Original subtitles

MUSIC: "Theme From Doctor Who" by Ron Grainer and Delia Derbyshire

CHEERING

It's a silly question, but are you ready for a good time?

CHEERING

To celebrate a new Doctor, a new companion.

Lots of celebrations of lots of Doctor Who.

The Proms audience is going to go ballistic,

so I'm really looking forward to it!

To play this stuff to thousands of people -

the joy on people's faces, sharing in moments they've loved,

being thrilled by the monsters - it's a really joyous thing.

He's going to get people really excited.

I think it's going to make people emotional.

Sometimes it's terrifying, but in the best way.

I think there's going to be some cheers,

there's going to be some screaming...

There's going to be some feeling of nostalgia

from a lot of the people in the audience.

I know how much this show means to so many people around the world,

and, like, you can feel it - everyone's so excited!

BOY CHEERS

The soundtracks are what makes Doctor Who "Doctor Who".

I grew up with this music, and so,

to be a part of bringing it to life again

in this really special place... Yeah, it's a pretty amazing moment.

Every time I start singing and rehearsing, I get the goosebumps.

CHEERING

Inside, my ten-year-old self

is ABSOLUTELY bubbling!

Hello!

I'm hoping to see Catherine Tate,

because she's always amazingly funny.

Stop it! AUDIENCE CHEER

No!

This music is designed to hit the back row -

it's big music with big melodies.

The communal experience of it -

being with those fans and seeing the excitement -

it's just a brilliant experience.

CHEERING AND APPLAUSE

MUSIC: "The Doctor's Theme" by Murray Gold

VOCALISING

MUSIC BECOMES DISCORDANT

DRAMATIC CRESCENDO

MUSIC: "Fifteen" by Murray Gold

GOBLINS SNARL

BOGEYMAN GROWLS

CHEERING AND APPLAUSE

Hello!

CHEERING AND APPLAUSE

CATHERINE LAUGHS

Hello, hello!

Oh, stop!

Stop! CHEERING FADES

Oh, I feel like I'm at a convention! LAUGHTER

What a way to open the show.

Look at you people standing. CHUCKLING

Look at you - hello!

Hello! Look at you, look at you, look at you!

And up there, and up there, and up there!

A very warm welcome to the Doctor Who prom.

I'm Catherine Tate, and I am also Donna Noble in Doctor Who.

CHEERING AND APPLAUSE, CATHERINE LAUGHS

You are in for a spectacular sonic treat, today.

You are in for a spectacular sonic treat, today.

Oh, yes!

We're going to have a dabba-doo time.

We just heard "Fifteen" performed by the BBC National Orchestra of Wales -

We just heard "Fifteen" performed by the BBC National Orchestra of Wales -

leader Lesley Hatfield with Lenny Sayers on bass clarinet,

David Miller on baritone sax, the London Philharmonic Choir,

David Miller on baritone sax, the London Philharmonic Choir,

all conducted by Alastair King,

and featuring the stunning voice of soprano Aida Garifullina.

and featuring the stunning voice of soprano Aida Garifullina.

CHEERING AND APPLAUSE

"Fifteen", like so much of the music in today's prom,

was written by Doctor Who legend, Murray Gold...

CHEERING AND APPLAUSE, CATHERINE LAUGHS

..who returned to the series last year

for the 60th anniversary specials and most recent season.

for the 60th anniversary specials and most recent season.

Murray Gold and Segun Akinola, composer of the 13th Doctor's era,

are in the audience today...

CHEERING AND APPLAUSE

..together with former showrunner Steven Moffat,

and returning showrunner, Russell T Davies.

CHEERING AND APPLAUSE

Where are they? Whoo!

Feel the love, people!

Unbelievably, it is 11 years

since Doctor Who was last seen at the Proms,

and so, so much has happened since then -

three more Doctors, for a start, including the first female Doctor.

CHEERING AND APPLAUSE Yes!

And then, last November...

..THAT face returned.

LAUGHTER AND CHEERING

Mine. LAUGHTER

CATHERINE CHUCKLES We...

Stop it! CHEERING INTENSIFIES

No!

With music from "Star Beast" and "The Giggle",

this is "The Doctor, Donna & The Toymaker".

CHEERING

MUSIC SUITE: "The Doctor, Donna & The Toymaker" by Murray Gold

CHEERING AND APPLAUSE

Bi-generation, who would have known?

One thing is for certain - that there is a brand-new face

flying the Tardis, and with him a new companion.

Mirroring the Doctor's own story,

she's also a foundling with a mystery to solve.

So, are you ready to be transported on a musical adventure?

CHEERING

Well, there's lucky... CHUCKLING

..because we're going to take you on a ride in the Tardis...

..with the Doctor and Ruby Sunday -

travelling to a futuristic space station

where every child's worst nightmare is lurking in the shadows.

SING-SONG: Ominous!

CHUCKLING Then, on to Regency England,

and an encounter with shapeshifting Chuldurs,

not to mention a charismatic bounty hunter.

WOLF WHISTLE Yes!

LAUGHTER

Yes! Featuring music from "Space Babies" and "Rogue",

this is "Into The Vortex".

CHEERING AND APPLAUSE

MUSIC SUITE: "Into The Vortex" by Murray Gold

GUNGE OOZES

BOGEYMAN HOWLS

I'm not a Chuldur.

I'm something much older, and far more powerful.

I'm a Lord of Time from the lost and fallen planet of Gallifrey.

I'm a Lord of Time from the lost and fallen planet of Gallifrey.

Now, let me go, bounty hunter.

We have work to do.

CHEERING AND APPLAUSE

Atttention, Albert Hall, London, UK, Panet Earth!

Atttention, Albert Hall, London, UK, Panet Earth!

I am the Vlinkstatic X-Form Robo-Neuro-Actoform

I am the Vlinkstatic X-Form Robo-Neuro-Actoform

Designation Number 5576, but you can call me "The Vlinx!"

Designation Number 5576, but you can call me "The Vlinx!"

Hello! AUDIENCE:Hello!

I said, "Hello"!

AUDIENCE:HELLO! Thank you.

And it is my greatest function to introduce a very special guest -

And it is my greatest function to introduce a very special guest -

human beings, please welcome... The Doctor!

VWORP!

Hello! AUDIENCE CHEER

Hallo, there, Royal Albert Hall. HE LAUGHS

OK, look at you!

ALARM BLARES Emergency, emergency!

The Albert Hall is being invaded!

Save yourselves, because here comes...

MELODIC CACKLING ..The Pantheon of Discord!

SING-SONG:Ta-dah!

AUDIENCE CHEER AND BOO

I am...Maestro, the God of Music,

And music is MINE!

And music is MINE!

THEY CACKLE, AUDIENCE CHUCKLE

Oh, scream all you like!

Yeah, yeah, yeah -

you tiny little human pimples!

THEY LAUGH

Cos the Doctor can't stop me this time!

My powers are vast and godlike,

and my hairstyle is exquisite, don't you think?

And now, I have an orchestra in the world's finest auditorium!

And now, I have an orchestra in the world's finest auditorium!

And I will feast, because I know that when humans hear bad music,

And I will feast, because I know that when humans hear bad music,

it creates a dissonance in your heads.

AUDIENCE LAUGH Yeah, dissonance!

Get me and my fancy vocabulary, chickadees.

Ha! Diss-o-nance!

And that pain becomes food and drink for me.

Now, you will suffer,

and I will grow in power as I command this orchestra to play

and I will grow in power as I command this orchestra to play

the world's worst song EVER!

THEY LAUGH

That's right, boys, and girls, and everyone,

it's your all-time LEAST favourite song - "I've Got A Dog"!

it's your all-time LEAST favourite song - "I've Got A Dog"!

THEY CACKLE, CHEERING

And a-one, and a-two...

MUSIC: "I've Got A Dog" by Murray Gold

Oh... Mmm...

Tasty... More, more! THEY CACKLE

# I've got a Dog He's called Fred

# My dog is alive He's not dead

# I love my dog... #

Tasty! THEY CACKLE

# He loves me too I haven't got a cat

# Only a dog My Dog, my Dog... #

Whoops! Excuse me.

# My Dog, my Dog... #

I am FEASTING, after all! Ha!

# I have a dog I love my dog... #

Emergency message from the Doctor!

He recommends that everyone starts clapping - IMMEDIATELY!

Human beings must clap!

CHEERING AND APPLAUSE

But I love the applause - it is music to my ears.

But I love the applause - it is music to my ears.

Everyone SHOULD adore me!

The Doctor has an astute grasp of logic,

because applause takes place ONLY when the music has stopped!

because applause takes place ONLY when the music has stopped!

Therefore, clapping will cancel out Maestro's powers.

Recommendation - applause from all.

Don't just clap, stand up, cheer!

No! CHEERING AND APPLAUSE

Stomp your feet!

Make a lot of noise!

No, no, no! STOP, I beg of you!

Go crazy! No, stop, please!

I'm going to...

..EXPLODE!

CHEERING AND APPLAUSE

Operation Maestro a complete success!

Congratulations!

And don't forget - Maestro is so wrong. There is no bad music.

If it's an orchestra, or a band, or the wind in the trees,

or your next-door neighbour singing in the shower, music is beautiful,

and the God of Music has no power over you,

because music belongs to everyone. The amazing human race -

sailing through the cosmos and singing to the stars. Forever.

Love you. Bye-bye.

CHEERING AND APPLAUSE

VWORP!

MUSIC: "I Am The Doctor" by Murray Gold

CHEERING AND APPLAUSE

CHEERING

Hello, Stonehenge! CHEERING AND APPLAUSE

MUSIC: "Words Win Wars" by Murray Gold

Who takes the Pandorica takes the universe.

But bad news, everyone...

..cos guess who? Ha!

Listen, you lot,

you're all whizzing about,

it's really very distracting.

Could you all just stay still a minute?

Because I AM TALKING!

Now, the question of the hour is, who's got the Pandorica?

Answer, I do.

Next question -

who's coming to take it from me?

Come o-o-on! Look at me!

No plan, no back up, no weapons worth a damn.

Oh, and something else I don't have...

Anything. To. Lose!

So, if you're sitting up there in your silly little spaceship,

with all your silly little guns,

and you've got any plans on taking the Pandorica tonight,

just remember who's standing in your way.

Remember every black day I ever stopped you,

and then - and THEN...

..do the smart thing...

..let somebody else try first.

CHEERING AND APPLAUSE

Trust me...

..I'm the Doctor.

CHEERING AND APPLAUSE

There is nothing quite like a full-on monster invasion

to get the pulse racing!

That was "I Am The Doctor", the unforgettable theme

for the 11th Doctor, played by the magnificent...?

for the 11th Doctor, played by the magnificent...?

AUDIENCE:Matt Smith!

..Matt Smith for ten points!

CHEERING AND APPLAUSE

Later, we will hear a collection of iconic themes

written for the Doctor's companions,

for now, we are going to hear music from the most recent season,

and the beautiful waltz theme written by Murray Gold

for the Doctor's latest companion...

Oh, gosh, sorry.

LAUGHTER

It is Ruby Sunday, thank you!

LAUGHTER

Obviously, I nearly said "Ruby Tuesday"!

LAUGHTER Sorry!

I'm rambling! Come on, they're paying me by the hour!

LAUGHTER AND APPLAUSE

I guess we all know it was...Ruby Sunday.

LAUGHTER

Sorry. From "The Devil's Chord",

this is "The Life Of Sunday".

CHEERING AND APPLAUSE

MUSIC: "The Life Of Sunday" by Murray Gold

CHEERING AND APPLAUSE

The BBC National Orchestra of Wales,

conducted by Alastair King,

and featuring Catherine Roe-Williams on piano.

That was "The Life of Sunday", and it brings us to the final piece

That was "The Life of Sunday", and it brings us to the final piece

in the first half of the Doctor Who prom.

I mean, it's flown by, hasn't it, sir?

LAUGHTER

First heard in January 2010 in "The End of Time",

"Vale Decem" was written to accompany the Tenth Doctor's regeneration.

After wiping Donna's memories to save her life

and saying his final farewells,

the Doctor is visited by an Ood as he reluctantly says goodbye.

To sing "Vale Decem",

please welcome back our wonderful soloist, Aida Garifullina.

CHEERING AND APPLAUSE

MUSIC: "Vale Decem" by Murray Gold

# Vale Decem

# Vale Decem

# Ad aeternam

# Ad aeternam

# Di melioria

# Di melioria

# Ad aeternam

# Ad aeternam

# Vale Decem

# Vale Decem

# Di melioria

# Di melioria

# Beati

# Beati

# Pacifici

# Pacifici

# Vale Decem

# Vale Decem

# Alis grave

# Alis grave

# Ad perpetuam

# Ad perpetuam

# Memoriam

# Memoriam

# Vale Decem

# Vale Decem

# Gratis Tibi

# Gratis Tibi

# Ago

# Ago

# Ad aeternam

# Numquam singularis

# Numquam singularis

# Numquam

# Dum Spiro Fido

# Dum Spiro Fido

# Vale, vale, vale, vale, vale, vale, vale

# Vale, vale, vale, vale, vale, vale, vale

# Vale, vale

# Vale

# Vale

VOCALISING

CHEERING AND APPLAUSE

DALEK VOICE:Attention! Attention!

CHEERING Attention!

Silence!

Royal Albert Hall... CHEERING AND APPLAUSE

..this Doctor Who prom must cease IMMEDIATELY.

..this Doctor Who prom must cease IMMEDIATELY.

The Doctor is the enemy of the Daleks.

Conductor, step down from the platform!

Orchestra, choir, you are now all servants of the Daleks

Orchestra, choir, you are now all servants of the Daleks

and must exit the stage IMMEDIATELY...

LAUGHTER ..Or you will be EXTERMINATED!

CHEERING AND APPLAUSE

Audience, behold the might of the Daleks!

Audience, behold the might of the Daleks!

You must all remain standing and await further music

or be exterminated!

Exterminate! Exterminate!

EXTERMINATE!

CHEERING AND APPLAUSE

Today, I am dressing up some monsters.

I'm going to be looking after the Judoon and CyberMasters.

I'm going to be looking after the Judoon and CyberMasters.

I'm going to dress up the Mires,

which is a costume that we made over ten years ago,

so I'm having to remember how to put it all together again.

SHE LAUGHS

Five minute call. This is five minute call for the Ood.

I'm going to be pushing them out into the world and saying,

"Go and be mad and..." HE CHUCKLES

"..And cause some chaos".

I'm a massive Doctor Who nerd.

Every time that I get to do anything with Doctor Who is...

It's always a fun time.

OVER RADIO:Final call to stage...

Sorry about my hand.

This is my friend, here.

So, I am the Judoon Captain, this time, so...

It's a great venue, great orchestra,

it's going to be fantastic. HE GROWLS

ELEVATOR MUSIC PLAYS

Everyone wants to be a Dalek, I think.

I was scared of them as a kid - hiding behind the sofa,

all the cliches - so to actually be one,

I had to pinch myself constantly.

You just have to make sure you don't knock anyone over.

If I crash into the conductor,

that would be wrong,

but if I take out a few bassoonists, that's OK.

HE CHUCKLES

I've done pretty much every incarnation of the Cybermen.

It's such a pleasure to wear one of these iconic costumes.

I think people don't realise how much fun it can be.

Although they are villainous, people do adore them,

so if someone wants to give me a cuddle, they can!

HE CHUCKLES

My name's Paul Kasey,

and I'm the movement director for the Doctor Who proms.

We have a lot of Doctor Who characters.

All the characters have very precise movement,

We just choose a certain point where both of you will go, "phwoo!"

We just choose a certain point where both of you will go, "phwoo!"

There's, you know, limited vision, limited hearing,

there's a lot of stairs involved in, you know, in the auditorium,

so it's working out the stairs and how many steps they need,

and what their journeys are.

It's very complex,

but as we move forward, we make it look very easy.

This is my first time doing the proms. I'm very excited.

I'm ready to be very slimy, be very creepy,

scare a few babies, mainly, cos, you know, Bogeyman.

If you've seen the episode, you know you know.

Yeah, just be very creep and just...snot about!

HE CHUCKLES

MUSIC: "I Am The Doctor" by Murray Gold

We're Peg Dolls, so... Yeah!

Yeah, we're not as scary as we look. THEY CHUCKLE

Yeah, we're not... They are a bit weird but... Yeah.

..we're not that weird. Yeah, we're all right, aren't we, guys?

We're all right! It's all right, it's all right.

Got to work as a team to, like, kind of rely on each other

to know where we're going down the steps.

Yeah. As well as interacting. You don't want to fall over... Yeah.

..On, like, and audience member's lap, or anything. Yeah.

Oh, no - that's a fear. That's a worst fear. Yeah!

THEY LAUGH

I think that's what's lovely about doing the live shows

is that you do get that instant interaction, that instant feedback.

With the music, as well, it was just incredible.

I'm often - behind my mask - like, with tears. To the music.

SHE LAUGHS Cos it just moves me.

It moves me so much.

There we go.

I can't see a thing. Very hot. Motors all round my head.

Bu that's showbiz - it's great!

One of the hardest things to try and describe

is the amount of energy inside the arena - in the stalls.

is the amount of energy inside the arena - in the stalls.

And the joy for Doctor Who,

you know, the audience, and how much they love it.

And celebrating the music. And it's phenomenal.

Bye. ELEVATOR MUSIC PLAYS

THEY CHUCKLE

MUSIC: "A Good Man?" by Murray Gold

VOCALISING

CHEERING AND APPLAUSE

CHEERING AND APPLAUSE

CHEERING AND APPLAUSE

I tried to talk.

I want you to remember that.

I tried to reach out.

I tried to understand you,

but I think that you understand us perfectly.

THROUGH SPEAKER: And I think you just don't care.

And I don't know whether you are here to invade or just replace us.

I don't suppose it really matters now.

You are monsters!

That is the role you seem determined to play,

so it seems that I must play mine...

..the man that stops the monsters.

I'm sending you back to your own dimension.

Who knows? Some of you may even survive the trip.

And, if you do, remember this -

you are not welcome here.

This plane is protected.

I am the Doctor.

SONIC SCREWDRIVER WHIRRS

CHEERING AND APPLAUSE

That was "A Good Man?", the music that accompanied the Twelfth Doctor,

That was "A Good Man?", the music that accompanied the Twelfth Doctor,

played, of course, by the brilliant...?

AUDIENCE:Peter Capaldi!

..Peter Capaldi! Another ten points!

CHEERING AND APPLAUSE, CATHERINE CHUCKLES

It featured vocals by Lucie Jones,

and let us hear it again for the amazing orchestra -

the BBC National Orchestra of Wales and the London Philharmonic Choir!

the BBC National Orchestra of Wales and the London Philharmonic Choir!

CHEERING AND APPLAUSE

Time now for more music,

and we are going to hear some of Murray Gold's most beautiful themes

brought together in "The Companions Suite".

CHEERING AND APPLAUSE

First, a new piece written for the most recent season,

from the haunting and unsettling "73 Yards"

from the haunting and unsettling "73 Yards"

to the tense battlefield drama of "Boom",

and finishing with the devastating closing scene from "Dot And Bubble",

this is "73 Yards to Finetime".

MUSIC SUITE: "73 Yards to Finetime" by Murray Gold

CHEERING AND APPLAUSE

MUSIC SUITE: "The Companions Suite" by Murray Gold

AUDIENCE GASP

CHEERING AND APPLAUSE

CHEERING AND APPLAUSE

CHEERING AND APPLAUSE

CHEERING AND APPLAUSE

VOCALISING

CHEERING AND APPLAUSE

CHEERING AND APPLAUSE

CHEERING AND APPLAUSE

With the fabulous Jodie Whittaker taking control of the Tardis, and...

With the fabulous Jodie Whittaker taking control of the Tardis, and...

CHEERING

..and Chris Chibnall taking the reins as showrunner...

CHEERING

..Segun Akinola also arrived as composer

with a different sound and approach.

And it is the Thirteenth Doctor we are going to celebrate next,

with music from "The Woman Who Fell To Earth", "Spyfall",

"Demons Of The Punjab", and "The Power Of The Doctor",

featuring Hollie Buhagiar and Shahid Abbas Khan on vocals,

this is Segun Akinola's "The Thirteenth Doctor".

CHEERING AND APPLAUSE

MUSIC: "The Thirteenth Doctor" by Segun Akinola

CHEERING AND APPLAUSE

VOCALISING

CHEERING AND APPLAUSE

MUSIC: "Abigail's Song" by Murray Gold

# When you're alone

# When you're alone

# Silence is all you know

# Silence is all you know

# When you're alone

# When you're alone

# Silence is all you know

# Silence is all you know

# Let in the noise

# And let it grow

# And let it grow

# When you're alone

# When you're alone

# Silence is all you see

# Silence is all you see

# When you're alone

# When you're alone

# Silence is all you'll be

# Silence is all you'll be

# Give me your hand

# Give me your hand

# And come to me

# And come to me

# When you're alone

# Music is all around

# Music is all around

# When you're alone

# When you're alone

# Music is all around

# Music is all around

# Open your eyes

# Don't make a sound

# Don't make a sound

# Let in the shadow, let in the shadow

# Let in the light of your bright shadow

# Let in the light of your bright shadow

# Let in the shadow, let in the shadow

# Let in the shadow, let in the shadow

# Let in the light of your bright shadow

# Let in the light of your bright shadow

# Let in the light

# Let in the light

# Let in the light of your sweet shadow

# Let in the light of your sweet shadow

# When you're alone

# Silence is all you know

# Silence is all you know

# Silence is all

# Silence is all

# Silence is all around

# Silence is all around

# Silence is all

# Silence is all

# Silence is all around. #

# Silence is all around. #

CHEERING AND APPLAUSE

The stunning voice of Aida Garifullina.

That was "Abigail's Song", written by Murray Gold

for Steven Moffat's 2010 Christmas special, "A Christmas Carol".

And - hold on to your Cybermen hats -

And - hold on to your Cybermen hats -

because we have got another Steven Moffat Christmas treat...

because we have got another Steven Moffat Christmas treat...

Well, hello. CATHERINE CHUCKLES

Hello?

CHEERING AND APPLAUSE

I'm going to GO!

Bye!

LAUGHTER

Hello, you lot. CHEERING

Oh, what's the matter?

Never seen a prom before?

MRS FLOOD CHUCKLES

SHE CHUCKLES

Oh, look - we've got this big, beautiful orchestra!

Oh, look - we've got this big, beautiful orchestra!

HIYA!

Hi. Hi.

Aw, aren't they sweet?

Yeah...

Particularly him. SHE CHUCKLES

LAUGHTER

You know, the last time that I went to a concert was, um, ooh....

1986.

Yeah.

I saw Queen.

CHEERING AND APPLAUSE

Have you heard of them?

Yeah. Not bad, are they?

LAUGHTER

A bit noisy.

Anyway, my name is Mrs Flood.

Yeah, that's my name, true and proper - so don't argue.

SHE GIGGLES

I mean, you do believe me, don't you?

AUDIENCE:No!

Oh, dissension in the ranks!

I mean, what else would I be? Some outer-space villain in disguise?

I mean, what else would I be? Some outer-space villain in disguise?

AUDIENCE:Yes!

No, don't make me laugh!

I'm just a nice, quiet, friendly soul.

LAUGHTER AUDIENCE MEMBER:Nice?

Which is more than I can say for my neighbours!

I tell you, the girl upstairs - calls herself Ruby, Ruby Sunday...

I tell you, the girl upstairs - calls herself Ruby, Ruby Sunday...

CHEERING Yeah. Pretty girl.

And I've seen her. I've seen her going to and fro

with that mysterious man. You know, with the funny blue box?

CHUCKLING

And I thought to myself, "Hello, what's happening here, then?"

And I thought to myself, "Hello, what's happening here, then?"

I mean...

..what...

..is the truth?

You know, sometimes I hear whispers on the breeze...

You know, sometimes I hear whispers on the breeze...

telling me stories - amazing tales...

telling me stories - amazing tales...

..like this one!

Ladies and gentlemen,

"The Legend Of Ruby Sunday".

CHEERING AND APPLAUSE

SUTEKH GROWLS

# Sutekh

# Sutekh

# Sutekh

# Sutekh

# Sutekh

# Sutekh

# Sutekh

# Sutekh

# Sutekh. #

WHISTLE BLOWS

You win!

HE PANTS

Because I pride myself...

I pride myself that I am better than you.

Because if you're death...

SUTEKH GROWLS

..then I must represent life.

Surely, that's what I am?

Life.

SUTEKH GROWLS

And that's how you win, Sutekh.

Because you've turned me into this.

SUTEKH ROARS

SUTEKH SCREAMS

SUTEKH ROARS

VOCALISING

Your life...

..is out there now.

I have shown you monsters, and planets, and legends...

..but this...

Honey, your adventure is just beginning.

SHE SOBS

Will I ever see you again?

Of course you will!

Of course you will.

Because you've changed me.

I talk about family in a way that I never did before.

That's because of you. SHE LAUGHS

You have made my life bigger and better.

And now...

..Ruby Sunday...

..goodbye.

TARDIS ENGINES START UP

METALLIC THRUMMING

RUBY SOBS

I love you.

CHEERING AND APPLAUSE

THE BBC National Orchestra of Wales,

London Philharmonic Choir,

organist Anna Lapwood...

CHEERING

..Hollie Buhagiar on vocals,

conducted by Alastair King.

CHEERING AND APPLAUSE

That was Murray Gold's epic score

for Russell T Davies' thrilling season finale.

And sadly, we have almost come to the end of this Doctor Who prom.

AUDIENCE GROAN

I know!

LAUGHTER

But I also know what you're thinking.

I know what YOU'RE thinking... LAUGHTER

"Time for one more?"

CHEERING AND APPLAUSE

Is...? Is there time for one more?

CATHERINE LAUGHS

Amazing! Well, when you have the greatest theme

tune in all of time and space, there...

CHEERING

..really is only one way to end a Doctor Who prom.

..really is only one way to end a Doctor Who prom.

Written by Ron Grainer back in 1963

and brought to life so unforgettably by Delia Derbyshire

in the BBC's legendary... CHEERING AND APPLAUSE

..Radiophonic Workshop,

we are going to hear it now, reimagined by Murray Gold for 2024.

we are going to hear it now, reimagined by Murray Gold for 2024.

Oh yes!

Enjoy!

CHEERING AND APPLAUSE

MUSIC: "Theme From Doctor Who" by Ron Grainer and Delia Derbyshire

CHEERING AND APPLAUSE

There is one thing that I should warn you about, Ruby,

and this is...really very serious.

With all my adventures throughout time and space...

MUSIC: "There's Always A Twist At The End" by Murray Gold

I have to tell you, there's always a twist at the end.

# There's always a twist There's always a twist

# There's always a twist at the end

# There's always a twist There's always a twist

# There's always a twist at the end

# My friend, depend

# Press send, let's bend

# Cos there is always

# There's always,

# Yes, there's always a twist at the end

# We got the bop and the rock and the Lindy Hop,

# We got the jive, beehive, and the Stayin' Alive,

# We got the conga and the salsa and the mighty Big Bopper,

# We got the waltz and the schmaltz and no penalties for faults

# There's always a twist There's always a twist

# There's always a twist at the end

# There's always a twist There's always a twist

# There's always a twist at the end

# Pretend, descend, Land's End, make do and mend

# Cos there's always, there's always,

# Yes, there's always a twist at the end

# There's always a twist at the end

# There's always a twist at the end

# We ain't no fools from Liverpool

# Cos there's always a twist at the end

# I always said that it ends with a twist

# That's one good thing that can't be missed

# Have a smashin' little dance cos we know what's best

# Cos we're the smart girls from the north-west!

# Cos we're the smart girls from the north-west!

# Sing along if you've got a twist

# Sing along if you kiss the mist

# There's a special little dance you'll run the risk

# There's always, always Always a twist

# There's always, always Always a twist

# La-la la la la la-la

# La la-la-la-la-la la-la-la

# La la-la-la-la-la-la-la-la-la-la-la

# La la la-la la la

# There's always a twist at the end

# I said there's always a twist at the end

# What you intend, I can't defend

# I think this song will never end

# Cos there's always Always

# Always

# A twist at the end! #

# A twist at the end! #

CHEERING AND APPLAUSE

Please give it up for Lucie Jones...

CHEERING AND APPLAUSE

..Tobias Turley...

CHEERING AND APPLAUSE

..our AMAZING dancers and performers.

CHEERING AND APPLAUSE

..The ONE AND ONLY Anita Dobson...

CHEERING AND APPLAUSE

..the spectacular Aida Garifullina...

CHEERING AND APPLAUSE

..Shahid Abbas Khan...

CHEERING AND APPLAUSE

..Hollie Buhagiar...

CHEERING AND APPLAUSE

..organist Anna Lapwood...

CHEERING AND APPLAUSE

..the BBC National Orchestra of Wales

with their leader, Lesley Hatfield...

CHEERING AND APPLAUSE

..London Philharmonic Choir,

with their chorus director, Tori Longdon...

with their chorus director, Tori Longdon...

CHEERING AND APPLAUSE

..conductor...

..Alastair King...

CHEERING AND APPLAUSE

..and please welcome Murray Gold...

CHEERING AND APPLAUSE

..and Segun Akinola!

You have been glorious!

Thank you so much,

and goodnight!

CHEERING AND APPLAUSE