All language subtitles for Maniac Nurses Find Ecstasy 1990

[Music playing]

NARRATOR: Welcome to
Women's Hell, USA.

Where women live no longer than
is necessary to give pleasure

To a perverted group of
deranged, so-called doctors

And nurses.

We invite you now on a
journey into sickness.

To a world of sex and violence.

Meet Sabrina.

She has a very
special relationship

With the head of this clinic.

And this is Ilsa,
the sadistic director

Of the clinic... a woman
who knows no mercy

And lives only for
her own pleasure.

Go get the ambulance.

I'll help you, Sabrina.

Maniacs.

GRETCHEN: It's your turn
to do the dirty work.

USHI: OK, OK.

I'll do it.

GRETCHEN: Look, Sabrina's
medication's arriving.

Let's have some fun.

Can you help us?

We saw her lying on the
road as we were passing by.

She's unconscious.

[Screaming]

Get the girl.

Come on, get out, you bitch!

Come on, come on.

We don't got all day.

Sabrina, everything's OK, now.

You'll see.

I love you.

Cut the crap, Ilsa.

Turn the engine on.

This bitch is giving
us a hard time.

I love you.

NARRATOR: Little Sabrina
feels much better now.

Ilsa gave her her
special, but very,

Very effective medication.

Maniacs.

Sick.

Sex-crazed sadists.

[Groaning]

NARRATOR: Meet
Greta, Ilsa's sister.

As ruthless and
sadistic as her boss.

She used to be Ilsa's lover,
but things have changed.

And Ilsa seems to be more
interested in Sabrina.

Greta consuls herself with her
two faithful assistants, Ushi

And Gretchen.

She fainted.

That means playtime's
over, right?

That's what you think.

Help me.

Let's give her a new sensation.

Drag her into the sauna.

I want to watch her sweat.

[Gasping]

Can't stop thinking
what a shame it is we

Have to kill her already.

Look, she's coming to.

GRETA: Not for long.

Give it some more steam.

I want to watch her boil.

Shit.

Death of a pretty tong.

Sex-crazed sadists.

[Knocking]

GRETA: Ilsa?

ILSA: Enter.

It's bad.

We don't have any more patients.

Oh, yes, we do, Greta.

I brought one in this morning.

And I want to keep her a while.

A two-way for
your daughter, huh?

Don't you ever call
my daughter here.

I am Mistress here.

Now, come.

NARRATOR: Now you know
Ilsa's terrible secret.

The elements are in place.

A tragedy can now
begin to unfold.

Sometimes there is pleasure
to be had at the clinic,

But life is different
now the Ilsa and Greta

Are no longer friends.

Life can be pretty boring
at the clinic nowadays.

Sabrina knows nothing
of Ilsa's morbid secret.

She's the only one in
the clinic who doesn't.

But not knowing doesn't
mean not feeling,

And her feelings
are very strange.

She has an overwhelming
painful settlement

Of a very disturbed sexuality.

She's lonely at the
beautiful Lolita age

Where a young girl learns
the first steps of love.

Instead of meeting
nice boys, she

Must live with the masochistic
obsessions of an older woman.

And, to paraphrase
a great poet, we

Could say that while sexuality
has a plethora of disguises,

The most important of them
certainly is violence.

And the more disturbed
the sexuality,

The meaner the violence gets.

In Sabrina's case,
we deal with an

Overwhelming destructive
murderous violence

Which knows no boundaries.

Men, women, children, animals...
No one escapes Sabrina's

Frustrated love sickness.

Her obsession with violence is
crystallized in the contents

Of a comic books.

Most of all, in the
adventures of her hero,

Macho Burton, a super
strong mercenary

Who shoots before thinking,
whose gun does the talking.

Who knows every possible
killing technique.

A man who can't be
stopped by anything.

A man who single-handedly
destroyed whole armies.

And as Sabrina's love for her
terrible hero knows no bounds,

An innocent servant
at the clinical

Who was just a poor voyeur
will be another victim

Of frustrated sexuality.

[Imitates gunshots]

[Groans]

Enemies.

[Music playing]

He was a good man.

Too bad he had to die like that.

You can bury him now.

Now what?

We've got dead bodies
all over the place.

I think we should get out
of here while we still can.

You'll do whatever
I want you to.

Is that understood?

We go when I say we do.

I give the orders around here.

OK, now, get out,
and make sure we have

Something to eat this evening.

Who will look after
the statues now?

I hope it's good.

NARRATOR: I bet it will be good.

Greta has really gone to
extremes in the art of cooking.

Nothing was too difficult in
her search for the strangest

And best meat, but
where in hell did

She find this incredible meal?

What did she do to please in
her own, very special way,

Her demanding mistress?

GRETA: I'm sure you'll like it.

This is tongue.

NARRATOR: Tongue?

Human tongue.

GRETA: The gardener
couldn't do the shopping.

We decided to use it
for the last time.

The gardener once ate my pussy.

That's why I guarantee
the quality of his tongue.

Disgusting.

He was one of us.

Look at Sabrina.

She loves it.

NARRATOR: And why not?

Sabrina lives in our own
world and has enough problems.

Accepting the outside
world would be too much.

Here, every other
person is meat.

And so in the great
cannibalistic tradition which

Goes back to the
beginnings of mankind,

Sabrina eats her victim.

Come with me to the woods.

I hate going into the woods.

Come.

Ilsa told us to go.

She needs the garbage man
to clean th operating room.

She's going to work on the
girl she brought in, probably

For you.

Hey, garbage man!

Ilsa needs you!

You dumb bastard child.

You!

Come with us.

I don't know why the son of
a bitch scares you so much.

You should have killed him
rather than the gardener.

The gardener was at
least useful to us.

This guy's like a zombie.

I'm sure he eats the
garbage he collects.

I'm going.

Get to work.

Look what you've done.

That's enough.

Now get back to the woods.

NARRATOR: Again, Ilsa
lets her sick love go,

But she isn't happy.

Greta is always there to
reminder her of a time

When everything was easy.

She loves Sabrina, but Sabrina
is so difficult to please.

She seems to be interested
only in her comics.

Ilsa promises her
a new love toy.

She will operate on the
young female patient

The following day and make
her a robot love doll.

Party time.

Is everything ready?

Have you tied her arms and
legs so she can't move?

OK.

Listen, this is what
we're going to do.

We'll first take
out her insides.

Then we'll sew her
up so Sabrina will

Have a nice doll to play with.

Understood?

Greta, help me put this on.

Ready to play doctor?

Ready to please Sabrina?

[Buzzing]

Our anesthetist disappeared.

Thanks to our beloved Sabrina.

Like I said, our
anesthetist has disappeared,

So we'll do without.

Sabrina needs her
toys at regular hours,

Otherwise it could be
bad for her health,

And health is what we
care about, don't we?

Kiss the world
goodbye, fruit cake.

Now to work.

USHI: I like her kidneys.

GRETCHEN: Her liver
ain't so bad, either.

Can we keep it for dinner?

Drop it.

A rotten tooth.

I'll pull it out for
our little Sabrina.

Watch yourself, Greta.

Ilsa, I dropped
something into the body.

Greta, I've had enough of
your pretentious attitude.

Why do we always have
to work for Sabrina?

This girl could have
been for all of us.

This girl is for Sabrina
because I am the boss here.

[Chainsaw revving]

ILSA: What the
hell is she doing?

Fucking crazy!

Destroying Sabrina's love doll.

Somebody stop her!

Now we all get a piece.

NARRATOR: Seeing Greta
and Ilsa together

Reminds Betty of the good old
times when everything was fine.

When an operation
was a real pleasure

Game and not a battleground
for two hate-crazed women.

And so we see the
fate of all who

Disobey Ilsa's mighty power.

Those who do not follow
her implacable rules

Should not expect mercy.

What a terrible,
devastating vengeance.

The sole outcome of
which can only be death.

A most horrible, inhuman death
to be hunted by your own kind.

[Screaming]

Shit.

NARRATOR: The people at the
clinic are no white trash.

Some, like Ilsa, are doctors.

Others like Greta
were white trash,

But became under Ilsa's
influence, more intellectual

And studied the
science of medicine.

Most of the other girls
were also white trash,

But living with such
intellectual and perverted

Persons like Ilsa and Greta
made them all so very decadent.

Before coming to the clinic,
they were experts in sleaze.

They were strippers,
prostitutes, gang leaders, drug

Dealers, killers, and maniacs.

Today, not forgetting
their origins,

Not forgetting the
lessons of the past,

They have lost their
insatiable will to live.

They have tried too much.

They have explored too far.

Decadence is their faith.

The loss of the incredible
white trash lust for life

Can be seen in the strip
tease dance Betty performs.

It's not the frenzied
vital white trash

Dance for people hungry
for every aspect of life.

It's the bored,
slow dance of people

Who've done and seen it all.

And whose enormous knowledge is
molded by the strong and sick

Discipline of strange masters.

These people are not happy.

It's impossible for them
to forget their boredom.

Every vital fiber
in them is replaced

By a perverted view of life.

It's more and more
difficult for them

To satisfy their sexuality.

This dancing is fake.

These caresses are fake.

Even the whip isn't
strong enough.

Only death can bring
them the semblance

Of a sexual satisfaction.

Having gone to the
extremes of life,

Their confined to
their own world.

A world made out of their
own logic, their own laws.

A world that's
impossible to escape.

A world where love
and respect for life

Has disappeared,
including the lives

Of the protagonists themselves.

In fact, their world is
one big attempt at suicide.

A suicide attempt in
luxurious surroundings.

Beautiful women,
extreme pleasures,

Exaggerated sadomasochism.

The fetishism of deadly weapons.

The glorification of death.

It's a slow attempt to escape a
self-inflicted life of boredom

In the only way possible...
In an orgy of death.

Greta and her two
faithful aides have

Had enough of Ilsa's tyranny
based on Sabrina's whims.

They plan to eliminate the
mad daughter by telling her

The horrible, monstrous troupe
of her sexual relationship

With Ilsa.

And, the next day,
Greta asked Sabrina

To go for a walk in the
woods, and begins to open what

Could be a new Pandora's box.

A box full of
hidden perversities.

In fact, so strange
and shocking,

That not even the sickest
brain could invent them.

She tells how Ilsa had a child.

In fact, she had more than one.

First, there was a boy.

He was born with
an Elvis tattoo.

That monstrous freak of
nature died very soon after.

But, before Greta could
continue her story.

[Gasps]

You idiot.

[Moaning]

NARRATOR: The night is a
moment of truth for everybody.

A time for reflection.

A time to recover
from the wounds

And the excesses of the day.

But while some dream
gently about their lives

And their fantasies,
there's a young girl

Who should sleep the innocent
and pure sleep of her age,

But is tortured by things
she feels she doesn't know.

And tonight, her strange dreams
are filled with bizarre stories

Of the jealous Greta.

The night is also a
time of loneliness.

In the heat of the
night, everyone

Must deal with his own demons.

And loneliness
can't escape them.

The terrible truth
will force its way out.

Yeah

[Grunting]

Again, Greta had a plan
to eliminate Sabrina

And the mother she hated.

A plan involving
an innocent victim.

[Screaming]

[Tires squealing]

[Groaning]

Greta, we're here.

GRETA: Ah, Sabrina.

You'll enjoy this.

[Groaning]

My turn now, Greta.

GRETA: Stop it,
you little bastard.

This is for my
personal pleasure.

Get out now.

This has nothing to
do with her or Ilsa.

[Groaning]

ILSA: What are you
trying to pull?

We found a new patient.

But why bring Sabrina in here?

What?

Did she come running
to you for help?

She came here by herself.

You're lying.

You're going to pay for this.

I hate her.

[Groaning]

NARRATOR: Ilsa is bound as
a slave to Sabrina's whims.

She now offers her own body
to the sadistic perversions

Of her sick daughter
after promising

Her new pleasures to satisfy
her insatiable hunger

For sex and violence.

Well, well.

What have we got here?

I saw some campers out
there in the woods.

There are four of them,
and I'm willing to share

Them with my little family.

[Music playing]

We'll go tomorrow.

[Shooting sounds]

Sabrina, it's me.

Open up.

[Helicopter flying sound]

Sabrina, tomorrow
you'll be happy.

Now let me in, please.

Sabrina, please.

Sabrina, let me in.

This is what I get for having
suffered so much this morning?

I thought you enjoyed
our little whipping game.

SABRINA: Somewhere there
are innocents to be saved.

NARRATOR: Ilsa's love has
once again been rejected,

And her fate is a lonely
night full of frustration.

But meanwhile,
there are others who

Live their lusts without limit.

Lust driven to extremes
by the prospect

Of a next day's bloody hunt.

[Music playing]

Go!

[Music playing]

Now, you die.

Oh, no.

Not again.

GRETA: God, I love
the sound of death.

And now you're going to
get it between your legs

Like you've never had it before.

Shame you're already dead.

[Clank]

[Screaming]

Help me!

[Music playing]

[Groaning]

Stand up and fight.

Please help!

You're not even
worth one bullet.

[Screaming]

I said you will pay for this.

[Groaning]

And who do we have here?

How about a crash
course in raw sex?

Do I turn you on?

Come closer.

I'll show you what
I have to offer.

Come on.

Come a little closer.

Look what I've got for you.

It's all yours.

Come on.

[Groaning]

You did very well.

And now, I have to kill you.

You understand I couldn't
let you die a virgin.

You died a man.

You went too far, Ilsa.

You too.

I loved you, but your
daughter... yes, your daughter.

She spoiled everything.

Now, it's the end.

I'm going to tell
Sabrina the whole truth.

ILSA: No, don't!

GRETA: Without her,
we'd still be in love.

Now, it's too late.

Sabrina, I have
something to tell you.

It's about Ilsa.

I met Ilsa in Paris, the most
beautiful city in the world.

I was a stripper there.

She was a prison doctor.

She introduced me to nursing.

We worked together,
had a lot of fun.

Ilsa became pregnant
and had a child...

The one with the Elvis
tattoo I spoke to you about.

He died very soon after birth.

Then the inmates
took the prison over.

Disgusted by our experiments,
we escaped and went on a trip

Around the world.

And we ended up here
and started this code.

But before leaving Paris,
Ilsa became pregnant again.

Another child was born.

This time it lived.

And as the child grew up, it
became more and more important

For Ilsa.

She fell in love with it.

She forgot about me.

I was nothing to her
anymore... a mere sex object.

Ilsa didn't even care
about the clinic anymore.

NARRATOR: And now the
truth will be unveiled.

The carnage will end.

The killers have
killed themselves.

The spiral of violence
has reached a climax.

Sex has made its point clear.

No one can play
unashamedly with sex.

You have to pay a price,
and the further you

Explore the strangest
realms of sexuality,

The higher that price.

Ilsa, Greta, and their
servants went as far

As they could in the
exploration of diversity.

They played with the
extremes of sadomasochism.

They played with death.

Their lives were at
stake every moment.

They went as far as they could.

Now they can go no further.

Nor can they go back.

They're in the dead
end street of sex.

In this tragic story,
there is a victim.

A victim not only of
sexual perversion,

But also a victim of
a sick mother-love,

And a victim of more
mundane elements,

Like jealousy, hatred,
and alienation.

And this victim is the weakest
of them... the youngest.

It's Sabrina.

A beautiful girl who could have
been a happy-go-lucky Lolita,

But will now know the terrible
truth about her wretched life.

But will she be a real victim?

The final knowledge
will free her totally.

She could destroy herself, but
she could also find yourself.

And then, she would have
a terrible strength.

She would be a kind of
heroin, but an unlucky one

To live always with monstrous
secrets and monstrous forces.

Listen as Greta tells
her the ultimate truth.

GRETA: That child was our end.

That child was you.

You, Sabrina.

You.

[Music playing]

Sabrina!

GRETA: Ilsa, don't let me die.

Kill the bastard child.

Please, Ilsa.

Please.

Goodbye, Mother.

Somewhere there are
innocents to be saved.

NARRATOR: And so ends this
tragic and morbid tale

Of frustrated love and
sadistic perversion.

A story in which
nobody has gained

Anything other than death.

Only Sabrina escaped this hell,
and now she's on the loose.

Her deranged mind desperately
seeking innocents to be saved.

[Music playing]