31,403 THE EGYPTIAN BALLROOM? UNH-UNH. 684 00:39:31,403 --> 00:39:33,304 I'VE HAD IT WITH THAT PLACE. 685 00:39:33,304 --> 00:39:35,306 I WOULDN'T BE CAUGHT DEAD THERE. 686 00:39:35,306 --> 00:39:37,075 ME, EITHER. 687 00:39:37,075 --> 00:39:39,077 WHAT A DUMB IDEA. 688 00:39:39,077 --> 00:39:41,413 THE EGYPTIAN BALLROOM. 689 00:39:41,413 --> 00:39:43,449 SWING SHIFT JAMBOREE. 690 00:39:43,449 --> 00:39:46,985 STUPID. GOD. 691 00:39:46,985 --> 00:39:51,022 WELL, WE COULD JUST STAY HOME AND DO SOMETHING. 692 00:39:51,022 --> 00:39:52,924 SURE. 693 00:39:52,924 --> 00:39:55,093 WE COULD, UM... 694 00:39:59,998 --> 00:40:03,469 WE COULD CLEAN OUT YOUR KITCHEN DRAWERS. 695 00:40:03,469 --> 00:40:06,538 SURE, WE COULD DO THAT. 696 00:40:10,341 --> 00:40:13,945 THEY'LL PROBABLY THINK WE'RE STUCK-UP FOR NOT GOING. 697 00:40:13,945 --> 00:40:15,346 SO? 698 00:40:15,346 --> 00:40:17,015 WHO CARES? 699 00:40:17,015 --> 00:40:18,884 I DON'T CARE. 700 00:40:18,884 --> 00:40:20,586 OKAY. 701 00:40:20,586 --> 00:40:22,888 GOT ANY ACES? 702 00:40:26,157 --> 00:40:29,695 ARE YOU ABSOLUTELY SURE YOU DON'T WANT TO GO? 703 00:40:31,497 --> 00:40:33,965 THAT DRESS LOOKS RIDICULOUS. 704 00:40:33,965 --> 00:40:35,567 IT DOES? 705 00:40:35,567 --> 00:40:38,169 MM-HMM. WE'LL WORK ON IT. LET'S FIX YOU UP. 706 00:40:38,169 --> 00:40:39,571 AND... 707 00:40:39,571 --> 00:40:43,575 HEY, I'M GAININ'. 708 00:40:48,980 --> 00:40:51,750 * HEY, THERE, GALS, SPREAD THE NEWS * 709 00:40:51,750 --> 00:40:54,753 * I'VE GOT THE SO-SO SWING SHIFT BLUES * 710 00:40:54,753 --> 00:40:57,255 * I MAKE GOOD MONEY, I PAY MY RENT * 711 00:40:57,255 --> 00:40:59,758 * BUT I'D RATHER BE THE COMPANY PRESIDENT * 712 00:40:59,758 --> 00:41:02,260 HI, HAZEL. I THOUGHT YOU'D NEVER MAKE IT. 713 00:41:02,260 --> 00:41:03,829 BYE. 714 00:41:03,829 --> 00:41:05,731 KAY, COME ON. COME ON. 715 00:41:05,731 --> 00:41:07,599 HEY, WHO'S THE NEW GIRL? 716 00:41:07,599 --> 00:41:09,968 NOT RIGHT NOW, OKAY? LATER. 717 00:41:15,440 --> 00:41:17,408 HONEY, IS THIS CHECK OKAY? 718 00:41:17,408 --> 00:41:19,010 HI. 719 00:41:19,010 --> 00:41:20,546 CARE TO DANCE? 720 00:41:20,546 --> 00:41:22,480 YEAH, SURE. 721 00:41:27,919 --> 00:41:30,088 COME ON. 722 00:41:57,015 --> 00:41:58,817 HAZEL? 723 00:41:58,817 --> 00:42:04,455 * THERE'S A WORLD I KNOW * 724 00:42:04,455 --> 00:42:09,728 * NOT FAR FROM HERE * 725 00:42:09,728 --> 00:42:12,497 I DIDN'T THINK I WAS EVER GOING TO SEE YOU AGAIN, 726 00:42:12,497 --> 00:42:14,465 BUT YOU SHOW UP. 727 00:42:14,465 --> 00:42:16,501 HERE WE ARE BACK AT THE EGYPTIAN, 728 00:42:16,501 --> 00:42:18,704 JUST LIKE OLD TIMES, HUH? 729 00:42:20,906 --> 00:42:23,474 I KNEW I SHOULDN'T HAVE COME HERE. 730 00:42:23,474 --> 00:42:25,043 NOT TRUE. 731 00:42:25,043 --> 00:42:28,747 YOU GOT TO SEE WHAT FATE HAS IN STORE FOR YOU 732 00:42:28,747 --> 00:42:31,617 'CAUSE JUST WHEN YOU THINK YOU'RE THROUGH 733 00:42:31,617 --> 00:42:34,419 WITH SOMETHING AND LIFE HAS GOT YOU BEAT, 734 00:42:34,419 --> 00:42:37,623 IT COMES RIGHT BACK TO YOU STRONGER THAN EVER. 735 00:42:37,623 --> 00:42:40,258 EVERYTHING'S GOOD AGAIN, 736 00:42:40,258 --> 00:42:41,993 JUST LIKE US. 737 00:42:44,295 --> 00:42:45,864 I CAME HERE TONIGHT 738 00:42:45,864 --> 00:42:47,899 TO BE WITH MY FRIENDS, BISCUITS. 739 00:42:47,899 --> 00:42:50,936 THERE'S PLENTY OF NICE GUYS AT THE PLANT, 740 00:42:50,936 --> 00:42:53,071 AND YOU DON'T LOOK SO BEAT TO ME. 741 00:42:53,071 --> 00:42:55,707 YOU PROBABLY GOT ALL THE MONEY 742 00:42:55,707 --> 00:42:57,809 AND ALL THE GIRLS YOU CAN HANDLE. 743 00:42:57,809 --> 00:43:00,679 IT'S WHAT YOU'VE ALWAYS WANTED, ISN'T IT? 744 00:43:00,679 --> 00:43:02,648 IT'S WHAT I ALWAYS WANTED. 745 00:43:02,648 --> 00:43:04,315 WHY DON'T YOU GO ON INSIDE 746 00:43:04,315 --> 00:43:06,918 AND ENJOY YOURSELF WITH YOUR NEW FRIENDS? 747 00:43:06,918 --> 00:43:09,855 I THINK I'D LIKE TO JUST FINISH MY CIGARETTE, 748 00:43:09,855 --> 00:43:11,990 IF YOU DON'T MIND. 749 00:43:15,160 --> 00:43:17,362 HAZEL, SOMEDAY I'M GOING TO DO SOMETHING 750 00:43:17,362 --> 00:43:19,264 THAT'LL SURPRISE YOU. 751 00:43:19,264 --> 00:43:21,166 YOU WAIT AND SEE. 752 00:43:21,166 --> 00:43:23,168 [ DOOR SLAMS ] 753 00:43:24,569 --> 00:43:27,939 [ PLAYING SWING MUSIC ] 754 00:44:25,496 --> 00:44:29,701 * DANCING IN THE DARK * 755 00:44:29,701 --> 00:44:31,569 * TILL THE TUNE ENDS * 756 00:44:31,569 --> 00:44:36,607 * WE'RE DANCING IN THE DARK * 757 00:44:36,607 --> 00:44:38,209 HI. 758 00:44:38,209 --> 00:44:39,745 HI. 759 00:44:39,745 --> 00:44:42,848 BOY, I DON'T KNOW MUCH ABOUT MUSIC, 760 00:44:42,848 --> 00:44:45,216 BUT YOU WERE JUST TERRIFIC. 761 00:44:45,216 --> 00:44:46,417 THANKS. 762 00:44:46,417 --> 00:44:49,287 I REALLY AM A MUSICIAN. I'M NOT A MECHANIC. 763 00:44:49,287 --> 00:44:51,890 WORKING AT MacBRIDE'S IS KILLING ME. 764 00:44:51,890 --> 00:44:54,325 WHY AREN'T YOU IN THE SERVICE? 765 00:44:57,195 --> 00:44:58,997 I'M A JAP SPY. 766 00:44:58,997 --> 00:45:01,266 AREN'T YOU EVER SERIOUS ABOUT ANYTHING? 767 00:45:01,266 --> 00:45:03,935 YOU TELL ME WHAT THERE IS TO BE SERIOUS ABOUT. 768 00:45:03,935 --> 00:45:07,939 EVERYTHING -- THE WAR, THE NAZIS, 769 00:45:07,939 --> 00:45:10,742 WINSTON CHURCHILL. 770 00:45:15,180 --> 00:45:17,949 I THINK YOU LOOK PRETTIER WITHOUT ALL THAT STUFF. 771 00:45:17,949 --> 00:45:20,185 YOU'RE TOO GOOD-LOOKING FOR THAT. 772 00:45:30,762 --> 00:45:32,497 LUCKY! 773 00:45:35,934 --> 00:45:38,937 YOU WANT A RIDE HOME? 774 00:45:48,814 --> 00:45:51,016 [ THUNDER CRASHES ] 775 00:45:58,423 --> 00:46:00,358 Kay: WHEW! OH! 776 00:46:00,358 --> 00:46:02,160 GET INSIDE! 777 00:46:02,160 --> 00:46:05,030 GOSH. I'M FREEZING. NOW I'M STARVING. 778 00:46:05,030 --> 00:46:06,965 THAT'S NOT ALL. 779 00:46:06,965 --> 00:46:08,834 WHAT ELSE AM I? 780 00:46:08,834 --> 00:46:10,635 FOR ONE THING, YOU'RE ALL WET. 781 00:46:10,635 --> 00:46:13,404 YOUR MAKEUP'S PROBABLY IN YOUR NYLONS BY NOW. 782 00:46:13,404 --> 00:46:16,474 WHY, WHAT'D YOU THINK I WAS GOING TO SAY? 783 00:46:16,474 --> 00:46:18,143 NOTHING. 784 00:46:18,143 --> 00:46:20,278 YOU KNOW ME BETTER THAN THAT. 785 00:46:20,278 --> 00:46:23,614 I WAS GOING TO MAKE A TOTALLY UNACCEPTABLE SUGGESTION. 786 00:46:23,614 --> 00:46:25,616 WHAT'S YOUR SUGGESTION? 787 00:46:25,616 --> 00:46:26,918 I HAPPEN TO MAKE 788 00:46:26,918 --> 00:46:28,854 THE BEST CHEESE OMELET IN THE WORLD. 789 00:46:28,854 --> 00:46:30,521 CHANGE YOUR CLOTHES. 790 00:46:30,521 --> 00:46:32,457 HOW ABOUT YOU? 791 00:46:32,457 --> 00:46:34,459 CHANGE INTO WHAT? 792 00:46:34,459 --> 00:46:35,693 THIS? 793 00:46:35,693 --> 00:46:36,862 FORGET IT. 794 00:46:36,862 --> 00:46:38,129 OR THIS? 795 00:46:38,129 --> 00:46:40,098 I'LL CATCH PNEUMONIA FIRST. 796 00:46:40,098 --> 00:46:43,401 IT'S THIS OR THIS. TAKE YOUR CHOICE. 797 00:46:43,401 --> 00:46:45,770 HOW MUCH LONGER? I'M STARVING. 798 00:46:45,770 --> 00:46:47,805 JUST HOLD ON ANOTHER MINUTE. 799 00:46:47,805 --> 00:46:49,607 WHY? 800 00:46:49,607 --> 00:46:51,742 HERE'S WHY. 801 00:46:51,742 --> 00:46:54,579 OH, LUCKY, YOU'RE PRETTY GOOD. 802 00:46:54,579 --> 00:46:55,981 STOP IT. 803 00:46:55,981 --> 00:46:57,983 IT'S JUST A LITTLE SOMETHING I WHIPPED UP. 804 00:46:57,983 --> 00:46:59,918 YOU DO THIS TO ME ALL THE TIME. 805 00:46:59,918 --> 00:47:02,787 OH, LUCKY, THE THINGS YOU DO. 806 00:47:02,787 --> 00:47:04,890 HOW ABOUT A LITTLE SUPPER MUSIC? 807 00:47:04,890 --> 00:47:06,958 SURE. 808 00:47:13,798 --> 00:47:15,867 HMM. "SKYLARK." 809 00:47:17,668 --> 00:47:19,537 NO GOOD? 810 00:47:19,537 --> 00:47:20,738 NO, IT'S OKAY. 811 00:47:20,738 --> 00:47:24,542 I JUST PLAY IT A LOT WHEN I'M ALONE, THAT'S ALL. 812 00:47:24,542 --> 00:47:26,777 [ SLOW MUSIC PLAYS ] 813 00:47:26,777 --> 00:47:28,546 TOO LOUD? 814 00:47:46,998 --> 00:47:49,067 DO YOU KNOW THIS? 815 00:47:52,670 --> 00:47:54,639 [ PLAYS ALONG WITH MUSIC ] 816 00:47:54,639 --> 00:47:56,407 OH, THIS OLD MOUTHPIECE. 817 00:47:56,407 --> 00:47:58,809 IT'S GETTING HARD TO HIT THE HIGH NOTES. 818 00:47:58,809 --> 00:48:00,545 NO EXCUSES, REALLY. 819 00:48:02,914 --> 00:48:05,050 AREN'T YOU GOING TO EAT? 820 00:48:05,050 --> 00:48:07,518 IN A MINUTE. 821 00:48:09,054 --> 00:48:12,023 I LOOKED ALL OVER FOR YOU AT THE JAMBOREE. 822 00:48:13,391 --> 00:48:15,961 NEVER DID GET TO DANCE WITH YOU. 823 00:48:15,961 --> 00:48:18,629 WOULD YOU LIKE TO? 824 00:48:31,509 --> 00:48:33,711 YOU MEET JACK IN HIGH SCHOOL? 825 00:48:33,711 --> 00:48:35,113 UH-HUH. 826 00:48:35,113 --> 00:48:38,649 4-YEAR LETTERMAN. IN WHAT? 827 00:48:38,649 --> 00:48:42,053 BASKETBALL, BASEBALL, TRACK, FOOTBALL. 828 00:48:42,053 --> 00:48:44,589 HE WAS QUITE AN ATHLETE. 829 00:48:44,589 --> 00:48:46,591 HE STILL IS, I'M SURE. 830 00:48:58,669 --> 00:49:02,307 * SKYLARK * 831 00:49:02,307 --> 00:49:08,679 * HAVE YOU ANYTHING TO SAY TO ME? * 832 00:49:08,679 --> 00:49:14,285 * WON'T YOU TELL ME WHERE MY LOVE CAN BE? * 833 00:49:14,285 --> 00:49:18,523 * IS THERE A MEADOW IN THE MIST * 834 00:49:18,523 --> 00:49:23,261 * WHERE SOMEONE'S WAITING TO BE KISSED? * 835 00:49:23,261 --> 00:49:27,765 * SKYLARK * 836 00:49:27,765 --> 00:49:33,438 * HAVE YOU SEEN A VALLEY GREEN WITH TREES? * 837 00:49:35,740 --> 00:49:39,944 HOW COME YOU NEVER ASKED ME IF I WAS 4-F? 838 00:49:39,944 --> 00:49:41,746 I DON'T KNOW. 839 00:49:41,746 --> 00:49:47,085 WELL, JUST IN CASE YOU EVER WONDERED ABOUT IT, I AM. 840 00:49:47,085 --> 00:49:49,187 THE ARMY TURNED ME DOWN. 841 00:49:49,187 --> 00:49:51,522 FLUNKED MY PHYSICAL. 842 00:49:51,522 --> 00:49:52,923 I'M SORRY. 843 00:49:52,923 --> 00:49:55,160 DON'T BE. IT'S NOT WORTH IT. 844 00:49:55,160 --> 00:49:57,162 I'M NOT SICK. 845 00:49:57,162 --> 00:49:59,064 I'M JUST 4-F. 846 00:49:59,064 --> 00:50:00,865 4-F, THAT'S ALL. 847 00:50:00,865 --> 00:50:04,669 IT'S NOT LIKE THEY CALLED YOU A DIRTY NAME, LUCKY. 848 00:50:04,669 --> 00:50:07,138 HMM. IT ISN'T? 849 00:50:07,138 --> 00:50:09,140 SKIP IT. 850 00:50:09,140 --> 00:50:11,476 BELIEVE ME, IF IT HADN'T BEEN FOR THE WAR, 851 00:50:11,476 --> 00:50:14,612 NOBODY WOULD HAVE SAID A THING ABOUT MY BAD HEART. 852 00:50:14,612 --> 00:50:17,215 BESIDES, IT DOESN'T BOTHER ME. 853 00:50:17,215 --> 00:50:20,085 IT DOESN'T BOTHER ME. 854 00:50:20,085 --> 00:50:22,220 YEAH, I CAN SEE THAT. 855 00:50:22,220 --> 00:50:25,022 IT BOTHERS ME A LITTLE, 856 00:50:25,022 --> 00:50:29,260 MAINLY OF MAKING GIRLS NERVOUS. 857 00:50:33,198 --> 00:50:35,166 MAKING GIRLS NERVOUS HOW? 858 00:50:35,166 --> 00:50:37,034 IF YOU KNEW 859 00:50:37,034 --> 00:50:39,270 AND YOU SAW ME DO SOMETHING STRENUOUS... 860 00:50:39,270 --> 00:50:41,306 YOU WOULDN'T WANT ME TO WORRY. 861 00:50:41,306 --> 00:50:43,374 THAT'S VERY CONSIDERATE. 862 00:50:43,374 --> 00:50:44,575 THANKS. 863 00:50:44,575 --> 00:50:47,445 I JUST WANT YOU TO ENJOY YOURSELF. 864 00:50:47,445 --> 00:50:49,447 YEAH, AND YOU WERE JUST SO SURE 865 00:50:49,447 --> 00:50:51,449 THAT YOU COULD GET ME INTO BED 866 00:50:51,449 --> 00:50:53,851 THAT YOU DIDN'T WANT ME TO BE NERVOUS 867 00:50:53,851 --> 00:50:55,253 ABOUT YOUR BAD HEART. 868 00:50:55,253 --> 00:50:57,255 I DON'T HAVE A BAD HEART. 869 00:50:57,255 --> 00:50:58,956 I'M TELLING YOU I DON'T CARE. 870 00:50:58,956 --> 00:51:02,059 BOY, I DON'T KNOW HOW YOU LET ME GET INTO THIS. 871 00:51:02,059 --> 00:51:04,061 GET YOU INTO WHAT? 872 00:51:04,061 --> 00:51:06,497 I DON'T HAVE TO SPELL IT OUT. 873 00:51:06,497 --> 00:51:09,234 I'D LIKE TO THINK WE MADE LOVE TO EACH OTHER. 874 00:51:09,234 --> 00:51:11,236 ARE YOU TRYING TO TELL ME 875 00:51:11,236 --> 00:51:13,671 THAT I'M RESPONSIBLE FOR ALL THIS, 876 00:51:13,671 --> 00:51:16,141 WHEN YOU'VE BEEN ASKING ME OUT FOREVER, 877 00:51:16,141 --> 00:51:17,908 AND I KEEP SAYING NO? 878 00:51:17,908 --> 00:51:19,777 YOU MEANT YES. 879 00:51:19,777 --> 00:51:21,312 I MEANT NO. 880 00:51:21,312 --> 00:51:23,414 WELL, SOMEBODY AROUND HERE SAID YES. 881 00:51:23,414 --> 00:51:26,417 I SAID YES BECAUSE I FELT SORRY FOR YOU. 882 00:51:26,417 --> 00:51:28,386 JUST GET OUT OF HERE. 883 00:51:28,386 --> 00:51:31,256 WHAT THE HELL DOES IT LOOK LIKE I'M DOING? 884 00:51:31,256 --> 00:51:34,091 I WON'T EVEN PUT ON MY SHOES. 885 00:51:34,091 --> 00:51:36,594 I NEVER WANT TO SEE YOU AGAIN. 886 00:51:36,594 --> 00:51:38,596 NEVER. 887 00:51:42,300 --> 00:51:44,502 [ KNOCK ON DOOR ] 888 00:51:47,138 --> 00:51:48,939 WHO IS IT? 889 00:51:48,939 --> 00:51:51,142 ME. 890 00:51:54,345 --> 00:51:57,548 I DON'T KNOW WHAT THE HELL WE'RE TALKING ABOUT, KAY. 891 00:51:57,548 --> 00:52:00,651 WE'VE GOT TO GO BACK TO WORK IN 12 HOURS. 892 00:52:03,454 --> 00:52:04,989 WHAT I DON'T UNDERSTAND 893 00:52:04,989 --> 00:52:08,693 IS WHY IT HAD TO HAPPEN IN THE FIRST PLACE. 894 00:52:08,693 --> 00:52:10,395 WORLD WAR II? 895 00:52:11,696 --> 00:52:15,900 NO. WHY DID WE HAVE TO END UP WORKING TOGETHER? 896 00:52:20,104 --> 00:52:22,106 KAY, ARE YOU ALL RIGHT? 897 00:52:22,106 --> 00:52:23,974 I'M FINE. 898 00:52:23,974 --> 00:52:25,876 JUST WONDERING. 899 00:52:27,678 --> 00:52:30,748 I'LL NEVER SEE YOU AGAIN EXCEPT MONDAY THROUGH FRIDAY 900 00:52:30,748 --> 00:52:33,818 FROM 4:00 TILL MIDNIGHT EVERY SWING SHIFT. 901 00:52:35,620 --> 00:52:39,357 I SWEAR, IF YOU WERE ANY KIND OF A GENTLEMAN... 902 00:52:39,357 --> 00:52:42,627 I'D WHAT, WORK GRAVEYARD? 903 00:52:42,627 --> 00:52:44,629 WHAT? 904 00:52:46,564 --> 00:52:49,500 YOU WOULDN'T KNOW SO MUCH ABOUT ME. 905 00:52:57,308 --> 00:53:01,446 YOU'RE EVERYWHERE IN MY WORK AND MY LIFE. 906 00:53:03,648 --> 00:53:06,451 HOW WILL I EVER GET RID OF YOU? 907 00:53:08,886 --> 00:53:11,222 YOU CAN'T, I HOPE. 908 00:53:21,065 --> 00:53:22,800 KAY... 909 00:53:24,802 --> 00:53:26,804 IS THAT BAD? 910 00:53:28,806 --> 00:53:30,808 I DON'T KNOW. 911 00:53:34,479 --> 00:53:38,483 WELL, I GUESS WE'RE IN IT, HUH? 912 00:53:38,483 --> 00:53:41,819 FOR THE DURATION. 913 00:53:41,819 --> 00:53:43,688 BOY. 914 00:53:49,694 --> 00:53:52,430 YOU DON'T HAVE TO GET RID OF IT, KAY. 915 00:53:52,430 --> 00:53:54,632 YOU JUST BLEW YOUR NOSE. 916 00:54:09,079 --> 00:54:11,181 WHOO! 917 00:54:11,181 --> 00:54:14,018 AAH! 918 00:54:18,523 --> 00:54:21,326 WE MADE THOSE. 919 00:54:30,468 --> 00:54:32,670 [ FIRECRACKERS POPPING ] 920 00:54:47,885 --> 00:54:50,120 YOU GOT IT. 921 00:54:50,120 --> 00:54:51,989 HEY, SWEETHEART! 922 00:54:51,989 --> 00:54:53,190 YEAH? 923 00:54:53,190 --> 00:54:54,825 WHAT'S UP? 924 00:54:54,825 --> 00:54:57,362 ALLIES INTO PALERMO. AXIS ON THE RUN. 925 00:54:57,362 --> 00:54:59,263 YOU WANT ONE? 926 00:54:59,263 --> 00:55:01,065 SURE. CATCH. 927 00:55:01,065 --> 00:55:02,867 OUT JOY RIDING, HUH? 928 00:55:02,867 --> 00:55:04,969 USING UP THAT BLACK MARKET GAS? 929 00:55:04,969 --> 00:55:07,705 Hazel: THAT'S WHAT YOU USE WHEN YOU GO JOY RIDING. 930 00:55:07,705 --> 00:55:10,307 LUCKY AND HAZEL INVITED ME TO THE BEACH. 931 00:55:10,307 --> 00:55:13,143 THEY MUST HAVE THOUGHT I WAS GETTING LONELY. 932 00:55:13,143 --> 00:55:15,179 BYE, LUCKY. THANKS. 933 00:55:15,179 --> 00:55:17,081 GOODBYE, HONEY. 934 00:55:17,081 --> 00:55:18,949 GOODBYE, SWEETHEART. 935 00:55:18,949 --> 00:55:20,351 SEE YOU SOON. 936 00:55:20,351 --> 00:55:22,553 YOU GOT TO COME NEXT TIME, SPIKE. 937 00:55:22,553 --> 00:55:24,755 WE HAD A REAL SWELL TIME. 938 00:55:37,301 --> 00:55:39,303 25. 939 00:55:39,303 --> 00:55:41,038 THAT'S GOOD. 940 00:55:41,038 --> 00:55:42,840 SECTOR 25, CLEAR NOW. 941 00:55:42,840 --> 00:55:45,943 WE'RE GOING TO GO THROUGH THERE. 942 00:56:03,394 --> 00:56:05,329 Woman: HEY, WHERE DO WE STAND 943 00:56:05,329 --> 00:56:08,098 ON THIS PARTICULAR SEGMENT? 944 00:56:57,114 --> 00:56:59,349 VIOLET! 945 00:56:59,349 --> 00:57:01,552 VIOLET! 946 00:57:07,492 --> 00:57:10,695 [ ALARM SOUNDING ] 947 00:57:34,652 --> 00:57:37,988 OH, BUT KAY WAS SO WONDERFUL, WASN'T SHE? 948 00:57:37,988 --> 00:57:39,456 OH, GOOD NIGHT! 949 00:57:39,456 --> 00:57:40,725 GOODBYE. 950 00:57:40,725 --> 00:57:44,328 FIVE GUYS, YEAH, LIKE THAT. 951 00:57:44,328 --> 00:57:46,897 HEY, LUCKY, YOU SEEN KAY? 952 00:57:46,897 --> 00:57:49,734 SHE GOT CALLED INTO PERSONNEL BEFORE THE SHIFT ENDED. 953 00:57:49,734 --> 00:57:52,302 I THINK THEY'RE GOING TO GIVE HER A MEDAL. 954 00:57:52,302 --> 00:57:54,004 SHE SAVED VIOLET'S LIFE. 955 00:57:54,004 --> 00:57:56,340 HEY, GUESS WHAT! GUESS WHAT! 956 00:57:56,340 --> 00:57:58,475 THEY'RE MAKING ME A LEADMAN. 957 00:57:58,475 --> 00:57:59,744 YES, YES! 958 00:57:59,744 --> 00:58:02,179 THEY SAID I WAS FAST ON MY FEET. 959 00:58:02,179 --> 00:58:03,881 MacBRIDE SHOOK MY HAND. 960 00:58:03,881 --> 00:58:06,150 I TOLD HIM THE LINE WAS MOVING TOO FAST. 961 00:58:06,150 --> 00:58:09,086 THEY JUST SMILED AND HANDED YOU A PROMOTION, RIGHT? 962 00:58:09,086 --> 00:58:11,822 I THOUGHT YOU'D BE PROUD OF ME. 963 00:58:11,822 --> 00:58:15,159 SO WE'RE STILL GOING TO GET TOGETHER LATER ON? 964 00:58:15,159 --> 00:58:18,095 SURE. 965 00:58:20,497 --> 00:58:23,968 AND, KAY, I AM PROUD, 966 00:58:23,968 --> 00:58:25,435 REALLY. 967 00:58:25,435 --> 00:58:27,104 THANKS. 968 00:58:27,104 --> 00:58:28,939 GOOD NIGHT, LUCKY. 969 00:59:12,149 --> 00:59:15,219 Lucky: HA HA! HERE IT IS, GIRLS! 970 00:59:15,219 --> 00:59:16,754 Kay: OH, LOOK! 971 00:59:16,754 --> 00:59:18,222 WE'RE HERE. 972 00:59:18,222 --> 00:59:20,357 OH! 973 00:59:20,357 --> 00:59:23,761 OH, IT'S WONDERFUL. 974 00:59:23,761 --> 00:59:26,030 * TAKE ME, BROTHER * 975 00:59:26,030 --> 00:59:28,899 * LA-DA-DA LA-DA-DA LA-DI DA-DA * 976 00:59:28,899 --> 00:59:32,502 * LA-DA-DA LA-DA-DA LA-DI DA-DA * 977 00:59:32,502 --> 00:59:35,706 [ BIG BAND MUSIC PLAYING ] 978 01:00:02,299 --> 01:00:06,637 OH, THIS IS BETTER THAN ANYTHING -- 979 01:00:06,637 --> 01:00:09,640 THIS PLACE, 980 01:00:09,640 --> 01:00:11,909 THE MUSIC, 981 01:00:11,909 --> 01:00:14,378 DANCING WITH YOU. 982 01:00:14,378 --> 01:00:17,381 IT'S PRETTY DAMN GOOD. 983 01:00:17,381 --> 01:00:19,116 OH... 984 01:00:20,785 --> 01:00:25,389 OH, I WISH IT COULD BE LIKE THIS FOREVER. 985 01:00:25,389 --> 01:00:27,391 WHY NOT? 986 01:00:38,969 --> 01:00:40,871 ISN'T IT UNUSUAL FOR SOMEBODY 987 01:00:40,871 --> 01:00:43,007 WITH YOUR AMAZING LOOKS TO BE A RIVETER? 988 01:00:43,007 --> 01:00:45,009 NO. IT'S AMAZING FOR SOMEONE 989 01:00:45,009 --> 01:00:47,344 WITH MY UNUSUAL LOOKS TO BE A RIVETER. 990 01:00:47,344 --> 01:00:48,412 TOUCHé. 991 01:00:48,412 --> 01:00:50,547 THAT MEANS YOU WOUNDED ME SLIGHTLY. 992 01:00:50,547 --> 01:00:52,482 YOU GOT QUITE A LINE, O'CONNOR -- 993 01:00:52,482 --> 01:00:54,151 THE COME ON, THE FRENCH LESSON. 994 01:00:54,151 --> 01:00:56,286 YOU'RE QUITE A DANCER. WHAT'S YOUR ROOM NUMBER? 995 01:00:56,286 --> 01:00:58,723 THERE YOU GO BEATING AROUND THE BUSH AGAIN. 996 01:00:58,723 --> 01:01:00,725 O'Connor: IN A FEW MONTHS, 997 01:01:00,725 --> 01:01:03,127 I DON'T KNOW IF I'M GOING TO BE ALIVE. 998 01:01:03,127 --> 01:01:06,230 SO IF I CAME ON A LITTLE BIT STRONG, 999 01:01:06,230 --> 01:01:08,198 I APOLOGIZE. 1000 01:01:08,198 --> 01:01:09,366 BISCUITS. 1001 01:01:09,366 --> 01:01:10,500 BISCUITS? 1002 01:01:10,500 --> 01:01:11,601 BISCUITS! 1003 01:01:11,601 --> 01:01:14,371 HI, HAZEL. 1004 01:01:14,371 --> 01:01:16,073 SURPRISED, HUH? 1005 01:01:16,073 --> 01:01:17,241 YEAH. 1006 01:01:17,241 --> 01:01:18,642 WHO'S THIS GUY? 1007 01:01:18,642 --> 01:01:20,510 PARDON ME. 1008 01:01:20,510 --> 01:01:21,779 PARDON ME, SIR. 1009 01:01:21,779 --> 01:01:23,380 PARDON ME, SIR. 1010 01:01:23,380 --> 01:01:24,749 BEAT IT, BUDDY. 1011 01:01:24,749 --> 01:01:26,583 GO PEDDLE YOUR FRENCH ELSEWHERE, SIR. 1012 01:01:26,583 --> 01:01:28,919 AU REVOIR -- THAT MEANS SCRAM, ALL RIGHT? 1013 01:01:28,919 --> 01:01:31,221 GOOD EVENING, MRS. ZANUSSI. 1014 01:01:31,221 --> 01:01:32,356 SEE YA. 1015 01:01:32,356 --> 01:01:34,224 BEAT IT, ALL RIGHT? 1016 01:01:35,726 --> 01:01:38,028 SAME OLD LIGHT TOUCH, HAZEL. 1017 01:01:38,028 --> 01:01:42,032 I DON'T KNOW WHY I DID THAT. 1018 01:01:42,032 --> 01:01:44,769 Man: SEAMAN TOOHEY! 1019 01:01:44,769 --> 01:01:46,403 SEAMAN TOOHEY? WHAT -- 1020 01:01:46,403 --> 01:01:49,506 SOMETHING IN LIFE KEEPS BRINGING YOU AND ME TOGETHER. 1021 01:01:49,506 --> 01:01:51,275 I'M SHIPPING OUT TONIGHT. 1022 01:01:51,275 --> 01:01:52,542 TONIGHT? 1023 01:01:52,542 --> 01:01:55,913 YEAH. I'M GLAD, THOUGH. NOW I CAN TELL YOU I'M SORRY 1024 01:01:55,913 --> 01:01:58,916 FOR FRANKIE, THE BROADS, THE PROMISES, EVERYTHING. 1025 01:01:58,916 --> 01:02:01,051 I MESSED UP REAL BAD WITH YOU, HAZEL. 1026 01:02:01,051 --> 01:02:04,154 YOU TALK LIKE YOU'RE GOING TO DIE OR SOMETHING. 1027 01:02:04,154 --> 01:02:06,791 COME ON, TOOHEY. LET'S GO. 1028 01:02:09,193 --> 01:02:12,997 TAKE CARE OF YOURSELF, HAZEL. 1029 01:02:28,678 --> 01:02:31,882 OH, HAPPY NEW YEAR, DOLL. 1030 01:02:31,882 --> 01:02:34,484 IT'S ALMOST MIDNIGHT, YOU KNOW. 1031 01:02:36,620 --> 01:02:38,355 OH! 1032 01:02:38,355 --> 01:02:41,158 OUT OF UNIFORM, BUDDY. 1033 01:02:41,158 --> 01:02:44,528 I DON'T HAVE A UNIFORM, BUDDY. 1034 01:02:44,528 --> 01:02:45,896 DON'T PUSH ME! 1035 01:02:45,896 --> 01:02:47,898 TAKE A HIKE, LEATHERNECK! YOU WANT IT? 1036 01:02:47,898 --> 01:02:49,900 YOU WANT A PIECE OF ME, ASSHOLE? 1037 01:02:49,900 --> 01:02:51,501 COME GET IT! 1038 01:02:51,501 --> 01:02:53,237 WAIT A MINUTE! 1039 01:02:53,237 --> 01:02:54,771 NO! 1040 01:02:56,907 --> 01:03:00,510 Crowd: 10...9...8... 1041 01:03:00,510 --> 01:03:03,647 7...6...5... 1042 01:03:03,647 --> 01:03:07,651 4...3...2...1! 1043 01:03:07,651 --> 01:03:10,054 HAPPY NEW YEAR! 1044 01:03:10,054 --> 01:03:13,257 [ "AULD LANG SYNE" PLAYING ] 1045 01:03:13,257 --> 01:03:16,827 [ CHEERING ] 1046 01:03:16,827 --> 01:03:20,197 Man: JUNE 6, 1944 -- D-DAY. 1047 01:03:20,197 --> 01:03:22,466 AMERICAN, BRITISH, AND CANADIAN TROOPS LANDED 1048 01:03:22,466 --> 01:03:24,468 IN NORTHERN FRANCE THIS MORNING. 1049 01:03:24,468 --> 01:03:27,071 STAND BY FOR GENERAL EISENHOWER'S BROADCAST 1050 01:03:27,071 --> 01:03:29,339 AS THE ALLIES LAUNCH THIS GREAT INVASION. 1051 01:03:29,339 --> 01:03:32,142 Eisenhower: SOLDIERS, SAILORS, AND AIRMEN 1052 01:03:32,142 --> 01:03:34,544 OF THE ALLIED EXPEDITIONARY FORCE, 1053 01:03:34,544 --> 01:03:37,681 YOU ARE ABOUT TO EMBARK UPON THE GREAT CRUSADE 1054 01:03:37,681 --> 01:03:41,151 TOWARD WHICH WE HAVE STRIVEN THESE MANY MONTHS. 1055 01:03:41,151 --> 01:03:43,153 IN COMPANY WITH OUR BRAVE ALLIES 1056 01:03:43,153 --> 01:03:45,455 AND BROTHERS IN ARMS ON OTHER FRONTS, 1057 01:03:45,455 --> 01:03:47,557 YOU WILL BRING ABOUT THE DESTRUCTION 1058 01:03:47,557 --> 01:03:50,660 OF THE GERMAN WAR MACHINE, THE ELIMINATION OF NAZI TYRANNY 1059 01:03:50,660 --> 01:03:53,030 OVER THE OPPRESSED PEOPLES OF EUROPE, 1060 01:03:53,030 --> 01:03:55,765 AND SECURITY FOR OURSELVES IN A FREE WORLD. 1061 01:03:55,765 --> 01:03:57,601 GOOD LUCK, AND LET US ALL 1062 01:03:57,601 --> 01:04:00,570 BESEECH THE BLESSING OF ALMIGHTY GOD 1063 01:04:00,570 --> 01:04:04,074 UPON THIS GREAT AND NOBLE UNDERTAKING. 1064 01:04:04,074 --> 01:04:08,913 ASSOCIATES, BACK TO WORK! 1065 01:04:08,913 --> 01:04:12,649 HAPPY BIRTHDAY! THE SHIRT'S FROM HAZEL. 1066 01:04:12,649 --> 01:04:14,051 OH, REALLY? 1067 01:04:14,051 --> 01:04:16,520 YEP. JUST A MINUTE. I'LL BE RIGHT BACK. 1068 01:04:16,520 --> 01:04:18,255 I FORGOT SOMETHING. 1069 01:04:18,255 --> 01:04:19,189 THANKS. 1070 01:04:19,189 --> 01:04:20,925 YOU'RE WELCOME, LUCKY. 1071 01:04:20,925 --> 01:04:22,392 OH, GREAT. 1072 01:04:22,392 --> 01:04:24,929 * DA-DUN * 1073 01:04:24,929 --> 01:04:28,598 ALL RIGHT, WHAT IS IT? 1074 01:04:28,598 --> 01:04:33,070 MY CONTRIBUTION TO YOUR MUSICAL CAREER. 1075 01:04:34,905 --> 01:04:36,907 YOU LIKE IT? 1076 01:04:36,907 --> 01:04:39,509 JESUS, KAY. 1077 01:04:39,509 --> 01:04:41,511 OH, BABY, THANKS. 1078 01:04:41,511 --> 01:04:42,980 YOU'RE WELCOME. 1079 01:04:43,047 --> 01:04:46,250 [ SWING MUSIC PLAYING ] 1080 01:04:49,786 --> 01:04:51,788 [ DOG BARKS ] 1081 01:04:51,788 --> 01:04:54,391 [ CAT MEOWS ] 1082 01:05:12,409 --> 01:05:14,678 KAY! 1083 01:05:14,678 --> 01:05:17,681 IT'S ME! 1084 01:05:17,681 --> 01:05:21,118 KAY, I'M HOME! 1085 01:05:21,118 --> 01:05:23,287 WHO WANTS A BEER? 1086 01:05:23,287 --> 01:05:24,554 I DO. 1087 01:05:24,554 --> 01:05:27,691 [ GIGGLING ] 1088 01:05:31,428 --> 01:05:34,164 [ LAUGHING ] 1089 01:06:02,326 --> 01:06:03,593 HI. 1090 01:06:03,593 --> 01:06:04,728 HI. 1091 01:06:04,728 --> 01:06:06,463 IS MY WIFE HERE? 1092 01:06:06,463 --> 01:06:08,332 IS KAY HERE? 1093 01:06:08,332 --> 01:06:09,266 KAY? 1094 01:06:09,266 --> 01:06:10,900 KAY, LOOK WHO'S HERE. 1095 01:06:10,900 --> 01:06:12,602 HEY, WATCH THIS. 1096 01:06:12,602 --> 01:06:14,404 Jack: KAY! 1097 01:06:16,273 --> 01:06:18,908 JACK! 1098 01:06:18,908 --> 01:06:20,477 JACK! 1099 01:06:20,477 --> 01:06:22,479 JACK! 1100 01:06:24,614 --> 01:06:26,416 I DON'T BELIEVE IT. 1101 01:06:26,416 --> 01:06:29,019 I'M ON LIBERTY. I BROUGHT YOU A ROSE. 1102 01:06:29,019 --> 01:06:30,820 THANKS. 1103 01:06:30,820 --> 01:06:33,423 UM, THIS IS LUCKY. 1104 01:06:33,423 --> 01:06:35,192 HI. 1105 01:06:35,192 --> 01:06:37,927 LUCKY, NICE TO MEET YOU. 1106 01:06:37,927 --> 01:06:39,896 AND HAZEL, 1107 01:06:39,896 --> 01:06:41,965 AND, WELL, WE ALL WORK TOGETHER. 1108 01:06:41,965 --> 01:06:43,967 COME ON, LET'S -- LET'S -- 1109 01:06:43,967 --> 01:06:45,702 EXCUSE US. 1110 01:06:50,940 --> 01:06:54,244 WE'RE SHIPPING OUT AGAIN IN 48 HOURS. 1111 01:06:54,244 --> 01:06:57,381 COULDN'T TELL ANYBODY WE WERE COMING IN. 1112 01:06:57,381 --> 01:07:00,584 COULDN'T BREATHE A WORD ABOUT IT. HOW ABOUT THAT? 1113 01:07:00,584 --> 01:07:02,586 THAT'S SOMETHING. 1114 01:07:11,995 --> 01:07:14,464 KAY... 1115 01:07:14,464 --> 01:07:16,466 WHERE -- 1116 01:07:24,474 --> 01:07:27,277 KAY. 1117 01:07:29,279 --> 01:07:31,681 WHAT IS IT, HONEY? 1118 01:07:31,681 --> 01:07:33,817 WHO'S THE LEADMAN? 1119 01:07:35,719 --> 01:07:37,987 ANYBODY I KNOW? 1120 01:07:37,987 --> 01:07:40,290 YEAH, IT'S SOMEBODY YOU KNOW. 1121 01:07:40,290 --> 01:07:42,892 WELL, WHO IS IT? 1122 01:07:42,892 --> 01:07:46,696 IT'S ME. I'M THE LEADMAN. 1123 01:07:46,696 --> 01:07:48,398 YOU? 1124 01:07:51,000 --> 01:07:52,736 SEE? 1125 01:07:57,006 --> 01:07:59,042 SEE? 1126 01:07:59,042 --> 01:08:01,010 I GOT A PROMOTION. 1127 01:08:01,010 --> 01:08:02,612 THAT'S GREAT. 1128 01:08:02,612 --> 01:08:04,314 THANKS. 1129 01:08:04,314 --> 01:08:06,416 I CAME IN TO TRY ON MY CIVVIES 1130 01:08:06,416 --> 01:08:08,418 TO SEE WHAT THEY FELT LIKE, 1131 01:08:08,418 --> 01:08:10,420 BUT THEY DIDN'T SEEM TO BE HERE. 1132 01:08:10,420 --> 01:08:12,556 I'M SORRY, HONEY. 1133 01:08:12,556 --> 01:08:15,559 OH, THIS CLOSET IS FULL OF EQUIPMENT AND STUFF, 1134 01:08:15,559 --> 01:08:18,027 AND IT'S LIKE FIBBER McGEE'S CLOSET, 1135 01:08:18,027 --> 01:08:19,696 BUT THEY'RE IN BOXES. 1136 01:08:19,696 --> 01:08:22,432 NO, NO, DON'T BOTHER WITH IT, KAY. 1137 01:08:22,432 --> 01:08:24,434 I CAN'T WEAR THEM ANYWAY. 1138 01:08:24,434 --> 01:08:26,903 I CAN JUST WEAR THEM IN THE HOUSE. 1139 01:08:26,903 --> 01:08:29,773 WELL, ALL RIGHT. 1140 01:08:29,773 --> 01:08:31,107 MY GOSH. 1141 01:08:31,107 --> 01:08:32,876 WHAT A MESS. 1142 01:08:38,915 --> 01:08:41,518 CONGRATULATIONS. 1143 01:08:41,518 --> 01:08:44,188 THANKS. 1144 01:08:44,188 --> 01:08:46,122 OH, YOU GOT IT. 1145 01:08:46,122 --> 01:08:48,124 YEAH, I GOT IT... 1146 01:08:48,124 --> 01:08:49,993 ALL OVER EVERYTHING. 1147 01:08:49,993 --> 01:08:51,728 GOOD JOB. 1148 01:08:51,728 --> 01:08:53,463 THANKS. 1149 01:08:55,999 --> 01:08:58,001 DID YOU HAVE A GOOD REST? 1150 01:08:58,001 --> 01:08:59,736 MM-HMM. 1151 01:08:59,736 --> 01:09:01,538 SURE DID. 1152 01:09:01,538 --> 01:09:05,008 [ "BUT NOT FOR ME" PLAYING ] 1153 01:09:05,008 --> 01:09:07,611 WELL, WELCOME HOME, HONEY. 1154 01:09:07,611 --> 01:09:09,613 THANKS. 1155 01:09:20,557 --> 01:09:23,893 ARE YOU GOING TO CHANGE THAT? 1156 01:09:23,893 --> 01:09:26,230 SURE, HONEY. 1157 01:09:31,701 --> 01:09:33,503 [ STOPS RECORD ] 1158 01:09:33,503 --> 01:09:35,972 SO LIKE I SAID, CONGRATULATIONS. 1159 01:09:35,972 --> 01:09:37,374 CONGRATS. 1160 01:09:37,374 --> 01:09:39,108 FOR WHAT? 1161 01:09:39,108 --> 01:09:40,677 YOU KNOW. 1162 01:09:40,677 --> 01:09:43,247 WHAT DID YOU SAY YOU WERE MAKING? 1163 01:09:43,247 --> 01:09:45,249 $1.35 AN HOUR. 1164 01:09:45,249 --> 01:09:47,851 WHAT DID YOU SAY ABOUT OVERTIME? 1165 01:09:47,851 --> 01:09:49,719 I DIDN'T. 1166 01:09:49,719 --> 01:09:52,989 BEATS ME ANYWAY. 1167 01:09:52,989 --> 01:09:55,525 BEATS ME ALL TO HELL. 1168 01:09:55,525 --> 01:09:58,127 HERE'S TO YOU, KIDDO, 1169 01:09:58,127 --> 01:10:00,997 AND THAT GUY YOU WORK WITH. 1170 01:10:00,997 --> 01:10:03,132 WHAT'S HIS NAME? 1171 01:10:03,132 --> 01:10:05,134 LUCKY. 1172 01:10:05,134 --> 01:10:08,538 THERE'S NO QUESTION ABOUT THAT. 1173 01:10:08,538 --> 01:10:10,507 WHAT DO YOU MEAN? 1174 01:10:10,507 --> 01:10:13,543 HE'S STATESIDE, NOT IN UNIFORM. HOW LUCKY CAN YOU GET? 1175 01:10:13,543 --> 01:10:16,380 I DON'T THINK HE'D CALL IT LUCKY. 1176 01:10:16,380 --> 01:10:18,448 WELL, THE NEXT TIME YOU GO TO WORK, 1177 01:10:18,448 --> 01:10:20,384 ASK HIM WHAT HE'D CALL IT 1178 01:10:20,384 --> 01:10:22,719 AND WHERE I MIGHT STAND IN LINE TO GET IT. 1179 01:10:22,719 --> 01:10:26,290 WHAT WOULD YOU CALL IT, JACK? 1180 01:10:26,290 --> 01:10:30,560 I'D CALL IT CHEATING, KAY. 1181 01:10:34,264 --> 01:10:37,401 I WENT TO WAR! 1182 01:10:37,401 --> 01:10:39,403 I KNOW. 1183 01:10:39,403 --> 01:10:43,573 SO WHO ELSE GOT LUCKY BESIDES LUCKY? 1184 01:10:45,542 --> 01:10:49,746 DIDN'T IT MEAN ANYTHING... 1185 01:10:49,746 --> 01:10:51,881 THAT... 1186 01:10:51,881 --> 01:10:54,250 THAT YOU'RE MY WIFE? 1187 01:10:55,685 --> 01:10:59,255 OF COURSE IT MEANT SOMETHING. 1188 01:11:01,958 --> 01:11:04,093 I TRIED TO WAIT, 1189 01:11:04,093 --> 01:11:07,497 BUT EVERYTHING IN THIS HOUSE REMINDED ME OF YOU. 1190 01:11:07,497 --> 01:11:09,032 SURE, BABY. 1191 01:11:10,634 --> 01:11:13,470 BLAME IT ON THE WAR. IT'S EVERYBODY'S EXCUSE. 1192 01:11:13,470 --> 01:11:16,440 I'M NOT THE SAME, 1193 01:11:16,440 --> 01:11:19,809 AND NEITHER ARE YOU. 1194 01:11:19,809 --> 01:11:22,912 I'M SORRY. 1195 01:11:26,049 --> 01:11:30,186 I WAS WRONG. I'M SORRY. 1196 01:11:30,186 --> 01:11:33,690 DO YOU LOVE THIS GUY? 1197 01:11:36,726 --> 01:11:38,395 DO YOU? 1198 01:11:38,395 --> 01:11:41,631 OH, JACK... 1199 01:11:51,408 --> 01:11:54,544 OH, JACK, PLEASE FORGIVE ME. 1200 01:11:54,544 --> 01:11:57,381 [ DOOR CLOSES ] 1201 01:12:03,553 --> 01:12:06,289 YEAH, MOON TOLD ME ABOUT THAT. 1202 01:12:06,289 --> 01:12:08,124 Woman: SEE YOU TOMORROW. 1203 01:12:08,124 --> 01:12:11,027 WHAT THE HELL ARE YOU DOING HERE, LUCK? 1204 01:12:11,027 --> 01:12:12,562 THOUGHT YOU WERE SICK. 1205 01:12:12,562 --> 01:12:15,031 CAN I TALK TO YOU A MINUTE, HAZEL? 1206 01:12:15,031 --> 01:12:16,566 SURE. 1207 01:12:16,566 --> 01:12:20,303 COME ON, VIOLET. LET'S GO PICK UP PEGGY. 1208 01:12:20,303 --> 01:12:22,706 Woman: GOOD NIGHT, HAZEL. 1209 01:12:22,706 --> 01:12:26,309 LISTEN, I'M PLAYING AT KELLY'S LATER ON TONIGHT. 1210 01:12:26,309 --> 01:12:30,046 WANT TO COME? 1211 01:12:30,046 --> 01:12:33,016 I DON'T THINK SO. 1212 01:12:35,284 --> 01:12:38,287 ALL RIGHT. 1213 01:12:38,287 --> 01:12:40,824 HA HA HA. SUIT YOURSELF. 1214 01:12:40,824 --> 01:12:43,026 YOU GOING TO BE ALL RIGHT? 1215 01:12:43,026 --> 01:12:44,494 MMM. 1216 01:12:46,530 --> 01:12:49,666 NEVER BETTER. 1217 01:12:54,438 --> 01:12:57,641 [ BLUES MUSIC PLAYING ] 1218 01:13:16,325 --> 01:13:18,462 IS THIS TAKEN? 1219 01:13:18,462 --> 01:13:20,664 THANK YOU. 1220 01:13:23,933 --> 01:13:26,069 ONE SCOTCH. 1221 01:14:06,042 --> 01:14:07,777 Kay: JACK! 1222 01:14:07,777 --> 01:14:09,846 JACK! 1223 01:14:09,846 --> 01:14:11,715 YOU'RE LEAVING SO EARLY. 1224 01:14:11,715 --> 01:14:13,717 YOU WEREN'T SUPPOSED TO GO -- 1225 01:14:13,717 --> 01:14:16,720 I COULDN'T SLEEP. I GOT TO GET OUT OF HERE. 1226 01:14:16,720 --> 01:14:18,588 DID YOU READ MY NOTE? 1227 01:14:18,588 --> 01:14:22,058 NO. WHAT'S THE NOTE SAY, JACK? 1228 01:14:22,058 --> 01:14:24,127 WHAT'S IT SAY? 1229 01:14:24,127 --> 01:14:28,331 I CAN'T...BELIEVE WHAT YOU'VE DONE. 1230 01:14:28,331 --> 01:14:30,199 OH, HONEY, 1231 01:14:30,199 --> 01:14:31,668 I'M SORRY. 1232 01:14:31,668 --> 01:14:35,138 I'M SO SORRY. 1233 01:14:35,138 --> 01:14:36,540 ALL RIGHT. 1234 01:14:36,540 --> 01:14:39,475 ALL RIGHT, LET'S GET OUT OF HERE. 1235 01:14:56,192 --> 01:14:57,827 [ Reading ] "DEAR KAY, 1236 01:14:57,827 --> 01:15:00,564 "I DON'T UNDERSTAND WHAT YOU'VE DONE, 1237 01:15:00,564 --> 01:15:02,566 "BUT I GUESS YOU'RE RIGHT. 1238 01:15:02,566 --> 01:15:04,233 "EVERYTHING CHANGES. 1239 01:15:04,233 --> 01:15:06,435 "I'M DIFFERENT, YOU'RE DIFFERENT, 1240 01:15:06,435 --> 01:15:08,371 "THE WHOLE WORLD IS DIFFERENT. 1241 01:15:08,371 --> 01:15:11,207 "I DON'T KNOW WHAT'S RIGHT ANYMORE. 1242 01:15:11,207 --> 01:15:14,544 "I GUESS WE BOTH HAVE A LOT OF THINKING TO DO. 1243 01:15:14,544 --> 01:15:18,114 "I'LL TRY AND WRITE WHEN I'M NOT SO CONFUSED. 1244 01:15:18,114 --> 01:15:20,584 "THEY SAY THE WAR WILL BE OVER SOON. 1245 01:15:20,584 --> 01:15:22,251 "I HOPE SO. 1246 01:15:22,251 --> 01:15:25,454 "IT'S SURE TAKEN ITS TOLL ON ALL OF US. 1247 01:15:25,454 --> 01:15:29,192 ALL THE BEST. JACK." 1248 01:15:46,710 --> 01:15:51,147 [ DOG BARKS ] 1249 01:15:58,622 --> 01:16:00,890 WHAT DID YOU THINK OF THE GUYS 1250 01:16:00,890 --> 01:16:03,492 I PLAYED WITH LAST NIGHT? 1251 01:16:03,492 --> 01:16:05,494 THEY WERE OKAY. 1252 01:16:05,494 --> 01:16:06,996 YOU WERE BETTER. 1253 01:16:06,996 --> 01:16:10,233 THEY'RE HEADING BACK EAST 1254 01:16:10,233 --> 01:16:12,168 IN A COUPLE OF WEEKS. 1255 01:16:12,168 --> 01:16:15,138 I COULD PROBABLY WORK IT OUT TO GO WITH THEM. 1256 01:16:25,915 --> 01:16:29,185 WHAT'S THE MATTER, HAZEL? 1257 01:16:29,185 --> 01:16:32,188 IT'S NOT GOING TO BE SO HOT TELLING KAY ABOUT THIS. 1258 01:16:32,188 --> 01:16:35,024 WHAT'S THE BIG HURRY IN TELLING HER? 1259 01:16:35,024 --> 01:16:37,961 BESIDES, I'M THE ONE WITH THE BROKEN HEART, REMEMBER? 1260 01:16:37,961 --> 01:16:41,364 I DON'T THINK I CAN LOOK HER IN THE EYE 1261 01:16:41,364 --> 01:16:43,266 UNTIL I DO. 1262 01:17:00,650 --> 01:17:03,887 [ DOG BARKING ] 1263 01:17:08,792 --> 01:17:10,960 WAIT! WAIT A MINUTE! 1264 01:17:14,998 --> 01:17:18,001 KAY! 1265 01:17:45,094 --> 01:17:47,363 Kay: COME IN. 1266 01:17:59,308 --> 01:18:02,611 GOD, I DON'T EVEN RECOGNIZE THE PLACE. 1267 01:18:02,611 --> 01:18:05,214 WOULD YOU LIKE SOME TEA? 1268 01:18:05,214 --> 01:18:06,883 SOME TEA? 1269 01:18:06,883 --> 01:18:09,318 [ BIRD CHIRPS ] 1270 01:18:14,924 --> 01:18:17,393 I'LL TAKE SOME TEA. 1271 01:18:24,801 --> 01:18:26,936 JACK'S MOTHER GAVE ME THIS TEA SET 1272 01:18:26,936 --> 01:18:29,238 WHEN WE WERE MARRIED. 1273 01:18:29,238 --> 01:18:31,640 REALLY? IT'S LOVELY. 1274 01:18:31,640 --> 01:18:33,509 THANK YOU. 1275 01:18:33,509 --> 01:18:36,379 [ POURS TEA ] 1276 01:18:36,379 --> 01:18:38,381 CREAM? 1277 01:18:38,381 --> 01:18:41,517 YES, PLEASE. 1278 01:18:41,517 --> 01:18:43,920 SUGAR? 1279 01:18:43,920 --> 01:18:46,522 YOU GOT SUGAR? 1280 01:18:46,522 --> 01:18:49,525 HOW MANY SUGARS? 1281 01:18:49,525 --> 01:18:52,161 NO SUGAR, THANKS. 1282 01:18:57,666 --> 01:18:59,803 THANK YOU. 1283 01:18:59,803 --> 01:19:01,971 YOU'RE WELCOME. 1284 01:19:04,808 --> 01:19:06,810 SANDWICH? 1285 01:19:06,810 --> 01:19:09,078 KAY... 1286 01:19:09,078 --> 01:19:11,480 SEEING YOU WITH JACK MADE LUCKY NUTS. 1287 01:19:11,480 --> 01:19:14,884 I WAS LONELY. IT'S NOT GOING TO HAPPEN AGAIN. 1288 01:19:19,088 --> 01:19:22,558 WELL, WHO'D HAVE THOUGHT THIS WOULD HAPPEN TO US? 1289 01:19:22,558 --> 01:19:26,295 SO... 1290 01:19:28,231 --> 01:19:31,100 WHAT ARE WE GOING TO DO ABOUT THIS? 1291 01:19:33,502 --> 01:19:36,372 OH... 1292 01:19:36,372 --> 01:19:39,242 WE'LL ALL BE FRIENDS. 1293 01:19:42,979 --> 01:19:46,115 WHAT ELSE? 1294 01:19:49,485 --> 01:19:52,856 [ JAZZ MUSIC PLAYING ] 1295 01:19:52,856 --> 01:19:57,326 * YOU HAD PLENTY MONEY -- 1922 * 1296 01:19:57,326 --> 01:20:01,064 * YOU LET OTHER WOMEN MAKE A FOOL OF YOU * 1297 01:20:01,064 --> 01:20:04,200 * WHY DON'T YOU DO RIGHT * 1298 01:20:04,200 --> 01:20:07,871 * LIKE SOME OTHER MEN DO? * 1299 01:20:10,206 --> 01:20:11,941 * GET OUT OF HERE * 1300 01:20:11,941 --> 01:20:16,880 * AND GIVE ME SOME MONEY, TOO * 1301 01:20:42,338 --> 01:20:45,909 * WHY DON'T YOU DO RIGHT * 1302 01:20:45,909 --> 01:20:50,046 * LIKE SOME OTHER MEN DO? * 1303 01:20:50,046 --> 01:20:54,117 * LIKE SOME OTHER MEN DO? * 1304 01:20:55,818 --> 01:20:58,521 Man: ALL RIGHT. 1305 01:20:58,521 --> 01:21:00,656 THANK YOU. 1306 01:21:00,656 --> 01:21:02,391 WAITER. 1307 01:21:02,391 --> 01:21:04,193 KAY, HONEY, 1308 01:21:04,193 --> 01:21:07,196 DON'T YOU THINK YOU'D BETTER TAKE IT EASY? 1309 01:21:07,196 --> 01:21:09,198 WHY? WE'RE CELEBRATING, AREN'T WE? 1310 01:21:09,198 --> 01:21:10,934 WHAT ARE WE CELEBRATING? 1311 01:21:10,934 --> 01:21:12,401 EVERYTHING. 1312 01:21:12,401 --> 01:21:14,137 FRIENDSHIP. 1313 01:21:18,407 --> 01:21:22,145 SO...HERE WE ARE. 1314 01:21:22,145 --> 01:21:23,346 MMM. 1315 01:21:23,346 --> 01:21:25,949 YOU STILL BLOW A MEAN HORN, LUCKY. 1316 01:21:25,949 --> 01:21:27,951 GLAD YOU LIKED IT, KAY. 1317 01:21:27,951 --> 01:21:30,786 HAZEL LIKED IT, TOO, DIDN'T YOU, HAZE? 1318 01:21:30,786 --> 01:21:31,921 HAZE? 1319 01:21:31,921 --> 01:21:33,389 HA HA HA. 1320 01:21:33,389 --> 01:21:34,790 FIRST CIRCLE. 1321 01:21:34,790 --> 01:21:36,392 FIRST CIRCLE? 1322 01:21:36,392 --> 01:21:38,394 ANOTHER ROUND. 1323 01:21:41,830 --> 01:21:45,701 TO LUCKY AND HAZEL. 1324 01:21:45,701 --> 01:21:47,836 TO KAY AND JACK. 1325 01:21:47,836 --> 01:21:51,107 HERE'S MUD IN YOUR EYE. 1326 01:21:52,708 --> 01:21:55,945 KAY, WHY DON'T YOU SLOW DOWN? COME ON. 1327 01:21:55,945 --> 01:21:58,547 OH, DON'T TELL ME WHAT TO DO. 1328 01:21:58,547 --> 01:22:00,083 ISN'T IT FUNNY? 1329 01:22:00,083 --> 01:22:03,086 ISN'T IT FUNNY HOW THINGS HAPPEN SO FAST? 1330 01:22:03,086 --> 01:22:05,688 KAY, YOU'VE HAD A LITTLE TOO MUCH TO DRINK. 1331 01:22:05,688 --> 01:22:07,090 ISN'T IT? 1332 01:22:07,090 --> 01:22:09,258 YEAH. YEAH, IT'S FUNNY. 1333 01:22:09,258 --> 01:22:11,660 ALL THE TIME THAT LUCKY AND I WERE TOGETHER 1334 01:22:11,660 --> 01:22:15,464 AND ALL THE TIME THAT HAZEL AND I WERE BEST FRIENDS, 1335 01:22:15,464 --> 01:22:16,565 I NEVER KNEW. 1336 01:22:16,565 --> 01:22:18,501 IT WASN'T LIKE THAT. I TOLD YOU. 1337 01:22:18,501 --> 01:22:20,536 IT JUST HAPPENED ALL OF A SUDDEN. 1338 01:22:20,536 --> 01:22:24,640 COME ON, I THOUGHT YOU SAID WE WERE GOING TO BE FRIENDS. 1339 01:22:24,640 --> 01:22:25,774 FRIENDS? 1340 01:22:25,774 --> 01:22:28,044 FRIENDS ARE THE MOST IMPORTANT THING, RIGHT? 1341 01:22:28,044 --> 01:22:29,912 HERE'S TO GOOD MUSIC. 1342 01:22:29,912 --> 01:22:31,547 RIGHT, HAZEL? 1343 01:22:31,547 --> 01:22:34,317 LOTS OF THINGS ARE IMPORTANT, KAY. 1344 01:22:34,317 --> 01:22:36,519 BUT FRIENDS ARE THE MOST IMPORTANT THING, 1345 01:22:36,519 --> 01:22:39,122 GOOD FRIENDS, FRIENDS YOU CAN TRUST. 1346 01:22:39,122 --> 01:22:41,324 YOU MEAN LIKE THE WAY HUSBANDS ARE SUPPOSED TO 1347 01:22:41,324 --> 01:22:42,925 BE ABLE TO TRUST THEIR WIVES? 1348 01:22:42,925 --> 01:22:44,060 TONE IT, HAZEL. 1349 01:22:44,060 --> 01:22:46,129 THE WAY YOUR LOVE LIFE WAS GOING, 1350 01:22:46,129 --> 01:22:48,764 I DON'T BLAME YOU FOR TAKING WHAT YOU COULD GET. 1351 01:22:48,764 --> 01:22:49,898 THANKS, KAY. 1352 01:22:49,898 --> 01:22:51,900 WHAT ABOUT YOU, JACK, AND LUCKY? 1353 01:22:51,900 --> 01:22:53,802 THAT MADE A REAL PRETTY PICTURE, KAY. 1354 01:22:53,802 --> 01:22:57,740 THAT WAS ME, JACK, AND LUCKY! THIS IS ME, YOU, AND LUCKY! 1355 01:22:57,740 --> 01:22:59,542 YOU TWO DON'T NEED ME. 1356 01:22:59,542 --> 01:23:00,943 NOPE, I'M GOING. 1357 01:23:00,943 --> 01:23:03,146 YOU'RE ON YOUR OWN, SWEETHEART. 1358 01:23:05,414 --> 01:23:07,683 THERE'S A WORD FOR YOU. 1359 01:23:07,683 --> 01:23:09,085 STAY AWAY FROM ME. 1360 01:23:09,085 --> 01:23:10,953 ONLY I CAN'T SAY IT. 1361 01:23:10,953 --> 01:23:12,921 OH, YES, I CAN. WHORE! 1362 01:23:12,921 --> 01:23:14,723 DID YOU CALL ME A WHORE? 1363 01:23:14,723 --> 01:23:17,460 DID YOU SEE ANYBODY ELSE I COULD BE SPEAKING TO? 1364 01:23:17,460 --> 01:23:18,861 YOU'RE THE WHORE, SWEETHEART. 1365 01:23:18,861 --> 01:23:21,064 I MAY HAVE SLEPT WITH SOMEONE'S BOYFRIEND, 1366 01:23:21,064 --> 01:23:23,466 BUT I DIDN'T SPEND TWO YEARS OF MY LIFE 1367 01:23:23,466 --> 01:23:25,868 PUTTING A KNIFE IN MY HUSBAND'S BACK. 1368 01:23:25,868 --> 01:23:29,738 Kay: YOU NEVER HAD A HUSBAND. YOU NEVER HAD A BOYFRIEND. 1369 01:23:29,738 --> 01:23:32,308 I DON'T CARE WHAT HAPPENS TO YOU, 1370 01:23:32,308 --> 01:23:35,178 AND I DON'T CARE WHAT HAPPENS TO HIM. 1371 01:23:35,178 --> 01:23:37,813 SO WHY DON'T YOU JUST GO AWAY, OKAY? 1372 01:23:37,813 --> 01:23:39,215 RIDE. 1373 01:23:39,215 --> 01:23:40,816 Man: WHERE TO, SWEETIE? 1374 01:23:40,816 --> 01:23:42,218 Hazel: LEAVE ME ALONE. 1375 01:23:42,218 --> 01:23:43,952 GET YOUR HANDS OFF ME. 1376 01:23:43,952 --> 01:23:46,689 GET AWAY FROM ME! 1377 01:23:46,689 --> 01:23:48,291 Hazel: LET'S JUST GO. 1378 01:23:48,291 --> 01:23:51,194 I WAS IN LOVE! 1379 01:23:51,194 --> 01:23:53,596 SHUT UP! 1380 01:23:53,596 --> 01:23:57,333 [ SOBBING ] 1381 01:23:57,333 --> 01:23:59,735 COME ON, KAY, I'LL GET YOU HOME. 1382 01:23:59,735 --> 01:24:01,370 NO, DON'T TOUCH ME. 1383 01:24:01,370 --> 01:24:03,539 HOW ARE YOU GOING TO GET HOME? 1384 01:24:03,539 --> 01:24:06,842 IF I CAN BUILD A GODDAMN AIRPLANE, 1385 01:24:06,842 --> 01:24:09,044 I CAN GET MYSELF HOME. 1386 01:24:35,604 --> 01:24:38,040 HOW DO YOU FEEL? 1387 01:24:38,040 --> 01:24:42,311 I FEEL SICK. 1388 01:24:46,349 --> 01:24:50,085 I CALLED MacBRIDE'S THIS MORNING AND QUIT. 1389 01:24:52,488 --> 01:24:55,324 I'M LEAVING. 1390 01:25:10,173 --> 01:25:11,607 YOU WANT THIS BACK? 1391 01:25:11,607 --> 01:25:16,512 NO. I'D REALLY LIKE YOU TO KEEP THAT. 1392 01:25:16,512 --> 01:25:18,514 ME, TOO. 1393 01:25:18,514 --> 01:25:20,383 THANKS. 1394 01:25:22,785 --> 01:25:26,389 COME WITH ME, KAY. 1395 01:25:29,124 --> 01:25:31,394 I CAN'T. 1396 01:25:53,782 --> 01:25:57,019 GOODBYE, KAY. 1397 01:25:57,019 --> 01:25:59,488 WAIT, LUCKY. 1398 01:26:02,858 --> 01:26:05,328 MABEL STODDARD'S HUSBAND IS IN THE PACIFIC. 1399 01:26:05,328 --> 01:26:07,596 SHE TOOK THIS JOB FOR THE DURATION. 1400 01:26:07,596 --> 01:26:10,333 MRS. STODDARD, HOW DO YOU LIKE YOUR JOB? 1401 01:26:10,333 --> 01:26:11,834 I LOVE IT. 1402 01:26:11,834 --> 01:26:14,737 AFTER THE WAR, DO YOU PLAN TO KEEP ON WORKING? 1403 01:26:14,737 --> 01:26:17,740 AS I WAS SAYING, WHEN MY HUSBAND COMES BACK, 1404 01:26:17,740 --> 01:26:19,808 I'M GOING TO BE BUSY -- HOME. 1405 01:26:19,808 --> 01:26:21,210 GOOD FOR YOU. 1406 01:26:21,210 --> 01:26:24,146 EACH RETURNING SERVICEMAN WILL GET HIS JOB BACK 1407 01:26:24,146 --> 01:26:25,948 WHEN THE WAR IS WON, 1408 01:26:25,948 --> 01:26:28,951 AND YOU GIRLS AND WOMEN, YOU'LL BE GOING HOME, 1409 01:26:28,951 --> 01:26:30,919 BACK TO BEING HOUSEWIVES AND MOTHERS 1410 01:26:30,919 --> 01:26:33,922 AS YOU PROMISED TO DO WHEN YOU CAME TO WORK WITH US. 1411 01:26:33,922 --> 01:26:36,859 YOUR LIVES WILL RETURN TO NORMAL. 1412 01:26:43,399 --> 01:26:45,601 THANK YOU. 1413 01:26:50,873 --> 01:26:52,875 THANK YOU. 1414 01:26:55,010 --> 01:26:56,679 Man: ATTENTION, PLEASE. 1415 01:26:56,679 --> 01:27:00,583 THE CEREMONY COMMEMORATING THE LAST SBD DIVE BOMBER 1416 01:27:00,583 --> 01:27:04,287 PRODUCED BY MacBRIDE'S WILL START IN A FEW MOMENTS. 1417 01:27:04,287 --> 01:27:06,289 [ SIREN DRONING ] 1418 01:27:06,289 --> 01:27:09,358 [ HORNS HONKING ] 1419 01:27:12,160 --> 01:27:14,297 ASSOCIATES... 1420 01:27:14,297 --> 01:27:17,933 WE SHARE A GREAT MOMENT IN HISTORY. 1421 01:27:17,933 --> 01:27:21,870 JAPAN HAS SURRENDERED. THE WAR IS OVER! 1422 01:27:30,546 --> 01:27:32,881 ASSOCIATES, ASSOCIATES. 1423 01:27:32,881 --> 01:27:34,116 EXCUSE ME. EXCUSE ME. 1424 01:27:34,116 --> 01:27:37,953 CAN WE HAVE SOME QUIET, PLEASE, FOR MR. MacBRIDE? 1425 01:27:37,953 --> 01:27:42,558 ASSOCIATES, I WANT TO THANK EACH AND EVERY ONE OF YOU 1426 01:27:42,558 --> 01:27:46,995 FOR A JOB WELL DONE. 1427 01:28:00,609 --> 01:28:03,312 THEY DROPPED US JUST LIKE THAT. 1428 01:28:03,312 --> 01:28:04,847 I KNEW IT. 1429 01:28:04,847 --> 01:28:07,850 KNOWING THAT YOU HAVE DONE YOUR PART 1430 01:28:07,850 --> 01:28:09,852 TO BRING PEACE TO A STRIFE-TORN WORLD, 1431 01:28:09,852 --> 01:28:11,454 AND ESPECIALLY YOU GIRLS... 1432 01:28:11,454 --> 01:28:14,122 GOOD LUCK TO YOU. 1433 01:28:14,122 --> 01:28:16,992 NOW YOU CAN BECOME HOUSEWIVES AND MOTHERS AGAIN, 1434 01:28:16,992 --> 01:28:20,195 TO MAKE HOMES AND FAMILIES FOR ALL OUR RETURNING HEROES. 1435 01:28:20,195 --> 01:28:21,330 LAST HIRED... 1436 01:28:21,330 --> 01:28:22,965 Both: FIRST FIRED. 1437 01:28:22,965 --> 01:28:26,502 TAKING AWAY THE BEST JOB I EVER HAD. 1438 01:28:26,502 --> 01:28:29,705 A YEAR OF WELDING SCHOOL. 1439 01:28:37,346 --> 01:28:40,949 SHIRT. 1440 01:28:57,566 --> 01:29:00,769 [ PLAYING BLUES MUSIC ] 1441 01:29:09,978 --> 01:29:12,981 [ Reading ] "DEAR LUCKY, I WAS CLEANING HOUSE YESTERDAY 1442 01:29:12,981 --> 01:29:14,983 "WHEN I CAME ACROSS THESE PICTURES 1443 01:29:14,983 --> 01:29:17,586 "OF OUR GOING-AWAY PARTY AT MacBRIDE'S. 1444 01:29:17,586 --> 01:29:19,588 "I THOUGHT YOU MIGHT LIKE THEM. 1445 01:29:19,588 --> 01:29:21,390 "HAVEN'T HEARD FROM JACK IN A WHILE, 1446 01:29:21,390 --> 01:29:24,593 "BUT I'VE BEEN NOTIFIED OF HIS FLEET'S ARRIVAL NEXT WEEK. 1447 01:29:24,593 --> 01:29:27,596 "I'M HOPING -- WELL, I HOPING FOR THE BEST. 1448 01:29:27,596 --> 01:29:29,998 "I KNOW THINGS GOT MUDDLED IN THE END, 1449 01:29:29,998 --> 01:29:32,968 "BUT I JUST WANT TO SAY THANKS FOR SO MANY THINGS. 1450 01:29:32,968 --> 01:29:36,171 "I SURE HOPE THINGS ARE FINALLY GOING YOUR WAY. 1451 01:29:36,171 --> 01:29:38,507 GOOD LUCK. KAY." 1452 01:30:13,341 --> 01:30:17,045 PLEASE FORGIVE ME. 1453 01:30:21,216 --> 01:30:23,819 YOU'RE FORGIVEN. 1454 01:30:55,417 --> 01:30:57,419 HOW'D YOU GET HERE? 1455 01:30:57,419 --> 01:31:01,690 I BORROWED SPIKE AND ETHEL'S CAR. 1456 01:31:01,690 --> 01:31:05,561 COME ON. LET'S GO HOME. 1457 01:31:05,561 --> 01:31:08,931 CAN I HELP YOU WITH THIS OR ANYTHING? 1458 01:31:08,931 --> 01:31:11,233 NO, I GOT IT. 1459 01:31:39,828 --> 01:31:43,031 PUT YOUR BAG DOWN. 1460 01:31:48,837 --> 01:31:50,839 I WENT TO THE STORE 1461 01:31:50,839 --> 01:31:53,842 AND GOT SOMETHING SPECIAL FOR DINNER, 1462 01:31:53,842 --> 01:31:57,079 UNLESS YOU'D RATHER GO OUT. 1463 01:32:00,916 --> 01:32:02,718 WHERE IS HE? 1464 01:32:02,718 --> 01:32:06,354 IT'S OVER. 1465 01:32:06,354 --> 01:32:10,993 THAT'S GOOD NEWS. 1466 01:32:10,993 --> 01:32:13,696 I KNOW I HURT YOU, HONEY. 1467 01:32:17,733 --> 01:32:20,135 I LOVE YOU. 1468 01:33:07,515 --> 01:33:10,085 STILL WORKING? 1469 01:33:10,085 --> 01:33:13,756 THEY LET US GO WHEN IT WAS ALL OVER. 1470 01:33:13,756 --> 01:33:15,758 THAT MAKES TWO OF US. 1471 01:33:15,758 --> 01:33:18,226 NOW WE'RE BOTH OUT OF A JOB. 1472 01:33:18,226 --> 01:33:20,362 YEAH. 1473 01:33:30,072 --> 01:33:33,275 I JUST LOVE YOU SO GODDAMN MUCH. 1474 01:33:33,275 --> 01:33:36,979 I LOVE YOU, TOO. 1475 01:33:45,721 --> 01:33:47,322 HEY, JEANNIE, WHAT'S THIS? 1476 01:33:47,322 --> 01:33:48,924 IT'S CALLED A DIP. 1477 01:33:48,924 --> 01:33:50,058 YEAH? 1478 01:33:50,058 --> 01:33:52,861 YEAH, YOU STICK THE POTATO CHIPS IN IT. 1479 01:33:52,861 --> 01:33:54,596 Clarence: HI, HOW ARE YOU? 1480 01:33:54,596 --> 01:33:57,265 Man: HOW ARE YOU? 1481 01:33:57,265 --> 01:34:01,737 EVERYBODY, I'D LIKE TO INTRODUCE TO ALL OF YOU, 1482 01:34:01,737 --> 01:34:04,206 THIS IS MY NEW HUSBAND ARCHIBALD TOOHEY. 1483 01:34:04,206 --> 01:34:05,607 HOW DO YOU DO? 1484 01:34:05,607 --> 01:34:08,276 Clarence: HI. 1485 01:34:08,276 --> 01:34:09,411 THIS IS FANTASTIC. 1486 01:34:09,411 --> 01:34:11,947 A WASHER -- ALL ELECTRIC. 1487 01:34:11,947 --> 01:34:14,750 Clarence: OH, FABULOUS! 1488 01:34:14,750 --> 01:34:17,452 IT TORE A SHIRT THE OTHER DAY. 1489 01:34:17,452 --> 01:34:18,787 HI, EVERYBODY. 1490 01:34:18,787 --> 01:34:20,555 KAY! KAY, HEY! 1491 01:34:20,555 --> 01:34:25,761 WELL, THIS IS JACK, MY HUSBAND, AND HE JUST GOT BACK. 1492 01:34:25,761 --> 01:34:27,162 I'M CLARENCE. 1493 01:34:27,162 --> 01:34:29,364 WELCOME HOME, BOY, WELCOME HOME. 1494 01:34:29,364 --> 01:34:31,299 AND THIS IS ANNIE. 1495 01:34:31,299 --> 01:34:33,501 THE GOVERNMENT'S PROMISED US A NEW RANCH HOUSE 1496 01:34:33,501 --> 01:34:34,770 IN THE VALLEY. 1497 01:34:34,770 --> 01:34:36,171 RANCH HOUSE? 1498 01:34:36,171 --> 01:34:38,774 YEAH, THEY'RE BUILDING A WHOLE BUNCH OF THEM. 1499 01:34:38,774 --> 01:34:40,175 THEY'RE ALL ALIKE, TOO. 1500 01:34:40,175 --> 01:34:42,177 WITH ALL THESE SERVICEMEN COMING BACK, 1501 01:34:42,177 --> 01:34:44,780 THERE'S GOING TO BE A LARGE NEED FOR HOUSING. 1502 01:34:44,780 --> 01:34:46,749 HAZEL, HAZEL. 1503 01:34:46,749 --> 01:34:52,620 HI. I JUST WANTED TO SAY CONGRATULATIONS. 1504 01:34:52,620 --> 01:34:54,422 THANK YOU. 1505 01:34:54,422 --> 01:34:56,424 THIS IS MY HUSBAND ARCHIBALD TOOHEY. 1506 01:34:56,424 --> 01:34:58,626 BISCUITS TOOHEY. PLEASURE TO MEET YOU. 1507 01:34:58,626 --> 01:34:59,895 EXCUSE ME. 1508 01:34:59,895 --> 01:35:02,497 I SEE YOU WERE IN THE PACIFIC, HUH? 1509 01:35:02,497 --> 01:35:04,733 YOU BET. YEP. 1510 01:35:04,733 --> 01:35:09,237 I JUST WANT TO FORGET THE PAST AND START ALL OVER AGAIN. 1511 01:35:09,237 --> 01:35:11,673 WITH ANOTHER LITTLE ONE ON THE WAY, 1512 01:35:11,673 --> 01:35:14,042 I'M SURE GLAD DEACON HAS A JOB. 1513 01:35:14,042 --> 01:35:16,411 Woman: REMEMBER THAT FIRST DAY, STANDING IN LINE? 1514 01:35:16,411 --> 01:35:17,813 I WAS SO SCARED. 1515 01:35:17,813 --> 01:35:20,515 I THOUGHT THEY WERE GOING TO LAUGH AT US. 1516 01:35:20,515 --> 01:35:22,517 THEY DID LAUGH AT US. 1517 01:35:22,517 --> 01:35:24,519 WELL, WE SHOWED THEM. 1518 01:35:24,519 --> 01:35:25,788 Woman: WE SURE DID. 1519 01:35:25,788 --> 01:35:27,489 YEAH! 1520 01:35:27,489 --> 01:35:29,858 WE SHOWED THEM. 1521 01:35:34,029 --> 01:35:37,199 HERE'S TO KAY AND JACK, JEANNIE AND BOBBY, 1522 01:35:37,199 --> 01:35:41,804 CLARENCE AND ANNIE, VIOLET AND DEACON, 1523 01:35:41,804 --> 01:35:45,774 AND HAZEL AND ME, AND ALL OF US -- 1524 01:35:45,774 --> 01:35:47,776 TO NO MORE WAR 1525 01:35:47,776 --> 01:35:50,979 AND ONE HELL OF A FUTURE. 1526 01:35:59,687 --> 01:36:07,695 * IN THAT SMALL CAFE * 1527 01:36:07,695 --> 01:36:14,369 * THE PARK ACROSS THE WAY * 1528 01:36:14,369 --> 01:36:21,009 * THE CHILDREN'S CAROUSEL * 1529 01:36:21,009 --> 01:36:24,980 * THE CHESTNUT TREES * 1530 01:36:24,980 --> 01:36:29,251 * THE WISHING WELL * 1531 01:36:29,251 --> 01:36:37,259 * I'LL BE SEEING YOU * 1532 01:36:37,259 --> 01:36:44,066 * IN EVERY LOVELY SUMMER'S DAY * 1533 01:36:44,066 --> 01:36:51,406 * IN EVERYTHING THAT'S LIGHT AND GAY * 1534 01:36:51,406 --> 01:36:58,613 * I'LL ALWAYS THINK OF YOU THAT WAY * 1535 01:36:58,613 --> 01:37:05,487 * I'LL FIND YOU IN THE MORNING SUN * 1536 01:37:05,487 --> 01:37:06,889 KAY. 1537 01:37:06,889 --> 01:37:14,229 * AND WHEN THE NIGHT IS NEW * 1538 01:37:14,229 --> 01:37:17,699 * I'LL BE LOOKING * 1539 01:37:17,699 --> 01:37:18,967 HAZEL. 1540 01:37:18,967 --> 01:37:21,904 * AT THE MOON * 1541 01:37:21,904 --> 01:37:29,077 * BUT I'LL BE SEEING YOU * 1542 01:37:29,077 --> 01:37:35,517 WE SHOWED THEM, DIDN'T WE? 1543 01:37:35,517 --> 01:37:39,922 Hazel: BOY, DID WE EVER. 1544 01:37:39,922 --> 01:37:44,859 * YOU SEE, SOMEWHERE * 1545 01:37:44,859 --> 01:37:49,331 * SOMEONE WAITS FOR YOU * 1546 01:37:49,331 --> 01:37:54,469 * WHO HOPES YOU WILL COME THROUGH * 1547 01:37:54,469 --> 01:37:59,674 * WHO WILL WAIT UNTIL YOU DO * 1548 01:37:59,674 --> 01:38:05,080 * YOU'LL SEE A LIGHT * 1549 01:38:05,080 --> 01:38:09,817 * IN SOME FAMILIAR DOOR * 1550 01:38:09,817 --> 01:38:14,822 * AND WHEN YOU REACH THE SHORE * 1551 01:38:14,822 --> 01:38:20,528 * LIFE WON'T HURT ANYMORE * 1552 01:38:20,528 --> 01:38:28,070 * REMEMBER, NIGHT MAY TROUBLE YOU * 1553 01:38:28,070 --> 01:38:32,274 * WITH ENDLESS DREAMS * 1554 01:38:32,274 --> 01:38:38,513 * BUT BLUE SKIES WAIT FOR YOU * 1555 01:38:38,513 --> 01:38:45,420 * BEYOND THE SUNRISE, I'M HERE * 1556 01:38:45,420 --> 01:38:50,358 * SO WALK INTO YOUR FATE * 1557 01:38:50,358 --> 01:38:56,364 * IT NEVER IS TOO LATE * 1558 01:38:56,364 --> 01:39:01,303 * THERE'S SOMEONE SMILING THROUGH * 1559 01:39:01,303 --> 01:39:05,907 * WHO WILL DO ALL THEY CAN DO * 1560 01:39:05,907 --> 01:39:08,143 * FOR YOU * 1561 01:39:08,143 --> 01:39:11,379 * REMEMBER, SOMEWHERE * 1562 01:39:11,379 --> 01:39:16,551 * SOMEONE WAITS FOR YOU * 1563 01:39:32,167 --> 01:39:36,404 * THERE'S SOMEONE SMILING THROUGH * 1564 01:39:36,404 --> 01:39:41,309 * WHO WILL DO ALL THEY CAN DO * 1565 01:39:41,309 --> 01:39:43,345 * FOR YOU * 1566 01:39:43,345 --> 01:39:47,949 * REMEMBER, SOMEWHERE * 1567 01:39:47,949 --> 01:39:52,687 * SOMEONE WAITS FOR YOU * 1568 01:39:52,687 --> 01:39:57,092 -- Captions by VITAC -- Burbank, Pittsburgh, Tampa, and Washington, D.C. 1569 01:39:57,092 --> 01:40:00,295 CAPTIONS PAID FOR BY WARNER BROS. INC. 96764

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.