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1
00:00:02,969 --> 00:00:06,139
[techno-pop music]
2
00:00:06,172 --> 00:00:14,681
* *
3
00:00:14,714 --> 00:00:16,516
(male TV announcer)AND TURNING OUR ATTENTION
4
00:00:16,549 --> 00:00:17,617
TO WOMEN AT THE TOPOF THEIR FIELD,
5
00:00:17,650 --> 00:00:19,619
WALL STREET MAGAZINE'S LISTOF NEW YORK'S
6
00:00:19,652 --> 00:00:22,422
50 MOST POWERFUL WOMENCAME OUT TODAY.
7
00:00:22,455 --> 00:00:24,691
WENDY HEALY, THE PRESIDENT
OF PARADOR PICTURES,
8
00:00:24,724 --> 00:00:26,426
IS NUMBER 12 ON THE LIST.
9
00:00:26,459 --> 00:00:29,529
AND MOVING FROM 25
ON LAST YEAR'S LIST
10
00:00:29,562 --> 00:00:33,099
IS NICO REILLY, THE EDITOR
IN CHIEF OF BONFIRE MAGAZINE.
11
00:00:33,133 --> 00:00:34,567
AT THE BOTTOM OF THE LIST
12
00:00:34,601 --> 00:00:36,169
IS FASHION DESIGNER
VICTORY FORD,
13
00:00:36,202 --> 00:00:37,470
WHO BARELY MADE THE CUT
14
00:00:37,504 --> 00:00:39,706
AFTER STUMBLING
AT LAST YEAR'S FASHION WEEK.
15
00:00:39,739 --> 00:00:43,143
FORD, ONCE DUBBED BY VOGUE
AS "THE GOLDEN CHILD,"
16
00:00:43,176 --> 00:00:45,145
HOPES TO RESTORE
HER GLORY TONIGHT
17
00:00:45,178 --> 00:00:47,180
AS SHE UNVEILS
HER LATEST COLLECTION
18
00:00:47,213 --> 00:00:49,115
IN BRYANT PARK.
19
00:00:49,149 --> 00:00:50,150
[crowds chattering]
20
00:00:50,183 --> 00:00:51,584
WAIT, HONEY, I'M HERE.
21
00:00:51,618 --> 00:00:55,155
OKAY. GREAT. YEAH.
22
00:00:55,188 --> 00:00:56,122
HI, BEAUTIFUL.
23
00:00:56,156 --> 00:00:57,323
HI.
24
00:00:57,357 --> 00:00:58,458
OH.
YOU LOOK GREAT.
25
00:00:58,491 --> 00:00:59,592
THANK YOU,
YOU DO TOO.
26
00:00:59,626 --> 00:01:00,460
I HAD TO WALK
FROM 50TH.
27
00:01:00,493 --> 00:01:02,562
PLEASE MAKE SURE
THIS STAYS TUCKED UNDER.
28
00:01:02,595 --> 00:01:03,730
I HOPE
SHE GOT HER PRESENT.
29
00:01:03,763 --> 00:01:05,231
I WANTED HER
TO GET IT BEFORE.
30
00:01:05,265 --> 00:01:06,466
DO YOU THINK
SHE GOT IT BEFORE?
31
00:01:06,499 --> 00:01:09,135
RELAX. I SAID BEFORE.
SHE'LL GET IT BEFORE.
32
00:01:09,169 --> 00:01:12,439
OH. GREAT.
33
00:01:12,472 --> 00:01:20,480
* *
34
00:01:26,519 --> 00:01:28,388
[laughs]
35
00:01:33,226 --> 00:01:36,196
[techno music]
36
00:01:36,229 --> 00:01:43,703
* *
37
00:01:59,419 --> 00:02:01,221
(woman)AND THAT ONE.
38
00:02:01,254 --> 00:02:02,389
AND THAT ONE,
UH-HUH.
39
00:02:02,422 --> 00:02:06,426
* *
40
00:02:06,459 --> 00:02:11,164
[cheers and applause]
41
00:02:40,427 --> 00:02:43,697
"OUT WITH THE OLD,
IN THE EW"?
42
00:02:43,730 --> 00:02:45,999
I MEAN, THAT'S JUST MEAN.
43
00:02:46,032 --> 00:02:48,301
THIS BUSINESS IS MEAN.
44
00:02:48,335 --> 00:02:50,770
I NEED A CUPCAKE.
45
00:02:50,804 --> 00:02:51,805
OKAY, HONEY,
46
00:02:51,838 --> 00:02:54,407
SO A FEW CRITICS DIDN'T LIKE
THIS PARTICULAR SHOW.
47
00:02:54,441 --> 00:02:55,675
SO WHAT?
48
00:02:55,709 --> 00:02:58,345
IT'S THE CLOTHES
THEY'RE REJECTING, NOT YOU.
49
00:02:58,378 --> 00:02:59,746
HER CLOTHES ARE HER.
50
00:03:02,449 --> 00:03:03,717
MM.
51
00:03:03,750 --> 00:03:05,485
HERE.
52
00:03:05,518 --> 00:03:07,587
YOU TWO SHOULD HAVE THIS
53
00:03:07,620 --> 00:03:09,789
BECAUSE YOU STILL OWN
THE WORLD.
54
00:03:09,823 --> 00:03:14,294
ALL I OWN IS A BUSTED CAREER
AND 200 PAIR OF SHOES.
55
00:03:14,327 --> 00:03:15,829
[soft laughter]
56
00:03:15,862 --> 00:03:18,431
SWEETHEART, LOOK,
57
00:03:18,465 --> 00:03:20,633
WHY DON'T YOU JUST LAY LOW
FOR AWHILE
58
00:03:20,667 --> 00:03:22,736
UNTIL THIS ALL BLOWS OVER,
ALL RIGHT?
59
00:03:22,769 --> 00:03:24,371
YOU CAN USE THE HOUSE
IN MONTAUK.
60
00:03:24,404 --> 00:03:25,505
THE FREEZER IN THE GARAGE
61
00:03:25,538 --> 00:03:27,574
IS STOCKED WITH DOVE BARS
AND WEED.
62
00:03:27,607 --> 00:03:29,876
NO, DO NOT LISTEN
TO WENDY.
63
00:03:29,909 --> 00:03:30,643
YOU CAN'T HIDE.
64
00:03:30,677 --> 00:03:32,645
A TRUE PLAYER
RESPONDS TO DISASTER
65
00:03:32,679 --> 00:03:34,347
AS IF NOTHING'S HAPPENED.
66
00:03:34,381 --> 00:03:36,750
WHEN THEY SMELL FEAR
IN THIS TOWN, IT'S OVER.
67
00:03:36,783 --> 00:03:38,685
OH, COME ON, WE ALL
HAVE THOSE DARK MOMENTS
68
00:03:38,718 --> 00:03:39,853
IN THE MIDDLE
OF THE NIGHT.
69
00:03:39,886 --> 00:03:40,720
I DON'T.
70
00:03:40,754 --> 00:03:43,056
SHE SAID, NOT HELPING
THE SITUATION.
71
00:03:43,089 --> 00:03:44,491
WELL, I DON'T.
72
00:03:44,524 --> 00:03:46,493
AND I FIND IT OFFENSIVE
THAT WOMEN ALWAYS FEEL
73
00:03:46,526 --> 00:03:49,329
THAT WE HAVE TO APOLOGIZE
FOR OUR SUCCESS.
74
00:03:49,362 --> 00:03:50,063
THERE ARE NO FLUKES.
75
00:03:50,096 --> 00:03:51,331
THERE IS NO LUCK.
76
00:03:51,364 --> 00:03:53,767
THERE'S JUST TALENT
AND HARD WORK
77
00:03:53,800 --> 00:03:55,702
AND THE ABILITY TO BOUNCE BACK
WHEN YOU'RE KNOCKED DOWN.
78
00:03:55,735 --> 00:03:57,737
NO MORE, NO LESS.
79
00:03:57,771 --> 00:03:59,706
AND I ALWAYS THOUGHT
SHE SCREWED HER WAY TO THE TOP.
80
00:03:59,739 --> 00:04:01,508
YEAH, THAT'S DEFINITELY
THE STORY AS I HEARD IT.
81
00:04:01,541 --> 00:04:04,577
[laughter]
82
00:04:04,611 --> 00:04:05,912
COME ON.
83
00:04:05,945 --> 00:04:07,847
OH, YOU'RE PRETTYWHEN YOU CRY.
84
00:04:07,881 --> 00:04:11,317
I AM NOT.WHERE'S YOUR GLASS?GIVE ME YOUR GLASS.
85
00:04:21,895 --> 00:04:24,898
{\an8}[cell phone ringing]
86
00:04:32,005 --> 00:04:32,872
{\an8}HELLO.
87
00:04:32,906 --> 00:04:34,808
{\an8}DID YOU KNOW DREAMWORKS
ARE ALSO PLANNING
88
00:04:34,841 --> 00:04:36,576
{\an8}A GALILEOPROJECT?
89
00:04:36,609 --> 00:04:38,545
{\an8}HECTOR, WHERE ARE YOU?
90
00:04:38,578 --> 00:04:39,646
{\an8}LONDON.
91
00:04:39,679 --> 00:04:42,615
{\an8}(Shane)
DOES HE HAVE ANY IDEA WHAT TIME IT IS?
92
00:04:42,649 --> 00:04:45,485
{\an8}UM, YEAH. I'M JUST, UH,
I'M JUST CHECKING MY NOTES.
93
00:04:45,518 --> 00:04:47,487
{\an8}I KNOW THAT THERE WAS TALK
OF POSSIBLY PUTTING
94
00:04:47,520 --> 00:04:48,655
{\an8}AN OLDER SCRIPTINTO DEVELOPMENT
95
00:04:48,688 --> 00:04:50,757
{\an8}IF THEY CAN ATTACH
THE RIGHT ACTOR.
96
00:04:50,790 --> 00:04:52,892
{\an8}THEY HAVE.
LEONARDO DICAPRIO.
97
00:04:52,926 --> 00:04:54,594
{\an8}I THOUGHT HE WAS OURS.
98
00:04:54,627 --> 00:04:56,830
{\an8}WE ARE STILL IN NEGOTIATION,
BUT WE ARE VERY CLOSE.
99
00:04:56,863 --> 00:04:59,766
{\an8}LOOK, I AM SURE THAT THIS
DREAMWORKS THING IS A RUMOR.
100
00:04:59,799 --> 00:05:00,834
{\an8}[Taylor yells]
TAYLOR, YOU OKAY?
101
00:05:00,867 --> 00:05:01,735
{\an8}I WILL CALL
BUSINESS AFFAIRS
102
00:05:01,768 --> 00:05:03,703
{\an8}AND I WILL HAVE HIM CLOSE
THE DEAL...
103
00:05:03,737 --> 00:05:05,105
{\an8}I STEPPED IN GRADY'S
THROW UP, MOMMY. LOOK.
104
00:05:05,138 --> 00:05:07,474
{\an8}(Shane)
EW. HORRIBLE.
105
00:05:07,507 --> 00:05:09,576
{\an8}(Hector)I DOUBT THERE'S AN AUDIENCE FORTWOGALILEOS.
106
00:05:09,609 --> 00:05:11,845
{\an8}I'M NOT CONVINCEDTHERE'S AN AUDIENCE FOR ONE.
107
00:05:11,878 --> 00:05:13,513
{\an8}I AM SURE THAT IF OURS
GET RELEASED...
108
00:05:13,546 --> 00:05:14,581
{\an8}(Taylor)IS GRADY REALLY SICK?
109
00:05:14,614 --> 00:05:15,715
{\an8}(Shane)NO.
110
00:05:15,749 --> 00:05:18,585
{\an8}THEN WHY IS HE BARFING
ON YOUR PILLOW?
111
00:05:18,618 --> 00:05:19,452
{\an8}[cat coughing up hairball]
112
00:05:19,486 --> 00:05:21,621
{\an8}THERE IS NO NEED
TO WORRY ABOUT IT, OKAY?
113
00:05:21,654 --> 00:05:23,490
{\an8}HONESTLY,
WE'VE GOT LEO.
114
00:05:23,523 --> 00:05:24,290
{\an8}YOU CAN'T DO THAT.
115
00:05:24,324 --> 00:05:25,725
{\an8}(Hector)I'M NOT WORRIED, WENDY.
116
00:05:25,759 --> 00:05:27,494
{\an8}I HIRED YOU FOR THAT.
117
00:05:28,561 --> 00:05:29,662
{\an8}WHAT IS GOING ON?
118
00:05:29,696 --> 00:05:32,966
GRADY RAN UNDER THE BED
SO HE COULD DIE.
119
00:05:32,999 --> 00:05:34,601
(Shane)HE'S NOT GONNA DIE.COME ON.
120
00:05:34,634 --> 00:05:36,636
WHO DIED?
NOBODY, HONEY. GO BRUSH YOUR TEETH.
121
00:05:36,670 --> 00:05:39,005
I JUST DID.
JEEZ, CAN'T YOU TELL?
122
00:05:39,039 --> 00:05:40,807
I NEED TREATS.
123
00:05:40,840 --> 00:05:41,908
OH, I'LL GET THEM.
124
00:05:41,941 --> 00:05:43,610
SWEETHEART, WHY DON'T YOU GO
BACK TO BED?
125
00:05:43,643 --> 00:05:45,578
IT IS VERY EARLY.
126
00:05:45,612 --> 00:05:47,013
NOT FOR HECTOR MATRICK.
127
00:05:47,047 --> 00:05:48,815
(Wendy)HE'S IN LONDON, HONEY.
128
00:05:48,848 --> 00:05:49,949
YEAH, AND HE OWNS BIG BEN.
129
00:05:49,983 --> 00:05:51,518
HE SHOULD BE ABLE
TO TELL THE TIME.
130
00:05:51,551 --> 00:05:52,886
CAN I WATCH UNDERDOG?
131
00:05:52,919 --> 00:05:56,022
NO, SWEETHEART,
IT'S TOO EARLY.
132
00:05:56,056 --> 00:05:58,858
MADDIE, GO WASH UP.
AGAIN.
133
00:06:00,160 --> 00:06:02,128
SO ARE WE OUT OF TREATS?
OVER HERE.
134
00:06:02,162 --> 00:06:05,765
ALL RIGHT, I'M GONNA JUMP
IN THE SHOWER.
135
00:06:05,799 --> 00:06:07,600
DID YOU FINISH
FILLING THESE OUT?
136
00:06:07,634 --> 00:06:09,135
MM-HMM. EVERYTHING
BUT THE ESSAY.
137
00:06:09,169 --> 00:06:11,137
THERE WAS AN ESSAY?
UH-HUH.
138
00:06:11,171 --> 00:06:13,840
YEAH. YOU WANT YOUR SON
IN THE BEST PRIVATE SCHOOL,
139
00:06:13,873 --> 00:06:15,175
YOU BETTERTELL THEM WHY.
140
00:06:15,208 --> 00:06:16,576
60 WORDS OR LESS.
141
00:06:16,609 --> 00:06:19,045
HOW ABOUT TWO?
WE'RE DESPERATE.
142
00:06:19,079 --> 00:06:21,047
I TOLD YOU THAT THEY MOVED
THE INTERVIEW UP, RIGHT?
143
00:06:21,081 --> 00:06:23,183
IT'S 3:00, NOT 4:00.
144
00:06:23,216 --> 00:06:24,017
WHAT'S WRONG?
145
00:06:24,050 --> 00:06:25,985
I GOT A MEETING
FOR THE RESTAURANT.
146
00:06:26,019 --> 00:06:27,921
SHANE, WE BOTH HAVE
TO BE THERE.
147
00:06:27,954 --> 00:06:29,689
I'VE RESCHEDULED
MY ENTIRE DAY.
148
00:06:29,723 --> 00:06:31,791
OH, I SEE, AND SINCE
MY ENTIRE DAY
149
00:06:31,825 --> 00:06:32,892
CONSISTS OF ONLY ONE MEETING,
150
00:06:32,926 --> 00:06:34,828
AND I HAVE REALLY NOTHING ELSE
GOING IN MY LIFE...
151
00:06:34,861 --> 00:06:36,629
THAT IS NOT
WHAT I MEANT, SHANE.
152
00:06:36,663 --> 00:06:37,831
ALL RIGHT.
153
00:06:39,666 --> 00:06:40,800
[exhales]
154
00:06:40,834 --> 00:06:41,935
I'LL MAKE IT WORK.
155
00:06:41,968 --> 00:06:43,603
THANK YOU.
156
00:06:44,838 --> 00:06:45,805
COME HERE.
157
00:06:45,839 --> 00:06:48,074
WHAT ARE YOU DOING?
158
00:06:48,108 --> 00:06:49,943
I'M TRYING TO CONVINCE YOU
TO GO BACK TO BED.
159
00:06:49,976 --> 00:06:52,912
MM. MM-MM.
160
00:06:52,946 --> 00:06:54,948
COME ON.
WE CAN BE QUICK.
161
00:06:54,981 --> 00:06:57,717
I KNOW YOU.
YOU CAN'T.
162
00:06:59,719 --> 00:07:00,987
THAT USED TO BE
A GOOD THING.
163
00:07:01,021 --> 00:07:04,157
AND HE'S DETERMINED
TO MAKE TONIGHT ABOUT HIM.
164
00:07:04,190 --> 00:07:05,692
WHAT'S TONIGHT?
REMIND ME.
165
00:07:05,725 --> 00:07:06,793
THE BONFIREWEB LAUNCH.
166
00:07:06,826 --> 00:07:09,162
AND YOU CAN BET MIKE HARNESS
IS GONNA STRUT AROUND
167
00:07:09,195 --> 00:07:10,663
TAKING CREDIT FOR ALLOF MY WORK.
168
00:07:10,697 --> 00:07:11,398
WHERE ARE MY GLASSES?
169
00:07:11,431 --> 00:07:13,833
THEY'RE BY THE SINK.
THEY'RE NOT.
170
00:07:13,867 --> 00:07:15,902
YOU KNOW WHAT KILLS ME
IS EVERY OTHER MAGAZINE
171
00:07:15,935 --> 00:07:19,039
OF HECTOR'S IS TANKING
AND I'VE TURNED THIS ONE AROUND.
172
00:07:19,072 --> 00:07:22,242
AND MIKE ACTS AS IF HE'S GOT
THE MIDAS TOUCH.
173
00:07:22,275 --> 00:07:23,977
HECTOR KNOWS YOUR VALUE
TO THAT MAGAZINE.
174
00:07:24,010 --> 00:07:25,845
EVERYONE DOES.
175
00:07:25,879 --> 00:07:27,781
I HATE IT WHEN YOU CALL IT
THATMAGAZINE
176
00:07:27,814 --> 00:07:29,649
AS IF IT WERE
AN INFECTIOUS DISEASE.
177
00:07:29,683 --> 00:07:32,085
[laughs softly]
SORRY.
178
00:07:32,118 --> 00:07:34,621
JUST THINK YOUR TALENTS
ARE BEING WASTED.
179
00:07:34,654 --> 00:07:35,655
RATHER SEE YOU, UH,
180
00:07:35,689 --> 00:07:36,856
BROKERING PEACE
IN THE MIDDLE EAST
181
00:07:36,890 --> 00:07:40,694
OR FINDING A CURE
FOR GINGIVITIS.
182
00:07:40,727 --> 00:07:42,629
WHY DON'T YOU COME
WITH ME TONIGHT?
183
00:07:42,662 --> 00:07:46,700
I CAN'T. STILL HAVE A SYLLABUS
TO PULL TOGETHER. PLEASE.
184
00:07:46,733 --> 00:07:49,235
NICKI, I'D JUST END UP
KICKING MYSELF ALL NIGHT LONG
185
00:07:49,269 --> 00:07:52,739
FOR PLAYING HOOKY
AND RUINING YOUR GOOD TIME.
186
00:07:52,772 --> 00:07:54,741
WELL, WHAT IF I STAYED
HERE TOO?
187
00:07:54,774 --> 00:07:57,711
I MEAN,
WE COULD ORDER IN
188
00:07:57,744 --> 00:07:59,679
AND LIE ON THE SOFA
189
00:07:59,713 --> 00:08:01,047
AND DISCUSS, I DON'T KNOW...
190
00:08:01,081 --> 00:08:02,182
THE TROJAN WAR.
191
00:08:02,215 --> 00:08:03,750
[laughs softly]
192
00:08:03,783 --> 00:08:06,286
OH, COME ON.
IT COULD BE FUN.
193
00:08:06,319 --> 00:08:08,822
IT'S JUST GONNA BE
ANOTHER BORING, TEDIOUS PARTY.
194
00:08:08,855 --> 00:08:11,758
YOU COME ON, NICKI.
195
00:08:11,791 --> 00:08:13,226
I KNOW YOU.
196
00:08:13,259 --> 00:08:15,095
YOU'LL BE KICKING YOURSELF
AND ME
197
00:08:15,128 --> 00:08:17,764
ALL NIGHT LONG IF YOU DON'T GO
TO THAT BIG,
198
00:08:17,797 --> 00:08:19,666
TEDIOUS, BORING PARTY.
199
00:08:19,699 --> 00:08:20,934
OKAY?
NO.
200
00:08:20,967 --> 00:08:22,002
MWAH.
201
00:08:27,307 --> 00:08:31,177
[cell phone ringing]
202
00:08:32,746 --> 00:08:33,713
HELLO.
NICO.
203
00:08:33,747 --> 00:08:34,814
HEY, VIC.
204
00:08:34,848 --> 00:08:37,717
YOU'LL BE HAPPY TO KNOW
THAT I'M TAKING YOUR ADVICE
205
00:08:37,751 --> 00:08:39,319
AND I AM NOT HIDING.
GOOD.
206
00:08:39,352 --> 00:08:41,287
I AM FACING MY PUBLIC
207
00:08:41,321 --> 00:08:43,790
AND I REALLY FEEL
SO MUCH BETTER.
208
00:08:43,823 --> 00:08:45,759
I MEAN, REALLY, THERE'S NOTHING
TO BE EMBARRASSED ABOUT.
209
00:08:45,792 --> 00:08:48,028
I'M THE SAME VICTORY
THAT I ALWAYS WAS.
210
00:08:48,061 --> 00:08:50,764
AND NO REVIEWS
CAN CHANGE THAT.
211
00:08:52,065 --> 00:08:55,235
[employees, mournfully]
HI.
212
00:08:55,268 --> 00:08:56,803
[phone rings]
213
00:08:56,836 --> 00:08:57,937
(receptionist)GOOD MORNING.
214
00:08:57,971 --> 00:08:59,706
PARADOR PICTURES,
PLEASE HOLD.
215
00:08:59,739 --> 00:09:01,708
GOOD MORNING.
PARADOR PICTURES.
216
00:09:02,842 --> 00:09:04,344
WHERE WERE YOU?
I KNOW, JOSH, I'M SORRY.
217
00:09:04,377 --> 00:09:06,746
I HAD TO TAKE MY KIDS
TO SCHOOL AT THE LAST MINUTE.
218
00:09:06,780 --> 00:09:08,081
WELL, YOU'RE LATE.
219
00:09:08,114 --> 00:09:09,849
YOU HAVE DAILIES ON FALLINGFOR PHOEBETEN MINUTES AGO.
220
00:09:09,883 --> 00:09:13,720
OH. PLEASE TELL ME TODAY'S
ARE GOING TO BE BETTER.
221
00:09:13,753 --> 00:09:14,654
OKAY, LOOK.
222
00:09:14,688 --> 00:09:17,957
TELL SELDEN TO MEET ME
IN THE SCREENING ROOM.
223
00:09:17,991 --> 00:09:19,092
I NEED TO KNOW
224
00:09:19,125 --> 00:09:21,261
IF LEONARDO DICAPRIO'S DEAL
IS CLOSED.
225
00:09:21,294 --> 00:09:22,762
THANK YOU.
226
00:09:22,796 --> 00:09:23,997
OH, AND EVERYBODY,
227
00:09:24,030 --> 00:09:24,798
PUT DOWNYOUR SUDOKU PUZZLES.
228
00:09:24,831 --> 00:09:26,066
CALL ALLYOUR ASSISTANT FRIENDS
229
00:09:26,099 --> 00:09:29,135
AND FIND OUT IF DREAMWORKS
HAS A GALILEOPROJECT.
230
00:09:29,169 --> 00:09:31,838
WHAT KIND OF A MUFFIN IS THIS?
LOOKS KIND OF WEIRD.
231
00:09:31,871 --> 00:09:34,274
MM. NEVER MIND.
IT'S GOOD.
232
00:09:40,880 --> 00:09:41,781
GOOD MORNING, REBECCA.
233
00:09:41,815 --> 00:09:43,049
MORNING.
234
00:09:43,083 --> 00:09:44,351
GET ME HECTOR MATRICK.
235
00:09:44,384 --> 00:09:45,852
I PROMISED HIM
I'D BRIEF HIM
236
00:09:45,885 --> 00:09:47,987
ON THE DETAILS
OF TONIGHT'S EVENT.
237
00:09:48,021 --> 00:09:50,790
OH, I THINK MIKE HARNESS
ALREADY DID THAT.
238
00:09:50,824 --> 00:09:54,828
WHAT? HE DOESN'T KNOW
ANYTHING ABOUT THE WEB LAUNCH.
239
00:09:54,861 --> 00:09:56,329
HIS ASSISTANT CAME LAST NIGHT
AND PICKED UP YOUR NOTES.
240
00:09:58,164 --> 00:10:00,367
SHE ACTED LIKE YOU KNEW.
241
00:10:00,400 --> 00:10:02,402
I AM SO SORRY,
NICO.
242
00:10:02,435 --> 00:10:04,904
GET ME MIKE HARNESS.
NOW.
243
00:10:04,938 --> 00:10:07,040
ABSOLUTELY.
244
00:10:08,208 --> 00:10:09,809
I'M NOT WORRIED.
DON'T FORGET.
245
00:10:09,843 --> 00:10:14,047
WE HAVE 325 STORES
IN ASIA.
246
00:10:15,115 --> 00:10:16,783
WHAT?
247
00:10:16,816 --> 00:10:18,351
MRS. IKITO
CALLED FROM JAPAN.
248
00:10:18,385 --> 00:10:19,586
SHE HATED IT.
249
00:10:19,619 --> 00:10:22,889
WANTS A MEETING WITH YOU NEXTWEEK IN TOKYO TO DISCUSS...
250
00:10:22,922 --> 00:10:23,990
THE FUTURE.
251
00:10:24,024 --> 00:10:26,926
UGH.
252
00:10:26,960 --> 00:10:29,829
(receptionist)JOE BENNETT IS ON LINE ONE.
253
00:10:29,863 --> 00:10:31,798
THE BAZILLIONAIRE?
254
00:10:31,831 --> 00:10:34,868
I KNOW WHO HE IS.
WHY IS HE CALLING ME?
255
00:10:36,336 --> 00:10:37,437
VICTORY FORD.
256
00:10:37,470 --> 00:10:38,438
YES, THIS IS ELLEN
257
00:10:38,471 --> 00:10:39,339
FROM JOE BENNETT'S OFFICE.
258
00:10:39,372 --> 00:10:41,141
MR. BENNETT WOULD LIKE YOU
TO MEET HIM
259
00:10:41,174 --> 00:10:42,409
FOR DINNER TONIGHT
AT BOULE.
260
00:10:42,442 --> 00:10:46,413
UH...AND WHAT IS THIS
IN REFERENCE TO?
261
00:10:46,446 --> 00:10:48,148
OH, HE, UH,
262
00:10:48,181 --> 00:10:49,816
FINDS YOU VERY ATTRACTIVE.
263
00:10:49,849 --> 00:10:51,818
AND ACCORDING TO GOOGLE,
YOU ARE SINGLE.
264
00:10:51,851 --> 00:10:55,088
I'M SORRY. ARE YOU ASKING ME OUT
ON A DATE?
265
00:10:55,121 --> 00:10:57,824
YES, I AM. UH, HE IS.
266
00:10:57,857 --> 00:11:00,827
WELL, TELL MR. BENNETT
THANK YOU VERY MUCH,
267
00:11:00,860 --> 00:11:02,128
BUT I DO NOT GO OUT--
268
00:11:02,162 --> 00:11:03,830
IT'S JUST THATHE WAS IN THE AUDIENCE
269
00:11:03,863 --> 00:11:05,165
OF YOUR SHOW
THE OTHER NIGHT,
270
00:11:05,198 --> 00:11:06,833
AND HE ABSOLUTELY LOVED IT.
271
00:11:08,368 --> 00:11:11,938
OH, REALLY?
272
00:11:11,971 --> 00:11:14,908
LEONARDO'S DEAL.
IS IT CLOSED?
273
00:11:14,941 --> 00:11:17,010
NOT YET. THE, UH,
THE AGENT IS HOLDING OUT
274
00:11:17,043 --> 00:11:18,311
FOR FINAL CUT.
275
00:11:18,345 --> 00:11:19,212
IT'S A CHICKEN GAME.
276
00:11:19,245 --> 00:11:21,348
WELL, YOU BETTER
LOCK THIS THING UP TODAY.
277
00:11:21,381 --> 00:11:23,416
DREAMWORKS MAY BE ON OUR HEELS
WITH THEIR OWN GALILEOMOVIE
278
00:11:23,450 --> 00:11:25,952
AND I TOLD HECTOR MATRICK
WE HAVE HIM.
279
00:11:25,985 --> 00:11:28,088
I AM NOT GIVING HIM
FINAL CUT.
280
00:11:28,121 --> 00:11:29,122
I KNOW.
281
00:11:29,155 --> 00:11:31,925
BUT I HAVE NURTURED THIS THING
FOR FIVE LONG YEARS.
282
00:11:31,958 --> 00:11:33,993
I BROUGHT IT IN.
I CONVINCED THEM TO DO IT.
283
00:11:34,027 --> 00:11:35,395
IF DREAMWORKS MAKES
A SCHMUCK OUT OF ME,
284
00:11:35,428 --> 00:11:37,030
IT'S MY ASS
ON THE LINE.
285
00:11:39,232 --> 00:11:41,501
DID HE JUST CRINGE
AFTER HE KISSED HER?
286
00:11:41,534 --> 00:11:43,336
OH, MY GOD.
287
00:11:43,370 --> 00:11:45,872
WHAT IS THIS DIRECTOR DOING?
288
00:11:47,974 --> 00:11:48,942
(Nico)SOBONFIRE,
289
00:11:48,975 --> 00:11:50,977
THE BEST
IN COVERING CELEBRITIES,
290
00:11:51,011 --> 00:11:52,412
POLITICS, AND CULTURE,
291
00:11:52,445 --> 00:11:55,982
WILL NOW SET THE STANDARD
IN EVERY MEDIA PLATFORM.
292
00:11:56,016 --> 00:11:58,251
ON BEHALF OF THE ENTIRE
MATRICK-GURNER FAMILY,
293
00:11:58,284 --> 00:12:00,120
I WOULD LIKE TO THANK
EVERYONE WHO'S MADE
294
00:12:00,153 --> 00:12:02,055
THIS MOMENT POSSIBLE.
295
00:12:02,088 --> 00:12:03,890
ENJOY.
296
00:12:06,159 --> 00:12:08,361
LISTEN, I, UH, HEARD
YOU THREW A LITTLE FIT
297
00:12:08,395 --> 00:12:10,497
ABOUT ME BRIEFING HECTOR.
298
00:12:10,530 --> 00:12:12,065
HE AND I WERE PLAYING GOLF
THIS MORNING,
299
00:12:12,098 --> 00:12:13,500
AND IT JUST SEEMED EASIER
FOR ME TO DO IT.
300
00:12:13,533 --> 00:12:14,501
THAT'S ALL.
301
00:12:14,534 --> 00:12:16,102
OH, THANKS
FOR CLEARING THAT UP.
302
00:12:16,136 --> 00:12:17,971
OH, I HAVE SOMETHING
TO CLEAR UP WITH YOU.
303
00:12:18,004 --> 00:12:19,906
YOU KNOW, WHEN A WOMAN
EXPRESSES HER CONCERN
304
00:12:19,939 --> 00:12:23,009
THAT AN IMPORTANT BUSINESS
MATTER BE DEALT WITH CORRECTLY,
305
00:12:23,043 --> 00:12:25,011
SHE'S NOT THROWING A FIT.
306
00:12:25,045 --> 00:12:28,181
SHE'S JUST DOING HER JOB.
ENJOY THE PARTY.
307
00:12:30,183 --> 00:12:32,385
[cell phone rings]
308
00:12:32,419 --> 00:12:33,253
HELLO.
309
00:12:33,286 --> 00:12:35,288
(Ellen)UH, MISS FORD, IT'S ELLEN
310
00:12:35,321 --> 00:12:36,489
FROM JOE BENNETT'S OFFICE.
311
00:12:36,523 --> 00:12:39,025
THE CAR'S DOWNSTAIRSWAITING FOR YOU.
312
00:12:39,059 --> 00:12:41,528
OKAY. UH, TELL MR. BENNETT
THAT I WILL BE RIGHT DOWN.
313
00:12:41,561 --> 00:12:45,932
OH, NO. NOT MR. BENNETTHIMSELF--THE CAR.
314
00:12:45,965 --> 00:12:47,100
HE'S NOT ACTUALLYIN THE CAR.
315
00:12:47,133 --> 00:12:51,037
HE SENDS THE CAR AND THE CARWILL DELIVER YOU TO HIM.
316
00:12:51,071 --> 00:12:53,073
OKAY.
317
00:13:01,414 --> 00:13:04,050
I'LL TAKE A BEER.
WHATEVER'S COLD.
318
00:13:04,084 --> 00:13:06,086
HOW ABOUT YOU?
CAN I BUY YOU A DRINK?
319
00:13:06,119 --> 00:13:07,954
ME? OH, NO THANK YOU.
I'M GOOD.
320
00:13:07,987 --> 00:13:10,023
YOU SURE?
THEY'RE FREE, YOU KNOW.
321
00:13:10,056 --> 00:13:12,192
BEST THING ABOUT THESE EVENTS
IN MY OPINION.
322
00:13:12,225 --> 00:13:13,393
YOU THINK THEY'RE GONNA BE
A BIG DEAL,
323
00:13:13,426 --> 00:13:15,462
AND THEN YOU GET IN
AND IT'S JUST A BUNCH
324
00:13:15,495 --> 00:13:17,964
OF OVERDRESSED PEOPLE
GIVING BORING SPEECHES
325
00:13:17,997 --> 00:13:20,000
ABOUT THINGS THAT NO ONE
REALLY CARES ABOUT.
326
00:13:20,033 --> 00:13:22,035
YEAH, I HEAR YOU.
327
00:13:22,068 --> 00:13:23,036
I'M KIRBY ATWOOD.
328
00:13:23,069 --> 00:13:25,071
NICO REILLY.
329
00:13:25,105 --> 00:13:27,040
I GAVE THE BORING SPEECH.
330
00:13:27,073 --> 00:13:29,476
AW.
331
00:13:29,509 --> 00:13:33,179
I AM SO SORRY.
332
00:13:33,213 --> 00:13:36,483
LOOK, NOW YOU HAVE TO LET ME
BUY YOU THAT FREE DRINK.
333
00:13:36,516 --> 00:13:39,619
OKAY.
334
00:13:39,652 --> 00:13:42,322
TAKE 18.
335
00:13:42,355 --> 00:13:43,623
WE FELL IN THE FALL.
336
00:13:43,656 --> 00:13:46,226
JUST LIKE THE FORTUNE COOKIE
PREDICTED.
337
00:13:46,259 --> 00:13:50,363
WE DID, DIDN'T WE?
338
00:13:50,397 --> 00:13:51,364
(Wendy)OKAY, THAT.
339
00:13:51,398 --> 00:13:52,565
THAT RIGHT THERE.
340
00:13:52,599 --> 00:13:54,367
WHY IS HE DOING THAT?
341
00:13:54,401 --> 00:13:56,102
IT'S THE END OF THE MOVIE.
342
00:13:56,136 --> 00:13:57,637
THEY'RE FINALLY IN LOVE.
343
00:13:57,671 --> 00:14:00,106
HELP ME UNDERSTAND, BRUNO.
344
00:14:00,140 --> 00:14:01,508
WHY IS HE LOOKING
AT THE GUY WITH THE DOG?
345
00:14:01,541 --> 00:14:03,376
UM, I'M GLAD
YOU NOTICED THAT.
346
00:14:03,410 --> 00:14:05,078
THAT WAS SUBTLE,BUT I LIKE WHAT WE DID THERE.
347
00:14:05,111 --> 00:14:07,280
THE GUY WITH THE DOG
348
00:14:07,313 --> 00:14:10,550
IS THE LIFE
HE'LL NEVER HAVE.
349
00:14:10,583 --> 00:14:12,252
SEE, IN MY SUBTEXT,
BILLY'S GAY.
350
00:14:12,285 --> 00:14:13,453
WHAT?
351
00:14:13,486 --> 00:14:15,255
IT GIVES THE PIECE
AN INTERESTING LAYER.
352
00:14:15,288 --> 00:14:16,456
DON'T YOU THINK?
353
00:14:16,489 --> 00:14:19,125
I MEAN, WHO NEEDS ANOTHER
FROTHY, ROMANTIC COMEDY, RIGHT?
354
00:14:19,159 --> 00:14:20,326
HA.
355
00:14:20,360 --> 00:14:23,263
ACTUALLY, BRUNO...
356
00:14:23,296 --> 00:14:25,365
I DO.
357
00:14:25,398 --> 00:14:27,133
LOOK.
358
00:14:27,167 --> 00:14:28,668
IT WAS A BOLD EXPERIMENT
359
00:14:28,702 --> 00:14:31,037
PUTTING YOU ON A LIGHTER FILM
LIKE THIS.
360
00:14:31,071 --> 00:14:33,039
I JUST DON'T THINK
IT'S A GOOD FIT.
361
00:14:33,073 --> 00:14:35,108
WE'RE NOT HAPPY.
362
00:14:35,141 --> 00:14:37,043
AND I DON'T THINK
YOU'RE HAPPY.
363
00:14:38,078 --> 00:14:39,179
WHAT'S HAPPENING HERE?
364
00:14:54,094 --> 00:14:56,596
YEAH, WE'RE GOING OUT
RIGHT NOW.
365
00:14:56,629 --> 00:14:58,698
SURE, SHE'S PRETTY.
366
00:14:58,732 --> 00:15:00,533
SHE'S GORGEOUS.
367
00:15:00,567 --> 00:15:02,302
PRETTIER THAN HER PICTURES.
368
00:15:02,335 --> 00:15:03,570
OH, HAVE YOU GOTMY BUBBLES?
369
00:15:03,603 --> 00:15:04,637
I'M NOT DRINKINGRESTAURANT CHAMPAGNE.
370
00:15:04,671 --> 00:15:07,073
WELL, YOU WANT TO GO AHEAD
AND OPEN THAT, PLEASE?
371
00:15:07,107 --> 00:15:09,509
I'M JUST GONNA BE
A MINUTE, OKAY?
372
00:15:09,542 --> 00:15:11,511
NO. WELL,I DON'T KNOW THAT.
373
00:15:11,544 --> 00:15:12,512
WELL, THAT'S NOT--
374
00:15:12,545 --> 00:15:14,614
THAT DOESN'T FALLON OUR SHOULDERS, DOES IT?
375
00:15:14,647 --> 00:15:16,216
* YOU KEEP CALLING ME *
376
00:15:16,249 --> 00:15:17,517
* BACK TO YOUR HEART *
377
00:15:17,550 --> 00:15:18,518
* LET ME HEAR YOU SAY *
378
00:15:18,551 --> 00:15:20,120
* I'M SO GLAD YOU FOUND ME *
379
00:15:20,153 --> 00:15:22,322
* OH, WRAP YOUR WORLD
AROUND ME *
380
00:15:22,355 --> 00:15:24,724
GOD, I CAN'T STOP
LOOKING AT YOU.
381
00:15:24,758 --> 00:15:26,459
[laughs]
382
00:15:26,493 --> 00:15:28,495
IS IT--IS THAT--IS IT BAD
OF ME TO SAY THAT?
383
00:15:28,528 --> 00:15:30,096
NO. SORRY.
384
00:15:30,130 --> 00:15:31,498
LOOK, UM, I'M SORRY.
385
00:15:31,531 --> 00:15:33,366
I JUST SAY THINGS
WHEN I THINK 'EM.
386
00:15:33,400 --> 00:15:34,501
I DON'T REALLY
HAVE A, UH...
387
00:15:34,534 --> 00:15:36,436
WHAT DO YOU...
388
00:15:36,469 --> 00:15:37,704
WHATEVER.
IT DOESN'T MATTER.
389
00:15:37,737 --> 00:15:43,209
CLEARLY, I'M NOT MUCH
OF A WORDS PERSON.
390
00:15:43,243 --> 00:15:47,514
AND YOU ARE AMAZING,
THOUGH.
391
00:15:47,547 --> 00:15:49,182
REALLY.
392
00:15:52,218 --> 00:15:53,620
I'M...
393
00:15:53,653 --> 00:15:57,357
I'M SORRY IF I'VE JUST BEEN
STARING AT YOU ALL NIGHT.
394
00:15:57,390 --> 00:16:01,161
BUT...IT'S, UH,
395
00:16:01,194 --> 00:16:05,498
IT'S JUST BEEN HARD,
YOU KNOW...
396
00:16:05,532 --> 00:16:07,634
NOT TO.
397
00:16:07,667 --> 00:16:11,171
WOULD YOU, UM,
'SCUSE--'SCUSE ME?
398
00:16:12,806 --> 00:16:14,541
YEAH.
399
00:16:16,409 --> 00:16:18,311
WHEW. OKAY.
400
00:16:25,552 --> 00:16:28,521
WAIT, WAIT.
DO YOU KNOW HOW OLD I AM?
401
00:16:28,555 --> 00:16:30,757
I DON'T CARE.
402
00:16:30,790 --> 00:16:33,793
MM. MM.
403
00:16:33,827 --> 00:16:35,161
ARE YOU LOOKING FOR A JOB?
404
00:16:35,195 --> 00:16:37,263
NO.
405
00:16:37,297 --> 00:16:40,333
MM. MM. I JUST--
I DON'T UNDERSTAND WHAT--
406
00:16:40,367 --> 00:16:42,702
SHH. YOU'RE SEXY.
407
00:16:42,736 --> 00:16:44,504
STOP TALKING.
408
00:16:44,537 --> 00:16:46,606
[Goldfrapp's Ooh La La]
409
00:16:46,639 --> 00:16:49,576
OH, MY GOD.
410
00:16:49,609 --> 00:16:51,444
NO, NO, NO.
NO, NO, NO, NO, NO.
411
00:16:51,478 --> 00:16:53,413
I'M MARRIED.
I DON'T DO THIS.
412
00:16:53,446 --> 00:16:55,348
OH, MY GOD.
413
00:16:55,382 --> 00:16:59,185
OH, HEY, NO WORRIES.
414
00:16:59,219 --> 00:17:01,321
IT'S COOL.
415
00:17:01,354 --> 00:17:03,356
GIVE ME A CALL
IF YOU CHANGE YOUR MIND.
416
00:17:03,390 --> 00:17:05,625
I WILL. THANK YOU.
I'LL DO THAT.
417
00:17:05,658 --> 00:17:09,429
LET ME, UH,
GIVE YOU MY NUMBER.
418
00:17:09,462 --> 00:17:17,470
* *
419
00:17:22,308 --> 00:17:23,543
AH.
420
00:17:29,349 --> 00:17:30,684
OH.
421
00:17:33,253 --> 00:17:36,322
[laughing]
422
00:17:36,356 --> 00:17:37,824
EXCELLENT. EXCELLENT.
423
00:17:41,861 --> 00:17:43,663
I'M REALLY GLAD
WE'RE DOING THIS.
424
00:17:44,898 --> 00:17:46,599
DO YOU REALLY THINK
IT'S NECESSARY
425
00:17:46,633 --> 00:17:49,302
TO HAVE YOUR ASSISTANT
CARRY YOUR CHAMPAGNE
426
00:17:49,336 --> 00:17:51,604
OUT TO YOUR CAR?
427
00:17:51,638 --> 00:17:53,239
WHY WOULD SHE MIND?
428
00:17:53,273 --> 00:17:55,408
SHE'S THE BEST PAID SECRETARY
IN NEW YORK.
429
00:17:55,442 --> 00:17:56,509
SHE LOVES ME.
430
00:17:56,543 --> 00:17:58,345
ONLY BECAUSE SHE HAS TO.
431
00:17:58,378 --> 00:17:59,546
AND WHY DO YOU MAKE HER
432
00:17:59,579 --> 00:18:01,314
ARRANGE YOUR DATES
FOR HER?
433
00:18:01,348 --> 00:18:02,816
WHY CAN'T YOU CALL
A WOMAN YOURSELF?
434
00:18:02,849 --> 00:18:05,285
CLEARLY, YOU KNOW
HOW TO USE THE PHONE.
435
00:18:05,318 --> 00:18:06,152
BECAUSE, VICTORY,
436
00:18:06,186 --> 00:18:09,356
MY TIME IS WORTH
ABOUT $5,000 A MINUTE.
437
00:18:09,389 --> 00:18:11,491
I'M NOT SAYING
THAT YOU'RE NOT WORTH IT.
438
00:18:11,524 --> 00:18:13,827
BUT IF I'D CALLED YOU MYSELF
AND YOU TURNED ME DOWN,
439
00:18:13,860 --> 00:18:16,396
THAT WOULD'VE COST ME
ABOUT $20,000.
440
00:18:16,429 --> 00:18:18,331
SURELY YOU CAN AFFORD THAT.
441
00:18:18,365 --> 00:18:20,367
YEAH, WELL, IT'S NOT
WHAT I CAN AFFORD,
442
00:18:20,400 --> 00:18:21,501
IT'S WHAT I CHOOSE
TO AFFORD.
443
00:18:21,534 --> 00:18:22,836
SEE, I DON'T HAVE
TO DO ANYTHING
444
00:18:22,869 --> 00:18:23,870
THAT I DON'T WANT TO DO.
445
00:18:23,903 --> 00:18:27,340
AND SO, YOU KNOW,
IF I CHOOSE TO BE WITH YOU,
446
00:18:27,374 --> 00:18:29,342
IT'S BECAUSE I WANT TO BE.
447
00:18:34,581 --> 00:18:36,616
(Charles)HEY, NICKI?
448
00:18:36,649 --> 00:18:38,518
DO WE HAVE ANYTHING, UH,NEXT SUNDAY?
449
00:18:38,551 --> 00:18:41,388
I'M, UH, I-I HAVE TO CHECK.
WHY?
450
00:18:41,421 --> 00:18:43,890
WELL, THE HEAD
OF THE HISTORY DEPARTMENT
451
00:18:43,923 --> 00:18:48,328
AT AMHERSTASKED ME TO SIT ON SOME PANEL.
452
00:18:48,361 --> 00:18:50,397
I GUESS TED SENTAN ADVANCE COPY OF THE BOOK.
453
00:18:50,430 --> 00:18:54,934
I DIDN'T ASK HIM ABOUT
ALL THE PROMOTION, YOU KNOW.
454
00:18:54,968 --> 00:18:57,303
ANYWAY...
[turns on water]
455
00:18:57,337 --> 00:18:58,304
YOU UP FOR IT?
456
00:18:58,338 --> 00:18:59,372
I WAS WONDERING MAYBE,
457
00:18:59,406 --> 00:19:00,774
YOU KNOW,
DO AN OVERNIGHT.
458
00:19:00,807 --> 00:19:04,644
STAY AT THE LITTLE HOTELYOU LOVE. HMM?
459
00:19:04,678 --> 00:19:07,547
SURE.
GOOD.
460
00:19:08,982 --> 00:19:12,652
OH. I LOOK LIKE HELL.
461
00:19:12,686 --> 00:19:14,387
GOIN' TO BED.
462
00:19:14,421 --> 00:19:15,889
GOOD NIGHT, HON.
NIGHT.
463
00:19:32,505 --> 00:19:34,841
YOU KNOW...
464
00:19:34,874 --> 00:19:36,643
YOU MAY NOT BE
AS MUCH OF AN ASS
465
00:19:36,676 --> 00:19:38,645
AS I THOUGHT YOU WERE.
466
00:19:38,678 --> 00:19:40,780
[laughs]
467
00:19:40,814 --> 00:19:43,850
WELL, YOU KNOW
WHAT THEY SAY...
468
00:19:43,883 --> 00:19:45,852
ALL MEN ARE ASSES
AND ALL WOMEN ARE CRAZY.
469
00:19:45,885 --> 00:19:48,588
SO DO YOU THINK
I'M CRAZY?
470
00:19:48,621 --> 00:19:52,726
HMM. I'M NOT SURE YET.
471
00:19:52,759 --> 00:19:54,494
BUT IT'S THE MOMENTS
472
00:19:54,527 --> 00:19:55,862
BEFORE YOU KNOW THE TRUTH
ABOUT SOMEONE
473
00:19:55,895 --> 00:19:57,530
THAT REALLY ARE
THE MOST EXCITING, AREN'T THEY?
474
00:19:57,564 --> 00:20:00,233
TO THE MOMENTS BEFORE.
475
00:20:10,310 --> 00:20:11,711
(Wendy)LEONARDO'S DEAL
476
00:20:11,745 --> 00:20:13,046
IS STILL NOT CLOSED?
477
00:20:13,079 --> 00:20:14,047
JOSH!
478
00:20:14,080 --> 00:20:15,482
GET SEL.
479
00:20:17,517 --> 00:20:18,885
AND WHAT IS THIS?
480
00:20:18,918 --> 00:20:20,553
WHY DO I KEEP GETTING
PRODUCTION REPORTS
481
00:20:20,587 --> 00:20:22,288
ON FALLING FOR PHOEBE?
482
00:20:22,322 --> 00:20:24,657
I THOUGHT THEY WERE
SHUT DOWN.
483
00:20:24,691 --> 00:20:26,292
(Josh)YEAH, THEY'RE STILL SHOOTING.
484
00:20:26,326 --> 00:20:27,961
I THOUGHT THAT WAS
A LITTLE ODD TOO.
485
00:20:27,994 --> 00:20:29,829
DIDN'T YOU FIRETHE DIRECTOR?
486
00:20:29,863 --> 00:20:32,298
YES, I DID, JOSH.
DAMN IT.
487
00:20:32,332 --> 00:20:33,700
ALL RIGHT, FORGET SEL.
488
00:20:33,733 --> 00:20:35,068
GET BRUNO CARR RIGHT NOW
489
00:20:35,101 --> 00:20:37,037
AND LET'S SEE WHAT THE HELL'S
GOING ON DOWN THERE.
490
00:20:39,606 --> 00:20:41,508
YOU HAVE MUFFIN
ON YOUR BREAST.
491
00:20:45,512 --> 00:20:50,517
[soft chatter]
492
00:20:50,550 --> 00:20:52,585
SORRY I'M LATE.
LATE FOR WHAT?
493
00:20:52,619 --> 00:20:53,620
WELL, I ASSUME
WE'RE HAVING A MEETING.
494
00:20:53,653 --> 00:20:54,654
NO. WE'RE HAVING LUNCH.
495
00:20:54,688 --> 00:20:56,723
OH, WELL, I JUST DIDN'T WANT
TO BE OUT OF THE LOOP.
496
00:20:56,756 --> 00:20:57,924
WERE YOU THINKING
497
00:20:57,957 --> 00:20:59,592
OF SOMETHING
IN PARTICULAR?
498
00:20:59,626 --> 00:21:00,593
YEAH, THE AGENDA FOR ZURICH.
499
00:21:02,562 --> 00:21:03,563
NICO,THAT WAS ONLY DISCUSSED
500
00:21:03,596 --> 00:21:04,364
BECAUSE YOU WEREN'T AVAILABLE.
501
00:21:04,397 --> 00:21:05,799
WELL, BECAUSE YOU DIDN'T
LET ME KNOW.
502
00:21:05,832 --> 00:21:06,666
I WOULD'VE BEEN AVAILABLE--
503
00:21:06,700 --> 00:21:08,568
MIKE, WHY DON'T YOU SWING BY
YOUR OFFICE
504
00:21:08,601 --> 00:21:10,570
AND BRING UP THE DOCUMENTS
IN QUESTION.
505
00:21:10,603 --> 00:21:11,338
OF COURSE.
506
00:21:11,371 --> 00:21:12,372
THANK YOU.
507
00:21:12,405 --> 00:21:14,107
SIT DOWN, NICO.YOU'RE SCARY WHEN YOU HOVER.
508
00:21:14,140 --> 00:21:18,044
SO WHAT'S GOING ON
BETWEEN YOU TWO?
509
00:21:18,078 --> 00:21:20,547
LOOK, MAYBE I'M JUMPING
TO CONCLUSIONS.
510
00:21:20,580 --> 00:21:22,115
IT JUST SEEMS
LIKE YOU'RE GROOMING MIKE
511
00:21:22,148 --> 00:21:24,884
TO BECOME CREATIVE DIRECTOR.
512
00:21:24,918 --> 00:21:26,686
AND YOU SEE THAT
AS A MISTAKE.
513
00:21:26,720 --> 00:21:27,821
HECTOR,
514
00:21:27,854 --> 00:21:30,357
I THINK YOU NEED SOMEONE
WITH A VISION.
515
00:21:30,390 --> 00:21:32,359
BONFIREIS A PUBLICATION
516
00:21:32,392 --> 00:21:34,127
THAT'S MADE A PROFIT
IN THE LAST TWO QUARTERS.
517
00:21:34,160 --> 00:21:35,595
IF YOUR OTHER MAGAZINES--
518
00:21:35,628 --> 00:21:37,897
I DON'T SEE YOU
IN THAT POSITION.
519
00:21:39,599 --> 00:21:40,133
WHY NOT?
520
00:21:40,166 --> 00:21:41,668
WELL, NUMBER ONE,
521
00:21:41,701 --> 00:21:42,936
YOU'RE DOING A FINE JOB
WHERE YOU ARE.
522
00:21:42,969 --> 00:21:44,371
AND NUMBER TWO?
523
00:21:44,404 --> 00:21:47,073
HONESTLY, YOU'RE A WOMAN
OF A CERTAIN AGE
524
00:21:47,107 --> 00:21:50,110
WHO'S APPROACHING
A CRITICAL JUNCTURE IN HER LIFE.
525
00:21:50,143 --> 00:21:51,711
YOUR DECISION
TO START A FAMILY IS--
526
00:21:51,745 --> 00:21:52,946
WHOA, WHOA, STOP.
527
00:21:52,979 --> 00:21:54,814
WHO SAID THAT I WANTED
TO START A FAMILY?
528
00:21:54,848 --> 00:21:55,815
YOU DID.
529
00:21:55,849 --> 00:21:57,784
TO MY WIFE.
530
00:21:57,817 --> 00:21:59,919
YOU BOTH ATTENDED A FUNCTION
A FEW WEEKS BACK,
531
00:21:59,953 --> 00:22:02,555
AND EVIDENTLY, YOU BECAME
QUITE MISTY.
532
00:22:02,589 --> 00:22:04,924
THAT WAS A BABY SHOWER.
533
00:22:04,958 --> 00:22:07,927
I WASN'T MISTY. I MEAN,
WHAT WAS I SUPPOSED TO SAY?
534
00:22:07,961 --> 00:22:09,996
"WHO NEEDS A RATTLE WHEN
YOU CAN JUST THROW YOUR KID
535
00:22:10,030 --> 00:22:11,031
A CHICKEN BONE?"
536
00:22:11,064 --> 00:22:12,932
I KNOW THIS IS
A SENSITIVE SUBJECT.
537
00:22:12,966 --> 00:22:17,404
WELL, NOT FOR THE REASONS
THAT YOU MIGHT THINK.
538
00:22:17,437 --> 00:22:19,639
AND MIGHT I POINT OUT
539
00:22:19,673 --> 00:22:20,807
THAT MIKE HAS TWO KIDS.
540
00:22:20,840 --> 00:22:22,575
THERE'S NO COMPARISON.
541
00:22:22,609 --> 00:22:23,943
IT'S CHALK AND CHEESE.
542
00:22:23,977 --> 00:22:26,946
LOOK, THE LAST WOMAN
I PROMOTED TO A TOP POST
543
00:22:26,980 --> 00:22:28,682
WENT OFF, HAD A CHILD,
544
00:22:28,715 --> 00:22:31,151
AND LOST HER DRIVE--
LOST HER FOCUS.
545
00:22:31,184 --> 00:22:34,587
MEN AND WOMAN
ARE HARDWIRED DIFFERENTLY.
546
00:22:35,755 --> 00:22:37,757
OF COURSE...
547
00:22:37,791 --> 00:22:39,926
YOU COULD PROVE ME WRONG.
548
00:22:39,959 --> 00:22:41,661
I THOUGHT I ALREADY HAD.
549
00:22:41,695 --> 00:22:44,597
I DIDN'T JUST GET
TO THIS POSITION BY ACCIDENT.
550
00:22:44,631 --> 00:22:45,398
LET'S WAIT AND SEE THE FIGURES
551
00:22:45,432 --> 00:22:47,600
FOR THE NEXT QUARTER,
SHALL WE?
552
00:22:48,835 --> 00:22:50,603
ANOTHER PLACE SETTING.
553
00:22:50,637 --> 00:22:51,471
OH, UH, DON'T BOTHER.
554
00:22:51,504 --> 00:22:53,673
I JUST REMEMBERED
I HAVE ANOTHER LUNCH.
555
00:22:53,707 --> 00:22:56,843
AND A LOT OF WORK.
556
00:22:56,876 --> 00:22:58,611
BON APPETIT.
557
00:23:06,953 --> 00:23:08,188
HE KNOWS I DESERVETHIS JOB.
558
00:23:08,221 --> 00:23:09,856
AND TO READ
INTO SOME STUPID REMARK
559
00:23:09,889 --> 00:23:11,725
I DON'T EVEN
REMEMBER MAKING!
560
00:23:11,758 --> 00:23:13,126
BUT YOU HAVE...
561
00:23:13,159 --> 00:23:14,461
SAID YOU WANTED A FAMILY.
562
00:23:14,494 --> 00:23:16,196
WHOSE SIDE ARE YOU ON?
563
00:23:16,229 --> 00:23:18,765
WELL, IT'S NOT A CRIME.
IT'S A LEGITIMATE DESIRE.
564
00:23:18,798 --> 00:23:20,000
THESE LEATHER?
565
00:23:20,033 --> 00:23:20,934
HE FIRED THAT SHOT HOPING
566
00:23:20,967 --> 00:23:22,002
I WOULD GET ALL FLUSTERED
AND EMOTIONAL.
567
00:23:22,035 --> 00:23:25,138
AND THEN HE'D HAVE SUPPORT
FOR HIS SEXIST ARGUMENT.
568
00:23:25,171 --> 00:23:26,172
TRY THESE.
569
00:23:26,206 --> 00:23:28,208
IT'S A LOSE-LOSE SITUATION
IN THE CORPORATE WORLD.
570
00:23:28,241 --> 00:23:29,242
IF YOU WANT
TO START A FAMILY,
571
00:23:29,275 --> 00:23:30,443
THEN YOU'RE DISTRACTED.
572
00:23:30,477 --> 00:23:32,879
AND IF YOU DON'T, THEN THERE'S
SOMETHING WRONG WITH YOU.
573
00:23:32,912 --> 00:23:34,748
YOU'RE UNNATURAL.
YOU HATE MEN.
574
00:23:34,781 --> 00:23:36,750
YOU'RE HIDING TESTICLES
UNDER YOUR SKIRT!
575
00:23:36,783 --> 00:23:38,885
OKAY, VOLUME.
SORRY.
576
00:23:38,918 --> 00:23:40,887
WELL, DO WE KNOW
WHO SHE IS?
577
00:23:40,920 --> 00:23:42,022
WHO?
578
00:23:42,055 --> 00:23:43,990
THE FEMALE EXEC
WHO LET HIM DOWN
579
00:23:44,024 --> 00:23:45,492
WHEN SHE BECAME
A MOMMY?
580
00:23:45,525 --> 00:23:47,861
OH, COME ON, HONEY.
IT'S NOT YOU.
581
00:23:47,894 --> 00:23:50,163
YOU ARE THE BEST THING
THAT HAPPENED TO THAT STUDIO.
582
00:23:50,196 --> 00:23:52,899
BUT YOU CAN'T WEAR GREEN.
583
00:23:52,932 --> 00:23:54,501
YOU LOOK LIKE SHREK.
584
00:23:54,534 --> 00:23:56,136
PUT IT BACK.
585
00:23:56,169 --> 00:23:59,172
WHY--HEY, HEY.
WHY WOULD YOU EVEN GO THERE?
586
00:23:59,205 --> 00:24:01,675
YOU KNOW THAT YOU ARE
HECTOR'S FAVORITE CHILD.
587
00:24:01,708 --> 00:24:03,009
YEAH, MAYBE YESTERDAY.
588
00:24:03,043 --> 00:24:04,778
TODAY I'M STALKING
LEO DICAPRIO
589
00:24:04,811 --> 00:24:06,279
AND I'VE GOT A DIRECTOR
WHO WON'T LET ME FIRE HIM.
590
00:24:06,312 --> 00:24:08,081
FREEZE.
591
00:24:08,114 --> 00:24:10,717
THIS IS A COLOR
THAT YOU CAN WEAR.
592
00:24:10,750 --> 00:24:12,519
I DON'T WEAR PINK.
593
00:24:12,552 --> 00:24:13,753
IT'S RHUBARB.
594
00:24:13,787 --> 00:24:14,554
WELL, THEN IT BELONGS
IN A PIE,
595
00:24:14,587 --> 00:24:16,189
WHICH SOUNDS VERY GOOD
RIGHT NOW.
596
00:24:16,222 --> 00:24:18,191
COME ON. CAN WE PLEASE GO
BEFORE THEY GIVE OUR TABLE AWAY?
597
00:24:18,224 --> 00:24:19,859
WHAT DO YOU MEAN
HE WON'T LET YOU FIRE HIM?
598
00:24:19,893 --> 00:24:21,194
I CALLED HIM IN.
I SAID IT WASN'T WORKING.
599
00:24:21,227 --> 00:24:23,730
WE HUGGED. I THOUGHT--
HUGGED?
600
00:24:23,763 --> 00:24:26,232
WHAT DO YOU MEAN YOU HUGGED?
THERE'S NO HUGGING IN FIRING.
601
00:24:26,266 --> 00:24:29,803
I HAVE FIRED AND HUGGED BEFORE
WITHOUT A PROBLEM.
602
00:24:29,836 --> 00:24:31,304
I'M A HUGGER.
WHEN?
603
00:24:31,338 --> 00:24:34,040
YOU ARE HIS BOSS,
NOT HIS MOTHER.
604
00:24:34,074 --> 00:24:35,709
I DON'T THINK YOU HAVE
TO BE COLD AND NASTY
605
00:24:35,742 --> 00:24:36,476
TO PROVE YOU'RE IN CHARGE.
606
00:24:36,509 --> 00:24:38,078
OH, SO NOW
I'M COLD AND NASTY.
607
00:24:38,111 --> 00:24:40,113
OH, LOOK, THIS TAKES AWAY
COLD AND NASTY.
608
00:24:40,146 --> 00:24:41,548
COME SMELL.
609
00:24:41,581 --> 00:24:42,816
ALL I AM SAYING
610
00:24:42,849 --> 00:24:44,884
IS THAT WE HAVE
DIFFERENT STYLES,
611
00:24:44,918 --> 00:24:46,953
NIC, THAT'S ALL.
612
00:24:46,986 --> 00:24:48,922
WOULD A MALE STUDIO EXEC
HUG HIM?
613
00:24:49,989 --> 00:24:50,990
THANK YOU.
614
00:24:51,024 --> 00:24:52,025
OH, DON'T PUT THAT ON ME.
615
00:24:52,058 --> 00:24:53,560
I'LL TRY IT.
616
00:24:53,593 --> 00:24:56,730
BOLD AND DECISIVE
DOESN'T ALWAYS WORK, OKAY?
617
00:24:56,763 --> 00:24:57,931
I PICKED UP THE CHECK
LAST NIGHT
618
00:24:57,964 --> 00:24:59,833
AND JOE BENNETT
ALMOST HAD A STROKE.
619
00:24:59,866 --> 00:25:01,201
FROM WHAT YOU SAID
ABOUT THE DATE,
620
00:25:01,234 --> 00:25:02,769
THAT WOULD'VE BEEN
THE HIGHLIGHT.
621
00:25:02,802 --> 00:25:04,237
NOT ALL BAD.
622
00:25:04,270 --> 00:25:05,572
BEHIND THE BLUSTER,
623
00:25:05,605 --> 00:25:07,841
I SAW A NERVOUS
LITTLE BOY WITH DIMPLES.
624
00:25:07,874 --> 00:25:09,109
I LOVE DIMPLES.
625
00:25:09,142 --> 00:25:10,343
SO RENT
A DENNIS QUAID MOVIE.
626
00:25:10,377 --> 00:25:12,912
YOU GONNA SEE DIMPLES AGAIN?
627
00:25:12,946 --> 00:25:15,849
SHE'S LOOKING
AT COCONUT MASSAGE OIL.
628
00:25:15,882 --> 00:25:17,751
YOU'RE GONNA SLEEP
WITH HIM.
629
00:25:17,784 --> 00:25:18,952
MM-HMM.
630
00:25:18,985 --> 00:25:21,087
OH, DON'T GIVE ME
THAT YOU'RE A WHORE LOOK.
631
00:25:21,121 --> 00:25:23,256
SOME OF US AREN'T MARRIED
TO SHANE THE LOVE MACHINE.
632
00:25:23,289 --> 00:25:25,191
LET ME SEE THAT.
633
00:25:25,225 --> 00:25:27,794
MM. WOULD CHARLES
LIKE THIS?
634
00:25:27,827 --> 00:25:30,296
WHAT IS CHARLES
INTO ANYWAY?
635
00:25:30,330 --> 00:25:32,265
BOOKS.
636
00:25:32,298 --> 00:25:36,102
WRITING THEM, READING THEM,
AND DISCUSSING THEM.
637
00:25:40,840 --> 00:25:42,876
NICO...
638
00:25:42,909 --> 00:25:46,012
HOW LONG HAS IT BEEN?
639
00:25:46,046 --> 00:25:48,314
AWHILE.
640
00:25:48,348 --> 00:25:50,150
I DON'T KNOW.
I HAVEN'T KEPT TRACK.
641
00:25:50,183 --> 00:25:51,785
[cell phone rings]
642
00:25:51,818 --> 00:25:54,621
OH, SORRY.
643
00:25:54,654 --> 00:25:55,922
HECTOR.
644
00:25:55,955 --> 00:25:59,025
GALILEO'S GOING INTO PRODUCTIONAT DREAMWORKS TOMORROW.
645
00:25:59,059 --> 00:26:00,226
WHAT?
THAT'S NOT POSSIBLE.
646
00:26:00,260 --> 00:26:03,263
THEY'RE FLYING DICAPRIOOUT TODAY ON THE COMPANY JET.
647
00:26:03,296 --> 00:26:06,032
I'M CONFUSED.I THOUGHT OUR DEAL WAS CLOSED.
648
00:26:06,066 --> 00:26:07,334
I'M ON IT.
649
00:26:07,367 --> 00:26:08,902
I GOTTA GO.
650
00:26:08,935 --> 00:26:10,937
LEO IS BOARDING
SOMEBODY ELSE'S PLANE.
651
00:26:10,970 --> 00:26:13,306
OH, AND BUY HER
THAT MASSAGE OIL.
652
00:26:13,340 --> 00:26:15,275
SHE NEEDS IT
MORE THAN YOU DO.
653
00:26:31,458 --> 00:26:35,862
[speed dial sound]
654
00:26:35,895 --> 00:26:40,066
HELLO? KIRBY, IT'S NICO.
655
00:26:40,100 --> 00:26:42,102
NICO REILLY
FROM THE OTHER NIGHT.
656
00:26:46,139 --> 00:26:47,140
(Kirby)
I'M GLAD THAT YOU'RE HERE.
657
00:26:47,173 --> 00:26:48,308
[bike shakes]
OH!
658
00:26:48,341 --> 00:26:50,076
SORRY ABOUT THE BIKE.
THAT'S ALL RIGHT.
659
00:26:50,110 --> 00:26:51,077
IT'S MY ROOMMATE'S.
660
00:26:51,111 --> 00:26:51,911
SO THIS IS IT.
661
00:26:51,945 --> 00:26:53,913
UH, I KINDA WANT TO GET
MY OWN PLACE.
662
00:26:53,947 --> 00:26:56,049
BUT I LIKE LIVING
DOWNTOWN, YOU KNOW.
663
00:26:56,082 --> 00:26:57,384
AND IT'S...
OH.
664
00:26:57,417 --> 00:27:01,054
ALSO A REALLY GOOD PLACE
FOR THE PRICE.
665
00:27:01,087 --> 00:27:02,055
YEAH, YEAH.
666
00:27:02,088 --> 00:27:05,291
IT'S, UM, IT'S GOT
GOOD BONES.
667
00:27:05,325 --> 00:27:07,093
YOU LOOK GREAT,
BY THE WAY.
668
00:27:07,127 --> 00:27:08,428
OH, THANKS.
669
00:27:08,461 --> 00:27:13,033
WOULD YOU LIKE SOME WINE
OR ANYTHING?
670
00:27:13,066 --> 00:27:16,870
UM...I, UH...
671
00:27:16,903 --> 00:27:17,971
I-I SHOULDN'T.
672
00:27:18,004 --> 00:27:19,372
I HAD CHAMPAGNE
AT LUNCH
673
00:27:19,406 --> 00:27:21,975
AND I'M GONNA HAVE
TO GET BACK TO WORK.
674
00:27:22,008 --> 00:27:24,377
I-I KNOW
YOU'RE SUPER BUSY.
675
00:27:24,411 --> 00:27:28,281
BUT...YOU'VE GOTTA RELAX,
YOU KNOW.
676
00:27:28,314 --> 00:27:31,117
YEAH. IT'S...
677
00:27:31,151 --> 00:27:32,986
[drops purse on floor]
678
00:27:33,019 --> 00:27:35,889
NOT GOOD TO ALWAYS BE GOIN'
100 MILES AN HOUR.
679
00:27:37,757 --> 00:27:39,926
UM...
680
00:27:39,959 --> 00:27:43,163
OKAY, MAYBE I WILL HAVE
THAT WINE.
681
00:27:43,196 --> 00:27:44,964
OKAY.
OKAY.
682
00:27:49,369 --> 00:27:51,371
IT TOOK 'EM TWO YEARS
TO GET THEIR LIQUOR LICENSE.
683
00:27:51,404 --> 00:27:53,373
WELL, THERE'S GOTTA BE WAYS
AROUND THAT.
684
00:27:53,406 --> 00:27:55,141
I RAN SOME FIGURES.
685
00:27:55,175 --> 00:27:57,143
SHALL WE?
686
00:27:57,177 --> 00:27:58,411
SHOULD WE WAIT
FOR WENDY TO GET HERE?
687
00:27:58,445 --> 00:28:00,280
WENDY.
UH, SHE'S NOT JOINING US.
688
00:28:00,313 --> 00:28:02,115
I'M SORRY, WHY WOULD WENDY
HAVE TO BE HERE?
689
00:28:02,148 --> 00:28:03,149
OH, WELL,
690
00:28:03,183 --> 00:28:04,150
SHE DOESN'T.
WE JUST FIGURED...
691
00:28:04,184 --> 00:28:05,151
WELL, IT MAKES SENSE.
692
00:28:05,185 --> 00:28:07,153
GET HER INVOLVED EARLY ON.
693
00:28:07,187 --> 00:28:09,122
I MEAN,
IF SHE'S THE PRIMARY INVESTOR.
694
00:28:09,155 --> 00:28:10,990
AND LET'S FACE IT,
SHE'S GOT THE ROLODEX.
695
00:28:11,024 --> 00:28:13,026
WOULDN'T HURT TO HAVE
SOME CELEBRITIES HANGING OUT.
696
00:28:14,461 --> 00:28:16,029
THIS IS MY PROJECT, GUYS.
697
00:28:16,062 --> 00:28:17,397
MY WIFE'S NOT INVOLVED.
698
00:28:17,430 --> 00:28:20,333
SO LET'S GO SEE
THE PLACE.
699
00:28:28,174 --> 00:28:29,976
MM. THIS IS GOOD.
700
00:28:30,010 --> 00:28:31,177
YEAH, IT IS, HUH?
701
00:28:31,211 --> 00:28:33,179
YEAH.
702
00:28:33,213 --> 00:28:34,948
OH.
703
00:28:34,981 --> 00:28:36,316
OH, LOOK AT THAT.
704
00:28:36,349 --> 00:28:37,550
YOU HAVE A CD TOWER.
705
00:28:37,584 --> 00:28:39,419
I MEAN, A WHOLE TOWER
706
00:28:39,452 --> 00:28:41,121
JUST FOR CDS.
707
00:28:41,154 --> 00:28:43,089
YOU KNOW, I WAS WONDERING
WHO WOULD INVENT-- NIC.
708
00:28:43,123 --> 00:28:44,190
ARE YOU OKAY?
709
00:28:44,224 --> 00:28:46,192
YEAH.
710
00:28:46,226 --> 00:28:49,195
WE DON'T HAVE TO DO THIS,
YOU KNOW.
711
00:28:49,229 --> 00:28:51,364
NO, I AM. I WANT TO.
712
00:28:51,398 --> 00:28:54,100
IT'S JUST
I'M A LITTLE...
713
00:28:54,134 --> 00:28:56,069
YOUR FIRST TIME.
714
00:28:56,102 --> 00:28:57,170
WHAT?
715
00:28:57,203 --> 00:28:59,372
CHEATING ON YOUR HUSBAND.
716
00:29:06,112 --> 00:29:07,213
DON'T WORRY ABOUT IT.
717
00:29:07,247 --> 00:29:08,982
I'M SURE YOU'VE GOT
YOUR REASONS.
718
00:29:09,015 --> 00:29:11,251
RIGHT?
719
00:29:11,284 --> 00:29:13,453
MM.
720
00:29:13,486 --> 00:29:16,423
AND IN CASE
YOU'RE WONDERING...
721
00:29:16,456 --> 00:29:20,794
YOU HAVE AN ABSOLUTELY
AMAZING BODY.
722
00:29:23,296 --> 00:29:26,399
[breathing hard]
723
00:29:32,372 --> 00:29:34,307
OH, MY GOD!
724
00:29:37,410 --> 00:29:39,279
AH!
725
00:29:39,312 --> 00:29:40,413
I NEED A CREW THERE TONIGHT.
726
00:29:40,447 --> 00:29:42,182
I'M NOT SURE
WHEN WE'RE SHOOTING YET.
727
00:29:42,215 --> 00:29:44,217
I'M TRYING TO LOCATE
LEONARDO DICAPRIO.
728
00:29:44,250 --> 00:29:45,185
PHIL, YOU'RE BEING GREEDY.
729
00:29:45,218 --> 00:29:46,486
WE MADE
A VERY GENEROUS OFFER.
730
00:29:46,519 --> 00:29:47,587
NO, WE DIDN'T GIVE IT
TO JUDE LAW.
731
00:29:47,620 --> 00:29:48,588
WE'RE NOT GIVING IT
TO HIM.
732
00:29:48,621 --> 00:29:50,190
PHIL.
PHIL, YOU'RE KILLING ME.
733
00:29:50,223 --> 00:29:51,391
THIS IS A NON-STORY.
LEO'S NOT GOING ANYWHERE.
734
00:29:51,424 --> 00:29:53,493
JUST GIVE ME ONE HOUR.
BECAUSE IT'S ABOUT PRECEDENT, PHIL.
735
00:29:53,526 --> 00:29:55,228
IT'S NOT HAPPENING.
WHY WASN'T THIS DEAL DONE?
736
00:29:55,261 --> 00:29:56,629
YOUR PROBLEM IS YOU'VE
GOT TO--
737
00:29:56,663 --> 00:29:59,265
(woman)I'VE GOT HIM! I'VE GOTLEONARDO DICAPRIO ON THE LINE.
738
00:30:11,511 --> 00:30:13,279
LEO, HI. IT'S WEN.
739
00:30:13,313 --> 00:30:14,414
LISTEN,
740
00:30:14,447 --> 00:30:16,383
WE'RE PULLING THE OFFER.
741
00:30:16,416 --> 00:30:18,084
IF YOU REALLY THINK
742
00:30:18,118 --> 00:30:19,319
THAT THE DREAMWORKS SCRIPT
IS BETTER,
743
00:30:19,352 --> 00:30:20,086
I'M NOT GONNA STAND
IN YOUR WAY.
744
00:30:20,120 --> 00:30:20,954
AND RUSSELL CROWE'SSCHEDULE
745
00:30:20,987 --> 00:30:22,188
JUST OPENED UP,SO WE'LL BE FINE.
746
00:30:22,222 --> 00:30:25,892
LET'S WORK TOGETHER AGAINREALLY SOON, OKAY, SWEETIE?
747
00:30:25,925 --> 00:30:27,494
AND BEST OF LUCK WITH IT.
748
00:30:32,232 --> 00:30:34,300
WAIT. HE'LL CALL.
749
00:30:36,469 --> 00:30:37,637
DO WE HAVE
RUSSELL CROWE?
750
00:30:37,671 --> 00:30:39,172
NO.
751
00:30:44,377 --> 00:30:46,579
[telephone rings]
752
00:30:46,613 --> 00:30:49,916
(Josh)UH, WENDY HEALY'S OFFICE.
753
00:30:49,949 --> 00:30:52,352
LEONARDO DICAPRIO
IS ON ONE.
754
00:30:58,358 --> 00:31:00,093
LEO? HI.
755
00:31:02,562 --> 00:31:04,497
YOU'VE MADE
THE RIGHT DECISION.
756
00:31:11,638 --> 00:31:13,106
[laughter]
757
00:31:16,309 --> 00:31:18,712
[knocking at door]
YES, COME ON IN.
758
00:31:18,745 --> 00:31:20,180
MISS FORD?
759
00:31:20,213 --> 00:31:21,314
HI.
760
00:31:26,553 --> 00:31:29,489
[techno-pop music]
761
00:31:29,522 --> 00:31:37,597
* *
762
00:31:43,470 --> 00:31:44,637
* I AM IN LOVE WITH YOU *
763
00:31:44,671 --> 00:31:47,374
* *
764
00:31:47,407 --> 00:31:51,378
* I AM IN LOVE WITH YOU,
BABY *
765
00:31:51,411 --> 00:31:55,315
* I AM IN LOVE WITH YOU *
766
00:31:55,348 --> 00:31:57,417
[bell ringing]
767
00:31:57,450 --> 00:32:01,421
[women giggling]
768
00:32:01,454 --> 00:32:02,989
OH. HI.
769
00:32:03,023 --> 00:32:04,424
OH.
770
00:32:04,457 --> 00:32:07,260
HELLO.
771
00:32:07,293 --> 00:32:08,428
[laughs]
772
00:32:11,364 --> 00:32:12,766
MRS. HEALY,
WE HAVE TO START.
773
00:32:12,799 --> 00:32:14,267
THE HEADMASTER'S
ON A TIGHT SCHEDULE.
774
00:32:14,300 --> 00:32:15,301
I UNDERSTAND.
MY HUSBAND'S ON HIS WAY.
775
00:32:15,335 --> 00:32:16,503
HE'LL HAVE TO JOIN YOU
IN PROGRESS.
776
00:32:16,536 --> 00:32:18,304
DO YOU HAVE
ALL YOUR PAPERWORK?
777
00:32:18,338 --> 00:32:19,739
I DO, YES.
[cell phone rings]
778
00:32:19,773 --> 00:32:21,708
OH, WAIT, WAIT, WAIT.
THIS MIGHT BE HIM.
779
00:32:32,218 --> 00:32:34,220
THANK YOU.
RIGHT THIS WAY.
780
00:32:40,093 --> 00:32:43,063
[acoustic guitar music]
781
00:32:43,096 --> 00:32:51,104
* *
782
00:32:55,141 --> 00:32:56,109
SORRY.
783
00:32:56,142 --> 00:32:58,745
HEY, IS IT OVER ALREADY?
784
00:32:58,778 --> 00:33:00,480
IS IT OVER?
OH. THAT WAS FAST.
785
00:33:00,513 --> 00:33:02,115
I THOUGHT--
YEAH, IT TOOK HALF THE TIME
786
00:33:02,148 --> 00:33:04,184
'CAUSE ONLY HALF OF TAYLOR'S
PARENTS SHOWED.
787
00:33:04,217 --> 00:33:07,220
WHAT HAPPENED? SHANE?
788
00:33:07,253 --> 00:33:08,521
UM...
789
00:33:08,555 --> 00:33:10,824
THERE WAS A LITTLE DETAILS
TO IRON OUT.
790
00:33:10,857 --> 00:33:12,092
THE, UH, LIQUOR LICENSE--
791
00:33:12,125 --> 00:33:13,326
YEAH, WELL, WE HAVE HAD
THIS DATE
792
00:33:13,360 --> 00:33:14,427
ON OUR CALENDAR FOR MONTHS.
793
00:33:14,461 --> 00:33:17,497
THERE ARE HUNDREDS OF KIDS
COMPETING FOR A DOZEN SLOTS.
794
00:33:17,530 --> 00:33:20,300
UH, YEAH, BUT I DON'T THINK
MY NOT BEING THERE
795
00:33:20,333 --> 00:33:21,668
WILL RUIN HIS CHANCES.
796
00:33:21,701 --> 00:33:23,269
WHAT DOES THAT MEAN?
WHAT DOES THAT MEAN?
797
00:33:23,303 --> 00:33:24,337
WELL, LET'S FACE IT, WENDY,
798
00:33:24,371 --> 00:33:26,506
I'M NOT REALLY THE PARENT
THEY NEED TO MEET, AM I?
799
00:33:26,539 --> 00:33:28,641
YOU'RE HIS FATHER.
YEAH.
800
00:33:28,675 --> 00:33:29,876
BUT I'M NOT THE ONE
WHO'LL BE DONATING
801
00:33:29,909 --> 00:33:33,313
THE SPIELBERG BASEBALL CAP
TO THE HALLOWEEN FUNDRAISER. OH.
802
00:33:33,346 --> 00:33:34,748
SO THAT'S WHAT'S HAPPENING.
803
00:33:34,781 --> 00:33:35,849
YOU'RE PUNISHING OUR SON
804
00:33:35,882 --> 00:33:38,218
BECAUSE YOU'RE NOT THE ONE
WRITING THE TUITION CHECKS.
805
00:33:38,251 --> 00:33:39,686
NO, I'M NOT
PUNISHING ANYBODY.
806
00:33:39,719 --> 00:33:41,187
I'LL BE THE ONE
PICKING HIM UP
807
00:33:41,221 --> 00:33:42,322
AND DROPPING HIM OFF
FROM SCHOOL EVERY DAY.
808
00:33:42,355 --> 00:33:43,656
I'LL BE THE ONE
TAKING REQUESTS
809
00:33:43,690 --> 00:33:45,091
FOR ADVANCE COPIES
OF HAPPY FEET 2.
810
00:33:45,125 --> 00:33:46,326
WE'RE NOT HAVING
THIS CONVERSATION HERE.
811
00:33:46,359 --> 00:33:49,095
WHY? IT IS NO LESS TRUTHFUL
IF IT HAPPENS IN OUR KITCHEN.
812
00:33:49,129 --> 00:33:50,697
WHAT DO YOU WANT, SHANE?
813
00:33:50,730 --> 00:33:53,867
YOU WANT ME TO APOLOGIZE
FOR WHO I AM?
814
00:33:53,900 --> 00:33:56,202
FOR BEING ABLE TO GIVE MY FAMILY
SOME OF THE PERKS
815
00:33:56,236 --> 00:33:58,304
THAT COME
FROM WORKIN' MY ASS OFF
816
00:33:58,338 --> 00:33:59,239
TO GET TO THIS PLACE?
817
00:33:59,272 --> 00:34:00,840
IT'S NOT LIKE YOU HAVEN'T
HAD OPPORTUNITIES.
818
00:34:00,874 --> 00:34:01,775
WHAT OPPORTUNITIES?
819
00:34:01,808 --> 00:34:03,777
EVERY DREAM I'VE HAD
HAS BEEN PUT ON HOLD.
820
00:34:03,810 --> 00:34:05,245
MY AMBITIONS, THEY HAVE
TO BE SQUEEZED
821
00:34:05,278 --> 00:34:06,179
INTO AN HOUR
OF YOUR SCHEDULE.
822
00:34:06,212 --> 00:34:08,548
ALL RIGHT,
THAT'S CRAP. THAT IS NOT CRAP!
823
00:34:08,581 --> 00:34:09,683
YOUR OPPORTUNITIES DISAPPEAR
824
00:34:09,716 --> 00:34:12,585
BECAUSE THE MINUTE SOMETHING
BECOMES REAL, YOU BACK OFF.
825
00:34:12,619 --> 00:34:14,688
YOU DON'T WANT
TO TAKE A CHANCE AT FAILING.
826
00:34:14,721 --> 00:34:16,289
IT HAS NOTHING TO DO
WITH MY SCHEDULE.
827
00:34:16,322 --> 00:34:18,558
OH, IS THAT MY PROBLEM?
IS THAT MY PROBLEM?
828
00:34:18,591 --> 00:34:19,759
THANK YOU.
THANK YOU VERY MUCH.
829
00:34:19,793 --> 00:34:21,828
PLEASE, DON'T TREAT ME LIKE ONE
OF THE KIDS, ALL RIGHT?
830
00:34:21,861 --> 00:34:23,329
ALL RIGHT, WELL, THEN STOP
ACTING LIKE ONE OF THEM.
831
00:34:23,363 --> 00:34:24,864
OKAY.
832
00:34:24,898 --> 00:34:27,233
WORKS BETTER FOR YOU WHEN I ACT
LIKE ONE OF YOUR ASSISTANTS,
833
00:34:27,267 --> 00:34:28,635
DOESN'T IT?
834
00:34:40,447 --> 00:34:43,416
(Victory)MRS. IKITO, I WAS TRYINGSOMETHING NEW.
835
00:34:43,450 --> 00:34:46,286
SEE, EVENTUALLY, I WANT
TO MOVE INTO COUTURE--
836
00:34:46,319 --> 00:34:48,288
WHY? THERE'S NO MONEY
IN COUTURE.
837
00:34:48,321 --> 00:34:50,290
EVERYBODY KNOWS THAT.
838
00:34:50,323 --> 00:34:51,291
THERE IS MONEY
839
00:34:51,324 --> 00:34:53,593
IN THE OLD VICTORY FORD.
840
00:34:56,463 --> 00:34:57,364
THIS IS MR. MORIMOTO.
841
00:34:57,397 --> 00:35:00,600
HE'S AN EXTREMELY TALENTEDDESIGNER.
842
00:35:00,633 --> 00:35:02,202
I LOVE YOUR CLOTHES.
843
00:35:02,235 --> 00:35:05,638
IT WOULD BE A GREAT HONOR
TO WORK WITH YOU.
844
00:35:05,672 --> 00:35:07,340
WORK WITH ME?
845
00:35:07,374 --> 00:35:08,708
HIS SPECIALTY
IS MAKING COPIES.
846
00:35:08,742 --> 00:35:11,311
HE WILL DRAWNEW DESIGNS
847
00:35:11,344 --> 00:35:13,446
TO LOOK LIKE THE OLDVICTORY FORD.
848
00:35:13,480 --> 00:35:15,415
NO.
849
00:35:15,448 --> 00:35:17,183
MY FALL LINE
850
00:35:17,217 --> 00:35:18,952
WAS THE BEST
THAT I'VE EVER DESIGNED.
851
00:35:18,985 --> 00:35:20,754
MAYBE PEOPLE DIDN'T LIKE ITAS MUCH,
852
00:35:20,787 --> 00:35:22,389
BUT THEY WILL LIKE
THE NEXT ONE
853
00:35:22,422 --> 00:35:26,626
THAT I, VICTORY FORD,
DESIGN.
854
00:35:26,659 --> 00:35:28,428
I BELIEVE THESE ARE YOURS.
855
00:35:39,406 --> 00:35:42,409
[crying]
856
00:36:10,537 --> 00:36:11,738
HEY.
857
00:36:14,274 --> 00:36:15,675
THERE'S DINNER IN THE FRIDGE.
HAVE YOU EATEN?
858
00:36:19,813 --> 00:36:22,916
I, UH, HATE
859
00:36:22,949 --> 00:36:24,784
THAT I SAID
THOSE THINGS TO YOU.
860
00:36:24,818 --> 00:36:26,386
ME TOO.
861
00:36:26,419 --> 00:36:27,721
I WAS JUST
SO FRUSTRATED.
862
00:36:27,754 --> 00:36:30,256
NO, PLEASE.
LET ME--LET ME--LET ME FINISH.
863
00:36:30,290 --> 00:36:31,858
PLEASE.
864
00:36:31,891 --> 00:36:33,426
I'VE BEEN WALKING AROUND
FOR HOURS
865
00:36:33,460 --> 00:36:34,394
TRYIN' TO FIGURE
THIS THING OUT.
866
00:36:34,427 --> 00:36:36,496
SO JUST GIVE ME--
JUST...
867
00:36:42,469 --> 00:36:45,438
OKAY, HERE'S THE THING.
868
00:36:45,472 --> 00:36:46,506
WHEN I'M HERE WITH YOU,
869
00:36:46,539 --> 00:36:50,477
IT'S JUST US
AND THE KIDS.
870
00:36:50,510 --> 00:36:52,412
I NEVER FEEL
LIKE I'M NOTHING.
871
00:36:52,445 --> 00:36:55,715
NEVER.
872
00:36:55,749 --> 00:36:59,419
IT'S JUST EVERYTHING CHANGES
WHEN I WALK OUT THE DOOR.
873
00:36:59,452 --> 00:37:00,720
IT DOESN'T HAVE
TO BE THAT WAY.
874
00:37:00,754 --> 00:37:02,822
BUT, BABY--
WENDY, YOU CAN'T FACE THIS.
875
00:37:02,856 --> 00:37:04,824
AND YOU DON'T HAVE
TO GIVE ANYTHING UP.
876
00:37:04,858 --> 00:37:06,059
AND BELIEVE ME,
YOU HAVE NO IDEA
877
00:37:06,092 --> 00:37:07,427
HOW PROUD OF YOU I AM.
878
00:37:07,460 --> 00:37:09,329
THIS IS MY PROBLEM,
879
00:37:09,362 --> 00:37:11,765
AND THAT'S JUST THE WAYIT IS.
880
00:37:13,466 --> 00:37:14,868
YOU'RE GONNA KEEP RISING
AND RISING,
881
00:37:14,901 --> 00:37:15,802
AND I'M GONNA BE HERE--
882
00:37:15,835 --> 00:37:19,506
I'M GONNA BE LOOKING
FOR SPIDER-MAN BAND-AIDS
883
00:37:19,539 --> 00:37:20,807
AND CLEANING UP CAT PUKE.
884
00:37:20,840 --> 00:37:23,910
AND I'VE JUST GOT
TO MAKE PEACE WITH THAT.
885
00:37:23,943 --> 00:37:28,515
IT JUST SEEMS TO GET
A BIT HARDER EVERY DAY.
886
00:37:28,548 --> 00:37:30,850
WE'LL FIGURE IT OUT.
887
00:37:30,884 --> 00:37:32,519
COME ON. WE WILL.
888
00:37:39,092 --> 00:37:41,294
YEAH, I GUESS.
889
00:37:54,808 --> 00:37:58,011
[cell phone rings]
890
00:37:58,044 --> 00:37:59,813
WHAT?
891
00:37:59,846 --> 00:38:02,015
I WANT YOU TO KNOW
I'M POTENTIALLY LOSING $20,000
892
00:38:02,048 --> 00:38:03,583
BY CALLING YOU MYSELF.
893
00:38:03,616 --> 00:38:06,486
[laughs through tears,
sniffs]
894
00:38:06,519 --> 00:38:07,654
ARE YOU CRYING?
895
00:38:07,687 --> 00:38:09,923
YES. YES, I AM CRYING.
896
00:38:09,956 --> 00:38:11,524
THIS IS HOW IT'S BEEN
897
00:38:11,558 --> 00:38:12,692
SINCE THE BEGINNING
OF MY CAREER.
898
00:38:12,726 --> 00:38:15,895
I-I CRY AND THEN I GO
BACK TO WORK.
899
00:38:15,929 --> 00:38:18,865
YOU'D BE SURPRISED
HOW MUCH I-I CRY.
900
00:38:18,898 --> 00:38:21,601
YOU KNOW, MOST PEOPLE THINK
THAT I'M FUN AND I'M COOL
901
00:38:21,634 --> 00:38:22,769
AND I'M OPTIMISTIC,
902
00:38:22,802 --> 00:38:25,805
BUT YOU KNOW WHAT,I'M A CRIER.
903
00:38:25,839 --> 00:38:26,906
WENT WELL, HUH?
904
00:38:26,940 --> 00:38:30,010
I'M WAY TOO--TOO CLOSE
TO MY PRODUCT.
905
00:38:30,043 --> 00:38:31,811
BUT I JUST--
906
00:38:31,845 --> 00:38:34,814
[crying]
I DON'T KNOW HOW TO BE ANY OTHER WAY.
907
00:38:34,848 --> 00:38:35,815
AND NOW I DON'T KNOWHOW I'M GONNA KEEP
908
00:38:35,849 --> 00:38:36,850
MY COMPANY GOING.
909
00:38:36,883 --> 00:38:37,951
OH, GOD,
910
00:38:37,984 --> 00:38:41,087
I JUST WANT
TO BE HOME ALREADY.
911
00:38:41,121 --> 00:38:44,758
A MAN NAMED HICHIRO,
WILL BE THERE IN TEN MINUTES.
912
00:38:44,791 --> 00:38:46,626
BE READY.
913
00:38:46,659 --> 00:38:49,629
[soft piano music]
914
00:38:49,662 --> 00:38:53,767
* *
915
00:38:53,800 --> 00:38:55,001
[knock at door]
916
00:38:55,035 --> 00:38:57,837
COME IN.
917
00:39:00,173 --> 00:39:02,776
MR. BENNETT'S JET
IS WAITING.
918
00:39:02,809 --> 00:39:06,913
* EVERY NOW AND THEN
YOU COME TO MIND *
919
00:39:08,882 --> 00:39:11,618
* 'CAUSE YOU WERE ALWAYS
WAITING *
920
00:39:11,651 --> 00:39:14,888
* TO BE PICKED
TO PLAY THE GAME *
921
00:39:14,921 --> 00:39:16,923
* BUT WHEN YOUR NAME
WAS CALLED *
922
00:39:16,956 --> 00:39:20,093
* YOU FOUND A PLACE
TO HIDE *
923
00:39:21,828 --> 00:39:26,800
* WHEN YOU KNEW THAT I WAS
ALWAYS ON YOUR SIDE *
924
00:39:28,835 --> 00:39:31,204
I HATE THIS, YOU KNOW.
925
00:39:31,237 --> 00:39:34,074
I HATE YOU SENDING A JET
FOR ME.
926
00:39:34,107 --> 00:39:37,177
I HATE THAT I LIKED RIDING
IN IT SO MUCH.
927
00:39:37,210 --> 00:39:39,779
I HATE YOUR SMUG ATTITUDE
928
00:39:39,813 --> 00:39:42,849
LIKE YOU'RE SOME BIG HERO,
BECAUSE YOU'RE NOT.
929
00:39:42,882 --> 00:39:46,653
YOU JUST CALLED YOUR ASSISTANT
AND HAD HER SEND IT FOR ME.
930
00:39:46,686 --> 00:39:48,988
ACTUALLY, I CALLED MYSELF.
931
00:39:49,022 --> 00:39:50,123
AND, HEY,
932
00:39:50,156 --> 00:39:51,758
I COULD'VE WAITED
FOR YOU IN THE CAR,
933
00:39:51,791 --> 00:39:52,859
BUT HERE I AM
STANDING OUT ON THE TARMAC
934
00:39:52,892 --> 00:39:54,027
FREEZING MY ASS OFF.
935
00:39:54,060 --> 00:39:57,797
I DON'T DO THAT
FOR ANYBODY.
936
00:40:03,236 --> 00:40:05,705
I DON'T LIKE TO BE RESCUED.
I RESCUE MYSELF.
937
00:40:05,739 --> 00:40:08,141
WILL YOU RELAX?
938
00:40:10,877 --> 00:40:13,179
BRING THE CAR AROUND,
BUMP.
939
00:40:13,213 --> 00:40:17,717
* SOME PLACE
WHERE ALL IS CLEAR *
940
00:40:17,751 --> 00:40:19,986
* EASY TO START OVER *
941
00:40:20,020 --> 00:40:23,923
* WITH THE ONES
YOU HOLD SO DEAR *
942
00:40:23,957 --> 00:40:26,659
* OR ARE YOU LEFT
TO WANDER *
943
00:40:26,693 --> 00:40:30,663
* ALL ALONE ETERNALLY *
944
00:40:30,697 --> 00:40:32,832
* NO, IT ISN'T HOW
IT'S REALLY MEANT TO BE *
945
00:40:32,866 --> 00:40:35,101
WHAT DID HE SAY AFTER THAT?
NOTHING.
946
00:40:35,135 --> 00:40:37,003
OKAY,
WHAT DID I JUST MISS?
947
00:40:37,037 --> 00:40:38,004
IF YOU TWO ARE GONNA
GANG UP ON ME
948
00:40:38,038 --> 00:40:39,072
FOR GETTING
ON THE STUPID PLANE,
949
00:40:39,105 --> 00:40:40,240
I ALREADY TOLD YOU,
950
00:40:40,273 --> 00:40:41,941
IT WASN'T ONE
OF MY PROUDEST MOMENTS.
951
00:40:41,975 --> 00:40:44,010
HEY, UM, WE WERE TALKING
ABOUT SHANE.
952
00:40:44,044 --> 00:40:46,179
OH. WHAT ABOUT HIM?
953
00:40:46,212 --> 00:40:48,214
WE HAD A WEIRD NIGHT.
954
00:40:48,248 --> 00:40:50,850
THEY'RE JUST--THEY'RE
GOING THROUGH A ROUGH PATCH.
955
00:40:50,884 --> 00:40:52,952
BUT IT'S GONNA BE FINE,
WENDY.
956
00:40:52,986 --> 00:40:54,988
IT WILL ALL BLOW OVER.
957
00:40:55,021 --> 00:40:56,990
OKAY.
958
00:40:57,023 --> 00:40:58,858
THAT'S WHAT I KEEP
TELLING MYSELF.
959
00:41:00,760 --> 00:41:03,897
OH, GOD.
960
00:41:03,930 --> 00:41:06,132
I KNOW NOTHING'S
EVER PERFECT.
961
00:41:06,166 --> 00:41:07,701
BUT I JUST THOUGHT
THAT MY MARRIAGE
962
00:41:07,734 --> 00:41:12,105
WAS THE ONE THING
THAT I DIDN'T HAVE TO MANAGE.
963
00:41:12,138 --> 00:41:15,975
I THOUGHT IT WAS SOLID.
964
00:41:16,009 --> 00:41:18,178
I FEEL LIKE A LOSER.
HEY, STOP IT.
965
00:41:18,211 --> 00:41:21,114
LISTEN TO ME.
YOU ARE NOT A LOSER.
966
00:41:21,147 --> 00:41:23,917
YOU'RE
AN EXTRAORDINARY PERSON.
967
00:41:23,950 --> 00:41:27,921
YOU ARE FUNNY,
YOU ARE SCARY SMART,
968
00:41:27,954 --> 00:41:30,223
AND INTENSE, AND GORGEOUS,
969
00:41:30,256 --> 00:41:31,858
AND LARGER THAN LIFE.
970
00:41:31,891 --> 00:41:33,927
AND YOU DESERVE TO BE LOVED
BECAUSE OF THOSE THINGS,
971
00:41:33,960 --> 00:41:36,062
NOT IN SPITE OF THEM.
972
00:41:36,096 --> 00:41:38,965
OKAY?
973
00:41:38,998 --> 00:41:41,801
DON'T YOU MAKE ME CRY.
974
00:41:41,835 --> 00:41:43,903
IF I START,
I'LL BE OUT HERE TILL JUNE.
975
00:41:43,937 --> 00:41:46,773
GOD, I HOPE NOT.
I HAVE NO PRIVACY AS IT IS.
976
00:41:50,844 --> 00:41:52,078
WEN.
977
00:41:52,112 --> 00:41:56,049
THINGS WILL GET BETTER.
978
00:41:56,082 --> 00:42:00,053
AND IF THEY DON'T...
979
00:42:00,086 --> 00:42:02,756
WE'LL MOVE TO THE WOODS
AND WE'LL MAKE MOCCASINS.
980
00:42:02,789 --> 00:42:04,024
HUH?
981
00:42:04,057 --> 00:42:09,095
I DON'T KNOW.
I JUST...
982
00:42:09,129 --> 00:42:11,131
THANK YOU.
DRINK UP.
983
00:42:11,164 --> 00:42:12,932
I HAD A CRAP WEEK
AND YOU TWO ARE THE ONLY ONES
984
00:42:12,966 --> 00:42:14,067
I WANT TO GET SLOBBERED WITH.
985
00:42:14,100 --> 00:42:15,235
START CHUGGIN'.
986
00:42:15,268 --> 00:42:17,237
I LOST MY VIRGINITY
IN MOCCASINS.
987
00:42:17,270 --> 00:42:21,007
[chokes]
988
00:42:21,041 --> 00:42:22,876
YOU REMEMBER WHAT SHOES
YOU WORE?
989
00:42:22,909 --> 00:42:24,844
IT WAS THE MOST
MEMORABLE PART.
990
00:42:24,878 --> 00:42:27,013
OH, HONEY.
991
00:42:27,047 --> 00:42:30,116
[laughter]
69409
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