Original subtitles

Downloaded from YTS.MX

Official YIFY movies site: YTS.MX

YOU'LL BE FINE, LUCY.

THIS HEAT'S WIPING ME OUT.

WELL, WIND THE WINDOW DOWN, IF YOU LIKE.

FORGET IT. IT'S EVEN HOTTER OUTSIDE.

AT LEAST THERE'S NOT MUCH TRAFFIC.

I'M NOT SURPRISED.

WHO WOULD WANT TO GO OUT ON A DAY LIKE THIS?

AW, COME ON, DON'T BE LIKE THAT.

HAVE YOU STILL GOT YOUR HEADACHE?

YEAH. IT KEEPS COMING AND GOING

AND WON'T GET OUT.

SMOKING'S NOT GONNA HELP IT.

CIGARETTES ARE THE ONLY THING THAT EASES IT A BIT.

♪ THERE IS A WAR BETWEEN THE RICH AND POOR... ♪

DON'T WORRY SO MUCH ABOUT ME.

ALL I NEED IS A GOOD NIGHT'S SLEEP.

THAT'S ALL.

COULD YOU PASS ME ONE OF THOSE CIGARETTES, PLEASE?

♪ BETWEEN THE ONES WHO SAY THERE IS A WAR ♪

♪ AND THE ONES WHO SAY THAT THERE IS A ♪

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ THAT'S RIGHT, GET IN IT ♪

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ IT'S JUST BEGINNING

♪ WELL, I LIVE HERE WITH A WOMAN AND A CHILD ♪

♪ THE SITUATION MAKES ME KIND OF NERVOUS ♪

♪ AS I RISE UP, PULL HER ARM ♪

♪ SHE SAYS, "I GUESS YOU CALL THIS LOVE" ♪

♪ I CALL IT SERVICE

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ DON'T BE A TOURIST

♪ WHY DON'T YOU COME ON BACK TO THE WAR ♪

♪ BEFORE IT HURTS US?

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ LET'S ALL GET NERVOUS

♪ YOU CANNOT STAND WHAT I'VE BECOME ♪

♪ YOU MUCH PREFER THE GENTLEMAN I WAS BEFORE ♪

♪ I WAS SO EASY TO DEFEAT, I WAS SO EASY TO CONTROL ♪

♪ I DIDN'T EVEN KNOW THERE WAS A WAR ♪

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ DON'T BE EMBARRASSED

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ YOU CAN STILL GET MARRIED

♪ THE WAR BETWEEN THE RICH AND POOR ♪

♪ A WAR BETWEEN THE MAN AND THE WOMAN ♪

♪ THERE IS A WAR BETWEEN THE LEFT AND RIGHT ♪

♪ A WAR BETWEEN THE BLACK AND WHITE ♪

♪ A WAR BETWEEN THE ODD AND THE EVEN ♪

♪ WHY DON'T YOU COME ON BACK TO THE WAR... ♪

SOAK UP THE PEACE AND QUIET.

PIT STOP.

LAST HINT OF CIVILIZATION

WE'LL SEE FOR A COUPLE OF DAYS.

LET'S SEE YOU STRETCHING YOUR LEGS.

YEAH, YEAH, GOOD IDEA.

YOU COMING?

NO, THANKS. I'M SICK OF FOLLOWING HIM.

YOU SURE?

YEAH. GO AHEAD. I'LL BE FINE.

OK.

WHAT IS THIS PLACE?

I DON'T KNOW. NEVER STOPPED HERE BEFORE.

YOU ALL RIGHT?

YEAH, YEAH.

YOU COMING?

I'M SHATTERED.

THE LESS WE GET CAUGHT UP, THE SOONER WE'LL GET THERE.

OK.

GLAD TO SEE YOU'RE ALL ENTHUSIASTIC.

YOURS ISN'T COMING, EITHER?

NOPE.

WELL, A LITTLE BIT BETTER.

HOW ABOUT A COUPLE GLASSES OF VINO?

OH, THAT'S ALL WE FUCKING NEED. LESTER!

HEY, COME ON, COME ON, COME ON. HERE.

HA HA HA!

[TURNS ON AND OFF TAPE PLAYER]

THAT'S WRONG.

COME ON, I THINK WE SHOULD GET GOING.

IT'S GETTING LATE. YEAH.

OH, NO. I'LL...PAY THIS TIME.

YOU WERE TAKING FOREVER.

THE OLD BOY THINKS WE SHOULD ALL GO IN MY CAR.

HE SAYS THIS ONE MIGHT GO ALONG THE TRACK.

I'M NOT LEAVING THIS HERE. NO WAY.

I'D LISTEN TO HIM.

THEY HAVE GOOD INSTINCTS ABOUT STUFF LIKE THAT.

THE CAR WILL BE FINE. LET'S JUST GO.

ALL RIGHT.

I HOPE IT'S STILL THERE WHEN I GET BACK.

WHO'S GONNA STEAL IT OUT HERE?

IT'S SAFE ENOUGH.

IT BETTER BE.

YOU OUGHT TO GET YOURSELF ONE OF THESE.

TAKE YOU ANYWHERE YOU WANT.

BUILT LIKE A TANK, SAFE AS HOUSES.

YOU WANT KIDS? PLENTY OF ROOM FOR THE KIDS.

WE'RE ALMOST THERE.

SEE THE RIVER?

DOWN THERE.

WHAT DO YOU THINK?

I THINK IT'S GREAT.

YEAH? YEAH.

YEAH. YEAH, I TRY AND WORK ON IT

EVERY CHANCE I CAN.

WHAT ABOUT THIS LOCATION?

FEEL YOU CAN... YOU CAN REALLY BREATHE.

Woman: WHY DON'T YOU OPEN THE DOOR.

WE CAN SHOW THEM THE INSIDE.

Other woman: GOOD IDEA.

YOU'RE INCAPABLE OF ENJOYING NATURE,

EVEN FOR A MINUTE, AREN'T YOU?

Woman: HA HA! THANK YOU.

I THINK WE'RE GOING TO GET SICK OF IT.

HERE, TAKE IT. WON'T BITE.

LOOK AT THIS BEAUTY.

I GOT THIS LAST YEAR.

FEEL HOW SMOOTH THAT IS.

IF YOU TWO AREN'T GOING TO HELP,

YOU CAN AT LEAST GET OUT OF THE WAY.

SO, WHAT DO YOU THINK OF THE SITTING ROOM?

YOU CONVERTED THIS?

YEAH. YEAH, IT USED TO BE THE STABLES.

YOU STILL THINK THIS IS A CRAZY IDEA?

I'M TELLING YOU, WE SHOULD COME AND LIVE HERE.

WE COULD START A COMPANY AGAIN LIKE WE DID IN LONDON.

OH, ARE YOU GOING TO START TALKING ABOUT WORK AGAIN?

YOU'VE BEEN GOING ON ABOUT THAT ALL WEEK.

WELL, IF IT'S BOTHERING HIM,

THEN HE SHOULD SAY SOMETHING, SHOULDN'T HE?

I'M NOT BOTHERED. I'M...

DID I MISS SOMETHING?

I WAS ABOUT TO FINALLY CONVINCE YOUR HUSBAND...

THAT YOU SHOULD MOVE HERE.

OH. THANK YOU, BUT I THINK I PREFER CIVILIZATION.

OH, YOU, TOO? I SUPPORT THE MOTION.

YOU DON'T WANT TO END UP LIKE THE FAMILY

IN THE LITTLE HOUSE ON THE PRAIRIE, DO YOU?

HA HA HA!

OH, NO. GOD FORBID.

OH, DON'T SAY MY DARLING MICHAEL LANDON HAS GOT ANGRY.

[GLASS BREAKS]

[CRICKETS CHIRPING, OWL HOOTS]

IT'S FREEZING IN HERE.

COME ON, GET UNDER HERE QUICK.

I FEEL AWFUL.

I'M COMPLETELY EXHAUSTED.

YEAH, TOO MANY KILOMETERS.

TOO MUCH PAUL.

AND SHE'S SO NICE.

DON'T BE LIKE THAT.

YOU KNOW HE'S INVESTED A LOT IN THIS PLACE.

OH...

OH, THAT'S BETTER.

IT FEELS SO GOOD LAYING DOWN.

SOUNDS LIKE THEY'VE MADE IT UP.

JUST AS WELL.

I COULDN'T TAKE ANOTHER SUPPER LIKE THAT ONE.

SHALL WE TURN OFF THE LIGHT?

YEAH.

OH...

THINGS WILL BE A BIT BETTER

WHEN WE GET SOME TIME ON OUR OWN.

YEAH. FOR A WEEK.

I DON'T KNOW IF I CAN TAKE ANY MORE DRIVING.

DO YOU REALLY NOT FEEL LIKE IT?

NO, IT'S NOT THAT I DON'T FEEL LIKE IT,

BUT, LOOK, I CAN'T THINK RIGHT NOW.

LET'S TALK ABOUT IT TOMORROW, OK?

YEAH.

LISTEN TO THAT.

HA HA HA!

DON'T. THEY'LL HEAR US.

WHO CAN TELL?

OH, I AM TIRED. I STILL HAVE AN AWFUL HEADACHE.

WHAT'S WRONG?

I DON'T KNOW. I FEEL UNCOMFORTABLE.

I SAID NO!

A CHANGE OF AIR WILL DO US BOTH GOOD.

DO YOU THINK THAT THINGS ARE DIFFERENT BECAUSE WE'RE HERE?

DO YOU FEEL DIFFERENT?

BECAUSE I DON'T.

WHAT DO YOU FEEL?

YOU KNOW HOW I FEEL.

NO, I DON'T. I DON'T KNOW ANYTHING.

WHY DID YOU WALK IN LIKE THAT?

WHAT?

IN THE BAR.

WHY DID YOU WALK IN LIKE THAT?

WHAT DO YOU MEAN?

YOU KNEW THAT IF YOU WALKED IN LIKE THAT,

EVERYONE WOULD LOOK AT YOU AND I'D SEE.

YOU DID IT TO FUCK WITH ME.

ARE YOU SERIOUS?

WHAT TIME IS IT?

6:30. GO BACK TO SLEEP.

WHAT ARE YOU DOING UP AT THIS TIME, NORMAN?

I'M GOING HUNTING WITH PAUL.

HUNTING

Paul: NORMAN, IT'LL BE GETTING DARK AGAIN SOON.

COME ON.

I'M COMING.

Paul: HOW YOU GETTING ON WITH THAT SHOTGUN?

HEAVY.

AH, IT'S GOOD TO FEEL THE WEIGHT.

LETS YOU KNOW IT'S THERE.

YOU USE IT WHEN YOU NEED IT.

YOU SOUND LIKE A PROPER HUNTER.

I AM A PROPER HUNTER.

MY GRANDFATHER FIRST TAUGHT ME WHEN I WAS 9,

AND HE LEARNED HOW TO SHOOT FROM THESE PEOPLE.

YOU STAY ALERT TODAY, EVEN YOU MIGHT BAG SOMETHING.

YEAH. IT'S TAKING ALL MY BLOODY CONCENTRATION

JUST TO HOLD THIS BLOODY THING.

OH, THE HELL WITH THAT.

YOU COME OUT WITH ME, YOU SHOOT.

NOW, YOU SEE THAT PATH DOWN THERE?

THAT'S A GAME PRESERVE.

IT'S ISOLATED AROUND HERE.

CHANCES ARE WE WON'T SEE A SOUL ALL DAY.

ARE YOU HERE, NORMAN?

OR ARE YOU STILL IN BED

PRESSED UP AGAINST YOUR WIFE'S ASS?

I'M JUST THINKING.

WELL, GIVE IT A REST.

YOU THINK HERE, THE PREY GETS AWAY.

THERE YOU ARE.

YOU WERE ASLEEP, AND I WANTED TIME TO MYSELF.

I'LL LEAVE YOU TO IT.

NO, PLEASE, STAY, STAY.

I DON'T WANT TO THINK ANYMORE.

THAT WAS A BIT OF A SCENE YESTERDAY.

DON'T WORRY ABOUT IT.

NO, THANKS. I HAVE A TERRIBLE HEADACHE.

HEH. THAT'S FROM THINKING SO MUCH.

MEN. HEH!

REALLY, IT'S SO EASY TO MAKE THEM HAPPY.

HUH. RIGHT.

I'VE FORGOTTEN HOW TO DO IT.

OR MAYBE I DON'T WANT TO ANYMORE.

IS IT THAT BAD?

HOW DO YOU KNOW THAT IT'S SOMETHING TEMPORARY

OF IF EVERYTHING'S SHOT TO HELL FOR GOOD.

HMM.

I THINK YOU NEVER KNOW UNTIL IT HAPPENS.

I THINK IT'S HAPPENING.

I'M TELLING YOU...

THEY'RE HAPPY.

THEY DON'T GO OVER THINGS SO MUCH.

THAT DOESN'T HELP MY HEADACHE SO MUCH.

SINCE I MET PAUL,

NOT A SINGLE NIGHT HAS GONE BY

WITHOUT THINKING IT MIGHT BE THE LAST ONE TOGETHER...

OR THE FIRST OF THE REST OF OUR LIVES.

AND HERE WE ARE, 3 YEARS LATER.

HEH HEH!

DO YOU REALLY WANT TO GET RID OF THAT HEADACHE?

COME ON, FOLLOW ME.

WHAT ARE YOU DOING?

WE'RE GOING TO HAVE A SWIM.

YOU'RE CRAZY. THE WATER MUST BE FREEZING.

WHAT DOES IT TAKE TO GET YOU

TO STOP WORRYING ABOUT EVERYTHING?

WHAT IF SOMEONE SEES US?

WE ARE ALONE.

AND IF ANYONE DOES TURN UP,

WE'LL BRIGHTEN HIS DAY.

AH!

WAA-HA-HA!

ALL RIGHT.

WE'RE GONNA TAKE A BREAK.

OVER THERE.

LESTER, YOU BASTARD, COME HERE!

DO YOU KNOW...

AS SOON AS YOU SHOOT A BOAR...

YOU HAVE TO CUT HIS BOLLOCKS OFF.

OTHERWISE, THE MEAT TASTES BAD.

LESTER.

Look, look.

NOW, BEFORE YOU AIM...

YOU HAVE TO TAKE A DEEP BREATH.

ENOUGH TO LAST UNTIL YOU FIRE.

RIGHT NOW...

THERE'S JUST HIM...

AND ME.

NOTHING ELSE EXISTS.

THERE ARE HUNTERS AND PREY, NORMAN.

IT'S THE ONLY FUCKING TRUTH IN THIS WORLD.

WHERE ARE THEY?

I CAN'T FIND MY KNICKERS.

ARE YOU SURE YOU WERE WEARING THEM?

Norman: I THOUGHT SHORTCUTS

WERE SUPPOSED TO MAKE THE JOURNEY SHORTER?

WELL, THE WAY BACK'S ALWAYS HARDER.

ALMOST THERE.

DEFINE ALMOST.

WHAT?

WHAT'S THAT?

LOOKS LIKE A HOUSE. TAKE A LOOK.

YEAH, MAYBE THEY CAN TELL US WHERE THE HELL WE ARE.

LOOKS LIKE IT'S ABANDONED.

LET'S HAVE A NOSE INSIDE.

LET'S JUST GO. WE'RE ALREADY LOST.

I'M KNACKERED.

WE ARE NOT FUCKING LOST.

THE RIVER'S BEHIND THOSE TREES.

ALL WE'VE GOT TO DO IS FOLLOW IT.

I'M STAYING HERE.

WELL, THAT'S TYPICAL OF YOU.

ALWAYS ON THE OUTSIDE LOOKING IN.

NORMAN!

WHAT?

COME HERE!

WHAT IS IT?

THERE'S SOMETHING IN HERE.

YEAH, IT'S PROBABLY A TRAPPED ANIMAL.

WHA...AN ANIMAL DOESN'T LOCK ITSELF IN, DOES IT?

CAN'T WE JUST GET OUT OF HERE? IT STINKS.

COME HERE. COME HERE!

LISTEN.

YOU HEAR THAT?

IT SOUNDS LIKE MUSIC.

THERE'S SOMEONE IN HERE.

OH...

KEEP AN EYE ON THAT DOG.

FUCK!

JESUS CHRIST.

NORMAN, GET OVER HERE!

OH, MY GOD.

THERE, YOU SEE THIS?

WHAT?

SEE THE DOG BOWL WITH THE FOOD?

JESUS!

AAH!

Paul: THE DOLL, MAN! GET THE DOLL!

YOU'RE ALL RIGHT.

I'M BLEEDING.

THE DOLL. GIVE HER THE DOLL.

GET MY COAT.

THE COAT!

SHH!

HEY.

WE SHOULD GET HER HOME.

I DON'T THINK THAT'S A GOOD IDEA.

WELL, WE CAN'T LEAVE HER HERE.

LET'S JUST PUT HER BACK IN THERE

AND GO AND GET HELP.

WE CAN'T JUST PUT HER BACK IN THERE!

CAN'T JUST LEAVE HERE HERE!

I DON'T MEAN THAT!

WELL, WHAT DO YOU MEAN?

I'M JUST TRYING TO THINK.

DON'T THINK. LET ME THINK FOR BOTH OF US.

WE GET HER OUT OF HERE, AND THEN WE GET HELP.

OK?

YEAH. YEAH.

NOW GRAB THE GEAR.

I'M BITTEN ALL OVER.

IT'S GETTING DARK.

WE SHOULD GO OUT AND LOOK FOR THEM.

WHERE?

THERE'S NO POINT IN US GETTING LOST, TOO.

WHEN HE COMES BACK, I'M GOING TO KILL HIM.

HA!

HERE THEY ARE.

THEY RECOVER. THEY ALWAYS COME BACK.

HERE THEY ARE.

WHAT'S HAPPENED?

DON'T SAY ANYTHING.

WHAT'S GOING ON?

AHH.

WE FOUND HER IN THE FOREST.

LOOK AT HER.

POOR LITTLE THING.

Paul: SHE WAS IN AN ABANDONED HOUSE.

WHAT?

WE THINK SHE'S BEEN LEFT THERE FOR A LONG TIME.

YEAH.

HER PARENTS MUST BE LOOKING FOR HER.

YEAH. BUT THE IMPORTANT THING IS,

SHE ISN'T LOCKED UP ANYMORE.

WE HAVE TO GET HER TO THE POLICE.

POOR THING.

WE SHOULD CLEAN HER UP.

LUCY, RUN THE BATH.

YOU ALL RIGHT?

YEAH, FINE. YEAH.

HERE.

LUCY, HOLD HER FOR A MINUTE.

WE'LL TAKE THE NIGHTDRESS OFF ONCE SHE'S IN THE WATER.

GO ON, FOR GOD'S SAKE. SHE'S JUST A CHILD.

TAKE HER. I'M GOING OUTSIDE FOR A WHILE.

YOU OK?

SHE'S SCARED TO DEATH!

SHH! SHH!

SHH. SHH.

SHH.

YOU KNOW, WHOEVER WAS KEEPING HER,

SOONER OR LATER,

THEY'RE GONNA COME BACK AND REALIZE SHE'S GONE.

FUCKING ANIMALS.

Woman: SOMEONE IN THE VILLAGE MUST KNOW WHO SHE IS.

WE SHOULD ASK THEM.

Paul: IT'S MY BET WHOEVER LOCKED HER UP'S FROM THE VILLAGE.

THIS IS A MATTER FOR THE POLICE.

Norman: I THINK PAUL'S RIGHT.

WE NEED TO GET A MOVE-ON.

BE AS QUICK AS YOU CAN, YEAH?

I'LL WAIT FOR YOU IN THE CAR.

YOU DON'T HAVE TO GO SO FAST.

IT'S VERY DARK HERE.

YOU'LL HAVE SOME STORY TO TELL

WHEN YOU GET BACK TO LONDON.

I MEAN IT. SLOW DOWN.

WHO'D DO SOMETHING LIKE THIS?

IT'S PRETTY CLEAR WHY THEY MUST HAVE DONE IT.

DOES THAT MAKE IT ALL RIGHT?

NO, OF COURSE NOT, BUT IT EXPLAINS WHY.

SOME PEOPLE OUGHT TO BE ASHAMED.

DO YOU THINK THAT'S NORMAL?

I WAS JUST POINTING OUT WHAT THE REASON PROBABLY IS.

WE ALL THINK THE SAME, DON'T WE?

WHAT IF IT WERE YOUR DAUGHTER?

WHY ARE YOU ASKING ME THAT?

ARE YOU BLOODY STUPID?

OH, PLEASE!

WHAT'S WRONG WITH YOU?

I'M FINE. WHAT'S WRONG WITH YOU?

OH, PACK IT IN, WILL YOU?

IF I HAD KNOWN YOU WERE GONNA BE LIKE THIS,

I'D HAVE LEFT YOU AT THE FUCKING HOUSE.

WATCH OUT!

OH, SHIT!

YOU ALL RIGHT?

IS SHE OK?

I THINK SHE'S FINE.

I DON'T THINK ANYONE IS HURT.

WHAT HAPPENED?

FUCKING TREE IN THE MIDDLE OF THE ROAD.

SHIT!

BOLLOCKS.

OH, FUCK ME.

THE AXLE'S FUCKED.

I CAN'T FIX IT.

ARE YOU ALL RIGHT?

I HIT MY HEAD, BUT IT'S NOTHING. DON'T WORRY.

HAD IT BEEN YOUR CAR, WE WOULD HAVE BEEN KILLED.

NOW WHAT ARE WE GONNA DO?

I RECKON WE'RE ABOUT A HALF-AN-HOUR WALK FROM THE HOUSE.

ARE WE GOING BACK?

WE CAN'T ALL WALK TO THE POLICE STATION.

IT'S A LONG WAY.

WELL, WHAT DO YOU WANT TO DO?

SOONER WE START, THE SOONER WE GET THERE.

LET ME TAKE HER.

NO, NO. SHE'S CALM NOW.

I'LL KEEP HOLD OF HER.

Paul: STAY TOGETHER. MIND WHERE YOU WALK.

Norman: HEY.

WHAT'S WRONG WITH HER?

I THINK IT'S THE MOON.

MAYBE SHE'S NEVER SEEN IT BEFORE.

COME ON.

HEY.

HUH.

DOG WOKE ME.

HE'S UNEASY.

YOU ALL RIGHT, NORMAN?

WELL, I'M A BIT WORRIED ABOUT THIS KID.

NO, I DON'T MEAN THAT.

I MEAN YOU AND LUCY.

I THINK THAT'S PRETTY OBVIOUS, ISN'T IT?

WHAT IS IT, THE BABY?

SHE JUST CAN'T GET OVER IT.

CAN'T OR WON'T?

I DON'T KNOW.

SHE WON'T EVEN TALK TO ME ABOUT IT.

OHH.

YOU EVER CONSIDER TRYING FOR ANOTHER?

I WISH IT WAS THAT EASY.

WHAT IS IT?

PAUL, WHAT IS IT?

WHAT IS IT? WHAT CAN YOU HEAR?

SHH. SHH. SHH.

LESTER.

LESTER!

LESTER!

LESTER!

LESTER?

WHERE IS HE?

GO BACK INSIDE.

WHAT ABOUT THE DOG?

HE'LL COME BACK.

Lucy: GOOD MORNING.

THERE'S COFFEE THERE IF YOU WANT IT.

WHERE ARE YOU GOING?

I WORKED IT OUT.

IF I TAKE THE GIRL,

WE'LL BE AT THE POLICE STATION IN A COUPLE OF HOURS.

WELL, LET ME COME WITH YOU.

NO. NO.

FASTER ON MY OWN.

NORMAN, YOU STAY HERE WITH THE WOMEN.

Lucy: WHO IS IT?

Norman: WHAT ARE YOU DOING?

THOSE PEOPLE ARE FROM THE BAR, AREN'T THEY?

GO UPSTAIRS AND CHECK ON THE KID AND KEEP HER QUIET.

ARE THEY LOOKING FOR HER?

OH, SHIT, PAUL. WHAT ARE WE GONNA DO?

MAYBE WE SHOULD GIVE HER TO THEM.

WE CAN'T DO THAT.

GO UPSTAIRS.

LUCY, PLEASE, JUST GO UPSTAIRS.

PLEASE.

IT'S THAT BASTARD FROM THE BAR, ISN'T IT?

THEY MUSTN'T FIND OUT SHE'S HERE.

I'M GONNA COME WITH THEM.

IT'S THE ONLY WAY TO MAKE SURE THAT THEY LEAVE.

PAUL, THEY KNOW SHE'S HERE.

CALM DOWN.

CALM DOWN AND LISTEN.

I'M GONNA GO WITH THEM. I'M GONNA HEAD NORTH.

YOU TAKE THE KID, GO DOWN THROUGH THE FOREST

TO THE MAIN ROAD.

YOU'LL BE AT THE POLICE STATION IN TWO HOURS.

TWO HOURS?

LEAVE ISABEL AND LUCY HERE.

YOU'LL BE FASTER ON YOUR OWN.

I'LL COME BACK FOR THEM.

NO. I DON'T FEEL GREAT ABOUT LEAVING THEM HERE ON THEIR OWN.

IT'S FINE.

THEY CAN LOCK EVERYTHING UP.

WE'LL MEET UP WITH YOU AT THE POLICE STATION.

OH, THIS IS INSANE.

HEY, I CAN HANDLE THESE PEOPLE.

I WON'T BE LONG.

TELL THE GIRLS TO GET READY. HMM?

PAUL WILL BE BACK SOON.

NORMAN,

I THINK I OWE YOU AN EXPLANATION.

I'M SORRY ABOUT ALL THIS.

ABOUT WHAT?

BEING SO STUPID RECENTLY.

I SWEAR I'M NOT DOING IT ON PURPOSE.

DON'T WORRY.

IF THERE'S ANYTHING YOU WANT TO TALK TO ME ABOUT,

YOU...CAN.

JUST IGNORE ME.

I'M JUST A BIT MOODY, THAT'S ALL.

HEY.

GOOD MORNING.

WHERE'S PAUL?

HE'S GONE TO GET HELP.

WHY DIDN'T ANYONE WAKE ME UP?

HAS HE GONE ON HIS OWN?

YOU KNOW WHAT HE'S LIKE. HE WOULDN'T WAIT.

WITHOUT SAYING ANYTHING TO ME?

I THINK THAT'S VERY ODD.

PAUL WOULDN'T GO OFF WITHOUT TELLING ME.

DON'T WORRY. HE'LL BE BACK SOON.

WELL..

I HOPE HE'S TAKEN LESTER WITH HIM

BECAUSE THAT GUY'S CAPABLE OF GETTING LOST.

THE DOG'S WITH HIM. EVERYTHING'S FINE.

I'M GOING TO TAKE A BATH.

WHAT IF HE DOESN'T COME BACK?

DON'T BE SILLY. WHY WOULDN'T HE COME BACK?

WHEN HE DOES, HE CAN EXPLAIN IT TO HER.

I DON'T KNOW WHAT'S GOING ON.

I DON'T UNDERSTAND WHY WE CAN'T TAKE THE CHILD

AND GO AND LOOK FOR THE POLICE.

MIGHT BE THE TIME TO DO IT.

LET'S JUST WAIT HERE FOR PAUL.

IT'S WHAT HE ASKED ME TO DO.

SO WE HAVE TO DO WHAT THE BOSS ORDERS?

YOU'RE NOT AT WORK NOW, NORMAN.

OK. WHAT DO YOU WANT TO DO?

WE'RE IN THE MIDDLE OF NOWHERE.

WE'RE GONNA WAIT HERE OR HIM,

AND THAT'S ALL THERE IS TO IT.

WE SHOULD HAVE NEVER COME HERE.

OK. GO UPSTAIRS AND GET THE GIRL. WE'LL GO.

NO, COME ON! YOU LEAD THE WAY.

WE'RE NOT SOLVING ANYTHING

BY SHUTTING OURSELVES IN HERE.

AND IF WE GO RUNNING AROUND THE FOREST, WE WILL?

OH, JESUS!

WHAT ARE YOU DOING?

WHAT ARE YOU DOING, NORMAN?

I'M GOING OUTSIDE TO SEE IF I CAN SEE PAUL.

NOT SOLVING ANYTHING IN HERE.

GIVE IT UP.

I TRIED BEFORE, BUT YOU CAN'T GET ANYTHING DECENT.

AND PLEASE DON'T PLAY LEONARD COHEN TAPE AGAIN.

I'M WORRIED ABOUT THE CHILD.

I FEEL SO SORRY FOR HER.

MAYBE I'LL GO UP AND SEE HOW SHE IS.

DON'T WORRY.

A WHILE AGO, SHE WAS CURLED UP IN A CORNER.

I'M GOING TO SEE HOW SHE IS.

NORMAN?

GOOD MORNING.

THEY KNOW ABOUT THE GIRL.

WE'RE GONNA HAVE TO TELL THEM.

SO THAT THEY CAN TIE HER UP AGAIN?

BRING THEIR COFFEE SO THAT THEY CAN LEAVE.

I HOPE YOU'RE RIGHT.

NO SUGAR.

TELL THEM TO LEAVE.

♪ I SAID, "FATHER, CHANGE MY NAME"... ♪

♪ YES, AND LOVER, LOVER, LOVER, LOVER, LOVER, LOVER... ♪

♪ LOVER, LOVER, LOVER, LOVER, COME BACK TO ME... ♪

♪ I MEAN IT AS A KIND OF TRIAL... ♪

PAUL?

♪ YES, AND LOVER, LOVER, LOVER, LOVER, LOVER, LOVER ♪

♪ LOVER, COME BACK TO ME...

HE'S GOING TO TAKE THE KNIFE AWAY.

PLEASE LET HIM FINISH, AND THEY'LL GO AWAY.

OOH!

THERE IS NO POINT IN ASKING YOU WHAT TO DO, IS THERE?

JUST LET ME THINK.

WE HAVE NO TIME. A FUCKING DEAD BODY.

HIDING IT WON'T FIX ANYTHING.

WE CAN'T STAY HERE.

THE OTHERS WILL BE HERE SOON.

WHERE ARE WE GONNA GO?

WE'RE GONNA FIND THE POLICE.

AND WHAT ARE WE GONNA TELL 'EM?

THE TRUTH.

WHAT'S THE TRUTH?

JESUS CHRIST, NORMAN. THE BASTARD TRIED TO RAPE ME.

AND I SHOT HIM. I KILLED HIM.

THAT'S WHAT HAPPENED.

IT WAS SELF-DEFENSE.

WAS IT?

LUCY, WHAT HAVE I DONE?

LET'S JUST THINK ABOUT IT, LUCE, BEFORE WE DO ANYTHING, OK?

THINK ABOUT WHAT?

WE'LL WAIT FOR PAUL.

HE'LL KNOW WHAT TO DO.

PAUL?

WE'RE NOT IN ENGLAND.

THINGS ARE DIFFERENT HERE.

WHAT ARE YOU TALKING ABOUT?

THEY HAD A LITTLE GIRL LOCKED UP, AND THEY ATTACKED US.

IS THAT LEGAL AROUND HERE?

CAN WE PROVE HOW HE DIED?

THEY COULD SAY ANYTHING.

YOU'RE JUST PANICKING. NOW RELAX, FOR GOD'S SAKE.

I JUST NEED TO GET IT CLEAR IN MY HEAD WHAT HAPPENED.

WE HAVE TO MOVE.

WHERE THE HELL IS PAUL?

I WANT AN ANSWER.

PAUL'S WITH THE PEOPLE FROM THE VILLAGE.

HE'S HELPING THEM LOOK FOR THE CHILD.

WHAT?

BUT SHE'S HERE. HE KNOWS SHE'S HERE.

HE'S PRETENDING TO LOOK.

IT WAS HIS IDEA. I'M SURE HE'S FINE.

FINE

PAUL CAN LOOK AFTER HIMSELF.

WE HAVE TO GET OUT OF HERE.

OK. GET THE CHILD, AND WE'LL GO.

I'M NOT LEAVING WITHOUT PAUL.

IT'S NOT SAFE TO STAY HERE.

AND LETTING HIM GO OFF ALONE WITH THOSE PEOPLE WAS COMPLETELY SAFE?

CAN WE GET TO OUR CAR?

YEAH. YEAH, LET'S GO.

OH!

WE CAN'T GO ANY FARTHER. WHERE THE HELL IS THE CAR?

THIS IS THE RIGHT WAY, I'M SURE.

EVERYTHING LOOKS THE SAME FOR ME.

THIS LOUSY RAIN.

I'M DOING THE BEST I CAN.

IF YOU ARGUE WITH ME, I CAN'T CONCENTRATE.

AAH!

AAH!

AAH!

SHE'S GOING TO CATCH PNEUMONIA.

TAKE THIS.

HERE, COME HERE. I'LL TAKE HER.

QUICKER IF I CARRY HER. COME ON!

COME ON! COME ON.

LEAVE HER BE. DON'T YOU SEE SHE DOESN'T WANT TO BE WITH YOU?

WE HAVE TO KEEP GOING.

DON'T MOVE...

OR I'LL BLOW YOUR FUCKIN' HEAD OFF.

WHERE ARE THE OTHERS?

DID YOU HEAR THAT?

IT SOUNDED LIKE A SHOT.

WHAT IF IT'S PAUL?

WHAT IF HE'S TRYING TO FIND US?

NORMAN, WE HAVE TO FIND OUT.

WHAT ARE YOU DOING?

I'M SORRY, BUT WE'VE GOT TO GET HELP.

ANY IDEAS?

WHAT DOES THAT MEAN?

THERE.

IS THAT THE VILLAGE WHERE WE STOPPED?

Isabel: NO, THIS IS A DIFFERENT ONE.

WE NEED HELP, NORMAN.

I DON'T KNOW.

THEY MAY HAVE A TELEPHONE. GIVE ME THE GIRL.

THERE ARE NO PHONES IN THE WHOLE VILLAGE.

OH, GREAT.

WHAT DO WE DO NOW?

BUT WE'VE GOT TO GO. WE NEED TO GET TO A PHONE.

IT'LL BE DARK IN A FEW HOURS.

WHY DON'T WE STAY HERE? SHE'S ASKED US TO STAY.

I DON'T TRUST HER.

A YOUNG GIRL. COME ON, NORMAN, LOOK AT US.

WE CAN'T GO ON ANYMORE. WE'RE EXHAUSTED AND SOAKED.

WE NEED TO REST.

SHE INSISTS.

I DON'T CARE. I DO.

Isabel: YOU'D BETTER LEAVE THE SHOTGUN OVER THERE.

PERHAPS HE COULD TAKE US TO THE--

WE HAVE TO GET OUT OF THIS PLACE.

Lucy: YOU CAN LEAVE IF YOU WANT, BUT I WON'T.

I CAN'T GO ON WALKING THROUGH THE FOREST ALL NIGHT LONG.

DON'T YOU UNDERSTAND?

WHAT ARE YOU THINKING OF?

WE'VE GOT TO GET OUT OF HERE.

I THINK YOU SHOULD CALM DOWN.

THANK THEM FOR EVERYTHING, BUT WE'RE LEAVING AS SOON AS WE CAN.

COME ON, LET'S GO.

ACTUALLY, THIS ISN'T SO AWFUL.

RIGHT. YOU MEAN THE HOUSE?

I DON'T KNOW.

EVERYTHING.

PAUL WAS RIGHT.

THIS PLACE IS LOVELY.

YES, IT'S LOVELY.

LUCY.

YEAH.

DO YOU LOVE ME?

WHAT?

ANSWER ME, PLEASE.

I SHOULD GET SOME REST.

MAYBE AFTERWARDS WE'LL BE ABLE TO SEE CLEARLY.

YEAH, WELL, WHEN I SAW THAT MAN ON TOP OF YOU,

AND I FIRED...

I FELT LIKE I WAS DOING IT MORE FOR ME THAN FOR YOU.

YOU KNOW WHAT, AFTER I KILLED HIM,

I DIDN'T FEEL ANY RELIEF.

I STILL DON'T.

WHY CAN'T YOU TAKE A REST?

I CAN'T.

LUCY! WAKE UP!

I TOLD YOU WE SHOULD HAVE KEPT GOING.

GET THE GIRL.

YOU'RE SCARING ME, NORMAN.

JUST DO IT!

THERE'S ONLY 2 OF THEM OUT THERE.

WHERE ARE THE OTHERS?

WE'RE LEAVING.

WHAT'S WRONG?

HURRY!

LET'S GO.

NO. TELL US WHAT'S GOING ON.

THE TWO RAT BASTARDS ARE OUT THERE.

WE'VE GOT TO GET OUT OF HERE.

COME ON!

WHERE'S PAUL?

IS HE WITH THEM?

COME HERE.

COME ON.

ARE YOU COMING OR NOT?

THE BACK DOOR. WHERE'S THE BACK DOOR?

WHERE'S PAUL?

PAUL!

WE'RE GONNA GO ACROSS THE SQUARE.

OK? NOT A SOUND.

SHH!

DON'T WORRY. WE'LL GET TO THE CAR.

WE'LL GET YOU OUT OF HERE.

AAH!

NORMAN, DON'T DO IT.

OW!

THAT'S IT, NORMAN.

PUT THE GUN DOWN, PLEASE. IT'S OVER.

FOR GOD'S SAKE, NORMAN!

STOP ALL THIS NOW!

WHAT'S WRONG WITH YOU?

PLEASE, I'M BEGGING YOU.

HAVEN'T ENOUGH PEOPLE DIED ALREADY?

IT'S ALL OVER, NORMAN.

DON'T YOU UNDERSTAND? IT'S ALL OVER!

OF COURSE I UNDERSTAND.

EVERYTHING ALL RIGHT, LUCY.

♪ THERE IS A WAR BETWEEN THE RICH AND POOR ♪

♪ A WAR BETWEEN THE MAN AND THE WOMAN ♪

♪ AND THERE IS A WIFE BETWEEN THE ONES WHO SAY THERE IS A WAR ♪

♪ AND THE ONES WHO SAY THERE ISN'T ♪

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ THAT'S RIGHT, GET IN IT

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ IT'S JUST BEGINNING

♪ WELL, I LIVE HERE WITH A WOMAN AND A CHILD ♪

♪ THE SITUATION MAKES ME KIND OF NERVOUS ♪

♪ YES, I RISE UP FROM HER ARMS

♪ SHE SAYS, "I GUESS YOU CALL THIS LOVE", I CALL IT SERVICE ♪

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ DON'T BE A TOURIST

♪ WHY DON'T YOU COME ON BACK TO THE WAR BEFORE IT HURTS US? ♪

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ LET'S ALL GET NERVOUS

♪ YOU CANNOT STAND WHAT I'VE BECOME ♪

♪ YOU MUCH PREFER THE GENTLEMAN I WAS BEFORE ♪

♪ I WAS SO EASY TO DEFEAT, I WAS SO EASY TO CONTROL ♪

♪ I DIDN'T EVEN KNOW THERE WAS A WAR ♪

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ DON'T BE EMBARRASSED

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ YOU CAN STILL GET MARRIED

♪ THERE IS A WAR BETWEEN THE RICH AND POOR ♪

♪ A WAR BETWEEN THE MAN AND THE WOMAN ♪

♪ THERE IS A WAR BETWEEN THE LEFT AND RIGHT ♪

♪ A WAR BETWEEN THE BLACK AND WHITE ♪

♪ A WAR BETWEEN THE ODD AND THE EVEN ♪

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ PICK UP YOUR TINY BURDEN

♪ WHY DON'T YOU COME ON BACK TO THE WAR? ♪

♪ LET'S ALL GET EVEN...