Original subtitles

Downloaded from YTS.MX

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(soft somber music)

(soft rhythmic music)

(water lapping)

- [Mass] Need some company?

- [Andy] Yeah, man.

(water lapping) (pier rattling)

- [Mass] (grunts) Figured you can use it.

Not gettin' any fish, huh?

- [Andy] I'll catch, don't worry, man.

They're jumpin'. - Yeah?

(birds chirping)

You just kinda sit here and do nothin' all day, huh?

- [Andy] No, you just wait.

This feeling when your rod starts shakin',

the best feeling, but you gotta keep it taut.

See, it's too loose.

You gotta keep your line taut.

- How do you do that? - Just real slow.

- Drinks?

- [Andy] Yeah.

- [Mass] Hey.

- [Andy] Hey, look.

- Where? - I thought I had a bite.

(water splashing)

(pier rattling)

(birds chirping)

Hey Julie, thank you.

- Hey, so you never told me

how that date went the other day.

- Oh, just nothin' to tell.

She was so lame.

- Nothin' to tell, huh?

- She didn't say anything.

She just sat there.

- That's 'cause you do all the talking.

- It's because she didn't say anything.

- It's because you're not asking the right questions.

For instance, you can ask, "What d'you do?"

And then she'd probably talk you know, forever

about what she does.

Maybe you could ask her what her hobbies are.

Jules,

let's pretend I'm him.

So,

what d'you do?

- I imagine an office.

- Really?

That's great.

So sweetheart, what d'you like to do for hobbies?

You see? - Oh yeah.

- She's thinking.

- She's wrapped around your finger right now.

- That's 'cause it's Jules.

I mean she knows me.

She's just giving me these looks.

(birds squawking)

But I mean, here.

Actually, why don't you try?

(Andy chuckling)

- You want me to pick up your wife?

- Go ahead.

- Hi there.

- Hi.

- Did it hurt?

- Did what hurt? - What?

- When you fell from heaven?

- Oh, come on.

You know-- - See?

Look, I got a better reaction than you did.

- Can I tell you somethin'?

I'm doin' this for your benefit.

It's not for my benefit.

- Yeah, I don't remember asking.

That's the thing.

- Oh, is that right?

- That's right. - Oh, I'm sorry.

- Yeah, concentrate on your fishing, dude.

- Oh yeah?

It's your fishing. - Sara's here.

- Oh.

Oh Sara, right on.

Yeah, she's a friend of Jule's from art school.

- Oh, is she hot?

(geese honking)

- Hi. - Hi Sara.

- Oh, it's so good to be here.

I'm so happy to see you. - You're here.

Yeah, me too.

It's been way too long.

- I know.

- But you found the place okay?

- Yeah, no.

- No? (chuckles)

- I got lost.

- Yeah, we get that from a lotta people.

It's tricky.

- Yeah, there's no signs anywhere.

(Julie chuckling)

It's just a bunch of dirt roads and trees,

but I'm so happy to be here.

- Good.

Kitchen's there, bathroom's that way.

You can feel free to have a fire anytime you want.

- Oh great.

- Yeah.

This is you.

- Great.

It's beautiful.

- If you wanna take a shower or something before supper,

there's some towels in the dresser.

- Okay.

- Do you want me to go to the store or something?

- I guess we're not gonna have fish.

- Well I'm sure you'll buy pickles somewhere in town.

- Well I got steaks.

We can do that too.

- Oh, done.

- Yeah? - Instead of driving.

Yeah? Okay. - Sure.

- Hey Mass, you remember Sara.

- Oh yeah, of course.

- Hi. - Hi Sara.

Yeah, come on down.

- Nice to see you. - Listen,

I just have to go get Natalina her bottle.

I'll be back. - Hey, nice to see you again.

So glad you came.

- Thanks.

- Oh, Andy.

- Hi. - Sara.

- Hi. - Nice to meet you.

- Nice to meet you.

- Here, have a seat please.

Yeah, relax.

So how was your trip?

- It was good. - Yeah?

- Yeah, a little bit tired.

But just rented a car and drove here.

Got a bit lost.

- Well you look very well.

- Thank you.

Thanks. - Yeah.

Good for you.

I'm excited that you actually came

and you're cottage sitting for us.

We really appreciate it.

- Oh, are you kidding me?

I'm so glad to be here.

Yeah.

- That's awesome.

- Yeah. - Yeah.

- What do you do?

- I'm a painter.

- Oh cool. - Yeah.

Yeah, I'm an artist.

- Oh, artist.

Artist and a painter.

- No, like I'm an artist.

The medium that I work in. - That's how you do it.

Oh, cool. - Yeah, yeah.

- Okay, so then what do you do for living?

- I'm a painter.

- Oh, like you're a painter too.

Like you're a painter, artist and you paint houses?

- (chuckles) No.

No, I don't paint houses.

I make a living as an artist.

- Really?

No way.

I'm a machinist.

- Maybe you should go grab the tackle.

- Oh, we're goin' in? - Yeah, yeah.

Let's go in maybe? - Yeah.

- Is that okay with you?

- Yup, sure.

- Good.

- [Natalina] Uncle Andy.

(water splashing)

- Help!

- Gimme your hand.

Gimme your hand, gimme your hand.

(both chuckling) (Andy breathing heavily)

Careful, buddy.

Are you all right?

You all right?

C'mon, c'mon.

(crickets chirping)

(Sara chuckling softly)

Obviously he can't swim.

C'mon, babe.

Why don't you come with daddy?

- [Natalina] Dad, that was funny.

- [Sara] You're so lucky to have this place.

- Oh, I feel it.

I just sometimes wish Mass would come up more often.

- Really?

Don't come up here that much?

- Well

he tries.

But you know,

it's only a priority if you make it one.

- Nat, hold on one second, baby.

Hold on.

Hey, wear this.

You know, you blew it again eh?

- [Andy] Why don't you worry about Julie?

Let me worry about me.

- What's that supposed to mean?

- It means once your marriage is perfect,

you can help me with my social life.

- Julie has a great life.

What are you talkin' about?

- (sighs) Sometimes envy you though.

That freedom of an artist, just go wherever you please.

Do what you need to do.

- Yeah, it's pretty good, I guess.

- Mm-hmm.

You guess?

- Yeah.

I don't know, I guess like

after I finished art school in Vancouver,

like I just felt like I was thriving.

It was like I didn't even have to work for it.

Like everything was just coming to me.

And I don't know.

Lately I feel so

unmoored.

I just feel like adrift, you know?

- I'm there.

Feel the same.

Just lost.

What time is it?

- Where you goin'?

- Have a good holiday, all right?

See you when you get back.

- Come on, I got steaks.

- Dude, that was embarrassing.

- C'mon, there was no harm done.

- You think I got a shot?

- No. (chuckles)

- All right, I'll be back.

- Okay.

See you later.

Nata? - I got to pee.

(trees rustling)

(crow cawing)

(soft somber music)

(Sara weeping)

(match striking)

(Sara sighing)

(Sara exhaling)

- It's the way to do it, honestly.

Think I had three houses by the time I was 22.

- Fresco, huh? - Wow.

- Do you like fishing?

- No. (chuckles)

- No?

Have you ever gone? - No, I haven't.

- Oh, you know what?

I got a good story for you.

So I've got a friend and he ended up buying a few years back

this large warehouse.

And what did he do?

He converted 'em into artists' lofts.

- Really? - Yeah, it's a great idea.

And he filled it up almost immediately.

- Cool, can you live there or are they just--

- No, no, no, you can't live there.

But they have like a common hallway space

like you know, you can book your exhibit kinda thing.

- Really? - Oh, you'd have to see it.

It's amazing.

- Beautiful.

- [Sara] Sounds great.

- We should go sometime.

Do you wanna go see it?

Like I could take you

'cause you guys are goin' on holidays and stuff.

- Sure.

- Yeah.

Yeah, like he's a friend of mine too.

Like I could totally take you.

- Didn't even know you were into art.

- [Andy] Like just to see the space and stuff.

- No, that's okay.

- Like I totally don't mind.

Or we could do something else if you want.

I could show you around.

- Are you asking me out?

- Yeah, are you askin' her out?

(smooth jazz music)

(Sara chuckling)

- Maybe.

- Dude, you're like twice my age.

Like you could be my dad.

- Oh jeez.

- Oh come on.

- Twice your age?

- Oh, I'm sorry.

Here. - I don't drink, thank you.

- C'mon. - I don't drink.

- Okay.

(smooth jazz music)

- Natalina, you want some cake?

- Bon appetit.

- [Natalina] Mom, I want a drink.

(smooth jazz music)

- You know I can't do it over the phone.

Yeah, it's just the part.

What's the name of the part?

Yeah, exactly.

No, I need to be in there to do it.

I can't keep comin' in every time you guys call.

It's Saturday.

Listen, I'll call you back, all right?

Hey.

- Hey. - How'd you sleep?

- Good.

You wanna go for breakfast?

- You know what?

I already had breakfast.

I have to leave right away.

- I could keep you company.

- I was actually thinking

maybe we shouldn't do this anymore.

I don't know if you should keep comin' by.

- You always say that.

You should go into work.

(funky rhythmic music)

(crickets chirping)

(lawnmower puttering)

(electricity fizzing)

(soft foreboding music) (Andy thudding)

- You okay?

- What's going on?

- Andy?

Andy?

- Yeah?

- What are you doing here?

(clock ticking)

- I came to cut the grass.

- How?

Can you wait here a second?

- What happened? - Just wait here.

- What's going on?

(clock ticking)

(water trickling)

(soft mystical music)

(hair dryer whooshing)

Are you all right?

(soothing folk music)

(door knocking)

- I'm not here.

- Hi there. - Hello.

I'm here to see Sara.

- [Andy] Sara's not here right now.

- Oh.

And you are?

- I'm a friend of Mass'.

Who are you?

- Oh, I'm Walks with a Stick.

No, I'm kidding.

I'm Norbert.

I'm here for Sara.

- [Andy] Oh. No, she's not here.

She know you?

- Yeah.

Sara's expecting me.

- Oh, okay.

I guess she forgot.

- Hmm, well can you let her know Norbert was here?

- Sure. - All right.

Well thank you.

Just tell her I'll be back.

- Okay.

(soothing folk music)

I'm just gonna cut the grass and go, all right?

- 'Kay, yeah.

(soothing folk music)

- Phone my lawyer.

Yes, he has all the information.

Derek Kelly.

Yes.

Oh, I've got the development right here actually.

So just wait one second, okay?

- You're still on the phone.

- Hold on.

Can you just take her please?

- Why aren't you ready to go?

- Hey, can I call you right back?

- Yeah.

Yeah, thanks.

(sighs) Just gimme a sec.

I just need to call Andy.

- You don't have to fix everyone's problems, you know?

- Don't be so dramatic.

- We're going to the beach without you.

(Mass sighing)

- [Andy] You've got Andy

and yes I still have an answering machine.

Leave a message.

(voicemail beeping)

- Hey, it's me.

Just calling to remind you to swing by the cottage

and cut the grass.

Anyways, vacation's goin' good.

Anyway, gimme a call when you get a chance.

Hey and when you do drop by, say hi to Sara for me.

All right.

Take care yourself, man.

Talk to you later.

(birds chirping)

(soothing folk music)

(water splashing)

(eerie foreboding music) (dock clacking)

(water splashing)

(Sara wincing)

(Andy muttering) (both breathing heavily)

- Are you okay?

- I think so.

(water lapping)

(waves splashing)

(soft foreboding music)

(singer whistling)

(crow cawing) (clock ticking)

- You okay?

- Yup.

- What were you

tryin' to

do?

On the dock?

- It's nothing.

I don't think you told me

what you do for a living.

- I'm in the aerospace industry.

Quality control inspector.

- Oh.

(chuckles) What is that?

- We make parts for airplanes

and I'm the last check before they go out the door.

So

it can be kinda stressful.

There's a lotta lives that depend on what we do.

Get a lotta contracts.

Well we get a lot of top secret contracts.

- Oh? - Yeah.

Not even supposed to talk about 'em.

So I just have to make sure everything's done right.

Measurements.

Just the little tiniest measurement off, it's not good.

(clock ticking)

- Sounds more important than what I do.

- It's all right.

- You don't sound like you like it very much.

- Oh, I think I do.

There's pros and cons like anything.

You like what you do?

- Yeah, I love it.

- You love it?

- Yeah.

- Why? Why do you love it?

(crow cawing)

- I don't know.

I love

creating.

I love

starting with this blank canvas

and then just pulling something outta the air

like it was just waiting for me.

And

sometimes I feel like a little kid playing.

Sometimes I feel

like

(soothing folk music)

God.

(Sara chuckling)

- [Andy] Well we get to create too.

- [Sara] Yeah?

- We have blueprints

and it's metal.

- Oh?

To be a sculptor?

- Yeah, kinda are.

Maybe I can say I'm an artist too.

- I think you have to throw away the blueprints.

(door knocking)

(scoffs) What does he want?

(soothing folk music) (singer whistling)

- Sara.

I'm sorry, I'm Norbert.

I've been expecting you.

Is everything okay?

- Yeah, everything's okay.

- I know this can be very difficult.

I'm close by if you need me.

- I don't need you.

(soothing folk music) (singer whistling)

- Sorry, man.

I don't know why she's so upset.

I don't even know her that well.

- Do you know why she's here?

- Yeah, she's here to take care of the cabin

while Mass and Julie are gone.

- Do you know why you're here?

- Yeah, I'm here to cut the grass.

Why?

You a cop or somethin'?

- No, no.

I'm just here to help.

- Okay.

Think maybe I should go.

- You could stay.

- Oh yeah?

- That guy kinda scares me.

You could sleep on the couch if you want.

- Okay.

- Yeah? - Sure, yeah.

- Okay, thanks.

- Sure.

(soft rhythmic music)

(soft clacking)

Norbert, what the hell is going on?

(soft mystical music)

(owl hooting)

(owl hooting)

(crow cawing)

- What do you want from me?

I don't need your help.

Just leave me alone.

- What about Andy?

- What about Andy?

- He needs to get back, you know?

(birds cooing)

- Hey.

What're you doing?

- Nothing.

- Somethin' weird's goin' on.

What's the matter?

- Something weird is going on?

- Yeah.

- That's an understatement.

- I think my head's playin' tricks on me.

Seein' stuff last night,

I just woke up in a forest.

- Me too.

- What's with the knife?

- (sighs) Found it.

- [Andy] Should we go?

- Seriously don't know yet.

- I don't know, what's goin' on?

- We're dead.

- What?

- We're dead.

- What do you mean we're dead?

We're not dead.

We're right here.

- You don't remember?

- Don't remember what?

(Sara sighing)

- We're dead. - What're you?

Hey, hey!

- It's nothing.

- What the hell's goin' on?

- Wait.

(geese honking)

- What happened in the bathroom?

That's what I remember last was seeing you in the bathroom.

- Mm-hmm.

(geese honking)

- I'm sorry.

I didn't know.

- It's my fault.

It's my fault.

I'm sorry.

- It's okay.

- I'm so sorry. (weeps)

(soft poignant music)

- It's okay.

(Sara weeping) (geese honking)

(soft poignant music)

Hey.

(soft somber music)

What is this place?

- It's my house.

- What?

Is this your house?

- I lived here with my sister

before she died.

(Sara sighing)

- I'm sorry.

When did she die?

- Three months ago.

It was so quick.

(soft somber music)

She just,

you know? And it's like a couple weeks.

She was my older sister.

She always took care of me.

The last time I sent her a message, she

I don't know, just couldn't do it anymore.

(soft poignant music) (trees rustling)

(soothing folk music)

- Hey.

- Shh, you'll scare all the animals.

(owl hooting)

Birds fly, Andy.

The fish swim.

I'm glad animals walk.

- What's goin' on?

- What do you think is goin' on?

- Where are we?

- Where do you think we are?

- Who are you?

- I'm here to guide you, Andy.

- 'Kay, where are you guiding us to?

- You need to go to the Bridge of Life.

It actually is a bridge.

- It's a bridge to get us back to life?

How do we get to it?

- [Norbert] You'll find it, Andy.

- [Andy] What if we don't believe you?

- Always gimme the white ones.

- Hey. - How do we--

- I think I just wanna go, you know?

I don't wanna go to this bridge.

I don't know who this guy is.

I think we should just go back to the cabin.

- Why?

But we can't find the cabin.

- I don't trust him, Andy though.

- It's okay.

- (indistinct) get us to this bridge.

- To get us out of here so we can go.

(bell chiming)

- Insane.

(soothing folk music)

(soft mystical music)

(stream burbling) (birds chirping)

Can we sit down?

I need a break.

(birds chirping)

- Worse, there's nobody else.

You and me

are the last two people on Earth.

- Just here sitting by the river?

- Sure.

What next?

(stream burbling) (birds chirping)

- Oh.

- Seriously, there's nobody else.

- I could stay here,

build a fort.

You can teach me how to fish.

- I'm not too old for you now, am I?

- (chuckles) I don't really have a lot of options.

- If we had kids, would we have to get married first?

- (chuckles) You're so traditional.

- I'm old.

- Who would marry us?

(stream burbling) (birds chirping)

(soft soothing music) (stream burbling)

(singer whistling)

(birds chirping)

- Hey.

Hey, we have to go.

- Mm-hmm. - Norbert's here.

Let's go.

(soft somber music)

(crow cawing)

(thunder rumbling)

(thunder rumbling)

It's my mom.

(soft somber music) (thunder rumbling)

I have a feeling she's here.

She died when I was 16.

- What happened?

- I just got my driver's license.

She said we were gonna celebrate and go for supper.

(thunder rumbling)

Then I blew her off and went with my friends.

So we were just

drinking by the river,

just being stupid.

When I got home,

police were waiting.

Said that she drowned.

- [Sara] I don't understand.

How did she drown?

- She was always drunk.

I blew her off 'cause I just thought she'd be passed out.

(thunder rumbling)

We used to come here all the time.

It feels like she's here right now.

(soft somber music)

I think she wants me to know it's okay,

that it's not my fault.

- 'Course it's not your fault.

(Andy sniffling) (soft poignant music)

(stream burbling)

- Oh, hang on.

You know what?

Why don't you go that way a little bit

and I'll check over here?

- 'Kay. - 'Kay?

(soft poignant music)

(wolf howling)

See anything?

- No, there's nothing over here.

(birds chirping)

What if this is it?

- What do you mean?

- This is all there is.

- No, we'll find the bridge.

- What if we can't?

- If we never find it?

- Mm-hmm.

- As long as you're here, I'll be okay with that.

- Really?

(soft soothing music)

- Do you get to keep your body in the afterlife?

- I don't know.

I was wondering that too.

- What if we're just souls bouncin' around,

bangin' into each other?

- But

I can feel you.

- Yeah, I can feel you.

(soft soothing music) (trees rustling)

What are you listening to?

- (chuckles) Got a song in my head.

Dance.

- I can't dance. - Come on.

C'mon.

Come on.

(soft soothing music)

(Sara chuckling)

(Sara shrieking)

- Don't get it.

Where is everybody?

It's Heaven.

It's Hell.

- I don't know.

Any funeral I've ever been to,

there's always a talk of a feast as a party

and there's all these people.

- I like it like this.

- Yeah? - Yeah.

Yeah, it is kinda nice.

I'm not done livin' yet though.

Too young.

So much more I wanna do yet.

So much that we're gonna do.

I gotta teach you how to fish.

(soft soothing music)

(water lapping)

(soft somber music)

Sara.

What're you doing?

- I know the kid.

My grandma used to say that if you're hurting or afraid,

if you just

stood in running water that

it'll just take that all away.

- Can I tell you something?

(sighs) Mass likes to gimme a hard time

'cause he says I don't know how to talk to girls and stuff

and he's right.

Because

if I'm around one

that I really like

that's like really

good looking and

super fun and kind,

I just don't know what to say.

And so I feel like I kinda act like an idiot

sometimes around you.

But it's like you make it okay.

Does that make sense?

(soft somber music)

So I just wanna say thanks.

- I know where the bridge is.

- What?

- I know where it is.

- Why didn't you say?

- I don't know.

I don't know what's gonna happen

and I just wanted to be with you a little bit longer.

- A little bit longer?

That's where it starts.

Let's go.

(soft somber music)

(birds chirping)

(bridge squeaking)

What are you waiting for?

- I don't think I can do this.

- Do what?

- Hurry.

You must go now.

- C'mon, trust me.

- Wait, wait, wait, wait.

- What?

- Kiss me.

- What?

- Please just kiss me.

(soft foreboding music)

(soft somber music)

(bridge squeaking)

(clock ticking)

- Sara?

Hey.

Sara?

Sara?

(clock ticking)

(Andy weeping)

(water lapping)

- Oh.

Here, kick it to daddy. Kick it.

Hold on, hold on.

Kick it to daddy.

Don't use your hands.

No no, kick it to daddy.

What are you doing?

I'm right here.

Kick it here.

Come and get the ball.

(water lapping)

Oh.

(Natalina chuckling)

You woulda scored a goal there.

You wanna catch it?

Here. Here, ready?

One.

Put your hands out for two.

Ready?

Three.

Good catch.

Wait a minute.

Oh, what're you doing?

- 'Kay, time to come in. - No, I got it.

I got it, I got it.

- Time to come in, 'kay?

- Mommy.

You ready to go have treats? - Oh, let's see.

Come here.

You come talk to me.

- Okay.

- I want treats. - Yeah, I bet you do.

- Dad is gonna go see Uncle Andy.

(water lapping)

Hey.

So how'd it go today?

- You know what?

It actually went really well.

- Good. - Yeah.

- Swimming next?

- Yeah, maybe tomorrow.

So Lisa came over the other night.

- Really?

And how was the sex?

- Was no sex.

We had a really good talk actually.

- Whoa.

- Yeah.

I think probably for the first time we really talked.

- So

that's good.

- That was good.

It was very good.

- Hmm. - Yup.

(water lapping)

- [Mass] So what was it like being dead?

You don't think you were dreamin'?

- No.

No, I know dreams seem real and then you wake up.

And after a little while,

you're like yeah, it was obviously a dream.

Oh, this happened.

And now I can't go back to

the way I was.

I feel like I missed out so much.

I was always either grumbling about something that upset me,

doesn't matter how long ago.

Or I was just anticipating too much,

something that I wanted to happen

that maybe even didn't have a chance of happening.

I wanna let that go.

I just wanna experience everything right now.

Like listen to the water right now, listen to the birds,

crickets.

Just being aware.

- [Mass] Wow.

- [Andy] It's a huge

change for me.

- That's pretty heavy.

- I'm reading more.

I'm reading about it.

- Uh-huh.

Sounds like you're becoming more spiritual.

- Yeah.

I think the big difference is that I'm aware

that I am spiritual.

We all are.

But do you know it?

- I've never really thought of it that way.

- No, me either.

(water lapping)

You should try it.

- I think sex is the answer.

(both chuckling)

C'mon, let's go.

- [Andy] I'm not saying sex is a bad answer.

- [Mass] Well depends on who it's with. (chuckles)

- Hey Mass.

Hey, I thought your other place was nice.

You guys have done really well here.

This view you have.

- Yeah? - It's pretty incredible.

- Couldn't go back to the old place, you know?

Considering what happened.

- Yeah.

- You know what's crazy?

I think Julie and I have gotten a lot closer because of it.

- It's not crazy.

- It's like I just appreciate her more, you know?

- Mm-hmm.

Yeah.

I'm really thankful for the time I got with Sara.

- You hardly knew her.

(geese honking)

- You know what?

I need a couple minutes, that cool?

I'll catch up with you? - Yeah, totally.

See ya.

(water lapping) (geese honking)

(soft mellow music)

♪ What do I run from ♪

♪ Maybe the noise ♪

♪ What do I run from ♪

♪ Maybe my walls ♪

♪ What do I run from ♪

♪ Maybe your voice ♪

♪ What do I run from ♪

♪ Maybe who knows ♪

♪ You don't need to know ♪

♪ But it's still worth to go ♪

♪ Stuff your dreams in your pockets ♪

♪ Slip a shoe on your toe ♪

♪ What do I run from ♪

♪ Maybe the laws ♪

♪ What do I run from ♪

♪ Maybe my foes ♪

♪ What do I run from ♪

♪ Maybe your words ♪

♪ What do I run from ♪

♪ Maybe who knows ♪

♪ You don't need to know ♪

♪ Buy it's still worth to go ♪

♪ Stuff your dreams in your pockets ♪

♪ Slip a shoe on your toe ♪

♪ Where do I go to ♪

♪ Maybe the moon ♪

♪ Where do I go to ♪

♪ Maybe the bloom ♪

♪ Where do I go to ♪

♪ Maybe the glow ♪

♪ Where do I go to ♪

♪ Maybe you know ♪

♪ You don't need to know ♪

♪ But it's still worth to go ♪

♪ Stuff your dreams in your pockets ♪

♪ Slip a shoe on your toe ♪

♪ You don't need to know ♪

♪ But it's still worth to go ♪

♪ Stuff your dreams in your pockets ♪

♪ Slip a shoe on your toe ♪

♪ What do I run from ♪

♪ Maybe the noise ♪

♪ What do I run from ♪

♪ Maybe my walls ♪

♪ What do I run from ♪

♪ Maybe your voice ♪

♪ What do I run from ♪

♪ Maybe who knows ♪

- [Darek] Who knows? Who does know?

Who knows?

It's worth to go.