All language subtitles for The Twilight Zone s01e15 I Shot an Arrow into the Air.eng

[eerie music]

(male presenter)
THERE IS A FIFTH DIMENSION

BEYOND THAT
WHICHIS KNOWN TO MAN.

IT IS A DIMENSION
AS VAST AS SPACE

AND AS TIMELESS AS INFINITY.

IT IS THE MIDDLE GROUND
BETWEEN LIGHT AND SHADOW,

BETWEEN SCIENCE
AND SUPERSTITION

AND IT LIES BETWEEN
THE PIT OF MAN'S FEARS

AND THE SUMMIT
OF HIS KNOWLEDGE.

THIS IS THE DIMENSION
OF IMAGINATION.

IT IS AN AREA
WHICH WE CALL THE TWILIGHT ZONE.

(male)
SYSTEM READY?

[buzzing, man
speaks indistinctIy]

(maIe 1 )
LOX TANKING SECURED?

(male 2, over radio)
LOX TANKING SECURED.

[alarm]

(male presenter, off)
HER NAME IS THE ARROW 1.

SHE REPRESENTS
FOUR AND A HALF YEARS

OF PLANNING, PREPARATION
AND TRAINING

AND A THOUSAND YEARS
OF SCIENCE AND MATHEMATICS

AND THE PROJECTED DREAMS
AND HOPES

OF NOT ONLY A NATION,
BUT A WORLD.

SHE IS THE FIRST
MANNED AIRCRAFT INTO SPACE,

AND THIS IS THE COUNTDOWN.
THE LAST FIVE SECONDS

BEFORE MAN SHOT AN ARROW
INTO THE AIR.

(male over radio)
THREE, TWO, ONE, ZERO.

[expIosion]

ONE, TWO, THREE, FOUR, FIVE.

I STILL
DON'T UNDERSTAND HOW WE COULD HAVE LOST IT

WITH ALL
THE MONITORS WE HAVE GOING.

IF WE HAD 1 5,000
MONITORS GOING,

THE SITUATION
WOULD BE THE SAME. WE LOST CONTACT.

SHE'S OFF
HER VECTOR PATH, SHE'S OFF THE RADAR SCREEN.

GONE, COMPLETELY GONE.

WHEN DID YOU
FIRST LOSE CONTACT?

LESS THAN
HALF HOUR AGO.

THERE WAS
A SHORT PERIOD OF HEAVY INTERFERENCE.

NOW, THAT WAS
PROBABLY SOLAR.

WE HAVEN'T BEEN ABLE
TO IDENTIFY IT YET.

IN ANY CASE, WHEN
IT WAS OVER, THE CONTACT WAS BROKEN.

COULDN'T A CHANGE
IN THEIR COURSE ACCOUNT FOR THAT?

THE COURSE
WAS PRESET.

NOW, THE PILOT
WOULDN'T CHANGE IT

WITHOUT NOTIFYING US.
BOB DONOLAN'S COMMANDING.

SO, AN AIRCRAFT
WITH AN EIGHT-MAN CREW

JUST DISAPPEARS
LIKE A PUFF OF SMOKE.

ONE MOMENT SHE'S THERE,
THE NEXT MOMENT SHE'S GONE.

"I SHOT AN ARROW
INTO THE AIR.

IT LANDED I KNOW NOT WHERE."

A NURSERY RHYME
OF THE AGE OF SPACE.

GENTLEMEN, WHEREVER
YOU ARE, GOD HELP YOU.

(Donolan)
"FIRST ENTRY, LOG, ARROW 1

"COLONEL R.G. DONOLAN
COMMANDING.

"WE HAVE CRASH-LANDED

"ON WHAT APPEARS TO BE
AN UNCHARTED ASTEROID.

"CAUSE OF MALFUNCTION
AND ULTIMATE CRASH UNKNOWN.

THERE WAS AN EXPLOSION,
THE ELECTRICAL SYSTEM WENT OUT."

THAT'S ALL
ANY OF US REMEMBER.

"ANY OF US BEING FLIGHT
OFFICERS COREY AND PEARSON

"AND NAVIGATOR HUDACK,
WHO HAS BEEN SERIOUSLY HURT

"AND MYSELF.

"THE REST OF THE CREW, DEAD.

"THERE IS VERY LITTLE LEFT
OF THE AIRCRAFT.

"THE RADIO IS GONE.

"THE BULK OF THE SUPPLIES
HAVE BEEN DESTROYED IN THE CRASH

"AND AS OF THIS MOMENT

"THERE IS LITTLE CERTAINTY
THAT WE HAVE BEEN TRACKED

AND OUR WHEREABOUTS KNOWN."

BEGGING
THE COLONEL'S PARDON

BUT THIS IS NO TIME
TO WRITE YOUR MEMOIRS.

(Colonel)
COREY, WE'RE IN BAD SHAPE.

THAT'S FOR SURE.

BUT WE'RE STILL A CREW,
AND AS LONG AS WE ARE A CREW

THERE'LL BE DISCIPLINE
AND THERE'LL BE PROTOCOL.

UNTIL I'M LYING IN THE HOLE
THEN WE'LL OPERATE FROM THE BOOK!

GET OVER THERE AND SIT DOWN.

COLONEL DONOLAN,
IT'S HOT, SEE?

IT'S VERY HOT, AND IT
MAKES IT HARD TO THINK.

SO IF YOU'RE GOING TO EXPEND
ALL THAT ENERGY,

YOU USE IT TO FIGURE
A WAY OUT OF HERE.

A WAY TO LET THEM
KNOW WHERE WE ARE!

COREY! YOU HEARD
THE COLONEL.

PEARSON, YOU WERE WITH
COREY DURING THE CRASH.

WHAT HAPPENED TO HIM?

NOTHING THAT
I KNOW OF, SIR.

I CAN'T UNDERSTAND
IT EITHER.

HOW MUCH
WATER IS THERE?

(Colonel)
A FIVE-GALLON CAN, WHAT WE HAVE ON US.

THEN WHY WASTE IT?

I MEAN, HE'S
NOT GOING TO LIVE THROUGH THE AFTERNOON.

ARE YOU
THE CONSULTING SURGEON, COREY?

I'M ONE MAN OUT OF THREE
WHO'S GOING TO NEED WATER,

AND FIVE GALLONS ISN'T
GOING TO LAST VERY LONG.

IF THE SITUATION WERE
REVERSED, AND IT WAS YOU LYING THERE,

I'LL GIVE YOU ODDS
YOU WOULDN'T WANT TO BE WRITTEN OFF.

FIVE GALLONS
OF WATER OR NO.

(Corey)
COLONEL, THIS MAN'S GOING TO DIE!

IF HE DIES HE DIES,
BUT NOBODY GETS BEHIND TO PUSH.

IF HE'S THIRSTY,
WE GIVE HIM WATER.

IF HE'S HOT, WE MOVE
HIM INTO THE SHADE.

THEN IF HE
GOES, WE GIVE HIM A PRAYER OR TWO.

PEARSON,
START MAKING THE GRAVES.

I'LL RELIEVE YOU
IN FIVE M INUTES,

THEN COREY
WILL RELIEVE ME.

(Pearson)
WHAT'S THE MATTER, COREY?

YOU WANT HIM
ON THE DETAIL, TOO?

COLONEL, THAT'S ODD.

(Pearson)
SIGNS OF THE SUN, I MEAN.

YES, I NOTICED.

IT'S HARDLY
ANY DIFFERENT

THAN WE KNEW IT
ON EARTH.

WHICH MEANS THAT
WHATEVER ASTEROID WE'VE LANDED ON

IS IN THE SAME ORBIT
AS THE EARTH.

WELL, WHEREVER WE
ARE, IT'S A CINCH IT ISN'T HEAVEN.

YOU CAN COUNT
ON THAT.

WE'VE GOT ONE THING
IN OUR FAVOR.

THE AIR IS PERFECT,
THERE'S NO RADIATION COUNT TO SPEAK OF.

IT TOOK FOUR
AND A HALF YEARS TO BUILD THAT SHIP.

THERE WASN'T
ANY PROTOTYPE, JUST THE ONE SHIP.

THE ONLY ONE OF ITS KIND.

AND IT TOOK FOUR AND
A HALF YEARS TO BUILD HER.

SO, IF THEY KNOW
WHERE WE ARE

AND THEY WANT
TO COME AND GET US,

THEY'RE GONNA HAVE
TO BUILD ANOTHER SHIP.

HOW IS HE?

THE SAME.
BREATHING SEEMS SHALLOWER, THOUGH.

SEE ANYTHING, SIR?

(Corey)
YEAH, WE SAW SOMETHING,

ROCKS, ROCKS
AND THOSE SCRUBBY MOUNTAINS OVER THERE.

THIS IS NO ASTEROID.
IT'S AN EIGHT BALL.

AND HOT, PEARSON,
HOT LIKE NOTHING YOU'VE EVER FELT BEFORE.

(Pearson)
IT'LL BE COOLER, SIR, AT NIGHT,

IF THERE
IS A NIGHT,

I'LL HEAD
SOUTH TOWARDS THE MOUNTAINS,

I'LL LOOK
IN THAT DIRECTION.

COLONEL!

NOT THIS
TIME, COLONEL!

NOT THIS TIME!

I WANT
AN EVEN SHAKE. I WANT A CHANCE.

YOU'RE ALIVE.

IT'S A BETTER SHAKE
THAN THOSE FOUR GOT.

AND I WANT TO STAY
ALIVE SO DON'T GIVE HIM MY WATER!

(Pearson)
COLONEL!

YOU'LL BE HAPPY
TO HEAR, COREY,

HE'S NOT GONNA
DRINK ANY MORE OF YOUR WATER.

(Colonel)
IT'S A LONG WAY FROM HOME.

FOR THE RECORD,
COREY, THERE'S JUST THE THREE OF US NOW,

AND THE BIG
PROBLEM'S GONNA BE TO STAY ALIVE,

I MEAN, THE
THREE OF US.

BUT IF I CATCH
YOU FILCHING JUST ONCE MORE--

JUST ONCE--
I'LL KILL YOU!

THE SAME THING
GOES FOR YOU.

KNOCK IT OFF,
PEARSON.

BUT, COLONEL,
THIS GUY--

(CoIoneI)
SILENCE!

ALL RIGHT,
WE'LL WAIT UNTIL SUNDOWN.

IT'LL BE COOLER.

THEN WE'RE
GOING TO START TAKING SOME TREKS

ACROSS THE MOUNTAIN,
DOWN THE FLATS

IN ALL FOUR
DIRECTIONS.

WE'RE GOING TO SEE
IF THERE'S ANYTHING

IN THIS GOD
FORSAKEN PLACE THAT CAN HELP KEEP US ALIVE.

THIS IS HOME
NOW, GENTLEMEN.

[wind howls softly]

[steps]

PEARSON?

COREY?

WELL?

NOTHING, NOT
A THING.

[panting]

I MUST HAVE GONE
1 2 OR 1 5 M ILES.

ROCKS AND HILLS, THAT'S
ALL THERE WAS, JUST ROCKS AND HILLS!

I THOUGHT MAYBE I
COULD GET SOME KIND OF A FIX USING THE STARS.

BUT IT'S OVERCAST.

WHAT ABOUT PEARSON?

WELL, WHAT
ABOUT HIM?

YOU WERE WITH HIM.

HE WENT SOUTH
TOWARDS THE MOUNTAINS.

I WENT WEST
TOWARDS-- I WENT WEST TOWARDS NOTHING.

I TOLD YOU MEN
TO STAY TOGETHER.

COREY?

YEAH?

YOU DIDN'T SEE
PEARSON OR HEAR HIM OR ANYTHING?

I ALREADY
TOLD YOU, COLONEL.

WE WENT
IN DIFFERENT DIRECTIONS.

IT'S HOT
OUT THERE, HUH?

YOU KNOW IT.

IT MADE YOU
THIRSTY, HUH?

I'M GETTING
ACCUSTOMED TO IT.

OBVIOUSLY.

VERY ACCUSTOMED
TO IT!

SO ACCUSTOMED TO
IT THAT YOU DIDN'T DRINK ANY WATER.

YOU WERE OUT
THERE 6 HOURS AND YOU DIDN'T TOUCH A DROP!

PUT ME IN
FOR A MEDAL.

BUDDY, WHAT I'M GOING
TO GIVE YOU CAN'T BE PINNED ON A UNIFORM.

I WANT TO KNOW
WHY YOU STARTED OUT

SIX HOURS AGO
WITH HALF A CANTEEN

AND THEN
CAME BACK WITH IT THREE-QUARTERS FULL!

COME ON, COREY.
I WANT TO KNOW WHERE YOU LEFT PEARSON'S BODY

AND WHAT YOU
DID WITH HIM!

COME ON,
COREY, COME ON!

I FOUND HIM
FACE DOWN.

HE MUST HAVE
HIT HIS HEAD ON A ROCK.

HE WAS DEAD.

WHERE DID THIS HAPPEN?

AT THE FOOT OF THE MOUNTAIN.

I HAD TO CHANGE
DIRECTIONS COMING BACK.

YOU BETTER
CHANGE YOUR STORY.

COLONEL, I SWEAR
TO YOU, I DIDN'T TOUCH HIM.

I FOUND HIM--
HE WAS DEAD.

I SAW HIS CANTEEN.
I POURED HIS WATER INTO M INE.

I KNEW YOU WOULDN'T
BELIEVE ME.

THAT'S WHY
I TOLD YOU I DIDN'T SEE HIM.

WE'RE GOING
TO BRING HIM BACK.

YOU'RE OUT
OF YOUR M IND!

IT'S SEVEN OR
EIGHT M ILES OUT THERE!

I CAN'T MAKE IT
AGAIN! I'M DEAD!

CORRECTION, YOU'RE
NOT QUITE DEAD YET.

ALL RIGHT,
COREY, I WANT TO CONDUCT A TOUR

TO PEARSON'S BODY.

I WANT TO SEE
FOR MYSELF. MOVE ON!

I CAN'T MAKE
IT, COLONEL.

I GOT TO REST.

ALL RIGHT, LET'S MOVE OUT.

WELL, THIS IS
WHERE HE WAS.

I SWEAR, THIS
IS WHERE HE WAS.

WELL, HE'S
NOT HERE NOW.

LOOK, COLONEL,
HE MUST HAVE CRAWLED AWAY.

YOU SAID
HE WAS DEAD.

I WAS WRONG.

WELL, I MUST
HAVE BEEN WRONG.

BUT YOU WERE SO SURE
HE WAS DEAD, COREY.

YOU WERE SO POSITIVE.

COREY, COREY,
DID YOU DO ANYTHING FOR HIM AT ALL?

DID YOU CHECK HIM?
DID YOU DO ANYTHING FOR HIM, COREY?

OR DID YOU JUST
STEAL HIS WATER AND MAKE A BEELINE BACK?

I THOUGHT
HE WAS DEAD,

AND I WAS
SO THIRSTY.

MY TONGUE
WAS SWELLING UP.

I SWEAR MY TONGUE
WAS SWELLING UP!

PEARSON!
[echo]

PEARSON!
[echoes]

PEARSON!

PEARSON, IT'S
COLONEL DONOLAN.

ANSWER ME!
[echoes]

ANSWER ME, PEARSON!
IT'S COLONEL DONOLAN!

PEARSON.

PEARSON?

PEARSON, YOU'RE GOING
TO BE ALL RIGHT, BOY.

HERE, WE'RE GOING
TO TAKE YOU HOME.

YOU'LL BE
ALL RIGHT.

WHAT, ARE YOU
TRYING TO TELL ME SOMETHING, PEARSON?

WHAT? WHAT ARE
YOU TRYING TO SAY?

WHAT?

YOU WENT UP
THERE, YOU--

(Colonel)
YOU SAW SOMETHING UP HERE?

WHAT?

[solemn music]

(Colonel)
HE DREW THIS.

A SIGN OR,

OR A SYMBOL OR,
OR SOMETHING.

HE WAS TRYING TO
TELL US SOMETHING.

WHAT DO YOU
SUPPOSE HE--

COLONEL!

TWO MEN CAN LIVE
MAYBE FIVE DAYS.

ONE MAN
CAN LIVE TEN.

YOU'LL FORGIVE ME.

YOU KILLED PEARSON,
DIDN'T YOU, COREY?

YOU KILLED HIM.

YOU'RE DEMENTED, COREY.

YOU'RE OUT OF YOUR M IND.
YOU'VE ALREADY KILLED ONCE.

YOU ALREADY--
[gunshot]

I'M GENUINELY
SORRY, COLONEL.

I REALLY AM.

BUT YOU BROUGHT THE BOOK
TO THE WRONG PLACE.

YOU BROUGHT THE PROTOCOL,

THE CHAIN OF COMMAND
AND THE NUMBERS.

AND NONE
OF THEM FIT HERE.

YOU KNOW, COLONEL,
THIS IS A JUNGLE

WHERE ONLY
THE TOUGH ANIMALS SURVIVE,

AND THEY DON'T DO IT
ACCORDING TO THE RULES.

YOU KNOW
YOUR TROUBLE, COLONEL?

YOU WERE
LOOKING FOR MORALITY IN THE WRONG PLACE.

(male presenter, off)
NOW YOU MAKE TRACKS, MR. COREY.

YOU MOVE OUT AND UP,

LIKE SOME KIND
OF GHOSTLY BILLY CLUB WAS TAPPING AT YOUR ANKLES

AND TELLING YOU THAT
IT WAS LATER THAN YOU THINK.

YOU SCRABBLE UP ROCK HILLS

AND FEEL HOT SAND
UNDERNEATH YOUR FEET

AND EVERY NOW AND THEN
TAKE A LOOK OVER YOUR SHOULDER

AT A GIANT SUN SUSPENDED
IN A DEAD AND MOTIONLESS SKY

LIKE AN UNBLINKING EYE

THAT PROBES AT
THE BACK OF YOUR HEAD

IN A PROLONGED ACCUSATION.

MR. COREY,
LAST REMAINING MEMBER

OF A DOOMED CREW,
KEEP MOVING.

MAKE TRACKS, MR. COREY.

PUSH UP AND PUSH OUT,
BECAUSE IF YOU STOP

IF YOU STOP, MAYBE SANITY
WILL GET YOU BY THE THROAT.

MAYBE REALIZATION
WILL PRY OPEN YOUR MIND

AND THE HORROR YOU LEFT DOWN
IN THE SAND WILL SEEP IN.

YEAH, MR. COREY, YEAH,
YOU BETTER KEEP MOVING.

THAT'S THE ORDER
OF THE MOMENT. KEEP MOVING.

PEARSON!

OH.

[Iaughing hystericaIIy]

[sobbing]

NOW I KNOW WHAT YOU MEANT.

NOW I KNOW WHAT YOU
WERE TRYING TO DESCRIBE.

[Iaughing hystericaIIy]

TELEPHONE POLES.

YOU WERE TRYING
TO DRAW TELEPHONE POLES.

[sobbing]
WE NEVER LEFT THE EARTH.

THAT'S WHY NOBODY TRACKED US.

WE NEVER LEFT THE EARTH.

WE JUST

WE JUST CRASHED BACK INTO--

[sobbing]
DONOLAN, PEARSON, WHAT HAVE I DONE?

I'M SORRY.

[moans]

(male presenter, off)
PRACTICAL JOKE PERPETRATED BY MOTHER NATURE

AND A COMBINATION
OF IMPROBABLE EVENTS.

PRACTICAL JOKE WEARING
THE TRAPPINGS OF NIGHTMARE,

OF TERROR, OF DESPERATION.

SMALL HUMAN DRAMA PLAYED OUT

IN A DESERT
97 MILES FROM RENO, NEVADA,

U.S.A.,
CONTINENT OF NORTH AMERICA,

THE EARTH AND, OF COURSE,
THE TWILIGHT ZONE.

(male presenter, off)
ROD SERLING, THE CREATOR OF TWILIGHT ZONE,

WILL TELL YOU
ABOUT NEXT WEEK'S STORY

AFTER THIS WORD
FROM OUR ALTERNATE SPONSOR.

AND NOW, MR. SERLING.

NEXT WEEK YOU'LL DRIVE
WITH MISS INGER STEVENS

WHO STARTS OUT
ON WHAT BEGINS AS A VACATION

AND ENDS AS A DESPERATE FLIGHT.

SHE BEGINS
HER TRIP NEXT WEEK ON THE TWILIGHT ZONE

AND YOU'LL BE WITH HER
WHEN SHE MEETS THE HITCHHIKER.

WE HOPE YOU'LL BE ALONGSIDE.

GOOD NIGHT.

(male presenter, off)
WHEN TEMPER TAKES THE WHEEL,

YOU CAN'T HANDLE
THE UNEXPECTED.

DRIVE SAFELY.

(male presenter, off)
TWILIGHT ZONE IS BEING BROUGHT

BY KIMBERLY CLARK.

WHOSE HANDY
KLEENEX PAPER PRODUCTS

HELP YOU EVERY DAY
IN SO MANY WAYS.

WHAT DO YOU SUPPOSE
MOTHERS BUY WHEN THEY GO SHOPPING?

FOUR ROLL PACKAGES OF DELSEY
BATHROOM TISSUE, OF COURSE.

BUT ARE THERE
FOUR ROLLS IN THERE?

THERE SURE ARE.
THERE'S A BLOCK TO SLEEP ON.

(male presenter, off)
TWILIGHT ZONE WAS BROUGHT TO YOU TONIGHT

BY KLEENEX TISSUES.

(jingle)
THE ONLY TISSUE THAT GIVES YOU SO MUCH

SOFT STRONG TISSUE
WITH THE KLEENEX TOUCH ?

SQUEEZE THE PACKAGE.

GO AHEAD.
SQUEEZE THE PACKAGE AND FEEL THE DIFFERENCE.

THIS IS AN ENTIRELY
NEW PAPER TOWEL.

IT'S BUILT LIKE A SPONGE.

YES, NEW KLEENEX TOWELS
ARE BUILT LIKE A SPONGE.

THAT'S WHY THEY HELP YOU
IN SO MANY WAYS AROUND THE KITCHEN.

HERE, LET ME SHOW YOU.

LIKE A SPONGE,
THEY HAVE A SOFTNESS THAT SHAPES RIGHT TO THE JOB.

SO THE WHOLE TOWEL
SURFACE IS ABSORBING.

AND KLEENEX TOWELS
ARE STRONG ENOUGH

WET OR DRY

TO HELP YOU SCOUR
THE MOST STUBBORN

AND ALUMINUM SCUFF
MARKS FROM YOUR SINK.

AND LOOK, EVEN
WITH A HARSH CLEANSER

THERE'S NO SHREDDING,
NO BREAK THROUGH IN A KLEENEX TOWEL.

SO NEXT TIME YOU'RE
SHOPPING, REMEMBER,

LOOK FOR NEW
KLEENEX TOWELS.

SQUEEZE THE PACKAGE
AND FEEL THE DIFFERENCE IN,

(jingle)
? THE BIG SOFT TOWEL THAT'S BUILT LIKE A SPONGE

HELPFUL KLEENEX TOWELS ?

(female)
ANOTHER GOOD VALUE FROM KLEENEX.

[cheerful music]

(male presenter, off)
IF YOU LOVE COFFEE, REALLY DO,

HERE'S A COFFEE BREAK
JUST FOR YOU.

A COFFEE BREAK
THAT'S TRULY NEW

IT WOULD MAKE A GREAT
NEW YOU OF YOU

(jingle)
? GREAT NEW AROMA-ROAST SANKA ?

AROMA-ROAST
IS THE REASON WHY

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