All language subtitles for lipstick.jungle.s01e02.720p.web.h264-skyfire_track3_[eng]

(female announcer)
PREVIOUSLY ON LIPSTICK JUNGLE...

"OUT WITH THE OLD,
IN THE EW"?

I MEAN, THAT'S JUST MEAN.

THIS BUSINESS IS MEAN.

(Joe)
A MAN NAMED HICHIRO WILL BE THERE IN TEN MINUTES.

BE READY.

I DON'T LIKE TO BE RESCUED.
I RESCUE MYSELF.

WILL YOU RELAX?

IT JUST SEEMS LIKE
YOU'RE GROOMING MIKE

TO BECOME CREATIVE DIRECTOR.

I THINK YOU NEED SOMEONE
WITH A VISION.

YOUR FIRST TIME.
WHAT?

CHEATING ON YOUR HUSBAND.

OH.

GOIN' TO BED.

GOOD NIGHT, HON.
NIGHT.

YOU HAVE NO IDEA
HOW PROUD OF YOU I AM.

YOU'RE GONNA KEEP RISING
AND RISING

AND I'M GONNA BE HERE--

I'M GONNA BE LOOKING
FOR SPIDER-MAN BAND-AIDS.

I'VE JUST GOT
TO MAKE PEACE WITH THAT.

IS IT GOOD?

A $40 MILLION
OPENING WEEKEND.

IT'S TERRIFIC.

DOES THAT MEAN PANCAKES?

40 MILLION OF 'EM.

[Nico breathing heavily]

ASK HIRSH IF HE CAN
MOVE THE WYATT FEATURE

SO THAT HE CAN MEET
FRANK GEHRY IN MADRID...

(woman)
YES, NICO.

AND THEN...

CHECK GAIL BEGLEY'S
SCHEDULE.

FLY HER OUT AT 9:00.

FRANK GEHRY NEVER EATS
BEFORE MIDNIGHT.

[cell phone ringing]

[cell phone ringing]

HELLO.

(Joe)
YOU ALLERGIC TO SHELLFISH?

WHAT TIME IS IT?

I KNOW A PLACE
THAT DOES THE BEST STONE CRABS

ON THE PLANET.

I'LL HAVE A CAR
PICK YOU UP AT 9:00.

WE WILL BE IN SOUTH BEACH
BY NOON.

YOU WANT ME TO GO TO LUNCH
IN MIAMI.

HAVE YOU BACK BY 4:00.

JOE, AS MUCH AS I WOULD LIKE

TO RUN AWAY RIGHT NOW,

IT'S NOT GONNA HAPPEN.

COME ON.
[car horn honking]

I JUST PINK SLIPPED
15 EMPLOYEES [man yelling]

AND MOVED MY OFFICE

TO MY HOUSE.

I'M--I'M DOWN TO ONE ASSISTANT
AND 26 BOXES.

BORING.
HEY! GET OUT OF THE ROAD!

[car horn honking]
WHAT ABOUT DINNER?

IN WHAT ZIP CODE?

YOURS. I'LL PICK YOU UP
AT 7:00.

WEAR SOMETHING
THAT COMES OFF EASILY.

HE'S THE DEVIL.

* STARTING NOW
TO MY FRIENDS *

* STARTING NOW * *

MORNING.
MORNING.

I RESCHEDULED YOUR 9:00.

WHY?

I THOUGHT YOU'D WANT
TO STOP BY HECTOR'S OFFICE.

MIKE'S IN THERE.

WHAT HAPPENED?

NOT SURE.

I THINK WE LOST
PRINCE WILLIAM

AND HIS CRUMPETS.

HOW DID WE LOSE THEM?

WELL, APPARENTLY,
WE NEVER HAD THEM.

IAN CRAIG NEVER RETURNED
SIGNED CONTRACTS.

AND NOW TATLER'SPROPOSED
SOMETHING MORE ENTICING.

WHO'S IAN CRAIG?

HE'S THE PRINCE'S
PRESS SECRETARY.

AND YOU PROPOSE
TO PUT THEM ON THE COVER

WITHOUT A CONTRACT.

WELL,
WE'VE DONE IT BEFORE

BASED ON GOOD FAITH.

THE ROYAL HANDLERS
MOVE LIKE SNAILS.

WE CAN'T FORCE THE ISSUE.

BUT THIS ISSUE
HAS A ROYAL THEME.

WHO DO WE PLAN ON USING
IF PRINCE WILL DEFECTS,

QUEEN LATIFAH?

DO WE KNOW WHY

HE'S LEANING TOWARDS
THE OTHER MAGAZINE?

THEY PREFERRED THEIR APPROACH.

THEY SAID OURS WAS STODGY.

STODGY?
HIS WORDS OR YOURS?

THEY'RE YOUNG.

THEY--THEY WANT TO BE PERCEIVED
AS HIP AND EDGY AND PROGRESSIVE.

WHO DOESN'T?
WELL, IF WE'RE TOO STIFF,

THEN WE'LL JUST LOOSEN UP--
I'VE DONE LOOSE.

YES, BUT IF WE'VE
ALREADY LOST THEM--

NO, WE HAVEN'T.
LET ME MAKE TWO CALLS.

I HIRED PATTY BLUME
TO SHOOT THIS.

SHE DOES ANYTHING
BUT STODGY.

HIS ROYAL HIGHNESS

WILL HAVE NEW CONCEPT BOARDS
BY THE END OF THE DAY.

YOU KNOW, NICO,
IF YOU PREFER TO JUST FOCUS

ON THE CREATIVE END, I CAN CALL
THE PRINCE'S PRESS SECRETARY.

I HAVE HIS NUMBER.
THANKS.

[elevator bell dings]

THANK YOU.

HELLO. HI.

MORNING. HELLO.

OKAY.

JOSH, WHAT'S GOING ON?

WHAT DO YOU MEAN?

WELL, AM I THE ONLY ONE TRACKING
THE WEEKEND BOX OFFICE?

WE MADE $40 MILLION.

ON A WESTERN!

HOW COME YOU PEOPLE
AREN'T DANCIN' IN THE END ZONE?

(Sal)
MORNIN'.

WERE WE EXPECTING A MOVIE
ABOUT A SUICIDAL COWBOY

TO DO BETTER?

I TAKE IT YOU HAVEN'T
SEEN THIS?

WHAT IS IT?
UNPUBLISHED NOVEL

SUBMITTED
FOR THE WEEKEND READ?

WE IN A BIDDING WAR?
NO.

I THINK YOU'LL PASS
ON THIS.

THEN WHY DO I HAVE
TO HOLD IT?

'CAUSE IT SEEMS TO BE
A THINLY VEILED ACCOUNT

OF YOUR LIFE,
AND IT'S A LITTLE HARSH.

SAL, WHY ARE YOU
TALKING TO ME

LIKE I'M ON THORAZINE?

WHAT IS THIS?

DO YOU KNOW THE WRITER?

MARISKA HAVEL.
SHE WAS MY NANNY.

OH, BOY.

WELL, IS THIS SOME KIND
OF JOKE?

ONLY IF YOU THINK
IT'S FUNNY

SHE DESCRIBES YOU
AS "SHALLOW AS A BEDPAN

AND TWICE AS COLD."

PAGE 17.

UGH.

PART OF ME WONDERS WHY WE EVEN
BROUGHT THIS STUFF HERE.

I'M TRYING
TO REINVENT MYSELF.

WHY AM I HANGING ON
TO ALL THIS?

BECAUSE IT'S YOUR WORK,
AND IT'S GENIUS.

REMIND ME TO GIVE YOU A BIG, FAT
CHRISTMAS BONUS THIS YEAR.

YOU'LL STILL COME
TO THE CHRISTMAS PARTY

IF IT'S JUST US, RIGHT?
OF COURSE.

REESE.

DID SOMEONE OFFER YOU
A JOB?

WHA--NO.

AND EVEN IF THEY DID,
I WOULDN'T TAKE IT.

SO WHO IS IT?

STELLA MCCARTNEY?
VIKTOR & ROLF?

IF IT'S BETSEY JOHNSON,

I'LL THROW MYSELF
ON THESE SCISSORS.

I AM NOT
EVEN CONSIDERING IT.

WELL, IF THEY LET YOU DESIGN,
YOU HAVE TO CONSIDER IT.

BUT I CAN'T LEAVE YOU
RIGHT NOW.

THERE'S STILL SO MUCH--

OH, HON, STOP.
I'LL BE FINE.

I CAN'T HOLD YOU BACK.

THIS IS ABSURD.

MARISKA WOULD NEVER
WRITE A NOVEL.

SHE COULDN'T WRITE
A GROCERY LIST.

SHE BARELY SPOKE ENGLISH
WHEN I HIRED HER.

GUESS SHE HAD AN AX
TO GRIND.

NO. THAT IS NOT MARISKA.

SHE'S A GENTLE, SWEET SOUL.

SHE WOULDN'T KILL
A COCKROACH.

SO WHY'D YOU FIRE HER?

SHE WOULDN'T KILL
A COCKROACH.

SHE LEFT CRUMBS EVERYWHERE.

SHANE WANTED TO FIRE HER
AFTER A WEEK.

WHAT DID SHE SAY
ABOUT SHANE?

YEAH, I DON'T THINK
YOU WANT TO READ THIS.

LISTEN, THE QUESTION IS,

IS DO YOU WANT TO TAKE
LEGAL ACTION?

WHO'S THE PUBLISHER?
I DON'T KNOW.

IT WAS SUBMITTED BY AN AGENT
I'VE NEVER HEARD OF.

FREDDY DIVOLA?
WHO'S HE WITH?

LOOK, I'M BETTING
IT WAS SENT HERE

SO YOUR FORMER EMPLOYEE
COULD NAIL YOU

FOR A HEFTY
SEVERANCE PACKAGE.

I AM NOT GOING
TO BE BLACKMAILED.

GOOD FOR YOU.

LISTEN, OKAY?

IN 20 MINUTES,
WE'VE GOT A MEETING WITH HECTOR

AND I'VE GOT A LOT
TO PREP, ALL RIGHT?

AND BY THE WAY,
THIS IS A DAY OF CELEBRATION.

WELL, I'M DANCIN'
ON THE INSIDE.

I AM. SEE YOU IN 20.
OKAY.

(woman)
PATTY BLUME FLYING IN.

GREAT.

HEY.
HEY.

THANKS FOR COMING
UP HERE.

YEAH. NO PROBLEM.
I GET IT.

THEY'RE ROYALTY.
WE'RE PEASANTS.

LISTEN,
I HOPE YOU DON'T MIND.

I DRAGGED MY ASSISTANT.
YEAH.

KIRBY ATWOOD,
NICO REILLY.

NICE TO MEET YOU.

* READ MY LIPS *

* BE *

* ALL THAT YOU CAN BE *

* MAKE A DIFFERENCE *

* GIVE YOUR DREAMS TO ME *

* NO TIME FOR SLEEPING *

* THERE'S TOO MUCH TO DO *

* DON'T YOU FORGET THAT *

* WE DO WHAT WE WANT TO DO *

* LET'S GET NUTS,
LET'S MAKE SOME MONEY *

* OOH *

* TAKE YOUR SHARE, HONEY *

* LET'S FREAK OUT *

* OOH, OOH *

* BRING THE SUNSHINE *

* READ MY LIPS * *

THERE'S THIS FABULOUS POOL
IN PALM SPRINGS,

THE ONE WITH THE PORTHOLES
IN THE DOWNSTAIRS BAR.

VERY SEXY.

I COULD SHOOT FLOWING HAIR,
LEGS, NIPPLES, LIPS.

OH, HE'S GOT GREAT LIPS.
VERY KISSABLE.

IS HE HAIRY?

WHO?

THE PRINCE.

OH. WELL, I WOULD--

I-I DON'T KNOW.

I-I LIKE THE POOL
FOR THE LAYOUT.

BUT, UH, LET'S TALK COVER.

WELL, IF WE LAND ON DESERT,
WE CAN DO CASINO.

PUT THE PRINCE'S BABE
IN SOMETHING DIAPHANOUS.

PUT THE FUTURE KING
IN A TUX

BURYING HER
WITH POKER CHIPS.

GO FOR THAT
JAMES BOND THINGY.

IF THEY WANT TO GET
REALLY HIP AND EDGY,

THEN--THEN LET'S HAVE THEM
RIDING NAKED

INTO SOME SLEEPY
SCOTTISH VILLAGE

ON A HARLEY HOG.

PUT 'EM IN NOTHING
BUT HELMETS.

RULE, BRITANNIA!

[laughing]

OH, SEE, THE YOUNG ONES
LIKE THAT.

AND THAT'S WHO YOU'RE OUT
TO BAG, RIGHT?

I WON'T BE LONG.

CAN I BRING YOU BACK SALAD
OR SOMETHING?

I'LL FIND SOMETHING
IN THE FRIDGE.

MY FRIDGE?
DO YOU EAT BAKING SODA?

RIGHT. I'LL ORDER IN.

WHEN DO THEY WANT YOU
TO START?

SOON. LIKE TOMORROW.

GOD, I ALREADY MISS YOU.

DON'T. WE ARE
NOT SAYING GOOD-BYE.

MIND IF I TAKE THIS
WITH ME?

I'D HATE IT IF YOU DIDN'T.

JUST TAKE WHATEVER YOU WANT.
I MEAN IT.

LEAVE SOMETHING

SO YOU HAVE A REASON
TO COME BACK AND VISIT.

TOTALLY. I'LL HAVE SOMETHING
TO YOU BY 3:00.

YOU'RE THE BEST.
THANKS, PATTY.

NICE MEETING YOU.
LIKEWISE.

[knocks at door]

KIRBY.

LISTEN TO ME.
IT'S NOT GONNA HAPPEN AGAIN.

THAT WAS A ONE TIME.
I'M MARRIED.

I FORGOT MY NOTES.

(Victory)
THIS IS SO WRONG.

HAS SHANE SEEN IT?

I READ THAT PASSAGE TO HIM
OVER THE PHONE.

HE LAUGHED.

I'M TRYING TO PROTECT
MY FAMILY,

AND HE THINKS
IT'S A BIG JOKE.

DID YOU READ HIM THE PART

WHERE SHE CALLS HIM
A NEUTERED HOUND DOG?

I THOUGHT I'D SAVE SOMETHING
FOR PILLOW TALK.

I CAN'T GO BACK
TO THE OFFICE.

EVERYONE'S READ IT.
EVEN THE MAIL BOY WAS SMIRKING.

NOW YOU'RE PARANOID.
RALPH HAS A TICK.

DOES SHE MENTION ME
AND NICO?

I'M STILL ON CHAPTER THREE.

I COULDN'T
GET PAST THE SECTION

WHERE SHE SAID I ONLY COOK
MY CHILDREN BREAKFAST

SO I CAN ADMIRE MY REFLECTION
IN THE TOASTER.

YOU DO THAT TOO?

WENDY,
EVERYONE THAT KNOWS YOU

KNOWS THAT YOU'RE
A GREAT MOTHER.

SO YOU SAY.

BUT EVERY MORNING,

I BRING MY SON TO SCHOOL
AT 7:45

AND I RUSH OFF
TO A BREAKFAST MEETING.

BY THE TIME I COME HOME,
HE'S ASLEEP.

SHANE GETS BATH TIME,
BOOK TIME, BEDTIME.

LOOK, IF YOU'RE THAT CONCERNED
ABOUT THE BOOK,

KILL IT NOW.
I WOULD LOVE TO. HOW?

PAY YOUR EX-NANNY
A SURPRISE VISIT.

SCARE HER.
BURN A GREEN CARD IN HER FACE.

SHE'LL TOSS EVERY LAST COPY
OFF THE BROOKLYN BRIDGE.

CAN WE ORDER
A BOTTLE OF WINE?

I THOUGHT YOU WANTED
A FAST LUNCH?

I HAVE NOTHING TO RUSH
BACK FOR.

MY ASSISTANT'S GONE.
MY PHONE'S GOT RIGOR MORTIS.

AND THREE WEEKS FROM NOW,

I'LL BE FOLDING SWEATERS
AT THE GAP.

VICTORY, IT'S CALLED
A TRANSITION.

DOWNSIZING TO A SMALLER OFFICE
IS A TRANSITION.

MAKING DRESSES
IN YOUR KITCHEN

IS CALLED MILDRED PIERCE.

I THOUGHT SHE MADE PIES.

WHATEVER.

AREN'T YOU DESIGNING
A NEW LINE?

I'M TRYING TO,

BUT EVERYTHING THAT I SKETCH
JUST SEEMS SO OVER.

AND NOW I DON'T EVEN
HAVE REESE

TO KICK ME
IN THE ASS ANYMORE.

YOU DON'T NEED REESE
FOR THAT.

THAT'S OUR JOB.

YOU NEED INSPIRATION.

YOU NEED TO GET OUT
OF YOUR HOUSE.

GO TAKE A SUBWAY.
GO TO THE MUSEUM.

CAN I DO THAT
WITH A GLASS OF WINE?

YOU THINK A LOT ABOUT
MONEY, DON'T YOU, REGGIE?

YOU'VE GOT IT--YOU DON'T
HAVE TO THINK ABOUT IT.

SUGAR?
TWO, PLEASE, AND LEMON.

WELL, I THOUGHT GIRLS YOUR AGE
ALWAYS THOUGHT ABOUT LOVE.

OH, LOVE. I DON'T WANT
ANYTHING TO DO WITH IT.

* I'M GETTING TIRED *

* I DON'T WANT TO PRETEND *

* WANNA SHOW YOU OFF *

* THEY THINK THEY KNOW US *

* THEY DON'T KNOW US *

* AH AH AH * *

[elevator bell dings]

PATTY BLUME'S
GOT A NEW CONCEPT BOARD.

SHOULD I SEND
A MESSENGER?

RIGHT AWAY. THANKS.

MARGO, FORGET THE MESSENGER.
I HAVE BUSINESS DOWNTOWN.

I'LL SWING BY
AND PICK THEM UP MYSELF.

[knock at door]

HEY.
THAT WAS FAST.

I DON'T HAVE
A LOT OF TIME.

WHERE'S PATTY?

JERSEY.
SCOUTING LOCATIONS.

BUT SHE LEFT ME IN CHARGE.

WANT TO SEE
WHAT WE'VE COME UP WITH?

OH. UM...UH...

WHAT--WHAT--WHAT
ARE YOU DOING?

KIRBY.

OH, RELAX. THERE'S NO ONE
ELSE HERE BUT US.

LOOK, I MEANT WHAT I SAID
THIS MORNING.

HEY, I'M JUST TRYING
TO SET A MOOD.

YOU KNOW,
MOST OF PATTY'S PIECES

INVOLVE BARING SOME SORT
OF ROYAL FLESH?

NOW, THIS ISN'T
ON THE BOARD YET.

PICTURE PRINCE
WILLY BOY'S HEAD,

BUT ON A MUCH HOTTER BODY.

YOU WANT TO TAKE
A PICTURE?

YOU'RE RELENTLESS.

LOOK, I, UH,
LET ME JUST--

LOOK--LOOK AT THOSE,
UM, BOARDS, OKAY?

I-I CAME DOWN HERE
ON BUSINESS.

LET ME JUST TAKE--
YEAH, RIGHT.

EDITOR IN CHIEF
OF BONFIREMAGAZINE

CAN'T FIND
A BIKE MESSENGER.

I DON'T THINK SO.

I, UH--I, UH...

I SHOULD, UM...

OH, KIRBY.

(Shane)
IS YOUR DAY GETTING ANY BETTER?

WHERE ARE YOU?

I'M IN THE KITCHEN.

LISTEN, DON'T FORGET, MADDIE'S
COMING BY AFTER SCHOOL.

SHE WANTS TO COPY HER SOCIAL
STUDIES PROJECT, OKAY?

AND, WENDY,
YOU'VE PUT THAT BOOK DOWN,

DIDN'T YOU?

YOU LET GO OF IT?

OF COURSE.

I CAN'T WASTE ANY MORE TIME
ON THAT STUPID BOOK.

I GOT PILES
OF DAILIES TO WATCH

AND AN ACTOR WHO WANTS
HIS TRAINER

TO DIRECT
A $70 MILLION FEATURE.

THAT-A GIRL.
GO GET 'EM.

LISTEN, I'M, UH,
I'M STEPPING INTO A MEETING.

OKAY. LOVE YOU. BYE.

WANT TO CHECK
THAT ADDRESS?

OH MY G...

WHERE DID YOU...

HOW--HOW DID YOU
GET THIS?

THIS IS...

HOW MUCH DO YOU WANT
FOR IT?

THAT'S--THAT'S MINE.

IT'S SOLD.
YOU NEED MITTENS?

SOLD? SOLD TO WHO?

'SCUSE ME. DID YOU--
DID YOU JUST BUY THIS HAT?

I DON'T KNOW
WHAT YOU PAID FOR IT,

BUT I WILL
GIVE YOU DOUBLE. IT AIN'T FOR SALE.

UM, I KNOW THAT THIS
SOUNDS INSANE,

BUT THIS ISN'T--
THIS IS NOT JUST A HAT.

IT WAS A PART
OF MY FINAL PROJECT AT F.I.T.

AND...THOSE WERE
MY GLORY DAYS.

DO I LOOK LIKE I GIVE
A RAT'S ASS?

YEAH, UM, I DON'T KNOW
HOW IT ENDED UP HERE.

I GAVE IT TO MY TEACHER
AS A GIFT.

BUT THIS IS--
IS DEFINITELY MY DESIGN

BECAUSE YOU CAN--
YOU CAN SEE

THAT THESE ARE MY INITIALS
ON THE LABEL.

SEE. V.F. THAT'S ME.

[whispering]
I'M VICTORY FORD.

WELL, I'M VERA FANG
AND THIS HERE HAT'S

GONNA MAKE
ALL THE DIFFERENCE.

[Feverplays]

* *

* WHEN YOU PUT
YOUR ARMS AROUND ME *

* I GET A FEVER
THAT'S SO HARD TO BEAR *

* YOU GIVE ME FEVER *

* WHEN YOU KISS ME *

* FEVER
WHEN YOU HOLD ME TIGHT *

* FEVER, FEVER *

* YOU GIVE ME FEVER, FEVER * *

LET ME JUST ASK YOU WHY.
WHY WOULD YOU DO THIS?

MARISKA.

[car approaches]

WHO'S THAT?

THAT IS FREDDIE.

[car horn beeps]
YO, WHAT'S UP?

I TOLD YOU
THIS WOULD HAPPEN.

DON'T RAISE YOUR VOICE
TO ME.

GET INSIDE. GO.
COME ON.

GET IN.
GET INSIDE. GET.

YOU GOT NO RIGHT
COMIN' DOWN HERE.

SHE DON'T WORK FOR YOU
NO MORE.

SO YOU'RE FREDDY DIVOLA.
HER AGENT.

WE'RE DONE TALKIN'.
I DON'T WORK FOR YOU NEITHER.

LISTEN, IF YOUR INTENTION
WAS TO FRIGHTEN ME

INTO WRITING SOME FAT CHECK,

YOU MISCALCULATED,
BIG FREDDY.

THAT BOOK'S PATHETIC
AND UGLY.

AND NO ONE'S
EVER GONNA PUBLISH IT

OR MAKE IT INTO A MOVIE.

WE ALREADY GOT
A PUBLISHER, LADY.

THAT TRAIN LEFT THE STATION.

YOU CAN PICK UP YOUR COPY
AT BARNES & NOBLES.

YOU COME ANY CLOSER, GIRL,

I WILL SOAK YOUR ASS
WITH PEPPER SPRAY, HEAR?

* YOU SAY I'VE GOT
A LOT TO LEARN *

[camera shutter clicks]

* WELL, DON'T THINK
I'M TRYING NOT TO LEARN *

WHAT ARE YOU DOING?

THIS LIGHT IS TOO GOOD
TO WASTE.

* SINCE THIS IS
THE PERFECT SPOT *

KIRBY.

DON'T--DON'T MOVE.

I'M GOING TO FRAME OUT
THE FACE. I PROMISE.

BUT STAY PUT.

[camera shutter clicks]

STOP.
YOU'RE EMBARRASSING ME.

THIS IS EMBARRASSING YOU?

[camera shutter clicks]

NO, COME ON. STOP.

WHO IS THIS GUY?

WHAT?

YOUR HUSBAND.

I MEAN, HOW DOES HE LET YOU
OUT OF HIS SIGHT FOR A MINUTE?

* HELP ME SOLVE THE MYSTERY * *

I NEED TEN MORE COPIES,

BUT I STOPPED 'CAUSE THAT GUY
WITH THE MAIL CART

WAS GIVING ME
A DIRTY LOOK.

RALPH? HE HAS A TIC.

DID YOU EAT TODAY?

I'M EATING NOW.

I MEAN REAL FOOD.
PROTEIN.

THIS HAS NUTS IN IT.

FOLLOW ME.

OH, HEY, I HAVE AN UPDATE
ON MARISKA.

OH, GOOD.
OH, HEY, MADDIE.

HEY.

WE'LL, UH,
WE'LL TALK LATER.

IF THIS IS ABOUT
MARISKA'S BOOK,

YOU CAN TALK IN FRONT
OF ME.

HOW DO YOU KNOW
ABOUT THAT?

YOU HEAR A LOT
IN A COPY ROOM.

WHEN CAN I READ IT?

NEVER.

NO ONE ELSE WILL EITHER.

WHO'S PUBLISHING IT?

BAINBRIDGE PRESS.

OH. OF COURSE IT IS.

THAT ONE'S YOURS.

YOU KNOW SOMEONE
OVER THERE?

YEAH. MADAM SATAN.
JANICE LASHER.

FRIEND OF YOURS?

ENEMY.
YOU HAVE ENEMIES? SWEET.

EAT.
IS IT TOO LATE TO MAKE NICE?

MM. HMM-MM. HMM.

JANICE LASHER
DOES NOT DO NICE.

SHE'S BEEN TRASHING ME
FOR TWO YEARS

'CAUSE I DUMPED
THAT HORRIBLE BOOK OF HERS

ON HILLARY CLINTON

WHICH TURNED OUT TO BE
A PACK OF LIES.

I PULLED OUT
OF A BIDDING WAR,

AND SHE'S WANTED MY HEAD
ON A STICK EVER SINCE.

MAYBE YOU SHOULD SEND HER
SOME BROWNIES. EAT.

NOT A BAD IDEA.
MIGHT WORK.

BEN AFFLECK DID PEARL HARBOR
FOR A BOX OF STEAKS.

HEY.

SO...

I WAS HOPING TO GET HOME
BEFORE MY CAT DIES

OF STARVATION.

YOU CAN LEAVE.

ARE YOU SURE?

I MEAN, IT'S NOT REALLY
MY CAT.

GO HOME.

ALL RIGHT? BYE.

OH, WAIT, WAIT, WAIT.

UM...

DO WE HAVE A NUMBER
FOR JANICE LASHER?

(Hector)
I'VE HAD A CALL

FROM LEGAL REGARDING
THE RECONCEIVED LAYOUT BOARDS

FOR THE ROYALS.

THEY'RE CONCERNED.

WHY? BECAUSE
THEY'RE PROVOCATIVE?

SINCE WHEN DO WE ALLOW
SOME LEGAL DRONE

TO HAVE A SAY
IN OUR CREATIVE DECISIONS?

SINCE I SAW THEM AND ALSO
FIND THEM OBJECTIONABLE.

HECTOR, I HAVE TO SHAKE UP
OUR APPROACH.

IF THE PRINCE WANTS EDGY--

EDGY TO THE PRINCE
MEANS LOAFERS WITHOUT SOCKS.

BESIDES, OUR READERS--

ARE NOT PRUDES.

IT WOULD BE NICE TO STRIP THEM
A BIT OF--

NICO, WHAT'S GOTTEN
INTO YOU?

SINCE WHEN DID YOU BECOME
SO RECKLESS?

THERE'S A BIGGER
PICTURE HERE.

WE HAVE OUR MAGAZINE'S
INTEGRITY TO PROTECT.

CHANGE IT.

WENDY HEALY ON LINE 2.

OKAY.

HEY, STU,

I GOTTA CALL YOU BACK.

THIS IS JANICE.

HEY, JANICE.
IT'S WENDY HEALY.

I KNOW THAT.
UH, I HAVE AN ASSISTANT.

WHAT CAN I DO FOR YOU?

YEAH, UM,

LISTEN, A WORK OF FICTION
CAME ACROSS MY DESK.

A NOVEL BY A MARISKA H--

I ALREADY HAVE TWO BIDDERS.

YOU WANT TO JUMP
IN THE FRAY?

YOU SUBMITTED THIS BOOK
TO OTHER STUDIOS?

WARNERS IS AT $300,000.

WHAT ARE YOU OFFERING?

I WASN'T CALLING
TO MAKE AN OFFER.

WHAT, YOU WANT TO CHITCHAT?

CALL ME IN AUGUST, HON.

SOME OF US ACTUALLY WORK
FOR A LIVING.

[dial tone]

WHY WOULD SOMEONE KEEP SOMETHING
THAT ISN'T THEIRS?

ARE WE BACK TO YOUR HAT?

I COULDN'T HAVE BEEN
ANY MORE HONEST.

BACK TO THE HAT.

[clears throat]
OKAY, MAYBE YOU NEED TO GO BACK THERE

AND OFFER HIM/HER
A THOUSAND BUCKS.

IT'S NOT ABOUT MONEY, JOE.
NOT EVERYONE CAN BE BOUGHT.

SHE CAN.
FIVE TIMES A DAY.

HAVE YOU NEVER BEEN
UP 10TH AVENUE?

SO WHAT ARE YOU SAYING?

THAT I DESIGN CLOTHES
THAT APPEAL TO HOOKERS?

IT'S COLD, ISN'T IT?

THIS HAT...

THIS HAT STANDS
FOR SOMETHING, JOE.

IT WAS A PART
OF THE LAST PROJECT I DID

BEFORE I GOT MY FIRST JOB
IN THE REAL WORLD.

[whispers]
I GET IT.

NO. I-I DON'T THINK YOU DO.

I GREW UP IN A DEAD,
BEIGE SUBURB

JUST COUNTING THE MINUTES
BEFORE I COULD MOVE TO NEW YORK

AND DESIGN CLOTHES.

AND I WANTED TO LIVE
IN A PLACE

WHERE I COULD DARE
TO BE LUCKY

AND LIVE OUT LOUD.

FORGET THE THOUSAND BUCKS.

GO BACK TO YOUR FRIEND
WITH THE HAT

AND TELL HER EXACTLY
WHAT YOU JUST SAID TO ME.

YOU THINK THAT WOULD WORK?

I DO. BUT I'D CHANGE
THE LAST COUPLE LINES.

THEY WERE A LOT FRESHER

WHEN SUSAN HAYWARD
SAID THEM IN 1959.

HOW DO YOU KNOW
THAT MOVIE?

I'M FULL OF SURPRISES.
CAN I KISS YOU?

CAN YOU PLEASE
TURN OUT THE LIGHT?

I AM READING.

NO, YOU'RE NOT.
YOU'RE STEWING.

YOU'VE BEEN ON THE SAME CHAPTER
FOR THE LAST TWO HOURS.

PEOPLE SPEND LESS TIME
STUDYING FOR THE BAR.

SHANE, THIS IS REALLY BAD.

SHE REFERS TO ME
AS THE POLAR ICE CAP.

WENDY, IF YOU LET THIS
GET TO YOU.

YOU ARE VALIDATING
EVERY WORD.

NOW JUST THROW IT
IN THE GARBAGE

WHERE IT BELONGS.

SHE CALLS YOU
"HETEROFLEXIBLE."

WHAT? LET ME SEE THAT.

OH, THAT'S COMPLETE CRAP.

LOTS OF GUYS MOISTURIZE.

SO, HONEY, IF WE'RE NOT GOING
TO GET ANY SLEEP TONIGHT,

CAN WE AT LEAST
MAKE IT A LITTLE BIT MORE FUN?

SHANE, STOP.
HONEY.

NO, COME ON. NO. NO.

I CANNOT HANDLE BEING SCREWED
BY TWO PEOPLE AT ONCE.

OH, GOD.
LOOK AT MY HANDS.

HONEY, I'M SHAKING.

TAKE A XANAX.

I DID.
THIS IS ME ON XANAX.

ANY SUGGESTIONS?

DO WE OWN A TASER GUN?

SHANE, I CAN'T LAUGH.

NOT EVERYTHING IN HERE
IS FICTION.

SHE HAS AN UNCANNY MEMORY
WHEN IT COMES TO OUR FIGHTS.

OUR FIGHTS?

THE ONE ON THE VINEYARD.

REMEMBER TAYLOR'S
BIRTHDAY PARTY?

HOW WOULD SHE EVEN
REMEMBER THAT?

I DON'T THINK SHE WAS WITH US
ON THAT TRIP.

HOW WOULD SHE HAVE KNOWN?

YOU KNOW WHAT, WE SHOULD
PROBABLY PACK THAT UP

AND GET SOME SLEEP.

WE BOTH NEED TO GET UP EARLY
IN THE MORNING.

JUST REST UP.

OH, YEAH.

(Nico)
WHAT'S YOUR NEXT MOVE?

HAVEN'T GOTTEN
THAT FAR YET.

WHAT CAN I BURN
IN JANICE LASHER'S FACE?

(Nico)
I'D SAY BURN HER FACE,

BUT I DON'T THINK LEATHER
MELTS.

SUEDE DOES.

MADE THAT MISTAKE ONCE
WITH A SKIRT AND A BLOW-DRYER.

WHERE ARE YOU
WITH THE PRINCE? [cell phone ringing]

BACK TO SCRAMBLING.

I'M SO SORRY.

IT'S FUN TO REALIZE YOU HAVE
ALL THE RESPONSIBILITIES

AND NONE OF THE POWER,
ISN'T IT?

HELLO. HI.

YES.

UM, THAT'D BE GREAT.

OKAY.
OKAY, THANKS A LOT. BYE.

WAS THAT JOE?

NO. THAT WAS AN OLD FRIEND
OF MINE.

A BUYER AT BERGDORF'S
WANTS TO KNOW

IF I HAVE ANYTHING NEW
I CAN SHOWCASE.

VIC, THAT'S WONDERFUL.

YEAH. WOULD BE IF I DID.
GOTTA GO.

BREAKFAST MEETING.

OOH. BYE.

YOU'RE VIBRATING.

I'M ANGRY.

YOUR PHONEIS VIBRATING.

OH.

(Mariska)
I NEVER WANT TO HURT YOU.

WHEN THIS PERSON
COME TO ME,

SHE OFFER SO MUCH, I...

I DON'T KNOW WHAT TO DO.

I'M SORRY.

SHE'S CAVING.
WILL YOU DO IT?

I--WENDY, COME ON.
IT'S--

YOU HAVE TO. PLEASE.

PFFT.

(Charles)
DID YOU SLEEP AT ALL?

NOT MUCH.
IT'S PATHETIC.

YOUR BOSS GREW UP
ON FISH AND CHIPS

AND DOESN'T EVEN KNOW
HIS NATIVE HISTORY.

BRITAIN HAS A LONG TRADITION
OF BARING ROYAL FLESH.

YEAH, PROBABLY TO DEFLECT
FROM THE TEETH.

[Charles laughs]

NO, SERIOUSLY.
LOOK AT CHARLES II.

HE HAD HIS FAVORITE
COURT PAINTER

IMMORTALIZE HIS MISTRESS
WITH BARE BREASTS.

REALLY? WHY?

TO SEND A MESSAGE
TO HIS SUBJECTS.

THE DAWN OF A NEW ERA.
PERIOD OF OPENNESS.

NOTHING TO HIDE.

THE BARE BODY
DOESN'T HAVE TO BE LEWD.

IT DEPENDS ON THE CONTEXT.

YOU MIGHT WANT TO PUT
A BLOUSE ON

BECAUSE, UH,
YOUR KING HECTOR IS A PRUDE.

SHALOM.

GREAT. THANKS.

THAT'S MY CAB!

TAXI!

USING CHARLES II
AS INSPIRATION,

WE SEE THE PRINCE
AND HIS LADY

REPRESENTING THE DAWN

OF A NEW ERA.

A PERIOD WHERE...

HERE. HAVE--HAVE A LOOK.

THERE YOU ARE. HI.

SORRY TO INTERRUPT.

I NEED YOUR HAT.

IT'S A LONG STORY.

I GREW UP IN A BEIGE SUBURB.

BERGDORFS WANTS TO SEE
SOMETHING NEW.

AND I NEED THAT HAT
TO GET MY MOJO BACK.

THIS HAT WAS A GIFT.

A GIFT?
WHO FROM?

OH, THAT LOVELY
TALL GIRL DOWN THE HALL.

A-A LITTLE MADE UP,
BUT VERY NEIGHBORLY.

MA'AM, PLEASE,
JUST NAME YOUR PRICE.

YOU--YOU CAN'T WHEEL AND DEAL
IN A HOUSE OF GOD.

CAN WE GO OUTSIDE?
NO, WE CANNOT.

SHAME ON YOU, SNATCHING CLOTHES
OFF A WIDOW'S BACK?

I DON'T WANT HER CLOTHES.
I JUST WANT HER HAT.

BUT WHAT ARE YOU,
A-A-AN ANIMAL?

SHE CAN'T ATTEND SERVICES
BAREHEADED.

I'LL MAKE YOU A NEW ONE.

(Wendy)
ALL RIGHT, SHANE, COME ON. THE BOYFRIEND IS NOT SCARY.

I PROMISE.
YOU CAN TAKE HIM.

I-I'M NOT SCARED.

I JUST DON'T THINK
WE BOTH NEED TO DO THIS.

MARISKA'S ALWAYS HAD
A SOFT SPOT

WHEN IT COMES TO YOU.

SHE THINKS YOU'RE CHARMING.

SHE THINKS YOU INVENTED TOAST.

IT JUST FEELS DESPERATE.

I MEAN, NO ONE WHO READS
THAT STUPID BOOK

IS EVER GONNA BELIEVE
THAT'S WHO WE ARE.

NOW, COME ON.
I'M NOT GONNA TAKE THAT CHANCE.

THAT STUPID BOOK
PORTRAYS ME

AS SOME SELFISH MONSTER

WHO USES HER KIDS
AS FASHION ACCESSORIES.

THERE IS A WHOLE CHAPTER

ABOUT TAYLOR'S RESCHEDULED
BIRTHDAY PARTY.

SHE COMPLETELY DISTORTED
WHY I CANCELLED IT.

AND FRANKLY, I STILL WANT
TO KNOW HOW THE HELL

SHE KNEW ABOUT IT, 'CAUSE MADDIE
WOULD NEVER HAVE TOLD HER.

I TOLD HER.
I WAS--

WHAT--WHAT'D YOU SAY?

I TOLD HER.

JUST GET IN THE CAR.
LET'S GO GRAB A COFFEE.

YOU?

YES. I DIDN'T THINK
IT WOULD END UP IN A BOOK.

SO LET ME GET
THIS STRAIGHT.

BASICALLY...

MY HUSBAND THINKS
I'M A BAD MOTHER.

WILL YOU STOP THAT?

HOW COULD YOU
DO THIS TO ME?

CAN WE JUST PLEASE GO DO THIS
SOMEPLACE ELSE, PLEASE?

LET'S NOT DO IT AT ALL.

WHAT--
DRIVE.

REESE, PICK UP.
PICK UP.

[cell phone ringing]

HELLO.

REESE. HEY.
I NEED TO MAKE A HAT.

WHEN DID KLAIMAN'S RIBBONS
BECOME A KOREAN DELI?

UH, CAN I CALL YOU BACK?

OH, YOU'RE AT YOUR NEW JOB?

OKAY. YEAH. I'M SO SORRY.

NOT NECESSARY. GOOD LUCK.

NICE. I CAN SEE
THE VICTORY FORD INFLUENCE.

BUT YOU'VE CLEARLY IMPROVED
ON HER LOOK.

HOW LONG DID YOU WORK
FOR HER?

THREE YEARS,
STARTED AS AN INTERN.

BUT SHE WAS BUSY
BACK THEN,

SO SHE LEFT A LOT
OF THE DESIGNING TO ME.

[beep]

HI.
HEY.

WHAT ARE YOU DOING HERE?

I WON'T BOTHER YOU.
I PROMISE.

I'LL JUST CHECK MY EMAILS
AND CRY SOFTLY IN THE CORNER.

WHAT'S GOIN' ON?

[sighs]
NOTHING.

I-I JUST--I REALLY
CAN'T GO INTO IT.

BUT I HAVE
ANOTHER HOUR TO KILL

BEFORE THE YIZTKAR
SERVICE IS OVER. THE WHAT?

THE MOVIE HE WANTS HIM
TO DIRECT.

DOES THIS GUY
HAVE ANY EXPERIENCE

BEHIND THE CAMERA--
I MEAN, BESIDES, UH,

TAPING HIS VIDEO WORKOUTS?

NOT NOW, JOSH. PLEASE.

YOUR HUSBAND'S HERE.

D-DEAL WITH IT.

ALL RIGHT. ALL RIGHT.

DARLIN', MARISKA AND I
DID NOT SIT AROUND

AND TALK ABOUT YOU.

THIS WAS ONE TIME.
I WAS PISSED OFF.

I NEEDED TO VENT, AND SHE
JUST HAPPENED TO BE THERE.

HONEY, YOU RAN OFF
TO PUT OUT SOME FIRE

ON A VAMPIRE SET
IN ROMANIA,

AND YOU LEFT ME HAVING
TO TELL A THREE-YEAR-OLD

THAT HIS BIRTHDAY PARTY
HAD BEEN CANCELLED.

YOU KNOW THAT KILLED ME.

YEAH, I DO.

YOU KNOW, THIS HAPPENED
TWO YEARS AGO.

I WOULD NEVER DO THAT NOW.

IT'S JUST TAKEN AWHILE

FOR ME TO GET USED
TO SHARING YOU

WITH A MILLION
OTHER PEOPLE.

HONEY, I DON'T KNOW
WHAT YOU HAVE TO DO

TO PUT THIS THING TO REST--
I REALLY DON'T.

IF IT MEANS TAKING DOWN
THIS LASHER WOMAN,

THEN PLEASE DO IT.

BUT THE BOTTOM LINE IS...

WENDY, YOU'RE
A WONDERFUL MOTHER.

I KNOW THAT.
THE KIDS KNOW THAT.

ISN'T THAT ENOUGH?

I COULDN'T FIND ANYTHING
IN THE SAME COLOR,

SO I JUST BOUGHT THIS ONE.

BUT I'M TELLING YOU,
MY HAT IS A ONE-OF-A-KIND PIECE.

I SPENT--I SPENT THREE WEEKS
JUST EMBROIDERING THE BAND.

VICTORY, CAN I SAY SOMETHING?

NOT IF IT'S MEAN.

SWEETIE, YOU'RE CHASING
AFTER SOMETHING

YOU MADE TEN YEARS AGO.

I GET IT.

IT FEELS LIKE
YOU'VE LOST EVERYTHING.

AND IN SOME WAYS,
YOU HAVE.

BUT NOT YOUR TALENT.

STARTING OVER
IS VERY SCARY.

IT'S A HUGE RISK.

BUT IT'S ALSO
A NEW BEGINNING,

RIGHT?

[Margo over intercom]
HECTOR MATRICK COMING IN.

GET OUT.

GO, GO, GO.

OKAY.
OKAY, OKAY.

HECTOR, YOU REMEMBER
VICTORY.

I DO.
FORGIVE MY INTRUSION.

NO. FORGIVE MINE.
GREAT TIE.

IAN CRAIG JUST RANG.

PRINCE WILLIAM SIGNED
THE CONTRACT.

GLAD TO HEAR IT.

YES, I'M SURE YOU ARE.

BUT YOU SUBMITTED
YESTERDAY'S BOARDS

AGAINST MY WISHES.

HECTOR--

THAT WAS A MISTAKE.

I HAD TO TRUST
MY INSTINCTS.

YOU GAVE ME THIS JOB
BECAUSE YOU ONCE DID TOO.

AND IF THIS TITLE DOESN'T COME
WITH THAT PRIVILEGE,

WELL, THEN I SHOULDN'T
BE HERE.

WELL, WELL, WELL,
WENDY HEALY.

SHE'S NOT JUST THE TITLE!

DOOR!

YOU KNOW,
I PROMISED MYSELF

I WOULDN'T NEGOTIATE
WITH A TERRORIST.

BUT HERE WE ARE.

TRUTH HURTS, DOESN'T IT?

LOOK, JANICE.

I DON'T CARE
WHAT YOU SAY ABOUT ME

IN MY JOB.

YOU CAN CALL ME
THE BIGGEST BITCH

ON THE EASTERN SEABOARD.

BUT WHEN IT COMES TO MY FAMILY,
YOU'RE OUT OF BOUNDS.

SOUNDS LIKE SOMEBODY FLUNKED
HER MOMMY AND ME CLASS.

WHAT DO YOU REALLY WANT,
JANICE?

YOU GOT A BOOK
YOU WANT THE STUDIO TO BUY?

TWO BOOKS? THREE?

I SENT YOU A BOOK, HON.

FINE. THEN PUT ME
ON THE PUBLICITY TOUR.

I WANT TO BE THE FIRST
TO SAY

THAT I AM NOT
THE PERFECT MOTHER.

IN FACT, THERE ARE DAYS
THAT I SUCK AT IT

BECAUSE MY JOB IS HARD.

IT'S HARD TO JUGGLE MY FAMILY
AND MY WORK DEMANDS.

AND GOD KNOWS IF DADDY

HAD TO RESCHEDULE
A BIRTHDAY PARTY,

NO ONE
WOULD THINK TWICE.

BUT WHAT MATTERS IS I AM THERE
FOR MY SON AND HE KNOWS IT.

AND WHAT HE'S GONNA REMEMBER

IS THAT HIS MOM DID THE BEST
SHE COULD.

YOU MUST HAVE ME CONFUSED
WITH YOUR SHRINK.

IF YOU'LL EXCUSE ME,

I HAVE WORK TO DO.

WHAT CONFUSES ME, JANICE,

IS WHY YOU OF ALL PEOPLE

ENJOY BASHING
OTHER PROFESSIONAL WOMEN.

GO AHEAD.
PUBLISH YOUR BOOK.

IT'LL BE YOUR LEGACY,
NOT MINE.

[camera shutter clicking]

[elevator bell dings]

HOLD THAT, PLEASE!

OH...

HECTOR.

A LOVELY SUIT.
ARMANI?

FENDI.

[elevator stops]

I SPENT MOST OF LAST NIGHT
SLOTTING OTHER EXECUTIVES

INTO YOUR JOB.

I EVEN CONSIDERED
RECRUITING AN OUTSIDER.

BUT I GAVE YOU YOUR TITLE

BECAUSE YOU'RE ONE
OF THE GUTSIEST PLAYERS

ON MY FIELD.

BUT EVEN
A HIGHLY PRIZED PLAYER

MUST REMEMBER THEY'RE PART
OF A TEAM WITH A COACH

AND A GAME PLAN.

YOUR ACTIONS
AFFECT OTHERS, NICO.

SO WATCH YOUR STEP.

IT DOESN'T TAKE MUCH FOR A HALO
TO TURN INTO A NOOSE.

* I DON'T KNOW
WHAT I'VE DONE *

[door bell rings]

* OR IF I LIKE *

* WHAT I'VE BECOME *

* BUT SOMETHING TOLD ME
TO RUN *

* AND, HONEY *

HI.
HELLO.

HAVE YOU EATEN?

NOT YET.
I'M CAUGHT UP WITH WORK.

WHAT'S THAT?
LUNCH.

AND...

SOMETHING THAT MIGHT
MAKE YOU SMILE.

OH, JOE.

"OH, JOE"?

I JUST MADE
AN 80-YEAR-OLD WOMAN

WITH A BALD SPOT
VERY RICH.

AND COLD.

AND I GET,
"OH, JOE?"

YOU DIDN'T HAVE TO DO THIS.

I THOUGHT YOU NEEDED THIS
TO GET BACK TO WORK.

I THOUGHT SO TOO.

WHY'D I HAVE
TO MEET YOU NOW?

TWO YEARS AGO,
I WAS SUCCESSFUL.

I WAS ON THE TOP
OF MY GAME.

I HAD 15 EMPLOYEES
AND 11 STORES.

AND NOW I LOOK LIKE THIS
NEEDY PERSON

WHO ALWAYS NEEDS
TO BE SAVED.

WHAT MAKES YOU THINK
I'M SAVING YOU?

HERE.

LOBSTER BISQUE
AND CRAB SALAD.

YOU COULDN'T COME
TO MIAMI.

I BROUGHT MIAMI HERE.

GET BACK TO WORK.

[Missy Higgins' Where I Stood]

* AND I DON'T KNOW
IF I CAN STAND *

* ANOTHER HAND UPON YOU *

* ALL I KNOW
IS THAT I SHOULD *

* 'CAUSE SHE WILL LOVE YOU
MORE THAN I COULD *

* SHE WHO DARES TO STAND
WHERE I STOOD *

* OH *

* SHE WHO DARES TO *

* STAND WHERE I STOOD * *

SO HOW ARE THINGS GOING
WITH CHARLES?

IS IT GETTING ANY BETTER?

I MEAN, YOU KNOW,

DID YOU USE THE MASSAGE OIL
I GOT YOU?

GUYS, WE HAVE BEEN MARRIED
17 YEARS.

THAT'S NOT WHAT SHE ASKED.

YOU KNOW WHAT,
CHARLES IS THE SMARTEST,

KINDEST, MOST REMARKABLE MAN
I HAVE EVER KNOWN.

SHE DIDN'T USE IT.

HAVE YOU TRIED TO TALK
ABOUT IT?

YOU TWO TALK
ABOUT EVERYTHING.

YEAH, EVERYTHING BUT.
THAT'S THE POINT.

I LOVE HIM. I DO.

BUT...

I DON'T KNOW WHY WE EXPECT

TO GET EVERYTHING
FROM ONE PERSON.

I MEAN, IS THAT FAIR
TO THEM OR US?

(Victory)
NICO?

WELL, YOU'RE NOT THINKING
OF LEAVING CHARLES, ARE YOU?

OF COURSE NOT.

I'M JUST--OH, JUST RELAX.
I'M ASKING THE QUESTION.

AREN'T WE SUPPOSED
TO BE HAVING FUN?

I MEAN, YOU JUST SLAYED
THE DRAGON

AND YOU GOT
YOUR MOJO BACK.

CAN'T WE AT LEAST
GET A DRINK?

[exhales]

BOTTLE OF WINE.

MARGARITA.

OH.
OOH.

MARGARITA.

I THINK WE HAVE A WINNER.

SEND THIS ONE
TO PAGE SIX.

TELL THEM TO RUN IT
WITH A CAPTION.

"TSUNAMI FOR BAD MOMMY."

* THEY THINK THEY KNOW US *

* THEY DON'T KNOW US * *