Original subtitles

- Hey!

This thing ain't working right.

- It's working all right for me.

- Yippee!

Mary! Mary Roberts!

- Get busy now.

Here he is again.

- What's the matter with you?

Why aren't you in there helping Lola?

- I'm awfully sorry, sir, but the dishes.

- Oh, bother the dishes.

Do them later!

You know you've got to help her make her changes.

- Yes, sir.

- Now, get going before I lose my temper.

Now, come on!

Get going, get going!

Go on!

- We want Lola!

We want Lola!

We want Lola!

- And now, gentlemen, it has always been my aim

to give you the best entertainment that money can buy.

I have brought here, at great expense--

- Ah, get a piece of fat and slide off.

- Who said that?

- You'll get yours!

You'll get yours!

- Hurry, Lola, they're getting restless.

- I gotta look good, don't I?

- Yeah but one of them took at shot at me!

- Oh, quit your whining.

- Oh, hurry!

- Say, if we ever get enough money together

we'll get out of this one-horse tank.

- Come on, hurry!

- How do I look?

- Like a million.

Come on!

♪ Say, I've been roamin' from Frisco to Maine ♪

♪ Been huntin' a man that's not too tame ♪

♪ Gotta have something I need a lot ♪

♪ And baby, dear, that's what you've got ♪

♪ Will ya be my lovey-dovey ♪

♪ My little honey man ♪

♪ We could bill and coo ♪

- Baby! ♪ The way all lovers do ♪

♪ Will ya be my duckie-wuckie ♪

♪ My little sugar pie ♪

- All right.

♪ I'll never make you blue ♪

♪ I'd be so sweet to you ♪

- Woo hoo!

- Say, Finn, you're a lucky skate

having a swell gal like Lola.

- I certainly am.

What do you mean?

Why, she's the lucky one being married

to a swell fella like me.

Huh!

♪ Will ya be my lovey-dovey ♪

- That's me!

♪ My little honey man ♪

♪ I'm a little bit lonesome ♪

- Have you seen my husband?

- Yeah, there he is, over there.

♪ Won't ya be my ownsome ♪

♪ My little turtle dove ♪

- Will I?

♪ Will ya be my lovey-dovey ♪ - Waiter!

I want a big bottle of wine!

Right here. ♪ My little honey man ♪

Come on, bring it over here.

♪ 'Cause I'm looking for ♪

♪ A lovin' honey man ♪

- Sweetheart!

Maw!

- Hi, Charlie.

Hiya, boys.

- Why don't you watch where you're going?

- Hey, Ollie.

Look, we're only two miles from town.

- Well, I'll never make it.

See, I've got one foot in the grave now.

Hey, go over and stop him.

Maybe we can pick up a ride.

I'll get my clothes on.

Hurry up.

- Whoa, whoa!

- All right, mister, we're in.

Come on, Dinah. - Yah, come on!

- Are you going to Brushwood Gulch?

- Mmm hmm.

- We are, too.

- A lot of weather we've been having lately.

Pretty.

It's only four months to Christmas.

Do you believe in Santa Claus?

No.

- Do you mind if I put my hand right there?

- Oh.

- Oh, Fanny!

Oh, that's good.

- I saw her first.

Come.

That's it.

- Darling!

Not you!

I meant my husband.

- Have a nice trip, darling?

- Lovely.

Until these two came aboard.

And they've done nothing but annoy me all the way in.

- Here, you run along home.

Goodbye.

- Fiddlin', huh?

Well, we don't like your kind around these parts

and there's one thing we don't allow

and that's messing with our women.

Now if you wanna stay healthy,

you better catch the next coach outta town.

- Why, yes, sir, we'll be glad to,

just as soon as we've finished with our business.

- And if you miss the next coach,

you'll be riding outta here in a hearse.

Good day, strangers.

- Good day, sir.

- Goodbye!

- Let well enough alone.

♪ Biddly bo ♪

♪ Commence to prancin' ♪ ♪ Bo bo bo bo ♪

♪ Commence advancin' ♪

♪ Biddly bo ♪

♪ Right and left you're glancin' ♪ ♪ Bo bo bo bo ♪

♪ I want your dancin', slidin', glidin', prancin' ♪

♪ Do the tango jiggle with the Texas Tommy wiggle ♪

♪ Take your partner and you hold her ♪ ♪ Bo bo bo bo ♪

♪ Slightly enfold her ♪

♪ Bo bo ♪

♪ A little bolder ♪

♪ Biddly bo ♪

♪ Just work your shoulder ♪

♪ Snap your fingers one and all ♪

♪ In the hall at the ball ♪

♪ That's all ♪

♪ Some ball ♪

♪ Bo bo bo bo ♪

♪ Commence to dancin' ♪

♪ Yeah ♪

♪ Commence to prancin' ♪

♪ Commence advancin' ♪

♪ Right and left you're glancin' ♪

♪ I want your dancin', slidin', glidin', prancin' ♪

♪ You do the tango jiggle ♪

♪ With the Texas Tommy wiggle ♪

♪ Take your partner and you hold her ♪

♪ Slightly enfold her ♪

♪ A little bolder ♪

♪ Just work your shoulder ♪

♪ Snap your fingers one and all ♪

♪ In the hall at the ball ♪

♪ That's all ♪

♪ Some ball ♪ ♪ Bo bo bo bo ♪

♪ Commence to dancin' ♪

♪ Biddly bo ♪

♪ Commence to prancin' ♪ ♪ Bo bo bo bo ♪

♪ Commence advancin' right and left you're glancin' ♪

♪ Bo bo bo bo ♪

♪ I want your dancin', slidin', glidin', prancin' ♪

♪ You do the tango jiggle with the Texas Tommy wiggle ♪

♪ Take your partner and you hold her ♪ ♪ Bo bo bo bo ♪

♪ Slightly enfold her ♪

♪ Bo bo ♪

♪ A little bolder ♪

♪ Biddly bo ♪

♪ Just work your shoulder ♪

♪ Snap your fingers one and all ♪

♪ In the hall at the ball ♪

♪ That's all ♪

♪ Some ball ♪ ♪ Bo bo bo bo ♪

♪ Commence to dancin' ♪

♪ Commence to prancin' ♪

♪ Commence advancin' right and left you're glancin' ♪

♪ I want your dancin', slidin', glidin', prancin' ♪

♪ You do the tango jiggle with a Texas Tommy wiggle ♪

♪ Take your partner and you hold her ♪

♪ Slightly enfold her ♪

♪ A little bolder ♪

♪ Just work your shoulder ♪

♪ Snap your fingers one and all ♪

♪ In the hall at the ball ♪

♪ That's all ♪

♪ Some ball ♪ ♪ Bo bo bo bo ♪

♪ Commence to dancin' ♪

♪ Commence to prancin' ♪

♪ Commence advancin' right and left you're glancin' ♪

♪ I want your dancin', slidin', glidin' prancin' ♪

♪ You do the tango jiggle with a Texas Tommy wiggle ♪

♪ Take your partner and you hold her ♪

♪ Slightly enfold her ♪

♪ A little bolder ♪

♪ Just work your shoulder ♪

♪ Snap your fingers one and all ♪

♪ In the hall at the ball ♪

♪ That's all ♪

♪ Some ball ♪ ♪ Bo bo bo bo ♪

♪ Commence to dancin' ♪

♪ Commence to prancin' ♪

♪ Commence advancin' right and left you're glancin' ♪

♪ I want your dancin', slidin', glidin', prancin' ♪

♪ You do the tango jiggle with a Texas Tommy wiggle ♪

♪ Take your partner and you hold her ♪

♪ Slightly enfold her, a little bolder ♪

♪ Just work your shoulder ♪

♪ Snap your fingers one and all ♪

♪ In the hall at the ball ♪

♪ That's all ♪

♪ Some ball ♪

Howdy, gents.

What'll it be?

- Do you happen to know the whereabouts of a young lady

by the name of Mary Roberts?

- Sure.

She's around here someplace.

- Oh, uh, I'm Miss Roberts' guardian.

What do you wanna see her for?

- Why, we have some very important news for her.

- Oh, what's it about?

Well, I'm sorry, sir, but we're not supposed

to discuss that with anyone but her.

- Yeah, you see, it's private.

Her father died and left her a gold mine

and we're not supposed to tell anybody but her.

See.

Didn't we, Ollie?

- A gold mine?

- It's the biggest thing this side--

- Now that he's taken you into our confidence,

you might as well know the rest.

Shh.

We've got the deed to the property

and we're supposed to give it to her in person.

- What?

- I said we've got the deed to the property and, oh.

- Say, you better show it to him,

maybe he doesn't believe us.

It's the truth.

The biggest -

- Say, did I give you the deed?

- Oh, I know where it is.

Excuse me.

See?

Mary Roberts.

- Come here.

Have you ever seen this Mary Roberts?

- Uh uh.

- Good.

Well, I'll go and find her for you,

but don't tell a soul about it till I get back.

- We won't.

- Thank you.

- It's a good thing we found her.

Lola!

Lola, we've got a fortune right in the palm of our hand.

- What do you mean?

- There's a couple of desert rats downstairs

looking for Mary Roberts.

- What about it?

- They've got a deed to a very valuable gold mine,

left to her by her father, and they're here

to deliver it to her in person.

- Well, ain't that just grand.

- It would be if you were Mary Roberts.

- I got you, but I'd never get away with it.

- Sure you would.

They've never seen Mary Roberts.

- Then it's a cinch!

- Put that shoe on properly.

- What's the matter with it?

- I can't eat that meat!

That's as tough as shoe leather!

- Think you can do it?

- Can I do it?

For a gold mine, I could be Cleopatra.

- That's the girl!

- Bring 'em up. - I will, I'll get them.

Oh!

Hey!

If you'll come upstairs, I'll introduce you to Mary Roberts.

- Right away, sir.

- Did you call me, Mr. Finn?

- D'oh!

No.

Get back into the kitchen where you belong.

Go ahead now, don't bother!

This way, gentlemen.

Come right this way.

This way, gentlemen.

Just sit yourselves down and I'll go and get Lola,

I mean Mary, for you.

I've already told her the news and she's terribly shocked.

Lola, they're here!

- That's swell, kiddo.

- Put these in your arms.

Mary, these are the gentlemen I was telling you about.

- Tell me, tell me about my dear, dear daddy.

Is it true that he's dead?

- Well, we hope he is, they buried him.

- Oh, it can't be.

What did he die of?

- I think he died of a Tuesday.

Or was it Wednesday?

Do you remember?

- I'll handle this delicate situation.

Little lady, you've heard the worst.

Now prepare yourself for the best.

Now, cheer up.

Smile.

That's right.

Remember, every cloud has a silver lining.

- That's right.

Any bird can build a nest,

but it isn't everyone that can lay an egg,

is it, Ollie?

- That's right.

- Do you realize that you own one of the richest gold mines

in the world?

- Oh.

- And your father left you the whole property.

And he gave me the honor of presenting you

with the deed.

- Oh, isn't it wonderful, Uncle Finn?

- Yes, my dear.

- Who's there?

- Mary.

- Mary who?

- Mary, Merry Christmas.

- Excuse me, Mr. Finn, one of these gentleman

dropped this at the foot of the stairs.

- Oh!

Oh, why thank you, little lady.

You don't know what you've done!

Thanks.

- All right, all right, all right.

- There you are, signed, sealed,

and now delivered.

- Oh.

Thank you so much.

- Not at all.

- Come, Stanley, we better be going.

- Yeah.

Oh, say, what about the locket?

- That's right!

- We've got something else for you.

- I almost forgot it.

And besides that,

your father left you this family heirloom.

- Oh, yes, I remember it well.

- Help me get it off, Stanley.

- Am I hurting you?

- No.

Just a minute.

- Won't be long.

- Yeah.

- Maybe I'd better try and open it again.

- I think so.

- It slipped.

Maybe you better take your coat off.

- Pardon me just a minute.

We'll find it in just a moment.

We got it.

We'll go in and change.

Pardon us, just...

- Say, Ollie?

- What?

- Now that you got your clothes off

why don't you take a bath?

- Would you mind leaving the room?

Can't I ever have a little privacy?

- I was just trying to kill two birds with one stone.

Be nice for you.

And I'll take care

of those two bozos and get them out of town.

- Don't worry, leave everything to me.

I've done pretty good up to now, haven't I?

- You certainly have.

I wish you were in my shoes.

If I had that--

- Oh, how about a drink on the house?

That suits me fine.

- How'd you get dressed so quick?

- None of your business.

Goodbye, Miss Roberts,

and thanks for the use of your boudoir.

- You're very welcome.

- Goodbye.

Now that you've got the mine

I bet you'll be a swell gold digger.

- So sorry.

- What'd you leave 'em for?

- I'll send her right up.

You have her sign that deed over to us.

- Oh, don't worry about me,

get those guys out of town, and pronto!

- All right.

- What a cinch.

- Give the gentlemen the best in the house.

- Yes, sir.

- I'll be back in a minute.

♪ On a mountain in Virginia ♪

♪ Stands a lonesome pine ♪

♪ Just below ♪

♪ Is the cabin home ♪

♪ Of a little girl of mine ♪

♪ Her name is June ♪

♪ And very, very soon ♪

♪ She'll belong to me ♪

♪ For I know ♪

♪ She's waiting there for me ♪

♪ 'Neath that lone pine tree ♪

♪ In the ♪

♪ Blue Ridge Mountains of Virginia ♪

♪ On the trail of the lonesome pine ♪

♪ In the pale moonshine ♪

♪ Our hearts entwine ♪

♪ Where she carved her name ♪

♪ And I carved mine ♪

♪ Oh, June, oh, June ♪

♪ Just like the mountains, I'm blue ♪

♪ Like the pine ♪

♪ I am lonesome for you ♪

♪ Ooh hoo ooh ooh ♪

♪ In the ♪

♪ Blue Ridge Mountains of Virginia ♪

♪ On the trail of the lonesome pine ♪

♪ In the Blue Ridge Mountains of Virginia ♪

♪ On the trail of the lonesome pine ♪

♪ In the pale moonshine ♪

♪ Our hearts entwine ♪

♪ Where she carved her name ♪

♪ And I carved mine ♪

♪ Oh, June ♪

♪ Like the mountains, I'm blue ♪

♪ Like the pine ♪

♪ I am lonesome for you ♪

♪ In the ♪

♪ Blue Ridge Mountains of Virginia ♪

♪ On the trail of the lonesome pine ♪

- Well, that's fine.

- Miss Lola, what is this for?

- Oh, now whatever we do in your behalf is legal.

- Oh, thank you very much.

- Oh, don't mention it, darling.

Now run right along with your work.

- Yes, ma'am.

Well, here's looking at you.

- Shh.

Shh, shh, shh.

Shh!

- Well, I've gotta be going.

- Well, so have we.

- Goodbye.

- Goodbye, Mr. Finn.

- Goodbye.

- Goodbye, mister.

- Goodbye, sir.

- Goodbye.

- Goodbye. - Have a good time.

- Goodbye, Miss, uh, Miss, uh...

- Roberts, Mary Roberts.

- Goodbye, Miss Roberts.

- Goodbye.

- Did you hear

what she said her name was?

- Sure, Mary Roberts. - How can she be Mary Roberts

when we've just given the deed to Mary Roberts?

I don't know.

I smell a rat.

- I smell something, too.

- Come on.

Pardon me.

Did you ever have a father by the name of Cy Roberts?

- Why, yes!

He left me here with these people years ago

when he went prospecting.

- Well, who's that woman upstairs?

- That's Lola Marcel, Mr. Finn's wife.

She's my legal guardian now.

- Can I speak to you for a minute?

- Pardon us.

- Yeah, we'll be right back.

You know what?

- What?

- I think we've given that deed to the wrong woman.

That's the first mistake we've made

since that guy sold us the Brooklyn Bridge.

- Oh, buying that bridge was no mistake.

That's gonna be worth a lot of money to us someday.

- Well, maybe you're right.

We'd better go and get the deed.

- Say, maybe they won't give it back to us.

- What do you mean they won't give it back to us?

We'll get that deed or I'll eat your hat.

- That's what I call determination.

Come on.

- Splendid, splendid!

- She fell for it like you fell for me.

- Lola, my girl, we're sittin' pretty.

- Who's there?

- Me.

- Me who?

- "Me who"!

- What do you want?

- Out of my way, you snake in the grass.

- You toad in the hole.

- Say, you slugs, what do you mean

busting in here like this?

- We want to know why you are not Mary Roberts.

- I'll take care of this matter.

- So you got wise, huh?

Well, if it's this deed you're after,

you're just outta luck.

Give that back to me!

- Take it, Stan, beat it!

- No you don't, no you don't, no you don't.

- That's it.

Get it, there you are.

Hey!

Oh!

This.

- Oh.

Oh, oh.

- Oh!

Oh! - Get it!

- That's it, Stan!

Take it.

Give it, Stan!

No, give it!

Go on, give it!

Go on, Stanley!

Over the head!

Throw it into the safe!

Gimme that deed.

Get away from here.

Get away from it!

- Why don't you--

- Get up, get!

- Pull me!

- Gimme that!

Move it!

Stan!

Stop! - Get away from that door!

Get away from it.

Get away from the house.

Get away, go ahead, do it!

- Now, you stop.

Stop that.

Just stop!

Ollie, come and get me!

You tickler!

No, oh, I said stop, no!

Oh, that tickles!

Oh, you're tickling me!

- All right, don't you even touch it!

You'd better get back!

- Ollie!

She's attacking me.

- I told you, go back.

Now back don't you go.

- Stop, you're hurting me!

- Yeah, not yet, not yet!

Ha ha ha ha.

Stay where you are.

Don't move.

- Ha ha!

- Ho ho!

- Hee hee!

- Oh!

Go get him!

- Go get him!

Stop him, get him!

Get him!

- Have your own!

Get him!

Don't move it back!

Oh!

- Okay, let's get him!

The ball room in back.

- No!

Hey, Stan!

Oh no, no!

Oh no you don't.

Get it.

Don't move it back.

No.

Get it.

- Stop get him!

- Go get Stan, Stan, Stan.

- I can't stand it!

- Now, get 'em outta here.

- Get out!

Now, get out of here.

Who's there?

- The sheriff!

Just in the nick of time.

Now we'll get justice.

Come in, Sheriff.

You're just the man I'm looking for.

- And you're just the man I'm looking for.

- Oh, thank you.

This man, oh!

- I thought I told you two dudes

to catch the next coach outta town.

- Yes, sir.

- Well, it left 10 minutes ago.

- It did?

Well, maybe we'd better try and catch it.

- We'll get right-- - I'll say you'd

better try. - Be right there and catch it!

- Look at them go!

- Ha, you can't see 'em for dust.

- Say, Ollie.

- What?

- You don't think we're taking any chance

going back there tonight and robbing that safe, do you?

- Chance or no chance, we've got to get that deed back.

And just as soon as my clothes are dry,

that's exactly what we're going to do.

- I think that's a good idea.

You know, if that girl ever found out--

- Give me a light!

Those matches are soaking wet.

Thank you.

See if my clothes are dry.

- Your hat's dry.

- That reminds me.

You made a statement this afternoon.

- Did I?

- Mmm hmm.

You said that if we didn't get the deed

that you'd eat my hat.

Oh, now you're taking me illiterally.

- Nevertheless, I'm going to teach you

not to make rash promises.

Eat the hat.

- Oh, that's silly.

Who ever heard of anybody eating a hat?

- Who ever heard of anybody doing that?

Eat the hat.

- I won't do it.

- If you don't eat that hat,

I'll tie you to a tree and let the buzzards get you.

- Would you really do that?

I certainly would.

- I never heard that before.

Eat it.

Get my clothes.

Oh!

Ooo!

Shh!

- Wait a minute, I'll help you.

- All right.

Hey, stop!

- Shh!

- What did you wanna go and push me in there like that for?

- I was--

- You are the dumbest thing I ever saw.

- Hey, hey.

I've got an idea.

Why don't we climb up on the shed,

then we can get onto the balcony

and we can go in that door,

and it'll save us going through the front?

- Now, that deserves consideration.

- Shh!

- Shh!

- Shh.

- Shh.

- Hey!

Sss, sss!

Hey, Ollie.

Sss!

Are you all right?

Sss!

Wait, I'll get a ladder for you.

Won't be a minute.

Shh!

I'm going to get a ladder for him.

- Shh.

- We'll follow our original plan

and go through the front way.

Now, go ahead.

- Do you mind if I have another idea?

- If it's anything like the last one, yes.

What is it?

- How about me pulling you up on the block and tackle?

Now can I pull you up.

What are you doing out here?

- What?

There's something wrong here.

- Yes, it's you.

Come on back to bed.

You're scaring me half to death.

Come on, go to bed.

- Here, hold that.

Now are you all ready?

Upsy-daisy.

- Now, don't get fancy.

Just get me up there.

Higher.

- Wait a minute till I spit on me hands.

- All right.

Oh!

Oh!

- Upsy-daisy.

I'll spit on 'em again to make sure.

- Oh!

Hand me the end of that rope.

Now hold out your hand.

Hold out your hand!

This one.

Now tie that on the mule.

Tie that on the mule!

Get on the mule.

Get on the mule!

Hey!

Where are the tools?

- In the saddlebag.

- You better hand them to me.

- Okay.

I'll be right...

- No!

What are you trying to do?

- I want to get the mule down.

- Never mind that now.

We'll attend to that later.

Maybe we can get in through here.

- That's a good idea.

- Shh.

- Shh.

- Shh.

- Wait there, we'll be right up.

- Shh!

- Shh.

What's the matter, what's the matter?

- Will you stop laughing in your sleep?

- I'm not laughing!

- Don't tell me!

I'd know your laugh anyplace.

Now, go to sleep.

Keeping me awake all night like this.

- Hey.

Sss!

- Shh.

Any noise, shh.

- Oh!

What are you doing here?

- Shh, as soon as I get out of here,

we'll explain everything.

- Mary, Mary,

what are you doing down there? - Oh oh! Hide me!

Hide me, put, get, put the... - What's that noise

down there, answer me! - Hey!

Mary?

- Oh, no, no, no.

Come, you must hide.

- Mary, what's going on down there?

What's that noise?

What are you roaming around this time of night for?

- Well, Mr. Finn, I thought--

- You thought you heard!

Get back to bed and not another peep out of you.

Go ahead, waking up the house like this!

Huh, now I...

Oh, oh, oh!

Oh, oh, oh,

oh, oh, oh.

- Shh, shh.

- Please, what are you doing here?

- Come on in and I'll tell you all about it.

Shh!

Ollie?

- What?

- Wait there, I'll be right back.

Shh.

You put on your clothes and we'll see you later.

- Okay. - Shh.

- Where have you been?

- I told Mary what happened.

And as soon as we get the deed,

she's going to leave town with us.

- Good.

- Yeah. - Where is she now?

- She's putting on her clothes

and she's gonna meet us outside.

That swell? - Fine.

Now get me out of this, will you?

- Okay.

- Take it easy, now.

You can't.

You can't do it that way.

- Take it easy.

Shh!

I'll pull you up in just a jiff.

Maybe I can pull you up all the way.

- Please let go, you're choking...

Oh, me apple.

- Are you all right?

- Shh!

- Oh!

- What did you wanna go and do that for?

- Well, I didn't know it was gonna--

Light!

- Shh!

- Mary, what are you doing down there?

- Oh, get, get!

- What's going on?

Mary, Mary.

Mary.

Mary.

- Will you move over?

- Oh, oh, oh, oh!

You give me that gun!

- Put up your hands!

Not you. - What are you gonna do?

- I'm gonna take you upstairs

and make you give us that deed back.

- You can't do that! - Get out of here!

- Go on. - Go back into--

- Go on! - Gotta do it myself.

Now, get in that room.

Go on.

Now open that safe and give us that deed.

Hurry up.

Get back in that room.

Go on, get in there!

Now give us that deed.

Come on, take it, Stan. Now, get in there and get to bed.

Go on. - I am.

- Go on. - I'll get, I'll get

someone in this house! - Go on, shut up!

- You don't want part of me.

- I'll take anything! - Get in there.

- You can't get away with it!

- Get in that bed.

Get in there. - You can't get away with this

I'll fix you!

- Tie him up.

- What are you gonna do?

What are you gonna do?

- Never mind what we're gonna do.

- Stop that, you can't get, you can't do that!

- Shut up. - Stop it! I told you--

- Shut up.

- You can't do this.

Wait, I'll get you for--

- You go and get Dinah, I'll take care of him.

- Let me get up and...

Take me out of this!

Let me, come back.

You can't get, you can't do that!

- Shut up! - Now wait. I can't move.

Let me down here.

Let me down!

Let me out of here.

Get me down here!

What are you gonna do?

You'll suffer for this!

I'll get you for this!

Let me go.

Let me go!

Help!

Lola, Lola, Lola!

Lola!

Lola!

Help me, Lola!

- Oh!

- Lola!

Oh, oh, oh, oh, oh!

- Enough, enough!

Hey, come back!

Come back here!

Run, come back, hey!

I'm coming forward.

Come back!

Oh, too far!

Come back here!

- Well, now that our troubles are over,

where do we go from here?

- Why, I'd like to go back to the town where I was born.

- Where is that?

- Way down South.

- Are you from the South?

- I sure am.

- Well, fan my brow!

I'm from the South.

- You are?

- Mmm hmm.

- Well, shut my mouth!

I's from the South, too.

- South of what, sir?

- The South of London.

- London!

Well, honey, we'll all go down to Dixie.

Oh, for a slice of possum and yam.

Ooh!

- Yes, sir.

And some good old fish and chips.

I can smell 'em.

- Fish and chips!

♪ We're going to go ♪

♪ We're going to go way down in Dixie ♪

♪ Where the hens are doggone glad to lay ♪

♪ Scrambled eggs in the new mown hay ♪

♪ We're going to see ♪

♪ We're going to see our home in Dixie ♪

♪ You can tell the world we're going to ♪

♪ D-I-X ♪

- I know how to spell it.

♪ Then we're going ♪

♪ All right, we're going ♪

♪ You know we're going ♪ ♪ You bet we're going ♪

♪ To our home in Dixieland ♪

♪ We're going to go way down in Dixie ♪

♪ Where the hens are doggone glad to lay ♪

♪ Scrambled eggs in the new morn hay ♪

♪ We're going to see ♪

♪ We're going to see ♪