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These are the user uploaded subtitles that are being translated: 1 00:00:05,750 --> 00:00:07,791 - Video killed the radio star. 2 00:00:07,791 --> 00:00:10,333 Now has the Internet killed 3 00:00:07,791 --> 00:00:10,333 the record industry? 4 00:00:10,416 --> 00:00:12,750 - Napster's stealing from us 5 00:00:10,416 --> 00:00:12,750 straight up, 6 00:00:12,833 --> 00:00:14,166 and I'm gonna fight them to the 7 00:00:12,833 --> 00:00:14,166 death. 8 00:00:14,250 --> 00:00:16,750 - Ladies and gentlemen, 9 00:00:14,250 --> 00:00:16,750 The Strokes. 10 00:00:16,833 --> 00:00:18,958 - May I have your attention, 11 00:00:16,833 --> 00:00:18,958 please? 12 00:00:19,041 --> 00:00:20,791 - We got a Moon Man. 13 00:00:20,791 --> 00:00:22,500 - I'm very ashamed the 14 00:00:20,791 --> 00:00:22,500 President of the United States 15 00:00:22,583 --> 00:00:24,000 is from Texas. 16 00:00:24,000 --> 00:00:26,500 - The Dixie Chicks, they can 17 00:00:24,000 --> 00:00:26,500 say what they want to say. 18 00:00:26,500 --> 00:00:29,458 - Billboard's top ten singles 19 00:00:26,500 --> 00:00:29,458 all by black artists. 20 00:00:29,458 --> 00:00:31,000 - Rappers are 21 00:00:29,458 --> 00:00:31,000 the new rock stars. 22 00:00:31,083 --> 00:00:33,958 - I don't please everybody 23 00:00:31,083 --> 00:00:33,958 with who I am as a person. 24 00:00:33,958 --> 00:00:34,958 - Okay. 25 00:00:33,958 --> 00:00:34,958 - Real staccato. 26 00:00:34,958 --> 00:00:35,958 Like, stick it. 27 00:00:35,958 --> 00:00:37,041 - I love Beyoncé. 28 00:00:37,125 --> 00:00:38,666 - That's not a working 29 00:00:37,125 --> 00:00:38,666 telephone, is it? 30 00:00:38,750 --> 00:00:40,166 - Hello? 31 00:00:38,750 --> 00:00:40,166 - [laughs] 32 00:00:40,250 --> 00:00:42,833 - Empty shelves are all you'll 33 00:00:40,250 --> 00:00:42,833 find here at Tower Records. 34 00:00:42,833 --> 00:00:44,666 It's now out of business. 35 00:00:44,750 --> 00:00:47,666 [dramatic music] 36 00:00:47,750 --> 00:00:54,791 ♪ ♪ 37 00:01:35,791 --> 00:01:38,708 all: Three, two, one. 38 00:01:38,708 --> 00:01:44,416 [all screaming] 39 00:01:44,500 --> 00:01:46,541 - This is a very 40 00:01:44,500 --> 00:01:46,541 special moment. 41 00:01:46,541 --> 00:01:49,625 The first performance 42 00:01:46,541 --> 00:01:49,625 at the MTV studios 43 00:01:49,708 --> 00:01:51,375 in the new millennium. 44 00:01:51,458 --> 00:01:53,708 Please welcome No Doubt. 45 00:01:53,791 --> 00:01:55,416 [cheering] 46 00:01:55,416 --> 00:01:58,208 - ♪ That's great it starts 47 00:01:55,416 --> 00:01:58,208 with an earthquake ♪ 48 00:01:58,208 --> 00:02:00,416 ♪ Birds and snakes 49 00:01:58,208 --> 00:02:00,416 and aeroplanes ♪ 50 00:02:00,500 --> 00:02:02,708 ♪ And Lenny Bruce 51 00:02:00,500 --> 00:02:02,708 is not afraid ♪ 52 00:02:02,708 --> 00:02:05,125 - I'll always remember 53 00:02:02,708 --> 00:02:05,125 New Year's Eve 1999 54 00:02:05,208 --> 00:02:09,541 going into Y2K seeing No Doubt 55 00:02:05,208 --> 00:02:09,541 on MTV playing 56 00:02:09,541 --> 00:02:11,791 "It's The End of the World 57 00:02:09,541 --> 00:02:11,791 As We Know It" by R.E.M. 58 00:02:11,875 --> 00:02:15,416 - ♪ It's the end of the world 59 00:02:11,875 --> 00:02:15,416 as we know it ♪ 60 00:02:15,500 --> 00:02:19,416 ♪ It's the end of the world 61 00:02:15,500 --> 00:02:19,416 as we know it ♪ 62 00:02:19,416 --> 00:02:22,750 ♪ I feel fine ♪ 63 00:02:22,833 --> 00:02:25,541 ♪ ♪ 64 00:02:25,625 --> 00:02:27,166 [cheers and applause] 65 00:02:27,250 --> 00:02:30,625 - It was a very appropriately 66 00:02:27,250 --> 00:02:30,625 apocalyptic song for what 67 00:02:30,625 --> 00:02:32,666 turned out to be a very 68 00:02:30,625 --> 00:02:32,666 apocalyptic decade. 69 00:02:32,750 --> 00:02:34,333 - Happy New Year! 70 00:02:34,416 --> 00:02:37,625 - So we wake up, 71 00:02:34,416 --> 00:02:37,625 it's 2000, we're all alive, 72 00:02:37,708 --> 00:02:40,125 and we're still in the middle 73 00:02:37,708 --> 00:02:40,125 of teen pop mania. 74 00:02:40,125 --> 00:02:46,916 - ♪ Don't wanna hear you say 75 00:02:40,125 --> 00:02:46,916 ain't nothing but a heartache ♪ 76 00:02:46,916 --> 00:02:49,958 Boy bands were selling 77 00:02:46,916 --> 00:02:49,958 so many albums. 78 00:02:50,041 --> 00:02:52,583 - ♪ Every little thing I do ♪ 79 00:02:52,583 --> 00:02:54,500 ♪ Never seems enough for you ♪ 80 00:02:54,583 --> 00:02:56,791 - This is the biggest year 81 00:02:54,583 --> 00:02:56,791 in pop music history 82 00:02:56,875 --> 00:02:57,791 in terms of sales. 83 00:02:57,875 --> 00:03:00,291 all: Britney, Britney, Britney! 84 00:03:00,375 --> 00:03:02,958 - You have Britney Spears 85 00:03:00,375 --> 00:03:02,958 selling 1.3 million copies 86 00:03:03,041 --> 00:03:06,125 of "Oops!... I Did It Again" 87 00:03:03,041 --> 00:03:06,125 in the first week. 88 00:03:06,208 --> 00:03:09,375 - ♪ Oops I did it again ♪ 89 00:03:09,458 --> 00:03:14,166 ♪ I played with your heart 90 00:03:09,458 --> 00:03:14,166 got lost in the game ♪ 91 00:03:14,166 --> 00:03:15,666 ♪ Oh baby baby ♪ 92 00:03:15,750 --> 00:03:17,791 - Everyone's falling 93 00:03:15,750 --> 00:03:17,791 in love with boy bands 94 00:03:17,875 --> 00:03:19,208 and girl groups. 95 00:03:19,291 --> 00:03:22,000 But then Justin Timberlake 96 00:03:19,291 --> 00:03:22,000 leaves NSYNC. 97 00:03:22,083 --> 00:03:25,333 - ♪ Don't be so quick 98 00:03:22,083 --> 00:03:25,333 to walk away ♪ 99 00:03:25,333 --> 00:03:26,625 ♪ Dance with me ♪ 100 00:03:26,625 --> 00:03:28,291 ♪ I wanna rock your body ♪ 101 00:03:28,291 --> 00:03:30,708 - With his debut album, 102 00:03:28,291 --> 00:03:30,708 JT established 103 00:03:30,791 --> 00:03:32,125 what his sound would be. 104 00:03:32,208 --> 00:03:35,375 And it's instantly appealing 105 00:03:32,208 --> 00:03:35,375 to a pop audience and also 106 00:03:35,458 --> 00:03:36,666 an R&B audience. 107 00:03:36,750 --> 00:03:39,666 - ♪ Now it's your turn to cry ♪ 108 00:03:39,666 --> 00:03:44,666 ♪ Cry me a river 109 00:03:39,666 --> 00:03:44,666 cry me a river ♪ 110 00:03:44,666 --> 00:03:47,375 - You know, Justin Timberlake 111 00:03:44,666 --> 00:03:47,375 leaving NSYNC becomes 112 00:03:47,458 --> 00:03:49,125 the model for what can be done. 113 00:03:49,125 --> 00:03:50,583 ♪ ♪ 114 00:03:50,666 --> 00:03:53,708 - Yes, it's your girl B. 115 00:03:53,708 --> 00:03:55,875 - You talk about people who 116 00:03:53,708 --> 00:03:55,875 were always gonna be bigger 117 00:03:55,875 --> 00:03:57,041 than their group, 118 00:03:55,875 --> 00:03:57,041 that was Beyoncé. 119 00:03:57,125 --> 00:03:58,333 - You ready? 120 00:03:58,416 --> 00:04:00,750 - She puts out her 121 00:03:58,416 --> 00:04:00,750 solo album in 2003. 122 00:04:00,833 --> 00:04:02,333 First single 123 00:04:00,833 --> 00:04:02,333 is "Crazy In Love." 124 00:04:02,333 --> 00:04:04,208 It's got this 125 00:04:02,333 --> 00:04:04,208 incredible sample. 126 00:04:04,291 --> 00:04:06,541 And that catches your ear. 127 00:04:06,541 --> 00:04:08,875 - Beyoncé hasn't opened her 128 00:04:06,541 --> 00:04:08,875 mouth yet and you're already 129 00:04:08,875 --> 00:04:10,166 hooked on that song. 130 00:04:10,250 --> 00:04:13,000 - ♪ I look and stare 131 00:04:10,250 --> 00:04:13,000 so deep in your eyes ♪ 132 00:04:13,000 --> 00:04:14,708 - I remember being asked once, 133 00:04:13,000 --> 00:04:14,708 "What do you think: 134 00:04:14,708 --> 00:04:16,375 Christina or Britney?" 135 00:04:14,708 --> 00:04:16,375 I said, "Beyoncé." 136 00:04:16,375 --> 00:04:18,708 - ♪ Got me looking 137 00:04:16,375 --> 00:04:18,708 so crazy right now ♪ 138 00:04:18,791 --> 00:04:21,208 ♪ Your love's got me looking 139 00:04:18,791 --> 00:04:21,208 so crazy right now ♪ 140 00:04:21,208 --> 00:04:23,083 - "Crazy In Love," 141 00:04:21,208 --> 00:04:23,083 that's how it begins. 142 00:04:23,166 --> 00:04:24,833 It seemed like almost 143 00:04:23,166 --> 00:04:24,833 overnight she became 144 00:04:24,833 --> 00:04:25,875 a kind of icon. 145 00:04:25,958 --> 00:04:28,041 She became a deeply 146 00:04:25,958 --> 00:04:28,041 respected figure. 147 00:04:28,125 --> 00:04:31,208 both: Beyoncé, "Naughty Girl." 148 00:04:31,208 --> 00:04:33,375 [Beyoncé's "Naughty Girl plays] 149 00:04:31,208 --> 00:04:33,375 [cheers and applause] 150 00:04:33,375 --> 00:04:36,125 - In the early 2000s, 151 00:04:33,375 --> 00:04:36,125 the industry was so dominated 152 00:04:36,208 --> 00:04:39,875 by pop sensations and booming 153 00:04:36,208 --> 00:04:39,875 CD sales that they were 154 00:04:39,958 --> 00:04:43,041 totally oblivious to the new 155 00:04:39,958 --> 00:04:43,041 generation that didn't think 156 00:04:43,125 --> 00:04:44,708 music was something 157 00:04:43,125 --> 00:04:44,708 you had to pay for. 158 00:04:44,708 --> 00:04:47,250 - Using a PC to download music 159 00:04:44,708 --> 00:04:47,250 is one of the hottest 160 00:04:47,250 --> 00:04:48,708 of today's computer trends. 161 00:04:48,791 --> 00:04:50,208 And that has the recording 162 00:04:48,791 --> 00:04:50,208 companies up in arms 163 00:04:50,291 --> 00:04:51,708 and heading to court. 164 00:04:51,791 --> 00:04:54,041 At the center of their dispute 165 00:04:51,791 --> 00:04:54,041 is a music-sharing Internet 166 00:04:54,125 --> 00:04:55,583 service known as Napster. 167 00:04:55,583 --> 00:04:56,541 [clicking] 168 00:04:56,625 --> 00:04:59,041 - In the late '90s 169 00:04:56,625 --> 00:04:59,041 and early 2000s, 170 00:04:59,125 --> 00:05:00,875 the music industry 171 00:04:59,125 --> 00:05:00,875 grew complacent. 172 00:05:00,875 --> 00:05:02,416 People had come to them 173 00:05:00,875 --> 00:05:02,416 and said, "You know, 174 00:05:02,500 --> 00:05:04,791 "you have to start investing 175 00:05:02,500 --> 00:05:04,791 in the technology that comes 176 00:05:04,875 --> 00:05:06,708 after the compact disc." 177 00:05:06,708 --> 00:05:08,375 And they just refused to do it. 178 00:05:08,458 --> 00:05:11,041 - Some of rock and roll's bad 179 00:05:08,458 --> 00:05:11,041 boys are picking a fight 180 00:05:11,125 --> 00:05:14,583 this morning with the Internet 181 00:05:11,125 --> 00:05:14,583 site Napster.com. 182 00:05:14,666 --> 00:05:18,416 - The lawsuits began when 183 00:05:14,666 --> 00:05:18,416 Metallica heard on the radio 184 00:05:18,500 --> 00:05:21,083 a song that they hadn't 185 00:05:18,500 --> 00:05:21,083 released yet. 186 00:05:21,166 --> 00:05:23,500 ♪ ♪ 187 00:05:23,583 --> 00:05:25,916 - ♪ Hey, hey, hey ♪ 188 00:05:25,916 --> 00:05:28,416 And Metallica was like, "What? 189 00:05:28,500 --> 00:05:32,083 - ♪ It's time I disappear ♪ 190 00:05:32,083 --> 00:05:35,916 - On April 14th, Metallica 191 00:05:32,083 --> 00:05:35,916 filed a lawsuit against Napster 192 00:05:36,000 --> 00:05:39,250 for basically encouraging 193 00:05:36,000 --> 00:05:39,250 people to steal and trade 194 00:05:39,250 --> 00:05:40,958 our music illegally. 195 00:05:40,958 --> 00:05:44,291 - We started this thing called 196 00:05:40,958 --> 00:05:44,291 exmetallicafans.org. 197 00:05:44,291 --> 00:05:46,416 We're asking the community 198 00:05:44,291 --> 00:05:46,416 to completely ban 199 00:05:46,500 --> 00:05:48,291 and boycott Metallica. 200 00:05:48,291 --> 00:05:50,125 - I'm glad you're 201 00:05:48,291 --> 00:05:50,125 an ex-Metallica fan, 202 00:05:50,125 --> 00:05:51,583 because I don't want you 203 00:05:50,125 --> 00:05:51,583 to be a fan of ours 204 00:05:51,583 --> 00:05:52,833 if that's your attitude. 205 00:05:52,916 --> 00:05:54,583 - I can't speak 206 00:05:52,916 --> 00:05:54,583 for the other bands, 207 00:05:54,583 --> 00:05:56,458 but I embraced file sharing. 208 00:05:56,458 --> 00:05:59,375 If you wanna sing along, 209 00:05:56,458 --> 00:05:59,375 you know, if you have-- 210 00:05:59,458 --> 00:06:03,125 you know, you got it off 211 00:05:59,458 --> 00:06:03,125 Napster, bro, please. 212 00:06:03,208 --> 00:06:05,833 Our band was plucked out of 213 00:06:03,208 --> 00:06:05,833 obscurity and given a career 214 00:06:05,833 --> 00:06:07,375 because of Napster. 215 00:06:07,458 --> 00:06:14,208 - ♪ But as for me I wish that 216 00:06:07,458 --> 00:06:14,208 I was anywhere with anyone ♪ 217 00:06:14,291 --> 00:06:16,625 all: ♪ Making out ♪ 218 00:06:16,625 --> 00:06:19,833 - So suddenly I had a platform 219 00:06:16,625 --> 00:06:19,833 for sharing my music 220 00:06:19,916 --> 00:06:22,041 to the frustration 221 00:06:19,916 --> 00:06:22,041 of the label I was on. 222 00:06:22,125 --> 00:06:24,708 - Napster has built 223 00:06:22,125 --> 00:06:24,708 a multi-billion dollar 224 00:06:24,791 --> 00:06:30,166 business based on people, uh, 225 00:06:24,791 --> 00:06:30,166 copying files to millions 226 00:06:30,166 --> 00:06:32,166 and millions 227 00:06:30,166 --> 00:06:32,166 of people they don't know. 228 00:06:32,166 --> 00:06:34,541 - There, you know, a way that 229 00:06:32,166 --> 00:06:34,541 the technology can be adapted 230 00:06:34,625 --> 00:06:37,833 to--to benefit, you know, 231 00:06:34,625 --> 00:06:37,833 all of the parties involved. 232 00:06:37,916 --> 00:06:39,833 The artist, the industry, 233 00:06:37,916 --> 00:06:39,833 and the users. 234 00:06:39,833 --> 00:06:42,708 - Napster should have been 235 00:06:39,833 --> 00:06:42,708 an early version of iTunes. 236 00:06:42,791 --> 00:06:44,750 It's kind of a tragedy 237 00:06:42,791 --> 00:06:44,750 it didn't happen back then. 238 00:06:44,833 --> 00:06:47,208 - Today the U.S. Court 239 00:06:44,833 --> 00:06:47,208 of Appeals ruled that Napster 240 00:06:47,291 --> 00:06:49,541 is infringing 241 00:06:47,291 --> 00:06:49,541 on copyrighted music, 242 00:06:49,541 --> 00:06:52,833 in essence letting 243 00:06:49,541 --> 00:06:52,833 its users steal songs. 244 00:06:52,916 --> 00:06:56,083 - The music label executives 245 00:06:52,916 --> 00:06:56,083 absolutely didn't want any 246 00:06:56,166 --> 00:06:59,000 kind of iTunes-style 247 00:06:56,166 --> 00:06:59,000 distribution infrastructure 248 00:06:59,083 --> 00:07:00,541 that would fit with 249 00:06:59,083 --> 00:07:00,541 the Internet 250 00:07:00,541 --> 00:07:04,416 because they were terrified 251 00:07:00,541 --> 00:07:04,416 of unbundling the single 252 00:07:04,500 --> 00:07:06,166 from the album. 253 00:07:06,250 --> 00:07:09,375 So for a long time they'd been 254 00:07:06,250 --> 00:07:09,375 able to take one hit song 255 00:07:09,458 --> 00:07:10,583 like "Complicated..." 256 00:07:10,666 --> 00:07:12,875 - ♪ Tell me why 257 00:07:10,666 --> 00:07:12,875 do you have to go ♪ 258 00:07:12,958 --> 00:07:15,500 ♪ and make things 259 00:07:12,958 --> 00:07:15,500 so complicated ♪ 260 00:07:15,500 --> 00:07:17,708 - If that song comes out 261 00:07:15,500 --> 00:07:17,708 in the late '90s, 262 00:07:17,708 --> 00:07:21,791 it's gonna move 20 million 263 00:07:17,708 --> 00:07:21,791 albums at $10 each. 264 00:07:21,875 --> 00:07:23,583 Five or six years later, 265 00:07:21,875 --> 00:07:23,583 it's no longer 266 00:07:23,666 --> 00:07:25,041 gonna move 20 million albums. 267 00:07:25,125 --> 00:07:29,208 It's gonna move 20 million 268 00:07:25,125 --> 00:07:29,208 songs at 99 cents each. 269 00:07:29,291 --> 00:07:31,541 So you've just lost 90% 270 00:07:29,291 --> 00:07:31,541 of your revenue. 271 00:07:31,541 --> 00:07:34,750 - CD sales have dropped 272 00:07:31,541 --> 00:07:34,750 almost one quarter 273 00:07:34,833 --> 00:07:36,208 in just three years. 274 00:07:36,208 --> 00:07:38,041 That's an awful lot 275 00:07:36,208 --> 00:07:38,041 of lost business. 276 00:07:38,125 --> 00:07:40,583 - Labels absolutely didn't 277 00:07:38,125 --> 00:07:40,583 want this to happen. 278 00:07:40,666 --> 00:07:43,250 But ultimately they were 279 00:07:40,666 --> 00:07:43,250 powerless to stop it. 280 00:07:44,458 --> 00:07:46,875 - It's inevitable, I suppose, 281 00:07:44,458 --> 00:07:46,875 that just about the time 282 00:07:46,958 --> 00:07:49,291 that I'm becoming aware 283 00:07:46,958 --> 00:07:49,291 of hip-hop culture, 284 00:07:49,375 --> 00:07:51,666 it is literally coming of age. 285 00:07:51,750 --> 00:07:53,708 Hip-hop has been around, 286 00:07:51,750 --> 00:07:53,708 I discover, 287 00:07:53,791 --> 00:07:57,500 for some 25 years now, 288 00:07:53,791 --> 00:07:57,500 and during that time it has 289 00:07:57,500 --> 00:08:00,708 not only established itself 290 00:07:57,500 --> 00:08:00,708 as America's most popular 291 00:08:00,791 --> 00:08:03,833 popular music, 292 00:08:00,791 --> 00:08:03,833 it has altered our language. 293 00:08:03,916 --> 00:08:04,833 [applause] 294 00:08:04,916 --> 00:08:06,708 - The Oscar goes to... 295 00:08:06,791 --> 00:08:10,000 ♪ It's hard out here 296 00:08:06,791 --> 00:08:10,000 for a pimp ♪ 297 00:08:10,083 --> 00:08:12,000 - You know what? 298 00:08:12,083 --> 00:08:15,041 I think it just got a little 299 00:08:12,083 --> 00:08:15,041 easier out here for a pimp. 300 00:08:15,041 --> 00:08:17,000 - We're seeing hip-hop seep 301 00:08:15,041 --> 00:08:17,000 into everything, right? 302 00:08:17,000 --> 00:08:19,833 It's in soda commercials 303 00:08:17,000 --> 00:08:19,833 and it's in soundtracks. 304 00:08:19,833 --> 00:08:23,166 It's being used as bumper 305 00:08:19,833 --> 00:08:23,166 music in sports and fashion 306 00:08:23,250 --> 00:08:25,875 and shoes and everything. 307 00:08:25,958 --> 00:08:27,000 - Here, use-- 308 00:08:25,958 --> 00:08:27,000 - I've never done it 309 00:08:27,083 --> 00:08:28,333 with a machine. 310 00:08:27,083 --> 00:08:28,333 - Yeah, well, it's easy. 311 00:08:28,333 --> 00:08:29,333 So, how do you do it? 312 00:08:28,333 --> 00:08:29,333 With a... 313 00:08:29,416 --> 00:08:30,375 - Yeah, we in the hood. 314 00:08:30,458 --> 00:08:31,500 We like, "Yah, yah, yah, yah!" 315 00:08:30,458 --> 00:08:31,500 - Yeah. 316 00:08:31,500 --> 00:08:32,875 [laughs] 317 00:08:32,875 --> 00:08:36,500 - In that moment a lot 318 00:08:32,875 --> 00:08:36,500 of rappers were celebrating 319 00:08:36,500 --> 00:08:38,541 what they had accomplished. 320 00:08:38,625 --> 00:08:43,375 Rappers like Jermaine Dupri, 321 00:08:38,625 --> 00:08:43,375 Jay-Z, and Ja Rule 322 00:08:43,458 --> 00:08:46,416 were saying to the world, 323 00:08:43,458 --> 00:08:46,416 "Can you believe this? 324 00:08:46,416 --> 00:08:49,083 "This is about survival 325 00:08:46,416 --> 00:08:49,083 and surviving racism 326 00:08:49,166 --> 00:08:51,458 racism in America 327 00:08:49,166 --> 00:08:51,458 and we're gonna share this 328 00:08:51,541 --> 00:08:52,541 with the world. 329 00:08:52,541 --> 00:08:53,583 - ♪ Uh-oh another episode ♪ 330 00:08:53,583 --> 00:08:54,875 ♪ What do I do ♪ 331 00:08:54,958 --> 00:08:56,708 ♪ To everybody that 332 00:08:54,958 --> 00:08:56,708 be living it up ♪ 333 00:08:56,708 --> 00:08:59,375 ♪ We say what I do ♪ 334 00:08:59,458 --> 00:09:01,750 - Hip-hop's no longer sort of 335 00:08:59,458 --> 00:09:01,750 the bratty kid on the block. 336 00:09:01,833 --> 00:09:03,916 It's actually 337 00:09:01,833 --> 00:09:03,916 the predominant music. 338 00:09:04,000 --> 00:09:08,250 And then what really takes it 339 00:09:04,000 --> 00:09:08,250 over the top is a young rapper 340 00:09:08,333 --> 00:09:09,416 from Detroit. 341 00:09:09,500 --> 00:09:11,208 - We're gonna have 342 00:09:09,500 --> 00:09:11,208 a problem here. 343 00:09:11,208 --> 00:09:13,250 ♪ Y'all act like you've never 344 00:09:11,208 --> 00:09:13,250 seen a white person before ♪ 345 00:09:13,333 --> 00:09:16,958 - In 2000 Eminem puts out 346 00:09:13,333 --> 00:09:16,958 "The Marshall Mathers LP--" 347 00:09:17,041 --> 00:09:19,208 Marshall Mathers being 348 00:09:17,041 --> 00:09:19,208 Eminem's real name. 349 00:09:19,208 --> 00:09:22,041 And suddenly the biggest star 350 00:09:19,208 --> 00:09:22,041 in hip-hop is Eminem, 351 00:09:22,041 --> 00:09:23,375 bar none. 352 00:09:23,375 --> 00:09:25,166 - ♪ 'Cause I'm Slim Shady 353 00:09:23,375 --> 00:09:25,166 yes I'm the real Shady ♪ 354 00:09:25,250 --> 00:09:27,333 ♪ All you other Slim Shadys 355 00:09:25,250 --> 00:09:27,333 are just imitating ♪ 356 00:09:27,416 --> 00:09:29,791 ♪ So won't the real Slim Shady 357 00:09:27,416 --> 00:09:29,791 please stand up ♪ 358 00:09:29,791 --> 00:09:33,333 - Eminem came from a white 359 00:09:29,791 --> 00:09:33,333 working class background. 360 00:09:33,416 --> 00:09:34,666 And those are 361 00:09:33,416 --> 00:09:34,666 the stories he told. 362 00:09:34,750 --> 00:09:36,083 It just put him 363 00:09:34,750 --> 00:09:36,083 on a different level 364 00:09:36,166 --> 00:09:38,291 because he brought his own 365 00:09:36,166 --> 00:09:38,291 authenticity to the game. 366 00:09:38,375 --> 00:09:39,958 - DJ, get that shit. 367 00:09:39,958 --> 00:09:42,958 [hip-hop music plays] 368 00:09:43,041 --> 00:09:46,166 - I saw "8 Mile" in Times 369 00:09:43,041 --> 00:09:46,166 Square opening night. 370 00:09:46,250 --> 00:09:48,416 I had to sit at 371 00:09:46,250 --> 00:09:48,416 the front of the theater. 372 00:09:48,500 --> 00:09:50,666 It was one of the most 373 00:09:48,500 --> 00:09:50,666 satisfying movie experiences 374 00:09:50,750 --> 00:09:51,833 I've ever had. 375 00:09:51,916 --> 00:09:53,416 I mean, listen, 376 00:09:51,916 --> 00:09:53,416 on "Lose Yourself, 377 00:09:53,500 --> 00:09:54,791 when that thing comes 378 00:09:53,500 --> 00:09:54,791 through your speakers 379 00:09:54,791 --> 00:09:57,625 at a giant movie theater, 380 00:09:54,791 --> 00:09:57,625 that's a big moment. 381 00:09:57,708 --> 00:10:01,458 - The Oscar goes to Eminem, 382 00:09:57,708 --> 00:10:01,458 Jeff Bass, and Luis Resto 383 00:10:01,541 --> 00:10:03,291 for "Lose Yourself." 384 00:10:03,291 --> 00:10:05,458 - ♪ In the music the moment 385 00:10:03,291 --> 00:10:05,458 you own it ♪ 386 00:10:05,458 --> 00:10:07,291 ♪ You better never let it go ♪ 387 00:10:07,291 --> 00:10:09,958 - It's not quite "Purple Rain," 388 00:10:07,291 --> 00:10:09,958 but it was pretty damn good. 389 00:10:09,958 --> 00:10:13,500 - ♪ This opportunity comes once 390 00:10:09,958 --> 00:10:13,500 in a lifetime you better ♪ 391 00:10:13,583 --> 00:10:15,958 ♪ Lose yourself ♪ 392 00:10:13,583 --> 00:10:15,958 [cheers and applause] 393 00:10:15,958 --> 00:10:17,833 - In the 2000s, 394 00:10:15,958 --> 00:10:17,833 rappers weren't content 395 00:10:17,916 --> 00:10:19,166 to be musicians. 396 00:10:19,166 --> 00:10:21,041 They had to be actors 397 00:10:19,166 --> 00:10:21,041 and producers 398 00:10:21,125 --> 00:10:23,000 and label bosses themselves. 399 00:10:23,000 --> 00:10:26,166 So in the video 400 00:10:23,000 --> 00:10:26,166 for "In da Club", 401 00:10:26,166 --> 00:10:28,375 the producers Dr. Dre 402 00:10:26,166 --> 00:10:28,375 and Eminem 403 00:10:28,458 --> 00:10:30,000 have set up a laboratory. 404 00:10:30,083 --> 00:10:32,958 We see 50 Cent doing 405 00:10:30,083 --> 00:10:32,958 his exercise routine, 406 00:10:32,958 --> 00:10:35,500 and then it pans into this 407 00:10:32,958 --> 00:10:35,500 night club environment 408 00:10:35,500 --> 00:10:37,125 where he's chatting 409 00:10:35,500 --> 00:10:37,125 with models 410 00:10:37,208 --> 00:10:38,666 and drinking 411 00:10:37,208 --> 00:10:38,666 expensive champagne. 412 00:10:38,750 --> 00:10:42,166 So what they're really doing 413 00:10:38,750 --> 00:10:42,166 is perfecting the science 414 00:10:42,166 --> 00:10:43,666 of the club banger. 415 00:10:43,666 --> 00:10:45,208 - You can find me 416 00:10:43,666 --> 00:10:45,208 in the club ♪ 417 00:10:45,291 --> 00:10:47,541 ♪ Bottle full of bub 418 00:10:45,291 --> 00:10:47,541 mama I got what you need ♪ 419 00:10:47,541 --> 00:10:49,083 ♪ If you need to feel a buzz ♪ 420 00:10:49,166 --> 00:10:52,541 - If you have kids now you know 421 00:10:49,166 --> 00:10:52,541 it's probably rap they're using 422 00:10:52,541 --> 00:10:56,208 to drive you up the wall, 423 00:10:52,541 --> 00:10:56,208 and the big star in rap now 424 00:10:56,291 --> 00:10:58,333 is 50 Cent. 425 00:10:56,291 --> 00:10:58,333 Or Fifty Cent. 426 00:10:58,333 --> 00:11:00,208 Fiddy Cent. 427 00:10:58,333 --> 00:11:00,208 However you want to say it. 428 00:11:00,208 --> 00:11:01,666 - [laughs] 429 00:11:01,666 --> 00:11:03,583 - Your grandmother 430 00:11:01,666 --> 00:11:03,583 is absolutely getting down 431 00:11:03,666 --> 00:11:04,666 to "In da Club." 432 00:11:04,750 --> 00:11:06,166 She's calling it 433 00:11:04,750 --> 00:11:06,166 "In The Club," 434 00:11:06,250 --> 00:11:07,833 but she's getting down to it. 435 00:11:07,833 --> 00:11:10,541 I mean, that was everywhere. 436 00:11:10,625 --> 00:11:11,833 ♪ ♪ 437 00:11:11,833 --> 00:11:13,375 It was in a commercial. 438 00:11:13,375 --> 00:11:17,208 - Sounds like he's integrated 439 00:11:13,375 --> 00:11:17,208 his hit "In da Club." 440 00:11:17,291 --> 00:11:19,000 Extraordinary. 441 00:11:19,083 --> 00:11:22,041 - One of the biggest 442 00:11:19,083 --> 00:11:22,041 differences between the '90s 443 00:11:22,125 --> 00:11:24,333 and the 2000s in terms 444 00:11:22,125 --> 00:11:24,333 of hip-hop 445 00:11:24,333 --> 00:11:26,041 is this idea of business. 446 00:11:26,125 --> 00:11:29,875 - 33-year-old Jay-Z is 447 00:11:26,125 --> 00:11:29,875 the reigning king of rap. 448 00:11:29,875 --> 00:11:32,250 He owns his own record label, 449 00:11:29,875 --> 00:11:32,250 clothing line, 450 00:11:32,333 --> 00:11:35,583 and movie production company 451 00:11:32,333 --> 00:11:35,583 generating almost 452 00:11:35,583 --> 00:11:38,250 half a billion dollars 453 00:11:35,583 --> 00:11:38,250 a year in sales. 454 00:11:38,333 --> 00:11:40,291 - ♪ Allow me 455 00:11:38,333 --> 00:11:40,291 to reintroduce myself ♪ 456 00:11:40,375 --> 00:11:41,541 ♪ My name is Hov ♪ 457 00:11:41,625 --> 00:11:43,875 - ♪ Oh! ♪ 458 00:11:41,625 --> 00:11:43,875 - ♪ H to the O-V ♪ 459 00:11:43,875 --> 00:11:46,083 ♪ I used to move snowflakes 460 00:11:43,875 --> 00:11:46,083 by the O-Z ♪ 461 00:11:46,166 --> 00:11:48,041 - With Jay-Z, as you're 462 00:11:46,166 --> 00:11:48,041 going into 2000s, 463 00:11:48,125 --> 00:11:50,083 you're watching a hip-hop 464 00:11:48,125 --> 00:11:50,083 artist grow up 465 00:11:50,166 --> 00:11:53,208 from telling these sort 466 00:11:50,166 --> 00:11:53,208 of street tales to someone 467 00:11:53,291 --> 00:11:55,041 who has money, 468 00:11:53,291 --> 00:11:55,041 who has fame, 469 00:11:55,125 --> 00:11:57,041 who's traveling in very 470 00:11:55,125 --> 00:11:57,041 different circles now. 471 00:11:57,125 --> 00:11:59,250 - ♪Flier than a piece 472 00:11:57,125 --> 00:11:59,250 of paper bearing my name ♪ 473 00:11:59,333 --> 00:12:01,916 ♪ Got the hottest chick 474 00:11:59,333 --> 00:12:01,916 in the game wearing my chain ♪ 475 00:12:02,000 --> 00:12:03,416 ♪ That's right Hov oh ♪ 476 00:12:03,416 --> 00:12:05,583 - Even if he was rapping about 477 00:12:03,416 --> 00:12:05,583 some of the same things 478 00:12:05,666 --> 00:12:07,291 that everybody was rapping 479 00:12:05,666 --> 00:12:07,291 about--street life, 480 00:12:07,375 --> 00:12:10,416 moving drugs--it was in such 481 00:12:07,375 --> 00:12:10,416 a unique way, you know, 482 00:12:10,416 --> 00:12:14,000 that he was almost 483 00:12:10,416 --> 00:12:14,000 inventing a new language. 484 00:12:14,083 --> 00:12:16,583 - ♪ I check cheddar like 485 00:12:14,083 --> 00:12:16,583 a food inspector ♪ 486 00:12:16,666 --> 00:12:18,166 - I really love 487 00:12:16,666 --> 00:12:18,166 "The Black Album." 488 00:12:18,250 --> 00:12:20,958 For Jay-Z to be the first one 489 00:12:18,250 --> 00:12:20,958 to get Rick Rubin 490 00:12:20,958 --> 00:12:24,666 to produce in such a long time 491 00:12:20,958 --> 00:12:24,666 shows you how special Jay is 492 00:12:24,750 --> 00:12:25,958 as an artist. 493 00:12:26,041 --> 00:12:28,666 - I'm thinking maybe we start 494 00:12:26,041 --> 00:12:28,666 a capella with, 495 00:12:28,750 --> 00:12:29,666 ♪ If you're having 496 00:12:28,750 --> 00:12:29,666 girl problems ♪ 497 00:12:29,750 --> 00:12:31,083 ♪ I feel bad for you, son ♪ 498 00:12:31,083 --> 00:12:32,958 ♪ I got 99 problems, 499 00:12:31,083 --> 00:12:32,958 but a bitch ain't one ♪ 500 00:12:32,958 --> 00:12:34,500 Hit me. 501 00:12:32,958 --> 00:12:34,500 [singing] 502 00:12:34,583 --> 00:12:36,291 Right into the first verse. 503 00:12:34,583 --> 00:12:36,291 - ♪ So I got the rap patrol ♪ 504 00:12:36,291 --> 00:12:39,083 ♪ On the gat patrol 505 00:12:36,291 --> 00:12:39,083 fools that want to make sure ♪ 506 00:12:39,166 --> 00:12:40,250 ♪ My casket's closed ♪ 507 00:12:40,250 --> 00:12:41,750 Yeah, that's--that's money. 508 00:12:41,833 --> 00:12:45,083 - Rick Rubin created so many 509 00:12:41,833 --> 00:12:45,083 classic hip-hop records 510 00:12:45,083 --> 00:12:47,291 with the Beastie Boys 511 00:12:45,083 --> 00:12:47,291 and Run-DMC, 512 00:12:47,291 --> 00:12:51,833 taking a break beat and mixing 513 00:12:47,291 --> 00:12:51,833 it with an AC/DC guitar stab. 514 00:12:51,916 --> 00:12:54,125 ♪ ♪ 515 00:12:54,208 --> 00:12:56,500 That's Rick Rubin 101, 516 00:12:54,208 --> 00:12:56,500 you know... 517 00:12:56,583 --> 00:12:57,791 [mimics guitar] 518 00:12:57,875 --> 00:13:00,375 - ♪ So I pull over 519 00:12:57,875 --> 00:13:00,375 to the side of the road ♪ 520 00:13:00,458 --> 00:13:03,166 ♪ I heard "Son, do you know 521 00:13:00,458 --> 00:13:03,166 what I'm stopping you for?" ♪ 522 00:13:03,166 --> 00:13:05,333 ♪ 'Cause I'm young and I'm 523 00:13:03,166 --> 00:13:05,333 black and my hat's real low ♪ 524 00:13:05,416 --> 00:13:08,000 ♪ But do I look like a mind 525 00:13:05,416 --> 00:13:08,000 reader sir I don't know ♪ 526 00:13:08,000 --> 00:13:09,875 - What Jay-Z represented was 527 00:13:08,000 --> 00:13:09,875 the fact that you could 528 00:13:09,958 --> 00:13:11,958 actually have real longevity 529 00:13:09,958 --> 00:13:11,958 in hip-hop. 530 00:13:12,041 --> 00:13:13,500 And for the longest time, 531 00:13:12,041 --> 00:13:13,500 you know, 532 00:13:13,500 --> 00:13:15,625 New York had been the center 533 00:13:13,500 --> 00:13:15,625 of the world in hip-hop. 534 00:13:15,625 --> 00:13:18,958 The south for the most 535 00:13:15,625 --> 00:13:18,958 part hadn't really 536 00:13:19,041 --> 00:13:20,833 made itself heard. 537 00:13:20,916 --> 00:13:22,666 You know, and that starts 538 00:13:20,916 --> 00:13:22,666 to change in the 2000s, 539 00:13:22,750 --> 00:13:27,125 and you're getting Outkast. 540 00:13:22,750 --> 00:13:27,125 And Outkast is amazing. 541 00:13:27,208 --> 00:13:28,208 - [shushes] 542 00:13:28,291 --> 00:13:30,291 [cheering] 543 00:13:30,375 --> 00:13:33,458 ♪ One two one two three yeah ♪ 544 00:13:33,458 --> 00:13:35,375 ♪ In-slum-national 545 00:13:33,458 --> 00:13:35,375 underground ♪ 546 00:13:35,375 --> 00:13:36,833 ♪ Thunder pounds when 547 00:13:35,375 --> 00:13:36,833 I stop the ground ♪ 548 00:13:36,833 --> 00:13:40,375 - Outkast became rap's 549 00:13:36,833 --> 00:13:40,375 Beatles in the 2000s 550 00:13:40,458 --> 00:13:44,166 because we found both but 551 00:13:40,458 --> 00:13:44,166 particularly André 552 00:13:44,166 --> 00:13:47,708 becoming more obsessed with 553 00:13:44,166 --> 00:13:47,708 a kind of adventurous 554 00:13:47,791 --> 00:13:49,916 landscape of music. 555 00:13:50,000 --> 00:13:53,375 - ♪ Yeah I'm afraid like 556 00:13:50,000 --> 00:13:53,375 I'm scared as a dog ♪ 557 00:13:53,375 --> 00:13:55,541 - Serious hip-hop already 558 00:13:53,375 --> 00:13:55,541 knew about Outkast, 559 00:13:55,541 --> 00:13:57,333 but then they come 560 00:13:55,541 --> 00:13:57,333 out with an album, 561 00:13:57,333 --> 00:13:59,708 "Speakerboxxx/The Love Below." 562 00:13:59,708 --> 00:14:01,916 And they have this song 563 00:13:59,708 --> 00:14:01,916 they called "Hey Ya!" 564 00:14:02,000 --> 00:14:03,708 - ♪ One two three uh ♪ 565 00:14:03,708 --> 00:14:07,166 ♪ My baby don't mess around 566 00:14:03,708 --> 00:14:07,166 because she loves me so ♪ 567 00:14:07,166 --> 00:14:09,333 ♪ And this I know for sure ♪ 568 00:14:09,416 --> 00:14:11,333 - It's barely a hip-hop song, 569 00:14:09,416 --> 00:14:11,333 really. 570 00:14:11,416 --> 00:14:14,208 I'm not sure what it is, 571 00:14:11,416 --> 00:14:14,208 but it's got this kind of 572 00:14:14,208 --> 00:14:15,541 frothy '60s vibe. 573 00:14:15,541 --> 00:14:16,750 It sounds like something that, 574 00:14:15,541 --> 00:14:16,750 you know, 575 00:14:16,833 --> 00:14:18,541 Motown might have put out 576 00:14:16,833 --> 00:14:18,541 when they were doing 577 00:14:18,625 --> 00:14:19,916 "The Sound of Young America." 578 00:14:20,000 --> 00:14:26,916 - ♪ Hey ya 579 00:14:20,000 --> 00:14:26,916 Hey ya ♪ 580 00:14:27,000 --> 00:14:28,916 - Next thing you know, 581 00:14:27,000 --> 00:14:28,916 everyone is singing 582 00:14:29,000 --> 00:14:30,083 this one line, 583 00:14:30,083 --> 00:14:31,708 "Shake it like 584 00:14:30,083 --> 00:14:31,708 a Polaroid picture." 585 00:14:31,708 --> 00:14:33,208 - ♪ Oh, here we go 586 00:14:31,708 --> 00:14:33,208 Shake it ♪ 587 00:14:33,208 --> 00:14:35,708 ♪ Shake, shake it 588 00:14:33,208 --> 00:14:35,708 shake it shake, shake it ♪ 589 00:14:35,708 --> 00:14:38,041 ♪ Shake it like 590 00:14:35,708 --> 00:14:38,041 a Polaroid picture ♪ 591 00:14:38,041 --> 00:14:40,708 - Polaroid was the instant 592 00:14:38,041 --> 00:14:40,708 camera and the picture came out 593 00:14:40,708 --> 00:14:44,416 and for some strange reason 594 00:14:40,708 --> 00:14:44,416 as the image was--was forming, 595 00:14:44,500 --> 00:14:47,125 people would do this. 596 00:14:44,500 --> 00:14:47,125 They would shake it. 597 00:14:47,208 --> 00:14:49,458 As if that was going 598 00:14:47,208 --> 00:14:49,458 to make it happen faster. 599 00:14:49,541 --> 00:14:51,791 So he says that line 600 00:14:49,541 --> 00:14:51,791 in the song and suddenly 601 00:14:51,875 --> 00:14:53,291 everyone's doing that. 602 00:14:53,375 --> 00:14:56,208 You have this little cultural 603 00:14:53,375 --> 00:14:56,208 moment that everybody feels 604 00:14:56,208 --> 00:14:57,583 they need to be part of. 605 00:14:57,583 --> 00:14:58,833 Now you know you've really 606 00:14:57,583 --> 00:14:58,833 tapped into something, 607 00:14:58,916 --> 00:14:59,916 and that's what Outkast did. 608 00:15:00,000 --> 00:15:01,083 - If you're gonna 609 00:15:00,000 --> 00:15:01,083 do anything... 610 00:15:01,083 --> 00:15:02,791 - Do it all the way. 611 00:15:01,083 --> 00:15:02,791 - Do it 100%. 612 00:15:02,875 --> 00:15:04,666 Don't pull the thing out unless 613 00:15:02,875 --> 00:15:04,666 you plan to bang. 614 00:15:05,458 --> 00:15:07,125 [cheers and applause] 615 00:15:07,125 --> 00:15:11,833 - ♪ American girls 616 00:15:07,125 --> 00:15:11,833 and American guys ♪ 617 00:15:11,916 --> 00:15:14,291 ♪ We'll always stand 618 00:15:11,916 --> 00:15:14,291 up and salute ♪ 619 00:15:14,375 --> 00:15:16,958 ♪ We'll always recognize ♪ 620 00:15:17,041 --> 00:15:20,458 - After September 11th, 621 00:15:17,041 --> 00:15:20,458 we saw this resurgence 622 00:15:20,541 --> 00:15:23,791 of patriotism--you know, 623 00:15:20,541 --> 00:15:23,791 a real re-embrace 624 00:15:23,791 --> 00:15:26,625 of the American flag 625 00:15:23,791 --> 00:15:26,625 from country music 626 00:15:26,708 --> 00:15:28,541 and the mainstream 627 00:15:26,708 --> 00:15:28,541 Nashville community. 628 00:15:28,625 --> 00:15:35,333 - ♪ You'll be sorry that you 629 00:15:28,625 --> 00:15:35,333 messed with the U.S. of A. ♪ 630 00:15:35,333 --> 00:15:38,208 - Toby Keith was the ultimate 631 00:15:35,333 --> 00:15:38,208 example of all of that. 632 00:15:38,291 --> 00:15:41,333 - ♪ 'Cause we'll put 633 00:15:38,291 --> 00:15:41,333 a boot in your ass ♪ 634 00:15:41,333 --> 00:15:43,333 ♪ It's the American way ♪ 635 00:15:43,416 --> 00:15:47,875 - With all the genres 636 00:15:43,416 --> 00:15:47,875 reacting to 9/11, the war, 637 00:15:47,958 --> 00:15:49,750 country was probably 638 00:15:47,958 --> 00:15:49,750 the most literal 639 00:15:49,833 --> 00:15:51,916 and the most outspoken 640 00:15:49,833 --> 00:15:51,916 about it. 641 00:15:52,000 --> 00:15:56,666 - ♪ I pledge allegiance 642 00:15:52,000 --> 00:15:56,666 to this flag ♪ 643 00:15:56,666 --> 00:15:59,416 ♪ And if that bothers you 644 00:15:56,666 --> 00:15:59,416 well that's too bad ♪ 645 00:15:59,500 --> 00:16:05,041 - ♪ And you say we shouldn't 646 00:15:59,500 --> 00:16:05,041 worry about bin Laden ♪ 647 00:16:05,041 --> 00:16:06,833 ♪ Have you forgotten ♪ 648 00:16:06,916 --> 00:16:10,208 - In music there was no 649 00:16:06,916 --> 00:16:10,208 opposition to that message. 650 00:16:10,208 --> 00:16:12,666 But when the 651 00:16:10,208 --> 00:16:12,666 "war on terror" began... 652 00:16:12,666 --> 00:16:15,166 [engine roaring] 653 00:16:12,666 --> 00:16:15,166 [shots firing] 654 00:16:15,250 --> 00:16:17,333 And we're talking 655 00:16:15,250 --> 00:16:17,333 about invading countries, 656 00:16:17,416 --> 00:16:19,666 well, then music had 657 00:16:17,416 --> 00:16:19,666 a lot to act in opposition to. 658 00:16:19,750 --> 00:16:23,250 - The Dixie Chicks are the top 659 00:16:19,750 --> 00:16:23,250 country touring act of the year 660 00:16:23,250 --> 00:16:25,916 despite the firestorm 661 00:16:23,250 --> 00:16:25,916 unleashed by their words 662 00:16:25,916 --> 00:16:28,250 during the first days 663 00:16:25,916 --> 00:16:28,250 of the war in Iraq. 664 00:16:31,708 --> 00:16:33,791 - When Natalie Maines said, 665 00:16:31,708 --> 00:16:33,791 you know, 666 00:16:33,875 --> 00:16:35,625 "We're so ashamed of our 667 00:16:33,875 --> 00:16:35,625 President right now," 668 00:16:35,708 --> 00:16:39,583 their career took 669 00:16:35,708 --> 00:16:39,583 a severe beating. 670 00:16:39,666 --> 00:16:42,208 - Some protestors took 671 00:16:39,666 --> 00:16:42,208 a tractor and their feet 672 00:16:42,208 --> 00:16:44,250 to smash the group's CDs. 673 00:16:44,333 --> 00:16:46,958 - If you want to feel some good 674 00:16:44,333 --> 00:16:46,958 old fashioned American pride, 675 00:16:47,041 --> 00:16:49,916 look no further than the uproar 676 00:16:47,041 --> 00:16:49,916 over the Dixie Chicks. 677 00:16:50,000 --> 00:16:51,375 - And how they can say, 678 00:16:50,000 --> 00:16:51,375 "I'm ashamed that 679 00:16:51,375 --> 00:16:54,125 the President's from Texas?" 680 00:16:51,375 --> 00:16:54,125 Come on, man. 681 00:16:54,208 --> 00:16:58,875 - Screw them, right? 682 00:16:54,208 --> 00:16:58,875 Say it. 683 00:16:58,875 --> 00:17:00,750 - They were questioning 684 00:16:58,875 --> 00:17:00,750 something that you were 685 00:17:00,750 --> 00:17:02,750 just supposed to accept. 686 00:17:02,833 --> 00:17:04,750 And it was women doing it, 687 00:17:02,833 --> 00:17:04,750 no less. 688 00:17:04,750 --> 00:17:06,833 - I think they are 689 00:17:04,750 --> 00:17:06,833 the dipsy twits. 690 00:17:06,916 --> 00:17:09,291 These are the dumbest bimbos-- 691 00:17:06,916 --> 00:17:09,291 with due respect-- 692 00:17:09,375 --> 00:17:10,291 I have seen-- 693 00:17:10,375 --> 00:17:11,458 - These are callow, 694 00:17:10,375 --> 00:17:11,458 foolish women 695 00:17:11,541 --> 00:17:12,958 who deserve 696 00:17:11,541 --> 00:17:12,958 to be slapped around. 697 00:17:13,041 --> 00:17:14,791 - We're gonna boycott 698 00:17:13,041 --> 00:17:14,791 them for their music 699 00:17:14,875 --> 00:17:16,916 and we're gonna boycott you 700 00:17:14,875 --> 00:17:16,916 for playing it if you don't 701 00:17:16,916 --> 00:17:18,291 stop playing it. 702 00:17:18,375 --> 00:17:20,458 - Well, ma'am, that one's 703 00:17:18,375 --> 00:17:20,458 the last one you're gonna hear. 704 00:17:20,541 --> 00:17:23,458 - Country radio overnight turns 705 00:17:20,541 --> 00:17:23,458 its back on The Dixie Chicks. 706 00:17:23,541 --> 00:17:25,625 - As a result of statements 707 00:17:23,541 --> 00:17:25,625 made by members 708 00:17:25,625 --> 00:17:27,083 of the Dixie Chicks 709 00:17:25,625 --> 00:17:27,083 at a concert, 710 00:17:27,166 --> 00:17:29,458 two radio networks banned 711 00:17:27,166 --> 00:17:29,458 the Dixie Chicks 712 00:17:29,541 --> 00:17:31,125 from their playlist 713 00:17:29,541 --> 00:17:31,125 at a chain level. 714 00:17:31,125 --> 00:17:34,083 - In a way, they were more 715 00:17:31,125 --> 00:17:34,083 daring than any punk band. 716 00:17:34,166 --> 00:17:37,333 - Uh, well, it's great to be 717 00:17:34,166 --> 00:17:37,333 back at, uh, Shepherd's Bush. 718 00:17:37,416 --> 00:17:39,625 We return to the scene 719 00:17:37,416 --> 00:17:39,625 of the crime. 720 00:17:39,625 --> 00:17:42,291 - They took on the 721 00:17:39,625 --> 00:17:42,291 establishment that wanted 722 00:17:42,291 --> 00:17:45,625 to own them and they refused 723 00:17:42,291 --> 00:17:45,625 to knuckle under. 724 00:17:45,625 --> 00:17:48,166 - I thought I'd say something 725 00:17:45,625 --> 00:17:48,166 brand-new and just say, 726 00:17:48,250 --> 00:17:50,291 "Just so you know, 727 00:17:48,250 --> 00:17:50,291 we're ashamed the President 728 00:17:50,375 --> 00:17:52,041 of the United States 729 00:17:50,375 --> 00:17:52,041 is from Texas." 730 00:17:52,125 --> 00:17:53,541 [cheers and applause] 731 00:17:53,625 --> 00:17:57,625 - We've asked artists 732 00:17:53,625 --> 00:17:57,625 for decades to be barometers 733 00:17:57,708 --> 00:18:00,958 of culture and be voices 734 00:17:57,708 --> 00:18:00,958 of dissent. 735 00:18:00,958 --> 00:18:04,166 And in the wake of 9/11, 736 00:18:00,958 --> 00:18:04,166 it was just seen 737 00:18:04,166 --> 00:18:05,500 as a bridge too far. 738 00:18:05,500 --> 00:18:10,791 - ♪ I waited till 739 00:18:05,500 --> 00:18:10,791 I saw the sun ♪ 740 00:18:10,791 --> 00:18:13,458 - People wanted escapism 741 00:18:10,791 --> 00:18:13,458 at the time because there was 742 00:18:13,458 --> 00:18:15,291 a lot to escape. 743 00:18:15,375 --> 00:18:19,166 So we were listening to 744 00:18:15,375 --> 00:18:19,166 Norah Jones and Jack Johnson. 745 00:18:19,166 --> 00:18:22,291 - ♪ A la da-da-da-da-da ♪ 746 00:18:22,375 --> 00:18:24,500 ♪ La da-da-da-da-da-da ♪ 747 00:18:24,500 --> 00:18:25,500 - And Coldplay. 748 00:18:25,500 --> 00:18:31,708 ♪ ♪ 749 00:18:31,708 --> 00:18:34,708 - When "Yellow" came out, 750 00:18:31,708 --> 00:18:34,708 a lot of the hipster 751 00:18:34,791 --> 00:18:37,000 alternative kids were like, 752 00:18:34,791 --> 00:18:37,000 "I love this." 753 00:18:37,000 --> 00:18:38,333 And I was one of them. 754 00:18:38,333 --> 00:18:44,375 - ♪ And your skin 755 00:18:38,333 --> 00:18:44,375 oh yeah your skin and bones ♪ 756 00:18:44,458 --> 00:18:49,541 ♪ Turn into something 757 00:18:44,458 --> 00:18:49,541 beautiful ♪ 758 00:18:49,541 --> 00:18:51,000 - It felt great. 759 00:18:51,000 --> 00:18:53,833 It's like, here's Radiohead 760 00:18:51,000 --> 00:18:53,833 and U2 put together 761 00:18:53,916 --> 00:18:57,250 in a pop friendly package 762 00:18:53,916 --> 00:18:57,250 that's catchy rock music. 763 00:18:57,333 --> 00:19:01,041 - ♪ I want to run through 764 00:18:57,333 --> 00:19:01,041 the halls of my high school ♪ 765 00:19:01,125 --> 00:19:04,083 ♪ I want to scream 766 00:19:01,125 --> 00:19:04,083 at the top of my lungs ♪ 767 00:19:04,166 --> 00:19:07,375 - John Mayer was this virtuoso 768 00:19:04,166 --> 00:19:07,375 guitar player who wrote these 769 00:19:07,458 --> 00:19:09,541 kind of sentimental love songs. 770 00:19:09,625 --> 00:19:13,583 - ♪ And if you want love 771 00:19:09,625 --> 00:19:13,583 we'll make it ♪ 772 00:19:13,666 --> 00:19:14,875 - He was huge. 773 00:19:14,875 --> 00:19:19,375 - ♪ Swim in a deep sea 774 00:19:14,875 --> 00:19:19,375 of blankets ♪ 775 00:19:19,375 --> 00:19:23,458 ♪ Your body is a wonderland 776 00:19:19,375 --> 00:19:23,458 I'll use my hands ♪ 777 00:19:23,541 --> 00:19:26,375 - In the 2000s, 778 00:19:23,541 --> 00:19:26,375 rock itself becomes numb 779 00:19:26,375 --> 00:19:31,208 and weirdly apolitical 780 00:19:26,375 --> 00:19:31,208 for a time when the country 781 00:19:31,208 --> 00:19:32,916 was at war. 782 00:19:32,916 --> 00:19:35,416 - Post-9/11, 783 00:19:32,916 --> 00:19:35,416 some believe familiar music 784 00:19:35,416 --> 00:19:36,875 will sell well this holiday. 785 00:19:36,875 --> 00:19:39,625 - ♪ And I've been wrong 786 00:19:36,875 --> 00:19:39,625 I've been down ♪ 787 00:19:39,708 --> 00:19:42,125 ♪ To the bottom 788 00:19:39,708 --> 00:19:42,125 of every bottle ♪ 789 00:19:42,208 --> 00:19:45,041 - Nickelback, they had bigger 790 00:19:42,208 --> 00:19:45,041 hits than anybody. 791 00:19:45,041 --> 00:19:47,625 - Everybody's welcome 792 00:19:45,041 --> 00:19:47,625 to the Nickelback club. 793 00:19:47,708 --> 00:19:49,125 We got a--We got a big club. 794 00:19:49,208 --> 00:19:51,416 ♪ Yeah, yeah ♪ 795 00:19:51,416 --> 00:19:54,750 - A lot of rock is not really 796 00:19:51,416 --> 00:19:54,750 doing what it used to do, 797 00:19:54,750 --> 00:19:57,791 and it's almost like it--it 798 00:19:54,750 --> 00:19:57,791 lost its will to fight. 799 00:19:57,791 --> 00:19:59,750 Unless you're talking 800 00:19:57,791 --> 00:19:59,750 about Green Day. 801 00:19:59,750 --> 00:20:04,250 ♪ ♪ 802 00:20:04,333 --> 00:20:07,291 - ♪ Don't want to be 803 00:20:04,333 --> 00:20:07,291 an American idiot ♪ 804 00:20:07,291 --> 00:20:09,958 - You can't undersell how 805 00:20:07,291 --> 00:20:09,958 shocking it was 806 00:20:10,041 --> 00:20:13,500 that the definitive statement 807 00:20:10,041 --> 00:20:13,500 on George Bush's America 808 00:20:13,583 --> 00:20:14,833 came from Green Day. 809 00:20:14,916 --> 00:20:17,750 - ♪ Welcome to a new 810 00:20:14,916 --> 00:20:17,750 kind of tension ♪ 811 00:20:17,833 --> 00:20:20,458 ♪ All across the alien nation ♪ 812 00:20:20,458 --> 00:20:23,250 ♪ Where everything isn't 813 00:20:20,458 --> 00:20:23,250 meant to be okay ♪ 814 00:20:23,250 --> 00:20:25,333 - It was kind of like 815 00:20:23,250 --> 00:20:25,333 a rock opera. 816 00:20:25,416 --> 00:20:27,500 You had to listen to it 817 00:20:25,416 --> 00:20:27,500 from front to back 818 00:20:27,583 --> 00:20:30,125 because it told the entire 819 00:20:27,583 --> 00:20:30,125 story of what was going on 820 00:20:30,208 --> 00:20:31,333 in the decade. 821 00:20:31,416 --> 00:20:35,791 - ♪ Wake me up when 822 00:20:31,416 --> 00:20:35,791 September ends ♪ 823 00:20:35,791 --> 00:20:37,958 - The fear of terrorism, 824 00:20:35,791 --> 00:20:37,958 the media, 825 00:20:38,041 --> 00:20:40,208 the wars, 826 00:20:38,041 --> 00:20:40,208 people being sent off to fight. 827 00:20:40,291 --> 00:20:44,125 - ♪ Here comes the rain again ♪ 828 00:20:44,208 --> 00:20:47,166 - Rock wasn't all that 829 00:20:44,208 --> 00:20:47,166 surprising in the 2000s 830 00:20:47,250 --> 00:20:49,166 so when you got something 831 00:20:47,250 --> 00:20:49,166 like "American Idiot," 832 00:20:49,250 --> 00:20:51,791 it was, "Wow, 833 00:20:49,250 --> 00:20:51,791 this is unexpected. 834 00:20:51,875 --> 00:20:53,875 This is shaking things up 835 00:20:51,875 --> 00:20:53,875 a little bit." 836 00:20:53,958 --> 00:20:59,875 - ♪ Wake me up 837 00:20:53,958 --> 00:20:59,875 when September ends ♪ 838 00:20:59,958 --> 00:21:03,916 ♪ ♪ 839 00:21:05,916 --> 00:21:07,583 - Bounce coming up. 840 00:21:05,916 --> 00:21:07,583 [chuckles] 841 00:21:07,666 --> 00:21:10,583 [Jay-Z's "Dirt Off 842 00:21:07,666 --> 00:21:10,583 Your Shoulder" plays] 843 00:21:10,666 --> 00:21:13,458 ♪ ♪ 844 00:21:13,541 --> 00:21:16,500 - In the early 2000s, 845 00:21:13,541 --> 00:21:16,500 we come to recognize 846 00:21:16,583 --> 00:21:19,708 the idea of producers 847 00:21:16,583 --> 00:21:19,708 as artists. 848 00:21:19,791 --> 00:21:21,666 They're no longer relegated 849 00:21:19,791 --> 00:21:21,666 to the background. 850 00:21:21,750 --> 00:21:23,666 ♪ ♪ 851 00:21:23,666 --> 00:21:26,458 - One of my favorite Timbaland 852 00:21:23,666 --> 00:21:26,458 moments is watching him 853 00:21:26,458 --> 00:21:29,000 play Jay-Z 854 00:21:26,458 --> 00:21:29,000 "Dirt Off Your Shoulder" 855 00:21:29,000 --> 00:21:30,375 for the first time. 856 00:21:30,458 --> 00:21:33,125 - Oh, man. 857 00:21:30,458 --> 00:21:33,125 - Oh, shit! 858 00:21:33,208 --> 00:21:35,375 both: [laughing] 859 00:21:35,458 --> 00:21:37,666 - The best there is. 860 00:21:35,458 --> 00:21:37,666 - [laughs] 861 00:21:37,666 --> 00:21:39,041 - You got that? 862 00:21:39,125 --> 00:21:40,666 - Timbaland really 863 00:21:39,125 --> 00:21:40,666 pushed the envelope. 864 00:21:40,750 --> 00:21:43,458 It's very much black 865 00:21:40,750 --> 00:21:43,458 futuristic music. 866 00:21:43,458 --> 00:21:46,208 - ♪ Come on is it worth it 867 00:21:43,458 --> 00:21:46,208 let me work it ♪ 868 00:21:46,291 --> 00:21:48,666 ♪ I put my thing down flip it 869 00:21:46,291 --> 00:21:48,666 and reverse it ♪ 870 00:21:48,750 --> 00:21:50,500 ♪ Ti esrever dna ti pilf 871 00:21:48,750 --> 00:21:50,500 nwod gniht ym tup ♪ 872 00:21:50,500 --> 00:21:53,791 - That music, a lot of it 873 00:21:50,500 --> 00:21:53,791 was space age driven. 874 00:21:53,875 --> 00:21:56,750 - ♪ I'm bringing sexy back 875 00:21:53,875 --> 00:21:56,750 yeah ♪ 876 00:21:56,833 --> 00:21:58,166 ♪ Them other... ♪ 877 00:21:58,166 --> 00:21:59,833 ♪ Don't know how to act ♪ 878 00:21:59,833 --> 00:22:04,000 - Odd sounds that reflect his 879 00:21:59,833 --> 00:22:04,000 own inner ear vision. 880 00:22:04,000 --> 00:22:08,416 - ♪ I said it's too 881 00:22:04,000 --> 00:22:08,416 late to apologize ♪ 882 00:22:08,500 --> 00:22:12,166 ♪ It's too late ♪ 883 00:22:12,250 --> 00:22:15,833 - Timbaland was a little more 884 00:22:12,250 --> 00:22:15,833 technologically dense 885 00:22:15,916 --> 00:22:20,000 and ethereal whereas Pharrell 886 00:22:15,916 --> 00:22:20,000 wasn't as out there. 887 00:22:20,000 --> 00:22:21,666 He did, like, dance tracks. 888 00:22:21,750 --> 00:22:25,333 - ♪ I said it's getting 889 00:22:21,750 --> 00:22:25,333 hot in here so hot ♪ 890 00:22:25,333 --> 00:22:26,833 ♪ So take off 891 00:22:25,333 --> 00:22:26,833 all your clothes ♪ 892 00:22:26,916 --> 00:22:31,541 ♪ I am getting so hot 893 00:22:26,916 --> 00:22:31,541 I wanna take my clothes off ♪ 894 00:22:31,541 --> 00:22:33,041 - It was a little more gritty. 895 00:22:33,041 --> 00:22:36,916 It was very, very intricate 896 00:22:33,041 --> 00:22:36,916 but very rhythmically driven. 897 00:22:37,000 --> 00:22:38,708 - ♪ Uh-huh this my shit ♪ 898 00:22:38,708 --> 00:22:40,708 ♪ All the girls stomp 899 00:22:38,708 --> 00:22:40,708 your feet like this ♪ 900 00:22:40,708 --> 00:22:43,916 - Pop stars figure out that you 901 00:22:40,708 --> 00:22:43,916 need hip-hop cred 902 00:22:44,000 --> 00:22:45,375 and you need 903 00:22:44,000 --> 00:22:45,375 a hip-hop producer. 904 00:22:45,458 --> 00:22:47,791 - ♪ 'Cause I ain't 905 00:22:45,458 --> 00:22:47,791 no holler back girl ♪ 906 00:22:47,875 --> 00:22:49,375 ♪ I ain't no holler back girl ♪ 907 00:22:49,458 --> 00:22:51,250 - Most of the tracks made about 908 00:22:49,458 --> 00:22:51,250 the 2000s was that you had 909 00:22:51,333 --> 00:22:54,083 a grouping of hip-hop 910 00:22:51,333 --> 00:22:54,083 producers who were 911 00:22:54,166 --> 00:22:56,208 crossing over into 912 00:22:54,166 --> 00:22:56,208 topping pop charts. 913 00:22:56,208 --> 00:22:58,375 ♪ ♪ 914 00:22:58,375 --> 00:22:59,916 - Kanye is another one. 915 00:23:00,000 --> 00:23:01,750 You know, he's producing 916 00:23:00,000 --> 00:23:01,750 and working wity Jay-Z 917 00:23:01,833 --> 00:23:05,750 and Alicia Keys and Ludacris 918 00:23:01,833 --> 00:23:05,750 and Janet Jackson. 919 00:23:05,833 --> 00:23:08,875 But, you know, in there, 920 00:23:05,833 --> 00:23:08,875 he wants to be his own star. 921 00:23:08,958 --> 00:23:12,208 So he releases his first album, 922 00:23:08,958 --> 00:23:12,208 "The College Dropout." 923 00:23:12,208 --> 00:23:15,416 - Yo, G, they can't stop me 924 00:23:12,208 --> 00:23:15,416 from rapping, can they? 925 00:23:15,416 --> 00:23:18,166 - The first single for 926 00:23:15,416 --> 00:23:18,166 "College Dropout" was a song 927 00:23:18,250 --> 00:23:19,583 called "Through The Wire." 928 00:23:19,666 --> 00:23:21,250 - I spit it through 929 00:23:19,666 --> 00:23:21,250 the wire, man. 930 00:23:21,333 --> 00:23:23,458 - Kanye West gets into a car 931 00:23:21,333 --> 00:23:23,458 accident in Los Angeles, 932 00:23:23,458 --> 00:23:26,083 and in the hospital with 933 00:23:23,458 --> 00:23:26,083 his jaw wired shut, 934 00:23:26,083 --> 00:23:28,000 he records the song. 935 00:23:28,083 --> 00:23:30,750 - ♪ Yeah I drink a Boost 936 00:23:28,083 --> 00:23:30,750 for breakfast ♪ 937 00:23:30,833 --> 00:23:32,416 ♪ An Ensure for dessert ♪ 938 00:23:32,416 --> 00:23:35,166 ♪ Somebody order pancakes 939 00:23:32,416 --> 00:23:35,166 I just sip the sizzurp ♪ 940 00:23:35,250 --> 00:23:37,458 - It is essentially just him 941 00:23:35,250 --> 00:23:37,458 rapping about how bad 942 00:23:37,458 --> 00:23:38,958 he wants to be a rapper. 943 00:23:39,041 --> 00:23:43,416 - God saved my life. 944 00:23:39,041 --> 00:23:43,416 So he has me here for a reason. 945 00:23:43,500 --> 00:23:46,083 - ♪ Jesus walks ♪ 946 00:23:46,083 --> 00:23:49,416 - "College Dropout" was 947 00:23:46,083 --> 00:23:49,416 a cool first album. 948 00:23:49,416 --> 00:23:52,000 - ♪ I told her to drive over 949 00:23:49,416 --> 00:23:52,000 in your new whip ♪ 950 00:23:52,083 --> 00:23:54,291 - There's some great 951 00:23:52,083 --> 00:23:54,291 singles on there, 952 00:23:54,375 --> 00:23:58,291 but "Late Registration" to me 953 00:23:54,375 --> 00:23:58,291 is when it all came together. 954 00:23:58,375 --> 00:23:59,666 That's an incredible record. 955 00:23:59,666 --> 00:24:02,000 - ♪ I got to testify ♪ 956 00:24:02,000 --> 00:24:04,125 ♪ Come up in this spot 957 00:24:02,000 --> 00:24:04,125 looking extra fly ♪ 958 00:24:04,125 --> 00:24:06,833 - He did what the rock 959 00:24:04,125 --> 00:24:06,833 stars used to do, 960 00:24:06,833 --> 00:24:10,625 which was to indulge his 961 00:24:06,833 --> 00:24:10,625 narcissistic fantasies 962 00:24:10,708 --> 00:24:12,458 through the medium of music. 963 00:24:12,458 --> 00:24:15,833 - ♪ Before the day you die 964 00:24:12,458 --> 00:24:15,833 you're gonna touch the sky ♪ 965 00:24:15,833 --> 00:24:18,000 ♪ ♪ 966 00:24:18,083 --> 00:24:19,708 - Rappers weren't 967 00:24:18,083 --> 00:24:19,708 really doing it. 968 00:24:19,791 --> 00:24:21,708 But musically 969 00:24:19,791 --> 00:24:21,708 it was brilliant. 970 00:24:21,791 --> 00:24:24,375 Look, what is the narrative 971 00:24:21,791 --> 00:24:24,375 of the 2000s? 972 00:24:24,458 --> 00:24:27,500 Well, it's the 973 00:24:24,458 --> 00:24:27,500 backpack-wearing dork 974 00:24:27,500 --> 00:24:30,791 like Mark Zuckerberg who 975 00:24:27,500 --> 00:24:30,791 becomes a billionaire. 976 00:24:30,875 --> 00:24:34,125 And Kanye West is the music 977 00:24:30,875 --> 00:24:34,125 industry version of that. 978 00:24:34,125 --> 00:24:37,833 - My greatest pain in life 979 00:24:34,125 --> 00:24:37,833 is I will never be able 980 00:24:37,833 --> 00:24:39,875 to see me perform. 981 00:24:39,958 --> 00:24:42,750 So you are welcome 982 00:24:39,958 --> 00:24:42,750 to know a pleasure 983 00:24:42,833 --> 00:24:44,375 that I will never have. 984 00:24:44,375 --> 00:24:45,708 - Kanye was a rock star. 985 00:24:45,791 --> 00:24:49,500 But he also makes it safe 986 00:24:45,791 --> 00:24:49,500 for rappers to be vulnerable. 987 00:24:49,583 --> 00:24:50,833 - It's positive rap. 988 00:24:50,916 --> 00:24:52,750 He's not cussing 989 00:24:50,916 --> 00:24:52,750 every other sentence. 990 00:24:52,833 --> 00:24:55,333 And he's not talking 991 00:24:52,833 --> 00:24:55,333 about shooting people up. 992 00:24:55,333 --> 00:24:56,875 He's talking about real things. 993 00:24:56,875 --> 00:25:00,541 - What Kanye does is sort of 994 00:24:56,875 --> 00:25:00,541 bringing a new generation 995 00:25:00,625 --> 00:25:03,416 of hip-hop figures, and you 996 00:25:00,625 --> 00:25:03,416 can see the difference 997 00:25:03,500 --> 00:25:04,416 going forward. 998 00:25:04,500 --> 00:25:05,541 ♪ ♪ 999 00:25:05,625 --> 00:25:09,875 - ♪ Uh I said I said 1000 00:25:05,625 --> 00:25:09,875 I said ♪ 1001 00:25:09,875 --> 00:25:12,875 ♪ Baby, you my everything 1002 00:25:09,875 --> 00:25:12,875 you all I ever wanted ♪ 1003 00:25:12,958 --> 00:25:15,541 ♪ We could do it real big 1004 00:25:12,958 --> 00:25:15,541 bigger than you ever done it ♪ 1005 00:25:15,625 --> 00:25:18,000 - Drake took the Kanye West 1006 00:25:15,625 --> 00:25:18,000 blueprint. 1007 00:25:18,083 --> 00:25:22,083 "I'm gonna bare my soul 1008 00:25:18,083 --> 00:25:22,083 and my feelings on a record." 1009 00:25:22,166 --> 00:25:25,250 - ♪ Best I ever had 1010 00:25:22,166 --> 00:25:25,250 Best I ever had ♪ 1011 00:25:25,250 --> 00:25:26,291 ♪ Best I ever had ♪ 1012 00:25:26,375 --> 00:25:27,791 - It wasn't just hip-hop. 1013 00:25:27,875 --> 00:25:30,208 You know, R&B had been 1014 00:25:27,875 --> 00:25:30,208 doing this for a long time 1015 00:25:30,291 --> 00:25:32,541 in a really kind 1016 00:25:30,291 --> 00:25:32,541 of personal way. 1017 00:25:32,625 --> 00:25:35,875 - ♪ These are my confessions 1018 00:25:32,625 --> 00:25:35,875 just when I thought I said ♪ 1019 00:25:35,875 --> 00:25:38,375 ♪ all I can say my chick 1020 00:25:35,875 --> 00:25:38,375 on the side said ♪ 1021 00:25:38,458 --> 00:25:39,916 ♪ She got one on the way ♪ 1022 00:25:40,000 --> 00:25:44,041 - Usher's "Confessions" was 1023 00:25:40,000 --> 00:25:44,041 deeply personal and relatable. 1024 00:25:44,041 --> 00:25:45,791 He just laid it all out there. 1025 00:25:45,875 --> 00:25:48,708 - ♪ If I'm gonna tell it 1026 00:25:45,875 --> 00:25:48,708 then I gotta tell it all ♪ 1027 00:25:48,791 --> 00:25:51,208 - He has the moves 1028 00:25:48,791 --> 00:25:51,208 and the style, 1029 00:25:51,208 --> 00:25:54,250 and I think that he is a big 1030 00:25:51,208 --> 00:25:54,250 hope for people at that time 1031 00:25:54,333 --> 00:25:56,916 that, like, "Here's a brother 1032 00:25:54,333 --> 00:25:56,916 that's really doing it." 1033 00:25:56,916 --> 00:26:01,208 - ♪ I think that you 1034 00:25:56,916 --> 00:26:01,208 should let it burn ♪ 1035 00:26:01,208 --> 00:26:04,125 - We had Trey Songz 1036 00:26:01,208 --> 00:26:04,125 and Chris Brown and Usher, 1037 00:26:04,208 --> 00:26:07,250 but the superstars 1038 00:26:04,208 --> 00:26:07,250 of R&B are the women. 1039 00:26:07,250 --> 00:26:08,625 Absolutely. 1040 00:26:08,708 --> 00:26:11,500 - ♪ I keep on falling ♪ 1041 00:26:11,583 --> 00:26:13,458 ♪ In and out ♪ 1042 00:26:13,458 --> 00:26:16,583 ♪ Of love with you ♪ 1043 00:26:16,583 --> 00:26:20,166 - Alicia Keys, uber talent. 1044 00:26:16,583 --> 00:26:20,166 Ub--Oh, my God. 1045 00:26:20,250 --> 00:26:22,333 Sings, composes, 1046 00:26:20,250 --> 00:26:22,333 and plays? 1047 00:26:24,041 --> 00:26:26,083 Oh, she's a total package. 1048 00:26:26,166 --> 00:26:32,291 - ♪ No one, no one, no one ♪ 1049 00:26:32,375 --> 00:26:36,083 ♪ Can get in the way 1050 00:26:32,375 --> 00:26:36,083 of what I'm feeling ♪ 1051 00:26:36,166 --> 00:26:38,666 - Later R&B becomes 1052 00:26:36,166 --> 00:26:38,666 much more rhythmic. 1053 00:26:38,750 --> 00:26:41,958 They're not written as flowing 1054 00:26:38,750 --> 00:26:41,958 as the traditional R&B song. 1055 00:26:42,041 --> 00:26:44,458 - ♪ All the single ladies 1056 00:26:42,041 --> 00:26:44,458 all the single ladies ♪ 1057 00:26:44,541 --> 00:26:47,333 - And Beyoncé understood 1058 00:26:44,541 --> 00:26:47,333 better than anybody 1059 00:26:47,416 --> 00:26:50,958 how to make R&B 1060 00:26:47,416 --> 00:26:50,958 for a hip-hop generation. 1061 00:26:50,958 --> 00:26:52,125 - ♪ Now put your hands up ♪ 1062 00:26:52,208 --> 00:26:53,708 ♪ Up in the club ♪ 1063 00:26:53,791 --> 00:26:55,625 - I think everyone remembers 1064 00:26:53,791 --> 00:26:55,625 where they were when they 1065 00:26:55,708 --> 00:26:57,333 first saw the "Single Ladies" 1066 00:26:55,708 --> 00:26:57,333 video. 1067 00:26:57,333 --> 00:26:58,666 You know, it was like, 1068 00:26:57,333 --> 00:26:58,666 "Oh, my God, 1069 00:26:58,750 --> 00:27:00,791 how do I learn the dance? 1070 00:26:58,750 --> 00:27:00,791 I can't learn it fast enough." 1071 00:27:00,875 --> 00:27:01,958 - Up with the shoulders. 1072 00:27:00,875 --> 00:27:01,958 - Yep. 1073 00:27:01,958 --> 00:27:03,375 - You kinda--kinda 1074 00:27:01,958 --> 00:27:03,375 pop it a little bit. 1075 00:27:03,458 --> 00:27:04,708 - Pop it, oh yeah. 1076 00:27:03,458 --> 00:27:04,708 - Yeah. 1077 00:27:04,791 --> 00:27:07,333 - Okay, pop it. 1078 00:27:04,791 --> 00:27:07,333 - And then you bring your hand. 1079 00:27:07,416 --> 00:27:08,333 - Okay. 1080 00:27:07,416 --> 00:27:08,333 - Make it real staccato. 1081 00:27:08,416 --> 00:27:09,833 Like, stick it. 1082 00:27:09,916 --> 00:27:11,625 ♪ If you like it then you 1083 00:27:09,916 --> 00:27:11,625 should have put a ring on it ♪ 1084 00:27:11,625 --> 00:27:14,125 ♪ Oh, oh, oh, oh, oh, oh ♪ 1085 00:27:14,125 --> 00:27:17,125 - You know, she was a woman 1086 00:27:14,125 --> 00:27:17,125 speaking for other women, 1087 00:27:17,125 --> 00:27:19,041 and that was so welcome. 1088 00:27:19,125 --> 00:27:21,625 - ♪ It goes one by one 1089 00:27:19,125 --> 00:27:21,625 even two by two ♪ 1090 00:27:21,625 --> 00:27:23,958 ♪ Everybody in the floor 1091 00:27:21,625 --> 00:27:23,958 let me show you how we do ♪ 1092 00:27:24,041 --> 00:27:26,500 - Rihanna comes along 1093 00:27:24,041 --> 00:27:26,500 and she's much more R&B 1094 00:27:26,500 --> 00:27:27,791 than she is pop. 1095 00:27:27,875 --> 00:27:30,041 She's got this sort of 1096 00:27:27,875 --> 00:27:30,041 Caribbean feel in her music. 1097 00:27:30,041 --> 00:27:32,208 And there's something 1098 00:27:30,041 --> 00:27:32,208 really fresh about her. 1099 00:27:32,208 --> 00:27:35,875 - ♪ It's a thief in the night 1100 00:27:32,208 --> 00:27:35,875 to come and grab you ♪ 1101 00:27:35,875 --> 00:27:39,416 ♪ It can creep up inside you 1102 00:27:35,875 --> 00:27:39,416 and consume you ♪ 1103 00:27:39,500 --> 00:27:41,375 - Rihanna had this incredibly 1104 00:27:39,500 --> 00:27:41,375 ambitious idea 1105 00:27:41,458 --> 00:27:42,666 of what pop music was... 1106 00:27:42,750 --> 00:27:46,375 - ♪ Disturbia ain't used 1107 00:27:42,750 --> 00:27:46,375 to what you like ♪ 1108 00:27:46,458 --> 00:27:50,916 - And kept redefining herself 1109 00:27:46,458 --> 00:27:50,916 as the edgiest, nastiest, 1110 00:27:51,000 --> 00:27:52,916 most sophisticated 1111 00:27:51,000 --> 00:27:52,916 pop star out there. 1112 00:27:53,000 --> 00:27:55,583 - ♪ Now that it's raining 1113 00:27:53,000 --> 00:27:55,583 more than ever ♪ 1114 00:27:55,666 --> 00:27:58,416 ♪ Know that we'll still 1115 00:27:55,666 --> 00:27:58,416 have each other ♪ 1116 00:27:58,500 --> 00:28:01,208 ♪ You can stand under 1117 00:27:58,500 --> 00:28:01,208 my umbrella ♪ 1118 00:28:01,291 --> 00:28:02,666 - "Umbrella." 1119 00:28:02,750 --> 00:28:04,708 I mean, I don't think there's 1120 00:28:02,750 --> 00:28:04,708 probably a person 1121 00:28:04,791 --> 00:28:07,875 in the whole world that doesn't 1122 00:28:04,791 --> 00:28:07,875 know that song and wasn't 1123 00:28:07,958 --> 00:28:11,125 walking around going, 1124 00:28:07,958 --> 00:28:11,125 "Eh, eh, eh," for, like, 1125 00:28:11,208 --> 00:28:12,416 months at a time. 1126 00:28:12,416 --> 00:28:14,750 - ♪ You can stand 1127 00:28:12,416 --> 00:28:14,750 under my umbrella ♪ 1128 00:28:14,833 --> 00:28:18,250 ♪ Ella, ella, eh, eh, eh ♪ 1129 00:28:18,250 --> 00:28:20,375 - And so towards the end 1130 00:28:18,250 --> 00:28:20,375 of the decade 1131 00:28:20,458 --> 00:28:23,375 with artists like Rihanna, 1132 00:28:20,458 --> 00:28:23,375 the danceable riffs of hip-hop 1133 00:28:23,458 --> 00:28:27,625 bled into R&B and pop, 1134 00:28:23,458 --> 00:28:27,625 and hip-hop became bigger 1135 00:28:27,708 --> 00:28:28,625 and bigger and bigger. 1136 00:28:28,708 --> 00:28:30,083 - ♪ My umbrella ♪ 1137 00:28:30,166 --> 00:28:31,291 - It became pop. 1138 00:28:31,375 --> 00:28:33,083 - ♪ Eh, eh ♪ 1139 00:28:33,083 --> 00:28:34,166 [cheers and applause] 1140 00:28:34,833 --> 00:28:36,750 [rock music] 1141 00:28:36,833 --> 00:28:39,000 - All through the '90s if you 1142 00:28:36,833 --> 00:28:39,000 were a band from New York, 1143 00:28:39,083 --> 00:28:40,916 you could count on getting 1144 00:28:39,083 --> 00:28:40,916 laughed out of the room 1145 00:28:40,916 --> 00:28:42,583 pretty much anywhere 1146 00:28:40,916 --> 00:28:42,583 else in the country. 1147 00:28:42,583 --> 00:28:45,333 - New York was just a place 1148 00:28:42,583 --> 00:28:45,333 where rock and roll was thought 1149 00:28:45,416 --> 00:28:47,958 of as dead. 1150 00:28:47,958 --> 00:28:49,916 - In the 2000s, the 1151 00:28:47,958 --> 00:28:49,916 predominant music generally 1152 00:28:50,000 --> 00:28:51,875 is hip-hop, and that's 1153 00:28:50,000 --> 00:28:51,875 the case in New York. 1154 00:28:51,958 --> 00:28:53,500 No one's thinking about 1155 00:28:51,958 --> 00:28:53,500 New York as the center 1156 00:28:53,583 --> 00:28:55,458 for interesting rock 1157 00:28:53,583 --> 00:28:55,458 music anymore. 1158 00:28:55,458 --> 00:28:58,125 But after 9/11, 1159 00:28:55,458 --> 00:28:58,125 we've had all these bands 1160 00:28:58,208 --> 00:29:00,166 who were kind of bubbling 1161 00:28:58,208 --> 00:29:00,166 beneath the surface 1162 00:29:00,166 --> 00:29:02,666 who start popping up and it 1163 00:29:00,166 --> 00:29:02,666 really starts with the Strokes. 1164 00:29:02,666 --> 00:29:07,041 - ♪ Last night she said ♪ 1165 00:29:07,125 --> 00:29:11,208 ♪ Oh baby I feel so down 1166 00:29:07,125 --> 00:29:11,208 it turn me off ♪ 1167 00:29:11,291 --> 00:29:13,625 - After 9/11, 1168 00:29:11,291 --> 00:29:13,625 the city was burning. 1169 00:29:13,625 --> 00:29:14,625 It was smoldering. 1170 00:29:14,708 --> 00:29:17,291 - ♪ So I, I turned around ♪ 1171 00:29:17,291 --> 00:29:20,625 - Vulnerability, anxiety, 1172 00:29:17,291 --> 00:29:20,625 all this became how 1173 00:29:20,625 --> 00:29:21,833 the country felt. 1174 00:29:21,833 --> 00:29:23,375 We needed that sense 1175 00:29:21,833 --> 00:29:23,375 of defiance, 1176 00:29:23,458 --> 00:29:26,166 that hubristic sense 1177 00:29:23,458 --> 00:29:26,166 of possibility and promise 1178 00:29:26,166 --> 00:29:27,833 that young kids and bands 1179 00:29:26,166 --> 00:29:27,833 can deliver. 1180 00:29:27,916 --> 00:29:30,000 - Right now they're the most 1181 00:29:27,916 --> 00:29:30,000 important band in the world 1182 00:29:30,000 --> 00:29:32,958 for what they may inspire 1183 00:29:30,000 --> 00:29:32,958 other people to do. 1184 00:29:33,083 --> 00:29:35,500 - ♪ Last night ♪ 1185 00:29:35,500 --> 00:29:38,208 - Much in the same way that 1186 00:29:35,500 --> 00:29:38,208 Nirvana was the spearhead 1187 00:29:38,208 --> 00:29:42,375 for grunge in the '90s, 1188 00:29:38,208 --> 00:29:42,375 The Strokes really 1189 00:29:42,375 --> 00:29:45,583 helped usher in 1190 00:29:42,375 --> 00:29:45,583 a lot of other acts. 1191 00:29:45,666 --> 00:29:47,666 - ♪ But she can read 1192 00:29:45,666 --> 00:29:47,666 she can read ♪ 1193 00:29:47,750 --> 00:29:50,666 ♪ She can read 1194 00:29:47,750 --> 00:29:50,666 she can read she's bad ♪ 1195 00:29:50,750 --> 00:29:52,500 ♪ She can read 1196 00:29:50,750 --> 00:29:52,500 she can read ♪ 1197 00:29:52,500 --> 00:29:54,833 ♪ She can read 1198 00:29:52,500 --> 00:29:54,833 she's bad ♪ 1199 00:29:54,916 --> 00:29:57,708 - The first ones to break 1200 00:29:54,916 --> 00:29:57,708 after The Strokes in terms 1201 00:29:57,708 --> 00:30:01,916 of New York artists is Interpol 1202 00:29:57,708 --> 00:30:01,916 and Yeah Yeah Yeahs. 1203 00:30:02,000 --> 00:30:03,666 - These are strange people. 1204 00:30:03,750 --> 00:30:06,208 They're counter cultural 1205 00:30:03,750 --> 00:30:06,208 by nature. 1206 00:30:06,291 --> 00:30:10,833 Karen O, she's this violent 1207 00:30:06,291 --> 00:30:10,833 swaggering rock boy 1208 00:30:10,916 --> 00:30:14,500 and this heartbroken 1209 00:30:10,916 --> 00:30:14,500 teary rock girl. 1210 00:30:14,583 --> 00:30:18,208 - ♪ Pack up 1211 00:30:14,583 --> 00:30:18,208 I'm strayed ♪ 1212 00:30:18,291 --> 00:30:21,416 - And "Maps" is one of those 1213 00:30:18,291 --> 00:30:21,416 tracks that launched 1,000 1214 00:30:21,500 --> 00:30:23,916 young female singers 1215 00:30:21,500 --> 00:30:23,916 in their bedroom somewhere. 1216 00:30:23,916 --> 00:30:27,541 - ♪ Wait they don't love you 1217 00:30:23,916 --> 00:30:27,541 like I love you ♪ 1218 00:30:27,541 --> 00:30:31,583 ♪ Wait they don't 1219 00:30:27,541 --> 00:30:31,583 love you like I love you ♪ 1220 00:30:31,583 --> 00:30:33,041 ♪ Maps ♪ 1221 00:30:33,125 --> 00:30:35,750 - So you have this 1222 00:30:33,125 --> 00:30:35,750 resurgence of rock, 1223 00:30:35,750 --> 00:30:38,291 but also this resurgence 1224 00:30:35,750 --> 00:30:38,291 of Brooklyn and indie music. 1225 00:30:38,375 --> 00:30:40,708 ♪ My mind has changed 1226 00:30:38,375 --> 00:30:40,708 my body's frame ♪ 1227 00:30:40,791 --> 00:30:43,541 ♪ But God I like it ♪ 1228 00:30:43,541 --> 00:30:46,083 ♪ My heart's aflame 1229 00:30:43,541 --> 00:30:46,083 my body's strained ♪ 1230 00:30:46,166 --> 00:30:48,250 ♪ But God I like it ♪ 1231 00:30:48,250 --> 00:30:50,583 - TV on the Radio, 1232 00:30:48,250 --> 00:30:50,583 they were a multi-ethnic, 1233 00:30:50,666 --> 00:30:53,375 multi-racial band coming out 1234 00:30:50,666 --> 00:30:53,375 of the Brooklyn rock scene. 1235 00:30:53,375 --> 00:30:54,875 You know, they were 1236 00:30:53,375 --> 00:30:54,875 scholars of music. 1237 00:30:54,875 --> 00:30:59,583 - ♪ I know it's strange another 1238 00:30:54,875 --> 00:30:59,583 way to get to know you ♪ 1239 00:30:59,666 --> 00:31:04,958 ♪ You'll never know unless 1240 00:30:59,666 --> 00:31:04,958 we go so let me show you ♪ 1241 00:31:04,958 --> 00:31:08,458 - They made very proggy 1242 00:31:04,958 --> 00:31:08,458 but also very punky rock 1243 00:31:08,458 --> 00:31:10,416 that sounded like nothing else 1244 00:31:08,458 --> 00:31:10,416 that had ever been done. 1245 00:31:10,416 --> 00:31:11,583 - ♪ Ow, ow ♪ 1246 00:31:11,583 --> 00:31:14,583 ♪ ♪ 1247 00:31:14,583 --> 00:31:18,333 ♪ Daft Punk is playing 1248 00:31:14,583 --> 00:31:18,333 at my house my house ♪ 1249 00:31:18,416 --> 00:31:21,916 - LCD Soundsystem is maybe 1250 00:31:18,416 --> 00:31:21,916 the most Brooklyn band 1251 00:31:21,916 --> 00:31:23,916 that has ever emerged 1252 00:31:21,916 --> 00:31:23,916 from Brooklyn. 1253 00:31:23,916 --> 00:31:25,791 - ♪ I'll show you 1254 00:31:23,916 --> 00:31:25,791 the ropes kid ♪ 1255 00:31:25,791 --> 00:31:27,916 - They were a huge success 1256 00:31:25,791 --> 00:31:27,916 partly because 1257 00:31:28,000 --> 00:31:31,833 of James Murphy's ability 1258 00:31:28,000 --> 00:31:31,833 to make pristine electronic 1259 00:31:31,916 --> 00:31:33,958 music that still had 1260 00:31:31,916 --> 00:31:33,958 a soul in it. 1261 00:31:33,958 --> 00:31:36,916 - ♪ Where are your 1262 00:31:33,958 --> 00:31:36,916 friends tonight ♪ 1263 00:31:37,000 --> 00:31:39,625 ♪ Where are your 1264 00:31:37,000 --> 00:31:39,625 friends tonight ♪ 1265 00:31:39,625 --> 00:31:44,500 - What you start to see is not 1266 00:31:39,625 --> 00:31:44,500 a genre of music or a trend. 1267 00:31:44,583 --> 00:31:45,958 It's a scene. 1268 00:31:45,958 --> 00:31:49,291 ♪ ♪ 1269 00:31:49,375 --> 00:31:51,041 And though they were 1270 00:31:49,375 --> 00:31:51,041 not a New York band, 1271 00:31:51,125 --> 00:31:53,958 Arcade Fire seem connected 1272 00:31:51,125 --> 00:31:53,958 spiritually to that moment. 1273 00:31:54,041 --> 00:31:59,666 - ♪ Children wake up ♪ 1274 00:31:59,750 --> 00:32:01,166 ♪ ♪ 1275 00:32:01,250 --> 00:32:06,541 ♪ Hold your mistake up ♪ 1276 00:32:06,625 --> 00:32:09,958 - Arcade Fire was this big 1277 00:32:06,625 --> 00:32:09,958 anthemic rock band 1278 00:32:09,958 --> 00:32:12,166 that, you know, made these 1279 00:32:09,958 --> 00:32:12,166 songs that you just wanted 1280 00:32:12,250 --> 00:32:13,625 to holler along with. 1281 00:32:13,708 --> 00:32:20,791 - ♪ I guess we'll 1282 00:32:13,708 --> 00:32:20,791 just have to adjust ♪ 1283 00:32:22,083 --> 00:32:24,166 - And to me it felt like 1284 00:32:22,083 --> 00:32:24,166 the moment that indie rock 1285 00:32:24,250 --> 00:32:26,333 crossed over into 1286 00:32:24,250 --> 00:32:26,333 something bigger. 1287 00:32:26,416 --> 00:32:32,333 - ♪ Holiday oh holiday 1288 00:32:26,416 --> 00:32:32,333 and the best one of the year ♪ 1289 00:32:32,333 --> 00:32:35,583 - It's the first time that you 1290 00:32:32,333 --> 00:32:35,583 had indie bands soundtracking 1291 00:32:35,666 --> 00:32:39,083 commercials for mainstream 1292 00:32:35,666 --> 00:32:39,083 multinational products, 1293 00:32:39,166 --> 00:32:41,750 in part because everyone 1294 00:32:39,166 --> 00:32:41,750 is trying to figure out, 1295 00:32:41,833 --> 00:32:45,208 "How do I make money now that 1296 00:32:41,833 --> 00:32:45,208 no one will pay for my albums?" 1297 00:32:45,291 --> 00:32:47,208 - ♪ So one to three take 1298 00:32:45,291 --> 00:32:47,208 my hand and come with me ♪ 1299 00:32:47,291 --> 00:32:49,833 ♪ Because you look so fine that 1300 00:32:47,291 --> 00:32:49,833 I really wanna make you mine ♪ 1301 00:32:49,916 --> 00:32:52,916 - You know, historically 1302 00:32:49,916 --> 00:32:52,916 there'd been some wariness 1303 00:32:53,000 --> 00:32:55,208 about selling your music 1304 00:32:53,000 --> 00:32:55,208 to advertisers. 1305 00:32:55,291 --> 00:32:56,708 It was seen as selling out. 1306 00:32:56,708 --> 00:32:59,000 In the 2000s, 1307 00:32:56,708 --> 00:32:59,000 that totally disappeared. 1308 00:32:59,000 --> 00:33:02,916 - ♪ Ride with me 1309 00:32:59,000 --> 00:33:02,916 Ride with me ♪ 1310 00:33:02,916 --> 00:33:06,375 - There's all these songs that 1311 00:33:02,916 --> 00:33:06,375 became iconic primarily through 1312 00:33:06,375 --> 00:33:08,375 their use in iPod commercials. 1313 00:33:08,375 --> 00:33:12,541 - ♪ One two three four 1314 00:33:08,375 --> 00:33:12,541 tell me that you love me more ♪ 1315 00:33:12,625 --> 00:33:15,916 - Now indie culture was cool 1316 00:33:12,625 --> 00:33:15,916 and you could market yourself 1317 00:33:15,916 --> 00:33:19,041 as part of this new global 1318 00:33:15,916 --> 00:33:19,041 indie community. 1319 00:33:19,041 --> 00:33:26,083 - ♪ Glamorous indie rock 1320 00:33:19,041 --> 00:33:26,083 and roll is what I want ♪ 1321 00:33:26,708 --> 00:33:29,416 - You get The Killers 1322 00:33:26,708 --> 00:33:29,416 or you get Kings of Leon. 1323 00:33:29,416 --> 00:33:36,208 - ♪ 18 balding ♪ 1324 00:33:36,291 --> 00:33:37,875 ♪ Star ♪ 1325 00:33:37,875 --> 00:33:39,750 - And of course 1326 00:33:37,875 --> 00:33:39,750 the White Stripes. 1327 00:33:39,833 --> 00:33:42,416 ♪ ♪ 1328 00:33:42,416 --> 00:33:46,500 - They all step into the role 1329 00:33:42,416 --> 00:33:46,500 of capital R rock star. 1330 00:33:46,583 --> 00:33:49,416 - ♪ I'm gonna fight them off ♪ 1331 00:33:49,416 --> 00:33:53,125 ♪ A seven nation army 1332 00:33:49,416 --> 00:33:53,125 couldn't hold me back ♪ 1333 00:33:53,125 --> 00:33:55,750 - People thought The Strokes 1334 00:33:53,125 --> 00:33:55,750 were gonna save rock. 1335 00:33:55,750 --> 00:33:58,333 You felt that there was going 1336 00:33:55,750 --> 00:33:58,333 to be a movement forward. 1337 00:33:58,416 --> 00:34:00,250 And for a while, 1338 00:33:58,416 --> 00:34:00,250 it worked. 1339 00:34:00,333 --> 00:34:02,791 But ultimately it didn't 1340 00:34:00,333 --> 00:34:02,791 really change 1341 00:34:02,875 --> 00:34:04,291 the musical landscape. 1342 00:34:04,291 --> 00:34:07,000 You can probably say the 1343 00:34:04,291 --> 00:34:07,000 White Stripes or Arcade Fire 1344 00:34:07,083 --> 00:34:11,750 are the last really big rock 1345 00:34:07,083 --> 00:34:11,750 band in the classical sense. 1346 00:34:11,750 --> 00:34:16,291 - ♪ And the stains coming from 1347 00:34:11,750 --> 00:34:16,291 my blood tell me go back home ♪ 1348 00:34:16,291 --> 00:34:18,125 ♪ ♪ 1349 00:34:18,125 --> 00:34:19,458 - So, what happened? 1350 00:34:19,458 --> 00:34:21,791 In the early 2000s, 1351 00:34:19,458 --> 00:34:21,791 the electric guitar 1352 00:34:21,875 --> 00:34:25,333 started to be replaced by 1353 00:34:21,875 --> 00:34:25,333 the song sequencing software. 1354 00:34:25,333 --> 00:34:29,000 And you started to see the 1355 00:34:25,333 --> 00:34:29,000 future is not rock music. 1356 00:34:29,000 --> 00:34:31,833 The groundbreaking artist who 1357 00:34:29,000 --> 00:34:31,833 is gonna completely change 1358 00:34:31,916 --> 00:34:34,833 what we think good music 1359 00:34:31,916 --> 00:34:34,833 sounds like is not gonna be 1360 00:34:34,916 --> 00:34:36,333 playing an electric guitar. 1361 00:34:36,416 --> 00:34:43,458 ♪ ♪ 1362 00:34:45,125 --> 00:34:48,041 [Lady Gaga's "Poker Face"] 1363 00:34:48,125 --> 00:34:49,750 ♪ ♪ 1364 00:34:49,750 --> 00:34:52,125 - If we started the decade 1365 00:34:49,750 --> 00:34:52,125 with boy bands, 1366 00:34:52,208 --> 00:34:56,125 we end the decade with solo 1367 00:34:52,208 --> 00:34:56,125 women ruling the pop world. 1368 00:34:56,208 --> 00:34:59,541 And Lady Gaga is 1369 00:34:56,208 --> 00:34:59,541 at the height of her power. 1370 00:34:59,625 --> 00:35:02,750 - ♪ Can't read my can't read my 1371 00:34:59,625 --> 00:35:02,750 no he can't read ♪ 1372 00:35:02,833 --> 00:35:05,416 ♪ My poker face ♪ 1373 00:35:05,500 --> 00:35:06,958 ♪ She's got me like nobody ♪ 1374 00:35:07,083 --> 00:35:09,833 - Listening to something like 1375 00:35:07,083 --> 00:35:09,833 "Poker Face" or "Bad Romance," 1376 00:35:09,916 --> 00:35:11,833 you can tell that she was 1377 00:35:09,916 --> 00:35:11,833 a student of Roxy Music. 1378 00:35:11,916 --> 00:35:13,291 She was a student of disco. 1379 00:35:13,375 --> 00:35:14,958 She was a student 1380 00:35:13,375 --> 00:35:14,958 of the drag balls. 1381 00:35:14,958 --> 00:35:17,791 She was someone who wanted 1382 00:35:14,958 --> 00:35:17,791 to combine all those elements 1383 00:35:17,875 --> 00:35:20,750 into really aggressive 1384 00:35:17,875 --> 00:35:20,750 hard hitting pop music. 1385 00:35:20,833 --> 00:35:23,791 - ♪ I want your love and all 1386 00:35:20,833 --> 00:35:23,791 your lovers revenge ♪ 1387 00:35:23,875 --> 00:35:27,500 ♪ You and me could write 1388 00:35:23,875 --> 00:35:27,500 a bad romance ♪ 1389 00:35:27,583 --> 00:35:30,791 - Suddenly it was no longer 1390 00:35:27,583 --> 00:35:30,791 enough to wear a pretty gown 1391 00:35:30,875 --> 00:35:32,250 on the red carpet. 1392 00:35:32,333 --> 00:35:35,291 You had to make art. 1393 00:35:32,333 --> 00:35:35,291 You had to make a statement. 1394 00:35:35,375 --> 00:35:39,791 - You asked me if my music was 1395 00:35:35,375 --> 00:35:39,791 distracted by my sexuality. 1396 00:35:39,875 --> 00:35:42,500 If I was a guy and I was 1397 00:35:39,875 --> 00:35:42,500 sitting here with a cigarette 1398 00:35:42,583 --> 00:35:44,583 in my hand and grabbing 1399 00:35:42,583 --> 00:35:44,583 my crotch and talking about 1400 00:35:44,583 --> 00:35:50,291 how I make music because I love 1401 00:35:44,583 --> 00:35:50,291 fast cars and [bleep]ing girls, 1402 00:35:50,375 --> 00:35:51,791 you'd call me a rock star. 1403 00:35:51,875 --> 00:35:54,791 - Lady Gaga is a female 1404 00:35:51,875 --> 00:35:54,791 empowerment role model. 1405 00:35:54,875 --> 00:35:58,708 And this is just the beginning 1406 00:35:54,875 --> 00:35:58,708 of girls running the world. 1407 00:35:58,791 --> 00:36:02,541 - ♪ Baby you're a firework ♪ 1408 00:36:02,625 --> 00:36:06,291 ♪ Come on let your 1409 00:36:02,625 --> 00:36:06,291 colors burst ♪ 1410 00:36:06,291 --> 00:36:08,666 - We have Katy Perry, 1411 00:36:06,291 --> 00:36:08,666 Shakira... 1412 00:36:08,750 --> 00:36:10,958 - ♪ She wolf in the closet ♪ 1413 00:36:10,958 --> 00:36:11,958 - Nicki Minaj... 1414 00:36:11,958 --> 00:36:13,166 ♪ ♪ 1415 00:36:13,250 --> 00:36:16,500 You have Taylor Swift 1416 00:36:13,250 --> 00:36:16,500 just coming into her own. 1417 00:36:16,583 --> 00:36:20,833 - ♪ Walking the streets with 1418 00:36:16,583 --> 00:36:20,833 you and your worn out jeans ♪ 1419 00:36:20,833 --> 00:36:22,625 - Taylor Swift 1420 00:36:20,833 --> 00:36:22,625 is a song writer, 1421 00:36:22,708 --> 00:36:25,458 and at an impossibly 1422 00:36:22,708 --> 00:36:25,458 early age, 1423 00:36:25,541 --> 00:36:29,000 she comes up with what might 1424 00:36:25,541 --> 00:36:29,000 be the single of the decade. 1425 00:36:29,083 --> 00:36:30,708 "You Belong With Me." 1426 00:36:30,708 --> 00:36:34,708 - ♪ If you could see that I'm 1427 00:36:30,708 --> 00:36:34,708 the one who understands you ♪ 1428 00:36:34,708 --> 00:36:38,875 - And that just straps 1429 00:36:34,708 --> 00:36:38,875 her career to a rocket. 1430 00:36:38,958 --> 00:36:44,875 ♪ Maybe you belong with me ♪ 1431 00:36:44,958 --> 00:36:46,833 ♪ You belong with me ♪ 1432 00:36:46,916 --> 00:36:48,541 - We saw someone like 1433 00:36:46,916 --> 00:36:48,541 Taylor Swift 1434 00:36:48,625 --> 00:36:51,208 become a huge sensation 1435 00:36:48,625 --> 00:36:51,208 because of her MySpace page 1436 00:36:51,208 --> 00:36:53,750 posting her music on her page, 1437 00:36:51,208 --> 00:36:53,750 and look where she is now. 1438 00:36:53,833 --> 00:36:55,208 It's pretty incredible. 1439 00:36:55,291 --> 00:36:57,833 - By the end of that decade, 1440 00:36:55,291 --> 00:36:57,833 artists would make their own 1441 00:36:57,916 --> 00:37:00,833 music and put it up on MySpace, 1442 00:36:57,916 --> 00:37:00,833 and all the sudden 1443 00:37:00,833 --> 00:37:02,333 you can have a career. 1444 00:37:02,416 --> 00:37:04,208 - In the Internet 1445 00:37:02,416 --> 00:37:04,208 age it's become 1446 00:37:04,208 --> 00:37:06,333 a do-it-yourself operation. 1447 00:37:06,416 --> 00:37:10,333 Hang your star on YouTube and 1448 00:37:06,416 --> 00:37:10,333 see how brightly it shines. 1449 00:37:10,416 --> 00:37:13,750 - ♪ Cry me a river ♪ 1450 00:37:13,750 --> 00:37:16,291 ♪ Cry me a river ♪ 1451 00:37:16,375 --> 00:37:19,083 - Justin Bieber was the first 1452 00:37:16,375 --> 00:37:19,083 of the YouTube kids. 1453 00:37:19,166 --> 00:37:22,208 He was using the new tools 1454 00:37:19,166 --> 00:37:22,208 of the Internet to really 1455 00:37:22,291 --> 00:37:24,375 do an edge run around 1456 00:37:22,291 --> 00:37:24,375 the traditional industry. 1457 00:37:24,458 --> 00:37:28,583 - ♪ And I was like baby, 1458 00:37:24,458 --> 00:37:28,583 baby, baby oh ♪ 1459 00:37:28,666 --> 00:37:31,708 ♪ Like baby, baby, baby no ♪ 1460 00:37:31,791 --> 00:37:34,416 - In the 2000s, the music 1461 00:37:31,791 --> 00:37:34,416 industry was undergoing 1462 00:37:34,416 --> 00:37:37,875 a massive shift with all 1463 00:37:34,416 --> 00:37:37,875 the technological change 1464 00:37:37,958 --> 00:37:41,583 and the fact that the price 1465 00:37:37,958 --> 00:37:41,583 of music had effectively 1466 00:37:41,583 --> 00:37:43,250 been ground down to zero. 1467 00:37:43,250 --> 00:37:46,041 - I'm standing outside where 1468 00:37:43,250 --> 00:37:46,041 I used to buy my CDs-- 1469 00:37:46,041 --> 00:37:48,750 a store that is now shuttered 1470 00:37:46,041 --> 00:37:48,750 and shut down as you can tell-- 1471 00:37:48,750 --> 00:37:51,625 like so many other music 1472 00:37:48,750 --> 00:37:51,625 stores across the country. 1473 00:37:51,708 --> 00:37:53,125 [dramatic music] 1474 00:37:53,208 --> 00:37:56,333 - By the end of the decade, 1475 00:37:53,208 --> 00:37:56,333 the music business was falling 1476 00:37:56,416 --> 00:37:57,500 off a cliff. 1477 00:37:57,583 --> 00:38:00,291 It seemed like all 1478 00:37:57,583 --> 00:38:00,291 of it was gone, 1479 00:38:00,291 --> 00:38:02,625 reduced to rubble. 1480 00:38:02,625 --> 00:38:05,666 - The shuttering this weekend 1481 00:38:02,625 --> 00:38:05,666 of Virgin's last two stores 1482 00:38:05,750 --> 00:38:08,291 in Manhattan and Hollywood 1483 00:38:05,750 --> 00:38:08,291 marks the death 1484 00:38:08,291 --> 00:38:11,750 of a once booming chain 1485 00:38:08,291 --> 00:38:11,750 and another nail in the coffin 1486 00:38:11,833 --> 00:38:13,458 of the music CD. 1487 00:38:13,458 --> 00:38:16,583 - By the mid-2000s, 1488 00:38:13,458 --> 00:38:16,583 music labels realized 1489 00:38:16,666 --> 00:38:20,125 that YouTube, MySpace, 1490 00:38:16,666 --> 00:38:20,125 and file sharing software 1491 00:38:20,208 --> 00:38:22,416 was the way people were 1492 00:38:20,208 --> 00:38:22,416 discovering new music. 1493 00:38:22,416 --> 00:38:23,916 So what do you do? 1494 00:38:23,916 --> 00:38:27,625 You get all of the people that 1495 00:38:23,916 --> 00:38:27,625 you've heard online together 1496 00:38:27,625 --> 00:38:30,625 in one act and you charge 1497 00:38:27,625 --> 00:38:30,625 130 bucks to see it. 1498 00:38:30,625 --> 00:38:32,625 And this proved to be a very 1499 00:38:30,625 --> 00:38:32,625 successful model. 1500 00:38:32,625 --> 00:38:33,916 ♪ ♪ 1501 00:38:33,916 --> 00:38:40,166 - ♪ Waking up feeling good 1502 00:38:33,916 --> 00:38:40,166 and limber ♪ 1503 00:38:40,250 --> 00:38:43,041 - The one that really set it 1504 00:38:40,250 --> 00:38:43,041 off was Bonnaroo 1505 00:38:43,125 --> 00:38:44,375 and then Coachella. 1506 00:38:44,458 --> 00:38:46,333 - So you came here 1507 00:38:44,458 --> 00:38:46,333 from England... 1508 00:38:46,333 --> 00:38:47,458 - Yeah. 1509 00:38:46,333 --> 00:38:47,458 - For this? 1510 00:38:47,541 --> 00:38:48,625 - For the festival, yeah. 1511 00:38:47,541 --> 00:38:48,625 - Yeah, yeah, man. 1512 00:38:48,625 --> 00:38:51,291 Why not? 1513 00:38:48,625 --> 00:38:51,291 It's Coachella. 1514 00:38:51,291 --> 00:38:54,541 - All the sudden that same 1515 00:38:51,291 --> 00:38:54,541 generation that's discovering 1516 00:38:54,625 --> 00:38:57,458 music peer-to-peer online 1517 00:38:54,625 --> 00:38:57,458 wants to be somewhere 1518 00:38:57,541 --> 00:38:58,791 in a field with that peer 1519 00:38:58,875 --> 00:39:01,958 enjoying the live 1520 00:38:58,875 --> 00:39:01,958 music experience. 1521 00:39:02,041 --> 00:39:04,333 - I see about 40 1522 00:39:02,041 --> 00:39:04,333 different bands, 1523 00:39:04,333 --> 00:39:07,000 every ty--any type of music 1524 00:39:04,333 --> 00:39:07,000 you could imagine. 1525 00:39:07,083 --> 00:39:11,708 [electronic music plays] 1526 00:39:11,791 --> 00:39:12,958 - The music festivals, 1527 00:39:11,791 --> 00:39:12,958 there would always be 1528 00:39:12,958 --> 00:39:14,500 this DJ tent. 1529 00:39:14,500 --> 00:39:17,875 And over the years that tent 1530 00:39:14,500 --> 00:39:17,875 kept getting bigger and bigger. 1531 00:39:17,875 --> 00:39:21,208 ♪ ♪ 1532 00:39:21,208 --> 00:39:24,375 - The superstar DJs, Diplo, 1533 00:39:21,208 --> 00:39:24,375 and David Guetta, 1534 00:39:24,375 --> 00:39:27,666 Kaskade, and Paul Oakenfold, 1535 00:39:24,375 --> 00:39:27,666 these guys are pulling in 1536 00:39:27,666 --> 00:39:29,750 millions as headliners. 1537 00:39:29,833 --> 00:39:33,375 - ♪ Sometimes things 1538 00:39:29,833 --> 00:39:33,375 get complicated ♪ 1539 00:39:33,375 --> 00:39:37,000 ♪ ♪ 1540 00:39:37,083 --> 00:39:39,166 - Hip-hop stars are 1541 00:39:37,083 --> 00:39:39,166 becoming rock stars. 1542 00:39:39,166 --> 00:39:40,708 DJs are becoming rock stars. 1543 00:39:40,708 --> 00:39:42,375 - Goes crazy, the crowd, 1544 00:39:40,708 --> 00:39:42,375 they're jumping up and down. 1545 00:39:42,375 --> 00:39:44,166 - The only people who aren't 1546 00:39:42,375 --> 00:39:44,166 becoming rock stars... 1547 00:39:44,250 --> 00:39:46,541 - Lightning, zombies, 1548 00:39:44,250 --> 00:39:46,541 and then it drops right here. 1549 00:39:46,541 --> 00:39:47,541 - Are rock stars. 1550 00:39:47,625 --> 00:39:49,208 - ♪ Pop ♪ 1551 00:39:49,291 --> 00:39:50,875 - Whoo! 1552 00:39:50,875 --> 00:39:52,833 - The idea of just standing 1553 00:39:50,875 --> 00:39:52,833 there and staring at someone 1554 00:39:52,833 --> 00:39:55,166 on stage is 1555 00:39:52,833 --> 00:39:55,166 a 20th century idea, 1556 00:39:55,166 --> 00:39:57,875 where as in the 21st century 1557 00:39:55,166 --> 00:39:57,875 it's more interactive. 1558 00:39:57,875 --> 00:40:00,791 It's more about us 1559 00:39:57,875 --> 00:40:00,791 as an organism. 1560 00:40:00,875 --> 00:40:03,791 - Come on. 1561 00:40:00,875 --> 00:40:03,791 - Clap your hands. 1562 00:40:03,875 --> 00:40:07,083 - Clap your hands. 1563 00:40:03,875 --> 00:40:07,083 Clam your hands, y'all. 1564 00:40:07,166 --> 00:40:08,583 Clap your hands. 1565 00:40:08,583 --> 00:40:11,416 - In the 2000s we saw an 1566 00:40:08,583 --> 00:40:11,416 industry that seemed like 1567 00:40:11,500 --> 00:40:12,583 it would never change. 1568 00:40:12,583 --> 00:40:14,625 We saw it be forced to change. 1569 00:40:14,708 --> 00:40:18,416 - ♪ I got a feeling ♪ 1570 00:40:18,416 --> 00:40:21,375 - Online distribution of music 1571 00:40:18,416 --> 00:40:21,375 broke down the barriers 1572 00:40:21,458 --> 00:40:25,083 of taste and suddenly everyone 1573 00:40:21,458 --> 00:40:25,083 was listening to everything. 1574 00:40:25,083 --> 00:40:26,416 - ♪ Good night ♪ 1575 00:40:26,416 --> 00:40:30,375 ♪ That tonight's gonna be 1576 00:40:26,416 --> 00:40:30,375 a good, good night ♪ 1577 00:40:30,375 --> 00:40:31,916 - With the help 1578 00:40:30,375 --> 00:40:31,916 of a computer, 1579 00:40:31,916 --> 00:40:34,416 the past is just cool stuff 1580 00:40:31,916 --> 00:40:34,416 that you can discover. 1581 00:40:34,416 --> 00:40:35,916 And that's what 1582 00:40:34,416 --> 00:40:35,916 a whole generation 1583 00:40:35,916 --> 00:40:37,750 of new music makers do. 1584 00:40:37,833 --> 00:40:40,625 Yes, the 2000s are 1585 00:40:37,833 --> 00:40:40,625 the age of the machine. 1586 00:40:40,708 --> 00:40:42,583 But that doesn't mean there's 1587 00:40:40,708 --> 00:40:42,583 not a search for the soul 1588 00:40:42,583 --> 00:40:43,833 inside the machine. 1589 00:40:43,916 --> 00:40:45,625 - ♪ One two three go 1590 00:40:43,916 --> 00:40:45,625 Good, good night ♪ 1591 00:40:45,708 --> 00:40:49,583 ♪ Tonight's the night 1592 00:40:45,708 --> 00:40:49,583 let's hit it up ♪ 1593 00:40:49,583 --> 00:40:52,958 ♪ I got my money 1594 00:40:49,583 --> 00:40:52,958 hey let's spend it up ♪ 1595 00:40:53,041 --> 00:40:56,791 ♪ I feel go out and smash it 1596 00:40:53,041 --> 00:40:56,791 hey like oh my God ♪ 1597 00:40:56,875 --> 00:41:01,291 ♪ Hey jump off that sofa 1598 00:40:56,875 --> 00:41:01,291 hey let's kick it up ♪ 1599 00:41:01,375 --> 00:41:03,958 ♪ I know that we'll 1600 00:41:01,375 --> 00:41:03,958 have a ball ♪ 1601 00:41:03,958 --> 00:41:07,625 ♪ If we get down and roll out 1602 00:41:03,958 --> 00:41:07,625 and just lose it all ♪ 1603 00:41:07,708 --> 00:41:11,291 ♪ I feel stressed out 1604 00:41:07,708 --> 00:41:11,291 I wanna let it go ♪ 1605 00:41:11,375 --> 00:41:15,000 ♪ Let's go way out spaced out 1606 00:41:11,375 --> 00:41:15,000 losing all control ♪ 1607 00:41:15,083 --> 00:41:17,625 ♪ Ch-ch-ch here we come 1608 00:41:15,083 --> 00:41:17,625 here we go ♪ 1609 00:41:17,708 --> 00:41:19,625 ♪ We gotta rock ♪ 1610 00:41:19,708 --> 00:41:23,500 ♪ Easy come easy go 1611 00:41:19,708 --> 00:41:23,500 now we on top ♪ 1612 00:41:23,500 --> 00:41:25,250 ♪ Fill the shot body rock ♪ 100669

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