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1
00:00:03,303 --> 00:00:05,372
(announcer)
PREVIOUSLY ON LIPSTICK JUNGLE...
2
00:00:05,405 --> 00:00:08,341
REESE, DID SOMEONE OFFER YOU
A JOB?
3
00:00:08,375 --> 00:00:09,476
I CAN'T HOLD YOU BACK.
4
00:00:15,148 --> 00:00:17,384
HOW WOULD YOU FEELABOUT CHLOE JAMISON
5
00:00:17,417 --> 00:00:18,685
WEARING A VICTORY FORDDESIGN?
6
00:00:18,718 --> 00:00:20,186
I WOULD KILL.
7
00:00:20,220 --> 00:00:21,554
YOU'RE GONNA KEEP RISING
AND RISING
8
00:00:21,588 --> 00:00:24,190
AND I'VE JUST GOT TO MAKE
PEACE WITH THAT.
9
00:00:24,224 --> 00:00:26,526
I CAN SEE
THE VICTORY FORD INFLUENCE.
10
00:00:26,559 --> 00:00:28,261
SHE LEFT A LOT
OF THE DESIGNING TO ME.
11
00:00:28,294 --> 00:00:29,696
I'M SLEEPING
WITH A 25-YEAR-OLD.
12
00:00:29,729 --> 00:00:32,499
MR. KIRBY ATWOOD
HAS DROPPED THE CHARGES.
13
00:00:32,532 --> 00:00:34,300
WHAT DO YOU WANT, KIRBY?
14
00:00:34,334 --> 00:00:35,435
YOU.
15
00:00:37,170 --> 00:00:40,140
[jazz music]
16
00:00:40,173 --> 00:00:48,181
* *
17
00:00:50,383 --> 00:00:51,551
OH, YEAH.
MARVELOUS.
18
00:00:52,652 --> 00:00:55,188
THANK YOU.
19
00:00:55,221 --> 00:00:56,389
OKAY, HOW DO I GET
ONE OF THOSE?
20
00:00:56,423 --> 00:00:58,491
LUNGES?YEAH.
21
00:00:58,525 --> 00:01:00,193
TO A DOCTOR ON 73RD
AND 5TH.
22
00:01:00,226 --> 00:01:01,628
SHH.
23
00:01:05,665 --> 00:01:08,234
[cheers and applause]
24
00:01:08,268 --> 00:01:11,204
SHANE, WHY DID YOU EVER
LEAVE THESE GUYS?
25
00:01:11,237 --> 00:01:12,005
THEY'RE FANTASTIC.
26
00:01:12,038 --> 00:01:13,506
THEY DID A LOT
OF ORIGINAL STUFF
27
00:01:13,540 --> 00:01:16,176
AND SHANE WROTE
MOST OF IT. BADLY.
28
00:01:16,209 --> 00:01:18,345
'SCUSE ME,
ARE YOU VICTORY FORD?
29
00:01:18,378 --> 00:01:19,579
YES.
I'M SERENA.
30
00:01:19,612 --> 00:01:21,614
OH.
THIS IS DIEGO.
31
00:01:21,648 --> 00:01:22,716
GOOD EVENING.
32
00:01:22,749 --> 00:01:24,551
I KNOW THIS IS
A WEIRD THING TO ASK.
33
00:01:24,584 --> 00:01:26,419
BUT I'VE BEEN LOOKING
EVERYWHERE FOR THAT DRESS
34
00:01:26,453 --> 00:01:27,587
YOU DESIGNED
FOR CHLOE JAMISON.
35
00:01:27,620 --> 00:01:29,356
OH, WELL, IT WAS
A ONE-OF-A-KIND
36
00:01:29,389 --> 00:01:31,358
AND I DON'T HAVE ANY PLANS
TO MASS PRODUCE IT.
37
00:01:31,391 --> 00:01:33,326
I'M KEEPING THINGS SMALL
RIGHT NOW.
38
00:01:33,360 --> 00:01:34,461
IT'S A SHAME.
39
00:01:34,494 --> 00:01:35,695
SHE WOULD BUY ONE
IN EVERY COLOR.
40
00:01:35,729 --> 00:01:36,696
THANK YOU.
41
00:01:36,730 --> 00:01:38,365
AND IT'S, UH,
42
00:01:38,398 --> 00:01:39,366
AND IT'S NICE
TO MEET YOU BOTH.
43
00:01:39,399 --> 00:01:40,667
YOU TOO.
BYE-BYE.
44
00:01:41,668 --> 00:01:43,770
WOW, AREN'T YOU FANCY.
45
00:01:43,803 --> 00:01:45,505
OH, YEAH.
REAL FANCY.
46
00:01:45,538 --> 00:01:47,374
I ESSENTIALLY JUST TOLD
A COUPLE OF STRANGERS
47
00:01:47,407 --> 00:01:49,743
THAT I'M REDUCED TO MAKING
BUBBLE DRESSES IN MY BASEMENT.
48
00:01:49,776 --> 00:01:51,511
TO VICTORY'S BUBBLE DRESS.
49
00:01:51,544 --> 00:01:52,746
SHE'D RATHER HAVE
A BUBBLE BUTT.
50
00:01:52,779 --> 00:01:54,180
WELL, CHEERS TO THAT.
51
00:01:54,214 --> 00:01:55,515
[cell phone ringing]
52
00:01:55,548 --> 00:01:56,616
HEY, HEY, HEY,
WE'RE TOASTING HERE.
53
00:01:56,649 --> 00:01:58,485
IT'S CHARLES.
54
00:01:58,518 --> 00:01:59,953
WHERE IS HE?
OH, HE'S IN VIENNA.
55
00:01:59,986 --> 00:02:01,254
HE'S GIVING A LECTURE THERE.
56
00:02:01,287 --> 00:02:02,055
WELL, TELL HIM
TO STAY THERE.
57
00:02:02,088 --> 00:02:04,290
I LOOK PRETTY GOOD
WITH THREE DATES.
58
00:02:04,324 --> 00:02:05,792
WELL, I'M GONNA GO GETMY DATE OUT OF THE CAR.
59
00:02:05,825 --> 00:02:07,794
ENOUGH'S ENOUGH.
60
00:02:07,827 --> 00:02:08,795
ALL RIGHT, THANK YOU.
61
00:02:08,828 --> 00:02:10,196
BEFORE THE NEXT NUMBER,
62
00:02:10,230 --> 00:02:11,564
WE'D LIKE TO CALL UP
A SPECIAL GUEST.
63
00:02:11,598 --> 00:02:12,799
SHANE HEALY,
64
00:02:12,832 --> 00:02:14,668
GET YOUR TIRED ASS
UP HERE.
65
00:02:14,701 --> 00:02:16,503
HAVE FUN. GO.
66
00:02:16,536 --> 00:02:18,772
COME ON. AND IF IT'S HORRIBLE
AND A TOTAL DISASTER,
67
00:02:18,805 --> 00:02:20,440
I DON'T KNOW YOU.
68
00:02:20,473 --> 00:02:21,574
COME ON.
69
00:02:25,345 --> 00:02:27,313
DID YOU KNOW
THEY WERE GOING TO DO THIS?
70
00:02:27,347 --> 00:02:29,382
HE HASN'T PLAYED A CLUB
IN YEARS.
71
00:02:29,416 --> 00:02:30,483
[clears throat]
72
00:02:30,517 --> 00:02:33,286
ARE YOU SCARED
OR TURNED ON?
73
00:02:33,319 --> 00:02:34,554
BOTH.
74
00:02:52,739 --> 00:02:54,574
I DON'T CARE THAT THEY'RE
ABOUT TO BREAK GROUND.
75
00:02:54,607 --> 00:02:56,409
THEY'RE BUILDING
ON AN ANCIENT BURIAL SITE.
76
00:02:56,443 --> 00:02:58,011
NOW YOU GET AN INJUNCTION
AND YOU SHUT THEM DOWN.
77
00:02:58,044 --> 00:03:00,447
HOW DO I KNOW THAT?
BECAUSE I DO MY RESEARCH, TUCK.
78
00:03:00,480 --> 00:03:03,483
BECAUSE I AM CONCERNED ABOUT
YOUR ANCESTRAL HERITAGE, OKAY?
79
00:03:03,516 --> 00:03:06,453
YES, AND I DO NOT WANT HIM
HAVING FOUR HOTELS TO MY THREE.
80
00:03:06,486 --> 00:03:08,788
THAT'S VERY GOOD.
NOW YOU SHUT THEM DOWN.
81
00:03:08,822 --> 00:03:10,457
HEY, SEXY.
HAVE THEY STARTED IN THERE?
82
00:03:10,490 --> 00:03:11,124
I'M SORRY.
THAT WAS BUSINESS.
83
00:03:11,157 --> 00:03:12,726
YOU ALWAYS PLAY THAT DIRTY?
84
00:03:12,759 --> 00:03:14,327
THAT IS NOT PLAYING DIRTY.
85
00:03:14,361 --> 00:03:15,261
THAT IS HOW THE GAME
IS PLAYED.
86
00:03:15,295 --> 00:03:16,730
PEOPLE THINK THEY CAN TAKE
ADVANTAGE OF YOU,
87
00:03:16,763 --> 00:03:17,797
THEY USUALLY DO.
88
00:03:17,831 --> 00:03:19,699
I THINK PEOPLE TREAT YOU
THE WAY THAT YOU TREAT THEM.
89
00:03:19,733 --> 00:03:21,434
THAT'S A NICE THOUGHT...
ON A PILLOW.
90
00:03:21,468 --> 00:03:22,702
HERE'S ANOTHER THOUGHT.
91
00:03:22,736 --> 00:03:24,771
HOW ABOUT YOU JOIN US
BEFORE THE SHOW'S OVER?
92
00:03:24,804 --> 00:03:26,740
OR WE COULD PLUG IN
A COLTRANE CD
93
00:03:26,773 --> 00:03:28,575
AND START OUR OWN PARTY
RIGHT HERE.
94
00:03:28,608 --> 00:03:31,578
LISTENING TO MUSIC
IN THE BACKSEAT OF YOUR CAR
95
00:03:31,611 --> 00:03:33,513
IS NOT A DATE, JOE,
IT'S HIGH SCHOOL.
96
00:03:33,546 --> 00:03:36,649
[laughs] THAT'S GOOD.
97
00:03:41,755 --> 00:03:43,590
[cheers and applause]
98
00:03:43,623 --> 00:03:46,059
THE WHOLE ROOM'S GLAD
TO SEE ME.
99
00:03:46,092 --> 00:03:48,361
(together)
JOE!
100
00:03:48,395 --> 00:03:50,363
HELLO, LADIES.
101
00:03:50,397 --> 00:03:51,498
ISN'T THAT YOUR HUSBAND?
102
00:03:51,531 --> 00:03:52,565
(Wendy)UH, YES.
103
00:03:52,599 --> 00:03:54,501
WOW, WENDY,
HE IS REALLY GOOD.
104
00:03:54,534 --> 00:03:55,769
I MEAN, HE SHOULD
BE DOING SOMETHING
105
00:03:55,802 --> 00:03:57,370
WITH HIS MUSIC.
106
00:03:57,404 --> 00:03:58,505
I THOUGHT
HE WAS A RESTAURATEUR.
107
00:03:58,538 --> 00:04:00,273
YEAH, YOU MISSED A LOT.
108
00:04:50,457 --> 00:04:52,125
THANK YOU, THANK YOU,
THANK YOU.
109
00:04:52,158 --> 00:04:55,495
[cheers and applause]
110
00:04:55,528 --> 00:04:56,863
WELL, SEE YOU LATER.
BYE.
111
00:04:56,896 --> 00:04:58,365
BYE.
112
00:05:07,507 --> 00:05:08,541
I'LL SEE YOU LATER, GUYS.
113
00:05:08,575 --> 00:05:10,510
CHEERS.
HEY, HONEY.
114
00:05:10,543 --> 00:05:12,445
HEY.
115
00:05:12,479 --> 00:05:14,447
I'M SORRY.
DO WE KNOW EACH OTHER?
116
00:05:14,481 --> 00:05:15,849
MM-HMM. I'M A BIT SWEATY,
DARLING.
117
00:05:15,882 --> 00:05:17,817
I KNOW.
118
00:05:19,786 --> 00:05:20,954
COME ON.
119
00:05:27,994 --> 00:05:30,864
OH, JUST HOP IN AND WE'LL
GIVE YOU A LIFT UPTOWN.
120
00:05:30,897 --> 00:05:32,532
OH, NO, I THINK
I'M GONNA WALK UP MADISON.
121
00:05:32,565 --> 00:05:33,667
IT'S SUCH A NICE NIGHT.
122
00:05:33,700 --> 00:05:35,001
FOR A YAK.
GET IN THE CAR.
123
00:05:35,035 --> 00:05:36,436
I GOT IT, JOHN.
124
00:05:36,469 --> 00:05:37,270
YEAH, HONEY.
125
00:05:37,303 --> 00:05:39,606
NO, NO, REALLY.
I-I-I NEED SOME AIR.
126
00:05:39,639 --> 00:05:41,741
OKAY. IF YOU'RE GONNA
WALK HOME IN JIMMY CHOO,
127
00:05:41,775 --> 00:05:43,476
YOU'RE MY HERO.
GOOD NIGHT.
128
00:05:43,510 --> 00:05:44,811
GOOD NIGHT.
129
00:05:53,687 --> 00:05:55,388
TAXI.
130
00:05:59,526 --> 00:06:00,794
WHERE TO?
DOWNTOWN.
131
00:06:07,901 --> 00:06:09,903
YOU SHOULD PLAY WITH THE BAND
MORE OFTEN.
132
00:06:09,936 --> 00:06:10,904
WHEN?
133
00:06:10,937 --> 00:06:12,038
BEFORE TAYLOR'S
KARATE CLASS
134
00:06:12,072 --> 00:06:15,608
OR AFTER HELPING MADDIE
WITH HER HOMEWORK?
135
00:06:15,642 --> 00:06:17,944
EH? COME HERE.
136
00:06:48,675 --> 00:06:50,510
WHAT JUST HAPPENED?
137
00:06:50,543 --> 00:06:52,512
THAT'S MY DRESS.
138
00:06:54,514 --> 00:06:56,549
THAT'S MY DRESS.
AND--AND THAT'S MY DRESS.
139
00:06:56,583 --> 00:06:58,585
AND THAT'S MY DRESS.
AND THAT'S MY DRESS.
140
00:06:58,618 --> 00:07:00,620
LOOK, BABE, IF YOU WANT
TO GO SHOPPING,
141
00:07:00,653 --> 00:07:02,489
I'LL CALL TOMORROW
AND HAVE THEM
142
00:07:02,522 --> 00:07:03,523
CLOSE THE STORE
FOR A COUPLE HOURS.
143
00:07:03,556 --> 00:07:04,591
BUT IT'S A LITTLE LATE
RIGHT NOW.
144
00:07:04,624 --> 00:07:05,859
THOSE ARE MY DRESSES.
145
00:07:05,892 --> 00:07:08,094
THOSE ARE MY DRESSES!
146
00:07:08,128 --> 00:07:09,863
THEY WILL BE. TOMORROW AT 10:00
WHEN THEY OPEN.
147
00:07:09,896 --> 00:07:10,930
I'LL EVEN THROW IN A PURSE.
148
00:07:10,964 --> 00:07:12,665
DON'T YOU GET IT?
149
00:07:12,699 --> 00:07:15,101
THESE ARE MY DRESSES,
AND I DESIGNED THEM.
150
00:07:15,135 --> 00:07:18,672
RICARDO BRAGINI
STOLE MY DRESSES!
151
00:07:20,573 --> 00:07:21,841
[doorbell ringing]
152
00:07:21,875 --> 00:07:24,544
OKAY. YEAH, COMING.
153
00:07:24,577 --> 00:07:26,846
[doorbell ringing]
154
00:07:26,880 --> 00:07:27,781
HEY.
HEY.
155
00:07:27,814 --> 00:07:29,482
COME ON--COME ON IN.
156
00:07:30,550 --> 00:07:31,785
SORRY THE PLACE
IS SUCH A MESS.
157
00:07:31,818 --> 00:07:33,720
OH, KIRBY, RELAX.
DO YOU HAVE ANY WINE?
158
00:07:33,753 --> 00:07:34,921
ARE YOU ALREADY DRUNK?
159
00:07:34,954 --> 00:07:36,556
YEAH. [giggles]
160
00:07:36,589 --> 00:07:37,957
I HAVE SOME WINE
I THINK YOU'LL LIKE.
161
00:07:40,760 --> 00:07:41,761
LOOK, SO I'VE BEEN, UH,
162
00:07:41,795 --> 00:07:42,996
[swallows]
163
00:07:43,029 --> 00:07:44,631
I'VE BEEN THINKING
ABOUT YOU
164
00:07:44,664 --> 00:07:45,732
AND ABOUT US.
165
00:07:45,765 --> 00:07:47,100
I LIKE THE SOUND OF US.
166
00:07:47,133 --> 00:07:48,768
I WANT YOU TO UNDERSTAND
THAT THIS IS JUST SEX.
167
00:07:48,802 --> 00:07:49,903
NOTHING MORE.
YOU CAN'T NEED ME.
168
00:07:49,936 --> 00:07:51,137
I CAN'T NEED YOU.
169
00:07:51,171 --> 00:07:53,573
IS ANY OF THIS--WHAT
I'M SAYING--MAKING SENSE?
170
00:07:53,606 --> 00:07:54,741
NOT AT ALL.
BUT IF IT'S THE ONLY WAY--
171
00:07:54,774 --> 00:07:56,810
YEAH, IT IS.
172
00:08:00,613 --> 00:08:01,848
I MISSED THAT.
173
00:08:01,881 --> 00:08:03,116
ME TOO.
174
00:08:03,149 --> 00:08:05,752
AND JUST SO THAT WE
ARE COMPLETELY CLEAR
175
00:08:05,785 --> 00:08:06,986
AND THERE'S NO CONFUSION,
176
00:08:07,020 --> 00:08:09,622
WE NEED TO HAVE
A SPECIFIC SET OF RULES.
177
00:08:09,656 --> 00:08:10,857
RIGHT, RIGHT,
LIKE A SAFE WORD.
178
00:08:10,890 --> 00:08:11,991
NO, I'M SERIOUS.
179
00:08:12,025 --> 00:08:13,893
I MEAN, WE HAVE
TO BE STRANGERS
180
00:08:13,927 --> 00:08:14,894
WHEN WE'RE IN PUBLIC.
181
00:08:14,928 --> 00:08:15,995
AND YOU CAN'T CONTACT ME
AT HOME.
182
00:08:16,029 --> 00:08:17,764
THAT'S AN ABSOLUTE.
ABSOLUTELY.
183
00:08:17,797 --> 00:08:19,032
NO, STOP. LOOK.
184
00:08:19,065 --> 00:08:21,668
I NEED TO KNOW THAT YOU'RE GOING
TO REMEMBER THIS.
185
00:08:26,940 --> 00:08:27,941
WHAT ARE YOU DOING?
186
00:08:27,974 --> 00:08:30,143
I SUCK AT MEMORIZING.
187
00:08:30,176 --> 00:08:32,812
KIRBY, DON'T MAKE FUN OF ME.
188
00:08:32,846 --> 00:08:36,049
I'M NOT. YOU'RE BEING SERIOUS,
I'M BEING SERIOUS.
189
00:08:36,082 --> 00:08:37,917
WHAT WAS THAT
FIRST RULE AGAIN?
190
00:08:37,951 --> 00:08:39,652
WHEN WE'RE IN PUBLIC,
WE'RE STRANGERS.
191
00:08:39,686 --> 00:08:42,856
RIGHT.
192
00:08:47,727 --> 00:08:48,795
TWO?
193
00:08:48,828 --> 00:08:50,563
CAN'T CONTACT ME
AT HOME.
194
00:08:57,904 --> 00:08:59,205
THREE.
195
00:08:59,239 --> 00:09:01,775
DON'T DISOBEY THE RULES.
196
00:09:01,808 --> 00:09:04,577
HMM.
197
00:09:15,121 --> 00:09:17,824
* READ MY LIPS *
198
00:09:17,857 --> 00:09:19,826
* BE *
199
00:09:19,859 --> 00:09:22,896
* ALL THAT YOU CAN BE *
200
00:09:22,929 --> 00:09:24,698
* MAKE A DIFFERENCE *
201
00:09:24,731 --> 00:09:27,067
* GIVE YOUR DREAMS TO ME *
202
00:09:28,868 --> 00:09:31,771
* NO TIME FOR SLEEPING *
203
00:09:31,805 --> 00:09:33,973
* THERE'S TOO MUCH TO DO *
204
00:09:34,007 --> 00:09:37,110
* DON'T YOU FORGET THAT *
205
00:09:37,143 --> 00:09:39,846
* WE DO WHAT WE WANT TO DO *
206
00:09:39,879 --> 00:09:42,982
* LET'S GET NUTS,
LET'S MAKE SOME MONEY *
207
00:09:43,016 --> 00:09:44,117
* OOH *
208
00:09:44,150 --> 00:09:45,719
* TAKE YOUR SHARE, HONEY *
209
00:09:45,752 --> 00:09:48,121
* LET'S FREAK OUT *
210
00:09:48,154 --> 00:09:49,856
* OOH, OOH *
211
00:09:49,889 --> 00:09:51,024
* WORK THE SUNSHINE *
212
00:09:51,057 --> 00:09:53,059
* READ MY LIPS * *
213
00:10:01,067 --> 00:10:04,804
{\an8}[jazz music]
214
00:10:04,838 --> 00:10:07,407
{\an8}OH, PLEASE,
WHY ARE WE LISTENING TO THIS?
215
00:10:07,440 --> 00:10:08,808
{\an8}BECAUSE I LOVE IT.
216
00:10:08,842 --> 00:10:10,310
{\an8}IT'S TORTURE.
217
00:10:10,343 --> 00:10:12,045
{\an8}OH, YOU DIDN'T SEEM LIKE YOU
WERE IN PAIN LAST NIGHT.
218
00:10:12,078 --> 00:10:13,813
{\an8}UH, WELL, TEQUILA HELPED.
219
00:10:13,847 --> 00:10:16,416
{\an8}WHAT'S UP WITH DINNER MUSIC
FOR BREAKFAST?
220
00:10:16,449 --> 00:10:17,817
{\an8}THIS IS YOUR DAD PLAYING.
HE COMPOSED THIS PIECE.
221
00:10:17,851 --> 00:10:18,818
{\an8}PRETTY COOL, HUH?
222
00:10:18,852 --> 00:10:21,821
{\an8}YOU WANT PANCAKES?
PASS.
223
00:10:21,855 --> 00:10:24,090
{\an8}WHAT'S GOING ON
WITH YOU GUYS?
224
00:10:24,124 --> 00:10:26,826
{\an8}NOTHING. IT'S JUST THAT
YOUR DAD WON'T OWN HIS GENIUS.
225
00:10:26,860 --> 00:10:28,762
{\an8}NO. YOUR DAD DOESN'T WANT
TO LIMP DOWN MEMORY LANE.
226
00:10:28,795 --> 00:10:29,829
{\an8}HE'S MOVED ON. EGGS?
227
00:10:29,863 --> 00:10:30,830
{\an8}YOU WANT EGGS?
SURE.
228
00:10:30,864 --> 00:10:31,965
{\an8}I DO.
229
00:10:31,998 --> 00:10:33,400
{\an8}I LIKE THIS MUSIC.
230
00:10:33,433 --> 00:10:34,868
{\an8}YOU SHOULD.
231
00:10:34,901 --> 00:10:35,869
{\an8}YOU WERE CONCEIVED TO IT.
232
00:10:35,902 --> 00:10:38,738
{\an8}OKAY, UH, PASS ON THE EGGS.
233
00:10:38,772 --> 00:10:40,707
{\an8}GROSSED OUT.
GOIN' TO SCHOOL.
234
00:10:40,740 --> 00:10:42,876
{\an8}NO. NOT WITHOUT EATING
YOUR BREAKFAST. SIT DOWN.
235
00:10:42,909 --> 00:10:43,877
{\an8}SIT DOWN.
236
00:10:43,910 --> 00:10:45,979
{\an8}BYE!
237
00:10:46,012 --> 00:10:48,114
{\an8}BYE!
BYE, HONEY.
238
00:10:48,148 --> 00:10:49,716
{\an8}[sighs]
239
00:10:49,749 --> 00:10:50,850
{\an8}COULD--COULD YOU PLEASE
240
00:10:50,884 --> 00:10:52,285
{\an8}TURN THIS OFF?
241
00:10:52,318 --> 00:10:53,386
{\an8}PLEASE.
242
00:10:53,420 --> 00:10:54,454
{\an8}SURE.
243
00:10:54,487 --> 00:10:56,890
{\an8}* THANK YOU * *
244
00:11:11,905 --> 00:11:13,907
{\an8}I'M OFF. BYE.
BYE, SWEETHEART.
245
00:11:17,444 --> 00:11:18,745
{\an8}MMM.
246
00:11:18,778 --> 00:11:19,879
{\an8}MORNING.
247
00:11:19,913 --> 00:11:21,014
{\an8}HEY.
248
00:11:21,047 --> 00:11:23,917
{\an8}MORNING.
249
00:11:26,086 --> 00:11:28,021
{\an8}ARE ALL THESE YOURS?
250
00:11:28,054 --> 00:11:29,155
{\an8}YEAH.
251
00:11:29,189 --> 00:11:30,890
{\an8}MY LIVING ROOM DOUBLES
252
00:11:30,924 --> 00:11:34,327
{\an8}AS THE KIRBY ATWOOD GALLERY
OF MEDIOCRE ART.
253
00:11:34,361 --> 00:11:37,097
THEY'RE NOT MEDIOCRE, KIRBY.
THEY'RE--THEY'RE REALLY GOOD.
254
00:11:37,130 --> 00:11:40,767
THANKS. NO ONE'SBEATING DOWN MY DOOR.
255
00:11:40,800 --> 00:11:42,836
[yawns]
256
00:11:42,869 --> 00:11:44,771
I GUESS SINCE PATTY BLOOM
WROTE ME OFF,
257
00:11:44,804 --> 00:11:45,839
EVERYONE ELSE HAS TOO.
258
00:11:45,872 --> 00:11:47,907
IS THAT STILL GOING ON?
259
00:11:47,941 --> 00:11:50,043
I'M--I'M SO SORRY.
260
00:11:50,076 --> 00:11:52,946
DON'T BE.
I'M MANAGING JUST FINE.
261
00:11:57,584 --> 00:11:58,952
HEY.
MORNING.
262
00:12:01,388 --> 00:12:02,922
WOW.
263
00:12:02,956 --> 00:12:04,457
SOMEONE'S BEEN BUSY.
264
00:12:04,491 --> 00:12:06,092
I WROTE SOME MORE RULES.
265
00:12:06,126 --> 00:12:08,862
OH, ALREADY BROKE
NUMBER SEVEN.
266
00:12:08,895 --> 00:12:11,831
WELL, THE ONLY REASON
I SLEPT OVER
267
00:12:11,865 --> 00:12:14,868
IS 'CAUSE CHARLES
IS OUT OF TOWN.
268
00:12:14,901 --> 00:12:18,138
MM. TRUST ME,
I'M NOT COMPLAININ'.
269
00:12:18,171 --> 00:12:20,807
WHEN AM I GONNA
SEE YOU AGAIN?
270
00:12:20,840 --> 00:12:25,045
'CAUSE I AM NEVER GONNA LEARN
TO PLAY BY THESE RULES
271
00:12:25,078 --> 00:12:26,946
IF I DON'T GET
A LITTLE PRACTICE.
272
00:12:43,063 --> 00:12:44,864
[BlackBerry beeps]
273
00:12:48,868 --> 00:12:50,970
[BlackBerry beeps]
274
00:12:58,278 --> 00:13:00,013
HE COPIED YOUR ENTIRE LINE?
275
00:13:00,046 --> 00:13:02,048
EVERY DETAIL.
EVERY STITCH.
276
00:13:02,082 --> 00:13:03,516
VICTORY, BREATHE.
277
00:13:03,550 --> 00:13:05,852
I CAN'T. I FEEL LIKE SOMEONE
BOTOXED MY WHOLE BODY.
278
00:13:05,885 --> 00:13:07,887
HAVE YOU EVER MET
WITH RICARDO BRAGINI?
279
00:13:07,921 --> 00:13:08,788
SHOWN HIM YOUR SKETCHES?
280
00:13:08,822 --> 00:13:11,458
WELL, EVEN IF I DID,
IT WOULDN'T MATTER
281
00:13:11,491 --> 00:13:13,860
BECAUSE RICARDO BRAGINI
IS A BRAND.
282
00:13:13,893 --> 00:13:15,495
HE HAS TWELVE PEOPLEDESIGNING FOR HIM.
283
00:13:15,528 --> 00:13:17,530
AND THEN ON TOP OF THAT,
HE BUYS FREELANCE.
284
00:13:17,564 --> 00:13:19,132
YOU HAVE YOUR SKETCHES,
RIGHT?
285
00:13:19,165 --> 00:13:22,235
WELL, I CAN'T FIND THEM.
I CAN'T FIND MY PULSE.
286
00:13:22,268 --> 00:13:24,004
CALM DOWN. YOU NEED
TO CALL YOUR LAWYER.
287
00:13:24,037 --> 00:13:25,105
HER LAWYER
CAN'T DO ANYTHING.
288
00:13:25,138 --> 00:13:26,039
THEN SHE'LL CALL MY LAWYER.
289
00:13:26,072 --> 00:13:28,575
DESIGNERS AREN'T PROTECTED
BY COPYRIGHT LAWS.
290
00:13:28,608 --> 00:13:29,509
WHAT? WHY?
291
00:13:29,542 --> 00:13:32,912
BECAUSE CLOTHING IS NOT
CONSIDERED AN ART.
292
00:13:32,946 --> 00:13:34,881
THAT'S WHY STUFF LIKE THIS
HAPPENS ALL THE TIME.
293
00:13:34,914 --> 00:13:36,082
THAT'S WHY DESIGNERS
ARE SO SECRETIVE
294
00:13:36,116 --> 00:13:38,485
ABOUT THEIR WORK.
REALLY.
295
00:13:38,518 --> 00:13:39,652
I THOUGHT THAT WAS JUST
AN AFFECTATION
296
00:13:39,686 --> 00:13:42,022
LIKE WEARING
YOUR SUNGLASSES INSIDE.
297
00:13:42,055 --> 00:13:44,924
THAT WAS ONE TIME,
AND YOU KNOW I HAD A STY.
298
00:13:44,958 --> 00:13:46,026
ALL RIGHT, LOOK.
299
00:13:46,059 --> 00:13:47,460
I THINK THAT YOU SHOULD
JUST CALL HIM
300
00:13:47,494 --> 00:13:48,461
AND SPEAK TO HIM DIRECTLY.
301
00:13:48,495 --> 00:13:49,996
I HAVE CALLED HIM.
302
00:13:50,030 --> 00:13:52,265
I CALLED HIM THREE TIMES
AND I LEFT HIM MESSAGES.
303
00:13:52,298 --> 00:13:53,933
BUT I DON'T THINK
HE'S GONNA CALL ME BACK
304
00:13:53,967 --> 00:13:55,969
BECAUSE NO ONE WOULDACTUALLY ADMIT
305
00:13:56,002 --> 00:13:57,170
THAT THEY STOLE YOUR WORK.
306
00:13:57,203 --> 00:13:59,639
ESPECIALLY WHEN THEY DON'T
HAVE THE EVIDENCE TO PROVE IT.
307
00:13:59,673 --> 00:14:01,207
WELL, THEN YOU NEED
TO TURN THIS PLACE INSIDE OUT
308
00:14:01,241 --> 00:14:02,242
AND FIND THE SKETCHES.
309
00:14:02,275 --> 00:14:04,144
WHEN DOES ROY COME IN?
310
00:14:04,177 --> 00:14:07,113
OKAY, YOU KNOW, YOU GUYS,
JUST GO.
311
00:14:07,147 --> 00:14:09,215
I CAN DO THIS.
312
00:14:09,249 --> 00:14:10,483
I'LL FIGURE THIS OUT.
313
00:14:10,517 --> 00:14:12,552
I CAN DO THIS BY MYSELF.
GO.
314
00:14:14,988 --> 00:14:15,922
WHERE ARE YOU GOING?
315
00:14:19,993 --> 00:14:21,961
(Wendy)
THIS WHOLE YEAR
316
00:14:21,995 --> 00:14:24,064
HAS BEEN ONE SETBACK
AFTER ANOTHER FOR HER.
317
00:14:24,097 --> 00:14:25,932
YOU KNOW WHAT,
SHE'S TOUGHER THAN YOU THINK
318
00:14:25,965 --> 00:14:27,200
AND SHE'S GONNA
GET THROUGH IT.
319
00:14:27,233 --> 00:14:29,969
HERE'S AN IDEA
I WANT TO RUN BY YOU.
320
00:14:30,003 --> 00:14:31,671
I WANT TO SUBMIT SHANE
AS A COMPOSER
321
00:14:31,705 --> 00:14:33,506
ON THIS NEW
DAVID HERNANDEZ FILM.
322
00:14:33,540 --> 00:14:34,974
OOH. WHAT DOES SHANE SAY?
323
00:14:35,008 --> 00:14:37,077
I WASN'T GONNA TELL HIM
UNLESS HE GOT THE JOB.
324
00:14:37,110 --> 00:14:38,311
WHY WOULDN'T YOU TELL HIM?
325
00:14:38,345 --> 00:14:39,679
'CAUSE HE WOULDN'T
LET ME DO IT.
326
00:14:39,713 --> 00:14:40,747
AND IF HE DID GET THE JOB,
327
00:14:40,780 --> 00:14:42,682
HE WOULD SAY THAT EVERYONE
WOULD SAY HE GOT THE JOB
328
00:14:42,716 --> 00:14:43,483
JUST 'CAUSE
HE'S MARRIED TO ME.
329
00:14:43,516 --> 00:14:45,185
WHAT DO YOU MEAN
IF HE GETS THE JOB?
330
00:14:45,218 --> 00:14:46,619
WENDY, COME ON, GET REAL.
331
00:14:46,653 --> 00:14:48,555
IF YOU SUBMIT YOUR HUSBAND,
YOU'RE HEAD OF THE STUDIO.
332
00:14:48,588 --> 00:14:49,589
HE'S GONNA GET THE JOB.
333
00:14:49,622 --> 00:14:52,625
THAT'S WHY I WANT TO DO IT
UNDER ANOTHER NAME.
334
00:14:52,659 --> 00:14:54,728
LOOK, WE BOTH KNOW
HE'S TALENTED, RIGHT?
335
00:14:54,761 --> 00:14:56,262
AND YOU SAID SO YOURSELF.
336
00:14:56,296 --> 00:14:57,664
HE NEEDS TO BE DOING THIS.
337
00:14:57,697 --> 00:14:58,665
HE NEEDS THIS.
338
00:14:58,698 --> 00:15:01,234
HE NEEDS TO HAVE A JOB
OUTSIDE OF OUR FAMILY.
339
00:15:01,267 --> 00:15:02,702
LOOK, I GET IT, BUT WHAT
IF THE DIRECTOR DOESN'T THINK
340
00:15:02,736 --> 00:15:03,636
HE'S AS TALENTED AS WE DO?
341
00:15:03,670 --> 00:15:07,974
SHANE WILL NEVER KNOW.
YEAH, BUT YOU WILL.
342
00:15:08,008 --> 00:15:10,343
COME ON.
343
00:15:10,377 --> 00:15:12,345
YOU NEED TO STOP LOOKING
IN BOXES
344
00:15:12,379 --> 00:15:14,180
AND START LOOKING
AT YOUR EMPLOYEES.
345
00:15:14,214 --> 00:15:16,649
EXCUSE ME?
YOU JUST FIRED 15 WORKERS.
346
00:15:16,683 --> 00:15:18,752
PEOPLE DO NOT LIKE
LOSING THEIR JOBS.
347
00:15:18,785 --> 00:15:21,354
SOMETIMES THEY RETALIATE.
348
00:15:21,388 --> 00:15:22,989
YEAH, WELL, JOE, YOU AND I
ARE NOT THE SAME PERSON.
349
00:15:23,023 --> 00:15:24,724
I HAD A GREAT RELATIONSHIP
WITH MY EMPLOYEES.
350
00:15:24,758 --> 00:15:26,726
WE WERE A FAMILY.
YES. AND YOU JUST FIRED THAT FAMILY.
351
00:15:26,760 --> 00:15:28,561
I AM GUESSING
THAT SOME OF THEM
352
00:15:28,595 --> 00:15:30,263
ARE AS AMBITIOUS
AND DRIVEN AS YOU,
353
00:15:30,296 --> 00:15:31,731
AND NOT NEARLY
AS DECENT.
354
00:15:31,765 --> 00:15:34,234
OKAY, JUST--JUST STOP.
I'M NOT GONNA GO THERE.
355
00:15:34,267 --> 00:15:35,702
IF--IF THE SKETCHES
WERE STOLEN,
356
00:15:35,735 --> 00:15:37,003
WE NEED TO SPEAK
TO THE GUYS
357
00:15:37,037 --> 00:15:38,672
WHO DID THE MOVE.
358
00:15:38,705 --> 00:15:40,206
SOMEHOW I DOUBT
359
00:15:40,240 --> 00:15:42,208
MEN WITH NAMES
LIKE BUBBA AND BONES
360
00:15:42,242 --> 00:15:44,277
KNOW WHERE TO SELL A SKETCH
OF A COCKTAIL DRESS.
361
00:15:44,310 --> 00:15:45,412
YOU KNOW WHAT,
362
00:15:45,445 --> 00:15:46,680
YOU JUST DON'T GET IT
363
00:15:46,713 --> 00:15:49,416
BECAUSE YOU PICK UP THE PHONE
AND YOU DO DEALS WITH STRANGERS.
364
00:15:49,449 --> 00:15:51,785
I SAT IN A ROOM
DAY IN AND DAY OUT
365
00:15:51,818 --> 00:15:53,153
WITH THE SAME PEOPLE
YEAR AFTER YEAR.
366
00:15:53,186 --> 00:15:54,688
I KNOW THEIR MOTHERS,
THEIR LOVERS,
367
00:15:54,721 --> 00:15:56,723
WHAT MEDICATIONS
THEY GAVE THEIR PETS.
368
00:15:56,756 --> 00:15:58,191
I REALIZE, JOE,
369
00:15:58,224 --> 00:15:59,793
THAT TRUST MAY BE
A FOREIGN CONCEPT FOR YOU.
370
00:15:59,826 --> 00:16:00,860
BUT IT WORKED FOR ME.
371
00:16:00,894 --> 00:16:04,064
SO JUST TAKE YOUR PRINCE
OF DARKNESS ATTITUDE AND GO.
372
00:16:10,637 --> 00:16:12,672
JUST THINK ABOUT IT.
373
00:16:12,706 --> 00:16:15,709
PLEASE GO.
374
00:16:34,160 --> 00:16:36,062
HEY, REESE, IT'S VICTORY.
375
00:16:36,096 --> 00:16:38,298
I'M SORRY TO BOTHER YOU.
376
00:16:38,331 --> 00:16:41,067
BUT COULD YOU PLEASE CALL ME?
I NEED YOUR HELP.
377
00:16:41,101 --> 00:16:42,736
IT'S KIND OF IMPORTANT.
378
00:16:42,769 --> 00:16:46,072
OKAY, UH, JOSH,
379
00:16:46,106 --> 00:16:47,674
UM, OKAY,
380
00:16:47,707 --> 00:16:50,076
COULD YOU PLEASE TYPE UP
MY NOTES?
381
00:16:50,110 --> 00:16:52,345
UH, YOU KNOW, THIS COVERAGE,
IT'S--IT'S GOBBLEDYGOOK.
382
00:16:52,379 --> 00:16:54,147
I DON'T EVEN THINK
THE READER SPEAKS ENGLISH.
383
00:16:54,180 --> 00:16:55,148
SO FIND SOMEBODY ELSE.
384
00:16:55,181 --> 00:16:56,182
AND WOULD YOU PLEASE
MAKE SURE
385
00:16:56,216 --> 00:16:58,718
THAT DAVID HERNANDEZ GETS
THIS COMPOSER DEMO?
386
00:16:58,752 --> 00:17:01,788
AND WHAT TIME IS MY MEETING
WITH, UM, JONATHAN KURE?
387
00:17:01,821 --> 00:17:03,123
UH, 2:00.
388
00:17:03,156 --> 00:17:04,691
GREAT. OKAY.
389
00:17:04,724 --> 00:17:06,493
I'M GONNA JUST GO TALK
TO NICO FOR A LITTLE BIT.
390
00:17:06,526 --> 00:17:08,828
YOU KNOW, JUST SEND IT,
DON'T BEND IT.
391
00:17:08,862 --> 00:17:10,663
NOW.
OKAY.
392
00:17:10,697 --> 00:17:11,598
I'LL BE BACK.
393
00:17:11,631 --> 00:17:13,700
I'LL BE IN NICO'S OFFICE
ON THE 23RD FLOOR
394
00:17:13,733 --> 00:17:14,768
IF YOU NEED ME.
395
00:17:14,801 --> 00:17:16,503
SHANE MCCORMICK.
396
00:17:16,536 --> 00:17:18,104
I'M ALREADY FEELING WEIRD
ABOUT IT.
397
00:17:18,138 --> 00:17:19,139
OKAY,
STOP DOUBTING YOURSELF.
398
00:17:19,172 --> 00:17:20,807
YOU THOUGHT IT THROUGHAND THIS IS THE DECISION
399
00:17:20,840 --> 00:17:21,808
THAT YOU LANDED ON.
400
00:17:21,841 --> 00:17:23,410
BUT WHILE YOU'RE
HUSTLING UP JOBS,
401
00:17:23,443 --> 00:17:24,844
I'M WONDERING IF YOU
COULD JUST FIND ONE MORE.
402
00:17:24,878 --> 00:17:26,680
FOR WHOM?
403
00:17:26,713 --> 00:17:28,281
FIRST, YOU HAVE TO PROMISE
YOU WON'T FREAK OUT.
404
00:17:28,314 --> 00:17:30,316
WHY WOULD I FREAK OUT?
405
00:17:30,350 --> 00:17:31,718
YOU REMEMBER KIRBY ATWOOD?
406
00:17:31,751 --> 00:17:34,788
THE GUY WHO TRIED TO SUE YOU
FOR SEXUAL HARASSMENT?
407
00:17:34,821 --> 00:17:35,789
YEAH. I REMEMBER HIM.
408
00:17:35,822 --> 00:17:36,890
OKAY, SEE,
YOU'RE FREAKING OUT.
409
00:17:36,923 --> 00:17:39,225
NO, NO, I AM NOT.
410
00:17:39,259 --> 00:17:41,361
I AM NOT.
I AM BUDDHA ON THE MOUNTAIN.
411
00:17:41,394 --> 00:17:43,430
SPEAK.
WELL, HE CALLED ME THE OTHER DAY.
412
00:17:43,463 --> 00:17:45,699
WHAT?
BUDDHA ON THE MOUNTAIN.
413
00:17:45,732 --> 00:17:47,300
ANYWAY, AS IT TURNS OUT,
414
00:17:47,334 --> 00:17:49,402
SINCE I GOT HIM FIRED,
HE CAN'T GET ANY WORK.
415
00:17:49,436 --> 00:17:50,770
AND I WAS WONDERING MAYBE YOU
COULD FIND HIM SOMETHING.
416
00:17:50,804 --> 00:17:52,405
LIKE A SET PHOTOGRAPHER
ON ONE OF YOUR MOVIES.
417
00:17:52,439 --> 00:17:53,340
I WOULD MAKE
SOME CALLS MYSELF,
418
00:17:53,373 --> 00:17:55,375
BUT MY HISTORY WITH HIM
IS A LITTLE TAINTED.
419
00:17:55,408 --> 00:17:57,811
NICO, PLEASE DON'T ASK ME
TO DO THIS.
420
00:17:57,844 --> 00:17:59,846
WENDY, HE'S REALLY TALENTED
AND HE JUST DESERVES A BREAK.
421
00:17:59,879 --> 00:18:00,847
I FEEL LIKE IT'S MY FAULT,
422
00:18:00,880 --> 00:18:01,815
AND I JUST WANT
TO MAKE IT RIGHT.
423
00:18:01,848 --> 00:18:03,049
PLEASE.
424
00:18:04,884 --> 00:18:08,855
(Victory)ENOUGH WITH THE SUICIDE WATCH.I AM FINE.
425
00:18:08,888 --> 00:18:11,291
I NEED TO FINISH THIS
BEFORE THIS AFTERNOON
426
00:18:11,324 --> 00:18:12,859
SO I CAN GET
TO THE FABRIC STORE
427
00:18:12,892 --> 00:18:14,260
IN REGO PARK.
428
00:18:14,294 --> 00:18:15,562
WHAT ABOUT YOUR 3:00 PM
WITH DIEGO QUINTERO?
429
00:18:15,595 --> 00:18:16,830
WHO?
430
00:18:16,863 --> 00:18:17,630
HE CALLED YESTERDAY
431
00:18:17,664 --> 00:18:19,165
AND YOU--YOU SAID
HE COULD COME BY.
432
00:18:19,199 --> 00:18:21,267
I DIDN'T AGREE
TO ANYTHING YESTERDAY.
433
00:18:21,301 --> 00:18:23,470
I WAS IN POSTTRAUMATIC SHOCK
YESTERDAY.
434
00:18:23,503 --> 00:18:25,238
I COULDN'T PUT ON SOCKS
YESTERDAY.
435
00:18:25,271 --> 00:18:26,806
HE'S AN INVESTOR.
436
00:18:26,840 --> 00:18:29,175
WELL, THEN JUST CALL HIM
AND RESCHEDULE, PLEASE.
437
00:18:29,209 --> 00:18:31,811
I-I DON'T FEEL UP
TO SELLING MYSELF RIGHT NOW.
438
00:18:31,845 --> 00:18:33,313
[doorbell rings]
439
00:18:33,346 --> 00:18:36,349
STAY WHERE YOU ARE.
I CAN GET IT.
440
00:18:41,221 --> 00:18:42,188
REESE.
441
00:18:42,222 --> 00:18:44,224
PLEASE DON'T KILL ME.
442
00:18:48,962 --> 00:18:50,497
RICARDO BRAGINI
STOLE YOUR DESIGNS
443
00:18:50,530 --> 00:18:51,798
AND IT'S MY FAULT.
444
00:19:10,016 --> 00:19:11,217
WHY DO YOU HAVE THESE?
445
00:19:11,251 --> 00:19:12,886
I DON'T EVEN KNOW
WHERE TO BEGIN.
446
00:19:12,919 --> 00:19:15,388
TRY.
447
00:19:15,422 --> 00:19:17,691
WHEN YOU STARTED
LETTING PEOPLE GO,
448
00:19:17,724 --> 00:19:19,225
I GOT NERVOUS
AND WENT ON SOME INTERVIEWS.
449
00:19:19,259 --> 00:19:20,794
BRAGINI WAS THE FIRST,
AND IT WENT WELL.
450
00:19:20,827 --> 00:19:23,763
HE LIKED MY PORTFOLIO.
451
00:19:23,797 --> 00:19:24,831
BUT THEN HE ASKED ME
TO COME BACK
452
00:19:24,864 --> 00:19:25,832
FOR A SECOND INTERVIEW
453
00:19:25,865 --> 00:19:26,900
TO SHOW HIM MORE SKETCHES.
454
00:19:26,933 --> 00:19:28,001
AND I DIDN'T HAVE ANY MORE.
455
00:19:28,034 --> 00:19:29,803
AND I DIDN'T HAVE TIME
TO WHIP UP
456
00:19:29,836 --> 00:19:32,472
A BUNCH OF NEW THINGS.
457
00:19:32,505 --> 00:19:34,607
SO I PANICKED.
458
00:19:34,641 --> 00:19:37,544
I KNEW YOU WERE
DUMPING THESE
459
00:19:37,577 --> 00:19:38,912
AFTER FASHION WEEK,
460
00:19:38,945 --> 00:19:42,482
SO I...
461
00:19:42,515 --> 00:19:44,684
SHOWED HIM SOME OF YOUR THINGS
AND SAID THEY WERE MINE.
462
00:19:44,718 --> 00:19:46,886
OH, REESE.
463
00:19:46,920 --> 00:19:48,621
I DIDN'T EVEN GET THE JOB.
464
00:19:48,655 --> 00:19:50,490
ALL I DID WAS SHOW THEM
TO HIM.
465
00:19:50,523 --> 00:19:53,927
AND HE MUST'VE MEMORIZED
EVERY LAST DETAIL.
466
00:19:53,960 --> 00:19:56,896
AND NOW...
467
00:19:56,930 --> 00:19:59,933
I FEEL SO HORRIBLE.
468
00:19:59,966 --> 00:20:01,968
[crying]
469
00:20:07,807 --> 00:20:09,509
HEY.
470
00:20:09,542 --> 00:20:10,910
WHAT ARE YOU DOIN' HERE?
471
00:20:10,944 --> 00:20:12,812
YOU TELL ME.
472
00:20:21,855 --> 00:20:23,656
I GOT A MESSAGE
ON MY CELL
473
00:20:23,690 --> 00:20:25,825
FROM DAVID HERNANDEZ'
OFFICE.
474
00:20:25,859 --> 00:20:28,561
WANTED TO CHAT WITH ME
ABOUT MY DEMO CD.
475
00:20:28,595 --> 00:20:30,697
OH, WELL, WHAT DID
THEY SAY?
476
00:20:30,730 --> 00:20:31,865
I DIDN'T CALL THEM BACK.
477
00:20:31,898 --> 00:20:34,000
THAT'S NOT THE POINT,
IS IT?
478
00:20:34,034 --> 00:20:36,870
I'M SORRY.
I SHOULD'VE TOLD YOU.
479
00:20:36,903 --> 00:20:38,805
BUT I'M NOT SORRY
I SUBMITTED IT, SHANE,
480
00:20:38,838 --> 00:20:40,473
'CAUSE IT'S THAT GOOD.
481
00:20:40,507 --> 00:20:42,542
AND YOU ARE SO RIGHT
FOR THIS PROJECT.
482
00:20:42,575 --> 00:20:43,877
ARE YOU REALLY
GONNA SIT THERE
483
00:20:43,910 --> 00:20:45,845
AND DEFEND YOURSELF
LIKE THIS?
484
00:20:45,879 --> 00:20:47,714
YOU DON'T DISCUSS THIS
WITH ME.
485
00:20:47,747 --> 00:20:48,882
YOU JUST MAKE
AN EXECUTIVE DECISION
486
00:20:48,915 --> 00:20:50,517
AS IF YOU WERE BUYING
A PAIR OF MITTENS
487
00:20:50,550 --> 00:20:51,785
FOR OUR SON.
488
00:20:51,818 --> 00:20:54,721
YOU DID THIS BECAUSE
THIS IS WHAT YOUWANT FOR ME.
489
00:20:54,754 --> 00:20:55,789
IF I DISCUSSED THIS,
490
00:20:55,822 --> 00:20:57,057
THAT CD WOULD STILL BE UNDER
491
00:20:57,090 --> 00:20:58,725
A PILE OF TAYLOR'S
POWER RANGERS.
492
00:20:58,758 --> 00:20:59,859
I DON'T WANT
TO BE OFFERED A JOB
493
00:20:59,893 --> 00:21:00,960
JUST BECAUSE
I'M YOUR HUSBAND.
494
00:21:00,994 --> 00:21:02,796
I SUBMITTED YOU
UNDER A DIFFERENT NAME.
495
00:21:02,829 --> 00:21:03,897
WHAT?
496
00:21:03,930 --> 00:21:04,597
SHANE MCCORMICK.
497
00:21:04,631 --> 00:21:06,966
THAT'S WHO THEY THINK
YOU ARE.
498
00:21:08,935 --> 00:21:10,904
WELL, HOW LONG BEFORE
THEY REALIZE WHO I REALLY AM?
499
00:21:10,937 --> 00:21:11,938
WHO CARES?
500
00:21:11,971 --> 00:21:13,073
IF YOU GET THE JOB,
501
00:21:13,106 --> 00:21:15,041
YOU'VE EARNED IT
ON YOUR OWN MERIT.
502
00:21:15,075 --> 00:21:16,876
AND IF THEY CALLED,
THEY MUST BE INTERESTED.
503
00:21:16,910 --> 00:21:18,578
WELL, I'M NOT.
504
00:21:18,611 --> 00:21:19,946
WHEN I CHOSE TO TOSS
MY HAT INTO THE RING,
505
00:21:19,979 --> 00:21:21,648
I'LL BE THE ONE
DOING THE TOSSING.
506
00:21:21,681 --> 00:21:22,816
THANK YOU.
507
00:21:25,618 --> 00:21:27,754
[sighs]
508
00:21:27,787 --> 00:21:29,689
HEY, AM I THE ONLY PERSON
IN THE WORLD
509
00:21:29,723 --> 00:21:31,925
ALLOWED TO KNOW
HOW TALENTED YOU ARE?
510
00:21:31,958 --> 00:21:33,893
SHANE, IT'S A WONDERFUL
OPPORTUNITY.
511
00:21:33,927 --> 00:21:35,895
CAN'T YOU JUST STAY OPEN
AND SEE WHERE IT GOES?
512
00:21:35,929 --> 00:21:37,997
NOT FOR ME.
513
00:21:38,031 --> 00:21:40,033
FOR YOURSELF.
514
00:21:56,783 --> 00:21:57,817
(man)NICO REILLY.
515
00:21:57,851 --> 00:21:58,918
JIM.
516
00:21:58,952 --> 00:22:00,854
J--JIM.
517
00:22:00,887 --> 00:22:02,789
HA HA. TO WHAT DO WE OWE
THIS HONOR?
518
00:22:02,822 --> 00:22:03,923
COULD YOU JUST
FOR A SECOND?
519
00:22:03,957 --> 00:22:05,025
THANK YOU. HEY.
HEY.
520
00:22:05,058 --> 00:22:06,926
BONFIREWAS DOING
A PHOTO SHOOT NEXT DOOR
521
00:22:06,960 --> 00:22:07,994
AND I COULDN'T RESIST.
522
00:22:08,028 --> 00:22:09,396
DOES THIS MEAN
WE HAVE A SHOT
523
00:22:09,429 --> 00:22:10,397
OF YOU GUYS
DOING A PIECE ON US?
524
00:22:10,430 --> 00:22:12,932
OH, I WAS THINKING
OF DOING A PROFILE OF, UH,
525
00:22:12,966 --> 00:22:13,800
OF SASHA WINTERS.
526
00:22:13,833 --> 00:22:15,802
OH, MAN.
SHE'S INCREDIBLE IN THIS FILM.
527
00:22:15,835 --> 00:22:17,771
SHE'S GONNA BLOW YOU AWAY.
528
00:22:17,804 --> 00:22:18,972
I SHOULD INTRODUCE YOU.
529
00:22:19,005 --> 00:22:20,840
SASHA, DARLING.
530
00:22:20,874 --> 00:22:21,908
COME HERE A SEC.
531
00:22:21,941 --> 00:22:23,877
I WANT YOU TO MEETSOMEBODY.
532
00:22:23,910 --> 00:22:26,112
OH, MY GOD, THE HUMANITY.
533
00:22:26,146 --> 00:22:28,815
COME ON.
534
00:22:28,848 --> 00:22:30,583
LUCKY YOU.
535
00:22:30,617 --> 00:22:32,118
NICO REILLY,
SASHA WINTERS.
536
00:22:32,152 --> 00:22:33,420
HI.
HI.
537
00:22:33,453 --> 00:22:34,688
NICO'S EDITOR-IN-CHIEF
538
00:22:34,721 --> 00:22:35,722
OF BONFIREMAGAZINE.
539
00:22:35,755 --> 00:22:36,823
THEY MIGHT BE INTERESTED
540
00:22:36,856 --> 00:22:38,425
IN DOING A PIECE ON YOU.
REALLY?
541
00:22:38,458 --> 00:22:40,760
ABSOLUTELY.
I'M A HUGE FAN.
542
00:22:40,794 --> 00:22:42,729
THIS IS SASHA'S FIRST TIME
SHOOTING A FILM IN NEW YORK.
543
00:22:42,762 --> 00:22:44,831
OH, DO YOU LIKE IT
OR--OR DO YOU MISS L.A.?
544
00:22:44,864 --> 00:22:45,965
OH, NO.
545
00:22:45,999 --> 00:22:48,001
THE CREW'S AMAZING.
546
00:22:50,970 --> 00:22:52,906
AND I LOVE THE FACT
THAT I CAN, YOU KNOW,
547
00:22:52,939 --> 00:22:54,874
ROLL OUT OF BED
TEN MINUTES BEFORE MY CALL TIME.
548
00:22:56,142 --> 00:22:57,911
WELL, WE, YOU KNOW,
549
00:22:57,944 --> 00:22:58,978
WE SHOULD SET UP SOMETHING.
550
00:22:59,012 --> 00:23:00,080
HAVE LUNCH OR...
551
00:23:00,113 --> 00:23:02,182
PROMOTE THE FILM.
SHOOT SOME PICTURES.
552
00:23:02,215 --> 00:23:03,883
THAT TOO.
(man)CLOCK'S TICKING.
553
00:23:03,917 --> 00:23:05,218
ALL RIGHT, ALL RIGHT,
WE GOTTA GET CRACKIN'.
554
00:23:05,251 --> 00:23:06,820
IT WAS REALLY NICE
TO MEET YOU.
555
00:23:06,853 --> 00:23:08,855
YEAH, YOU TOO.
556
00:23:08,888 --> 00:23:09,889
OH, YOU KNOW WHAT,
I'M, UH,
557
00:23:09,923 --> 00:23:10,690
I'M THROWING A FUNDRAISER
558
00:23:10,724 --> 00:23:12,125
AT THE FOUNDRY
THIS FRIDAY NIGHT.
559
00:23:12,158 --> 00:23:13,760
IF YOU'RE FREE,
YOU SHOULD STOP BY.
560
00:23:13,793 --> 00:23:15,795
THAT SOUNDS GREAT.
THANK YOU.
561
00:23:18,798 --> 00:23:19,933
HEY, STICK AROUND
A LITTLE BIT.
562
00:23:19,966 --> 00:23:23,903
THINK YOU'LL FIND THIS, UH,
INTERESTING TO SAY THE LEAST.
563
00:23:28,208 --> 00:23:30,677
I ALREADY DO.
564
00:23:30,710 --> 00:23:32,679
YOU'RE--I'M NOT
A JUNGLE GYM.
565
00:23:32,712 --> 00:23:33,847
I'M A PHOTOGRAPHER,
OKAY?
566
00:23:36,049 --> 00:23:38,718
YEAH, WELL,
YOU KNOW, REESE,
567
00:23:38,752 --> 00:23:41,654
WE ALL MAKE MISTAKES.
568
00:23:41,688 --> 00:23:44,691
AND I KNOW WHAT IT'S LIKE
TO PUT YOURSELF OUT THERE.
569
00:23:44,724 --> 00:23:46,192
IT CAN BE PRETTY SCARY
SOMETIMES.
570
00:23:48,828 --> 00:23:49,796
THE WORST PART IS
571
00:23:49,829 --> 00:23:53,700
I FEEL LIKE YOU'LL NEVER WANT
TO SEE ME AGAIN.
572
00:23:53,733 --> 00:23:55,869
HOPEFULLYWE'LL LOOK BACK
573
00:23:55,902 --> 00:23:58,038
AND HAVE A GOOD LAUGH
AT THIS ONE DAY.
574
00:23:58,071 --> 00:23:59,172
OH, I HOPE SO.
575
00:23:59,205 --> 00:24:00,874
OF COURSE WE WILL,
SWEETIE.
576
00:24:00,907 --> 00:24:03,143
BYE-BYE.
577
00:24:05,845 --> 00:24:07,147
I KNOW I WASN'T
SUPPOSED TO HEAR ANY OF THAT
578
00:24:07,180 --> 00:24:08,915
AND I WAS REALLY TRYING HARD
NOT TO LISTEN,
579
00:24:08,948 --> 00:24:10,884
BUT, MAN, SHE IS A MESS.
580
00:24:10,917 --> 00:24:12,819
I WAS REALLY STARTING
TO FEEL SORRY FOR HER.
581
00:24:12,852 --> 00:24:15,922
YEAH, ME TOO.
POOR REESE.
582
00:24:15,955 --> 00:24:17,957
SHE'S JUST SUCH AN AWFUL
LITTLE LIAR.
583
00:24:27,100 --> 00:24:29,269
OH, DAVID, HI.
584
00:24:29,302 --> 00:24:30,770
WHAT'S THAT?
585
00:24:30,804 --> 00:24:31,971
PLEASE TELL ME
YOU'RE NOT STILL REWRITING.
586
00:24:32,005 --> 00:24:33,873
NAH, IT'S THE NEXT PROJECT.
587
00:24:35,308 --> 00:24:36,309
SO HOW IS
POSTPRODUCTION GOING?
588
00:24:36,343 --> 00:24:38,945
OH, IT'S EXCELLENT.
IT'S REALLY COMING ALONG.
589
00:24:38,978 --> 00:24:41,548
OH, THANKS, BY THE WAY,
FOR THAT CD YOU TOSSED MY WAY.
590
00:24:41,581 --> 00:24:42,549
OH, DID YOU LIKE IT?
591
00:24:42,582 --> 00:24:43,717
OH, IT'S AWESOME.
592
00:24:43,750 --> 00:24:46,052
I-I NEVER HEARD OF THIS GUY,
BUT HE'S CLEARLY GOT CHOPS.
593
00:24:46,086 --> 00:24:47,854
I THINK IT WOULD BE GREAT
TO FIND SOMEONE FRESH.
594
00:24:47,887 --> 00:24:51,858
REALLY? I TOTALLY AGREE.
THAT'S FANTASTIC.
595
00:24:51,891 --> 00:24:53,093
HOW DID YOU FIND HIM?
596
00:24:53,126 --> 00:24:54,561
HAVE YOU, UH, WORKED WITH HIM
BEFORE?
597
00:24:54,594 --> 00:24:56,096
NO. NO, NO. NOT REALLY.
598
00:24:56,129 --> 00:24:57,864
I MEAN, SORT OF.
599
00:25:01,234 --> 00:25:03,937
LOOK, I'VE GOT TO BE
STRAIGHTFORWARD.
600
00:25:03,970 --> 00:25:06,239
SHANE MCCORMICK
IS SHANE HEALY, MY HUSBAND.
601
00:25:06,272 --> 00:25:09,609
WHAT?
I DIDN'T WANTTO INFLUENCE YOUR DECISION
602
00:25:09,642 --> 00:25:10,810
BASED ON MY POSITION
603
00:25:10,844 --> 00:25:12,145
SO I SUBMITTED HIM
UNDER THAT NAME.
604
00:25:12,178 --> 00:25:13,880
BUT THANK GOD
IT ALL WORKED OUT, RIGHT?
605
00:25:13,913 --> 00:25:16,049
WELL, I WAS ABOUT TO SAY
IT WAS DOWN TO THREE PEOPLE,
606
00:25:16,082 --> 00:25:17,550
AND SHANE WAS ONE OF THEM.
607
00:25:18,985 --> 00:25:20,253
BUT I GUESS
IT'S DOWN TO ONE NOW.
608
00:25:20,286 --> 00:25:23,089
NO. NO. NO.
609
00:25:23,123 --> 00:25:24,924
YOU'VE GOT TO HIRE THE PERSONWHO'S BEST FOR THE JOB.
610
00:25:24,958 --> 00:25:26,326
I MEAN, IF IT'S SHANE,
THAT'S GREAT.
611
00:25:26,359 --> 00:25:28,061
AND IF NOT, IT'S FINE.
612
00:25:28,094 --> 00:25:29,829
I DON'T WANT YOU FEELING
ANY PRESSURE.
613
00:25:29,863 --> 00:25:31,831
SO YOU'D BE OKAY
IF I WENT WITH SOMEONE ELSE?
614
00:25:31,865 --> 00:25:33,233
ABSOLUTELY.
615
00:25:33,266 --> 00:25:35,001
[bell dings]
ALL RIGHT, COOL.
616
00:25:41,274 --> 00:25:44,144
SO YOU'RE POSITIVE THAT REESE
SOLD HIM THE DESIGNS.
617
00:25:44,177 --> 00:25:46,813
I'M NOT POSITIVE
OF ANYTHING...
618
00:25:46,846 --> 00:25:48,648
EXCEPT THAT REESE
SOLD HIM THE DESIGNS.
619
00:25:48,682 --> 00:25:49,983
CAN I GET AN EXTRA TICKET
620
00:25:50,016 --> 00:25:51,284
FOR TOMORROW NIGHT OR NOT?
621
00:25:51,317 --> 00:25:53,253
YEAH, YOU GOT IT.
622
00:25:53,286 --> 00:25:55,922
AND, UH, I'M GONNA NEED ONE
FOR RICARDO BRAGINI TOO.
623
00:25:55,955 --> 00:25:57,824
YOU WANT ME TO INVITE
THAT POMPOUS ASS
624
00:25:57,857 --> 00:25:59,325
TO AN EVENTTHAT I'M HOSTING?
625
00:25:59,359 --> 00:26:00,960
OH, COME ON.
SUCK IT UP.
626
00:26:00,994 --> 00:26:02,062
HE SAT NEXT TO ME
AT FASHION WEEK
627
00:26:02,095 --> 00:26:04,030
AND TOLD ME THAT MY HAIR
LOOKED LIKE A PAD OF BUTTER
628
00:26:04,064 --> 00:26:05,165
MELTING ON A PANCAKE.
629
00:26:05,198 --> 00:26:06,833
DID LOOK A LITTLE FLAT
THAT NIGHT.
630
00:26:06,866 --> 00:26:09,035
OH, I'M SORRY.
SOLD OUT. NO MORE TICKETS.
631
00:26:09,069 --> 00:26:10,070
COME ON, NICO.
632
00:26:10,103 --> 00:26:12,339
PLEASE. I NEED HELP
ON THIS ONE.
633
00:26:12,372 --> 00:26:14,941
HONEY, YOU REALIZE THAT THIS
IS A PUBLIC EVENT, RIGHT?
634
00:26:14,974 --> 00:26:17,344
THIS LITTLE SCHEMEY THINGTHAT YOU'RE PLANNING...
635
00:26:17,377 --> 00:26:19,946
IF IT BACKFIRES, YOU COULD GET
SOME REALLY NASTY PRESS.
636
00:26:19,979 --> 00:26:23,950
I DON'T CARE IF SECURITY
HAS TO COME IN AND CARRY ME OUT.
637
00:26:23,983 --> 00:26:25,018
IT WILL BE WORTH IT.
638
00:26:25,051 --> 00:26:26,953
WELL, IF ANYONE CAN CARRY OFF
A STRAIGHTJACKET,
639
00:26:26,986 --> 00:26:28,021
THAT WOULD BE YOU.
640
00:26:28,054 --> 00:26:31,658
THANKS.
I DO LOVE A BUCKLE.
641
00:26:40,000 --> 00:26:42,102
[door opens]
HEY, THERE.
642
00:26:42,135 --> 00:26:45,105
HEY, WHAT ARE
WE WATCHING?
643
00:26:45,138 --> 00:26:46,406
IT'S A ROUGH CUT
OF DAVID'S FILM.
644
00:26:46,439 --> 00:26:48,975
IT'S PRETTY GOOD, LOOK.
645
00:26:49,009 --> 00:26:50,910
AH. I CAN SEE
WHY YOU THOUGHT OF ME.
646
00:26:50,944 --> 00:26:52,078
IT IS BASICALLY
MY CHILDHOOD
647
00:26:52,112 --> 00:26:53,380
EXCEPT WITH A BIT MORE HUMOR
648
00:26:53,413 --> 00:26:54,881
AND, UH, GREEN VEGETABLES.
649
00:26:54,914 --> 00:26:57,384
DID THEY OFFER YOU THE JOB?
650
00:26:57,417 --> 00:26:58,685
UH, NO. NOT YET.
651
00:26:58,718 --> 00:26:59,819
I GUESS THEY WANT ME
TO LAY DOWN
652
00:26:59,853 --> 00:27:01,988
A FEW SAMPLE TRACKS
FOR SOME OF THESE EARLY SCENES.
653
00:27:02,022 --> 00:27:03,223
YOU GONNA DO IT?
654
00:27:03,256 --> 00:27:04,991
WELL, YEAH.
I'VE GOTTEN THIS FAR.
655
00:27:05,025 --> 00:27:06,726
I DON'T THINK THEY WOULD'VE
MESSENGERED THIS 'ROUND
656
00:27:06,760 --> 00:27:10,430
IF THEY DIDN'T THINK
I WAS A, UH, SERIOUS CONTENDER.
657
00:27:12,032 --> 00:27:13,733
WHAT'S THE MATTER?
658
00:27:13,767 --> 00:27:15,735
YOU LOOK CONCERNED.
659
00:27:15,769 --> 00:27:17,937
NO, NOT AT ALL.
660
00:27:17,971 --> 00:27:19,739
DO YOU THINK THEY MAY
HAVE SENT THIS AROUND
661
00:27:19,773 --> 00:27:20,807
FOR OTHER REASONS?
662
00:27:20,840 --> 00:27:24,010
NO. I THINK THEY SENT IT
TO YOU 'CAUSE THEY WANT YOU.
663
00:27:24,044 --> 00:27:25,478
IT'S PROBABLY DOWN
664
00:27:25,512 --> 00:27:27,313
TO YOU AND A FEW
OTHER COMPOSERS,
665
00:27:27,347 --> 00:27:30,116
AND DAVID JUST WANTS TO MAKE
AN EDUCATED DECISION.
666
00:27:30,150 --> 00:27:31,284
IS THERE ANY DINNER?
667
00:27:31,317 --> 00:27:33,153
YEAH, TOP SHELF.
668
00:27:33,186 --> 00:27:34,988
WENDY, WHAT'S GOING ON?
669
00:27:35,021 --> 00:27:38,024
YESTERDAY, YOU WERE
MY GREATEST CHAMPION.
670
00:27:38,058 --> 00:27:39,759
TODAY, I DON'T KNOW,
YOU'RE KINDA LIKE AN AGENT
671
00:27:39,793 --> 00:27:41,294
WHO POSSIBLY
WON'T RETURN A CALL.
672
00:27:41,327 --> 00:27:42,929
WHAT HAPPENED?
673
00:27:42,962 --> 00:27:44,030
NOTHING.
674
00:27:44,064 --> 00:27:45,932
I JUST DON'T WANT
TO SEE YOU PUT SO MUCH EMPHASIS
675
00:27:45,965 --> 00:27:47,334
ON THIS ONE JOB,
THAT'S ALL.
676
00:27:47,367 --> 00:27:49,336
AND THE IMPORTANT THING IS
YOUR NAME'S OUT THERE AGAIN
677
00:27:49,369 --> 00:27:50,403
AND PEOPLE LOVE YOUR MUSIC.
678
00:27:50,437 --> 00:27:52,038
IT'S ALL GOOD.
679
00:27:52,072 --> 00:27:53,139
YEAH, EXCEPT THAT
IT'S NOT MY NAME,
680
00:27:53,173 --> 00:27:56,009
AND IT WOULD BE BETTER
IF I DID THISFILM.
681
00:27:56,042 --> 00:27:57,777
DO YOU KNOW SOMETHING
I DON'T?
682
00:27:57,811 --> 00:28:00,246
IT'S A COMPETITIVE BUSINESS,
SHANE.
683
00:28:00,280 --> 00:28:02,015
I HATE TO SEE YOU BUST YOUR ASS
TO PLEASE HIM,
684
00:28:02,048 --> 00:28:03,983
AND THEN WHAT IF IT DOESN'T
HAPPEN?
685
00:28:04,017 --> 00:28:05,385
YOU'LL GET HURT.
686
00:28:10,223 --> 00:28:12,192
SO WHAT HAPPENED TO YOU
THIS MORNING?
687
00:28:12,225 --> 00:28:13,326
IT WAS KINDA HOT,
688
00:28:13,360 --> 00:28:14,761
DON'T YOU THINK?
689
00:28:14,794 --> 00:28:16,496
YOU THERE WATCHING ME.
ME WATCHING YOU.
690
00:28:16,529 --> 00:28:17,497
I GOTTA BE HONEST,
691
00:28:17,530 --> 00:28:19,099
I DIDN'T THINK YOUR RULES
692
00:28:19,132 --> 00:28:20,300
WERE GONNA BE THAT MUCH FUN.
693
00:28:20,333 --> 00:28:22,135
YOU TOOK A LOT OF SHOTS
694
00:28:22,168 --> 00:28:24,471
OF THAT BED SCENE.
YEAH.
695
00:28:24,504 --> 00:28:26,473
SASHA WAS SAYING
HOW WEIRD IT WAS.
696
00:28:26,506 --> 00:28:28,475
EVERYONE ON SET
SEEING HER SEX FACE.
697
00:28:28,508 --> 00:28:30,810
YOU TWO TALK A LOT?
698
00:28:30,844 --> 00:28:33,146
LITTLE BIT.
699
00:28:33,179 --> 00:28:35,348
SHE'S A PIECE OF WORK,
THAT GIRL.
700
00:28:35,382 --> 00:28:38,018
YOU KNOW, IN FACT, SHE, UH,
SHE WROTE HER CELL NUMBER
701
00:28:38,051 --> 00:28:39,452
ON MY CALL SHEET
FOR TOMORROW.
702
00:28:39,486 --> 00:28:42,455
HOW FUNNY IS THAT?
703
00:28:42,489 --> 00:28:43,490
AND?
704
00:28:43,523 --> 00:28:45,091
AND WHAT?
705
00:28:45,125 --> 00:28:47,127
WELL, YOU SHOULD CALL HER.
706
00:28:47,160 --> 00:28:50,397
WHY WOULD I CALL HER?
707
00:28:50,430 --> 00:28:52,232
WHO WANTS HER?
I HAVE YOU.
708
00:28:52,265 --> 00:28:53,566
NO, KIRBY, YOU DON'T HAVE ME.
709
00:28:53,600 --> 00:28:57,303
I MEAN, MY HUSBAND HAS ME.
710
00:28:57,337 --> 00:29:01,141
YEAH. I KEEP TRYING
TO FORGET ABOUT THAT.
711
00:29:04,110 --> 00:29:06,546
WELL, DON'T,
'CAUSE IT'S NOT GONNA GO AWAY.
712
00:29:06,579 --> 00:29:11,551
OKAY. AS LONG AS YOU'RE
NOT GOING AWAY.
713
00:29:11,584 --> 00:29:15,155
YOU KNOW, UM, I THINK
YOU SHOULD GO OUT WITH SASHA.
714
00:29:15,188 --> 00:29:18,024
I THINK YOU SHOULD GO OUT
WITH JEREMY PIVEN.
715
00:29:18,058 --> 00:29:19,359
NO. I MEAN, WE SAID--
716
00:29:19,392 --> 00:29:20,560
AND I THOUGHT
THAT WE WERE CLEAR--
717
00:29:20,593 --> 00:29:22,362
NO EMOTIONAL INVOLVEMENT.
718
00:29:22,395 --> 00:29:24,364
AND WHEN YOU TELL ME
THAT YOU DON'T WANT TO GO OUT
719
00:29:24,397 --> 00:29:25,598
WITH SOME GORGEOUS
YOUNG ACTRESS
720
00:29:25,632 --> 00:29:27,467
THAT'S OBVIOUSLY
INTERESTED IN YOU,
721
00:29:27,500 --> 00:29:29,202
THAT SAYS TO ME
THAT YOU'RE NOT GETTING IT.
722
00:29:32,305 --> 00:29:33,540
FINE. I'LL CALL HER.
723
00:29:33,573 --> 00:29:34,574
OKAY, YEAH, FINE.
724
00:29:34,607 --> 00:29:37,110
WHY DON'T YOU CALL HER NOW?
IT'S STILL EARLY.
725
00:29:40,146 --> 00:29:42,148
I HAVE A LOT OF WORK TO DO.
726
00:30:02,168 --> 00:30:04,004
RICARDO BRAGINI.
727
00:30:04,037 --> 00:30:05,305
SO GLAD YOU COULD MAKE IT.
728
00:30:05,338 --> 00:30:07,307
WOULDN'T MISS IT.
WHY DID YOU INVITE ME?
729
00:30:07,340 --> 00:30:08,408
WHY NOT?
730
00:30:08,441 --> 00:30:09,876
YOU LIKE A FREE MARTINI
AS MUCH AS THE NEXT FELLOW.
731
00:30:09,909 --> 00:30:11,077
LOVELY DRESS.
732
00:30:11,111 --> 00:30:13,380
AT WHAT AGE SHOULD A WOMAN
COVER HER NECK?
733
00:30:17,450 --> 00:30:20,153
THANK YOU. YOU SURE YOU DON'T
WANT TO CHECK YOUR COAT?
734
00:30:20,186 --> 00:30:22,122
NOT YET.
735
00:30:31,197 --> 00:30:33,967
HEY, JOE.
736
00:30:34,000 --> 00:30:35,568
I'M SO GLAD
YOU GUYS CAME.
737
00:30:35,602 --> 00:30:36,636
OW.
738
00:30:36,670 --> 00:30:38,571
IF YOU EVER MAKE ME
INVITE BRAGINI
739
00:30:38,605 --> 00:30:40,473
TO ANOTHER PARTY OF MINE,
OUR FRIENDSHIP IS TERMINATED.
740
00:30:40,507 --> 00:30:42,175
SO YOU READY TO WRITE
A BIG, FAT CHECK?
741
00:30:42,208 --> 00:30:43,109
WHAT'LL IT GET ME?
742
00:30:43,143 --> 00:30:45,578
OH, A PRIVATE BAR
FOR YOUR EXCLUSIVE USE.
743
00:30:45,612 --> 00:30:47,080
YOU WON'T HAVE TO WAIT IN LINE
FOR A COCKTAIL.
744
00:30:47,113 --> 00:30:48,615
VICTORY!
745
00:30:53,687 --> 00:30:55,055
OH, MY GOD.
746
00:30:55,088 --> 00:30:57,090
THIS PARTY IS AMAZING.
747
00:30:57,123 --> 00:30:59,926
ETHAN HAWKE JUST STEPPED
ON MY TOE.
748
00:30:59,959 --> 00:31:01,027
THANK YOU SO MUCH
FOR INVITING ME.
749
00:31:01,061 --> 00:31:03,029
OH, IT'S MY PLEASURE.
750
00:31:03,063 --> 00:31:05,065
REESE, YOU REMEMBERMY FRIEND, NICO REILLY.
751
00:31:05,098 --> 00:31:06,166
TOTALLY. HI.
HI.
752
00:31:06,199 --> 00:31:07,600
AND THIS IS JOE BENNETT.
753
00:31:07,634 --> 00:31:08,601
PLEASURE TO MEET YOU.
754
00:31:08,635 --> 00:31:10,070
IF YOU LADIES
WILL EXCUSE ME,
755
00:31:10,103 --> 00:31:11,471
I'M GONNA GO TO MY FUTURE BAR
AND GET A DRINK.
756
00:31:11,504 --> 00:31:12,472
CAN I GET ANYONE ANYTHING?
757
00:31:12,505 --> 00:31:13,606
NO, I THINK WE'RE GOOD.
758
00:31:13,640 --> 00:31:15,041
OH, WAIT, JOE.
WOULD YOU HOLD THIS?
759
00:31:15,075 --> 00:31:17,944
COULD YOU PLEASE CHECK THIS
FOR ME?
760
00:31:25,118 --> 00:31:27,954
WOW. THE RED BRAGINI DRESS
761
00:31:27,987 --> 00:31:30,056
IT LOOKS SO GOOD ON YOU.
762
00:31:30,090 --> 00:31:32,659
THANKS.
I JUST COULDN'T RESIST.
763
00:31:33,993 --> 00:31:35,428
LET'S GO MINGLE.
764
00:31:35,462 --> 00:31:37,397
[whimpers]
765
00:32:05,792 --> 00:32:07,727
CONTRACTS
FROM BUSINESS AFFAIRS. THANKS.
766
00:32:07,761 --> 00:32:10,130
AND DAVID HERNANDEZ
ON LINE 2.
767
00:32:10,163 --> 00:32:12,098
OKAY, GREAT.
SHUT MY DOOR.
768
00:32:17,737 --> 00:32:18,705
DAVID, HEY.
769
00:32:18,738 --> 00:32:20,607
(David)HEY, THERE.
770
00:32:20,640 --> 00:32:23,576
JUST, UH, WANTED TO LET YOU KNOW
THAT SHANE GOT THE JOB.
771
00:32:23,610 --> 00:32:25,679
REALLY.
772
00:32:25,712 --> 00:32:27,013
I DIDN'T EXPECT YOU
773
00:32:27,047 --> 00:32:28,114
TO MAKE YOUR DECISION
THAT QUICKLY.
774
00:32:28,148 --> 00:32:31,117
BUT, UM, THAT'S GREAT.
775
00:32:31,151 --> 00:32:33,153
UH, LISTEN,
I HOPE THAT YOU DIDN'T FEEL
776
00:32:33,186 --> 00:32:35,255
LIKE YOUR BACK WAS AGAINST
THE WALL.
777
00:32:35,288 --> 00:32:37,157
IT WAS NEVER MY INTENTION.
778
00:32:37,190 --> 00:32:39,025
IT IS WHAT IT IS.
YOUR HUSBAND GOT THE GIG.
779
00:32:39,059 --> 00:32:41,695
YOU'RE HAPPY.THE FILM HAS A COMPOSER.
780
00:32:41,728 --> 00:32:44,497
UH, LOOK, MY EDITOR
JUST WALKED IN.
781
00:32:44,531 --> 00:32:46,633
I GOTTA RUN.
782
00:32:56,643 --> 00:32:59,045
SEE THIS MODEL RIGHT HERE?
783
00:32:59,079 --> 00:33:00,313
I WORKED WITH HER ONCE.
784
00:33:00,347 --> 00:33:02,215
[whispers]
HERMAPHRODITE.
785
00:33:04,551 --> 00:33:05,719
OH, MY GOD.
786
00:33:05,752 --> 00:33:07,187
WHAT? WHAT? WHO?
787
00:33:07,220 --> 00:33:08,154
I CANNOT BELIEVE
788
00:33:08,188 --> 00:33:10,190
THAT NICO DIDN'T TELL ME
789
00:33:10,223 --> 00:33:11,224
THAT BRAGINI
WAS GONNA BE HERE.
790
00:33:13,860 --> 00:33:15,061
WHAT'S HE DOING HERE?
791
00:33:15,095 --> 00:33:16,730
WHO KNOWS?
792
00:33:16,763 --> 00:33:19,232
PROBABLY MEMORIZING DRESSES
TO STEAL.
793
00:33:19,265 --> 00:33:22,068
THAT MONSTER
SHOULD BE LOCKED UP BEHIND BARS.
794
00:33:22,102 --> 00:33:24,204
HE MAKES ME SICK.
LET'S LEAVE.
795
00:33:24,237 --> 00:33:25,638
YOU KNOW WHAT WE SHOULD DO.
796
00:33:25,672 --> 00:33:27,107
WE SHOULD
CONFRONT THE BASTARD.
797
00:33:27,140 --> 00:33:29,342
WHAT? WHY WOULD WE WANT
TO DO THAT?
798
00:33:29,376 --> 00:33:31,644
THERE ARE PHOTOGRAPHERS HERE
AND RICH PEOPLE.
799
00:33:31,678 --> 00:33:32,712
WELL, WE DON'T HAVE
TO MAKE A SCENE.
800
00:33:32,746 --> 00:33:35,081
WE COULD JUST HAVE A NICE,
CIVILIZED CONFRONTATION.
801
00:33:35,115 --> 00:33:36,750
EXCUSE ME. I'M SORRY.
BUT YOU CAN'T BE BACK HERE.
802
00:33:36,783 --> 00:33:38,151
WELL, WE CAN'T BE OUT THERE.
803
00:33:38,184 --> 00:33:40,587
THIS AREA IS FOR STAFF ONLY.
PLEASE.
804
00:33:49,729 --> 00:33:52,232
OH, NICO.
SASHA.
805
00:33:52,265 --> 00:33:54,100
SO GLAD YOU COULD MAKE IT.
806
00:33:54,134 --> 00:33:55,301
NICO,
THIS IS KIRBY ATWOOD.
807
00:33:55,335 --> 00:33:57,137
HE'S WORKING WITH ME
ON THE MOVIE.
808
00:33:57,170 --> 00:33:59,606
TAKING STILLS.
809
00:33:59,639 --> 00:34:00,607
IT'S A PLEASURE TO MEET YOU.
810
00:34:00,640 --> 00:34:02,175
LIKEWISE.
811
00:34:03,243 --> 00:34:04,244
PLEASE, ENJOY YOURSELVES.
812
00:34:04,277 --> 00:34:07,213
WE PLAN TO.
813
00:34:07,247 --> 00:34:09,549
[giggling]
814
00:34:09,582 --> 00:34:13,286
'SCUSE ME, I, UH,
I HAVE GUESTS TO ATTEND TO.
815
00:34:15,288 --> 00:34:16,022
CAN'T WE DO THIS ON MONDAY?
816
00:34:16,056 --> 00:34:18,692
THIS FEELS LIKE
REALLY BAD TIMING.
817
00:34:23,730 --> 00:34:24,798
I DON'T THINK
THIS IS AN EXIT.
818
00:34:24,831 --> 00:34:26,800
WHY ARE YOU SO INTENT
ON LEAVING, REESE?
819
00:34:26,833 --> 00:34:28,168
YOU DON'T HAVE ANYTHING
TO HIDE.
820
00:34:28,201 --> 00:34:29,235
YOU'RE NOT
THE THIEF, RIGHT?
821
00:34:29,269 --> 00:34:30,670
IT'S NOT THAT SIMPLE.
822
00:34:30,704 --> 00:34:32,806
BECAUSE YOU DIDN'T
JUST SHOW HIM MY SKETCHES.
823
00:34:32,839 --> 00:34:34,741
YOU SOLD THEM TO HIM,
DIDN'T YOU?
824
00:34:34,774 --> 00:34:37,777
NO, I--THAT IS NOT
HOW IT HAPPENED.
825
00:34:37,811 --> 00:34:40,280
IF HE GAVE YOU A CHECK
AND YOU CASHED IT,
826
00:34:40,313 --> 00:34:41,915
THEN YOU SOLD HIM MY DESIGNS.
827
00:34:41,948 --> 00:34:43,683
FINE.
828
00:34:43,717 --> 00:34:46,653
WHAT DO YOU WANT?
25%? 30%?
829
00:34:46,686 --> 00:34:51,157
YOU'RE OFFERING ME A PERCENTAGE
OF MY OWN WORK?
830
00:34:51,191 --> 00:34:52,726
AND WHO ARE YOU?
831
00:34:52,759 --> 00:34:55,195
YOU COULD'VE COME CLEAN
AT ANY POINT,
832
00:34:55,228 --> 00:34:56,930
BUT YOU CHOSE
TO KEEP LYING.
833
00:34:56,963 --> 00:34:59,699
YOU OBVIOUSLY LEARNED
NOTHING FROM ME.
834
00:34:59,733 --> 00:35:01,201
I LEARNED PLENTY.
835
00:35:01,234 --> 00:35:03,403
IF VICTORY FORD WASN'T
HANGING WITH NICO REILLY
836
00:35:03,436 --> 00:35:05,839
AND WENDY HEALY AND ALL
YOUR OTHER FANCY FRIENDS,
837
00:35:05,872 --> 00:35:08,375
YOU'D BE IN THERE SERVING
MINI GOAT CHEESE PIZZAS
838
00:35:08,408 --> 00:35:10,443
WITH THE REST OF US
WHO ACTUALLY HAVE TO WORK
839
00:35:10,477 --> 00:35:12,712
FOR A LIVING.
840
00:35:12,746 --> 00:35:14,881
YOU GOT WHERE YOU ARE
BECAUSE YOU LATCHED ONTO ANYONE
841
00:35:14,914 --> 00:35:16,182
WHO COULD HELP YOU CLIMB.
842
00:35:16,216 --> 00:35:17,884
OH, HOW DARE YOU.
843
00:35:17,917 --> 00:35:20,820
YOU THINK MY FRIENDSHIPS
ARE BASED ON AGENDA?
844
00:35:20,854 --> 00:35:23,723
YOU'RE OBVIOUSLY MORE TWISTED
THAN I EVEN THOUGHT.
845
00:35:23,757 --> 00:35:25,658
DON'T WORRY ABOUT TALKING
TO BRAGINI.
846
00:35:25,692 --> 00:35:28,395
I'LL DO IT MYSELF.
847
00:35:30,230 --> 00:35:31,631
[dress rips]
848
00:35:33,233 --> 00:35:34,334
AAH!
849
00:35:39,339 --> 00:35:42,709
ARE WE SUPPOSED TO BE SERVING
IN THE SCULPTURE GARDEN AS WELL?
850
00:35:42,742 --> 00:35:43,743
THAT WASN'T
IN THE CONTRACT.
851
00:35:43,777 --> 00:35:44,978
WHAT ARE YOU TALKING ABOUT?
852
00:35:45,011 --> 00:35:45,812
YOU'VE GOT
A COUPLE OF GUESTS
853
00:35:45,845 --> 00:35:47,380
WHO APPARENTLY NEED MORE
THAN A LOBBY.
854
00:35:47,414 --> 00:35:48,448
I'M GOING IN.
855
00:35:48,481 --> 00:35:49,649
OH NO, YOU DON'T.
856
00:35:50,717 --> 00:35:52,285
MY PARTY, MY CALL.
857
00:35:53,753 --> 00:35:54,854
RICARDO.
858
00:35:54,888 --> 00:35:55,855
NO!
859
00:35:55,889 --> 00:35:57,891
I DESIGN THE STUPID DRESS
SHE'S WEARING, OKAY?
860
00:35:57,924 --> 00:35:59,693
OR THE OTHER TWO SKETCHES
YOU BOUGHT FROM ME.
861
00:35:59,726 --> 00:36:00,960
THEY'RE HERS. OKAY?
862
00:36:00,994 --> 00:36:02,829
NO, THEY'RE MINE.
863
00:36:02,862 --> 00:36:04,764
I BELIEVE THE LABEL SAYS
864
00:36:04,798 --> 00:36:06,232
RICARDO BRAGINI.
865
00:36:06,266 --> 00:36:07,300
IT MIGHT,
866
00:36:07,334 --> 00:36:09,436
BUT THAT DRESS COULD'VE
ONLY COME FROM VICTORY FORD.
867
00:36:09,469 --> 00:36:12,405
WHAT DO YOU SAY WE CALL IT
A NIGHT, TIGER, HUH?
868
00:36:14,307 --> 00:36:15,975
YOU'RE MELTING, DEAR.
869
00:36:16,009 --> 00:36:18,211
MELTING.
870
00:37:18,838 --> 00:37:21,341
HEY.
OH, HEY.
871
00:37:21,374 --> 00:37:22,609
DID I WAKE YOU?
872
00:37:22,642 --> 00:37:24,310
NO, NO, NO.
I JUST GOT INTO BED, DARLING.
873
00:37:24,344 --> 00:37:25,645
HOW WAS THE SCREENING?
874
00:37:25,679 --> 00:37:27,714
UGH. LONG.
HOW WAS YOUR EVENING?
875
00:37:27,747 --> 00:37:29,949
UM, IT WAS SHORT.
876
00:37:29,983 --> 00:37:31,651
YOU BETTER GET YOUR CLOTHES
OFF QUICK.
877
00:37:31,685 --> 00:37:33,553
WE GOT SOMETHING
TO CELEBRATE. WHAT?
878
00:37:33,586 --> 00:37:35,789
I GOT IT.
I GOT THE JOB.
879
00:37:35,822 --> 00:37:37,791
OH!
880
00:37:37,824 --> 00:37:39,759
HONEY, OH.
881
00:37:39,793 --> 00:37:41,795
CONGRATULATIONS.
I'M SO HAPPY FOR YOU.
882
00:37:41,828 --> 00:37:42,929
I KNOW.
IT'S AMAZING.
883
00:37:42,962 --> 00:37:45,065
I FEEL LIKE--I FEEL LIKE
I'VE ALREADY GOT HALF THE MOVIE
884
00:37:45,098 --> 00:37:46,966
COMPOSED IN MY HEAD
ALREADY.
885
00:37:47,000 --> 00:37:48,735
BY THE WAY,
WHERE'D YOU COME UP
886
00:37:48,768 --> 00:37:50,904
WITH THAT NAME MCCORMICK,
ANYWAY?
887
00:37:50,937 --> 00:37:52,772
HIGH SCHOOL
CHEMISTRY TEACHER.
888
00:37:52,806 --> 00:37:54,941
HE WAS ALSO A MUSICIAN.
I HAD A LITTLE CRUSH.
889
00:37:54,974 --> 00:37:56,910
OKAY, FAIR ENOUGH.
890
00:37:56,943 --> 00:37:58,778
WELL, I HOPE THEY DON'T THINK
THEY'RE HIRING HIM
891
00:37:58,812 --> 00:38:01,114
BECAUSE THIS MCCORMICK
892
00:38:01,147 --> 00:38:03,917
IS PRETTY HAPPY
HE GOT THIS JOB ON HIS OWN.
893
00:38:10,757 --> 00:38:11,925
[doorbell rings]
894
00:38:11,958 --> 00:38:12,959
(Kirby)COMING!
895
00:38:19,132 --> 00:38:21,835
OH HEY. YOU'RE HERE.
896
00:38:21,868 --> 00:38:23,870
YEAH. UH, I LIVE HERE.
897
00:38:23,903 --> 00:38:25,939
WHERE ELSE WOULD I BE?
898
00:38:25,972 --> 00:38:27,807
UM, ARE YOU, UH...
899
00:38:27,841 --> 00:38:28,975
ARE YOU ALONE?
900
00:38:30,477 --> 00:38:32,445
UH, NO, I, UH...
901
00:38:32,479 --> 00:38:34,114
[whispers]
I'VE GOT COMPANY.
902
00:38:34,147 --> 00:38:36,983
OH, OH, I'M SORRY.
YOU.
903
00:38:37,017 --> 00:38:38,418
DO YOU WANT TO COME IN?
904
00:38:42,455 --> 00:38:43,857
AREN'T YOU BREAKING
RULE NUMBER SIX?
905
00:38:43,890 --> 00:38:45,892
SHOWING UP UNANNOUNCED?
906
00:38:45,925 --> 00:38:49,162
I'M SORRY. I--YEAH,
I-I SHOULD'VE CALLED.
907
00:38:49,195 --> 00:38:50,430
SO HOW WAS YOUR DATE?
908
00:38:50,463 --> 00:38:54,100
DULL. OR MAYBE
IT WAS THRILLING.
909
00:38:54,134 --> 00:38:55,869
I DON'T KNOW. YOU CHOOSE.
YOU SET IT UP.
910
00:38:55,902 --> 00:38:57,737
IT LOOKED LIKE YOU GUYS
WERE HAVING FUN.
911
00:38:57,771 --> 00:38:59,439
I MEAN, YOU TWO
SKIPPED OUT EARLY.
912
00:38:59,472 --> 00:39:02,442
NICO, I'M NOT PLAYING
THIS GAME.
913
00:39:02,475 --> 00:39:03,910
I DIDN'T NEED TO GO
TO THAT PARTY,
914
00:39:03,943 --> 00:39:04,811
I DIDN'T WANT TO GO
TO THAT PARTY.
915
00:39:04,844 --> 00:39:06,146
I WOULD'VE BEEN HAPPYTO STAY HOME
916
00:39:06,179 --> 00:39:07,681
AND WATCH THE GAME.
917
00:39:07,714 --> 00:39:09,416
I DID THAT FOR YOU.
918
00:39:09,449 --> 00:39:12,152
BUT I'M NOT DOIN' IT AGAIN.
919
00:39:12,185 --> 00:39:13,853
BECAUSE I KNOW
WHO I WANT TO BE WITH.
920
00:39:18,091 --> 00:39:19,159
WHAT'S THE MATTER,
921
00:39:19,192 --> 00:39:20,994
DID I, UH,
DID I BREAK ANOTHER RULE?
922
00:39:21,027 --> 00:39:22,162
LOOK, KIRBY,
YOU KNOW WHAT,
923
00:39:22,195 --> 00:39:24,164
I WANTED THIS TO BE SIMPLE.
924
00:39:24,197 --> 00:39:25,765
YOU KNOW, JUST PHYSICAL,
925
00:39:25,799 --> 00:39:28,435
SO THAT I COULD WALK AWAY
FROM IT AT ANY TIME.
926
00:39:28,468 --> 00:39:30,170
BUT I JUST--
927
00:39:30,203 --> 00:39:31,271
[exhales]
928
00:39:31,304 --> 00:39:35,442
I-I-I'M NOT SO SURE THAT THAT'S
WHAT THIS IS ANYMORE.
929
00:39:35,475 --> 00:39:37,043
SO WHAT ARE YOU SAYING?
930
00:39:59,232 --> 00:40:00,467
UGH.
931
00:40:02,569 --> 00:40:07,073
[cell phone rings]
932
00:40:07,107 --> 00:40:09,175
WHAT?
933
00:40:09,209 --> 00:40:11,511
NO, ROY, YOU'RE NOT
COMING IN TODAY.
934
00:40:11,544 --> 00:40:12,545
I DON'T CARE IF IT IS
A WORK DAY.
935
00:40:12,579 --> 00:40:15,749
OKAY, GOOD-BYE, ROY.
936
00:40:15,782 --> 00:40:19,052
[doorbell rings]
937
00:40:19,085 --> 00:40:21,521
ROY, I SWEAR,
938
00:40:21,554 --> 00:40:23,223
IF YOU'RE CALLING ME
FROM THE HALLWAY,
939
00:40:23,256 --> 00:40:25,125
I'M GOING TO KILL YOU!
940
00:40:28,828 --> 00:40:30,864
OH, YOU'RE NOT ROY.
941
00:40:30,897 --> 00:40:32,966
WE MET THE OTHER NIGHT--
DIEGO QUINTERO--
942
00:40:32,999 --> 00:40:35,001
AT BIRDLAND.
943
00:40:35,035 --> 00:40:36,836
OH. RIGHT.
944
00:40:36,870 --> 00:40:37,871
THAT'S RIGHT.
945
00:40:37,904 --> 00:40:39,973
UH, YOU'RE THE INVESTOR.
946
00:40:40,006 --> 00:40:41,808
PLEASE COME IN.
947
00:40:41,841 --> 00:40:43,176
MY GIRLFRIEND SERENA
WAS QUITE TAKEN
948
00:40:43,209 --> 00:40:45,111
WITH ONE OF YOUR DRESSES.
949
00:40:45,145 --> 00:40:46,279
I REMEMBER.
950
00:40:46,312 --> 00:40:48,848
I'M SORRY.
WE HAD AN APPOINTMENT.
951
00:40:48,882 --> 00:40:53,053
YOU'LL HAVE TO, UM,
EXCUSE MY ATTIRE.
952
00:40:53,086 --> 00:40:56,856
I HAD...A LATE NIGHT.
953
00:40:56,890 --> 00:40:59,159
AND A WILD ONE.
I SAW THE PAPER.
954
00:40:59,192 --> 00:41:00,760
I WAS THINKING
ABOUT WHAT YOU SAID
955
00:41:00,794 --> 00:41:02,295
THE OTHER NIGHT
AT THE CLUB.
956
00:41:02,328 --> 00:41:05,765
A DESIGNER DOESN'T MAKE MONEY
SELLING ONE DRESS AT A TIME.
957
00:41:05,799 --> 00:41:08,268
SHE MAKES MONEY
BY MASS MARKETING HER WORK.
958
00:41:08,301 --> 00:41:10,003
RIGHT?
WELL, YEAH.
959
00:41:10,036 --> 00:41:12,238
SO IF I WANTED TO BUY
THAT DRESS FOR MY GIRLFRIEND,
960
00:41:12,272 --> 00:41:14,207
IT WOULD ONLY BE WORTH
YOUR WHILE
961
00:41:14,240 --> 00:41:15,275
IF I ORDERED WHAT?
962
00:41:15,308 --> 00:41:17,544
THOUSANDS OF THEM.
963
00:41:17,577 --> 00:41:19,245
YEAH. THAT WOULD BE CRAZY.
964
00:41:19,279 --> 00:41:22,615
TO ORDER ONE DRESS
FOR ONE WOMAN, YES.
965
00:41:22,649 --> 00:41:26,286
BUT YOU SEE, I'M A VENTURE
CAPITALIST, MISS FORD.
966
00:41:26,319 --> 00:41:28,021
MOSTLY REAL ESTATE.
967
00:41:28,054 --> 00:41:30,123
AND I'M THINKING ABOUT GETTING
INTO THE FASHION BUSINESS.
968
00:41:30,156 --> 00:41:32,192
AND I THINK
969
00:41:32,225 --> 00:41:35,095
YOU ARE A DAMN GOOD
INVESTMENT.
970
00:41:37,330 --> 00:41:38,965
WELL.
971
00:41:41,668 --> 00:41:43,036
IF THAT ISN'T A REASON
TO GET DRESSED,
972
00:41:43,069 --> 00:41:44,270
I DON'T KNOW WHAT IS.
973
00:41:44,304 --> 00:41:45,872
IF YOU JUST, UH,
EXCUSE ME.
974
00:41:45,905 --> 00:41:47,340
NO, NO, NO.
DON'T GET UP.
975
00:41:47,374 --> 00:41:51,544
JUST GONNA GO PUT ON SOMETHING
REALLY UNCOMFORTABLE.
68193
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