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- Video killed the radio star.
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Now has the Internet killed
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the record industry?
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- Napster's stealing from us
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straight up,
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and I'm gonna fight them to the
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death.
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- Ladies and gentlemen,
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The Strokes.
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- May I have your attention,
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please?
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- We got a Moon Man.
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- I'm very ashamed the
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President of the United States
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is from Texas.
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- The Dixie Chicks, they can
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say what they want to say.
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- Billboard's top ten singles
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all by black artists.
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- Rappers are
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the new rock stars.
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- I don't please everybody
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with who I am as a person.
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- Okay.
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- Real staccato.
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Like, stick it.
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- I love Beyoncé.
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- That's not a working
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telephone, is it?
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- Hello?
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- [laughs]
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- Empty shelves are all you'll
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find here at Tower Records.
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It's now out of business.
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[dramatic music]
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♪ ♪
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all: Three, two, one.
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[all screaming]
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- This is a very
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special moment.
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The first performance
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at the MTV studios
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in the new millennium.
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Please welcome No Doubt.
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[cheering]
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- ♪ That's great it starts
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with an earthquake ♪
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♪ Birds and snakes
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and aeroplanes ♪
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♪ And Lenny Bruce
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is not afraid ♪
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- I'll always remember
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New Year's Eve 1999
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going into Y2K seeing No Doubt
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on MTV playing
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"It's The End of the World
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As We Know It" by R.E.M.
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- ♪ It's the end of the world
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as we know it ♪
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♪ It's the end of the world
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as we know it ♪
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♪ I feel fine ♪
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♪ ♪
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[cheers and applause]
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- It was a very appropriately
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apocalyptic song for what
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turned out to be a very
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apocalyptic decade.
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- Happy New Year!
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- So we wake up,
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it's 2000, we're all alive,
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and we're still in the middle
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of teen pop mania.
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- ♪ Don't wanna hear you say
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ain't nothing but a heartache ♪
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Boy bands were selling
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so many albums.
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- ♪ Every little thing I do ♪
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♪ Never seems enough for you ♪
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- This is the biggest year
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in pop music history
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in terms of sales.
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all: Britney, Britney, Britney!
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- You have Britney Spears
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selling 1.3 million copies
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of "Oops!... I Did It Again"
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in the first week.
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- ♪ Oops I did it again ♪
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♪ I played with your heart
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got lost in the game ♪
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♪ Oh baby baby ♪
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- Everyone's falling
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in love with boy bands
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and girl groups.
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But then Justin Timberlake
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leaves NSYNC.
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- ♪ Don't be so quick
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to walk away ♪
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♪ Dance with me ♪
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♪ I wanna rock your body ♪
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- With his debut album,
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JT established
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what his sound would be.
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And it's instantly appealing
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to a pop audience and also
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an R&B audience.
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- ♪ Now it's your turn to cry ♪
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♪ Cry me a river
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cry me a river ♪
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- You know, Justin Timberlake
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leaving NSYNC becomes
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the model for what can be done.
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♪ ♪
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- Yes, it's your girl B.
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- You talk about people who
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were always gonna be bigger
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than their group,
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that was Beyoncé.
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- You ready?
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- She puts out her
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solo album in 2003.
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First single
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is "Crazy In Love."
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It's got this
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incredible sample.
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And that catches your ear.
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- Beyoncé hasn't opened her
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mouth yet and you're already
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hooked on that song.
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- ♪ I look and stare
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so deep in your eyes ♪
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- I remember being asked once,
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"What do you think:
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Christina or Britney?"
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I said, "Beyoncé."
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- ♪ Got me looking
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so crazy right now ♪
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♪ Your love's got me looking
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so crazy right now ♪
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- "Crazy In Love,"
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that's how it begins.
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It seemed like almost
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overnight she became
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a kind of icon.
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She became a deeply
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respected figure.
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both: Beyoncé, "Naughty Girl."
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[Beyoncé's "Naughty Girl plays]
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[cheers and applause]
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- In the early 2000s,
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the industry was so dominated
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by pop sensations and booming
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CD sales that they were
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totally oblivious to the new
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generation that didn't think
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music was something
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you had to pay for.
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- Using a PC to download music
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is one of the hottest
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of today's computer trends.
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And that has the recording
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companies up in arms
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and heading to court.
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At the center of their dispute
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is a music-sharing Internet
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service known as Napster.
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[clicking]
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- In the late '90s
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and early 2000s,
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the music industry
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grew complacent.
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People had come to them
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and said, "You know,
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"you have to start investing
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in the technology that comes
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after the compact disc."
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And they just refused to do it.
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- Some of rock and roll's bad
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boys are picking a fight
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this morning with the Internet
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site Napster.com.
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- The lawsuits began when
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Metallica heard on the radio
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a song that they hadn't
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released yet.
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♪ ♪
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- ♪ Hey, hey, hey ♪
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And Metallica was like, "What?
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- ♪ It's time I disappear ♪
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- On April 14th, Metallica
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filed a lawsuit against Napster
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for basically encouraging
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people to steal and trade
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our music illegally.
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- We started this thing called
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exmetallicafans.org.
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We're asking the community
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to completely ban
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and boycott Metallica.
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- I'm glad you're
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an ex-Metallica fan,
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because I don't want you
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to be a fan of ours
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if that's your attitude.
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- I can't speak
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for the other bands,
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but I embraced file sharing.
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If you wanna sing along,
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you know, if you have--
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you know, you got it off
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Napster, bro, please.
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Our band was plucked out of
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obscurity and given a career
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because of Napster.
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- ♪ But as for me I wish that
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I was anywhere with anyone ♪
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all: ♪ Making out ♪
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- So suddenly I had a platform
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for sharing my music
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to the frustration
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of the label I was on.
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- Napster has built
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a multi-billion dollar
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business based on people, uh,
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copying files to millions
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and millions
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of people they don't know.
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- There, you know, a way that
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the technology can be adapted
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to--to benefit, you know,
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all of the parties involved.
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The artist, the industry,
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and the users.
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- Napster should have been
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an early version of iTunes.
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It's kind of a tragedy
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it didn't happen back then.
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- Today the U.S. Court
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of Appeals ruled that Napster
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is infringing
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on copyrighted music,
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in essence letting
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its users steal songs.
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- The music label executives
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absolutely didn't want any
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kind of iTunes-style
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distribution infrastructure
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that would fit with
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the Internet
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because they were terrified
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of unbundling the single
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from the album.
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So for a long time they'd been
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able to take one hit song
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like "Complicated..."
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- ♪ Tell me why
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do you have to go ♪
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♪ and make things
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so complicated ♪
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- If that song comes out
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in the late '90s,
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it's gonna move 20 million
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albums at $10 each.
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Five or six years later,
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it's no longer
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gonna move 20 million albums.
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It's gonna move 20 million
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songs at 99 cents each.
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So you've just lost 90%
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of your revenue.
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- CD sales have dropped
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almost one quarter
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in just three years.
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That's an awful lot
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of lost business.
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- Labels absolutely didn't
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want this to happen.
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But ultimately they were
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powerless to stop it.
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- It's inevitable, I suppose,
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that just about the time
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that I'm becoming aware
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of hip-hop culture,
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it is literally coming of age.
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Hip-hop has been around,
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I discover,
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for some 25 years now,
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and during that time it has
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not only established itself
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as America's most popular
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popular music,
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it has altered our language.
293
00:08:03,916 --> 00:08:04,833
[applause]
294
00:08:04,916 --> 00:08:06,708
- The Oscar goes to...
295
00:08:06,791 --> 00:08:10,000
♪ It's hard out here
296
00:08:06,791 --> 00:08:10,000
for a pimp ♪
297
00:08:10,083 --> 00:08:12,000
- You know what?
298
00:08:12,083 --> 00:08:15,041
I think it just got a little
299
00:08:12,083 --> 00:08:15,041
easier out here for a pimp.
300
00:08:15,041 --> 00:08:17,000
- We're seeing hip-hop seep
301
00:08:15,041 --> 00:08:17,000
into everything, right?
302
00:08:17,000 --> 00:08:19,833
It's in soda commercials
303
00:08:17,000 --> 00:08:19,833
and it's in soundtracks.
304
00:08:19,833 --> 00:08:23,166
It's being used as bumper
305
00:08:19,833 --> 00:08:23,166
music in sports and fashion
306
00:08:23,250 --> 00:08:25,875
and shoes and everything.
307
00:08:25,958 --> 00:08:27,000
- Here, use--
308
00:08:25,958 --> 00:08:27,000
- I've never done it
309
00:08:27,083 --> 00:08:28,333
with a machine.
310
00:08:27,083 --> 00:08:28,333
- Yeah, well, it's easy.
311
00:08:28,333 --> 00:08:29,333
So, how do you do it?
312
00:08:28,333 --> 00:08:29,333
With a...
313
00:08:29,416 --> 00:08:30,375
- Yeah, we in the hood.
314
00:08:30,458 --> 00:08:31,500
We like, "Yah, yah, yah, yah!"
315
00:08:30,458 --> 00:08:31,500
- Yeah.
316
00:08:31,500 --> 00:08:32,875
[laughs]
317
00:08:32,875 --> 00:08:36,500
- In that moment a lot
318
00:08:32,875 --> 00:08:36,500
of rappers were celebrating
319
00:08:36,500 --> 00:08:38,541
what they had accomplished.
320
00:08:38,625 --> 00:08:43,375
Rappers like Jermaine Dupri,
321
00:08:38,625 --> 00:08:43,375
Jay-Z, and Ja Rule
322
00:08:43,458 --> 00:08:46,416
were saying to the world,
323
00:08:43,458 --> 00:08:46,416
"Can you believe this?
324
00:08:46,416 --> 00:08:49,083
"This is about survival
325
00:08:46,416 --> 00:08:49,083
and surviving racism
326
00:08:49,166 --> 00:08:51,458
racism in America
327
00:08:49,166 --> 00:08:51,458
and we're gonna share this
328
00:08:51,541 --> 00:08:52,541
with the world.
329
00:08:52,541 --> 00:08:53,583
- ♪ Uh-oh another episode ♪
330
00:08:53,583 --> 00:08:54,875
♪ What do I do ♪
331
00:08:54,958 --> 00:08:56,708
♪ To everybody that
332
00:08:54,958 --> 00:08:56,708
be living it up ♪
333
00:08:56,708 --> 00:08:59,375
♪ We say what I do ♪
334
00:08:59,458 --> 00:09:01,750
- Hip-hop's no longer sort of
335
00:08:59,458 --> 00:09:01,750
the bratty kid on the block.
336
00:09:01,833 --> 00:09:03,916
It's actually
337
00:09:01,833 --> 00:09:03,916
the predominant music.
338
00:09:04,000 --> 00:09:08,250
And then what really takes it
339
00:09:04,000 --> 00:09:08,250
over the top is a young rapper
340
00:09:08,333 --> 00:09:09,416
from Detroit.
341
00:09:09,500 --> 00:09:11,208
- We're gonna have
342
00:09:09,500 --> 00:09:11,208
a problem here.
343
00:09:11,208 --> 00:09:13,250
♪ Y'all act like you've never
344
00:09:11,208 --> 00:09:13,250
seen a white person before ♪
345
00:09:13,333 --> 00:09:16,958
- In 2000 Eminem puts out
346
00:09:13,333 --> 00:09:16,958
"The Marshall Mathers LP--"
347
00:09:17,041 --> 00:09:19,208
Marshall Mathers being
348
00:09:17,041 --> 00:09:19,208
Eminem's real name.
349
00:09:19,208 --> 00:09:22,041
And suddenly the biggest star
350
00:09:19,208 --> 00:09:22,041
in hip-hop is Eminem,
351
00:09:22,041 --> 00:09:23,375
bar none.
352
00:09:23,375 --> 00:09:25,166
- ♪ 'Cause I'm Slim Shady
353
00:09:23,375 --> 00:09:25,166
yes I'm the real Shady ♪
354
00:09:25,250 --> 00:09:27,333
♪ All you other Slim Shadys
355
00:09:25,250 --> 00:09:27,333
are just imitating ♪
356
00:09:27,416 --> 00:09:29,791
♪ So won't the real Slim Shady
357
00:09:27,416 --> 00:09:29,791
please stand up ♪
358
00:09:29,791 --> 00:09:33,333
- Eminem came from a white
359
00:09:29,791 --> 00:09:33,333
working class background.
360
00:09:33,416 --> 00:09:34,666
And those are
361
00:09:33,416 --> 00:09:34,666
the stories he told.
362
00:09:34,750 --> 00:09:36,083
It just put him
363
00:09:34,750 --> 00:09:36,083
on a different level
364
00:09:36,166 --> 00:09:38,291
because he brought his own
365
00:09:36,166 --> 00:09:38,291
authenticity to the game.
366
00:09:38,375 --> 00:09:39,958
- DJ, get that shit.
367
00:09:39,958 --> 00:09:42,958
[hip-hop music plays]
368
00:09:43,041 --> 00:09:46,166
- I saw "8 Mile" in Times
369
00:09:43,041 --> 00:09:46,166
Square opening night.
370
00:09:46,250 --> 00:09:48,416
I had to sit at
371
00:09:46,250 --> 00:09:48,416
the front of the theater.
372
00:09:48,500 --> 00:09:50,666
It was one of the most
373
00:09:48,500 --> 00:09:50,666
satisfying movie experiences
374
00:09:50,750 --> 00:09:51,833
I've ever had.
375
00:09:51,916 --> 00:09:53,416
I mean, listen,
376
00:09:51,916 --> 00:09:53,416
on "Lose Yourself,
377
00:09:53,500 --> 00:09:54,791
when that thing comes
378
00:09:53,500 --> 00:09:54,791
through your speakers
379
00:09:54,791 --> 00:09:57,625
at a giant movie theater,
380
00:09:54,791 --> 00:09:57,625
that's a big moment.
381
00:09:57,708 --> 00:10:01,458
- The Oscar goes to Eminem,
382
00:09:57,708 --> 00:10:01,458
Jeff Bass, and Luis Resto
383
00:10:01,541 --> 00:10:03,291
for "Lose Yourself."
384
00:10:03,291 --> 00:10:05,458
- ♪ In the music the moment
385
00:10:03,291 --> 00:10:05,458
you own it ♪
386
00:10:05,458 --> 00:10:07,291
♪ You better never let it go ♪
387
00:10:07,291 --> 00:10:09,958
- It's not quite "Purple Rain,"
388
00:10:07,291 --> 00:10:09,958
but it was pretty damn good.
389
00:10:09,958 --> 00:10:13,500
- ♪ This opportunity comes once
390
00:10:09,958 --> 00:10:13,500
in a lifetime you better ♪
391
00:10:13,583 --> 00:10:15,958
♪ Lose yourself ♪
392
00:10:13,583 --> 00:10:15,958
[cheers and applause]
393
00:10:15,958 --> 00:10:17,833
- In the 2000s,
394
00:10:15,958 --> 00:10:17,833
rappers weren't content
395
00:10:17,916 --> 00:10:19,166
to be musicians.
396
00:10:19,166 --> 00:10:21,041
They had to be actors
397
00:10:19,166 --> 00:10:21,041
and producers
398
00:10:21,125 --> 00:10:23,000
and label bosses themselves.
399
00:10:23,000 --> 00:10:26,166
So in the video
400
00:10:23,000 --> 00:10:26,166
for "In da Club",
401
00:10:26,166 --> 00:10:28,375
the producers Dr. Dre
402
00:10:26,166 --> 00:10:28,375
and Eminem
403
00:10:28,458 --> 00:10:30,000
have set up a laboratory.
404
00:10:30,083 --> 00:10:32,958
We see 50 Cent doing
405
00:10:30,083 --> 00:10:32,958
his exercise routine,
406
00:10:32,958 --> 00:10:35,500
and then it pans into this
407
00:10:32,958 --> 00:10:35,500
night club environment
408
00:10:35,500 --> 00:10:37,125
where he's chatting
409
00:10:35,500 --> 00:10:37,125
with models
410
00:10:37,208 --> 00:10:38,666
and drinking
411
00:10:37,208 --> 00:10:38,666
expensive champagne.
412
00:10:38,750 --> 00:10:42,166
So what they're really doing
413
00:10:38,750 --> 00:10:42,166
is perfecting the science
414
00:10:42,166 --> 00:10:43,666
of the club banger.
415
00:10:43,666 --> 00:10:45,208
- You can find me
416
00:10:43,666 --> 00:10:45,208
in the club ♪
417
00:10:45,291 --> 00:10:47,541
♪ Bottle full of bub
418
00:10:45,291 --> 00:10:47,541
mama I got what you need ♪
419
00:10:47,541 --> 00:10:49,083
♪ If you need to feel a buzz ♪
420
00:10:49,166 --> 00:10:52,541
- If you have kids now you know
421
00:10:49,166 --> 00:10:52,541
it's probably rap they're using
422
00:10:52,541 --> 00:10:56,208
to drive you up the wall,
423
00:10:52,541 --> 00:10:56,208
and the big star in rap now
424
00:10:56,291 --> 00:10:58,333
is 50 Cent.
425
00:10:56,291 --> 00:10:58,333
Or Fifty Cent.
426
00:10:58,333 --> 00:11:00,208
Fiddy Cent.
427
00:10:58,333 --> 00:11:00,208
However you want to say it.
428
00:11:00,208 --> 00:11:01,666
- [laughs]
429
00:11:01,666 --> 00:11:03,583
- Your grandmother
430
00:11:01,666 --> 00:11:03,583
is absolutely getting down
431
00:11:03,666 --> 00:11:04,666
to "In da Club."
432
00:11:04,750 --> 00:11:06,166
She's calling it
433
00:11:04,750 --> 00:11:06,166
"In The Club,"
434
00:11:06,250 --> 00:11:07,833
but she's getting down to it.
435
00:11:07,833 --> 00:11:10,541
I mean, that was everywhere.
436
00:11:10,625 --> 00:11:11,833
♪ ♪
437
00:11:11,833 --> 00:11:13,375
It was in a commercial.
438
00:11:13,375 --> 00:11:17,208
- Sounds like he's integrated
439
00:11:13,375 --> 00:11:17,208
his hit "In da Club."
440
00:11:17,291 --> 00:11:19,000
Extraordinary.
441
00:11:19,083 --> 00:11:22,041
- One of the biggest
442
00:11:19,083 --> 00:11:22,041
differences between the '90s
443
00:11:22,125 --> 00:11:24,333
and the 2000s in terms
444
00:11:22,125 --> 00:11:24,333
of hip-hop
445
00:11:24,333 --> 00:11:26,041
is this idea of business.
446
00:11:26,125 --> 00:11:29,875
- 33-year-old Jay-Z is
447
00:11:26,125 --> 00:11:29,875
the reigning king of rap.
448
00:11:29,875 --> 00:11:32,250
He owns his own record label,
449
00:11:29,875 --> 00:11:32,250
clothing line,
450
00:11:32,333 --> 00:11:35,583
and movie production company
451
00:11:32,333 --> 00:11:35,583
generating almost
452
00:11:35,583 --> 00:11:38,250
half a billion dollars
453
00:11:35,583 --> 00:11:38,250
a year in sales.
454
00:11:38,333 --> 00:11:40,291
- ♪ Allow me
455
00:11:38,333 --> 00:11:40,291
to reintroduce myself ♪
456
00:11:40,375 --> 00:11:41,541
♪ My name is Hov ♪
457
00:11:41,625 --> 00:11:43,875
- ♪ Oh! ♪
458
00:11:41,625 --> 00:11:43,875
- ♪ H to the O-V ♪
459
00:11:43,875 --> 00:11:46,083
♪ I used to move snowflakes
460
00:11:43,875 --> 00:11:46,083
by the O-Z ♪
461
00:11:46,166 --> 00:11:48,041
- With Jay-Z, as you're
462
00:11:46,166 --> 00:11:48,041
going into 2000s,
463
00:11:48,125 --> 00:11:50,083
you're watching a hip-hop
464
00:11:48,125 --> 00:11:50,083
artist grow up
465
00:11:50,166 --> 00:11:53,208
from telling these sort
466
00:11:50,166 --> 00:11:53,208
of street tales to someone
467
00:11:53,291 --> 00:11:55,041
who has money,
468
00:11:53,291 --> 00:11:55,041
who has fame,
469
00:11:55,125 --> 00:11:57,041
who's traveling in very
470
00:11:55,125 --> 00:11:57,041
different circles now.
471
00:11:57,125 --> 00:11:59,250
- ♪Flier than a piece
472
00:11:57,125 --> 00:11:59,250
of paper bearing my name ♪
473
00:11:59,333 --> 00:12:01,916
♪ Got the hottest chick
474
00:11:59,333 --> 00:12:01,916
in the game wearing my chain ♪
475
00:12:02,000 --> 00:12:03,416
♪ That's right Hov oh ♪
476
00:12:03,416 --> 00:12:05,583
- Even if he was rapping about
477
00:12:03,416 --> 00:12:05,583
some of the same things
478
00:12:05,666 --> 00:12:07,291
that everybody was rapping
479
00:12:05,666 --> 00:12:07,291
about--street life,
480
00:12:07,375 --> 00:12:10,416
moving drugs--it was in such
481
00:12:07,375 --> 00:12:10,416
a unique way, you know,
482
00:12:10,416 --> 00:12:14,000
that he was almost
483
00:12:10,416 --> 00:12:14,000
inventing a new language.
484
00:12:14,083 --> 00:12:16,583
- ♪ I check cheddar like
485
00:12:14,083 --> 00:12:16,583
a food inspector ♪
486
00:12:16,666 --> 00:12:18,166
- I really love
487
00:12:16,666 --> 00:12:18,166
"The Black Album."
488
00:12:18,250 --> 00:12:20,958
For Jay-Z to be the first one
489
00:12:18,250 --> 00:12:20,958
to get Rick Rubin
490
00:12:20,958 --> 00:12:24,666
to produce in such a long time
491
00:12:20,958 --> 00:12:24,666
shows you how special Jay is
492
00:12:24,750 --> 00:12:25,958
as an artist.
493
00:12:26,041 --> 00:12:28,666
- I'm thinking maybe we start
494
00:12:26,041 --> 00:12:28,666
a capella with,
495
00:12:28,750 --> 00:12:29,666
♪ If you're having
496
00:12:28,750 --> 00:12:29,666
girl problems ♪
497
00:12:29,750 --> 00:12:31,083
♪ I feel bad for you, son ♪
498
00:12:31,083 --> 00:12:32,958
♪ I got 99 problems,
499
00:12:31,083 --> 00:12:32,958
but a bitch ain't one ♪
500
00:12:32,958 --> 00:12:34,500
Hit me.
501
00:12:32,958 --> 00:12:34,500
[singing]
502
00:12:34,583 --> 00:12:36,291
Right into the first verse.
503
00:12:34,583 --> 00:12:36,291
- ♪ So I got the rap patrol ♪
504
00:12:36,291 --> 00:12:39,083
♪ On the gat patrol
505
00:12:36,291 --> 00:12:39,083
fools that want to make sure ♪
506
00:12:39,166 --> 00:12:40,250
♪ My casket's closed ♪
507
00:12:40,250 --> 00:12:41,750
Yeah, that's--that's money.
508
00:12:41,833 --> 00:12:45,083
- Rick Rubin created so many
509
00:12:41,833 --> 00:12:45,083
classic hip-hop records
510
00:12:45,083 --> 00:12:47,291
with the Beastie Boys
511
00:12:45,083 --> 00:12:47,291
and Run-DMC,
512
00:12:47,291 --> 00:12:51,833
taking a break beat and mixing
513
00:12:47,291 --> 00:12:51,833
it with an AC/DC guitar stab.
514
00:12:51,916 --> 00:12:54,125
♪ ♪
515
00:12:54,208 --> 00:12:56,500
That's Rick Rubin 101,
516
00:12:54,208 --> 00:12:56,500
you know...
517
00:12:56,583 --> 00:12:57,791
[mimics guitar]
518
00:12:57,875 --> 00:13:00,375
- ♪ So I pull over
519
00:12:57,875 --> 00:13:00,375
to the side of the road ♪
520
00:13:00,458 --> 00:13:03,166
♪ I heard "Son, do you know
521
00:13:00,458 --> 00:13:03,166
what I'm stopping you for?" ♪
522
00:13:03,166 --> 00:13:05,333
♪ 'Cause I'm young and I'm
523
00:13:03,166 --> 00:13:05,333
black and my hat's real low ♪
524
00:13:05,416 --> 00:13:08,000
♪ But do I look like a mind
525
00:13:05,416 --> 00:13:08,000
reader sir I don't know ♪
526
00:13:08,000 --> 00:13:09,875
- What Jay-Z represented was
527
00:13:08,000 --> 00:13:09,875
the fact that you could
528
00:13:09,958 --> 00:13:11,958
actually have real longevity
529
00:13:09,958 --> 00:13:11,958
in hip-hop.
530
00:13:12,041 --> 00:13:13,500
And for the longest time,
531
00:13:12,041 --> 00:13:13,500
you know,
532
00:13:13,500 --> 00:13:15,625
New York had been the center
533
00:13:13,500 --> 00:13:15,625
of the world in hip-hop.
534
00:13:15,625 --> 00:13:18,958
The south for the most
535
00:13:15,625 --> 00:13:18,958
part hadn't really
536
00:13:19,041 --> 00:13:20,833
made itself heard.
537
00:13:20,916 --> 00:13:22,666
You know, and that starts
538
00:13:20,916 --> 00:13:22,666
to change in the 2000s,
539
00:13:22,750 --> 00:13:27,125
and you're getting Outkast.
540
00:13:22,750 --> 00:13:27,125
And Outkast is amazing.
541
00:13:27,208 --> 00:13:28,208
- [shushes]
542
00:13:28,291 --> 00:13:30,291
[cheering]
543
00:13:30,375 --> 00:13:33,458
♪ One two one two three yeah ♪
544
00:13:33,458 --> 00:13:35,375
♪ In-slum-national
545
00:13:33,458 --> 00:13:35,375
underground ♪
546
00:13:35,375 --> 00:13:36,833
♪ Thunder pounds when
547
00:13:35,375 --> 00:13:36,833
I stop the ground ♪
548
00:13:36,833 --> 00:13:40,375
- Outkast became rap's
549
00:13:36,833 --> 00:13:40,375
Beatles in the 2000s
550
00:13:40,458 --> 00:13:44,166
because we found both but
551
00:13:40,458 --> 00:13:44,166
particularly André
552
00:13:44,166 --> 00:13:47,708
becoming more obsessed with
553
00:13:44,166 --> 00:13:47,708
a kind of adventurous
554
00:13:47,791 --> 00:13:49,916
landscape of music.
555
00:13:50,000 --> 00:13:53,375
- ♪ Yeah I'm afraid like
556
00:13:50,000 --> 00:13:53,375
I'm scared as a dog ♪
557
00:13:53,375 --> 00:13:55,541
- Serious hip-hop already
558
00:13:53,375 --> 00:13:55,541
knew about Outkast,
559
00:13:55,541 --> 00:13:57,333
but then they come
560
00:13:55,541 --> 00:13:57,333
out with an album,
561
00:13:57,333 --> 00:13:59,708
"Speakerboxxx/The Love Below."
562
00:13:59,708 --> 00:14:01,916
And they have this song
563
00:13:59,708 --> 00:14:01,916
they called "Hey Ya!"
564
00:14:02,000 --> 00:14:03,708
- ♪ One two three uh ♪
565
00:14:03,708 --> 00:14:07,166
♪ My baby don't mess around
566
00:14:03,708 --> 00:14:07,166
because she loves me so ♪
567
00:14:07,166 --> 00:14:09,333
♪ And this I know for sure ♪
568
00:14:09,416 --> 00:14:11,333
- It's barely a hip-hop song,
569
00:14:09,416 --> 00:14:11,333
really.
570
00:14:11,416 --> 00:14:14,208
I'm not sure what it is,
571
00:14:11,416 --> 00:14:14,208
but it's got this kind of
572
00:14:14,208 --> 00:14:15,541
frothy '60s vibe.
573
00:14:15,541 --> 00:14:16,750
It sounds like something that,
574
00:14:15,541 --> 00:14:16,750
you know,
575
00:14:16,833 --> 00:14:18,541
Motown might have put out
576
00:14:16,833 --> 00:14:18,541
when they were doing
577
00:14:18,625 --> 00:14:19,916
"The Sound of Young America."
578
00:14:20,000 --> 00:14:26,916
- ♪ Hey ya
579
00:14:20,000 --> 00:14:26,916
Hey ya ♪
580
00:14:27,000 --> 00:14:28,916
- Next thing you know,
581
00:14:27,000 --> 00:14:28,916
everyone is singing
582
00:14:29,000 --> 00:14:30,083
this one line,
583
00:14:30,083 --> 00:14:31,708
"Shake it like
584
00:14:30,083 --> 00:14:31,708
a Polaroid picture."
585
00:14:31,708 --> 00:14:33,208
- ♪ Oh, here we go
586
00:14:31,708 --> 00:14:33,208
Shake it ♪
587
00:14:33,208 --> 00:14:35,708
♪ Shake, shake it
588
00:14:33,208 --> 00:14:35,708
shake it shake, shake it ♪
589
00:14:35,708 --> 00:14:38,041
♪ Shake it like
590
00:14:35,708 --> 00:14:38,041
a Polaroid picture ♪
591
00:14:38,041 --> 00:14:40,708
- Polaroid was the instant
592
00:14:38,041 --> 00:14:40,708
camera and the picture came out
593
00:14:40,708 --> 00:14:44,416
and for some strange reason
594
00:14:40,708 --> 00:14:44,416
as the image was--was forming,
595
00:14:44,500 --> 00:14:47,125
people would do this.
596
00:14:44,500 --> 00:14:47,125
They would shake it.
597
00:14:47,208 --> 00:14:49,458
As if that was going
598
00:14:47,208 --> 00:14:49,458
to make it happen faster.
599
00:14:49,541 --> 00:14:51,791
So he says that line
600
00:14:49,541 --> 00:14:51,791
in the song and suddenly
601
00:14:51,875 --> 00:14:53,291
everyone's doing that.
602
00:14:53,375 --> 00:14:56,208
You have this little cultural
603
00:14:53,375 --> 00:14:56,208
moment that everybody feels
604
00:14:56,208 --> 00:14:57,583
they need to be part of.
605
00:14:57,583 --> 00:14:58,833
Now you know you've really
606
00:14:57,583 --> 00:14:58,833
tapped into something,
607
00:14:58,916 --> 00:14:59,916
and that's what Outkast did.
608
00:15:00,000 --> 00:15:01,083
- If you're gonna
609
00:15:00,000 --> 00:15:01,083
do anything...
610
00:15:01,083 --> 00:15:02,791
- Do it all the way.
611
00:15:01,083 --> 00:15:02,791
- Do it 100%.
612
00:15:02,875 --> 00:15:04,666
Don't pull the thing out unless
613
00:15:02,875 --> 00:15:04,666
you plan to bang.
614
00:15:05,458 --> 00:15:07,125
[cheers and applause]
615
00:15:07,125 --> 00:15:11,833
- ♪ American girls
616
00:15:07,125 --> 00:15:11,833
and American guys ♪
617
00:15:11,916 --> 00:15:14,291
♪ We'll always stand
618
00:15:11,916 --> 00:15:14,291
up and salute ♪
619
00:15:14,375 --> 00:15:16,958
♪ We'll always recognize ♪
620
00:15:17,041 --> 00:15:20,458
- After September 11th,
621
00:15:17,041 --> 00:15:20,458
we saw this resurgence
622
00:15:20,541 --> 00:15:23,791
of patriotism--you know,
623
00:15:20,541 --> 00:15:23,791
a real re-embrace
624
00:15:23,791 --> 00:15:26,625
of the American flag
625
00:15:23,791 --> 00:15:26,625
from country music
626
00:15:26,708 --> 00:15:28,541
and the mainstream
627
00:15:26,708 --> 00:15:28,541
Nashville community.
628
00:15:28,625 --> 00:15:35,333
- ♪ You'll be sorry that you
629
00:15:28,625 --> 00:15:35,333
messed with the U.S. of A. ♪
630
00:15:35,333 --> 00:15:38,208
- Toby Keith was the ultimate
631
00:15:35,333 --> 00:15:38,208
example of all of that.
632
00:15:38,291 --> 00:15:41,333
- ♪ 'Cause we'll put
633
00:15:38,291 --> 00:15:41,333
a boot in your ass ♪
634
00:15:41,333 --> 00:15:43,333
♪ It's the American way ♪
635
00:15:43,416 --> 00:15:47,875
- With all the genres
636
00:15:43,416 --> 00:15:47,875
reacting to 9/11, the war,
637
00:15:47,958 --> 00:15:49,750
country was probably
638
00:15:47,958 --> 00:15:49,750
the most literal
639
00:15:49,833 --> 00:15:51,916
and the most outspoken
640
00:15:49,833 --> 00:15:51,916
about it.
641
00:15:52,000 --> 00:15:56,666
- ♪ I pledge allegiance
642
00:15:52,000 --> 00:15:56,666
to this flag ♪
643
00:15:56,666 --> 00:15:59,416
♪ And if that bothers you
644
00:15:56,666 --> 00:15:59,416
well that's too bad ♪
645
00:15:59,500 --> 00:16:05,041
- ♪ And you say we shouldn't
646
00:15:59,500 --> 00:16:05,041
worry about bin Laden ♪
647
00:16:05,041 --> 00:16:06,833
♪ Have you forgotten ♪
648
00:16:06,916 --> 00:16:10,208
- In music there was no
649
00:16:06,916 --> 00:16:10,208
opposition to that message.
650
00:16:10,208 --> 00:16:12,666
But when the
651
00:16:10,208 --> 00:16:12,666
"war on terror" began...
652
00:16:12,666 --> 00:16:15,166
[engine roaring]
653
00:16:12,666 --> 00:16:15,166
[shots firing]
654
00:16:15,250 --> 00:16:17,333
And we're talking
655
00:16:15,250 --> 00:16:17,333
about invading countries,
656
00:16:17,416 --> 00:16:19,666
well, then music had
657
00:16:17,416 --> 00:16:19,666
a lot to act in opposition to.
658
00:16:19,750 --> 00:16:23,250
- The Dixie Chicks are the top
659
00:16:19,750 --> 00:16:23,250
country touring act of the year
660
00:16:23,250 --> 00:16:25,916
despite the firestorm
661
00:16:23,250 --> 00:16:25,916
unleashed by their words
662
00:16:25,916 --> 00:16:28,250
during the first days
663
00:16:25,916 --> 00:16:28,250
of the war in Iraq.
664
00:16:31,708 --> 00:16:33,791
- When Natalie Maines said,
665
00:16:31,708 --> 00:16:33,791
you know,
666
00:16:33,875 --> 00:16:35,625
"We're so ashamed of our
667
00:16:33,875 --> 00:16:35,625
President right now,"
668
00:16:35,708 --> 00:16:39,583
their career took
669
00:16:35,708 --> 00:16:39,583
a severe beating.
670
00:16:39,666 --> 00:16:42,208
- Some protestors took
671
00:16:39,666 --> 00:16:42,208
a tractor and their feet
672
00:16:42,208 --> 00:16:44,250
to smash the group's CDs.
673
00:16:44,333 --> 00:16:46,958
- If you want to feel some good
674
00:16:44,333 --> 00:16:46,958
old fashioned American pride,
675
00:16:47,041 --> 00:16:49,916
look no further than the uproar
676
00:16:47,041 --> 00:16:49,916
over the Dixie Chicks.
677
00:16:50,000 --> 00:16:51,375
- And how they can say,
678
00:16:50,000 --> 00:16:51,375
"I'm ashamed that
679
00:16:51,375 --> 00:16:54,125
the President's from Texas?"
680
00:16:51,375 --> 00:16:54,125
Come on, man.
681
00:16:54,208 --> 00:16:58,875
- Screw them, right?
682
00:16:54,208 --> 00:16:58,875
Say it.
683
00:16:58,875 --> 00:17:00,750
- They were questioning
684
00:16:58,875 --> 00:17:00,750
something that you were
685
00:17:00,750 --> 00:17:02,750
just supposed to accept.
686
00:17:02,833 --> 00:17:04,750
And it was women doing it,
687
00:17:02,833 --> 00:17:04,750
no less.
688
00:17:04,750 --> 00:17:06,833
- I think they are
689
00:17:04,750 --> 00:17:06,833
the dipsy twits.
690
00:17:06,916 --> 00:17:09,291
These are the dumbest bimbos--
691
00:17:06,916 --> 00:17:09,291
with due respect--
692
00:17:09,375 --> 00:17:10,291
I have seen--
693
00:17:10,375 --> 00:17:11,458
- These are callow,
694
00:17:10,375 --> 00:17:11,458
foolish women
695
00:17:11,541 --> 00:17:12,958
who deserve
696
00:17:11,541 --> 00:17:12,958
to be slapped around.
697
00:17:13,041 --> 00:17:14,791
- We're gonna boycott
698
00:17:13,041 --> 00:17:14,791
them for their music
699
00:17:14,875 --> 00:17:16,916
and we're gonna boycott you
700
00:17:14,875 --> 00:17:16,916
for playing it if you don't
701
00:17:16,916 --> 00:17:18,291
stop playing it.
702
00:17:18,375 --> 00:17:20,458
- Well, ma'am, that one's
703
00:17:18,375 --> 00:17:20,458
the last one you're gonna hear.
704
00:17:20,541 --> 00:17:23,458
- Country radio overnight turns
705
00:17:20,541 --> 00:17:23,458
its back on The Dixie Chicks.
706
00:17:23,541 --> 00:17:25,625
- As a result of statements
707
00:17:23,541 --> 00:17:25,625
made by members
708
00:17:25,625 --> 00:17:27,083
of the Dixie Chicks
709
00:17:25,625 --> 00:17:27,083
at a concert,
710
00:17:27,166 --> 00:17:29,458
two radio networks banned
711
00:17:27,166 --> 00:17:29,458
the Dixie Chicks
712
00:17:29,541 --> 00:17:31,125
from their playlist
713
00:17:29,541 --> 00:17:31,125
at a chain level.
714
00:17:31,125 --> 00:17:34,083
- In a way, they were more
715
00:17:31,125 --> 00:17:34,083
daring than any punk band.
716
00:17:34,166 --> 00:17:37,333
- Uh, well, it's great to be
717
00:17:34,166 --> 00:17:37,333
back at, uh, Shepherd's Bush.
718
00:17:37,416 --> 00:17:39,625
We return to the scene
719
00:17:37,416 --> 00:17:39,625
of the crime.
720
00:17:39,625 --> 00:17:42,291
- They took on the
721
00:17:39,625 --> 00:17:42,291
establishment that wanted
722
00:17:42,291 --> 00:17:45,625
to own them and they refused
723
00:17:42,291 --> 00:17:45,625
to knuckle under.
724
00:17:45,625 --> 00:17:48,166
- I thought I'd say something
725
00:17:45,625 --> 00:17:48,166
brand-new and just say,
726
00:17:48,250 --> 00:17:50,291
"Just so you know,
727
00:17:48,250 --> 00:17:50,291
we're ashamed the President
728
00:17:50,375 --> 00:17:52,041
of the United States
729
00:17:50,375 --> 00:17:52,041
is from Texas."
730
00:17:52,125 --> 00:17:53,541
[cheers and applause]
731
00:17:53,625 --> 00:17:57,625
- We've asked artists
732
00:17:53,625 --> 00:17:57,625
for decades to be barometers
733
00:17:57,708 --> 00:18:00,958
of culture and be voices
734
00:17:57,708 --> 00:18:00,958
of dissent.
735
00:18:00,958 --> 00:18:04,166
And in the wake of 9/11,
736
00:18:00,958 --> 00:18:04,166
it was just seen
737
00:18:04,166 --> 00:18:05,500
as a bridge too far.
738
00:18:05,500 --> 00:18:10,791
- ♪ I waited till
739
00:18:05,500 --> 00:18:10,791
I saw the sun ♪
740
00:18:10,791 --> 00:18:13,458
- People wanted escapism
741
00:18:10,791 --> 00:18:13,458
at the time because there was
742
00:18:13,458 --> 00:18:15,291
a lot to escape.
743
00:18:15,375 --> 00:18:19,166
So we were listening to
744
00:18:15,375 --> 00:18:19,166
Norah Jones and Jack Johnson.
745
00:18:19,166 --> 00:18:22,291
- ♪ A la da-da-da-da-da ♪
746
00:18:22,375 --> 00:18:24,500
♪ La da-da-da-da-da-da ♪
747
00:18:24,500 --> 00:18:25,500
- And Coldplay.
748
00:18:25,500 --> 00:18:31,708
♪ ♪
749
00:18:31,708 --> 00:18:34,708
- When "Yellow" came out,
750
00:18:31,708 --> 00:18:34,708
a lot of the hipster
751
00:18:34,791 --> 00:18:37,000
alternative kids were like,
752
00:18:34,791 --> 00:18:37,000
"I love this."
753
00:18:37,000 --> 00:18:38,333
And I was one of them.
754
00:18:38,333 --> 00:18:44,375
- ♪ And your skin
755
00:18:38,333 --> 00:18:44,375
oh yeah your skin and bones ♪
756
00:18:44,458 --> 00:18:49,541
♪ Turn into something
757
00:18:44,458 --> 00:18:49,541
beautiful ♪
758
00:18:49,541 --> 00:18:51,000
- It felt great.
759
00:18:51,000 --> 00:18:53,833
It's like, here's Radiohead
760
00:18:51,000 --> 00:18:53,833
and U2 put together
761
00:18:53,916 --> 00:18:57,250
in a pop friendly package
762
00:18:53,916 --> 00:18:57,250
that's catchy rock music.
763
00:18:57,333 --> 00:19:01,041
- ♪ I want to run through
764
00:18:57,333 --> 00:19:01,041
the halls of my high school ♪
765
00:19:01,125 --> 00:19:04,083
♪ I want to scream
766
00:19:01,125 --> 00:19:04,083
at the top of my lungs ♪
767
00:19:04,166 --> 00:19:07,375
- John Mayer was this virtuoso
768
00:19:04,166 --> 00:19:07,375
guitar player who wrote these
769
00:19:07,458 --> 00:19:09,541
kind of sentimental love songs.
770
00:19:09,625 --> 00:19:13,583
- ♪ And if you want love
771
00:19:09,625 --> 00:19:13,583
we'll make it ♪
772
00:19:13,666 --> 00:19:14,875
- He was huge.
773
00:19:14,875 --> 00:19:19,375
- ♪ Swim in a deep sea
774
00:19:14,875 --> 00:19:19,375
of blankets ♪
775
00:19:19,375 --> 00:19:23,458
♪ Your body is a wonderland
776
00:19:19,375 --> 00:19:23,458
I'll use my hands ♪
777
00:19:23,541 --> 00:19:26,375
- In the 2000s,
778
00:19:23,541 --> 00:19:26,375
rock itself becomes numb
779
00:19:26,375 --> 00:19:31,208
and weirdly apolitical
780
00:19:26,375 --> 00:19:31,208
for a time when the country
781
00:19:31,208 --> 00:19:32,916
was at war.
782
00:19:32,916 --> 00:19:35,416
- Post-9/11,
783
00:19:32,916 --> 00:19:35,416
some believe familiar music
784
00:19:35,416 --> 00:19:36,875
will sell well this holiday.
785
00:19:36,875 --> 00:19:39,625
- ♪ And I've been wrong
786
00:19:36,875 --> 00:19:39,625
I've been down ♪
787
00:19:39,708 --> 00:19:42,125
♪ To the bottom
788
00:19:39,708 --> 00:19:42,125
of every bottle ♪
789
00:19:42,208 --> 00:19:45,041
- Nickelback, they had bigger
790
00:19:42,208 --> 00:19:45,041
hits than anybody.
791
00:19:45,041 --> 00:19:47,625
- Everybody's welcome
792
00:19:45,041 --> 00:19:47,625
to the Nickelback club.
793
00:19:47,708 --> 00:19:49,125
We got a--We got a big club.
794
00:19:49,208 --> 00:19:51,416
♪ Yeah, yeah ♪
795
00:19:51,416 --> 00:19:54,750
- A lot of rock is not really
796
00:19:51,416 --> 00:19:54,750
doing what it used to do,
797
00:19:54,750 --> 00:19:57,791
and it's almost like it--it
798
00:19:54,750 --> 00:19:57,791
lost its will to fight.
799
00:19:57,791 --> 00:19:59,750
Unless you're talking
800
00:19:57,791 --> 00:19:59,750
about Green Day.
801
00:19:59,750 --> 00:20:04,250
♪ ♪
802
00:20:04,333 --> 00:20:07,291
- ♪ Don't want to be
803
00:20:04,333 --> 00:20:07,291
an American idiot ♪
804
00:20:07,291 --> 00:20:09,958
- You can't undersell how
805
00:20:07,291 --> 00:20:09,958
shocking it was
806
00:20:10,041 --> 00:20:13,500
that the definitive statement
807
00:20:10,041 --> 00:20:13,500
on George Bush's America
808
00:20:13,583 --> 00:20:14,833
came from Green Day.
809
00:20:14,916 --> 00:20:17,750
- ♪ Welcome to a new
810
00:20:14,916 --> 00:20:17,750
kind of tension ♪
811
00:20:17,833 --> 00:20:20,458
♪ All across the alien nation ♪
812
00:20:20,458 --> 00:20:23,250
♪ Where everything isn't
813
00:20:20,458 --> 00:20:23,250
meant to be okay ♪
814
00:20:23,250 --> 00:20:25,333
- It was kind of like
815
00:20:23,250 --> 00:20:25,333
a rock opera.
816
00:20:25,416 --> 00:20:27,500
You had to listen to it
817
00:20:25,416 --> 00:20:27,500
from front to back
818
00:20:27,583 --> 00:20:30,125
because it told the entire
819
00:20:27,583 --> 00:20:30,125
story of what was going on
820
00:20:30,208 --> 00:20:31,333
in the decade.
821
00:20:31,416 --> 00:20:35,791
- ♪ Wake me up when
822
00:20:31,416 --> 00:20:35,791
September ends ♪
823
00:20:35,791 --> 00:20:37,958
- The fear of terrorism,
824
00:20:35,791 --> 00:20:37,958
the media,
825
00:20:38,041 --> 00:20:40,208
the wars,
826
00:20:38,041 --> 00:20:40,208
people being sent off to fight.
827
00:20:40,291 --> 00:20:44,125
- ♪ Here comes the rain again ♪
828
00:20:44,208 --> 00:20:47,166
- Rock wasn't all that
829
00:20:44,208 --> 00:20:47,166
surprising in the 2000s
830
00:20:47,250 --> 00:20:49,166
so when you got something
831
00:20:47,250 --> 00:20:49,166
like "American Idiot,"
832
00:20:49,250 --> 00:20:51,791
it was, "Wow,
833
00:20:49,250 --> 00:20:51,791
this is unexpected.
834
00:20:51,875 --> 00:20:53,875
This is shaking things up
835
00:20:51,875 --> 00:20:53,875
a little bit."
836
00:20:53,958 --> 00:20:59,875
- ♪ Wake me up
837
00:20:53,958 --> 00:20:59,875
when September ends ♪
838
00:20:59,958 --> 00:21:03,916
♪ ♪
839
00:21:05,916 --> 00:21:07,583
- Bounce coming up.
840
00:21:05,916 --> 00:21:07,583
[chuckles]
841
00:21:07,666 --> 00:21:10,583
[Jay-Z's "Dirt Off
842
00:21:07,666 --> 00:21:10,583
Your Shoulder" plays]
843
00:21:10,666 --> 00:21:13,458
♪ ♪
844
00:21:13,541 --> 00:21:16,500
- In the early 2000s,
845
00:21:13,541 --> 00:21:16,500
we come to recognize
846
00:21:16,583 --> 00:21:19,708
the idea of producers
847
00:21:16,583 --> 00:21:19,708
as artists.
848
00:21:19,791 --> 00:21:21,666
They're no longer relegated
849
00:21:19,791 --> 00:21:21,666
to the background.
850
00:21:21,750 --> 00:21:23,666
♪ ♪
851
00:21:23,666 --> 00:21:26,458
- One of my favorite Timbaland
852
00:21:23,666 --> 00:21:26,458
moments is watching him
853
00:21:26,458 --> 00:21:29,000
play Jay-Z
854
00:21:26,458 --> 00:21:29,000
"Dirt Off Your Shoulder"
855
00:21:29,000 --> 00:21:30,375
for the first time.
856
00:21:30,458 --> 00:21:33,125
- Oh, man.
857
00:21:30,458 --> 00:21:33,125
- Oh, shit!
858
00:21:33,208 --> 00:21:35,375
both: [laughing]
859
00:21:35,458 --> 00:21:37,666
- The best there is.
860
00:21:35,458 --> 00:21:37,666
- [laughs]
861
00:21:37,666 --> 00:21:39,041
- You got that?
862
00:21:39,125 --> 00:21:40,666
- Timbaland really
863
00:21:39,125 --> 00:21:40,666
pushed the envelope.
864
00:21:40,750 --> 00:21:43,458
It's very much black
865
00:21:40,750 --> 00:21:43,458
futuristic music.
866
00:21:43,458 --> 00:21:46,208
- ♪ Come on is it worth it
867
00:21:43,458 --> 00:21:46,208
let me work it ♪
868
00:21:46,291 --> 00:21:48,666
♪ I put my thing down flip it
869
00:21:46,291 --> 00:21:48,666
and reverse it ♪
870
00:21:48,750 --> 00:21:50,500
♪ Ti esrever dna ti pilf
871
00:21:48,750 --> 00:21:50,500
nwod gniht ym tup ♪
872
00:21:50,500 --> 00:21:53,791
- That music, a lot of it
873
00:21:50,500 --> 00:21:53,791
was space age driven.
874
00:21:53,875 --> 00:21:56,750
- ♪ I'm bringing sexy back
875
00:21:53,875 --> 00:21:56,750
yeah ♪
876
00:21:56,833 --> 00:21:58,166
♪ Them other... ♪
877
00:21:58,166 --> 00:21:59,833
♪ Don't know how to act ♪
878
00:21:59,833 --> 00:22:04,000
- Odd sounds that reflect his
879
00:21:59,833 --> 00:22:04,000
own inner ear vision.
880
00:22:04,000 --> 00:22:08,416
- ♪ I said it's too
881
00:22:04,000 --> 00:22:08,416
late to apologize ♪
882
00:22:08,500 --> 00:22:12,166
♪ It's too late ♪
883
00:22:12,250 --> 00:22:15,833
- Timbaland was a little more
884
00:22:12,250 --> 00:22:15,833
technologically dense
885
00:22:15,916 --> 00:22:20,000
and ethereal whereas Pharrell
886
00:22:15,916 --> 00:22:20,000
wasn't as out there.
887
00:22:20,000 --> 00:22:21,666
He did, like, dance tracks.
888
00:22:21,750 --> 00:22:25,333
- ♪ I said it's getting
889
00:22:21,750 --> 00:22:25,333
hot in here so hot ♪
890
00:22:25,333 --> 00:22:26,833
♪ So take off
891
00:22:25,333 --> 00:22:26,833
all your clothes ♪
892
00:22:26,916 --> 00:22:31,541
♪ I am getting so hot
893
00:22:26,916 --> 00:22:31,541
I wanna take my clothes off ♪
894
00:22:31,541 --> 00:22:33,041
- It was a little more gritty.
895
00:22:33,041 --> 00:22:36,916
It was very, very intricate
896
00:22:33,041 --> 00:22:36,916
but very rhythmically driven.
897
00:22:37,000 --> 00:22:38,708
- ♪ Uh-huh this my shit ♪
898
00:22:38,708 --> 00:22:40,708
♪ All the girls stomp
899
00:22:38,708 --> 00:22:40,708
your feet like this ♪
900
00:22:40,708 --> 00:22:43,916
- Pop stars figure out that you
901
00:22:40,708 --> 00:22:43,916
need hip-hop cred
902
00:22:44,000 --> 00:22:45,375
and you need
903
00:22:44,000 --> 00:22:45,375
a hip-hop producer.
904
00:22:45,458 --> 00:22:47,791
- ♪ 'Cause I ain't
905
00:22:45,458 --> 00:22:47,791
no holler back girl ♪
906
00:22:47,875 --> 00:22:49,375
♪ I ain't no holler back girl ♪
907
00:22:49,458 --> 00:22:51,250
- Most of the tracks made about
908
00:22:49,458 --> 00:22:51,250
the 2000s was that you had
909
00:22:51,333 --> 00:22:54,083
a grouping of hip-hop
910
00:22:51,333 --> 00:22:54,083
producers who were
911
00:22:54,166 --> 00:22:56,208
crossing over into
912
00:22:54,166 --> 00:22:56,208
topping pop charts.
913
00:22:56,208 --> 00:22:58,375
♪ ♪
914
00:22:58,375 --> 00:22:59,916
- Kanye is another one.
915
00:23:00,000 --> 00:23:01,750
You know, he's producing
916
00:23:00,000 --> 00:23:01,750
and working wity Jay-Z
917
00:23:01,833 --> 00:23:05,750
and Alicia Keys and Ludacris
918
00:23:01,833 --> 00:23:05,750
and Janet Jackson.
919
00:23:05,833 --> 00:23:08,875
But, you know, in there,
920
00:23:05,833 --> 00:23:08,875
he wants to be his own star.
921
00:23:08,958 --> 00:23:12,208
So he releases his first album,
922
00:23:08,958 --> 00:23:12,208
"The College Dropout."
923
00:23:12,208 --> 00:23:15,416
- Yo, G, they can't stop me
924
00:23:12,208 --> 00:23:15,416
from rapping, can they?
925
00:23:15,416 --> 00:23:18,166
- The first single for
926
00:23:15,416 --> 00:23:18,166
"College Dropout" was a song
927
00:23:18,250 --> 00:23:19,583
called "Through The Wire."
928
00:23:19,666 --> 00:23:21,250
- I spit it through
929
00:23:19,666 --> 00:23:21,250
the wire, man.
930
00:23:21,333 --> 00:23:23,458
- Kanye West gets into a car
931
00:23:21,333 --> 00:23:23,458
accident in Los Angeles,
932
00:23:23,458 --> 00:23:26,083
and in the hospital with
933
00:23:23,458 --> 00:23:26,083
his jaw wired shut,
934
00:23:26,083 --> 00:23:28,000
he records the song.
935
00:23:28,083 --> 00:23:30,750
- ♪ Yeah I drink a Boost
936
00:23:28,083 --> 00:23:30,750
for breakfast ♪
937
00:23:30,833 --> 00:23:32,416
♪ An Ensure for dessert ♪
938
00:23:32,416 --> 00:23:35,166
♪ Somebody order pancakes
939
00:23:32,416 --> 00:23:35,166
I just sip the sizzurp ♪
940
00:23:35,250 --> 00:23:37,458
- It is essentially just him
941
00:23:35,250 --> 00:23:37,458
rapping about how bad
942
00:23:37,458 --> 00:23:38,958
he wants to be a rapper.
943
00:23:39,041 --> 00:23:43,416
- God saved my life.
944
00:23:39,041 --> 00:23:43,416
So he has me here for a reason.
945
00:23:43,500 --> 00:23:46,083
- ♪ Jesus walks ♪
946
00:23:46,083 --> 00:23:49,416
- "College Dropout" was
947
00:23:46,083 --> 00:23:49,416
a cool first album.
948
00:23:49,416 --> 00:23:52,000
- ♪ I told her to drive over
949
00:23:49,416 --> 00:23:52,000
in your new whip ♪
950
00:23:52,083 --> 00:23:54,291
- There's some great
951
00:23:52,083 --> 00:23:54,291
singles on there,
952
00:23:54,375 --> 00:23:58,291
but "Late Registration" to me
953
00:23:54,375 --> 00:23:58,291
is when it all came together.
954
00:23:58,375 --> 00:23:59,666
That's an incredible record.
955
00:23:59,666 --> 00:24:02,000
- ♪ I got to testify ♪
956
00:24:02,000 --> 00:24:04,125
♪ Come up in this spot
957
00:24:02,000 --> 00:24:04,125
looking extra fly ♪
958
00:24:04,125 --> 00:24:06,833
- He did what the rock
959
00:24:04,125 --> 00:24:06,833
stars used to do,
960
00:24:06,833 --> 00:24:10,625
which was to indulge his
961
00:24:06,833 --> 00:24:10,625
narcissistic fantasies
962
00:24:10,708 --> 00:24:12,458
through the medium of music.
963
00:24:12,458 --> 00:24:15,833
- ♪ Before the day you die
964
00:24:12,458 --> 00:24:15,833
you're gonna touch the sky ♪
965
00:24:15,833 --> 00:24:18,000
♪ ♪
966
00:24:18,083 --> 00:24:19,708
- Rappers weren't
967
00:24:18,083 --> 00:24:19,708
really doing it.
968
00:24:19,791 --> 00:24:21,708
But musically
969
00:24:19,791 --> 00:24:21,708
it was brilliant.
970
00:24:21,791 --> 00:24:24,375
Look, what is the narrative
971
00:24:21,791 --> 00:24:24,375
of the 2000s?
972
00:24:24,458 --> 00:24:27,500
Well, it's the
973
00:24:24,458 --> 00:24:27,500
backpack-wearing dork
974
00:24:27,500 --> 00:24:30,791
like Mark Zuckerberg who
975
00:24:27,500 --> 00:24:30,791
becomes a billionaire.
976
00:24:30,875 --> 00:24:34,125
And Kanye West is the music
977
00:24:30,875 --> 00:24:34,125
industry version of that.
978
00:24:34,125 --> 00:24:37,833
- My greatest pain in life
979
00:24:34,125 --> 00:24:37,833
is I will never be able
980
00:24:37,833 --> 00:24:39,875
to see me perform.
981
00:24:39,958 --> 00:24:42,750
So you are welcome
982
00:24:39,958 --> 00:24:42,750
to know a pleasure
983
00:24:42,833 --> 00:24:44,375
that I will never have.
984
00:24:44,375 --> 00:24:45,708
- Kanye was a rock star.
985
00:24:45,791 --> 00:24:49,500
But he also makes it safe
986
00:24:45,791 --> 00:24:49,500
for rappers to be vulnerable.
987
00:24:49,583 --> 00:24:50,833
- It's positive rap.
988
00:24:50,916 --> 00:24:52,750
He's not cussing
989
00:24:50,916 --> 00:24:52,750
every other sentence.
990
00:24:52,833 --> 00:24:55,333
And he's not talking
991
00:24:52,833 --> 00:24:55,333
about shooting people up.
992
00:24:55,333 --> 00:24:56,875
He's talking about real things.
993
00:24:56,875 --> 00:25:00,541
- What Kanye does is sort of
994
00:24:56,875 --> 00:25:00,541
bringing a new generation
995
00:25:00,625 --> 00:25:03,416
of hip-hop figures, and you
996
00:25:00,625 --> 00:25:03,416
can see the difference
997
00:25:03,500 --> 00:25:04,416
going forward.
998
00:25:04,500 --> 00:25:05,541
♪ ♪
999
00:25:05,625 --> 00:25:09,875
- ♪ Uh I said I said
1000
00:25:05,625 --> 00:25:09,875
I said ♪
1001
00:25:09,875 --> 00:25:12,875
♪ Baby, you my everything
1002
00:25:09,875 --> 00:25:12,875
you all I ever wanted ♪
1003
00:25:12,958 --> 00:25:15,541
♪ We could do it real big
1004
00:25:12,958 --> 00:25:15,541
bigger than you ever done it ♪
1005
00:25:15,625 --> 00:25:18,000
- Drake took the Kanye West
1006
00:25:15,625 --> 00:25:18,000
blueprint.
1007
00:25:18,083 --> 00:25:22,083
"I'm gonna bare my soul
1008
00:25:18,083 --> 00:25:22,083
and my feelings on a record."
1009
00:25:22,166 --> 00:25:25,250
- ♪ Best I ever had
1010
00:25:22,166 --> 00:25:25,250
Best I ever had ♪
1011
00:25:25,250 --> 00:25:26,291
♪ Best I ever had ♪
1012
00:25:26,375 --> 00:25:27,791
- It wasn't just hip-hop.
1013
00:25:27,875 --> 00:25:30,208
You know, R&B had been
1014
00:25:27,875 --> 00:25:30,208
doing this for a long time
1015
00:25:30,291 --> 00:25:32,541
in a really kind
1016
00:25:30,291 --> 00:25:32,541
of personal way.
1017
00:25:32,625 --> 00:25:35,875
- ♪ These are my confessions
1018
00:25:32,625 --> 00:25:35,875
just when I thought I said ♪
1019
00:25:35,875 --> 00:25:38,375
♪ all I can say my chick
1020
00:25:35,875 --> 00:25:38,375
on the side said ♪
1021
00:25:38,458 --> 00:25:39,916
♪ She got one on the way ♪
1022
00:25:40,000 --> 00:25:44,041
- Usher's "Confessions" was
1023
00:25:40,000 --> 00:25:44,041
deeply personal and relatable.
1024
00:25:44,041 --> 00:25:45,791
He just laid it all out there.
1025
00:25:45,875 --> 00:25:48,708
- ♪ If I'm gonna tell it
1026
00:25:45,875 --> 00:25:48,708
then I gotta tell it all ♪
1027
00:25:48,791 --> 00:25:51,208
- He has the moves
1028
00:25:48,791 --> 00:25:51,208
and the style,
1029
00:25:51,208 --> 00:25:54,250
and I think that he is a big
1030
00:25:51,208 --> 00:25:54,250
hope for people at that time
1031
00:25:54,333 --> 00:25:56,916
that, like, "Here's a brother
1032
00:25:54,333 --> 00:25:56,916
that's really doing it."
1033
00:25:56,916 --> 00:26:01,208
- ♪ I think that you
1034
00:25:56,916 --> 00:26:01,208
should let it burn ♪
1035
00:26:01,208 --> 00:26:04,125
- We had Trey Songz
1036
00:26:01,208 --> 00:26:04,125
and Chris Brown and Usher,
1037
00:26:04,208 --> 00:26:07,250
but the superstars
1038
00:26:04,208 --> 00:26:07,250
of R&B are the women.
1039
00:26:07,250 --> 00:26:08,625
Absolutely.
1040
00:26:08,708 --> 00:26:11,500
- ♪ I keep on falling ♪
1041
00:26:11,583 --> 00:26:13,458
♪ In and out ♪
1042
00:26:13,458 --> 00:26:16,583
♪ Of love with you ♪
1043
00:26:16,583 --> 00:26:20,166
- Alicia Keys, uber talent.
1044
00:26:16,583 --> 00:26:20,166
Ub--Oh, my God.
1045
00:26:20,250 --> 00:26:22,333
Sings, composes,
1046
00:26:20,250 --> 00:26:22,333
and plays?
1047
00:26:24,041 --> 00:26:26,083
Oh, she's a total package.
1048
00:26:26,166 --> 00:26:32,291
- ♪ No one, no one, no one ♪
1049
00:26:32,375 --> 00:26:36,083
♪ Can get in the way
1050
00:26:32,375 --> 00:26:36,083
of what I'm feeling ♪
1051
00:26:36,166 --> 00:26:38,666
- Later R&B becomes
1052
00:26:36,166 --> 00:26:38,666
much more rhythmic.
1053
00:26:38,750 --> 00:26:41,958
They're not written as flowing
1054
00:26:38,750 --> 00:26:41,958
as the traditional R&B song.
1055
00:26:42,041 --> 00:26:44,458
- ♪ All the single ladies
1056
00:26:42,041 --> 00:26:44,458
all the single ladies ♪
1057
00:26:44,541 --> 00:26:47,333
- And Beyoncé understood
1058
00:26:44,541 --> 00:26:47,333
better than anybody
1059
00:26:47,416 --> 00:26:50,958
how to make R&B
1060
00:26:47,416 --> 00:26:50,958
for a hip-hop generation.
1061
00:26:50,958 --> 00:26:52,125
- ♪ Now put your hands up ♪
1062
00:26:52,208 --> 00:26:53,708
♪ Up in the club ♪
1063
00:26:53,791 --> 00:26:55,625
- I think everyone remembers
1064
00:26:53,791 --> 00:26:55,625
where they were when they
1065
00:26:55,708 --> 00:26:57,333
first saw the "Single Ladies"
1066
00:26:55,708 --> 00:26:57,333
video.
1067
00:26:57,333 --> 00:26:58,666
You know, it was like,
1068
00:26:57,333 --> 00:26:58,666
"Oh, my God,
1069
00:26:58,750 --> 00:27:00,791
how do I learn the dance?
1070
00:26:58,750 --> 00:27:00,791
I can't learn it fast enough."
1071
00:27:00,875 --> 00:27:01,958
- Up with the shoulders.
1072
00:27:00,875 --> 00:27:01,958
- Yep.
1073
00:27:01,958 --> 00:27:03,375
- You kinda--kinda
1074
00:27:01,958 --> 00:27:03,375
pop it a little bit.
1075
00:27:03,458 --> 00:27:04,708
- Pop it, oh yeah.
1076
00:27:03,458 --> 00:27:04,708
- Yeah.
1077
00:27:04,791 --> 00:27:07,333
- Okay, pop it.
1078
00:27:04,791 --> 00:27:07,333
- And then you bring your hand.
1079
00:27:07,416 --> 00:27:08,333
- Okay.
1080
00:27:07,416 --> 00:27:08,333
- Make it real staccato.
1081
00:27:08,416 --> 00:27:09,833
Like, stick it.
1082
00:27:09,916 --> 00:27:11,625
♪ If you like it then you
1083
00:27:09,916 --> 00:27:11,625
should have put a ring on it ♪
1084
00:27:11,625 --> 00:27:14,125
♪ Oh, oh, oh, oh, oh, oh ♪
1085
00:27:14,125 --> 00:27:17,125
- You know, she was a woman
1086
00:27:14,125 --> 00:27:17,125
speaking for other women,
1087
00:27:17,125 --> 00:27:19,041
and that was so welcome.
1088
00:27:19,125 --> 00:27:21,625
- ♪ It goes one by one
1089
00:27:19,125 --> 00:27:21,625
even two by two ♪
1090
00:27:21,625 --> 00:27:23,958
♪ Everybody in the floor
1091
00:27:21,625 --> 00:27:23,958
let me show you how we do ♪
1092
00:27:24,041 --> 00:27:26,500
- Rihanna comes along
1093
00:27:24,041 --> 00:27:26,500
and she's much more R&B
1094
00:27:26,500 --> 00:27:27,791
than she is pop.
1095
00:27:27,875 --> 00:27:30,041
She's got this sort of
1096
00:27:27,875 --> 00:27:30,041
Caribbean feel in her music.
1097
00:27:30,041 --> 00:27:32,208
And there's something
1098
00:27:30,041 --> 00:27:32,208
really fresh about her.
1099
00:27:32,208 --> 00:27:35,875
- ♪ It's a thief in the night
1100
00:27:32,208 --> 00:27:35,875
to come and grab you ♪
1101
00:27:35,875 --> 00:27:39,416
♪ It can creep up inside you
1102
00:27:35,875 --> 00:27:39,416
and consume you ♪
1103
00:27:39,500 --> 00:27:41,375
- Rihanna had this incredibly
1104
00:27:39,500 --> 00:27:41,375
ambitious idea
1105
00:27:41,458 --> 00:27:42,666
of what pop music was...
1106
00:27:42,750 --> 00:27:46,375
- ♪ Disturbia ain't used
1107
00:27:42,750 --> 00:27:46,375
to what you like ♪
1108
00:27:46,458 --> 00:27:50,916
- And kept redefining herself
1109
00:27:46,458 --> 00:27:50,916
as the edgiest, nastiest,
1110
00:27:51,000 --> 00:27:52,916
most sophisticated
1111
00:27:51,000 --> 00:27:52,916
pop star out there.
1112
00:27:53,000 --> 00:27:55,583
- ♪ Now that it's raining
1113
00:27:53,000 --> 00:27:55,583
more than ever ♪
1114
00:27:55,666 --> 00:27:58,416
♪ Know that we'll still
1115
00:27:55,666 --> 00:27:58,416
have each other ♪
1116
00:27:58,500 --> 00:28:01,208
♪ You can stand under
1117
00:27:58,500 --> 00:28:01,208
my umbrella ♪
1118
00:28:01,291 --> 00:28:02,666
- "Umbrella."
1119
00:28:02,750 --> 00:28:04,708
I mean, I don't think there's
1120
00:28:02,750 --> 00:28:04,708
probably a person
1121
00:28:04,791 --> 00:28:07,875
in the whole world that doesn't
1122
00:28:04,791 --> 00:28:07,875
know that song and wasn't
1123
00:28:07,958 --> 00:28:11,125
walking around going,
1124
00:28:07,958 --> 00:28:11,125
"Eh, eh, eh," for, like,
1125
00:28:11,208 --> 00:28:12,416
months at a time.
1126
00:28:12,416 --> 00:28:14,750
- ♪ You can stand
1127
00:28:12,416 --> 00:28:14,750
under my umbrella ♪
1128
00:28:14,833 --> 00:28:18,250
♪ Ella, ella, eh, eh, eh ♪
1129
00:28:18,250 --> 00:28:20,375
- And so towards the end
1130
00:28:18,250 --> 00:28:20,375
of the decade
1131
00:28:20,458 --> 00:28:23,375
with artists like Rihanna,
1132
00:28:20,458 --> 00:28:23,375
the danceable riffs of hip-hop
1133
00:28:23,458 --> 00:28:27,625
bled into R&B and pop,
1134
00:28:23,458 --> 00:28:27,625
and hip-hop became bigger
1135
00:28:27,708 --> 00:28:28,625
and bigger and bigger.
1136
00:28:28,708 --> 00:28:30,083
- ♪ My umbrella ♪
1137
00:28:30,166 --> 00:28:31,291
- It became pop.
1138
00:28:31,375 --> 00:28:33,083
- ♪ Eh, eh ♪
1139
00:28:33,083 --> 00:28:34,166
[cheers and applause]
1140
00:28:34,833 --> 00:28:36,750
[rock music]
1141
00:28:36,833 --> 00:28:39,000
- All through the '90s if you
1142
00:28:36,833 --> 00:28:39,000
were a band from New York,
1143
00:28:39,083 --> 00:28:40,916
you could count on getting
1144
00:28:39,083 --> 00:28:40,916
laughed out of the room
1145
00:28:40,916 --> 00:28:42,583
pretty much anywhere
1146
00:28:40,916 --> 00:28:42,583
else in the country.
1147
00:28:42,583 --> 00:28:45,333
- New York was just a place
1148
00:28:42,583 --> 00:28:45,333
where rock and roll was thought
1149
00:28:45,416 --> 00:28:47,958
of as dead.
1150
00:28:47,958 --> 00:28:49,916
- In the 2000s, the
1151
00:28:47,958 --> 00:28:49,916
predominant music generally
1152
00:28:50,000 --> 00:28:51,875
is hip-hop, and that's
1153
00:28:50,000 --> 00:28:51,875
the case in New York.
1154
00:28:51,958 --> 00:28:53,500
No one's thinking about
1155
00:28:51,958 --> 00:28:53,500
New York as the center
1156
00:28:53,583 --> 00:28:55,458
for interesting rock
1157
00:28:53,583 --> 00:28:55,458
music anymore.
1158
00:28:55,458 --> 00:28:58,125
But after 9/11,
1159
00:28:55,458 --> 00:28:58,125
we've had all these bands
1160
00:28:58,208 --> 00:29:00,166
who were kind of bubbling
1161
00:28:58,208 --> 00:29:00,166
beneath the surface
1162
00:29:00,166 --> 00:29:02,666
who start popping up and it
1163
00:29:00,166 --> 00:29:02,666
really starts with the Strokes.
1164
00:29:02,666 --> 00:29:07,041
- ♪ Last night she said ♪
1165
00:29:07,125 --> 00:29:11,208
♪ Oh baby I feel so down
1166
00:29:07,125 --> 00:29:11,208
it turn me off ♪
1167
00:29:11,291 --> 00:29:13,625
- After 9/11,
1168
00:29:11,291 --> 00:29:13,625
the city was burning.
1169
00:29:13,625 --> 00:29:14,625
It was smoldering.
1170
00:29:14,708 --> 00:29:17,291
- ♪ So I, I turned around ♪
1171
00:29:17,291 --> 00:29:20,625
- Vulnerability, anxiety,
1172
00:29:17,291 --> 00:29:20,625
all this became how
1173
00:29:20,625 --> 00:29:21,833
the country felt.
1174
00:29:21,833 --> 00:29:23,375
We needed that sense
1175
00:29:21,833 --> 00:29:23,375
of defiance,
1176
00:29:23,458 --> 00:29:26,166
that hubristic sense
1177
00:29:23,458 --> 00:29:26,166
of possibility and promise
1178
00:29:26,166 --> 00:29:27,833
that young kids and bands
1179
00:29:26,166 --> 00:29:27,833
can deliver.
1180
00:29:27,916 --> 00:29:30,000
- Right now they're the most
1181
00:29:27,916 --> 00:29:30,000
important band in the world
1182
00:29:30,000 --> 00:29:32,958
for what they may inspire
1183
00:29:30,000 --> 00:29:32,958
other people to do.
1184
00:29:33,083 --> 00:29:35,500
- ♪ Last night ♪
1185
00:29:35,500 --> 00:29:38,208
- Much in the same way that
1186
00:29:35,500 --> 00:29:38,208
Nirvana was the spearhead
1187
00:29:38,208 --> 00:29:42,375
for grunge in the '90s,
1188
00:29:38,208 --> 00:29:42,375
The Strokes really
1189
00:29:42,375 --> 00:29:45,583
helped usher in
1190
00:29:42,375 --> 00:29:45,583
a lot of other acts.
1191
00:29:45,666 --> 00:29:47,666
- ♪ But she can read
1192
00:29:45,666 --> 00:29:47,666
she can read ♪
1193
00:29:47,750 --> 00:29:50,666
♪ She can read
1194
00:29:47,750 --> 00:29:50,666
she can read she's bad ♪
1195
00:29:50,750 --> 00:29:52,500
♪ She can read
1196
00:29:50,750 --> 00:29:52,500
she can read ♪
1197
00:29:52,500 --> 00:29:54,833
♪ She can read
1198
00:29:52,500 --> 00:29:54,833
she's bad ♪
1199
00:29:54,916 --> 00:29:57,708
- The first ones to break
1200
00:29:54,916 --> 00:29:57,708
after The Strokes in terms
1201
00:29:57,708 --> 00:30:01,916
of New York artists is Interpol
1202
00:29:57,708 --> 00:30:01,916
and Yeah Yeah Yeahs.
1203
00:30:02,000 --> 00:30:03,666
- These are strange people.
1204
00:30:03,750 --> 00:30:06,208
They're counter cultural
1205
00:30:03,750 --> 00:30:06,208
by nature.
1206
00:30:06,291 --> 00:30:10,833
Karen O, she's this violent
1207
00:30:06,291 --> 00:30:10,833
swaggering rock boy
1208
00:30:10,916 --> 00:30:14,500
and this heartbroken
1209
00:30:10,916 --> 00:30:14,500
teary rock girl.
1210
00:30:14,583 --> 00:30:18,208
- ♪ Pack up
1211
00:30:14,583 --> 00:30:18,208
I'm strayed ♪
1212
00:30:18,291 --> 00:30:21,416
- And "Maps" is one of those
1213
00:30:18,291 --> 00:30:21,416
tracks that launched 1,000
1214
00:30:21,500 --> 00:30:23,916
young female singers
1215
00:30:21,500 --> 00:30:23,916
in their bedroom somewhere.
1216
00:30:23,916 --> 00:30:27,541
- ♪ Wait they don't love you
1217
00:30:23,916 --> 00:30:27,541
like I love you ♪
1218
00:30:27,541 --> 00:30:31,583
♪ Wait they don't
1219
00:30:27,541 --> 00:30:31,583
love you like I love you ♪
1220
00:30:31,583 --> 00:30:33,041
♪ Maps ♪
1221
00:30:33,125 --> 00:30:35,750
- So you have this
1222
00:30:33,125 --> 00:30:35,750
resurgence of rock,
1223
00:30:35,750 --> 00:30:38,291
but also this resurgence
1224
00:30:35,750 --> 00:30:38,291
of Brooklyn and indie music.
1225
00:30:38,375 --> 00:30:40,708
♪ My mind has changed
1226
00:30:38,375 --> 00:30:40,708
my body's frame ♪
1227
00:30:40,791 --> 00:30:43,541
♪ But God I like it ♪
1228
00:30:43,541 --> 00:30:46,083
♪ My heart's aflame
1229
00:30:43,541 --> 00:30:46,083
my body's strained ♪
1230
00:30:46,166 --> 00:30:48,250
♪ But God I like it ♪
1231
00:30:48,250 --> 00:30:50,583
- TV on the Radio,
1232
00:30:48,250 --> 00:30:50,583
they were a multi-ethnic,
1233
00:30:50,666 --> 00:30:53,375
multi-racial band coming out
1234
00:30:50,666 --> 00:30:53,375
of the Brooklyn rock scene.
1235
00:30:53,375 --> 00:30:54,875
You know, they were
1236
00:30:53,375 --> 00:30:54,875
scholars of music.
1237
00:30:54,875 --> 00:30:59,583
- ♪ I know it's strange another
1238
00:30:54,875 --> 00:30:59,583
way to get to know you ♪
1239
00:30:59,666 --> 00:31:04,958
♪ You'll never know unless
1240
00:30:59,666 --> 00:31:04,958
we go so let me show you ♪
1241
00:31:04,958 --> 00:31:08,458
- They made very proggy
1242
00:31:04,958 --> 00:31:08,458
but also very punky rock
1243
00:31:08,458 --> 00:31:10,416
that sounded like nothing else
1244
00:31:08,458 --> 00:31:10,416
that had ever been done.
1245
00:31:10,416 --> 00:31:11,583
- ♪ Ow, ow ♪
1246
00:31:11,583 --> 00:31:14,583
♪ ♪
1247
00:31:14,583 --> 00:31:18,333
♪ Daft Punk is playing
1248
00:31:14,583 --> 00:31:18,333
at my house my house ♪
1249
00:31:18,416 --> 00:31:21,916
- LCD Soundsystem is maybe
1250
00:31:18,416 --> 00:31:21,916
the most Brooklyn band
1251
00:31:21,916 --> 00:31:23,916
that has ever emerged
1252
00:31:21,916 --> 00:31:23,916
from Brooklyn.
1253
00:31:23,916 --> 00:31:25,791
- ♪ I'll show you
1254
00:31:23,916 --> 00:31:25,791
the ropes kid ♪
1255
00:31:25,791 --> 00:31:27,916
- They were a huge success
1256
00:31:25,791 --> 00:31:27,916
partly because
1257
00:31:28,000 --> 00:31:31,833
of James Murphy's ability
1258
00:31:28,000 --> 00:31:31,833
to make pristine electronic
1259
00:31:31,916 --> 00:31:33,958
music that still had
1260
00:31:31,916 --> 00:31:33,958
a soul in it.
1261
00:31:33,958 --> 00:31:36,916
- ♪ Where are your
1262
00:31:33,958 --> 00:31:36,916
friends tonight ♪
1263
00:31:37,000 --> 00:31:39,625
♪ Where are your
1264
00:31:37,000 --> 00:31:39,625
friends tonight ♪
1265
00:31:39,625 --> 00:31:44,500
- What you start to see is not
1266
00:31:39,625 --> 00:31:44,500
a genre of music or a trend.
1267
00:31:44,583 --> 00:31:45,958
It's a scene.
1268
00:31:45,958 --> 00:31:49,291
♪ ♪
1269
00:31:49,375 --> 00:31:51,041
And though they were
1270
00:31:49,375 --> 00:31:51,041
not a New York band,
1271
00:31:51,125 --> 00:31:53,958
Arcade Fire seem connected
1272
00:31:51,125 --> 00:31:53,958
spiritually to that moment.
1273
00:31:54,041 --> 00:31:59,666
- ♪ Children wake up ♪
1274
00:31:59,750 --> 00:32:01,166
♪ ♪
1275
00:32:01,250 --> 00:32:06,541
♪ Hold your mistake up ♪
1276
00:32:06,625 --> 00:32:09,958
- Arcade Fire was this big
1277
00:32:06,625 --> 00:32:09,958
anthemic rock band
1278
00:32:09,958 --> 00:32:12,166
that, you know, made these
1279
00:32:09,958 --> 00:32:12,166
songs that you just wanted
1280
00:32:12,250 --> 00:32:13,625
to holler along with.
1281
00:32:13,708 --> 00:32:20,791
- ♪ I guess we'll
1282
00:32:13,708 --> 00:32:20,791
just have to adjust ♪
1283
00:32:22,083 --> 00:32:24,166
- And to me it felt like
1284
00:32:22,083 --> 00:32:24,166
the moment that indie rock
1285
00:32:24,250 --> 00:32:26,333
crossed over into
1286
00:32:24,250 --> 00:32:26,333
something bigger.
1287
00:32:26,416 --> 00:32:32,333
- ♪ Holiday oh holiday
1288
00:32:26,416 --> 00:32:32,333
and the best one of the year ♪
1289
00:32:32,333 --> 00:32:35,583
- It's the first time that you
1290
00:32:32,333 --> 00:32:35,583
had indie bands soundtracking
1291
00:32:35,666 --> 00:32:39,083
commercials for mainstream
1292
00:32:35,666 --> 00:32:39,083
multinational products,
1293
00:32:39,166 --> 00:32:41,750
in part because everyone
1294
00:32:39,166 --> 00:32:41,750
is trying to figure out,
1295
00:32:41,833 --> 00:32:45,208
"How do I make money now that
1296
00:32:41,833 --> 00:32:45,208
no one will pay for my albums?"
1297
00:32:45,291 --> 00:32:47,208
- ♪ So one to three take
1298
00:32:45,291 --> 00:32:47,208
my hand and come with me ♪
1299
00:32:47,291 --> 00:32:49,833
♪ Because you look so fine that
1300
00:32:47,291 --> 00:32:49,833
I really wanna make you mine ♪
1301
00:32:49,916 --> 00:32:52,916
- You know, historically
1302
00:32:49,916 --> 00:32:52,916
there'd been some wariness
1303
00:32:53,000 --> 00:32:55,208
about selling your music
1304
00:32:53,000 --> 00:32:55,208
to advertisers.
1305
00:32:55,291 --> 00:32:56,708
It was seen as selling out.
1306
00:32:56,708 --> 00:32:59,000
In the 2000s,
1307
00:32:56,708 --> 00:32:59,000
that totally disappeared.
1308
00:32:59,000 --> 00:33:02,916
- ♪ Ride with me
1309
00:32:59,000 --> 00:33:02,916
Ride with me ♪
1310
00:33:02,916 --> 00:33:06,375
- There's all these songs that
1311
00:33:02,916 --> 00:33:06,375
became iconic primarily through
1312
00:33:06,375 --> 00:33:08,375
their use in iPod commercials.
1313
00:33:08,375 --> 00:33:12,541
- ♪ One two three four
1314
00:33:08,375 --> 00:33:12,541
tell me that you love me more ♪
1315
00:33:12,625 --> 00:33:15,916
- Now indie culture was cool
1316
00:33:12,625 --> 00:33:15,916
and you could market yourself
1317
00:33:15,916 --> 00:33:19,041
as part of this new global
1318
00:33:15,916 --> 00:33:19,041
indie community.
1319
00:33:19,041 --> 00:33:26,083
- ♪ Glamorous indie rock
1320
00:33:19,041 --> 00:33:26,083
and roll is what I want ♪
1321
00:33:26,708 --> 00:33:29,416
- You get The Killers
1322
00:33:26,708 --> 00:33:29,416
or you get Kings of Leon.
1323
00:33:29,416 --> 00:33:36,208
- ♪ 18 balding ♪
1324
00:33:36,291 --> 00:33:37,875
♪ Star ♪
1325
00:33:37,875 --> 00:33:39,750
- And of course
1326
00:33:37,875 --> 00:33:39,750
the White Stripes.
1327
00:33:39,833 --> 00:33:42,416
♪ ♪
1328
00:33:42,416 --> 00:33:46,500
- They all step into the role
1329
00:33:42,416 --> 00:33:46,500
of capital R rock star.
1330
00:33:46,583 --> 00:33:49,416
- ♪ I'm gonna fight them off ♪
1331
00:33:49,416 --> 00:33:53,125
♪ A seven nation army
1332
00:33:49,416 --> 00:33:53,125
couldn't hold me back ♪
1333
00:33:53,125 --> 00:33:55,750
- People thought The Strokes
1334
00:33:53,125 --> 00:33:55,750
were gonna save rock.
1335
00:33:55,750 --> 00:33:58,333
You felt that there was going
1336
00:33:55,750 --> 00:33:58,333
to be a movement forward.
1337
00:33:58,416 --> 00:34:00,250
And for a while,
1338
00:33:58,416 --> 00:34:00,250
it worked.
1339
00:34:00,333 --> 00:34:02,791
But ultimately it didn't
1340
00:34:00,333 --> 00:34:02,791
really change
1341
00:34:02,875 --> 00:34:04,291
the musical landscape.
1342
00:34:04,291 --> 00:34:07,000
You can probably say the
1343
00:34:04,291 --> 00:34:07,000
White Stripes or Arcade Fire
1344
00:34:07,083 --> 00:34:11,750
are the last really big rock
1345
00:34:07,083 --> 00:34:11,750
band in the classical sense.
1346
00:34:11,750 --> 00:34:16,291
- ♪ And the stains coming from
1347
00:34:11,750 --> 00:34:16,291
my blood tell me go back home ♪
1348
00:34:16,291 --> 00:34:18,125
♪ ♪
1349
00:34:18,125 --> 00:34:19,458
- So, what happened?
1350
00:34:19,458 --> 00:34:21,791
In the early 2000s,
1351
00:34:19,458 --> 00:34:21,791
the electric guitar
1352
00:34:21,875 --> 00:34:25,333
started to be replaced by
1353
00:34:21,875 --> 00:34:25,333
the song sequencing software.
1354
00:34:25,333 --> 00:34:29,000
And you started to see the
1355
00:34:25,333 --> 00:34:29,000
future is not rock music.
1356
00:34:29,000 --> 00:34:31,833
The groundbreaking artist who
1357
00:34:29,000 --> 00:34:31,833
is gonna completely change
1358
00:34:31,916 --> 00:34:34,833
what we think good music
1359
00:34:31,916 --> 00:34:34,833
sounds like is not gonna be
1360
00:34:34,916 --> 00:34:36,333
playing an electric guitar.
1361
00:34:36,416 --> 00:34:43,458
♪ ♪
1362
00:34:45,125 --> 00:34:48,041
[Lady Gaga's "Poker Face"]
1363
00:34:48,125 --> 00:34:49,750
♪ ♪
1364
00:34:49,750 --> 00:34:52,125
- If we started the decade
1365
00:34:49,750 --> 00:34:52,125
with boy bands,
1366
00:34:52,208 --> 00:34:56,125
we end the decade with solo
1367
00:34:52,208 --> 00:34:56,125
women ruling the pop world.
1368
00:34:56,208 --> 00:34:59,541
And Lady Gaga is
1369
00:34:56,208 --> 00:34:59,541
at the height of her power.
1370
00:34:59,625 --> 00:35:02,750
- ♪ Can't read my can't read my
1371
00:34:59,625 --> 00:35:02,750
no he can't read ♪
1372
00:35:02,833 --> 00:35:05,416
♪ My poker face ♪
1373
00:35:05,500 --> 00:35:06,958
♪ She's got me like nobody ♪
1374
00:35:07,083 --> 00:35:09,833
- Listening to something like
1375
00:35:07,083 --> 00:35:09,833
"Poker Face" or "Bad Romance,"
1376
00:35:09,916 --> 00:35:11,833
you can tell that she was
1377
00:35:09,916 --> 00:35:11,833
a student of Roxy Music.
1378
00:35:11,916 --> 00:35:13,291
She was a student of disco.
1379
00:35:13,375 --> 00:35:14,958
She was a student
1380
00:35:13,375 --> 00:35:14,958
of the drag balls.
1381
00:35:14,958 --> 00:35:17,791
She was someone who wanted
1382
00:35:14,958 --> 00:35:17,791
to combine all those elements
1383
00:35:17,875 --> 00:35:20,750
into really aggressive
1384
00:35:17,875 --> 00:35:20,750
hard hitting pop music.
1385
00:35:20,833 --> 00:35:23,791
- ♪ I want your love and all
1386
00:35:20,833 --> 00:35:23,791
your lovers revenge ♪
1387
00:35:23,875 --> 00:35:27,500
♪ You and me could write
1388
00:35:23,875 --> 00:35:27,500
a bad romance ♪
1389
00:35:27,583 --> 00:35:30,791
- Suddenly it was no longer
1390
00:35:27,583 --> 00:35:30,791
enough to wear a pretty gown
1391
00:35:30,875 --> 00:35:32,250
on the red carpet.
1392
00:35:32,333 --> 00:35:35,291
You had to make art.
1393
00:35:32,333 --> 00:35:35,291
You had to make a statement.
1394
00:35:35,375 --> 00:35:39,791
- You asked me if my music was
1395
00:35:35,375 --> 00:35:39,791
distracted by my sexuality.
1396
00:35:39,875 --> 00:35:42,500
If I was a guy and I was
1397
00:35:39,875 --> 00:35:42,500
sitting here with a cigarette
1398
00:35:42,583 --> 00:35:44,583
in my hand and grabbing
1399
00:35:42,583 --> 00:35:44,583
my crotch and talking about
1400
00:35:44,583 --> 00:35:50,291
how I make music because I love
1401
00:35:44,583 --> 00:35:50,291
fast cars and [bleep]ing girls,
1402
00:35:50,375 --> 00:35:51,791
you'd call me a rock star.
1403
00:35:51,875 --> 00:35:54,791
- Lady Gaga is a female
1404
00:35:51,875 --> 00:35:54,791
empowerment role model.
1405
00:35:54,875 --> 00:35:58,708
And this is just the beginning
1406
00:35:54,875 --> 00:35:58,708
of girls running the world.
1407
00:35:58,791 --> 00:36:02,541
- ♪ Baby you're a firework ♪
1408
00:36:02,625 --> 00:36:06,291
♪ Come on let your
1409
00:36:02,625 --> 00:36:06,291
colors burst ♪
1410
00:36:06,291 --> 00:36:08,666
- We have Katy Perry,
1411
00:36:06,291 --> 00:36:08,666
Shakira...
1412
00:36:08,750 --> 00:36:10,958
- ♪ She wolf in the closet ♪
1413
00:36:10,958 --> 00:36:11,958
- Nicki Minaj...
1414
00:36:11,958 --> 00:36:13,166
♪ ♪
1415
00:36:13,250 --> 00:36:16,500
You have Taylor Swift
1416
00:36:13,250 --> 00:36:16,500
just coming into her own.
1417
00:36:16,583 --> 00:36:20,833
- ♪ Walking the streets with
1418
00:36:16,583 --> 00:36:20,833
you and your worn out jeans ♪
1419
00:36:20,833 --> 00:36:22,625
- Taylor Swift
1420
00:36:20,833 --> 00:36:22,625
is a song writer,
1421
00:36:22,708 --> 00:36:25,458
and at an impossibly
1422
00:36:22,708 --> 00:36:25,458
early age,
1423
00:36:25,541 --> 00:36:29,000
she comes up with what might
1424
00:36:25,541 --> 00:36:29,000
be the single of the decade.
1425
00:36:29,083 --> 00:36:30,708
"You Belong With Me."
1426
00:36:30,708 --> 00:36:34,708
- ♪ If you could see that I'm
1427
00:36:30,708 --> 00:36:34,708
the one who understands you ♪
1428
00:36:34,708 --> 00:36:38,875
- And that just straps
1429
00:36:34,708 --> 00:36:38,875
her career to a rocket.
1430
00:36:38,958 --> 00:36:44,875
♪ Maybe you belong with me ♪
1431
00:36:44,958 --> 00:36:46,833
♪ You belong with me ♪
1432
00:36:46,916 --> 00:36:48,541
- We saw someone like
1433
00:36:46,916 --> 00:36:48,541
Taylor Swift
1434
00:36:48,625 --> 00:36:51,208
become a huge sensation
1435
00:36:48,625 --> 00:36:51,208
because of her MySpace page
1436
00:36:51,208 --> 00:36:53,750
posting her music on her page,
1437
00:36:51,208 --> 00:36:53,750
and look where she is now.
1438
00:36:53,833 --> 00:36:55,208
It's pretty incredible.
1439
00:36:55,291 --> 00:36:57,833
- By the end of that decade,
1440
00:36:55,291 --> 00:36:57,833
artists would make their own
1441
00:36:57,916 --> 00:37:00,833
music and put it up on MySpace,
1442
00:36:57,916 --> 00:37:00,833
and all the sudden
1443
00:37:00,833 --> 00:37:02,333
you can have a career.
1444
00:37:02,416 --> 00:37:04,208
- In the Internet
1445
00:37:02,416 --> 00:37:04,208
age it's become
1446
00:37:04,208 --> 00:37:06,333
a do-it-yourself operation.
1447
00:37:06,416 --> 00:37:10,333
Hang your star on YouTube and
1448
00:37:06,416 --> 00:37:10,333
see how brightly it shines.
1449
00:37:10,416 --> 00:37:13,750
- ♪ Cry me a river ♪
1450
00:37:13,750 --> 00:37:16,291
♪ Cry me a river ♪
1451
00:37:16,375 --> 00:37:19,083
- Justin Bieber was the first
1452
00:37:16,375 --> 00:37:19,083
of the YouTube kids.
1453
00:37:19,166 --> 00:37:22,208
He was using the new tools
1454
00:37:19,166 --> 00:37:22,208
of the Internet to really
1455
00:37:22,291 --> 00:37:24,375
do an edge run around
1456
00:37:22,291 --> 00:37:24,375
the traditional industry.
1457
00:37:24,458 --> 00:37:28,583
- ♪ And I was like baby,
1458
00:37:24,458 --> 00:37:28,583
baby, baby oh ♪
1459
00:37:28,666 --> 00:37:31,708
♪ Like baby, baby, baby no ♪
1460
00:37:31,791 --> 00:37:34,416
- In the 2000s, the music
1461
00:37:31,791 --> 00:37:34,416
industry was undergoing
1462
00:37:34,416 --> 00:37:37,875
a massive shift with all
1463
00:37:34,416 --> 00:37:37,875
the technological change
1464
00:37:37,958 --> 00:37:41,583
and the fact that the price
1465
00:37:37,958 --> 00:37:41,583
of music had effectively
1466
00:37:41,583 --> 00:37:43,250
been ground down to zero.
1467
00:37:43,250 --> 00:37:46,041
- I'm standing outside where
1468
00:37:43,250 --> 00:37:46,041
I used to buy my CDs--
1469
00:37:46,041 --> 00:37:48,750
a store that is now shuttered
1470
00:37:46,041 --> 00:37:48,750
and shut down as you can tell--
1471
00:37:48,750 --> 00:37:51,625
like so many other music
1472
00:37:48,750 --> 00:37:51,625
stores across the country.
1473
00:37:51,708 --> 00:37:53,125
[dramatic music]
1474
00:37:53,208 --> 00:37:56,333
- By the end of the decade,
1475
00:37:53,208 --> 00:37:56,333
the music business was falling
1476
00:37:56,416 --> 00:37:57,500
off a cliff.
1477
00:37:57,583 --> 00:38:00,291
It seemed like all
1478
00:37:57,583 --> 00:38:00,291
of it was gone,
1479
00:38:00,291 --> 00:38:02,625
reduced to rubble.
1480
00:38:02,625 --> 00:38:05,666
- The shuttering this weekend
1481
00:38:02,625 --> 00:38:05,666
of Virgin's last two stores
1482
00:38:05,750 --> 00:38:08,291
in Manhattan and Hollywood
1483
00:38:05,750 --> 00:38:08,291
marks the death
1484
00:38:08,291 --> 00:38:11,750
of a once booming chain
1485
00:38:08,291 --> 00:38:11,750
and another nail in the coffin
1486
00:38:11,833 --> 00:38:13,458
of the music CD.
1487
00:38:13,458 --> 00:38:16,583
- By the mid-2000s,
1488
00:38:13,458 --> 00:38:16,583
music labels realized
1489
00:38:16,666 --> 00:38:20,125
that YouTube, MySpace,
1490
00:38:16,666 --> 00:38:20,125
and file sharing software
1491
00:38:20,208 --> 00:38:22,416
was the way people were
1492
00:38:20,208 --> 00:38:22,416
discovering new music.
1493
00:38:22,416 --> 00:38:23,916
So what do you do?
1494
00:38:23,916 --> 00:38:27,625
You get all of the people that
1495
00:38:23,916 --> 00:38:27,625
you've heard online together
1496
00:38:27,625 --> 00:38:30,625
in one act and you charge
1497
00:38:27,625 --> 00:38:30,625
130 bucks to see it.
1498
00:38:30,625 --> 00:38:32,625
And this proved to be a very
1499
00:38:30,625 --> 00:38:32,625
successful model.
1500
00:38:32,625 --> 00:38:33,916
♪ ♪
1501
00:38:33,916 --> 00:38:40,166
- ♪ Waking up feeling good
1502
00:38:33,916 --> 00:38:40,166
and limber ♪
1503
00:38:40,250 --> 00:38:43,041
- The one that really set it
1504
00:38:40,250 --> 00:38:43,041
off was Bonnaroo
1505
00:38:43,125 --> 00:38:44,375
and then Coachella.
1506
00:38:44,458 --> 00:38:46,333
- So you came here
1507
00:38:44,458 --> 00:38:46,333
from England...
1508
00:38:46,333 --> 00:38:47,458
- Yeah.
1509
00:38:46,333 --> 00:38:47,458
- For this?
1510
00:38:47,541 --> 00:38:48,625
- For the festival, yeah.
1511
00:38:47,541 --> 00:38:48,625
- Yeah, yeah, man.
1512
00:38:48,625 --> 00:38:51,291
Why not?
1513
00:38:48,625 --> 00:38:51,291
It's Coachella.
1514
00:38:51,291 --> 00:38:54,541
- All the sudden that same
1515
00:38:51,291 --> 00:38:54,541
generation that's discovering
1516
00:38:54,625 --> 00:38:57,458
music peer-to-peer online
1517
00:38:54,625 --> 00:38:57,458
wants to be somewhere
1518
00:38:57,541 --> 00:38:58,791
in a field with that peer
1519
00:38:58,875 --> 00:39:01,958
enjoying the live
1520
00:38:58,875 --> 00:39:01,958
music experience.
1521
00:39:02,041 --> 00:39:04,333
- I see about 40
1522
00:39:02,041 --> 00:39:04,333
different bands,
1523
00:39:04,333 --> 00:39:07,000
every ty--any type of music
1524
00:39:04,333 --> 00:39:07,000
you could imagine.
1525
00:39:07,083 --> 00:39:11,708
[electronic music plays]
1526
00:39:11,791 --> 00:39:12,958
- The music festivals,
1527
00:39:11,791 --> 00:39:12,958
there would always be
1528
00:39:12,958 --> 00:39:14,500
this DJ tent.
1529
00:39:14,500 --> 00:39:17,875
And over the years that tent
1530
00:39:14,500 --> 00:39:17,875
kept getting bigger and bigger.
1531
00:39:17,875 --> 00:39:21,208
♪ ♪
1532
00:39:21,208 --> 00:39:24,375
- The superstar DJs, Diplo,
1533
00:39:21,208 --> 00:39:24,375
and David Guetta,
1534
00:39:24,375 --> 00:39:27,666
Kaskade, and Paul Oakenfold,
1535
00:39:24,375 --> 00:39:27,666
these guys are pulling in
1536
00:39:27,666 --> 00:39:29,750
millions as headliners.
1537
00:39:29,833 --> 00:39:33,375
- ♪ Sometimes things
1538
00:39:29,833 --> 00:39:33,375
get complicated ♪
1539
00:39:33,375 --> 00:39:37,000
♪ ♪
1540
00:39:37,083 --> 00:39:39,166
- Hip-hop stars are
1541
00:39:37,083 --> 00:39:39,166
becoming rock stars.
1542
00:39:39,166 --> 00:39:40,708
DJs are becoming rock stars.
1543
00:39:40,708 --> 00:39:42,375
- Goes crazy, the crowd,
1544
00:39:40,708 --> 00:39:42,375
they're jumping up and down.
1545
00:39:42,375 --> 00:39:44,166
- The only people who aren't
1546
00:39:42,375 --> 00:39:44,166
becoming rock stars...
1547
00:39:44,250 --> 00:39:46,541
- Lightning, zombies,
1548
00:39:44,250 --> 00:39:46,541
and then it drops right here.
1549
00:39:46,541 --> 00:39:47,541
- Are rock stars.
1550
00:39:47,625 --> 00:39:49,208
- ♪ Pop ♪
1551
00:39:49,291 --> 00:39:50,875
- Whoo!
1552
00:39:50,875 --> 00:39:52,833
- The idea of just standing
1553
00:39:50,875 --> 00:39:52,833
there and staring at someone
1554
00:39:52,833 --> 00:39:55,166
on stage is
1555
00:39:52,833 --> 00:39:55,166
a 20th century idea,
1556
00:39:55,166 --> 00:39:57,875
where as in the 21st century
1557
00:39:55,166 --> 00:39:57,875
it's more interactive.
1558
00:39:57,875 --> 00:40:00,791
It's more about us
1559
00:39:57,875 --> 00:40:00,791
as an organism.
1560
00:40:00,875 --> 00:40:03,791
- Come on.
1561
00:40:00,875 --> 00:40:03,791
- Clap your hands.
1562
00:40:03,875 --> 00:40:07,083
- Clap your hands.
1563
00:40:03,875 --> 00:40:07,083
Clam your hands, y'all.
1564
00:40:07,166 --> 00:40:08,583
Clap your hands.
1565
00:40:08,583 --> 00:40:11,416
- In the 2000s we saw an
1566
00:40:08,583 --> 00:40:11,416
industry that seemed like
1567
00:40:11,500 --> 00:40:12,583
it would never change.
1568
00:40:12,583 --> 00:40:14,625
We saw it be forced to change.
1569
00:40:14,708 --> 00:40:18,416
- ♪ I got a feeling ♪
1570
00:40:18,416 --> 00:40:21,375
- Online distribution of music
1571
00:40:18,416 --> 00:40:21,375
broke down the barriers
1572
00:40:21,458 --> 00:40:25,083
of taste and suddenly everyone
1573
00:40:21,458 --> 00:40:25,083
was listening to everything.
1574
00:40:25,083 --> 00:40:26,416
- ♪ Good night ♪
1575
00:40:26,416 --> 00:40:30,375
♪ That tonight's gonna be
1576
00:40:26,416 --> 00:40:30,375
a good, good night ♪
1577
00:40:30,375 --> 00:40:31,916
- With the help
1578
00:40:30,375 --> 00:40:31,916
of a computer,
1579
00:40:31,916 --> 00:40:34,416
the past is just cool stuff
1580
00:40:31,916 --> 00:40:34,416
that you can discover.
1581
00:40:34,416 --> 00:40:35,916
And that's what
1582
00:40:34,416 --> 00:40:35,916
a whole generation
1583
00:40:35,916 --> 00:40:37,750
of new music makers do.
1584
00:40:37,833 --> 00:40:40,625
Yes, the 2000s are
1585
00:40:37,833 --> 00:40:40,625
the age of the machine.
1586
00:40:40,708 --> 00:40:42,583
But that doesn't mean there's
1587
00:40:40,708 --> 00:40:42,583
not a search for the soul
1588
00:40:42,583 --> 00:40:43,833
inside the machine.
1589
00:40:43,916 --> 00:40:45,625
- ♪ One two three go
1590
00:40:43,916 --> 00:40:45,625
Good, good night ♪
1591
00:40:45,708 --> 00:40:49,583
♪ Tonight's the night
1592
00:40:45,708 --> 00:40:49,583
let's hit it up ♪
1593
00:40:49,583 --> 00:40:52,958
♪ I got my money
1594
00:40:49,583 --> 00:40:52,958
hey let's spend it up ♪
1595
00:40:53,041 --> 00:40:56,791
♪ I feel go out and smash it
1596
00:40:53,041 --> 00:40:56,791
hey like oh my God ♪
1597
00:40:56,875 --> 00:41:01,291
♪ Hey jump off that sofa
1598
00:40:56,875 --> 00:41:01,291
hey let's kick it up ♪
1599
00:41:01,375 --> 00:41:03,958
♪ I know that we'll
1600
00:41:01,375 --> 00:41:03,958
have a ball ♪
1601
00:41:03,958 --> 00:41:07,625
♪ If we get down and roll out
1602
00:41:03,958 --> 00:41:07,625
and just lose it all ♪
1603
00:41:07,708 --> 00:41:11,291
♪ I feel stressed out
1604
00:41:07,708 --> 00:41:11,291
I wanna let it go ♪
1605
00:41:11,375 --> 00:41:15,000
♪ Let's go way out spaced out
1606
00:41:11,375 --> 00:41:15,000
losing all control ♪
1607
00:41:15,083 --> 00:41:17,625
♪ Ch-ch-ch here we come
1608
00:41:15,083 --> 00:41:17,625
here we go ♪
1609
00:41:17,708 --> 00:41:19,625
♪ We gotta rock ♪
1610
00:41:19,708 --> 00:41:23,500
♪ Easy come easy go
1611
00:41:19,708 --> 00:41:23,500
now we on top ♪
1612
00:41:23,500 --> 00:41:25,250
♪ Fill the shot body rock ♪
100669
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