Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:06,345 --> 00:00:08,225
MUSIC: "Theme From Doctor Who"
by Ron Grainer and Delia Derbyshire
2
00:00:13,865 --> 00:00:15,105
CHEERING
3
00:00:15,145 --> 00:00:17,905
It's a silly question, but are you
ready for a good time?
4
00:00:17,945 --> 00:00:19,065
CHEERING
5
00:00:19,105 --> 00:00:21,505
To celebrate a new Doctor, a new
companion.
6
00:00:21,545 --> 00:00:23,665
Lots of celebrations of lots of
Doctor Who.
7
00:00:23,705 --> 00:00:26,745
The Proms audience is going to go
ballistic,
8
00:00:26,785 --> 00:00:28,265
so I'm really looking forward to it!
9
00:00:29,505 --> 00:00:31,505
To play this stuff to thousands of
people -
10
00:00:31,545 --> 00:00:34,545
the joy on people's faces, sharing
in moments they've loved,
11
00:00:34,585 --> 00:00:37,825
being thrilled by the monsters -
it's a really joyous thing.
12
00:00:41,345 --> 00:00:43,185
He's going to get people really
excited.
13
00:00:43,225 --> 00:00:45,305
I think it's going to make people
emotional.
14
00:00:45,345 --> 00:00:47,305
Sometimes it's terrifying, but in
the best way.
15
00:00:49,665 --> 00:00:50,825
I think there's going to be some
cheers,
16
00:00:50,865 --> 00:00:51,945
there's going to be some
screaming...
17
00:00:53,985 --> 00:00:55,585
There's going to be some feeling of
nostalgia
18
00:00:55,625 --> 00:00:57,065
from a lot of the people in the
audience.
19
00:00:58,505 --> 00:01:01,465
I know how much this show means to
so many people around the world,
20
00:01:01,505 --> 00:01:03,985
and, like, you can feel it -
everyone's so excited!
21
00:01:04,025 --> 00:01:05,545
BOY CHEERS
22
00:01:05,585 --> 00:01:08,985
The soundtracks are what makes
Doctor Who "Doctor Who".
23
00:01:10,185 --> 00:01:12,145
I grew up with this music, and so,
24
00:01:12,185 --> 00:01:14,545
to be a part of bringing it to life
again
25
00:01:14,585 --> 00:01:18,425
in this really special place...
Yeah, it's a pretty amazing moment.
26
00:01:20,185 --> 00:01:23,665
Every time I start singing and
rehearsing, I get the goosebumps.
27
00:01:23,705 --> 00:01:24,905
CHEERING
28
00:01:24,945 --> 00:01:27,905
Inside, my ten-year-old self
29
00:01:27,945 --> 00:01:30,545
is ABSOLUTELY bubbling!
30
00:01:30,585 --> 00:01:32,345
Hello!
31
00:01:32,385 --> 00:01:33,425
I'm hoping to see Catherine Tate,
32
00:01:33,465 --> 00:01:35,345
because she's always amazingly
funny.
33
00:01:35,385 --> 00:01:36,425
Stop it!
AUDIENCE CHEER
34
00:01:36,465 --> 00:01:37,465
No!
35
00:01:38,985 --> 00:01:41,225
This music is designed to hit the
back row -
36
00:01:41,265 --> 00:01:43,745
it's big music with big melodies.
37
00:01:43,785 --> 00:01:46,305
The communal experience of it -
38
00:01:46,345 --> 00:01:48,665
being with those fans and seeing the
excitement -
39
00:01:48,705 --> 00:01:50,985
it's just a brilliant experience.
40
00:01:52,425 --> 00:01:55,145
CHEERING AND APPLAUSE
41
00:02:00,145 --> 00:02:02,465
MUSIC: "The Doctor's Theme"
by Murray Gold
42
00:02:06,145 --> 00:02:08,385
VOCALISING
43
00:03:35,345 --> 00:03:37,785
MUSIC BECOMES DISCORDANT
44
00:04:05,345 --> 00:04:07,025
DRAMATIC CRESCENDO
45
00:04:07,065 --> 00:04:09,945
MUSIC: "Fifteen"
by Murray Gold
46
00:06:13,945 --> 00:06:15,265
GOBLINS SNARL
47
00:06:43,425 --> 00:06:44,465
BOGEYMAN GROWLS
48
00:07:33,225 --> 00:07:35,105
CHEERING AND APPLAUSE
49
00:07:55,465 --> 00:07:57,425
Hello!
50
00:07:57,465 --> 00:07:58,465
CHEERING AND APPLAUSE
51
00:08:01,865 --> 00:08:03,785
CATHERINE LAUGHS
52
00:08:03,825 --> 00:08:05,425
Hello, hello!
53
00:08:06,705 --> 00:08:07,705
Oh, stop!
54
00:08:09,145 --> 00:08:10,385
Stop!
CHEERING FADES
55
00:08:11,745 --> 00:08:13,945
Oh, I feel like I'm at a convention!
LAUGHTER
56
00:08:15,625 --> 00:08:17,585
What a way to open the show.
57
00:08:17,625 --> 00:08:20,545
Look at you people standing.
CHUCKLING
58
00:08:20,585 --> 00:08:22,145
Look at you - hello!
59
00:08:22,185 --> 00:08:24,625
Hello! Look at you, look at you, look
at you!
60
00:08:24,665 --> 00:08:26,945
And up there, and up there, and up
there!
61
00:08:28,425 --> 00:08:32,385
A very warm welcome to the Doctor Who
prom.
62
00:08:32,425 --> 00:08:36,145
I'm Catherine Tate, and I am also
Donna Noble in Doctor Who.
63
00:08:36,185 --> 00:08:37,545
CHEERING AND APPLAUSE,
CATHERINE LAUGHS
64
00:08:41,945 --> 00:08:46,505
You are in for a spectacular sonic
treat, today.
65
00:08:46,545 --> 00:08:46,865
You are in for a spectacular sonic
treat, today.
66
00:08:46,905 --> 00:08:48,265
Oh, yes!
67
00:08:48,305 --> 00:08:50,105
We're going to have a dabba-doo time.
68
00:08:50,145 --> 00:08:55,025
We just heard "Fifteen" performed by
the BBC National Orchestra of Wales -
69
00:08:55,065 --> 00:08:55,825
We just heard "Fifteen" performed by
the BBC National Orchestra of Wales -
70
00:08:55,865 --> 00:09:00,065
leader Lesley Hatfield with Lenny
Sayers on bass clarinet,
71
00:09:00,105 --> 00:09:04,545
David Miller on baritone sax,
the London Philharmonic Choir,
72
00:09:04,585 --> 00:09:05,185
David Miller on baritone sax,
the London Philharmonic Choir,
73
00:09:05,225 --> 00:09:07,065
all conducted by Alastair King,
74
00:09:07,105 --> 00:09:12,025
and featuring the stunning voice
of soprano Aida Garifullina.
75
00:09:12,065 --> 00:09:12,385
and featuring the stunning voice
of soprano Aida Garifullina.
76
00:09:12,425 --> 00:09:15,425
CHEERING AND APPLAUSE
77
00:09:17,225 --> 00:09:21,025
"Fifteen", like so much of the music
in today's prom,
78
00:09:21,065 --> 00:09:24,265
was written by Doctor Who legend,
Murray Gold...
79
00:09:24,305 --> 00:09:27,385
CHEERING AND APPLAUSE,
CATHERINE LAUGHS
80
00:09:29,305 --> 00:09:32,585
..who returned to the series last
year
81
00:09:32,625 --> 00:09:37,505
for the 60th anniversary specials
and most recent season.
82
00:09:37,545 --> 00:09:37,625
for the 60th anniversary specials
and most recent season.
83
00:09:37,665 --> 00:09:42,705
Murray Gold and Segun Akinola,
composer of the 13th Doctor's era,
84
00:09:42,745 --> 00:09:44,265
are in the audience today...
85
00:09:44,305 --> 00:09:46,825
CHEERING AND APPLAUSE
86
00:09:48,545 --> 00:09:52,705
..together with former showrunner
Steven Moffat,
87
00:09:52,745 --> 00:09:56,065
and returning showrunner, Russell T
Davies.
88
00:09:56,105 --> 00:09:57,665
CHEERING AND APPLAUSE
89
00:09:59,425 --> 00:10:01,585
Where are they? Whoo!
90
00:10:03,625 --> 00:10:05,705
Feel the love, people!
91
00:10:06,985 --> 00:10:10,425
Unbelievably, it is 11 years
92
00:10:10,465 --> 00:10:13,385
since Doctor Who was last seen at the
Proms,
93
00:10:13,425 --> 00:10:16,385
and so, so much has happened since
then -
94
00:10:16,425 --> 00:10:21,065
three more Doctors, for a start,
including the first female Doctor.
95
00:10:21,105 --> 00:10:23,305
CHEERING AND APPLAUSE
Yes!
96
00:10:26,025 --> 00:10:29,345
And then, last November...
97
00:10:30,505 --> 00:10:32,025
..THAT face returned.
98
00:10:32,065 --> 00:10:33,705
LAUGHTER AND CHEERING
99
00:10:35,105 --> 00:10:37,465
Mine.
LAUGHTER
100
00:10:37,505 --> 00:10:39,945
CATHERINE CHUCKLES
We...
101
00:10:39,985 --> 00:10:41,465
Stop it!
CHEERING INTENSIFIES
102
00:10:41,505 --> 00:10:42,745
No!
103
00:10:44,625 --> 00:10:48,985
With music from "Star Beast" and "The
Giggle",
104
00:10:49,025 --> 00:10:52,345
this is "The Doctor, Donna & The
Toymaker".
105
00:10:52,385 --> 00:10:53,865
CHEERING
106
00:11:01,345 --> 00:11:04,385
MUSIC SUITE: "The Doctor, Donna & The
Toymaker" by Murray Gold
107
00:15:57,225 --> 00:15:58,665
CHEERING AND APPLAUSE
108
00:16:05,665 --> 00:16:09,385
Bi-generation, who would have
known?
109
00:16:10,585 --> 00:16:13,625
One thing is for certain - that there
is a brand-new face
110
00:16:13,665 --> 00:16:17,785
flying the Tardis, and with him a
new companion.
111
00:16:17,825 --> 00:16:20,145
Mirroring the Doctor's own story,
112
00:16:20,185 --> 00:16:22,465
she's also a foundling with a
mystery to solve.
113
00:16:23,545 --> 00:16:28,665
{\an8}So, are you ready to be transported
on a musical adventure?
114
00:16:28,705 --> 00:16:30,505
CHEERING
115
00:16:32,025 --> 00:16:34,265
Well, there's lucky...
CHUCKLING
116
00:16:34,305 --> 00:16:37,585
..because we're going to take you on
a ride in the Tardis...
117
00:16:38,585 --> 00:16:40,505
..with the Doctor and Ruby Sunday -
118
00:16:40,545 --> 00:16:43,465
travelling to a futuristic space
station
119
00:16:43,505 --> 00:16:47,785
where every child's worst nightmare
is lurking in the shadows.
120
00:16:48,785 --> 00:16:50,265
SING-SONG: Ominous!
121
00:16:50,305 --> 00:16:53,185
CHUCKLING
Then, on to Regency England,
122
00:16:53,225 --> 00:16:56,425
and an encounter with shapeshifting
Chuldurs,
123
00:16:56,465 --> 00:16:59,585
not to mention a charismatic bounty
hunter.
124
00:16:59,625 --> 00:17:01,385
WOLF WHISTLE
Yes!
125
00:17:01,425 --> 00:17:02,865
LAUGHTER
126
00:17:02,905 --> 00:17:07,505
Yes! Featuring music from "Space
Babies" and "Rogue",
127
00:17:07,545 --> 00:17:09,865
this is "Into The Vortex".
128
00:17:11,345 --> 00:17:12,705
CHEERING AND APPLAUSE
129
00:17:17,905 --> 00:17:20,705
MUSIC SUITE: "Into The Vortex"
by Murray Gold
130
00:18:36,305 --> 00:18:38,185
GUNGE OOZES
131
00:21:22,505 --> 00:21:23,905
BOGEYMAN HOWLS
132
00:24:01,785 --> 00:24:02,745
I'm not a Chuldur.
133
00:24:04,585 --> 00:24:07,345
I'm something much older, and far
more powerful.
134
00:24:08,665 --> 00:24:13,025
I'm a Lord of Time from the lost and
fallen planet of Gallifrey.
135
00:24:13,065 --> 00:24:13,185
I'm a Lord of Time from the lost and
fallen planet of Gallifrey.
136
00:24:14,585 --> 00:24:17,305
Now, let me go, bounty hunter.
137
00:24:18,585 --> 00:24:21,065
We have work to do.
138
00:24:34,345 --> 00:24:36,505
CHEERING AND APPLAUSE
139
00:24:46,865 --> 00:24:51,225
Atttention, Albert Hall, London, UK,
Panet Earth!
140
00:24:51,265 --> 00:24:51,865
Atttention, Albert Hall, London, UK,
Panet Earth!
141
00:24:51,905 --> 00:24:56,545
I am the Vlinkstatic
X-Form Robo-Neuro-Actoform
142
00:24:56,585 --> 00:24:56,745
I am the Vlinkstatic
X-Form Robo-Neuro-Actoform
143
00:24:56,785 --> 00:25:01,865
Designation Number 5576, but you can
call me "The Vlinx!"
144
00:25:01,905 --> 00:25:02,745
Designation Number 5576, but you can
call me "The Vlinx!"
145
00:25:02,785 --> 00:25:04,985
Hello!
AUDIENCE:Hello!
146
00:25:05,025 --> 00:25:07,465
I said, "Hello"!
147
00:25:07,505 --> 00:25:09,665
AUDIENCE:HELLO!
Thank you.
148
00:25:09,705 --> 00:25:14,625
And it is my greatest function to
introduce a very special guest -
149
00:25:14,665 --> 00:25:14,785
And it is my greatest function to
introduce a very special guest -
150
00:25:14,825 --> 00:25:18,585
human beings, please welcome...
The Doctor!
151
00:25:18,625 --> 00:25:20,705
VWORP!
152
00:25:20,745 --> 00:25:23,025
Hello!
AUDIENCE CHEER
153
00:25:23,065 --> 00:25:26,985
Hallo, there, Royal Albert Hall.
HE LAUGHS
154
00:25:28,265 --> 00:25:30,025
OK, look at you!
155
00:25:30,065 --> 00:25:31,905
ALARM BLARES
Emergency, emergency!
156
00:25:31,945 --> 00:25:34,545
The Albert Hall is being invaded!
157
00:25:34,585 --> 00:25:37,185
Save yourselves, because here
comes...
158
00:25:37,225 --> 00:25:40,065
MELODIC CACKLING
..The Pantheon of Discord!
159
00:25:40,105 --> 00:25:41,745
SING-SONG:Ta-dah!
160
00:25:41,785 --> 00:25:43,625
AUDIENCE CHEER AND BOO
161
00:25:45,825 --> 00:25:50,545
I am...Maestro, the God of Music,
162
00:25:50,585 --> 00:25:55,025
And music is MINE!
163
00:25:55,065 --> 00:25:55,705
And music is MINE!
164
00:25:55,745 --> 00:25:57,505
THEY CACKLE,
AUDIENCE CHUCKLE
165
00:25:57,545 --> 00:26:00,585
Oh, scream all you like!
166
00:26:00,625 --> 00:26:02,945
Yeah, yeah, yeah -
167
00:26:02,985 --> 00:26:05,145
you tiny little human pimples!
168
00:26:05,185 --> 00:26:06,425
THEY LAUGH
169
00:26:06,465 --> 00:26:09,785
Cos the Doctor can't stop me this
time!
170
00:26:09,825 --> 00:26:12,385
My powers are vast and godlike,
171
00:26:12,425 --> 00:26:16,305
and my hairstyle is exquisite,
don't you think?
172
00:26:17,585 --> 00:26:22,625
And now, I have an orchestra in the
world's finest auditorium!
173
00:26:22,665 --> 00:26:24,065
And now, I have an orchestra in the
world's finest auditorium!
174
00:26:24,105 --> 00:26:28,985
And I will feast, because I know
that when humans hear bad music,
175
00:26:29,025 --> 00:26:30,345
And I will feast, because I know
that when humans hear bad music,
176
00:26:30,385 --> 00:26:33,585
it creates a dissonance in your
heads.
177
00:26:33,625 --> 00:26:35,785
AUDIENCE LAUGH
Yeah, dissonance!
178
00:26:35,825 --> 00:26:38,825
Get me and my fancy vocabulary,
chickadees.
179
00:26:38,865 --> 00:26:41,785
Ha! Diss-o-nance!
180
00:26:41,825 --> 00:26:46,105
And that pain becomes food and drink
for me.
181
00:26:46,145 --> 00:26:47,985
Now, you will suffer,
182
00:26:48,025 --> 00:26:52,385
and I will grow in power as I
command this orchestra to play
183
00:26:52,425 --> 00:26:53,585
and I will grow in power as I
command this orchestra to play
184
00:26:53,625 --> 00:26:56,505
the world's worst song EVER!
185
00:26:56,545 --> 00:26:58,265
THEY LAUGH
186
00:26:58,305 --> 00:27:01,305
That's right, boys, and girls, and
everyone,
187
00:27:01,345 --> 00:27:06,185
it's your all-time LEAST favourite
song - "I've Got A Dog"!
188
00:27:06,225 --> 00:27:06,585
it's your all-time LEAST favourite
song - "I've Got A Dog"!
189
00:27:06,625 --> 00:27:08,625
THEY CACKLE,
CHEERING
190
00:27:08,665 --> 00:27:10,545
And a-one, and a-two...
191
00:27:10,585 --> 00:27:13,145
MUSIC: "I've Got A Dog"
by Murray Gold
192
00:27:13,185 --> 00:27:15,265
Oh... Mmm...
193
00:27:15,305 --> 00:27:17,545
Tasty... More, more!
THEY CACKLE
194
00:27:17,585 --> 00:27:19,705
# I've got a Dog
He's called Fred
195
00:27:19,745 --> 00:27:22,545
# My dog is alive
He's not dead
196
00:27:22,585 --> 00:27:23,945
# I love my dog... #
197
00:27:23,985 --> 00:27:25,225
Tasty!
THEY CACKLE
198
00:27:25,265 --> 00:27:27,585
# He loves me too
I haven't got a cat
199
00:27:27,625 --> 00:27:29,585
# Only a dog
My Dog, my Dog... #
200
00:27:29,625 --> 00:27:30,665
Whoops! Excuse me.
201
00:27:30,705 --> 00:27:31,865
# My Dog, my Dog... #
202
00:27:31,905 --> 00:27:33,705
I am FEASTING, after all! Ha!
203
00:27:33,745 --> 00:27:34,745
# I have a dog
I love my dog... #
204
00:27:34,785 --> 00:27:37,025
Emergency message from the Doctor!
205
00:27:37,065 --> 00:27:41,385
He recommends that everyone starts
clapping - IMMEDIATELY!
206
00:27:41,425 --> 00:27:43,905
Human beings must clap!
207
00:27:43,945 --> 00:27:47,265
CHEERING AND APPLAUSE
208
00:27:49,545 --> 00:27:54,025
But I love the applause - it is
music to my ears.
209
00:27:54,065 --> 00:27:54,305
But I love the applause - it is
music to my ears.
210
00:27:54,345 --> 00:27:56,865
Everyone SHOULD adore me!
211
00:27:56,905 --> 00:27:59,985
The Doctor has an astute grasp of
logic,
212
00:28:00,025 --> 00:28:04,625
because applause takes place
ONLY when the music has stopped!
213
00:28:04,665 --> 00:28:04,785
because applause takes place
ONLY when the music has stopped!
214
00:28:04,825 --> 00:28:09,425
Therefore, clapping will cancel out
Maestro's powers.
215
00:28:09,465 --> 00:28:12,985
Recommendation - applause from all.
216
00:28:13,025 --> 00:28:16,265
Don't just clap, stand up, cheer!
217
00:28:16,305 --> 00:28:17,825
No!
CHEERING AND APPLAUSE
218
00:28:17,865 --> 00:28:19,705
Stomp your feet!
219
00:28:19,745 --> 00:28:22,145
Make a lot of noise!
220
00:28:22,185 --> 00:28:25,465
No, no, no! STOP, I beg of you!
221
00:28:25,505 --> 00:28:28,465
Go crazy! No, stop, please!
222
00:28:28,505 --> 00:28:29,785
I'm going to...
223
00:28:30,745 --> 00:28:33,025
..EXPLODE!
224
00:28:33,065 --> 00:28:35,225
CHEERING AND APPLAUSE
225
00:28:41,505 --> 00:28:44,985
Operation Maestro a complete
success!
226
00:28:45,025 --> 00:28:47,185
Congratulations!
227
00:28:47,225 --> 00:28:52,345
And don't forget - Maestro is so
wrong. There is no bad music.
228
00:28:52,385 --> 00:28:55,705
If it's an orchestra, or a band, or
the wind in the trees,
229
00:28:55,745 --> 00:28:58,945
or your next-door neighbour singing
in the shower, music is beautiful,
230
00:28:58,985 --> 00:29:01,545
and the God of Music has no power
over you,
231
00:29:01,585 --> 00:29:04,985
because music belongs to everyone.
The amazing human race -
232
00:29:05,025 --> 00:29:09,225
sailing through the cosmos and
singing to the stars. Forever.
233
00:29:10,665 --> 00:29:11,945
Love you. Bye-bye.
234
00:29:11,985 --> 00:29:13,265
CHEERING AND APPLAUSE
235
00:29:13,305 --> 00:29:15,145
VWORP!
236
00:29:22,665 --> 00:29:25,705
{\an8}MUSIC: "I Am The Doctor"
by Murray Gold
237
00:29:25,745 --> 00:29:27,705
CHEERING AND APPLAUSE
238
00:32:20,945 --> 00:32:22,825
CHEERING
239
00:32:35,585 --> 00:32:38,265
Hello, Stonehenge!
CHEERING AND APPLAUSE
240
00:32:38,305 --> 00:32:40,585
MUSIC: "Words Win Wars"
by Murray Gold
241
00:32:40,625 --> 00:32:43,025
Who takes the Pandorica takes the
universe.
242
00:32:43,065 --> 00:32:45,265
But bad news, everyone...
243
00:32:47,385 --> 00:32:49,105
..cos guess who? Ha!
244
00:32:50,465 --> 00:32:51,465
Listen, you lot,
245
00:32:51,505 --> 00:32:53,065
you're all whizzing about,
246
00:32:53,105 --> 00:32:54,945
it's really very distracting.
247
00:32:54,985 --> 00:32:56,945
Could you all just stay still a
minute?
248
00:32:56,985 --> 00:33:01,225
Because I AM TALKING!
249
00:33:05,425 --> 00:33:07,785
Now, the question of the hour is,
who's got the Pandorica?
250
00:33:07,825 --> 00:33:08,865
Answer, I do.
251
00:33:08,905 --> 00:33:09,865
Next question -
252
00:33:09,905 --> 00:33:11,665
who's coming to take it from me?
253
00:33:13,985 --> 00:33:16,625
Come o-o-on! Look at me!
254
00:33:16,665 --> 00:33:19,025
No plan, no back up, no weapons worth
a damn.
255
00:33:19,065 --> 00:33:21,065
Oh, and something else I don't
have...
256
00:33:21,105 --> 00:33:22,865
Anything. To. Lose!
257
00:33:22,905 --> 00:33:26,185
So, if you're sitting up there in
your silly little spaceship,
258
00:33:26,225 --> 00:33:28,785
with all your silly little guns,
259
00:33:28,825 --> 00:33:32,225
and you've got any plans on taking
the Pandorica tonight,
260
00:33:32,265 --> 00:33:35,425
just remember who's standing in your
way.
261
00:33:35,465 --> 00:33:39,905
Remember every black day I ever
stopped you,
262
00:33:39,945 --> 00:33:42,865
and then - and THEN...
263
00:33:43,905 --> 00:33:45,225
..do the smart thing...
264
00:33:48,105 --> 00:33:50,145
..let somebody else try first.
265
00:33:51,185 --> 00:33:53,465
CHEERING AND APPLAUSE
266
00:34:10,425 --> 00:34:11,425
Trust me...
267
00:34:14,705 --> 00:34:15,745
..I'm the Doctor.
268
00:34:22,265 --> 00:34:24,625
CHEERING AND APPLAUSE
269
00:34:32,705 --> 00:34:37,225
There is nothing quite like a
full-on monster invasion
270
00:34:37,265 --> 00:34:39,425
to get the pulse racing!
271
00:34:39,465 --> 00:34:43,545
That was "I Am The Doctor",
the unforgettable theme
272
00:34:43,585 --> 00:34:48,385
for the 11th Doctor, played by the
magnificent...?
273
00:34:48,425 --> 00:34:49,145
for the 11th Doctor, played by the
magnificent...?
274
00:34:49,185 --> 00:34:50,305
AUDIENCE:Matt Smith!
275
00:34:50,345 --> 00:34:53,065
..Matt Smith for ten points!
276
00:34:53,105 --> 00:34:54,985
CHEERING AND APPLAUSE
277
00:34:57,425 --> 00:35:01,185
Later, we will hear a collection of
iconic themes
278
00:35:01,225 --> 00:35:03,465
written for the Doctor's companions,
279
00:35:03,505 --> 00:35:08,385
for now, we are going to hear music
from the most recent season,
280
00:35:08,425 --> 00:35:11,505
{\an8}and the beautiful waltz theme written
by Murray Gold
281
00:35:11,545 --> 00:35:13,665
{\an8}for the Doctor's latest companion...
282
00:35:13,705 --> 00:35:15,585
Oh, gosh, sorry.
283
00:35:15,625 --> 00:35:16,945
LAUGHTER
284
00:35:18,665 --> 00:35:20,425
It is Ruby Sunday, thank you!
285
00:35:20,465 --> 00:35:21,985
LAUGHTER
286
00:35:22,025 --> 00:35:23,945
Obviously, I nearly said
"Ruby Tuesday"!
287
00:35:23,985 --> 00:35:25,225
LAUGHTER
Sorry!
288
00:35:26,225 --> 00:35:28,545
I'm rambling! Come on, they're paying
me by the hour!
289
00:35:28,585 --> 00:35:29,785
LAUGHTER AND APPLAUSE
290
00:35:36,545 --> 00:35:39,345
I guess we all know it
was...Ruby Sunday.
291
00:35:39,385 --> 00:35:40,545
LAUGHTER
292
00:35:40,585 --> 00:35:43,305
Sorry. From "The Devil's Chord",
293
00:35:43,345 --> 00:35:46,785
this is "The Life Of Sunday".
294
00:35:46,825 --> 00:35:49,225
CHEERING AND APPLAUSE
295
00:35:55,425 --> 00:35:59,305
MUSIC: "The Life Of Sunday"
by Murray Gold
296
00:39:53,145 --> 00:39:55,145
CHEERING AND APPLAUSE
297
00:40:00,105 --> 00:40:02,585
{\an8}The BBC National Orchestra of Wales,
298
00:40:02,625 --> 00:40:04,545
conducted by Alastair King,
299
00:40:04,585 --> 00:40:07,745
and featuring Catherine Roe-Williams
on piano.
300
00:40:07,785 --> 00:40:12,425
That was "The Life of Sunday", and it
brings us to the final piece
301
00:40:12,465 --> 00:40:12,745
That was "The Life of Sunday", and it
brings us to the final piece
302
00:40:12,785 --> 00:40:15,865
in the first half of the Doctor Who
prom.
303
00:40:15,905 --> 00:40:17,785
I mean, it's flown by, hasn't it,
sir?
304
00:40:17,825 --> 00:40:19,465
LAUGHTER
305
00:40:19,505 --> 00:40:23,985
First heard in January 2010
in "The End of Time",
306
00:40:24,025 --> 00:40:28,065
"Vale Decem" was written to accompany
the Tenth Doctor's regeneration.
307
00:40:28,105 --> 00:40:31,865
After wiping Donna's memories to save
her life
308
00:40:31,905 --> 00:40:34,345
and saying his final farewells,
309
00:40:34,385 --> 00:40:38,625
the Doctor is visited by an Ood
as he reluctantly says goodbye.
310
00:40:39,665 --> 00:40:42,025
To sing "Vale Decem",
311
00:40:42,065 --> 00:40:46,145
please welcome back our wonderful
soloist, Aida Garifullina.
312
00:40:46,185 --> 00:40:47,985
CHEERING AND APPLAUSE
313
00:40:59,225 --> 00:41:02,425
MUSIC: "Vale Decem"
by Murray Gold
314
00:41:10,785 --> 00:41:15,145
# Vale Decem
315
00:41:15,185 --> 00:41:17,065
# Vale Decem
316
00:41:17,105 --> 00:41:21,505
# Ad aeternam
317
00:41:21,545 --> 00:41:24,065
# Ad aeternam
318
00:41:24,105 --> 00:41:28,945
# Di melioria
319
00:41:28,985 --> 00:41:30,465
# Di melioria
320
00:41:30,505 --> 00:41:35,305
# Ad aeternam
321
00:41:35,345 --> 00:41:37,945
# Ad aeternam
322
00:41:37,985 --> 00:41:42,745
# Vale Decem
323
00:41:42,785 --> 00:41:43,665
# Vale Decem
324
00:41:44,665 --> 00:41:49,145
# Di melioria
325
00:41:49,185 --> 00:41:51,105
# Di melioria
326
00:41:51,145 --> 00:41:55,505
# Beati
327
00:41:55,545 --> 00:41:58,265
# Beati
328
00:41:58,305 --> 00:42:02,945
# Pacifici
329
00:42:02,985 --> 00:42:05,145
# Pacifici
330
00:42:05,185 --> 00:42:10,385
# Vale Decem
331
00:42:10,425 --> 00:42:12,025
# Vale Decem
332
00:42:12,065 --> 00:42:16,745
# Alis grave
333
00:42:16,785 --> 00:42:18,545
# Alis grave
334
00:42:18,585 --> 00:42:23,105
# Ad perpetuam
335
00:42:23,145 --> 00:42:25,385
# Ad perpetuam
336
00:42:25,425 --> 00:42:30,545
# Memoriam
337
00:42:30,585 --> 00:42:32,585
# Memoriam
338
00:42:32,625 --> 00:42:36,945
# Vale Decem
339
00:42:36,985 --> 00:42:39,425
# Vale Decem
340
00:42:39,465 --> 00:42:44,345
# Gratis Tibi
341
00:42:44,385 --> 00:42:46,425
# Gratis Tibi
342
00:42:46,465 --> 00:42:50,745
# Ago
343
00:42:50,785 --> 00:42:51,305
# Ago
344
00:42:51,345 --> 00:42:55,785
# Ad aeternam
345
00:42:55,825 --> 00:43:00,305
# Numquam singularis
346
00:43:00,345 --> 00:43:00,625
# Numquam singularis
347
00:43:00,665 --> 00:43:02,545
# Numquam
348
00:43:02,585 --> 00:43:07,745
# Dum Spiro Fido
349
00:43:07,785 --> 00:43:10,425
# Dum Spiro Fido
350
00:43:10,465 --> 00:43:15,185
# Vale, vale, vale, vale, vale,
vale, vale
351
00:43:15,225 --> 00:43:16,185
# Vale, vale, vale, vale, vale,
vale, vale
352
00:43:16,225 --> 00:43:19,865
# Vale, vale
353
00:43:19,905 --> 00:43:24,745
# Vale
354
00:43:24,785 --> 00:43:26,465
# Vale
355
00:43:26,505 --> 00:43:30,625
VOCALISING
356
00:44:17,865 --> 00:44:22,065
CHEERING AND APPLAUSE
357
00:44:45,025 --> 00:44:48,225
DALEK VOICE:Attention! Attention!
358
00:44:48,265 --> 00:44:50,985
CHEERING
Attention!
359
00:44:51,025 --> 00:44:52,425
Silence!
360
00:44:54,105 --> 00:44:56,705
Royal Albert Hall...
CHEERING AND APPLAUSE
361
00:44:56,745 --> 00:45:01,425
..this Doctor Who prom must cease
IMMEDIATELY.
362
00:45:01,465 --> 00:45:01,745
..this Doctor Who prom must cease
IMMEDIATELY.
363
00:45:02,785 --> 00:45:05,985
The Doctor is the enemy of the
Daleks.
364
00:45:07,145 --> 00:45:11,665
Conductor, step down from the
platform!
365
00:45:12,865 --> 00:45:17,345
Orchestra, choir, you are now all
servants of the Daleks
366
00:45:17,385 --> 00:45:20,705
Orchestra, choir, you are now all
servants of the Daleks
367
00:45:20,745 --> 00:45:24,625
and must exit the stage
IMMEDIATELY...
368
00:45:24,665 --> 00:45:27,905
LAUGHTER
..Or you will be EXTERMINATED!
369
00:45:27,945 --> 00:45:29,145
CHEERING AND APPLAUSE
370
00:45:29,185 --> 00:45:34,385
Audience, behold the might of the
Daleks!
371
00:45:34,425 --> 00:45:35,025
Audience, behold the might of the
Daleks!
372
00:45:35,065 --> 00:45:39,425
You must all remain standing and
await further music
373
00:45:39,465 --> 00:45:42,105
or be exterminated!
374
00:45:42,145 --> 00:45:45,625
Exterminate! Exterminate!
375
00:45:45,665 --> 00:45:48,065
EXTERMINATE!
376
00:45:48,105 --> 00:45:50,065
CHEERING AND APPLAUSE
377
00:45:59,625 --> 00:46:01,625
Today, I am dressing up some
monsters.
378
00:46:02,905 --> 00:46:07,305
I'm going to be looking after the
Judoon and CyberMasters.
379
00:46:07,345 --> 00:46:07,465
I'm going to be looking after the
Judoon and CyberMasters.
380
00:46:07,505 --> 00:46:09,625
I'm going to dress up the Mires,
381
00:46:09,665 --> 00:46:12,305
which is a costume that we made
over ten years ago,
382
00:46:12,345 --> 00:46:14,865
so I'm having to remember how to
put it all together again.
383
00:46:14,905 --> 00:46:15,985
SHE LAUGHS
384
00:46:16,025 --> 00:46:18,625
Five minute call. This is five
minute call for the Ood.
385
00:46:18,665 --> 00:46:21,665
I'm going to be pushing them out
into the world and saying,
386
00:46:21,705 --> 00:46:23,225
"Go and be mad and..."
HE CHUCKLES
387
00:46:23,265 --> 00:46:24,345
"..And cause some chaos".
388
00:46:24,385 --> 00:46:25,665
I'm a massive Doctor Who nerd.
389
00:46:25,705 --> 00:46:28,305
Every time that I get to do
anything with Doctor Who is...
390
00:46:28,345 --> 00:46:29,305
It's always a fun time.
391
00:46:29,345 --> 00:46:30,945
OVER RADIO:Final call to stage...
392
00:46:30,985 --> 00:46:32,225
Sorry about my hand.
393
00:46:32,265 --> 00:46:34,185
This is my friend, here.
394
00:46:34,225 --> 00:46:37,265
So, I am the Judoon Captain, this
time, so...
395
00:46:37,305 --> 00:46:39,465
It's a great venue, great
orchestra,
396
00:46:39,505 --> 00:46:42,065
it's going to be fantastic.
HE GROWLS
397
00:46:42,985 --> 00:46:45,105
ELEVATOR MUSIC PLAYS
398
00:46:51,625 --> 00:46:53,545
Everyone wants to be a Dalek,
I think.
399
00:46:53,585 --> 00:46:56,705
I was scared of them as a kid -
hiding behind the sofa,
400
00:46:56,745 --> 00:46:58,785
all the cliches - so to actually be
one,
401
00:46:58,825 --> 00:47:01,305
I had to pinch myself constantly.
402
00:47:01,345 --> 00:47:04,185
You just have to make sure you
don't knock anyone over.
403
00:47:04,225 --> 00:47:06,385
If I crash into the conductor,
404
00:47:06,425 --> 00:47:08,065
that would be wrong,
405
00:47:08,105 --> 00:47:10,665
but if I take out a few bassoonists,
that's OK.
406
00:47:10,705 --> 00:47:11,785
HE CHUCKLES
407
00:47:16,425 --> 00:47:19,465
I've done pretty much every
incarnation of the Cybermen.
408
00:47:19,505 --> 00:47:23,225
It's such a pleasure to wear one of
these iconic costumes.
409
00:47:23,265 --> 00:47:26,505
I think people don't realise how
much fun it can be.
410
00:47:26,545 --> 00:47:29,945
Although they are villainous, people
do adore them,
411
00:47:29,985 --> 00:47:32,585
so if someone wants to give me a
cuddle, they can!
412
00:47:32,625 --> 00:47:34,305
HE CHUCKLES
413
00:47:36,545 --> 00:47:37,865
My name's Paul Kasey,
414
00:47:37,905 --> 00:47:40,865
and I'm the movement director for
the Doctor Who proms.
415
00:47:40,905 --> 00:47:43,465
We have a lot of Doctor Who
characters.
416
00:47:43,505 --> 00:47:46,265
All the characters have very precise
movement,
417
00:47:46,305 --> 00:47:51,425
We just choose a certain point where
both of you will go, "phwoo!"
418
00:47:51,465 --> 00:47:52,025
We just choose a certain point where
both of you will go, "phwoo!"
419
00:47:54,185 --> 00:47:58,385
There's, you know, limited vision,
limited hearing,
420
00:47:58,425 --> 00:48:01,225
there's a lot of stairs involved
in, you know, in the auditorium,
421
00:48:01,265 --> 00:48:04,425
so it's working out the stairs and
how many steps they need,
422
00:48:04,465 --> 00:48:06,145
and what their journeys are.
423
00:48:06,185 --> 00:48:08,145
It's very complex,
424
00:48:08,185 --> 00:48:11,305
but as we move forward, we make it
look very easy.
425
00:48:15,065 --> 00:48:17,665
This is my first time doing the
proms. I'm very excited.
426
00:48:17,705 --> 00:48:21,265
I'm ready to be very slimy, be very
creepy,
427
00:48:21,305 --> 00:48:23,545
scare a few babies, mainly, cos, you
know, Bogeyman.
428
00:48:23,585 --> 00:48:25,025
If you've seen the episode, you know
you know.
429
00:48:25,065 --> 00:48:28,545
Yeah, just be very creep and
just...snot about!
430
00:48:28,585 --> 00:48:29,825
HE CHUCKLES
431
00:48:29,865 --> 00:48:31,345
MUSIC: "I Am The Doctor"
by Murray Gold
432
00:48:31,385 --> 00:48:33,465
We're Peg Dolls, so... Yeah!
433
00:48:33,505 --> 00:48:35,185
Yeah, we're not as scary as we look.
THEY CHUCKLE
434
00:48:35,225 --> 00:48:37,305
Yeah, we're not... They are a bit
weird but... Yeah.
435
00:48:37,345 --> 00:48:39,585
..we're not that weird. Yeah, we're
all right, aren't we, guys?
436
00:48:39,625 --> 00:48:41,665
We're all right! It's all right,
it's all right.
437
00:48:41,705 --> 00:48:44,185
Got to work as a team to, like, kind
of rely on each other
438
00:48:44,225 --> 00:48:45,945
to know where we're going down the
steps.
439
00:48:45,985 --> 00:48:47,865
Yeah. As well as interacting.
You don't want to fall over... Yeah.
440
00:48:47,905 --> 00:48:49,505
..On, like, and audience member's
lap, or anything. Yeah.
441
00:48:49,545 --> 00:48:50,865
Oh, no - that's a fear. That's a
worst fear. Yeah!
442
00:48:50,905 --> 00:48:52,065
THEY LAUGH
443
00:48:54,145 --> 00:48:56,505
I think that's what's lovely about
doing the live shows
444
00:48:56,545 --> 00:49:00,825
is that you do get that instant
interaction, that instant feedback.
445
00:49:00,865 --> 00:49:02,865
With the music, as well, it was just
incredible.
446
00:49:02,905 --> 00:49:06,105
I'm often - behind my mask - like,
with tears. To the music.
447
00:49:06,145 --> 00:49:07,745
SHE LAUGHS
Cos it just moves me.
448
00:49:07,785 --> 00:49:09,385
It moves me so much.
449
00:49:09,425 --> 00:49:10,705
There we go.
450
00:49:10,745 --> 00:49:14,185
I can't see a thing. Very hot.
Motors all round my head.
451
00:49:14,225 --> 00:49:16,105
Bu that's showbiz - it's great!
452
00:49:17,385 --> 00:49:20,625
One of the hardest things to try
and describe
453
00:49:20,665 --> 00:49:24,945
is the amount of energy inside the
arena - in the stalls.
454
00:49:24,985 --> 00:49:25,425
is the amount of energy inside the
arena - in the stalls.
455
00:49:25,465 --> 00:49:27,705
And the joy for Doctor Who,
456
00:49:27,745 --> 00:49:30,705
you know, the audience, and how much
they love it.
457
00:49:30,745 --> 00:49:33,505
And celebrating the music. And it's
phenomenal.
458
00:49:33,545 --> 00:49:35,425
Bye.
ELEVATOR MUSIC PLAYS
459
00:49:35,465 --> 00:49:36,585
THEY CHUCKLE
460
00:49:42,465 --> 00:49:45,665
{\an8}MUSIC: "A Good Man?"
by Murray Gold
461
00:50:27,745 --> 00:50:30,105
VOCALISING
462
00:52:01,305 --> 00:52:03,025
CHEERING AND APPLAUSE
463
00:53:04,225 --> 00:53:05,905
CHEERING AND APPLAUSE
464
00:53:41,505 --> 00:53:43,745
CHEERING AND APPLAUSE
465
00:55:21,505 --> 00:55:22,625
{\an8}I tried to talk.
466
00:55:22,665 --> 00:55:24,145
{\an8}I want you to remember that.
467
00:55:24,185 --> 00:55:26,345
{\an8}I tried to reach out.
468
00:55:26,385 --> 00:55:27,905
I tried to understand you,
469
00:55:27,945 --> 00:55:30,865
but I think that you understand us
perfectly.
470
00:55:30,905 --> 00:55:32,825
THROUGH SPEAKER: And I think you
just don't care.
471
00:55:32,865 --> 00:55:37,545
And I don't know whether you are
here to invade or just replace us.
472
00:55:37,585 --> 00:55:38,745
I don't suppose it really matters
now.
473
00:55:38,785 --> 00:55:40,385
You are monsters!
474
00:55:40,425 --> 00:55:42,985
That is the role you seem determined
to play,
475
00:55:43,025 --> 00:55:46,745
so it seems that I must play mine...
476
00:55:48,505 --> 00:55:50,665
..the man that stops the monsters.
477
00:55:52,705 --> 00:55:54,625
I'm sending you back to your own
dimension.
478
00:55:54,665 --> 00:55:57,505
Who knows? Some of you
may even survive the trip.
479
00:55:57,545 --> 00:55:59,745
And, if you do, remember this -
480
00:55:59,785 --> 00:56:01,625
you are not welcome here.
481
00:56:01,665 --> 00:56:03,465
This plane is protected.
482
00:56:03,505 --> 00:56:05,945
I am the Doctor.
483
00:56:07,985 --> 00:56:09,705
SONIC SCREWDRIVER WHIRRS
484
00:57:11,945 --> 00:57:13,585
CHEERING AND APPLAUSE
485
00:57:20,945 --> 00:57:25,185
That was "A Good Man?", the music
that accompanied the Twelfth Doctor,
486
00:57:25,225 --> 00:57:27,105
That was "A Good Man?", the music
that accompanied the Twelfth Doctor,
487
00:57:27,145 --> 00:57:29,905
played, of course, by the
brilliant...?
488
00:57:29,945 --> 00:57:31,465
AUDIENCE:Peter Capaldi!
489
00:57:31,505 --> 00:57:34,705
..Peter Capaldi! Another ten points!
490
00:57:34,745 --> 00:57:36,265
CHEERING AND APPLAUSE,
CATHERINE CHUCKLES
491
00:57:39,025 --> 00:57:41,585
It featured vocals by Lucie Jones,
492
00:57:41,625 --> 00:57:45,065
and let us hear it again for the
amazing orchestra -
493
00:57:45,105 --> 00:57:49,625
the BBC National Orchestra of Wales
and the London Philharmonic Choir!
494
00:57:49,665 --> 00:57:49,785
the BBC National Orchestra of Wales
and the London Philharmonic Choir!
495
00:57:49,825 --> 00:57:51,465
CHEERING AND APPLAUSE
496
00:57:58,905 --> 00:58:01,345
Time now for more music,
497
00:58:01,385 --> 00:58:06,185
and we are going to hear some of
Murray Gold's most beautiful themes
498
00:58:06,225 --> 00:58:09,585
brought together in
"The Companions Suite".
499
00:58:09,625 --> 00:58:11,505
CHEERING AND APPLAUSE
500
00:58:14,065 --> 00:58:18,225
First, a new piece written for the
most recent season,
501
00:58:18,265 --> 00:58:22,545
from the haunting and unsettling
"73 Yards"
502
00:58:22,585 --> 00:58:22,745
from the haunting and unsettling
"73 Yards"
503
00:58:22,785 --> 00:58:25,145
to the tense battlefield drama
of "Boom",
504
00:58:25,185 --> 00:58:29,745
and finishing with the devastating
closing scene from "Dot And Bubble",
505
00:58:29,785 --> 00:58:33,105
this is "73 Yards to Finetime".
506
00:58:42,585 --> 00:58:45,745
{\an8}MUSIC SUITE: "73 Yards to Finetime"
by Murray Gold
507
01:05:33,225 --> 01:05:35,145
CHEERING AND APPLAUSE
508
01:05:49,065 --> 01:05:50,905
{\an8}MUSIC SUITE: "The Companions Suite"
by Murray Gold
509
01:05:50,945 --> 01:05:51,945
{\an8}AUDIENCE GASP
510
01:05:53,465 --> 01:05:55,745
CHEERING AND APPLAUSE
511
01:07:38,145 --> 01:07:40,505
CHEERING AND APPLAUSE
512
01:08:16,305 --> 01:08:18,505
CHEERING AND APPLAUSE
513
01:08:57,785 --> 01:08:59,945
CHEERING AND APPLAUSE
514
01:09:08,345 --> 01:09:10,185
VOCALISING
515
01:10:36,225 --> 01:10:38,505
CHEERING AND APPLAUSE
516
01:11:58,865 --> 01:12:01,025
CHEERING AND APPLAUSE
517
01:13:20,065 --> 01:13:22,065
CHEERING AND APPLAUSE
518
01:13:29,265 --> 01:13:34,185
With the fabulous Jodie Whittaker
taking control of the Tardis, and...
519
01:13:34,225 --> 01:13:34,705
With the fabulous Jodie Whittaker
taking control of the Tardis, and...
520
01:13:34,745 --> 01:13:36,825
CHEERING
521
01:13:36,865 --> 01:13:40,545
..and Chris Chibnall taking the reins
as showrunner...
522
01:13:40,585 --> 01:13:43,265
CHEERING
523
01:13:43,305 --> 01:13:46,625
..Segun Akinola also arrived as
composer
524
01:13:46,665 --> 01:13:48,745
with a different sound and approach.
525
01:13:48,785 --> 01:13:52,825
And it is the Thirteenth Doctor we
are going to celebrate next,
526
01:13:52,865 --> 01:13:57,225
with music from "The Woman Who Fell
To Earth", "Spyfall",
527
01:13:57,265 --> 01:14:00,905
"Demons Of The Punjab", and "The
Power Of The Doctor",
528
01:14:00,945 --> 01:14:04,745
featuring Hollie Buhagiar and Shahid
Abbas Khan on vocals,
529
01:14:04,785 --> 01:14:09,225
this is Segun Akinola's "The
Thirteenth Doctor".
530
01:14:09,265 --> 01:14:11,625
CHEERING AND APPLAUSE
531
01:14:22,065 --> 01:14:22,785
MUSIC: "The Thirteenth Doctor"
by Segun Akinola
532
01:16:09,705 --> 01:16:11,385
CHEERING AND APPLAUSE
533
01:17:38,745 --> 01:17:40,705
VOCALISING
534
01:21:18,025 --> 01:21:19,305
CHEERING AND APPLAUSE
535
01:21:38,265 --> 01:21:40,905
MUSIC: "Abigail's Song"
by Murray Gold
536
01:21:59,745 --> 01:22:04,185
# When you're alone
537
01:22:04,225 --> 01:22:04,425
# When you're alone
538
01:22:04,465 --> 01:22:09,465
# Silence is all you know
539
01:22:09,505 --> 01:22:12,025
# Silence is all you know
540
01:22:14,545 --> 01:22:19,065
# When you're alone
541
01:22:19,105 --> 01:22:19,185
# When you're alone
542
01:22:19,225 --> 01:22:24,385
# Silence is all you know
543
01:22:24,425 --> 01:22:27,025
# Silence is all you know
544
01:22:29,345 --> 01:22:31,865
# Let in the noise
545
01:22:31,905 --> 01:22:37,105
# And let it grow
546
01:22:37,145 --> 01:22:39,905
# And let it grow
547
01:22:44,425 --> 01:22:48,825
# When you're alone
548
01:22:48,865 --> 01:22:49,225
# When you're alone
549
01:22:52,545 --> 01:22:57,305
# Silence is all you see
550
01:22:57,345 --> 01:22:57,705
# Silence is all you see
551
01:22:59,065 --> 01:23:03,665
# When you're alone
552
01:23:03,705 --> 01:23:04,065
# When you're alone
553
01:23:04,105 --> 01:23:08,985
# Silence is all you'll be
554
01:23:09,025 --> 01:23:12,105
# Silence is all you'll be
555
01:23:14,145 --> 01:23:18,545
# Give me your hand
556
01:23:18,585 --> 01:23:19,345
# Give me your hand
557
01:23:19,385 --> 01:23:23,865
# And come to me
558
01:23:23,905 --> 01:23:24,025
# And come to me
559
01:23:43,905 --> 01:23:47,625
# When you're alone
560
01:23:47,665 --> 01:23:52,545
# Music is all around
561
01:23:52,585 --> 01:23:54,945
# Music is all around
562
01:23:57,345 --> 01:24:02,105
# When you're alone
563
01:24:02,145 --> 01:24:02,305
# When you're alone
564
01:24:02,345 --> 01:24:07,425
# Music is all around
565
01:24:07,465 --> 01:24:10,065
# Music is all around
566
01:24:12,585 --> 01:24:17,185
# Open your eyes
567
01:24:17,225 --> 01:24:22,305
# Don't make a sound
568
01:24:22,345 --> 01:24:25,025
# Don't make a sound
569
01:24:27,665 --> 01:24:32,625
# Let in the shadow, let in the
shadow
570
01:24:37,585 --> 01:24:42,465
# Let in the light of your bright
shadow
571
01:24:42,505 --> 01:24:45,545
# Let in the light of your bright
shadow
572
01:24:47,265 --> 01:24:52,065
# Let in the shadow, let in the
shadow
573
01:24:52,105 --> 01:24:55,225
# Let in the shadow, let in the
shadow
574
01:24:57,265 --> 01:25:01,625
# Let in the light of your bright
shadow
575
01:25:01,665 --> 01:25:02,225
# Let in the light of your bright
shadow
576
01:25:07,305 --> 01:25:11,985
# Let in the light
577
01:25:12,025 --> 01:25:16,025
# Let in the light
578
01:25:17,185 --> 01:25:21,825
# Let in the light of your sweet
shadow
579
01:25:21,865 --> 01:25:25,105
# Let in the light of your sweet
shadow
580
01:25:27,225 --> 01:25:31,705
# When you're alone
581
01:25:31,745 --> 01:25:36,665
# Silence is all you know
582
01:25:36,705 --> 01:25:38,665
# Silence is all you know
583
01:25:41,945 --> 01:25:46,225
# Silence is all
584
01:25:46,265 --> 01:25:46,585
# Silence is all
585
01:25:46,625 --> 01:25:51,545
# Silence is all around
586
01:25:51,585 --> 01:25:54,065
# Silence is all around
587
01:25:56,345 --> 01:26:01,105
# Silence is all
588
01:26:01,145 --> 01:26:01,505
# Silence is all
589
01:26:01,545 --> 01:26:06,425
# Silence is all around. #
590
01:26:06,465 --> 01:26:09,305
# Silence is all around. #
591
01:26:16,265 --> 01:26:20,025
CHEERING AND APPLAUSE
592
01:26:35,425 --> 01:26:39,225
The stunning voice of Aida
Garifullina.
593
01:26:48,185 --> 01:26:51,705
That was "Abigail's Song", written by
Murray Gold
594
01:26:51,745 --> 01:26:56,065
for Steven Moffat's 2010 Christmas
special, "A Christmas Carol".
595
01:26:56,105 --> 01:27:00,625
And - hold on to your Cybermen hats -
596
01:27:00,665 --> 01:27:01,625
And - hold on to your Cybermen hats -
597
01:27:01,665 --> 01:27:05,945
because we have got another Steven
Moffat Christmas treat...
598
01:27:05,985 --> 01:27:06,545
because we have got another Steven
Moffat Christmas treat...
599
01:27:07,865 --> 01:27:09,385
Well, hello.
CATHERINE CHUCKLES
600
01:27:09,425 --> 01:27:10,505
Hello?
601
01:27:10,545 --> 01:27:12,105
CHEERING AND APPLAUSE
602
01:27:13,385 --> 01:27:14,505
I'm going to GO!
603
01:27:15,625 --> 01:27:16,825
Bye!
604
01:27:16,865 --> 01:27:18,105
LAUGHTER
605
01:27:19,265 --> 01:27:20,985
Hello, you lot.
CHEERING
606
01:27:26,545 --> 01:27:28,825
Oh, what's the matter?
607
01:27:30,465 --> 01:27:32,185
Never seen a prom before?
608
01:27:34,945 --> 01:27:36,025
MRS FLOOD CHUCKLES
609
01:27:45,785 --> 01:27:48,785
SHE CHUCKLES
610
01:27:48,825 --> 01:27:53,745
Oh, look - we've got this
big, beautiful orchestra!
611
01:27:53,785 --> 01:27:55,545
Oh, look - we've got this
big, beautiful orchestra!
612
01:27:55,585 --> 01:27:57,305
HIYA!
613
01:27:57,345 --> 01:27:59,665
Hi. Hi.
614
01:27:59,705 --> 01:28:02,385
Aw, aren't they sweet?
615
01:28:02,425 --> 01:28:03,665
Yeah...
616
01:28:03,705 --> 01:28:05,425
Particularly him.
SHE CHUCKLES
617
01:28:05,465 --> 01:28:06,785
LAUGHTER
618
01:28:06,825 --> 01:28:08,745
You know, the last time that I went
to a concert was, um, ooh....
619
01:28:12,905 --> 01:28:15,865
1986.
620
01:28:15,905 --> 01:28:17,585
Yeah.
621
01:28:17,625 --> 01:28:19,065
I saw Queen.
622
01:28:19,105 --> 01:28:20,425
CHEERING AND APPLAUSE
623
01:28:25,385 --> 01:28:26,745
Have you heard of them?
624
01:28:27,905 --> 01:28:30,225
Yeah. Not bad, are they?
625
01:28:30,265 --> 01:28:31,505
LAUGHTER
626
01:28:31,545 --> 01:28:32,665
A bit noisy.
627
01:28:34,345 --> 01:28:38,225
Anyway, my name is Mrs Flood.
628
01:28:41,745 --> 01:28:46,105
Yeah, that's my name, true and
proper - so don't argue.
629
01:28:46,145 --> 01:28:47,545
SHE GIGGLES
630
01:28:47,585 --> 01:28:49,745
I mean, you do believe me, don't
you?
631
01:28:49,785 --> 01:28:51,825
AUDIENCE:No!
632
01:28:51,865 --> 01:28:54,505
Oh, dissension in the ranks!
633
01:28:54,585 --> 01:28:59,625
I mean, what else would I be? Some
outer-space villain in disguise?
634
01:28:59,665 --> 01:29:02,545
I mean, what else would I be? Some
outer-space villain in disguise?
635
01:29:02,585 --> 01:29:04,065
AUDIENCE:Yes!
636
01:29:04,105 --> 01:29:07,625
No, don't make me laugh!
637
01:29:07,665 --> 01:29:11,985
I'm just a nice, quiet, friendly
soul.
638
01:29:12,025 --> 01:29:13,465
LAUGHTER
AUDIENCE MEMBER:Nice?
639
01:29:13,505 --> 01:29:17,105
Which is more than I can say for my
neighbours!
640
01:29:18,465 --> 01:29:22,985
I tell you, the girl upstairs -
calls herself Ruby, Ruby Sunday...
641
01:29:23,025 --> 01:29:25,105
I tell you, the girl upstairs -
calls herself Ruby, Ruby Sunday...
642
01:29:25,145 --> 01:29:28,145
CHEERING
Yeah. Pretty girl.
643
01:29:28,185 --> 01:29:32,385
And I've seen her. I've seen her
going to and fro
644
01:29:32,425 --> 01:29:35,225
with that mysterious man. You know,
with the funny blue box?
645
01:29:35,265 --> 01:29:36,305
CHUCKLING
646
01:29:36,345 --> 01:29:41,065
And I thought to myself, "Hello,
what's happening here, then?"
647
01:29:41,105 --> 01:29:43,065
And I thought to myself, "Hello,
what's happening here, then?"
648
01:29:44,545 --> 01:29:45,505
I mean...
649
01:29:46,625 --> 01:29:47,625
..what...
650
01:29:48,945 --> 01:29:50,425
..is the truth?
651
01:29:52,625 --> 01:29:56,985
You know, sometimes I hear whispers
on the breeze...
652
01:29:57,025 --> 01:29:57,505
You know, sometimes I hear whispers
on the breeze...
653
01:29:59,105 --> 01:30:03,385
telling me stories - amazing
tales...
654
01:30:03,425 --> 01:30:03,665
telling me stories - amazing
tales...
655
01:30:05,305 --> 01:30:06,425
..like this one!
656
01:30:08,185 --> 01:30:11,705
Ladies and gentlemen,
657
01:30:11,745 --> 01:30:12,105
"The Legend Of Ruby Sunday".
658
01:30:17,425 --> 01:30:19,025
CHEERING AND APPLAUSE
659
01:33:05,825 --> 01:33:07,305
SUTEKH GROWLS
660
01:33:07,345 --> 01:33:08,945
# Sutekh
661
01:33:09,905 --> 01:33:11,625
# Sutekh
662
01:33:12,665 --> 01:33:14,345
# Sutekh
663
01:33:15,425 --> 01:33:17,185
# Sutekh
664
01:33:18,185 --> 01:33:20,305
# Sutekh
665
01:33:21,345 --> 01:33:22,905
# Sutekh
666
01:33:23,985 --> 01:33:25,785
# Sutekh
667
01:33:26,785 --> 01:33:28,625
# Sutekh
668
01:33:29,625 --> 01:33:31,505
# Sutekh. #
669
01:34:04,865 --> 01:34:05,945
WHISTLE BLOWS
670
01:34:47,585 --> 01:34:48,585
You win!
671
01:34:49,905 --> 01:34:52,145
HE PANTS
672
01:34:52,185 --> 01:34:54,785
Because I pride myself...
673
01:34:54,825 --> 01:34:57,745
I pride myself that I am better than
you.
674
01:34:57,785 --> 01:34:59,105
Because if you're death...
675
01:34:59,145 --> 01:35:00,745
SUTEKH GROWLS
676
01:35:00,785 --> 01:35:03,185
..then I must represent life.
677
01:35:03,225 --> 01:35:05,385
Surely, that's what I am?
678
01:35:05,425 --> 01:35:06,425
Life.
679
01:35:09,785 --> 01:35:11,705
SUTEKH GROWLS
680
01:35:11,745 --> 01:35:13,585
And that's how you win, Sutekh.
681
01:35:15,225 --> 01:35:16,665
Because you've turned me into this.
682
01:35:22,985 --> 01:35:24,705
SUTEKH ROARS
683
01:35:29,265 --> 01:35:31,185
SUTEKH SCREAMS
684
01:35:37,665 --> 01:35:38,905
SUTEKH ROARS
685
01:36:11,465 --> 01:36:12,425
VOCALISING
686
01:36:55,385 --> 01:36:56,425
Your life...
687
01:36:57,705 --> 01:36:58,945
..is out there now.
688
01:37:01,105 --> 01:37:05,305
I have shown you monsters, and
planets, and legends...
689
01:37:06,345 --> 01:37:07,345
..but this...
690
01:37:09,505 --> 01:37:12,185
Honey, your adventure is just
beginning.
691
01:37:15,905 --> 01:37:16,945
SHE SOBS
692
01:37:18,865 --> 01:37:20,585
Will I ever see you again?
693
01:37:20,625 --> 01:37:21,865
Of course you will!
694
01:37:23,185 --> 01:37:24,345
Of course you will.
695
01:37:28,865 --> 01:37:30,225
Because you've changed me.
696
01:37:32,305 --> 01:37:34,745
I talk about family in a way that I
never did before.
697
01:37:35,945 --> 01:37:37,785
That's because of you.
SHE LAUGHS
698
01:37:39,385 --> 01:37:41,665
You have made my life bigger and
better.
699
01:37:46,385 --> 01:37:47,385
And now...
700
01:37:48,545 --> 01:37:49,545
..Ruby Sunday...
701
01:37:52,305 --> 01:37:53,385
..goodbye.
702
01:37:58,065 --> 01:38:00,225
TARDIS ENGINES START UP
703
01:38:01,625 --> 01:38:03,465
METALLIC THRUMMING
704
01:38:10,985 --> 01:38:12,065
RUBY SOBS
705
01:38:15,705 --> 01:38:16,945
I love you.
706
01:39:13,385 --> 01:39:15,585
CHEERING AND APPLAUSE
707
01:39:21,865 --> 01:39:25,305
THE BBC National Orchestra of Wales,
708
01:39:25,345 --> 01:39:27,305
London Philharmonic Choir,
709
01:39:27,345 --> 01:39:29,545
organist Anna Lapwood...
710
01:39:29,585 --> 01:39:31,185
CHEERING
711
01:39:33,905 --> 01:39:36,785
..Hollie Buhagiar on vocals,
712
01:39:36,825 --> 01:39:39,185
conducted by Alastair King.
713
01:39:39,225 --> 01:39:40,305
CHEERING AND APPLAUSE
714
01:39:44,545 --> 01:39:48,585
That was Murray Gold's epic score
715
01:39:48,625 --> 01:39:52,145
for Russell T Davies' thrilling
season finale.
716
01:39:52,185 --> 01:39:57,225
And sadly, we have almost come to the
end of this Doctor Who prom.
717
01:39:57,265 --> 01:39:58,705
AUDIENCE GROAN
718
01:39:58,745 --> 01:40:00,305
I know!
719
01:40:00,345 --> 01:40:01,425
LAUGHTER
720
01:40:01,465 --> 01:40:03,625
But I also know what you're thinking.
721
01:40:04,785 --> 01:40:06,145
I know what YOU'RE thinking...
LAUGHTER
722
01:40:07,505 --> 01:40:09,505
"Time for one more?"
723
01:40:09,545 --> 01:40:11,105
CHEERING AND APPLAUSE
724
01:40:12,825 --> 01:40:14,825
Is...? Is there time for one more?
725
01:40:14,865 --> 01:40:15,945
CATHERINE LAUGHS
726
01:40:17,185 --> 01:40:20,545
Amazing! Well, when you have the
greatest theme
727
01:40:20,585 --> 01:40:22,105
tune in all of time and space,
there...
728
01:40:22,145 --> 01:40:23,505
CHEERING
729
01:40:23,545 --> 01:40:28,105
..really is only one way to end a
Doctor Who prom.
730
01:40:28,145 --> 01:40:29,225
..really is only one way to end a
Doctor Who prom.
731
01:40:29,265 --> 01:40:33,905
Written by Ron Grainer back in 1963
732
01:40:33,945 --> 01:40:38,225
and brought to life so unforgettably
by Delia Derbyshire
733
01:40:38,265 --> 01:40:40,305
in the BBC's legendary...
CHEERING AND APPLAUSE
734
01:40:43,305 --> 01:40:46,185
..Radiophonic Workshop,
735
01:40:46,225 --> 01:40:51,505
we are going to hear it now,
reimagined by Murray Gold for 2024.
736
01:40:51,545 --> 01:40:53,545
we are going to hear it now,
reimagined by Murray Gold for 2024.
737
01:40:53,585 --> 01:40:55,105
Oh yes!
738
01:40:55,145 --> 01:40:56,465
Enjoy!
739
01:40:56,505 --> 01:40:58,025
CHEERING AND APPLAUSE
740
01:40:59,985 --> 01:41:03,065
MUSIC: "Theme From Doctor Who"
by Ron Grainer and Delia Derbyshire
741
01:42:51,145 --> 01:42:53,345
CHEERING AND APPLAUSE
742
01:43:21,945 --> 01:43:24,785
There is one thing that I should warn
you about, Ruby,
743
01:43:24,825 --> 01:43:28,225
and this is...really very serious.
744
01:43:28,265 --> 01:43:30,865
With all my adventures throughout
time and space...
745
01:43:30,905 --> 01:43:33,025
MUSIC: "There's Always A Twist At The
End" by Murray Gold
746
01:43:33,065 --> 01:43:36,265
I have to tell you, there's always a
twist at the end.
747
01:43:40,305 --> 01:43:42,985
# There's always a twist
There's always a twist
748
01:43:43,025 --> 01:43:45,705
# There's always a twist at the end
749
01:43:45,745 --> 01:43:48,305
# There's always a twist
There's always a twist
750
01:43:48,345 --> 01:43:50,985
# There's always a twist at the end
751
01:43:51,025 --> 01:43:52,265
# My friend, depend
752
01:43:52,305 --> 01:43:53,625
# Press send, let's bend
753
01:43:53,665 --> 01:43:55,145
# Cos there is always
754
01:43:55,185 --> 01:43:56,345
# There's always,
755
01:43:56,385 --> 01:43:58,825
# Yes, there's always a twist at the
end
756
01:44:01,505 --> 01:44:04,105
# We got the bop and the rock and
the Lindy Hop,
757
01:44:04,145 --> 01:44:06,865
# We got the jive, beehive, and the
Stayin' Alive,
758
01:44:06,905 --> 01:44:09,545
# We got the conga and the salsa and
the mighty Big Bopper,
759
01:44:09,585 --> 01:44:13,825
# We got the waltz and the schmaltz
and no penalties for faults
760
01:44:13,865 --> 01:44:16,425
# There's always a twist
There's always a twist
761
01:44:16,465 --> 01:44:19,065
# There's always a twist at the end
762
01:44:19,105 --> 01:44:21,705
# There's always a twist
There's always a twist
763
01:44:21,745 --> 01:44:24,225
# There's always a twist at the end
764
01:44:24,265 --> 01:44:27,065
# Pretend, descend,
Land's End, make do and mend
765
01:44:27,105 --> 01:44:29,665
# Cos there's always, there's
always,
766
01:44:29,705 --> 01:44:32,505
# Yes, there's always a twist at the
end
767
01:44:32,545 --> 01:44:35,105
# There's always a twist at the
end
768
01:44:35,145 --> 01:44:37,785
# There's always a twist at the end
769
01:44:37,825 --> 01:44:40,225
# We ain't no fools from Liverpool
770
01:44:40,265 --> 01:44:42,985
# Cos there's always a twist at the
end
771
01:44:43,025 --> 01:44:46,185
# I always said that it ends with a
twist
772
01:44:46,225 --> 01:44:48,185
# That's one good thing that can't
be missed
773
01:44:48,225 --> 01:44:50,945
# Have a smashin' little dance cos
we know what's best
774
01:44:50,985 --> 01:44:55,865
# Cos we're the smart girls from the
north-west!
775
01:44:55,905 --> 01:44:56,625
# Cos we're the smart girls from the
north-west!
776
01:45:07,345 --> 01:45:10,265
# Sing along if you've got a twist
777
01:45:10,305 --> 01:45:12,265
# Sing along if you kiss the mist
778
01:45:12,305 --> 01:45:15,145
# There's a special little dance
you'll run the risk
779
01:45:15,185 --> 01:45:20,305
# There's always, always
Always a twist
780
01:45:20,345 --> 01:45:20,545
# There's always, always
Always a twist
781
01:45:20,585 --> 01:45:23,625
# La-la la la la la-la
782
01:45:23,665 --> 01:45:25,505
# La la-la-la-la-la la-la-la
783
01:45:25,545 --> 01:45:28,585
# La
la-la-la-la-la-la-la-la-la-la-la
784
01:45:28,625 --> 01:45:31,065
# La la la-la la la
785
01:45:31,105 --> 01:45:33,345
# There's always a twist at the end
786
01:45:33,385 --> 01:45:36,065
# I said there's always a twist at
the end
787
01:45:36,105 --> 01:45:38,905
# What you intend, I can't defend
788
01:45:38,945 --> 01:45:41,665
# I think this song will never end
789
01:45:41,705 --> 01:45:44,345
# Cos there's always
Always
790
01:45:44,385 --> 01:45:45,705
# Always
791
01:45:45,745 --> 01:45:50,065
# A twist at the end! #
792
01:45:50,105 --> 01:45:52,905
# A twist at the end! #
793
01:45:54,185 --> 01:45:56,745
CHEERING AND APPLAUSE
794
01:46:04,785 --> 01:46:08,345
Please give it up for Lucie Jones...
795
01:46:08,385 --> 01:46:09,985
CHEERING AND APPLAUSE
796
01:46:13,105 --> 01:46:14,905
..Tobias Turley...
797
01:46:14,945 --> 01:46:17,585
CHEERING AND APPLAUSE
798
01:46:17,625 --> 01:46:21,465
..our AMAZING dancers and performers.
799
01:46:21,505 --> 01:46:22,985
CHEERING AND APPLAUSE
800
01:46:24,465 --> 01:46:28,385
..The ONE AND ONLY Anita Dobson...
801
01:46:28,425 --> 01:46:29,825
CHEERING AND APPLAUSE
802
01:46:32,185 --> 01:46:35,425
..the spectacular Aida Garifullina...
803
01:46:35,465 --> 01:46:37,065
CHEERING AND APPLAUSE
804
01:46:38,665 --> 01:46:40,345
..Shahid Abbas Khan...
805
01:46:40,385 --> 01:46:41,745
CHEERING AND APPLAUSE
806
01:46:43,865 --> 01:46:45,385
..Hollie Buhagiar...
807
01:46:45,425 --> 01:46:46,865
CHEERING AND APPLAUSE
808
01:46:49,425 --> 01:46:52,065
..organist Anna Lapwood...
809
01:46:52,105 --> 01:46:53,625
CHEERING AND APPLAUSE
810
01:46:56,625 --> 01:47:00,465
..the BBC National Orchestra of Wales
811
01:47:00,505 --> 01:47:04,265
with their leader, Lesley Hatfield...
812
01:47:04,305 --> 01:47:06,945
CHEERING AND APPLAUSE
813
01:47:08,665 --> 01:47:11,625
..London Philharmonic Choir,
814
01:47:11,665 --> 01:47:16,105
with their chorus director,
Tori Longdon...
815
01:47:16,145 --> 01:47:16,585
with their chorus director,
Tori Longdon...
816
01:47:16,625 --> 01:47:18,105
CHEERING AND APPLAUSE
817
01:47:20,065 --> 01:47:21,065
..conductor...
818
01:47:22,745 --> 01:47:23,825
..Alastair King...
819
01:47:23,865 --> 01:47:25,625
CHEERING AND APPLAUSE
820
01:47:29,665 --> 01:47:32,865
..and please welcome Murray Gold...
821
01:47:32,905 --> 01:47:34,745
CHEERING AND APPLAUSE
822
01:47:34,785 --> 01:47:37,505
..and Segun Akinola!
823
01:47:41,305 --> 01:47:44,665
You have been glorious!
824
01:47:46,185 --> 01:47:47,985
Thank you so much,
825
01:47:48,025 --> 01:47:49,465
and goodnight!
826
01:47:49,505 --> 01:47:51,345
CHEERING AND APPLAUSE
77091
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
English
Esperanto
Estonian
Faroese
Finnish
Frisian
Galician
Georgian
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof