All language subtitles for lipstick.jungle.s01e03.720p.web.h264-skyfire_track3_[eng]

(female announcer)
PREVIOUSLY ON LIPSTICK JUNGLE...

WHO IS THIS GUY--
YOUR HUSBAND?

HOW DOES HE LET YOU OUT
OF HIS SIGHT FOR A MINUTE?

WHEN A WOMAN EXPRESSES
HER CONCERN

THAT AN IMPORTANT
BUSINESS MATTER

BE DEALT WITH CORRECTLY,

SHE'S NOT THROWING
A FIT.

SHE'S JUST DOING
HER JOB.

TWO YEARS AGO
I WAS SUCCESSFUL.

AND NOW I LOOK LIKE
THIS NEEDY PERSON

WHO NEEDS TO BE SAVED.

WHAT MAKES YOU THINK
I'M SAVING YOU?

IT SEEMS TO BE A THINLY VEILED
ACCOUNT OF YOUR LIFE.

AND IT'S A LITTLE HARSH.

WENDY, YOU'RE
A WONDERFUL MOTHER.

I KNOW THAT.

THE KIDS KNOW THAT.
ISN'T THAT ENOUGH?

I THINK WE HAVE A WINNER.

NICKI, 6:30.

YOU ALL RIGHT?

I--I--
I'VE ALREADY SHOWERED.

YOU'RE GONNA BE LATE.

AHEM. I THOUGHT YOU MIGHT
WANT TO READ THIS.

"STUDIO CHIEF BEGS SUPERSTAR
PUBLISHER JANICE LASHER

NOT TO RELEASE WICKED NOVEL
BY FORMER NANNY."

CAN WE PLEASE
TALK ABOUT SOMETHING ELSE?

SOMEBODY TALK.

OH, UM, YEAH.
SO, UM...

MADDIE...
HOW'S SCHOOL?

IT WAS FINE TILL TODAY.

GUESS IT DEPENDS ON
HOW MANY KIDS READ THAT PAPER.

LISTEN, MADDIE,
IF ANYONE TEASES YOU-- I'LL CALL YOU.

ON MY IMAGINARY PHONE.

DON'T BRING THAT UP.

WE'VE ALREADY DISCUSSED IT.
YOU'RE TOO YOUNG.

ON WHAT PLANET?

IT'S NOT THE DAY
FOR THIS, DARLING.

TAYLOR, GET YOUR SHOES.

BUT I'M NOT DONE
WITH MY TOAST.

GET YOUR SHOES, PLEASE.
COME ON.

IT'S JUST A STUPID PHONE.

NO, IT'S TEXTING.
IT'S INTERNET MESSAGING.

IT'S--IT'S CAMERAS.

EVERYONE IN MY CLASS
HAS ONE.

I AM NOT THEIR MOTHER.

THEIR PARENTS WANNA SPOIL THEM,
THAT'S THEIR PROBLEM.

STOP ACTING LIKE WE'RE
AMISH PEOPLE

MAKING OUR OWN SOAP.

WE LIVE IN NEW YORK.

YOU'RE THE HEAD
OF A MOVIE STUDIO,

AND THE GUY
WHO CUTS MY HAIR

ALSO DOES
SARAH MICHELLE GELLAR'S.

WHAT?

I TOOK HER THERE ONCE.

YOU CAN'T PICK AND CHOOSE

WHEN YOU WANNA BE
THE GOOD MOTHER, OKAY?

IT'S REALLY, REALLY PHONY.

MS. FORD...
I'M ROY MERRITT.

I'M HERE FOR 9:00 INTERVIEW
FOR YOUR ASSISTANT.

OH, RIGHT...

YOU'RE, UH, YOU'RE EARLY.

I LIKE TO GET IN AT LEAST
HALF AN HOUR BEFORE MY BOSS.

WELL, THAT MIGHT BE TRICKY,
SINCE I LIVE HERE.

UH, OKAY, COME ON IN.

AFTER YOU.

HEY, PATTI,
HOW CLOSE ARE WE?

I DON'T KNOW.

WHAT'S THE UPDATE
ON PRINCE WILL?

HE'S STILL IN THE SUITE.

WHAT'S HOLDING HIM UP?

APPARENTLY, WARDROBE COULDN'T
GET PAST HIS BODYGUARDS.

I'M GONNA NEED THE, UH,
THE 30-MILLIMETER.

KIRBY.

YEAH, I'M GONNA GO DOWN
TO THE EQUIPMENT ROOM

AND GET THAT.

[grumbling]

THANK YOU, JOSH.
THAT WAS LOVELY.

YOU NEED
TO TALK ABOUT THIS?

I NEED TO NOT
TALK ABOUT IT.

GOOD--ABBY GARCIA
WANTS TO MEET YOU.

WHY?
HER MANAGER, WHO'S ALSO HER MOTHER,

WANTS HER TO DO
PINK POISON.

WHAT?
ISN'T SHE, LIKE, 12?

15, BUT HER
MOTHER-SLASH-MANAGER

SAYS SHE'S READY.

WHAT, TO DO
A GRAPHIC SEX SCENE

WITH HER SKATING COACH?

JOSH, NOW, I THINK
THAT WE ARE GOING

TO CAST SOMEONE
WHO'S AT LEAST

OLD ENOUGH
TO ORDER A BEER.

WENDY, SHE REALLY
WANTS THIS.

SAL, TWO YEARS AGO,
SHE WAS ON THE DISNEY CHANNEL

SPEAKING TO A FELT PIG.

TRUE, BUT SHE WANTS
TO CHANGE HER IMAGE.

I GOTTA SAY, SHE DOES
HAVE AN ENORMOUS FOLLOWING,

AND YOU WILL HATE YOURSELF
WHEN WARNER BROTHERS

SNATCHES HER UP
FOR A REMAKE OF THE ACCUSED.

YEAH, SHE'S
UP FOR THAT TOO.

[sighs]

TELL JOSH TO PUT HER
ON MY PHONE SHEET. GO.

YOU CAN TELL HER IN PERSON.

ABBY WILL BE
SITTING AT YOUR TABLE

AT THE WOMEN IN MEDIA
LUNCH,

ALONGSIDE HER MOTHER-SLASH-
MANAGER-SLASH-ACTING COACH.

THANK YOU.

SO YOU, UH...

YOU WENT TO PRATT.

DESIGN MAJOR?

STARTED THERE.

THEN RETAIL FINANCE.
FINALLY ENDED UP IN MARKETING.

I REALLY SHOULD BE
WRITING ALL THIS DOWN.

I'M SORRY, I'M NOT USUALLY
THIS SCATTERED.

I...HAD A REALLY LONG,
UH, LONG NIGHT.

I FIGURED.
YEAH.

[clattering]

THOSE ARE MY FATHER'S PANTIES.

I BEG YOUR PARDON?

THAT YOU'RE SITTIN' ON.

MY GRANDDADDY STARTED
THE COMPANY SAVOY SILK,

MOSTLY NIGHTGOWNS
AND FOUNDATION GARMENTS.

BUT THEN MY FATHER BRANCHED OUT
INTO UNDERPANTS.

[chuckles]

UH, SO WAIT.

YOUR--YOUR FAMILY OWNS
S-SAVOY SILK?

WHY DO YOU WANNA
WORK FOR ME?

UH...
BECAUSE...

YOU'RE AN AMAZING DESIGNER.

WELL, THANK YOU.
BUT I CAN'T IMAG--

MS. FORD, MY FAMILY
AND THEIR BUSINESS

ARE A LONG WAY FROM HERE.

THAT'S NO ACCIDENT.

I MOVED TO NEW YORK
TO BECOME MY OWN PERSON.

[phone ringing]

'SCUSE ME.

I'M JUST...

[ring]
AH!

MAY I?

[ring]

VICTORY FORD STUDIO.

UH, YES, I HAVE, UH,

JOE BENNETT
FOR MS. FORD.

HOLD, PLEASE.
JOE BENNETT.

OH, I'LL JUST
CALL HIM BACK.

SHE'LL HAVE TO RETURN.

HE JUST NEEDS HER
FOR ONE MINUTE.

HE JUST NEEDS YOU
FOR ONE MINUTE.

(Roy)
ALL RIGHT, THEN.

UH, WHAT'S HAPPENING?

I'M WAITING
FOR MR. BENNETT.

I PUT HIM ON
WHEN MS. FORD GETS ON.

NOT WHEN YOU
INITIATE THE CALL.

WOULD YOU LIKE US
TO RETURN?

NO. HOLD ON.

VICTORY?

HOLD, PLEASE,
FOR VICTORY FORD.

(Joe)
UH, WHAT THE HELL IS GOING ON?

HI, JOE.

YOU'RE HIRED.

JEEZ!
OHH!

GOD!

[soft chatter]

AH, NICO, THERE YOU ARE.

HECTOR.

I'VE BEEN...

LOOKING FOR YOU
EVERYWHERE.

REALLY? HOW DID YOU
KNOW I'D BE HERE?

WELL, I MEAN,
WHY WOULDN'T YOU?

HOW OFTEN IS IT

THAT YOU GET
TO MEET A REAL PRINCE?

* READ MY LIPS *

* BE *

* ALL THAT YOU CAN BE *

* MAKE A DIFFERENCE *

* GIVE YOUR DREAMS TO ME *

* NO TIME FOR SLEEPING *

* THERE'S TOO MUCH TO DO *

* DON'T YOU FORGET THAT *

* WE DO WHAT WE WANT TO DO *

* LET'S GET NUTS,
LET'S MAKE SOME MONEY *

* OOH *

* TAKE YOUR SHARE, HONEY *

* LET'S FREAK OUT *

* OOH, OOH *

* WORK THE SUNSHINE *

* READ MY LIPS * *

CAN I HELP YOU
FIND SOMETHING?

YEAH, A COT.
I'M MOVING IN.

[chuckles]

OH, MY GOD.
IT'S YOU, FROM TODAY'S PAPER.

"BAD MOMMY."

UH, CAN I TRY THIS
IN A SEVEN, PLEASE?

JUST IGNORE HER.

YOU'RE IN HEAVEN, DUDE;
SMELL THE SUEDE.

WHAT AGE DO YOU THINK
IS TOO YOUNG FOR A CELL PHONE?

SIX.
WE TALKING ABOUT TAYLOR?

YES.

HOW 'BOUT THESE?

OOH, YUMMY.

BUT WOULD YOU WEAR IT?

NO, I WAS THINKING
OF THESE FOR MADDIE.

I LOVE IT.

DO YOU REALLY
WANNA SPEND--

NO.

WELL, YEAH.
NO.

YOU KNOW WHAT?
WHY NOT?

THEY'RE PRETTY
HIGH END, WEN.

DOES MADDIE EVEN HAVE
A DRESS TO WEAR THEM WITH?

OR--OR SOMEWHERE TO GO?

YOU KNOW WHAT?
YOU'RE RIGHT.

I THINK SHE NEEDS
A WHOLE NEW OUTFIT.

WHERE IS SHE GOING?

I'LL THINK OF SOMETHING.

HEY.

SORRY, I'M LATE.

WOW, THIS IS
A RELIGIOUS EXPERIENCE.

I KNOW.

SO...SPILL.

HOW WAS HE?

WHAT DO YOU MEAN?

UH, YOU JUST
SPENT THE MORNING

WITH THE FUTURE
KING OF ENGLAND.

DID WE GET AN INVITE
TO BUCKINGHAM PALACE OR NOT?

PLEASE SAY YES,

BECAUSE I WOULD
LIKE TO WEAR THESE.

AND MAYBE NOTHING ELSE.

CAN'T WAIT TO SEE
THAT CURTSY.

IT WAS FINE, YOU KNOW.

HE'S RESERVED, SHY,
BRITISH, DIDN'T SAY MUCH.

[cell phone buzzing]

WELL, MAYBE HE
SAVED THAT UP FOR A TEXT.

UH, IT'S SOMEONE FROM
THE WOMEN IN MEDIA LUNCHEON.

SEATING NONSENSE.

TELL 'EM THEY CAN HAVE
MY SEAT TOO.

I THINK I MIGHT SKIP IT.

WENDY, YOU'RE A KEY SPEAKER.
YOU HAVE TO BE THERE.

AND IF NOT, PEOPLE WILL
JUST ASSUME THAT YOU'RE HOME,

BEATING YOUR KIDS
WITH WIRE HANGERS.

OKAY, YOU REALLY DO
NEED A VOLUME BUTTON.

OOH, TRY THIS ONE ON.
IT LOOKS SO GOOD.

WHERE IS THE SALES--
NICO, STOP IT.

INDULGE YOURSELF.
DRESS FOR REVENGE.

LIVE DANGEROUSLY.

YOU'VE KNOWN ME
FOR 20 YEARS.

YOU KNOW I DON'T
TRY ON SHOES IN PUBLIC.

OH, COME ON.
NO, NO.

THEY MARVEL
AT HOW BIG THEY ARE.

THEY BRING OUT
MEASURING DEVICES.

WELL, I THOUGHT
A NEW STORE, MAYBE--

THE SAME FEET.

HERE, YOU TRY THEM ON.

ME? I'M POOR.

YOU'RE DATING
A BILLIONAIRE.

SOMETIMES I'M POOR
IN A PRIVATE PLANE.

SO WHEN ARE WE GONNA MEET

THIS PHANTOM BOYFRIEND
OF YOURS, ANYWAY?

YEAH, WHAT ARE YOU
HIDING, HUH?

ARE HIS FEET
SMALLER THAN MINE?

I'M NOT HIDING ANYTHING.

IT'S JUST...
IT'S EARLY.

AND HE'S...

HE'S JOE BENNETT.

ARE YOU REQUIRED
ALWAYS TO USE A FULL NAME,

EVEN IN BED?

OH, MY GOD,
SHE HAD TO THINK ABOUT IT.

YEAH, USUALLY, YOU
CAN'T WAIT FOR OUR OPINION.

WE'VE HOSTED
DINNER PARTIES

THAT WERE BASICALLY
YOUR SECOND DATE.

HE'S DIFFERENT.

HE RUBS PEOPLE
THE WRONG WAY.

HE'S PICKY,
HE'S GRUFF.

SOUNDS CHARMING.

SO WE'LL MEET HIM
TOMORROW NIGHT.

DINNER AT NICO'S.

CALL THE CATERER.

HI.
OH, THIS IS KIRBY ATWOOD.

HE'S PATTI LEWIS'
ASSISTANT.

YEAH, SHE KNOWS
WHO I AM.

PATTI HAS SOME PROOF SHEETS
SHE WANTS YOU TO TAKE A LOOK AT.

OH, GREAT.
COME ON IN.

IT'S FINE.

MAY I SEE THE PICTURES,
PLEASE?

THANK YOU.

[whispering]
STOP IT.

I MEAN IT.

OOH, GOT A LITTLE
CHILLY IN HERE.

I MEAN IT!
DON'T MOVE.

I WANT YOU TO STAND THERE
LIKE YOU'RE STANDING

IN THE OFFICE OF THE PRESIDENT
OF THE UNITED STATES, OKAY?

HMM.

THIS HIM?
WHO?

YOUR HUSBAND.

THAT'S WALTER CRONKITE.

YOU...SAID HE WAS OLDER.

LET'S NOT TALK
ABOUT MY HUSBAND.

AHEM, ASK PATTI TO PRINT
THE ONES THAT I'VE CIRCLED.

YOU CAN GO NOW.

BUT YOU DIDN'T
RETURN MY MESSAGE.

WHEN ARE WE GONNA
GET TO FINISH

WHAT WE STARTED
THIS MORNING?

KIRBY, I CAN'T
DO THIS HERE.

WELL, SURE YOU CAN.

LET'S JUST...

FROST THE GLASS.

STOP IT.
I MEAN IT.

WHAT'S GOING ON?
DID YOU GET BUSTED?

NO, I WAS JUST PUT
IN A VERY AWKWARD POSITION.

YOU'RE THE ONE WHO WANTED
TO DO IT AGAINST A WINDOW.

KIRBY, THIS ISN'T A JOKE.
THIS IS WHERE I WORK.

LOOK, WE'RE JUST...

WE'RE GONNA HAVE
TO CONTINUE THIS LATER.

BUT IT WILL BE CONTINUED.

YES.

JUST...

DON'T KEEP ME WAITING
TOO LONG, MADAME PRESIDENT.

IT'S PAINFUL.

IT'S NOT A PARTY OR ANYTHING.
IT'S JUST DINNER.

WILL THERE BE OTHER PEOPLE THERE
BESIDES YOU AND ME?

WELL, YES.
UH, WENDY AND SHANE.

NICO AND CHARLES.

IS SHANE A PERSON
OR A DOG?

IT'S HER HUSBAND.

IT'S A GOOD NAME
FOR A DOG.

OH, COME ON, JOE.
IT'S GONNA BE FUN.

I GET IT, I GET IT!

THE BILL WON'T PASS

UNTIL I'M OFFICIALLY
STAMPED

BY THE HOUSE
AND THE SENATE.

PLEASE?

WHEN IS IT?

TOMORROW NIGHT.
CAN'T.

I'M BUSY.
NO, YOU'RE NOT.

ROY CHECKED WITH ELLEN.
SHE SAID YOU'RE FREE FOR DINNER.

I DOUBT ELLEN WOULD GIVE UP
THAT KIND OF INFORMATION.

WHY ARE YOU
SO RESISTANT?

[laughs]

I'M WILLING
TO MEET YOUR FRIENDS.

ISN'T IT TIME?

[kissing]

IS THAT A YES?

JOE, WILL YOU?

YES, ON ONE CONDITION.

WHAT'S THAT?

YOU MEET MINE FIRST.

[kiss]

[telephone rings]

STUDIO.

HEY, PATTI, IT'S NICO.

HEY!
EVERYTHING OKAY?

YEAH, IT'S GREAT.

THE PROOFS LOOK FANTASTIC.

WE ALL SET
FOR THE LANCE ARMSTRONG SHOOT?

UH, WE WILL BE.

WE WILL BE.
SAME CREW?

YEAH, I THINK SO.
WHY?

WELL, I JUST
THOUGHT MAYBE...

I DON'T KNOW,
IF YOU WANTED

TO BRING A DIFFERENT
ASSISTANT, I--

NO KIRBY? WHY?
WHAT'D HE DO?

NO, NO.
HE DIDN'T DO ANYTHING.

I JUST WAS FEELING MAYBE...

DID HE CALL THE PRINCE
BIG WILLY TO HIS FACE?

IT'S NOT ANYTHING HE SAID.

I JUST FELT MAYBE,
FOR THIS NEXT SHOOT, YOU KNOW--

YOU WANT SOMEONE WHO DOESN'T
KEEP DISAPPEARING.

I HEAR YOU.

IT'S DONE.
I'LL TAKE CARE OF IT, NICO.

THANKS, BETTY.

WHY ARE YOUR FRIENDS
SUCH EARLY RISERS?

ARE WE GOING FISHING?

YOU'LL SEE.

DOES THIS
INVOLVE EXERCISE?

BECAUSE I CAN
SAY NO TOO.

WE ARE GOING
TO A COZY BISTRO

THAT SERVES THE BEST
BOWL OF VICHYSSOISE

YOU HAVE EVER HAD.

THERE'S NO
EXERCISE REQUIRED.

I THINK IT MAY BE
BANNED IN THAT COUNTRY.

WHAT COUNTRY?

FRANCE.

WE'RE HAVING DINNER
IN PARIS.

WHAT ARE YOU
TALKING ABOUT?

WE'RE HAVING DINNER
TONIGHT AT NICO'S.

LATER. FIRST,
WE'RE HAVING ONE IN PARIS.

PACE YOURSELF.

DO I HAVE TO GET UP
AND SAY SOMETHING?

NO, YOU'RE HERE
AS MY GUEST.

WHY? I'VE ASKED TO GO TO, LIKE,
A HUNDRED OF THESE THINGS

AND YOU'VE NEVER
LET ME SKIP SCHOOL BEFORE.

YOU'RE NOT SKIPPING.

YOU'RE HAVING
AN EDUCATIONAL EXPERIENCE.

THIS ROOM'S FILLED
WITH ROLE MODELS.

AND YOU'LL BE BACK
BY FIFTH PERIOD.

DO I GET TO KEEP
THE SHOES,

OR ARE THEY
GOING BACK TOO?

THE SHOES ARE A GIFT.

STILL RATHER HAVE ONE
THAT HAS SPEED DIAL.

OH, LOOK, THERE'S NICO.

[soft piano music]

KID, LOOK AT YOU.

ALL DRESSED UP AND...
[kiss]

SOMEPLACE TO GO.

OKAY, DON'T PANIC.
JANICE LASHER'S HERE.

OVER MY RIGHT SHOULDER,
SLOWLY.

YOU SHOULD THINK ABOUT WHAT
YOU'RE GONNA DO WITH YOUR FACE.

EXCUSE ME?

IF YOU DON'T HAVE A PLAN,
YOU SMILE

AND DO THAT APOLOGETIC
LITTLE HALF-WAVE.

I WILL NOT BE WAVING
TO JANICE LASHER.

(Maddie)
IS THAT ABBY GARCIA?

YES, SHE'S
AT OUR TABLE.

WENDY, LADIES.

CAN I GET A PICTURE?

HOLD IT!

WENDY!
EVA GARCIA.

ABBY'S MOM.

WE MET AT
THE CHARLOTTE'S WEBPREMIERE.

OF COURSE, YES.

THIS IS MY DAUGHTER
MADDIE.

GLAD YOU CAME, CUTIE.

YOU AND ABBY CAN
TEXT EACH OTHER

DURING THE BORING
SPEECHES.

YOU ARE ONE TOUGH LADY
TO REACH.

BUT YOU GOT MY MESSAGES,
RIGHT?

THE SCREENPLAY
BLEW US AWAY.

ABBY'S BEEN
DREAMING ABOUT IT FOR DAYS.

ARE YOU TALKING
ABOUT PINK POISON?

UHH! IF THAT DOESN'T
PUT GOLD ON YOUR SHELF,

THERE IS NO GOD.

ABBY, PUT DOWN THAT BREAD!

YOU REMEMBER WENDY HEALY,

PARADOR PICTURES.

HI, ABBY.
HOW ARE YOU?

I'M CHEWING.

THIS IS MADDIE.

HERE, HONEY, HAVE
A SEAT OVER THERE.

OH, I THINK MADDIE'S
SITTING NEXT TO ME.

OH, I DID A LITTLE SWITCH
WITH THE PLACE CARDS,

SO WE COULD
HAVE A CHANCE TO CHAT.

YOU DON'T MIND, DO YOU?
UM--

AFTER THEY TURN 12,
THEY WISH WE WERE DEAD.

I THINK IT WOULD BE--

MADDIE, IF YOU MISS

YOUR MOMMY TOO MUCH,

SEND SOME SORT
OF SIGNAL, OKAY?

I'D CALL IF I COULD.

OH, YOU NEED A PHONE?

I DO, BUT MY MOTHER
DOESN'T TRUST ME.

I'M NOT OLD ENOUGH.

SERIOUSLY,
I'VE HAD A PHONE

SINCE I WAS,
LIKE, NINE.

HONEY, DON'T SWEAT
THE SMALL STUFF.

GIVE HER THE PHONE;
BE GLAD IT'S NOT AN ABORTION.

MADELINE, PLEASE COME HERE
AND SIT IN THIS CHAIR.

I'VE ALREADY SIPPED MY WATER.

THEN BRING YOUR GLASS

AND YOURSELF
TO THIS CHAIR AND SIT.

WHY?
'CAUSE I BROUGHT YOU HERE AND INTO THIS WORLD,

AND I WANT YOU
SITTING NEXT TO ME!

STOP QUESTIONING ME!

EVIDENTLY, SHE USED
THIS PLACE AS A GETAWAY

SO SHE COULD STAY IN TOWN
AND WORK IN PEACE.

YOU LIKE IT?

I'M--
I'M OVERWHELMED.

THE CARETAKER SAID
ALL THE FURNITURE

WAS ORIGINAL.

SO YOU'RE TELLING ME...

[chuckles]

THAT COCO CHANEL
SAT AT THIS--THIS DESK

AND SKETCHED AND...

AND LOOKED OUT
THIS WINDOW AND...

JOE, HOW DID YOU KNOW
TO TAKE ME HERE?

WE'RE IN PARIS.
YOU'RE A DESIGNER.

SOME DEAD DESIGNERS
WON'T RENT OUT THEIR ATELIERS.

IT WAS A PROCESS.

OH, WOW.

DO YOU KNOW
WHAT THIS IS?

COCO'S DUMMY.

THAT'S NOT A DUMMY;
IT'S A DRESS FORM.

SHE WASN'T A VENTRILOQUIST.

WHAT ARE YOU DOING?

[crying]
JUST TOUCHING IT FOR LUCK.

[sniffles]

OHH.

THANK YOU.

WHERE ARE WE
MEETING YOUR FRIENDS?

I DON'T HAVE
ANY FRIENDS IN FRANCE.

WHAT?

WHAT DOES THAT MEAN?

THE FRENCH DO NOT HAVE
A GIFT FOR FRIENDSHIP

IN MY EXPERIENCE.

THEY DO, HOWEVER,
HAVE A GIFT FOR ROMANCE.

[applause]

AND A SPECIAL THANKS
TO MAYBELLINE, NEW YORK,

FOR CONTRIBUTING
THE BEAUTIFUL GIFT BAGS.

EVERYONE KNOWS THAT
RUNNING A FILM STUDIO

IS COMPARABLE TO RAISING
A LARGE FAMILY.

IT REQUIRES DISCIPLINE

AND A GREAT DEAL
OF NURTURING.

WENDY HEALY

EXCELS IN THEM BOTH.

SHE'S THE ULTIMATE
MOTHER HEN.

PSST!

ALWAYS INSPIRING,
ALWAYS CHALLENGING...

THIS IS WHERE YOU BLOW MOMMY
A BIG, FAT KISS, HMM?

AND HER FAMILY.

IS THAT WHAT I'M HERE FOR?

HER STYLE AS AN EXECUTIVE

IS A DIRECT EXTENSION
OF WHO SHE IS

AS A WIFE AND A PARENT.

SHE EXERCISES THE SAME GRACE,
INTEGRITY, AND HEART

IN THE OFFICE AS SHE DOES
IN THE HOME.

HMM. OOH!

[audience chattering]

LADIES, PLEASE WELCOME
WENDY HEALY.

[applause]

AND, HAVING THE GOOD FORTUNE
TO BE IN THIS POSITION,

I LOOK FORWARD TO MENTORING
THE NEXT GENERATION

OF PROFESSIONAL WOMEN.

THANK YOU.

[applause]

LOOK WHO LOVES
THE LIMELIGHT.

DID YOU SEE
WHERE MADDIE WENT?

SHE PROBABLY WENT
TO GET A BAND-AID.

THOSE ARE KILLERS.

MY PURSE, YES.

EXCUSE ME.

GO ASK HER FOR
HER GIFT BAG.

BUT IT--
SHUSH!

[footsteps receding]

MADDIE?

MADDIE.

OH, THERE YOU ARE.

THOSE ARE NICE.

WHERE'S THE SHOW PONY
YOU TROTTED OUT IN THEM?

YOU DON'T WANNA
MESS WITH ME NOW, JANICE.

WHY?

HAVING A BAD DAY, MOMMY?

MAYBE YOU SHOULD HAVE
WORN AN APRON

AND SMASHED SOME
COOKIE DOUGH IN YOUR HAIR.

NICE TRY, DRAGGING
YOUR KID IN HERE

TRYING TO USE HER
FOR DAMAGE CONTROL.

ALMOST BEATS
MARTHA STEWART

SNUGGLING UP FOR PHOTOS
WITH HER CHOW-CHOWS.

NICO, I GOTTA GO.

DID YOU FIND MADDIE?

SHE LEFT.
I'LL SEE YOU TONIGHT.

[women chattering]

[all gasp, silence]

[chattering resumes]

DON'T FILL UP
ON THE BREAD.

THAT BISTRO
I TOLD YOU ABOUT

IS RIGHT
AROUND THE CORNER.

OH, DON'T
GIVE ME THIS BREAD

AND THEN TELL ME NOT
TO FILL UP ON THE BREAD.

SHOULDN'T WE
GET TO THE BISTRO

BEFORE IT GETS TOO LATE?

TOO LATE FOR WHAT?

UH...GETTING BACK
TO NEW YORK, JOE.

[distant siren]

OR...WE COULD JUST
SPEND THE NIGHT IN PARIS.

I MEAN,
WE'RE HERE ALREADY.

I'M SURE YOUR FRIENDS
WOULDN'T MIND.

JOE BENNETT!

DID YOU FLY ME ALL THE WAY
ACROSS THE ATLANTIC OCEAN

JUST TO NOT HAVE DINNER
WITH MY FRIENDS?

YOU GO TO A VERY DARK PLACE.

I KNOW PEOPLE PULL
SOME PRETTY CRAZY STUFF

TO GET OUT OF THINGS.

I ONCE HAD A SEAMSTRESS

WHO FAKED A SEIZURE

SO SHE COULD TAKE
HER KIDS TO SEE THE WIGGLES.

VICTORY, WE WILL
GO BACK TO NEW YORK.

BUT CAN WE PLEASE
JUST GO DOWN

AND SAVOR A BOWL
OF VICHYSSOISE?

MM, IT'S TOO LATE.

I ALREADY FILLED UP
ON THE BREAD.

SHALL WE PICK UP MADDIE
ON THE WAY?

SHANE.

HONEY, SHE'S GOT
A TEST TOMORROW.

SHE'S STUDYING WITH LAUREN,

AND SHE'S SPENDING
THE NIGHT THERE, OKAY?

NOW JUST LEAVE IT ALONE,
PLEASE.

YOU TWO COULD USE
SOME BREATHING ROOM.

THAT JUST CAME FOR YOU.

SHANE, I'VE JUST NEVER
SEEN HER ACT LIKE THIS.

YOU KNOW, IT'S NOT MADDIE.

WELL, THAT'S 14.
GET USED TO IT.

NO, SHE REALLY MISBEHAVED.

SO DID YOU...TIGER.

I DON'T KNOW
WHAT GOT INTO ME.

I SAW BLOOD.

AND THAT LIPSTICK
WAS THE CLOSEST THING TO IT.

SHE IS JUST SO HATEFUL.

YOU DON'T HAVE
TO JUSTIFY IT TO ME.

I LIKE THIS SIDE OF YOU.

IT'S KIND OF LIKE SORORITY GIRL
MEETS WOMEN'S PRISON.

CAN I FRISK YOU?

I REALLY NEED
TO CALL MADDIE AT LAUREN'S.

[chuckling]
OH, COME HERE.

COME HERE, MM.

[laughing]

YOU NEED TO RELEASE
SOME SERIOUS TENSION.

[kissing]

MMM.

JANICE HAD THAT
DELIVERED TO OUR APARTMENT.

SOMEBODY NEEDS
A LARGE GLASS OF WINE.

HOW ABOUT I BRING
A BOTTLE WITH A STRAW, HUH?

PLEASE.
COME ON.

YEP.

SO WHAT HAPPENED
WITH MADDIE?

WE HAVEN'T TALKED YET.

IS THIS REALLY
ABOUT A CELL PHONE? WHO KNOWS?

DO YOU THINK
I BROUGHT HER THERE TODAY

FOR THE WRONG REASON?

JANICE LASHER ACCUSED ME

OF USING MADDIE
FOR DAMAGE CONTROL.

SO WHAT IF YOU DID?

YOU KNOW, IF THAT
WAS MY FACE ON PAGE SIX,

I WOULD HAVE
BROUGHT MADDIE, TAYLOR,

THREE CAMBODIAN ORPHANS,
AND A BASKET OF PUPPIES.

IT WAS NOT MY INTENTION.

I JUST THOUGHT IT'D BE
A NICE WAY TO...

FORGET IT.
I KEEP MAKING IT WORSE.

I DON'T THINK
YOU SHOULD WORRY

ABOUT JANICE LASHER
ANYMORE.

WHY, IS SHE DEAD?

[doorbell rings]

THAT'S A BILLIONAIRE'S RING.

I'LL GET IT.
LIKE HELL YOU WILL.

DON'T YOU MOVE.

HEY, YOU MADE IT.
HI.

HI.
HI.

HI.
HI.

JOE.
HI, EVERYONE.

CHARLES.

UM, THIS IS WENDY,
SHANE, CHARLES.

LET ME TAKE
YOUR COATS.

THANK YOU.
CAN I GET YOU A GLASS OF WINE?

YES, PLEASE.
NONE FOR ME, THANKS.

THANK YOU.
THANK YOU.

ALL RIGHT, GO AHEAD,
COME ON IN.

OKAY.
[chuckles]

HI.

WHO WOULD I TALK TO
IN REGARD TO THE TEMPERATURE?

THAT WOULD BE ME.
MY APARTMENT, MY THERMOSTAT.

TOO WARM FOR YOU?

ABOUT FOUR DEGREES.

I HAVE A FEW REQUESTS,
LITTLE THINGS.

OTHERWISE, I HAVE NO SHOT
AT BEING LIKABLE.

I'D LIKE TO HEAR THEM.

NOT EVERYONE
GETS THAT FAR.

I CAN'T BELIEVE IT.

HE'S ALREADY TURNING THIS
INTO A NEGOTIATION.

RELAX, YOU WANTED US
TO GET TO KNOW JOE.

THIS IS US
GETTING TO KNOW JOE.

THE MAIN THIS IS,

I LIKE TO KNOW WHAT IT IS
I'M SAYING YES TO.

MEANING WHAT TIME
ARE YOU GONNA BE SPRUNG?

IF YOU HAVE
A ROUGH IDEA.

WORK WITH ME,
AND I'D SAY AN HOUR AND 40.

GREAT.

WHY CAN'T ALL CONVERSATIONS
BE LIKE THIS?

HMM.
[doorbell rings]

AH, THAT MIGHT BE
MY ASSISTANT.

SHE WAS GONNA
BRING MY DINNER.

THAT'S A JOKE.

[chuckles]

COME ON, LET'S GO
ALIENATE SHANE AND WENDY.

EXCUSE ME.

WHAT DID YOU SAY
TO PATTI?

KIRBY...

WHY WOULD YOU COME HERE?

WHAT WERE YOU THINKING?

I LEFT YOU FIVE MESSAGES.

KIRBY, I HAVE
GUESTS HERE--

JUST TELL ME WHAT YOU SAID!

SHH!
I WORKED WITH HER FOR TWO YEARS,

AND NOW SHE WON'T EVEN
GIVE ME A REFERENCE.

LOOK, THERE MUST HAVE BEEN
A MISUNDERSTANDING, OKAY?

I WILL FIX IT
TOMORROW MORNING,

BUT RIGHT NOW,
YOU HAVE TO LEAVE.

NICKI, EVERYTHING OKAY?

YEAH. YEAH, IT'S FINE.

I'LL, UH,
I'LL BE RIGHT THERE.

OKAY.

[whispering]
PLEASE, KIRBY, YOU HAVE TO GO NOW.

[door handle rattles]

[muttering]
OH, GOD.

[chuckles]
WHAT...HEY.

WHAT WAS ALL THAT ABOUT?

THAT WAS A MESSENGER
FROM THE OFFICE.

THEY JUST NEEDED
MY SIGNATURE.

OH.

YOU OKAY?

UH, THIS'LL HELP.

WELL, UM, DINNER'S READY.

I'LL GET EVERYONE SEATED,
OKAY?

ALL RIGHT.

ALL RIGHT, EVERYONE.
DINNER'S READY, COME ON.

LET'S SIT DOWN, HUH?

SO WE HAVE BEEN WANTING
TO DO THIS FOR WEEKS.

VICTORY'S CRAZY ABOUT YOU,

AND ALL WE HAVE TO GO ON
IS WHAT WE READ IN THE PAPERS.

WE ALL KNOW
THAT'S JUST A BUNCH OF--

YOU'RE NOT STILL
THINKING ABOUT THAT, ARE YOU?

NO--NO, NO, NO.
OF COURSE NOT.

I'M FINE, I'M DONE.

WELL, IF IT'S
ANY CONSOLATION,

NEWSPAPER CIRCULATION
IS DOWN 17%.

IT'S AN ENDANGERED
SPECIES.

SO THAT'S YOUR EXCUSE.

I BEG YOUR PARDON?

OH, I HEAR STORY
AFTER STORY ABOUT YOU,

BUT NEVER ANYTHING
ON YOUR PERSONAL LIFE.

YOU NEVER SUBMIT
TO AN INTERVIEW.

WHAT GIVES, JOE BENNETT?

I'M A BUSINESSMAN,
NOT A POP STAR.

DID YOU TELL HIM
HE HAS TO BE HUMBLE?

THAT'S NO FUN.

YOU MUST BE
HIDING SOMETHING.

NOT REALLY.
I'M NOT THAT INTERESTING.

YES, YOU ARE.
NO, I'M NOT.

YOU WANT ME TO TALK ABOUT
BUYING JAPANESE YEN

AT 2% ON THE SINGAPORE
SPOT MARKET, I AM YOUR MAN.

BUT IF YOU'RE
INTERESTED IN TIME

WHEN I'M...NOT WORKING...

THAT'S CALLED
YOUR PERSONAL LIFE.

YEAH, THAT.

I'M REALLY KIND OF
A LATE BLOOMER.

SORT OF BEHIND THE CURVE.

BUT I SEEM TO BE
FINDING MY FOOTING.

[laughter]

YOU DON'T THINK
WE LEFT TOO EARLY, DO YOU?

IT'S 3:30, PARIS TIME.

THANK YOU.

FOR?

DOING THIS.

WENDY AND NICO
REALLY LIKED YOU.

[giggles]

I DON'T KNOW WHY
I WAS SO NERVOUS.

YOU LIKE THEM TOO, RIGHT?

SURE, YEAH.

THEY'RE FINE.

THEY SEEM DISTRACTED.

I DON'T KNOW.
GUESS IT WAS WORK STUFF.

BUT NEXT TIME WE DO THIS,

WE SHOULD DO A SUNDAY.

WENDY AND SHANE
LOVE TO THROW BRUNCHES.

AND THEIR KIDS ARE GREAT.

AND--WELL, WHAT ARE YOU
DOING THIS SUNDAY?

WHY WOULD I NEED
TO SEE THEM AGAIN?

[grunts]

I THOUGHT YOU SAID
YOU LIKED THEM.

I DID.

AND, ACCORDING TO YOU,
IT'S MUTUAL.

SO...I'M DONE.
RIGHT?

WHAT DO YOU MEAN, "DONE"?

YOU DIDN'T UNCLOG
MY TOILET, JOE.

YOU MET MY BEST FRIENDS.

THEY'RE MORE THAN FINE.
OF COURSE THEY ARE.

YOU NEED TO UNDERSTAND
SOMETHING, JOE BENNETT.

[whirring]

WENDY AND NICO
WERE THERE FOR ME

WHEN I WAS LIVING
ON YOGURT AND SUNFLOWER SEEDS

AND PUTTING IN
20-HOUR WORKDAYS

JUST TO GET
MY FIRST SHOW TOGETHER.

THEY INTRODUCED ME
TO EVERYONE

WHEN THERE WAS NOTHING
IN IT FOR THEM BUT A THANK YOU

AND I WAS TOO YOUNG AND STUPID
EVEN TO SAY THAT.

I SHOULD HAVE SAID
THEY WERE GREAT.

WHEN I LEFT COLLEGE,

I MADE THE MISTAKE
OF FALLING IN LOVE

WITH THE FIRST GUY
THAT ASKED ME OUT.

HE WORKED FOR WENDY.

SHE WARNED ME THAT HE
WOULD BREAK MY HEART,

AND HE DID.

AND WENDY AND NICO
TOOK ME UNDER THEIR WING,

AND THEY ARE...

WELL, THEY'RE A HELL
OF A LOT MORE THAN FINE.

NO, IT SWITCHED TO "GREAT"
A MINUTE AGO.

YOU MISSED THAT.

THEY'RE MORE
THAN GREAT, JOE!

THEY'RE MY FAMILY.

THEN YOU'RE LUCKY
TO HAVE THEM.

BUT NOT EVERYONE
IS LOOKING FOR FAMILY.

[car shuts off]

[door opens]

YOU COMING IN?

NO.

I-I JUST...

I THINK I NEED
TO GET HOME.

[car door shuts]

[traffic noise]

KIRBY ATWOOD IS WAITING
IN YOUR OFFICE.

YOU HAVE AN APPOINTMENT
ACROSS TOWN IN 20.

SHOULD I TELL THEM
YOU'LL BE LATE?

YOU'RE EARLY.

WELL, MY SCHEDULE'S
SUDDENLY WIDE OPEN.

WELL, I NEEDED THE EXTRA TIME
TO PUT OUT FEELERS

TO SEE IF ANYONE
NEEDS HELP.

PATTI BLOOM IS NOT
THE ONLY WORKING PHOTOGRAPHER

IN THE CITY.

YOU DIDN'T EVEN
CALL HER BACK, DID YOU?

I CAN'T.

THERE'S NOTHING
THAT I COULD SAY

THAT WOULDN'T
MAKE MATTERS WORSE.

FOR ME OR FOR YOU?

FOR BOTH OF US.

LOOK, IF NOTHING COMES UP
IN THE NEXT WEEK OR SO,

YOU'LL BE FINE.

YOU'LL FIND ANOTHER JOB.

AND IN THE MEANTIME, HERE'S
SOMETHING TO HOLD YOU OVER.

I-I DIDN'T
COME HERE FOR...

I THOUGHT YOU'D
WANNA SEE ME.

KIRBY, LOOK, I CAN'T
DO THIS RIGHT NOW, OKAY?

I HAVE A MILLION
PHONE CALLS TO RETURN,

AND I'M ALREADY LATE
FOR AN APPOINTMENT.

YEAH.

[slaps checkbook on desk]

[ding]

DIDN'T I SEE YOU
AT THE PRINCE WILLIAM SHOOT?

I'M MIKE.

MIKE HARNESS.

WELL, ANYWAY, YOU'RE BEING
PLEASANT TO HIM LATELY,

[doorbell rings]

THAT'S SOMETHING.

THAT'S BECAUSE HE STOPPED
TRYING TO RULE THE ROOST.

I'M ELLEN.
UH, JOE BENNETT'S ASSISTANT.

I SPOKE WITH YOU.

I HAVE A DELIVERY.

(Roy)
OH, GOOD.

UH, WOW.

COME ON.

MS. FORD...
GREETINGS.

ELLEN BROUGHT A...

I HAVE BEEN ASKED
BY MR. BENNETT

TO PERSONALLY ESCORT
A GIFT.

UGH, WHATEVER IT IS,
ELLEN,

PLEASE ESCORT IT BACK.

I DON'T NEED ANY MORE GIFTS
FROM MR. BENNETT.

PLEASE, YOU DON'T
HAVE TO UNWRAP THAT.

YES, YOU DO.

THEY'VE ALREADY
BEEN TIPPED.

(Roy)
THAT'S A GIFT?

IT LOOKS USED.

IT WAS.

BY COCO CHANEL.

ANYTHING YOU WANT ME
TO TELL MR. BENNETT?

UM...

I'M IMPRESSED.

NOT YOU.

PLEASE, JUST WRAP IT UP

AND, UM, TAKE IT BACK.

NOW!

ARE YOU SURE
ABOUT THIS?

EVEN IF WE JUST
KEPT IT FOR A DAY,

PUT IT ON EBAY--
MM!

WHAT'S THIS?

IT'S A TERRIFIC SCRIPT
I WANT ABBY TO READ.

WE'VE JUST OPTIONED IT.

AND A WONDERFUL DIRECTOR'S
COME ON BOARD.

WHOA, WHOA, WHOA.

I THOUGHT WE WERE HERE
TO TALK PINK POISON.

WE ARE.

I JUST THOUGHT ABBY MIGHT
RESPOND TO THIS ONE EVEN MORE.

THE AUTHOR WROTE A SERIES
OF YOUNG ADULT BOOKS.

WE'RE NOT DOING ANY MORE
KIDDY PARTS, WENDY.

THAT'S OVER.

IS THIS THE SAME GUY
WHO WROTE FALLEN ANGEL?

MM-HMM.
I LOVE--

YOU LOVE PINK POISON.

OKAY?

LET'S NOT MAKE
A LOVE LIST.

WENDY, WE KNOW
EVERYONE'S GOT AN OPINION

ABOUT WHO SHOULD
AND SHOULDN'T

TAKE THEIR CLOTHES OFF
ON THE BIG SCREEN.

AND, OUT OF RESPECT,

WE WANT TO INVOLVE YOU
IN THIS PROCESS.

SO YOU FEEL OWNERSHIP
OF WHICHEVER WAY

WE DECIDE TO GO.

IS THAT WHAT
I THINK IT IS?

OH, THIS ONE IS A 34-D.

BUT ON ABBY, IT LOOKS LIKE
A 36 TRIPLE-E.

SHE'S VERY SLIM-HIPPED,
SO--

JOSH!

IS WILL DANOVICH
STILL HERE?

ABBY, THE DIRECTOR
OF THAT SCRIPT

THAT YOU'RE HOLDING
IS DOWN THE HALL,

AND I HAVE A FEELING--

WENDY, I--
'SCUSE ME.

JOSH, WOULD YOU PLEASE
INTRODUCE ABBY TO WILL?

THEY CAN USE
THE CONFERENCE ROOM.

ARE THOSE--
JUST...TAKE HER.

UM, I'M GOING TO BE CANDID.

PART OF MY JOB IS TO SEE TROUBLE
BEFORE IT HAPPENS.

NICE WORK,
IF YOU CAN GET IT.

AND I AM SENSING
THAT YOU MAY WANT PINK POISON

MUCH MORE THAN ABBY.

AND THERE'S NOTHING WORSE
THAN FORCING A YOUNG,

IMPRESSIONABLE PERSON
INTO A SITUATION

WHERE THEY'RE NOT
TOTALLY COMFORTABLE.

WELL, SHE CAN'T

SPEND THE REST OF HER LIFE
IN A JUMPER

TALKING TO A FELT PIG.

SHE ALSO CAN'T BE USED
TO REALIZE YOUR AMBITION.

I'M DOING THE BEST JOB
I CAN...FOR MY CLIENT.

YOUR CLIENT NEEDS
A MOTHER RIGHT NOW

MORE THAN A MANAGER.

[scoffs]

HOW DID YOU
GET IN HERE?

THROUGH THE DOOR.

SHALL I DO IT AGAIN?

LOOK, I KNOW WHO
YOUR B.F.F. IS.

AND UNLESS YOU CAME HERE
TO PAY FOR MY DRY-CLEANING BILL,

BEAT IT!

JANICE, YOUR FEUD
WITH WENDY

HAS ESCALATED
WAY OUT OF PROPORTION.

DON'T COME IN HERE
AND ACT ALL GRAND,

NICO REILLY.

YOU MAY HAVE
LOST THE ACCENT,

BUT WE BOTH KNOW

YOU'RE A GREEK GIRL
FROM FLUSHING, QUEENS,

WHOSE DADDY RAN A DINER.

YOU WANNA TALK ABOUT
WHAT'S OUT OF PROPORTION?

YOUR PAL.

SAINT WENDY DIDN'T JUST
PULL OUT OF A BIDDING WAR.

SHE WENT ON RECORD
LAST YEAR

TO SAY THAT I PUBLISH TRASH.

SHE DIDN'T GIVE A DAMN

ABOUT MY REPUTATION.

I'M JUST RETURNING THE FAVOR.

WELL, YOU'RE GONNA HAVE
TO FIND ANOTHER WAY.

YOUR BOOK ON WENDY IS DEAD.

DEAD?

FAR FROM IT.

I'M LAUNCHING THE WEBSITE:

GRANDSLAMONBADMAAM.COM.

WE'RE DONE HERE.

REHEAT!

WHO THE HELL ARE YOU,
SWEATER BOY?

THIS IS HAROLD.

HE'S YOUR NEW ASSISTANT.

WHERE'S NORA?

SHE'S SITTING
IN A SPACIOUS OFFICE

OVER AT BONFIRE.

I HIRED HER TO DO

NOTHING BUT TYPE UP
JANICE LASHER STORIES,

AND SHE'S GOT QUITE A FEW.

I'LL SEND YOU
AN ADVANCE COPY

BEFORE WE RUN
YOUR LOST WEEKEND IN BANGKOK.

WHO KNEW YOU COULD DO THAT
WITH A PING-PONG BALL?

OH, DON'T LOOK
SO SHOCKED, JANICE.

I HAD TO COME HERE.

THAT'S WHAT FRIENDS
DO FOR EACH OTHER.

YOU'D KNOW IF YOU HAD ANY.

[sighs]

HEY.
HEY.

CAN I COME IN,

OR ARE YOU GONNA
SEND ME BACK TO FRANCE?

ARE WE ALONE?

OR IS YOUR...
CRACKER ASSISTANT

STILL LURKING AROUND?

ROY LEFT.

AH, I ALREADY MISS HIM.

SO HELP ME OUT HERE.

DID WE HAVE
A FIGHT LAST NIGHT,

AND, IF SO,
IN WHICH TIME ZONE?

IT WASN'T A FIGHT.

I JUST...

I JUST NEED TO FIGURE
SOME THINGS OUT.

AND THIS IS ALL BECAUSE

I DON'T WANNA
HAVE SUNDAY BRUNCH

WITH WENDY AND SHANE

AND LITTLE SHANE
AND BABY SHANE?

THIS IS ABOUT YOU NOT WANTING
TO BE A PART OF MY WORLD.

WHAT?

LOOK IF I LIVED
IN YOUR WORLD,

I WOULDN'T WANNA LEAVE IT
THAT OFTEN, EITHER.

IT'S LIKE A CARNIVAL RIDE

OF LIFE'S GREATEST HITS.

DINNER IN PARIS.

CLOSING DOWN HARRODS
SO YOU COULD SHOP ALONE.

JETTING OFF TO ALASKA
TO SEE THE NORTHERN LIGHTS.

BUYING COCO CHANEL'S DUMMY.

DRESS FORM.

WHATEVER.

IT'S BEYOND AMAZING.

AND I'VE LOVED
EVERY SECOND OF IT.

BUT MY WORLD...
IS PRETTY INTERESTING TOO.

AND I DON'T WANNA
BE LIKE THOSE

RICH COUPLES IN THE MOVIES

THAT SIT ON OPPOSITE ENDS
OF A LONG TABLE,

JUST THE TWO OF US.

I LOVE THOSE SCENES.

I DON'T LIKE EXTRAS IN MOVIES.
GET RID OF 'EM.

VICTORY,
WHEN WE ARE TOGETHER,

IT IS NOT MY WORLD--
IT IS OUR WORLD.

[cell phone buzzes]

EXCUSE ME.
[buzz]

[clears throat]

[buzz]

LOOK...

MY BUSINESS DEMANDS...

BEING IN MEETINGS
WITH PEOPLE

FROM THE MOMENT
I GET UP IN THE MORNING.

WHEN MY DAY IS DONE...

I DON'T WANNA
MAKE SMALL TALK.

I JUST WANNA
BE WITH YOU.

IT'S JUST WHO I AM.

I DON'T THINK
I CAN CHANGE THAT.

[sighs]

[door closes]

[sighs]

[sighs]

HEY.

HEY.

WHERE'S DAD?

TOOK TAYLOR TO KARATE.

HOW'D YOU DO
ON YOUR TEST?

WHAT ARE YOU READING?

THE BOOK THAT PUT US
ON PAGE SIX.

WHERE'D YOU GET THAT?

I THREW IT OUT.

I KNOW.
I DUG IT UP.

THERE'S STILL COFFEE GROUNDS
ON PAGE 16 AND 17.

BUT...I THINK
I'VE READ ENOUGH.

HEY, HEY, HEY.

I'M SORRY I TOOK YOU
TO THAT LUNCHEON.

I CONVINCED MYSELF
IT WOULD BE GOOD FOR YOU,

BUT THE TRUTH IS
IT WAS JUST ABOUT ME.

I WENT OUT OF MY WAY
TO DISPROVE THAT STUPID BOOK,

AND I ENDED UP GIVING
JANICE LASHER A SEQUEL.

NO, I DID THAT.

I WAS A TOTAL BRAT.

I'M SORRY.

ME TOO.

SO...CAN YOU
STOP ACTING STRANGE,

AND JUST GO BACK
TO BEING ANNOYING?

I'LL DO MY BEST.

WELL, AT LEAST
YOU GOT TO SKIP SCHOOL

AND MEET ABBY GARCIA.

YEAH, BUT IT WAS
KIND OF WEIRD, THOUGH.

WHY?

BECAUSE THE WHOLE TIME,

I JUST KEPT
FEELING SORRY FOR HER.

HER MOTHER SCOOPED

THE MASHED POTATOES
OFF OF HER PLATE,

SLAPPED HER HAND EVERY TIME
SHE REACHED FOR THE BUTTER.

THAT MOTHER, SHE'S...

THAT'S ALL SHE'S GOT.

I COULD DO A LOT WORSE.

AH, SWEETHEART.

THANK YOU.

AH, NICO.
HAVE A SEAT.

I BROUGHT YOU THE DRAFT
OF THE PRINCE WILLIAM INTERVIEW.

I THINK
YOU'RE GONNA LOVE IT.

WELL, LET'S GET TO THAT
IN A MOMENT, SHALL WE?

QUESTION:

WHO IS KIRBY ATWOOD?

I'M SORRY?

KIRBY ATWOOD.

DO YOU KNOW HIM?

I'M NOT SURE THAT I DO.

THEN WHY IS HE CLAIMING
YOU SEXUALLY HARASSED HIM?